Massey, Van B.

Daguerreotypes, Melainotypes, Photographs, , , , ,

1858-1862       Rooms Clinton Hall, third story, Tallmadge Block, Lancaster, Ohio.

1858 December 9.  American Lancaster Gazette.  (Lancaster, Ohio.)  December 9, 1858, New Series Vol. 6, No. 32, P. 2.

Clinton Hall Art Gallery.  Lawrence & Massey Having leased the above well known suit of rooms, and fitting them up in a superior style, with a splendid Sky Light, would invite the citizens on Lancaster and vicinity, and all others wishing a superior Grade of Pictures to give them a call.

Having the best arranged Light perhaps in the State, they feel justified in saying that their Pictures, in point of brilliancy, delineation, boldness and unerring truthfulness, are equaled by few & excelled by none.

Ambrotypes taken at these Rooms, are executed in the latest and most approved style of the art.  Their Sphereotypes are decidedly the most beautiful style of Pictures that has yet been produced.  They seem to stand out in bold relief, (unaffected by light, air, or age,) while there for softness of shadow, beauty of detail, and warmth of tone never found in either kind of pictures.  

Now Is The Time To Get Better Pictures, and at as low figures, as can be obtained at any other establishment in the State.

Ladies and Gentlemen who wish to obtain a finer likeness than ever before taken in Lancaster, can have an opportunity by calling at the Clinton Hall Art Gallery.

Pictures taken in all kinds of weather.

Coping Pictures, filling lockets and all other work in their line executed on short notice.

Entire satisfaction warranted!  The public are respectfully invited to call.

Rooms Clinton Hall, third story, Tallmadge Block, Main Street, entrance one door West of Springer & Trout’s Clothing Store. 

Advertisement ran from December 9, 1858 to April 21, 1859.

1859 April 14.  American Lancaster Gazette.  (Lancaster, Ohio) April 14, 1859, New Series Vol. 6, No. 50, P. 3.

Pictures Cheaper Than Ever!  At The Clinton Hall Art Gallery.  We are determined not to be out-done by any establishment in the State, in the way of taking Good, Cheap and Inimitable Likenesses.—we have established our prices at Lower Figures than have as yet been made in this vicinity.  Our prices will range from Ten Cents Upward.  And on all cases, whether Fine or Common, will be sold from 10 to 20 percent lower than can be obtained at either of Mr. Rhode’s Rooms.

Our Rooms have been fitted up expressly for the business in which they are now used, and possess many advantages over any other room of the kind in this city, as it is large and commodious, easy of access, and neatly finished.  Our Sky Light, which is much higher than that of either of the other establishments, throws a more even shade upon the subject, and brings out a Likeness in a higher degree of perfection, than can possibly be obtained at any other room in the city, as the Sky Lights in those rooms are very low, and therefore they cannot obtain that softness of shadow, beauty of detail, and warmth of tone, that is found in our pictures.  Persons having pictures that were taken at either of the other rooms, with which they are dissatisfied, can have them re-taken at the Clinton Hall Art Gallery at a reasonable charge.

Copying pictures, filling Lockets, Breast-pins, Rings, etc., etc., done on short notice.

Entire satisfaction warranted.  The public are invited to call.  Rooms, Clinton Hall, Third Story Tallmadge Block, Main Street.  April 14, 1859.  Lawrence & Massey.

Advertisement ran from April 14 to August 11, 1859.

1859 July 7.  American Lancaster Gazette.  (Lancaster, Ohio) July 7, 1859, New Series Vol. 7, No. 10, P. 3.

Those wishing good daguerreotypes, ambrotypes, sphereotypes &c., will do well at the Clinton Hall Art Gallery.  Mr. Lawrence, the proprietor, is a fine artist, and with all a gentlemanly fellow.  He takes as good a likeness for as little money as can be afforded in the State.

1860 July 5.  The Gazette and Democrat.  (Lancaster, Ohio) July 5, 1860, Vol. 1, No. 14, P. 2.

Photograph Gallery Lawrence & Massey Having procured for themselves a Solar Camera.  Are now prepared to execute on the shortest notice all work, from the Smallest Miniature to a Life-Size Photograph Ambrotypes, Ferrotypes, &c., of all styles; put up in Cases, or Frames to suit patrons.  They flatter themselves, that the known popularity of their rooms, will secure to them the continued patronage of the public.  They are determined not to be surpassed, either in pictures or prices. 

Photographs put up to order, from $1.50 to $25.00.  Rooms—Clinton Hall, Tallmadge Block, Main Street. 

Advertisement was recorded seven times between July 5 to August 30, 1860.

1860 November 29.  The Weekly Lancaster Gazette.  (Lancaster, Ohio) November 29, 1860, Vol. 1, No. 35, P. 3.

Our Young Friend V. B. Massey, (formerly of the firm of Lawrence & Massey,) is still holding forth in the Tallmadge Block.  His Pictures are as good as any we have seen.  We would say to the public, that is they wish to get a good, cheap and durable Likeness to give Van a call.

1862 July 24.  The Weekly Lancaster Gazette.  (Lancaster, Ohio) July 24, 1862, Vol. 3, No. 18, P. 3.

On visiting the Photographic Rooms of our young friend V. B. Massey, a few days since, we were shown, what we consider, as fine specimens of the Art, as any that we have yet seen made by any Artist in the city.  His Carte de Visite and Viginette Photographs, are splendid, and in the way of getting up an Ambrotype or an Iron-Plate Picture, we hardly think that Van can be beat.  We would just say to all who wish anything in his line, that he is still in town.

Mason, S.

Daguerreotypes, Portrait Painter, , , , , ,

1848-1849       3 Crandell’s Block, Taunton, Massachusetts.           

1852                Room in the State House, Sunbury, Pennsylvania.

N. D.  The New York Historical Society’s Dictionary Of Artists In America.  (New Haven, Connecticut & London, England.)  1957. P. 428.

Mason, Sanford (c. 1798-after 1862)  Portrait Painter, born in Rhode Island.  He began his career in Providence as a sign painter, turning to portrait work about 1824.  About 1826 he moved to Boston, opened a studio, and exhibited at the Athenaeum in 1827-28, but the latter year he returned to Providence.  During the 1830’s he spent most of his time in Boston and Lowell (Mass.) from 1842 to 1845 he was in Philadelphia, where his son William Sanford Mason began his career.  By 1847 he was back in Providence and thereafter he seems to have shuttled back and forth between Boston and Philadelphia.  He is last heard from in Philadelphia in 1862.[1]

1848 August 30.  The True Democrat.  (Taunton, Massachusetts.)  August 30, 1848, Vol. 1, No. 2, P. 3.

S. Mason, Portrait Painting and Daguerreotype Miniature Rooms, No. 3 Crandell’s Block— Up stairs, Taunton.

Advertisement ran from August 30 to November 1, 1848.

1848 November 9.  American Whig.  (Taunton, Massachusetts.)  November 9, 1848, Vol. XIX, No. 45, P. 3.

S. Mason, Portrait Painting No. 3 Crandell’s Block— Up stairs, Taunton.  Daguerreotype Miniature taken and warranted.

Advertisement ran from November 9, 1848 to April 19, 1849.

1848 November 9.  The True Democrat.  (Taunton, Massachusetts.)  November 9, 1848, Vol. 1, No. 12, P. 3.

S. Mason, Portrait Painting No. 3 Crandell’s Block— Up stairs, Taunton.  Daguerreotype Miniature In handsome Morocco Cases taken for One Dollar.

Advertisement ran from November 9 to December 27, 1848.

1849 June 14.  American Whig.  (Taunton, Massachusetts.)  June 14, 1849, Vol. XX, No. 24, P. 3.

Dr. A. F. Angell, Dentist…

Dr. A. has taken Rooms in Crandell’s Block, lately occupied by Mr. S. Mason, (Portrait Painter)…

1852 June 26.  Sunbury American.  (Sunbury, Pennsylvania.)  June 26, 1852, New Series—Vol. 5, No. 14, Old Series—Vol. 12, No. 41, P. 2.

