Tag Archives: Photographer

Merrell, James Oscar

1858-1861       Parmenter’s Block, Main Street, Brandon, Vermont.

1859-1860       Paige Block, Brandon, Vermont.                   

1858 January 1.  Northeastern Christian Advocate.   (Brandon, Vermont.)  January 1, 1858, Vol. 2, No. One, P. 3.

James O Merrell, Ambrotype Artist.  Skylight Rooms in Parmenter’s Block Main Street, Brandon, Vt.  Ambrotypes put up in every variety of style.  25:tf

Prices ranging from one dollar to twelve dollars.

Advertisement was recorded  from January 1, 1858 to February 7, 1861.

1858 January 29.  Northeastern Christian Advocate.   (Brandon, Vermont.)  January 29, 1858, Vol. 2, No. Five, P. 2.

Mr. Merrell, Ambrotypist, has shown us a beautiful picture of Mr. Howe’s little girl, whose remains were intered [sic.] last Sabbath.  It exceeds in life-like naturalness any post mortem likeness we have seen.

1858 March 26.  Northeastern Christian Advocate.   (Brandon, Vermont.)  March 26, 1858, Vol. 2, No. Thirteen, P. 3.

Ambrotypes Furnished By James O. Merrell, For 25 Cents, At The Daguerrean Gallery, Brandon.

Advertisement ran on March 26 & April 2, 1858.

1858 November 19.  Northeastern Christian Advocate.   (Brandon, Vermont.)  November 19, 1858, Vol. 2, No. Forty-Seven, P. 3.

James O. Merrell, Ambrotype Artist.  Skylight Rooms in Parmenter’s Block, Main Street, Brandon, Vt.  Ambrotypes put up in every varirty of style.  25:tf

Prices ranging from one dollar to twelve dollars.

To all wanting Farms, see advertisement of New England Settlement.

Advertisement ran on November 19 & 26, 1858.

1859 May 26.  Northern Visitor.   (Brandon, Vermont.)  May 26, 1859, Vol. 1, No. 21, P. 3.

New Daguerrian Gallery, Paige’s Block, Brandon, Vt.  Having Fitted Up New rooms, the Subscriber would take this opportunity of returning his thanks to the people of Brandon and vicinity, and the public generally, for their liberal patronage hereto fore bestowed respectfully solicits a continuance of the same; and informs them that he is now ready to execute to perfection the Patent Sealed Ambrotypes, Photographs, and Melainotypes in all their various forms and sizes; from life-size to the smallest finger ring-picture.

All those wishing good pictures would do well to give me a call before purchasing elsewhere.

Daguerreotypes, Ambrotypes, and Paintings, copied with neatness and dispatch.  All charges will be moderate.  James O. Merrell.

Advertisement ran on May 26, June 2 & 16, 1859.

185 November 19.  Northern Visitor.  (Brandon, Vermont.)  November 19, 18, Vol. II, No. 10, P. 3.

Ambrotypes

Ambrotypes,

Ambrotypes,

Ambrotypes,

Will Be Made At

Will Be Made At

The Old Gallery,

The Old Gallery,

Paige’s Block

Paige’s Block

For Twenty-Five Cents.

For Twenty-Five Cents.

J. Oscar Merrell.

Merine, J. C.

1854-1856       Main Street, opposite Capitol Hotel, Frankfort, Kentucky.

N. D.  The New York Historical Society’s Dictionary Of Artists In American 1564-1860, 1957, New Haven, Connecticut and London, England, P. 439.

Merine, J. C.  Portrait painter active in Kentucky in 1848-49 and 1871.  Information courtesy Mrs. W. H. Whitley, Paris, Ky.

1854 October 31.  The Tri-Weekly Yeoman.  (Frankfort, Kentucky.) October 31, 1854, Vol. 4, No. 102, P. 2.

Daguerreotypes And Chrystalotypes. [sic.]  J. C. Merine Having purchased the stock and apparatus of Mr. H. L. Goodwin, has opened a fine Daguerrean Room, opposite the Capitol Hotel in the building occupied by Dr. Hamilton.  His admirable arrangements for light enable him to take portraits in all weather, with certainty, and in the highest style of the art.  In a few days—as soon as some chemicals ordered arrive—he will be ready to take pictures by the new and beautiful method of Chrystallotype. [sic.]  The public are invited to call and see his specimens of art. 

Mr. Merine also continues to paint Portraits to order, either from the original features or from Daguerreotypes.  His studio is in another room of the same building.    Oct 30, 1854.

Advertisement was recorded between October 31, 1854 to March 22, 1855.

1854 October 31.  The Tri-Weekly Yeoman.  (Frankfort, Kentucky.) October 31, 1854, Vol. 4, No. 102, P. 3.

New Daguerrean Establishment.—We would call the attention of our friends to the advertisement of our friend Merine, which appears in our paper of this morning.  ‘Catch the shadow, ere the substance flies,’ is a warning which should not be suffered to pass disregarded, and sweethearts, husbands, wives and parents would do well to call at Merine’s Gallery on Main St. opposite the Capitol Hotel, and secure the ‘counterfeit presentment’ of those they love.  In connection with the Daguerrean business, Mr. M is still pursuing his avocation of portrait painter, and we can cheerfully agree with friend Callender, when he says that Mr. M., is successful in his art.

1854 November 6.  The Tri-Weekly Commonwealth.  (Frankfort, Kentucky.) November 6, 1854, Vol. 4, No. 50, P. 3.

Daguerreotypes And Chrystalotypes. [sic.]  J. C. Merine Having purchased the stock and apparatus of Mr. H. L. Goodwin, has opened a fine Daguerrean Room, opposite the Capitol Hotel in the building occupied by Dr. Hamilton.  His admirable arrangements for light enable him to take portraits in all weather, with certainty, and in the highest style of the art.  In a few days—as soon as some chemicals ordered arrive—he will be ready to take pictures by the new and beautiful method of Chrystallotype. [sic.]  The public are invited to call and see his specimens of art. 

Mr. Merine also continues to paint Portraits to order, either from the original features or from Daguerreotypes.  His studio is in another room of the same building.    Oct 30, 1854.

Advertisement was recorded three times between November 6 to 10, 1854.

1854 November 10.  The Kentucky Yeoman.  (Frankfort, Kentucky.) November 10, 1854, Vol. 15, No. 33, Whole No. 78, P. 1.

Daguerreotypes And Crystalotypes. [sic.]  J. C. Merine Having purchased the stock and apparatus of Mr. H. L. Goodwin, has opened a fine Daguerrean Room, opposite the Capitol Hotel in the building occupied by Dr. Hamilton.  His admirable arrangements for light enable him to take portraits in all weather, with certainty, and in the highest style of the art.  In a few days—as soon as some chemicals ordered arrive—he will be ready to take pictures by the new and beautiful method of Chrystallotype. [sic.]  The public are invited to call and see his specimens of art. 

Mr. Merine also continues to paint Portraits to order, either from the original features or from Daguerreotypes.  His studio is in another room of the same building.    Oct 31.

1855 March 15.  The Tri-Weekly Yeoman.  (Frankfort, Kentucky.) March 15, 1855, Vol. 5, No. 3, P. 2.

Daguerreotypist and Photographer, Main Street, Opposite the Capitol Hotel, Frankfort, Ky.

All kinds of Pictures framed to order.

Advertisement was recorded between March 15 to December15. 1855.

1856 December 22.  The Frankfort Commonwealth.  (Frankfort, Kentucky.) December 22, 1856, Vol. 23, No. 1256, P. 4.

New Ambrotype And Sphereotype Gallery The undersigned having purchased of Goodwin & Merine their entire interest in Daguerreotyping; Also the patent right of Franklin county to make the above named style of pictures, is now prepared to execute with all the beauty of the art Ambrotypes, the most permanent, and Sphereotypes, the most beautiful pictures ever offered to the public.

Rooms over Dr. Hambleton’s Dental department, Main Street, opposite Capital Hotel, Frankfort, Ky.

N. B.  These pictures are patented and can be made by no other person in Franklin county.

Picture Framing done to order by E. B. Hambleton, Artist.  June 4, 1856.

Meacham, Samuel L. M.

1859-1860       180 Main Street, Memphis, Tennessee.

1859 June 29.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  June 29, 1859, Vol. III, No. 135, Whole No. 445, P. 3.

Fine Pictures.—Messrs. Bingham & Meacham, successors to DeShong & Bingham, at 180 Main street, are gaining the good opinion of the public for the fine and life-like pictures they send from their gallery daily.  This is the only gallery in the city where the public can get a good picture.  Mr. Bingham is too well known to our citizens as a first class artist, to need any recommendation.  Satisfaction guaranteed in all instances.  Prices to suit.

Advertisement ran from June 29 to July 14, 1859.

1859 August 6.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  August 6, 1859, Vol. IV, No. 2, Whole No. 467, P. 3.

Daguerreotype, Melaineotypes, [sic.] &c., &c. Bingham & Meacham, at DeShong’s gallery, corner of Adams and Main streets, are prepared to take Daguerreotypes, Melainotypes, Ferreotypes, and every style of picture taken with a Camera Obscura, in the highest style of art known to modern invention.  Call on them and examine their specimens.  Opposite the Worsham House

1859 September 24.  The Memphis Daily Appeal.  (Memphis, Tennessee.)  September 24, 1859, Vol. X, No. 225, P. 2.

The Great “Wallace” or Violin Piano!  Drigg’s Patent….Best Call at Messrs. Bingham & Meacham’s, Photograph Rooms No. 108 Main street, Where the Piano may be seen, and get a pamphlet…

Advertisement ran from September 24 to October 9, 1859.

1859 October 15.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  October 15, 1859, Vol. IV, No. 58, Whole No. 530, P. 3.

Go to Bingham & Meacham, 180 Main street, for Melainotypes.

Bingham & Meacham make all styles of Pictures known.

Remember the Premium Gallery, 180 Main street, opposite Worsham House, is the place to obtain those celebrated Melainotypes—the only colodion [sic.] picture worth preserving.

Advertisement ran from October 15 to November 21, 1859.

1859 October 19.  Nashville Union and American.  (Nashville, Tennessee.)  October 19, 1859, Vol. 30, No. 164, P. 1.

State Fair.  Floral Hall Premiums.  The following is a list of premiums awarded on the last day of the State Fair, for articles exhibited in the Floral Hall…

Pictures taken by means of light—Premium, Bingham & Meacham, Memphis; certificate, C. C. Hughes.

1859 December 10.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  December 10, 1859, Vol. IV, No. 107, Whole No. 575, P. 3.

Christmas Presents.—If you wish to present your relatives or friends with a Christmas present, what would be nicer than a beautiful picture of yourself?  Bingham and Meacham, 180 Main street, opposite the Worsham House, have just received a lot of new fancy cases, breast pins, lockets and charms suited for the occasion.  We take all the different styles of pictures made at the present day, and we would be pleased to have all of our old customers and the public generally to call and see our life-size photographs on canvass, colored in oil, by Mr. N. B. Wilcox.  Bingham & Meacham, Maon street, opposite Worsham House.

Advertisement was recorded between December 10, 1859 to January 11, 1860.

1859 December 28.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  December 28, 1859, Vol. IV, No. 111, Whole No. 588, P. 3.

Great rush to the Photographic Gallery of Bingham & Meacham—thousands of pictures taken at their mammoth premium gallery, at 180 Main street—another lot of those holiday presents.  Every one should secure one of their inimitable Melaineotypes [sic.], Ambrotypes and Photographs.  Particular attention is called to their life-size Photographs in oil, colored by N. B. Wilcox, a portrait painter of reputation, who stands unrivalled as a colorist.  Persons having Daguerreotypes or Ambrotypes of deceased friends, can have them enlarged to life size on canvass, and likenesses warranted.  Bingham & Meacham are also the agents for those celebrated I. X. L. Sewing Machines, at 180 Main street, opposite the Worsham House.

Advertisement was recorded between December 28, 1859 to January 14, 1860.

