Tag Archives: Photographer

Massey, Van B.

Daguerreotypes, Melainotypes, Photographs, , , , ,

1858-1862       Rooms Clinton Hall, third story, Tallmadge Block, Lancaster, Ohio.

1858 December 9.  American Lancaster Gazette.  (Lancaster, Ohio.)  December 9, 1858, New Series Vol. 6, No. 32, P. 2.

Clinton Hall Art Gallery.  Lawrence & Massey Having leased the above well known suit of rooms, and fitting them up in a superior style, with a splendid Sky Light, would invite the citizens on Lancaster and vicinity, and all others wishing a superior Grade of Pictures to give them a call.

Having the best arranged Light perhaps in the State, they feel justified in saying that their Pictures, in point of brilliancy, delineation, boldness and unerring truthfulness, are equaled by few & excelled by none.

Ambrotypes taken at these Rooms, are executed in the latest and most approved style of the art.  Their Sphereotypes are decidedly the most beautiful style of Pictures that has yet been produced.  They seem to stand out in bold relief, (unaffected by light, air, or age,) while there for softness of shadow, beauty of detail, and warmth of tone never found in either kind of pictures.  

Now Is The Time To Get Better Pictures, and at as low figures, as can be obtained at any other establishment in the State.

Ladies and Gentlemen who wish to obtain a finer likeness than ever before taken in Lancaster, can have an opportunity by calling at the Clinton Hall Art Gallery.

Pictures taken in all kinds of weather.

Coping Pictures, filling lockets and all other work in their line executed on short notice.

Entire satisfaction warranted!  The public are respectfully invited to call.

Rooms Clinton Hall, third story, Tallmadge Block, Main Street, entrance one door West of Springer & Trout’s Clothing Store. 

Advertisement ran from December 9, 1858 to April 21, 1859.

1859 April 14.  American Lancaster Gazette.  (Lancaster, Ohio) April 14, 1859, New Series Vol. 6, No. 50, P. 3.

Pictures Cheaper Than Ever!  At The Clinton Hall Art Gallery.  We are determined not to be out-done by any establishment in the State, in the way of taking Good, Cheap and Inimitable Likenesses.—we have established our prices at Lower Figures than have as yet been made in this vicinity.  Our prices will range from Ten Cents Upward.  And on all cases, whether Fine or Common, will be sold from 10 to 20 percent lower than can be obtained at either of Mr. Rhode’s Rooms.

Our Rooms have been fitted up expressly for the business in which they are now used, and possess many advantages over any other room of the kind in this city, as it is large and commodious, easy of access, and neatly finished.  Our Sky Light, which is much higher than that of either of the other establishments, throws a more even shade upon the subject, and brings out a Likeness in a higher degree of perfection, than can possibly be obtained at any other room in the city, as the Sky Lights in those rooms are very low, and therefore they cannot obtain that softness of shadow, beauty of detail, and warmth of tone, that is found in our pictures.  Persons having pictures that were taken at either of the other rooms, with which they are dissatisfied, can have them re-taken at the Clinton Hall Art Gallery at a reasonable charge.

Copying pictures, filling Lockets, Breast-pins, Rings, etc., etc., done on short notice.

Entire satisfaction warranted.  The public are invited to call.  Rooms, Clinton Hall, Third Story Tallmadge Block, Main Street.  April 14, 1859.  Lawrence & Massey.

Advertisement ran from April 14 to August 11, 1859.

1859 July 7.  American Lancaster Gazette.  (Lancaster, Ohio) July 7, 1859, New Series Vol. 7, No. 10, P. 3.

Those wishing good daguerreotypes, ambrotypes, sphereotypes &c., will do well at the Clinton Hall Art Gallery.  Mr. Lawrence, the proprietor, is a fine artist, and with all a gentlemanly fellow.  He takes as good a likeness for as little money as can be afforded in the State.

1860 July 5.  The Gazette and Democrat.  (Lancaster, Ohio) July 5, 1860, Vol. 1, No. 14, P. 2.

Photograph Gallery Lawrence & Massey Having procured for themselves a Solar Camera.  Are now prepared to execute on the shortest notice all work, from the Smallest Miniature to a Life-Size Photograph Ambrotypes, Ferrotypes, &c., of all styles; put up in Cases, or Frames to suit patrons.  They flatter themselves, that the known popularity of their rooms, will secure to them the continued patronage of the public.  They are determined not to be surpassed, either in pictures or prices. 

Photographs put up to order, from $1.50 to $25.00.  Rooms—Clinton Hall, Tallmadge Block, Main Street. 

Advertisement was recorded seven times between July 5 to August 30, 1860.

1860 November 29.  The Weekly Lancaster Gazette.  (Lancaster, Ohio) November 29, 1860, Vol. 1, No. 35, P. 3.

Our Young Friend V. B. Massey, (formerly of the firm of Lawrence & Massey,) is still holding forth in the Tallmadge Block.  His Pictures are as good as any we have seen.  We would say to the public, that is they wish to get a good, cheap and durable Likeness to give Van a call.

1862 July 24.  The Weekly Lancaster Gazette.  (Lancaster, Ohio) July 24, 1862, Vol. 3, No. 18, P. 3.

On visiting the Photographic Rooms of our young friend V. B. Massey, a few days since, we were shown, what we consider, as fine specimens of the Art, as any that we have yet seen made by any Artist in the city.  His Carte de Visite and Viginette Photographs, are splendid, and in the way of getting up an Ambrotype or an Iron-Plate Picture, we hardly think that Van can be beat.  We would just say to all who wish anything in his line, that he is still in town.

Mason, Oscar G.

Daguerreotypes, Photographs, Stereoviews, , , , , ,

N. D.               233 Broadway, New York, New York.[1]

1855                Union Block, Northfield, Vermont.

1856                Address Unknown, Northfield, Vermont.1

1857                Union Block, Northfield, Vermont.1

1858                Address Unknown, Springfield, Massachusetts.

1859                Goodrich Block, Springfield, Massachusetts.[2]

1860                Address Unknown, Springfield, Massachusetts.2

1861                Goodrich Block, Rooms 34, 35 & 36, Springfield, Massachusetts.2

1862                Address Unknown, Springfield, Massachusetts.2

1864                691 Broadway, New York, New York.

1865-1866       599 Broadway, New York, New York.

New York City Directories.  (New York, New York.)

1849 to 1850   Published by John Doggett.

1851                Published by Doggett & Rode.

1852 to 1870+ Published by John Fowler Trow.

1849-1855       Not Listed.

1863                Not Listed.

1864                Sec. 599 Broadway and Photographer 691 Broadway.

1865                Artistic & Scientific Photographer, Sec. Photographical Society. 599 Broadway, H-399 Adelphi, Brooklyn.

1866-1870       Not Listed.

Brooklyn City Directory.  (Brooklyn, New York.) 

1863-1875+    Published by Jonathan Lain & Company.

1863 to 1865   Not Listed.

1866                Photographer, 599 Broadway, New York, H-339 Adelphi.

1867-1875       Not Listed.

1855 January 17.  Vermont Christian Messenger.  (Northfield, Vermont.)  January 17, 1855, Vol. IX, No. 3, Whole No. 419, P. 3.

Art Notice.  O. C. Mason Would most respectfully inform the citizens of Northfield, and vicinity, that his ne Sky-Light Daguerrian Gallery is now open to the public.  The rooms have been built under the personal direction of the Artist, and expressly for Heliographic purposes, which combined with not only a theoretical but a practical knowledge of the Art, in its various branches, warrants him in the assertion that his patrons shall have as good work as can be found elsewhere.  Judging by the experience of an extensive city practice, he feels confident that he can give entire satisfaction to all who may be pleased to test his skill in producing true Types from nature.

Particulars Interesting to those wanting Daguerreotype Likenesses from life.

Not only should the best outline of the face be selected, but also that of the head, and neck, for the outline of every feature of the likeness is effected by any change.  The eyes, eye-brows, nose, lips, mouth, chin and every shade in the face should also be most carefully observed and the best point of view chosen.

Drapery, Dress and Ornaments.

Dark colors or woolen fabrics should be chosen by gentlemen, the plainer the better.  For ladies, if the ground colors are made of red, green, orange, yellow, dark blue, indigo or purple, black or brown the picture of the dress will usually be darker than that of the face, but white, light blue, or any light pink or violet will be lighter that the face.  Enquire, study and understand how colors take in Daguerreotypes and then you can judge properly what shades to select.  Avoid white as much as possible.  Lace work should be narrow and open, usually.  Ornaments, such as rings, pins, chains &c. can be worn if chosen.

Vignette Or Head Simply.

This is a new & mast beautiful style of Daguerreotype.  The strength and boldness of the effect can be equalled in no other way.  No drapery attracts the eye from the face, or its character,

Groups.

Fine grouping, shows skill in the Artist, and though he may not be able to select his sitters, he may arrange them in a picturesque manner, and give a pleasing representation of life scenes.

Harmony, Expression And Air.

Every part of a picture should be in keeping with every other part,  If a reporter was taking down a speech made in the open air, he might with propriety wear a hat.  An artist representing a choir of singers might as well introduce a scissors grinder as a lady reading the last novel.  In Daguerreotypes greater care should be taken to avoid incongruities and make every minute particular in shade, figure, drapery and all do its duty in preserving harmony and unity.

The Eyes.—The remark of visitors is very often made “What perfect eyes your miniatures have!  how clear and life like”  All eyes blue, light gray and black can be taken perfect, but in order to do so the Artist must perfectly understand the power and effect of light and arrange it in a mild and suitable manner to represent them to perfection and preserve the expression in keeping with the attitude lively and life-like, and give them their proper direction.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids.  Can always receive attention either at their residences or the Gallery, by giving due notice, and every effort will be made for means, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends. 

Citizens and Strangers are invited to call examine and enquire for themselves.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from January 17 to April 25, 1855.

1855 April 14.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 14, 1855, Vol. 1, No. 26, P. 3.

Daguerreotype Gallery.  All desirous of obtaining good Pictures are requestfully invited to call and examine specimens before purchasing elsewhere.

Satisfaction in all cases warranted.

Pictures taken in all kinds of weather.  O. G. Mason, Artist.

Advertisement was recorded nineteen times between April 14 to October 20, 1855.

1855 April 21.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 21, 1855, Vol. 1, No. 27, P. 1

O. G. Mason, Daguerreian Artist, Union Block.

Advertisement was recorded sixteen times between April 21 to September 1, 1855.

1855 May 5.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  May 5, 1855, Vol. 1, No. 29, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement was recorded on May 5 & June 9, 1855.

1855 May 16.  Vermont Christian Messenger.  (Northfield, Vermont.)  May 16, 1855, Vol. IX, No. 20, Whole No. 436, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from May 16 to June 13, 1855.

1855 August 11.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  August 11, 1855, Vol. 1, No. 42, P. 3.

Ambrotypes And Daguerreotypes, Executed in the Highest Style of Art, By O. G. Mason, Artist.  Union Block, Northfield.

Advertisement ran from August 11 to October 20, 1855.

1855 August 22.  Vermont Christian Messenger.  (Northfield, Vermont.)  August 22, 1855, Vol. IX, No. 34, Whole No. 450, P. 3.

Ambrotypes.  Pictures that are Pictures.  Warranted never to fade, spot, or change in any way unless broken.  The can be viewed in any light without the disagreeable reflection of the Daguerreotype, and can be taken in less time, and without reversing the subject as is necessary in Daguerreotyping.

These Pictures are taken o glass by an entirely new process, Invented and Patented by Prof. James A. Cutting, of Boston, from under whose personal instruction, the Subscriber has lately  returned and is now prepared to furnish all who may wish for a Never Changing Picture.  They need only to be seen to be admired.  We venture to say that no person of refined taste and sound judgement will hereafter think of sitting for a Daguerreotype when Ambrotypes can be obtained.