Portrait Painting.  S. Mason will be in readiness to receive visitors at J. Hailer Mason’s Daguerrean Room, State House.  Specimens may be seen at all hours of the day.  Sunbury, June 26, 1852.

Advertisement ran from June 26 to July 17, 1852.

[1] Possible same person as S. Mason.

Mason, Oscar G.

Daguerreotypes, Photographs, Stereoviews, , , , , ,

N. D.               233 Broadway, New York, New York.[1]

1855                Union Block, Northfield, Vermont.

1856                Address Unknown, Northfield, Vermont.1

1857                Union Block, Northfield, Vermont.1

1858                Address Unknown, Springfield, Massachusetts.

1859                Goodrich Block, Springfield, Massachusetts.[2]

1860                Address Unknown, Springfield, Massachusetts.2

1861                Goodrich Block, Rooms 34, 35 & 36, Springfield, Massachusetts.2

1862                Address Unknown, Springfield, Massachusetts.2

1864                691 Broadway, New York, New York.

1865-1866       599 Broadway, New York, New York.

New York City Directories.  (New York, New York.)

1849 to 1850   Published by John Doggett.

1851                Published by Doggett & Rode.

1852 to 1870+ Published by John Fowler Trow.

1849-1855       Not Listed.

1863                Not Listed.

1864                Sec. 599 Broadway and Photographer 691 Broadway.

1865                Artistic & Scientific Photographer, Sec. Photographical Society. 599 Broadway, H-399 Adelphi, Brooklyn.

1866-1870       Not Listed.

Brooklyn City Directory.  (Brooklyn, New York.) 

1863-1875+    Published by Jonathan Lain & Company.

1863 to 1865   Not Listed.

1866                Photographer, 599 Broadway, New York, H-339 Adelphi.

1867-1875       Not Listed.

1855 January 17.  Vermont Christian Messenger.  (Northfield, Vermont.)  January 17, 1855, Vol. IX, No. 3, Whole No. 419, P. 3.

Art Notice.  O. C. Mason Would most respectfully inform the citizens of Northfield, and vicinity, that his ne Sky-Light Daguerrian Gallery is now open to the public.  The rooms have been built under the personal direction of the Artist, and expressly for Heliographic purposes, which combined with not only a theoretical but a practical knowledge of the Art, in its various branches, warrants him in the assertion that his patrons shall have as good work as can be found elsewhere.  Judging by the experience of an extensive city practice, he feels confident that he can give entire satisfaction to all who may be pleased to test his skill in producing true Types from nature.

Particulars Interesting to those wanting Daguerreotype Likenesses from life.

Not only should the best outline of the face be selected, but also that of the head, and neck, for the outline of every feature of the likeness is effected by any change.  The eyes, eye-brows, nose, lips, mouth, chin and every shade in the face should also be most carefully observed and the best point of view chosen.

Drapery, Dress and Ornaments.

Dark colors or woolen fabrics should be chosen by gentlemen, the plainer the better.  For ladies, if the ground colors are made of red, green, orange, yellow, dark blue, indigo or purple, black or brown the picture of the dress will usually be darker than that of the face, but white, light blue, or any light pink or violet will be lighter that the face.  Enquire, study and understand how colors take in Daguerreotypes and then you can judge properly what shades to select.  Avoid white as much as possible.  Lace work should be narrow and open, usually.  Ornaments, such as rings, pins, chains &c. can be worn if chosen.

Vignette Or Head Simply.

This is a new & mast beautiful style of Daguerreotype.  The strength and boldness of the effect can be equalled in no other way.  No drapery attracts the eye from the face, or its character,

Groups.

Fine grouping, shows skill in the Artist, and though he may not be able to select his sitters, he may arrange them in a picturesque manner, and give a pleasing representation of life scenes.

Harmony, Expression And Air.

Every part of a picture should be in keeping with every other part,  If a reporter was taking down a speech made in the open air, he might with propriety wear a hat.  An artist representing a choir of singers might as well introduce a scissors grinder as a lady reading the last novel.  In Daguerreotypes greater care should be taken to avoid incongruities and make every minute particular in shade, figure, drapery and all do its duty in preserving harmony and unity.

The Eyes.—The remark of visitors is very often made “What perfect eyes your miniatures have!  how clear and life like”  All eyes blue, light gray and black can be taken perfect, but in order to do so the Artist must perfectly understand the power and effect of light and arrange it in a mild and suitable manner to represent them to perfection and preserve the expression in keeping with the attitude lively and life-like, and give them their proper direction.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids.  Can always receive attention either at their residences or the Gallery, by giving due notice, and every effort will be made for means, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends. 

Citizens and Strangers are invited to call examine and enquire for themselves.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from January 17 to April 25, 1855.

1855 April 14.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 14, 1855, Vol. 1, No. 26, P. 3.

Daguerreotype Gallery.  All desirous of obtaining good Pictures are requestfully invited to call and examine specimens before purchasing elsewhere.

Satisfaction in all cases warranted.

Pictures taken in all kinds of weather.  O. G. Mason, Artist.

Advertisement was recorded nineteen times between April 14 to October 20, 1855.

1855 April 21.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 21, 1855, Vol. 1, No. 27, P. 1

O. G. Mason, Daguerreian Artist, Union Block.

Advertisement was recorded sixteen times between April 21 to September 1, 1855.

1855 May 5.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  May 5, 1855, Vol. 1, No. 29, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement was recorded on May 5 & June 9, 1855.

1855 May 16.  Vermont Christian Messenger.  (Northfield, Vermont.)  May 16, 1855, Vol. IX, No. 20, Whole No. 436, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from May 16 to June 13, 1855.

1855 August 11.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  August 11, 1855, Vol. 1, No. 42, P. 3.

Ambrotypes And Daguerreotypes, Executed in the Highest Style of Art, By O. G. Mason, Artist.  Union Block, Northfield.

Advertisement ran from August 11 to October 20, 1855.

1855 August 22.  Vermont Christian Messenger.  (Northfield, Vermont.)  August 22, 1855, Vol. IX, No. 34, Whole No. 450, P. 3.

Ambrotypes.  Pictures that are Pictures.  Warranted never to fade, spot, or change in any way unless broken.  The can be viewed in any light without the disagreeable reflection of the Daguerreotype, and can be taken in less time, and without reversing the subject as is necessary in Daguerreotyping.

These Pictures are taken o glass by an entirely new process, Invented and Patented by Prof. James A. Cutting, of Boston, from under whose personal instruction, the Subscriber has lately  returned and is now prepared to furnish all who may wish for a Never Changing Picture.  They need only to be seen to be admired.  We venture to say that no person of refined taste and sound judgement will hereafter think of sitting for a Daguerreotype when Ambrotypes can be obtained.

Citizens and Strangers are respectfully invited to call at the Subscriber’s Rooms and examine specimens and judge for themselves.  O. G. Mason, Artist, Union Block, Northfield, Vt.

Advertisement ran from August 22 to December 12, 1855.

1858 July 3.  Vermont Christian Messenger.  (Northfield, Vermont.)  July 3, 1858, Vol. XII, No. 28, Whole No. 598, P. 4.

Daguerreotype & Photograph Gallery To Let.  The spacious Gallery, in Union Block, occupied by O. G. Mason, is now offered for rent.  Fixtures, Furniture and a complete set of apparatus for sale, immediate possession will be given.  To an artist in want of a first class location this offer superior inducements, such as cannot be found elsewhere in the State.

Application must be made soon to C. R. Briggs.  Northfield, June 9th, 1858.

Advertisement ran from July 3 to 24, 1858.

1858 September 30.  Springfield Daily Republican.  (Springfield, Massachusetts.)  September 30, 1858, Vol. 15, No. 233, Whole No. 4425, P. 2.

Hampden County Agricultural Fair…

The Picture Gallery…

Mr. Mason of Springfield exhibits a collection of unusually fie photographs;

1858 October 1.  Springfield Daily Republican.  (Springfield, Massachusetts.)  October 1, 1858, Vol. 15, No. 234, Whole No. 4426, P. 2.

