Category Archives: Photographic Stock and Chemicals

Hill, Walter S.

1859                9 Platt Street, New York, New York.[1]

1859                274 Canal Street, New York, New York.

1860                522 Broadway, New York, New York.[2]

1859 November 23.  The New York Herald.  (New York, New York.)  November 23, 1859, Whole No. 8479, P. 3.

To Photographic Artists, Amateurs, &c.—For sale, very low, several first class instruments, from quarter to double whole sizes.  Apply to or address W. S. Hill & Co., 274 Canal street, N. Y.

New York City Directories.  (New York, New York.)  Published by John Fowler Trow.

1858.  Not Listed

1859.  dag. materials, 274 Canal—h-73 Hicks.

1860.  photo materials, 522 Broadway—h-115 W. 33d.

1861.  Not Listed.


[1] Craig’s Daguerreian Registry.

[2] New York City Directory, 1860/1861.

Hathaway, Thomas S.

1853                197 & 207 Main Street, Worcester, Massachusetts.

1854                Main Street, Union Block, Worcester, Massachusetts.

1855                222 Main Street, Worcester, Massachusetts.

1859-1861       22 Lake Street, Elmira, New York.

1859                Address Unknown, Pen Yan, New York.

1850 January 2.  Worcester Palladium.  (Worcester, Massachusetts.)  January 2, 1850, Vol. XVII, No. 1, P. 3.

Unclaimed Goods On Hand at the Worcester Freight House of the Boston and Worcester Railroad.  Notice is hereby given to all whom it may concern, that the following Goods are on hand as above, and will be sold at Public Auction, for charges, on Thursday, February 7th, 1850, at 2 o’clock P. M. at T. W. Bancroft’s, 155 Main-street, unless ownership is previously proved and charges paid.

Received by cars, and not called for…

Prior to 1847..Thos Hathaway…1 box Daguerreotype Apparatus.

Advertisement ran from January 2 to February 6, 1855.

1850 January 10.  The Daily Spy.  (Worcester, Massachusetts.)  January 10, 1850, Vol. V, No. 178, P. 3.

Unclaimed Goods On Hand at the Worcester Freight House of the Boston and Worcester Railroad.  Notice is hereby given to all whom it may concern, that the following Goods are on hand as above, and will be sold at Public Auction, for charges, on Thursday, February 7th, 1850, at 2 o’clock P. M. at T. W. Bancroft’s, 155 Main-street, unless ownership is previously proved and charges paid.

Received by cars, and not called for…

Prior to 1847..Thos Hathaway…1 box Daguerreotype Apparatus.

Advertisement was recorded seven times between January 10 to February 5, 1850.

1850 January 9.  The Massachusetts Spy.  (Worcester, Massachusetts.)  January 9, 1850, Vol. LXXIX, No. 2, Whole No. 4016, P. 2.

Unclaimed Goods On Hand at the Worcester Freight House of the Boston and Worcester Railroad.  Notice is hereby given to all whom it may concern, that the following Goods are on hand as above, and will be sold at Public Auction, for charges, on Thursday, February 7th, 1850, at 2 o’clock P. M. at T. W. Bancroft’s, 155 Main-street, unless ownership is previously proved and charges paid.

Received by cars, and not called for…

Prior to 1847..Thos Hathaway…1 box Daguerreotype Apparatus.

Advertisement was recorded three times between January 9 to February 6, 1850.

1850 January 2.  The National Aegis.  (Worcester, Massachusetts.)  January 2, 1850, Third Series—Vol. 13, No. 1, Whole No. 1185, P. 3.

Unclaimed Goods On Hand at the Worcester Freight House of the Boston and Worcester Railroad.  Notice is hereby given to all whom it may concern, that the following Goods are on hand as above, and will be sold at Public Auction, for charges, on Thursday, February 7th, 1850, at 2 o’clock P. M. at T. W. Bancroft’s, 155 Main-street, unless ownership is previously proved and charges paid.

Received by cars, and not called for…

Prior to 1847..Thos Hathaway…1 box Dag. Apparatus.

1853 April 29.  Barre Gazette.  (Barre, Massachusetts.)  April 29, 1853, Vol. 19, No. 43, Whole No. 981, P. 1.

Dr. A. W. Van Alstin’s First Premium Daguerreotypes Awarded a Silver Medal, No. 197 and 207 Main Street, Worcester.  Hathaway Brothers, Artists.  Worcester, March 18, 1853.

Advertisement was recorded three times between April 29 to July 1, 1853.

1853 July 1.  Barre Gazette.  (Barre, Massachusetts.)  July 1, 1853, Vol. 19, No. 52, Whole No. 992, P. 3.

Dr. Van Alstin’s Premium Daguerreotype Rooms, No. 197 and 207 Main St.  Hathaway Brothers, Operators.

Those wishing to secure for themselves or friends good Daguerrean Pictures are respectfully invited to call and test the skill of the Hathaway Brothers, whose highest aim will ever be to suit and please all who favor them with their patronage.           Worcester, July 1, 1853.

Advertisement was recorded three times between July 1 to November 4, 1853.

1853 July 8.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 8, 1853, Vol. VIII, No. 263, P. 2.

Van Alstin’s Daguerreotype Rooms, Nos. 197 and 207 Main St.  Hathaway Brothers, Operators.  “Excelsior, our motto;” Our Aim the Palm of merit.

Those wishing to secure good Daguerrean Pictures are respectfully invited to call and test the skill of the Hathaway Brothers, whose highest aim will be to please and suit all who favor them with their patronage.

Advertisement ran from July 8 to 15, 1853.

1853 July 15.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 15, 1853, Vol. VIII, No. 269, P. 3.

Interesting Fact for all Interested.  The Hathaway Brothers Daguerrean Artists for Dr. Van Alstin, are daily making a superior style of Pictures, as all must acknowledge by once testing the Hathaways’ skill.

Daguerreotyping there is done,

Which we beg leave to say;

Is in a style that can’t be beat,

For Wm. & Thos. Hathaway.

The Hathaways’ will do it right,

Van’s Rooms are neatly fitted,

They who tempt to cross their track,

Are surely to be pitted.

Ladies and Gents just make a call,

Your time it will be repay,

And have your face taken,

By the Brothers Hathaway.

Advertisement ran from July 15 to August 31, 1853.

1853 July 26.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 26, 1853, Vol. VIII, No. 278, P. 3.

Industrial Exhibition of all Nations.  The American Crystal Palace is now Open, and in full tide of operation, and while we would remind all to visit this splendid edifice, we at the same time would earnestly advise all to secure the earliest opportunity to witness the Artistical Exhabation of Van Alstin’s Premium pictures, Nos. 197 and 207 Main st.  Hathaway Brothers, Operators.

P. S. Fancy Daguerrean Stock at reduced prices for three weeks only.

Advertisement ran from July 26 to August 8, 1853.

1853 August 31.  Worcester Daily Spy.  (Worcester, Massachusetts.)  August 31, 1853, Vol. VIII, No. 309, P. 2.

Important and Interesting Notice.  To all who wish a good Daguerrean Pictures.

Be wise in judgement, and aim to secure that which is good.  Trash at all times can be bought by those who will buy.  Ladies and Gentlemen; if you are in want of a good Daguerrean picture, please call at Van Alstin’s Rooms, Nos. 197 and 207 Main street, and satisfy yourselves that the Hathaway Brothers will make good Types, at reasonable and living prices.

Chemically and artistically colored Daguerreotypes of superior tone and finish.  A good assortment of fine Gold Lockets.  Call and examine for yourselves.

Advertisement ran from August 31 to October 5, 1853.

1853 October 6.  Worcester Daily Spy.  (Worcester, Massachusetts.)  October 6, 1853, Vol. VIII, No. 339, P. 3.

Read, Ponder, and be Wise, The Golden Opportunity for securing Premium Daguerreotypes.  To the Ladies and Gentlemen of Worcester and vicinity.  The Hathaway Brothers would call your attention to the Union Block Daguerrean Gallery, over the Store of Mr. L. D. Goddard, where at all times may be found a good assortment of Daguerrean Stock, Lockets, &c.

N. B. We do not hold out any fifty cent inducement for Types, and thus make it a mere advertising medium to win customers, but would have it understood that we make it our highest aim to please all by giving a superior style of Pictures, and at fair living prices.—Ladies and Gentlemen can you be your own judges of Daguerrean Pictures?  If so, decide for true merit, and good judgement will show that the cheapest is not always the best.  Look at this and decide for yourselves.  We promise you good Types and no mistake.

Advertisement ran from October 6 to 15, 1853.

1853 October 19.  Worcester Daily Spy.  (Worcester, Massachusetts.)  October 19, 1853 Vol. VIII, No. 348, P. 2.

A Great and Important Change In the Daguerrean Rooms formerly conducted by Dr. A. W. Van Alstin, No. 197 Main st., Worcester, a few doors North of the American Temperance House.

In re-opening these Daguerrean Rooms, the Proprietor would respectfully inform the Ladies and Gentlemen of Worcester and vicinity, that, after 10 years experience and practice in the daguerrean art, in the principle cities of the Union, also three years residence in California, takes this method to inform the public of the re-opening of said rooms.

Their Rooms will be of the first class and order, and furnished with the best of German Instruments, making pictures of 6 different sizes.  The largest Stock ever offered for inspection to the citizens of Worcester, will always be on hand, thus giving all who may wish for Pictures, facilities which can not be found at any other rooms in this city, or the Union.  It will be our highest aim to please and satisfy all who may favor us with their patronage.  Our motto will at all times be, to turn out a superior style of pictures, which for clearness of outline, tone and beauty of finish, will give merit to said rooms.  Your patronage is respectfully solicited.

N. B.  The Hathaway Brothers, old and experienced operators, will be retained in this Establishment.         Benj. D. Maxham & Co.

Advertisement ran from October 19 to November 12, 1853.

1853 November 14.  Worcester Daily Spy.  (Worcester, Massachusetts.)  November 14, 1853, Vol. VIII, No. 370, P. 2.

Excelsior Daguerreotypes, No. 197….at ….No. 197 Union Block Daguerrean Gallery A large assortment of stock.  Also, Gold Lockets, of all sizes.  Good Likenesses Guaranteed.  Please call and examine.  T. S. Hathaway, Artist

Advertisement Ran from November 14 to December 16, 1853.

1853 December 10.  Worcester Daily Spy.  (Worcester, Massachusetts.)  December 10, 1853, Vol. VIII, No. 392, P. 2.

Important Events, which are to be made known to the public.  When, in the course of human events, it becomes us as individuals of industrial habits, to inform the public of all the important changes, in politics, religion, the arts and sciences, and in matters pertaining to business, we take the method, through the medium of printers ink, to guide all who may wish to secure for themselves or friends good Daguerrean Pictures, to Union Block, where may be found a good assortment of Stock, Lockets, &c., and where, at all times, the public can be satisfied that our motto will be, to please our customers, by making for them a superior style of pictures.  Ladies and Gentlemen of Worcester and vicinity. Please take the first opportunity and visit the Union Block Daguerrean Gallery, and satisfy yourselves that Hathaway’s Types will, by virtue, redeem this Pledge.—Chemically colored, and ornamented Daguerreotypes of superior tone and finish.

Advertisement ran from December 10 to 16, 1853.

1853 December 16.  Worcester Daily Spy.  (Worcester, Massachusetts.)  December 16, 1853, Vol. VIII, No. 197, P. 2.

The first Inquiry.—“Echo Answers Where!!”  It was morn, a bright December morn, as a youth stood gazing for a long time on the beautiful display of art before him.  His first, and natural inquiry to himself was, “is this, then,” said the youth, “is this the place where the lights and shadows are pictured to life, on polished silver plates, and, by the artist’s skill, gilded with pure gold?”  Echo answers, ’tis even so.  Then light the torch, he said, as held in Excelsior’s hand, to guide both Youth and Age, where the Sunshine art is studied in the highest degree.  I will know this, the youth declares.  He ascends, step by step, till he reaches the Sky Light Hall—pauses—he makes his first before the artist’s chair—he takes his first sitting—he sees the result, how wonderful and yet how true.—The Youth is satisfied—returning to his friends, he shows his prize—he informs them with one hasty breath, the place of places, where one can get the Types of Life.  Remember, he says, at Union Block Daguerrean Gallery, 197 Main Street, Over L. D. Goddard’s store.

1854 February 25.  Worcester Daily Spy.  (Worcester, Massachusetts.)  February 25, 1854, Vol. IX, No. 48, P. 2.

In the Field, and Ready for the Contest—”Our Business Motto Excelsior; Our highest aim the palm of merit.  The Hathaway Brothers, Daguerrean Artists, in the Union Block, are prepared to wait upon all who may wish to secure, for themselves or friends, likenesses of a superior tone and finish.  To know this, please favor us with a sitting.  “Truth is mighty, and will prevail.”  We, as Daguerrean Artists of eight year’s experience, have ever considered it a duty which we owe to the public, to give, at all times, an equivalent for the money paid, in making good Types.  Come, then, ye lovers of the sun-shine art, and join us with three long and hearty cheers, for that reward that sweetens labor, and we will redeem this pledge, in making for all, the true Types of Life.

Advertisement ran from February 25 to March 3, 1854.

1854 February 24.  Worcester Daily Spy.  (Worcester, Massachusetts.)  February 24, 1854, Vol. IX, No. 47, P. 2

Interesting News from Australia, as telegraphed to the Union Block Daguerrean Gallery.  The public is respectfully informed that Hathaway Brothers are not to leave the city, as it has been currently reported by some few individuals, but on the other hand, the public may be assured that they are, in every sense of the word, prepared, with a new and splendid Instrument, to make pictures of six sizes, and will guarantee to all who may favor this establishment with their patronage, a superior style of Daguerreotypes.  A large assortment of Stock, Lockets, &c.  Hathaway Brothers, Operators.

Advertisement ran from February 24, to March 14, 1854

1854 March 3.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 3, 1854, Vol. IX, No. 52, P. 2

To the Ladies and Gentlemen of Worcester and vicinity.—The Union Block Daguerrean Gallery has not been closed, as some have wished, and supposed, but is in full tide of operation, and the Hathaway Brothers, its successful operators, would respectfully invite all lovers of the sun-shine-art to call and test their skill as artists; and we will promise you good Types, and at reasonable prices, so that, in returning to your friends, you may be pleased to direct them where they may, at all times, receive for their money the true Types of Life, and that you may never, for an instant, “cry hold!” but by your directions you may guide them to the Union Block Daguerrean Gallery, the place of places to get good Types.

Advertisement ran from March 2 to 16, 1854.

1854 March 13.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 13, 1854, Vol. IX, No. 60, P. 2

“All is Well that Ends Well”—Read, ponder, and be wise, for the time has now arrived, when the Hathaway Brothers, in justice to themselves, and friends, deem it proper to inform the public that they have repeatedly seen the Elephant, and have now succeeded in caging the Lion and Lioness, and shall soon have them up for public exhibition; so the few remaining Wolves in Sheep’s clothing may take warning, ere they complete the Scan laler’s Web, for lo! We are hard upon their track.  Look out for the Union Block Daguerrean Gallery, for, be it remembered, that we will make good Types.

Advertisement ran from March 13 to 15, 1854.

1854 March 17.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 17, 1854, Vol. IX, No. 63, P. 2

Rush On, and Go with the Rush.—It is true that we have put our hands to the plough, and shall not turn back; therefore we cannot remain silent—

For needs must write, to tell the tale,

Although our pen were doubly weak;

Oh! what could idle words avail,

Unless the truth we always speak.

The Hathaway Brothers have ever been mindful of the wants of their customers, in making for them the true Types of Life, and that they still continue at Union Block, with their Banner unfurled; and whereon is written a truthful protest against the Nebraska Bill, and that we will, with scornful lip, and high disdain, by day or night, in weal or woe, make a solenin protest against its passage.

Advertisement ran from March 17 to 21, 1854.

1854 March 21.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 21, 1854, Vol. IX, No. 66, P. 2

A Card To The Public.—The subscribers would tender their sincere thanks to the public for the very liberal patronage which has been extended to the Union Block Daguerrean Establishment, and by being ever mindful of the wants of their customers, and at all times Minding Their Own Business, they hope and trust to receive a good share of the public patronage.  This establishment is fitted and furnished equal to any in this city, and has at all times as good assortment of Daguerrean stock, lockets &c., as can be found in this city, all of which will be sold at reasonable prices.        Hathaway Brothers.  mar 21.

Advertisement ran from March 21 to 25, 1854.

1854 March 27.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 27, 1854, Vol. IX, No. 63, P. 2

The Truth as it is, or the mystery unfolded.—it has been currently reported by one or more of the “cheap fifty-cent types,” that the Hathaway Brothers, are soon to leave the city, and that for the time being they supply themselves with Stock from one or two rooms in Worcester.  Now we wish it to be distinctly understood by a certain class of individuals, that if they can make fifty cent types, and know how to mind their own business, to be careful and not meddle with that of their neighbors, for we can positively assure the public that we do not intend to leave the city, and that the Union Block Daguerrean Gallery is furnished with the very best of Stock, from New York and Boston, which the public is respectfully invited to examine.  We will make good work.

Advertisement ran from March 27 to April 3, 1854.

1854 April 4.  Worcester Daily Spy.  (Worcester, Massachusetts.)  April 4, 1854, Vol. IX, No. 70, P. 2

Triumphant Success of the Union Block Daguerrean Gallery.  Rich Opening of Fancy Stock, Lockets, &c.  Now is the time to secure for yourselves or friends, Daguerreotypes of a superior tone and finish,—and the Hathaway Brothers, will ever make it their highest aim to make good work, and to please their customers.  Be it remembered, that we take no fifty cent types.

