Tag Archives: John Plumbe Jr.

Marcus Ormsbee

Daguerreian Stock and Materials, Daguerreotypes, , , , , , , , , ,

1842                62 Milk Street, Boston, Massachusetts.[1]

1843                75 Court Street, Boston, Massachusetts.

1843-1844       31 Middle Street, Over J. D. Kidder’s Store, Portland, Maine.

1845-1846       144 Middle Street, Portland, Maine.

1847-1851       112 Middle Street, Portland, Maine.

1848                Cataract Block, Saco, Maine

1849-1850       8½ Daniel Street, Portsmouth, New Hampshire.

1851-1862       203 Washington Street, Boston, Massachusetts.1

1855                777 Washington Street, Boston, Massachusetts.1

Marcus Ormsbee, this is a partial record of his activity before the partnership Ormsbee & Silsbee in Portland, Maine and Boston, Massachusetts (see yesterday’s post for partnership records).  He was recorded in eleven advertisements (three of which he was mentioned in) and one announcement in four different newspapers.  The first advertisement appeared on January 2, 1844 in the Portland Weekly Advertiser (Portland, Maine).  Ormsbee’s Daguerreotype Rooms, For Colored Miniatures, No. 31 Middle Street….Portland.  The Proprietor, who was the operator and Teacher at the Daguerreotype Studio, No. 62 Milk St., Boston, where the art flourished and superseded all other establishments of the kind, (the first year) has, since that time, been employed in the same capacity, at the well-known establishment, “Plumbe” Daguerrian Gallery, No. 75 Court Street; and in fact, has been Teacher of this beautiful and most desirable art ever since the application of the process to taking miniatures.

In compliance with numerous and urgent invitations from the inhabitants of Portland and vicinity, he has opened Rooms, (as above) where can be examined specimens of his work, some of which are taken of public men well known to most persons, and he does not hesitate in saying, would be recognized from their miniatures as readily as they could be, were their faces reflected in a mirror.—He is as will be observed, (having been long time familiar with every department,) well qualified to instruct, or execute, in the very best manner, Miniatures taken from life, copies of Portraits, Bust, Pictures, &c. &c., and color them equal to the finest and most delicately finished painting, with every variety of color in the dress.

His prices being the same, with settings and case, as heretofore charged without—the advantage to his Glass House, so easy of access, (being but one flight of the stairs from the ground)—also affording a light that will admit of producing equal results in any weather—he hopes from these inducements to receive an early call from those who are wanting miniatures taken by his process, which he warrants to produce a copy that cannot be mistaken by the youngest acquaintance.  He will further say, that should the miniatures after being taken and put into cases, not suit, the persons are under no obligation to take them.

N. B.  Instructions in the art given, and every article appertaining to the business furnished, warranted of the best quality, and at the very lowest prices.

Terms.—A single Miniature, with setting and case, $3.  Cases and Lockets furnished, (of superior quality,) from $5 to $15.

All communications (post paid) will receive prompt attention.  Dec. 27.

The second advertisement ran on June 4 & October 29, 1844 and on February 18, & April 15, 1845 in the Portland Weekly Advertiser.  The Art At Last Perfected!  By recent improvements, Ormsbee has brought the Daguerreotype Art of taking Miniatures to a perfection heretofore unparalleled, and he can now warrant, in every instance, a Perfect Likeness, colored or plain, and as strongly brought out as the finest painting or engraving.  Satisfactory proofs of this fact, may be seen at his Rooms, over the Store of J. D. Kidder, Middle Street, in the Miniatures of many well-known citizens, taken by him.  In no case will a sitter be obliged to pay for a Miniature unless it is perfectly satisfactory.

The process is not wearing to the most debilitated invalids; and such applicants as are confined at home he will wait upon at their houses, either in or out of the city.

A Single Miniature with handsome case $3.—Gold, Plated, and Gilt Lockets furnished cheaper than can be had here, or elsewhere.

Apparatus, with his late combination Lenses furnished, and instructions given at the lowest prices.  Portland May 29, 1844.

The third advertisement ran on December 3 to 24, 1844 in the Portland Weekly Advertiser.  Now.  Thanksgiving, Christmas and New-Year are approaching.  Those who wish to confer presents, on ‘Cousins,’ parents, brothers or sisters, could not select a more appropriate gift than a Beautiful Miniature, colored and correct to the minutest particular—such a one may be obtained for only $3, at Ormsbee’s Daguerreotype Rooms, (over J. D. Kidder’s ) Middle st.—Now Is The Time.  nov. 29.

The fourth advertisement appeared on April 15, 1845 in the Portland Weekly Advertiser.  Yes! It is rumored that Ormsbee is about leaving Portland—but notwithstanding his numerous invitations to go to Boston, Philadelphia, Washington and elsewhere, he is yet to be found at his old stand, “One Gross,” (143) Middle street, where he is now exhibiting Daguerreotype Miniatures taken by his very late improvement, by which they are taken much larger, more distinct, and in about one-fourth the time—the process now being but from 9 to 15 seconds sitting.  He is able to obtain Miniatures of groups of children much younger then heretofore, and to the same degree of perfection as of adults.