1860 January 16.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  January 16, 1860, Vol. IV, No. 126, Whole No. 603, P. 3.

The place to get the best pictures made in Memphis is at Bingham & Meacham’s, 180 Main street.

Advertisement was recorded between January 16 to February 6, 1860.

1860 January 16.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  January 16, 1860, Vol. IV, No. 126, Whole No. 603, P. 3.

All styles  of pictures known to the Art made at Bingham & Meacham’s, opposite the Worsham House. 180 Main street.

Advertisement was recorded between January 16 to February 4, 1860.

1860 February 6.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 6, 1860, Vol. IV, No. 144, Whole No. 621, P. 3.

The Messrs. Bingham & Meacham, at 180 Main street, opposite the Worsham House, are justly popular for their fine pictures.  Their room, apparatus, &c., are superior in many respects to those of their brother artists, and hence the fact that they never fail to please.  We advise our readers to go and view their gallery of portraits.

1860 February 6.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 6, 1860, Vol. IV, No. 144, Whole No. 621, P. 3.

Have you seen those Oil Miniatures at Bingham & Meacham’s, colored by Wilcox, pronounced by connoisseurs the most beautiful pictures ever seen in the city.

Advertisement was recorded between February 6 to March 8, 1860.

1860 February 6.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 6, 1860, Vol. IV, No. 144, Whole No. 621, P. 3.

Bingham & Meacham still continue to take those celebrated pictures known as the Melainotype for which they have the exclusive right for this city.

Advertisement was recorded between February 6 to March 8, 1860.

1860 February 6.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 6, 1860, Vol. IV, No. 144, Whole No. 621, P. 3.

All styles of Photographs, from the smallest to life size on canvass, and likenesses warranted, at Bingham’s.

Advertisement was recorded between February 6 to March 8, 1860.

1860 February 13.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 13, 1860, Vol. IV, No. 150, Whole No. 627, P. 3.

Fine Pictures.—We visited the rooms of Messrs. Bingham & Meacham, on Main street, opposite Worsham House, Saturday evening.  Their gallery of portraits contain many likenesses of rare beauty and merit, and stamp the gentlemen as true artists.  Indeed, for correctness, beauty of coloring and finish, the pictures taken by them would bear favorable comparison with any we ever saw.  Their apparatus is of the latest invention, and they have kept pace with all the wonderful improvements made upon the discovery of Daguerre.  Those who desire a correct likeness, we advise to give Bingham & Meacham a call.

1860 February 13.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  February 13, 1860, Vol. IV, No. 150, Whole No. 627, P. 3.

Something Worth Knowing.—Where to get the best and most durable pictures, in the city Bingham & Meacham is the place, they take all styles, from the smallest Locket to life size in Oil.  Particular attention is called to their oil colored Miniatures, executed by Wilcox, pronounced superior to anything of the kind in the city.  Room 180 Main street.

Advertisement was recorded between February 13 to March 10, 1860.

1860 March 10.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  March 10, 1860, Vol. IV, No. 173, Whole No. 650, P. 3.

Warning.—If you wish a cheap and worthless picture there are rooms in town where you can procure them; but is you prefer a good and durable likeness at reasonable prices, go to Bingham & Meacham’s, 180 Main street, opposite the Worsham House.  They have the finest suit of rooms in the South, and employ none but first class artists, and take all styles of pictures that are worth preserving, and is the only Gallery where perfect satisfaction is warranted.

Advertisement was recorded between March 10 to May 31, 1860.

1860 April 5.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  April 5, 1860, Vol. IV, No. 195, Whole No. 672, P. 3.

Photographs.—Bingham & Meacham do not claim to be the only Photographic Artist in the city, but they do claim to make better Melainotypes, plain Photographs, Miniatures in oil, and life-size Photographs on Canvas, than any other establishment in the city.  Call and examine specimens.  Remember Bingham & Meacham, 180 Main street.

Advertisement was recorded between April 5 to 17, 1860.

1860 April 19.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  April 19, 1860, Vol. IV, No. 297, Whole No. 684, P. 3.

Go to the Premium Photographic Gallery of Bingham & Meacham, for the best Melainotypes, Ambrotypes, Photographs, (plain or colored,) Miniatures and life-size canvas Photographs in oil; all styles of pictures taken at this Gallery, and perfect satisfaction given.  Call and examine specimens.  Remember the place 180 Main street, opposite Worsham House.

Advertisement was recorded between April 19 to

1860 May 3.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  May 3, 1860, Vol. IV, No. 216, Whole No. 699, P. 3.

During the last few days crowds have visited the Photographic Gallery of Messrs. Bingham & Meacham, opposite the Worsham House, eager to obtain one of their inimitable pictures.  These artists stand unrivalled in the city, having always taken the first premium at every fair where they have exhibited their pictures.  Give them a call.

1860 May 8.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  May 8, 1860, Vol. IV, No. 220, Whole No. 704, P. 3.

Premium Gallery Still Ahead.—Just received, a fresh supply of frames of various styles for Photographs of all kinds.  This is The place to get best life-size canvass miniatures [in] oil or plain photographs, all other kinds of pictures worth preserving taken at 180 Main street.  Bingham & Meacham.

Advertisement was recorded between May 8 to 22, 1860.

1860 May 23.  The Memphis Daily Avalanche.  (Memphis, Tennessee.)  May 26, 1860, Vol. IV, No. 235, Whole No. 718, P. 3.

Fine Pictures—We saw some very fine pictures yesterday at Bingham’s Gallery, consisting of portraits, photographs in oil, ambrotypes, Melainotypes and photographs in India ink.  Mr. Bingham has enlarged his Gallery and increased his facilities for working, and is now prepared to execute all kinds of pictures in a style which cannot be excelled in the United States.  All wanting pictures should not fail to call at the Premium Gallery, 180 Main street, opposite the Worsham House. Advertisement ran from May 23 to 31, 1860.

McPherson, William D.

1851-1852       Opposite J. C. Bingham’s Drug Store, St. Johnsbury, Vermont.

1852                Address Unknown, Barnet, Vermont.

1855                Address Unknown, Chelsea, Vermont.

1855-1860       Exchange Building, Concord, New Hampshire.

1857                Saloon near the Trotter House, Bradford, Vermont.

1861                Merrimack Block, Concord, New Hampshire.

1862                Address Unknown, Baton Rouge, Louisiana.[1]

1863                Address Unknown, Baton Rough, Louisiana.1

1864-1867       132 Canal Street, New Orleans, Louisiana.

1851 November 29.  The Caledonian.  (St. Johnsbury, Vermont.)  November 29, 1851, Vol. 15, N0. 30, Whole No. 748, P. 3.

Daguerreotype Miniatures, Taken singly or in groups at W. D. M’Pherson’s Daguerrian Saloon, opposite J. C. Bingham’s Drug Store where he would respectfully invite all those who wish for a perfect Likeness to give him a call.  Children taken of any age.  Pictures taken from Portraits, Daguerreotypes, Bust, &c., from deceased persons and invalids, at their residences.

Pictures taken equally well in cloudy weather, and neatly set in Lockets, Rings, Pins or Frames.—Prices, $1.00 and upwards.

Advertisement ran from November 29, 1851 to May 15, 1852.

1852 March 20.  The Caledonian.  (St. Johnsbury, Vermont.)  March 20, 1852, Vol. 15, N0. 46, Whole No. 764, P. 3.

All those who wish to have their pictures taken will do well to call soon, as I shall leave town in a few weeks.  W. D. McPherson.

Advertisement ran from March 20 to May 15, 1852.

1852 May 15.  The Caledonian.  (St. Johnsbury, Vermont.)  May 15, 1852, Vol. 15, N0. 44, Whole No. 772, P. 3.

Daguerreotypes.  Mr. W. D/ McPherson would respectfully inform the inhabitants of this place and vicinity that he will remain for 2 weeks longer.  All those who wish for a good picture will now have an opportunity of getting one.  Pictures taken in every style of the art at the Saloon opposite J. C. Bingham’s Drug Store.  Pictures For 75 Cts.

N. B.  Pictures taken equally well in cloudy weather.

Advertisement ran from May 15 to June 5, 1852.

1852 June 5.  The Caledonian.  (St. Johnsbury, Vermont.)  June 5, 1852, Vol. 15, N0. 47, Whole No. 775, P. 3.

Mr. McPherson, Daguerrean Artist, who has been operating in our villager several months past, is due to be at Barnet Next week, where he will spend a short time.  He is a good artist, and we cheerfully recommend him to our friends.

1855 August 3.  Vermont Journal,  (Windsor, Vermont.)  August 3, 1855, Vol. XII, No. 7, Whole No. 569, P. 3.

Cutting’s Ambrotypes, Or Pictures On Glass, Taken By W. D. McPherson & Co.  Having obtained the right for Chelsea, and other towns in the vicinity, we are now prepared to take these Beautiful and Never-Changing Pictures, At their Rooms in Chelsea.   The Picture is taken on Plate Glass, after which a similar glass is placed over it, and the two are cemented together by an indestructible gum, rendering the picture entirely impervious to atmospheric influence, and securing to it the most perfect durability.

For taking Likenesses of Children, or operating in cloudy or dark weather, this process is vastly superior to any and every other, since it works in less than one-fourth the time of the quickest Daguerreotype process.  These pictures can be seen in any light, as well as engravings or any paper picture under glass,—and hence are very suitable for large pictures to be hung in frames.  They are not reversed, but are seen in the natural position of the sitter.

Prices from $2, upwards.

The public are invited to call and examine specimens. 

Advertisement ran from August 3 to October 26, 1855.

1855 August 31.  Vermont Journal,  (Windsor, Vermont.)  August 31, 1855, Vol. XII, No. 11, Whole No. 573, P. 2.

Ambrotypes.  This is the name of a newly invented process for taking likenesses, or pictures of any kind .  Judging from specimens of the art we have seen at the rooms of McPherson & Co., in Chelsea [we] think it far superior to the Daguerreotype [process.]  We advise our friends in [ ? ] Chelsea to call on Messrs. McPherson and [examine] their beautiful pictures.  We refer [ ? ] to their notice in our advertising columns.

1855 September 29.  Aurora of the Valley.  (Newbury, Vermont.)  September 29, 1855, Vol. VIII, No. 39, New Series No. 45, Whole No. 351, P. 2.

Orange County Agricultural Fair.  The ninth annual fair of the Orange County Agricultural Society, was holden at Chelsea, on Wednesday and Thursday, the 19th and 20th inst…

List of Premiums Awarded…

Discretionary…

Best Ambrotypes, McPherson Brothers, Chelsea, 1.00

1855 December 12.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 12, 1855, Vol. 9, No. 447, Whole No. 2447, P. 2.

Ambrotypes.—See advertisement of W. D. McPherson.

1855 December 12.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 12, 1855, Vol. 9, No. 447, Whole No. 2447, P. 3.

Ambrotypes.  The subscriber would respectfully invite public attention to those new and beautiful pictures at his rooms in Exchange Building.  These picture is taken on fine plate glass, and rendered imperishable by cementing to another glass, with the picture inside.  They are bold, clear and distinct, are not reversed, and will not change in any climate.  We are enabled to take better likenesses of Children by this process, as we can operate in one-fifth the time required to take a Daguerreotype.  Copies taken of Daguerreotypes, Portraits, &c.  Pictures taken of deceased persons and invalids at their residences.  Please call and examine specimens.  Prices reasonable.

Instruction given in the Art.  W. D. McPherson.

Advertisement ran from December 12, 1855 to December 30, 1857.

1855 December 15  New Hampshire Statesman.  (Concord, New Hampshire.)  December 15, 1855, Vol. XXXV, No. 1802, P. 3.

Ambrotypes.  The subscriber would respectfully invite public attention to those New and Beautiful Pictures at his rooms in Exchange Building.  These picture is taken on fine plate glass, and rendered imperishable by cementing to another glass, with the picture inside.  They are bold, clear and distinct, are not reversed, and will not change in any climate. 