Advertisement was recorded four times between April 4 to 10, 1854.

1854 April 8.  Worcester Daily Spy.  (Worcester, Massachusetts.)  April 8, 1854, Vol. IX, No. 73, P. 2 

Facts for the Million; Or, Truth for the Wise.—The Hathaway Brothers, in honor to the noble Daguerre, and in justice to his sublime invention, have ever been mindful of making such work as would give credit to this beautiful art, and also that we consider it a duty which we owe to the true fraternity of the Daguerrean Artists, never to resort at any time or place to disgrace this noblest of inventions, to take fifty cent types, and could the public hear the voice of American Artists, they would join us with their long and hearty cheers for that reward which sweetens labor.

Advertisement ran from April 8 to 13, 1854.

1854 April 15.  Worcester Daily Spy.  (Worcester, Massachusetts.)  April 15, 1854, Vol. IX, No. 79, P. 2 

To our Patrons and Friends—The Hathaway Brothers are proud to acknowledge the many compliments from their friends, patrons, anf judges, of the Daguerrean Art, in Worcester and Vicinity.  We thank them for their very liberal patronage.  Our past conduct, and experience we offer to them, to the public, and to all, as a pledge that we will excel.  Our customers shall have the best work.  And as we do no cheap work, we wish it to be destinctly [sic.] understood that the Union Block Daguerrean Establishment is a first class room.  We will assure, and claim to make good work.  Hathaway Brothers, Artists.

Advertisement ran from April 15 to May 1, 1854.

1854 May 2.  Worcester Daily Spy.  (Worcester, Massachusetts.)  May 2, 1854, Vol. IX, No. 92, P. 2 

New, Interesting, and Novel Attraction.  Hathaway Brothers’ Revolving Cone, and Marble Statuary, with forty Daguerreotypes, may be seen daily at the entrance of the Union Block Daguerrean Gallery.  The Hathaway Brothers are in triumphant success. Excelsior our Motto, our highest aim the palm of merit.

N. B. We have the largest and best assortment of all kinds of Daguerrean Stock, and of the best quality, that can be found in this city.  Call and examine.

Advertisement ran from May 2 to 10, 1854.

1854 May 11.  Worcester Daily Spy.  (Worcester, Massachusetts.)  May 11, 1854, Vol. IX, No. 101, P. 2 

At the sign of Hathaway Brothers,—Revolving Cone, and Marble Statuary, with forty Daguerreotypes,—In placing this interesting and novel attraction before the public, we claim it as our own invention, and for its application, as a show case for exhibiting Daguerreotypes, we have applied for a Patent.

To our friends and patrons we respectfully invite your attention to the superior style of Pictures, which we are daily making in the Union Block Daguerrean Establishment.  We promise to satisfy our customers in making good work, and with eight years experience in the Daguerrean Art.

We feel that we can truly say,

That Daguerreotyping here is done

In a style that can’t be beat,

For the Brothers Hath-a-way

Advertisement ran from May 11 to June 20, 1854.

 1854 June 20.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 20, 1854, Vol. IX, No. 145, P. 2 

View of the Great Fire in Worcester, twenty minutes after the alarm, as taken by the Hathaway Brothers, may be seen daily at the entrance of Union lock Daguerrean Gallery.  Those wishing for copies, will please call at the earliest opportunity, as the original will be presented to Mr. Merrifield in a short time.

N. B.—To the several Fire Companies in Worcester:—The Hathaway brothers will give to each a view of the Fire, to hang in their Halls.  To the citizens of Worcester and vicinity, we tender our sincere thanks, for the very liberal patronage which has been extended to the Union Block Daguerrean Establishment.  We hope and trust, by paying strict attention to our business, and to the wants of our customers, to merit a still more increasing patronage from the citizens of Worcester and vicinity.

Advertisement ran from June 20 to 22, 1854.

1854 June 20.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 20, 1854, Vol. IX, No. 145, P. 2.

Important Notice.—The Hathaway brothers, in justice to themselves and friends, deem it proper to inform the public, that they do not acknowledge any relationship with one “Babbit Hath-a-way,” who, it seems, has by using bad Grammar, changed his name, as it Tow reads in the Arrow, to “Babbit hath-a-way.”  If he has not a suitable name to play upon, he had better change it to one Mr. Quibble Babbit, and not attempt to use those of his neighbors.

Advertisement ran from June 20 to June 22, 1854

1854 June 22.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 22, 1854, Vol. IX, No. 147, P. 2.

View of the Great Fire in Worcester—20 minutes after the alarm—as taken by L. Babbitt, who takes such good Pictures, at low prices.  The largest View of the great Fire can be seen at Babbitt’s Rooms, Nos. 5 and 11 Piper Block, as copied from the Hathaway Brothers’s smaller view.  If it will please the Brothers any better to have Babbitt say, he hath-a-way of taking better pictures for 50 cents than they do for $1,50, he will say it, and do it.  Also, he hath-a-way of copying Pictures six times as large as the originals, which he understands they have objected to do, because they couldn’t.

The public are invited to call at my room, and examine specimens of Stereoscopic Pictures and Chrystalotypes.—Nos. 5 and 11 Piper Block.   

Advertisement ran on June 22 & 23, 1854.

1854 June 23.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 23, 1854, Vol. IX, No. 148, P. 2.

Quibbling Babbitt’s Meanness, shown up by his own deals and acknowledgments, stamped with “Borrowed Times,” and stolen talent, in view of gaining fame—

Oh!  Chaff, where is thy boasted fame?

Ye winds that blow, why leave no gain?

Look at that Quibbling face,

And see the misty talent shown;

See the outside show, at Piper place

His fiery-views “copied,” yet his own.

His boasted talent, but meanly shown,

Bespeaks how cheap he’s sold.         

The Youth he sent, who came alone,

His Mother’s wants to unfold;

He obtained a copy of the fire,

To take with him out of town;

And lied, by Mr. Quibble’s desire,

That he might gain Renown.

In answer to 5 by 11 Quibble, the Hathaway Brothers would say, that, if he can mind his “own business” half as well as he does his neighbor’s, he might possibly succeed in having-a-way to make the public believe that the Hathaway Brothers cannot enlarge and diminish pictures, and make good work.  More Anon.

Advertisement ran from June 23 to June 27, 1854

1854 June 23.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 23, 1854, Vol. IX, No. 148, P. 2 

Card.  The Board of Engineers of the Worcester Fire Department, tender their sincere thanks To Messrs. Hathaway and Brothers, Daguerrean Artists, Union Block, for the gift of an elegant Daguerreotype View of the late conflagration of Merrifield’s Buildings, which was taken by them while the fire was in progress.  A more perfect representation of the scene could not be conceived, and nothing could more beautifully illustrate the skill and perfection of these well known artists in their profession.  E. N. Holmes, Chief Engineer.

Advertisement ran on June 23 & 24, 1854.

1854 June 26.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 26, 1854, Vol. IX, No. 150, P. 2.

The Fire Is Out!  The Engines are still!  But the thousands that witnessed the awful scene are not yet satisfied, but are rushing to Babbitt’s rooms to see a magnificent Daguerreotype View of the fire—copied from the best—and to secure one of his beautiful Pictures at an extremely low price.  The largest assortment of Daguerreotype materials in the city are to found at his rooms; among them are Stereoscope cases, small cases expressly for the mail, beautiful Tortoise shell, Pearl inlaid, and Pearl—fitted with gold and silver trimmings, and Babbitt hath-a-way of selling them at extremely low prices.

Advertisement ran on June 26 & 27, 1854

1854 June 26.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 26, 1854, Vol. IX, No. 150, P. 2 

Card.—The officers and members of the Eagle Hose Company, No. 3, tender their sincere thanks to the Hathaway Brothers, for their beautiful present of a Daguerreotype View of the late fire.  H. M. Corbett, Foreman.  O Bradley, Clerk.

1854 June 29.  The Daily Transcript.  (Worcester, Massachusetts.)  June 29, 1854, Vol. IV, No. 153, P. 2.

A Card.  The members of Washington Engine Co. No. 1, tender to the Hathaway Brothers their best wishes for their kindness in presenting to them a fine picture of the late disastrous fire took a few minutes after the alarm,  And we would respectfully request all those who wish for the best picture the various places afford, to call on the Hathaway Brothers, and examine their specimens, and in doing so would be sure to patronize the establishment.  J, Mason, Foreman,  G. K. Maynard, Clerk.

Advertisement ran on June 29 & 30, 1854,

1854 June 29.  The Daily Transcript.  (Worcester, Massachusetts.)  June 29, 1854, Vol. IV, No. 153, P. 2.

Card.  The officers and members of the Niagara Engine Co. No. 3, would tender their sincere thanks to the Hathaway Brothers for a beautiful Daguerreotype copy of the late fire in this city.  C. F. Tew, Foreman.  Isaac Varney, Clerk.

Advertisement ran on June 29 & 30, 1854,

1854 June 29.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 29, 1854, Vol. IX, No. 152, P. 2.

The Brothers Lament

Alas! alas! Says Tom to Bill,

My heart is broke, my pulse is still;

For everywhere I hear them say,

That our friend Babbitt hath-a-way

Of making better Pictures there,

Than we both with our talent rare.

And, they say, his trade is great,

He sells them cheap, and makes first rate;

And so the customers—they flock

To Babbitt’s rooms, in Piper Block;

For in this age, the folks are wise,

And can’t be duped by flattering lies.

Alas!  alas! Says Bill to Tom,

We’ve been insulted—we’re undone;

   For every day I often hear,

A copy of our Picture dear,

Is to found at Piper’s Block:

Us to insult, our work to mock.

‘Tis copied on a larger scale,

For which we tried, but we did fail.

What must be done?  says Brother Tom.

To frighten him—we’ll give him some.

Yes, that we will, says Brother Bill;

That I’ll engage, says Tom, in rage,

We’ll spear no pains, though we lack brains,

Our souls are lean—we must be mean,

And so we’ll write a little mite—of Poetry.

Now Tom and Bill, fret as you will,

You’ll always find, the choicest kind,

The Largest stock—at Piper’s Block,

Of cases rare, that’ll make you stare.

My goods I’ll sell, at rates that tell,

My Pictures make, my copies take,

In such a way, that all will say,

They do excel, in beauty well,

Those of the Brothers Hath-a-way.

Advertisement ran from June 29 to July 3, 1854.

1854 June 28.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 28, 1854, Vol. IX, No. 152, P. 2.

Wonderful News, to propound to the public, 13 days after the great fire in Worcester—as imparted by Quibbling Bab-bit, whose profound knowledge has warranted him to say that the “Fire is out,” and “the Engines are still.”

Oh’ Quibbling man, what “magnificent” news,

To show by your knowledge and wit;

You must have slipt up in your shoes,

 In trying to run for a Brick.

It’s true the fire is out, and the engines are still, but the Hathaway Brothers are proud to acknowledge the many compliments from the Worcester Fire Department, and from their many friends, who have received the “Magnificent” Daguerreotype of the fire, a taken by them while burning.

1854 June 29.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 29, 1854, Vol. IX, No. 153, P. 2.

The Brothers Reply;

And their Jubilee For The Return Of Life.

“We Still Live.”

Alas!  what a pity, to see the Brothers fall,

And none to know and feel the sore lament;

What a pity that their hearts have ceased to beat;

And they no more can live to invent.

Just change the scene, and feel the public pulse,

That beats in tones of thunder loud,

For art by them, in truth displayed:

Look in their rooms, and see the daily crowd,

That throng to test the Brothers’ skill,

Which shows each day the work performed.

They need no help from the Quibbler—still

They acknowledge he’s pen’d a “magnificent” decree,

And ought ‘o receive a pension for life:

Should he suddenly leave, and climb a tree,

May his friends seek him with a drum and file.

He’s made his boast both long and loud,

And figured much to show his meanest habit;

Should he have his full desert, he must be proud

To own his truthful name—”Mr. Grabbitt.”

Let him rave and tear, let him weep and wail;

We’ve nailed our banner to the mast,

We’ve launched our boat and set our sail,

And shall defend it to the very last.

We’ve understood, and lament the truth to say,

But will cheerfully give credit to his better half,

Of writing the Lament of the Brothers Hathaway,

While he, Mr. Quibble, had not brains for the task.

Advertisement ran from June 29 To July 1, 1854.

1854 June 29.  Worcester Daily Spy.  (Worcester, Massachusetts.)  June 29, 1854, Vol. IX, No. 153, P. 2. 

The officers and members of the Niagara Engine No. 3, tender their sincere thanks to the Hathaway Brothers, for their magnificent Daguerreotype of the late fire.  C. F. Tew, Foreman

1854 July 1.  The Daily Transcript.  (Worcester, Massachusetts.)  July 1, 1854, Vol. IV, No. 155, P. 2.

Card The members of Ocean Hose Co. No. 2, tender their thanks to the Hathaway Brothers for the picture of the late fire in this city, and we would respectfully request every person or persons wishing their “likeness” or those of their friends, to have the same executed by Hathaway Brothers, Union Block, 197 Main st.

1854 July 1.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 1, 1854, Vol. IX, No. 155, P. 2.

What we consider our duty.—The Hathaway Brothers feel it a duty which they owe to the public, at all times to move along in their own even tenor and way, and always to mind their “own business.”  We have no disposition to trouble our “neighbors,” but when they undertake to “tread on our toes,” we shall certainly aim to defend ourselves.  If the public is satisfied that the Hathaway Brothers make “Good Work,” we will promise to keep that reputation good, and in all cases to our customers.  Hathaway Brothers, Artists.

Advertisement ran from July 1 to 11, 1854.

1854 July 6.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 6. 1854, Vol. IX, No. 158, P. 2. 

The offers and members of Hook and Ladder Company, No. 1, tender their thanks to the Hathaway Brothers, for a splendid Daguerreotype of the fire on Union street, on the 14th of last June.          Abraham Babcock, Foreman.  P. H. Carpenter, Clerk.

1854 July 10.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 10, 1855, Vol. IX, No. 161, P. 2.

Honesty our Aim—Truth our Safeguard.—The Hathaway Brothers, in looking back upon the past year, with all its varied scenes, are proud to acknowledge that their labors have been crowned with success, and that they have ever made it their highest aim to represent the Daguerrean Art, in its most perfect form, worthy of this noble invention; and while we revert back upon the past ten years of our experience in the Daguerrean Art, we feel that we have not been idle in calling all its noble virtues, and applying the same, to suit and please our numerous customers.

Advertisement ran from July 10 to 29, 1854.

1854 July 13.  The Daily Transcript.  (Worcester, Massachusetts.)  July 13, 1854, Vol. IV, No. 163, P. 2.

Card The Board of Engineers tender their sincere thanks to the Hathaway Brothers, for their splendid present of a Daguerreotype group of the full Board of Engineers, and hope that the whole community will “mark those Brothers” as Artists not to be beat, as strongly as they have marked this Board in their Picture.  E. N. Holmes, Chief.  Chas. Hersey, Clerk. 

1854 July 13.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 13, 1854, Vol. IX, No. 164, P. 2. 

The Board of Engineers of the Worcester Fire Department tender their sincere thanks to the Hathaway Brothers, for their splendid present of a Daguerreotype Group of the full Board of Engineers, and hope that this whole community will “mark those Brothers” as artists not to be beaten, as strongly as they have marked this Board in their Picture.  E. N. Holmes, Chief.  C. Hersey, Clerk.  Worcester, July 13th 1854.

1854 July 19.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 19, 1854, Vol. IX, No. 169, P. 2. 

I hereby give notice, that the agency which Thos. S. Hathaway has heretofore held for me, is this day revoked forever.            Dr. A. W. Van Alstin.  July 18th, 1854.

Advertisement ran from July 19 to September 30, 1854.

1854 September 7.  The Daily Transcript.  (Worcester, Massachusetts.)  September 7, 1854, Vol. IV, No. 214, P. 2.

Thomas S. Hathaway was arraigned before the Court on charges of perjury preferred against him by A. W. Van Alstin, the case grew out of the legal troubles between the parties; defendant recognized with sureties in $1000 for his appearance for examination on Tuesday September 19th at 10 o’clock A. M.

1854 September 7.  The Worcester Daily Spy.  (Worcester, Massachusetts.)  September 7, 1854, Vol. IX, No. 212, P. 2.

Police Court.  Wednesday Sept. 6.  Afternoon:—Thomas Hathaway was brought up at the instance of Andrew Van Alstin, on a charge of perjury, and was held in the sum of $1,000 to appear and further answer before the Police Court, on September 19, at 10 o’clock A. M.  He gave the required bond.

1854 September 20.  The Daily Transcript.  (Worcester, Massachusetts.)  September 20, 1854, Vol. IV, No. 225, P. 2.

Police Court…Thomas S. Hathaway has been on examination during the entire day on a charge of perjury, preferred against him by A. W. Van Alstin, the perjury is alleged to have been committed at a trial before John A. Dana in relation to a mortgage given by Van Alstin to Hathaway, he swearing that he let Van Alstin have $400 when he left for California.

1854 September 21.  The Daily Transcript.  (Worcester, Massachusetts.)  September 21, 1854, Vol. IV, No. 226, P. 2.

Police Court.  Wednesday 20th.  The examination of Thomas S. Hathaway on a charge of perjury continued from Tuesday was concluded, no defense was put in, and the defendant was bound over to the Court of Common Pleas.

Police Court.  September 20, 1854.  Commonwealth vs, Tho. S. Hathaway.—This was a case of perjury growing out of a civil cause tried before John A. Dana Esq., in which the validity of a mortgage of personal property from Dr. A. W. Van Alstin to the defendant was brought in question, and which was material to the issue in the case.

