Category Archives: Portrait Painter

McDougall, John Alexander

Photographs, Portrait Painter, , , , , , , , ,

1847-1851       251 Broadway, New York, New York.

1856.               274 Broad Street, Newark, New Jersey.[1]

1857                192 Broad Street, Newark, New Jersey.

1857-1862       238 Broad Street, next to Canal Bridge, Newark, New Jersey.

1869.               793 Broad Street, Newark, New Jersey.1 

1870-1872.      769 Broad Street, Newark, New Jersey.1

1874.               744 Broad Street, Newark, New Jersey.1   

N. D.  The New York Historical Society’s Dictionary Of Artists In America 1564-1860.  (New Haven, Connecticut and London, England.)  1957, P. 412.

McDougall, John Alexander (1810/11-1894).[2]  Miniaturist and portrait painter.  A native of Livingston (N. J.), he spent most of his career in Newark (N. J.).  He visited New Orleans in 1839, and at other times he practiced his art in Charleston (S. C.) and Saratoga Springs (N. Y.).  During the 1840’s and 1850’s he also had a studio in NYC and exhibited at the National Academy, the American Art Union, the American Institute (winning the first prize for miniatures in 1845, 1847 and 1848), and the Artists’ Fund Society of Philadelphia.   

New York City Directories.  (New York, New York.)  Published by Thomas Longworth 1840-1841; T. Longworth & Son 1842; John Doggett 1843-1850; Doggett & Rode 1851; John Fowler Trow 1852-1856+.

1840.  Not Listed.

1841.  McDougall, John A., miniature painter, 11 Park Pl.

1842.  McDougall, John A., miniature painter, 11 Park Pl.

1843.  McDougall, John A., miniature painter, 11 Park Pl.

1844.  McDougall, John A., miniature painter, 11 Park Pl.

1845.  McDougall, John A., miniature painter, 386 Broadway.

1846.  McDougall, John A.  not listed.

1847.  McDougall, John A., artist, 251 Broadway.

1848.  McDougall, John A., artist, 251 Broadway.

1849.  McDougall, John A., artist, 251 Broadway.

1850.  McDougall, John A., artist, 251 Broadway.

1851.  McDougall, John A.  not listed.

1852.  McDougall, John A.  not listed.

1853.  McDougall, John A.  not listed.

1854.  McDougall, John A., paint, 205 Broadway—H-Newark.

1855.  McDougall, John A., artist, 359 Broadway—H-Newark.

1856.  McDougall, John A., not listed.

Gary Saretzky online list of New Jersey Photographers.

1847.               31 Market St., Newark.  (Portrait & Miniature Painter.)

1856.               274 Broad Street, Newark.  (Photographic Coloring.)

1869.               793 Broad St., Newark.  (Portrait Painter & Photographer.)

1870-1872.      769 Broad St., Newark.  (Painter & Photographer.)

1874.               744 Broad St., Newark.  (Portrait Painter & Photographer.)

1848 October 28.  Newark Daily Advertiser.  (Newark, New Jersey.)  October 28, 1848, Vol. 17, No. 248, P. 2.

Premiums To Jerseymen—We select from the long list of premiums at the XXIst. Fair the the American Institute, the following awards to Jerseymen; Exclusive to the agricultural and horticultural departments, which are not yet published…

Silver Medals…

John A. McDougal, residence at Newark (Room 251 Broadway, New York) best miniatures.

1849 October 4.  New York Herald.  (New York, New York.)  October 4, 1849, Whole No. 5598, P. 3.

Miniatures.—Mr. J. A. McDougal, Artist, Has returned to his studio, No. 251 Broadway, corner of Murray street, over Tenney’s, in Plumbe’s.  Mr. McD. Is enabled by a process peculiar to himself, to copy Daguerreotypes, no matter how dim or faded, and give the expression as well as if from life.

Advertisement was recorded sixteen times between October 4 and November 23, 1849.

1857 January 13.  Newark Daily Advertiser.  (Newark, New Jersey.)  January 13, 1857, Vol. XXVI, No. 10, P. 3.

The Metropolitan Gallery Of Art Will open on Monday, Jan. 12th, 1857, in “Our Building,” 192 Broad st., (opposite the Military Park.)  The rooms have been arranged upon the most modern principles for the purpose intended, viz: the production of Photographs, Daguerreotypes & Ambrotypes. 

The rooms are spacious and elegantly furnished; the Skylight is the largest in the State, and has not its superior elsewhere.  Each branch of the business will be under the control of a competent artist.  Mr. George Howard will have charge of the Photographic work, and J. Spencer Olds (formerly of this city) of the Daguerreotype and Ambrotype department.

For the coloring of the Photographs superior artists have been engaged, among them Messrs. John McDougal, Esq., A. C. Hyler and Miss Demars.

Have now on hand a good assortment of Frames, Cases and Daguerreotype Jewelry.  No pains shall be spared to please our patrons, who shall be treated with kindness and courtesy, and satisfaction in all cases guaranteed.  C. R. Brewster, Proprietor.

Advertisement ran from January 13 to 29, 1857.

1857 January 30.  Newark Daily Advertiser.  (Newark, New Jersey.)  January 30, 1857, Vol. XXVI, No. 26, P. 3.

Card To The Public.  Mr. Geo. Howard, one of the best Artist of the day has charge of the Photographic Department at the Metropolitan Gallery Of Art.

Mr. John McDougal, one of the best Artist has charge of the Coloring of the Photographs in either Oil, Pastil or Water colors at the Metropolitan Gallery Of Art.

Mr. Hiler & Miss Demars, who are now engaged in first class establishments in N. Y. city have charge of the coloring of Photographs in India Ink or Pastell, at the Metropolitan Gallery Of Art.

Mr. J. Spencer Olds, one of the best Artist of the day, has charge of the Daguerreotype and Ambrotype Department at the Metropolitan Gallery Of Art.

Ladies, gentlemen and children, wishing artistic Pictures, either Photographs, Daguerreotypes or Ambrotypes are invited to call at the Metropolitan Gallery Of Art.

The rooms are elegantly furnished, convenient and comfortable, and the facilities for producing beautiful Pictures are unsurpassed.

“Our Building,” 192 Broad Street.  C. R. Brewster, Proprietor.

Advertisement ran from January 30 to February 9, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

The Judson Gallery.—Seeing it announced by parties that I am associated with various Photographic and Ambrotype Galleries in this city, and feeling that this a constant embarrassment to myself, as well as leading the public to believe that I am not really connected with any.  I have found it necessary to make an arrangement with one of these establishments.  Desirous to form one that would give the joint pictures an artistic value.  I have selected the best Operator in the city in A. Judson, No. 238 Broad st., one door above the Canal, whom I have also long considered the best Ambrotypist in the United States.

Having for a long term of years been conversant with the higher branches of the art, and constantly making it a study, my partnership with this establishment will add to the merit of the truly elegant pictures which Mr. Judson produces, and will, I feel confident, secure to this Gallery the favor of the public.  John McDougall.

Advertisement ran from February 10 June 6, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

The undersigned would hereby give notice that he has sold out his interest in the Ambrotype, Photograph and Daguerreotype Gallery of A. Judson & Co. to John McDougall, whose high merit as an artist will add to the otherwise just claims of the Gallery to public favor.  E. D. Stilson.

Advertisement ran from February 10 to June 6, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

We desire the public to understand that we are prepared at The Judson Gallery, No. 238 Broad St. to furnish Photographs, Ambrotypes and Daguerreotypes in the highest style of the art.

Mr. McDougall colors Photographs in Oil, Pastelle and Water, of all sizes and every method; and copies Daguerreotypes or Paintings of deceased persons, guaranteeing a complete picture.  His skill in Likeness Painting is too well appreciated by the residents of this city to need a reference. 

A. Judson.  J. McDougal.  A. Judson & Co.

Advertisement ran from February 10 to June 6, 1857.

1857 May 22.  Newark Daily Advertiser.  (Newark, New Jersey.)  May 22, 1857, Vol. XXVI, No. 121, P. 3.

An Attractive Exhibition For A Few Days At The Judson Gallery, One door North of the Canal.  Where several fine Photographs, painted by McDougall, may be seen.  Call before they are taken home by their owners.  Likenesses warranted and all work done in the highest style of the Art.

Advertisement ran from May 22 to September 11, 1857.

1857 December 24.  Newark Daily Advertiser.  (Newark, New Jersey.)  December 24, 1857, Vol. XXVI, No. 304, P. 2.

Holiday Presents…

Daguerreotyper, &c.  Hopper & Freeman, 826 Broad; Brewster, 192 Broad; McDougall & Judson, next to Canal Bridge; and W. Henry Rolf, 354 Broad, will be prepared during the holidays to carry on their usual business of admirably counterfeiting—faces.

1862 February 11.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 11, 1862, Vol. XXXI, No. 34, P. 2.

A handsome photograph of S. B. Brittan, Jr., formerly of this city, killed at the battle at Fort Henry, is on exhibition at Judson and McDougall’s, just above the Canal, and attracts much attention.  He was a young man of attractive appearance.

1869 September 28.  The Sentinel Of Freedom.  (Newark, New Jersey.)  September 28, 1869, Vol. LXXIII, No. 39, Whole No. 3747, P. 3.

Closing of the State Fair…

The Premiums…

Music and Arts…

J. A. McDougal, Newark, 1st premium for photographs in oil, water colors and photographs of animals;… 

1894 July 30.  The Evening World.  (New York, New York.)  July 30, 1894, Vol. 35, P. 5.

John A. M’Dougall Dead.  Celebrated Artist and Father of a Family of Artists.  Newark, July 30.—John A. McDougall, for half a century famous as an artist and litterateur, died last night at his home, 151 West Kinney street.  His demise was the outcome of a long period of illness.

Mr. McDougall was born in this city eighty-seven years ago, and from boyhood was a close associate of Edgar Allen Poe, Washington Irving, Nathaniel P. Willis and others whose fame is world-wide.  These boyhood associations were continued as each developed in years and in talent, and forty years ago the little coterie comprised the most famous poet, writer and artist of the day.

At the height of his genius Mr. McDougall was considered one of the best landscape artists and colorist of the day.  He had not done any work for many years, however.  During Edgar Allen Poe’s vicissitudes Mr. McDougall remained steadfast, siding warmly with him in all his quarrels.

Mr. McDougall’s wife, an octogenarian, five sons and a daughter, survive him.  All of his sons have followed his pursuit, and each has made good use of his inherited talent.

John A. McDougall, Jr., has required renown as an artist, and maintains a studio in Paris, as well as one in this city.  Hary C. is one of the proprietors of the Sunday Call, of Newarkbutor to magazines and newspapers.  Walter McDougall is, perhaps the best known of this talented family, through his brilliant cartoons in “The World.”  Walter is also a clever writer of fiction and is President of the McDougall Publishing Company, of Newark.

The McDougall family is well known in Newark society, and Mr. McDougall’s death removes one of its most respected and revered members.  

[1] Gary Saretzky online list of New Jersey Photographers

[2] Death date from obituary July 29, 1894.

Mason, S.

Daguerreotypes, Portrait Painter, , , , , ,

1848-1849       3 Crandell’s Block, Taunton, Massachusetts.           

1852                Room in the State House, Sunbury, Pennsylvania.

N. D.  The New York Historical Society’s Dictionary Of Artists In America.  (New Haven, Connecticut & London, England.)  1957. P. 428.