Citizens and Strangers are respectfully invited to call at the Subscriber’s Rooms and examine specimens and judge for themselves.  O. G. Mason, Artist, Union Block, Northfield, Vt.

Advertisement ran from August 22 to December 12, 1855.

1858 July 3.  Vermont Christian Messenger.  (Northfield, Vermont.)  July 3, 1858, Vol. XII, No. 28, Whole No. 598, P. 4.

Daguerreotype & Photograph Gallery To Let.  The spacious Gallery, in Union Block, occupied by O. G. Mason, is now offered for rent.  Fixtures, Furniture and a complete set of apparatus for sale, immediate possession will be given.  To an artist in want of a first class location this offer superior inducements, such as cannot be found elsewhere in the State.

Application must be made soon to C. R. Briggs.  Northfield, June 9th, 1858.

Advertisement ran from July 3 to 24, 1858.

1858 September 30.  Springfield Daily Republican.  (Springfield, Massachusetts.)  September 30, 1858, Vol. 15, No. 233, Whole No. 4425, P. 2.

Hampden County Agricultural Fair…

The Picture Gallery…

Mr. Mason of Springfield exhibits a collection of unusually fie photographs;

1858 October 1.  Springfield Daily Republican.  (Springfield, Massachusetts.)  October 1, 1858, Vol. 15, No. 234, Whole No. 4426, P. 2.

Hampden County Agricultural Fair…

Premiums…

Fine Arts…

Photographs—Oscar G. Mason, 3.  Ambrotypes—Calvan Ward, 2.  A. E. Allen, 1.  Daguerreotypes—Calvin Ward, 1.

1861. Springfield City Directory.  (Springfield, Massachusetts.)  1861/1862, Front Cover.

Photographic views,—Stereoscopic & First Class work in all branches of all the art, Rooms 34, 35 & 36 Goodrich Block.

[1] Craig’s Daguerrean Registry.

[2] A Directory Of Massachusetts Photographers 1839-1900.

Martin, G. R.

Photographs, ,

1857                Address and Location Unknown, New York.

1857 October 7.  Westfield Republican.  (Westfield, New York.)  October 7, 1857, Vol. 3, No. 24, P. 1.

Agricultural Society Report…Painting &c….

In the Daguerreotype Department, there were several exhibitions deserving of more than a Passing notice from your Committee, but as the scale of premiums have been limited, we are reluctantly compelled to contain ourselves to the following;

Best specimens of Daguerreotypes, called Melainotypes, to No. 162, O. Monroe, Dunkirk; 2d do. No. 158.

The committee would respectfully recommend a premium of the 2d class to. No. 316 G. R. Martin[1], being four Photographs in oil.

There were on exhibition three Ambrotypes without numbers from Messrs. Palmer, Bartholomew & Co. Westfield, deserving much credit for their perfection and life-like expression of the specimens presented for inspection.

[1] G. R. Martin was recorded in Jamestown, New York in 1849-1850, it may be possibly they are the same person but additional research is needed.

Marston, Joseph H.

Daguerreotypes, Photographs, , ,

1849-1860       Ninth & Spring Garden, Philadelphia, Pennsylvania.[1]

1853-1855       276 Arch, Philadelphia, Pennsylvania.

1855-1857       Franklin & School, Streets, Philadelphia, Pennsylvania.1

1855-1857       246 N. 2nd, Philadelphia, Pennsylvania.1

1858-1859       825 Spring Garden, Philadelphia, Pennsylvania.1

1849 June 10.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 10, 1849, Vol. II, No. 5, P. 3.

Marston’s Daguerreotypes.—Marston is exciting much attention in Spring Garden by the beauty of his daguerreotypes.  His rooms at the N. E. corner of Ninth and Spring Garden streets, are crowded with customers.  His pictures are not only cheap, but there is a high finish about them only attainable by the first artists.

1849 June 17.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 17, 1849, Vol. II, No. 6, P. 2.

Marston’s Daguerreotypes.—We congratulate the citizens of Spring Garden on their having an excellent daguerreotypist among them.  Such is Marston, at the N. E. corner of Ninth and Spring Garden streets, whose pictures are most beautiful, clear. Life-like, finished and cheap.  

1849 June 24.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 24, 1849, Vol. II, No. 7, P. 3.

The Spring Garden Daguerreotype Saloon of Marston, at the N. E. corner of Ninth and Spring Garden streets, does a most excellent business.  The pictures taken here are beautiful in style, accuracy and finish—and, withal, cheap as the cheapest.  Marston does well.

1849 July 1.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 1, 1849, Vol. II, No. 8, P. 3.

Marston’s Daguerreotypes.—Marston, at the N. E. corner of Ninth and Spring Garden streets, is an accomplished daguerreotypist.  His pictures are beautiful and finished in style and appearance.  They are clear, life-like, and most accurate likenesses.

1849 July 8.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 8, 1849, Vol. II, No. 9, P. 3.

The Daguerreotypes Of Marston, which are taken at the saloon corner of Ninth and Spring Garden streets, are beautiful and finished pictures.  Marston is worthy of patronage; he is as skilful an operator as can be found, and his prices are cheap.

1849 July 15.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 15, 1849, Vol. II, No. 10, P. 3.

Marston’s Daguerreotypes.—At the north-east corner of Ninth and Spring Garden streets, Marston keeps his well known daguerreotype saloon, which is already famous with the “uptowners.”  Marston is a good artist, and produces excellent pictures.

1849 July 29.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 29, 1849, Vol. II, No. 12, P. 3.

The Place To Go In Spring Garden for good Daguerreotypes is at Marston’s saloon, N. E. corner of Ninth and Spring Garden streets.  Marston is a good artist and takes excellent pictures.  They are clear, life-like and pleasing in tone and style.  Marston does a great business.

1849 August 5.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 5, 1849, Vol. II, No. 13, P. 3.

Marston Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerreotype ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 August 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 12, 1849, Vol. II, No. 14, P. 3.

Marston’s Daguerreotypes are the prettiest which are taken in all Spring Garden.  He is a good operator.  His pictures are extremely popular, and his saloons, at the N. E. corner of Ninth and Spring Garden streets, are daily crowded with visitors, none of whom go away dissatisfied.

1849 August 19.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 19, 1849, Vol. II, No. 15, P. 3.

The Best Daguerreotype Saloon In Spring Garden is Marston’s, at the corner of Ninth and Spring Garden streets.  Marston has a fine suite of rooms, excellent apparatus, and is skilful in his art and reasonable in his charges.

1849 August 26.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 26, 1849, Vol. II, No. 16, P. 3.

Marston’s Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerrean ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 September 2.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 2, 1849, Vol. II, No. 17, P. 3.

A word To Spring Gardenites.—Citizens of Spring Garden! Ye who would fain possess breathing likenesses of yourselves, go to Marston the daguerreotypist, corner of 9th and Spring Garden sts.  He is a skilful and popular operator, and his pictures are to be found in the most fashionable centre tables in the district.

1849 September 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 16, 1849, Vol. II, No. 19, P. 3.

In The Way Of Daguerreotypes, Marston, at the N. E. corner of Ninth and Spring Garden streets, is creating great excitement.  Such beautiful specimens of the art as are produced from his gallery are rarely seen.  Those who wish to have evidences of the rapid improvement of the daguerrean art, should step in at his saloon and have their pictures taken.

1849 September 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 26, 1849, Vol. XXVIII, No. 5, P. 4.

The Daguerreotypes of Marston which are taken at the Saloon, corner of Ninth and Spring Garden Sts., are beautiful and finished Pictures.  Marston is worthy of patronage.  He is as skilful an operator as can be found, and his prices are cheap.—Sunday Dispatch.  

1853 June 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 12, 1853, Vol. VI, No. 6, P. 6.

The Only True Likeness of Arthur Spring the elder, is that which was taken in his cell, a few days ago, by Joseph H. Marston.  It is a portrait which every one will recognize who has seen the original, and its truthfulness will be acknowledged.  Those who desire to see this likeness will be accommodated by calling at Marston’s Daguerrean Rooms, No. 276 Arch street, below Tenth.  A fine picture of Arthur Spring the younger can also be seen at the same place.  Marston is a capital artist, and has justly acquired a great reputation in his profession.

1853 August 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 2, 1853, Vol. XXXV, No. 112, P. 1.

Jos. H. Marston’s City Daguerreotype Rooms No, 276 Arch St.—Likenesses taken in a superior

Style and finish, in clear or cloudy weather.  Prices moderate.

1853 August 7.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 7, 1853, Vol. VI, No. 14, P. 3.

Something New In Daguerreotyping.—Having fitted up a new suit of rooms in a handsome style, sparing no expense in making them equal to any in the city for producing the Finest Quality Likenesses, I invite all to call at No. 276 Arch Street, below Tenth, where perfect satisfaction is guaranteed them, in quality, price, and beauty of finish, in all likenesses produced.  Joseph H. Marston, Spring Garden Daguerreotype Gallery, N. E. corner of Ninth and Spring Garden Streets.  Established five years.

Advertisement ran from August 7 to October 23, 1853.  

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

Marston’s Spring Garden Daguerrean Rooms are at the N. E. cor. Ninth and Spring Garden Sts.

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

The New Discovery—Mezzographic Portraits, Marston’s Daguerreotype Rooms, Arch St., first door below Tenth.

1855 January 29, 1855.  Philadelphia Inquirer.  (Philadelphia,. Pennsylvania.)  January 29, 1855, Vol. LII, No. 25, Whole No. 8096, P. 2.

Removal.—I have closed my Daguerrean Rooms, at No. 276 Arch street, and shall operate hereafter at the N. E. corner of Ninth and Spring Garden streets.  Likeness in one case, for One Dollar.  Joseph H. Marston.

1856 January 5.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 5, 1856, Vol. XL, No. 89, P. 1.

Only 50 Cents.—The extra large size Daguerreotypes, set in fine gilt embossed cases, with preserver complete.  The cheapest to be had in this city.  Marston’s Rooms, No. 246 N. Second below Willow.

1856 April 1.  Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Martson. — A really tip-top artist. His daguerreotypes surpass. His Ambrotypes are excellent, as also his retouched photographs. This artist has three galleries in the city. I saw some really fine positive photographs, which might place him among the first.

“Gilbert. — A tip top gallery. I was highly pleased with the specimens, and was surprised to find such a good artist among so many poor ones. Reimer, Marston, Newcome, and Gilbert, are too good artists for 2nd Street.”

[1] Activity dates from Newspapers cited above and Directory Of Pennsylvania Photographers 1839-1900.

Marsters, Joseph D.

Ambrotypes, Daguerreotypes, Photographs, Stereotypes, , , , , ,

1850-1859       147 Lexington Street, near Howard Street, Baltimore, Maryland.

1850 July 6.  Baltimore Price-Current and Weekly Journal of Commerce.  (Baltimore, Maryland.)  July 6, 1850, Vol. 1, No. 2, P. 1.

Marsters, Joseph D., Sky-Light Daguerrian Rooms, 147 Lexington street, West of Howard.  As good Pictures taken as can be had elsewhere in Baltimore—price, from $1.50 to $10.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Daguerreotypes.—Reader, if you wish a good picture of yourself, or friend, patronize Mr. Marster’s Sky Light establishment, at 147 Lexington street, a few doors West of Howard street.  You will not be expected to pay for one that does not please you.  His pictures are as good as any, and his prices more moderate than some others.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 2.

J. D. Marsters Daguerrean Artist 147 Lexington St. near Howard, Baltimore.  Being Supplied With Every Facility  will furnish his patrons with Pictures Of A Superior Quality On more Reasonable Terms than others, (Moderate Expenses enabling him to do so.)

Pictures That Do Not Prove Satisfactory To Friends will be retaken without charge.

Every variety of Cases always on hand—cheap as well as costly.