Justice Dana testified that on or about the 22 day of Jan. 1853, in a trial of a civil suit before him, Hathaway swore that he loaned Dr. Van Alstin $400.  That he borrowed $275 of the sum of A. J. Crossman, and made up the balance from his own money.  P. C. Bacon Esq. and G. F. Verry Esq., were called to the same point and testified that defendant swore before Justice Dana, in substance as above repeated.

The Mortgage was produced by the District Attorney and execution of it proved by L.  A. Maynard Esq., also it was proved by the same testimony that no consideration in money was given at the time of its delivery.  A receipt in full for all demands executed by the defendant to Dr. Van Alstin, and dated Jan. 22, 1853, was also put into the case.

Dr. Van Alstin testified that he left Worcester for New York, Jan. 22d, 1853, that the mortgage given to H. was not for money advanced, and that H. did not loan him a cent of money as consideration or otherwise, and that he never borrowed any money of him.

Mrs. Van Alstin testified to admissions of defendant at four separate times, that he did not loan the Dr. any money, or furnish him with any means whatever.

Miss Ann P. Richardson testified to four different conversations with deft., in which he  had stated the mortgage was without consideration.  That he did not loan the Dr. any money previous to his leaving for Australia, and stated that he (deft.) should fix the books so the mortgage should be good against the creditors of the Dr., and show a good consideration, is any attachment should be made by them.

 No evidence was introduced for defence, [sic.] and the deft. Was bound over in $1000 to appear at the next term of the Criminal Court.

1854 September 27.  The National Aegis.  (Worcester, Massachusetts.)  September 27, 1854, Third Series—Vol. 17, No. 30, Whole No. 3041, P. 2.

Thos. S. Hathaway was tried, on charges of perjury, brought by A. W. Van Alsten.

1855 January 1.  Worcester Daily Spy.  (Worcester, Massachusetts.)  January 1, 1855, Vol. X, No. 1, P. 2. 

First Grand Opening of the New England Daguerrean Gallery & Writing Academy, in Foster’s new and splendid Block, corner of Main and Pearl streets.

The Hathaway Brothers are happy to inform their friends and the public that they will open their new and splendid Rooms on New Year’s Day and Evening, for exhibition.  We will make no further comment on said Rooms; but shall leave it with our friends and the public, to acknowledge our enterprise, and to give merit its just due. 

The 2d of January, 1855, we shall open our Rooms for business.  The first term in the Writing Department will commence the same evening at 7 o’clock.  We shall be extremely happy to receive all our friends on New Year’s day and evening.

1855 January 24.  Worcester Daily Spy.  (Worcester, Massachusetts.)  January 24, 1855, Vol. X, No. 21, P. 2. 

At the Sign of the Original Revolving Cone, & Marble Statuary.  Mad and invented by the Hathaway Brothers, at the entrance of the New England Daguerrean Gallery, No. 222 Main Street, in Foster’s Building, which justly and proudly stands as an ornament and pride to the city.  Those of our friends and the public generally, in want of a superior style of Daguerreotype, will please give us a call, as we will promise and guarantee to make good work—and in no case whatever shall we allow a poor picture to leave the room, when we are allowed by our customers to be the judges.  Hathaway Brothers.

Advertisement ran from January 24 to February 2, 1855.

1855 January 30.  The Daily Transcript.  (Worcester, Massachusetts.)  January 30, 1855, Vol. V, No. 26, P. 2.

Foster’s Building…

Hathaway Brothers occupy the fourth floor as Daguerrian Rooms, and also for a Writing Academy.  Their rooms are fitted up and furnished in splendid style, and are worthy a visit from all.

1855 January 31.  Worcester Daily Spy.  (Worcester, Massachusetts.)  January 31, 1855, Vol. X, No. 27, P. 2. 

Union of Thought and Action gives Strength.  In view of the fact that the Hathaway Brothers are now in the field, and in successful operation for the Daguerrean business, they feel happy to return their sincere thanks to their good old friends and customers who have rallied around them since their first opening in Foster’s new and splendid Building; and while we acknowledge the successful support of our numerous friends, we hope and trust still to merit a goodly share of the public favor, promising to all a superior style of Typeing, and in all cases to please and suit those who may extend their patronage to the New England Daguerrean Gallery.

At the sign of the original revolving cone.

Advertisement ran from January 31 to February 3, 1855

1855 February 2.  Worcester Daily Spy.  (Worcester, Massachusetts.)  February 2, 1855, Vol. X, No. 29, P. 2. 

Daguerrean Gallery.—The Hathaway brothers have fitted up, the most elegant and elaborate manner, the spacious galleries in Foster’s (new) Block, Main street, as daguerrean and writing saloon, and they are now busily engaged in taking portraits, and in teaching the elegant art of penmanship,—The daguerrean saloon was fitted up under the inspection of the Hathaways, and the consequence is, that the lights are disposed in the most admirable manner, for taking pictures in the most rapid manner and in the clearest style.  The draperies and furniture of the saloon are rich, tasteful, and handsomely fitted up.  The proprietors have spared no expense in making their place of business as attractive and comfortable for visitors, as it is well adapted for the uses of the artist and the student.  The machines used by the Brothers, are the most recent and highly improved German cameras, and their plates and cases are from the first manufacturers in New York.—The ingress to the daguerrean and writing rooms is from Main street, while the long row of windows that gives them light; is towards Pearl street.  A revolving show-case, at the foot of the stairs, exhibits specimens of Messrs. Hathaways’ skill as artists, while framed specimens show their skill as penmen.  Call and see them.

1855 March 8.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 8, 1855, Vol. X, No. 58, P. 2. 

“We Have It”—something entirely new to the Citizens of Worcester and vicinity.  Ambrotype and Mezzographic Pictures on Glass and Paper.

The Hathaway Brothers have ever been proud to acknowledge the unexampled success which has attended their every effort and enterprise hitherto as Daguerrean Artists, in the city of Worcester, and feel a sense of gratitude for the liberal cooperation and encouragement of our patrons.  These considerations have induced us to introduce one of the most attractive and beautiful arts ever invented or propounded to the world.  Mr. J. A. Cutting, of Boston its noble inventor, has the Ambrotype patented in the ?United States, Great Britain, and France; and the Hathaway Brothers & Co. Have bought the exclusive right for making said Ambrotype in the city of Worcester, being the third room opened in the world for working this process.

Mr. Cutting is also the inventor of the Mezzographic process, which is an improvement on the Crystalotype—taking the picture from life, instead of copying from a Daguerreotype, and in less time. The Hathaway Brothers and Co. Have the exclusive right for Worcester, in making said Mezzographic Pictures.

Call and examine the Ambrotype, &c.  We shall be in readiness to make ambrotypes, Daguerreotypes, and Mezzographic Pictures, at all times after next Monday.

1855 March 10.  The Daily Transcript.  (Worcester, Massachusetts.)  March 10, 1855, Vol. V, No. 60, P. 2.

Ambrotypes.  The fact is becoming generally known, that the Hathaway Brothers are now making this new and beautiful style of Pictures which in point of durability, richness of tone and brilliancy is acknowledged to be far superior to the Daguerreotype.  These pictures are made upon the best plate glass which becomes a positive picture, and may be seen in any light.  The merits of these pictures we shall give in full detail as we progress in this beautiful art.  There are many advantages in this process of making Pictures, which is both pleasing and satisfactory to the operator and sitter as the time required for making the picture is at all times two-thirds less than in Daguerreotyping.

Be it remembered that we hold the exclusive right for Worcester, and the Ambrotype can not be obtained in no other establishment in this city.  Call and examine specimens.  Hathaway Brothers, Ambrotypers, No. 222 Main street, corner of Pearl, Foster’s Building.

Advertisement ran from March 10 to 30, 1855.

1855 March 12.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 12, 1855, Vol. X, No. 61, P. 2. 

Ambrotypes.—The Hathaway Brothers would respectfully inform their numerous friends and customers in Worcester and vicinity, that they are now making this entirely new and beautiful style of pictures, which, in point of beauty, richness of tone. And durability, are acknowledged to be far superior to the Daguerreotype.—These pictures are made upon the best plate glass, and are not reversed, as in the Daguerrean process,—but are positive pictures, showing the object or person true to nature.  These pictures can be put up so as to show a negative and positive Ambrotype.  Be it remembered, that the Hathaway Brothers have the exclusive right for the Ambrotype process, in the city of Worcester; and they cannot be obtained at any other establishment in this city.

Call and examine the Ambrotype Pictures.  Hathaway Brothers, Ambrotypers.

Advertisement ran from March 12 to 27, 1855.

1855 March 28.  Worcester Daily Spy.  (Worcester, Massachusetts.)  March 28, 1855, Vol. X, No. 75, P. 2. 

The Ambrotype Art—As Patented By Mr. Jas. A. Cutting, of Boston, July 4th and 11th, 1854.

The Hathaway Brothers, in justice to themselves and friends, would respectfully inform a certain portion of the citizens of Worcester, including a number of the Daguerrean Artist who are so much interested as to impart an uncertain amount of knowledge, as regards the Ambrotype Art, as it now stands patented in the United States, Great Britain, and France.  We would therefor respectfully inform the Daguerrean Artist of Worcester, as also their friends, that we have bought the exclusive right for making this new and beautiful style of Pictures, in the city of Worcester.  We have sent our Deeds to Washington, and had them recorded; and if there was no Patent, as has been reported, we certainly could not have had our Deeds put upon record.  Silence, then, would be wisdom to such individuals as wish to impart information before they have the facts.

In view of the fact that “We Still Live” to enjoy the privilege of Holding the Reins, we feel disposed to drive carefully and thoughtfully over the road which leads to true merit, fame, and honesty of purpose.  And while we reflect upon the various scenes of the past year, we have reasons to be thankful that our good old friends have rallied around us since our first opening in Foster’s Building, No. 222 Main street, corner of Pearl.  And while we are serving the public, we shall ever make it our highest aim to suit and please our customers. Hathaway Brothers, Ambrotypers.

1855 March 30.  Worcester Daily Spy.  (Worcester, Massachusetts.)  march 30, 1855, Vol. X, No. 77, P. 2. 

Strange to think of, much more to behold; nevertheless it is true.  Read, Listen, and Behold, oh, friends of Humanity!  A truthful and correct ambrotype picture of the White Slave, Ida May, may be seen at the rooms of the Hathaway Brothers.  The beautiful and interesting little girl, who has, through the instrumentality of the Hon. Chas. Sumner, obtained her emancipation from American Slavery, also, the picture of the world renowned P. T. Barnum, the prince of showmen, who has been regarded by multitudes as a strange mortal of wonderful energy and enterprise, as everything he touches turns to gold.  The ambrotype art he pronounces as beautiful, and far superior to the Daguerreotype.  These pictures can be obtained only at the Ambrotype establishment of the Hathaway Brothers, Foster’s Building.

Advertisement ran from March 30 to April 13, 1855.

1855 March 31.  The Daily Transcript.  (Worcester, Massachusetts.)  March 31, 1855, Vol. V, No. 78, P. 2.

Notice.  Mortal attend! and listen Oh friends of Humanity!  A truthful and correct Ambrotype picture of the White Slave, Ida May, the beautiful and interesting little girl, who has, through the instrumentality of Hon. Charles Sumner, obtained her emancipation from American Slavery.  This picture, as taken by the Hathaway Brothers, may be seen at their rooms; also, the picture of the world-renowned P. T. Barnum, the Prince of Showmen, who has been regarded by many as a strange something, of wonderful energy and enterprise, as everything he touches turns to gold—as regards his knowledge of humbug, which for the sake of notoriety he assumed and which has been sounded and echoed by the Press throughout the Land—nevertheless he pronounces the Ambrotype Pictures as beautiful, and far superior to the Daguerreotype—taking one of himself, put up in transparency to exhibit in the American Museum.  These pictures can be obtained only at the Ambrotype establishment of the Hathaway Brothers, No. 222 Main street, Foster’s Building.

Advertisement ran from March 31 to August 6, 1855.

1855 April 3.  Worcester Daily Journal.  (Worcester, Massachusetts.)  April 3, 1855, Vol. 1, No. 174, P. 2. 

The Last Struggle.—

Oh, “blistered man!”  why stoop so low

To “gasp” for “breath”?

You’ll find full soon, ‘mid grie´ and woe,

Your honor’d Art in “death.”

“All is well.”  Let him spend his last hours, at least, in modest reflection,” so when he has the evidence of returning “life,” that he may use “decent language.”

Let him complain that feels the mortal “blow,”

And in sad legends write his utter woe—

With Satire pour forth, in Vengeance loud,

His meanest thoughts—not just, or proud.

And yet, for all of this, he receives his full and just reward, viz: to know that “Ambrotypes are all the go.”

Oh, Mortal! Mark well what meaning this.

Some think to hit, and yet they miss;

First learn to creep, and then to go;

For want of knowledge, their overthrow.

For lack of draft the fire goes out—

‘Tis this some write, speak, and spout.

Few things are gained without some suit—

The tree at first will bear no fruit.

He that plucks a nettle for a rose,

Or minds another’s business, not his own,

Is sure to find, where’er he goes,

‘Tis better to live, and envy none.

Hathaway Brothers, No. 222, Main street, Foster’s Building.

Advertisement ran from April 3 to 6, 1855.

1855 April 3.  Worcester Daily Journal.  (Worcester, Massachusetts.)  April 3, 1855, Vol. 1, No. 174, P. 2. 

Notice of Particular Importance.—Pass not judgement till you have seen and examined for yourselves.

The Hathaway Brothers having no disposition to deceive or to humbug the public as regards the Ambrotype process of making pictures upon glass, would respectfully inform the friends of all the daguerrean artists in Worcester and vicinity to call and examine for themselves, and not pin their faith and belief upon the judgement of others, who know nothing of the art—”except that it conflicts with their interest.”  What we know about this matter they would like to know.  Furthermore, we will cheerfully explain to all, so far as will be consistent, the method of making these pictures; and if they are not convinced of their superiority over the daguerreotype, we are perfectly willing to make the daguerreotype, or let them go to those few suffering artists who are so evidently troubled.

Advertisement ran from April 3 to 19, 1855.

1855 April 20.  Worcester Daily Journal.  (Worcester, Massachusetts.)  April 20, 1855, Vol. 1, No. 188, P. 2. 

Hathaway Brothers & Co., Artist in Patent Ambrotype Pictures—On Glass And Paper—Foster’s Building, 222 Main Street.

Advertisement ran from April 20 to May 7, 1855.

1855 May 8.  Worcester Daily Journal.  (Worcester, Massachusetts.)  May 8, 1855, Vol. 1, No. 203, P. 2. 

Come at Last.—The Hathaway Brothers & Co. would respectfully inform their numerous friends and customers, that having been deprived of water for the past two months, on the account of freezing, and which is now freely running into our establishment, we are now prepared to work with facility and success.  The Ambrotype art is fast gaining ground.  We are now making fine, superior tone Pictures.

Please call and examine specimens.

Advertisement ran from May 8 to 16, 1855.

1855 May 16.  Worcester Daily Journal.  (Worcester, Massachusetts.)  May 16, 1855, Vol. 1, No. 209, P. 2. 

“Justice Slow but Sure.”—”It is by their fruits that ye shall know them.”

Ever though in the right, yet silence as generally viewed would not make it known to the world.—And now that we are in the right,” and hold an “Exclusive Right” for making the beautiful Ambrotype Picture in the city of Worcester, we now propose to make known in full detail the true merits of this beautiful art—“not by using vain words, but by making for all pictures that are pictures—as every one must and will acknowledge, by examining the specimens which are on exhibition at the entrance of the Ambrotype Establishment of the Hathaway Brothers & Co., No. 222 Main, Corner of Pearl -st. Foster’s Building.

Advertisement ran from May 16 to 26, 1855.

1855 May 21.  Worcester Daily Spy.  (Worcester, Massachusetts.)  May 21, 1855, Vol. X, No. 120, P. 2. 

What we claim is Justice!—Respect to the enterprise and merit of those who may and have introduced to the public that which may and will be a benefit to its citizens.  No good citizen should ever pass judgement as to merit or demerit of a new invention, until a thorough investigation has been given, whereby he can arrive at a proper and manly judgement.  And as the subscribers have been to the expense in these “moneyed times,” to the outlay of some eight hundred dollars, to introduce the new and beautiful invention of making the Ambrotype Picture on glass—we feel that it would be but justice to ourselves and friends, to have the public generally give a careful examination of said art.

N. B.—We are now making magnificent Ambrotypes, as all must acknowledge by examining specimens at the door.  We warrant all pictures to stand, as they are seated with a substance which is not soluble in water.        my 17.  Hathaway Bros. & Co.

Advertisement ran from May 21 to August 3, 1855.

1855 October 6.  Worcester Transcript.  (Worcester, Massachusetts.)  October 6, 1855, Vol. 5, No. 228, Whole No. 1411, P. 3.

A Card To The Public.—The subscribers having disposed of their interest in the Ambrotype establishment in Foster’s Building, 222 Main st., to Messrs Ledoyt & Hodges, would cheerfully recommend them to our customers and the public generally, as gentlemen of merit and artistical skill, and are worthy of an extensive patronage.  Hathaway Brothers

L. & H. are now prepared to furnish the Ambrotype, Eezograph [sic.] or Crystalotype Pictures in the best style of the art.  Pictures copied from paintings, engravings, Daguerreotypes.  The public are invited to call and examine for themselves.  B. Ledoyt,  J. R. Hodges

Advertisement ran from October 6 to November 3, 1855.