Mason, Sanford (c. 1798-after 1862)  Portrait Painter, born in Rhode Island.  He began his career in Providence as a sign painter, turning to portrait work about 1824.  About 1826 he moved to Boston, opened a studio, and exhibited at the Athenaeum in 1827-28, but the latter year he returned to Providence.  During the 1830’s he spent most of his time in Boston and Lowell (Mass.) from 1842 to 1845 he was in Philadelphia, where his son William Sanford Mason began his career.  By 1847 he was back in Providence and thereafter he seems to have shuttled back and forth between Boston and Philadelphia.  He is last heard from in Philadelphia in 1862.[1]

1848 August 30.  The True Democrat.  (Taunton, Massachusetts.)  August 30, 1848, Vol. 1, No. 2, P. 3.

S. Mason, Portrait Painting and Daguerreotype Miniature Rooms, No. 3 Crandell’s Block— Up stairs, Taunton.

Advertisement ran from August 30 to November 1, 1848.

1848 November 9.  American Whig.  (Taunton, Massachusetts.)  November 9, 1848, Vol. XIX, No. 45, P. 3.

S. Mason, Portrait Painting No. 3 Crandell’s Block— Up stairs, Taunton.  Daguerreotype Miniature taken and warranted.

Advertisement ran from November 9, 1848 to April 19, 1849.

1848 November 9.  The True Democrat.  (Taunton, Massachusetts.)  November 9, 1848, Vol. 1, No. 12, P. 3.

S. Mason, Portrait Painting No. 3 Crandell’s Block— Up stairs, Taunton.  Daguerreotype Miniature In handsome Morocco Cases taken for One Dollar.

Advertisement ran from November 9 to December 27, 1848.

1849 June 14.  American Whig.  (Taunton, Massachusetts.)  June 14, 1849, Vol. XX, No. 24, P. 3.

Dr. A. F. Angell, Dentist…

Dr. A. has taken Rooms in Crandell’s Block, lately occupied by Mr. S. Mason, (Portrait Painter)…

1852 June 26.  Sunbury American.  (Sunbury, Pennsylvania.)  June 26, 1852, New Series—Vol. 5, No. 14, Old Series—Vol. 12, No. 41, P. 2.

Portrait Painting.  S. Mason will be in readiness to receive visitors at J. Hailer Mason’s Daguerrean Room, State House.  Specimens may be seen at all hours of the day.  Sunbury, June 26, 1852.

Advertisement ran from June 26 to July 17, 1852.

[1] Possible same person as S. Mason.

Lund, Theodore

Daguerreotypes, Portrait Painter, , , , , ,

1855                Room 22 Metropolitan Block, Chicago, Illinois.[1][2]

1856                6 Washington Avenue, Madison, Wisconsin.

N. D. The New York Historical Society Dictionary Of Artist On America 1564-1860.  (New Haven, Connecticut & London, England)  1957. P. 407.

Lund, Theodore.  Miniaturist, working in New York City, 1836-43…

1856 April 26.  Wisconsin Patriot.  (Madison, Wisconsin.)  April 26, 1856, Vol. 2, No. 47, P. 4.

Picture Gallery.—We have neglected to speak as we should, of the Picture Gallery of Messrs Fuller & Johnson, at Madison.  Associated with them is Mr. Joslin, from Hesler’s celebrated establishment, at Chicago, an artist of the first class, and they have also Mr. Lund, who painted the State Banner, and who, in some departments of art, is excelled by no artist in the country.  They take Daguerreotypes, Ambrotypes and Photographs, on paper or canvas, of all sizes; and among the curiosities to be seen there is a book containing the portraits of the pioneers of Wisconsin, which are faithful likenesses of the men who were the first to begin the work of converting the wilderness into fruitful fields and making the waste places bloom like the garden of Eden.  Those you visit Madison, should not fail to see Fuller & Jackson’s Picture Gallery.—Free D. m.

1895 August 30.  The Racine Times.  (Racine, Wisconsin.)  August 30, 1895, Vol. XXI, P. 8.

Obituary.  Lund.  T. Lund died at his home in the town of Raymond yesterday of dropsy, aged 85 years.  The funeral will be held tomorrow afternoon at 10 o’clock.

Biography from the Archives of askART.com

The artist Theodore Lund was born Harold Emil Theodor Lund in Nykobing, Falster, Denmark on July 26, 1810. He studied at the Royal Academy of Art in Copenhagen from 1832 through 1834 and emigrated to New York about 1836. That year (as H. Lund) he is on record of exhibiting a miniature of a Rev. Mr. Sommers in the National Academy of Design. Similarly, in 1837 he exhibited several portrait miniatures, this time as F. Lund. However by his marriage to Caroline Matilda Handson 1839 at the First Moravian Church in New York, he had settled on the name Theodore Lund.

He soon turned from miniatures to full-size portraits, and is known to have also painted subjects from nature and some landscapes. He was commissioned to paint murals on the first Wisconsin State House, which he completed, but that building later burned to the ground.

While Lund first lived in America at 202 Broadway, New York, he purchased 160 acres of land in Racine County, Wisconsin in October 1842, and moved his family there the next spring. Soon thereafter, Theodore Lund became an itinerant artist, setting up portrait studios in cities like Chicago, Ill.; Cincinnati, Ohio; Lexington, Ky., and New Orleans, La., as well as making seven Atlantic crossings while painting commissioned portraits of passengers enroute.

He also wrote and illustrated a children’s book with pen and ink drawings, Children of the Frontier. That book was published by D. Appleton and Co. in New York in 1867, but authorship was awarded to the lady who assisted him with the English phrasing, Lizzie Baker Gow.

Theodore Lund’s art history was chronicled in 1982 by Joan M. Rausch of the University of Wisconsin-Milwaukee in her master’s thesis: “An Account of the Life and Work of Theodore Lund, a Mid-Nineteenth Century Wisconsin Itinerant Artist and Portraitist and a Catalogue of Works by Theodore Lund.” (UMW Masters and Doctoral Dissertations – Art Education N 10000 R248.)

Many of his portraits remain in family collections.

He died on August 29, 1895 and is buried in Raymond Township, Racine Co., Wisconsin.

Information courtesy of Janet S. Boysen

[1] Chicago Photographers 1847 through 1900 As Listed In Chicago City Directory.  (Address for Alexander Hesler)  Theodore Lund is not listed in this directory.

[2] Craig’s Daguerreian Registry. List Theodore Lund as an operator for Alexander Hesler.

Lion, Jules

Daguerreotypes, Lithographs, Portrait Painter, , , ,

N. D.-1842      106 Royal Street, New Orleans, Louisiana.[1]

1842                44 Royal Street, New Orleans, Louisiana.1

N. D.  The New York Historical Society Dictionary Of Artist In American 1564-1860.  1957, (New Haven, Connecticut, London, England.)  P. 400.

Lion, Jules.  Portrait and miniature painter.  Lithographer, and first daguerreotypist artist of New Orleans.  He was a native of France, born about 1816, who can to New Orleans as early as 1837 and worked there till 1865.  According to the 1851 directory he was a “free man of color.”  He painted a portrait of John James Audubon.

N. D.  Louisiana State Museum.  https://louisianastatemuseum.org/collections-jules-lion

Jules Lion

French, 1810–1866

Lion exhibited at the Salon in Paris between 1831 and 1836. He came to New Orleans, where he was considered a “Free Man of Color,” in late 1836 or early 1837. In 1839, Lion returned to Paris, where he learned the patented daguerreotype process from one of Jacques Louis Mandé Daguerre’s partners. On March 14, 1840, the New Orleans Bee announced a display of Lion’s daguerreotypes at the St. Charles Museum—the first documented exhibition of photographs in Louisiana.

Lion was active as a photographer until about 1843. His main focus, however, was lithographed portraits of prominent Louisianans created between 1837 and 1847. In 1860, he made an unsuccessful attempt to publish about 200 of his portraits in a book entitled Notabilités de la Louisiane. Lion also taught art with Dominique Canova (1800–1868) at the Louisiana College. Near the end of his life, he lithographed sheet music covers with Confederate themes.

1840 March 18.  The Daily Picayune.  (New Orleans, Louisiana.)  March 18, 1840, Vol. IV, No. 46, P. 2.

Daguerreotype.  The public is respectfully informed that the second exhibition of this highly interesting machine will take place on Thursday, the 19th inst., at the museum, opposite St. Charles Hotel, at 12 o’clock. M.

Tickets, $1.

N. B.  The ticket at the same time entitles the holder to draw for one of those splendid views made by the Daguerreotype—one view at every exhibition being invariably disposed of in this way by lottery.  J. Lion.

Advertisement ran on March 18 & 19, 1840.

1840 March 20.  The Daily Picayune.  (New Orleans, Louisiana.)  March 20, 1840, Vol. IV, No. 48, P. 2.

The Daguerreotype.—Clapp’s Church.—We yesterday witnessed the complete process of taking a representation of the Rev. Dr. Clapp’s church, by the new system invented by Daguerre.  Mr./ Lion, who performed the scientific operation, first dried very carefully with a solution of nitric acid a finely polished sheet of silver, plated on copper.  He than exposed the prepared surface to the action of vapor of iodine, after which the plate was fixed securely in the camera obscura, which was directed from the window of the Museum so as to return a reflection of the sacred edifice on the corner.  In about twenty minutes the plate was taken from the camera obscura again, and placed in a box at the bottom of which was a quantity of mercury; this was heated by a spirit lamp until the necessary temperature was obtained, and then the metallic sheet was drawn forth stamped with a most exquisite likeness in miniature of the church.

The operation is one of exceeding interest, and as we under stand Mr. Lion intends to take the St. Charles Exchange and other pictures, from the Museum, we would sincerely recommend all lovers of science to attend.  Mr. Lion is a young French gentleman, after saying which we need not add that he is pleasing, courteous and polite.

1840 March 22.  The Daily Picayune.  (New Orleans, Louisiana.)  March 22, 1840, Vol. IV, No. 50, P. 2.

Mr. Lion placed a bottle of the Lafayette mixture and a bottle of the Stilman preparation side by side, with a view of taking a Daguerreotype drawing of both; but lo! The Lafyette affair could not shine in the presence of 96.  The consequence was, that while he took off an excellent engraving of the latter, he could not transfer the former to his plate, “no how he could fix it.”—Let us not here another word from the Lafayette Gazette on the subject after this.  Be stil-man, or be Stilman’s man, or be silent.  Take either horn—a gin toddy or a bottle of the highly concentrated.

1840 March 28.  The Daily Picayune.  (New Orleans, Louisiana.)  March 28, 1840, Vol. IV, No. 55, P. 3.

The Daguerreotype.  Mr. Lion respectfully announces to the public that he will, on Sunday, the 29th inst., in the Orleans ball room, repeat the interesting operation of taking a Daguerreotype likeness of the old Cathedral.  The picture will be taken precisely at noonday.

1840 March 29.  The Daily Picayune.  (New Orleans, Louisiana.)  March 29, 1840, Vol. IV, No. 56, P. 2.

Daguerreotype.—At noon to-day, from the Orleans ball room, Mr. Lion will take a Daguerreotype picture of the old Cathedral.  The operation is one of great novelty and interest.

1840 April 4.  Gazette De Baton Rouge.  (Baton-Rouge, Louisiana.)  April 4, 1840, Vol. XXII, No. 8, P. 1.

Unreadable.

1840 March 29.  The Daily Picayune.  (New Orleans, Louisiana.)  March 29, 1840, Vol. IV, No. 56, P. 2.

1840 July 28.  The Daily Picayune.  (New Orleans, Louisiana.)  July 28, 1840, Vol. IV, No. 158, P. 3.

Daguerreotype.  The undersigned has the honor to inform the scribers to this rare apparatus that on Sunday, the 2d of August, public experiment will be made by Mr. Lion, at the subscriber’s residence, and that the drawing remitting therefrom shall be framed and delivered with the Daguerreotype and its accessories to the fortunate winner.

A few numbers remain unsold.  Theodore, Hair Dresser, Chartres st., Opposite the Orleans Hotel.

Advertisement ran from July 28 to August 2, 1840.