A single Miniature, with handsome case, $3—Gold, Plated, and Gilt Lockets furnished cheaper than can be had in any other place.

N. B.  Persons wishing to acquire the Art can be furnished with Apparatus of his recent improvements and be warranted with satisfactory instructions, with a few days’ practice, in the new process.

All communications, post paid, will be immediately answered.

The fifth advertisement appeared on December 16, 1845 in the Portland Weekly Advertiser. 

Thanks.  Giving, Christmas, and New Year’s.  If those in want of Presents for either of those days, would just reflect for a moment, will readily perceive the Great advantage that a Daguerreotype Miniature has over any other selection that would cost twenty times the amount.  Portland, Dec 2. 1845.

The sixth advertisement (the first he was mentioned in ) appeared on October 6, 1846 in the Portland Weekly Advertiser.  Commercial Academy.  Messrs. Keene & Drake Have opened a Room at 144 Middle Street, same entrance as to Ormsbee’s Daguerreotype Rooms, for the purpose of teaching Writing and Book Keeping…

The seventh advertisement ran on January 26 & February 2, 1847 in the Portland Weekly Advertiser.  Of Course!!  Although some have thought that Ormsbee would “of course” raise his prices for Daguerreotypes, because his competitors have left the city—he is yet happy to inform them that this opinion is incorrect.  All have still and opportunity of obtaining the most perfect Miniature, set in a good Morocco Case, for the same low price as heretofore–$1.50.  No. 112 Middle, opposite the [bot.] of temple St.

Then let those who are desirous of making the most acceptable Christmas or New Year’s Present, call on the subscriber and obtain a miniature of unrivalled finish.  See a new and splendid case of miniatures at the door.  Ormsbee.  Portland, Dec. 22, 1846.

The first announcement appeared on January 18, 1848 in the Maine Democrat (Saco, Maine).

Likeness of Gov. Fairfield.—Mr. Omsby (Sic.) has, at his Daguerreotype Room, an excellent likeness of the late Hon. John Fairfield, taken just before he left home for the last time,  From this he has taken several copies for some of our townsmen, and can take any number more.  The copies are life-like.  There are also likenesses from the plate engraved for the Democratic Review, but the expression is not so natural.  Mr. John Dennett has taken some very good Daguerreotype copies of this engraving.

Mr. Omsby’s room is in the Cataract Block, where all who wish may see this remembrancer of our late friend—and get a copy of their own features if they choose.

The eighth advertisement ran from April 11 to June 13, 1848 in the Maine Democrat.  Drowning.  “Drowning Men,”  the old adage says “will catch at straws.”  This I believe to be the case with my neighbor, and I would say competitor, had he ever produced one miniature that would bear the least comparison with the most ordinary of even the subscriber’s pupils.  The gent, of course a scholar, being a preacher and doctor, has called the public attention by his advertisement, which I presume he thinks is somewhat peppered with wit.  The troubled man says to the public, not to be duped by persons boasting of their superiority.  In reply to this, I will say that the gent fired without effect, as the daily increase of my customers induce me to believe that his reference to two or three group specimens, which were taken when in practice as a pupil , will not change public opinion in any degree, as relates to his, the ‘Elder’s great Humbug.’  Truly wonderful discoveries!  Hillographic Drawings, not the old dark, rough Daguerreotype, as he is pleased to call it.  I will further state to the public, that I practice the Daguerreotype process, and keep pace with the improvements in the art, having been favored with business enough to keep my whole time employed.  I shall not be obliged to attend two or three other kinds of professions, therefore can give my customers the best miniatures the art affords.  Ormsbee.  Saco, April 3, 1848.

The ninth advertisement (second that he was mentioned in) ran from July 12 to September 14, 1848 in the Portsmouth Daily Advertiser (Portland, Maine). 144 F. M. Danielson Having taken a Room No. 144 Middle Street, wishing to solicit the favor of the citizens of Portland and vicinity, in sitting for their Daguerreotypes, having been in the employ of Ormsbee & Silsbee for the past, and Ormsbee the two years preceding years, feels confident that he can satisfy his patrons with a Daguerreotype Miniature, equal if not better than any one who professes the art, and at the very low price of $1.50 put into Velvet lined, and $1.25 in silk lined cases. May 9. 144 Middle Street.

The tenth advertisement ran from December 26, 1849 to July 18, 1850 in the New-Hampshire Gazette (Portsmouth, New Hampshire).  Daguerreotypes Executed by the aid of Sky-Light.  The subscriber having made some further improvements, also securing the assistance of Mr. F. M. Danielson, his operator for about four years, and the past year having obtained the premium for the best miniatures, feels assured in stating to the citizens of Portsmouth and vicinity, that they may obtain likenesses as much superior to any ever made by common process, as those would be when compared with pictures taken when in the infancy of the Daguerreotype art.  Ormsbee.  Rooms 8½ Daniel street.  dec. 18.