Likenesses neatly and securely set in Medallions, Breastpins, Rings, Watch-Keys, &c.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1852 December 24.  The Sun.  (Baltimore, Maryland.)  December 24, 1852, Vol. XXXII, No. 31, P. 2.

Daguerreotypes For Christmas.—We heartily recommend our friends intending to patronize the art, to call on Mr. Marsters, 147 Lexington street, near Howard.,  We can insure them first rate work, at moderate prices.  He has gold medallions, rings, watch keys breastpins, &c., in abundance.  Be sure to go early and get ahead of the crowd.  “A word to the wise.”

1853 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1853, Vol. XXXII, No. 44, P. 2.

Sky-Light Daguerrean Saloon.  147 Lexington Street, near Howard.  The proprietor invites you to give him a trial if you wish a good picture.  His arrangements are such as to justify him (with his experience and skill) in assuring his patrons that they shall have at least as good as can be had in the city at any price, on more reasonable terms than some others.  We have a handsome variety of Jewelry, and Fancy Cases, comprising Gold medallions, Breastpins, Watch Keys, &c.; Tortoise Shell, Inlaid, Papier Mache and Velvet Cases, cheap as well as costly, some of them entirely new, unique and beautiful—appropriate for holiday presents.  Call and see.  J. D. Marsters.

1853 May 14.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 14, 1853, Vol. 86, No. 115, Whole No. 11,975, P. 3.

Daguerreotypes.—It cannot be denied that for making good and highly embellished likenesses, Mr. Marsters, No. 147 Lexington street, above Howard, is well qualified.

His sky-light, too, we believe, is not excelled.  The modest locality he has chosen is characteristic of the man.  He ask no one to pay that is not pleased.

1854 January 11.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 11, 1854, Vol. 88, No. 9, Whole No. 12,179, P. 3.

Marster’s Daguerrean Saloon, 147 Lexington St., Above Howard Baltimore.  The Golden Prize, awarded by good taste, he only who wins should wear.  The meanest may boast.  We pledge our best endeavors to all who patronize us.  No one will be expected to pay unless they are pleased.  We have always for sale a variety of the rich [and] fancy cases, such as Velvet, Inlaid, Papier Mache, Tortoiac [sic.] Shell and Pearl.  Also Gold Lockets, Breast-Pins, Keys, Seals and Trinkets, in which pictures will be neatly set, at moderate prices.  mh14.

1855 April 26.  True Union.  (Baltimore, Maryland.)  April 26, 1855, Vol. VI, No. 16, P. 4.

J, D, Marsters’ Sky Light Daguerrean Saloon, No. 147 Lexington Street, near Howard.  The proprietor solicits the patronage of his friends and the public who may want a good Likeness.  Every endeavor will be made t please; no [person] will be expected to pay unless the are satisfied, being well established, and pretty extensively known, we deem it unnecessary to say more. 

1855 December 3.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 3, 1855, Vol. 40, No. 123, Whole No. 12,781, P. 2.

Daguerreotypes.—If any of our readers wish a life-like Daguerreotype, one that will give entire satisfaction, should call on J. D. Marsters, for he is the gentleman that will not suffer a picture to be taken from his rooms if it does not suit the purchaser in every respect.  Try him.

Advertisement ran from December 3 to 7, 1855.

1855 December 8.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 8, 1855, Vol. 40, No. 128, Whole No. 12,786, P. 2.

Gentlemen wishing to get a beautiful Life-like Daguerreotype of themselves, to give to their lady-love for a Christmas or New Year’s present, should just stop into J. D. Marsters, 147 Lexington street, for he is acknowledged by competent judges to get daguerreotypes that cannot be surpassed by any other gentleman in the profession, and is taking them at rather lower prices.  Mr. Marsters is polite and accommodating, and studies to please his customers.

Advertisement ran from December 8 to 12, 1855.

1855 December 13.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 13, 1855, Vol. 40, No. 132, Whole No. 12,790, P. 2.

Sam, the “Dark Lantern Hero,” as Governor Wise of Virginia, calls him, had his daguerreotype taken yesterday—costume, pair spurs, and extensive shirt-collar.  Sam had a good time, as do his fellow citizens getting pictures at J. D. Marsters, 147 Lexington street.  The Old Hero left the daguerreotype for an extra finish in the coloring of his costume, and is to call for it on Saturday next, at 11 O’clock, A. M., so that any of his old friends that wish to see him, and give him the “right hand of fellowship,” have a fine opportunity of doing so.

Advertisement ran on December 13 to 15, 1855.

1855 December 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 19, 1855, Vol. 40, No. 135, Whole No. 12,793, P. 2.

Ladies, Look Here.—If you wish to get a daguerreotype of your little son, daughter or yourself, you cannot select a better place than at J. D. Marsters, 147 Lexington street, for he is reasonable in his prices and has politeness with children, and will warrant you a good picture.

Advertisement ran from December 19 to 26, 1855.

1856 December 20.  American and Commercial Advertiser.  (Baltimore, Maryland.)  December 20, 1856, Vol. CXIV, No. 18,812, P. 2.

Marsters’ Ambro-Daguerrian Saloon.  Splendid New Goods For The Holidays.  Call Fellow citizens, and allow Mr. Marsters to get you up some beautiful pictures and set them in some of his splendid cases as a Holyday present.  You can give nothing as valuable to your friends, and surely no more appropriate memento can be found.  Mr. M. gives his personal attention and guarantees satisfaction at moderate prices.  No. 147 Lexington street, near Howard.

Advertisement ran from December 20 to 27, 1856.

1855 December 20.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 20, 1855, Vol. 40, No. 138, Whole No. 12,796, P. 2.

Christmas Is Coming.  The approach of the holidays is indicated by nothing more certain than the rich and beautiful articles…

Daguerreotypes.

J. D. Marsters, No. 147 Lexington street.

D. R. Stiltz, No. 159 Baltimore street offer to those who may call upon them the most beautiful pictures that can be taken, and can there be a more valued souvenir than a likeness.  Give one to those you love.

1855 December 27.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 27, 1855, Vol. 40, No. 143, Whole No. 12,801, P. 2.

Great Excitement in the 12th Ward.—It has just been decided that J. D. Marsters, 147 Lexington street, can get as good a daguerreotype as any other gentleman belonging to the profession.  All are delighted in regard to the price and quality of the picture.  Visit him by all means.

Advertisement ran from December 27, 1855 to January 1, 1856.

1856 January 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 2, 1856, Vol. 41, No. 2, Whole No. 12,806, P. 2.

A Man of the Times.—Who is better known to the community as a man of the times than J. D. Marsters?  Everything he does is in perfect keeping with the enterprising spirit of the age.  Go and look at his rooms, 147 Lexington street, and examine his elegant life-like Daguerreotypes, and if you can leave there without purchasing a handsome daguerreotype of yourself, then we should say you are hard to please.

Advertisement ran from January 2 to 22. 1856.

1856 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1856, Vol. XXXIV, No. 132, P. 2.

Ambro-Daguerrean Saloon, 147 Lexington Street.—We can recommend the proprietor of this quite celebrated establishment as the master of his profession.  Some of the very best Ambrotypes we have ever seen are produced by him.  His pictures indeed seem to have something peculiar about them, combining the fine delineation of the Daguerreotype with the better qualities of the Ambrotype, and happily avoiding that dullness so often complained of and produced by others.  Patronize Mr. Marsters if you wishthe best work at a fair price.

1858 September 7.  The Daily Exchange.  (Baltimore, Maryland) September 7, 1858, Vol. I, No. 169, P.2.

Ambro-Daguerreotypes, &c.  Mr. Marsters, 147 Lexington street, near Howard street, will furnish his patrons with pictures on glass, card-board, plates or canvas; life size or in miniature from nature, or copied in oil, French Pastell or water colors, in a style of superior excellence.  He has on hand a full assortment of plain and fancy Cases; also, Gilt Frames, all of the best material.  His long experience and attested success enables him to assure his patrons complete satisfaction or no charge.

Advertisement ran from September 7, 1858 to September 13, 1859; and October 31 to November 5, 1859.

1858 December 25.  Daily Exchange.  (Baltimore, Maryland.)  December 25, 1858, Vol. II, No. 262, P. 3.

Stereoscopes!  Boxes And Plates!  At Marsters, 147 Lexington street, near Howard.  Views, Groups and Statuary, foreign and domestic, made to order as cheap as can be had.  Call early.  Will Be Open To-Day, (Christmas.)

1860 November 9.  The Sun.  (Baltimore, Maryland.)  November 9, 1860, Vol. XLVII, No. 152, P. 2.

Taylor’s Ambrotype And Photographic Studio.  No. 147 West Lexington Street.  The subscriber would respectfully inform his friends and the public generally that after a long experience in the art, part of which time he was engaged with Mr. Marsters, he has purchased the above establishment, where he intends to furnish the same kind of work at much reduced prices.

1863 May 4.  The Sun.  (Baltimore, Maryland.)  May 4, 1863, Vol. LII, No. 141, P. 2.

Died At Onancock, Accomac county, Va., on the 26th Instant, after a lingering illness which she bore with Christian resignation , Eliza J., wife of Joseph D. Marsters, formerly of Baltimore.

Marshall, James A.

Photographs, ,

1858-1859       117 Main Street, Fitchburg, Massachusetts.[1]

1858 September 24.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  September 24, 1858, Vol. XX, No. 39, P. 3.

J. A. Marshall, Photographic Artist, Octagon Building, 117 Main st.  Work executed in all branches of the Art in the best manner, and at the cheapest rates.

Imperial Photographs, For one half the usual prices for 90 days from date.

Advertisement ran from September 24, 1858 to February 25, 1859.

1859 February 25.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  February 25, 1859, Vol. XXI, No. 8, P. 2.

Photographic Counterfeiting.—James A. Marshall of this town, a daguerreotypist, was arrested on Monday, and held for examination on the charge of counterfeiting, by the photographic process, and circulating notes on the Manufactures’ Bank of Providence, R. I.

William Barr, of Harvard, who recently went from this place,, was also arrested on suspiction of being concerned in the matter—and in his possession were found two of the counterfeit bills.  The notes were of the denomination of two dollars, but few of which were circulated, and it is supposed all have been recovered.  Marshall and Barr were brought before Justice Ware on Wednesday for examination, and were bound over on two complaints each, under bonds of $2000, for trial at the May term of the Court of Common Pleas.  Being unable to procure bail, both were committed.  Marshall is only about twenty years of age, and has heretofore borne a good character.  The counterfeits, it is supposed, were made by him as an interesting experiment in his art, and in an evil hour he yielded to the temptation to pass them.—Barr is a middle-aged man, and is supposed to have been instrumental in leading Marshall into the business.

1859 February 24.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 24, 1859, Vol. VIII, No. 866, P. 2.

Photographing Counterfeiting.  In Fitchburg this week a young daguerreotypist named James Marshall has been arrested for making photographs of bank bills, and one Barr of Harvard has been seized as an accomplice, having in his pocket some of the counterfeits.  The latter were all $2 bills on the Manufacturers’ Bank of Providence and were accurate imitations except that the paper was to coarse and thick to deceive any person of experience.  The Reveille expresses much sympathy for young Marshall, who, it says—

Has hitherto borne a good character, and has been carefully and well educated by an excellent mother, now a widow, and crushed with the weight of this great affliction.  It is now supposed that he committed the crime from a deliberate purpose formed beforehand, but having attempted the counterfeit as an interesting experiment in his art, yielded to the temptation presented by his success, and so, in an evil hour, for the first time, departed from the path of honesty.

1859 March 4.  Hartford Evening Post.  (Hartford, Connecticut.)  March 4, 1859, Vol. 1, No. 279, P. 1.

James Marshall of Fitchburg, engaged in the daguerreotype business, has been arrested on the charge of counterfeiting by the photographing process, and a man named Barr has also been arrested on suspicion  of being concerned in the matter.  He had in his possession two of the counterfeit notes on the Manufacturer’s Bank of Providence.