1842 June 15.  The Times-Picayune.  (New Orleans, Louisiana.)  June 15, 1842, Vol. VI, No. 122, P. 2.

Views of New Orleans.—J. Lion, the skilful artist in lithograph so well known in this city, has commenced a series of views of the public buildings, grounds, and picturesque places about the city and state.  He performed a like work by the daguerreotype not long since.  The first view, now complete, is of the old cathedral, and it is a most minute and finished performance.  There is not an object discernible from the point of sight of the artist but is transferred with life-like fidelity to the picture.  It is elegantly printed upon a handsome sheet by Manouvrier & Chavin.

[1] Craig’s Daguerreian Registry.

Lay, Frederic L.

Ambrotypes, Daguerreotypes, Photographs, Portrait Painter, , , , ,

1857-1858       173 Washington Street, Boston, Massachusetts.[1]

1861-1865       31 Winter Street, Boston, Massachusetts.1

1866-1867       36 Winter Street, Boston, Massachusetts.1

1857 January 19.  Boston Daily Chronicle.  (Boston, Massachusetts.)  January 19, 1857, Telegraph Vol. V, No. 764, Chronicle Vol. X, No. 1353, P. 3.

Lay & Heywood’s Photograph, Ambrotype And Daguerreotype Gallery.  Messrs. Lay & Heywood will give their attention to making all the different styles of Pictures that are made at the present day.

And Mr. Lay, being an Artist that, received his education in one of the first Academies in Germany, will give his attention to finishing Portraits from Miniatures and Life Size in Oil, Pastile, [sic.] Water Colors and Indian Ink, and would invite all to call and examine specimens at 173 Washington Street, (Formerly Chase’s Old Stand,) Boston.

Advertisement ran from January 19 to April 10, 1857.

1857 January 22.  Boston Daily Chronicle.  (Boston, Massachusetts.)  January 22, 1857, Telegraph Vol. V, No. 767, Chronicle Vol. X, No. 1355, P. 2.

Thalberg’s Portraits.  Messrs. Lay & Heywood, at 173 Washington street, have succeeded in taking an admirable photographic likeness of this celebrated artist, and are prepared to receive orders from his friends for his pictures in all of the different styles, from miniature to the side of life.  Music dealers supplied on reasonable terms.

1857 March 17.  The Union Democrat.  (Manchester, New Hampshire.)  March 17, 1857, Vol. 7, No. 322, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 17 to April 14, 1857.

1857 March 19.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  March 19, 1857, Vol. XXII, No. 5232, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement was recorded five times between March 19 to April 17, 1857.

1857 March 19.  St. Albans Messenger.  (St. Albans, Vermont.)  March 19, 1857, Vol. 20, No. 18, Whole No. 1006, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 19 to April 16, 1857.

1857 March 20.  Vermont Journal.  (Windsor, Vermont.)  March 20, 1857, Vol. XIII, No. 40, Whole No. 664, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 20 to April 17, 1857.

1857 March 20.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  March 20, 1857, Vol. 51, No. 17, Whole No. 2631, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 20 to April 17, 1857.

1857 March 26.  National Eagle. (Claremont, New Hampshire.)  March 26, 1857, Vol. XXIII, No. 24, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 26 to April 23, 1857.

1857 March 27.  Ellsworth American.  (Ellsworth, Maine.)  March 27, 1857, Vol. III, No. 9, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington Street. Boston.

Advertisement ran from March 27 to May 1, 1857.

1857 April 2.  Independent Democrat.  (Concord, New Hampshire.)  April 2, 1857, Vol. 12, No. 49, P. 4. 

Lay & Heywood’s Photograph, Ambrotype Ad Daguerreotype Gallery, o. 173 Washington Street, Boston.

Advertisement ran from April 2 to 23, 1857.

1857 April 30.  Boston Evening Transcript.  (Boston, Massachusetts.)  April 30, 1857, Vol. XXVIII, No. 8283, P. 4. 

Ambrotype, Photograph, And Daguerreotype Gallery.  Lay & Heywood  173 Washington street.

Advertisement was recorded between April 30, 1857 to January 7, 1858.

1857 May 9.  The Granite Farmer And Visitor.  (Manchester, New Hampshire.)  May 9, 1857, Vol. IX, No. 18, P. 2.

Lay & Heywood’s Photograph, Ambrotype, And Dagudrreotxpe (sic.) Gallery.  No. 173 Washington St., Boston.

Advertisement ran from May 9 to June 6, 1857.

1857 May 14.  Dover Enquirer.  (Dover, New Hampshire.)  May 14, 1857, Vol. XXX, No. 51, P. 3.

Lay & Heywood’s Photograph, Ambrotype And Daguerreotype Gallery, No. 173 Washington Street, Boston.

Advertisement ran from May 14 to June 11, 1857.

1857 May 14.  National Eagle.  (Claremont, New Hampshire.)  May 14, 1857, Vol. XXIII, No. 31, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington street, Boston.

Advertisement ran from May 14 to June 11, 1857.

1857 May 15.  Bennington Banner.  (Bennington, Vermont.)  May 15, 1857, Vol. XVII, No. 11, Whole No. 843, P. 3.

Lay & Heywood’s Photograph, Ambrotype and Daguerreotype Gallery, No. 173 Washington street, Boston.

Advertisement ran from May 15 to June 12, 1857.

1857 June 10.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  June 10, 1857, Vol. CVII, No. 7959, P. 3.

Ambrotype, Photograph, Daguerreotype Gallery.  Lay & Heywood  173 Washington street.

Advertisement was recorded on June 10 & July 18, 1857.

1857 June 16.  Coos Republican.  (Lancaster, New Hampshire.)  June 16, 1857, Vol. II, No. 28, Whole No. 70, P. 3.

Lay & Heywood’s Photograph, Ambrotype, And Daguerreotype Gallery, No. 173 Washington Street, Boston.

1857 August 13.  Boston Daily Bee.  (Boston, Massachusetts.)  August 13, 1857, Vol. XXXI, No. 4748, P. 1.

Ambrotype, Photograph And Daguerreotype Gallery.  Lay & Heywood 173 Washington street.

Advertisement ran from August 13 to December 16, 1857.

1857 August 22.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 22, 1857, Vol. XXVIII, No. 8379, P. 2.

An artistically Executed Picture.  The attention of promenaders down Washington street is sure to be directed to the splendid photograph of the Orpheus Glee Club, by Lay & Heywood.  Its flue tone, life-like expression and tasteful adornment are acknowledged by all.  We think it the best arranged group of large size that ever came under our cognizance.  A large number of persons may at any time be seen gazing at the picture in the window of Wade’s music store where it is now placed.

1857 September 11.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  September 11, 1857, Vol. 51, No. 42, Whole No. 2656, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Heywood, Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran from September 11 to October 9, 1857.

1857 September 12.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  September 12, 1857 Vol. LXVIII, No. 37, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Haywood, (sic.) Proprietors, 173 Washington Street, Boston.  Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran five times between from September 12 to October 24, 1857.

1857 September 15.  The Union Democrat.  (Manchester, New Hampshire.)  September 15, 1857, Vol. 7, No. 348, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Haywood, (sic.) Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran from September 15 to October 13, 1857.

1857 September 17.  Independent Democrat.  (Concord, New Hampshire.)  September 17, 1857, Vol. 13, No. 21, P. 3. 

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Heywood, Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran from September 17 to October 22, 1857.

1857 September 17.  St. Albans Messenger.  (St. Albans, Vermont.)  September 17, 1857, Vol. 20, No. 45, Whole No. 1031, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Heywood, Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran from September 17 to October 15, 1857.

1857 September 18.  Ellsworth American.  (Ellsworth, Maine.)  September 18, 1857, Vol. III, No. 34, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Heywood, Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement ran from September 18 to October 16, 1857.

1857 September 18.  Vermont Journal.  (Windsor, Vermont.)  September 18, 1857, Vol. XIII, No. 40, Whole No. 664, P. 3.

Photograph, Ambrotype & Daguerreotype Gallery, Lay & Heywood, Proprietors, 173 Washington Street, Boston.

Messrs. L. & H. give their particular attention to finishing Portraits of deceased persons, from Daguerreotypes, in Oil, Pastile, Water Colors, and India Ink; and Mr. Lay being an artist that received his education in one of the first Academies in Germany, has the advantage of procuring the best artist in Europe—giving us facilities for the execution of portraits which are not to be excelled at any other establishment.  We have a large collection of portraits of distinguished persons from all parts of the country, in various styles, which the public are invited to call and examine.  Mr. H. gives his attention to the Photographic department, and in this branch of the art is fully competent to execute orders from College Classes, Societies, and associations of men who may wish to preserve, for future reference, a record of familiar faces.

In the other departments we are able to say that we employ none but the best operators, and are prepared to furnish Miniatures, in Ambrotype or Daguerreotype, that will give perfect satisfaction.

Advertisement was recorded three times between September 18 to October 9, 1857.

1857 October 14.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  October 14, 1857, Vol. CVII, No. 7995, P. 3.

Photographs.—The extent to which the wonderful invention of the daguerreotype has been pushed, is remarkable, and nowhere has the art of taking portraits been more successful pursued than in this country.  The French and Italian artists seem to have been most happy in their views of public buildings, ruins, and of statuary; we have seen no stereoscopic views of natural scenery, or of family groups, more skilfully done than the English; but for portraits our American artists thus far, we believe, are acknowledged to be unrivalled throughout the world.  This is doubtless owing to the fact that especial pains has been devoted in this country to this department of the art.  Photographic views of faces are now taken with such facility and accuracy that families are greatly to be blamed if they neglect to provide themselves with a faithful memorial of those whom absence or death may soon withdraw, perhaps unexpectedly, from the family circle.  There was a time when the miniature of a friend was a luxury only to be possessed by those who could afford to pay liberally for the painting, and who were willing to exact from the sitter the patient tribute of affection required by his oft-repeated visits to the painter’s studio.  Now they may be obtained for an expenditure of time and money altogether inconsiderable.

We have been led to these remarks by the examination of some fine photographic portraits executed by Messrs. Lay & Heywood, whose gallery is at No. 173 Washington street.  They are possessed of every facility for the successful prosecution of their art, they are patient and persevering in their efforts to please their sitters, and in the cases which have fallen under our eye, their executions have been crowned with remarkable success.

1859-1860.  The New York Historical Society’s Dictionary of Artists in America 1564-1860.  P. 389.

Bavarian portrait painter, born about 1836, working in Boston 1859-1860. 

1863.  Boston Directory (Boston, Massachusetts.)  P. 65. 

F. L. Lay’s Photographic Atelier, No. 31 Winter Street, Boston.

At this Establishment particular attention is given to the Artistic Arrangement of Sitters, and making Highly Finished Portraits, especially Copies of Daguerreotypes or other Pictures.

Cartes De Visite Of Superior Quality.

[1] A Directory of Massachusetts Photographers 1839-1900.

Kimball, William H.

Daguerreotypes, Photographs, Portrait Painter, , , , ,

1847-1849       142 Main Street, Concord, New Hampshire.

1847                12 Central Building, Manchester, New Hampshire.

1849-1851       189 Main Street, Dunklee Building, Concord, New Hampshire.

1851                Merchant’s Exchange Building, third story, Concord, New Hampshire.

1851-1852       School Street, A Few Rods West of the Post Office, Concord, New Hampshire.

1852-1854       South End of Stickney’s Block, opposite Court House, Concord, New Hampshire.

1859                Rooms, Over E. H. Rollins’ Drug Store, Concord, New Hampshire.

1860-1864       155 Main Street, Concord, New Hampshire.

