Tag Archives: Photographer

Mannington, John

Ambrotypes, Daguerreotypes, Photographs, , , ,

1856-1857       Merriman & Ainsworth’s Block, Third Story, Geneseo, Illinois.

1858-1861       Perry’s & Ainsworth’s Block, Third Story, Geneseo, Illinois.

1856 November 25.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  November 25, 1856, Vol. I, No. 23, P. 3.

Sky-Light Ambrotypes And Daguerreotypes.  Mr. J. Manington[1], Thankful for the liberal patronage of the citizens of Geneseo and vicinity, would respectfully ask for a continuance of the same, at his New Rooms, In Merriman & Ainsworth’s Block, Third Story.

Likenesses taken in every style of the art

Having had seven years experience in the picture business he has no hesitation in warranting satisfaction.  Call and examine specimens fellow-citizens, and judge for your selves.

Advertisement ran from November 25, 1856 to September 30, 1857.

1856 November 25.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  November 25, 1856, Vol. I, No. 23, P. 3.

Sky-Light Ambrotypes And Daguerreotypes.  Mr. J. Mannington1, Thankful for the liberal patronage of the citizens of Geneseo and vicinity, would respectfully ask for a continuance of the same, at his New Rooms, In Perry’s & Ainsworth’s Block, Third Story.

Likenesses taken in every style of the art

Having had seven years experience in the picture business he has no hesitation in warranting satisfaction.  Call and examine specimens fellow-citizens, and judge for your selves.

Advertisement ran from November 25, 1856 to September 30, 1858.

1858 December 22.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  December 22, 1858, Vol. III, No. 28, Whole No. 132, P. 1.

J. Mannington, Ambrotyper and Photographer.  Likenesses taken in every style of art.  Room in Perry & Ainsworth’s Block, Geneseo, Ill.

Advertisement was recorded Between December 22, 1858 to February 27, 1861.

1861 April 17.  Geneseo Republic.  (Geneseo, Illinois.)  April 17, 1861, Vol. V, No. 45, Whole No. 253, P. 3.

By the aid of an improved process, Mannington is taking photographs that beat life, all holler.  We had our face divine taken on past-board, the other day, and so perfectly natural was the picture, that every rat left our cellar, on its being hung up there.  Seriously, we never saw better—nor so good—pictures as those taken by Mannington with the assistance of Walter, who, by the way, is a genius of the first water, and we advise our people to obtain them for self and children, without delay.

[1] Recorded in Craig’s Daguerreian Registry as John Mannington.

Mallon, Maurice M.

Ambrotypes, Daguerreotypes, Photographs, Stereoviews, , , , , , , , , , , , , , , , ,

N. D.               Address Unknown, New York, New York.

N. D.               Address Unknown, Baltimore, Maryland.[1]

1853                294 King Street, Charleston, South Carolina.

1853                Thespian Hall, Mozart Hall Building, Wilmington, North Carolina.1

1854                Over Fisher & Agnew’s Store, Columbia, South Carolina.[2]

1855                Rooms at Mrs. M. Adams’, Greensboro, North Carolina.

1856-1857       Address Unknown, Raleigh, North Carolina.

1857                Odds Fellows Hall, Beaufort, North Carolina.

1857-1859       Rooms at the Odd Fellows’ Hall, Tarboro’, North Carolina.

1859                Rooms over Mr. J. M. Mathews’ Jewelry Store, Elizabeth City, North Carolina.

1865                Bank Street, Old Post Office Building, Bridgeport, Connecticut.

1866-1870       Main Street, near County House, Flemington, New Jersey.[3]

1853 February 15.  The Charleston Daily Courier.  (Charleston, South Carolina.)  February 15, 1853, Vol. LI, No. 16345, P. 4.

Passengers.  Per steamer C. Vanderbilt from Wilmington, N. C.—…M. M. Mallon…

1853 March 31.  The Charleston Daily Courier.  (Charleston, South Carolina.)  March 31, 1853, Vol. LI, No. 16382, P. 2.

M. M. Mallon 294 King-street, is doing a fair business with furnishing the public with his $1.50 Pictures,  Call in and see him.  294 King-Street.

1853 April 5.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 5, 1853, Vol. LI, No. 16386, P. 2.

Mallon’s Crayon Daguerreotypes Are universally acknowledged to be the finest ever produced.

Daguerreotypes taken in the highest style of the art, and warranted, for $1.50, at Mallon’s Great North, Sky and Side Light, 294 King-street.

1853 April 6.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 6, 1853, Vol. LI, No. 16387, P. 2.

A Grand Chance To Engage In Business.—Any Young Man having 3 or $500 can learn of a good genteel business, yielding a large percentage.  For full particulars enquire of M. M. Mallon, 294 King-st.

1853 April 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 8, 1853, Vol. LI, No. 16391, P. 4.

Per U. S. M. steam ship Osprey, for Philadelphia…M.M. Mallon…

1853 April 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 8, 1853, Vol. LI, No. 16390, P. 2.

Good Enough For Any, And Cheap Enough For All.  Mallon is still issuing fine Daguerreotypes, put up in beautiful Morocco Cases for $1.50, at his Daguerrean Rooms, 294 King-street, opposite Liberty-street.

1854 July 22.  The Daily Journal.  (Wilmington, North Carolina.)  July 22, 1854, Vol. 3, No. 272, Whole Number 889, P. 2.

Daguerreotypes.  Mr. J. H. Whitehurst, (the well known Artist,) would respectfully inform the inhabitants of Wilmington and vicinity, that he has had his rooms thoroughly overhauled, and furnished in the best style, with all the latest improvements in the art.  By his arrangement of light, the eye is made to look life-like, however light it may be the features prominent—the dress clear and distinct—thus producing a Picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  He has also succeeded in procuring the valuable services of the celebrated Artists, Mr. M. M. Mallon, who will be happy to wait on all who may favor him with a call.—Rooms open from 8 A.M., to 6 P. M., at Mozart Hall, over Polly & Hart’s store, Front street.

Advertisement ran from July 22 to September 23, 1854.

1854 July 28.  Wilmington Journal.  (Wilmington, North Carolina.)  July 28, 1854, Vol. 10, No. 47, P. 3.

Daguerreotypes.  Mr. J. H. Whitehurst, (the well known Artist,) would respectfully inform the inhabitants of Wilmington and vicinity, that he has had his rooms thoroughly overhauled, and furnished in the best style, with all the latest improvements in the art.  By his arrangement of light, the eye is made to look life-like, however light it may be the features prominent—the dress clear and distinct—thus producing a Picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  He has also succeeded in procuring the valuable services of the celebrated Artists, Mr. M. M. Mallon, who will be happy to wait on all who may favor him with a call.—Rooms open from 8 A.M., to 6 P. M., at Mozart Hall, over Polly & Hart’s store, Front street.

Advertisement ran from July 28 to September 22, 1854.

1853 August 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  August 8, 1853, Vol. LI, No. 16491, P. 4.

Per U. S. M. steam ship Osprey, for Philadelphia—…M. M. Mallon…

1854 December 12.  The Daily Herald.  (Wilmington, North Carolina.)  December 12, 1854, Vol. 1, No. 238, P. 2.

Wilmington, Dec 9th, 1854.  Mr. Editor:—It is well known that Mr. Whitehurst’s enterprise, as a Daguerrean Artist, is second to that of none other in the Union.  Not only has he branches established in many of our principal cities; but his reputation is known throughout the land; and the Medals which have been awarded him by competent Judges, are but a simple tribute to the triumphs of well-directed talent.

But, one word with special reference to his Wilmington Gallery, and the intelligent and accomplished operator Mr. Mallon, who seems to have an inveterate habit of casting delicate reflections by the plate full.  Having frequently visited Mr. Mallon’s rooms, I became much impressed with an opinion of his superior merits as an artist.  His pictures in tone, beauty and finish, rank high; while his frank, unassuming and courteous manners, cannot, I am sure, fail of winning the respect and patronage of those who may make his acquaintance.  A prominent feature of his rooms, is a neatness that I’ve rarely witnessed in any of the galleries visited in my travels.  Surely, thought I, Mr. Mallon’s gallery in the place where youth and loveliness go to get a correct semblance of life; and, judging by the pictures I saw, I am of opinion that Wilmington is not a whit behind her sister cities in the beauty of her fair daughters.  I would advise all who desire a correct, life-like picture, to call on Mr. Mallon at once, whose long experience in connection with one of the first galleries in New York city, is the surest guarantee of his ability as a Daguerrian Artist.

This simple notice has been written without the knowledge or consent of Mr. Mallon, believing that his real merit deserves this word of commendation.  F.

1855 November 9.  The Greensboro Patriot.  (Greensboro, North Carolina.)  November 9, 1855, Vol. XVII, No. 856, P. 3.

We invite attention to the advertisement in another column of Mr. Mallon, Daguerreotypist.  From the recommendations he has received through the public prints, we opine he is amply qualified to execute likenesses second to none.

1855 November 9.  The Greensboro Patriot.  (Greensboro, North Carolina.)  November 9, 1855, Vol. XVII, No. 856, P. 3.

Facts are Stumbling Blocks—Nevertheless tis true you can now procure a beautiful Daguerreotype of yourself or friends for one dollar.

The subscriber would inform the Ladies and Gentlemen of Greensboro’ and vicinity, that he has taken rooms at Mrs. M. Adams’ where he will be pleased to see all who may wish to secure an unfading likeness, or one of those almost living, breathing, speaking Stereoscopic pictures, he has a fine assortment of fancy and all other styles of Cases and frames on hand, all of which will be filled with Daguerreotypes and sold on moderate terms.  With his long experience in the art, and the improvements in chemicals and aparatuses [sic.], he has in his possession, he feels confident that he will be able to please the most fastidious.  As his stay will be but short, he trusts that all will visit his rooms and examine his stock and specimens whether they may wish pictures or not.  M. M. Mallon.

1856 April 5.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  April 5, 1856, Vol. VI, No. 39, P. 3.

Co-Partnership.  T. J. Havens Having Associated With him M. M. Mallon, principal operator for many years the celebrated Whitehurst Premium Gallery, Baltimore, Md., and latterly of Willington, N. C., for the purpose of carrying on the Daguerrean and Photographic business in all its various branches, under the firm of Havens & Mallon; they are happy to announce to the citizens of Raleigh that they have completed arrangements with a gentleman in Philadelphia, one of the best artist in the Union, to color Photographs either in water or oil colors.

Daguerreotypes of Children taken by a new process in from 3 to 5 seconds.  T. J. Havens.     M. M. Mallon.  Raleigh, April 3, 1856.

Advertisement ran from April 5 to October 4, 1856.

1856 April 9.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  April 9, 1856, Vol. XXII, No. 27, Whole No. 1119, P. 3.

Co-Partnership.  T. J. Havens Having Associated With him M. M. Mallon, principal operator for many years the celebrated Whitehurst Premium Gallery, Baltimore, Md., and latterly of Willington, N. C., for the purpose of carrying on the Daguerrean and Photographic business in all its various branches, under the firm of Havens & Mallon; they are happy to announce to the citizens of Raleigh that they have completed arrangements with a gentleman in Philadelphia, one of the best artist in the Union, to color Photographs either in water or oil colors.

Daguerreotypes of Children taken by a new process in from 3 to 5 seconds.  T. J. Havens.     M. M. Mallon.  Raleigh, April 3, 1856.

1856 April 12.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  April 12, 1856, Vol. VI, No. 41, P. 3.

If You Wish A True And faithful Likeness of yourself or friends, call and get one of those gems produced only at Havens & Mallon’s Photographic Gallery.

Notice.—All Persons Indebted To Me will please call and settle their accounts immediately, as further indulgence cannot be Given.  T. J. Havens.

Advertisement was recorded twice on April 12 & 16, 1856.

1856 October 1.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. VI, No. 90, P. 3.

“Oh wad some power the giftie gi’e us,

To see oursels as ithers see us.”

At the Daguerrean Gallery of Havens & Mallon your wish can be gratified.

Mr. Mallon, (Of The Firm,) Has Just returned from the Northern cities where he acquired all the new styles of Daguerreotyping, as well as the latest and most approved modus operandi of transferring the “human face divine” to Glass, in all the natural colors, known as Ambrotypes.  Also, pictures on Ivory which cannot be surpassed.

Don’t forget that we color Ambrotypes as natural as life, and warrant a likeness.

We keep a large assortment of Daguerreotype and Ambrotype stock on hand which will be sold to the trade at the lowest cash price. 

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging.” Specking, &c., will be sent to any part of the union.  Freight pre-paid on the receipt of ten dollars.  Raleigh, October 1, 1856.

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging,” specking, &c., will be sent to any part of the Union.  Freight pre-paid on the receipt of ten dollars.

Advertisement ran from October 1, 1856 to February 18, 1857.

1856 October 1.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. VI, No. 90, P. 2.

The Art Progressing.—We have been shown specimens of pictures styled Ambrotypes, taken At The Daguerrean Gallery of Havens & Mallon, which appear to be faultless likenesses.  Mr. Mallon has just returned from the North, perfected in all the latest improvements in this rapidly advancing art.  Ambrotyping in now supplanting the old system of Daguerreotyping, and with the beautiful effects produced by the recent discoveries in coloring, it bids fair to place portrait painting amongst the things that were.  See advertisement in another column.  Call at the Gallery and judge for yourselves.

1856 October 1.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. XXII, No. 48, Whole No. 1152, P. 3.

The Art Progressing.—We have been shown specimens of pictures styled Ambrotypes, taken At The Daguerrean Gallery of Havens & Mallon, which appear to be faultless likenesses.  Mr. Mallon has just returned from the North, perfected in all the latest improvements in this rapidly advancing art.  Ambrotyping in now supplanting the old system of Daguerreotyping, and with the beautiful effects produced by the recent discoveries in coloring, it bids fair to place portrait painting amongst the things that were.  See advertisement in another column.  Call at the Gallery and judge for yourselves.

1856 October 1.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. XXII, No. 48, Whole No. 1152, P. 3.

“Oh wad some power the giftie gi’e us,

To see oursels as ithers see us.”

At the Daguerrean Gallery of Havens & Mallon your wish can be gratified.

Mr. Mallon, (Of The Firm,) Has Just returned from the Northern cities where he acquired all the new styles of Daguerreotyping, as well as the latest and most approved modus operandi of transferring the “human face divine” to Glass, in all the natural colors, known as Ambrotypes.  Also, pictures on Ivory which cannot be surpassed.

Don’t forget that we color Ambrotypes as natural as life, and warrant a likeness.

We keep a large assortment of Daguerreotype and Ambrotype stock on havd which will be sold to the trade at the lowest cash price. 

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging.” Specking, &c., will be sent to any part of the union.  Freight pre-paid on the receipt of ten dollars.  Raleigh, October 1, 1856.

Advertisement ran from October 1 to 8, 1856.

1856 October 18.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 18, 1856, Vol. VI, No. 95, P. 3.

North Carolina State Fair… The annual Fair of the North-Carolina State Agricultural Society commenced, at the grounds near this city, on Tuesday last; and will close today, Friday… Floral Hall…

Specimens of the color-type likenesses by Mr. O. P. Copeland, Raleigh.  Also, specimens of likenesses in ambrotype, by Messrs. Havens & Mallon, Raleigh.  These likenesses, both by Mr. Copeland and by Messrs. Havens & Mallon, are elegantly done, and reflect credit on the taste and skill of the artist.

1856 October 22.  Spirit Of The Age  (Raleigh, North Carolina.)  October 22, 1856, Vol. VIII, No. 8, P. 2.

The State Fair.  The annual Fair of the North Carolina Agricultural Society, was held at the Grounds near this City, last Week…

Floral Hall was brilliant in specimens of the handiwork, &c…

Copeland’s wonderful Color-type likenesses; Havens’ ambrotypes;

1856 October 22.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 22, 1856, Vol. XXII, No. 41, Whole No. 1155, P. 1.

North Carolina State Fair… The annual Fair of the North-Carolina State Agricultural Society commenced, at the grounds near this city, on Tuesday last;…Floral Hall…

Specimens of the color-type likenesses by Mr. O. P. Copeland, Raleigh.  Also, specimens of likenesses in ambrotype, by Messrs. Havens & Mallon, Raleigh.  These likenesses, both by Mr. Copeland and by Messrs. Havens & Mallon, are elegantly done, and reflect credit on the taste and skill of the artist.

1856 October 29.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 29, 1856, Vol. VI, No. 98, P. 3.

North Carolina State Fair.  Report of Awarding Committees for the Fourth Annual Fair, held in Raleigh, October 1856….Sundries.

Best specimens of Ambrotypes, &c. Havens & Mellon, Raleigh,  $10.

The Committee also mention as deserving of notice and praise…A lot of Ambrotypes by Messrs. Havens & Mallon, and of Color Daguerreotypes by Mr. Copeland…

1856 October 29.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 29, 1856, Vol. XXII, No. 42, Whole No. 1156, P. 2.

North Carolina State Fair.  Report of Awarding Committees for the Fourth Annual Fair, held in Raleigh, October 1856….Works of Art, taste, Painting, &c….

The Committee also mention as deserving of notice and praise…A lot of Ambrotypes by Messrs. Havens & Mallon, and of Color Daguerreotypes by Mr. Copeland…

1856 November 5.  Spirit Of The Age  (Raleigh, North Carolina.)  November 5, 1856, Vol. VIII, No. 10, P. 1.

North Carolina State Fair.  Report of Awarding Committee for the Fourth Annual Fair, held in Raleigh, October 1856…

The Committee also mentioned as deserving of notice and praise…

A lot of Ambrotypes by Messrs. Havens & Mallon, and of colored Daguerreotypes by Mr. Copeland

Sundries.

Best specimens of Ambrotypes, &c. Havens & Mallon, Raleigh,  $10.

1856 November 5.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  November 5, 1856, Vol. XXII, No. 43, Whole No. 1157, P. 4.

Phew!  How tired a fellow feels!  How sleepy I am, to be sure!  I kinder sorter calculate “Old Rip” has had a nap broken during the past days of festivity, jollity, sunshine, rain and mud.  Beg pardon for yawning in company; but it would have required a small patent jaw-breaker, to have restrained me from gaping in my present condition of somniferous oblivion.  Speaking of “patents” puts one in mind of the “Fair”—not a “Patent Fair”—but of the “Masheens” that crowded the Fair Grounds.  Wall yer see, as heow what particarly attracted my attention, was the “Floral Hall,” happy name that.—Makes us think of all kinds of flowers!  Wall Flowers, and I guess yer deont oftent see many prettier wall flowers than was on exhibition by “Havens & Mallon.”  Ay golly; but they were good!  I laughed till I felt I was about to go off into a  “hysterical decline” at one chap, who spoke to one of the “pictures,” thinking that one of the directors had got into a recess and was looking at him with sharp eyes.  We scarce remember of ever having seen better likenesses—the eyes, the little curl of the lips, the construction of the brows, all were so minutely delineated by these inimitable daguerreans, that we do not blame the “chap” for speaking to any of them.  Well I am mighty sorry I can’t keep my eyes open; but it is no go, so good-buy.  Tempus Fuget Et Nos Run After It.

1856 December 20.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  December 20, 1856, Vol. VII, No. 9, P. 3.

Holyday Presents.—Members of the Legislature and others in the city, contemplating a visit to their families and friends, duding the Christmas Holidays, could not carry home a more acceptable present than one of those beautiful life-like Ambrotypes taken at Haven & Mellon’s Gallery, sign of the flag, Fayetteville St.

1857 January 31.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  January 31, 1857, Vol. VII, No. 20, P. 3.

North-Carolina Not Blind.  We Have Received Some Very Fine photographic specimens executed by Messrs. Havens & Mallon, of Raleigh, N. C.  The positive photographs show much artistic skill, and are notable for great depth, softness of contour, and for even balance of light and shade, while their ambrotypes compare favorably with those of our best artist in this city.

Photographic & Fine Art Journal, New York.

Are You Going Home!  We regret To Learn That The General Assembly of North Carolina has determined to break up, and leave the City of Oaks in a few days more.  Before the members take their final leave we would call their attention to a new style of pictures which we denominate the Cameotype, an invention of our own, and resembles what it name denotes.  Call at our gallery, the only place where this beautiful style of picture can be procured, and which we warrant to endure.  Havens & Mallon, Sign of the Flag.  January 30, 1857.

Advertisement ran from January 31 to February 18, 1857.

1857 February 4.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  February 4, 1857, Vol. XXII, No. 5, Whole No. 1170, P. 1.

North-Carolina Not Blind.  We Have Received Some Very Fine photographic specimens executed by Messrs. Havens & Mallon, of Raleigh, N. C.  The positive photographs show much artistic skill, and are notable for great depth, softness of contour, and for even balance of light and shade, while their ambrotypes compare favorably with those of our best artist in this city.

Photographic & Fine Art Journal, New York.

Are You Going Home!  We regret To Learn That The General Assembly of North Carolina has determined to break up, and leave the City of Oaks in a few days more.  Before the members take their final leave we would call their attention to a new style of pictures which we denominate the Cameotype, an invention of our own, and resembles what it name denotes.  Call at our gallery, the only place where this beautiful style of picture can be procured, and which we warrant to endure.  Havens & Mallon, Sign of the Flag.  January 30, 1857.

1857 March 14.  The Southerner.  (Tarboro, North Carolina.)  March 14, 1857, Vol. 6, No. 11, Whole No. 267, P. 2.

Cameotypes.  The attention of the reader is directed to the advertisement of Messrs. Havens & Mallon.  Those desirous of procuring life like Pictures, can now procure them in this beautiful style at a very moderate expense.

1857 March 14.  The Southerner.  (Tarboro, North Carolina.)  March 14, 1857, Vol. 6, No. 11, Whole No. 267, P. 2.

Cameotypes!  Splendid Pictures!!  Something New.  Cameotypes the latest and greatest discovery of the age!  Havens & Mallon, From Raleigh, N. C.

