Category Archives: Daguerreian Stock and Materials

McDonell, Donald

1844                Address Unknown, Buffalo, New York.

1847-1852       192 Main Street, opposite the Farmers Hotel, Buffalo, New York.

1852-1858       208 and 210 Main Street, Buffalo, New York.

1855-1859       194 Main Street, Buffalo, New York.

1858-1864       232 Main Street, Buffalo, New York.

1865-1868       288 Main Street, Buffalo, New York.

1847.  Buffalo City Directory.  (Buffalo, New York.)  1847-1848, P. 28.

M’Donell & Co.  Daguerrian Rooms, Opposite The Farmers Hotel, No. 192 Main-Street, Buffalo.

Ladies and Gentlemen will please call and see their numerous Specimens whether they want Pictures or not.

Taken in all sorts of Weather.  Daguerreotypes Apparatus, Plates, Cases, Chemicals, and every article used in the Business, for sale wholesale or retail.

1847 October 22.  Morning Express.  (Buffalo, New York.)  October 22, 1847, Vol. 2, No. 556, P. 2.

Extensive Daguerrean Gallery.  McDonell & Co. No. 193 Main street, up one pair stairs, opposite the Farmers Hotel, respectfully invite the public to call and see their numerous specimens, whether they want pictures or not.  Pictures taken in any kind of weather, of size or style [to sell] purchasers.

Instruments, from medium to full size, with every article used in the business, for whole sale or retail.  Money enclosed by Mail for Instruments, Plates, Cases, Chemicals, Lockets, or any other material, will [be] promptly attended to, and the goods forwarded to any part of the country.

Those wishing to learn this truly delightful and useful Art, or those wishing to purchase anything belonging to the business, will find it to their advantage to call at this establishment.

Advertisement ran from October 22, 1847 to January 1, 1848.

1848.  Buffalo City Directory.  (Buffalo, New York.)  1848, P. 354, Published by Thomas S. Cutting.

M’Donell & Co’s Daguerrian Room and Stock Depot, 192 Main Street.

1848 February 16.  The Republic.  (Buffalo, New York.)  February 16, 1848, Vol. 2, No. 315, P. 2.

Daguerrian Gallery.  McDonnell & Co., 192 Main street, opposite the Farmer’s Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also a fine assortment of Lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Cases &c., forwarded to any part.

Advertisement ran from February 16 to May 8, 1848.

1848 May 1.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  May 1, 1848, Vol. XIV, No. 4180, P. 2.

McDonell & Co’s Daguerrian Rooms and Depot for the sale of Daguerreotype material of all kinds, No. 192 Main street.

Goods forwarded to any part.  Instruction given in the art, including every improvement known in the art.

Advertisement was recorded between May 1 to June 14, 1848.

1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849. 1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849.

1849 January 16.  Buffalo Morning Express.  (Buffalo, New York.)  January 16, 1849, Vol. IV, No. 932, P. 3. 

Meade Brothers’ Celebrated Daguerreotypes—At 232 Main-street (Branch of McDonnell & Co’s.  Prof. Meade respectfully inform his old friends, and the public generally, that he will take their celebrated Daguerreotype likenesses, at the Original Room, No. 232Main street, a few doors above Swan, where he will be happy to see all who wish a superior Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day, with great facility and accuracy.  Also, Groups of Families, etc.  Pictures set in lockets, breast pins, rings, &c.

N. B.—Persons sick or infirm, will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch. 

Rooms open from 9 A. M. till 5 P. M.

Thorough instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.  dec.21tjan.26.

Advertisement Was recorded between January 16 to 27, 1849.

1849 November 25.  New York Herald.  (New York, New York.)  November 25, 1849, Whole No. 5638, P. 3.

Fine Arts.—To All Professional Daguerreotypers and Amateurs of the Photographic Art throughout the United States.—The subscribers, owners of Talbot’s United States Patent for taking pictures on paper, by aide of the Camera Obscura, considering that it is more consonant with the spirit of the age and the free institutions of this country, to give access to a valuable invention to every one who desires it, have concluded to dispose of this Patent Right, together with their valuable improvements, in individual licenses, at the trifling sum of thirty dollars for each of the first two hundred licenses, and fifty dollars for each subsequent one.  For this sum every purchaser receives license to exercise the art throughout the United States, with the exception of the States of Louisiana, Alabama, Georgia, Florida and Texas, for which States the exclusive right has been sold previous to this arrangement; a copy of the original patent and a printed pamphlet containing a full, clear, and minute description of the process, as improved by the scribers.  For further particulars, apply to the subscribers or their agents, post paid, who will send by return of mail a full prospectus of all the conditions. 

W. & F. Langenheim, Exchange, Philadelphia.  Agent—

E. White, 24 Broadway[1], New York City.

A. Q. Browns, 228 Washington Street, Boston.

Hale & Co., Boston.