Hampden County Agricultural Fair…

Premiums…

Fine Arts…

Photographs—Oscar G. Mason, 3.  Ambrotypes—Calvan Ward, 2.  A. E. Allen, 1.  Daguerreotypes—Calvin Ward, 1.

1861. Springfield City Directory.  (Springfield, Massachusetts.)  1861/1862, Front Cover.

Photographic views,—Stereoscopic & First Class work in all branches of all the art, Rooms 34, 35 & 36 Goodrich Block.

[1] Craig’s Daguerrean Registry.

[2] A Directory Of Massachusetts Photographers 1839-1900.

Mason, J. L.

Daguerrean Car, Daguerreotypes, , , ,

1852                On the Common, Barre, Massachusetts.

1852 July 16.  Barre Patriot.  (Barre, Massachusetts.)  July 16, 1852, Vol. IX, No. 1, P. 3.

Daguerreian Travelling Saloon, On The Common, Barre.

What means this mighty Moving painted Car,

Is it the Hall of Neptune and Appollo,

As if from Oriental lands afar,

Our Yankee fine Arts they were fain to follow,

It is the Car of a Mysterious art,

Such as was never known since time began,

Hail it ye people with a joyous heart;

It is the harbinger of good to Man.

For a small sum your likeness set in gold,

What better keepsafe, for a father, mother,

Or for our youthful friends, or those grown old;

A Lover True, a Sister or a Brother;

Behold the weeping Mother, broken hearted,

She’s laid her dear one in the silent grave,

She loves the Picture of the dear departed,

Tho’ all she lose, that Picture still she’ll save;

Or see the reckless son, his parents gone.

His pious mother’s prayers nom more he hears;

Give him the Picture of that cherished one,

And he’s reclaim’d—his heart dissolves in tears.

Come parents, Children whether young or old,

Preserve a Picture for your dearest friend;

Memento’s priceless more than Mammon’s gold,

And still pres’v’d, when time with you shall end.

Thus ay picture, drawing or portrait,

Of nearest friends, at home or far away,

Are soon transfer’d to the Daguerreian plate,

What privilege to preserve them from decay.

Nor is this all, the wondrous art can do;

Landscapes, correctly in a moment drawn,

Perspective, distant, near or sidelong view,

Of homestead, orchard, mountain, brook, or lawn.

Attention, then, the Car is moving on,

With its Daguerreian art, nor will it wait

Man’s dormant movements, no it must be gone,

Be up and doing then, e’re tis to late.

Mason & Dibley, Artists.

Advertisement ran from July 16 to August 13, 1852.

1852 July 30.  Barre Gazette.  (Barre, Massachusetts.)  July 30, 1852, Vol. 19, No. 4, Whole No. 931, P. 3,

Daguerreotypes.  Messrs. Mason & Sibley Are Now In Town, with their, Mammoth Traveling Daguerreian Saloon.  The largest Ever Built, and on the principle of the Best City Rooms, with one Large Sky, and 2 Large Side Lights, which can be so arranged as to produce any kind of shade desirable.

We would invite the citizens of Barre, and vicinity, to give us a call, whether they wish to sit for a picture or not.  Pictures put up of every size and style.

Pictures of the Sick or Deceased, taken at their Residence at all times, by giving short notice.

We keep posted up in all the Improvements of the Art from Europe and this Country, Let The Cost Be What It May.

Cloudy weather preferable, except for Children.

Any one wishing to learn the Art, are requested to call at the National, and make inquiries.

Stock and Apparatus furnished to Pupils at the Wholesale Prices.

The Daguerreian Saloon is stationed on the Common.

J. L. Mason, C. Sibley, Proprietors and Artists.  Barre, July 16, 1852.

Advertisement was recorded twice on July 30 and August 13, 1852.

Mason, J. Hailer

Daguerreotypes, , , ,

1852                Rooms in the State House, Sunbury, Pennsylvania.

1852                Water Street, Lock Haven, Pennsylvania.[1]

1853                Crawford’s Building, Lock Haven,Pennsylvania.1

1854                Clinton House, Lock Haven, Pennsylvania.1

1854                Over Clinton Democrat Newspaper, Lock Haven, Pennsylvania.1

1854                Address Unknown, Flemington, Pennsylvania.1

1852 May 22.  Sunbury American.  (Sunbury, Pennsylvania.)  May 22, 1852, New Series—Vol. 5, No. 9, Old Series—Vol. 12, No. 35, P. 2.

Daguerreotype Likenesses.—It is some time since we have ben visited by a daguerreotype artist.  Mr. Mason, whose advertisement appears in our paper this week, has taken a room in the State House.  He is a gentleman of skill and intelligence, and his pictures, though taken at the low price of one dollar, are the best specimens we have seen exhibited in this place.

1852 May 22.  Sunbury American.  (Sunbury, Pennsylvania.)  May 22, 1852, New Series—Vol. 5, No. 9, Old Series—Vol. 12, No. 35, P. 2.

Daguerreotype Likenesses For One Dollar!  J. Hailer Mason has the pleasure of informing the inhabitants of Salisbury and vicinity that he has opened Rooms at the State House, where he will be in readiness to receive visitors between the hours of 9 A. M. and 5 P. M.  Pictures taken with any desirable effect of light or shade and colored in the highest perfection of the art—and no regard to weather.

Instructions given and apparatus furnished for $50.

N. B.—Perfect satisfaction given in all cases or no charge.  Sunbury, May 22, 1852.

Advertisement ran from May 22 to August 7, 1852.

1852 May 29.  Sunbury American.  (Sunbury, Pennsylvania.)  May 29, 1852, New Series—Vol. 5, No. 10, Old Series—Vol. 12, No. 36, P. 2.

Daguerreotypes.  We noticed last week some excellent Daguerreotype specimens exhibited by Mr. Mason who has taken rooms in the State House.  Since then we have had an opportunity of seeing a number of his likenesses of our citizens, which are not only true to nature but excellent specimens of the art.  Mr. Mason is one of the quickest operators we know of.  He took in our presence, an excellent likeness of a child in three seconds of time, after 5 o’clock, P. M., and could have taken it in one second of time, a few hours earlier.  This is an important matter to those who have children, whose likenesses they wish to secure.  As Mr. Mason’s pictures are exceedingly low, only one dollar, we would advise all to embrace the present opportunity.  He has also on hand a handsome assortment of cases of every style and variety.

1852 June 26.  Sunbury American.  (Sunbury, Pennsylvania.)  June 26, 1852, New Series—Vol. 5, No. 11, Old Series—Vol. 12, No. 40, P. 2.

Portrait Painting.  S. Mason will be in readiness to receive visitors at J. Hailer Mason’s Daguerrean Room, State House.  Specimens may be seen at all hours of the day.  Sunbury, June 26, 1852.

Advertisement ran from June 26 to July 17, 1852.

1852 June 26.  Sunbury American.  (Sunbury, Pennsylvania.)  June 26, 1852, New Series—Vol. 5, No. 11, Old Series—Vol. 12, No. 41, P. 2.

Great Attraction!  J. Hailer Mason Will give a Scientific and Magical Entertainment at the Court House, on Friday and Saturday evenings, July 2 and 3d, consisting of experiments in Chemical and Mechanical Magic.

The Pyramid of Bacchus; Wine Separation; The Invisible Chicken or eastern Jolification; The Interminable Bottle; The Parasol in a Gale; The Changeable Piume; The Water Chamelion; The Coquetts Fan; New way to avoid Breach of Promise—a lesson for Ladies, and many other experiments to numerous to mention.  To conclude with the Star Spangled Banner.  Hundreds of Flags will be produced apparently from empty space.

Front seats reserved for the Ladies.  Tickets 12½, at Mason’s Daguerrian Rooms.—Doors open at half past 7 o’clock; performance to commence at 8.

Advertisement ran on June 26 and July 3, 1852. 

1852 June 10.  Sunbury American.  (Sunbury, Pennsylvania.)  June 10, 1852, New Series—Vol. 5, No. 16, Old Series—Vol. 12, No. 42, P. 2.