Would inform the Ladies and Gentlemen of Tarboro’ and vicinity, that they have taken Rooms at the Odd Fellows Hall, in Tarboro’, Where they are prepared to execute these beautiful Pictures in the highest style; the Cameotype is an invention of Mr. M. M. Mallon’s, and is all it is represented to be; they are more life-like as regards colors than any other style of Picture ever brought before the public, while at the same time they represent a stereoscopic effect, which can alone be equaled by the aid of a stereoscope, (yet no stereoscope is required;) while they are remarkably sharp and brilliant, giving a harmony in shade and tone which cannot be equaled by any other known process, and which no other artist can rival.  We are also making Photographs and Ambrotypes, by the latest and most approved process.  All persons wishing Pictures will do well to call soon, as our stay will be short, owing to other engagements.

N. B. Pictures taken in all kinds of weather in a few seconds, and put up in Lockets, Pins, Rings, or Cases to suit purchasers.  H. & M.        Tarboro’, March 12, 1857.

Advertisement ran from March 14 to May 16, 1857.

1857 April 4.  The Southerner.  (Tarboro, North Carolina.)  April 4, 1857, Vol. 6, No. 14, Whole No. 270, P. 2.

Cameotypes!!  The Last Call For one Week longer only.  We have just received by Express from Baltimore, this day a beautiful Assortment of Cases, Frames, &c.  Mad and fitted expressly for the Cameotype, and we would say to all those wishing one of those beautiful Pictures, come while you have an opportunity, as this is the last call.  Havens & Mallon

1857 April 11.  The Southerner.  (Tarboro, North Carolina.)  April 11, 1857, Vol. 6, No. 15, Whole No. 271, P. 2.

Beautiful Pictures.  It will be seen by an advertisement, that Messrs. Havens & Mallon will continue taking Cameotypes a short time longer in this place.  Their Pictures have excited general admiration.

1857 April 11.  The Southerner.  (Tarboro, North Carolina.)  April 11, 1857, Vol. 6, No. 15, Whole No. 271, P. 2.

Cameotypes!  Hang out our Banners on the outward Walls!!  The cry is, Still they come!!!

Owing to the earnest solicitations of many citizens of Tarboro’, Havens & Mallon Have concluded to stay a short time longer—thus giving all an opportunity of obtaining one of those beautiful and life-like Pictures.

Advertisement ran from April 11 to May 16, 1857.

1857 May 23.  The Southerner.  (Tarboro, North Carolina.)  May 23, 1852, Vol. 6, No. 21, Whole No. 277, P. 2.

Ambrotypes.  We would direct the attention of those in want of beautiful and correct likenesses, to the advertisement of Mr. Mallon.

1857 May 23.  The Southerner.  (Tarboro, North Carolina.)  May 23, 1852, Vol. 6, No. 21, Whole No. 277, P. 2.

Ambrotype Notice.  I would state to the citizens of Tarboro’ and vicinity that I have re-opened my Gallery At Odd Fellows’ Hall, Where I will be pleased to wait on all who may wish Pictures to themselves or friends.  And I would say to all those wishing likenesses, call soon as my time is limited to one week only.

All persons indebted to Havens & Mallon. Will confer a favor by calling immediately and settling up.  M. M. Mallon.  Tarboro’, May 20, 1857.

Advertisement ran from May 23 to June 27, 1857.

1857 June 24.  Beaufort Journal.  (Beaufort, North Carolina.)  June 24, 1857, Vol. 1, No. 12, P. 2.

Who Wants A Likeness Taken?  If you want a picture of yourself, your sweetheart, or any body else, call on Havens & Mallon, at the Odd Fellows Hall, where they will be pleased to attend to your wishes.  See advertisement in another column.

1857 June 24.  Beaufort Journal.  (Beaufort, North Carolina.)  June 24, 1857, Vol. 1, No. 12, P. 3.

Cameotypes.  Splendid Pictures.  Something New.  Cameotypes the latest and greatest discovery of the age.

Havens & Mallon, From Raleigh, N. C.  Would Inform The Ladies And Gentlemen of Beaufort and vicinity, that they have taken Rooms At The Odd Fellows Hall, in Beaufort, where they are prepared to execute these beautiful Pictures, in the highest style the Cameotypes, or Alto Relieno Pictures, is an invention of Mr. M. M. Mallon’s, and is all it is represented to be; they are more life-like as regards color than any other style of Picture ever brought before the public, while at the same time they represent a stereoscopic effect, which can alone be equalled by the aid of a stereoscope, (yet no stereoscope is required;) while they are remarkably sharp and brilliant, giving harmony in shade and tone which cannot be equalled by any other known process, and which no other artist can rival.  We are also making Photographs and Ambrotypes, by the latest and most improved process.  All persons wishing Pictures will do well to call soon, as our stay will be short, owing to other engagements.

N. B. Pictures taken in all kinds of weather in a few seconds, and put up in Lockets, Pins, Rings, or Cases to suit purchasers.  H. & M.     

1857 July 1.  Beaufort Journal.  (Beaufort, North Carolina.)  July 1, 1857, Vol. 1, No. 13, P. 3.

Beautiful Pictures.—Improvements in the Daguerrean art, or sun-painting, have of late years been made, until the at has almost become perfect.  Even the most accurate portrait painting can be rivalled.—No one should neglect an opportunity, when one occurs, of having his likeness taken, when it can be had at such a trifling cost, by this new an improved process; especially here, where one cannot go at all times, and sit for one.  Mr. Mallon, late of the gallery of Havens & Mallory, of Raleigh, is now in this place, and is prepared to take likenesses at the lowest prices, in the most approved and perfect manner.  His Daguerrean gallery in Raleigh was one of the best we have ever seen, and pictures taken by them, were pronounced unrivalled, and received the highest encomiums of praise from The New York Photographic Journal of Fine Arts; they also received the first and only premium at the State Fair of the Agricultural Society.  We noticed that the old Daguerreotype has been almost entirely superseded by the new processes of taking pictures under the names of Ambrotype, Photograph, and Cameotype.  By this last process, the pictures appear to stand boldly out, as it were, upon a light background, being more life-like, accurate and brilliant, than by any other process yet discovered.  Besides, they will remain as brilliant and perfect for an unlimited time, as when first taken.  The Cameotype is an invention of Mr. Mallon. 

Mr. Mallon’s gallery is at the Odd Fellows Hall, where he is prepared to take pictures at all hours of the day, and in any weather.  those wishing a perfect likeness would do well to give him a call immediately, as his stay here will necessarily be short owing to engagements elsewhere.

1858 January 23.  The Southerner.  (Tarboro, North Carolina.)  January 23, 1858, Vol. 7, No. 4, Whole No. 312, P. 2.

Splendid Pictures!  Only One Dollar!!  Wake up!  Edgecombe and look to your interest!!!  It is a fact worth knowing, that a Dollar saved is a Dollar earned.  The Subscriber having just returned from New York with a well assorted stock of all kinds of Cases, Frames, &c., suitable for Miniatures, which he purchased at a Bargain and consequently he can give the inhabitants of Tawboro’ and vicinity Pictures at very reduced prices.  I am now making good Pictures, and putting them up in handsome morocco cases, for the unprecedented low price of One Dollar; thus giving the citizens of this community the advantages of any of our large cities in procuring a first class likeness of themselves or friends for a very low sum.  I am making all styles of Photographs, Ambrotype!  Melainotype!!  Sperotype!!!  Talbotype!!!!  Cameotype!!!!!  And The Crystal Miniature!!!!  Which is the latest discovery.  I am also making Likenesses on Patent Leather, which can be sent by mail the same as letter postage.  M. M. Mallon

N. B. All persons wishing Pictures, will do well to call soon    , as my stay is limited.  

Advertisement ran from January 23 to April 3, 1858.

1858 January 23.  The Southern.  (Tarboro’, North Carolina.)  January 23, 1858, Vol. 7, No. 4, Whole No. 312, P. 2.

Go To Mallon’s Gallery, Odd Fellow’s Hall, And have your picture taken before he leaves town.  He has had 12 years experience in his business and has received from the State Agricultural Society the highest premium ever awarded in North Carolina for the best pictures ever produced in the State.  He is making them as low as One Dollar. 

Advertisement ran from January 23 to April 3, 1858.

1858 March 6.  The Southern.  (Tarboro’, North Carolina.)  March 6, 1858, Vol. 7, No. 10, Whole No. 318, P. 2.

Pictures!  Pictures!!  The Last Call.  I have just received, per Adams & Co.’s. Express, one of Holmes, Booth & Hayden’s celebrated first class Copying Cameras, Which enables me to take copies of any size required, from old Daguerreotypes and paintings, with the most minute correctness.  Persons wishing any of this class of work well done which is so seldom done properly, can now have opportunity rarely met with.

I have also received a beautiful assortment of all kinds of Fancy and other Cases, With a choice lot of Medallions, Pins and signet Rings, all of which persons can have good likenesses of themselves or friends put into a reasonable prices.

N. B.  None but first-class Pictures allowed to leave the Gallery.

Call soon at Odd Fellow’s Hall, or you will be too late.  M. M. Mallon. 

Advertisement ran from March 6 to April 3, 1858.

1858 June 19.  The Southern.  (Tarboro’, North Carolina.)  June 19, 1858, Vol. 7, No. 25, Whole No. 333, P. 2.

M. M. Mallon Has just returned and opened his Ambrotype Gallery At his old quarters, Odd Fellows’ Hall, where he will remain a short time, thus giving persons an opportunity of procuring Pictures previous to his visit to the mountains. 

1858 June 26.  The Southerner.  (Tarboro’, North Carolina.)  June 26, 1858, Vol. 7, No. 26, Whole No. 334, P. 2.

Pictures!  Pictures!!  Positively the last Week.  I will remain in Tarboro until July 6th, when other engagements compel me to leave.  M. M. Mallon.

Advertisement ran from June 26 to July 10, 1858.

1858 December 18.  The Southerner.  (Tarboro, North Carolina.)  December 18, 1858, Vol. 7, No. 51, Whole No. 359, P. 2.

Pictures!  Mallon, the Ambrotypist, is in our town again, and we would say to those who wish to make a Christmas present to their friends that will be appreciated for years, go to his Gallery, Odd fellows’ Hall, and sit for your Picture.

1858 December 18.  The Southerner.  (Tarboro, North Carolina.)  December 18, 1858, Vol. 7, No. 51, Whole No. 359, P. 2.

Pictures!  Pictures!!  M. M. Mallon, has just returned to Tarboro”, and opened his Ambrotype Gallery At the old stand, Odd Fellows’ Hall, where he is prepared with a fine assortment of stock to execute likenesses in the art, at prices varying from one dollar to twelve. 

Advertisement ran from December 18, 1858 to January 15, 1859.

1859 February 19.  The Southerner.  (Tarboro, North Carolina.)  February 19, 1859, Vol. 8, No. 7, Whole No. 367, P. 2.

Pictures!  I have just received pew Adams & Co’s Express, a first class Apparatus, with a fine assortment of stock, thus giving all persons wishing Likenesses a most excellent opportunity of procuring them, ere I leave Tarboro’.  I will remain for only one week only, owing to other engagements.  Gallery at Odd Fellows’ Hall.  M. M. Mallon.

Advertisement ran on February 19 & 26, 1859.

1859 June 21.  The Democratic Pioneer.  (Elizabeth City, North Carolina.) June 21, 1859, Vol. IX, No. 43, P. 2.

Pictures For The Millon.  M. M. Mallon would inform the inhabitants of E. City and vicinity that he has rented the Rooms over Mr. J. M. Mathews’ Jeweler store, on Road street, third door from Main street, where he has a large sky light and side light, thus enabling him to give the citizens of this place a much better likeness than they have had heretofore.  By this arrangement of light the eye is made to look life-like, however light it may be, the features prominent, the dress clear and distinct, thus producing a picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  All styles of pictures taken, such as Ambrotypes, Cameotypes, Melainotypes, &c.

Prices from $1 to $10.  The public are invited to call at the Gallery and examine specimens.

“State” please copy.

Advertisement ran on June 21 & 28, 1859.

1859 October 8.  The Southerner.  (Tarboro, North Carolina.)  October 8, 1859, Vol. 8, No. 40, Whole No. 400, P. 2.

Photographic Likenesses.  We notice our friend Mr. Mallon is in town again, and at his old stand Odd Fellow’s Hall, where he is taken likenesses on a new and improved plan.  Mr. M. is a first-class Artist and the best we have ever had in this place if not the best in the State.

We would say to those who wish good Pictures to give him a call ere it is too late, as he anticipates leaving shortly.

1859 October 8.  Southern Standard.  (Tarboro’, North Carolina.)  October 8, 1859, Vol. 8, No. 40, Whole No. 400, P. 2.

Ambrotypes And Photographs.  M. M. Mallon, Is In Town and at his old stand, Odd Fellows’ Hall.  Where he is prepared to take any and all styles of Pictures.  He has just returned from New York with a beautiful assortment of stock such as plain and fancy Cases, Lockets, Ladies and Gentlemen’s Pins, and Rings, all of which he would be pleased to put Pictures in at reasonable prices.  The public are invited to call soon, as I will remain but one week longer, owing to other engagements.  M. M. Mallon.  

Advertisement ran from October 8 to 15, 1859.

1865 January 27.  Republican Farmer.  (Bridgeport, Connecticut.)  January 27, 1865, Vol. LV, No. 2834, P. 3.

Something New.  Mr. Mallon, the photographer, opposite the Post office, has shown us a picture, on porcelain, taken by him, which is truly wonderful.  For distinctness of expression, and brilliancy of coloring, and yet, for delicacy and softness in general appearance, we remember of nothing that surpasses it.  Portraits of this description will, we think, be preferred by most persons, to all others.  See advertisement and give Mr. M. a call.  It will afford him much pleasure to give you a look at the picture.

1865 April 28.  Republican Farmer.  (Bridgeport, Connecticut.)  April 28, 1865, Vol. LV, No. 2847, P. 3.

Something New In The Photographic Art.  The Albatypes Or Porcelain Picture.  The undersigned would respectfully call the attention the public to a new and beautiful style of Photographic Miniature, by him lately introduced to the citizens of Bridgeport.  The picture is In Porcelain, and for durability, delicacy, clearness of outline, and brilliancy of coloring, surpasses the finest miniature in Ivory, Porcelain possesses no absolvent qualities and is not effected by atmospheric influences, nor by changes of temperature, so that the Picture Never Fades.

Indeed, this Gem Of Art must be seen to be appreciated, and we invite an inspection of its merits at the Gallery, where we shall take pleasure in showing it to those who may favor us with a call.

Carte De Visite’s and all other kinds of Photographs taken in our usual superior style at the Gallery, Old Post Office Building, Bank St.  M. M. Mallon, Photographer.  ap21.

Advertisement was recorded five times between April 28 to June 7, 1865.

[1] Partners with the Sun South Carolina Photographers 1840-1940. (Probably Jesse Harrison Whitehurst Gallery in Baltimore, Maryland.)

[2] Partners with the Sun & Craig’s Daguerreian Registry

[3] Gary Saretzky online list of New Jersey Photographers.

Mahan, Thomas T.

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1852-1857       312 Market Street, Philadelphia, Pennsylvania.

1854                272 North Second Street, Philadelphia, Pennsylvania.

1854                North West corner Ridge road and Tenth Streets, Philadelphia, Pennsylvania.

1857                910 Market Street, Philadelphia, Pennsylvania.

1857-1858       914 Market Street, Philadelphia, Pennsylvania.

1851 April 8.  The Sun.  (Philadelphia, Pennsylvania.)  April 8, 1851, Vol. XII, No. 235, P. 2.

United Sons Of America.—Let every member of Penna’a. Camp, No. 3, U. S. of A., be present This Evening, at 8 o’clock, at Tenth and Spring Garden Streets, as their will be Initiation of members, Installation of Officers, and business of the utmost importance to the camp.  Thos. T. Mahan, F. S.

1852 January 10.  The Sun.  (Philadelphia, Pennsylvania.)  January 10, 1852, Vol. XIII, No. 161, P. 4.

A New And Beautiful Style Of Daguerreotypes, different from any other now taken, call and examine specimens at the Flag Gallery, 312 Market Street, above Ninth, South side.  H. B. Swift,  Thos. T. Mahan.

Advertisement ran on April  10 & 12, 1852.

1852 January 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 12, 1852, Vol. XXXII, No. 92, P. 1.

If You Want A Good Daguerreotype, go to the Flag Gallery, 312 Market St., above Ninth, South Side.  T. B. Swift, Thos. T. Mahan.

1852 January 17.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 17, 1852, Vol. XXXII, No. 97, P. 2.

Daguerreotypes—Of a new and superior style, taken at the Flag Gallery, 312 Market St., above Ninth.  H. B. Swift.  Thos. T. Mahan.

Advertisement ran on January 17 & 19, 1852.

1852 January 17.  The Sun.  (Philadelphia, Pennsylvania.)  January 17, 1852, Vol. XIII, No. 167, P. 4.

Daguerreotypes Taken For Lockets, Breastpins, Bracelets, Finger Rings, Watch Keys, &c., in a superior style.  We warrant to give satisfaction to all before leaving the room or change them afterwards, if not liked by their friends.  H. B. Swift.  Thos T. Mahan.

1852 March 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 13, 1852, Vol. XXXII, No. 145, P. 2.

Brighter And Better Than Ever Those Daguerreotypes taken at the Flag Gallery, 312 Market St., 5 doors West on Ninth, over the Toy Store.  Stem in and see them.  Warranted perfect and prices moderate.  T. O. B. Swift.  Thos. T. Mahan.

1852 April 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 26, 1852, Vol. XXXIII, No. 28, P. 2.

Excelsior!  Excelsior!—Daguerreotypes, in our peculiar style, from $1 to $20.  Particular attention given to the taking of family groups.  H. B. Swift and Thomas T. Mahan, Artist, No. 312 Market St., five doors above Ninth.

Advertisement ran on April 24 & 26, 1852.

1852 June 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 21, 1852, Vol. XXXIII, No. 76, P. 2.

A New Style Of Daguerreotypes Is now being taken by Swift & Mahan, 312 Market Streer, 5 doors above Ninth.  They are acknowledged, by all who have seen them, to be perfection.  Call and examine specimens.

Wanted—A Girl to attend in the Room.

Two large Daguerreotype Show-Cases for sale cheap.

1853 April 6.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 6, 1853, Vol. XXXV, No. 12, P. 2.

Free Admission.—The greatest wonder of the age is the 25 cent Daguerreotypes.  By the aid of some six artists, and a number of assistants, any number of Portraits can be furnished.  Call at No. 312 Market Street, above Ninth.  Swift & Mahan.

1853 May 17.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 17, 1853, Vol. XXXV, No. 47, P. 2.

How Can They Help It.—Those 25 cent Daguerreotypes made by Swift & Mahan, 312 Market, are so enticing that it is no wonder people continue to flock there daily.  And if you want one of larger size they can accommodate you with a beauty, in an elegant case, for One Dollar.

1853 December 14.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 14, 1853, Vol. XXXVI, No. 71, P. 2.

25 Cents—Daguerreotypes taken at Swift & Mahan, 312 Market St., above Ninth, south side.

1853 December 14.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 14, 1853, Vol. XXXVI, No. 71, P. 2.

25 Cents Daguerreotypes.—Good Pictures, at the above low price, are taken at Swift & Mahan’s Saloon.  Market street above Ninth.

1853 December 24.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 24, 1853, Vol. XXXVI, No. 80, P. 3.

Swift & Mahan have just received a large assortment of Fine Cases, Gold Lockets, Medalloins, Watch Keys, Breast Pins, which they will sell low, and put Daguerreotypes in, to suit the purchaser, at 312 Market Street, above Ninth south side.

1854 January 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 21, 1854, Vol. XXXVI, No. 103, P. 2.

Gallery Of Fine Arts—Daguerreotypes, 25 cents, and upwards.  Our New Sky Light is just the thing for Family Groups and large portraits, Swift & Mahan, 312 Market street, West of Ninth.

1854 February 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 21, 1854, Vol. XXXVI, No. 129, P. 2.

25 Cent Daguerreotypes—Taken by Swift & Mahan, at 312 Market St., and 272 North Second St., above Willow.

1854 February 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 21, 1854, Vol. XXXVI, No. 129, P. 2.

Perfection.—Those Daguerreotypes taken by Swift & Mahan, 272 N. Second Street, above Willow, and 312 Market Street, above Ninth.

1854 March 10.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 10, 1854, Vol. XXXVI, No. 144, P. 2.

Those Beautiful Sky Light Daguerreotypes are made in the best style of art at Swift & Mahan’s, 321 Market St., above Ninth.

1854 April 27.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 27, 1854, Vol. XXXVII, No. 30, P. 2.

Did You Ever!—Better Daguerreotypes for 25 cents than are usually sold at double the price.  Swift & Mahan, 312 market street, and N. W. corner Ridge road and Tenth sts.

1854 April 28.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 28, 1854, Vol. XXXVII, No. 31, P. 2.

Daguerreotypes, for 25 cents, and upwards, Swift & Mahan, N. W. corner Tenth and Ridge Road, and 312 Market Street.

1854 May 5.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 5, 1854, Vol. XXXVII, No. 37, P. 2.

No Better Daguerreotypes are made then those by Swift & Maha, N. W. cor. Tenth and Ridge Road, and No. 312 Market Street.

1854 June 22.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 22, 1854, Vol. XXXVII, No. 78, P. 2.

The Sunday Law.—The Public are invited to obtain good Daguerreotypes from Swift & Mahan, 312 Market St.  Our establishment is closed on the sabbath.

1854 November 7.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  November 7, 1854, Vol. LI, No. 110, P. 2.

Dissolution.—The Copartnership heretofore existing between Swift & Mahan, is this day dissolved by mutual consent.  All claims will be paid by, and all debts will be received by H. B. Swift who will continue the business as usual.  H. B. Swift.  Thos T. Swift, 312 Market street.