We are enabled to take better likenesses of Children by this process, as we can operate in one-fifth the time required to take a Daguerreotype.  Copies taken of Daguerreotypes, Portraits, &c.  Pictures taken of deceased persons and invalids at their residences.  Please call and examine specimens. 

Prices reasonable.  Instruction given in the Art.  W. D. McPherson.

Advertisement ran from December 15, 1855 to May 12, 1860.

1856 October 11.  New Hampshire Statesman.  (Concord, New Hampshire.)  October 11, 1856, Vol. XXXVI, No. 1842, P. 3.

Re-issue of the Ambrotype Pictures has been signally shown, by the united efforts of some of the principal Daguerreotypist to break down and prevent a re-issue of the Patent.  They have been defeated by the Government in their attempts, and a new Patent has been issued, covering the entire claims of the Patentee, in making pictures on Glass, and hermetically sealing them between two plates of glass with Balsam of Fir or its equivalent, giving exceeding brilliancy and beauty of tone, which can not be affected by the atmosphere, water, or acids: making it as enduring as the glass in which it is secured.

The word Ambrotype, coined expressly to designate the Picture, is also patented.  All persons, not having purchased the rights, that are making use of the term to sell a worthless imitation, taking on a single glass, and covered with varnish and black paint, will be prosecuted to the full extent of the law.

The genuine pictures all have the patent stamp.  Cutting & Bowdoin, The originators and proprietors. 

N. B.  We are the owners of the Ambrotype right for this city.  All persons violating the Patent, or using the term Ambrotype for the purpose of selling their pictures, will be prosecuted to the full extent of the law.  M’Pherson Brothers.

Advertisement ran from September 20 to October 25, 1856.

1855 December 20.  Independent Democrat.  (Concord, New Hampshire.)  December 20, 1855, Vol. XI, No. 34, P. 3.

Ambrotypes.  The subscriber would respectfully invite public attention to those New and Beautiful Pictures at his rooms in Exchange Building.  The picture is taken on fine plate glass, and rendered imperishable by cementing to another glass, with the picture inside.  They are bold, clear and distinct—are not reversed, and will not change in any climate.  This process is better for taking Likenesses of Children, than any other as we can operate in one-fifth the time.  Copies taken of Daguerreotypes, Portraits, &c.  Pictures taken of deceased persons and invalids at their residences.

Please call and examine specimens.  Prices reasonable.

Instruction given in the Art.  W. D. McPherson.

Advertisement ran from December 20, 1855 to October 29, 1857.

1860 November 17.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 17, 1860, Vol. XL, No. 2059, P. 2.

Messrs. Rufus Merrill & Son, of this city, have published a series of fine stereoscopic pictures of views around Amoskeag Falls, Hooksett, and several streets of this city, which are equal in clearness and nicety of execution to any pictures of similar character which we remember to have seen.—They were taken by Mr. W. D. McPherson, whose artistic skill is well established.

1861 August 8.  The Independent Democrat.  (Concord, New Hampshire.)  August 8, 1861, Vol. XVII, No. 16, P. 2.

Hallotypes.  W. D. McPherson of this city is now taking pictures of a superior quality called Hallotypes, from a Mr. Hall the inventor.  They are superior to any picture we have ever seen.  They are equal to any ivory paintings in color and finish.  Any one who desires to get a perfect likeness, and a picture equal to an oil painting will not fail to call at McPherson’s in Merrimack Block.

1861 September 21.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 21, 1861, Vol. XLI, No. 2103, P. 3.

Notice.  All persons are warned not to purchase a promissory note for $75, dated June 15, 1861, on three months, signed by me and payable to the order of John Bishop Hall; as said note was stolen from said Hall, and is not now in the hands of honest parties.  W. D. McPherson.

Advertisement ran from September 21 to October 5, 1861.

1861 September 25.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  September 25, 1861, New Series—Vol. XV, No. 749, Whole No. 2749, P. 2.

More Sharpshooters.—Capt. Jones’ company of sharpshooters have elicited the warm approval of the War Department, and another company has been ordered from this State.—For this company, Henry M. Caldwell of Danbarton has been appointed Captain; John A. Moores of Canterbury, First Lieutenant, and James H. Hildreth of Lebanon, Second Lieutenant.  Those marksmen who were too late to become members of Capt. Jones’ company can make application to either of these officers…

We hear it stated that a third company of Sharpshooters has been organized, and W. D. McPherson of this city appointed captain.—Ed. Pat.

1861 September 26.  The Independent Democrat.  (Concord, New Hampshire.)  September 26, 1861, Vol. XVII, No. 23, P. 2.

Sharp Shooters…

A third Company of Sharpshooters is also to be raised.  W. D. McPherson, the well known Daguerreotypist, of this city, who is as good with a rifle as the camera, has been appointed Captain.

1861 December 18.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  December 18, 1861, New Series—Vol. XV, No. 761, Whole No. 2761, P. 2.

The Sharpshooters.—The third company of Sharpshooters enlisted in this State, left this city for Washington on Saturday.  They were without arms or uniforms, which are to be furnished by the general Government.—Their officers are Capt. William D. McPherson of Concord, First Lieut. John A. Moore of Canterbury, Second Lieut. Edward Dow of Concord.

1862 September 10.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  September 10, 1862, New Series—Vol. XV, No. 799, Whole No. 2799, P. 2.

The Sharpshooters.—It is reported, by private letters, that captain W. D. McPherson of this city was killed; and we have the names of Capt. W. P. Austin and Private Isaac Davis among the wounder.

Revised Register Of The Soldiers And Sailors Of New Hampshire In The War Of The Rebellion 1861-1866.  Prepared And Published By Authority Of The Legislature, By Augustus D. Ayling, Adjutant General.  Concord: Ira C. Evans, Public Printer. 1895.

Companies F and G, Second Regiment United States Volunteer Sharpshooters. (Three Years.)  [Transcribed by Dave Swerdfeger]

Companies F and G, Second Regiment United States Volunteer Sharpshooters. (three years.)

Company F was mustered into the service of the United States November 26, 1861, at Concord, by Seth Eastman, Lt. Col. 1 Inf., U.S.A. The original members who had not re-enlisted were mustered out November 26, 1864, near Petersburg, Va., by S. D. Newcomb, Capt. and A. C. M.

The re-enlisted men and recruits were transferred to the Fifth Regiment New Hampshire Volunteer Infantry January 30, 1865.

Company G was mustered into the service of the United States December 12, 1861, at Manchester, by Haldimand S. Putnam, 1 Lt. Topographical Engineers, U.S.A. The original members who had not re-enlisted were mustered out December 12, 1864, near Petersburg, Va., by S. D. Newcomb, Capt. and A. C. M. The re-enlisted men and recruits were transferred to the Fifth Regiment New Hampshire Volunteer Infantry January 30, 1865. The records of the field and staff officers appointed by the governor of New Hampshire are given. Each man was a volunteer appointed or enlisted for three years unless otherwise stated…

McPherson, William D. Co. G; b. Boston, Mass.; age 33; res. Concord; app. Capt. Sept. 19, ’64; must. in Dec. 12, ’64; resigned. Oct. 31, ’62. Died Oct. 9, ’67, New Orleans, La.

1864 October 16.  The Era.  (New Orleans, Louisiana.)  October 16, 1864, Vol. II, No. 230, Whole No. 530, P. 2.

The Perfection of Art.  We believe that Mr. McPherson & Oliver, photographers on Canal street, has about reached perfection in his art.  We yesterday accepted an invitation to visit his gallery, and were astonished at the accuracy and variety of the historical local scenes which he has collected.  From the siege of Port Hudson until the present time Mr. McPherson has been in the field, accompanying the army in its various movements, and constantly adding to his store the objects and scenes made famous by the war.  Besides Port Hudson, he has pictures of Donaldsonville, Baton Rouge and Alexandria, the great dam on Red River, (by which our fleet was saved) the ram Tennessee as she lay in front of our city, and all the monument buildings, statues, squares, and places of note in the Cresent city.

But the latest and most complete triumph Mr. McPherson has achieved, is a series of views of fort Morgan and its surroundings after the siege.  Nine large pictures comprise the main set, but he has a host of smaller scenes.  Of the main set we can only testify to its excellence as a work of art, but we have heard the most unqualified praise, from both Union and Confederate officers familiar with the spot, as to its accuracy and correctness, even in the minutest details.  The fact that ninety full sets were ordered by army and navy officers at Mobile Bay before Mr. McPherson left, is about the best evidence, however, that the pictures are perfect.  The large number of orders this firm has received enables them to sell these sets at a very moderate price, and we do not know of a more interesting subject with which our friends can decorate the walls of their rooms.  All who participated in the engagement should secure a set for their friends at home.  Any of our citizens who desire to examine these views will be courteously received by the gentlemanly proprietors of No. 132 Canal street.

1864 October 16.  The Era.  (New Orleans, Louisiana.)  October 16, 1864, Vol. II, No. 230, Whole No. 530, P. 2.

View of Fort Morgan and its Surroundings, Taken On The Spot, By. Messrs. McPherson & Oliver.  These Pictures are the most correct and comprenensive yet taken, as was admitted by both Union and Confederate officers at Fort Morgan.

The public are invited to call at the Gallery, No. 132 Canal street, and inspect these magnificent triumphs of the Photographic Art.

Sets sold on reasonable terms.

Also:  Views of the Great Red River Dam, Alexandria, Port Hudson, Baton Rough, Donaldsonville, etc.

Call and examine these Historical Pictures.

Advertisement was recorded between October 16 to December 1, 1864.

1864 October 16.  The Era.  (New Orleans, Louisiana.)  October 16, 1864, Vol. II, No. 230, Whole No. 530, P. 2.

Perfect Pictures.  These can be obtained at the Photographic Gallery of McPherson & Oliver, 132 Canal street, between St. Charles and Carondelet.

Every new improvement in use in the best establishments of the country can be found at the rooms of Messrs. McPherson & Oliver.

Advertisement was recorded between October 16 to December 31, 1864.

1864 December 2.  The Era.  (New Orleans, Louisiana.)  December 2, 1864, Vol. II, Whole No. 573, P. 2.

Messrs. McPherson & Oliver, Photographist, No. 132 Canal street, have taken an admirable likeness of Farragut and his staff standing on the deck of the noble old Hartford as she lay in Mobile Bay.  No person should be without a copy of this excellent picture.  Carte de visites of Farragut, Drayton, and others, can also be procured.  See advertisement.

1864 December 2.  The Era.  (New Orleans, Louisiana.)  December 2, 1864, Vol. II, Whole No. 573, P. 2.

Admiral Farragut, Commodore Drayton, And Other distinguished Naval Officers, taken on the deck of the Flagship Hartford, By Messrs. McPherson & Oliver, No. 132 Canal Street.

Every Sailor Should Have A Copy. 

Views of prominent Buildings and Scenes in New Orleans.

Also:  Views of the Great Red River Dam, Alexandria, Port Hudson, Baton Rough, Donaldsville, etc.

Call and examine these Historical Pictures.

Advertisement was recorded between December 2 to 31, 1864.

1865 July 8.  The New Orleans Times.  (New Orleans, Louisiana.)  July 8, 1865, Vol. IV, No. 646, P. 5.

Notice—The Copartnership Between W. D. McPherson and A. J. Oliver under the name McPherson & Oliver, in this city, is dissolved by mutual consent to date July 4.

The undersigned will continue the Photographic business at the old stand, 132 Canal street.  W. D. McPherson. 

Advertisement was recorded on July 8 to 10, 1865.

1865 October 19.  The New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 19, 1865, Vol. XV, No. 66, P. 7.

W. D. McPherson, Photographist, No. 132 Canal Street, New Orleans.

All work done in a superior manner and satisfaction guaranteed. 

Advertisement was recorded between October 19, 1865 to January 1, 1866.