1859 May 27.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  May 27, 1859, Vol. XXI, No. 21, P. 2.

James A. Marshall of Fitchburg, says the Palladium, plead guilty to an indictment for photographing bank notes; but upon representations made by Hon. N. Wood, Hon. Moses Wood, and Hon. E. Torrey, of that town, the Court directed the indictment to be placed upon file; first cautioning the young man to such a course of conduct as would save him from being brought in for sentence at any time upon the charge against him.

[1] A Directory Of Massachusetts Photographers 1839-1900. (1859)

Marshall, Augustus

Daguerreotypes, Photographs, , ,

1859-1861       63 Court Street, Boston, Massachusetts.[1]

1861-1862       203 Washington Street, Boston, Massachusetts.1

1863-1867       90 Studio Building, Boston, Massachusetts.1

1867-1869       145 Tremont Street, Boston, Massachusetts.1

1870-1882       147 Tremont Street, Boston, Massachusetts.1

1882-1888       44 Boylston Street, Boston, Massachusetts.1

1888-1889       53 Boylston Street, Boston, Massachusetts.1

1889                44 Boylston Street, Boston, Massachusetts.1

1890-1891       53 Boylston Street, Boston, Massachusetts.1

1891-1893       122 Boylston Street, Boston, Massachusetts.1

1894-1916       16 Arlington Street, Boston, Massachusetts.1

1865 September 20.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXI, No. 144, P. 2.

The Mechanics’ Association Fair.  Opening Day.  At noon to-day, the doors of Faneuil Hall were thrown open to the public, and the fair of the Mass. Charitable Mechanics’ Association was inaugurated under favorable auspices…

Sections 8, 9, 10, 11 and 12 constitute a splendid gallery of photographs, in which magnificent specimens from the first masters of the art arranged by hundreds.  Here are Black & Case, Augusta Marshall, A. Sourel, T. R. Burnham, Allen, John A. Whipple, Getchell & Brownell, Masury, Sowle [sic.] and others.

1865 September 22.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 22, 1865, Vol. XXI, No. 145, P. 2.

The Mechanics’ Association Fair.  The Fair at Faneuil Hall and Quincy Halls is constantly and largely patronized, and is evidently to be in every respect a thorough success.  We would advise all visitors to look especially at the photograph gallery in Faneuil Hall, where five alcoves are devoted…

Display Of Photography.  The numbers of the alcoves are overhead on the face of the gallery, and we believe that in the whole exhibition there is nothing more magnificent than the single case of painting on porcelain, in alcove 12, near the door.

It contains eight or ten faces, and the beauty of the colors, the rich warm expression of the eyes, the delicacy of the outlines and the exquisite perfection of the workmanship cannot fail to elicit the heartiest admiration of every visitor.  It is a difficult and beautiful art, that the porcelain portrait painting, and these specimens reflect great credit on the house that exhibits them—that of Masury, photographer and artist, No. 289 Washington street, opposite Warren’s old store.

In alcove 9, the fourth from the door, on the North side of Faneuil Hall, is one of the most singularly truthful and superb likenesses of Senator Sumner, large size, that we ever saw.  It is on the left side of the alcove in the collection of Augustus Marshall, the photographist of classic works of No. 90 Studio Building.

Right above it, in a square gilt frame, is a superb picture of Rev. Dr. Huntington, the rector of the Episcopal Church of the Emmanuel, and former professor in Harvard College—a life like and attractive work.  Beneath are copies of two celebrated pictures by old masters, one a Madonna.

Black & Case, of 163 and 173 Washington street, have the whole of alcove 8, and they have a superb show of scores of richly colored cabinet portraits and photographic landscapes.  Here the visitor, too, may see the life size portraits of numbers of men whose names have been made immortal in the great rebellion,—there Generals Stevenson, Meade, Dix, Lowell, Bartlett, who did such gallant deeds at Port Hudson, Tilton, Anderson of Fort Sumter memory, and Burnside, Colonels Griswold, Coggswell, Leonard, Palfrey, Kurtz (the Boston Chief of Police), Howe, Major Goodrich, Professor Phelps, and others; group pictures, including officers of the 9th battery, those of the Director, a class of Dr. Lewis’s, and so on.  The alcove is in itself a whole exhibition, and shows conclusively to what a high standard the art of photography may be carried in skilful hands.

1867 October 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 18, 1867, Vol. XVII, No. 3512, P. 2.

Premions [sic.] At The Fair.  The publication of the list of premiums at the Mechanic Fair is concluded below…

Class O.

Paintings, Statuary Drawings, Engravings, Lithographs, Daguerreotypes, Photographs, &c…

Nathaniel C. Sanborn, Lowell, photographs, bronze medal.

Asa B. Eaton, Lowell, photographs, bronze medal.

George C. Gilchrest, Lowell, Lowell, photographs, bronze medal.

Andrew J. Simpson, Lowell, photographs. Bronze medal.

August Marshall, Boston, photographs, bronze medal.

J. S. Notman & Co., Boston, photographs, bronze medal. 

1916 November 2.  The Boston Herald.  (Boston, Massachusetts.)  November 2, 1916, Vol. CXL, No. 125, P. 9.

Famous Old Photographer Dies In Newton.  Augustus Marshall Made His First Picture in 1858 and Later Had as Sitters Henry Wilson, Oliver Wendell Holmes, John B. Gough, Theodore Parker and Teresa Carreno. 

Augustus Marshall, who was Boston’s oldest photographer is dead at his home in Newton after an illness of a week.  He was about 81 years of age and made his first pictures in 1858, group pictures of Morris Brothers, Pell & Trowbridge’s minstrels, that were hung at the dooirway of the company’s old exhibition hall on Washington street.

He first started in business for himself in 1860 at 63 Court street, at a time when there were listed in the Boston City Directory 50 daguerreotypist and 12 photographers.  The following year both branches of the picture art were consolidated as one vocation, and there have since been only “photographers.”  Previous to that time, however, Mr. Marshall had been employed by an “artist” named Hamilton, whose gallery was on the fifth floor of a building at Washington and Bromfield streets.  And later with Marcus Ormsbee, an enterprising ambrotypist at 203 Washington street.  The latter in 1860 anticipated the Boston visit of the Prince of Wales, later King Edward of England.  By procuring from England a small daguerreotype of the royal guest and, copying it by wholesale, flooded the streets with an article that met with a ready and profitable sale.

In 1861 Mr. Marshall became an occupant of the Studio building, at that time a veritable hive of artists of all descriptions, and while there took pictures of many of the celebrities that lived in Boston, as well as a number of distinguished visitors who came to the city.

One of these was Henry Wilson, Massachusetts senator, practically all of whose pictures existing today were taken by Mr. Marshall.  Another was Oliver Wendell Holmes, who was an amateur in wet photography, invited Mr. Marshall to his home on many occasions, and “when interest in the things at hand began to sag,” to quote Mr. Marshall in a recent interview, “Dr. Holmes would pull down his violin and give me a brief concert.  In other words the doctor fiddled while I experimented, and I shall never forget those Charles street visits when I led the ‘Autocrat’ into one branch of our business.”

Among other familiar visitors to Mr. Marshall’s studio in the early days were John B. Gough, temperance orator of fame, Wyzeman Marshall, the heavy man of the local Thespians:  Theodore Parker, W. M. Hunt, painter and in 1863, Teresa Carreno, the child pianist, who years afterward when she had become a mature woman, returned and paid as visit “for old times sake,” to the man through whose art she had in part became famous.  Mr. Marshall for the last 25 years, and up to the time of his illness, conducted a studio at 16 Arlington street.

Mr. Marshall is survived by two sons and two daughters, Charles P. and Loring L. Marshall, and Emma F. and Helen L. Marshall. All of Newton.  The funeral service will be held tomorrow at his late home, 17 Willard Street.

1916 November 3.  The Boston Herald.  (Boston, Massachusetts.)  November 3, 1916, Vol. CXL, No. 126, P. 15.

Died.  Marshall—At Newton, No. 1.  Augustus Marshall in his 81st yr.  Funeral services at his late residence 17 Willard st. Newton.  Friday, Nov. 3, at 2 P. M. Relatives and friends invited.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Marsh, H. A.

Ambrotypes, Daguerreotypes, Photographs, , , , , , ,

1855                Over Fresco Hall, Warren, Ohio.

1855-1856       Over A. J. Troxel’s Store, corner Market and Liberty Streets, Warren, Ohio.

1857-1860       Rooms first building south of the Bank, Main Street, Ashtabula, Ohio.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 3.

—Messrs. Lake & Harsh, [sic.] on the second floor of the same building, are taking good Daguerreotype pictures.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 2.

A Change.—Something New And Interesting To The Public—The old Rooms formerly occupied by H. W. Holloway together with the entire stock and interest of same, having been purchased by Lake & Marsh, experienced Daguerreotypists, they are now prepared to execute work in the best style of the art.

Having a large amount of Stock, and Cases of all kinds and sizes, they flatter themselves that they can give entire satisfaction to all who may favor them with their patronage.

No Pictures will be sold unless they are positively good ones.

Come old, come young, come great and small,

To the Daguerrean Rooms over “Fresco Hall.”

Advertisement ran from June 27 to Nov 7, 1855.

1855 December 19.  Western Reserve Chronicle  (Warren, Ohio.)  December 19, 1855, Vol. 40, No. 18, Whole No. 2046, P. 2.

Ambrotypes.—H. A. Marsh would respectfully announce to the citizens of Warren, and the public generally, that having availed himself of the new and recent discovery in the art of taking pictures, styled Ambrotypes, he is prepared to take them in the best style of the art, and would solicit a share of the public patronage.  They are taken on prepared glass, and for softness, depth, brilliancy of tone, and beauty of finish, are unequalled.  They can be taken in any kind of weather, and are admirably adopted to children, as they can be taken in from one to two seconds.  Also, Daguerreotypes taken as usual, in the best style.  Rooms over A. J. Troxel’s Provision Store, corner Market and Liberty streets—entrance on Liberty street, opposite the Bank.  H. A. Marsh.  Warren, Dec. 19, 1855.

Advertisement ran from December 19, 1855 to March 26, 1856.

1856 January 2.  Western Reserve Chronicle  (Warren, Ohio.)  January 2, 1856, Vol. 41, No. 20, Whole No. 2048, P. 2.

Ambrotypes.  We cannot imagine a more appropriate gift, to a relative or friend, than a life-like Ambrotype likeness.  They are much superior in every respect to Daguerreotypes.  Wm. F. Porter and Mr. Marsh, have taken some capital pictures of this kind.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 1.

H. A. Marsh, Successor to E. Howell, Daguerreotype and Ambrotype Artist.  Also E. Howell’s new Papertype, recently Patented.  Lockets and Miniatures Pins filled at reasonable rates.  Pictures taken on patent leather, if desired.  Rooms, first building south of the Bank, Main Street, Ashtabula, Ohio.

Advertisement ran from July 3, 1858 to January 28, 1860.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 4.

H. A. Marsh, Successor to E. Howell Would respectfully announced to the citizens of Ashtabula, and surrounding country, that he has recently purchased the entire interest of E. Howell in the Daguerreian business in this place, including his Papertype, recently patented, and that he is prepared to take correct likenesses, in all the different branches of the art, and in the most approved style.  Having had several year’s experience with the first artists in the country, I am enabled to keep up with all the improvements, and feel safe in saying I will furnish as good pictures, and correct, to the life, as can be obtained anywhere in this section of country.  No pictures shall go from my rooms, that are not entirely satisfactory, and warranted.  Pictures taken on patent leather, if desired.  Lockets and Miniature Pins filled at reasonable rates.  Particular attention given, in taking childrens’ likenesses.  Rooms first building south of the Bank, Main Street, where I can always be found from 8 o’clock, A. M. to 5 P. M.  H. A. Marsh.