1855 February 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 13, 1855, Vol. XXXVIII, No. 122, P. 2.

The Cheapest And Best Daguerreotypes are made at Mahan & Good’s Rooms 312 Market Street, above Ninth.

1855 February 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 13, 1855, Vol. XXXVIII, No. 122, P. 2.

25 CTS Daguerreotypes taken in the best style at Mahan & Good’s Rooms No. 312 Market Street, above Ninth.

1855 February 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 13, 1855, Vol. XXXVIII, No. 122, P. 2.

The Best Daguerreotypes are made by Mahan & Good, 312 Market St., above Ninth.

1855 February 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 16, 1855, Vol. XXXVIII, No. 125, P. 2.

No Better Daguerreotypes are taken than those taken By Mahan & Good, 312 Market St.

Advertisement ran on February 16 & 17, 1855.

1855 February 24.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 24, 1855, Vol. XXXVIII, No. 132, P. 2.

25 CTS. Daguerreotypes taken in the best style, and cannot help but please, by Mahan & Good, successor to Swift & Mahan, 312 Market St. above Ninth.

1855 February 24.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 24, 1855, Vol. XXXVIII, No. 132, P. 2.

Mahan & Good’s Daguerreotype Rooms, 312 Market Street, are crowded daily, to procure a beautiful likeness for 25 cents, and upwards.

1855 March 20.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 20, 1855, Vol. XXXVIII, No. 152, P. 2.

25 Cent Daguerreotypes, in case, complete, at Mahan & Good, 312 Market Streer, above Ninth.

1855 March 20.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 20, 1855, Vol. XXXVIII, No. 152, P. 2.

Old Nick’s Dead—But we still continue to take those beautiful Little Daguerreotypes for 25 cents.  Mahan & Good, 312 Market street, above Ninth.

1855 March 22.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 22, 1855, Vol. XXXVIII, No. 154, P. 2.

The Best Daguerreotypes are made at Mahan & Good’s, 312 Market St., above Ninth, for 25c., and upwards.

Advertisement ran on March 22 & 24, 1855.

1855 April 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 11, 1855, Vol. XXXIX, No. 16, P. 2.

The Best Daguerreotypes are taken by Mahan & Good, 312 Market St., above Ninth.  Price 25c. and upwards.

1855 April 28.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 28, 1855, Vol. XXXIX, No. 31, P. 3.

25 Cent Daguerreotypes—Taken in the best style, and warranted to give satisfaction, by Mahan & Good, 312 Market st., above Ninth.

1855 May 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 2, 1855, Vol. XXXIX, No. 34, P. 2.

The Best of Daguerreotypes are taken at Mahan Good’s Rooms, 312 Market Street above Ninth, for 25 cts and upwards.

1855 May 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 2, 1855, Vol. XXXIX, No. 34, P. 2.

Go At Once To Mahan & Good’s if you wish to procure a perfect Likeness for 25 cts Rooms, 312 Market Street above Ninth.

1855 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1855, Vol. XXXIX, No. 43, P. 2.

Be Sure To Call On Mahan & Good, 312 Market Street—Daguerreotypes, 25 cents and upwards.

1855 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1855, Vol. XXXIX, No. 43, P. 2.

25 Cent Daguerreotypes by Mahan & Good, No. 312 Market Street, above Ninth.

1855 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1855, Vol. XXXIX, No. 43, P. 2.

312 Market Street, above Ninth, may be seen the very best of Daguerreotypes for 25 cents and upwards.  Mahan & Good.

1855 June 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 16, 1855, Vol. XXXIX, No. 73, P. 2.

Mahan & Good take the very best Daguerreotypes for 25 cts. and upwards.  Rooms 312 Market street, above Ninth.

1855 June 23.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 23, 1855, Vol. XXXIX, No. 79, P. 2.

Go to Mahan & Good’s, No. 312 Market st., above Ninth, if you want a good Daguerreotype Likeness; there you can get one for 25c and upwards.

1855 July 7.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 7, 1855, Vol. XXXIX, No. 90, P. 2.

If You Wish A Good Likeness, go to Mahan & Good’s Daguerrean Rooms 312 Market street, above Ninth.

1855 October 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 12, 1855, Vol. XL, No. 17, P. 3.

Daguerreotype Room For Sale.  Apply at Mahan & Good’s, 312 Market St.

1855 October 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 16, 1855, Vol. XL, No. 20, P. 3.

Daguerreotype Room For Sale—At 316 Market Street.  Apply at Mahan & Gooid’s, 312.

1855 October 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 19, 1855, Vol. XL, No. 23, P. 3.

Daguerreotype Room For Sale, 316 Market st.  Price $125.  Apply at Mahan & Good’s, 312 Market St.

1855 November 20.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 20, 1855, Vol. XL, No. 50, P. 2.

25 Cent Daguerreotypes taken in the best style, at 312 Market Street.  Mahan & Good.

1856 January 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 26, 1856, Vol. XL, No. 107, P. 2.

Go To J. Good’s Gallery, 312 Market Street, above Ninth, if you want a good Daguerreotype for 25 cents and upwards.

1856 April 1.  Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Mahan & Good. — Pretty fair pictures, some excellent oil colored daguerreotypes. The pictures however are no wise remarkable for beauty.

1857 March 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 16, 1857, Vol. XLII, No. 149, P. 2.

50 Cent Ambrotypes, the usual $1 size, taken for 50 cents.  Mahan & Good, 312 Market street, above Ninth.

1857 March 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 21, 1857, Vol. XLII, No. 154, P. 2.

50 Cents.—Ambrotypes, the usual $1 size, for 50 cents.  Mahan & Good, 312 Market Street.

1857 May 8.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 8, 1857, Vol. XLIII, No. 40, P. 2.

$1 Photographs—made in the best style, by Mahan & Good, 910 Market St.

1857 May 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 9, 1857, Vol. XLIII, No. 41, P. 2.

37½ Cents Ambrotypes, by Mahan & Good, 910 Market St. above Ninth.

1857 May 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 9, 1857, Vol. XLIII, No. 41, P. 2.

Mahan & Good’s Beautiful Photographs, large size, only $1.  910 Market Street.

1857 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1857, Vol. XLIII, No. 43, P. 2.

50 Ct. Ambrotypes—By Mahan & Good, 910 Market St., above Ninth.

1857 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1857, Vol. XLIII, No. 43, P. 2.

$1 Photographs—By Mahan & Good, 910 Market St., above Ninth.

1857 May 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  May 12, 1857, Vol. XLIII, No. 43, P. 2.

37½ Ambrotypes—By Mahan & Good, 910 Market St., above Ninth.

1857 June 17.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 17, 1857, Vol. XLIII, No. 74, P. 1.

New Style of Photographs—Messrs. Mahan & Good, Market street above Ninth have produced a number of splendid photographs upon French patent leather, which for beauty and durability, seem [to] surpass anything yet produced by this wonderful art.  The pictures when finished, can be rolled up and placed in the pocket, without injury, and in framing, requires no glass to protect it from injury.

1857 June 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 19, 1857, Vol. XLIII, No. 76, P. 2.

Patent Leather Photographs taken by Mahan & Good, 910 Market Street, above Ninth.

1857 June 23.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 23, 1857, Vol. XLIII, No. 71, P. 2.

If You Want A Likeness of yourself or friend that you can [enclose] in a letter, get on of the beautiful Patent Leather Ambrotypes at Mahan & Good’s, 910 Market Street, above Ninth.

1857 July 3.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 3, 1857, Vol. XLIII, No. 88, P. 2.

Patent Leather Photographs, for beauty, durability, &c., cannot be equaled, taken by Mahan & Good, 910 Market St., above Ninth.  Instructions given on reasonable terms.

1857 July 18.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 18, 1857, Vol. XLIII, No. 101, P. 2.

Patent Leather Photographs can be sent by mail to any part of the world.  Made by Mahan & Good, 910 Market street, above Ninth.

Advertisement ran on July 18 & 20, 1857.

1857 August 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 25, 1857, Vol. XLIII, No. 133, P. 2.

Patent Leather Photographs—Such as are made by Mahan & Good, 910 Market Street, above Ninth, can be sent by mail to any part of the world, without extra postage, or the least injury to the Picture.  Call and examine specimens.

Advertisement was recorded on August 25; September 5 & 7, 1857.

1857 October 15.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 15, 1857, Vol. XLIV, No. 22, P. 2.

Mahan’s Photograph Rooms, 914 Chesnut [sic.] St., ab. Ninth.  Patent Leather Photographs.

1857 October 15.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 15, 1857, Vol. XLIV, No. 22, P. 2.

Mahan is at 914 Chesnut [sic.] St. above Ninth.  Large size Ambrotypes, 50 cents.

1857 December 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 11, 1857, Vol. XLIV, No. 71, P. 2.

Patent Leather Photographs and Ambrotypes by Mahan, 914 Chesnut [sic.] St., above Ninth.

1858 February 27.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 27, 1858, Vol. XLIV, No. 137, P. 2.

Photographs.—Large size only one dollar Mahan’s 914 Chestnut [sic.], above Ninth.

Maguire, James

Daguerreotypes, Hallotypes, Talbotype, , , , , , ,

1842                31 Canal Street, New Orleans, Louisiana.

1842                Rooms at Mr. Boazman’s Hotel, Baton-Rouge, Louisiana.

1842-1849       8 Camp Street, New Orleans, Louisiana.

1846-1851       6 Camp Street, New Orleans, Louisiana.

1842 March 30.  Jeffersonian.  (New Orleans, Louisiana.)  March 30, 1842, Vol I, No. 38, P. 1.

Daguerreotype.  James Maguire, Photographer, (No. 31 Canal Street, (up stairs.)Respectfully informs the citizens of New Orleans, that he will remain a short time in this city, for the purpose of taking Photographic Portraits of such as will favor him with their patronage.

The wonderful fidelity of likenesses taken by this process, can only be conceived by those who have witnesses its results.  For beauty and delicacy of delineation, and for forcible and life-like expression, no other can compare with Daguerreotype—the picture presents a counterpart of the original so perfect, that it cannot possibly be mistaken.  A portrait is of value only so far as it exhibits a true resemblance of the object.  Nor is a mere resemblance in drawing sufficient, unless at the same time the living expression of the original is preserved.  In these particular, the Daguerreotype is beyond praise.  It is truth itself.  There is a reason for this.  It is, that the picture is not the work of man’s hand.  Its fidelity depends not on the accuracy of a human eye, or the skillful guidance of an artistic pencil.  The deleniation [sic.] is made in a manner which yet remains a mystery, through the sole agency of the subtle medium of light.  It is an image optically perfect, which impresses itself upon a surface of silver properly prepared to receive it.  In all cases, therefore, the resemblance may be confidently warranted to prove exact.

J. M. would only add that he has had the advantage of much practice in the Photographic departments, and under the instruction of Messrs. Barnard & Harrington, of Tuscaloosa, Alabama, whose eminent success in this art is well known to the public.  feb24.

Advertisement was recorded on March 30 & 31, 1842.

1842 June 11.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  June 11, 1842, Vol. XXIV, No. 18, P. 2.

Daguerreotype—Mr. Maguire, one of the best, if not the very best Daguerreotype artist in the United States, has arrived in Baton Rouge, with the intention of remaining a few days.  Mr. M. is, undoubtedly a superior professor in his art.  The Daguerreotype likeness (when it is a likeness), cannot be but regular; but it is not always clear.  This defect Mr. Maguire has the talent and skill to remedy, and none of his portraits go out of his hands in an unfinished or imperfect state.  Ladies and gentlemen, you who desire to see your beauties shed in sun-light on silver, go to Mr. Maguire, and in ten minutes it will be done.

Mr. M. intends to remain but a few days; his room is at Mr. Boazman’s hotel, opposite the Methodist church.

Specimens can be seen at this office.

1842 June 21.  The Jeffersonian.  (New Orleans, Louisiana.)  June 21, 1842, Vol I, No. 110, P. 1.

Removal.  James Maguire, Photographer, has removed from 31 Canal street, to 80 [sic.] Camp st. corner of Natchez. a25.

Advertisement was recorded on June 21 & October 19, 1842.

1842 June 21.  The Jeffersonian.  (New Orleans, Louisiana.)  June 21, 1842, Vol I, No. 110, P. 3.

Daguerreotype.  James Maguire, Photographer, (No. 8 Canal Street, (up stairs.)  Respectfully informs the citizens of New Orleans, that he will remain a short time in this city, for the purpose of taking Photographic Portraits of such as will favor him with their patronage.

The wonderful fidelity of likenesses taken by this process, can only be conceived by those who have witnesses its results.  For beauty and delicacy of delineation, and for forcible and life-like expression, no other can compare with Daguerreotype—the picture presents a counterpart of the original so perfect, that it cannot possibly be mistaken.  A portrait is of value only so far as it exhibits a true resemblance of the object.  Nor is a mere resemblance in drawing sufficient, unless at the same time the living expression of the original is preserved.  In these particular, the Daguerreotype is beyond praise.  It is truth itself.  There is a reason for this.  It is, that the picture is not the work of man’s hand.  Its fidelity depends not on the accuracy of a human eye, or the skillful guidance of an artistic pencil.  The delineation is made in a manner which yet remains a mystery, through the sole agency of the subtle medium of light.  It is an image optically perfect, which impresses itself upon a surface of silver properly prepared to receive it.  In all cases, therefore, the resemblance may be confidently warranted to prove exact.

J. M. would only add that he has had the advantage of much practice in the Photographic departments, and under the instruction of Messrs. Barnard & Harrington, of Tuscaloosa, Alabama, whose eminent success in this art is well known to the public.  a25.

Advertisement was recorded twice on June 21 & October 19, 1842.

1842 October 19.  Morning Herald and Jeffersonian.  (New Orleans, Louisiana.)  October 19, 1842, Vol. II, No. 27, P. 4.

Daguerreotype.  James Maguire, Photographer, (No. 8 Camp street, (up-stairs.)  Respectfully informs the citizens of New Orleans, that he will remain a short time in this city, for the purpose of taking Photographic Portraits of such as will favor him with their patronage.

The wonderful fidelity of likenesses taken by this process, can only be conceived by those who have witnessed its results.  For beauty and delicacy of delineation, and for forcible and life-like expression, no other can compare with Daguerreotype—the picture presents a counterpart of the original so perfect, that it cannot possibly be mistaken.  A portrait is of value only so far as it exhibits a true resemblance of the object.  Nor is a mere resemblance in drawing sufficient, unless at the same time the living expression of the original is preserved.  In these particular, the Daguerreotype is beyond praise.  It is truth itself.  There is a reason for this.  It is, that the picture is not the work of man’s hand.  Its fidelity depends not on the accuracy of a human eye, or the skillful guidance of an artists pencil. The delineation is made  in a manner which yet remains a mystery, through the sole agency of the subtle medium of light.  It is an image optically perfect, which impresses itself upon a surface of silver properly prepared to receive it.  In all cases, therefore, the resemblance may be confidently warranted to prove exact. 

1842 November 26.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  November 26, 1842, Vol. XXIV, No. 41, P. 2.

Pass It Round.—That the second annual Fair of the State Association, comes off in Baton Rouge, the Ninth and Tenth days of January next (1843.)  Let everyone be ready with something to exhibit, every mechanic and artist, agriculturist, florist, horticulturist and stock breader, let all bring something.

Where’s our friend od daguerreotype memory—Maguire?  He must manifest his skill, and himself also on the occasion: so must his competitors…

1843 January 22.  Morning Herald and Jeffersonian.  (New Orleans, Louisiana.)  January 26, 1843, Vol. III, No. 21, P. 1.

Daguerreotype Miniatures—No. 8 Camp street, opposite the City Bank, by James Maguire.

Apparatus with instructions for sale. j5.

Advertisement was recorded on January 26 to 28, 1843.

1843 April 1.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  April 1, 1843, Vol. XXV, No. 8, P. 2.

By a card in another column, the reader will discover the present abode of Maguire, the Daguerreotype artist.  Maguire has made many and important improvements recently in this art, so that he now transmits to the silver the complexion, even, of the individual.  Call and see him when you go down.

1843 April 1.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  April 1, 1843, Vol. XXV, No. 8, P. 2.

James Maguire, Daguerreotype Artist, No 8 Camp Street, New Orleans. 

Advertisement ran from April 1, 1843 to January 27, 1849.

1844 January 13.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  January 13, 1844, Vol. XXV, No. 49, P. 1.

Agricultural Fair, Of The State Of Louisiana….James Maguire, of New Orleans, exhibited four specimens of Daguerreotype pictures Two portraits from life, and two from fine pictures.  They are the kind taken in colors and are wonderful specimens of this singular art.  Mr. Maguire has long been at the head of this department of portraiture in the South, and the specimens of his skill shown at the fair, places him in his particular line ahead of competition.  1st premium awarded.

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

Miniature Cases Wanted.  Any person having a lot of good Miniature Cases to dispose of, will find a purchaser by applying at Maguire’s Daguerreotype rooms, No. 8 Camp street.  The undersigned has on hand and for sale, an extensive assortment of Plates, Instruments, Chemicals, &c., suitable for operators.  Wm. H. Hutchings, (Successor to Jas. Maguire.)

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

Card.—Wm. H. Hutchings takes this method of informing the citizens of New Orleans that he has been appointed successor to Mr. James Maguire, and that he represents him in every and all things connected with his business.—From an editorial published in the “Republican” of July 8, a different impression may have been created.

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 10 to 14, 1844.

1844 July 16.  The Daily Picayune.  (New Orleans, Louisiana.)  July 16, 1844, Vol. VIII, No. 148, P. 2.

Maguire’s Daguerreotype.  During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 16 to August 24, 1844.

1845 May 17.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  May 17, 1845, Vol. XXXIV, No. 47, P. 4.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association.  This association held its annual meeting this day, May 13th 1845….Your committee of fine arts, would respectfully beg leave to make the following report.

The specimens of Daguerreotype awarded the first premium to Hutchings & Whittemore of New Orleans, the second premium is awarded to James McGuire.

1845 June 5.  The St. Landry Whig.  (Opelousas, Parish of St. Landry, Louisiana.)  June 5, 1845, Vol. 1, No. 40, P. 1.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association….Your Committee on Fine Arts, would respectfully beg leave to make the following report:

The specimens of Daguerreotype award the first premium to Hutchings & Whitemore, of New Orleans; the second premium is awarded to James McGuire.

1845 June 20.  Jeffersonian Republican.  (New Orleans, Louisiana.)  June 20, 1845, Vol II, No. 8, P. 2.

Notice James Maguire respectfully invites the attention of his old customers and the public to his New Style of Large and Small Daguerreotype Portraits, which are guarantied to Surpass anything of the kind ever before offered to the citizens of New Orleans. 

No. 1 Camp street, corner of Canal.

Advertisement ran from June 20 to August 1, 1845.

1845 October 18.  The Daily Delta.  (New Orleans, Louisiana.)  October 18, 1845, Vol. 1, No. 48, P. 2.

Removal.  Magurie’s Daguerreotype Rooms are removed to the South-east corner of Camp and Canal—Entrance No. 6 Camp street.  Portraits guarantied perfect and satisfactory or no charge made.  Apparatus with instruction, for sale, and warranted the genuine Voigtlander Camera.

1845 December 5.  The Daily Delta.  (New Orleans, Louisiana.)  December 5, 1845, Vol. 1, No. 48, P. 2.

The Delta Directory.  Strangers, or citizens, cannot find a better City Directory than our advertising columns present, as the following prove:—…

Daguerreotype.  Maguire—entrance 6 Camp st.

1846 January 15.  The Daily Delta.  (New Orleans, Louisiana.)  January 15, 1846, Vol. 1, No. 83, P. 2.

Maguire’s Daguerreotype Rooms.  No. 10 Camp street.  Apparatus, &c., for sale, with instructions.  J. M. has been awarded the first premium at the late State Fair for the finest specimens of Daguerreotype in Louisiana.

1846 January 17.  Baton-Rouge Gazette.  (Baton Rouge, Louisiana.)  January 17, 1846, Vol. XXVII, No. [40], P. 4.

James Maguire, Daguerreotype Artist, No. 8 Camp Street, New Orleans.

1846 January 17.  New Orleans Daily Tropic.  (New Orleans, Louisiana.)  January 17, 1846, Vol. IV, No. 90, P. 3.

Daguerreotype Miniatures, by James Maguire, 6 Camp street.

Apparatus, with instructions, for sale on reasonable terms.

J. M. has been awarded the First Premium at the late State Fair, for the best specimens of Daguerreotype in Louisiana.

Advertisement was recorded from January 17 to February 23, 1846.

1846 January 31.  New Orleans Daily Tropic.  (New Orleans, Louisiana.)  January 31, 1846, Vol. IV, No. 102, P. 2.

Having a few moments leisure yesterday we stepped into the Daguerreotype establishment of Mr. J. Maguire, corner of Camp and Canal sts.  We noticed with much pleasure the improvements made in this useful and elegant art within a few years, and we believe no one has made more rapid progress than Mr. Maguire.  He has visited Paris and London, and taken lessons from the most distinguished artists in those cities, and given them many valuable improvements of his own in return.  We have already noticed that he obtained a medal at the Baton Rouge Fair, but we think he  has better specimens at his room, than he exhibited on that occasion; a large number of them are complete counterparts of several of our well known citizens.  Our friends from the country who wish to take home with them a second self for their sweethearts and wives, had better give him a call.

1846 March 12.  The Daily Delta.  (New Orleans, Louisiana.)  March 12, 1846, Vol. 1, No. 131, P. 2.

Maguire’s Daguerreotype Rooms, No. 6 Camp Street.  J. Maguire has been awarded the First Premium at the late State Fair, for the finest specimens of Daguerreotype in Louisiana.

Life-Like Portraits guaranteed, or no charge made.