1867 January 15.  The New Orleans Times.  (New Orleans, Louisiana.)  January 15, 1867, Vol. VI, No. 1178, P. 6.

Photography—Prices Reduced At McPherson’s Gallery, 132 Canal street, Cartes de Visite at $2 per dozen.  Opaltypes, Ambrotypes, and all kinds of Photographic work, done in the best manner at greatly reduced rates.  Call and see.  W. D. McPherson.

1867 January 23.  The Daily Picayune.  (New Orleans, Louisiana.)  January 23, 1867, Vol. XXX, No. 320, P. 3.

Photography—Prices Reduced At McPherson’s Gallery, 132 Canal street, Cartes de Visite at $2 per dozen.  Opaltypes, Ambrotypes, and all kinds of Photographic work, done in the best manner at greatly reduced rates.  Call and see.  W. D. McPherson.

1867 February 1.  The New Orleans Daily Crescent.  (New Orleans, Louisiana.)  February 1, 1867, Vol. XVI, No. 157, P. 6.

Photography—Prices Reduced At McPherson’s Gallery, 132 Canal street, Cartes de Visite at $2 per dozen.  Opaltypes, Ambrotypes, and all kinds of Photographic work, done in the best manner at greatly reduced rates.  Call and see.  W. D. McPherson.

1867 October 11.  The New Orleans Times.  (New Orleans, Louisiana.)  October 11, 1867, Vol. VI, No. 1419, P. 2.

Daily Mortuary Report.

We are indebted to Dr. Dirmever, Secretary of the Board of Health, for the following daily reports of deaths in the city, beginning with Oct 1:

                        Yellow Fever…..Other Fevers…..Cholera…..Other Diseases…..Total.        

October 1…………..63……………..12……………1……………21…………….97

October 2…………..54……………..14……………4……………17…………….[89]

October 3………………56……………..11……………2……………28…………….97

October 4…………..75……………..6……………..3……………23…………….107

October 5…………..59……………..11……………0……………20…………….90

October 6…………..60……………..16……………0……………21…………….97

October 7…………..58……………..9……………..0……………23…………….90

October 8…………..50……………..10……………0……………16…………….76

October 9…………..64………………8…………….3……………21…………….[96]

October 10……………56……………..14……………2……………40…………….112

The following is a list of persons who died of yellow fever, and who were interred in the cemeteries named.  During the twenty four hours ending at 6 o’clock A. M. Thursday Oct. 10.  All blanks in the report are not stated in certificate:

W. D. McPherson of__________.

1867 October 12.  The Daily Picayune.  (New Orleans, Louisiana.)  October 12, 1867, Vol. XXXI, No. 224, P. 5.

Succession of Wm. D. McPherson.  Second District Court Of New Orleans.  No.___ Whereas S. T. Blessing has petitioned the court for letters of administration on the estate of the late Wm. D. McPherson, deceased, intestate:  Notice is hereby given to all whom may concern, to show within ten days, why the prayer of the said petitioner should not be granted.

By order of the Court:  P. R. O’Rorke, Clerk.


[1] Photography In New Orleans.

McKinney, James P.

1852-1854       Melodeon Building, Cleveland, Ohio.

1854-1855       Main Street, in M. J. Sullivan’s Building, Dubuque, Iowa.

1852 July 28.  The Cleveland Herald.  (Cleveland, Ohio.)  July 28, 1852, Vol. XXXV, No. 28, Whole No. 1798, P. 2.

Enthusiastic Scott Meeting at Empire Hall.  At a Scott meeting at Empire Hall, July 22d 1852, Charles Stetson was called to the chair and S. I. Noble appointed Secretary…

Constitution Of The Cleveland Scott Club.  This association shall be known and called the Cleveland Scott Club Its object is, to promote the election of Winfield Scott and Wm. A. Graham, to the offices of President and Vice President of the United States respectively…

The following persons subscribe their names to the above constitution, and became members of the “Cleveland Scott Club.”…

J. P. McKinney…

1854 July 11.  Plain Dealer.  (Cleveland, Ohio.)  July 11, 1854, Vol. X, No. 87, P. 3.

Mr. James P. McKinney, of this city, is intending to establish himself in the Daguerreotyping business, at Dubuque, Iowa.  Mr. McKinney has been several years with Mr. North, and is proficient in the knowledge and practice of his difficult art.  He will be prepared in his new location to take convex, Mezzographs, colored daguerreotypes, and all the newest styles in the very best manner.  We understand that he will take out his very fine cabinet of coal specimens, for the adornment of his rooms.  The collection is highly curious and interesting.  We can heartily commend Mr. McKinney to the citizens of Dubuque, as a master of his profession, and a very amiable and worthy gentleman.

1854 September 27.  Cleveland Weekly Leader.  (Cleveland, Ohio.)  September 27, 1854, Vol. 8, No. 36, P. 2.

Iowa Politics—Mineral Records.  Dubuque, Sept. 19, 1854…

Among many new establishments now opening in this city, we noticed a set of beautiful Daguerian [sic.] rooms, under the Professional charge of W. McKinney[1] of your city, formerly a pupil of W. C. North.  He displays great taste and artistic skill in the getting up of his beautiful pictures and is now doing a large and we think lucrative business in his line.  Yours, Rob.

1854 October 4.  The Miners’ Express.  (Dubuque, Iowa.)  October 4, 1854, Vol. XIV, No. 3, P.1.

New Daguerrean Rooms.—Mr. James F. McKinney Daguerrean artist has established himself in M. J. Sullivan’s building on Main street, just above Third street and invites an inspection of his rooms and specimens of his work.  This gentleman comes to this city with high recommendations, and he adds to an enviable skill in taking impressions upon flat plates, that of taking them upon paper and convex plates exhibiting the impression more to the life, than by the old mode of daguerreotyping.

The following in relation to Mr. McKinney as a man and an artist, we copy from the “Cleveland Plaindealer.”

Mr. James McKinney, of this city, is intending to establish himself in the Daguerreotyping business, at Dubuque, Iowa.  Mr. McKinney has been several years with Mr. North, and is proficient in the knowledge and practice of his difficult art.  He will be prepared in his new location to take convex, Mezzographs, colored daguerreotypes, and all the newest styles in the very best manner.  We understand that he will take out his very fine cabinet of coal specimens, for the adornment of his rooms.  The collection is highly curious and interesting.  We can heartily commend Mr. McKinney to the citizens of Dubuque, as a master of his profession, and a very amiable and worthy gentleman.

1854 October 25.  Du Buque Visitor.  (Dubuque, Iowa.)  October 25, 1854, Vol. XIV, No. 6, P. 2.

Our City…

We observe, with high satisfaction, that our city, which exhibits so many pleasing evidences of progress in other respects, is also graced by the presence of gentlemen engaged in that branch of the Arts that is of close kindred to Painting; one that American genius and scientific skill has made its own, though the discovery of it is due to France.

Without designing to make an invidious distinction, we take pleasure to day in calling the attention of our readers to the splendid specimens—as pictures—recently produced by Mr. McKinney.  They exhibit  the art of daguerreotyping in a style and finish that we have rarely seen equalled—never surpassed; and to make them, argues his possessed of all the latest improvements in instruments and other appliances, as well as a consummate [maste] of his business.  His apparatus is of the largest size, enabling him to take portraits on any scale that may be desired.  For family groups it is consequently adapted.

We bespeak the unqualified admiration of his visitors, particularly, for the beauty, and faithfulness of the likeness on the convex plates.  Mr. McKinney has fitted up his rooms over F. S. Jesup and Co’s Bank in elegant style; and citizens and strangers will find them a pleasant resort, where they can gratify their taste by an inspection of works superior to, [ ? ] more truthful than, the finest efforts of the pallet and easel.

He will visit the State fair next week; and we ask for him the courtesies due the artist and the gentleman.

1854 November 2.  Fairfield Leader.  (Fairfield, Jefferson, Iowa.)  November 2, 1854, N. P.

But one person displayed daguerreotypes—Mr. J. P. McKinney from Dubuque.  He had some of the most splendid pictures we ever saw.  He showed us some Mezzographs—daguerreotypes on paper—which were very fine, and for which, we believe, he has the patent.  Mezzographing will, in a great degree, supersede mezzotint engravings, as it is cheaper and easier.  He will take a copy of one’s countenance, and from this copy he will take any number of pictures without the person having to sit for them.  We also saw some daguerreotypes with convex plates and glass, which threw out everything in bold relief.  If we should happen at Dubuque we are going to have out countenance “tuk.”  We understood that there were several who had their pictures entered, but would not put them up.  They could not compete with Mac.

1854 November 3.  Dubuque Weekly Observer.  (Dubuque, Iowa.)  2 November, 1854, P. 2.

Can’t Be Beat.—We are happy to learn that our fellow townsman, McKinney, the Daguerreotypist took the first premium at the State Fair held last week at Fairfield.  His specimens having been pronounced by the Judges the best they have ever seen.  Our Dubuque is hard to beat in the picture line.

1854 November 4.  Burlington Tri-Weekly Hawk-Eye.  (Burlington, Iowa.)  November 4, 1854, Vol. 1, No. 49, P. 2.

From the Fairfield (Iowa) Sentinel.  List of Premiums and Diplomas awarded by the Iowa State Agricultural Society, Oct. 21, 1854 at Fairfield…

Discretionary…

J. P. McKinney, daguerreotype, Diploma.

1855 July 13.  Clayton County Herald.  (Garnavillo, Iowa.)  July 13, 1855, Vol. III, No. 21, P. 3.

Grave Stones.—We noticed in our burying ground “some beautiful Grave stones from the Dubuque City Marble Works of Herrick & Dudley.  The material is very fine, and the work is in the best style, and is furnished at low rates.  At the head of the grave of the late Rev. Alfred Bishop is a very handsome white slab, in which is set a daguerreotype likeness of the deceased, which will be recognized at once as a most faithful portrait of the loved and lamented original.  The picture is from the gallery of Mr. J. P. McKinney, of Dubuque, and reflects great credit upon his artistic skill.

1855 November 17.  Daily Express and Herald.  (Dubuque, Iowa.)  November 17, 1855, Vol. 5, No. 175, P. 1.

Premium Daguerreotypes.  James P. McKinney who was awarded to him the First Premium at the Iowa State Fair, is acknowledged by the public to be the best Daguerrean Artist in the West.  He has fitted up in Dubuque a splendid suite of rooms, and having the largest and best machinery manufactured or used in the art which enables him to make the largest sized pictures in the most perfect life-like manner.  I have on hand some forty varied styles of Cases Frames, Lockets &c.

N. B.—the public will remember that McKinney’s Gallery is the only place in the West where they can procure the New and Beautiful Convex Daguerreotypes.  In this style of pictures the rays of light instead of being diffused over the entire plate, as in case of the picture upon the flat plate, they are focused upon the image giving it a round and life-like appearance, as rise Mezzographs or Daguerreotypes taken upon paper, thus doing away with that reflection common to those taken upon the silver plate.  Nov 4th 1854.

Advertisement was recorded between November 17 to December 18, 1855.

1855. December 5.  The Vinton Eagle.  (Vinton, Iowa.)  December 5, 1855, Vol. 1, No 47, P. 2.

We were much pleased to find our old friend, J. P. McKinney, of Cleveland, who is located here, where he intends establishing an agency for the purchase and location of land, in connection with Messrs.  Flowers.  He is also engaged in pursuing his Geological investigations, and can display the most interesting Cabinet which we have seen in the State.    

1857 May 13.  Weekly Express and Herald.  (Dubuque, Iowa.)  May 13, 1857, Vol. XVI, No. 30, P. 3.

J. P. McKinney, Esq., is now and will be engaged in the land business and agency. 


[1] Probably James P. McKinney.

McKee, William

1859-1864                   Main Street, opposite the Book Store, Millersburg, Ohio.