Old Pictures copied, and new ones taken in any weather.  Ashtabula, July 15th, 1857.

Advertisement ran from July 3 to December 18, 1858.

1858 October 16.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) October 16, 1858, Vol. IX, No. XXXXII Whole No. 460, P. 1.

Premiums Awarded by the Ashtabula Farmers Club. Held at Ashtabula, October 5th & 6th, 1858…. Class XIX.  Fine Arts, Ornamental Works, &c. 49 entries.  Frist Premiums H. A. Marsh in both Ambrotypes & Photographs.

1858 December 18.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) December 18, 1858, Vol. IX, No. LI, Whole No. 469, P. 2.

Look Here!  Every one of the lovers of art, every one who admires the beautiful, and especially, every one who delights to look upon the familiar face of a dear friend or relative, (though that friend may be thousands of miles away. Or in the Spirit Land.) take notice that you can get a true—life likeness of yourself or friends at Marsh’s Gallery of Art in Ashtabula, and also, that during the Holydays, in consideration of the closeness of times, I will furnish superior pictures at Much Reduced Prices! 

What Christmas or New Year Gifts, are more appropriate than to present a perfect likeness of Yourself to your friends.  I intend to keep constantly on hand a variety of good durable cases, also frames to hang up, so that as you sit by your fireside, you can behold the faces you love, beaming upon you, waking up old memories, and calling to mind past scenes of pleasure and enjoyment.

Having recently refitted my rooms, I shall endeavor to make it as pleasant and agreeable as possible, for all who may give me a call, whether wishing pictures or not.  But remember, time waits for no man, and hard times does not prevent death from removing those you love.

Secure the shadow, Ere the substance Fades; which you can do at Marsh’s Ambrotype Gallery, in cloudy as well as clear weather, between 8 A. M., and 4 P. M.  Rooms first building south of Bank. H. A. Marsh.

Advertisement ran from December 18, 1858 to November 19, 1859.

1859 November 12.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) November 12, 1859, Vol. X, No. XLVI, Whole No. 516, P. 2.

Look Here!  H. A. Marsh!  Photographic Pictures.  I am now taking some fine Photographs, a new and popular style of Pictures, on paper.  After the first is taken, any number can be printed from it, without repeated sitting.

Also—Every other style of pictures, taken in the Best & Most Durable Manner, Warranted.  All of the above styles of pictures, can be obtained Cheap at Marsh’s Gallery, First building South of the Bank, H. A. Marsh.                    

Advertisement ran from November 12 to January 28, 1860.

1860 January 28.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) January 28, 1860, Vol. XI, No. 4, Whole No. 527, P. 3.

Carmichael & Robbins.—This is the name of the new firm, who have purchased the Ambrotype establishment of H. A. Marsh, of this village, and expect to go at once vigorously into the Ambrotyping business.  Mr. Carmichael will have the principal management of then affairs of this office.  The facilities which this firm will bring to bear in the conduct of their business here, may be inferred from the extract which follows, from the Warren Democrat.—Some specimens of their work have been shown us, which are not surpassed in merit by anything in this line of business.  We bespeak for them a share of public attention and favor.

Marks, Harvey (Henry) Roberts

Daguerreotypes, Photographs, , , , , , , , , ,

1848-1850       117 Baltimore, Baltimore, Maryland.[1]

1850-1854       159 Baltimore Street, Baltimore, Maryland.

c.1851-1852    Address Unknown, San Francisco, California.

1854-1858       57 Dauphin and Royal Streets, Mobile, Alabama.[2]

1866                Main between Preston and Prairie, Houston, Texas.[3]                    

1867                Main at Congress, Houston, Texas.3

1871-1901       Various Addresses, Austin, Texas.3

1849 January 24.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) January 24, 1849, Vol. 78, No. 21, Whole No. 11,016, P. 3.

Daguerreotypes.—The beautiful display of Daguerreotypes at the late fair of the Maryland Institute, is more fresh in the memory of those who visited it, than perhaps any other class of articles exhibited; for in no department of art or mechanical, was there to be observed a nearer approach to what we would conceive perfection.  It is a fact, and one gratifying to national pride, that the art is practiced in this country with greater skill than in Europe; even in Paris, where Daguerre first published his invention; and it is further the fact, that a French operator studied here the improvements attained, and then returned to profit by them in France.  Of Daguerreotypes, as superbly executed as American operators can present them, certainly their very best were collected in the Maryland Institute Fair; and of these, none were more admired, as combining in them all the essentials of an unexceptionable portrait, the expression of nature, placid repose of features, distinctness of outline, and tact in so disposing the focus that no part or member of the object suffers from distortion—all these essentials, that depend so much upon the superior capacity of the induvial operator, than those of Mr. J. Shew, of this city.  And so though the judges, in awarding him a premium.

It gives us pleasure to add to this testimonial, a [statement], that the rooms of Mr. Shew, at the corner of South and Baltimore streets, their convenience of access, and arrangement within, are such as to make a sitting rather agreeable than otherwise, particularly to ladies.  The apparatus is more directly under the charge of Mr. Marks, an accomplished operator, and one whose efforts are uniformly successful to the entire satisfaction of all who sit; for a Daguerreotype is not allowed to leave the establishment unless under those circumstances.

1849 February 10.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  February 10, 1849, Vol. XCIX, No. 17,209, P. 2.

Gold Region—Overland Route.  Notice.—Col. Whiting will leave this city on Monday 12th inst., for Pittsburgh.  Several persons having applied for admission into the Company, but require a little more time, has induced Col. W. to appoint an agent, as his positive engagement to be in Pittsburgh on the 16th inst. will prevent him remaining any longer time in Baltimore.

Mr. H. R. Marks, 117 Baltimore street, will be pleased to give any information required to persons desirous of joining the Company, as to routes, expenses, outfit, &c.

Maps, Circulars, &c., are left with Mr. Marks, and those who apply can obtain any required information relative to the expedition.

1849 February 13.  The Sun.  (Baltimore, Maryland.)  February 13, 1849, Vol. XXIV, No. 73, P. 2.

For California.  Overland Expedition To The Gold Region.  The object of this Expedition is to afford protection to a given number of respectable men, who desire to take the overland route to California, and the entire cost of outfit, travel expenses, &c., will not exceed $200, and can be brought considerably within that limit.  The time of departure from the point of Rendezvous on Red River , will be the 25th of March, and the route fixed upon—from Natchitoches, La., across Texas, to the point on the Rio del Norte crossed by Gen. Kearney, thence along his trail to San Diego, and up the cost to San Francisco—is believed to possess many adventures over the Northern route, not only on account of the distance of land travel, which is lessened over 700 miles, but the climate is much milder and the region traversed more fertile, affording luxurious grass for animals at an earlier season.

Col. Whiting, the leader of this expedition, has already gone to make the necessary preparations at the point of rendezvous.

Persons wishing to avail themselves of the advantages here offered, would do well to make immediate application to the undersigned, as he will leave Baltimore for the West on the 29th instant.   H. R. Marks, 117 Baltimore street.

Advertisement ran on February 13 to 15, 1849.    

1849 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 75, Whole No. 11,074, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  The subscribers respectfully call attention to their collection of Daguerreotypes, with confidence that they will not suffer in comparison with any taken in Baltimore.  Their facilities for taking Pictures are unequalled, and the situation and arrangements of their Rooms, are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, with accuracy and dispatch, for Lockets, Signets, Rings, &c., and satisfaction guaranteed in all cases.

Advertisement ran from April 2 to October 17, 1849.

1849 April 3.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  April 3, 1849, Vol. XCIX, No. 17,244, P. 7.

Daguerrian Gallery, 117 Baltimore Street.  Shew & Marks Respectfully call the attention of the public to their large collection of Daguerreotype Portraits, and assure those who may be pleased to test their skill, that their likenesses shall be inferior to none taken in Baltimore.  Their facilities for taking pictures are un equalled, and the situation and arrangement of their rooms are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, and for Signet Rings, Lockets, &c; Paintings, Engravings, &c. copied with accuracy and dispatch, and satisfaction guaranteed in all cases.

Advertisement ran between April 3 to October 10, 1849.

1849 April 4.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 77, Whole No. 11,076, P. 3.

Daguerrian Galleries.—A Daguerreotype, well taken, clear distinct in outline, and naturally reflecting form, face and feature, is not so often to be had, that when it can be depended upon as a matter of certainty, it does not bring the Daguerreotypist into notice and his establishment into a successful run of business.  Such an establishment, with rooms of convenient location, instruments the best, operators of pleasant personal address and accomplished in their art, and what follows as a consequence, admirable likenesses—is to be found in that of Messrs. Shaw & Marks, Covin building; which during the absence of Mr. Shew, (in California,) will be conducted by his partner, Mr. Marks.

The present season is the one above others favorable for Daguerreotypes; and among the many excellent establishments in Baltimore, there is none we can recommend above the subject of this notice.

1849 May 1.  The Sun.  (Baltimore, Maryland.)  May 1, 1849, Vol. XXIV, No. 138, P. 2.

Faithful Likenesses.—At this season of the year many of our friends are visiting Baltimore upon business and other pursuits; and to such of them as desire a striking Daguerreotype likeness, we recommend the establishment of Messrs. Shew & Marks, 117 Baltimore street.  We have in our possession a ring of moderate size, containing the likeness—one of the most correct we ever saw—of an esteemed friend, which was taken by these gentlemen; and we are so much gratified with the excellence of its execution, (aside from its cheapness, which is remarkable,) that we are induced to offer this voluntary tribute to their skill, in the hope that it may induce others to employ them, as they are so eminently successful in their endeavors to obtain correct likenesses.—Centerville Times, April 28, 1849.

1849 May 21.  The Sun.  (Baltimore, Maryland.)  May 21, 1849, Vol. XXV, No. 4, P. 2.

Daguerreotypes.—Messrs. Shew & Marks continue to take suck Likenesses as cannot fail to please the most fastidious, and we would recommend all who wish to procure a Daguerreotype true to life, to call at their Gallery, No. 117 Baltimore Street, 3d door above South Street.

Advertisement ran on May 21 & 22, 1849.

1849 August 31.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) August 31, 1849, Vol. 79, No. 52, Whole No. 11,202, P. 2.

Shew & Marks’ Daguerreotypes.—Shew & Marks continue to keep pace with all the improvements which practical skill and mature experience are developing in their art, while they make no crafty boast of “wonderful improvements,” or of the application of principles to its advancement, which are unknown in its practice,—such as electricity, &c.  Their Likenesses are unsurpassed by any taken in Baltimore; and they may confidently challenge the production of their superiors, either in strength of likeness, beauty of tone, or finish.

All who want a perfect Daguerreotype, are recommended to call at their Gallery, No. 171 Baltimore street.

Advertisement ran on August 31 & September 1, 1849.

1849 October 18.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  October 18, 1849, Vol. C, No. 17,404, P. 3.

Fair Of The Maryland Institute…

Awards Of Premiums…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of Daguerreotypes, first premium.

H. Pollock, for next best specimens of Daguerreotypes, second premium

W. & F. Langenheim, Philadelphia, for specimens Talbotypes, first premium.

1849 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1849, Vol. 79, No. 92, Whole No. 11,243, P. 2.

Fair of the Maryland Institute…

Premiums Awarded…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of daguerreotypes, first premium.

H. Pollock, for next best specimens of daguerreotypes. second premium.

W. & F. Langenheim. Philadelphia, for specimens of Talbotypes, first premium.

1849 October 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 19, 1849, Vol. 79, No. 93, Whole No. 11,244, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses accurately taken in any weather, for Lockets, Signet Rings, &c., and satisfaction guaranteed in all cases.

Paintings and Engravings correctly copied.