N. D.  The New York Historical Society’s Dictionary of Artists in American 1564-1860.  (New York, New York.)  P. 370.

Kimball, William Hazen (1817-1892)  Miniature painter.  Born April 6, 1817, at Goffstown (N. H.) Kimball studied miniature painting in Boston and practiced in Manchester (N. H.), Lowell, (Mass.), and Philadelphia.  Returning to Manchester, he edited a newspaper for two years before taking up daguerreotyping in 1844.  He settled in Concord (N. H.) about 1860 ad from 1867 to 1890 served as State Librarian of New Hampshire.  He died in Concord on March 10, 1892.  One of his sons, Edward Wyatt Kimball (born 1852,) became a professional painter.[1] 

1839 December 21.  Manchester Magazine.  (Manchester, New Hampshire.)  December 21, 1839, Vol. 1, No. 1, P. 3.

Wm. H. Kimball, Portrait & Miniature Painter, Room No. 46, Up Stairs, Elm Street, Manchester.

1847 March 25.  Congregational Journal.  (Concord, New Hampshire.)  March 25, 1847, Vol. VII, No. 324, P. 3.

Daguerreotype Rooms.  Marsh & Kimball, Daguerrean Artists, have taken rooms at 142 Main Street, (up stairs,) next building south of Eagle Coffee House, Concord, N. H., where they will attend to all orders in their profession.  Ladies and Gentlemen, wishing to obtain correct and beautiful Daguerrean Miniatures, rarely to be met with, or to examine specimens of this wonderful art, are invited to visit their rooms, where they will scarcely fail to recognize the likenesses of their friends and acquaintances.

By recent improvements in the art, the most splendid results are obtained: in an instant, as it were, upon the silver surface, a correct and indelible picture is formed; the most unerring delineation of life; portraying the innocence of childhood, the joyous countenance of youth, and the dignity of old age.  Fathers and mothers, brothers and sisters, lovers and friends, the cost is trifling, the object laudable;–delay not, then, to secure such valuable mementos of life, which, under the trying circumstances of a final separation from friends, no price can purchase.  This opportunity once lost, may be lost to you forever.  There is a time when a faithful likeness is beyond price, as it is all that can be preserved from the grave.

“Catch the Shadow, ‘ere the Substance Fades.”

Diamonds are valued and treasured with care,

And Brilliants are priceless, because they are rare;

But thy face, gentle reader, none saw ‘ere ‘twas thine,

And none through all ages will say, it is mine,

Ah, that Face!  Nature’s masterpiece, quickly ‘twill fade;

But no matter,—the Daguerreotype comes to its aid.

Just give your attention—thy Features he’ll write—

True to nature the impress, everlasting and bright;

Thy friend with that picture,—No, never will part,

So true to the image engraved on his heart.

Miniatures taken from 8 o’clock, A. M., until 5, P. M., without regard to weather.

The Miniatures taken at their rooms, in correctness of expression, softness of light and shade, and artistic effect, will compare with those of any other establishment.  Miniatures set in lockets, breast-pins, or bracelets.

A select assortment of gold lockets constantly on hand; also, plated ones, particularly adapted for Miniatures.  All Miniatures executed at this establishment will be finished in the most perfect manner, and no one will be expected to take them unless they are perfectly satisfactory. 

German and American Cameras, best French and American Plates, Cases, Frames, Chemicals, Polishing Materials, &c. &c., wholesale and retail, to which the attention of purchasers from the country is invited.

Advertisement ran nine times between March 25 to June 24, 1847.  

1847 June 10.  Congregational Journal.  (Concord, New Hampshire.)  June 10, 1847, Vol. VII, No. 335, P. 3.

Daguerreotype Pictures.  Messrs. Kimball & Marsh, near the Eagle Coffee House, Concord, have acquired a deserved popularity among our citizens, for their truly excellent pictures, and should continue to have their rooms thronged with visitors.  Every lady and gentleman wanting a first-rate likeness, should make them a call forthwith.—pab.

1847 November 12.  New-Hampshire Statesman.  (Concord, New Hampshire.)  November 12, 1847, Vol. XXVII, No. 1381, P. 3.

Dissolution Notice.  Notice is hereby given that the subscribers, by mutual consent, have this day dissolved their connection in business heretofore known under the firm name Marsh & Kimball.  All just claims in favor of and against the firm, will be adjusted by Mr. Kimball, who will still continue business at the former rooms of the firm.  Geo. Marsh, Wm. H. Kimball.  Manchester, Nov. 1, 1847.

Advertisement ran from November 12 to 26, 1847.

1847 November 18.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) November 18, 1847, Vol. 1, No. 26, Whole No. 2026, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any

Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

Rooms, in Concord, 142 Main Street, in Manchester, 12 Central Building, up stairs.  Wm, H, Kimball.

Advertisement ran from November 18 to December 2, 1847.

1847 November 26.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 26, 1847, Vol. XXVII, No. 1383, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, in Concord, 142 Main Street, in Manchester, No. 12 Central Building, up stairs.  W. H. Kimball.  November 16, 1847.

Advertisement ran from November 26, 1847 to March 31, 1848.

1847 December 9.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 9, 1847, Vol. 1, No. 29, Whole No. 2029, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any

Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England, also Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, in Concord, 142 Main Street, in Manchester, 12 Central Building, up stairs.  Wm, H, Kimball.

Advertisement ran from December 9, 1847 to March 2, 1848.

1848 February 24.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  February 24, 1848, Vol. 1, No. 40, Whole No. 2040, P. 3.

Kimball’s Daguerreotypes, Are universally admitted to be superior to any put up in the region, and equal to any in the world.  Mr. K. would call the particular attention of Artists, Amateurs, and indeed all, to the peculiar excellencies of his pictures—the superior rotundity of features, and general relief of the whole figure—the depth, purity, and brilliancy of taste—the transparency of shading, always blending into the lights with a softness not excelled in any department of art, or even nature itself; while the lights are so managed as never to be overdone—the slightest lines and most delicate shades being preserved, and yet kept perfectly pure.

From a rapid and steady increase of patronage, he feels assured that these excellencies are generally appreciated, and in order to meet the demands of the community more efficiently, he will be assisted in future by his brother, having disposed of his rooms in Manchester, with the determination to spend his undivided efforts in meeting the wants of his friends and patrons in Concord.

Pictures put up in every desired style and form, and copying of all kinds satisfactory executed.  Invalids will be waited upon at their residences, if desired.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also, Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, 142 Main Street, first door South of Eagle Coffee House.  Wm. H. Kimball.

Advertisement ran from February 24 to December 28, 1848.

1848 April 7.  New Hampshire Statesman.  (Concord, New Hampshire.)  April 7, 1848, Vol. XXVII, No. 1402, P. 3.

Kimball’s Daguerreotypes, Are universally admitted to be superior to any put up in the region, and equal to any in the world.  Mr. K. would call the particular attention of Artists, Amateurs, and indeed all, to the peculiar excellencies of his pictures—the superior rotundity of features, and general relief of the whole figure—the depth, purity, and brilliancy of taste—the transparency of shading, always blending into the lights with a softness not excelled in any department of art, or even nature itself; while the lights are so managed as never to be overdone—the slightest lines and most delicate shades being preserved, and yet kept perfectly pure.

From a rapid and steady increase of patronage, he feels assured that these excellencies are generally appreciated, and in order to meet the demands of the community more efficiently, he will be assisted in future by his brother, having disposed of his rooms in Manchester, with the determination to spend his undivided efforts in meeting the wants of his friends and patrons in Concord.

Pictures put up in every desired style and form, and copying of all kinds satisfactory executed.  Invalids will be waited upon at their residences, if desired.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also, Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, 142 Main Street, first door South of Eagle Coffee House.  Wm. H. Kimball.

Advertisement ran five times from April 7 to June 8, 1848.

1848 June 16.  New Hampshire Statesman.  (Concord, New Hampshire.)  June 16, 1848, Vol. XXVII, No. 1412, P. 3.

Kimball would remind Visitors, Members of the Legislature, citizens of Concord, and the people at large, that Daguerreotype pictures may still be obtained at his Rooms, in all kinds of weather, executed in that faithful and excellent manner which has given his later productions such wide renown.  Please call in.

Rooms, first door south of Eagle Hotel, up stairs.

Advertisement ran from June 16 to 30, 1848.

1849 March 15.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  March 15, 1849, Vol. 2, No. 95, Whole No. 2095, P. 2.

“Light From Above.”  William H. Kimball, Daguerreotype Operator, No. 142 Main Street (up stairs,) directly south of the Eagle Hotel.  Rooms enlarged and extended, with a magnificent Top Light, universally conceded by artists to be the only light capable of giving a truly artistical development to the features.

Pictures put up in all weather in every desired style, and at reduced prices.

Chemical prepared for other operators, and stock for sale.  Wm. H. Kimball.

Advertisement ran from March 15 to December 13, 1849.

1849 March 23.  New Hampshire Statesman.  (Concord, New Hampshire.)  March 23, 1849, Vol. XXVII, No. 1452, P. 3.

Light from Above, Kimball’s Daguerreotype Rooms have just been enlarged and fitted up in a manner which he trusts will fully meet the increased demands of business, and the approbation of community.  He is now putting up Pictures, made by a magnificent top light, which is always considered by artists and amateurs to be the only light capable of giving that free and full development of the features that always distinguishes true art.

Pictures made in any weather and put up in every desired style, and at reduced prices.  He also prepares a superior article of Chemical, which, together with any kind of stock, will be furnished to operators on fair terms, for cash.  Wm. H. Kimball.  Concord, March 15, 1849.

Advertisement ran thirty time from March 23 to December 14, 1849.

1849 April 19.  Congregational Journal.  (Concord, New Hampshire.)  April 19, 1849, Vol. IX, No. 432, P. 3.

Light from Above, Kimball’s Daguerreotype Rooms have just been enlarged and fitted up in a manner which he trusts will fully meet the increased demands of business, and the approbation of community.  He is now putting up Pictures, made by a magnificent top light, which is always considered by artists and amateurs to be the only light capable of giving that free and full development of the features that always distinguishes true art.

Pictures made in any weather and put up in every desired style, and at reduced prices.  He also prepares a superior article of Chemical, which, together with any kind of stock, will be furnished to operators on fair terms, for cash.  Wm. H. Kimball.  Concord, March 15, 1849.

Advertisement ran thirteen times between April 19 to November 15, 1849.

1849 May 3.  Independent Democrat.  (Concord, New Hampshire.)  May 3, 1849, Vol. V, No. 1, Whole No. 248, P. 1.

Daguerreotyping Perfected!  Prices Reduced!!  Kimball’s Daguerreotype Rooms, At the old stand, have just been refitted, and extended, with a magnificent Top Light, always considered indispensable to the production of the highest degree of artistic excellence, not only by artists, but by all of acknowledged taste.  Pictures put up in any weather, in any styledesired and at reduced prices.

Advertisement ran from May 3 to December 20, 1849.

1849 November 23.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 23, 1849, Vol. XXVIII, No. 1487, P. 2.

Daguerreotypes.  We learn that Mr. Kimball, whose Daguerreotype Rooms in Concord have won such fame, is about to travel, to give the people abroad the advantages of his skill.  He has purchased an interest in a Traveling Saloon, and intends visiting the villages generally in the State, still keeping his Rooms open as usual in Town.

1849 December 20.  Independent Democrat.  (Concord, New Hampshire.)  December 20, 1849, Vol. V, No. 34, Whole No. 281, P. 3.