1855 October 6.  Worcester Daily Spy.  (Worcester, Massachusetts.)  October 6, 1855, Vol. X, No. 238, P. 3. 

A Card To The Public.—The subscribers having disposed of their interest in the Ambrotype establishment in Foster’s Building, 222 Main st., to Messrs. Ledoyt & Hodges, would cheerfully recommend them to our customers and the public generally, as gentlemen of merit and artistical skill, and are worthy of an extensive patronage.  Hathaway Brothers

L. & H. are now prepared to furnish the Ambrotype, Mezograph or Crystalotype Pictures in the best style of the art.  Pictures copied from paintings, engravings, Daguerreotypes.  The public are invited to call and examine for themselves.         B. Ledoyt,  J. R. Hodges

Advertisement ran from October 6, 1855 to January 12, 1856.

1855 November 7.  The Massachusetts Spy.  (Worcester, Massachusetts.)  November 7, 1855, Vol. LXXXIV, No. 45, Whole No. 4369, P. 3. 

A Card To The Public.—The subscribers having disposed of their interest in the Ambrotype establishment in Foster’s Building, 222 Main st., to Messrs Ledoyt & Hodges, would cheerfully recommend them to our customers and the public generally, as gentlemen of merit and artistical skill, and are worthy of an extensive patronage.  Hathaway Brothers

L. & H. are now prepared to furnish the Ambrotype, Mezograph or Crystalotype Pictures in the best style of the art.  Pictures copied from paintings, engravings, Daguerreotypes.  The public are invited to call and examine for themselves.  B. Ledoyt,  J. R. Hodges

1859 April 14.  Yates County Chronicle.  (Pen Yan, New York.)  April 14, 1859, Vol. XVII, No. 15, Whole No. 841, P. 3.

Superior Photographs.—Mr. J. M. Letts, late of Dundee, now of Elmira, was in town on Monday, and proposes to visit this place every few days for the purpose of taking negatives for Photographs.  The specimens exhibited by Mr. Letts are very superior,  He is an Artist of the highest merit.  Orders left at any of the Galleries in town will be promptly attended to.  See advertisement.

1859 April 14.  Yates County Chronicle.  (Pen Yan, New York.)  April 14, 1859, Vol. XVII, No. 15, Whole No. 841, P. 3.

Photographs!  Life Size!—Life Color!  Mr. J. M. Letts, of the Elmira firm of Hathaway & Letts, will visit Penn Yan every few days for the purpose of taking Negatives For Photographs to be finished in Elmira.  They will be taken from the smallest dimension up to life size.  They will also be handsomely and naturally colored, so as to present all the elegance and expression of a first class Oil Painting.—These Pictures are the most popular Photographs ever taken.

Orders left at any of the Daguerrean Rooms in Penn Yan will be promptly attended to.  The Elmira Office of Hathaway & Letts is in the Nicholas Building, No. 22 Lake street.  Penn Yan, April 12, 1859.

Advertisement ran from April 14 to 28, 1859.

1859 May 5.  Yates County Chronicle.  (Pen Yan, New York.)  May 5, 1859, Vol. XVII, No. 18, Whole No. 844, P. 3.

Photographs.—Mr. J. M. Letts gives notice by a new advertisement of his next occasion for visiting Penn Yan to take large sized Photographs.  These Pictures are very fine.

1859 May 5.  Yates County Chronicle.  (Pen Yan, New York.)  May 5, 1859, Vol. XVII, No. 18, Whole No. 844, P. 3.

Photographs!  Life Size!—Life Color!  Mr. J. M. Letts, of the Elmira firm of Hathaway & Letts, will visit Penn Yan every few days for the purpose of taking Negatives For Photographs to be finished in Elmira.  They will be taken from the smallest dimension up to life size.  They will also be handsomely and naturally colored, so as to present all the elegance and expression of a first class Oil Painting.—These Pictures are the most popular Photographs ever taken.

Daguerreotypes of Deceased Persons Or Others, Can Be Copied And Enlarged To Any Size And Colored In Oil.—Pastel Or Plain.

Orders may be left at Burns’ Bookstore or Mrs. Lansing’s Gallery, Penn Yan or Wheeler’s Gallery, Dundee.  In sending Daguerreotypes, be particular in describing the Color of Hail, Eyes, Complexion, &c.  Perfect satisfaction guaranteed in every case.  Hathaway & Letts.

Advertisement ran from May 5 to December 29, 1859.

1860 January 7.  Elmira Advertiser and Chemung County Republican.  (Elmira, New York.)  January 7, 1860, Vol. 6, No. 15, P. 8.

Emporium Of Art,  Photographs!  Photographs!  Hathaway & Letts would respectfully announce to the citizens of Elmira and vicinity, that they have formed a partnership in the Photographic Business and are prepared to furnish Photographs in all the various styles of the art, from the smallest miniatures to Cabinet or Life Size, Either Plain, Colored in Oil or India Ink.

Those having Daguerreotypes of deceased friends can have them copied and enlarged to life size in the most faithful manner.  We also continue to make the Patent Ambrotype, Melainotype, &c., in a style unequalled by few and surpassed by none.  Having just received a large stock of Cases, Frames passepartout, &c., we can suit all taste, even the most fastidious, we would respectfully invite all interested to call and examine specimens and stock, and we [ ? ]

T. S. Hathaway, James L. Letts, Portrait and Scenic Artists, St. Nicholas Building, No. 22 Lake St., Elmira.   

1861 May 4.  Elmira Weekly Advertiser and Chemung County Republican.  (Elmira, New York.)  May 4, 1861, Vol. 7, No. 32, P. 3.

A. P. Hart, Photographist, (Successor to T. S. Hathaway.)  No. 22 Lake-St. Elmira, N. Y.

Goddard, Emerson

1849-1850       Over J. C. Molton’s Hat Store, Woonsocket, Rhode Island.

1860-1871       Main Street, Woonsocket, Rhode Island.

1871-1877       186 Main Street, Bryant’s Block, Near the Depot, Woonsocket, Rhode Island.

1849.  The New York Historical Society’s Dictionary Of Artists In American 1564-1860.  (New Haven, Connecticut & London, England.)   1957, P. 263.

Goddard, Emerson.  Portrait Painter at Cumberland, R. I., 1849.

1850 March 23.  General Advertiser.  (Providence, Rhode Island.)  March 23, 1850, Vol. III, No. 17, P. 1.

Goddard & Metcalf, Daguerrean Artists, Woonsocket, Rhode Island.  Having made arrangements for continuing together in the Daguerrean Business, would say to the public that they are prepared to execute Likenesses in the highest perfection of the art, having every convenience and facility which observation and experience can suggest.  We have the best light for all kinds of shading, being a sky-light in connection with a North side light.  We gild by the best process, and warrant our pictures permanent.  Particular attention is called to the easy and natural expression of the eye in our Daguerreotypes. We have all the best and latest styles of settings for Daguerreotypes. 

Satisfaction Given. Instruction given for $25, and Apparatus at cost.

Ladies and gentlemen are invited to call and examine our specimens, settings, &c.

Gallery over J. C. Molton’s Hat Store, and near Harris’ High Bridge, Woonsocket.  Emerson Goddard.  Chas. H. Metcalf.  au.26.

1860 January 6.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  January 6, 1860, Vol. 27, No. 18, Whole No. 1370, P. 3.

E. Goddard, Artist in every kind of Sun Light Pictures, Patent Ambrotypes, Crystalotypes, Daguerreotypes, Photographs, Melainotypes, &c., &c.  Every Picture beautifully finished, and warranted permanent.  A large assortment of Cases, Frames, Passepartouts, Lockets, &c., constantly on hand, and for sale 50 to 75 per cent cheaper than usually sold elsewhere.  Fifty cents for beautiful Ambrotypes, set in neat Velvet Lined Case.  R. Goddard returns his sincere thanks to his numerous friends and patrons, for their unceasing patronage, and will assure them, and the public, that no effort shall be wanting on his part to merit a continuance of their favor.  Thorough instruction given in the Art.  No pictures are taken at these rooms on the Sabbath.  Please make free to call and see for yourselves.  Rooms as heretofore, Main Street, Woonsocket, R. I.  Entrance same as Dr. Small’s.  E. Goddard. 

1864 March 11.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 11, 1864, Vol. 28, No. 39, Whole No. 1588, P. 2.

Persons who contemplate the purchase of Photograph Albums will do well to examine the fine assortment of Mr. Goddard, at his daguerrean saloon.  His “patent hinge back” albums are alike the handsomest and most serviceable in the market.  See advertisement.

1864 March 11.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 11, 1864, Vol. 28, No. 39, Whole No. 1588, P. 3.

Albums For Card Visites.—The undersigned keeps constantly on hand at his Daguerrean Rooms, opposite Harris’s Mill, a large and splendid assortment of Albums for Card Visites, both of Foreign and American manufacture.  In prices he cannot be undersold in this or any other market.

1864 March 11.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 11, 1864, Vol. 28, No. 39, Whole No. 1588, P. 2.

1864 May 6.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  May 6, 1864, Vol. 31, No. 36, Whole No. 1596, P. 3.

$200 worth of Splendid Photograph Albums, Just received, and will be sold very cheap, at E. Goddard’s Photograph Rooms, Woonsocket.  Please call.  E. Goddard.

1865 November 17.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  November 17, 1865, Vol. 33, No. 12, Whole No. 1676, P. 3.

Photographs.—E. Goddard’s late arrangements of Instruments and Rooms. Are unsurpassed for all kinds and sizes of Plain, India Ink or Colored Photographs.  His India Ik copies from old pictures excell anything heretofore taken.  Also, his Photographs from life, Cartes de Visite, Ambrotypes, ful length and large Tintypes, all kinds of Letter Pictures, &c., in great variety, permanently finished and at moderate prices.  Photographs and Ambrotype Goods, Photograph Albums, &c., &c., at the very lowest prices.

Mr. Goddard w2ould respectfully solicit an examination of his work at his Rooms, over J. F. Smith’s Shoe Store, Main street, Woonsocket, R. I.  E. Goddard.

1867 June 21.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  June 21, 1867, Vol. 34, No. 43, Whole No. 1758, P. 2.

Emerson Goddard, the old established Daguerrean artist, of this town, takes very superior pictures.  We recently saw some of them, known as “India Pictures,” which do him great credit.  His rooms are worth visiting.

1867 August 9.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  August 9, 1867, Vol. 34, No. 50, Whole No. 1765, P. 3.

Wanted—An honest, intelligent boy, about 16 years of age, to assist in the Photograph business.  One that can board with his parents.  Inquire of E. Goddard, Woonsocket.

1868 February 7.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  February 7, 1868, Vol. 35, No. 24, Whole No. 1791, P. 3.

To Let.  Two Pleasant Rooms under E. Goddard’s Photograph Rooms.  A good place for Dress-making, or any similar business.  E. Goddard.

1868 March 6.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 6, 1868, Vol. 35, No. 28, Whole No. 1795, P. 3.

Photographic.  E, Goddard, Artist in India Ink, Oil and Water Colors, And Photographs My knowledge in Painting enables me to copy from old pictures, (though they be defaced), to any size and finish.  Alterations made in dress, expression, &c., if desired.—Prices for large copies from five to fifty dollars each.  Cartes de Visites and all kinds of small pictures neatly and permanently finished.

Albums and Photographic Goods at the lowest prices. 

Patronage solicited and satisfaction guaranteed.

Rooms As Heretofore, No. 21 Main Street, Woonsocket, R. I.  E. Goddard.

1870 November 4.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  November 4, 1870, Vol. 38, No. 11, Whole No. 1934, P. 2.

Greenville.  Masonic.—At the regular communication of Temple Lodge, No. 18, held at Masons’ Hall, Greenville, Oct. 29, the following officers were elected and duly installed by the Right Worshipful District Deputy Grand Master, Emerson Goddard,…

1871 February 24.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  February 24, 1871, Vol. 38, No. 27, Whole No. 1950, P. 2.

Mr. Emerson Goddard, the old established photographer, of this town, has recently executed a portrait, finished in India ink, of the late John Boyden, which, for faithfulness to nature and skill in workmanship, excels any portrait we have ever seen of that lamented man.  As a work of art this picture is in the highest degree creditable to Mr. Goddard.  It may be seen at his rooms, on Main street.

1871 March 24.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 24, 1871, Vol. 38, No. 31, Whole No. 1954, P. 2.

E. Goddard will remove his photograph rooms to Bryant’s block after April 1st.

1871 March 24.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 24, 1871, Vol. 38, No. 31, Whole No. 1954, P. 3.

Removal Photographic.  My Patrons and the public will fine me located in Bryant’s Block, (formerly Metcalf’s rooms) as soon as the first of April.  I have fitted up the rooms for first class work, and shall furnish all sizes to a life size Oil Photograph, Copying in India Ink, Water and Oil colors, artistically done.

Negatives by Metcalf.  All who have had Visites, Photographs, &c., (by Metcalf0 can obtain more of the same kind by an early application at these rooms.  Please call.  E. Goddard.

1871 April 21.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  April 21, 1871, Vol. 38, No. 35, Whole No. 1958, P. 3.

Goddard’s Photograph Rooms, Bryant’s Block, near the Depot, Woonsocket, R. I.  These Rooms are now open to the public.  They are large, pleasant and second to none for the business.  Having enlarged facilities, I shall make Photographs of every desirable size and style, from the smallest to life size.  Copying and Coloring in Oil, Water, and India Ink artistically done.  I have the exclusive Patent Right in Woonsocket, for taking those beautiful Mezzo-tints, So much admired.  Duplicates made from the Metcalf Negatives.  My former patrons and the public are respectfully invited to call at these Rooms.  E. Goddard.

1871 June 2.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  June 2, 1871, Vol. 38, No. 41, Whole No. 1964, P. 2.

Mr. E. Goddard, photographer, is taking splendid pictures in his new rooms in Bryant’s Block.

1871 June 2.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  June 2, 1871, Vol. 38, No. 41, Whole No. 1964, P. 3.

Photography By E. Goddard.  A Great improvement has been made in Photography within a short time, and I am now making all of the new styles, such as Cabinets, Victoria, Rembrandt, and Berlin Cards, Vignetts, and Visites of every style and size, Patent Mezzo-Tints, Porcelain, and Life size Photographs.  Also, all the intermediate sizes.  Copying to Life-size Artistically done.

My India Ink, Water and Oil Colored Photographs are of superior finish.  They will not fade, they are made permanent by a new chemical preparation of my own make.

Rooms, Bryant’s Block, opposite S. S. Foss’s Patriot Office, Woonsocket, R. I.

1871 October 20.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  October 20, 1871, Vol. 39, No. 9, Whole No. 1984, P. 3.

A Regular Convocation of Union R. A. Chapter, No. 5, Woonsocket, will take place at Masonic Hall, on Monday the 23d inst., at 7 o’clock P. M.  Six M. E. M. to be exalted.  A collation will be served.  Officers and companions are requested to assemble promptly at 7 o’clock.  By order of the M. E. H. P.  E. Goddard, Sec. pro tem.

1871 December 15.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  December 15, 1871, Vol. 39, No. 17, Whole No. 1992, P. 3.

Photographic!  Mr. Goddard Is constantly receiving and working all of the latest improvements in Photography.  Many new styles of Pictures have been lately added to his numerous variety, including several Patents.  I am making India Ink, Crayon & Painted Portraits, from old Pictures and from Life, at prices from $5.00 to $50.00 and upwards, in the most artistic style and finish.

My Medallion Cards, Rembrandt and Berlin Heads Excel anything of this size heretofore taken.  Plain Photographs at reduced prices and warranted permanent.  Duplicate Photographs made from the Metcalf Negatives.

Advertisement ran from December 15, 1871 to July 23, 1875.

Rooms 186 Main Street, Opposite S. S. Foss’s Patriot Office, Woonsocket, R. I.

1872 March 22.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  March 22, 1872, Vol. 39, No. 31, Whole No. 2006, P. 1.

“Who can Paint like Nature?”  Mr. Emerson Goddard, daguerrean artist, of this town, has produced specimens of his craft which are creditable in the highest degree.  Among his recent portraits, of life size, is one of the late Robert Foss, of Mansfield, Connecticut, one of which may be seen in the Patriot Bookstore.  It is finished in crayon, and is not only beautiful as a work of art, but is a natural and faithful representation of the subject.  The art of painting life-like portraits by the eye and brush is one of the most difficult in the whole realm of art, and few have excelled therein.  It was not until Louis Jacques Maude Daguerre, the eminent French painter, discovered and improved the photographic process, in 1838-1839, that truthful “counterfeit presentments” of the human face became common and accessible to all.  Daguerre died July 12, 1851.  His name and fame must forever remain indissolubly connected with the wonderful art.

People who desire to see a faithful picture by a creditable imitator of M. Daguerre, should examine this portrait of Mr. Foss, which will remain in the Patriot Bookstore for a brief time.

1872 November 22.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  November 22, 1872, Vol. 40, No. 14, Whole No. 2040, P. 5.

Guardian’s Notice.—Notice is hereby given that the undersigned has been appointed, and is duly qualified as guardian of the person and estate of Grace A. Jenckes, minor daughter of Leland D. Jenckes, late of Woonsocket, deceased.  Emerson Goddard.

1873 September 12.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  September 12, 1873, Vol. 41, No. 4, Whole No. 2081, P. 5.

Wanted.—An honest Boy in a Photograph Room.  One 16 to 18 years of age, who can board with his parents preferred.  Inquire of E. Goddard.

1874 September 18.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  September 18, 1874, Vol. 42, No. 5, Whole No. 2134, P. 1.

The paragraph in The Patriot, two weeks ago, relative to a photographer being fined for working on the Sabbath, had no reference to Mr. Emerson Goddard, whose establishment is never opened for business on that day.  In this paragraph we have barely room to add that Mr. Goddard is one of the first photographers in New England—his pictures being artistic, finished, and deservedly admired.