Apparatus (guaranteed the genuine Voigtlander Camera) with instructions; Plates, Cases, &c., &c., for sale on the most reasonable terms.

Advertisement ran from March 12 to September 20, 1846.

1846 June 17.  The Daily Delta.  (New Orleans, Louisiana.)  June 17, 1846, Vol. 1, No. 214, P. 4.

Maguire’s Daguerreotype Rooms, No. 6 Camp Street.  J. Maguire has been awarded the First Premium at the late State Fair, for the finest specimens of Daguerreotype in Louisiana.

Life-Like Portraits guaranteed, or no charge made.

Apparatus (guaranteed the genuine Voigtlander Camera) with instructions; Plates Cases, &C., &c., for sale on the most reasonable terms.  m12.

1846 June 23.  The New York Herald.  (New York, New York.)  June, 23, 1846, Vol. XII, No. 173, Whole No. 4396, P. 1.

La Vega, the Mexican captive general, is in Washington.  He probably thinks the Halls of Congress are equal to the Halls of the Montezuma.  This gallant general is a fine-looking man, with a pair of magnificent moustache.  We have in our possession an excellent daguerreotype likeness of him.

1846 June 30.  The New York Herald.  (New York, New York.)  June, 30, 1846, Vol. XII, No. 180, Whole No. 4404, P. 2.

In to-day’s edition we will have portrait of the Mexican General, De Vega, engraved from a daguerreotype likeness of the captive officer; an engraving representing the Rancheros of Mexico, in their native costume…

1846 July 11.  The New York Herald.  (New York, New York.)  July 11, 1846, Vol. XII, No. 191, Whole No. 4413, P. 1.

The Mexican War.  Incidents, &c., of the War.  On last Saturday evening, we saw General La. Vega at the St. Charles Hotel.  Yesterday, we read the following in the New York Herald, which if true, proves the distance of travel between this city and Washington, to have been most considerably shortened:–“La Vega, the Mexican captive general, is in Washington.  He probably thinks the Halls of Congress are equal to the Halls of the Montezuma.  This gallant general is a fine-looking man, with a pair of magnificent moustache.  We have in our possession an excellent daguerreotype likeness of him.”  Speaking of daguerreotypes, there is a very handsome and correct one of the General La Vega, at Mr. McGuire’s door, near the corner of Camp and Canal streets.

Remarks.—The daguerreotype of General La Vega, in our possession, was taken by McGuire.  It is a superb one.

1846 November 14.  Jeffersonian Republican.  (New Orleans, Louisiana.)  November 14, 1846, Vol I, No. 289, P. 3.

Extraordinary and Attractive Novelty, James Maguire hastens to apprize his friends that, after a series of experiments during six years, at a great expense, he has accomplished the most important object connected with the invention of Daguerre.

He can now, in One Second, take the correct and perfect likeness of an infant only one month old, and this in the style of his best Pictures.

Apparatus of all kinds (the best and cheapest in the city) for sale and warranted .

J. M. has been awarded the First Premium at the late Fair, for the best specimens of Daguerreotype, in Louisiana.

Plates and Cases at $3.00 per dozen.

Advertisement was recorded from November 14 to December 30, 1846.

1847 January 9.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  January 9, 1847, Vol. XVII, No. 48, P. 2.

The State Fair.— The annual fair of the Louisiana Agricultural and Mechanics Association, commenced on Monday last….Daguerreotypes of rarest finish and beauty were exhibited by Messieurs P. Langlume, and J. Maguire, of New Orleans.  These were so well executed, that, to save our lives, we could not tell which excelled, and therefore have come to the conclusion, that they cannot be surpassed….   

1847 January 16.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  January 16, 1847, Vol. VI, No. 25, P. 2.

Extract from the report of the Committee on “Mechanical Inventions and Improvements,” of the “Agricultural and Mechanics Association of Louisiana,” at their last meeting…

Daguerreotypes of distinguished characters, (Heny Clay and Gen. La Vega, among others) were presented by Mr. J. Maguire, of New Orleans.  Others were offered by W. Hutchins, of N. O., and P. Langlume, of Baton Rouge, which had considerable merit, but Mr. Maguire’s were decidedly the most faithful and the most beautifully finished.  If the opinion of the Committee on Fine Arts was the same as ours, Maguire got the first premium.

1847 February 17.  Conservator.  (Baton Rouge, Louisiana.)  February 17, 1847, No. 26, P. 4.

Maguire’s Daguerreotype.  J. M. would respectfully return thanks for the liberal patronage bestowed on him since he first had the honor of introducing the Daguerreotype into New Orleans. Five years ago, during which time he has taken more portraits than any other person in the world.  His specimens were exhibited at the Fair in competition with others taken by the best operators from New York, and he was awarded the First Premium.

No specimens exhibited at his establishment but those taken by himself.

J. M. assures the public that his portraits will continue to be what they always have been—the best.  His long experience and constant practice are the best inducement to person’s desirous of instruction in the beautiful art.

Genuine Voigtlander Cameras 20 per cent cheaper than any in this city; all other articles the same.  Plates $2 per dozen; Scorrillis [sic.] No. 1, for $3.25 guaranteed the best plates made in the United States; cases $2.75 and $3.50; New York Cameras at $18.

Orders from the country promptly attended to.  Entrance—No. 6 Camp street.

1848 January 17.  New Orleans Weekly Delta.  (New Orleans, Louisiana.)  January 17, 1848, Vol. III, No. 14, P. 2. 

We have received from Maguire, the Daguerreotypist, of Camp street, a miniature likeness of Gen. Taylor, which is pronounced by those who have seen it to be the most faithfully natural likeness of the “old man” that has yet been placed before the public.  He is in citizen’s dress, and without a hat.  Maguire, we think, is entitled to the hat, for having so well succeeded in taking the General’s “counterfeit presentment.”

1848 January 18.  The Daily Delta.  (New Orleans, Louisiana.)  January 18, 1848, Vol. III, No. 85, P. 2.

Daguerreotype Likenesses of Children—Taken in ½ second—Guaranteed perfect, or no charge. No. 6 Camp street.  J. Maguire.  je17.

Advertisement was recorded on January 18, to September 14, 1848.

1848 January 18.  The Daily Delta.  (New Orleans, Louisiana.)  January 18, 1848, Vol. III, No. 85, P. 4.

Maguire’s Daguerreotype.  J. M. would respectfully return thanks for the liberal patronage bestowed on him since he first had the honor of introducing the Daguerreotype to New Orleans, five years ago; during which time he has taken more portraits than any other person in the world.  His specimens were exhibited at the late Fair in competition with others taken by the best operators from New York, and he was awarded the First Premium.

No specimens exhibited at his establishment but those taken by himself.

J. M. assures the public, his portraits will continue to be, what they always have been—the Best.

His long experience and constant practice are the best inducements to persons desirous of instruction in this beautiful art.

Genuine Voigtlander’s Camera, 20 percent cheaper Than any in the South all other articles the same, Plates $2.50 per dozen; Scoville’s No. 1, $3 per doz., Guaranteed the best plates made in the U. S.  Cases at $2.25, and $3.50 per doz.  New York Cameras at $18.

Orders from the country promptly attended to.  Entrance, No. 6 Camp street.  o9.

Advertisement was recorded on January 18 to September 14, 1848.

1848 March 4.  The Daily Republic.  (New Orleans, Louisiana.)  March 4, 1848, Vol. 1, No. 2, P. 1.

Maguire’s Daguerreotype.  J. M. would respectfully return thanks for the liberal patronage bestowed on him since he first had the honor of introducing the Daguerreotype into New Orleans. Five years ago, during which time he has taken more portraits than any other person in the world.  His specimens were exhibited at the Fair in competition with others taken by the best operators from New York, and he was awarded the First Premium.

No specimens exhibited at his establishment but those taken by himself.

J. M. assures the public that his portraits will continue to be what they always have been—the best.  His long experience and constant practice are the best inducement to person’s desirous of instruction in the beautiful art.

Genuine Voigtlander Cameras 20 per cent cheaper than any in this city; all other articles the same.  Plates $2 per dozen; Scorrillis [sic.] No. 1, for $3.25 guaranteed the best plates made in the United States; cases $2.75 and $3.50; New York Cameras at $18.

Orders from the country promptly attended to.  Entrance—No. 6 Camp street.                 

Advertisement was recorded from March 4 to April 8, 1848.

1848 March 11.  The Daily Crescent. (New Orleans, Louisiana.)  March 11, 1848, Vol. I, No. 7, P. 2.

Maguire’s Daguerreotype.  J. M. would respectfully return thanks for the liberal patronage bestowed on him since he first had the honor of introducing the Daguerreotype into New Orleans. Five years ago, during which time he has taken more portraits than any other person in the world.  His specimens were exhibited at the Fair in competition with others taken by the best operators from New York, and he was awarded the First Premium.

No specimens exhibited at his establishment but those taken by himself.

J. M. assures the public that his portraits will continue to be what they always have been—the best.  His long experience and constant practice are the best inducement to person’s desirous of instruction in the beautiful art.

Genuine Voigtlander Cameras 20 per cent cheaper than any in this city; all other articles the same.  Plates $2 per dozen; Scorrillis [sic.] No. 1, for $3.25 guaranteed the best plates made in the United States; cases $2.75 and $3.50; New York Cameras at $18.

Orders from the country promptly attended to.  Entrance—No. 6 Camp street.                 

Advertisement ran from March 11, 1848 to October 27, 1849.

1848 June 21.  The Daily Union.  (Washington, District of Columbia.)  June 21, 1848, Vol. IV, No. 40, P. 3.

We are indebted to Mr. Sartain, a distinguished engraver of Philadelphia, for a copy of the portrait of Gen. Taylor, engraved on steel, from an original daguerreotype, which was taken at Baton Rouge by Mr. McGuire, of New Orleans.  It is represented to us as a perfect likeness of the General—with a grave yet agreeable aspect, and stripped, by the delicacy of the engraver, of much of the harshness to which the daguerreotype likeness are too often subjected….

1849 February 28.  The Daily Crescent. (New Orleans, Louisiana.)  February 28, 1849, Vol. I, No. 309, P. 2.

Daguerreotypes.—The beautiful art of taking portraits by the aid of sunlight, is now carried to a perfection truly astonishing.  In our own city there are many eminent in the art, among whom our friend Maguire, in Camp street, near Canal, stands prominent.  His miniatures never fail to please, for he does them so well that were a person tinctured with the slightest degree of vanity, he would be in danger of falling in love with himself.  A person would be well repaid by a visit to Maguire’s rooms, if he should only go to examine the numerous and beautiful specimens which adorn them.

1849 August 22.  Southern Sentinel.  (Plaquemine, Louisiana.)  August 22, 1849, Vol. II, No. 2, P. 3.

Maguire’s Daguerreotype.  J. M. would respectfully return thanks for the liberal patronage bestowed on him since he first had the honor of introducing the Daguerreotype into New Orleans, five years ago, during which time he has taken more portraits than any other person in the world.  His specimens were exhibited at the Fair, in competition with others taken by the best operators in New York, and was awarded the First Premium.  No specimens exhibited at his establishment but those taken by himself.  J. M. assures the public that his portraits will continue to be what they always have been—the Best.  His long experience, and constant practice are the best inducements to persons desirous of instruction in the beautiful art.  Genuine Voigtlander Cameras 20 per cent cheaper than any in the city; all other articles the same.  Plates at $2 per dozen; Scovill’s No 1 for $3 25—guaranteed the best plates made in the United States; cases $2.75 and $3.50; New York Cameras at $18.

Orders from the country promptly attended to.  Entrance no 6 Canal street.                   

Advertisement ran from August 22 to December 12, 1849.

1849 August 29.  Southern Sentinel.  (Plaquemine, Louisiana.)  August 29, 1849, Vol. II, No. 4, P. 2.

Maguire’s Daguerreotype.—This Prince of Daguerreotypers in the South still welcomes his friends at the corner of Camp and Canal streets.  His Daguerreotypes are so far superior to the majority of others in that line, that those who have the least judgment respecting such matters can easily discover it.  We recommend him to our friends who visit the city.—For a trifling sum the fac simile of the features of those whom we love can be obtained, and no lover, parent, or husband, should neglect to have a memorial of this kind to preserve and cherish.

1849 November 12.  New Orleans Weekly Delta.  (New Orleans, Louisiana.)  November 12, 1849, Vol. V, No. 5, P. 8.

A Fair Day on Camp, Chartres, and Canal streets.  The beautiful, balmy, spring weather, with which we have been favored for the last week, has served to draw forth into Camp, Chartres streets all the loveliness and elegance of our city…

Another step, and we found ourselves ascending a rectangular staircase, and suddenly surprising a stout, good-looking, affable gentleman in his shirt-sleeves, who is exhibiting a small, square object to a smiling lady, which he declares is strikingly accurate—one of the best things he ever did.  Here we found a room checkered with miniatures—some Daguerreotypes, and others more life-like, taken by a new process, called Talpotype, [sic.] by which the likeness is transferred from nature to paper, and may be multiplied to any extent, and at a cheap rate, so as to enable us to supply all our relatives, friends, and sweethearts with counterfeit presentments of our “human face divine.”  This is the studio of our friend, the indefatigable Maguire, who has done more to multiply the human face than any man living.  Having provided for the perpetuation of our ugliness, through the reduplicating process of Talpotype, [sic.] we pass the line, and emerge into Chartres street…  

1849 December 3.  New Orleans Weekly Delta.  (New Orleans, Louisiana.)  December 3, 1849, Vol. V, No. 8, P. 5.

The patent Talbotypes, or portraits on paper, and Hyalotypes, or portraits on glass, the latter perfectly transparent, durable and beautiful, improved and invented by W. & F. Langenheim, are among the astonishing discoveries of the present day.  The Talbotype pictures on paper surpass anything of the kind that has been accomplished in this line before, even the Daguerreotype not excluded.  Copies of all pictures can be furnished at any time after delivering the first impression.  By the Talbotype portraits from life can be taken on paper of the size of five by six inches, and any number of copies furnished.

1849 December 23.  The Daily Delta.  (New Orleans, Louisiana.)  December 23, 1849, Vol. V, No. 73, P. 3.

Masonic Dinner.  Anniversary of St. John the Evangelist, Thursday, Dec. 27, 1849.  At The St. Charles Hotel.  Subscribers to the above Dinner, can procure their Tickets, by calling on either the undersigned.  Brethren who may desire to purchase Tickets, can obtain them at. H. E. Baldwin & Co.’s, 7 Chartres st.; H. Williams’s, on Camp st., opposite Armory Hall; J. Maguire’s Daguerrian Gallery, corner of Camp and Canal streets…

1850 March 1.  The Daily Crescent. (New Orleans, Louisiana.)  March 1, 1850, Vol. II, No. 310, P. 2.

In speaking of the fine arts, we must not overlook the recent improvement in the Daguerreotype, by which impressions are made on paper instead of on a metallic plate.  At Maguire & Harrington’s, specimens may be seen executed by the new process.  The view of Canal street, during the inundation, presents one of the most beautiful landscapes we have ever seen, equaling in beauty the views of the—“Glorious city in the sea.”

1850 March 1.  The Daily Crescent. (New Orleans, Louisiana.)  March 1, 1850, Vol. II, No. 310, P. 2.

Daguerreotype, Talbotype Hyalotype Gallery.  Maguire & Harrington, having purchased from the assignees of W. F. Talbot, the patent right for the use of his Talbotype process, in the States of Louisiana, Alabama, Florida, Georgia and Texas, begs leave to call the attention of the public to their gallery of specimens in this new department of Photography.

The Talbotype is taken upon paper, ivory, glass, metal, and a variety of other substances, the first possessing the decided advantages of easy transmissibility by mail, can be enclosed in a letter, made to adorn the pages of a book, or preserved in a portfolio.

The Talbotype is eminently susceptible of coloring, so that the picture can be finished to any degree desired by the sitter; every variety of texture and color of the drapery and complexion, color of the eyes and hair, can be faithfully delineated.

The Talbotype represents the sitter without any reverse effect; a mole or scar upon the right check, appears upon the right cheek.

The Talbotype can be duplicated to any extent without the additional trouble of another sitting.  After the first Impression is taken, copies can be furnished at any future time upon simple application by letter or otherwise.

N. B.—M. & H. being furnished with every facility for the prosecution of this superior art, are ready to dispose of rights for the States specified, with thorough instructions.

Daguerreotypes they profess to take quicker and better than any other establishment in the world.  They guaranty a perfect likeness of a child of six months, in one second, or no charge.  No. 6 Camp Street.

Advertisement ran from March 1, 1850 to January 21, 1851.

1850 March 3.  The Daily Delta.  (New Orleans, Louisiana.)  March 3, 1850, Vol. V, No. 143, P. 2.

Messrs. Maguire & Harrington’s new modes of taking likenesses by Tallotyping and Hyallotyping are rare inventions of art, and a decided improvement on the daguerreotype, which has done so much to transmit likenesses of the “human face divine” with so much accuracy and facility.

1850 March 4.  New Orleans Weekly Delta.  (New Orleans, Louisiana.)  March 4, 1850, Vol. V, No. 21, P. 8.

Messrs. Maguire & Harrington’s new modes of taking likenesses by Tallotyping and Hyallotyping are rare inventions of art, and a decided improvement on the daguerreotype, which has done so much to transmit likenesses of the “human face divine” with so much accuracy and facility.

1850 June 17.  New Orleans Weekly Delta.  (New Orleans, Louisiana.)  June 17, 1850, Vol. V, No. 36, P. 2.

Daguerreotyping—Talbotyping.—Messrs Maguire & Harrington, No. 6 Camp street, whose quick and correct method of taking Daguerreotype likenesses have rendered them famous throughout the Southand West, are now attaining still greater celebrity by the unparalleled manner in which they take likenesses by the Talbotype principle, which is a decided improvement on the Daguerreotype.  A review of their Picture Gallery cannot fail to interest the connoisseur.  No one who comes to the city should leave it without having his “Talbotype” taken, to present to lover, relative or friend.

1851 January 2.  The Daily Crescent. (New Orleans, Louisiana.)  January 2, 1851, Vol. III, No. 260, P. 2.

Louisiana R. A. Chapter No. 3, The members of this Chapter are requested to assemble at the Hall, for the purpose of conveying the lady of our late H. P., James Maguire, to his last resting place…By order of the M. E. K.  Officer presiding.

1851 January 2.  The Daily Picayune.  (New Orleans, Louisiana.)  January 2, 1851, Vol. XIV, No. 202, P. 2.

Died:  On Wednesday morning, 1st. Instant, at 4 o’clock, Jas. Maguire, of Balfast, [sic.] Ireland, in his 35th year.  

His friends and acquaintances are respectfully invited to attend his funeral, from his late residence, on Baronne street, near Julia street, This Afternoon, the 2d instant, at half-past 3 o’clock.

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

The Daguerreotype Art.— We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished daguerrean artist in America, who has taken the extensive establishment, No. 6 Camp street, lately occupied by McGuire & Harrington.  The former patrons of that establishment will find that it has lost nothing by the change; and that is saying a great deal.  We have known Col. Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage.  He is one of those rare men we occasionally meet with, and only occasionally, who, from their strong intellectual endowments, and force of character, will place themselves, in despite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to its highest degree of perfection, and we wish him the success to which his high merits entitle him. 

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

Daguerreotyping—Maguire’s old stand, No. 6 Camp street.—The subscriber, having leased this well known and celebrated establishment, and secured the services of Dr. W. H. Harrington, partner of J. Maguire for the last four years, will continue the business at No. 6 Camp street; where he is prepared to furnish Likenesses, of all sizes, equal to any in the United States.  From long experience and strict attention, he trusts fully to sustain the reputation of this long established Gallery.

Gallery, No. 28 Camp street, will at all times be open for the reception of visitors and stock dealers.  T. J. Dobyns.

Dr. Harrington avails himself of this opportunity to return his thanks to his friends and the public for the liberal patronage heretofore received, and respectfully solicits a continuance of the same, at the above Gallery.                     

Advertisement ran from January 13 to 25, 1851.

Lyon, John L.

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

C. 1846           251 Broadway, New York, New York.

1847-1855       55 State Street, Hobron’s Block, Over the Post Office New London, Connecticut.

1860-1861       55 State Street, New London, Connecticut.

1845 August 22.  Morning News.  (New London, Connecticut.)  August 22, 1845, Vol. I, No. 242, P. 3.

Steamboat Hotel.  William Bacon, Proprietor, Bank-street.  Aug 21—…J. L. Lyon…

1846 August 18.  Morning News.  (New London, Connecticut.)  August 18, 1846, Vol. II, No. 238, P. 3.

City Hotel.  Walter Edwards Proprietor, State-street.  Aug. 17—…J. L. Lyon…

1846 September 14.  Morning News.  (New London, Connecticut.)  September 14, 1846, Vol. II, No. 262, P. 3.

Bacon’s Hotel.  William Bacon, Proprietor, Bank-street.  Sept. 12—…J. L. Lyon…

1847 April 17.  New London Democrat.  (New London, Connecticut.)  April 17, 1847, Vol. III, No. 5, Whole No. 109, P. 3.

Removal E. H. Payne would respectfully inform the inhabitants of New London, and its vicinity, that he has removed from the “Exchange” To Hobron’s Block, over the Post Office, where he has recently fitted up a suit of rooms including a Ladies’ Parlor and Exhibition Gallery; and having just imported a German Camera, of the largest size, he is prepared to execute Daguerreotype Likenesses from the smallest size to the Largest Ever Taken In This Country.

In connection with the Gallery we have an operating room which has a large and clear North Light, which is acknowledged by all artists as being superior to any other for taking pictures, and for giving the eye that clearness and life-like expression which has been so much desired to make the Daguerreotype perfect.

Mr. P. would state that he has engaged for the coming season that excellent and successful operator, Mr. J. L. Lyon’s, whose pictures taken during the past winter at the “Plumbe Gallery,” New York, have received the admiration of all.