The eleventh advertisement (third that he was mentioned in ) ran from November 13 to 15, 1850 in the Portland Daily Advertiser (Portland, Maine).  Daguerreotype Notice.  The subscriber having disposed of his Stock and Stand to George M. Howe would respectfully recommend him to his friends and the public generally.  M. Ormsbee.

Notice Extra!  George M. Howe having purchased the Stock and taken the Stand of M. Ormsbee would inform the public that Daguerreotypes can be had at his place as well as at any other establishment in the city or country.  Having secured the services of Ormsbee’s best operators he cannot fail to satisfy his customers.

Miniatures taken in any kind of weather, from one dollar to ten and rendered satisfactory, or no charge, at No. 112 Middle street.

Marcus Ormsbee is known and appears in several photographic directories, histories and journals.  The first advertisement we learn that in 1843 he was working for John Plumbe, Jr. in Boston.  A closer look is needed with his activity during and after 1848.  According to Craig’s Daguerreian Registry the partnership (Ormsbee & Silsbee) ended in 1848.  That is verified in the announcement that appeared on January 18, 1848 in the Maine Democrat (Saco, Maine), and the following advertisement that ran from April 11 to June 13, 1848 in the Maine Democrat.   In the advertisement that ran from December 26, 1849 to July 18, 1850 in the New-Hampshire Gazette we learn that he is operating in Portsmouth, New Hampshire.  That makes the advertisement that ran from June 1, 1858 to February 20, 1851 in the Christian Mirror (Portland, Maine). Question that assessment.  Daguerreotypes can be obtained at the rooms of Ormsbee & Silsbee, 112 Middle St. from the size fitting the Smallest Ring, Bracelet or Pin, to that of the plate measuring 55½ square inches.

Also—apparatus and stock of every kind appertaining to the business, furnished at prices Low as Can be purchased elsewhere.

N. B.  Instructions given in their Peculiar mode of operating.

Except for the eleventh advertisement above, where he sold the gallery and supplies to George M. Howe on November 13, 1850.  

[1] A Directory Of Massachusetts Photographers 1839-1900.

William A. Johnson

Daguerreotypes, , , , , ,

1845                Address Unknown, New Haven, Connecticut.

1845                Thames & Mary Streets, Newport, Rhode Island.

1845-1846       Union Bank Building, Thames Street, Newport, Rhode Island.

William A. Johnson was recorded in one announcement and five advertisements five in the Herald of the Times (Newport, Rhode Island).  The announcement appeared on May 6, 1845. Daguerreotypes.—A “Daguerrian Gallery” has recently been opened in the building, corner of Thames & Mary-streets by Mr. Wm. A, Judson, an experienced artist, who has been a long time engaged in the business at New Haven, Con.  We have seen a number of specimens taken by Mr. J. and think they are equal, and in some respects superior, to any we have ever seen.  See advertisement.

The first advertisement appeared on May 6, 1845.  Daguerreotype Likenesses.  Corner of Thames & Mary streets.  The subscriber respectfully gives notice to the Ladies and Gentlemen of Newport, and vicinity, that he has opened a Daguerrean Gallery, at the above place, where The Most Superb Photographs, May Be Obtained.

The Miniatures which have been taken at this Gallery, have been universally assigned the position of superiority—each picture clearly presenting the beauties, colors, and expressions of life, and combining all the late improvements of the art.

The Ladies and Gentlemen of Newport are invited to call and examine the specimens, whether they intend sitting for a miniature or not.  The rooms are open from 8 o’clock a. m. till 5 p. m. where likenesses will be taken without regard to weather, at the reduced price of $2.50.

Two or more Likenesses taken on the same plate, & put up either in Pins, Lockets, or Frames.

Persons having portraits, can have them copied to be put in cases, lockets, &c.  Wm. A. Judson.

The second advertisement ran from May 5 to July 17, 1845. Newport Daguerrean Gallery, Thames Street, (Rhode Island Union Bank Building.) Wm. Henry Franklin, From Plumb’s Daguerrean Gallery, N. Y. and Wm. A. Judson, From T. Hart’s Daguerrean Gallery, New Haven. Having purchased the interest of Mr. Henry M. Brownell, beg leave to inform the Ladies and Gentlemen, of Newport, that they are prepared to execute Daguerrean Likenesses in a style unsurpassed.–Being thoroughly conversant with all the modern improvements, their Pictures cannot fail to please. No pictures will be allowed to leave their Gallery unless it gives perfect satisfaction.

Likenesses taken for lockets, Broaches, and Finger Rings.

The public are respectfully invited to call and examine specimens whether they intend sitting or not.

Instructions given, and apparatus together with chemicals furnished, on reasonable terms.

Likenesses taken without regard to weather.