1859 January 13.  Holmes County Republican.  (Millersburg, Ohio.)  January 13, 1859, Vol. 3, No. 21, P. 2.

For The Republican.  Mr. Caskey:—The Improvement of a town depends upon the amount and kinds of business that is carried on.  While the attention of the public is daily attracted towards some new establishment in our midst, permit me to notice the fact that our neighbor and townsman , William McKee, has opened a most splendid, and attractive Daguerrean Room, in the new on the Irvine corner, where art of taking true and life-like pictures is displayed in all it perfection.  An examination of his work, demonstrates that he has advanced more nearly to perfection as an artist, than any one who has heretofore favored our village with their skill.  You can have a real flesh-like look of the face transferred upon glass, canvas, leather or almost any other material capable of reflecting the Picture.  To those who want superior Pictures, call upon Mc., who is a perfect gentleman, and a master of his art, and he will astonish you with an exhibition of perfection never before seen in our town in his line.

1859 January 20.  Holmes County Republican.  (Millersburg, Ohio.)  January 20, 1859, Vol. 3, No. 22, P. 2.

There seems to be no limit to improvement, particularly in the Daguerrean art.  We have seen some Pictures of the “human face divine,” that we thought could not be excelled, but on going into the rooms of Mr. McKee a few days since, we discovered that we had been laboring under a delusion, for we were shown pictures there taken on glass, on paper and on leather, that far exceeded anything we ever saw before. 

See his Advertisement in another column.

1859 January 20.  Holmes County Republican.  (Millersburg, Ohio.)  January 20, 1859, Vol. 3, No. 22, P. 3.

Photography!  Great Improvements in the Art!  Wm. McKee, Would take pleasure in announcing to the citizens of Millersburg that he has taken the rooms over Dr. Boling’s office, where he has an excellent sky-light, and with his experience in the Art, having had the advantage of being instructed in the one of the largest and best Photograph Galleries in the East, he feels justified in saying that he will make Photographs, Ambrotypes, and all of the popular pictures of the day attaining the highest perfection in the Art.

He defies competition, and claims that he will make better pictures—on an average—than have ever been made west of the Mississippi.  My results are certain.

He would also call attention to the artistic and graceful position in which his subjects will be seated.  It is unnecessary to remind the enlightened citizens of this vicinity of the inestimable value of a fine and life like picture of a departed friend.

Suffice it to say that the safest way is to improve the present, for the past is not yours, and the future you cannot command.

Come One!  Come All!  To see and get better pictures than have ever been made West, if they don’t cost but 50 cts. each, neatly enclosed in a good morocco case.

Bring in your children.  He claims not to be excelled in making child-like and fine pictures of children.  Bring them in the forenoon.

Mr. M. is not what has the name of a “traveling Artist.”  There is no humbug about this circular.

Perfect satisfaction guaranteed.  William McKee.  Main Street, opposite the Book Store.        

Advertisement ran from January 20,1859 to May 10, 1860.

1860 February 23.  The Holmes County Farmer.  (Millersburg, Ohio.)  February 23, 1860, New Series—Vol. 22, No. 1, P. 4.

Great Improvement In The Art, William McKee, would take pleasure in announcing to the citizens of Millersburg, that he has taken the rooms over Dr. Boling’s office where he has an excellent Sky-Light and with his experience in the Art, having had the advantages of being instructed in one of the largest and best Photograph Galleries in the East, he feels justified in saying that he will make Photograph, Ambrotypes And all the popular pictures of the day attaining the highest perfection in the Art.

He defies competition, and claims that he will make better pictures, on an avarage [sic.] than have ever been made west of the Mississippi.  My results are certain.

He would also call attention to the artistic and graceful position in which his subjects will be seated.  It is unnecessary to remind the enlightened citizens of this vicinity of a departed friend.  Suffice it to say that safest way is to improve the present, for the past is not yours, and the future you cannot command.

Come One !  Come All !!  To see and get better pictures than have ever been made West.  If they do cost but fifty cents each, neatly enclosed in good morocco cases.  Bring y your children.  He claims not to be excelled in making child like and fine pictures of children.  Bring them in the forenoon.

Mr. M. is not one who has the name of a traveling Artist.  There is no humbug about this circular.

Perfect satisfaction guaranteed.  William McKee, Main St., opposite the Book Store.  N20.

Advertisement was recorded between February 23, 1860 to May 23, 1861.

1863 March 26.  The Holmes County Farmer.  (Millersburg, Ohio.)  March 26, 1863, New Series—Vol. 25, No. 6, P. 3.

The Shadow.  Messrs. McKee & Beebout are just ready to commence taking Photographs and other pictures in the new rooms, formerly known as Fritz’s Hall.  No establishment in the State will finish finer Pictures.  “Secure the shadow ere the substance fades.”

1863 March 26.  The Holmes County Farmer.  (Millersburg, Ohio.)  March 26, 1863, New Series—Vol. 25, No. 6, P. 2.

Read This Everybody!  

As Eve and Adam strayed beside

Fair Eden’s waters

Young Eve exclaimed with all that pride

So common to her daughter,

“O could we hand to ages down

Those features there reflected,

How much our charm would be admired—

Our memory, how respected!”

Ah! man, so early made to mourn,

Seem’d an egregrious [sic.] blunder

Before the Photographic Art

Sprung into joyous wonder;

But now, what pleasure beauty gives,

When every son and daughter

Can safely [ ? ] shadow down,

[That] flies them in the water—

By calling on McKee & Beebout, At their new rooms, just fitted up in what was recently known as Fritz’s Hall.  Their rooms will be open for the reception of all lovers of art, on Monday, March 30th.

Having the best of instruments, we are prepared to take all kinds of pictures, from full size down to the smallest locket ring, in the best style.  satisfaction rendered in all cases.

Sick and deceased persons taken at their residence.

Persons having old Daguerreotypes or Ambrotypes of deceased friends can have them copied into Photographs, giving a more life-like appearance than even the original picture.

Everybody “and the rest of mankind” are respectfully invited to call.

Remember the place—Fritz Hall, nearly opposite the Post Office. 

Advertisement was recorded between March 26 to November 12, 1863.

1863 July 30.  The Holmes County Farmer.  (Millersburg, Ohio.)  July 30, 1863, New Series—Vol. 25, No. 24, P. 3.

Thanksgiving Day.  We, the undersigned citizens and business men of Millersburg, in compliance with a proclamation of the Executive of the United States, to keep and set apart Thursday, the 6th day of August, 1863, as a day of fasting and prayer to Almighty God, do hereby agree and pledge ourselves to suspend all business on said day…

McKee & Beebout.

1864 March 3.  The Holmes County Farmer.  (Millersburg, Ohio.)  March 3, 1864, Vol. 26, No. 4, P. 1.

Business Directory.  McKee & Beebout, Photographers, Ambrotypists, &c., And Dealers In Photograph Albums, Millersburg, Ohio.

Advertisement ran from March 3 to August 4, 1864.

McFadden, J.

1859                Address Unknown, Maysville, Kentucky.

1859 August 27.  The Tri-Weekly Maysville Eagle.  (Maysville, Kentucky.)  August 27, 1859, Vol XXIV, Vol. 129, P. 2.

Dissolution.  J. McFadden having bought the entire interest in the Ambrotype and Melainotype Gallery of McFadden & McReynolds, is permanently located, with good facilities for doing fine work, work that will loose nothing by a comparison with any work in the State.

Photographs, Ambrotypes and Melainotypes made of any size desired.

Card Photographing neatly executed.

Ladies and Gentlemen are invited to call and examine specimens.  J. McFadden.  August 25, 1859.

McDougall, John Alexander

1847-1851       251 Broadway, New York, New York.

1856.               274 Broad Street, Newark, New Jersey.[1]

1857                192 Broad Street, Newark, New Jersey.

1857-1862       238 Broad Street, next to Canal Bridge, Newark, New Jersey.

1869.               793 Broad Street, Newark, New Jersey.1 

1870-1872.      769 Broad Street, Newark, New Jersey.1

1874.               744 Broad Street, Newark, New Jersey.1   

N. D.  The New York Historical Society’s Dictionary Of Artists In America 1564-1860.  (New Haven, Connecticut and London, England.)  1957, P. 412.

McDougall, John Alexander (1810/11-1894).[2]  Miniaturist and portrait painter.  A native of Livingston (N. J.), he spent most of his career in Newark (N. J.).  He visited New Orleans in 1839, and at other times he practiced his art in Charleston (S. C.) and Saratoga Springs (N. Y.).  During the 1840’s and 1850’s he also had a studio in NYC and exhibited at the National Academy, the American Art Union, the American Institute (winning the first prize for miniatures in 1845, 1847 and 1848), and the Artists’ Fund Society of Philadelphia.   

New York City Directories.  (New York, New York.)  Published by Thomas Longworth 1840-1841; T. Longworth & Son 1842; John Doggett 1843-1850; Doggett & Rode 1851; John Fowler Trow 1852-1856+.

1840.  Not Listed.

1841.  McDougall, John A., miniature painter, 11 Park Pl.

1842.  McDougall, John A., miniature painter, 11 Park Pl.

1843.  McDougall, John A., miniature painter, 11 Park Pl.

1844.  McDougall, John A., miniature painter, 11 Park Pl.

1845.  McDougall, John A., miniature painter, 386 Broadway.

1846.  McDougall, John A.  not listed.

1847.  McDougall, John A., artist, 251 Broadway.

1848.  McDougall, John A., artist, 251 Broadway.

1849.  McDougall, John A., artist, 251 Broadway.

1850.  McDougall, John A., artist, 251 Broadway.

1851.  McDougall, John A.  not listed.

1852.  McDougall, John A.  not listed.

1853.  McDougall, John A.  not listed.

1854.  McDougall, John A., paint, 205 Broadway—H-Newark.

1855.  McDougall, John A., artist, 359 Broadway—H-Newark.

1856.  McDougall, John A., not listed.

Gary Saretzky online list of New Jersey Photographers.

1847.               31 Market St., Newark.  (Portrait & Miniature Painter.)

1856.               274 Broad Street, Newark.  (Photographic Coloring.)

1869.               793 Broad St., Newark.  (Portrait Painter & Photographer.)

1870-1872.      769 Broad St., Newark.  (Painter & Photographer.)

1874.               744 Broad St., Newark.  (Portrait Painter & Photographer.)

1848 October 28.  Newark Daily Advertiser.  (Newark, New Jersey.)  October 28, 1848, Vol. 17, No. 248, P. 2.

Premiums To Jerseymen—We select from the long list of premiums at the XXIst. Fair the the American Institute, the following awards to Jerseymen; Exclusive to the agricultural and horticultural departments, which are not yet published…

Silver Medals…

John A. McDougal, residence at Newark (Room 251 Broadway, New York) best miniatures.

1849 October 4.  New York Herald.  (New York, New York.)  October 4, 1849, Whole No. 5598, P. 3.

Miniatures.—Mr. J. A. McDougal, Artist, Has returned to his studio, No. 251 Broadway, corner of Murray street, over Tenney’s, in Plumbe’s.  Mr. McD. Is enabled by a process peculiar to himself, to copy Daguerreotypes, no matter how dim or faded, and give the expression as well as if from life.

Advertisement was recorded sixteen times between October 4 and November 23, 1849.

1857 January 13.  Newark Daily Advertiser.  (Newark, New Jersey.)  January 13, 1857, Vol. XXVI, No. 10, P. 3.

The Metropolitan Gallery Of Art Will open on Monday, Jan. 12th, 1857, in “Our Building,” 192 Broad st., (opposite the Military Park.)  The rooms have been arranged upon the most modern principles for the purpose intended, viz: the production of Photographs, Daguerreotypes & Ambrotypes. 

The rooms are spacious and elegantly furnished; the Skylight is the largest in the State, and has not its superior elsewhere.  Each branch of the business will be under the control of a competent artist.  Mr. George Howard will have charge of the Photographic work, and J. Spencer Olds (formerly of this city) of the Daguerreotype and Ambrotype department.

For the coloring of the Photographs superior artists have been engaged, among them Messrs. John McDougal, Esq., A. C. Hyler and Miss Demars.