1877 May 25.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  May 25, 1877, Vol. 44, No. 41, Whole No. 2276, P. 1.

Mr. Emerson Goddard, the popular photographer, designs building a house on Hamlet Avenue, having purchased the fine lot of the estate of the late R. S. Sinclair.

1877 May 25.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  May 25, 1877, Vol. 44, No. 41, Whole No. 2276, P. 5.

E. Goddard, Photographer.  Copying and Finishing in India Ink, Crayon, Water and Oil Colors a specialty.  Photographing in all the latest styes, finely finished, and warranted permanent.—Studio, No. 186 Main street, Woonsocket, R. I.

1877 September 7.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  September 7, 1877, Vol. 45, No. 4, Whole No. 2292, P. 1.

Mr. E. Goddard, photographer, shows a fine photograph of the late Bringham Young’s residence in Salt Lake City.  The picture was sent by Mr. Goddard’s brother.

1877 November 16.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  November 16, 1877, Vol. 45, No. 14, Whole No. 2302, P. 1.

Mr. Emerson Goddard, the photographer, has broken ground on the north side of Hamlet Avenue, for the purpose of putting up a house.  Messrs Rickard & Prary are builders, and the work is let out to them by contract.  The style of the house is what is known as the “American cottage.”  It will contain about eleven rooms and will be 35 x 30 feet in extent, with a barn at the rear, 30 x 20.  It will cost when completed about $5,000.

1877 December 28.  Woonsocket Patriot and Rhode Island State Register.  (Woonsocket, Rhode Island.)  December 28, 1877, Vol. 45, No. 20, Whole No. 2308, P. 1.

E. Goddard is making some fine photographs for New Year’s gifts.  By a visit to his photograph gallery some excellent specimens of his artistic skill may be seen, including promenades, cabinets, and porcelain pictures.

1893 August 7.  Providence News.  (Providence, Rhode Island.)  August 7, 1893, Vol. 4, No. 116, P. 7.

Died.  Goddard—At Woonsocket, August 5, Emmerson Goddard, aged 74 years.

1893 August 7.  The Evening Bulletin.  (Providence, Rhode Island.)  August 7, 1893, Vol. XXXI, No. 185, P. 7.

Goddard—In Woonsocket, 5th inst., Emerson Goddard, in the 74th year of his age.

1893 August 9.  Providence News.  (Providence, Rhode Island.)  August 9, 1893, Vol. 4, No. 118, P. 8.

The funeral of Emerson Goddard took place at 2 o’clock yesterday afternoon, from his late home, 62 Park avenue, Woonsocket.  A quartet, consisting of Miss Minnie Farnum, Mrs. R. F. Tucker, Messrs. M. R. Newell and G. F. Higgins, rendered appropriate selections.  All the Masonic bodies in the city were in a tendance.  Rev. C. J. White conducted the service.

1893 September 6.  Providence News.  (Providence, Rhode Island.)  September 6, 1893, Vol. XXXI, No. 211, P. 6.

Woonsocket.  Court of Probate…

The will of Emerson Goddard was proved, allowed and ordered recorded, and his wife, June E. Goddard, approved as executrix.  The will was dated Cumberland, Jan. 12, 1865.  Bond was fixed at $600:  Sureties, Clara L. Thayer, C. W. Talcott.

1893 November 11.  The Providence Journal.  (Providence, Rhode Island.)  November 11, 1893, Vol. LXV, No. 270, P. 8.

Funeral of Mrs. Goddard.  The Funeral of Jane E., Widow of Emerson Goddard, who removed from this city to Brooklyn, N. Y., a few weeks ago and who died in that city, took place from the local Universalist Church yesterday afternoon.  Rev. Charles J. White officiated.  A quartet composed of Mrs. William Sheafe Chase, Mrs. William S. Preston, Joseph W. Nichols and Robert Donaldson sang appropriate selections.  The floral offerings were handsome.. The remains were interred at Oak Hill Cemetery.  The bearers were:  Clement E. Darling, R. O. Cooke, Seth S. Getchell, Joseph H. Watson, Fred W. Arnold and Caleb L. Knight.  

Cremer, James

1849                102 Williams Street, New York, New York.

1852                241 Essex Street, Salem, Massachusetts.

1852-1854       144 Washington Street, Boston, Massachusetts.[1]

1854-1855       Holmes, Booth & Hayden’s, New York, New York.

1857-1859       South West corner of Sixth & Chestnut, Philadelphia, Pennsylvania.

1859                18 South Eighth Street, Philadelphia, Pennsylvania.

1849 March 13.  New York Herald.  (New York, New York.)  March 13, 1849, Whole No. 5394, P. 1.

Levi Chapman, No. 102 William street, New York, Manufacturer Of The  Celebrated Magic Razor Strop, of four sides; also Pocket Books, Wallets, Spectacle and Bankers’ Cases, in every variety, on the most extensive scale.

Daguerreotype Cases $144    

{Medium sizes, from $18 to $60 per gross.

{Quarter sizes, from size from $83 2 to $[30] to $84 per gross.

{Half sizes, from $82 to $144 per gross.

Mats and Preservers of all kinds.  Geo. Dabbs, Jas. Creamer, Agents.

1852 February 16.  Salem Register.  (Salem, Massachusetts.)  February 16, 1852, Vol. LIII, No. 14, P. 3.

Removal.  Daguerreotype Rooms D. W. Bowdoin Has removed from his Old Rooms opposite the Market, to No. 241 Essex Street, ( A few doors above Washington street), where he has built one of the best arranged Establishments in New England, for taking Likenesses and Pictures in every style of the Art.  — Also—

Has formed a Co-Partnership with James Cremer, for the sale of Daguerreotype Goods of every description.  Artists are respectfully invited to call and examine our select Stock of Goods .

Instruction Given in the Art.  Cremer & Bowdoin.

Advertisement ran from February 16 to May 31, 1852.

1852 June 14.  Salem Register.  (Salem, Massachusetts.)  June 14, 1852, Vol. LIII, No. 49, P. 3.

Dissolution of Copartnership.  The Copartnership heretofore existing under the firm of Cremer & Bowdoin is this day dissolved by mutual consent.  James Cremer, D. W. Bowdoin.  Salem, June 9, 1852.

James Cremer & Co.  Are authorized to settle all claims against, and receive all debts due the said firm of Cremer & Bowdoin, at 144 Washington Street, Boston, where they are now fitting up a sales room, and will open a large and select stock of Daguerreotype Goods of every description.  The attention of Artists is respectfully invited.  Orders promptly attended to.  James Cremer & Co.  June 14, 1852.

Advertisement ran from June 14 to July 12, 1852

1852 November 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  November 15, 1852, Vol. IV, P. 240.

Cremer, formerly of Salem, Mass., has now opened a large stock establishment in Boston, under the firm of Cremer & Co.—Cremer will do his share of trade, and no mistake.

1854 January 1.  Humphrey’s Journal.  (New York, New York.)  January 1, 1854, P. 287.

John Sawyer & Co., James Cremer & Co., and B. French, of Boston, Mass keep Daguerreotype stock for sale.

1854 August 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  August 15, 1854, P. 143.

James Cremer, formerly of the firm of James Cremer & Co., of Boston, has become a partner in the company of Holmes, Booth & Hayden’s, in this city.  Mr. C. has a numerous list of friends and no doubt will prove a valuable auxiliary to this establishment.

1855 February 1.  Humphrey’s Journal.  (New York, New York.)  February 1, 1855, P. 327.

James Cremer, now with Holmes, Booth & Hayden’s, is about opening an establishment in the city of Philadelphia, for the sale of Daguerreotypes stock

1857 March 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 25, 1857, Vol. XLIII, No. 2, P. 3.

Important To Daguerreotypist.—Great reduction in price of Melainotype Patent Rights, of from $20 to $3 each, for an individual right.  Authorized Agent James Cremer, S. W. corner of Sixth and Chestnut sts., Phila.

1857 December 18.  The Press.  (Philadelphia, Pennsylvania.)  December 18, 1857, Vol. 1, No. 119, P. 3.

Just Received and for Sale low, a large lot of imported Frames suitable for Photographs.  James Cremer, S. W. cor. Sixth and Chestnut St., up stairs.

N. B. Gold Lockets for Miniatures at Cost. 

1858 July 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 21, 1858, Vol. XLV, No. 103, P. 4.

To Photographers.—Just Received, Hardwick’s fourth edition Photographic Chemistry Price 75 cents.  James Cremer, Photographic Stock Dealer.  S, W, corner Sixth and Chestnut sts.

1859 July 3.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 3, 1859, Vol. XII, No. 10, P. 1.

History of Chestnut Street.  McClees & Co., successors to James Cremer, daguerreotype and photograph stock depot.

1859 October 9.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 9, 1859, Vol. XII, No. 24, P. 2.

The First Premium for Stereoscopes, at the late State Fair, was awarded to James Cremer & Co., of 18 South Eighth street, who had a large variety of pictures upon exhibition.  Public buildings, natural scenes, life groups, are brought out with startling fidelity by this instrument.  Cremer & Co. furnish an instrument and a dozen pictures for $2.50.  The price is so cheap that the firm do a large business.

1859 October 14.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 14, 1859, Vol. XLVIII, No. 17, P. 2.

The Largest assortment of Stereoscopic Pictures ever offered for sale in this city, is at 18 South Eighth Street.  Cremer & Co.

A Stereoscope and one dozen Pictures, $2.50.

1859 October 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 16, 1859, Vol. XII, No. 25, P. 2.

Newly Imported splendid French views and groups, the finest ever imported, have just been received by the International Stereoscope Company, and are to be seen at the stereoscopic depot of James Cremer & Co., No. 18 South Eighth street.  They are beautiful indeed.  This enterprising firm now furnish a stereoscope and twelve pictures for a surprisingly low sum of $2.50.  They are doing well.

1859 October 18.  The Press.  (Philadelphia, Pennsylvania.)  October 18, 1859, Vol. 3, No. 66, P. 3.

The best and most instructive amusement is the Stereoscopic Groups and Views, found at the new Stereoscopic Emporium of J. Cremer & Co., 18 South Eighth street.

1859 October 25.  The Press.  (Philadelphia, Pennsylvania.)  October 25, 1859, Vol. 3, No. 72, P. 3.

Present Your Friends with a Stereoscope and Pictures, the handsomest gift you can offer.  To be found of superior quality and variety, at the new Stereoscope Emporium, 18 South Eighth street.  James Cremer & Co.

1859 October 27.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 27, 1859, Vol. XLVIII, No. 28, P. 2.

Stereoscope And Pictures take the lead of all articles suitable for presents.  Found in greatest variety at 18 South Eighth street.  James Cremer & Co.

1859 November 15.  The Press.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. 3, No. 90, P. 2.

Just Received—A splendid assortment of French Groups and English Scenery, which are now offered for sale, at the New Emporium, 18 South Eighth street.  James Cremer & Co.

1859 November 15.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. XLVIII, No. 44, P. 2.

A Splendid Variety of French Groups and English Scenery, the finest ever imported, now offered for sale at the New Emporium.  18 South Eighth st.  Jas. Cremer & Co.,

1859 November 23.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 23, 1859, Vol. XLVIII, No. 51, P. 2.

Present Your Friends with a Stereoscope and Pictures.  You cannot please them better.  The largest assortment in the city at the New Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 November 27.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  November 27, 1859, Vol. XII, No. 31, P. 2.

For the amusement of the home circle, or the delight of strangers, there is nothing better than a stereoscope.  It is an assistant to your knowledge of foreign lands, which brings the natural appearance of celebrated scenes directly before the eye.  The best place at which to buy stereoscopes is from James Cremer & Co., No. 18 South Eighth street.  They are specially engaged in the business, and have a large stock.

1859 December 3.  The Press.  (Philadelphia, Pennsylvania.)  December 3, 1859, Vol. 3, No. 105, P. 3.

Christmas Presents.—All who view the Stereoscopes and Pictures remark!  How beautiful appropriate for a Christmas Gift!  Emporium 18 South Eighth street.  Open evenings.  Jas. Cremer & Co.

1859 December 4.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  December 4, 1859, Vol. XII, No. 32, P. 2.

Home delights are what every one should cultivate.  Home joys are what every one will approve of.  Therefore we say, in the most distinct manner, that the possession of a stereoscope, and a collection of stereoscopic views, will compensate you for your outdoor allurements.  Messrs. James Cremer & Co., 18 South Eighth street, have a fine collection of these instruments, and an immense number of views and groups, &c.

1859 December 8.  The Press.  (Philadelphia, Pennsylvania.)  December 8, 1859, Vol. 3, No. 110, P. 3.

Holiday is Coming.—A Christmas gift of the Stereoscope and Pictures will afford more pleasure than anything you can offer.  The largest assortment in the city at the Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 December 20.  The Press.  (Philadelphia, Pennsylvania.)  December 20, 1859, Vol. 3, No. 120, P. 2.

Christmas Presents.—Now ready for sale, the  largest and most beautiful assortment of Stereoscope, and Pictures, suitable for Christmas Gifts, at the Emporium, No. 18 South Eighth street.  Jas. Cremer & Co.

1859 December 29.  The Press.  (Philadelphia, Pennsylvania.)  December 29, 1859, Vol. 3, No. 127, P. 2.

Holiday Gifts—The Stereoscope and Pictures, truly a New Year’s present.  It will afford pleasure for the whole year.  Emporium, 18 South Eighth street, James Cremer & Co.

1893 January 27.  New York Herald.  (New York, New York.)  January 27, 1893, Vol. 27, P. 1.

Deaths…Cremer.—Suddenly, on Wednesday, January 25, James Cremer, aged 72 years.  


[1] A Directory Of Massachusetts Photographers 1839-1900.

Collins, George W.

1850-1853       Rooms in Stadler & Rupert’s Building, Urbana, Ohio.

1853-1855       Weaver & Brothers Building, East side of Public Square, Urbana, Ohio.

1859-1860       Weaver’s Building, East side of Public Square, Urbana, Ohio.[1]

1845 April 15.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  April 15, 1845, Vol. 7, No. 52, Whole No. 364, P. 3.

G. W. Collins, Portrait Painter, Rooms on the corner of Main and Market Streets, Urbana, Ohio,

1846 April 7.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  April 7, 1846, Vol. 8, No. 51, Whole No. 415, P. 3.

Portrait Painting.  Mr. Saxton:—Your townsman, Mr. G. W. Collins, has, for a short time, been engaged in Portrait Painting in our village, to, I believe, the general satisfaction of all who employed him.—His likenesses are excellent, giving clearly the delineation of the features, and a full expression of the countenance.  Some of his paintings drawn here are almost true as life.  The painting is neatly executed, and performed with an expert and masterly hand.  Mr. Collins, we believe, is destined to become a proficient in his profession, and is worthy the patronage of an intelligent and tasteful community.  He is not merely an artist, but nature has bestowed bountifully upon him the requisite facilities for a limner.  Genius should be encouraged in the ornamental and beautiful as well as in the useful arts. 

Yours, &c., Jas. W. Hamilton. East Liberty, O.

1850 December 6.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  December 6, 1850, Vol. 13, No. 34, Whole No. 658, P. 2.

G. W. Collins’ Daguerrean Rooms.  G. W. Collins respectfully announces to the citizens of Urban and the public generally, that he has recently fitted up an immense “Northern Light,” especially for Daguerrean purposes, and is prepared to execute pictures in a style of beauty seldom attained, and no where excelled.

Miniatures executed and put up in all the various styles of the art, from the smallest Lockets, Pins, and Finger Rings, to the largest sizes for frames; and taken at such prices as cannot fail to please.  Rooms open at all hours.  Pictures taken every day, with out regard to weather.

Daguerreotype Miniatures, when correctly taken, preserve the features which disease and death destroy in a few years, and which our memories retain but imperfectly, and for a short time are made to abide with us.  Who can tell how much influence a venerable, benevolent parent’s portrait exerts on the family possessing it?  They are, therefore, at all times desirable menentoos (sic.) of absent or deceased friends, but more especially in the event of death, they are above to surviving relatives.  No family should be without them.

Rooms in Stadler & Rupert’s building, up stairs.

1851 May 16.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  May 16, 1851, Vol. 14, No. 5, Whole No. 681, P. 3.

The Daguerrean Art—G. W. Collins.  Messrs. Editors:  It was my pleasure to sit a few evenings ago, for a picture in the Gallery of this gentleman, situated one door west of Stadler’s Clothing Store, up stairs.  At a great expense he has procured, and has now in successful operation, a new Camera, of surpassing beauty and elegance, which far exceeds the old ones so long in use by the professor of this art.  To the eve of the most casual observer, the pictures taken by the two instruments, the contrast is strikingly manifest.  This new machinery works to a charm: while the operations of the old ones, in the opinion of those whose knowledge of them may be relied upon, was in a great measure unsatisfactory and untrue.  The Daguerrean Art, although by many considered of no real value to the public or to individuals, is in my opinion a stride in science, equal to any other of the present age.  No one who possesses a particle of attachment to friends and relations, can fail to appreciate the untold pleasure—though it be a melancholy one—of retracing the features of the loved and lost; and I envy not the man, who for the sake of a small pittance, would deny himself this great after comfort.

It should be gratifying to the pride of our citizens, that one has arisen in our midst, born and raised on the sod of Champaign, whose ambition and genius have led him to anticipate and supply its wants in this valuable Art; and we mistake the spirit of her people, if they do not reward his efforts by a liberal and enlightened patronage.  Mr. Collins is ever on the alert to grasp & apply every improvement in the art, without stopping to compute the cost: his desire is to please: when that is accomplished, he seems to have attained his greatest ambition.  This is the true position of the Artist.  When his mind and heart are engaged, failure is an impossibility.