The third advertisement ran from September 18 to November 20, 1845.  Newport Daguerrean Gallery, Thames-Street.  Rhode Island Union Bank Building.  William A. Judson, Would respectfully invite all who wish accurate and beautiful Miniatures of themselves or friends to call immediately at his Rooms, Union Bank Building, Thames street.  Delay not, or you may spend years of unavailing sorrow when it is to late to repair the loss.  Many who are in rudy health, and fondly dreaming of a long and prosperous future, ere long will be consigned the affectionate brother or sister, then would be a faithful transcript of the loved and lost.

Miniatures taken without regard to weather between the hours of 8o’clock, a.m. and 4 p.m.  Sept. 4.

The fourth advertisement ran from December 18, 1845 to January 1, 1846.  Photographic Miniatures.  The subscriber has just received from New York, a fresh supply of Plates and Cases, (of the best materials,) and is now prepared to execute likenesses in a superior style, for all who will please to favor him with a call.  Miniatures taken every day, between the hours of 9o’clock A. M. to 4 P. M.  Portraits or Paintings of any description, accurately copied, and at short notice.  William A. Judson.  R. I. Union Bank Building.

The fifth advertisement ran from March 31 to July 23, 1846.  Newport Photographic Depot, R.I. Union Bank Building, Thames-street.  The subscriber would respectfully give notice, to the Ladies and gentlemen of this place and vicinity, that he has taken and refitted the rooms formerly occupied by him, in the R. I. Union Bank Building, for the purpose of executing Miniatures by the Daguerreotype Process,  Having but a short time since returning from New York, with all the latest improvements, he feels confident that he can give those that will honor him with a call, a miniature superior in tone, and finish, to any ever before offered to the public, and at prices that cannot fail to please.

None know how to appreciate these Miniatures, until they are called to part with a near relation, or an intimate friend, when perhaps it may be too late, to catch the light ere their shadow fades; therefore those that wish a correct likeness, as well as a fine picture, of themselves, or friends, will do well to give an early call.

Any person having fine Paintings, Portraits or Miniatures, can have them copied with great accuracy.

These Miniatures can be set in Lockets, Pins, Frames, Cases, &c.to suit the purchaser.

Persons sitting for a Miniature at these rooms, is warranted a perfect Likeness or no charge.

Miniatures can be taken as accurate in cloudy weather, as in pleasant, between the hours of 8 A. M. and 4 P. M.   William A. Judson.

William A. Judson is not recorded as being active in Rhode Island in other photographic directories. 

William A. Judson is recorded in Craig’s Daguerreian Registry as W. A. Judson and being active in New Haven & New Britain, Connecticut from 1851-1855.

A. T. Goodell

Daguerreotypes, , , , , , , , , , , ,

ND                  251 Broadway, New York, New York.

1845                Corner Thames & Mary Streets, Newport, Rhode Island.

ND-1849         North William and Chatham Streets, New York, New York.

1853-1854       Corner of J and Third, Streets, Sacramento, California.[1]

A. T. Goodell was recorded in one advertisement in the Herald of the Times (Newport, Rhode) and one article in the St. Louis and Canadian Photographer (St, Louis, Missouri).  The advertisement that ran from May 29 to July 31, 1845.  Daguerreotype Rooms.  A, T. Goodell, Late of Plumbe’s, Broadway , New York, Would respectfully inform the Ladies and Gentlemen of Newport and vicinity, that he has engaged Rooms at the corner of Thames & Mary streets, for the purpose of taking pictures by the Daguerreotype process, where may be had miniatures, single or in groups, which for beauty of color, tone and effect, can be at all ties commend themselves; and if not superior, are equal to any that have been heretofore taken, upon as favorable terms at least.  They are also inserted in breast pins, lockets, &c., at various prices.

Painted or Daguerreotype Likenesses accurately copied.

The ladies and Gentlemen of Newport are respectfully invited to call and examine his specimens, if they intend sitting or not.

Taken in clear or cloudy weather.

Instructions carefully given—terms moderate.

The article appeared in the St. Louis and Canadian Photographer (St. Louis, Missouri) on March 1896, P. 114.  Our First Photographers

In reading of the recent death of the veteran photographer, M. B. Brady, in which it was claimed he was the father of photography in this country, I feel it is only justice to correct some of the statements, so I consulted Dr. A. T. Goodell, who began his career as a photographer in 1843 in this city, and obtained some facts which may interest your numerous readers.

In the year 1840‑41, a short time after Daguerre had invented the process of taking pictures bearing his name‑‑the daguerreotype‑‑John Plumbe, Jr., William H. Butler, S. Draper, James R. Chilton, and Samuel F. B. Morse, the inventor of telegraphy, opened a place at 7 Bowery to experiment in taking pictures by the Daguerre process.  They used only a side light.  It occurred to John Plumbe, Jr., that a skylight would bring about better results, and he leased the upper floors of 251 Broadway, corner of Murray street, where the Postal Telegraph building now stands, and opened Plumbe’s National Gallery, employing twelve operators and Mrs. Thomas, an artist, taking 400‑500 pictures a day at from $3 to $8 each.  At that time M. B. Brady was manufacturing daguerreotype cases at 187 Broadway.