Great Fire!  Last Friday morning, at about 1 o’clock, or citizens were awakened by the cry of “fire.”  It was soon found that the long wooden block directly South of the Eagle Coffee House on Main St. had take fire in the upper part near the center of the building.  Before the Fire Department could get well at work, the whole upper part of the building was in flames.  Tis block was occupied in the lower part, by the Drug Store of Allison & Gault, the Bookstore of B. W. Sanborn, and the clothing Store of Dustin & Shaw.  The second story was occupied by Dr. Haynes’ office, Kimball’s Daguerreotype Rooms, Cadwell’s Daguerreotype Rooms,…

1849 December 20.  National Eagle.  (Claremont, New Hampshire.)  December 20, 1849, Vol. XV, No. X, P. 2.

Great Conflagration.—Concord, N. H. was visited on the morning of the 14th instant, with a most destructive conflagration.  The long wooden block, immediately South of the Eagle Coffee House, in front of the State House, Main street, including the clothing store of Dustin & Shaw…Kimball’s Daguerreotype rooms, &c., were consumed…

1849 December 20.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 20, 1849, Vol. 3, No. 135, Whole No. 2135, P. 2.

Fire in Concord.  On Friday morning about half past twelve o’clock, the large three story wooden block on Main street, next south of the Eagle Coffee House, called “Butterfield’s Block,: was discovered to be on fire,]; and before men enough to resit it had assembled, the fire had made such progress as to render it impossible to save the building, and it was entirely consumed, together with the two story building next south, owned and occupied by A. Prescott & Son for the manufacture and sale of musical instruments.  Nex to that were two “ten footers” and then a two story dwelling house, all owned by Col. B. Grover, the first of which was nearly burnt up, and the other considerably injured.  The Eagle Coffee House was in great danger, and suffered some, the windows and the wood work on the south side end being pretty much used up…

“Butterfield’s Block,” owned by Samuel Butterfield, Esq., of Andover…in the second story—Wm. H. Kimball, Daguerreotype Rooms, loss $450—insured for $400 in the New England Co., Concord.  Dr. Timothy Haynes’ office, loss $100—no insurance.  George H. Batchelder, Shoemaker, loss $100—No insurance.  A. B. Cadwell, Daguerreotype Rooms, loss small…

1849 December 21.  Barre Patriot.  (Barre, Massachusetts.)  December 21, 1849, Vol. 6, No. 23, Whole No. 283, P. 3.

Great Conflagration!  Concord N. H., Dec. 14, 1849.  Our town has just been visited with one of the most destructive conflagrations to which it was ever subjected…Kimball’s daguerreotype rooms, &c., must be consumed…

1849 December 21.  New Hampshire Statesman.  (Concord, New Hampshire.)  December 21, 1849, Vol. XXVIII, No. 1491, P. 2.

Destructive Fire In Concord.  On Thursday night of last week, at about half past 12 o’clock, our citizens were aroused from their slumbers and hastened to a fire raging freely in the large three story block, all of wood, on Main st., just south of the Eagle Coffee House, and in front of the brick block at the south east corner of the State House Yard….

…in the second story—Wm. H. Kimball, Daguerreotype Rooms, loss $450—insured for $400 in the New England Co., Concord.  Dr. Timothy Haynes’ office, loss $100—no insurance.  George H. Batchelder, Shoemaker, loss $100—No insurance.  A. B. Cadwell, Daguerreotype Rooms, loss small…

1849 December 27.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 27, 1849, Vol. 3, No. 136, Whole No. 2136, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from December 27, 1849 to November 7, 1850.

1850 January 3.  Independent Democrat.  (Concord, New Hampshire.)  January 3, 1850, Vol. V, No. 36, Whole No. 283, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from January 3 to July 25, 1850.

1850 January 4.  New Hampshire Statesman.  (Concord, New Hampshire.)  January 4, 1850, Vol. XXVIII, No. 1493, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from January 4, 1850 to  February 7, 1851.

1850 February 4.  Congregational Journal.  (Concord, New Hampshire.)  February 4, 1850, Vol. X, No. 475, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement was recorded thirty-four times between February 4, 1850 and February 6, 1851.

1850 July 12.  New Hampshire Statesman.  (Concord, New Hampshire.)  July 12, 1850, Vol. XXIX, No. 1520, P. 3.

Serious Reflections.  For The N. H. Statesman.  Messrs. Editors:  A few days since an interesting young lady, at the age of about 17, passed away from among us to the “Spirit land,” as silently as closes the beautiful rose under the influence of “Summer evening’s latest sigh;” but a few days before she took her upward flight,—and it was the only time for several weeks when she felt well enough to do it,—she  rode to the Rooms of the Messrs. Kimball, and had he Daguerreotype taken twice or thrice while there.  These she left with her family, ad to day fifty times the money paid for them could not buy them.  The writer of this was present when the afflicted family returned from the grave where they had deposited the original, and saw the father, mother, sister and other relatives gaze upon the daguerrean copies with teary eyes, evincing the value they placed upon the likenesses.  These were the first and only ones ever taken of her, and it was a solace in the hour of their greatest grief, that she had been thus thoughtful of those she was so soon to leave to mourn her loss.

The incident, sad and affecting as it was, made an impression on my mind, I resolved to call the attention of all who have neglected to have their daguerreotypes taken, and who read your paper, to the importance of doing it while in health and good spirits, that their friends may fancy they see them when they are out of sight of mortal eyes, as they were when moving among them in life’s pleasant hours.

I have often seen parents, and children, and other near relatives, very sad when the truth seemed to flash upon their minds, apparently for the first time, after the loss of a dear friend, that no likeness was left by the deceased upon which the eye would gaze, other than what was on memory’s treacherous plate.

I write this to go into the very interesting column of your paper, under the head of “Serious Reflections,” a column to which, for the Ladies’ sakes I trust you will continue to give much attention.—No one interested in taking daguerreotypes knows that I have written, or that I intended to write, a word upon the matter.  I do ot write for the interest of the artists but for the interests of those who shall survive departed friends.  I write to urge the living to do something while they can to soften the grief of friends when they die.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, P. 106.

W. H. Kimball, Daguerrian Artist, Has fitted up rooms in Dunklee’s Building, 189 Main Street, a few doors north of the American House.

He invites the attention of all who desire a good likeness of themselves or friends, to call on him, and procure one or more of those pictures of his putting up, which are so much admired by all good judges for their life-like and brilliant tone.  Operators supplied with stock at Boston prices.  Concord, January 1, 1850.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, Residence listing.

Kimball, Wm. H.  Daguerreotype artist, 189 Main st., H.—Warren st.

Kimball, J. L.—Daguerrean Artist—189 Main st., H.—Warren st.

1850 November 14.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  November 14, 1850, Vol. 4, No. 182, Whole No. 2182, P. 3.

Daguerreotypes.  From 50 Cents to 20 Dollars.  The subscriber hereby informs his friends and the public that he is again established in large and commodious Rooms with a light built expressly to his order and with every facility for making pictures, either singly or in groups, of the aged, middle-aged, children and infants in a manner seldom equalled—never excelled.  Not to multiply words he asks the attention of a discriminating Public, not only to his specimens, but the pictures he is constantly sending out to every part of the country.  Instructions faithfully given to such as have an aptness for the art and desire to learn, and apparatus and stock furnished on the most reasonable terms.

Rooms, Merchant’s Exchange, third story, over Allison & Gault’s Drug and Medicine Store.  Wm. H. Kimball.

Advertisement ran from November 14, 1850 to February 6, 1851.

1851 February 6.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  February 6, 1851, Vol. 4, No. 194, Whole No. 2194, P. 2.

Merchants’ Exchange Building.—Among the improvements in this the principal village of Concord, made during the past year, we believe the erection of this, the largest and most extensive, block of buildings, has not yet received a newspaper notice.  It occupies the [area] upon which formerly stood the block of wooden buildings which was consumed last [winter], situated directly south of the Eagle Coffee House and opposite the Patriot Office.  The new block covers 84 feet front by 85 in depth, is of three stories, 11, 10 and 9 feet in height respectively…

…the third story.  Here may be found the daguerreotype rooms of Messrs. Kimball, and usually a large number of ladies and gentlemen examining their specimens.  Three or four of the rooms yet remain unoccupied…

1851 February 7.  New Hampshire Statesman.  (Concord, New Hampshire.)  February 7, 1851, Vol. XXIX, No. 1550, P. 3.

Daguerreotypes From 50 Cents to 20 Dollars.  The subscriber informs his friends and the public that he is again established in large and commodious Rooms with a light built expressly to his order and with every facility for making pictures, either singly or in groups, of the aged, middle-aged, children and infants in a manner seldom equalled—never excelled.  Not to multiply words he asks the attention of a discriminating Public, not only to his specimens, but the pictures he is constantly sending out to every part of the country.  Instructions faithfully given to such as have an aptness for the art and desire to learn, and apparatus and stock furnished on the most reasonable terms.

Rooms, Merchant’s Exchange, third story, over Allison & Gault’s Drug and Medicine Store.  Wm. H. Kimball.

Advertisement ran from February 7 to August 9, 1851.

1851 June 19.  Independent Democrat.  (Concord, New Hampshire.)  June 19, 1851, Vol. VII, No. 8, Whole No. 349, P. 3.

Interest Tables.  The subscribers, having purchased the Right for making and selling Bread’s Interest Table for the State of New Hampshire, are now prepared to meet the demand for that invaluable article.

This Table, unlike all others, is at once so simple, cheap ad comprehensive—giving a ready solution to every problem in interest—that five minutes [attention] from any intelligent person will convince one that it must ultimately be adopted by all classes.

For sale at Kimball’s Daguerreotype Rooms, Exchange Building, (up stairs) and by the proprietors who are about to travel throughout the limits of their Right.  Price, invariably 50 cents.  Wm. H. Kimball, J. W. Worthen.

Advertisement ran from June 19 to August 28, 1851.

1851 August 29.  Vermont Journal.  (Windsor, Vermont.)  August 29, 1851, Vol. VII, No. 13, Whole No. 326, P. 3.

Concord, Tuesday Morning, , 6 o’clock.  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block, which was burned in December, 1849… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 26.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 26, 1851, P. 2.

Great Conflagration At Concord, N. H.  Through Messrs. Cheney & Co.’s Northern Express we have received a slip from the office of the New Hampshire Patriot, at Concord, stating that the most disastrous fire that ever occurred in that town or State took place there last night and this morning, destroying the best of the business portion of the town.  The following particulars are given. 

At about 11 o’clock last night the cry of “fire” resounded through out streets, and the alarm bells soon rang.  The fire was found to be in Abbott’s paint shop, directly back of Stickney’s block…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms.  The contents of this block were principally saved but greatly damaged…

1851 August 26.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  August 26, 1851, Vol. 2, No. 259, P. 2.

Extensive Fire in Concord.  A fire broke out in Concord las night, at about 11 o’clock…

Next was the new Exchange,… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 27.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  August 27, 1851, Vol. 5, No. 223, Whole No. 2223, P. 2.

Concord, Tuesday Morning, , 6 o’clock.  Terrible Conflagration!  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block, which was burned in December, 1849… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 27.  The Union Democrat.  (Manchester, New Hampshire.)  August 27, 1851, Vol. 1, No. 32, P. 3. 

We copy the following from the extra Patriot.  It is impossible at this hour, (5 o’clock) to give a full list of the sufferers by this terrible fire.  We can only give the principal ones…Kimball’s Daguerreotype Rooms…

1851 August 28.  Independent Democrat.  (Concord, New Hampshire.)  August 28, 1851, Vol. VII, No. 18, Whole No. 359, P. 2.

The Great Fire!  As most of our readers have already learned through other sources, Concord was, last Monday night, visited by the most destructive fire ever had in town.  About a quarterb past eleven o’clock, The Paint Shop of Mr. G. D. Abbott, directly in the rear of our printing office, was discovered to be on fire…

…the New Brick Exchange Building in which were…Kimball’s Daguerreotype Rooms…

1851 August 28.  National Eagle.  (Claremont, New Hampshire.)  August 28, 1856, Vol. XVI, No. XLVI, P. 3.

Terrible Conflagration!  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 1.  Exeter News-Letter And Rockingham Advertiser.  (Exeter, New Hampshire.)  September 1, 1851, Vol. XXI, No. 21, P. 2.

Terrible Conflagration!  The best part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 2.  Dover Enquirer.  (Dover, New Hampshire.)  September 2, 1851, Vol. XXV, No. 4, P. 2.