With these increased facilities and the assurance that we shall use nothing but the best materials, we would say to those in want of Good Likenesses, That Will Not Fade, give us a call and we will use our utmost endeavors to please.

Strangers visiting the city, as well as residents, are respectful;;y invited to call and examine specimens which will be exhibited at all hours with much pleasure.

Children taken in from three to eight seconds in clear weather.

Daguerreotypes, Paintings, Drawings, &c., copied with accuracy.

Advertisement ran from April 17 to May 1, 1847.

1847 April 21.  The People’s Advocate.  (New London, Connecticut.)  April 21, 1847, Vol. VII, No. 36, Whole No. 347, P. 3.

Removal E. H. Payne would respectfully inform the inhabitants of New London, and its vicinity, that he has removed from the “Exchange” To Hobron’s Block, over the Post Office, where he has recently fitted up a suit of rooms including a Ladies’ Parlor and Exhibition Gallery; and having just imported a German Camera, of the largest size, he is prepared to execute Daguerreotype Likenesses from the smallest size to the Largest Ever Taken In This Country.

In connection with the Gallery we have an operating room which has a large and clear North Light, which is acknowledged by all artists as being superior to any other for taking pictures, and for giving the eye that clearness and life-like expression which has been so much desired to make the Daguerreotype perfect.

Mr. P. would state that he has engaged for the coming season that excellent and successful operator, Mr. J. L. Lyon’s, whose pictures taken during the past winter at the “Plumbe Gallery,” New York, have received the admiration of all.

With these increased facilities and the assurance that we shall use nothing but the best materials, we would say to those in want of Good Likenesses, That Will Not Fade, give us a call and we will use our utmost endeavors to please.

Strangers visiting the city, as well as residents, are respectful;;y invited to call and examine specimens which will be exhibited at all hours with much pleasure.

Children taken in from three to eight seconds in clear weather.

Daguerreotypes, Paintings, Drawings, &c., copied with accuracy.

Advertisement ran from April 21 to May 5, 1847.

1848 April 8.  New London Democrat.  (New London, Connecticut.)  April 8, 1848, Vol. IV, No. 4, Whole No. 160, P. 2.

“The Press Gang.”  Such is the significant title of a group of Daguerreotype portraits just taken in this city by J. L. Lyon, the eminent artist who has recently succeeded E. H. Payne, Esq., in the Daguerrean Rooms in Hobron’s building over the Post Office

The group alluded to is executed in most admirable style, and though taken before the election is finely illustrative of the well known saying of the Poet,

“Coming events cast their shadows before.”

The picture consists of three editors sitting on a log.  Dolbeare of the Morning News, Scofield, of the Star and Democrat, and Jackson of the Newport News.  The features of all are life-like and characteristic.

There sits Dolbeare on the right, with “spectacles on nose,” looking for all the world as sadly sour, as he undoubtedly felt the day after the election; his whole features robed in unusual dejection, and his attitude speaking at every point—“I can’t help it!”  Then on the left is Jackson, his political friend, from the land of the Algerines; with his head resting upon his hand, in melancholy sympathy with his whig brother on the right; a speaking outline of the inner working of the thoughts; while between them sits Scofield, in an easy, slipshod manner, with his impudently good natured, and brassy countenance peering out and saying plainly as even language could say, “I guess we’ve got you,” with a saucy half smile wreathing his chubby visage, and setting off the picture in a style graphique.

As a specimen of the daguerrean art this picture is highly creditable to the operator; and considering the subject, we think it tells plainly that those who want true pictures, will do well to call on our friend Lyons; as with different subjects there is no doubt that he can do the elegant.

1848 April 8.  New London Democrat.  (New London, Connecticut.)  April 8, 1848, Vol. IV, No. 4, Whole No. 160, P. 3.

Daguerreotypes!  J. L. Lyon Would respectfully inform his friends, and the public generally, that he has taken the Daguerreotype establishment, formerly owned by E. H. Payne, over the Post Office, where he would be happy to receive all who may favor him with a call, either for pictures, or to examine specimens.  He feels confident of giving entire satisfaction to all who may wish pictures, as his information in the art was obtained from one of the first Daguerreotype operators in the United States, and his practice, not only with the former proprietor, but with others, having been the most extensive for the past five years.

Ladies and gentlemen are respectfully invited to call.  Rooms over the Post Office.

Advertisement ran from April 8 to December 16, 1848.

1848 April 13.  Morning News.  (New London, Connecticut.)  April 13, 1848, Vol. IV, No. 114, P. 3.

J. L. Lyon, Daguerreotype Miniature Rooms, Horron’s [sic.] Block, Over The Post Office, New London.  Miniatures taken with the modern discoveries and improvements of the Art, neatly set in Lockets, Pins, Rings, Bracelets or Cases.  Copies taken from Daguerreotype Portraits and Paintings at short notice.  Also Daguerreotypes taken of deceased persons.  Perfect satisfaction guaranteed or no charge.

N. B.  Instruction given in the improvements of the Art on the most reasonable terms.

Advertisement was recorded from April 13 to 25, 1848.

1848 April 15.  New London Democrat.  (New London, Connecticut.)  April 15, 1848, Vol. IV, No. 5, Whole No. 161, P. 2.

More Light.—Hobron’s Block in State-st., has long been the centre of light in our city, and every body had supposed it was perfect.—But no.  It was destined to increase.  It has increased.  There has been for a long time—first, and most important, of course, the light of our brilliant Star, beaming like Lucifer before his fall, the brightest of the sons of the morning—the Democrat, the condenser of its rays.  Second, the Post Office, whence the light of constantly inflowing intelligence is issued to all parts of the city, and to all departments of business.  Third, The News and Reading Rooms, under the administration of our friend Irish, whose well known zeal and assiduity are full up to the injunction—”Circulate the documents.”  Fourth, the Daguerrean Gallery, late Mr. Payne’—now under the direction of Mr. Lyon, by whose directing skill, old Sol will make a second-self on silver, of every mother’s son or daughter who will favor him with the opportunity—thus making ‘heaven’s blest light’ the prime agent in dileneation [sic.].  And last, not least, we have the light of Legal science pouring from the same common centre—by the removal of Messrs. Wright & Stone to the building.  Come then, ye mighties who compose the august public—com where the light shineth, and bathe either mind in its pellucid rays! 

1848 April 19.  The Peoples Advocate.  (New London, Connecticut.)  April 19, 1848, Vol. VIII, No. 36, Whole No. 400, P. 3.

J. L. Lyon, Daguerreotype Miniature Rooms, Hobron’s Block, Over The Post Office, New London.  Miniatures taken with the modern discoveries and improvements of the Art, neatly set in Lockets, Pins, Rings, Bracelets or Cases.  Copies taken from Daguerreotype Portraits and Paintings at short notice.  Also Daguerreotypes taken of deceased persons.  Perfect satisfaction guaranteed or no charge. 

N. B.  Instruction given in the improvements of the Art on the most reasonable terms.  April 13.

Advertisement was recorded on April 19 & 26.

1848 April 26.  New London Daily Chronicle.  (New London, Connecticut.)  April 26, 1848, Vol. I, No. 1, P. 4.

J. L. Lyon, Daguerreotype Miniature Rooms, Hobron’s Block, Over The Post Office, New London.  Miniatures taken with the modern discoveries and improvements of the Art, neatly set in Lockets, Pins, Rings, Bracelets or Cases.  Copies taken from Daguerreotype Portraits and Paintings at short notice.  Also Daguerreotypes taken of deceased persons.  Perfect satisfaction guaranteed or no charge. 

N. B.  Instruction given in the improvements of the Art on the most reasonable terms.  April 13.

Advertisement was recorded on April 26 & 27, 1848.

1848 April 28.  The Daily Chronicle.  (New London, Connecticut.)  April 28, 1848, Vol. I, No. 3, P. 3.

Lyon’s Gallery of Daguerreotypes.  Hobron’s Block, Over the Post Office, New-London.  The attention of the public is invited to the miniatures which are daily made at this fashionable establishment.—The superiority of these pictures is the result of care in the arrangements throughout—particularly of the light.  By the use of a clear north light, which is admitted by all artists to be the best, pictures are usually made in from 15 to 20 seconds.  A mild, pleasing, delicate eye is obtained, in stead of a blotch of white, nearly or fully covering the pupil, and boldness of character, beauty of expression, and delicacy of light and shade which cannot be attained by an ordinary light.

Particular attention paid to taking family groups: also portraits of deceased persons at private residences if requested.  Price of pictures $1.50 and upwards, according to size of plate and richness of cases and frames.

Mr. L. would thank his friends and the public for the very liberal patronage he has received, and invite them to call at his rooms over the Post Office.

Advertisement ran from April 28, 1848 to July 29, 1849.

1848 May 3.  New London Weekly Chronicle.  (New London, Connecticut.)  May 3, 1848, Vol. I, No. 1, P. 3.

Lyon’s Gallery of Daguerreotypes, Hobron’s Block, Over the Post Office, New London.  The attention of the public is invited to the miniatures which are daily made at this fashionable establishment.—The superiority of these pictures is the result of care in the arrangements throughout—particularly of the light.  By the use of a clear north light, which is admitted by all artists to be the best, pictures are usually made in from 15 to 20 seconds.  A mild, pleasing, delicate eye is obtained, instead of a blotch of white, nearly or fully covering the pupil, and boldness of character, beauty of expression, and delicacy of light and shade which cannot be attained by an ordinary light.

Particular attention paid to taking family groups; also portraits of deceased persons at private residences if required.  Price of pictures $1.50 and upwards, according to size of plate and richness of cases and frames.

Mr. L. would thank his friends and the public for the very liberal patronage he has received, and invite them to call at his rooms over the Post Office.

Advertisement ran on May 3 & 24, 1848.

1849 May 10.  New London Weekly Chronicle.  (New London, Connecticut.)  May 10, 1849, Vol. II, No. 76, P. 2.

Mr. Lyon, whose rooms are in Court-street near the Post Office, has recently added to the attraction of his gallery by a number of daguerreotype impressions of the old Congregational Church, now about to be taken down and replaced by a splendid stone edifice.  These views are taken from various points and present exact likenesses of the ancient building, very finely executed.  A good many of our citizens desirous of possessing such memento of his time honored fabric, have possessed themselves of a copy, and we presume Mr. L. could furnish a few more, if requested to do so within a day or two.  After this week the opportunity will have passed by forever.  Mr. Lyon is a very successful artist in his own particular branch, and is withal a man very worthy of public encouragement.

1849 October 27.  New London Daily Chronicle.  (New London, Connecticut.)  October 27, 1849, Vol. II, No. 152, P. 3.

J. L. Lyon, Daguerrean Miniature Rooms.  Hoban’s Block, over the Post Office, Miniatures taken with the modern discoveries and improvements of the Art, neatly set in Lockets, Pins, Rings, Bracelets or Cases. 

Copies taken from Daguerreotype Portraits and Paintings at short notice.  Daguerreotypes taken of deceased persons.  Perfect Satisfaction Guaranteed or no Charge. 

Advertisement ran from October 27 to December 8, 1849.

1849 October 31.  New London Weekly Chronicle.  (New London, Connecticut.)  October 31, 1849, Vol. II, No. 79, P. 3.

J. L. Lyon, Daguerrean Miniature Rooms.  Hobron’s Block, over the Post Office, Miniatures taken with the modern discoveries and improvements in the Art, neatly set in Lockets, Pins, Rings, Bracelets or Cases.

Copies taken from Daguerreotype Portraits and Paintings, at short notice.

Daguerreotypes taken of deceased persons.

Perfect satisfaction Guarantied or no Charge.

Advertisement ran five times between October 31 to December 5, 1849.

1849 December 10.  New London Daily Chronicle.  (New London, Connecticut.)  December 10, 1849, Vol. II, No. 172, P. 2.

Daguerreotypes Extraordinary.  J. L. Lyon, Would respectfully give notice to the citizens of New London and vicinity, that he has now completed the refurnishing of his rooms, making them in point of beauty and convenience equal to any in the country.  In consequence of the increasing demand for his superior likenesses, he has made arrangements with Mr. Walker (a very distinguished artist) to assist him for a short time, and he trusts that those who want likenesses will avail themselves of this rare opportunity.

Rooms in Hobron’s Block, over the Post Office.

Advertisement ran from December 10, 1849 to May 29, 1850.

1849 December 12.  New London Weekly Chronicle.  (New London, Connecticut.)  December 12, 1849, Vol. II, No. 85, P. 2.

The New Daguerreotype Establishment.—We take pleasure in directing attention to the advertisement of Mr. Lyon.  He has so renovated and embellished his rooms, as really to render them quite as attractive as any thing of the kind in the country.  They are certainly less extensive than some of those in Broadway, but they are by no means inferior to the best of them in the taste and liberality bestowed in fitting them up, either in point of beauty or convenience.  Mr. Walker, the gentleman who has recently been employed in the establishment, brings with him a very high reputation for skill and effectiveness in the art, and most undoubtedly deserves it.  The specimens of his efforts which he exhibits, furnish some of the most magnificent daguerreotyping imaginable.  In distinctness and richness of tone as well as truth and fidelity of likeness, we believe his portraits equal to any to be found in the United States.  So at any rate they strike us; but it is hardly worth while for any one to depend on newspaper notices of such works of art.  They must be seen to be appreciated, and we really advise everybody to visit the gallery and look at them—look for instance at Mr. Walker’s portrait of himself, and than say whether they ever saw a more finished or more faithful likeness.  His pictures have all the soft delicacy of the best mezzotints, combined with the spirit and freedom of the higher order of engravings.—but we simply designed a mere reference to the advertisement, and have already said more than we meant to do.

1849 December 12.  New London Weekly Chronicle.  (New London, Connecticut.)  December 12, 1849, Vol. II, No. 85, P. 3.

Daguerreotypes Extraordinary.  J. L. Lyon, Would respectfully give notice to the citizens of New London and vicinity, that he has now completed the refurnishing of his rooms, making them in point of beauty and convenience equal to any in the country.  In consequence of the increasing demand for his superior likenesses, he has made arrangements with Mr. Walker (a very distinguished artist) to assist him for a short time, and he trusts that those who want likenesses will avail themselves of this rare opportunity.

Rooms in Hobron’s Block, over the Post Office.

Advertisement was recorded nineteen times between December 10, 1849 to June 5, 1850.

1850 May 8.  New London Weekly Chronicle.  (New London, Connecticut.)  May 8, 1850. Vol. II, N0. 106, P. 3.

Copartnership Notice.  The undersigned have this day formed a copartnership, under the name and firm of Lyon & Rogers, and will continue the Daguerreotype business at the old stand, in Hobron’s Block, over the Post Office.  J. L. Lyon, Geo. H. Rogers.  April 30, 1850.

1850 May 11.  New London Democrat.  (New London, Connecticut.)  May 11, 1850, Vol. VI, No. 9, Whole No. 269, P. 3.

Copartnership Notice.  The undersigned have this day formed a copartnership, under the name and firm of Lyon & Rogers, and will continue the Daguerreotype business at the old stand, in Hobron’s Block, over the Post Office.  J. L. Lyon, Geo. H. Rogers.  April 30, 1850.

Advertisement was recorded on May 11 & 18, 1850

1850 May 13.  Daily Morning Star.  (New London, Connecticut.)  May 13, 1850, New Series-Vol. IV, No. 254, P. 2.

Call at Messrs. Lyon & Rogers, Daguerreotype Rooms, In Hobron’s Block, over the Post Office and examine the finest Daguerreotypes and most elegant Rooms for Daguerreotyping in the State.  New London, May 13, 1850.

Advertisement ran thirty six times between May 13 to June 29, 1850.

1850 May 16.  Daily Morning Star.  (New London, Connecticut.)  May 16, 1850, New Series-Vol. IV, No. 258, P. 3.

Copartnership Notice.  The undersigned have this day formed a copartnership, under the name and firm of Lyon & Rogers, and will continue the Daguerreotype business at the old stand, in Hobron’s Block, over the Post Office.  J. L. Lyon, Geo. H. Rogers.  April 30, 1850.

Advertisement was recorded on May 16 to 31, 1850.

1850 May 18.  New London Democrat.  (New London, Connecticut.)  May 18, 1850, Vol. VI, No. 10, Whole No. 270, P. 3.

Call at Messrs. Lyon & Rogers, Daguerreotype Rooms, In Hobron’s Block, over the Post Office and examine the finest Daguerreotypes and most elegant Rooms for Daguerreotyping in the State.  New London, May 13, 1850.

Advertisement ran thirty six times between May 18. 1850 to July 19, 1851.

1850 May 29.  New London Daily Chronicle.  (New London, Connecticut.)  May 29, 1850, Vol. III, No. 29, P. 3.

Call at Messrs. Lyon & Rogers, Daguerreotype Rooms, In Hobron’s Block, over the Post Office and examine the finest Daguerreotypes and most elegant Rooms for Daguerreotyping in the State.  New London, May 10, 1850.

1850 September 18.  New London Weekly Chronicle.  (New London, Connecticut.)  September 18, 1850. Vol. III, N0. 125, P. 3.

Call at Messrs. Lyon & Rogers, Daguerreotype Rooms, In Hobron’s Block, over the Post Office and examine the finest Daguerreotypes and most elegant Rooms for Daguerreotyping in the State.  New London, May 10, 1850.

Advertisement was recorded seven times between September 18 to November 20, 1850.

1850 November 30.  New London Daily Chronicle.  (New London, Connecticut.)  November 30, 1850, Vol. III, No. 185, P. 2.

Lyon & Rogers, Daguerrean Gallery, No. 55 State Street, New London, Conn.  Nov. 30.

1850 December 4.  New London Weekly Chronicle.  (New London, Connecticut.)  December 4, 1850. Vol. III, N0. 136, P. 2.

Daguerreotype Rooms.—Messrs Lyon and Rogers, 55 State street have added new attractions to their finely fitted rooms, and are constantly rendering them more desirable to their Numerous visitors.  Mr. L. has just returned from a protracted visit to New York in which city he has another establishment, and in which he certainly has managed to perfect himself in the beautiful art.  The portrait of Miss Cushman the great actress is one of the finest daguerreotype likenesses we have seen, not only in fidelity of resemblance but in beauty of execution.  It was we believe by special favor that Mr. Lyon obtained the sitting from Miss C. and he ought to consider himself fortunate in having done so, for he has produced a work of art that fully establishes his standing among the most eminent of his profession.  If anything that we have said should induce more of our citizens to visit these rooms than would have otherwise gone, we shall be gratified that it has been said, for Messrs. L. & R. are not only fine artists but they are very deserving young men.

1850 December 4.  New London Weekly Chronicle.  (New London, Connecticut.)  December 4, 1850. Vol. III, N0. 136, P. 3.

Daguerreotypes.  J. L. Lyon, having returned from New York, will now give his personal attention to the taking of Daguerreotypes in the same superior style hitherto done by him, and at the most reasonable prices. 

Call at Lyon & Rogers’ Rooms, No. 55 State st. Hobron Block.

Advertisement ran twice on December 4, 1850 & January 1, 1851.

1850 December 7.  New London Democrat.  (New London, Connecticut.)  December 7, 1850, Vol. VI, No. 39, Whole No. 299, P. 2.

Lyon & Rogers, Daguerrean Gallery, No. 55 State St., New London, Ct.

Advertisement ran from December 7, 1850 to May 31, 1851.

1850 December 7.  New London Democrat.  (New London, Connecticut.)  December 7, 1850, Vol. VI, No. 40, Whole No. 300, P. 3.

Charlott Cushman.  Lyon & Rogers, have added to their beautiful collection of Daguerreotypes, a splendid likeness of Charlott Cushman, taken from life.

Call at Lyon & Rogers Rooms, No 55 State Street, Hobron’s Block.

Advertisement ran from December 7, 1850 to January 25, 1851.

1850 December 18.  New London Weekly Chronicle.  (New London, Connecticut.)  December 18, 1850. Vol. III, N0. 138, P. 3.

Lyon & Rogers, Daguerrean Gallery, No. 55 State St., New London, Ct.

Advertisement was recorded five times between December 18, 1850 to February 12, 1851.

1851 January 3.  Daily Morning Star.  (New London, Connecticut.)  January 3, 1851, New Series-Vol. IV, No. 930, P. 1.

Lyon & Rogers, Daguerrean Gallery, No. 55 State St., New London, Ct.

Advertisement was recorded from January 3 to June 4, 1851 & March 1 to 13, 1852.

1851 January 3.  Daily Morning Star.  (New London, Connecticut.)  January 3, 1851, New Series-Vol. IV, No. 930, P. 4.

Charlott Cushman.  Lyon & Rogers, have added to their beautiful collection of Daguerreotypes, a splendid likeness of Charlott Cushman, taken from life.

Call at Lyon & Rogers Rooms, No 55 State Street, Hobron’s Block.

Advertisement was recorded from January 3 to February 1,1851.

1851 April 2.  New London Weekly Chronicle.  (New London, Connecticut.)  April 2, 1851. Vol. III, N0. 153, P. 4.

Call at Messrs. Lyon & Rogers, Daguerreotype Rooms, In Hobron’s Block, over the Post Office and examine the finest Daguerreotypes and most elegant Rooms for Daguerreotyping in the State.  May 10, 1850.

Advertisement ran on April 2 & 9, 1851.

1851 August.  The Photographic Art-Journal.  (New York, New York.)  August 1851, Vol. 2, No. 2, P. 99-101.

The Daguerrean Art, Its Present State And Future Prospects.  Mentioned in article.

1852 February 26.  The New London Weekly Chronicle.  (New London, Connecticut.)  February 26, 1852. Vol. IV, N0. 200, P. 3.

Dissolution.  The Co-partnership heretofore existing under the name and firm of Lyon & Rogers, is this day dissolved by mutual consent.

The business will be continued by J. L. Lyon.  Geo. H. Rogers.  J. L. Lyon.