Have now on hand a good assortment of Frames, Cases and Daguerreotype Jewelry.  No pains shall be spared to please our patrons, who shall be treated with kindness and courtesy, and satisfaction in all cases guaranteed.  C. R. Brewster, Proprietor.

Advertisement ran from January 13 to 29, 1857.

1857 January 30.  Newark Daily Advertiser.  (Newark, New Jersey.)  January 30, 1857, Vol. XXVI, No. 26, P. 3.

Card To The Public.  Mr. Geo. Howard, one of the best Artist of the day has charge of the Photographic Department at the Metropolitan Gallery Of Art.

Mr. John McDougal, one of the best Artist has charge of the Coloring of the Photographs in either Oil, Pastil or Water colors at the Metropolitan Gallery Of Art.

Mr. Hiler & Miss Demars, who are now engaged in first class establishments in N. Y. city have charge of the coloring of Photographs in India Ink or Pastell, at the Metropolitan Gallery Of Art.

Mr. J. Spencer Olds, one of the best Artist of the day, has charge of the Daguerreotype and Ambrotype Department at the Metropolitan Gallery Of Art.

Ladies, gentlemen and children, wishing artistic Pictures, either Photographs, Daguerreotypes or Ambrotypes are invited to call at the Metropolitan Gallery Of Art.

The rooms are elegantly furnished, convenient and comfortable, and the facilities for producing beautiful Pictures are unsurpassed.

“Our Building,” 192 Broad Street.  C. R. Brewster, Proprietor.

Advertisement ran from January 30 to February 9, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

The Judson Gallery.—Seeing it announced by parties that I am associated with various Photographic and Ambrotype Galleries in this city, and feeling that this a constant embarrassment to myself, as well as leading the public to believe that I am not really connected with any.  I have found it necessary to make an arrangement with one of these establishments.  Desirous to form one that would give the joint pictures an artistic value.  I have selected the best Operator in the city in A. Judson, No. 238 Broad st., one door above the Canal, whom I have also long considered the best Ambrotypist in the United States.

Having for a long term of years been conversant with the higher branches of the art, and constantly making it a study, my partnership with this establishment will add to the merit of the truly elegant pictures which Mr. Judson produces, and will, I feel confident, secure to this Gallery the favor of the public.  John McDougall.

Advertisement ran from February 10 June 6, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

The undersigned would hereby give notice that he has sold out his interest in the Ambrotype, Photograph and Daguerreotype Gallery of A. Judson & Co. to John McDougall, whose high merit as an artist will add to the otherwise just claims of the Gallery to public favor.  E. D. Stilson.

Advertisement ran from February 10 to June 6, 1857.

1857 February 10.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 10, 1857, Vol. XXVI, No. 36, P. 3.

We desire the public to understand that we are prepared at The Judson Gallery, No. 238 Broad St. to furnish Photographs, Ambrotypes and Daguerreotypes in the highest style of the art.

Mr. McDougall colors Photographs in Oil, Pastelle and Water, of all sizes and every method; and copies Daguerreotypes or Paintings of deceased persons, guaranteeing a complete picture.  His skill in Likeness Painting is too well appreciated by the residents of this city to need a reference. 

A. Judson.  J. McDougal.  A. Judson & Co.

Advertisement ran from February 10 to June 6, 1857.

1857 May 22.  Newark Daily Advertiser.  (Newark, New Jersey.)  May 22, 1857, Vol. XXVI, No. 121, P. 3.

An Attractive Exhibition For A Few Days At The Judson Gallery, One door North of the Canal.  Where several fine Photographs, painted by McDougall, may be seen.  Call before they are taken home by their owners.  Likenesses warranted and all work done in the highest style of the Art.

Advertisement ran from May 22 to September 11, 1857.

1857 December 24.  Newark Daily Advertiser.  (Newark, New Jersey.)  December 24, 1857, Vol. XXVI, No. 304, P. 2.

Holiday Presents…

Daguerreotyper, &c.  Hopper & Freeman, 826 Broad; Brewster, 192 Broad; McDougall & Judson, next to Canal Bridge; and W. Henry Rolf, 354 Broad, will be prepared during the holidays to carry on their usual business of admirably counterfeiting—faces.

1862 February 11.  Newark Daily Advertiser.  (Newark, New Jersey.)  February 11, 1862, Vol. XXXI, No. 34, P. 2.

A handsome photograph of S. B. Brittan, Jr., formerly of this city, killed at the battle at Fort Henry, is on exhibition at Judson and McDougall’s, just above the Canal, and attracts much attention.  He was a young man of attractive appearance.

1869 September 28.  The Sentinel Of Freedom.  (Newark, New Jersey.)  September 28, 1869, Vol. LXXIII, No. 39, Whole No. 3747, P. 3.

Closing of the State Fair…

The Premiums…

Music and Arts…

J. A. McDougal, Newark, 1st premium for photographs in oil, water colors and photographs of animals;… 

1894 July 30.  The Evening World.  (New York, New York.)  July 30, 1894, Vol. 35, P. 5.

John A. M’Dougall Dead.  Celebrated Artist and Father of a Family of Artists.  Newark, July 30.—John A. McDougall, for half a century famous as an artist and litterateur, died last night at his home, 151 West Kinney street.  His demise was the outcome of a long period of illness.

Mr. McDougall was born in this city eighty-seven years ago, and from boyhood was a close associate of Edgar Allen Poe, Washington Irving, Nathaniel P. Willis and others whose fame is world-wide.  These boyhood associations were continued as each developed in years and in talent, and forty years ago the little coterie comprised the most famous poet, writer and artist of the day.

At the height of his genius Mr. McDougall was considered one of the best landscape artists and colorist of the day.  He had not done any work for many years, however.  During Edgar Allen Poe’s vicissitudes Mr. McDougall remained steadfast, siding warmly with him in all his quarrels.

Mr. McDougall’s wife, an octogenarian, five sons and a daughter, survive him.  All of his sons have followed his pursuit, and each has made good use of his inherited talent.

John A. McDougall, Jr., has required renown as an artist, and maintains a studio in Paris, as well as one in this city.  Hary C. is one of the proprietors of the Sunday Call, of Newarkbutor to magazines and newspapers.  Walter McDougall is, perhaps the best known of this talented family, through his brilliant cartoons in “The World.”  Walter is also a clever writer of fiction and is President of the McDougall Publishing Company, of Newark.

The McDougall family is well known in Newark society, and Mr. McDougall’s death removes one of its most respected and revered members.  


[1] Gary Saretzky online list of New Jersey Photographers

[2] Death date from obituary July 29, 1894.

McDonell, Donald

1844                Address Unknown, Buffalo, New York.

1847-1852       192 Main Street, opposite the Farmers Hotel, Buffalo, New York.

1852-1858       208 and 210 Main Street, Buffalo, New York.

1855-1859       194 Main Street, Buffalo, New York.

1858-1864       232 Main Street, Buffalo, New York.

1865-1868       288 Main Street, Buffalo, New York.

1847.  Buffalo City Directory.  (Buffalo, New York.)  1847-1848, P. 28.

M’Donell & Co.  Daguerrian Rooms, Opposite The Farmers Hotel, No. 192 Main-Street, Buffalo.

Ladies and Gentlemen will please call and see their numerous Specimens whether they want Pictures or not.

Taken in all sorts of Weather.  Daguerreotypes Apparatus, Plates, Cases, Chemicals, and every article used in the Business, for sale wholesale or retail.

1847 October 22.  Morning Express.  (Buffalo, New York.)  October 22, 1847, Vol. 2, No. 556, P. 2.

Extensive Daguerrean Gallery.  McDonell & Co. No. 193 Main street, up one pair stairs, opposite the Farmers Hotel, respectfully invite the public to call and see their numerous specimens, whether they want pictures or not.  Pictures taken in any kind of weather, of size or style [to sell] purchasers.

Instruments, from medium to full size, with every article used in the business, for whole sale or retail.  Money enclosed by Mail for Instruments, Plates, Cases, Chemicals, Lockets, or any other material, will [be] promptly attended to, and the goods forwarded to any part of the country.

Those wishing to learn this truly delightful and useful Art, or those wishing to purchase anything belonging to the business, will find it to their advantage to call at this establishment.

Advertisement ran from October 22, 1847 to January 1, 1848.

1848.  Buffalo City Directory.  (Buffalo, New York.)  1848, P. 354, Published by Thomas S. Cutting.

M’Donell & Co’s Daguerrian Room and Stock Depot, 192 Main Street.

1848 February 16.  The Republic.  (Buffalo, New York.)  February 16, 1848, Vol. 2, No. 315, P. 2.

Daguerrian Gallery.  McDonnell & Co., 192 Main street, opposite the Farmer’s Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also a fine assortment of Lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Cases &c., forwarded to any part.

Advertisement ran from February 16 to May 8, 1848.

1848 May 1.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  May 1, 1848, Vol. XIV, No. 4180, P. 2.

McDonell & Co’s Daguerrian Rooms and Depot for the sale of Daguerreotype material of all kinds, No. 192 Main street.

Goods forwarded to any part.  Instruction given in the art, including every improvement known in the art.

Advertisement was recorded between May 1 to June 14, 1848.

1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849. 1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849.

1849 January 16.  Buffalo Morning Express.  (Buffalo, New York.)  January 16, 1849, Vol. IV, No. 932, P. 3. 

Meade Brothers’ Celebrated Daguerreotypes—At 232 Main-street (Branch of McDonnell & Co’s.  Prof. Meade respectfully inform his old friends, and the public generally, that he will take their celebrated Daguerreotype likenesses, at the Original Room, No. 232Main street, a few doors above Swan, where he will be happy to see all who wish a superior Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day, with great facility and accuracy.  Also, Groups of Families, etc.  Pictures set in lockets, breast pins, rings, &c.

N. B.—Persons sick or infirm, will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch. 

Rooms open from 9 A. M. till 5 P. M.

Thorough instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.  dec.21tjan.26.

Advertisement Was recorded between January 16 to 27, 1849.

1849 November 25.  New York Herald.  (New York, New York.)  November 25, 1849, Whole No. 5638, P. 3.

Fine Arts.—To All Professional Daguerreotypers and Amateurs of the Photographic Art throughout the United States.—The subscribers, owners of Talbot’s United States Patent for taking pictures on paper, by aide of the Camera Obscura, considering that it is more consonant with the spirit of the age and the free institutions of this country, to give access to a valuable invention to every one who desires it, have concluded to dispose of this Patent Right, together with their valuable improvements, in individual licenses, at the trifling sum of thirty dollars for each of the first two hundred licenses, and fifty dollars for each subsequent one.  For this sum every purchaser receives license to exercise the art throughout the United States, with the exception of the States of Louisiana, Alabama, Georgia, Florida and Texas, for which States the exclusive right has been sold previous to this arrangement; a copy of the original patent and a printed pamphlet containing a full, clear, and minute description of the process, as improved by the scribers.  For further particulars, apply to the subscribers or their agents, post paid, who will send by return of mail a full prospectus of all the conditions. 

W. & F. Langenheim, Exchange, Philadelphia.  Agent—

E. White, 24 Broadway[1], New York City.

A. Q. Browns, 228 Washington Street, Boston.

Hale & Co., Boston.

Eastern Patent Agency, Boston.

W. A. Wisong, Baltimore

W. A. Pratt, Richmond, Va.

John C. Simons, King st., Charleston, S. C.

Peter Smith, Cincinnati, O.

Messrs. Long, St. Louis, Mo.

D. McDonnell, Buffalo, N. Y.

Advertisement ran from November 25 to December 3, 1849.

1850 August 20.  Buffalo Morning Express.  (Buffalo, New York.)  August 20, 1850, Vol. V, No. 1423, P. 2.

Important to Daguerrean Artists.  M’Donell & Co. No. 192 Main street, have for sale a new style Buff, only ten dollars a pair, called the Magnetic Buff.  It makes a plate so sensitive that an impression can be taken in from two to three seconds, with the instruments in common use.  A immense supply of stock, including the largest supply of Gold Lockets in Western New York, just received, and which we sell wholesale at New York prices.