J. Hailer Mason gave several soires magique last week.  They were well attended and every one was delighted with the performance.  His skill and adroitness will soon place him in the rank with the Fakir of Ava and the Wizard of the North.

[1] Craig’s Daguerreian Registry.

Mascher, John F.

Daguerreian Case Maker, Daguerreotypes, Patent, Stereoviews, , , , , ,

1853-1857       408 North Second, Philadelphia, Pennsylvania.

1853 March 25.  The New York Herald.  (New York, New York.)  March 25, 1853, Whole No. 7398, P. 6.

American Genius.  List of patents issued from the United States Patent Office for the week ending March 8, 1853, and bearing the date March 8, 1853….I. F. Mascher, of Philadelphia, Pa.—For improvement in daguerreotype cases.

1853 April 25.  The New York Herald.  (New York, New York.)  April 25, 1853, Whole No. 7429, P. 6.

Solid Daguerreotype Pictures.—Mascher’s improved stereoscopic patent, March 8, 1853, is acknowledged by the best judges to be more practical, more efficient, portable, and by at least 100 per cent cheaper, than any other extant.  It is, in fact, an ordinary daguerreotype case, the stereoscopic attachment occupying the room now taken up by the useless velvet cushion.  A sample will be sent by mail, free of postage, on receipt of $1.

1853 June 6.  The New York Herald.  (New York, New York.)  June 6, 1853, Whole No. 7471, P. 6.

Fine Arts.  Improvement In The Daguerrean Art.—A beautiful discovery has just been made by J. T. Mascher, of Philadelphia, in the daguerrean art, which ought to ensure him a handsome fortune in a few years.  By this discovery two pictures of the same person, taken on one plate, are, though the aid of his stereoscope, made to appear as if they were one life-like statue.  It is well known that nearly all daguerreotype pictures, as well as portraits in oil, are flat and inanimate; but likenesses view through the stereoscope are not only magnified as large as life, but are, by binocular vision, converted into apparently solid pictures.  His stereoscope is all contained in a common daguerreotype case; in fact the case is the stereoscope, simply having a flap, containing two convex lenses, arranged in the lid of the otherwise ordinary case.  When a person desires to look at the picture, he simply raises that side of the case containing the lenses, and view the picture through them, which then appears to the eye as one portrait, magnified to a great extent, with the features and dress clearly delineated.  Mr. Mascher accomplished his invention by such simple yet effectual means that it makes every one wonder why it was not discovered long before.

1853 June 7.  The New York Herald.  (New York, New York.)  June 7, 1853, Whole No. 7472, P. 5.

Daguerreotypes By Meade, Brother’s.—Rooms refitted and furnished for the season, and daguerreotypes taken by a new process, excelling all their past efforts.  The public are invited to call and examine our new collection of herescopic instruments, purchased by one of the firm now in Europe.  We are also sole agents for the sale of Maschers’ celebrated portable herescopes, [sic.] for solid daguerreotypes.  This is one of the wonders of the art.  Our rooms are directly opposite the Park fountain, and the finest location in the city, 233 Broadway, first floor, up stairs.—See Herald of yesterday on Fine Arts.

Advertisement ran from June 7 to 10, 1853.

1854 November 28.  The Pennsylvanian.  (Philadelphia, Pennsylvania.)  November 28, 1854, Vol. XI, No. 250, P. 3.

Larceny of a Daguerreotype.—Yesterday Mr. Mascher, the inventor of the Portable Stereoscope Daguerreotype cases, had a case containing a valuable portrait stolen from his display at the Franklin Institute.  The picture contained the likeness of a lady, and it was generally conceded to be one of the best stereoscopic pictures ever taken.  The thief has benefitted himself very little by his petty pilfering, while he has caused the owner of the picture a serious loss.

1854 December 4.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  December 4, 1854, Vol. XI, No. 250, P. 3.

Awards of the Franklin Institute.—The following are some of the principal premiums awarded by the Franklin Institute.  The exhibition closed on Saturday evening:

First Premiums…

M. A. Root, Daguerreotypes…

J. F. Mascher, Stereoscopes…

1855 February 21.  Washington Sentinel. (Washington, D. C.)  February 21, 1855, Vol. 3, No. 125, P. 3.

Mechanics’ Institute Fair.—To a majority of the visitors to the fair of the Metropolitan Mechanics’, the room devoted to the exhibition of specimens of the fine arts seems to possess the greatest amount of attraction.  The portraits of Walker; the daguerreotypes and photographs of Whitehurst, and the stereoscopes of Mascher, are objects of constant attention and admiration; but among the most conspicuous and interesting display of the arts in this department is a collection of lithographic portraits of eminent men, published by C. H. Brainard, of Boston.  This collection includes portraits of Seward, Sumner, Douglas, Toombs, and other prominent senators; and of Rev. C. M. Butler; Rev. Byron Sunderland; Bishop Eastburn, of Massachusetts, and several other eminent divines.  Until we examine these portraits we were unprepared to witness the great degree of perfection which the lithographic art has attained in this country. Nothing ever produced in the Old World can surpass these specimens.  The portraits by Grozelier, of Boston, principally from daguerreotypes by Vannerson, of this city…

1856 February 19.  Evening Star.  (Washington, D. C.)  February 19, 1856, Vol. VII, No. 945, P. 2.

Patents week ending February 19, 1856…Additional Improvements—J. F. Mascher, of Philadelphia, Pa.—For improvement in daguerreotype cases.  Patented March 9, 1853. No. 9,611. 

1856 February 24.  The New York Herald.  (New York, New York.)  February 24, 1856, Whole No. 7118, P. 6.

Patents week ending February 19, 1856…Additional Improvements—J. F. Mascher, of Philadelphia, Pa.—For improvement in daguerreotype cases.  Patented March 9, 1853.

1857 February 11.  Evening Star.  (Washington, D. C.)  February 11, 1857, Vol. IX, No. 1,270, P. 1.

Patents week ending February 10, 1857… John F. Mascher, of Philadelphia, P. A..—For process of ornamenting daguerreotype cases, &c.  No. 16,600. 

1857 February 14.  Daily Pennsylvanian.  (Philadelphia, Pennsylvania.)  February 14, 1857, Vol. XLV, No. 39, P. 2.

Philadelphia Patents.  We find the following among the list of patents issued at Washington this week:—

John F. Mascher, of Philadelphia, Pa.—For process of ornamenting daguerreotype cases, &c…

1858 April 10.  Philadelphia Demokrat.  (Philadelphia, Pennsylvania.)  April 10, 1858, No. 184, P. 2.

Card.  I see with regret my name upon a Independent Democratic Ticket, it is there unauthorized by me.  John F. Mascher.

1859 March 2.  The Dollar Newspaper.  (Philadelphia, Pennsylvania.)  March 2, 1859, Vol. XVII, No. 9, P. 2.

List of Patents.  The following is a list of patents issued from the United States Patent Office for the week ending Feb. 8, 1859…

John F. Mascher, of Philadelphia, Pa.—For improvement in alarm clocks.

Martin, S. B.

Daguerreotypes, , ,

1853                Rooms opposite Dr. James’ Hotel, Sailsbury, North Carolina.

1853                Rowan House, Salisbury, North Carolina.

1856                Rooms with Dr. Cutliff, Shreveport, Louisiana.

1853 January 13.  The Carolina Watchman.  (Salisbury, North Carolina.)  January 13, 1853, New Series.–Vol. IX, No. 36, P. 2.

Pictures.—Mr. S. B. Martin, Daguerrean Artist, is now offering an opportunity to the citizens of this place and vicinity to have portraits taken.  See his advertisement in another column.

1853 January 13.  The Carolina Watchman.  (Salisbury, North Carolina.)  January 13, 1853, New Series.–Vol. IX, No. 36, P. 2.

Daguerreotypes.  S. B. Martin, Would respectfully announce to the citizens of Salisbury and vicinity, that he has opened rooms directly opposite Dr. James’ Hotel, where he offers a most favorable opportunity for obtaining splendid Likenesses, taken in every style of the Art.  Taken equally as well in cloudy weather as in clear.