1852 March 15.  Daily Star.  New London, Connecticut.)  March 15, 1852, Vol. V, No. 1295, P. 1.

J. L. Lyon, Daguerrian Gallery, No. 55 State Street—New London.

Advertisement ran from March 15, 1852 to May 9, 1855.

1852 May 24.  The New London Daily Chronicle.  (New London, Connecticut.)  May 24, 1852, Vol. V, No. 23, P. 1.

J. L. Lyon, Daguerrean Gallery, 55 State -street, New London.  Nov. 30.

1852 July 19.  Daily Star.  New London, Connecticut.)  July 19, 1852, Vol. V, No. 1402, P. 2.

Daguerreotypes.  J. L. Lyon, takes this opportunity to inform the public that he has returned to his old stand over the Post Office, in New London, where he is prepared to receive and accommodate his patrons with the most approved Daguerreotypes. 

Advertisement ran from July 19 to August 16, 1852.

1852 July 20.  The New London Daily Chronicle.  (New London, Connecticut.)  July 20, 1852, Vol. V, No. 30, P. 2.

Daguerreotypes.  J. L. Lyon, takes this opportunity to inform the public that he has returned to his old stand over the Post Office, in New London, where he is prepared to receive and accommodate his patrons with the most approved Daguerreotypes. 

1852 July 22.  The New London Daily Chronicle.  (New London, Connecticut.)  July 22, 1852, Vol. V, No. 14, P. 3.

Daguerreotypes.  J. L. Lyon, takes this opportunity to inform the public that he has returned to his old stand over the Post Office, in New London, where he is prepared to receive and accommodate his patrons with the most approved Daguerreotypes.

Advertisement ran from July 22 to August 5, 1852.

1852 August 12.  The New London Weekly Chronicle.  (New London, Connecticut.)  August 12, 1852, Vol. V, No. 17, P. 3.

A Card.—J. L. Lyon takes this opportunity to express his thanks to the ladies and gentlemen of New London and vicinity for the very liberal patronage he has received during a period of five years, and would respectfully solicit a continuance of the same, assuring them there shall be nothing wanting on his part to give satisfaction.  July 27.

Advertisement ran from August 12, 1852 to January 26, 1854

1852 December 2.  The New London Weekly Chronicle.  (New London, Connecticut.)  December 2, 1852, Whole No. 240, Vol. V, No. 33, P. 4.

J. L. Lyon, Daguerrean Gallery, 55 State-street, New London.

Advertisement ran from December 2, 1852 to March 26, 1855.

1853 January 18.  Daily Star.  New London, Connecticut.)  January 18, 1853, Vol. V, No. 1554, P. 2.

Daguerreotypes With Colors.  The subscriber, in additional to ten years uninterrupted attention to his business, now begs permission to inform the inhabitants of New London County that during the past Summer he has taken up his residence in New York City, solely for the purpose of acquiring an accurate knowledge of all the modern improvements, both in this Country and Europe, in this most wonderful art—and that he is now at his former place of business, over the Post Office in New London, where he is prepared to execute likenesses of any size, shape and description, Cheaper, Quicker And Better!  Than any other establishment of a similar kind in Connecticut.

He now invites his old friends and patrons, together with all others who may visit the city to give him a call, assuring them that by a recent invention of his own, he can give the same Natural Colors, and life-like appearance to the face that have been Claimed for the celebrated Hillotype pictures.  John L. Lyon.  New London, Ct., Dec. 25, 1852.

Advertisement ran from January 18 to January 11, 1854.

1853 February 1.  Daily Star.  New London, Connecticut.)  February 1, 1853, Vol. V, No. 1566, P. 2.

Lyon’s Daguerreotypes posses rare merit for their truthful, tasteful, and artistic arrangement.  The judicious disposition of light, clearness of shadow, and the grace and elegance of face make them gems of art.

Advertisement ran from February 1 to November 26, 1853.

1853 April 7.  The New London Weekly Chronicle.  (New London, Connecticut.)  April 7, 1853, Vol. V, No. 51, P. 4.

Lyon’s Daguerreotypes are taken By a large north light, the best position for a light to prevent abrupt shadows under the eyes, nose and chin, and has a tendency of producing miniatures of such softness and roundness of flesh that they must become at once the favorite style of pictures with all persons of refined and artistic taste.

Advertisement ran from April 7, 1853 to January 26, 1854.

1853 September 13.  Daily Star.  New London, Connecticut.)  September 13, 1853, Vol. VI, No. 1749, P. 2.

Haven & Co., who have it for sale, have placed upon our table an excellent Lithograph of Rev. J. S. Swan.  It is executed by E. C. Kellogg, of Hartford, from a Daguerreotype by J. L. Lyon, of this city.  It is a good likeness. looking exactly like the celebrated original.  It will doubtless meet with an extensive sale.

1853 September 22.  The New London Weekly Chronicle.  (New London, Connecticut.)  September 22, 1853, Vol. VI, No. 20, Whole No. 282, P. 1.

Elder Sivan.—Those wishing an exact likeness of the Elder, must call on Haven & Co., Book Sellers, State Street, where they will find him in “Lith. By E. C. Kellogg,” taken from a Daguerreotype by J. L. Lyon, of this city.

1854 February 3.  Daily Star.  New London, Connecticut.)  February 3, 1854, Vol. VI, No. 1865, P. 2.

Twenty-Five Cent Daguerreotypes.  Call at Lyon’s Gallery and procure one, No. 55 State Street.

Advertisement ran from February 3 to 6, 1854.

1855 November 1.  New London Daily Star.  (New London, Connecticut.)  November 1, 1855, Vol. VII, No. 2385, P. 2.

Ambrotypes And Daguerreotypes.  We desire to call the attention of our readers to the new pictures taken on glass by Mr. Kenyon, (successor to J. L. Lyon,) who has rooms directly under this office.  the pictures are exceedingly well taken, life-like and correct.  Mr. Kenyon is a worthy and accommodating young man, and, we are glad to see, has his rooms crowded, and unerring indication that he gives complete satisfaction to his numerous patrons.  He puts his pictures up in cases of all prices.  He continues the Daguerreotype business in addition, as usual. 

1860 March 1.  New London Weekly Chronicle.  (New London, Connecticut.)  March 1, 1860. Vol. XII, N0. ?, P. 2

Business Changes and Improvements…

The premises occupied by R. F. Cook, dry goods dealer are soon to extend their borders by an addition of twenty five feet to the rear.  Mr. J. L. Lyon’s daguerrean rooms will also be correspondingly enlarged.

1860 May 3.  The New London Weekly Chronicle.  (New London, Connecticut.)  May 3, 1860, [Vol. XII, Whole No. 625,] P. 3.

Lyon’s Art Gallery!  55 State Street.  The Subscriber would inform the citizens of New London and vicinity, and the Public generally, that his establishment is now open for their reception.  He has recently Enlarged His Rooms and has constructed a large and superior Sky-Light and Side-Light Combined by which the best possible light is obtained.

Having procured new instruments he is now prepared to perfect Photographs, Ambrotypes, &c., in a superior manner, equal to those of any other establishment in the State.

Colored Photographs.  He would inform the public that he has engaged the services of An Experienced Artist from one of the finest establishments in New York, Expressly to Color Photographs! who will devote his entire time to that branch of the business.

Persons in want of a portrait are requested to call and examine specimens, and witness the many facilities he has for taking likenesses, as he is satisfied that no one can surpass his Pictures, either in exactness, finish or beauty.  J. L. Lyon.

Advertisement was recorded on May 3 & 10, 1860.

1860 June 12.  New London Daily Star.  New London, Connecticut.)  June 12, 1860, Vol. XII, No. 5599, P. 2.

Photographic Views.  All Persons wishing Photographic Views of Residences and Grounds, Statuary, Paintings, Machinery, Marine Views, Groups, &c, can have their orders promptly executed in the most Artistic manner, by leaving them at “Lyon’s Art Gallery,”  55 State street, New London.

N. B.—Our Views will be made with a C. C. Harrison’s celebrated View Camera, making an actual Picture of either 6½ by 8½, 8 by 10, 11 by 14, or 14 by 17 inches.   je7.

Advertisement was recorded thirteen times between June 12, 1860 to January 30, 1861.

Lummis & Brother

Ambrotypes, Melainotypes, Photographs, , , ,

1858                82 Market Street, Wilmington, Delaware.

1858 August 14.  The Commonwealth.  (Wilmington, Delaware.)  August 14, 1858, Vol. II, No. 17, P. 4.

Life Like Likenesses for 25 Cents At Lummis & Brother’s Ambrotype and Photograph Rooms, No. 82 Market Street, above 3d, Ambrotypes, Melainotypes, Ambrographs, Paperotypes, Lettertypes &c.

Persons wishing a good picture will do well by giving us a call.  Pictures in lockets, breast pins, and finger rings, in the neatest manner possible, and on reasonable terms.  Small children taken in the shortest possible time.  Now is the time to get a good likeness for your self and friends. Pictures for 25 cents and upwards. As good pictures taken in cloudy as clear weather.

Come one, come all, for you had ought’ter,

And get your likeness for a quarter.

Lummis & Bro., No. 82 Market st., Wilmington, Del.  june 19—1y.

Lufkin, Merchant H.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , ,

1853-1854                   82 Merrimack Street, Lowell, Massachusetts.

1855                            82 Merrimack Street, Lowell, Massachusetts.[1]

1855-1856                   Canal Block, Lowell, Massachusetts.

1859-1861                   100 Merrimack Street, Lowell, Massachusetts.1

1864                            112 Merrimack Street, Lowell, Massachusetts.1

Ca 1864-1866             166 Essex Street, Lawrence, Massachusetts.1

1866                            166 Essex Street, Lawrence, Massachusetts.1

1868                            211 Essex Street, Lawrence, Massachusetts.1

1869                            Address Unknown, Lawrence, Massachusetts.1

1871                            421 Essex Street, Lawrence, Massachusetts.1

1871                            271 Essex Street, Lawrence, Massachusetts.1

1853 October 28.  Vox Populi.  (Lowell, Massachusetts.)  October 28, 1853, Vol. XIII, No. 50, P. 3.

Daguerreotypes!  The Largest Rooms in the City!!  Two Lights, Two Operating Rooms.  J. Q. Currier, Invites the attention of citizens and strangers to his extensive Daguerrean Establishment, at No. 88 Merrimack street, the largest and best arranged of any in the city. Two distinct and spacious Operating Rooms, together with skilful and practiced operators enable him to furnish his patrons with Pictures in the highest style of art with the latest possible delay.

His large skylight, added the past season, containing 240 square feet of glass, is admirably adapted to the taking of Large Pictures and Groups, and in this branch the proprietor will Challenge Competition!  A share of attention will be devoted to the much admired Crayon Daguerreotypes.

These Pictures have the appearance and effect of very fine Crayon Drawings, and will not fail to merit the approbation of a refined taste.

Colored Daguerreotypes!  A new process of coloring Daguerreotypes has just been introduced, and is used by the subscriber with great success.  A perfectly life like appearance is given to the countenance and expression by this process, unattainable by any other.

Great pains will be taken in the execution of Children’s Portraits!  Pictures Enlarged And Copied.

Mr. Currier is assisted in his business by Mr. M. H. Lufkin, an Artist of taste and experience, and, between the two, he is confident he will be able to merit a large and continued share of the patronage of his friends and the public generally. 

Specimen Pictures May be seen at his rooms, which for [beauty] and delicacy he is willing to have compared with the most favorable specimens of the art.

All, then, therefore, in search of a good Daguerreotype, are invited to call at Currier’s Daguerreotype Rooms, Concert Hall Building, No. 82 Merrimack street, Lowell.

Advertisement ran from October 28 to December 30, 1853.

1853 October 29.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  October 29, 1853, Vol. XIX, No. 4208, P. 2.

Daguerreotypes!  The Largest Rooms in the City!!  Two Lights, Two Operating Rooms.  J. Q. Currier, Invites the attention of citizens and strangers to his extensive Daguerrean Establishment, at No. 88 Merrimack street, the largest and best arranged of any in the city. Two distinct and spacious Operating Rooms, together with skilful and practiced operators enable him to furnish his patrons with Pictures in the highest style of art with the latest possible delay.

His large skylight, added the past season, containing 240 square feet of glass, is admirably adapted to the taking of Large Pictures and Groups, and in this branch the proprietor will Challenge Competition!  A share of attention will be devoted to the much admired Crayon Daguerreotypes.

These Pictures have the appearance and effect of very fine Crayon Drawings, and will not fail to merit the approbation of a refined taste.

Colored Daguerreotypes!  A new process of coloring Daguerreotypes has just been introduced, and is used by the subscriber with great success.  A perfectly life like appearance is given to the countenance and expression by this process, unattainable by any other.

Great pains will be taken in the execution of Children’s Portraits!  Pictures Enlarged And Copied.

Mr. Currier is assisted in his business by Mr. M. H. Lufkin, an Artist of taste and experience, and, between the two, he is confident he will be able to merit a large and continued share of the patronage of his friends and the public generally. 

Specimen Pictures May be seen at his rooms, which for [beauty] and delicacy he is willing to have compared with the most favorable specimens of the art.

All, then, therefore, in search of a good Daguerreotype, are invited to call at Currier’s Daguerreotype Rooms, Concert Hall Building, No. 82 Merrimack street, Lowell.

1853 December 23.  Vox Populi.  (Lowell, Massachusetts.)  December 23, 1853, Vol. XIV, No. 6, P. 3.

“Excelsior!”  Daguerreian Gallery The Largest Rooms In The City!  2 Lights & 2 Operating Rooms!  J. Q. Currier, Invites the attention of citizens and strangers to his extensive Daguerreotype Establishment At No. 82 Merrimack Street., The Largest and Best Arranged of Any in Lowell!

Two distinct and spacious operating rooms, together with skillful and practical operators, enable him to furnish his patrons with pictures in the highest style of art with the least possible delay.

His Large Skylight, added the past season, contains 240 square feet of glass, is admirably adapted to the taking of Large Pictures!  And Groups And In This Branch The Proprietor Will Challenge Competition!

A share of attention will be devoted to the much admired Crayon Daguerreotypes!!  The Pictures have the appearance and effect of very fine Crayon Drawings, and cannot fail to merit the approbation of a refined taste.

Colored Daguerreotypes.  A new process of Coloring Daguerreotypes has just been introduced, and is used by the subscriber with great success.  A perfectly life-like appearance is given to the countenance and expression by this process, unattainable by any other.

Great Pains Will Be Taken In The Execution Of Children’s Portraits.

Pictures Enlarged and Copied.

Mr. Currier is assisted in his business by Mr. M. H. Lufkin, An Artist of taste and experience, and between the two he is confident he will be able to merit a large and continued share of the patronage of his friends and the public generally.

Specimen Pictures May be seen at his Rooms, which for beauty and delicacy he is willing to have compared with the most favorable specimens of the art.

Advertisement ran from December 23, 1853 to February 17, 1854.

1854 August 25.  Vox Populi.  (Lowell, Massachusetts.)  August 25, 1854, Vol. XIV, No. 41, P. 2.

Daguerreotypes.—We would call the attention of our readers to the daguerreian gallery of Wilkins & Lufkin, (successors to J. Q Currier) 82 Merrimack Street.  We have rarely seen pictures so clear and brilliant, and never so well-arranged and graceful positions, or delicacy of coloring.  Their rooms are beautifully furnished, easy of access, and up but one flight of stairs.  A large skylight gives them ample facilities for making any style of picture that their patrons want.

1854 October 13.  Vox Populi.  (Lowell, Massachusetts.)  October 13, 1854, Vol. XIV, No. 48, P. 3.

Daguerreotypes.  Wilkins & Lufkin, Daguerreian Gallery.  82 Merrimack Street, Up One Flight of Stairs, Is one of the most extensive in this country.  It is fitted up in a superb manner, and accompanied by both side and sky light, with two distinct operating rooms.  The advantages of the above arrangement can be seen at a glance.

Miniatures in clouds, crayon, metallic, background, stereoscopes, and every variety of style taken in this Gallery, that for arrangement of attitudes, delicacy of coloring, are unsurpassed in this city.

Metallic Back-Ground.  This new and beautiful style of finishing the background needs but to be seen to be appreciated.  It consists in applying a substance a substance to the plate after the picture is taken, which gives the background a fine metallic appearance, thereby making the likeness clear and visible in any angle of light, while it rivals in beauty the finest mezzotint engravings.

Persons that have Daguerreotypes or copies of portraits that the outlines are indistinct, or the background dark or mottled, can have the metallic ground applied in a few minutes of time, and at a trifling expense.  Every picture warranted.

Prices as reasonable as those of any other artists in the city.  Please to call and see for yourselves.  Chas. Wilkins.  M. H. Lufkin.

Advertisement ran from October 13 to November 24, 1854.

1855 February 23.  Vox Populi.  (Lowell, Massachusetts.)  February 23, 1855, Vol. XV, No. 15, P. 2.

Daguerreotypes.—A capital likeness can be procured at the establishment of Messrs. M. H. Lufkin & Co., Canal Block, opposite the American House.  This firm have just completed the remodelling [sic.] of their rooms, and are now prepared to get up pictures in the highest style of the art.

1855 May 18.  Vox Populi.  (Lowell, Massachusetts.)  May 18, 1855, Vol. XV, No. 27, P. 2.

Daguerreotypes.—Messrs. Lufkin & Co. Canal Block, Central Street, have completed the improvements in their rooms, and are now prepared to take likenesses equal, if not superior, to any that can be obtained in the city.  Call and see their specimens.

1856 April 28.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 28, 1856, Vol. VI, No. 1, P. 3.

Crayon Drawing.  Portraits and Landscape Drawing taught evenings, by M. H. Lufkin, at his Daguerreian Rooms, Canal Block, opposite the American House.  Each pupil taught separately.  Call and examine specimens.

Advertisement was recorded from April 28 to May 17, 1856.

1862 May 3.  The Lowell Daily Courier.  (Lowell, Massachusetts.)  May 3, 1862, Vol. XXVII, No. 6723, P. 2.

Gone To Lawrence.  Mr. M. H. Lufkin, who is known to many of our citizens as a superior ambrotype and photograph artist, has taken rooms in Lawrence for the prosecution of the art in which he has for years stood in the first rank, in this vicinity.  Mr. Lufkin has for a number of years been operating for Mr. G. K. Warren, who has long done the best class of work in Lowell; and we speak what probably no one will deny, when we say that he has had no superior as a skillful, tasty, finished operator.  Our Lawrence friends may be sure that Mr. Lufkin is worthy of their patronage, and we trust he will receive it,

1862 October 6.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 6, 1862, Vol. XII, No. 1973, P. 3.

Born. In this city, Oct 4th, a son to Mr. M. H. Lufkin.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Lovering, Reuben F.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , ,

C.1843-1847   75 Court Street, Boston, Massachusetts.[1]

1845                190 Washington Street, Boston, Massachusetts.                       

1848                257 Washington Street, Boston, Massachusetts.[2]

1849                34 Tremont Row, Boston, Massachusetts.2

1850-1851       203 Washington, Boston, Massachusetts.2                                   

1851                247 Washington Street, Boston, Massachusetts.2

1851                34 Tremont Row, Boston, Massachusetts.

1855                Address Unknown, Boston, Massachusetts.

1859                182 Washington Street, San Francisco, California.[3]

1859-1860       111 Montgomery Street, San Francisco, California.

1845 July 21.  The Boston Daily Mail.  (Boston, Massachusetts.)  July 21, 1845, Vol. V, No. 191, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

Advertisement ran from July 21 to August 20, 1845.

1845 July 23.  The Boston Daily Times.  (Boston, Massachusetts.)  July 23, 1845, Vol. XVIII, No. 4949, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

Advertisement was recorded twice on July 23 & 28, 1845.

1845 July 24.  The Boston Daily Mail.  (Boston, Massachusetts.)  July 24, 1845, Vol. V, No. 194, P. 2.

Daguerreotypes.  Cannon and Lovering have removed their rooms to 190 Washington street opposite the Marlboro’ Chapel, where they executed the most perfect miniatures at prices lower than at any other establishment.—Call and examine them.

1846 November 10.  Daily Evening Transcript.  (Boston, Massachusetts.)  November 10, 1846, Vol. , No. 4999, P. 2.

Robbery.  Between 3 and 4 o’clock yesterday afternoon a show case belonging to Lovering & Davis daguerreotype artists no. 34 Tremont row, which was hanging in the passage way at the foot of the stairs was pried open by some rogue and $40 worth of lockets were stolen.  The lockets were of Stone & Weaver’s manufacture, Providence.

1846 November 11.  The Boston Daily Mail.  (Boston, Massachusetts.)  November 11, 1846, Vol. VI, No. 289. P. 2.

The Daguerreotype Show Case of Messrs. Lovering and Davis, No. 34 Tremont Row, was broken open on Monday night, and about $40 worth of lockets stolen.

1847 August 6.  The Boston Daily Times.  (Boston, Massachusetts.)  August 6, 1847, Vol. XVIII, No. 4961, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

1848 September 5.  Boston Daily Times.  (Boston, Massachusetts.)  September 5, Vol. XXV, No. 3884, P. 3.

For Sale—A Daguerreotype Establishment, well located and doing a good business; only a small capital required.  Sufficient reason given for selling.  Inquire of R. F. Lovering, 257 Washington st.

1850 February 9.  Christian Register.  (Boston, Massachusetts.)  Febroary 9, 1850, Vol. XXIX, No. 6, P. 4.

Marriages.  In Manchester, 5th inst. by Rev. A. B. Fuller, Mr. Reuben F. Lovering of Boston to Miss Martha Ann Whitle of Deering, N. H.