Plates, cases, cameos, &c. forwarded to any part of the country.  Money sent by Express or by mail will come safe.

McDonell’s celebrated sensitive for sale constantly.  Instruction given in the art with the necessary apparatus, and supplies furnished on moderate terms.

Advertisement was recorded between August 20, 1850 to February 21, 1851.

1851 April 19.  Buffalo Morning Express.  (Buffalo, New York.)  April 19, 1851, Vol. VI, No. 1629, P. 3. 

Daguerrean Gallery.  McDonnell & Co.—192 Main st., opposite the Farmers Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Please call and see.  From 6¼ A. M. to 7 P. M.

Advertisement was recorded between April 19, 1851 to July 9, 1852.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. VI, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present limits we only refer to the following:  First—a Silver Medal and a Diploma by the N. Y. State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear, in the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

1852.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1852, P. 83, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1852 January 6.  Buffalo Morning Express.  (Buffalo, New York.)  January 6, 1852, Vol. VI, No. 1849, P. 2.

Daguerreotyping, Or, The Fine Arts In Buffalo.  McDonell & Co., in returning many thanks to their friends and the public generally, for their kind a liberal patronage since their commencement in Buffalo, eight years ago, have a pleasure in saying, that they were never better prepared to make Pictures on a very superior kind, from the smallest size imaginable to double full size, which is an advantage not found in any other establishment west of New York.

Having again stooped to notice the taunting and bombastic libels issued against us by a harmless yet much agitated competitor, O. B. Evans, whose exasperated jealousy of our popular success, which by every low mend of tergiversation he assails, and wonted petulance gives him the liberty of my name; and although having at all times great aversion to the usage of invective and dissension, and much greater to the notice of them from an inferior source—yet we are impressed with the idea, that erroneous fallacy, if seized, in its exit and hurried back to the teeth of its miserable author, the venom of whose boiling soul seems ever employed to drag him into difficulties, may be to him a moral less [n], and perhaps in time a pecuniary gain.  In contradiction to O. B. E.’s notice of the 27th ult., I would merely say, that my conscious belief has been confirmed by that of most credible authenticity, that his acquirements of Diplomas were not meritorious, but through a courtesy to highly accomplished auxiliary etiquette.  Moreover, I feel no hesitation in expressing my firm belief, that the Inspecting Committee at the Rochester State Fair, evinced either a blinded sympathy or total ignorance of the intricacy attending the improvements making in the Art, which belief is confirmed by the Daguerrian Journal, which reads as follows:

“For several years but little satisfaction has been felt by those who have exhibited Daguerreotypes at the exhibition of the American Institute.  We would not say this, were it not that others than the exhibitors have been disappointed by the course of decisions.  Yet it may be well and properly accounted for—for oftentimes the judges are others than those who know even the first principle of science.”

“With such a Committee, a skilful operator had better keep his Specimens within his own walls.”

When O. B. Evans could receive a Diploma, while our double whole size Pictures of which are acknowledged by distinguished Artists to remain unsurpassed if equalled by any executed in this country or Europe, received not their merited notice.  With this belief, a consciousness of our own ability, and the popularity of an enlightened and discerning public, we have deemed the pursuit and requirement of Diplomas matter of no special gain or repute.  Yet for our many encomiums and Diplomas, we seek no further confutation of O. B. Evans’ slanderous libels, in whose own unpolished diction, by the assumption of his pointed liberty of my name, he acknowledges me his superior, and the only bar to his success, than the public before whose eyes they have hung in our Gallery for the last three years.

As to the extension of O. B. Evans’ patronage, we have never assumed the petty province of investigating; but would say, that in our employ we keep four persons busily engaged, and that it speaks poorly that he has out merited his patronage in Buffalo, and gone for a time to operate in some country village.

We feel no displeasure that O. B. Evans receives a liberal share of patronage by honest means; but he who would seek to lessen his neighbor’s merit by a resort to superlative untruth and unparalleled self-conceit, deserves to be noticed only that he may be the more despised.  D. McDonell.

 Advertisement ran from January 6 to 8, 1852.

1852 June 18.  Buffalo Morning Express.  (Buffalo, New York.)  June 18, 1852, Vol. VII, No. 1988, P. 2. 

Daguerreotypes—That which can beckon back the absent and summon up the dead, furnishing something more than an imperfect imagination of their features, by its cunning counterfeit of the actual being, must be regarded as of inestimable value.  It is one of the greatest triumphs of art, that it has secured to the most indigent as well as the opulent, the means of “snatching a copy” of the lineaments of those whom they are called to [resign].  Our city is highly favored with artists in this line.  We have taken a stroll recently through the rooms of Messrs. McDonnell and find them filled with creditable specimens, of the art du soliel.  Their gallery is finely fitted up and affords a desirable lounging place for these hot days.  Their collection of pictures embraces many persons of note.  These gentlemen have received several diplomas attesting their skill, and those desiring a good daguerreotype may anticipate satisfaction at this establishment.

1852 July 8.  Buffalo Morning Express.  (Buffalo, New York.)  July 8, 1852, Vol. VII, No. 2004, P. 2. 

Removal.  McDonell & Co., have removed their celebrated Daguerrian Rooms to Nos. 208 and 210, over the scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonell & Co.

Advertisement ran from June 8 to 15, 1852. 

1852 July 10.  Buffalo Morning Express.  (Buffalo, New York.)  July 10, 1852, Vol. VII, No. 2006, P. 1. 

Daguerrean Gallery.  McDonnell & Co.—208 and 210 Main street, over Scotch Store.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Advertisement was recorded between July 10, 1852 to January 15, 1853.

1852 August 27.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  August 27, 1852, Vol. XVIII, No. 5508, P. 3.

Daguerrian Rooms—McDonell & Co’s celebrated Rooms removed to 208 and 210.  The only establishment west of New York where double full size pictures are made.  All the smaller sizes made as usual.  Daguerrian goods for sale wholesale.

Instruction given in the art.

Rooms open from 7½ A. M. till 7½ P. M.  Remember the No., 208 and 210.

N. B.—A splendid lot of Lockets, &c. &c. of all sizes, ways on hand.

Advertisement was recorded between August 27, 1852 to January 13, 1854.

1852 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1852, Vol. VII, No. 2032, P. 3. 

McDonnell & Co., 208-210 Main Street. , are making some fine pictures of late.  Their new rooms are a great improvement upon the old.  Persons wishing a good “counterfeit of the human face divine” should give them a call.

1852 August 14.  American Celt, and Catholic Citizen.  (Buffalo, New York.)  August 14, 1852, Vol. IV, No. 33, P. 8.

Daguerrean Rooms.  McDonell & Co.’s Celebrated Rooms and Stock Depot Nos. 208 & 210 Main-st.  The only Rooms West of New York where the double whole size impressions are taken.

Instructions given in the Art and Daguerrean goods sold at whole sale.

Impressions taken of children of any age.

Advertisement as recorded on August 14, 1852 & on May 28, 1853.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Last but not least are a group of three ladies, and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient need of praise unless it be the first approval of the committee…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next to North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Removal.  McDonnell & Co., have removed their celebrated Daguerrean Rooms to Nos. 208 and 210, over the Scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonnell & Co.  jy9.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Daguerrean Rooms.  The Oldest in Buffalo. 

Diploma Awarded To D. McDonell For Superior Daguerreotypes.  B.P. Johnson Sec.  [and] [P.] Allen Pres.

McDonnell & Co’s., celebrated Rooms and Stock Depot are over the Scotch Store, No. 208 and 210 Main st., a few doors from their former place, where they are makingsuperb pictures from the smallest size possible to Double Full Size.  His is the only Establishment west of New York where these mammoth impressions are made.

An immense amount of Daguerreotype Material including gold Lockets, Watch Keys, Seals, Bracelets, &c. &c., all for miniatures, for sale wholesale.  Instructions given in the art and everything furnished on reasonable terms.

Do Not forget the place 208 and 210, up stairs.  jy17.

1853.  Buffalo City Directory.  (Buffalo, New York.)  1852, P. 80, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1853 February 21.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  February 21, 1853, Vol. XI, No. 5657, P. 2.

Pursuant to notice there was a special meeting of the St. Andrew’s Society of the city of Buffalo, held at Mr. D. McDonell’s Rooms, No. 208 Main street, on the evening of Saturday the 19th February 1853, in relation to the death of Mr. Alexander Allen.

In the absence of the President, Hugh Cameron, Esq., Mr. Donald McDonell, one of the Vice Presidents, was called to the chair…

D. McDonell, President.

John Jamison, Secretary.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is susceptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854.  Buffalo City Directory.  (Buffalo, New York.)  1854, P. 59, Published By Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1854 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1854, Vol. IX, No. 2649, P. 3. 

Daguerreotypes.  McDonnell & Co., Is Thanking The public for the liberal patronage constantly extended to them since 1844, would avail themselves of the present opportunity of reminding those who have yet to secure the last true and imperishable mementos of life, health and beauty, that “procrastination is the thief of time.”  Though pressure of business renders it next to impossible, the subscribers, ever willing, are constantly taking impressions of deceased persons, whose friends are sorely reminded of the above adage,  Securer the shadow ere the substance fade, for we know not what a day may bring forth.

The subscribers have lately got on a rich and beautiful assortment of plain and fancy Cases; also, a fresh supply of Gold Lockets, Rings, Pins, &c.  They would also say to Daguerrean Artists, that they are prepared to furnish large supplies of the celebrated H. B. Plates; also Cases, Frames, &c.  D. McDonnell & Co., No’s 208 and 210 Main street, Buffalo.

Advertisement ran from August 10 to 17, 1854.

1854 August 11.  Buffalo Morning Express.  (Buffalo, New York.)  August 11, 1854, Vol. IX, No. 2650, P. 3. 

We understand that McDonnell & Co., the well known Daguerreotypist, are about to fit up one of the most extensive and elegant Galleries, out of New York city.  Particulars in due time.  Meanwhile, they are receiving a choice assortment of cases, lockets, pins, rings, etc., and are prepared to put faces upon record at the shortest notice, and to the best advantage.  Their pictures are always exquisite, and are, therefore, highly prized.

1854 December 6.  Buffalo Morning Express.  (Buffalo, New York.)  December 6, 1854, Vol. IX, No. 2752, P. 2. 

All Hail!  Happy Season Of Amusements, Gifts And Mementos.  In Thanking Our Numerous Friends for the liberal patronage hitherto extended, we would take this method of informing them that we have just received a large assortment of the richest and most beautiful Cases, comprising Union, Antique, Sontag, &c., and Picture Frames, Lockets, Rings, &c., that was ever offered to the citizens of Buffalo.  On comparison with their equalities they will be found cheap.  Ladies and gentlemen please call and see them.  McDonell & Co.

Advertisement was recorded between December 6, 1854 to January 5, 1855.

1854 December 7.  Buffalo Morning Express.  (Buffalo, New York.)  December 7, 1854, Vol. IX, No. 2753, P. 2. 

To Let.  A Very Desirable And Commodious dwelling, being No. 58, corner Chippewa and Franklin streets, west of Main.  It is supplied with water and gas, has a garden containing several fruit trees, and a good brick barn on the lot.

Also, the upper part of Nos. 208 and 210 Main street—For further particulars enquire of the subscriber, who is nearly ready to move into the new and splendid rooms over Murray and Cummings new store, No. 194 Main st.  D. McDonell.

1855.  Buffalo City Directory.  (Buffalo, New York.)  1855, P. 49, Published By Thomas & Lathrops.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1856.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1856, P. 54.  Published By Thomas & Lathrops.

Daguerrean Rooms—The Oldest in Buffalo.  M’Donell & Co.  NO. 208 & 210 Main Street, Importers, Manufactures & Dealers in Daguerreotype Materials.  Rooms open to the Public from 7 a.m. to 7½ p. m. 