Ladies and gentle are invited to call and examine specimens.

Advertisement ran from January 13 to February 17, 1853.

1853 April 14.  The Carolina Watchman.  (Salisbury, North Carolina.)  April 14, 1853, New Series.–Vol. IX, No. 40, P.3.

Sky light Daguerrean Gallery, At the Rowan House, Salisbury, North Carolina, By. S. B. Martin.  Daguerreotypes taken of all sizes, in every style of the Art, and finished in the best manner the Art is capable of producing.  Children of every age taken.  Every exertion will be made to give entire satisfaction to all who may patronize him.

Rooms opened about the first of May next.  Ladies and Gentlemen are invited to call and examine specimens whether they wish to set or not.

Advertisement was recorded from April 14 to May 5, 1853.[1],[2]

1856 February 6.  The South-Western.  (Shreveport, Louisiana.)  February 6, 1856, Vol. IV, No. 25, P.2.

Those wishing to procure daguerreotypes, of a superior order, are referred to the advertisement of Mr. Martin.  He has taken many fine pictures.

1856 February 6.  The South-Western.  (Shreveport, Louisiana.)  February 6, 1856, Vol. IV, No. 25, P.3.

S. B. Martin, Daguerreotypist, Has taken rooms with Dr. Cutliff, where he is well prepared to furnish likenesses in a superior style, put up in stereoscopic, magnifying or common cases, single or in groups.  Also in lockets, pins, rings, &c.  Paintings, daguerreotypes, etc., correctly copied.—Taken in any weather and in a manner never surpassed here or elsewhere.  Ladies and gentlemen are respectfully invited to call and examine specimens.

Instruction given in the art.                

Advertisement ran from February 6 to March 5, 1856.

[1] There was no available newspaper to reference after May 5, the next paper available was August 18, 1853, which S. B. Martin was not listed. 

[2] More research is needed to connect the two S. B. Martins’.  It is possible they are the same person.

Martin, James E.

Daguerreotypes, , , , , , , , ,

1846                Rooms over Mr. Prescott’s Jewelry Store, Keeseville, New York.

1846                Plattsburgh Library Room, opposite Trinity Church, Plattsburgh, New York.

1846                Fireman’s Hall, Plattsburgh, New York.

1846-1847       100 State Street, Walker’s Building, Schenectady, New York.

1847                Rooms First Building West of the Congregational Church, Litchfield, Connecticut.

1847                No. 5 County House, Litchfield, Connecticut.

1846 May 23.  Essex County Republican.  (Keeseville, New York.)  May 23, 1846, Vol. VIII, No. 107, P. 3.

Colored Daguerreotype Miniatures.  Messrs. Ficket & Martin respectfully announce to the citizens of this place and vicinity, that having taken rooms over Mr. Prescott’s Jewelry store they are prepared to execute miniatures of all sizes, from that of a sixpence to the largest ever taken in this place—in a superior style in tone, coloring and finish—put up in fine cases or lockets, and warranted to give satisfaction.

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., they will take them in Exchange For New Ones, or find a new plate and put them up into the case at reasonable prices.

In taking likenesses by this new method, different kinds of chemicals are made use of, and the gilding is of an entirely different and superior quality from that used formerly, by which the impression is made permanent on the plate; and the depth-like appearance, which has hitherto been the objection to Daguerreotype Likenesses, is obviated.

Our mode of operating is entirely different from that of operators who have previously visited this place.

Ladies and Gentlemen are solicited to call and examine specimens and sit for their likenesses if they chose, by way of experiment.

Those wishing to avail themselves of this opportunity will please call soon, as we shall stay but a few days only.

Likenesses taken in all kinds of weather.                              

Advertisement ran from May 23 to June 20, 1846.

1846 June 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  June 20, 1846, Vol. XXXVI, No. 49, P. 3.

Colored Daguerreotype Miniatures!  Messrs. Ficket & Martin respectfully announce to the citizens of this village and vicinity, that they have taken the Plattsburgh Library Room, opposite Trinity Church, the are prepared to execute Miniatures of all sizes, from that of a six-pence to the largest ever taken in this place—in a superior style in tone, coloring, and finish—put up in fine cases or lockets, and warranted to give satisfaction.

They would say to those who have pictures taken by the old method, which are either faded out, or unlifelike in color, &c. that they will take them in Exchange for New ones, or find a new plate and put them up into the cases at reasonable prices.  Our mode of operating is entirely different from those who have previously visited this place.

In taking likenesses by this new method, different kinds of chemicals are made use of, and the gilding is of an entirely different and superior quality from that used formerly, by which the impression is made permanent on the plate, and the death-like appearance, which has hitherto been the objection to Daguerreotype Likenesses, is obviated.

Ladies and Gentleman are solicited to call and examine specimens and sit for their likenesses, if they choose, by way of experiment.

Those wishing to avail themselves of this opportunity will please call soon, as we shall stay but a few days only.

Instruction in the art given, and all apparatus and chemicals found, upon reasonable terms.

Likenesses taken in all kinds of weather.                              

Advertisement ran from June 29 to July 11, 1846.

1846 July 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 11, 1846, Vol. XXXVI, No. 52, P. 2.

Messrs. Ficket & Martin have been taking likenesses by the Daguerreotype process, at Firemen’s Hall, in this village, for the past week, with great success.  The following notice appeared in the Keeseville Republican a week or two since:  “A slight inspection of the work thrown off since their arrival in Keeseville, will at once convince any one as it has us, that they are no ordinary artists, and that none who have heretofore visited the place have been able to approach the perfection in the execution of a likeness which they display.  Many improvements have been introduced into the mode of taking pictures, of which they have availed themselves, and all their materials are of the very best quality from the celebrated establishments of Plumb[e] in New-York.  Sitters do not now have an opportunity of falling asleep in their chairs while a picture is perfecting, and what is better, a good likeness is almost invariably the result of the first trial.  It is well worth a visit to their [rooms to notice the [ ? ] their business is accomplished, and the striking clear and life-like expression that is imparted to their pictures. 

Those intending to give them a call will do well to improve an early opportunity, as they will probably leave here next week.

1846 December 18.  The Schenectady Reflector.  (Schenectady, New York.)  December 18, 1846, Vol. XII, No. 51, P. 3.

Colored Photographic Likenesses.  Messrs. Fickett & Martin, have rented rooms at No. 100 State-street, (up stairs) where they will remain a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior style, possessing all the Colors Of Life, and Warranted To Give Satisfaction.

Having made themselves acquainted with all the late improvements in the Art, they are prepared to do work which shall compare with any done in our larger cities.

Likenesses taken by the old method, which are either faded out, or unlife-like in color, &c. will be taken in exchange for new ones, or a new plate fitted to the cases, at reasonable rates.

Ladies and gentlemen are solicited to call and examine specimens, and sit for their likenesses, if they chose, by way of experiment.

Miniatures taken in all kinds of weather.

Rooms in Walker’s Building (opposite Mathews Store.)  Schenectady.

Advertisement ran from December 18, 1846 to February 5, 1847.

1846 December 22.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  December 22, 1846, Vol. XXXVII, No. 1901, P. 3.

Colored Photographic Likenesses.  Messrs. Fickett & Martin, have rented rooms at No. 100 State-street, (up stairs) where they will remain a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior style, possessing all the Colors Of Life, and Warranted To Give Satisfaction.

Having made themselves acquainted with all the late improvements in the art, they are prepared to do work which shall compare with any done in our larger cities.

Likenesses taken by the old method, which are either faded out, or unlife-like in color, &c. will be taken in exchange for new ones, or a new plate fitted to the cases, at reasonable rates.

Ladies and gentlemen are solicited to call and examine specimens, and sit for their likenesses, if they chose, by way of experiment.

Miniatures taken in all kinds of weather.

Rooms in Walker’s Building (opposite Mathews Store.)  Schenectady.      

Advertisement ran from December 22, 1846 to February 9, 1847.