We believe the public of Urbana, and of Champaign county, will foster the growth and advancement of these praiseworthy efforts on his part, to build up a Gallery of Art in this place, which shall be a credit to himself and his fellow citizens.  B.

1851 May 16.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  May 16, 1851, Vol. 14, No. 5, Whole No. 681, P. 3.

More Light.  Daguerrean Gallery.  G. W. Collins respectfully announces to the citizens of Urbana and the public generally, that he has just received from the City of New York, one of the first class German Cameras, and is now better prepared to take Pictures than before; and to test the matter, he invites Ladies and Gentlemen to call and have their Miniatures taken, and examine his specimens—among which they will find Tom Thumb and Jenny Lind.

Rooms open from 7 o’clock A. M. to 6 P. M.  Miniatures executed and put up in all the varied styles of the art, from the smallest Lockets, Pins and Finger rings, to the largest sizes for frames; at prices ranging from $1.00 upwards, according to size and quality of Cases.  Pictures taken every day, without regard to weather.

Rooms in Stadler & Rupert’s building, up stairs.

Advertisement ran from May 16 to June 20, 1851.

1851 June 27.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  June 27, 1851, Vol. 14, No. 11, Whole No. 687, P. 3.

More Light.  Daguerrean Gallery.  G. W. Collins respectfully announces to the citizens of Urbana and the public generally, that he has just received from the City of New York, one of the first class German Cameras, and is now better prepared to take Pictures than before; and to test the matter, he invites Ladies and Gentlemen to call and have their Miniatures taken, and examine his specimens—among which they will find Tom Thumb and Jenny Lind.

Rooms open from 7 o’clock A. M. to 6 P. M.  Miniatures executed and put up in all the varied styles of the art, from the smallest Lockets, Pins and Finger rings, to the largest sizes for frames; at prices ranging from $1.00 upwards, according to size and quality of Cases.  Pictures taken every day, without regard to weather.

Likenesses of sick or deceased persons taken at short notice.  Painted or Daguerreotype likenesses accurately copied.  He will keep on hand a general assortment of Daguerreotype Stock and Apparatus to supply the trade, and will sell as low as can be had any where in the State; and will also give instructions in this beautiful and fascinating Art, on favorable terms.

Rooms in Stadler & Rupert’s building, up stairs.

Advertisement ran from June 27 to August 15, 1851.

1851 October 10.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 10, 1851, Vol. 26, No. 11, Whole No. 701, P. 2.

Campaign County Fair.  Our Annual Agricultural Fair came off on Wednesday and Thursday of this week…

G. W. Collins exhibited some very beautiful specimens of Art in his line.—But, we cannot go into details today.  The Ladies, (God bless them!) were out in full force.

1852 March 26.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  March 26, 1852, Vol. 14, No. 50, Whole No. 724, P. 2.

Daguerreanism. Mr. Editor:—Suffer me to call the attention of the public, and especially the admirers of the fine arts, to the merits of one of our citizens, Mr. G. W. Collins, who is now engaged in taking Daguerreotype Likenesses in our village, as one of the most successful operators that I have had the pleasure of visiting.  I think his pictures will compare favorably with the best pictures taken in any of our large cities.  If any objection at all can be found against them, it would be that he makes his subjects look too much like themselves.  I hope this young artist will meet with all the success his distinguished skill demands.  Mc.

1853 January 7.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 7, 1853, Vol. 15, No. 39, Whole No. 765, P. 4.

G. W. Collins.—Daguerreotype Artist, West Main Street, Urban, Ohio.  Persons wishing to get good Likenesses, will please call at G. W. Collin’s Daguerreotype Room, which will be open from 7 o’clock A. M. to 6 P. M.; at which hours the Public generally are invited to call and examine Specimens, whether they desire Pictures or not.  Pictures will be taken from the largest size for frames, down to Lockets, Breastpins and Finger Rings.—Instructions Given in the art, on favorable terms.

Daguerreotype Goods.  Keeps constantly on hand every variety of Daguerreotype Stocks, consisting of Apparatus, Plates, Cases and Chemicals.  For sale low for cash.  May 28. 1852.

1853 January 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 28, 1853, Vol. 15, No. 42, Whole No. 768, P. 2.

G. W. Collins has fitted up new Daguerrean Rooms in Weaver’s Block, where he is better prepared than ever to take accurate likenesses of the human face.  He has acquired great notoriety as an artist, and those wishing good pictures of themselves or families, would do well to give him a call.  See his notice.

1853 January 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 28, 1853, Vol. 15, No. 42, Whole No. 768, P. 3.

Removal.  G. W. Collins’ New And Magnificent Daguerrean Gallery, Has just been fitted up with a large sky light, in Weaver & Brothers building, above the Shoe Store.

“Music hath charms;”

But there is nothing which can soothe the rugged paths of affliction more exquisitely than the extraordinary fife Daguerreotypes, taken by G. W. Collins every day, from the largest size for frames, down to the smallest for Breast Pins, Lockets and Finger Rings.

The public are generally invited to call and see his specimens, whether they desire Pictures or not.

The Rooms will be open from 8 a. m. to 5 p. m., at which hours the public are invited to call.

Instructions given in the art on favorable terms.

Daguerreotype Goods.—Keeps constantly on hand, every variety of Daguerreotype Goods, which will be supplied to artists low for cash.

A word to Artists.  No goods will be forwarded, unless the money is inclosed (sic.) with the order.

1853 February 4.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  February 4, 1853, Vol. 15, No. 43, Whole No. 769, P. 2.

Daguerreotype Gallery.  We noticed very briefly in our last week’s issue, (more for want of time and space, than a better reason,) the Daguerrean Gallery of Mr. G. W. Collins.

The room which he now occupies, is a large and commodious one, and furnished in an elegant and tasteful manner.  His facilities, too, for picture-taking are greatly increased, having the combined advantage of both side and sky-lights.

We do not know that we laud too highly the artistic skill of Mr. Collins, by classing him with the first Artists of this “day and age” of the World.  All who have seen his pictures unite in awarding to him this praise; and those of our citizens who desire to—”Secure the shadow ere the substance fades,” Are no longer required to go to cities and larger towns for such.

1853 August 12.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 18, Whole No. 798, P. 2.

Collin’s Daguerrean Rooms are still in full blast.  George’s pictures are hard ti beat; and those who have never visited his Gallery, had better do so and examine his sp3ecimens.  They are exceedingly attractive.  See his card.

1853 August 12.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 18, Whole No. 798, P. 3.

G. W. Collins, Daguerrean Artist, North East Corner of Public Square, Urbana, Ohio.  Apparatus, Plates, Cases, Chemicals, Frames, All sizes, and everything connected with the Daguerrean Art, constantly on hand and for sale, at New York prices.

Instruction Given In The Art.

1853 August 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 20, Whole No. 800, P. 2.

Stereoscopic Daguerreotypes.  We are glad to see that our friend Collins, who, by the way, is always up with the improvements of the day, has introduced the Stereoscopic Daguerreotype.  The likeness with this is a likeness—a fac similie of the original.  To those who are not acquainted with the effect of the Stereoscopic, we would say that the picture, instead of being flat, stands out from the plate like a marble statute—in fact, it presents you with a model of yourself.  All who have occasion to have their likenesses taken should examine this method, and our word for it, they’ll have no other.

By the way, we hope our friend Collins will be particularly polite to all the ladies who may visit his rooms, and put himself to a good deal of trouble and expense to accommodate them.  Ladies always require and expect a little extra attention, you know.  “Mattie Lee,” in behalf of herself and other ladies, sent us a note the other day, complaining that Mr. C. did not “soft soap” them enough when they visited his rooms.  He will do well, therefore to give them a little extra attention hereafter, and thus remove all cause of complaint on that score.

1853 October 21.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 21, 1853, Vol. 16, No. 28, Whole No. 808, P. 3.

Tuition On The Violin.  Mr. E. Blank, Pupil of Ole Bull, from New York, an accomplished Violinist, is prepared to give lessons to those who desire to play that lovely instrument.  He is able to satisfy all of his qualifications, and learn pupils by a new method, to become good players in half the time required by the old method of teaching. 

Terms $5.00 for 15 lessons, or 50 cents for a single lesson, payable in advance.  He can be found at Collins’ Daguerrean Rooms.

1853 November 18.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  November 18, 1853, Vol. 16, No. 32, Whole No. 812, P. 2.

G. W. Collins’ Daguerrean Gallery, North-Easy corner Public Square, Urbana, Ohio.  Instructions given in the art, and complete apparatus furnished.

1853 December 30.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  December 30, 1853, Vol. 16, No. 38, Whole No. 818, P. 2.

Piano Tuner.  And Teacher on the Violin and Violincello, And Guitar, E. Blank, To Be Found At G. W. Collin’s Daguerrean Rooms, Urbana.

1854 July.  The Photographic And Fine Art Journal.  (New York, New York.)  July 1854, Vol. 7, No. 7, P. 224.

Mr. R. M. Cole, of Peoria. Ill., is one of the most successful operators in the Western country, and is deserving of great praise for his perseverance in attaining to his skill he now exhibits, and is well worthy the support he receives.  Mr. G. W. Collins, of Urbana, Ohio, is also a most excellent artist, and has our warmest wishes for his success.

1854 October 27.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 27, 1854, Vol. 17, No. 29, Whole No. 861, P. 3.

G. W. Collins’ Great Western Daguerreotype Rooms & Stock Depot, Urbana, Ohio.  Rooms in Weavers’ Building, North-East corner Public Square, Instructions in the art carefully given.

Advertisement ran from October 27, 1854 to November 30, 1855.

1855 September 14.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  September 14, 1855, Vol. 18, No. 23, Whole No. 907, P. 3.

The Champaign County Fair was the most attractive feature in the passing events of the last week…

And Mrs. Ackerman’s picture gallery made a fine display, as did also Collins’ Daguerreotypes…

List of Premiums Awarded at the sixth Annual Fair of the Champaign Agricultural Society…

Class U.  Miscellaneous Articles…

G. W. Collins, Daguerreotypes, 1st Prem., 2.00

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.


[1] Craig’s Daguerreian Registry.

Chilton, James R.

1839                263 Broadway, New York, New York.

1839 November 2.  New-York Observer.  (New York, New York.)  November 2, 1839, Vol. XVII, No. 41, Whole No. 860, P. 2.

Photography—The Daguerreotype.—We have devoted our last page this week to M. Daguerre’s account of his mode of obtaining in a few minutes, perfect, fixed, and durable photographic images or pictures, of any object in the material world.  The little volume from which we copy had but just been issued from the London press when the Liverpool sailed, and as it has not yet been republished here, this number of our paper will convey to the different parts of our country the first satisfactory account of the most brilliant discovery of the present age.  It will be read with interest by all artists and men of science.

The whole apparatus, including the camera obscura, iodine box, mercury box, thermometer, funnel, cups, lamps, troughs, stands, frames, silvered plates, &c. may be obtained of Mr. G. W. Prosch, philosophical instrument maker, 140 Nassau st., who is ready, we understand, to deliver the instrument complete for the sum of forty dollars.  The price charged in Paris, at first , was 400 francs, or $75 In London, we believe, it is sold for £12 sterling, or about $60.  The lenses for the camera are made in the best manner by J. G. Wolf, 86 Nassau st., and the chemical ingredients, Iodine, hyposulphate, &c. by J. G. (sic.) Chilton, chemist, Broadway.

Blessing, Samuel T.

1858                134 Canal Street, New Orleans, Louisiana.

1859                61 Camp Street, corner Commercial Place, New Orleans, Louisiana.

1858 April 19.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 19, 1858, Vol. XI, No. 38, P. 4.

Anderson & Blessing’s New Photographic Gallery.  The Most Extensive in the City.  No. 134 Canal Street, New Orleans.

Daguerreotypes, Ambrotypes and Photographs in every style, either plain or colored.

Particular attention paid to copying Daguerreotypes of deceased persons into Photographs—life, cabinet and miniature sizes, and painted in oil colors.  By this process perfect and life-like Portraits and Miniatures can be secured either from life or Daguerreotypes.

Terms, very moderate.

Advertisement ran from April 19 to May 20, 1858.

1859 October 31.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 31, 1859, Vol. XII, No. 202, P. 1.

Anderson & Blessing’s New Extensive Photographic And Daguerrean Saloon, No. 61 Camp Street, Corner of Commercial Place, New Orleans. 

We beg leave to inform our patrons and the public that we have removed from 134 Canal street to the above named spacious building, which we have spared no pains or expense in fitting and furnishing in a superior style, for the comfort of our visitors and patrons, as well as for the better execution of every style of Miniatures and Portraits known to the art.

Photographs made Life Size by the new Solar Camera Process, either taken from  life of copied from Daguerreotypes, Paintings, etc. and painted in Oil, Water, Pastel or India Ink.

We call special attention to this new style of Portraits, as being much more truthful to life in point of likeness, and equally as durable and beautiful to the old style of Oil paintings.

Photographs, either Plain or Colored, made all sizes.

Ambrotypes made to their perfection on a new and improved plan taken upon Metallic Plates, which cannot be broken.

Particular attention given to making Daguerreotypes.

None but the best Operators and Painters employed, and the public can rely on getting only the best.

The public are invited to examine specimens of our work, which we will take pleasuring in showing.  Anderson  Blessing, 61 Camp street, corner of Commercial Place.

Advertisement ran from October 31 to November 4, 1859.

1859 November 4.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 4, 1859, Vol. XII, No. 206, P. 5.

Anderson & Blessing’s New And Superb Photographic & Daguerreotype Saloon, No. 63 Camp street, Corner Of Commercial Place, New Orleans.  Opposite the Picayune Office.

We beg leave to inform our numerous patrons and the public, that we have removed from 134 Canal street to the above named commodious building, which we have fitted and furnished  in a suitable style, with the Largest Sky-Light in the City, A Large Reception Room for the Public, A Splendid Parlor And Dressing-Room, Exclusively for Ladies, and A Large Studio for our Painters, Together with all the necessary room and conveniences for the execution of Every Size And Style of Miniatures and Portraits known to the art.  From The Smallest Locket To Full Length Life Size On Canvas In Oil.

Photographs, Life Size, made by the new Solar Camera Process.

Photographs on Visiting Cards, by the hundred.

Photographs, all intermediate size.

Photographs, all sizes, untouched.

Photographs Painted in Oil Colors.

Photographs Painted in Water Colors.

Photographs Painted in Pastel Colors.

Photographs Touched in India Ink.

Photographs Copied from old Daguerreotypes, Ambrotypes, Paintings, Drawings, etc. and finished in any style.

Photographs taken in Groups of Families.

Photographs taken of Buildings in any part of the city.

Daguerreotypes taken in all their beauty and perfection.

Daguerreotypes taken of deceased persons in any part of the city.

Ambrotypes taken on a new and improved plan upon metallic plates, thereby obviating the danger of braking.

Ambrotypes transferred to Paper or Leather, letter size, for mailing.

—Also—Any, Every And All Styles Of Miniatures and Portraits, Too numerous to enumerate here.

Advertisement ran from November 4 to December 31, 1859.

1859 November 7.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 7, 1859, Vol. XII, No. 208, P. 2.

A Splendid Establishment.—It is a function of our professionality to pry into and examine the merit of everything curious or unusual, and necessarily the attributes of novelty of curiousness which a thing so inspected possesses, must be of a very marked character to excite surprise in an intelligence rendered blasé by much sight-seeing.  Consequently we were surprised that we were surprised when we visited the new photographic and daguerreotype saloon of Messrs. Anderson & Blessing, at 61 Camp street.  It is an establishment which is really a credit to the city, such is its extent and elegance, and the costly magnificence of its appointments.  The finest furniture, the most gorgeous products of the carpet loom, and superb specimens of art combine to impart to the various and spacious apartments occupied by the proprietors an unusual aspect of elegance and munificence of management. A visit will repay any one, no matter where he has traveled and how much he has seen, for the saloon in unsurpassed.  It occupies the upper part of the large building corner of Camp street and Commercial Alley.  At the head of the first flight of stairs the visitor is issued into a wide apartment—the general reception room and and picture gallery—sumptuously furnished, its walls covered with paintings and pictures taken by several processes of daguerrean and photographic art.  Beyond this is the bookkeeper’s office and a vault large enough for any bank, or for a small family to go to house-keeping in, for the deposit of valuables used in the art, etc.  Further on is the warehouse room heavily stocked with material used by daguerrean and photographic artists, for Messrs. Anderson & Blessing are among the heaviest importers and dealers in these goods in the country.

The third floor is occupied by ladies’ and gentlemen’s’ parlors and dressing rooms, elegantly furnished like the reception room below; by the skylight room, the skylight being of extraordinary size and probably not surpassed in the country; by a chemical laboratory; by a workshop and finishing room, and by a laboratory for the preparation of the paper, etc., for photographs, and by the studio for the artists who finish photographs in colors.  On the fourth floor are several rooms devoted to various uses, one of them containing the various solar camera apparatus for taking those life-size or colossal pictures, the excellence of which have given Messrs. A. & B. so wide a reputation.

These gentlemen, since removing to their new quarters, have renewed the beautiful daguerrean art which fell into comparative desuetude in the first rage for ambrotypes and photographs, and have made some of the finest pictures that were ever produced for those visitors who preferred the daguerreotype, which, after all, is “hard to beat,” if the picture be taken by a skillful and experienced artist, and only such practice their profession at Messrs. Anderson & Blessing’s establishment, where the extensive business of the concern is conducted in all its branches with a systematic regularity, promptitude and perfection only to be secured by the management of gentlemen who are thorough business men, as well as entirely accomplished artists.  We advise those who want the best pictures at a reasonable price, or want nothing but the gratification of an intelligent curiosity, to look in at 61 Camp street, for until they do they will have no idea of what a first-class photographic and daguerreotype saloon is.