1851 February 17.  The Boston Daily Bee.  (Boston, Massachusetts.)  February 17, 1851, Vol. 18, No. 102, P. 2.

A fire was discovered yesterday morning about 3 o’clock, in the daguerreotype establishment of R. F. Lovering, in the third story of the building 203 Washington, corner of Bromfield street.  The fire burnt quite freely and nearly destroyed Mr. L’s stock—amounting to about $1000.  It is supposed to have been set on fire, as two or three suspicious characters were seen sculking about the neighborhood a short time before the fire broke out.

1851 February 17.  The Boston Daily Mail.  (Boston, Massachusetts.)  February 17, 1851, Vol. XI, No. 41. P. 2.

Fires.  At 3 o’clock Sunday morning fire was discovered in the second story of a building No. 203 Washington street, corner of Bromfield street, occupied by R. F. Lovering, daguerreotype artist, whose stock and materials were destroyed and considerable damage done to the building…

1851 February 17.  The Boston Herald.  (Boston, Massachusetts.)  February 17, 1851, No. 8625, P. 4.

Fire.  About 3 o’clock yesterday morning, fire broke out in one of the upper rooms over the jewelry store of Mr. Wm. B. Fessenden, corner of Washington and Bromfield streets, occupied as a daguerreotype room by Mr. R. F. Lovering,  The room in which the fire originated was pretty well burnt out, and one or two other rooms were somewhat damaged by the fire.  The stock of Mr. Fessenden suffered considerable damage from water.

1854 November 23.  The Boston Daily Atlas.  (Boston, Massachusetts.)  November 23, 1854, Vol. XXIII, No. 124, P. 2.

In the Police Court, John O’Brien and John Sullivan , minors, were arraigned for breaking and entering the house of Reuben F. Lovering, No. 12 Bond st.  Sullivan was sent to the State Reform School, and there having been a previous warrant against O’Brien for leading an idle and dissolute life, he was sent to the House of Reformation for Juvenile offenders. 

1859 July 30.  The Pacific.  (San Francisco, California.)  July 30, 1859, Vol. X, No. 53, P. 3.

A Temple of Art is Hamilton & Lovering’s new Photographic Establishment.  There are Eight rooms all on the second floor (an advantage possessed by no other extensive establishment in the United States), and built expressly for the practice of the Photographic Art in all its branches.  An experience of both Hamilton and Lovering of over sixteen years constant practice enables them to turn out finer work than any other establishment, as they are not compelled, like other establishments, to hire operators, who scarcely know anything about the business.  The First Premium was awarded to us at both the last State and City Fairs.  Hamilton & Lovering, Second story of Lecount’s Gallery, 111 Montgomery street.  jy12.

Advertisement was recorded twice on July 30 & August 5, 1859.

1859 September 20.  Sacramento Daily Union.  (Sacramento, California.)  September 20, 1859, Vol., XVIII, Whole No. 2646, P. 1.

Sixth Annual Fair Of The State Agricultural Society.  Sixth Day…

The Exhibition.  The Picture Gallery…

East Room.  In the northeast corner of this wing of the Pavillion are placed the daguerreotypes, ambrotypes and photographs of D. H. Woods, Sacramento.  They embrace about nineteen specimens, and besides fine portraits, contains excellent landscape views.  The next left hand collection is part of Vance’s (San Francisco and Sacramento) exhibition, consisting chiefly of a series of beautiful views of yo Semite Falls and scenery.  There are thirteen of these views, each remarkably clear and well taken; the excite much admiration…

West Room…

The remainder of the south wall is occupied by the fine display of photographs done in every variety of style, and exhibited by Hamilton & Lovering, San Francisco.  Between some of the pictures, and the splendid show down stairs by Vance, it is hard to choose.  We have not time to specify the particular merits of each collection.  It is sufficient to say that both firms have brought the art of photographing, in taking portraits, to high perfection.  These two exhibits of pictures are among the chief attractions of the Fair. 

1859 October 7.  Sacramento Daily Union.  (Sacramento, California.)  October 7, 1859, Vol., XVIII, Whole No. 2661, P. 1.

Official List Of Premiums Awarded At The Sixth Annual Fair Of The California State Agricultural Society…

Ambrotypes—W. Dickman, Sacramento; special premium, diploma.

Plain Photographs—Hamilton & Lovering, San Francisco; second premium, $5.

Ambrotypes—Hamilton & Lovering, San Francisco; second premium, $5.

Daguerreotypes—Jacob Shew, Sacramento, first premium, plate, $10.

Stereoscopic Pictures—R. H. Vance, San Francisco; special diploma.

Plain Photographs—R. H. Vance, San Francisco ; first premium, plate, $10.

Ambrotypes—R. H. Vance, San Francisco; first premium, plate, $10.

1860 September 24.  Sacramento Daily Union.  (Sacramento, California.)  September 24, 1860, Vol., XX, Whole No. 2962, P. 1.

Seventh Annual Fair Of The State Agricultural Society…

Photographs.—The exhibit of photographs of various styles, ambrotypes and other camera pictures [is] not extensive.  They fill however, the walls of the [ ? ] room.  The largest exhibit, if not the most artistic display, is from Hamilton & Lovering, of San Francisco.  They occupy nearly the whole of the north wall.  The east wall is hung with specimens from W. H. Towne’s photograph gallery, Sacramento.  The south wall is taken up with the photographs of J. Shew, of Sacramento, and there is a large display and variety in the center of the same wall, sent down by A. Liebert, of Nevada.  Next to these, on the same side is the best display of large photographic portraits in the room, from W. Shew, of San Francisco; and, to complete the list Dickman, of this city, covers the east side with some of his highly finished India ink photographs and other specimens.  Few as are the contributions, in proportion to the number of photograph establishments in the State, they present: not only a fine display, but exhibit the very highest specimens of the art in all its styles.

1860 October 23.  The Pacific.  (San Francisco, California.)  October 23, 1860, Vol. XI, No. 123, P. 2.

Four First Premiums at the late State Fair, and the Only First Premium at the Fair of the Mechanics’ Institute, were all awarded to us, over all competitors, for the Best Photographs, plain, re-touched, and life-size.  Also, the First Premium for the best Ambrotypes, at both Fairs. 

Prices low as ordinary pictures at other establishments.  Rooms all on the second floor.

Over seventeen years’ experience of both of us, enables us to excel all our competitors.  Hamilton & Lovering, Lecount’s Building.  111 Montgomery street.

Advertisement ran from October 23 to November 16, 1860.  

1862 June 23.  Sacramento Daily Union.  (Sacramento, California.)  June 23, 1862, Vol., XX, Whole No. 3505, P. 2.

Passengers For The East.—The following named persons leave in the Golden Age to-day for the East:…

R. F. Lovering and wife.

[1] The American Daguerreotype.

[2] A Directory Of Massachusetts Photographers 1839-1900.

[3] Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865.

Lovell, John L.

Daguerreotypes, Photographs, , , , , , , , , , , , , , ,

ca. 1849          Address Unknown, Ware, Massachusetts.1

1851                Rooms over the store of L. Demond, Ware, Massachusetts.

1852                Main Street, 2 Brick Block, Ware, Massachusetts.

1852-1853       Address Unknown, Ware, Massachusetts.1

1853                Hall’s Long Building, Brattleboro, Vermont.

1853                2 Crystal Palace, nearly opposite the Revere House, Brattleboro, Vermont.

ca. 1854          96 Washington Street, Boston, Massachusetts.

1855-1856       2 Cutler’s Block, Brattleboro, Vermont.

ca.1856-1860  Address Unknown, Amherst, Massachusetts.1

1865                14 Phoenix Row, Amherst, Massachusetts.[1]

1866-1867       Union Block, Northampton, Massachusetts.

1867                Address Unknown, Amherst, Massachusetts.1

1868                14 Phoenix Row, Amherst, Massachusetts.1

1869                41 Phoenix Row, Amherst, Massachusetts.1

1871-1872       Address Unknown, Amherst, Massachusetts.1

1873                American House Block, Amherst, Massachusetts.1

1874-1893       Address Unknown, Amherst, Massachusetts.1

1895                American House Block, Amherst, Massachusetts.1

1896-1900       34 Main Street, Amherst, Massachusetts.1

1896-1900       Phoenix Row, Amherst, Massachusetts.1

1851 July 18.  Barre Patriot.  (Barre, Massachusetts.)  July 18, 1851, Vol. 8, No. 1, P. 3.

Daguerreotypes.  The people of Ware and vicinity who wish for a good likeness of themselves or friends, are respectfully invited to call at the Daguerrean Rooms over the store of L. Demond and examine specimens and prices which vary from fifty cts. to five dollars.  All are invited to call whether they intend to sit for a likeness or not.

Hours for operating from 8 A. M. until 6 P. M.

Cloudy weather preferable except for children.

In fair weather children will be taken in one second.—Miniatures put up in every style of the art, to suit customers.  Particular attention paid to copying pictures from Daguerreotypes or paintings, and taking sick or deceased persons at their residences.

Advertisement ran from July 18 to October 10, 1851.

1852 March 12.  Barre Gazette.  (Barre, Massachusetts.)  March 12, 1852, Vol. 18, No. 35, Whole No. 920, P. 3.

Now Is Your Time If You Wish For Good Daguerreotypes, Just Call At Lovelle’s Daguerrean Rooms.  The Pictures produced at these Rooms are not surpassed in this part of the country.  Here you will find a good variety of cases & Frames, of all kinds, from which to make a selection.  All who wish for pictures will do well to call without delay, as these Rooms will be opened, but a short time longer.

Particular attention is also payed to copying Daguerreotypes, or Paintings of all kinds, and taking Likenesses of sick or deceased persons at their residences.            J. L. Lovell.    

Advertisement was recorded eight times between March 12 to July 9, 1852.

1852 July 30.  Barre Gazette.  (Barre, Massachusetts.)  July 30, 1852, Vol. 19, Whole No. 931, No. 4, P. 3.

J. L. Lovell’s Daguerreian Gallery, No. 2 Brick Block, Main Street, Ware.  This Gallery having undergone extensive repairs, is now ready to receive the waiting Public, being complete in all its arrangements.  The Oblique Sky //light, combined with a beautiful Side Light, proves beyond a doubt, to be the best arrangement of Light that can be had, producing an effect of Light and Shade, in no other way attainable; throwing out the impression from the background in bold relief, imparting great Beauty and Life-=like expression to the whole features—and, in fact, producing Pictures of Unrivaled beauty and brilliancy of tone.

Pictures will be put up in all the various Styles of the Art; such as Frames, Cases, Lockets, Pins, Ring Keys, &c. &c.

A great variety of Fancy Frames And Cases, constantly on hand—and all those wishing for Family Groups, are particularly invited to call and examine our large size Frames and Cases, with Group Matts, it being a New and Beautiful way of obtaining Groups, which cannot fail of giving entire satisfaction to all.

Daguerreotypes and Paintings, or any thing which will admit of Copying, will be taken by a New Process, recently discovered by the Operator, by which he is enabled to produce Copies which are very much better than those produced by the old method.  This Process needs but one trial to be appreciated above all others.

All are respectfully invited to call and examine Specimens, whether they intend to sit fo a Likeness or not, assuring them that the Work will speak for itself.

Pictures of the sick or Deceased, taken at their Residences at all times when desired.

Instructions given in the Art.

He warrants perfect satisfaction to all.

The Operator solicits a share of the Public Patronage.  J. H. Lovell, Artist.  Ware, July 16, 1852.

Advertisement was recorded four times between July 30 to September 10, 1852.

1852 November 5.  Barre Gazette.  (Barre, Massachusetts.)  November 5, 1852, Vol. 19, No. 18, Whole No. 945, P. 4.

J. L. Lovell, Daguerreotypist, Rooms No. 2, Brick Block, Main Street, Ware.  Pictures of Unrivalled Clearness and Distinctness taken at all times without regard to weather.

Perfect Satisfaction Given Or No Charge.                                                    

1853 January 26.  Windham County Democrat.  (Brattleboro, Vermont.)  January 26, 1853, Vol. XVII, No. 16, P. 3.

Daguerreotyping, The subscriber would respectfully give notice to the inhabitants of Brattleboro and vicinity that he has taken the rooms formerly occupied by J. H. Spear for the purpose of taking and putting up Daguerreotypes in all the various styles of the art, such as Rings, Pins, Lockets, cases, frames, &c., &c.

All who feel interested in this beautiful art, and especially those who wish to obtain a perfect and pleasing Daguerreotype Likeness of themselves or friends, are respectfully invited to give him a call, and secure one or more of those Beautiful Mementoes of Life, ere it shall be too light.  The pictures taken by the subscriber, for the richness and softness of tone, the clearness and distinctness of the expression of the eyes, are not surpassed by any.

Daguerreotypes and Paintings of all kinds, copied in the very best manner.  Perfect satisfaction given or no charge will be made, as none but good work will be allowed to go from this room. 

J. L. Lovell.  Brattleboro, Jan. 6, 1853

Advertisement ran from January 26 to March 2, 1853.

1853 April 13.  Windham County Democrat.  (Brattleboro, Vermont.)  April 13, 1853, Vol. XVII, No. 27, P. 3.

Vermont Daguerrean Gallery, This well known Gallery, formerly located in Hall’s Long Building, is now located at No. 2 Crystal Palace, nearly opposite the Revere House, where extensive Rooms have been fitted up in the best manner, with all the modern improvements of the age.  The inhabitants of Brattleboro and vicinity are invited to call at these rooms and examine for themselves whether they intend to sit for a likeness or not.

No pains or expense will be spared to make these rooms and the work from them equal to any in City or Country.  Pictures put up in every variety of style and size required.  Daguerreotypes and Paintings of all kinds copied in the best manner by a new and beautiful process recently discovered by the subscriber.  Pictures taken equally as well in cloudy as in clear weather.  Perfect satisfaction given or no charge.  J. L. Lovell.  Brattleboro, March 4, 1853.

Advertisement ran from April 13 to 20, 1853.

1853 July 6.  Windham County Democrat.  (Brattleboro, Vermont.)  July 6, 1853, Vol. XVII, No. 38, P. 3.

Wells & Lovell’s Daguerrean Rooms, No. 2 Crystal Palace, (Nearly opposite the Revere House.)  Mr. Wells—the senior partner—is one of the oldest operators in the United States, and has been awarded the first Premium at every Fair where his pictures have been on exhibition.  In fitting up this large and extensive “Sky-Light Establishment,” no expense has been spared in making the rooms perfect and complete in all their arrangements.  Persons wishing likenesses of themselves or friends will find it advantageous to call at this establishment, as none but the ne plus ultra of the art will be allowed to be taken from the rooms.  We can, and on application will give you one of Wells & Lovell’s best!!!

We have one of the largest and most powerful Cameras ever used in this vicinity, and capable of making a better picture than smaller ones can make.  Also a new process for taking pictures of children in from two to five seconds.  We are and ever intend to be up with the improvements of the age we live in.  Persons are respectfully invited to call and examine specimens.  J. D. Wells.  J. L. Lovell.  Brattleboro, May 4th, 1853.

Advertisement ran from July 6 to October 5, 1853.

1854 September 29.  Vermont State Banner.  (Bennington, Vermont.)  September 29, 1854, Vol. XVI, No. 30, Whole No. 706, P. 1 & 2.

Vermont State Agricultural Society’s Fourth Annual Fair.  The Fourth Annual Fair of the Vermont Agricultural Association was held at Brattleboro on Tuesday, Wednesday and Thursday the 12th, 13th and 14th days of September instant…

We must not forget to mention especially the several cases of Daguerreotypes exhibited by Mr. J. J. Lovell.  They had several admirers as well on account of their artistic beauty as of the peculiar characteristics of some of their subjects.

1855 April 28.  Vermont Phoenix.  (Brattleboro, Vermont.)  April 28, 1855, New Series—Vol. 1, No. 13, P. 2.

Lovell’s Daguerrian Saloon.—The effort made by the Messrs. Lovell, who are now associated in the Daguerrian business, to keep pace with all the improvements in the art to which their attention is given, are deserving of mention.  We understand that they are making arrangements to introduce into this place a new branch of the photographic art, viz:—‘Chrystolotypes,’ or daguerreotypes taken on paper instead of plates of metal.  These pictures have all the appearance of delicate engravings and are very beautiful.  We hope their enterprise will be rewarded by increasing patronage.

1855 April 28.  Vermont Phoenix.  (Brattleboro, Vermont.)  April 28, 1855, New Series—Vol. 1, No. 13, P. 3.

Daguerreotypes.  The subscribers having associated themselves under the name of J. L. & H. H. Lovell, are now ready to take Daguerreotypes in every style of the art and warrant them to be recommended in every particular, for we are determined that it shall be for the interest of all, far and near, to obtain their Daguerreotypes at this establishment Cutler’s Block.  J. L. & H. M. Lovell.

N. B.  Grateful for past favors I would bespeak a continuance of the same under the new arrangement.  The junior partner is a thorough Artist, and our motto is still onward as heretofore.

Respectfully, J. L. Lovell.                                                                             

Advertisement ran from April 28 to June 16, 1855.

1855 June 23.  Vermont Phoenix.  (Brattleboro, Vermont.)  June 23, 1855, New Series—Vol. 1, No. 21, P. 2.

Merit to be acknowledged.—We take great pleasure in publishing the following communication, for we know that the statement therein contained are amply sustained by facts.  The Messrs. Lovell deserve honorable mention for their public spirit.

Mr. Editor:—I wish to call the attention of your readers, to the enterprising spirit, of your immediate neighbors, in the Daguerreian Rooms, directly over your Office.  It is hardly realized in this community, what untiring exertions are made by the Messrs. Lovell, to bring their operations to the highest point of perfection.  Few are aware of the earnest struggles, through which they are introducing some of the most valuable improvements.  Many would be surprised to know the amount of professional zeal, which has been called into exercise in those Rooms, under the influence of which, no expenditure of time, or labor, or money has been spared in the prosecution of successful experiments.  As Daguerreians, these gentlemen have reached an unrivalled position, which enables them to furnish the very best specimens of that art.—But they could not be satisfied with distancing all competition in this direction, but as it were, forgetting the returns, which might be looked for, from their expensive attainments, they were resolved upon pressing onward, in another direction, involving still more self-sacrificing devotion, to the highest aims of their calling.  Again they have triumphed, in the enlargement in their sphere of operation, and their public spirit has been crowned with the success of a new undertaking.  After expending much capital, in their resolute and determined experiments, they are prepared to furnish something new, in the way of superior pictures, called Ambrotypes, and Crystalotypes, which are taken on Glass, and Paper.  Both of these methods have decide advantages over the common Daguerreotypes.  The Ambrotype, upon Glass, is more clear and distinct, than the Daguerreotypes, and has the important excellence, of being readily seen from any position, without regard to the light and shade, which is often so annoying, in looking at a Daguerreotype.  And hardly too much can be said in favor of the Crystalotype, on Paper.  It is not inferior to the best engraving, and the larger sizes can be taken at a comparatively small expense, while copies can be indefinitely and cheaply multiplied.  But all that is needed for the highest recommendation of these life-like pictures, is simply to examine them, as they may be seen at the Rooms.  To see them is to give them the preference to any thing ever before offered to the public.  They cannot fail to become universal favorites.  They are destined to generally, if not entirely supersede Daguerreotypes.  It is to be hoped that the public spirit, and commendable enterprise, of the Messrs. Lovell, will be duly appreciated, and that they will be encouraged with liberal patronage.  Citizen.

1855 June 23.  Vermont Phoenix.  (Brattleboro, Vermont.)  June 23, 1855, New Series—Vol. 1, No. 21, P. 3.

Photographs.  No one should think of getting a likeness of themselves or friends until they have examined those Crystalotype & Ambrotypes taken by J. H. & sic. [L. H.] Lovell.

The Crystalotype is first taken upon Glass and is then transferred to paper in unlimited numbers, as from a copper plate.  By this process we are enabled with the Daguerreotype instrument, to produce on paper, views of Landscapes, Residences, copy Daguerreotypes, and take Portraits from life with the unerring hand of nature, rivaling in beauty to the finest Engravings.

The Ambrotype, a very beautiful picture, is taken upon Glass and finished in such a way that they are unaffected by acids, and can lay in water for months without injury, being perfectly air tight as well as water proof.

Both of the above are truly a wonder of the Actinographic art. 

We still take all the various styles of the ordinary Daguerreotype and we flatter ourselves that they are not inferior to any produced in city or country.

This is the only Complete Actinographic Establishment in Vermont.

Orders from abroad promptly attended to.  J. L. & H. M. Lovell.  Brattleboro, June 16, 1855.

Advertisement ran from June 23, 1855 to January 19, 1856.

1855 September 22.  Vermont Phoenix.  (Brattleboro, Vermont.)  September 22, 1855, New Series—Vol. 1, No. 34, P. 2.

Fifth Annual Fair Of The Vermont State Agricultural Society.  The fifth annual Fair of the Vermont State Agricultural Society was held at Rutland on Tuesday, Wednesday and Thursday of last week….

The Floral Hall department contained a fine collection of flowers, some excellent needle work, oil paintings, daguerreotypes, crystalotypes and ambrotypes.  Messrs. J. L. & H. M. Lovell of this village received the first premium on the first two varieties of photographs, and Mowry & Russell of Rutland on the last.  Both exhibitions were very creditable to their respective artists.

The following is the list of Premiums Awarded…Floral Hall…

J. L. & H. M. Lovell Brat’o best daguerreotypes,                  4.

J. L. & H. M. Lovell Brat’o best crystalotypes,                     1.

Mowry & Russell, Rutland best ambrotypes,                         4.

Mowry & Russell, Rutland, daguerreotypes,                          1.

1856 January 19.  Vermont Phoenix.  (Brattleboro, Vermont.)  January 19, 1856, New Series—Vol. 2, No. 3, P. 3.

Daguerrean Notice.  Mr. J. L. Lovell has so far recovered his health, after an illness of more than four months, that he will give his personal attention to the taking of Daguerreotypes, Ambrotypes, and Photographs, in a style of beauty and finish that is not surpassed by any operator in the country.