1846 December 22.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  December 22, 1846, Vol. XXXVII, No. 1901, P. 3.

Presents For The Season!—Parents or Children, Brothers or Sisters, or even Lovers, can, by calling on Messrs.  Fickett & Martin, at their Rooms, obtain a perfect, true and permanent Likeness of themselves, put up in fine Cases or Lockets, and making as suitable present for the holydays as can be procured.

Our rooms, at 100 State-st. in walker’s building, have been fitted up for the convenience and comfort of those who may favor us with a call.

Advertisement ran on December 22 & 29, 1846.

1846 December 25.  The Schenectady Reflector.  (Schenectady, New York.)  December 25, 1846, Vol. XII, No. 52, P. 2.

Mr. Editor.  A day or two since, I called with a friend up on Mr. Martin (of the firm Fickett and Martin) at their rooms, where I saw some of the finest and most finished specimens of Daguerreotype Miniatures imaginable, being far superior in many respects, to any-thing of the kind that has been done in this place previous to their coming, and equal to any done in the land; there is a clearness and life-like appearance, a softness of tone, and a richness in the coloring of their Likenesses which has not been approached by those who have preceded them—and I would say to those who may wish a lasting and suitable “present for the season” to give them a call, at 100 State st. (up stairs) in Walker’s Building.

1847 January 5.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  January 5, 1847, Vol. XXXVII, No. 1903, P. 3.

Colored Daguerreotype Likenesses.—The Subscribers are now prepared to execute, in the finest and most perfect manner, Daguerreotype Miniatures, which are permanent and life-like, and colored to suit the taste of patrons.  Likenesses taken in various sizes, and put up in rich gold or plated lockets, frames or cases, and warranted satisfactory.

Likenesses taken from family paintings that look more natural and life-like than the paintings.

Ladies and Gentlemen are invited to call and examine specimens at our room No. 100 State-street, (up stairs.)

Instructions in the art, and all apparatus, plates, chemicals, &c., furnished at reasonable rates. Fickett & Martin.                                                            

Advertisement ran from January 5 to February 9, 1847.

1847 January 15.  The Schenectady Reflector.  (Schenectady, New York.)  January 15, 1847, Vol. XIII, No. 3, P. 3.

Colored Daguerreotype Likenesses.—The Subscribers are now prepared to execute, in the finest and most perfect manner, Daguerreotype Miniatures, which are permanent and life-like, and colored to suit the taste of patrons.  Likenesses taken in various sizes, and put up in rich gold or plated lockets, frames or cases, and warranted satisfactory.

Likenesses taken from family paintings that look more natural and life-like than the paintings.

Ladies and Gentlemen are invited to call and examine specimens at our room No. 100 State-street, (up stairs.)

Instructions in the art, and all apparatus, plates, chemicals, &c., furnished at reasonable rates. Fickett & Martin.   Jan. 5.

Advertisement ran from January 15 to February 26, 1847.

1847 June 3.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 3, 1847, Vol. XXI1, No, 3, Whole No. 1095, P. 2.

Daguerreotypes.—We cordially invite the attention of our readers to the advertisement of Messrs. Martin & Locke, Daguerreotypist, 1st door west of the Congregational Church.  All who desire to obtain elegant and correct miniatures of themselves or their friends, will do well to avail themselves of the opportunity now presented.  A far mor exact likeness can now be obtained for $2, than could have been procured for $30 ten years ago.

1847 June 3.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 3, 1847, Vol. XXI1, No, 3, Whole No. 1095, P. 3.

Colored Photographic Likenesses.  Messrs. Martin & Locke Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made themselves acquainted with all the latest improvements in the Art, they are prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

Advertisement ran from June 3 to 17, 1847.

1847 June 17.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 17, 1847, Vol. XXI1, No, 5, Whole No. 1097, P. 3.

Martin’s Premium Colored Daguerreotypes.  Rooms in the first building west of the congregational Church. 

Advertisement ran on June 17 & 24, 1847.

1847 June 24.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 24, 1847, Vol. XXI1, No, 6, Whole No. 1098, P. 2.

Daguerreotyping.  We invite the attention of our readers to the following notices of Martin’s Daguerreotypes.  From personal observation we know the statement to be correct.  Mr. Martin will remain in town a few days longer.  Those who design to have their likenesses taken, will do well to avail themselves of the present opportunity.

Opinions Of The “Press” In favor of Martin’s Premium Daguerreotypes.

“Many improvements have been introduced into the work of taking pictures, of which he has availed himself, and all his materials are of the very best quality.”—Keeseville (N. Y.) Republican.

“They are of the finest and most finished specimens of Daguerreotype Miniatures—superior alike in clearness and life-like appearances, softness of tone, and richness of coloring.”—Schenectady (N. Y.)  Reflector.

“Giving our citizens an opportunity to examine specimens, and obtain of themselves or friends a Likeness that will out-rival the finest painting in finish and accuracy.”—St. Albans, (Vt.)  Messenger.

“There is a naturalness in the in the Miniatures, a perfection, a beauty we never saw equalled,”–St. Albans (Vt.)  Republican.

“His pictures are equal to any, and surpassed by none in the country.”—Glen Falls (N. Y.)  Republican.  

“They are the finest specimens of Daguerreotype Miniatures we have ever seen, and would recommend to them who have not done so, to call upon him at once.”—Kingston (N. Y.) Journal.

Those persons who may be desirous of obtaining a Likeness of themselves or friends, would do well to call soon, as my stay in this place is somewhat limited.

A few fine Gold Lockets on hand, suitable for Miniatures, which will be sold at reasonable prices.

Likenesses taken in all kinds of weather.

Rooms in the first building west of the Congregational Church.

1847 June 24.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 24, 1847, Vol. XXI1, No, 6, Whole No. 1098, P. 3.

Colored Photographic Likenesses.  Martin’s Formerly Messrs. Martin & Locke Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made themselves acquainted with all the latest improvements in the Art, they are prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

1847 June 26.  Litchfield, Republican.  (Litchfield, Connecticut.)  June 26, 1847, Vol. 1, No, 1, P. 2.

Now Is Your Time.   We understand that Mr. Martin, the Daguerreotypist, contemplates remaining in this village but a short time.  His miniatures are a little superior to any we have seen.  They almost induce us to believe in “Fairy Legends,” so often and so sweetly sung by the Poets—particularly by Spencer in his “Fancy Queen.”  They seem to live, to breath, to speak.  Mr. Martin is justly entitled to great credit for his unrivalled proficiency in this most beautiful and splendid art.  We have seen the Daguerreotype likenesses of Pardee in Waterbury, which are admirably fine; but we cannot say that they excel those of Mr. Martin.  We sincerely hope that he will meet with good encouragement every where, as he is eminently deserving of the most extensive patronage.  We refer our readers to his card or advertisement in another column.  

Advertisement ran on June 26 & July 1, 1847

1847 June 26.  Litchfield, Republican.  (Litchfield, Connecticut.)  June 26, 1847, Vol. 1, No, 1, P. 3.

Martin’s Premium Colored Daguerreotypes.  Rooms in the 1st Building West Of The Congregational Church.

Advertisement ran from June 26 to July 29, 1847.

1847 July 1.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 1, 1847, Vol. XXI1, No, 7, Whole No. 1099, P. 3.

Martin’s (Formerly Martin & Locke’s) Premium Colored Photographic Likenesses.  Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made himself acquainted with all the latest improvements in the Art, he is prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

He would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

Advertisement ran from July 1 to September 2, 1847.

1847 July 8.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 8, 1847, Vol. 1, No, 2, P. 2.

Landscape Daguerreotyping.—On Wednesday of last week, our friend Martin showed us a most beautiful representation of the finest portion of our Village, taken by himself in Daguerreotype.  It included most of the public buildings—the Park—the Mansion House—the conspicuous edifices in the business part of the borough—her stately elms and other trees—and an extensive portion of the most beautiful scenery in the vicinity.  It is a most accurate and elegant specimen of the wonderful powers of the Daguerreotype, in the hands of a true artist, in landscape pencilling with beams of light.  it would constitute an exquisite parlor ornament, to hang up on the side of the wall, in the place of many of those engravings, which cannot compare with it, in any respect.