Bisbee, Albert

1842                Address Unknown, Chester, Geauga County, Ohio

1846-1847       Over Ambros’ Confectionary, Opposite State Building, Columbus, Ohio.

1847                Room over I. N. Whiting’s Bookstore, Columbus, Ohio.

1848-1850       First door up stairs, North of the Exchange Bank, Columbus, Ohio.

1852-1853       Address Unknown, Dayton, Ohio.

1855-1856       High Street, A Few Doors North of the American House, Columbus, Ohio.

1857                High Street, A Few Doors North of the American House, Columbus, Ohio.

1858                Corner of Main and Columbus Streets, Lancaster, Ohio.

C. 1858           Address Unknown, Dayton, Ohio.

C. 1858           Address Unknown, Delaware, Ohiio.

1858-1859       Marble Block, Superior Street, Cleveland, Ohio.

Daguerreotype Apparatus, or Speculums for the same, made to order and warranted to be of the first quality.  Prices from $25 to $75.  All orders promptly attended to.  A. Bisbee, Chester, Geauga Co.

Advertisement ran from August 10 to September 14, 1842.

1846 November 30.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  November 30, 1846, Vol. I, No. 12, P. 3.

Bisbee’s Daguerreotype Rooms, Over Ambros’ Confectionary, Opposite State Building, Columbus, Ohio.  Prices for pictures from $1.50 to $10.00, regulated by their size and richness of the case or frame.  Citizens or strangers visiting this establishment can have their likenesses taken in this unique style separately or in groups, and neatly set in Cases, Lockets, or Pins, &c., in a few minutes.  Gentlemen’s country seats, buildings, portraits and engravings faithfully copied, and every other order punctually attended to.

Likenesses taken equal to any in New York, Philadelphia, or even in Columbus.

Parties are invited to call and judge for themselves.  Instructions thoroughly and carefully given , and the best of apparatus, Lenses. Plates, Cases, and Chemicals constantly on hand for sale.

A new and superior accelerating chemical at $1.00 per ounce.

Advertisement ran from November 30, 1846 to May 7, 1857.

1847 February 10.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  February 10, 1847, Vol. I, No. 68, P. 4.

Tell thew Professor with the millions of visitors, to just call in to Bisbee’s Daguerreotype Rooms on some rainy day, when they have time, and look at some Pictures and the Apparatus which he keeps constantly on hand and for sale.  December 30, 1846.

Advertisement was recorded from February 10 to May 12, 1847.

1847 March 22.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  March 22, 1847, Vol. I, No. 85, P. 2.

Relief of Ireland.  We are requested to state that tickets to Mr. John M. Kinney’s Exhibition for the Relief of Ireland, can be had at each of the Printing Offices in the city…and Bisbee’s Daguerrean Rooms…

Here is a chance for our citizens to encourage a most splendid exhibition, and aid the suffering of Ireland at  the same time.

1847 May 10.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  May 10, 1847, Vol. I, No. 106, P. 3.

Just Received By Express, a new lot of Splendid Daguerreotype Apparatus and materials.

Great opportunities offered to those wishing to engage in the business.

Daguerreotype rooms over Ambro’s confectionery, still open fpr a short time for the reception of visitors.

All those having unsettled accounts with the subscriber are invited to call and examine specimens.  A. Bisbee.

Advertisement ran from May 10 to 14, 1857.

1847 July 12.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  July 12, 1847, Vol. I, No. 133, P. 4.

A Card. By the increase of business, and the solicitation of friends and acquaintances, Bisbee has concluded to return to Columbus, within a few weeks, and give everyone a rare chance to obtain a suburb likeness, at prices too low to mention.

Advertisement ran from July 12 to August 4. 1847.

1847 August 9.  The Tri-Weekly Ohio Statesman.  (Columbus, Ohio.)  August 9, 1847, Vol. I, No. 145, P. 3.

I Got Up To Bisbee’s Daguerreotype Rooms, the other day, just in time to get an apparatus before he left.  But he has returned and opened a room over I. N. Whiting’s Bookstore, where he intends to remain a few days only.  All wishing for likenesses, taken in his unique style, must call soon, for this is positively the last chance.

He has a new lot of Daguerreotype apparatus and materials of the best quality, and will give any one a splendid opportunity to engage in the business.

1848 November 18.  The Daily Ohio Statesman.  (Columbus, Ohio.)  November 18, 1848, Vol. II, No. 301, New Series No. 393, P. 2.

New Daguerreotype Room, First door. Up stairs, North of the Exchange Bank, Columbus, Ohio.  A. Bisbee is in the city once more, and having fitted up a new room, with special care for the comfort and convenience of visitors is now prepared to wait on any who may favor him with a call.

Having the largest and best light, constructed purposely for Daguerreotyping, he feels confident that the likenesses he now takes cannot be surpassed.  Also having selected several instruments of the best quality for his own use, the first being one of the largest in the world, with which groups may be taken in the best style; also likenesses nearly three times as large as the largest ever before taken in this city.  The next is a quick instrument with which, in his superior light, a likeness is taken in one second.  Also he has one of the smallest cameras in the world, with which to take miniatures for finger rings, and small lockets.

Likenesses taken every day with regard to weather.  All are invited to call and examine specimens.

Apparatus, Plates, Cases and Chemicals, at wholesale and retail.

Advertisement ran from November 18 to December 30, 1848

1850 March 12.  The Daily Ohio Statesman.  (Columbus, Ohio.)  March 12, 1850, Vol. II, No. 707, New Series No. 797, P. 3.

The Last Chance!  Bisbee’s Daguerreotype Room Will be open two weeks yet, for the last time, and if any wish to obtain the best quality of Likenesses, they must call immediately.  Let no one delay calling till the last few days, as his room will probably be crowded at that time.  His entire stock of Daguerreotype Materials and Furniture, are for sale.  Also, a splendid Rosewood Piano, for sale very low for cash.   

Persons having likenesses in his room as specimens, can have them on reasonable terms as his specimens will be sold at auction soon.  Daguerreotype apparatus and cases, for sale by the quantity at cost.

Advertisement ran from March 12 to April 4, 1850.

1850 June 12.  The Daily Ohio Statesman.  (Columbus, Ohio.)  June 12, 1850, Vol. II, No. 780, New Series No. 865, P. 3.

The Fine Arts Still Flourishing.  Mr. Winchester having purchased the subscriber’s Daguerreotype Room, we would recommend him to our friends and former patrons as being one of the best artists in the West, and fully able to sustain the character of the Gallery, and meet the wishes of all who would obtain a splendid daguerreotype.  Having been personally acquainted with Mr. W. in the East, we can assure every one that he, by his long experience and skill in the business will furnish daguerreotypes, as his specimens show, at least fifty or one hundred per cent better than can be obtained at any other place in this city, and equal to any in America, and at as low prices for the same quality as can be obtained in New York or Philadelphia or elsewhere.  Any who wish for likenesses would do well to give him a call at his Gallery, formerly known as Bisbee’s Daguerreotype Room, near the exchange Bank.  A. Bisbee.

1852 September 20.  Morning Daily True Democrat.  (Cleveland, Ohio.)  September 20, 1852, Vol. 6, No. 229, P. 3.

Premiums Awarded At The State Fair…Paintings And Drawings…

A. Bisbee, Dayton; daguerreotypes, diploma.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

A Bisbee of Dayton, has filled nearly a whole side, with his grand collection.  He has a fine large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House, and other Dayton views.  His view of Cincinnati from Newport is the great Daguerreotype picture of the Exhibition.  It presents a plate richly framed about three feet long by ten or twelve inches wide, and gives a river view of the city and hill several miles in length.  The panorama is of course true to nature, and is a wonderful triumph of the art.  Mr. Bisbee’s Miniatures, single and in groups, are very attractive.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 3.

Ohio State Board of Agriculture—Premium Awarded at the State Fair, held at Cleveland, September 15, 16 and 17, 1852…Paintings And Drawings.

A. Bisbee—daguerreotypes, dip.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next o North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 September 29.  The Spirit of Democracy.  (Woodville, Ohio.)  September 29, 1852, Vol. IX, No. 28, P. 2.

From Cleveland—The Fair…The prize in this department, (pictures not girls) was awarded to Mr. Bisbee, of Dayton, for his view of Cincinnati.  This picture, which was got up for the fair at great expense and labor, was taken on several of the large sized plates joined together, so as to form one uninterrupted view of our city, from Mill Creak to some distance above Fulton.  The execution was very perfect, displaying great skill and perseverance on the part of the operator.  The whole picture was eight feet long by fifteen inches in width.  A specimen of the hand

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1853 August 26.  Daily Forest City.  (Cleveland, Ohio.)  August 26, 1853, Vol. 2, No. 106, P. 2.

Ohio Artists.—The New York Tribune, in an article on the Daguerreotype department of the Crystal Palace, pays the following handsome compliment to the artists of Ohio:

Mr. North, of Cleveland, O., has a case of pretty fair likenesses, perhaps exhibiting the lights too strongly.  Bisbee of Dayton, O., exhibits a panoramic view of Cincinnati from Newport upon six large plates.  This view is without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerrean process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  The distinctness of the letter signs, three quarters of a mile distant and across the Oho river, is well brought out.

1853 August 27.  Fremont Journal.  (Fremont, Ohio.)  August 27, 1853, Vol. I, No. 31, P. 2.

Ohio Artists.—The New York Tribune, in an article on the Daguerreotype department of the Crystal Palace, pays the following handsome compliment to the artists of Ohio:

Mr. North, of Cleveland, O., has a case of pretty fair likenesses, perhaps exhibiting the lights too strongly.  Bisbee of Dayton, O., exhibits a panoramic view of Cincinnati from Newport upon six large plates.  This view is without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerrean process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  The distinctness of the letter signs, three quarters of a mile distant and across the Oho river, is well brought out.

1855 April 1.  The Daily Ohio Statesman.  (Columbus, Ohio.)  April 1, 1855, Vol. 1, New Series No. 266, P. 2.

Daguerreotypes.  The Great World’s Fair Premium Daguerreotype Gallery!  A Few Doors North of the American House, High Street, Columbus, Ohio.  A Bisbee Has Returned To This City and opened a Daguerreotype Gallery in his New Building, where he has the best collection of fine Daguerreotypes in America.  His Rooms were built and furnished expressly for the business, and are not excelled in beauty or in any particular by any other in any place.

As the quality of his Daguerreotypes is generally known, he deems it unnecessary to speak of it, but will merely say that they have taken the First Premiums (two Diplomas and a Silver Medal) at the Ohio State Fairs for the last three years.  Also a Silver Medal for the best Daguerreotypes at the World’s Fair held in the Crystal Palace, New York City.  And they have never been excelled at any Fair where they have been exhibited.

An opportunity is now once more offered to the citizens of Columbus, to obtain superior likenesses, put up in the best style.

Ladies and Gentlemen are invited to call.

Advertisement ran from April 1 to 14, 1855.

1855 May 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  May 22, 1855, Vol. 1, New Series No. 309, P. 3.

A Wind Fall.  Good luck to our friend Bisbee, of the Daguerreian Rooms of our city.  The modest merit deserves a legacy. It has fallen on the right person this time.  We find the following in the Dayton Journal:

Notice.—Mr. Albert Bisbee, a Daguerreian Artist who was, when last heard from, in Dayton, is hereby informed that his Cousin and namesake, Albert H. Bisbee, of this place, (Tullahoma, Tenn.) who died March 27th, has bequeathed to him a part of his estate, consisting of his store in this place, and two Farms situated on Duck river, on one of which is a valuable set of mills and Machinery.  Hamlin Jones, Adm’r.

1855 September 9.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 9, 1855, Vol. 1I, New Series No. 86, P. 2.

Photographs, Crystalotypes, Ambrotypes, Steroscopes (sic.) And Daguerreotypes!  The Present Is An Age Of New and wonderful discoveries—particularly in the Photographic Art.  There has recently been several new styles of Pictures introduced to the world, which are attracting great attention as likenesses.  Each style we are prepared to furnish at the shortest notice.  The Ambrotype, in particular, is worthy of attention—it being the Finest And Most Durable Picture, And is made on glass, in about one-forth of the time required for a Daguerreotype.

N. B.—“we would call the attention of the public particularly to the fact” that Bisbee’s Daguerreotypes, at the World’s Fair, in New York City, excelled those of all the “eminent artists” in that city, or any other place; and as such received the premium—a silver medal—which may be seen “dangling at the door.”  Also, he has received the First Premium at each State Fair for the last three years.

Remember the place, Bisbee’s New and well established rooms, between the American and Neil House, Columbus.  A. Bisbee.

Advertisement ran from September 9 to 30, 1855.

1855 September 27.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 27, 1855, Vol. 1I, New Series No. 101, P. 3.

Bisbee’s Pictures.—Those in want of Elegant Daguerreotypes, should by all means call on Bisbee, at his splendid establishment, on High street, near the American Hotel.  The new style of pictures on glass plates, called Ambrotype, is taken by him in a beautiful manner, and at rates reasonable enough.  This style of picture is far superior to those taken by the old method, giving, as it does, a roundness and delicacy so much needed in a perfect likeness.

1855 October 2.  The Daily Ohio Statesman.  (Columbus, Ohio.)  October 2, 1855, Vol. 1I, New Series No. 105, P. 2.

Four Times!!  The Man Who Was “Afraid To Exhibit his Pictures at the County Fair,” was at at State Fair, and received the First Premium, which is the forth time he has taken it for best Daguerreotypes at the Ohio State Fairs.

Bisbee has also received a Silver Medal for the best Daguerreotypes at the World’s Fair, in New York City all the “eminent artists” in the world being competitors, notwithstanding.

Photographs, Crystalotypes, Ambrotypes, Stereoscope Pictures and Daguerreotypes, taken in superior style. 

Remember the place Bisbee’s New and well established rooms, between the American and Neil House, Columbus.

Advertisement ran from October 2 to 16, 1855.

1855 October 6.  The Ohio Farmer.  (Cleveland, Ohio.)  October 6, 1855, Vol. 4, No. 40, P. 1.

Hall Of The Fine Arts, At The State Fair…

Entering on the eastern end of the hall we see on the south wall a collection of Daguerreotypes and Ambrotypes from the gallery of A. Bisbee, of Columbus, which were very fine.  They are bold, they stand out like life, are full of expression, and denote every way superior artistic skill.  Their size too are remarkable.  It has been deemed a difficult matter with Daguerreans to make large likenesses without distorting some of the proportions.  But this difficulty seems to have been overcome in a great degree by Bisbee.  His Ambrotypes too are excellent.  As some of our readers may not have had a description of this new achievement in art, we will present one here as briefly as we may.  The term Ambrotype is derived from the Greek word ambrotos which signifies, imperishable, indestructible.  The word denotes the character of the likeness.  The pictures are taken on plate glass, and are secured by an indestructible cement, by which the brilliancy of the hues is secured, while the glass itself lasts.  Neither water or climate or even acid will effect the colors.  This is regarded by scientific men as thus far the ‘ne plus ultra’ of perfection in the art of taking likenesses.

1856 January 9.  The Ohio State Journal.  (Columbus, Ohio.)  January 9, 1856, Vol. XLVI, No.

20, P. 3.

Daguerreotypes.  A. Bisbee Has Returned From New York with a large supply of Daguerreotype

Cases, of every description, and in the latest styles.  Also,—Gold Lockets, &c.

Let no man deceive you about Ambrotypes—Bisbee is constantly making them by both the

single and double glass process.  Also the latest improved Patent Ambrotype, colored in the most

beautiful manner.  It is only necessary to see this kind of Ambrotype to be convinced that they

excel all others.  The exclusive right to make them in this city is secured by Bisbee, and all

infringement will be prosecuted to the full extent of the law.

Please [recollect] that Bisbee’s Daguerreotypes have taken the highest premiums for four years

in succession, at the Ohio State Fairs.

Also, a Silver Medal and Diploma for the best Daguerreotypes at the World’s Fair in New York

City.

Rooms on High Street, between American and Neil House.

1856 January 16.  The Ohio State Journal.  (Columbus, Ohio.)  January 16, 1856, Vol. XLVI,

No. 21, P. 3.

“Imposters Abroad!”  It is Well Know By Everybody, that Bisbee’s Daguerreotypes and

Ambrotypes. and all pictures made by any one are entirely “worthless,” except those made by

that remarkable old gentleman, and [preserved] by Canada Balsam, which he calls “Impervious

Cement.”  And it is surprising that so many intelligent persons will patronize Bisbee and get

these “worthless” likenesses, regardless of the warnings of that latter day [sage.]

But not withstanding Bisbee’s Pictures are such miserable, worthless things, the highest

premiums at the Ohio State Fair [are] given for them, for four years in succession.  They were,

also , the best at the World’s Fair, in New York city, for wich a Silver Medal and Diploma were

awarded.

A few of these “worthless” Ambrotypes are placed at Bisbee’s door, where they can be seen with

safety, there being [ample] room to escape should danger approach.  The wicked man Bisbee still

continues to make Ambrotypes by the double glass process, also by the latest improved patent

process with convex glass.  Likenesses taken by that process are warranted to be superior in tone

and finish and more durable than any other.  They also stand out clear from the background, and

[presents] more life like appearance than the [ ? ] gray pictures taken by that patent Balsom 

process.  A. Bisbee.

1856 May 28.  Evening Star.  (Washington, D. C.)  May 28, 1856, Vol. VII, No. 1,031, P. 1.

List of patents for the week ending May 28, 1856.  Albert Bisbee, of Columbus, Ohio, and Y. Day, of Nashville, Tenn.—For improvements in photographic pictures on glass.  No. 14,946.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 September 29.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 29, 1856, Vol. XII, No. 227, P. 2.