Awful Conflagration In Concord.  On Tuesday morning we received an extra from the patriot office giving the following details of a terrible fire in Concord on Monday night:

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 2.  Maine Democrat.  (Saco, Maine.)  September 2, 1851, Vol. XXIII, No. 4, P. 2.

From The New Hampshire Patriot, of the 26th of August.  Fire In Concord.  The best part of Concord, N. H., in  Ashes!—The  most disastrous fire that ever occurred in this town or state. Took place here last night and this morning, destroying the best part of the business portion of the town.  At about 11 o’clock last evening fire took in Abbott’s paint shop, back of Stickney’s block…and Kimball’s daguerreotype rooms…

1851 September 3.  The Granite Farmer.  (Manchester, New Hampshire.)  September 3, 1851, Vol. 2, No. 35, P. 7.

Fire at Concord…Kimball’s Daguerreotype Rooms…

1851 September 18.  Independent Democrat.  (Concord, New Hampshire.)  September 18, 1851, Vol. VII, No. 20, Whole No. 361, P. 3.

New Daguerreotype House On School Street, A Few Rods West Of The Post Office.  W. H. Kimball, will be happy to wait upon his friends and the public at his new place, where he assures them, may be obtained first class Daguerreotypes.  Stock ad materials for Sale as heretofore.

Advertisement ran from September 18,1851 to April 22, 1852.

1852 April 24.  New Hampshire Statesman.  (Concord, New Hampshire.)  April 24, 1852, Vol. XXVI, No. 1613, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Picture taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29, 1851 to January 19, 1856.

1852 April 29.  Independent Democrat.  (Concord, New Hampshire.)  April 29, 1852, Vol. VIII, No. 1, Whole No. 394, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Picture taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29, 1851 to September 7, 1854.

1852 June 10.  Independent Democrat.  (Concord, New Hampshire.)  June 10, 1852, Vol. VIII, No. 1, Whole No. 394, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Pictures taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29 to June 17, 1852.

1852 September 8.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  September 8, 1852, Vol. 6, No. 277, Whole No. 2277, P. 3.

More Light From Above, At Kimball’s New top-light Daguerrian Hall, Stickney’s Block, third story, over Rollins’ Apothecary store.  Pictures taken in any weather, and neatly set in rings, pins, lockets, bracelets, cases and frames of every description, and at reduced prices.  The arrangement of our light, especially for taking groups, is superior to anything of the kind in the country.

Advertisement ran from September 8, 1852 to August 31, 1853.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853.  Residence Listing.

Kimball, William H.—Not Listed in residence section

Kimball, Joseph L.—Daguerrian Artist, Stickney’s Block—H.—Warren Street.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853, advertisement N. P.

Kimball’s To-Light Daguerrean Gallery.  The arrangement of Light at this Gallery are such that pictures are made to suit all the various tastes of customers, and in every style of the Art, at as Low as can be obtained at any other Gallery in the New England States!

A good assortment of Gold Lockets, keys, pins &c. constantly on hand.

Please call and see specimens for yourself.

Entrance, south end Stickney’s Block, opposite the State House, Concord, N. H., 1853.

1853 February 14.  New Hampshire Statesman.  (Concord, New Hampshire.)  February 14, 1853, Vol. XXXII, No. 1655, P. 5.

Burglary.  Kimball’s Daguerreotype Rooms in the third story of Stickney’s Block, were broken into on Wednesday night, 10th inst.  The door was opened with prys, and about $30 worth of Daguerreotype cases, picture frames and specimens were taken, among which was a large likeness of Ole Bull…

1854 March 30.  Independent Democrat.  (Concord, New Hampshire.)  March 30, 1854, Vol. IX, No. 48, Whole No. 493, P. 3.

Kimball’s  New Daguerreotype Establishment Just opened in Merchant’s Exchange up three flights of stairs On The Right.  With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor.

W. H. Kimball, Operator.

Advertisement ran from March 30 to August 10, 1854.

1854 April 5.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  April 5, 1854, Vol. 7, No. 359, Whole No. 2359, P. 3.

Kimball’s  New Daguerreotype Establishment, Just opened in Merchant’s Exchange up three flights of stairs On The Right. 

With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor.

W. H. Kimball, Operator.

Advertisement ran from April 5 to July 26, 1854.

1854 June 8.  Independent Democrat.  (Concord, New Hampshire.)  June 8, 1854, Vol. X, No. 6, P. 2.

Kimball’s Christallotypes.  Wm. H. Kimball, at his Daguerreotype Rooms, In the Exchange Block, executes Crystallotype likenesses in fine style, and with fine remarkable fidelity.  These Chrystallotypes are a very decided improvement on the daguerreotype.  Call at his rooms and see them.

1854 August 3.  Independent Democrat.  (Concord, New Hampshire.)  August 3, 1854, Vol. X, No. 14, P. 1.

From the Lowell News, a little [altered].  Have You A Good Daguerreotype?—We have often thought of the happiness one must enjoy in possessing the good daguerreotype of a deceased friend, in after years, when the original is laid in the cold and silent tomb, they might look and recall the scenes of life. What vividness would a faithful daguerreotype of the face of a friend create in one’s memory? and what money would purchase from us such a memento?  These are questions but rarely thought of by us when we and our friend are in the enjoyment of life and health; but if neglected until the icy hand of death has parted us, we wonder that we could have been so thoughtless.  And while upon this subject, we would remark that the picture of a friend, whether deceased or not, will be valued according to the accuracy of the picture.  An indifferent one would not be much prized, while an accurate one will be prized highly.  If any of our readers want a good daguerreotype, let them go to Kimball’s on Main street.  Mr. Kimball has devoted himself assiduously to the study of the art for several years, spent much time and money experimenting, and has been rewarded by a knowledge and skill which enable him to stand at the head of his profession.  Again we say go to Kimball’s in front of the State House, in Rollins’ and Stickney’s Block.

1859 September 1.  Independent Democrat.  (Concord, New Hampshire.)  September 1, 1859,

Vol. XV, No. 19, P. 3. 

Notice.  The firm heretofore existing under the style of R. A. Houston & Co., is by mutual consent this day dissolved.  R. A. Houston.  Wm. H. Kimball.

1859 September 8.  Independent Democrat.  (Concord, New Hampshire.)  September 8, 1859,

Vol. XV, No. 20, P. 3. 

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between September 8 to December 29, 1859.

1859 September 10.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 10, 1859, Vol. XXXIX, No. 1997, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment

to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H.

Advertisement ran ten times between September 10 to December 17, 1859.

1859 September 15.  Independent Democrat.  (Concord, New Hampshire.)  September 15, 1859, Vol. XV, No. 21, P. 3. 

Having disposed of all our right, title and interest in Photographing, Ambrotyping, &c., in Concord to R. H. Kimball, we hereby ask the continued favors of the public in behalf of our successor, and earnestly request all who are indebted to us to make immediate payment to R. H. Kimball, and also desire all who have claims against us to present as above for adjustment.  Wm. H. Kimball, R. A. Houston.

Advertisement ran nine times between September 15 to December 29, 1859.

1859 October 5.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) October 5, 1859, Vol. XIII, No. 646, Whole No. 2646, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between October 5 to December 28, 1859.

1862 January 23.  The Independent Democrat.  (Concord, New Hampshire.)  January 23, 1862, Vol. XVII, No. 40, P. 3.

A Word about Photographs and Kindred Things.  Our friend W. H. Kimball, has long devoted himself to the science and art of Photography, in all its various departments.—He is not merely a good mechanical artist, but he is a scientific one, who thoroughly understands the philosophical mysteries of his profession.  Hence, it is not strange that his pictures should be so highly prized as they are, and that his rooms should be crowded with customers.—In producing Ambrotypes he has no superior, while his Photographs, of all kinds, are equal to those of Brady.  In the difficult task of obtaining life-like and perfect photographs of young children, Mr. Kimball is eminently successful.  His delicately colored portraits of this class, closely resembling the best paintings on ivory, are gems of beauty, only excelled by the bright living faces which they represent.  The demand for card photographs is now very large, and Mr. Kimball is doing a great business in that department.  Let all interested in these matters give Mr. Kimball a call at his rooms in the Block next north of Eagle Hotel opposite the Capitol.

1863 June 11.  The Legislative Reporter.  (Concord, N. H.)  June 11, 1863, Vol. 2, No. 5, P. 2.

Fine Pictures.  Large crowds daily visit Kimball’s Photograph Rooms in State Block.  There is no place in the State where better photographs can be obtained than at this famous establishment.  He has the best conveniences that can be found this side of Boston for taking pictures.

Concord City Directories.  (Concord, New Hampshire.)

1850.  daguerreotype artist, rooms Dunklee Building, 189 Main st.—h-Warren st.

1853.  Not listed

1860.  photographer, 155 Main st.—h-7 Tahanto st.

1864.  photographer, 155 Main st.—h-7 Tahanto st.

[1] Morrison and Sharples, History of the Kimball Family in America, Vol. II. P. 653-854; Art and Artists in Manchester, P. 114; Granite Monthly, Vol. XIV, (1892), P. 125-126; Manchester City Directory 1844; Concord City Directory 1860, 1876.

Ives, Loyal Moses

Daguerreotypes, Portrait Painter, , , , , ,

Ca. 1844-1846            Address Unknown, Boston, Massachusetts.[1], [2], [3]

1847-1856                   142 Washington Street, Boston, Massachusetts.3

1851                            near the Old South [Church], Boston, Massachusetts.3

Ca. 1850-56.  Advertising Card in back of a Ninth Plate Daguerreotype.  Chris Steele’s collection.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars. 

N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

Information from The New York Historical Society’s Directory of Artists in America 1564-1860. (New Haven, Connecticut & London, England.)  P. 342.

Ives, Loyal Moss.  Portrait painter who worked in New Haven (Conn.) During the latter 1850’s and in NYC from about 1863 into the 1890’s

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut. Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 September.  Massachusetts Charitable Mechanic Association Report (Boston, Massachusetts.)  September 1850, N. P.

Exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association Fair.  A silver medal was awarded.

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

 Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs. Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 October 16.  Railway Advertiser.  (Boston, Massachusetts.)  October 16, 1850, Vol. 2, No. 13, P. 1.

Ives Daguerreotype Rooms!  142 Washington Street, Boston.  (Opposite The Foot Of School Street.)  The Public are respectfully invited to call and examine specimens of daguerreotypes and for themselves.  jul 2.

Advertisement ran from Oct 16, 1850 to April 30, 1851.

1850 December 21.  Gazette Francaise.  (Boston, Massachusetts.)  December 21, 1850, Vol. 1, No. 15, P. 4.

Daguerreotypes!  L. M. Ives, A la derniere Exposition une Medaille avec Diploma a ete accordee specimens, et garantit une parfait resemblances a tous ceux qui voudront bien l’honorer de leur confiance.

Advertisement was recorded fourteen times between December 21, 1850 to July 19, 1851.

1851 March 1.  The Daguerreian Journal.  (New York, New York.) March 1, 1851, Vol. 1, No. 1, N. P.

Lister in the Daguerreian Artist Register (March 1 to April 15, 1851 as L. M. Joes, 142 Washington St., Boston) and as L. M. Ives from May 1 to Dec. 15, 1851 at 142 Washington St., Boston.

Advertisement ran from March 1 to December 15, 1851.

1851 May 15.  The Daguerreian Journal.  (New York, New York.)  May 15, 1851, Vol. 2, No. 1, P. 19.

L. M. Ives of Joston, [sic.] is, we understand, producing some exquisite specimens of Daguerreotypes. Success.

1851 June 1.  The Daguerreian Journal.  (New York, New York.)  June 1, 1851, Vol. 2, No. 2, P. 53.

L. M. Ives of Boston, will please pardon us (or rather or printer) for the mistake in the Journal in his name and locality.  Mr. I. being himselfa sure operator, will certainly pardon a failure in others.  We will endeavor to do better in future.