1856 February 8.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  February 8, 1856, Vol. XI, No. 3115, P. 2. 

Just Received By McDonell & Co., No. 194 Main street, Buffalo, a very large supply of Daguerrian Goods.  Also, Photograph Material.

Advertisement ran from February 8 to 13, 1856.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

To Rent.  A Splendid Front Room Over Murray & Cumming, No. 195 Main street, suitable for a large office, Merchant Tailor, &c  Also, a fine room over the same establishment, with good entrance from Pearl street.

For particulars apply to the subscriber.  D. McDonell.

Advertisement ran from July 3, 1856 to March 24, 1857.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

“Advertising Medium.”  Notice.  Persons Holding Due Bills Against me for Daguerreotypes are requested, while the weather is fine, to attend to them.  D. McDonell.

Advertisement ran from July 3 to 7, 1856.

1856 September 27.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  September 27, 1856, Vol. XI, No. 3315, P. 3. 

Fair of the American Agricultural Exchange Association.—The following Premiums were awarded by the committee…

On Miscellaneous Articles…diploma to…D. McDonnell…

1856 October 22.  Campaign Courier.  (Buffalo, New York.)  October 22, 1856, Vol. 2, No. 19, P. 3.

Rooms Open To The Public. The most extensive Daguerrean Establishment in Western New York, 232½ feet deep, through from Main to Pearl street, second floor, over Murray & Cumming’s fine Dry Goods Store, 194 Main street, opposite the Metropolitan Theatre.

$10,000 Worth Of Daguerreotype Material constantly on hand, including Gilt And Rosewood Frames, Cases of all sizes and styles, where persons having pictures taken can have a chance to select . 

Impressions Taken on Plates, Glass And Paper.  Artists supplied with Cameras and all kinds of Material for Daguerreotypes, Crystalotypes, or Photographs.  McDonell & Co.   no27.

1856 December 7.  The Spirit of the Times.  (Batavia, New York.)  December 7, 1856, Vol. 34, No. 26, P. 8.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co., No. 208 and 210, Main street, Importers Manufacturers, and Dealers in Daguerreotype Materials, of every description, thank the public for the liberal patronage extended to them.  Having enlarged their rooms, and added a splendid Sky Light to their facilities for making their superb pictures, their patrons can have a choice; having also added largely to their supply of Instruments, Plates, Cases, Chemicals and Gold Lockets, Pins, Bracelets, Locket seals, Rings, &c., for Miniatures, would invite strangers visiting the city, or Falls of Niagara, to give a peep into their new rooms, where they can be seen the largest supply of specimens in Western New York.  They are prepared always to take impressions of Children of every age, in the wonderful short space of one second.

Daguerrean Artists sending orders, with the cash, by mail can have them filled to any extent, at least as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instructions given in the art.  The Buffalo and other papers will account for our Diplomas, encomiums for the specimens sent to the World’s Fair, &c.

Rooms open to the public from 6 A. M. to 7½ P. M.  Recollect the number, 192 Main Street, opposite the Farmer’s Hotel.

1858 May 17.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  May 17, 1858, Vol. XI, No. 3819, P. 2. 

Removal.  The Daguerrean, Ambrotype And Photographic Gallery of D. McDonell has been removed from 194 to 282 Main street, between Swan and Erie streets, where its unrivalled attractions will be continued.

Advertisement ran from May 17 to August 9, 1857.

1858 August 4.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  August 4, 1858, Vol. XIII, No. 3886, P. 4. 

From The Fire Marshall.  Fire Marshall’s Office, Buffalo, August 2, 1858.  To The Hon. The Common Council of the city of Buffalo.—Gentlemen a fire occurred on the 21st inst. at 2½ o’clock, P. M. in a two story brick building known as the Jas. M. Fish elevator situated on the southwest corner of Ohio and Cincinnati streets, owned by the New York Central Railroad, unoccupied.  Loss on the building $3,000.  No insurance.  The fire spread as follows, to wit:…2 story wooden building owned by D. McDonnell, occupied by E. Connelly as a grocery.  Loss on building $500.  Fully insured.

1859 December 31.  Buffalo Evening Post.  (Buffalo, New York.)  December 31, 1859, Vol. X, No. 286, P. 2. 

Bought Out.—R. McDonell, of the old Daguerrean Rooms opposite the Metropolitan Theatre, has bought out the entire stock of A. B. Nimbs’ colored photographs, daguerreotypes, ambrotypes and furniture.  Mr. Nimbs is acknowledged to be the best colorer in Western New York, and will hereafter color for Mr. R. McDonell.  Citizens may depend upon having work done promptly at 194 Main street.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 3. 

Removed.—By reference to the card of Mr. J. H. Keller it will be seen that he has removed his Photograph and Daguerreian Gallery to the large and commodious rooms formerly occupied by R. McDonell, at No. 194 Main street.  He will there continue to execute sun pictures in the very highest style of art.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 2. 

Keller’s Gallery.  J. H. Keller Has Removed To The Large And Old Established Rooms of R. McDonell, 194 Main Street, opposite the Theatre, where, with increased facilities, he will be happy to see his old friends and patrons.  These rooms are the most airy and convenient in the city, being reached by only one pair of stairs, and in order to meet the wants of the people, and to suit the times, I have reduced the price of pictures as follows:

Ivorytypes, without frames…………$8.00

Photographs, colored in oil…………$10.00

Photographs, Water colors………….$5.00

Photographs, India Ink………………$5.00

Also superior Ambrotypes and Melainotypes taken at the lowest prices.

All Pictures taken in the finest style of the art, and warranted to give perfect satisfaction.

Phereotypes are also made at my rooms.

Daguerreotypes, from pictures already taken of deceased persons, produced of an enlarged size, and painted in oil at $10 each, and finished in the most superior style of the art.  J. H. Keller.

1861 April 20.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  April 20, 1861, Vol. XXVII, No. 10,227, P. 3.

“Scots Wha Ha’ Wi’ Wallace Bled.”—

Scotch adopted citizens and the sons of Scotchmen, are requested to meet at the Old Court House, on Monday evening, April 22d, for the purpose of declaring their sentiments, and taking whatever action may deemed advisable, in the present condition of our National affairs.

David Bell, President St. Andrew’s Society.

James Smith, Ex-Pres. St. Andrew’s Society.

Donald McDonell,

Alexr. McKay,

James E. Thompson,

Archer McPherson.

1861 August 12.  Buffalo Morning Express.  (Buffalo, New York.)  August 12, 1861, Vol. XVI, No. 4809, P. 2. 

Removal!  W. M. Knight having associated himself with R. J. Willett, has removed to the large and finely lighted rooms lately occupied by McDonnell, No. 194 Main Street, Over H. Con’s Emporium, (directly opposite the Metropolitan Theatre), is now prepared to make pictures of all sizes and varieties, from the cheap Ambrotype to Photographs, life size, in oil.  Having a large, fine sky light, (up only one flight of stairs) especial attention will be given to Children and Groups.

We are fitted up for making First Class Daguerreotypes Which are the nicest and most durable pictures ever made.  Large Photographs at one-half the price of the up town rooms.

We shall make none but good Pictures, and shall sell them at prices to suit the times.  Call and see.  Knight & Willett.

1861 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1861, Vol. XVI, No. 4823, P. 3. 

Our Holiday Directory…

Miscellaneous.  At R. McDonnell & Co., 257 Main street, may be obtained for holiday presents choice photographs, beautiful daguerreotypes, and exquisite ambrotypes.

Buffalo City Directories.  (Buffalo, New York.)

1844.   McDonnell, Donald—Clerk, 166 Main Street., B-Murray’s.

1847.   McDonnel & Co., Daguerrian, Rooms 192 Main.

1848.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McD. & Co.) 192 Main.

1849.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald, (Firm of McDonnell & Co.) B-Bennet’s Temperance Hotel.

1850.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.) H- 16 Carrole.

1851.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.)  H- 16 Carrole.

1853.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1854.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1855.   McDonell & Co., Daguerrean Rooms over 194 Main.

 McDonell, Donald (Firm of McD. & Co.)  H-Pearl above Seneca.

 McDonell, A. Daguerrean, B. Genesse House.

1856.   McDonell & Co., Daguerrean Rooms, over 194 Main.

McDonell, Donald (Firm of McD. & Co.) H-Franklin corner Chippewa.

McDonell, Ronald, no occupation listed, over 194 Main.

McDonell, Ronald C., no occupation listed, over 194 Main.

1857.   McDonell, Donald, Daguerreotypist, 194 Main.  H-58 Chippewa.

 McDonell, R., artist, 194 Main.

1858.   McDonell, Donald—232 Main st., H-Chippewa corner Franklin.

McDonell, R., Daguerrean, 194 Main.  H-194 Main.

1859.   McDonell & Co.—Daguerrean Gallery—232 Main.

McDonell, Donald, (Firm of McD. & Co).  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1860.   McDonell & Co., Daguerrean Gallery, 232 Main.  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1861.  McDonell or McDonnell—Not listed

1862.   McDonell, Donald—Photographer, 232 Main.  H-58 Chippewa.

McDonel, R., Photographer, 255 Main.

1863.   McDonell, Donald—Photograph Gallery, over 232 Main.  H-58 Chippewa.

McDonell, R.  Not listed.

1864.   McDonell, Donald—Artist—232 Main.  H-58 Chippewa.

1865.   McDonnell, Donald—Picture Gallery—288 Main.  H-58 Chippewa.

1866.   McDonell, Donald—Photographer—over 288 Main.  H-58 W. Chippewwa.

1867.   Donnell, Donald—Photographer—288 Main.  H-58 Chippewa.

1868.   Donnell, Donald—Photographer—288 Main.  H-53 Chippewa.

1869.   Donell, Donald—Agent.  H-53 W. Chippewa.

1870.   Donnell, Donald—Insurance Agent.  H-53 Chippewa.


[1] Possibly a typo for 247 Broadway

McCosker, Thomas

1857-1860       Address Unknown, Boston, Massachusetts.[1]

1861-1865       88 Hanover Street, Boston, Massachusetts.1

1864                110 Hanover Street, Boston Massachusetts.

1865-1873       110 Hanover Street, Boston, Massachusetts.1

1868                101 Saratoga, East Boston, Massachusetts.1

1874-1884       85 Hanover Street, Boston, Massachusetts.1

1884-1897       51 Washington Street, Boston, Massachusetts.1

1861-1967  Partnership Cheesman & McCosker. Carte de Visites exist by Thomas McCosker (alone) at the 88 Hancock Street address.

1863 May 7.  Daily Evening Traveler.  (Boston, Massachusetts.) May 7, 1863, Vol. XIX, No. 30, P. 2.

Photographs.—Northern and Eastern people coming into town to obtain ambrotypes or photographs, , will find the saloon of Fred H. Cheesman and Thos. McCosker, at 88 Hanover street, very conveniently located.  These gentlemen finish photographs of all sizes, and in any desired style.  Their photographs are superb, and cannot be surpassed by those of any similar house in Boston.  An inspection of the pictures on exhibition at their rooms will satisfy all visitors of this fact.

1864 December 28.  Boston Morning Journal.  (Boston, Massachusetts.)  December 28, 1864, Vol. XXXI, No. 9831, P. 3.

New Photograph Rooms.  Cheesman & McCosker, formerly at 88 Hanover street have fitted up new rooms at 110 Hanover street, where they are now ready to make all kinds of Photographs, from the card to life size.  No. 110 Hanover street, Boston.  Fred. H. Chessman, Thos McCosker.

Advertisement was recorded from December 28, 1864 to January 3, 1865.

1864 December 28.  Daily Evening Traveler.  (Boston, Massachusetts.) December 28, 1864, Vol. XX, No. 230, P. 3.

Photographers.  The subscribers having removed from No. 88 to 110 Hanover Street, would cordially tender their thanks for the patronage so generously bestowed upon them at their old stand, and respectfully request a continuance of the same.  All orders will be faithfully and promptly filled.  Fred H. Chessman.  Thos. McCosker.


[1] A Directory Of Massachusetts Photographers 1839-1900.