Ohio State Fair.  List Of Premiums Awarded,,,

Class H. No. 36.  Paintings And Drawings…A. Bisbee, Columbus, best Daguerreotypes…

List Of Premiums, Awarded at the Seventh Annual Fair of Ohio, held at Cleveland, Sept. 23-26, 1856…

Paintings, Drawings, And Design—170 Entries…A. Bisbee, Columbus, daguerreotypes, diploma…J. F. Ryder, [Cleveland], photographs, life and small size, [commended]…A. Bisbee, Columbus, ambrotypes, [commended.]…

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Seventh Annual Fair of Ohio…Fine Arts Hall…Photographs And Ambrotypes.

North of Cleveland, stands without a rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were not without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.)  In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stand chiefly between Smith, Pease and Boisseau, each of whom has a peculiar style.  The general expression seemed to be favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.   

1857 December 16.  The Daily Ohio Statesman.  (Columbus, Ohio.)  December 16, 1857, New Series Vol. IV, No. 170, P. 2.

Bisbee’s Fine Art Gallery, A Few Doors North of the American House, Columbus, Ohio.

Bisbee, After Being Absent most of the time for the last year, is now at his Gallery and is taking finer Likenesses than ever before.  He is also taking Photographs by a new process which makes them equal to a steel engraving.  His Sphereotypes, which are the most beautiful as well as the most durable, picture made, are taken at the old prices.

Persons wishing to obtain the finest quality of Pictures will please recollect that Bisbee Received the Highest Premium at the Ohio State Fair five years in succession, and a Silver Medal and Diploma at the World’s Fair, in New York city, for the best Pictures.

Advertisement ran from December 16 to 22, 1857.

1858 March 11.  American Lancaster Gazette.  (Lancaster, Ohio.)  March 11, 1858, March 11, 1858, New Series—Vol. 5, No. 45, P. 2.

Fifty Cent Pictures Going Off By The Dozens At Bisbee’ Ambrotype & Sphereotype ‘One Horse Side-Light Rooms,’ which Have Not Proved A Failure Yet, But are open Daily at the corner of Main and Columbus Streets, (rooms formerly occupied as an Ice Cream Saloon, Where the citizens and inhabitants of the surrounding country are invited to call and examine our “Side-Light” Pictures, and compare them with those made at the two horse ‘Sky-Light Gallery.’  We have just received from New York, A Large Supply of Cases, of all qualities and prices, and are now prepared to furnish all who wish, with an Ambrotype Likeness, cheaper then the cheapest.  We also own the exclusive right to make (what the two horse “Sky-light” Professor calls “our new style pictures,”) better known throughout the United States and Europe, as “Bisbee’s Patent Sphereotype,” the most durable and beautiful of all pictures, each of which, when properly finished, has the Patent Stamp on the mat, and no stealing or infringing of others rights.

We are also willing to furnish the Prof. with any number of “pictures” made by our own individual self, at our “One-horse small window side-light rooms” that he may use as specimens, to assist in “getting up a reputation for him,” to bring him up [easy], so that we can trot along together, “it is really a wonder that our friend” did not think of this scheme himself a long time ago, it would have saved him the expense of circulating so many bills every month, making “a great cry, and little” pictures.  We would recommend that he examine the (Patent) “laws’ more carefully to which he has reference, and there he will see why the Patent stamp is a proper finish, and also the consequences of not finishing properly.—As to his right to make Sphereotype he has just the same to rob a bank, provided some shrewd boy should sell him printed instructions (for one dollar) how to do it; we also advise him (for his sake) to throw no more stones at “small windows” while he has so “large” ones exposed, of which he boasts.—hose wishing a “Genuine Sphereotype” or perfect “Ambrotype” can obtain them at our rooms, at half the prices for which they are sold at the two-horse “Sky-light gallery” and better pictures than he dare make.  Lancaster, January 28, 1858.  A. Bisbee.

Advertisement was recorded from March 11 to April 22, 1858.

1858 August 4.  Portage County Democrat.  (Ravenna, Ohio.)  August 4, 1858, Old Series—Vol. XXIX, No. 36, New Series—Vol. X, No. 51, P. 3.

Bisbee’s Patent Sphereotype A. G. Bisbee, Artist, recently of the firm of Bisbee Brothers & Co., at Columbus, O wishes to inform the citizens of Portage Co. that he has located in Ravenna, (in the rooms formerly occupied by L. V. [Statler] & Co. where he will be happy to make this new and beautiful style of likeness for all who may desire.

The Sphereotype is the latest improvement in the Art; by far the best ever offered to the public; and wherever introduced, is fast superseding every other style of Picture.  This being its first introduction here, we will state some of its merits:  For brilliancy, beauty, truthfulness, and durability, it excels every thing else yet  produced.  The image stands out in bold stereoscopic relief, from a background of ivory whiteness.  This makes a picture that is bold, strong, clear and brilliant; and being hermetically sealed, and rendered impervious to air, moisture or dust, it is imperishable.

The superiority of this style of picture is attested by its having received the first premium at the last Ohio State Fair (having not been in existence before.)

The Sphereotype process being patented, and having purchased the exclusive right for this county, this is the only place where it can be obtained.

The Price Of The Sphereotype Will Be The Same That The Ambrotype Are Sold For In Otheer Rooms In This Section.

Bisbee’s Style of Ambrotypes, also, (which he is prepared to make for those who wish) have received the first premiums at all the Ohio State Fairs for the last five years in succession; the chemicals for their manufacture being known only to the Bisbee Brothers.

We are also prepared to make Melainotypes, Photographs, Ambrotypes, and Pictures on Leather.  But few ever prefer these, after seeing the Sphereotype.  Being thoroughly posted in every branch of the art, and using superior instruments, and none but pure chemicals, (mostly our own manufacture) and having newly arranged the rooms and light, so as to produce the best effect of light and shade, he is confident that his work will give entire satisfaction.

Particular pains taken to secure good likenesses of children.

A call and examination of his large collection of specimens, in every style, is respectfully solicited, as the only place in the County where the Patent Sphereotype is made.

Rooms in Allen’s block, South side of Main Street, nearly opposite east and Phenix Block.  A. G. Bisbee.

1858 September 11.  Ohio Farmer.  (Cleveland, Ohio.)  September 11, 1858, Vol 7, No. 37, P. 4.

Editorial Memoranda.  State Fair.—Those interested will not overlook the State Fair items in our advertising columns.

1858 September 11.  Ohio Farmer.  (Cleveland, Ohio.)  September 11, 1858, Vol 7, No. 37, P. 6.

Likenesses.—Mr. Bisbee and Ryder of Cleveland, will exhibit specimens of their photographs and ambrotypes at the State Fair at Sandusky.  They are both superior artists, perhaps have no superiors.  The Spherotypes od Bisbee are especially life-like.  We call the attention of our readers who may attend the Fair to their work.

Bisbee’s rooms are in the Marble Block, and Ryder’s, over the Merchants’ Bank, Superior St., Cleveland.

1858 October 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  October 22, 1858, Vol. XIV, No. 250, P. 2.

A. Bisbee, Daguerrean Artist in the Marble Block has taken a superb Photograph of our late guest, the venerable Oliver Culver.  Who is this A, Bisbee?  We were not aware we had an Artist of that name in the city, yet his chips show workman to be no ordinary merit.  Let’s look at him.

1858 November 30.  Cleveland Morning Leader.  (Cleveland, Ohio.)  November 30, 1858, Vol. 12, No. 293, P. 1.

Those beautiful Sphereotype Likenesses are taken at Bisbee’s Gallery in Marble Block, Superiior street.

Advertisement ran from November 30 to

1858 December 1.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 1, 1858, Vol. XIV, No. 282, P. 2.

Some weeks since we heard of Bisbee’s Picture Gallery, and than enquired who is Bisbee?  Since that time we have been looking after him, and find he has been in the city a few months, and has the best arranged and most elegantly furnished Daguerreotype Rooms that we have seen for a long time.  Also by noticing the numerous Silver Medals and Diplomas, we learn that he has been the “lucky man” in receiving the first premium, for the best likenesses, at the Ohio State Fairs for several years in succession, besides a silver medal and diploma at the World’s Fair in N. Y. City.  His Sphereotypes are indeed very beautiful.  We advise our readers to drop in and take a “look” at them.

1859 August 11.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 11, 1859, Vol. 12, No. 192, P. 3.

Daguerreotyping, Photography, &c.—So many improvements have been made, and are yearly developing themselves in the art of taking likenesses, that the picture taken by Daguerre, wonderful as they were, have been cast into the shade by the new features which are constantly being brought to our notice.  Ambrotypes were the great improvement upon the old style of metallic plate, and were considered as near perfection as we could expect to arrive at.  But ambrotypes, although still in almost universal demand for small pictures, were further “improved” as was claimed, by the Melainotypes, and then Photographs made their appearance. Pictures could now be taken on paper direct, and in this form they could be sent over the wide world in a letter or package.  Moreover, almost any number of copies could be taken from one “negative,” all precisely alike.  These were approved upon by the stereoscopic views, which, when viewed through their instrument, affords endless pleasure.  But of all the styles which are in vogue, there is none with more beauty clearness and that meets with more general favor than the Sphereotypes made by A. Bisbee, at his rooms in Marble Block, Superior Street.  Mr. Bisbee has a splendid suit of rooms, the reception room having a full front upon Superior street, and being furnished and fitted up in unsurpassed elegance and neatness.  In the rear of this are the operating rooms, from which come those beautiful pictures which hang in the cases at the door.  All sizes of pictures are taken here from the minutest plate for a ring or locket to the life size photograph, and all being done by scientific workmen, and with the most perfect chemicals and instruments, the results are always satisfactory.  We advise our readers to call at his rooms and at least look over his collection of splendid specimens.

1859 August 17.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 17, 1859, Vol. 12, No. 197, P. 3.

Bisbee’s Daguerrian Gallery.—The Fine Art Gallery of Mr. Bisbee occupies three-fourths of the entire upper floor of French’s Marble Block, and is fitted up in a superb style.  His specimens are all fine; indeed, are among the best pictures we have ever seen.  Br. Bisbee’s reputation is extensive, and his pictures have been highly praised by the French Scientific Journal, “Cosmos.”  He took the first premium at the World’s Fair, New York, although his competitors comprised celebrated artists from all parts of America and Europe.  He is the inventor of the new and beautiful style of picture known as the “sphereotype.”  He has galleries at Columbus, Dayton, Delaware, and Cleveland, but will give his personal attention to his establishment in this city.

1859 September 7.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 7, 1859, New Series—Vol. I, No. 82, P. 3.

Mr. M. Witt, who for several years has been engaged in the Daguerrean business in this city, and purchased Bisbee’s Gallery, in Columbus, in which place he proposes to take up his perme3nt abode.  Mr. Witt has, as our neighbor justly says, few equals as an artist, and probably no superiors.  His business here was a successful one, and his rooms were always properly managed, everybody who called being treated with the utmost politeness, no improper behavior of any sort being tolerated in them.  We commend Mr. Witt to the favorable notice of our breather of the press in Columbus, and through them to the people generally of that city, assuring them that they will always find him O. K.—Circleville Herald.

We regret to learn that our worthy fellow citizen, M. Witt, has disposed of his Gallery of Art in this place, with the intention of removing to Columbus.  He has for a number of years been engaged in taking likenesses in this city, and in a most successful and satisfactory manner.  As an artist he has but few equals and probably no superiors.  By his gentlemanly bearing, he has called around him a host of friends, who much regret his determination to leave.  Their best wishes will attend him.  We congratulate the citizens of Columbus on their acquisition of a first class artist and a worthy citizen, and would bespeak for him a kind reception and a successful business.—Circleville Watchman.

The commendation of our Circleville neighbors are not unworthlly, (sic.) as they are not inadvertently, bestowed.  We have examined some of Mr. Witt’s work, and may safely say that we never saw anything in the picture line to excel the delicacy, freshness, and faithfulness of his daguerreotypes.  Mr Witt is now refitting Bisbee’s gallery in this city and will soon be prepared to take pictures life size—a new feature in the business.  Our readers will find it a pleasure to visit the gallery of this artist at any time. 

1859 September 15.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 15, 1859, Vol. 13, No. 221, P. 3.

Elegant Pictures.—Bisbee has lately placed some elegant pictures in the show case at his door.  Among the many excellent Photographs in his collection we notice likenesses of Gov. Chase, Judge McLean and Hon. Thomas Ewing.  Stop and look at them as you pass.

1859 September 28.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 28, 1859, Vol. XVIII, No. 39, P. 3.

Ohio State Fair…Zanesville Fair Grounds, Sept. 20, 1859…

Fine Art Hall Is a total failure.  If all in it had been offered at a Cuyahoga County Fair they would have been excluded, with perhaps  the single exception of the Photographs of A. Bisbee, of Cleveland, which were a God send to the whole exhibition of fine arts;…

1859 September 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 29, 1859, Vol. 13, No. 233, P. 2.

Ohio State Fair…Fine Arts Hall…as did a large collection of ambrotypes, daguerreotypes, sphereotypes, stereotypes, etc., of A. Bisbee, Cleveland.  He was awarded a superb medal and two diplomas.

1859 September 29.  Holmes County Republican.  (Millersburg, Ohio.)  September 29, 1859, Vol. 4, No. 6, P. 3.

From the Cleveland Herald.  Ohio State Fair.  Zanesville, Sept. 22, 1859….

The display at the Fine Art Hall is very poor—in fact, shabby.  A few common prints, badly framed, some sixth rate amateur oil paintings, and specimens of penmanship from Commercial Colleges, make up the principal portions of the exhibition.  Among the meritorious things in the Hall are several photographs from the Gallery of A. Bisbee of Cleveland…

1859 October 1.  Cleveland Morning Leader.  (Cleveland, Ohio.)  October 1, 1859, Vol. 13, No. 235, P. 3.

Cleveland, Sept. 30, ’59.  Mr. Editor:—I noticed in the Leader of yesterday, your remarks about the State Fair in which you say that I had on exhibition Ambrotypes, Daguerreotypes, Sphereotypes, and Stereotypes.—I know of no such pictures denominated Stereotypes.  With the exceptions of this, I had what you named with the addition of plain Photographs.—You also made a slight mistake in regard to the number of premiums I received.  It was three Silver Medals and two Diplomas.  Yours Truly, A. Bisbee.

1859 October 5.  Cleveland Morning Leader.  (Cleveland, Ohio.)  October 5, 1859, Vol. 13, No. 238, P. 3.

Cuyahoga County Fair…Ryder is on hand with a splendid collection of Photographs, such as have taken the premiums at State and County Fairs for years.  Bisbee too, has a vary fine gallery of Photographs, Ambrotypes, and Sphereotypes.  These two collections attract an admiring crowd.

1859 October 5.  Cleveland Morning Leader.  (Cleveland, Ohio.)  October 5, 1859, Vol. 13, No. 238, P. 3.

Cuyahoga County Fair—Second Day.—…Premiums…Class 28—Paintings…

J. F. Ryder, Cleveland…plain photographs……Premium

J. F. Ryder, Cleveland…colored photographs…Premium

A Bisbee, Cleveland……photographs……….…Premium

A Bisbee, Cleveland……daguerreotypes……….Premium

1859 October 8.  Cleveland Morning Leader.  (Cleveland, Ohio.)  October 8, 1858, Vol. 13, No. 241, P. 3.

Erata.—In our list of premiums awarded at the County Fair.  The premium awarded to Bisbee should have read for ambrotypes, instead of photographs.

1859 October 15.  The Ohio Farmer.  (Cleveland, Ohio.)  October 15, 1859, Vol. 8, No. 42, P. 4.

Cuyahoga County Fair…Fine Art Hall is a nice octagonal structure, and was very well filled…Every variety of “Sun paintings” was to be seen, by Cleveland artists, Bisbee and Ryder being the principal ones, and their work is well known for its excellence…

1859 December 20.  Cleveland Morning Leader.  (Cleveland, Ohio.)  December 20, 1859, Vol. 13, No. 302, P. 3.

Now is the time to get your likenesses taken.  If you wish one of rare excellence go to Bisbee’s Gallery, 211 Superior.

Photographs, Ambrotypes, Stereoscopes, Sphereotypes warranted superior to those taken at any other place or no charge made.

Advertisement ran from December 20 to 23, 1859.

Allison & Eastman

1859                Hill’s New Block, Concord, New Hampshire.[1]

1859 January 15.  New Hampshire Statesman.  (Concord, New Hampshire.)  January 15, 1859, Vol. XXXVIII, No. 1963, P. 3.

To Daguerreians.  Pure Nitrate Silver, Pure Sulph. Iron Iodine Potassa, Hyposulph, Soda, Cyanuret Potassium and all chemicals used by Daguerreians, for sale at the lowest cash prices by Allison & Eastman. 

Advertisement ran from January 15 to February 26, 1859.


[1] Address Hill’s New Block, a few doors north of Phenix Hotel from another advertisement in the same paper.

Stabler & Jones

1856                Address Unknown, Lynchburg, Virginia.

Stabler & Jones (no first names recorded) appeared in one advertisement that was recorded on August 26, 1856 in the  Lynchburg Daily Virginian (Lynchburg, Virginia).  Talbotypists’ And Ambrotypists’ Materials.—A large supply Acetic Acid fort, Sulphuric Ether, Acetic Acid glassical, Sulphate Iron in Chrystals, Nitrate of Silver in Chrystals, Cyanide of Potash, Hyposulphite Soda, &c., just received by Stabler & Jones.  May12.

Stabler & Jones are not recorded in other photographic directories.  Stabler & Jones appear from advertisements to be druggists who also sold teas, seeds, brandy & port, soap and sewing machines.