Plumbe’s phenomenal success with the top light led many others to embark in the business, among which were Anthony, Edward & Clark, 247 Broadway, J. Gurney, 189 Broadway, and A. Bogardus, 217 Greenwich street.  J.M. Scoville started in the manufacturing of stock for galleries, and Brady still made cases, but in about 1845 or 1846 he opened a gallery at his factory, 187 Broadway.

Thus it appears that Plumbe was the first photographer in this country.

He opened galleries in all the principal cities in the United States, in London, and Paris, and made a fortune.  Dr. Goodell, who was Plumbe’s head operator, opened his own place at North William and Chatham streets, selling it out to go to California in 1849, around Cape Horn, and when he became stranded, after various ups and downs, his training with Plumbe enabled him to take charge of R. H. Vance’s gallery in Sacramento, the price for one daguerreotype being a half ounce of gold dust, worth about $8.  From the old Daguerre process, so successfully improved and enlarged by Plumbe and his operators, all of whom became prominent, grew the albumen process on glass, the collodion process, then dry plates, and so on.

Plumbe opened two galleries in Washington, one of which was in the Capitol building, and took the pictures of all the prominent men of the day.  [W. M. Chapman, in N. Y. Sun.

A. T. Goodell is recorded in other photographic directories, but the information above helps to clarify his early years.  Goodell is not listed in the New York City Directories between 1839/1840 to 1849/1850.   

[1] Pioneer Photographers Of The Far West A Biographical Dictionary, 1840-1865.

William Henry Franklin

Daguerreotypes, , , , , , , ,

N. D.               251 Broadway, New York, New York.

1845 Thames Street, Newport, Rhode Island.

1847                138 Fulton Street, Brooklyn, New York.[1]

1848                138 Fulton Street, Brooklyn, New York.

William Henry Franklin was recorded in one advertisement and one advertisement.  The   Advertisement ran from May 5 to July 17, 1845 in the Herald of the Times (Newport, Rhode Island).  Newport Daguerrean Gallery, Thames Street, (Rhode Island Union Bank Building.)  Wm. Henry Franklin, From Plumbe’s Daguerrean Gallery, N. Y. and Wm. A. Judson, From T. Hart’s Daguerrean Gallery, New Haven, Having purchased the interest of Mr. Henry M. Brownell, beg leave to inform the Ladies and Gentlemen, of Newport, that they are prepared to execute Daguerrean Likenesses in a style unsurpassed.—Being thoroughly conversant with all the modern improvements, their Pictures cannot fail to please.  No picture will be allowed to leave their Gallery unless it gives perfect satisfaction.

Likenesses taken for lockets, Broaches, and Finger Rings.

The public are respectfully invited to call and examine specimens whether they intend sitting or not.

Instructions given, and apparatus together with chemicals furnished, on reasonable terms.

Likenesses taken without regard to weather.

The announcement appeared on September 11, 1848 in The Brooklyn Daily Eagle and Kings County Democrat (Brooklyn, New York).  The Doings Of A Night.  Awful conflagration—two hundred dwellings and stores destroyed—three churches burned—immense destruction of property.

The calamity which has fallen on our city is so sudden, so wide spread and so deeply afflicting that we know not how to begin the record of its fearful events.  On Saturday night our citizens retired to their beds without apprehension of danger, without a thought that the destroying angel had stretched forth his arm over our devoted city.  But when the sun arose on Sunday Morning he looked through the chambers of the east on such a scene of devastation as never spread itself open to his eyes in the annals of this young city.  In the brief space of six hours the devouring flame had swept over eight entire blocks in the densest portion of our city, consuming about two hundred buildings and turning into the streets, from their warm beds, probably not less than four hundred persons. As near as we are now able to arrive at the facts the amount of property destroyed may be worth nearly a million dollars……..

138 Fulton Street.  John C. Smith, Lawyer; Charles J. Lowry, Lawyer; Sam H. Cownwell, Copyist; William H. Franklin, Daguerreotypist; L. H. Jousberry, piano fortes; John Rolf, lawyer and city surveyor; Cyrus P. Smith, lawyer.

Carey’s Buildings.  S. Adams, drugs; M. Nevin, books; Silas Ludlam, city surveyor; G. King, Architect; H. A. Moore, attorney; W. C. Halsey, portrait painter; McDevett, portrait painter; U O of Am. Mechanics; Brooklyn Freeman; Schermerhorn, daguerreotypes; Brooklyn Star.