1851 July 1.  The Daguerreian Journal.  (New York, New York.)  July 1, 1851, Vol. 2, No. 4, P. 114-115.

Boston Daguerreotypists….Mr. Ives we found very busy with his customers, and after taking a hurried look through his collection of specimens, we were not in the least surprised to find so many waiting their turn.

1851 September 8.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 8, 1851, Vol. XXII, No. 6494, P. 1.

A Family Picture…

Let me say to the young men of Boston, whose parental home is in the country, that if they would awaken the affection that lingers around the family hearth, next to that of their living presence—they should send home a fine daguerreotype—such as Ives, or Ormsby and Silsbee, of Washington street, can produce.  A picture where every feature and expression are so finely delineated, and the tone and color so well preserved, that it appears more the reflection from a mirror, than the result of a chemical process.  Such a present to a parent or sister, would be one of the most valuable that could be made, and should death take the original away, this truthful representation would be invaluable.  In this way, at a trifling expense, a whol;e family may leave a memorial which would be greatly prized by the living.  What amount of money, would purchase from a mother the daguerreotype of her dead son?  With this happy thought I close this family letter.  Yours very truly, G. Q. C.

1851 September 9.  Dover Enquirer.  (Dover, New Hampshire.)  September 9, 1851, Vol. XXV, No. 15, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 9 to October 7, 1851.

1851 September 11.  Green-Mountain Freeman.  (Montpelier, Vermont.)  September 11, 1851, Vol. VIII, No. 37, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 11 to October 9, 1851.

1851 September 13.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 13, 1851, Vol. XXX, No. 1581, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 13 to October 11, 1851.

1851 October 1.  Cheshire Republican and Farmer.  (Keene, New Hampshire.)  October 1, 1845, Vol. 18, No. 8, Whole No. 1255, P. 4.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street, Boston.

Advertisement was recorded on October 1 & 8, 1851.

1851 November 15.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 1, No. 33, P. 4.

Daguerreotypes.—The pictures taken by Ives & Black, near the Old South, are unsurpassed for the beauty of their finish and the correctness of their portraiture.  It is almost inexcusable in any one to neglect securing pictures of relatives and friends, in view of the facilities now afforded for doing so.  Years ago, when a miniature was a work of great labor and expense, and then was often dependent upon the partiality of friends to decipher the resemblance it bore to those whom it was intended to represent, a picture of a loved object was not to be hoped for by a poor man—in his memory, alone, could the likeness be cherished, unless, perhaps, it was recalled dimly by some queer old black profile, that hung smoke dried on the wall, like that of “corporal Paul” in Mrs. Partington’s back sitting-room.  But now everyone has it in his power to save the semblance of friends in these exquisite pictures, which look out lovingly upon the living though Death may have claimed the originals years agone.  Messrs Ives & Black execute Talbotypes superbly, and specimens we examined recently, we found it difficult to distinguish from the finest lithographs.

1852.  Boston City Directory.  (Boston, Massachusetts.)  1852/1853, P. 35.  Published by George Adams, 1852.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1852 October 16.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 2, No. 29, P. 27.

To Pathfinders!—Among the numerous paths in the City of Notions, there is one leading to L. M. Ives’s Daguerrian Gallery, 142 Washington Street.

Strangers visiting the city are respectfully invited to call, and examine a large collection of Premium Daguerreotypes, and whoever wishes a picture may feel sure of perfect satisfaction being give.  jan 14

1852 December 4.  The Carpet-Bag.  (Boston, Massachusetts.) Vol. 2, No. 36, P. 6. 

Whipple’s Crysalotypes are charming specimens of this class of daguerreotypes.  All the softness and distinctness of lithography are preserved with the correctness and beauty of the daguerreotype.  The pictures of the President elect and the late R. Rantoul, Jr., may well be referred to in proof of what we say.  Those familiar with the features of these notables may see at a glance the life-likeness preserved in their pictures.  Mr. Whipple’s room abound with splendid specimens of daguerreotypes and crysalotypes, worthy the attention of all interested in art.  Mr. Black, formerly with Ives, presides over the crysalotype department, and the excellence of his productions is a lasting monument of his skill.

1853.  Boston City Directory.  (Boston, Massachusetts.)  P. 33.  Published by George Adams, 1853.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1853 July 12.  Daily Evening Transcript.  (Boston, Massachusetts.)  July 12, 1853, Vol. XXIV, No. 7061, P. 3. 

New Daguerreotype Rooms.  140 Washington Street, Seaver & Butler, having recently purchased these rooms, and neatly fitted and newly furnished them throughout, till they are surpassed in convenience and elegance by none in the city, are now prepared to take Likenesses with promptness, in the very best style of the art, and in every size and mode of finish.  The public are respectfully invited to give them a call.  Entire satisfaction guaranteed.

Mr. Seaver having been employed as Operator at Ives’s Establishment, for over a year past, would be pleased to see his numerous friends and acquaintances at his new place of business, where they will meet with entire satisfaction, as heretofore.

Advertisement ran from July 12 to 25, 1853.

1854 June 3.  Boston Evening Transcript.  (Boston, Massachusetts.)  June 3, 1854, Vol. XXV, No. 7338, P. 3.

25 Cents Daguerreotypes.  Good Daguerreotypes are taken at Ives’s, 142 Washington st., for 25 cents.

Advertisement ran from June 3 to 9, 1854.

1854 December 13.  Boston Evening Transcript.  (Boston, Massachusetts.)  December 13, 1854, Vol. XXV, No. 7501, P. 2.

A splendid Portrait.  Mr. Charles H. Brainard has this day published a very accurate and striking likeness of the Rev. Theodore Parker, drawn by Grozelier, from a daguerreotype by L. M. Ives, and printed by L. H. Bradford & Co….

1855 August.  The Photographic And Fine Arts Journal.  (New York, New York.)  August 1855, New Series Vol. II, Old Series VIII, No. 8. P. 247.

A Trip to Boston.—Boston Artist…

…Of Mr. Ives and Mr. Chase, both also located in Washington street, and both devoting their attention to daguerreotypes exclusively, I can speak in terms of high commendation.  By their many beautiful productions they have shown themselves able proficients in their art, while by their character and manners they do honor to their profession.

M. A. R., Philadelphia, cor. Chestnut and Fifth sts.

[1] The American Daguerreotype P. 397.  Partnership of Chase & Ives.

[2] The Camera and the Pencil Or, The Heliographic Art, P. 361.

[3] A Directory Of Massachusetts Photographers 1839-1900.

Howes, Samuel Paddock

Daguerreotypes, Photographs, Portrait Painter, , , ,

1847-1856       112 Merrimack Street, Lowell, Massachusetts.[1]

1864-1865       Carleton Block, Lowell Massachusetts.

1856-1858       138 Merrimack Street, Lowell, Massachusetts.1

1859-1865       112 Merrimack Street, Lowell, Massachusetts.1

1840-1860.  The New York Historical Society’s Dictionary Of artist In America 1564-1860.

Samuel P. Howes Portrait, miniature. And landscape painter; working in Boston 1829-35 and in Lowell (Mass.) 1837-60.

1840 February 22.  Lowell Morning Courier.  (Lowell, Massachusetts.)  February 22, 1840, Vol. VI, No. 789, P. 1.

Portrait and Miniature Painting.  S. P. Howes tenders his grateful acknowledgments to the citizens of Lowell, for the liberal share of patronage he has received for more than four years, and gives notice that he still paints Portraits and Miniatures at his room, Mansur’s building, 27 Central st., where specimens may be seen.

1845 November 22.  Star of Bethlehem.  (Lowell, Massachusetts.)  November 22, 1845, Vol. V, No. 29, P. 3.

Oil Painting of Washington As viewing the departure of the British Fleet from Boston Harbor, on 54 feet of canvas to be seen at Howes’ Daguerreotype Rooms, No. 20 Merrimack street, Lowell.

Advertisement ran from November 22, 1845 to April 4, 1846.

1852 January 15.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  January 15, 1852, Vol. XVI, No. 3667, P. 2.

New Panorama.  Mr. S. P. Howes, the well known painter and daguerreotypist of this city, has been for a number of years engaged upon a large Panorama—representing the History of this country, from its discovery up to this time.  It is completed up to the close of Washington’s administration, and we understand, will be exhibited at Mechanics’ Hall next week.  The painter of the Panorama is Mr. Barnes, who painted Burr’s Seven Mile Mirror, and therefore it cannot but be well done.  The subject is an interesting one—presenting a fine field, and giving ample scope, in the great variety of its subjects, to the powers of the artist.  It cannot be doubted that Mr. Howes will find his remuneration for the labor and expense bestowed upon his work, in the liberal support of the public.

1852 January 15.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  January 15, 1852, Vol. XVI, No. 3667, P. 4.

Piano Fortes, At Howes’ Daguerreotype Rooms.  The subscriber wishing to sell out his Pianos, which are of a splendid new style, will sell at great bargains, or let to those who do not wish to purchase.

Call at No. 112 Merrimack st.  je24.

1854 September 26.  Worcester Daily Spy.  (Worcester, Massachusetts.)  September 26, 1854, Vol. IX, No. 227, P. 2.

“Give Them Some.”—The subscriber being the oldest Daguerrean Artist in the city, after having witnessed with patience, the prices for which his competitors have taken Pictures, will now, for a few days, “come down to them,” by taking Miniatures in a Velvet Case for 50 Cents, and in a splendid Shell Case, such as sell for $2,50 and 3,00, with good Pictures, and warranted, for $1.75.  We now put things so low as supply everybody and everybody’s cousin.  Call at Daguerrean Gallery, 112 Merrimack Street, Lowell. S. P. Howes.

Advertisement ran from September 26 to December 21, 1854.

1856 April 28.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 28, 1856, Vol. VI, No. 1, P. 3.

For only 50 Cents, You can get at Howe’s, No. 112 Merrimack Street, a good Miniature in a case.

Shell Case, and a perfect picture, for $1.75 a $3.00

Call and see.

Advertisement ran from April 28 to May 3, 1856.

1856 May 17.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 17, 1856, Vol. VI, No. 18, P. 3.

Perfect Likenesses.—Those who have photographs can get them colored at Howes’ Portrait Rooms, No. 112 Merrimack st., warranted not to fade, likeness made more perfect and to imitate the best paintings, for from $2.00 to $15.00.  Call and see.

1856 November 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  November 18, 1856, Vol. VI, No. 173, P. 2.

Up no Stairs at all.  You can go to Howes, No. 138 Merrimack st., next to the Old City Hall Building, and get a good likeness at from 50 cts in a good case, to $50, “just as easy.”

Advertisement ran from November 18, 1856 to August 26, 1857.

1857 August 22.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  August 22, 1857, Vol. VII, No. 404, P. 2.

Hall To Let.  Classic Hall, up one flight of stairs, No. 112 Merrimack Street, newly repaired, rent moderate.  Apply at Howes’ Daguerrean Rooms, No. 138 Merrimack St., next to old City Hall, lower floor. 

Advertisement ran on August 22 to 26, 1857.

1857 August 27.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  August 27, 1857, Vol. VII, No. 408, P. 3.

Twenty-Five Cents For a good Likeness on Gatta Purcha, at No. 138 Merrimack Street, without going up stairs.

Advertisement ran from August 27 to November 24, 1857.

1858 April 13.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  April 13, 1858, Vol. XXIII, No. 5585, P. 2.

Robbery.  Last night, the daguerrean gallery of Mr. S. P. Howes, No. 138 Merrimack st., was broken open and various articles stolen.—The thief or thieves effected an entrance by breaking the lock of the rear door, and then broke open the locks of two cases, and took therefrom, two gold lockets, one gold breastpin, about a dozen union cases, and a number of other cases, in all some twenty dollars worth.  From the appearance of the room, the indication were that they had been distributed and left before securing all they intended.  It thought the robbery was committed in the latter part of the night.