The public will find it for their benefit and gratification, to call on Mr. Martin , as soon as convenient, if they wish to have their likenesses taken; as he he contemplates remaining in this village but a short season.

1847 July 15.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 15, 1847, Vol. XXI1, No, 9, Whole No. 1101, P. 2.

Martin’s Premium Daguerreotypes. We are requested to state that next week will be the last one of Mr. Martin’s stay among us, for the purpose of taking Daguerreotype Likenesses.  Those who have delayed, will do well to give him a call immediately.

1847 July 15.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 15, 1847, Vol. 1, No, 3, P. 2.

Colored Daguerreotypes.—Mr. Martin requests us to give notice, that his stay in Litchfield is about to close, next week being the last of his remaining among us.  He has met with much and deserved success in his profession—giving satisfaction to all who have called upon him.  we would advise all who have not done so, to call at his rooms, and improve the opportunity now offered, for securing superior likenesses; for they know not how soon they may have occasion to regret it, through accident or otherwise, should they not do so.  The Preservation of the well-known features of relatives and friends, who are liable every day, to be sundered by death, or called away to some far distance land, should be the duty, as it is the privilege of all who choose to avail themselves of the opportunity now presented.  Mr. Martin can be found as usual, in the first building west of the Congregational Church.

1847 July 22.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 22, 1847, Vol. 1, No, 4, P. 3.

A Card.  Mr. Martin would take this method of expressing to the citizens of Litchfield, his obligations for the kindness which they have manifested towards him; and being agreeably disappointed in the extent of their patronage, he would inform them , that his Rooms will be kept open a short time longer, giving those who wish, an opportunity of securing his services. 

1847 July 29.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 29, 1847, Vol. XXI1, No, 11, Whole No. 1113, P. 3.

Notice.—Mr. Martin would inform the citizens of Litchfield and vicinity that his Rooms will be kept open for the purpose of taking Daguerreotype Likenesses, until after the sitting of Court, which will be the extent of his stay in this place owing to arrangements for going elsewhere.

Advertisement ran from July 29 to August 26, 1847.

1847 July 29.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 29, 1847, Vol. 1, No, 5, P. 3.

Notice.  Mr. Martin, would inform the citizens of Litchfield and vicinity, that his Rooms will be kept open for the purpose of taking Daguerreotype Likenesses until after the sitting of the Court, which will be the extent of his stay in this place; owing to arrangements for going elsewhere.

Advertisement ran from July 29 to September 2, 1847.

1847 August 19.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  August 19, 1847, Vol. XXII, No, 14, Whole No. 1016, P. 3.

Persons visiting Litchfield during Court, are respectfully referred to the advertisement of Mr. Martin, the Daguerreotypist.  We have never seen better Likenessses than have been made by him.

1847 August 19.  Litchfield, Republican.  (Litchfield, Connecticut.)  August 19, 1847, Vol. 1, No, 8, P. 2.

Mr. Martin, the Daguerreotypist, is still “on hand,” and will be, during the Court.  His likenesses are just as true to nature as ever, and his prices do not vary, any more than the labors of his genius.  He needs no further recommendation.

1847 August 26.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  August 26, 1847, Vol. XXI1, No, 15, Whole No. 1117, P. 2.

Bear in mind, that Mr. Martin, the Daguerreotype artist, remains in town but a few days longer.

1847 September 2.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  September 2, 1847, Vol. XXI1, No, 16, Whole No. 1118, P. 3.

Notice.  To all whom it may concern.—Mr. Martin having made arrangements with Mr. J. L. Judd of this village, who is receiving through instructions; is obligated to stay in Litchfield a few days longer, for the purpose of taking Daguerreotype Likenesses;

On and after Monday of next week, September 6th, he can be found at the County House where he will be pleased to see all who may favor him with a call.

Rooms at the County House, No. 5 up stairs.

Advertisement ran on September 2 & 9, 1847.

1847 September 2.  Litchfield, Republican.  (Litchfield, Connecticut.)  September 2, 1847, Vol. 1, No, 10, P. 3.

Notice.  To all whom it may concern.—Mr. Martin having made arrangements with Mr. J. L. Judd of this village, who is receiving through instructions; is obligated to stay in Litchfield a few days longer, for the purpose of taking Daguerreotype Likenesses;

On and after Monday of next week, September 6th, ha can be found at the County House where he will be pleased to see all who may favor him with a call.

Rooms at the County House, No. 5 up stairs.

1847 September 2.  Litchfield, Republican.  (Litchfield, Connecticut.)  September 2, 1847, Vol. 1, No, 10, P. 2.

For The Republican.  Sonnet, To Mr. Martin, The Daguerreotypist.

Thine is an Art, my friend, of Wond’rous power,

More than a Raphael’s pencil ever drew.

From Inspiration’s heaven-encircled bower,

All glowing bright with Hermon’s sacred dew!

With magic skill, how dost thou bring to view

Friends, lovers, kindred—all, a brilliant throng,

More lovely than the sweetest power of song!

Thou snatchest from the dark unconscious tomb

The memories of all we love below!

They seem to live, to speak, to breathe, to bloom!

As fairies’ mid the flowers of Spring-tide glow!

Accept the tribute I would fain bestow;

Though it be small, my friend, ‘tis from the heart!

O mayst thou ever prosper in thine art!   H. W.

1847 September 16.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  September 16, 1847, Vol. XXI1, No, 18, Whole No. 1129, P. 3.

A Card.  Mr. Martin [renders] his sincere acknowledgement to the citizens of Litchfield and vicinity for the generous patronage which has been extended to him.  His last call has gone forth and was promptly attended to.  But knowing that there are still very many who from various circumstances, could not avail themselves of his services he takes this opportunity of informing them that he leaves the business with entire confidence in the hands of Mr. J. L. Judd, who has received all necessary instructions in the art.  Comment is unnecessary—for by calling at his rooms (in the County House, up stairs,) and examining his specimens, all must be satisfied of his ability.

1847 September 16.  Litchfield, Republican.  (Litchfield, Connecticut.)  September 16, 1847, Vol. 1, No, 12, P. 2.

A Card.  Mr. Martin, again tenders his sincere acknowledgements to the citizens of Litchfield and vicinity, for the generous patronage which has been extended to him.  His “Last Call” has gone forth, and was promptly attended to—but knowing that there are still very many who, from various circumstances could not avail themselves of his services, he takes this opportunity of in forming them that he leaves the business with entire confidence in the hands of Mr. Jesse L. Judd, who has received all necessary instructions in the art.  Comment is unnecessary, for by calling at his Rooms, in the County House, up Stairs, and examine his specimens, all must be satisfied of his ability.

1849 May 3.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  May 3, 1849, Vol. XXIII, No, 51, Whole No. 1205, P. 3.

California Gold!  Or Current Bank Notes Will be received by the subscriber for his splendid Daguerreotypes, as he will open the Rooms formerly occupied by James E. Martin, first door west of the congregational Church, on Monday the 7 inst.  For a period of Two Weeks Only.

Wonderful discoveries and great improvements have been made in the Art during the last six months, and being in possession of every thing new which will warrant his Pictures Satisfactory.

He trusts all who have not a correct representation of life, will avail themselves of this opportunity to “secure the shadow ere the substance perish,”

At his Rooms may be seen a rich collection of specimens.

Hours of opening from 8 A. M. to 4 P. M.

Martin, G. R.

Photographs, ,

1857                Address and Location Unknown, New York.

1857 October 7.  Westfield Republican.  (Westfield, New York.)  October 7, 1857, Vol. 3, No. 24, P. 1.

Agricultural Society Report…Painting &c….

In the Daguerreotype Department, there were several exhibitions deserving of more than a Passing notice from your Committee, but as the scale of premiums have been limited, we are reluctantly compelled to contain ourselves to the following;

Best specimens of Daguerreotypes, called Melainotypes, to No. 162, O. Monroe, Dunkirk; 2d do. No. 158.