William Henry Franklin is recorded in Craig’s Daguerreian Registry as being active in Brooklyn in 1847-1849 and possibly in New York City in 1850-1851.  The new information is that he was active in Newport, Rhode Island and before worked for John Plumbe, Jr. in New York City, the fact that William A. Judson was active as early as 1845 in Connecticut with Thurman Hart means that Hart might have been active earlier.  Also Schermerhorn is possibly A. B. Schermerhorn recorded in Craig’s without an address or location. 

[1] Craig’s Daguerreian Registry.

Samuel Raymond Fanshaw

Daguerreotypes, Portrait Painter, , , , , , , , , ,

1843                235 Broadway, New York New York.

1850                247 Broadway, New York, New York.

Samuel Raymond Fanshaw was recorded in eight advertisements and two announcements, in the New York Herald and New York Tribune.  He was an miniature painter & artist according to the New York City Directory, and a miniature & portrait painter according to an entry in The New York Historical Society’s Dictionary of Artists in America 1564-1860. The advertisements and announcements show him in the partnerships of Fanshaw, Young & Cunningham; Fanshaw & Hite and Hite, Langenheim & Fanshaw.  The city directories only list him as an artist and not in a partnership.

The first advertisement ran every other day from May 25 to 29, and every day from June 4 to 6, 1843 in The New York Herald.  Miniature Portraits copied from Daguerreotypes in natural colors on ivory, with perfect accuracy, or with any desired alteration or improvement on very moderate terms.  Specimens to be seen in the Daguerreotype Room, No. 1, at 235 Broadway, near park place.

The first announcement appeared on September 19,1843 in the New York Daily Tribune.  Fair at the American Museum.—The problem of opening a new and spacious Saloon at the American Museum, as a Perpetual Fair or Bazaar for the Exhibition and Sale of Goods, Wares, Merchandize, &c has proved highly successful.  It is now one of the most attractive Halls in the Establishment, and is undoubtedly the cheapest Advertising Medium in the world.  The name, location and business of all depositors are advertised in 100,000 small bills per annum—also in the principal city papers.  The following persons have already made deposits in this Fair, and as nearly all the articles are For Sale, Merchants and others will find it to their interest to make their purchases through this medium.  It is obvious that no articles but those of the best quality are deposited here.  Persons desirous of depositing specimens of Goods or Cards of Business in the perpetual Fair, can do so on reasonable terms.  Circulars of prices, & c. can be obtained at the Office of the Museum.

Daguerreotype Miniatures…..N. G. Burgess, 192 Broadway

Daguerreotype Miniatures…..J. Gurney, 189 Broadway

Daguerreotype Miniatures…..J. Plumbe, Jr., 251 Broadway

Daguerreotype Miniatures…..Fanshaw, Young & Cunningham, 235 Broadway

The second announcement appeared on June 18, 1850 in the New York Herald.  Fine Arts.—Samuel R. Fanshaw & George H. Hite, miniature and portrait painters, have associated with W. & F. Langenheim, the celebrated Daguerreotype and Talbotype artist of Philadelphia, and purchased the splendid National Miniature Gallery, established by Edwards, Anthony & Clark, 247 Broadway, corner Murray street, where they will superintend the sittings for Daguerreotypes.  Their Talbotype miniatures and portraits, which are taken upon ivory, ivory-paper, etc., may be seen in the above gallery.  There is but one prevailing opinion, that they possess all the truthfulness of a good Daguerreotype, with all the artistic merit that has characterized the former highly finished miniatures of those artists.  For further evidence; please call and see them.

The second advertisement ran from June 27 to 28, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The third advertisement ran from July 3 to 6, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The fourth advertisement appeared on July 10, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The fifth advertisement ran from July 14 to 17, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The sixth advertisement ran on July 16 & 20, 1850 in the New York Daily Tribune.  Fine Arts—Talbotypes, or Portraits on Ivory, Ivory Paper and Glass, and Daguerreotypes, are daily taken by the subscribers in a superior style, and in any size required up to the size of life.  The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.                                                        

The seventh advertisement ran on July 18 to 19, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper and glass, and daguerreotypes are daily taken by the subscribers, in a superior style, and in any size required up to the size of life. The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.

The eighth advertisement appeared on August 29, 1850 in the New York Daily Tribune.  To Artists.—An artists who understands Miniature Portrait Painting in oil and water colors, and who can give proof of his talents, can find employment at the National Miniature Gallery, No. 247 Broadway.  None but competent persons need apply.  Hite, Langenheim & Fanshaw.                                                                                  

Samuel R. Fanshaw is recorded in the New York City Directories.

1840/1841 & 1841/1842—Miniature painter, 1 Cortlandt, H- 280 Henry.

1842/1843 to 1844/1845—Artist, 1 Cortlandt, H-249 Seventh.

1845/1846—Artist, 1 Cortlandt, H-[ ? ] Ave C & 11th.

1846/1847-1847/1848—Artist, 25 Maiden Lane & 1 Cortlandt, H-249 Seventh.

1848/1849—Artist, 1 Cortlandt, H-249 Seventh.