Advertisement ran from October 19, 1849 to April 2, 1850

1849 October 20.  The Sun.  (Baltimore, Maryland.)  October 20, 1849, Vol. XXV, No. 133, P. 2.

First Premium Daguerrian Gallery.  Shew & Marks, No. 117 Baltimore Street.  The Highest Premium awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses taken in any weather, and satisfaction guarantied in all cases.

Advertisement ran from October 20 to November 20, 1849.

1849 December 19.  The Sun.  (Baltimore, Maryland.)  December 19, 1849, Vol. XXVI, No. 27, P. 2.

Christmas Gifts.—The holidays are near,—the season which time honored custom has set apart for the bestowal of precious gifts on those we love.  The likeness of an esteemed friend is always highly valued, and in suggesting this as a suitable present, we would call attention to the excellence of Messrs. Shew & Marks’ daguerreotypes, who it will be remembered received the highest premium at the late Fair of the Maryland Institute.  Gallery 117 Baltimore street.

1849 December 21.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 21, 1849, Vol. 79, No. 145, Whole No. 11,296, P. 2.

Preparations For The Holydays…

Daguerreotypes.—What more appropriate gift could be made at this season, then the “counterfeit presentment” of some dear loved one, or friend?—Such can be procured in a style rarely to be excelled, at either of the following places:

Shew & Marks, No.    117 Baltimore street.

Carvalho,                    205      do.       do.

J. H. Whitehurst,         207      do.       do.

1850 March 2.  The Sun.  (Baltimore, Maryland.)  March 2, 1850, Vol. XXVI, No. 89, P. 2.

Shew & Marks’ Premium Daguerrian Gallery, No. 117 Baltimore Street.  Highest Premium awarded at the late Fair of the Maryland Institute for the best Daguerreotypes exhibited.

Superior Likenesses taken in any weather, and entire satisfaction guaranteed in all cases.

Advertisement ran from March 2 to April 1, 1850.

1850 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 2, 1850, Vol. 80, No. 79, Whole No. 11,381, P. 2.

H. R. Marks’ (Late Shew & Marks’) Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited—all of which were taken by Mr. Marks.

Superior Likenesses taken in weather, and entire satisfaction guaranteed in all cases.

Daguerreotypes, Paintings and Engravings correctly copied.

Instruction given in the Art.

Advertisement ran from April 2 to November 15, 1850.

1850 April 3.  The Sun.  (Baltimore, Maryland.)  April 3, 1850, Vol. XXVI, No. 89, P. 2.

Premium Daguerreotypes.—Those wanting perfect likenesses should call at Marks’ (late Shew & Marks’) favorite Gallery, No. 117 Baltimore street, where the most superior pictures can be obtained on reasonable terms.

1850 April 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 15, 1850, Vol. 80, No. 90, Whole No. 11,392, P. 3.

Marks’, (late Shew & Marks’) Daguerrean Gallery.—This establishment, so long and justly celebrated for the fidelity and excellence of its likenesses, still maintain its high reputation under the management of its skillful and urbane proprietor.  As an artist of taste and skill, Mr. Marks is unsurpassed by any in his profession, and we take great pleasure in commending his gallery 117 Baltimore street, to the favorable notice of those who have not already visited it.  The award of the highest premium, by the Maryland Institute, to pictures taken by Mr. Marks, is all that we need say of their superiority, it being an evidence of merit which none will pretend to question.  Give him a call and judge for yourselves.

1850 September 6.  The Sun.  (Baltimore, Maryland.)  September 6, 1850, Vol. XXVII, No. 95, P. 2.

Premium Daguerreotypes.—The most favorable season for taking Daguerreotypes is now at hand, and we would advise all who want an accurate likeness, and a picture of superior finish, to visit Mr. Marks’ Gallery, No. 117 Baltimore street.

1850 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1850, Vol. 81, No. 93, Whole No. 11,190, P. 2.

Fair of the Maryland Institute…

328.  A lot of daguerreotypes, by P. L. Perkins, Balt.

350.  A frame view of Carroll’s Manor, and several other frame views, by R. H. Marks, Balt.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1850 November 6.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 6, 1850, Vol. 81, No. 109, Whole No. 11,206, P. 2.

List of Premiums…

Fine Arts.

For the finest specimens of daguerreotype miniatures, H. R. Marks, a silver medal.

Specimens of large daguerreotypes, by W. [sic.] Whitehurst, a silver medal.

Superior daguerreotype groups, by H. Pollock, a silver medal.

1850 November 15.  The Sun.  (Baltimore, Maryland.)  November 15, 1850, Vol. XXVII, No. 155, P. 2.

Marks’ Daguerrian Gallery.—Our friends wanting Daguerreotypes should bear in mind that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished gallery, and is prepared to make likenesses which cannot fail to please the most fastidious.  Call and see him.

1850 November 16.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 16, 1850, Vol. 81, No. 118, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

1850 November 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 18, 1850, Vol. 81, No. 119, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from November 18,1850 to June 27, 1851.

1850 December 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 7, 1850, Vol. 81, No. 135, Whole No. 11,214, P. 2.

Jenny L First Concert—Sal Tickets.—The sale of tickets at auction, this morning by Gibson & Co., at the Theatre, was attended by a very large number of persons, and the bidding was quite spirited up to the time we left.

Mr. J. H. Whitehurst, daguerreotypist in Baltimore street, was the purchaser of the first choice, for which he paid $100, premium.  He choose 1005, immediately in front of the stage, in the first tier of the dress circle.

The seats in the parquette beginning at No. 1, were then offered, and the first four were taken by H. R. Marks, daguerreotypist, Baltimore street, at $4 premium each.

1850 December 9.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 9, 1850, Vol. CII, No. 15,953, P. 3.

Jenny Lind Concert—Auction Sale or Seats.—The sale by auction of the seats for the first concert to be given tonight by Jenny Lind, took place at the Front Street Theatre on Saturday morning.  As the hour for the commencement of the sale approached the theatre began rapidly to fill up, and soon every part of the house, except the parquette into which the crowd was not admitted, was closely occupied by an eager and excited assemblage.  Diagrams were distributed through the house showing the location of the different seats, and at 10 o’clock Mr. Gibson, of the firm of Gibson & Co., auctioneers, took his stand and commenced the sale.  He stated that the bids made would be bona fide ones, no one having been employed to in any way advance the price of seats by making fictitious bids.  The price of $3 had been fixed on every seat in the house and the amount offered by each bidder would be a premium over and above this stated price, and the purchaser of each seat would have the privilege of taking any number of seats not exceeding fifteen in one lot.

The regulations of the sale having been thus announced, the choice of the first seat in the house was offered.  A momentary pause ensued when a bid of $10 premium was made, followed rapidly by bids from different parts of the house of $25, $50, $75, and $100.  No bid higher than $100 being offered, after calling it for some time, it was finally knocked down at that sum, and Mr. J. H. Whitehurst, proprietor of the daguerrian gallery, was announced as the successful purchaser.  The announcement was greeted with considerable cheering and applause, with cries of “Whitehurst,” “Whitehurst,” “show him up,” &c.  Mr. W., however, not being in the house, the desire of the audience could not be gratified.  The agent of Mr. Whitehurst selected as the choice seat No. 1005, the first seat on the front bench of the box on the right hand of the entrance to the parquette; a conspicuous location, but not, we should judge, the most comfortable or agreeable in the house.  He subsequently secured the adjoining seats for Mrs. Whitehurst at a premium of $6.50.

The sale of the seats in the parquette was then commenced, beginning at No. 1 and continuing on to No. 516, with the exception of a number of seats reserved for the press.  The first seat sold in the parquette was bid in by Mr. H. R. Marks at a premium of $1…

1850 December 12.  The Sun.  (Baltimore, Maryland.)  December 12, 1850, Vol. XXVIII, No. 21, P. 2.

Marks’ Daguerreotypes.—Our friends in want of superior Daguerreotypes should not forget that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished Gallery, with a large, improved Sky Light, and every facility for making the most satisfactory likenesses.  Mr. Marks was awarded the highest premium by the Maryland Institute, in 1849, and the Silver Medal in 1850;  and these are evidences of merit which none will question.  Call and see him.

1850 December 23.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 23, 1850, Vol. 81, No. 148, Whole No. 11,227, P. 3.

Holiday Gifts, &c…

Daguerreotype Galleries.

H. R. Marks, No. 159 Baltimore street.

J. H. Whitehurst,  209 Baltimore street.

S. N. Carvalho,    205 Baltimore street.

At all of these establishments many beautiful presents are to be found, and the proprietors are all worthy of the patronage and confidence of the public.        

1851 January 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 7, 1851, Vol. 82, No. 6, Whole No. 11,239, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm. 

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm.—From Patriot.  

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling the attention of our readers to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore st., Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.  

1851 February 12.  The Sun.  (Baltimore, Maryland.)  February 12, 1851, Vol. XXVIII, No. 72, P. 2.

Marks’ Daguerreotypes.—We have just seen some very superior and highly finished Daguerreotypes from the popular establishment of Mr. Marks, No. 150 [sic.] Baltimore street, and must say we have never seen them surpassed.  Mr. M. continues to receive the preference of a large class of our community, and should always do so as long as his pictures equal those shown to us.  Call and examine his specimens, and judge for yourselves.

1851 March 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 15, 1851, Vol. 82, No. 64, Whole No. 11,297, P. 2.

Beautiful Daguerreotypes.—If any of our readers wish to see the perfection to which the art of the Daguerreotyping has been brought within a few years, they can be gratified by a visit to the gallery of Mr. Marks, in Baltimore street, opposite the museum.  Mr. M. has given much time and attention to this beautiful art; and truly has been well rewarded, to judge from the many elegant copies of “familiar faces” that grace the walls of his gallery.  His pictures present a freshness and a glowing vividness of feature, that at once impress the beholder with the belief that they are the work of one who is perfect master of his craft, and who knows how to use his tools in such way as to receive the best return for his labor.  Mr. Marks received the silver medal at the last fair of the Maryland Institute, for the best Miniature Daguerreotypes on exhibition—a tribute to skill which was well deserved, as all will say who will examine his pictures.  Mr. Marks and assistants are polite and attentive, and none who visit him will come away without being fully satisfied with the equivalent received.

1851 April 11.  The Sun.  (Baltimore, Maryland.)  April 11, 1851, Vol. XXVIII, No. 122, P. 2.

Daguerreotypes.—We have lately seen some very fine Daguerreotypes from the establishment of Mr. Marks, No. 159 Baltimore street, which we think superior to any specimens of the art we have ever seen.  Mr. Marks has twice received the highest honors awarded by the Maryland Institute for the unequalled excellence of his pictures, and, since his removal to his new gallery, he has enjoyed greater facilities than before for the production of likenesses suitable in the taste of all.  Those wanting Daguerreotypes should call and examine his specimens.

1851 June 28.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) June 28, 1851, Vol. 82, No. 154, Whole No. 11,388, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from June 28, 1851 to February 4, 1852. 

1851 October 1.  The Sun.  (Baltimore, Maryland.)  October 1, 1851, Vol. XXIX, No. 115, P. 2.

Premium Daguerreotypes.—We take pleasure in calling attention to the popular Gallery of Mr. Marks, No. 159 Baltimore street, where we recommend all persons to call who wish to secure an unmistakable likeness of themselves or their friends.  Mr. Marks has twice received the highest honors of the Maryland Institute, and is daily producing Daguerreotypes which have never been surpassed.

1851 October 15.  The Sun.  (Baltimore, Maryland.)  October 15, 1851, Vol. XXIX, No. 126, P. 2.

Daguerreotypes.—Those of our readers who want an excellent likeness, cannot do better than call at Mr. Marks’ Gallery, No. 159 Baltimore street.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling attention to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore street.  Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.

1851 December 3.  The Sun.  (Baltimore, Maryland.)  December 3, 1851, Vol. XXX, No. 13, P. 2.

Notice.—The interest of H. R. Marks, in Marks’ Daguerrean Gallery, No. 159 Baltimore Street, ceased by sale of the establishment on the first of this month.