The committee would respectfully recommend a premium of the 2d class to. No. 316 G. R. Martin[1], being four Photographs in oil.

There were on exhibition three Ambrotypes without numbers from Messrs. Palmer, Bartholomew & Co. Westfield, deserving much credit for their perfection and life-like expression of the specimens presented for inspection.

[1] G. R. Martin was recorded in Jamestown, New York in 1849-1850, it may be possibly they are the same person but additional research is needed.

Marston, Joseph H.

Daguerreotypes, Photographs, , ,

1849-1860       Ninth & Spring Garden, Philadelphia, Pennsylvania.[1]

1853-1855       276 Arch, Philadelphia, Pennsylvania.

1855-1857       Franklin & School, Streets, Philadelphia, Pennsylvania.1

1855-1857       246 N. 2nd, Philadelphia, Pennsylvania.1

1858-1859       825 Spring Garden, Philadelphia, Pennsylvania.1

1849 June 10.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 10, 1849, Vol. II, No. 5, P. 3.

Marston’s Daguerreotypes.—Marston is exciting much attention in Spring Garden by the beauty of his daguerreotypes.  His rooms at the N. E. corner of Ninth and Spring Garden streets, are crowded with customers.  His pictures are not only cheap, but there is a high finish about them only attainable by the first artists.

1849 June 17.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 17, 1849, Vol. II, No. 6, P. 2.

Marston’s Daguerreotypes.—We congratulate the citizens of Spring Garden on their having an excellent daguerreotypist among them.  Such is Marston, at the N. E. corner of Ninth and Spring Garden streets, whose pictures are most beautiful, clear. Life-like, finished and cheap.  

1849 June 24.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 24, 1849, Vol. II, No. 7, P. 3.

The Spring Garden Daguerreotype Saloon of Marston, at the N. E. corner of Ninth and Spring Garden streets, does a most excellent business.  The pictures taken here are beautiful in style, accuracy and finish—and, withal, cheap as the cheapest.  Marston does well.

1849 July 1.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 1, 1849, Vol. II, No. 8, P. 3.

Marston’s Daguerreotypes.—Marston, at the N. E. corner of Ninth and Spring Garden streets, is an accomplished daguerreotypist.  His pictures are beautiful and finished in style and appearance.  They are clear, life-like, and most accurate likenesses.

1849 July 8.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 8, 1849, Vol. II, No. 9, P. 3.

The Daguerreotypes Of Marston, which are taken at the saloon corner of Ninth and Spring Garden streets, are beautiful and finished pictures.  Marston is worthy of patronage; he is as skilful an operator as can be found, and his prices are cheap.

1849 July 15.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 15, 1849, Vol. II, No. 10, P. 3.

Marston’s Daguerreotypes.—At the north-east corner of Ninth and Spring Garden streets, Marston keeps his well known daguerreotype saloon, which is already famous with the “uptowners.”  Marston is a good artist, and produces excellent pictures.

1849 July 29.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 29, 1849, Vol. II, No. 12, P. 3.

The Place To Go In Spring Garden for good Daguerreotypes is at Marston’s saloon, N. E. corner of Ninth and Spring Garden streets.  Marston is a good artist and takes excellent pictures.  They are clear, life-like and pleasing in tone and style.  Marston does a great business.

1849 August 5.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 5, 1849, Vol. II, No. 13, P. 3.

Marston Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerreotype ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 August 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 12, 1849, Vol. II, No. 14, P. 3.

Marston’s Daguerreotypes are the prettiest which are taken in all Spring Garden.  He is a good operator.  His pictures are extremely popular, and his saloons, at the N. E. corner of Ninth and Spring Garden streets, are daily crowded with visitors, none of whom go away dissatisfied.

1849 August 19.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 19, 1849, Vol. II, No. 15, P. 3.

The Best Daguerreotype Saloon In Spring Garden is Marston’s, at the corner of Ninth and Spring Garden streets.  Marston has a fine suite of rooms, excellent apparatus, and is skilful in his art and reasonable in his charges.

1849 August 26.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 26, 1849, Vol. II, No. 16, P. 3.

Marston’s Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerrean ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 September 2.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 2, 1849, Vol. II, No. 17, P. 3.

A word To Spring Gardenites.—Citizens of Spring Garden! Ye who would fain possess breathing likenesses of yourselves, go to Marston the daguerreotypist, corner of 9th and Spring Garden sts.  He is a skilful and popular operator, and his pictures are to be found in the most fashionable centre tables in the district.

1849 September 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 16, 1849, Vol. II, No. 19, P. 3.

In The Way Of Daguerreotypes, Marston, at the N. E. corner of Ninth and Spring Garden streets, is creating great excitement.  Such beautiful specimens of the art as are produced from his gallery are rarely seen.  Those who wish to have evidences of the rapid improvement of the daguerrean art, should step in at his saloon and have their pictures taken.

1849 September 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 26, 1849, Vol. XXVIII, No. 5, P. 4.

The Daguerreotypes of Marston which are taken at the Saloon, corner of Ninth and Spring Garden Sts., are beautiful and finished Pictures.  Marston is worthy of patronage.  He is as skilful an operator as can be found, and his prices are cheap.—Sunday Dispatch.  

1853 June 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 12, 1853, Vol. VI, No. 6, P. 6.

The Only True Likeness of Arthur Spring the elder, is that which was taken in his cell, a few days ago, by Joseph H. Marston.  It is a portrait which every one will recognize who has seen the original, and its truthfulness will be acknowledged.  Those who desire to see this likeness will be accommodated by calling at Marston’s Daguerrean Rooms, No. 276 Arch street, below Tenth.  A fine picture of Arthur Spring the younger can also be seen at the same place.  Marston is a capital artist, and has justly acquired a great reputation in his profession.

1853 August 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 2, 1853, Vol. XXXV, No. 112, P. 1.

Jos. H. Marston’s City Daguerreotype Rooms No, 276 Arch St.—Likenesses taken in a superior

Style and finish, in clear or cloudy weather.  Prices moderate.

1853 August 7.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 7, 1853, Vol. VI, No. 14, P. 3.

Something New In Daguerreotyping.—Having fitted up a new suit of rooms in a handsome style, sparing no expense in making them equal to any in the city for producing the Finest Quality Likenesses, I invite all to call at No. 276 Arch Street, below Tenth, where perfect satisfaction is guaranteed them, in quality, price, and beauty of finish, in all likenesses produced.  Joseph H. Marston, Spring Garden Daguerreotype Gallery, N. E. corner of Ninth and Spring Garden Streets.  Established five years.

Advertisement ran from August 7 to October 23, 1853.  

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

Marston’s Spring Garden Daguerrean Rooms are at the N. E. cor. Ninth and Spring Garden Sts.

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

The New Discovery—Mezzographic Portraits, Marston’s Daguerreotype Rooms, Arch St., first door below Tenth.

1855 January 29, 1855.  Philadelphia Inquirer.  (Philadelphia,. Pennsylvania.)  January 29, 1855, Vol. LII, No. 25, Whole No. 8096, P. 2.

Removal.—I have closed my Daguerrean Rooms, at No. 276 Arch street, and shall operate hereafter at the N. E. corner of Ninth and Spring Garden streets.  Likeness in one case, for One Dollar.  Joseph H. Marston.

1856 January 5.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 5, 1856, Vol. XL, No. 89, P. 1.

Only 50 Cents.—The extra large size Daguerreotypes, set in fine gilt embossed cases, with preserver complete.  The cheapest to be had in this city.  Marston’s Rooms, No. 246 N. Second below Willow.

1856 April 1.  Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Martson. — A really tip-top artist. His daguerreotypes surpass. His Ambrotypes are excellent, as also his retouched photographs. This artist has three galleries in the city. I saw some really fine positive photographs, which might place him among the first.

“Gilbert. — A tip top gallery. I was highly pleased with the specimens, and was surprised to find such a good artist among so many poor ones. Reimer, Marston, Newcome, and Gilbert, are too good artists for 2nd Street.”

[1] Activity dates from Newspapers cited above and Directory Of Pennsylvania Photographers 1839-1900.