1849/1850—Artist, 1 Cortlandt, H-Winchester.

1850/1851—Artist, 247 Broadway, B-Winchester.

1851/1852 to 1855/1856—Artist, 363 Broadway, H-Conn. (1854/1855) Norwalk.

1856/1857 & 1857/1858—Painter, 363 Broadway, H-Conn.

1858/1859—Not listed.

1859/1860—Artist, 381 Broadway, H-Hamilton Ave., near Gates Ave., Brooklyn.

Samuel R. Fanshaw is recorded in Craig’s Daguerreian Registry, but is misidentified as Thomas Fanshaw.  From 1851 to 1857 the 363 Address is the same as Samuel Root’s it is possible that Fanshaw is working for Root.  At this time it is only speculation about the connection.  

Henry M. Brownell

Daguerreotypes, , , , , ,

1845                Thames Street, Newport, Rhode Island.

Henry M. Brownell was recorded in one advertisement and was mentioned in one announcement.  The advertisement ran from May 3 to 24, 1845 in the Newport Mercury  (Newport, Rhode Island).  Daguerrian Gallery Of Inimitable Colored Photographs.  The subscriber would respectfully give notice to the Ladies and Gentlemen of Newport and vicinity, that he has taken rooms in Thames Street, (One door North of Townsends Hotel.) where the most beautiful photographs may be obtained, and having obtained all the late improvements he feels confident of giving satisfaction to all who may sit at his rooms for Miniatures.

Each picture presents all the colors and expressions of life, and are warranted to be permanent.

No person is expected to take a likeness from his room unless Perfectly Satisfied with the same.

He would respectfully invite the Ladies and Gentlemen to call and examine specimens, whether they intend sitting for a miniature or not.  Henry Brownell.

The announcement appeared on May 29, 1845 in the Herald of the Times (Newport, Rhode Island).  Newport Daguerrean Gallery, Thames Street, (Rhode Island Union Bank Building.)  Wm. Henry Franklin, From Plumbe’s Daguerrean Gallery, N. Y. and Wm. A. Judson, From T. Hart’s Daguerrean Gallery, New Haven, Having purchased the interest of Mr. Henry M. Brownell, beg leave to inform the Ladies and Gentlemen, of Newport, that they are prepared to execute Daguerrean Likenesses in a style unsurpassed.—Being thoroughly conversant with all the modern improvements, their Pictures cannot fail to please.  No picture will be allowed to leave their Gallery unless it gives perfect satisfaction.

Likenesses taken for lockets, Broaches, and Finger Rings.

The public are respectfully invited to call and examine specimens whether they intend sitting or not.

Instructions given, and apparatus together with chemicals furnished, on reasonable terms.

Likenesses taken without regard to weather.

Henry M. Brownell is not recorded in other photographic directories.

Ebenezer James Bennett

Daguerreotypes, , ,

1844-1845       449 Main Street, Louisville, Kentucky.[1]

1846                St Clair Street, Louisville, Kentucky.

Ebenezer James Bennett in an advertisement that was recorded on January 6 & 12, 1846 in the Daily Commonwealth (Frankfort, Kentucky).  Plumbe National Daguerrean Gallery.  Prof. Plumbe purposes having a Daguerreian Gallery opened in this city, on the 27th inst., on St. Clair street, over Pierson & Merriweather’s Confectionary, to be conducted by E. James Bennett, where he will be gratified to wait upon all those who may be desirous of securing a perfect likeness, warranted durable, and possessing all the distinctness and boldness of relief of a good painting.  In proof of this you need but call at his room and examine for yourselves his specimens.

Ladies and Gentlemen are earnestly requested to take the trouble of calling at his rooms.  They will afford him a pleasure in having the honor of waiting upon them, either in exhibiting specimens, or in receiving their sittings.

Founded 1840.  Awarded the Medal, Four First Premiums, and two Highest Honors, by the Institutes of Massachusetts, N. York, and Pennsylvania, respectively, for the most beautiful Colored Daguerreotypes, and best apparatus ever exhibited.

No. 33, Main st., adjoining the Northern Bank of Kentucky, Louisville, Ky.

No. 251, Broadway, New York.

No. 75 Court street, Boston.

No. 136, Chestnut street, Philadelphia.

No. 122, Baltimore street, Baltimore.

Pennsylvania Avenue, Washington, D. C.

Lyceum Hall, Alexandria, D. C.

No. 56, Canal Street, New Orleans.

No. 127, Vielle Rue du Temple, Paris.

No. 32 Church Street, Liverpool.

Market St., St. Louis, Mo.

Main Street, Dubuque, Iowa.

Main Street, between 4th and 5th, east side, Cincinnati.

Broadway, Saratoga.

Douw’s Building, Albany.

Middle Street, Portland, Me.

Main Street, Newport, R. I.

Remarks.—“We have been no inattentive observer of the progress of this novel art, and we are free to say, from what we have seen, and personally examined, that Mr. Plumbe has succeeded in this art so as to surpass all others in the line in this country.”—N. Y. Herald.