Mr. Lovell has received the first premium at the Vermont State Fair, and at several Country Fairs in Massachusetts.

Please give him a call at No. 2 Cutler’s Block.                     

Advertisement ran from January 19 to August 2, 1856.

1856 May 24.  Vermont Phoenix.  (Brattleboro, Vermont.)  May 24, 1856, New Series—Vol. 2, No. 21, P. 2.

View of Brattleboro.—Mr. J. L. Lovell has recently taken a photographic view of this village from which is to be engraved the Lithograph proposed to be published by Mr. J. Batchelder.  This lithograph will be 28 instead of 26 inches in length.  If it is a correct as the photograph it will be an admirable representation.

1856 August 9.  Vermont Phoenix.  (Brattleboro, Vermont.)  August 9, 1856, New Series—Vol. 2, No. 32, P. 2.

Daguerreotypes.—Mr. J. D. Wells of Northampton, has purchased the daguerreotype establishment lately owned by Mr. J. L. Lovell in this place, and has reopened it with all the most recent improvements in the photographic art.  Mr. Wells enjoys a reputation as an artist inferior to none in New England, and we have no doubt will, in every respect, merit the patronage of the community.—Mr. Lovell has, during his stay in Brattleboro won the favorable regards of the community by his devotion to his business and his qualities as a man and a citizen.  In his retirement he will carry with him the good wishes of a large circle of friends.

1856 August 9.  Vermont Phoenix.  (Brattleboro, Vermont.)  August 9, 1856, New Series—Vol. 2, No. 32, P. 3.

Great Excitement At Brattleboro’.  Wells & Kneeland Have purchased the Daguerrean Rooms Formerly occupied by J. L. Lovell, and are now prepared to furnish the people of Vermont with a Better Style Of Picture than can be produced elsewhere in the State.  (We can, will and shall do it for those who favor us with a call.)

Wells & Kneeland are the oldest Operators in the country.  They have just discovered a process whereby Pictures are taken upon Glass with all the apparent Colors of Life Itself, surpassing in beauty and Elegancy every other style of Picture ever before presented to the public.  Please call and see for yourselves.

1856 August 9.  Vermont Phoenix.  (Brattleboro, Vermont.)  August 9, 1856, New Series—Vol. 2, No. 32, P. 3.

Notice.  I have sold out my Daguerrean Rooms and the good will of the same to Messrs. Wells & Kneeland, and, in retiring from business in Brattleboro’, I have the pleasure of introducing my patrons and friends and the public generally, to them, as the oldest Operators in the country, and it has been well said there are none superior in the United States.  As Artists, they occupy the highest position.  Their gentlemanly manners and attention to business cannot but command the respect of all who know them.   J. L. Lovell.     Brattleboro, August 1, 1856.

1856 November 22.  Vermont Phoenix.  (Brattleboro, Vermont.)  November 22, 1856, New Series—Vol. 2, No. 47, P. 2.

Photography.—Mr. J. L. Lovell, for several years the well known Daguerrian Artist in this village, has removed to Amherst, Mass.  We learn that an important and delicate task in his art has been entrusted to his care.  Dr. Deane of Greenfield, is preparing a memoir of the fossil footprints found in the Connecticut River Valley, to be published by the Smithsonian Institute.  The plates representing the several specimens cannot be engraved with the desired accuracy, hence the work is to be illustrated with photographic plates.  About 30,000 of these will be requisite for the entire edition.  To Mr. Lovell has been confided the task of preparing these plates, and we know of no one better qualified for the undertaking.  As an artist and as a man he commanded the respect of this community, and we do cheerfully commend him to the favorable notice of the citizens of Amherst and vicinity.

1857 February 14.  Vermont Phoenix.  (Brattleboro, Vermont.)  February 14, 1857, New Series—Vol. 3, No. 7, P. 2.

Photographs.—We have received from Mr. J. L. Lovell formerly a Daguerrian artist in this village, now of Amherst, Mass., a photographic view of the ruins of North College, recently destroyed by fire.  The demand for these is quite active, and we are happy to say that Mr. L. will supply them for $6.00 per dozen.  From the same source we have received another photograph colored in oil.—It is a beautiful specimen of a department of photographic art, which is well worthy the attention of all.  Mr. L. seems determined to maintain his standing in the front rank of artists.

1857 July 11.  Vermont Phoenix.  (Brattleboro, Vermont.)  July 11, 1857, New Series—Vol. 3, No. 28, P. 2.

Dr. Deane, of Greenfield, is preparing a series of plates, which have occupied his leisure hours for twenty years, of “Foot-prints of the Creator,” from the quarries and river-side of the Connecticut valley.  The Smithsonian Institute defrays the expense of their publication.  The impression of bird tracts, and the footsteps of both extinct and living animals, are exceedingly accurate and very fine.  The expense will not be far from $5000, and the work entire a monument of scientific enthusiasm and suggestive geological hieroglyphics.  The plates were photographed by Mr. J. L. Lovell, a Daguerrean artist formerly of this village but not of Amherst, Mass.

1857 December 19.  Vermont Phoenix.  (Brattleboro, Vermont.)  December 19, 1857, Vol. XXIV, No. 51, P. 2.

Hard Times.—We have received a photograph from J. L. Lovell, of Amherst, Mass., formerly of this village, representing a man in a seedy, dilapidated condition, with his last dollar in hand, and that a worthless bill.  It indicates the present condition of many persons just at present.  The picture, as a work of art, is worthy of all praise.

1859 December 10.  Vermont Phoenix.  (Brattleboro, Vermont.)  December 10, 1859, Vol. XXVI, No. 49, P. 2.

We have received from J. L. Lovell, formerly of this village, but now of Amherst, Mass., several beautiful photographs of the clay-stones and fossil fruits of this State—a sample of the illustrations designed for the Report of the Geological Survey of Vermont, by Dr. Hitchcock.  These photographs are made by a new process, and as fast as made are ready for binding in the volume they are intended to illustrate, without being engraved and printed.  They very much resemble steel engravings, but are more accurate in their representations.  Mr. Lovell is an excellent artist and we are glade to learn that he is meeting with success.  He has recently made a photograph likeness of Dr. Hitchcock by this new process, which is admirable; and he has received an order from the Senior Class in Amherst College for 6,000 copies of this style of picture.

1860 July 31.  Hampshire Gazette.  (Northampton, Massachusetts.)  July 31, 1860, Vol. LXXIV, No. 52, Whole No. 4234, P. 2.

Amherst.  J. L. Lovell of Amherst, photographer, had this year executed the pictures for the college class-book.  He has taken in all 6,000 pictures for this one job.

1862 October 21.  Hampshire Gazette.  (Northampton, Massachusetts.)  October 21, 1862, Vol. LXXVII, No. 12, Whole No. 2821, P. 2.

Hadley.—The net receipts of the old Folks’ concert were $61, to which Mr. Lovell of Amherst, added the proceeds of photographing the choir, $12, making the gross amount $73, which was distributed among the army aid societies of Amherst, Hadley, Leverett and Sunderland.

1864 March 1.  Hampshire Gazette.  (Northampton, Massachusetts.)  March 1, 1864, Vol. LXXVIII, No. 31, Whole No. 2892, P. 2.

Morris H. Porter, formerly of Cummington, and now photographic operator with J. L. Lovell of Amherst, has formed a business connection with a gentleman in Kalamazoo, Mich., in which place he intends to take up his residence in a few weeks.

1864 October 18.  Hampshire Gazette.  (Northampton, Massachusetts.)  October 18, 1864, Vol. LXXIX, No. 12, Whole No. 2925, P. 2.

Cattle Show at Amherst.  The 15th annual exhibition of the Hampshire Agricultural Society was held on Thursday and Friday of last week…

In The Hall…Excellent specimens of photography from the establishment of J. L. Lovell, of Amherst, were exhibited.  Mr. Lovell is hard to beat in his particular line.

1865 March 18.  Vermont Record.  (Brattleboro, Vermont.)  March 18, 1865, Vol. III, No. 9, P. 12.

A Photograph in Indian ink of a deceased son of Mr. E. C. Crosby, has been made by our former townsman, J. L. Lovell, now of Amherst, Mass.  It was enlarged from a small card photograph and is one of those exquisitely beautiful pieces of art that is admired by all and seldom excelled.  Mr. Lovell’s many friends here will be glad to learn that he is meeting with good success.  His customers are numerous and patronize him for the superiority of his work.  In addition to the college class work that he has done so much of he has been engaged in taking several thousand photographs for a State publication of the bird-tracks of the Connecticut Valley.[2]

1865 May 23.  Hampshire Gazette.  (Northampton, Massachusetts.)  May 23, 1865, Vol. LXXIX, No. 43, Whole No. 2955, P. 2.

A Large and life-like photograph of Miss Catherine Hopkins, late teacher in Mt. Holyoke Seminary, has just been completed by J. L. Lovell, and is now on exhibition at his rooms.  It is executed with the most perfect fidelity to nature, and is creditable alike to the art and artist.  Mr. Lovell has recently also taken several fine views of the college buildings and scenery from the College hill.

1865 June 6.  Hampshire Gazette.  (Northampton, Massachusetts.)  June 6, 1865, Vol. LXXIX, No. 45, Whole No. 2957, P. 2.

Ingham Brothers of Westfield have engaged rooms for a Daguerrian saloon in the upper part of Damon’s block, over the post-office.  It is reported that Lovell of Amherst has engaged apartments for a similar saloon in Stockwell & Spaulding’s new block.  The prospect therefore is that the picture business will be well attended to in this town.

1865 July 25.  Hampshire Gazette.  (Northampton, Massachusetts.)  July 25, 1865, Vol. LXXIX, No. 52, Whole No. 2964, P. 2.

Income Returns for 1864.  We give below a complete list of the incomes for 1864, for Hampshire county, as returned to Hon. Amasa Norcross of Fitchburg, the U. S. Assessor for this district, on the 1st of May last.

John L. Lovell.  1864—$1,000;  1863—$1,157.

1865 October 3.  Hampshire Gazette.  (Northampton, Massachusetts.)  October 3, 1865, Vol. LXXX, No. 10, Whole No. 4973, P. 2.

Cattle Show at Amherst.  The Hampshire Agricultural Society held its sixteenth exhibition on Tuesday and Wednesday of last week…

Premiums Awarded…Fancy Articles.—photographs, J. L. Lovell 2.50.

1865 October 24.  Hampshire Gazette.  (Northampton, Massachusetts.)  October 24, 1865, Vol. LXXX, No. 13, Whole No. 4976, P. 2.

Stockwell & Spaulding’s New Block.  The new brick block of stores, offices, &c., on the east corner of Main and Pleasant streets, erected by Stockwell & Spaulding, (Frederick A. Stockwell and Capt. Mark H. Spaulding,) is so far completed that the proprietor have already moved into their quarters…

in the third story, is where the grand ornamental and artistic operations will be carried on.  Here the renowned artist of Amherst, whose fame is more than local, is fitting up apartments in a style that will surpass any thing of the kind in all this region, if he does not rival even the establishments of the city artists. He will have a suite of twelve rooms, including a large and elegant reception room, and a really splendid operating room.  His rooms will be a show in themselves worth seeing, and must attract people from all the country roundabout.  Mr. Lovell will be a valuable addition to the already distinguished artistic force of the town.  We understand that he will dispose of his rooms at Amherst.

1866 March 27.  Hampshire Gazette.  (Northampton, Massachusetts.)  March 27, 1866, Vol. LXXX, No. 35, Whole No. 4998, P. 2.

Lovell, the Amherst artist, is about opening his splendid suite of rooms in Union Block.  He will have as good quarters as any artist in the state.

1866 April 17.  Hampshire Gazette.  (Northampton, Massachusetts.)  April 17, 1866, Vol. LXXX, No. 38, Whole No. 5001, P. 2.

It will be seen by an advertisement in another column that Mr. Lovell has opened his Photographic rooms in Union block.  Mr. Lovell has undoubtedly the best suit of rooms in the Connecticut valley.  His operating room is large, well-lighted, and all his appointments of the latest make and most approved pattern.  As an artist Mr. Lovell has a reputation far and wide, and with his present convenient and well arranged rooms, he will undoubtedly meet with an extended patronage.  We understand the Mr. Lovell has already a large amount of work engaged.  This evening, the rooms will be open, and people are invited to attend.  The Young Gents’ Band will be present to assist in the dedicatory services.

1866 April 17.  Hampshire Gazette.  (Northampton, Massachusetts.)  April 17, 1866, Vol. LXXX, No. 38, Whole No. 5001, P. 2.

Hampshire Photograph Gallery.  J. L. Lovell, Proprietor.  Grand Opening, Tuesday Evening, April 17, ’66.  Music By Young Gents’ Band.  From 8 to 10.

The Subscriber Having Fitted Up His New Photographic Rooms in Union Block, Stockwell & Spaulding’s Building, will open them to the inspection of the public on Tuesday Evening, April 17.  Young Gents’ Band Will be in attendance, and furnish Music from 8 to 10 o’clock.

Ladies and Gentlemen are Invited.  J. L. Lovell.

1866 May 1.  Hampshire Gazette.  (Northampton, Massachusetts.)  May 1, 1866, Vol. LXXX, No. 40, Whole No. 5003, P. 2.

Mr. Lovell may be found at his new photographic rooms in this town every day this week, ready to superintend in person all work entrusted to him.  He is taking some very nice pictures now, and is ready to back up his work to the satisfaction of his patrons.

1866 July 3.  Hampshire Gazette.  (Northampton, Massachusetts.)  July 3, 1866, Vol. LXXX, No. 49, Whole No. 5012, P. 2.

Income For 1865.  The income taxes for the 9th Mass. District, have been assessed by Hon. Amasa Norcross of Fitchburg, and are now in the hands of Hon. D. W. Alvord of Greenfield, for collection…

Lovell, John L.—1865—$1,079.  1864—$1,000.

1866 September 25.  Hampshire Gazette.  (Northampton, Massachusetts.)  September 25, 1866, Vol. LXXXI, No. 9, Whole No. 5024, P. 2.

Northampton.  U. S. Revenue Taxes.—The taxes in this collection district for August amount to $23, 557.55, which is about the average amount for the preceding months.  This is unexpected, because of the many exemptions under the new law.  The number of tax-payers in the district is reduced by the new law about one-third.  The principal taxes are the following:—Northampton…

Ingraham Brothers, photographs   20.00

Lovell & Knowlton, photographs  7.70

1866 October 2.  Hampshire Gazette.  (Northampton, Massachusetts.)  October 2, 1866, Vol. LXXXI, No. 10, Whole No. 5025, P. 2.

Cattle Show at Amherst.  The annual cattle show and fair of the Hampshire Agricultural Society was held at Amherst on Tuesday and Wednesday of last week…

In the other departments there was less variety than on previous occasions.  J. L. Lovell displayed a very fine collection of photographs… 

1866 November 27.  Hampshire Gazette.  (Northampton, Massachusetts.)  November 27, 1866, Vol. LXXXI, No. 18, Whole No. 5033, P. 2.

Northampton.  Internal Revenue.—The U. S. revenue taxes for October in this district amount to $21,590…

Ingraham Brothers, photographs   16.00

Lovell & Knowlton, photographs  8.20

James O’Neil, photographs            1.85

1867 January 29.  Hampshire Gazette.  (Northampton, Massachusetts.)  January 29, 1867, Vol. LXXXI, No. 27, Whole No. 5042, P. 2.

Northampton.  U. S. Taxes.—The taxes assessed for December amount to $18, 487…

Ingraham Brothers, photographs   13.20

Lovell & Knowlton, photographs  13.20

1867 February 26.  Hampshire Gazette.  (Northampton, Massachusetts.)  February 26, 1867, Vol. LXXXI, No. 31, Whole No. 5046, P. 2.

Northampton.  U. S. Taxes.—The taxes for January show a further falling off, the amount being $16, 639.  The following are the principal sums assessed:…

Ingraham Brothers, photographs   13.00

Lovell & Knowlton, photographs  12.80

1867 April 30.  Hampshire Gazette.  (Northampton, Massachusetts.)  April 30, 1867, Vol. LXXXI, No. 40, Whole No. 5055, P. 2.

Northampton.  Revenue Taxes.—The taxes for March in A. Wright, Jr.’s collection district amount to $20, 403, an increase of $3,000 over the previous month.  The principal taxes are the following:—…

Ingraham Brothers, photographs   18.00

Lovell & Knowlton, photographs  15.95

1868 March 17.  Hampshire Gazette.  (Northampton, Massachusetts.)  March 17, 1868, Vol. LXXXII, No. 34, Whole No. 5101, P. 2.

Amherst…J. L.  Lovell, our photographist, has also been unwell for some time, but is recovering.—

1868 March 24.  Hampshire Gazette.  (Northampton, Massachusetts.)  March 24, 1868, Vol. LXXXII, No. 35, Whole No. 5102, P. 2.

Amherst.—Drs. Fisk & Dewolf of Northampton and Bigelow of Amherst, recently performed an operation upon Samuel C. Carter, Esq., our worthy town clerk and treasurer, for a fissure of the bowels; at the same time two tumors were removed.  The operation was entirely successful and he is doing well.  J. L. Lovell, the distinguished photographer, has had a similar operation performed, and is slowly but surely recovering…

N. D. Tales of Amherst A Look Back, 1986.  P. 84-87.

1825                            born.

1849                            began taking daguerreotypes in Ware, Massachusetts.

ca 1851-52 to 1856     moved studio to Brattleboro, Vermont.

1854                            studied with Whipple & Black.

November 1856          bought out E. G. Shumway, Marsh’s Block. Main Street, Amherst.

1856-1900                   active in Amherst.

[1] A Directory Of Massachusetts Photographers 1839-1900. (1860-1900)

[2] Ichnology of New England: A Report on the Sandstone of the Connecticut Valley, by Edward Hitchcock, 1858 and Supplement, 1865.

Lovell, H. M.

Daguerreotypes, Photographs, , , , ,

1851                Main Street, over L. Demon’s, Barre, Massachusetts.

1855                2 Cutler’s Block, Brattleboro, Vermont.

1851 May 2.  Barre Gazette.  (Barre, Massachusetts.)  May 2, 1851, Vol. XVII, No. 49, Whole No. 880, P. 2.

Daguerreotype for the Million.  The subscriber would most respectfully announce to all interested that he has taken rooms over the store of L. Demon, on Main St., he has fitted up for the purpose of taking Daguerreotypes, and he has the benefit of a fine [ ? ], combined with a side light, together with his other arrangements (which are the most complete) he is able to produce pictures of a very superior tone, and finish,  Also, having made some very important additions to his apparatus he is able to take Pictures in all kinds of weather.  Pictures taken of all sizes to suit customers, with or without colors.  Owing to calls elsewhere, his stay will be short, and those wishing for a good likeness will do well to call soon.

Pictures copied from paintings or other daguerreotypes.  Delays are dangerous, Life is uncertain; Secure the shadow while it is today.  H. M. Lovell.

1855 April 28.  Vermont Phoenix.  (Brattleboro, Vermont.)  April 28, 1855, New Series—Vol. 1, No. 13, P. 3.

Daguerreotypes.  The subscribers having associated themselves under the name of J. L. & H. H. [sic.] Lovell, are now ready to take Daguerreotypes in every style of the art and warrant them to be recommended in every particular, for we are determined that it shall be for the interest of all, far and near, to obtain their Daguerreotypes at this establishment Cutler’s Block.  J. L. & H. M. Lovell.

N. B.  Grateful for past favors I would bespeak a continuance of the same under the new arrangement.  The junior partner is a thorough Artist, and our motto is still onward as heretofore.

Respectfully, J. L. Lovell.                                                                              

Advertisement ran from April 28 to June 16, 1855.

1855 June 23.  Vermont Phoenix.  (Brattleboro, Vermont.)  June 23, 1855, New Series—Vol. 1, No. 21, P. 3.

Photographs.  No one should think of getting a likeness of themselves or friends until they have examined those Crystalotype & Ambrotypes taken by J. H. & sic. [L. H.] Lovell.

The Crystalotype is first taken upon Glass and is then transferred to paper in unlimited numbers, as from a copper plate.  By this process we are enabled with the Daguerreotype instrument, to produce on paper, views of Landscapes, Residences, copy Daguerreotypes, and take Portraits from life with the unerring hand of nature, rivaling in beauty to the finest Engravings.

The Ambrotype, a very beautiful picture, is taken upon Glass and finished in such a way that they are unaffected by acids, and can lay in water for months without injury, being perfectly air tight as well as water proof.

Both of the above are truly a wonder of the Actinographic art. 

We still take all the various styles of the ordinary Daguerreotype and we flatter ourselves that they are not inferior to any produced in city or country.

This is the only Complete Actinographic Establishment in Vermont.

Orders from abroad promptly attended to.  J. L. & H. M. Lovell.  Brattleboro, June 16, 1855.

Advertisement ran from June 23, 1855 to January 19, 1856.

1855 September 22.  Vermont Phoenix.  (Brattleboro, Vermont.)  September 22, 1855, New Series—Vol. 1, No. 34, P. 2.

Fifth Annual Fair Of The Vermont State Agricultural Society.  The fifth annual Fair of the Vermont State Agricultural Society was held at Rutland on Tuesday, Wednesday and Thursday of last week….

The Floral Hall department contained a fine collection of flowers, some excellent needle work, oil paintings, daguerreotypes, crystalotypes and ambrotypes.  Messrs. J. L. & H. M. Lovell of this village received the first premium on the first two varieties of photographs, and Mowry & Russell of Rutland on the last.  Both exhibitions were very creditable to their respective artists.

The following is the list of Premiums Awarded…Floral Hall…

J. L. & H. M. Lovell Brat’o best daguerreotypes,                  4.

J. L. & H. M. Lovell Brat’o best crystalotypes,                     1.

Mowry & Russell, Rutland best ambrotypes,                         4.

Mowry & Russell, Rutland, daguerreotypes,                          1.