1860 January 6.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  January 6, 1860, Vol. IX, No. 1132, P. 2.

Robbery.  One of the exhibition cases of S. P. Howes, daguerreotypist, 112 Merrimack street, was broken open last night, and five or six dollars worth of miniatures stolen.  Had the rogue broken the case hanging on the opposite side of the doorway he might have obtained a much larger amount.  The shivering of the glass must have made quite a noise, as it was very thick.

1860 January 13.  Vox Populi.  (Lowell, Massachusetts.)  January 13, 1860, Vol. XX, No. 10, P. 2.

Larcenies.—The show case of S. P. Howes, daguerrean, Merrimack street, was broken open last Thursday night, and pictures and frames to the value of five or six dollars taken therefrom.

1864 October 17.  The Lowell Daily Courier.  (Lowell, Massachusetts.)  October 17, 1864, Vol. XXIX, No. 8371, P. 3.

Howes, Portrait Painter and Photographer, Has removed into Carleton Block, where he will be ready to wait upon his former customers and a few new ones.  Sept. 21, 1864.

1865 May 10.  The Lowell Daily Courier.  (Lowell, Massachusetts.)  May 10, 1865, Vol. XXIX, No. 8543, P. 2.

Paintings.  Those of our citizens who admire fine paintings will be amply repaid by looking into the gallery of S. P. Howes, in the upper story of Carleton Block, Merrimack Street, Mr. Howes has just finished the painting of a life-size portraits of Mr. Lincoln and Gen. Grant, which he has disposed of to Boston parties, but he has in his room now a good portrait of Mr. Lincoln and Gen. Sherman, both of which are well worth looking at.  He has also life-size portraits of several well known citizens of Lowell, which no one familiar with the persons would fail to recognize at the first glance.  He has recently finished a portrait of a Boston lady from a small photograph, and although Mr. Howes never saw the lady, her acquaintances pronounce it a perfect likeness.  Mr. Howes has during the last two or three years painted a large number of portraits for people belonging in Boston and elsewhere, and we have no doubt that he would get plenty of work at home from those who might look in upon him.  Although preferring to paint from life, Mr. Howes has painted several portraits from small pictures.

1880 July 31.  Lowell Weekly Sun.  (Lowell, Massachusetts.)  July 31, 1880, Vol. II, No. 48, P. 4.

Mrs. Catherine B. Howes, aged 63, wife of S. P. Howes, died Saturday at her home on Robinson street, after a long illness.

1881 February 26.  Lowell Weekly Sun.  (Lowell, Massachusetts.)  February 26, 1881, Vol. III, No. 29, P. 4.

Friday, Samuel P. Howes, portrait painter, died Friday morning at the residence of his son-in-law, Lewis H. Gumb, No. 11 Robinson street, after two weeks’ illness.  Deceased was 74 years of age, about 40 of which he resided in Lowell.  His wife died a year ago.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Hoit, William B.

Daguerreotypes, Portrait Painter, , ,

1841                Rooms over Concord Bank, Concord, New Hampshire.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut & London England.)  1957, P. 322.

Hoit, William B. Portrait and ornamental painter of Concord, (N. H.) active c. 1840-1876. 

1840 September 21.  New Hampshire  Patriot and State Gazette.  (Concord, New Hampshire.)  September 21, 1840, New Series-Vol. VI, No. 312, Old Series- Vol. XXXI, No. 1642, P.3.

William B. Hoit, Portrait And Ornamental Painter.  Room over Concord Bank.

Advertisement ran from September 212 to November 7, 1840.

1841 May 14.  New Hampshire  Patriot and State Gazette.  (Concord, New Hampshire.)  May 14, 1841, New Series-Vol. VII, No. 346, Old Series-Vol. XXXII, No. 1676, P.3.

Daguerreotype.  Miniatures Taken By William B. Hoit, Portrait And Ornamental Painter,  Room over Concord Bank.

Advertisement ran from May 14 to November 4, 1841.

1841 June 7.  Daily Patriot.  (Concord, New Hampshire.)  June 7, 1841, No. 5, P. 3.

Daguerreotype.  Miniatures Taken By William B. Hoit, Portrait And Ornamental Painter,  Room over Concord Bank.

Hart, Alfred

Ambrotypes, Colorist, Daguerreotypes, Landscape Painter, Photographs, Portrait Painter, , , , , , , ,

1857-1859       337 Main Street, Hartford, Connecticut.

N. D.  The New York Historical Society’s Dictionary of Artists In America 1564-1860.  (New Haven, Connecticut.)  P. 296.

Hart, Alfred.  Portrait painter and panoramist.  Born March 28, 1816, at Norwich (Conn.), he began his art studies there and continued them in NYC.  In 1848 he settled at Hartford (Conn.), where he painted a panorama of Bunyan’s Pilgrim’s Progress.  Another panorama by Hart, showing the New Testament and the Holy Land, was exhibited in NYC in 1852.  Hart was still living in Hartford in 1860, but soon after moved to the West, where he was active as an artist and inventor at least until 1878. 

1850 November 9.  Hartford Weekly Times.  (Hartford, Connecticut.)  November 9, 1850, Vol. XXXIV, No. 1768, P. 3.

Premiums Awarded By The Hartford County Agricultural Society, Oct. 1850…

Fine Arts And Art…

Alfred Hart, Hartford, best original landscape in oil,             Gold Medal.

H. H. Bartlett, Hartford, best daguerreotype likenesses,             gold medal.

A. Washington, Hartford for daguerreotype likenesses,             silver medal.

1854 October 28.  Hartford Weekly Times.  (Hartford, Connecticut.)  October 28, 1854, Vol. XXXVIII, No. 1975, P. 1.

Premiums Awarded By The Hartford County Agricultural Society, Oct., 1854…

Fine Arts.  Gold Medals To…

Alfred Hart, Hartford, for fine Landscapes in Oil.

H. H. Bartlett, Hartford, Best Daguerreotype likenesses.

Silver Medals To…

R. D. O. Smith, Hartford, for Peroscopic [sic.] Daguerreotypes.

1857 July 18.  The Connecticut Courant.  (Hartford, Connecticut.)  July 18, 1857, Vol. XCIV, No. 4826, P. 3.

Bartlett, Hart & Co.’s.  Old Established Gallery of Art, 337 Main St.  The proprietors have now on exhibition at their gallery, the largest and best variety of Daguerreotypes, Photographs, (colored and plain) Ambrotypes, and Photographic Portraits in oil, from the cabinet to life size, to be found in Hartford.  The public may rest assured that the well earned reputation of the gentlemen connected with the different departments of this establishment, will be maintained by the constant production of the “very best pictures” in every branch of the art.  Bartlett, Hart & Co., 337 Main street.

Advertisement ran from July 18, 1857 to March 19, 1859.

1857 October 10.  The Connecticut Courant.  (Hartford, Connecticut.)  October 10, 1857, Vol. XCIV, No. 4838, P. 2.

The County Fair.  From the Daily Courant of Wednesday.  The County Fair opened at the City Hall, yesterday…

Fine Arts Department.  Under this head the display is in many respects superior to former exhibitions.

The display on the part of the Daguerrean Artists of our city, is very fine, and they are deserving of great praise for doing so much to make the display in the Fine Arts room, so nearly complete.  In fact their specimens of skill, are among the most attractive features of the room.  W. H. Chase has some 28 specimens.  Bartlett and Hart exhibit but one specimen, the Photograph in oil of Governor Holley.  G. W. Davis has a very large and fine collection.  He has on exhibition 50 Photographs and 12 Ambrotypes.  N. A. Moore exhibits some 50 specimens of Daguerreotypes, Ambrotypes and Photographs, many of them very beautiful specimens.  Hartford can well afford to boast of fine Daguerreotype artists.

1858 November 11.  Hartford Daily Post.  (Hartford, Connecticut.)  November 11, 1858, Vol. 1, No. 183, P. 2.

Visit To Mr. Hart’s Rooms.—We yesterday called upon our Artist friend, Mr. Alfred Hart, at his rooms 237(sic.) Main street, and found him, as usual, busied in the mysteries of his profession, but withal as genial in his manners and as attentive to the calls of his friends as ever.  Mr. Hart is so well and favorably known to our citizens, that it seems scarcely necessary to speak in commendation of him.  His portraits and landscapes are much admired.  But there is a branch of his profession, less pretentious perhaps though we think really of more importance to the people, to which we wish especially to refer.  We allude to the beautiful and life-like Colored Photographs of Bartlett, Hart & Co., the finishing touches to which are imparted by Mr. Hart, and which possess all the excellence of a portrait, are indeed far mor accurate and truthful, and may be procured at a much less price.  The desirableness of these pictures can scarcely be over estimated.  Any one possessing a daguerreotype of a deceased friend may readily, and at a small price, have substituted for it a good-sized picture, which shall be a fac-simile in expression, while the delicate process of coloring seems virtually to restore the living subject.  A fine collection of these photographs may at all times be seen at the rooms of the above firm.

1859 March 22.  Hartford Daily Post.  (Hartford, Connecticut.)  March 22, 1859, Vol. 1, No. 294, P. 2.

The Most Beautiful and Durable Pictures Ever Made By Any Process, Are Photographs painted in Oil Colors.  They are made at Bartlett & Hart’s And No Where Else In The City.

The First Premium Daguerreotypes, Have always been made at Bartlett & Hart’s, And they are making those Beautiful Crayon Pictures every day.  They are perfect gems.  Remember that every style of good pictures are made at Bartlett & Hart’s Old Gallery 337 Main street.

Advertisement ran from March 22 to April 14, 1859.

1859 March 22.  Hartford Daily Post.  (Hartford, Connecticut.)  March 22, 1859, Vol. 1, No. 294, P. 2.

The celebrity which Bartlett & Hart have each acquired in different branches of Art, has had the effect of creating no slight stir among their professional brethren; and what is better, has caused the Old Daguerrean Gallery, 337 Main st, to become the popular institution of Hartford, for Photographs, Daguerreotypes and Ambrotypes, as well as numerous other styles of pictures, and more especially for the elegantly finished Photographs In Oil, which are undoubtedly the most beautiful  perfect and valuable Cabinet Portraits ever painted.  Daguerreotypes copied in every style from $1 to 50.

Advertisement ran from March 22 to September 1, 1959. September 10 to November 26, 1859,

1859 March 26.  The Connecticut Courant.  (Hartford, Connecticut.)  March 26, 1859, Vol. XCVI, No. 4914, P. 3.

The Most Beautiful And Durable Pictures Are The Photographs Painted In Oil Colors At Bartlett & Harts, And No Where Else In This City Bartlett & Hart’s Is The Gallery Where The First Premium Daguerreotypes Have Always Been Made.

Advertisement ran on March 26 and April 2, 1859.

1859 May 25.  Hartford Daily Post.  (Hartford, Connecticut.)  May 25, 1859, Vol. 2, No. 348, P. 2.

The Most Beautiful and Durable Pictures Ever Made By any Process Are Photographs painted in Oil Colors They are made at Bartlett & Hart’s, And Nowhere Else in the city.

The First Premium Daguerreotypes Have always been made at Bartlett & Hart’s, And they are making those beautiful Crayon Pictures every day.  They are perfect gems.  Remember that every style of good pictures are made at Bartlett & Hart’s Old Gallery, 337 Main street.

Advertisement ran from May 25 to September 1, 1859.

1859 August 2.  Hartford Daily Post.  (Hartford, Connecticut.)  August 2, 1859, Vol. 2, No. 96, Whole No. 406, P. 3.

Dissolution Of Copartnership.  The Copartnership heretofore existing between Bartlett & Hart, is by mutual consent this day dissolved,  H. H. Bartlett, Alfred Hart, Hartford, July 30, 1859.