The business will continue to be conducted, as formerly, by his accomplished operator, Mr. John R. Tankersley.

Advertisement ran from December 3 to 5, 1851.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 April 10.  The Sun.  (Baltimore, Maryland.)  April 10, 1852, Vol. XXX, No. 123, P. 2.

Mr. Marks’ reputation as an artist is well known to the citizens of Maryland, he having twice received the highest honor of the Maryland Institute; and it is only necessary that his return amongst us should be known to insure him a large share of patronage.  Gallery 158 Baltimore street.

1852 April 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  April 29, 1852, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ Premium Daguerrean Gallery, No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from April 29, 1851 to March 26, 1853.

1852 May 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 15, 1852, Vol. 84, No. 117, Whole No. 11,666 P. 3.

We observed with great pleasure the return of our gifted townsman, Mr. H. R. Marks.  During his absence he has enriched his gallery with a complete view of San Francisco, so exquisitely reflected, that the horses, chaises, and other minute objects on the distant hill tops, are distinctly discernible.  We have no hesitation in saying that it gives by far the most accurate and instructive representation of this new city of promise, which has risen like Aladdin’s palace, upon our gold-veined peninsula.

Another feature, even more attractive at this moment, is a frame containing the portraits of seventeen Japanese sailors, in their native costumes, who were recently picked up at sea and brought into San Francisco.  This picture is a most interesting study: we have before us the very fellows whom we mean to drub, if necessary, into a little civilization and brotherhood.  Some few of the faces are characterzed [sic.] by refinement and great ability, whilst others exhibit a monkey look of degeneracy.  But it is a curious and interesting comparison.

We are most happy, also, to welcome Mr. Marks back to the city, which possess so many tokens of his skill, and we recommend him to the patronage of all who desire the likeness of those they love, accomplished with all the delicacy, and more than the fidelity of the finest miniature.   

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1853 January 22.  Illustrated News.  (New York, New York.)  January 22, 1853, Vol. 1, No. 4, P. 57.

Three illustrations, (after daguerreotypes) of 18 Japanese Sailors. 1. Tametho.  2. Hecotho, (Cabin Boy).  3. Montho, (Captain.) 4. Geesahkoo,  5. Simpay. 6. Ewatho.  7. Simoatch, (Cook).  8. Drehecho.  9. Keotho.   10. Commetho.  11. Kechetho.  12. Ahsahgodro.  13. Commetho.  14. Saypatch.  15. Ekotho.  16. Jimpatch, (2d Mate).  17. Yasatahro.  18. Chonowski, (Mate).

Japanese Sailors.  From Daguerreotype By H. R. Marks, Md.  Everything relating to Japan is now interesting, and we have deemed ourselves fortunate in obtaining a series of daguerreotypes of the crew of the Japanese Junk, picked up in the month of December 1850, by the Bost bark Auckland.  The junk had sailed from the city of Jeddo, on the 25th day of the 10th moon of October.  On the 16th day after leaving Jeddo, a storm arose, which lasted with little intermission for fifty-two days.  On the 21st of December they were, however, so happy as to be discovered by the crew of the Auckland, and were taken on board.  Fearing to remain in their junk, they disembarked in such haste as to leave on board the sum of 4.000 dollars.  The captain of the Auckland “hove to,” and endeavored to board the junk, but unsuccessfully, and therefore kept on a course to San Francisco.  After arrival, the Japanese remained for twenty-four days on board the Bark, and were finally transferred to the U. S. R. bark Polk.  While on board the latter, the daguerreotypes were taken, by Mr. H. R. Marks, of Baltimore, Md., from whom we have received them.  The portraits above are faithful copies.  These are believed to be the first daguerreotypes of Japanese individuals ever taken, and as such, possess uncommon interest… 

1853 February 18.  The Sun.  (Baltimore, Maryland.)  February 18, 1853, Vol. XXXII, No. 79, P. 2.

Daguerreotypes.—Among the most interesting daguerreotypes we have seen. Are the Japanese

and views of San Francisco, brought by Mr. Marks from California, and to be seen at his gallery, No. 159 Baltimore street.  Mr. Marks’ skill as a daguerreotypist is well known to our citizens, he having twice received the highest honors of the Maryland Institute.  All who want good pictures will know where to get them.

1853 March 15.  The Sun.  (Baltimore, Maryland.)  March 15, 1853, Vol. XXXII, No. 102, P. 2.

Daguerreotypes.—Likenesses of superior tone and finish can be procured at Marks’ Gallery, No. 159 Baltimore street, six doors above Calvert.

1853 March 25.  The Sun.  (Baltimore, Maryland.)  March 25, 1853, Vol. XXXII, No. 111, P. 2.

Daguerreotyped Japanese.—At this moment, when public attention is directed to Japan, we are reminded of the fact that the crew of a Japanese trading junk, blown to sea in 1850, was picked up by the U. S. Revenue bark, “Polk,[4]” and brought into the harbor of San Francisco.  While lying there, Mr. H. R. Marks of this city, who was at that time in San Francisco, obtained daguerreotype pictures of the whole party, and brought them home with him.  They present quite an interesting subject for the contemplation of the physiognomist, and afford to us all an intelligent idea of the external aspect of the race.

1853 March 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 29, 1853, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from March 29, 1853 to February 23, 1854.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Daguerreotypes.—For clearness, beauty of finish, and fidelity of likeness, Mr. Marks’ pictures are unsurpassed.  All who want likenesses should call at his gallery, No. 159 Baltimore st.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Boy Wanted.—One of pleasing manners, and who can come recommended for steadiness and honesty, may obtain an agreeable situation by applying at Marks’ Daguerrean Gallery, No. 159 Baltimore street.

1853 August 2.  The Sun.  (Baltimore, Maryland.)  August 2, 1853, Vol. XXXIII, No. 64, P. 2.

Daguerreotypes.—The best pictures are always the cheapest and all who want a correct likeness are recommended to Mr. Marks’ gallery, No. 159 Baltimore st., where they can get pictures to please them.

1854 October 30.  Alabama Planter.  (Mobile, Alabama.)  October 30, 1854, Vol. VIII, No. 48, P. 2.

Daguerreotyping.—Our Daguerreotype artists have been making improvements for an extensive business the coming winter.

The art, we believe, was first introduced into Mobile by Mr. Barnes, who attained great distinction in it.  Indeed, we believe, it may be said that his success has been so great that he has accumulated a fortune.

He was followed by numerous other persons, but the only establishments besides his are those of the Messrs. Stanton and Mr. Marks.  The former have their rooms on the south side of Dauphin way, entering by the same steps which lead to the printing office of the Tribune.  They have erected a large glass front, which will enable them to obtain an excellent light for their operations.

Mr. Marks, at the southeast corner of Dauphin and Royal streets, has been here about a year.  He comes from Baltimore with the prestige of success and one or two medals from the great fairs.  He has also changed the externals of the building he occupies and has made a large skylight which is very complete.  His rooms are elegantly fitted up, and the numerous pictures which decorate his walls are a sufficient proof of his great skill in the art.  He has a series of very striking Daguerreotype views of San Francisco, taken by himself, and exhibiting that place by sections which, joined together, make a complete picture of the entire city, in which the minutest detail of every house tree, and street, and shipping, &c., is given with surprising clearness.  The name on some of the signs can be easily read by the naked eye. 

We are satisfied that there are o more exquisitely executed pictures any where than those which our Daguerreotypists are ready to take; and we commend them to our country friends who, doubtless, this winter will liberally patronize this very beautiful art.  Let them visit the galleries of our artists and see how difficult it is to resist the desire to have their pictures taken.

[1] Directory Of Maryland Photographers 1839-1900.  By Ross J. Kelbaugh. And Baltimore newspapers.

[2] Shot in Alabama A History of Photography 1839-1941 And A List Of Photographers.  By Frances Osborn Robb.

[3] Catching Shadows A Directory of 19th Century Texas Photographer, By Davis Haynes.

[4] Left New York on 5 April 1850 and arriving at San Francisco on 27 September 1850.

Mansfield, Sereno

Ambrotypes, Daguerreotypes, Photographs, , , , ,

1855                11 & 12 Street Building, New Haven, Connecticut.

1855-1867       144 Chapel Street, New Haven, Connecticut.

1855 June 4.  Morning Journal and Courier.  New Haven, Connecticut.)  June 4, 1855, Vol. X, P. 2.

Copartnership Notice.  The subscribers would notify their patrons and the public generally, that they have formed a Copartnership under the firm of Beers & Mansfield for the transaction of the Daguerrean business in all its branches.  Wm. A. Beers, Sereno Mansfield, “Union Daguerrean Gallery.”

Owing to the above arrangement, having united the rooms formerly occupied by Mr. Wm. A. Judson, in Elliot’s Building, with those of Wm. A. Beers, Street’s Building, and having thoroughly refitted and improved the interior of both Galleries, we are prepared to execute Pictures of any and all styles at either establishments, in the most artistic manner, and with all the modern improvements of the profession.  Our splendid collection of specimen pictures on exhibition are well worthy the attention of those who are (or may be) in want of a likeness, either for themselves or their friends, as we warrant all our own work to be unsurpassed by any Operator in the trade.  Our instruments are of the best manufacture now in use, and our stock of the most superior quality, therefore, we flatter ourselves that with this superiority, together our double advantage of a side and sky light, we can please all our patrons in all respects, as at no other Gallery in the State are the same conveniences secured.  Likenesses of infants and Children taken in a few seconds, and warranted perfect to life.  A liberal discount made to families or groups.  Our arrangements for taking sick or deceased persons is second to none.  We also take views of Churches and all other Buildings, either in or out of town, at short notice and on reasonable terms. 

Tendering our thanks to patrons for past favors, we hope by strict attention and “superior work” to merit a continuance of the same.

Instruction given in the Art.

Hours of Operating from 7 A. M. to 7 P. M.

Prices of Pictures, from 50 cents to $30.  Beers & Mansfield, Practical Daguerrean Artists, Union Gallery, No. 144 Eliot’s Building, and 11 & 12 Street Building.

Advertisement ran from June 4 to 7, 1855.

1855 November 24.  Morning Journal and Courier.  New Haven, Connecticut.)  November 24, 1855, Vol. X, P. 2.

Photographic Portraits On Glass.  The Proprietors of the Union Daguerrean Establishment would respectfully call the attention of the public to this entirely new process for taking the most  beautiful pictures on glass.  By the Photographic method, a likeness is obtained far superior to any produced by either the Ambrotype, The Photographic, or the Daguerrean.  Much less time being required in the process than by those methods, the Photogenic is peculiarly adapted for taking of children and family groups, a true and life-like expression being thereby much more readily obtained.  Having received instructions of a superior artist and skillful operator of New York city, and having fitted up our rooms expressly for this purpose, we would respectfully request any to favor us with a call who may wish for a First-Rate Portrait on glass, or by the Daguerrean process.

N. B.—Pictures copied, and old Daguerreotypes removed and replaced by the Photogenic.

Prices made satisfactory.

Photogenic and Daguerrean Gallery, 142 Chapel st. Elliot’s Building.  Beers & Mansfield, Artist.

Advertisement ran from November 24 to 29, 1855.

1855 December 3.  Morning Journal and Courier.  New Haven, Connecticut.)  December 3, 1855, Vol. X, P. 2.

What A Perfect Resemblance!  How beautiful it is taken!  Are the remarks that are made daily  by crowds of Ladies and Gentlemen, who visit our Gallery, and take away with them one of our specimens of the Daguerrean or Photogenic art.  Pictures on glass executed by us are pronounced by competent judges far superior to any other process, for taking a correct likeness, ever offered to the public.

Prices in all cases made satisfactory.