“Mr. Plumbe has brought the Daguerreotype to absolute perfection; and miniature painting, we regret to say, is scarcely heard of since the admirable specimens of this artist have become known.”—N. Y. Mirror.

“A photograph of a lady by Professor Plumbe, is the finest thing of the kind we have ever seen.”—Phil. Pub. Ledger.

Ebenezer James Bennett is recorded in Craig’s Daguerreian Registry as J. Ebenezer Bennett active in 1845-1846 at 449 Main Street, Louisville, Kentucky, presumably employed by John Plumbe, Jr.

[1] Craig’s Daguerreian Registry

Woodward & Stevens

Daguerreotypes, , ,

1841                Mansur’s Building, Central Street, Lowell, Massachusetts.

Woodward & Stevens appeared in one announcement on April 13, 1841 in the Lowell Courier (Lowell, Massachusetts).  Daguerreotype Miniatures.  We have seen neat and beautiful specimens of these miniatures from Mr. Plumbe, Mechanics’ Hall, and Messrs. Woodward & Stevens, Mansur’s Building, Central Street.

Woodward & Stevens are not recorded in other photographic directories.

Benjamin R. Stevens

Daguerreotypes, Patent, , , , , ,

1841                Mansur’s Building, Central Street, Lowell, Massachusetts.

1841                Mansur’s Building, 30 Central Street, Lowell, Massachusetts.

1842                Address Unknown, Lowell, Massachusetts.

Benjamin R. Stevens of Woodward & Stevens; and Stevens & Morse, was recorded in two announcements, one advertisement, and one entry.  The first announcement appeared in the Lowell Courier (Lowell, Massachusetts) on April 13, 1841.  Daguerreotype Miniatures.  We have seen neat and beautiful specimens of these miniatures from Mr. Plumbe, Mechanics’ Hall, and Messrs. Woodward & Stevens, Mansur’s Building, Central Street.

The advertisement ran from May 11 to July 4, 1841 in the Lowell Morning Courier (Lowell, Massachusetts).  Daguerreotype Miniatures.  Mansur’s Building, No. 30 Central Street.  The subscriber has the honor of announcing to the ladies and gentlemen of Lowell, that he has taken a room at No 30 Central Street, Mansur’s building, for the purpose of taking Daguerreotype Miniatures, were every effort will be made to satisfy those who may favor him with a call.  B. R. Stevens.

The second announcement appeared in the Lowell Morning Courier (Lowell, Massachusetts) on  May 22.  Daguerreotype Miniatures.  We call the attention of the public to the advertisement in another column, of Mr. Stevens, of Mansur’s building.  Mr. Stevens is very polite and accommodating, shows his numerous visitors the whole process of taking miniatures, and takes beautiful miniatures, even of the ugliest faces. He merits the patronage of the public.

The entry appeared in the American Photographic Patents The Daguerreotype & Wet Plate Era 1840-1880.  Patent No. 2,522  Improvement in the mode of fixing daguerreotype-impressions so as to allow of colors being applied to the same.  Benjamin R. Stevens & Lemuel Morse.  Lowell MA  Mar 28, 1842.

Benjamin R. Stevens is recorded in Craig’s Daguerreian Registry as B. R. Stevens a possible daguerrean and inventor in 1842 in the partnership of Stevens & Morse.

Alonzo I. Snow

Daguerreotypes, , , ,

ND                  At Plumbe’s, Address and Location Unknown.

1845-1846       257 Washington Street, Boston, Massachusetts.

1849                Address Unknown, Boston, Massachusetts.

Alonzo I. Snow was recorded in one advertisement that appeared on October 13, 1845 in The Boston Daily Bee (Boston, Massachusetts).  Chase’s Daguerreotype Rooms, 257 Washington Street, Boston.  The most desirable location for this business in the city; first floor over Haskell & Howland’s large Silk and Shawl Store, in the new and splendid stone building, just erected, and entirely free from the many objections and annoyances inseparable from procuring likenesses at many other places.  The proprietor’s aim will be to make his rooms a genteel and fashionable place of resort, where the public are guarantied as good pictures as this beautiful and valuable art can produce, and his object being to Excel, no pains or expense will be spared to secure the most competent skill in every thing appertaining to the business, and he would be glad of every opportunity to compare his work, or put his skill in competition with others.

Mr. Snow, direct from Mr. Plumbe’s, where his long experience and unparalleled success prove he Cannot be Excelled, will conduct the operating department.  Persons desirous of having likenesses are respectfully invited to call, and the most fastidious shall be suited, or no charge.

Instruction given, apparatus and stock furnished, and warranted such as represented.  Pictures taken in any weather.   

Alonzo L. Snow is recorded in other photographic directories.  New information is the connection to John Plumbe, Jr. (probably Boston, Massachusetts) and Lorenzo G. Chase.