N. B.—All pictures warranted not to fade or corrode in the least.  Children and groups taken extraordinary.  Call soon at Beers & Mansfield’s Photogenic and Daguerrean Gallery, Elliot’s Building 144 Chapel st.

Advertisement ran from December 3 to 10, 1855.

1855 December 11.  Morning Journal and Courier.  New Haven, Connecticut.)  December 11,

1855, Vol. X, P. 2.

Those Pictures on Glass That are on exhibition, and are daily taken, at the Union Gallery, seemed to please all who have examined and procured one.  The brilliant tone and life-like appearance cannot be surpassed.  By the way Daguerreotypes executed by us are pronounced by good judges to be as good, if not a little better, than pictures which are generally taken.  We Invite all to give us a call, and examine our specimen, as we should be happy to exhibit them.

Read this.  Our prices are cheaper than at any other establishment in the city, and our Cases, Frames and Lockets superior in finish and durability.

N. B.—Children taken life-like and cheap.

Remember the place, Beers & Mansfield’s Photogenic and Daguerrean Gallery, 144 Chapel st. Room 5 and 7 Elliot’s Building.

Advertisement ran from December 11 to 15, 1855.

1855 December 18.  Morning Journal and Courier.  New Haven, Connecticut.)  December 18, 1855, Vol. X, P. 3.

Beauty Restored!  The Greatest Praise Awarded To Beers & Mansfield.  For their superior pictures on Glass.  Also, for their highly finished Daguerreotypes, which are daily taken in large numbers at their Gallery,  We would most respectfully remind the Ladies and Gentlemen of New Haven, and all who intend to procure a Likeness for the Holidays, that we have made ample arrangements for the accommodation of all who may see fit to favor us with their patronage.  We have a good assortment of Cases, Frames, &c. all of which we have marked much below the usual prices.  Our $1.00 Pictures will be sold at 75 cents, and others in proportion—until after the Holidays.

Remember the place,  Beers and Mansfield’s Photogenic and Daguerrean Gallery, 144 Chapel st. Rooms 5 and 7 Elliot’s Building.

Advertisement ran from December 18 to 20, 1855.

1855 December 24.  Morning Journal and Courier.  New Haven, Connecticut.)  December 24, 1855, Vol. X, P. 3.

Unfading Gifts.  Something Splendid For Holiday Presents.  What can be more suitable for a token of affection and esteem, or for a Holliday Present, than one of those life-like and unfading Glass or Daguerreotype portraits executed by Beers & Mansfield.  Ladies and Gentlemen, we would respectfully remind you, that in making our selection of Cases, Frames, &c. we have not forgot to secure a good assortment, (many of them new patterns, never before offered to the public,) all of which are now ready, and on exhibition at our Gallery, for you to select from.  We have reduced our prices very low, and shall do our best to please all In Cases, Picture and Price.  $1 Pictures are reduced to 75 cents.  All others in proportion.

We will close by wishing you all a Merry Christmas and Happy New Year.  Our Rooms will be open all day Christmas and New Years.  Please remember the number, and give us a call.  Beers & Mansfield, Artists, Rooms 5,6 and 7 Elliot’s Building, 144 Chapel st.

Advertisement ran from December 24 to 31, 1855.

1856 January 19.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 19, 1856, Vol. XLV, No. 2252, P. 3.

Gallery Of Female Beauty.  Prizes Amounting To $20,000, For The Likenesses Of The Handsomest Women In America.  Daguerreotypes Of Beautiful Females taken, Without Expenses To The Sitters, by the first artists in the country!—The celebrated enterprize of Mr. P. T. Barnum, the “Gallery Of American Female Beauty,” is now being actively carried out by the proprietors of Barnum’s American Museum, in New York, Messrs. Greenwood & Butler, as originally designed by Mr. B.  The premium for the likenesses of the handsomest lady, is $1,000 for the new most handsomest, $300; the next, $200; the next, $150; the next, $100; the next ninety, $25 each.  The entire one hundred are to be painted in oil portraits, afterwards, by distinguished artists, and the ten Handsomest Of All will be engraved for the World’s Book Of Beauty, in Paris.  The following artists will take the daguerreotypes, in this city, Free Of All Expense To The Sitters:– M. Moulthrop, Phoenix Building; H. Hooper, 142 Chapel st; Beers & Mansfield, 144 Chapel st.; Wells Brothers, Mitchell’s Building; H. Van Gleson, Chapel st.  

1858 March 20.  Columbian Weekly Register.  (New Haven, Connecticut.)  March 20, 1858, Vol. XLVII, No. 2365, P. 4.

Auction Sale.  The subscriber will sell at public auction, on the 6th day of April, 1858, twenty one acres of land, belonging to Sereno Mansfield, situated in the town of North Haven, namely twelve acres of meadow and pasture, on Town Hill, so called—two acres of wood land, on North Hill—one piece of salt meadow, containing two and a half acres—one other piece, containing one acre and a half—also one piece of dyke meadow, containing two and one-fourth acres and one forth acres.  Sale to commence at the residence of the late Richard Mansfield, at 9 o’clock a. m.  If the day should be very stormy, it will deferred until the first fair week day.  Merrit Barnes, Auctioneer.

1859 January 1.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 1, 1859, Vol. XLVII, No. 2406, P. 3.

Christmas and New Year’s.  Grand Attraction.  Something very appropriate for Holiday Presents!  Imperishable Gifts.  Beers Mansfield’s, at 144 Chapel st., Is The Place.  We wish to call the particular attention to our patrons and all seekers of something beautiful, durable and truly appropriate for a holiday present, to our splendid assortment of Cases, Frames, etc., many of them entirely new patterns, purchased especially for this occasion.  It is our intention to insert in them any style of Photograph, Ambrotype, or Daguerreotype (including the hermetically sealed Ambrotype,) that the sitter may desire, and finished in a style not to be surpassed by any in the art.  Please remember the place, and give us a call.  Also, please remember that this is the only Gallery in New Haven where Photographs, the size of life, are taken, and colored by Mr. Hunt.

Prices very moderate.  Beers & Mansfield, 144 Chapel st.

N. B.—Pictures taken on Niello Paper and Melainotype, for sending by mail.  Price 50 cents.  Dec. 14, 1858

Advertisement was recorded on January 1 & 8, 1859.

1859 May 7.  Columbian Weekly Register.  (New Haven, Connecticut.)  May 7, 1859, Vol. XLVII, No. 2424, P. 1.

Photographic Pictures.  The great improvements in taking portraits, was impressed upon our mind, yesterday, on visiting the rooms of Messrs, Beers & Mansfield, Daguerrian Artists, in Chapel street.  We saw there life-size colored portraits of two deceased citizens, (Messrs, Jewett and Booth,) which were as natural as life itself; and each was copied from a small daguerreotype, enlarged by the photographic process to life-size, and than colored to life by Hunt, the celebrated painter.—More satisfactory portraits can hardly be conceived than these we speak of—and Messrs. B. & M. can pride themselves on not being beaten in the photographic art.

1859 December 24.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 24, 1859, Vol. XLVII, No. 2457, P. 3.

Not a Bad Christmas present, is the ambrotype picture of a friend—got up as Beers & Mansfield do it.  A visit to their rooms in Chapel street, a few seconds before their powerful camera, and you are painted to the life.

1859 December 24.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 24, 1859, Vol. XLVII, No. 2457, P. 3.

News!!  Hurrah for the Holidays!  Grand Rush To Beers & Mansfield’s Photographic Establishment.  Room left for a few more!  Those who have not already made up their minds that an imperishable likeness, executed by Beers & Mansfield, is the most appropriate Gift for a Christmas or a New Year’s Holiday, will, we think, be at once convinced of the fact, by visiting our Gallery and making a trial, as hundreds have previously done.  Every known style of Portrait taken at this Gallery—Ambrotypes, Photographs or Daguerreotypes—from the smallest locket to the life-size, in oil or pastil, by Beers & Mansfield, 144 Chapel street.

Prices very reasonable.  Work speaks for itself.

Advertisement was recorded on December 24 & 31, 1859.

1859 December 31.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 31, 1859, Vol. XLVII, No. 2458, P. 3.

Photographs.  One of the best photographic pictures, by Beers & Mansfield, that we have ever seen, is that of Rev. L. S. Weed, of the First Methodist Church—lately published by his friends.  It is Mr. W.’s last ministerial year, and they took this mode of locating him in their memories.

1862 January 25.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 25, 1862, Vol. L, No. 2566, P. 4.

A Public Invitation To Beers & Mansfield’s National Gallery.  This is to inform the public in general, and our numerous patrons in particular, that after a lapse of several weeks, wherein our Gallery has been undergoing extensive alterations, &c., that ios now complete and ready for your reception and general inspection; and we will here state, for the benefit of those who have not already been informed, that no pains or expense has been spared to make our establishment not only the largest (having a front of forty feet) and pleasantest, but the most tastefully arranged and finely finished Gallery in the State—and with the addition of a large number of specimens of the art, and with the perfectness and beauty with which all work is at this establishment executed, we think we can, and do, hold out inducements to the public which defy competition.

Strangers visiting the city, are respectfully invited to our Gallery.  Clubs, Societies, and all privat parties who are about having themselves portrayed in any style of the Photographic art, are particularly reminded to examine the numerous specimens on exhibition at the National, where every style of Photographs and Ambrotypes, plain or colored, large or small, and neatly executed on the most reasonable terms.  Beers & Mansfield, Proprietors, National Photographic Gallery, No. 242 Chapel street.

1863 April 18.  New Haven Daily Palladium.  (New Haven, Connecticut.)  April 18, 1863, Vol. XXIII, No. 92, P. 1.

The Engineers of the New York and New Haven Railroad, 25 in number, have been photographed by Messrs. Beers & Mansfield, and the pictures, which are each 8 by 10 inches in size, have been framed by Messrs. Bradley & Bassett.  They may be seen at the window of Messrs. Skinner & Sperry’s Music store.

1863 April 20.  New Haven Daily Palladium.  (New Haven, Connecticut.)  April 20, 1863, Vol. XXIII, No. 93, P. 3.

Garden To Rent.  A good size Garden, near the center of the city, on shares, or otherwise.  Enquire of Beers & Mansfield, National Photograph Gallery, 242 Chapel st.

1866 February 24.  Morning Journal and Courier.  (New Haven, Connecticut.)  February 24, 1866, Vol. XXXIV, P. 2.

Rev. Mr. Eustis.  Beers & Mansfield have made a large and very excellent porcelain likeness of Rev. W. T. Eustis, which is highly creditable to their artistic skill, and as faithful a likeness as could be desired.  They also have some very fine large size photographs of him, of which duplicate copies can be obtained at their gallery, as also carte de visites.  These were all taken the day before Mr. Eustis left the city for New Orleans, and will be highly valued by his many friends.

1867 April 20.  Columbian Weekly Register.  (New Haven, Connecticut.)  April 20, 1867, Vol. LV, No. 2839, P. 3.

Tin Wedding.  On Monday Evening, as Mr. and Mrs. Wm. A. Beers, of the firm Beers & Mansfield, were quietly enjoying the rest of home, a party of about sixty of their friends rapped for admittance at the front door.   The happy throng were ushered in and made welcome by the agreeable proprietor and his excellent lady.  The occasion was the celebration of the tenth anniversary of their marriage, but more familiarly known as a “tin wedding.”  Many were the articles added to their stock of housekeeping goods.  The supply of tin was enough for one occasion.  The inventory shows that there was contributed a tin hat, in the latest style, a bonnet of ye ancient times, collars and cuffs for the bride that never need washing or starching, a dust pan that would take up the whole of the Freedmen’s Bureau, and a spoon “big enough for the mouth of the “Mississippi river.”  The congratulations over, the feast on the good things next followed, and the right merrily did all enjoy it.  At a reasonable hour, the friends departed with hearty wishes for the health and happiness of their host and hostess.