Eastern Patent Agency, Boston.

W. A. Wisong, Baltimore

W. A. Pratt, Richmond, Va.

John C. Simons, King st., Charleston, S. C.

Peter Smith, Cincinnati, O.

Messrs. Long, St. Louis, Mo.

D. McDonnell, Buffalo, N. Y.

Advertisement ran from November 25 to December 3, 1849.

1850 August 20.  Buffalo Morning Express.  (Buffalo, New York.)  August 20, 1850, Vol. V, No. 1423, P. 2.

Important to Daguerrean Artists.  M’Donell & Co. No. 192 Main street, have for sale a new style Buff, only ten dollars a pair, called the Magnetic Buff.  It makes a plate so sensitive that an impression can be taken in from two to three seconds, with the instruments in common use.  A immense supply of stock, including the largest supply of Gold Lockets in Western New York, just received, and which we sell wholesale at New York prices.

Plates, cases, cameos, &c. forwarded to any part of the country.  Money sent by Express or by mail will come safe.

McDonell’s celebrated sensitive for sale constantly.  Instruction given in the art with the necessary apparatus, and supplies furnished on moderate terms.

Advertisement was recorded between August 20, 1850 to February 21, 1851.

1851 April 19.  Buffalo Morning Express.  (Buffalo, New York.)  April 19, 1851, Vol. VI, No. 1629, P. 3. 

Daguerrean Gallery.  McDonnell & Co.—192 Main st., opposite the Farmers Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Please call and see.  From 6¼ A. M. to 7 P. M.

Advertisement was recorded between April 19, 1851 to July 9, 1852.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. VI, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present limits we only refer to the following:  First—a Silver Medal and a Diploma by the N. Y. State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear, in the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

1852.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1852, P. 83, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1852 January 6.  Buffalo Morning Express.  (Buffalo, New York.)  January 6, 1852, Vol. VI, No. 1849, P. 2.

Daguerreotyping, Or, The Fine Arts In Buffalo.  McDonell & Co., in returning many thanks to their friends and the public generally, for their kind a liberal patronage since their commencement in Buffalo, eight years ago, have a pleasure in saying, that they were never better prepared to make Pictures on a very superior kind, from the smallest size imaginable to double full size, which is an advantage not found in any other establishment west of New York.

Having again stooped to notice the taunting and bombastic libels issued against us by a harmless yet much agitated competitor, O. B. Evans, whose exasperated jealousy of our popular success, which by every low mend of tergiversation he assails, and wonted petulance gives him the liberty of my name; and although having at all times great aversion to the usage of invective and dissension, and much greater to the notice of them from an inferior source—yet we are impressed with the idea, that erroneous fallacy, if seized, in its exit and hurried back to the teeth of its miserable author, the venom of whose boiling soul seems ever employed to drag him into difficulties, may be to him a moral less [n], and perhaps in time a pecuniary gain.  In contradiction to O. B. E.’s notice of the 27th ult., I would merely say, that my conscious belief has been confirmed by that of most credible authenticity, that his acquirements of Diplomas were not meritorious, but through a courtesy to highly accomplished auxiliary etiquette.  Moreover, I feel no hesitation in expressing my firm belief, that the Inspecting Committee at the Rochester State Fair, evinced either a blinded sympathy or total ignorance of the intricacy attending the improvements making in the Art, which belief is confirmed by the Daguerrian Journal, which reads as follows:

“For several years but little satisfaction has been felt by those who have exhibited Daguerreotypes at the exhibition of the American Institute.  We would not say this, were it not that others than the exhibitors have been disappointed by the course of decisions.  Yet it may be well and properly accounted for—for oftentimes the judges are others than those who know even the first principle of science.”

“With such a Committee, a skilful operator had better keep his Specimens within his own walls.”

When O. B. Evans could receive a Diploma, while our double whole size Pictures of which are acknowledged by distinguished Artists to remain unsurpassed if equalled by any executed in this country or Europe, received not their merited notice.  With this belief, a consciousness of our own ability, and the popularity of an enlightened and discerning public, we have deemed the pursuit and requirement of Diplomas matter of no special gain or repute.  Yet for our many encomiums and Diplomas, we seek no further confutation of O. B. Evans’ slanderous libels, in whose own unpolished diction, by the assumption of his pointed liberty of my name, he acknowledges me his superior, and the only bar to his success, than the public before whose eyes they have hung in our Gallery for the last three years.

As to the extension of O. B. Evans’ patronage, we have never assumed the petty province of investigating; but would say, that in our employ we keep four persons busily engaged, and that it speaks poorly that he has out merited his patronage in Buffalo, and gone for a time to operate in some country village.

We feel no displeasure that O. B. Evans receives a liberal share of patronage by honest means; but he who would seek to lessen his neighbor’s merit by a resort to superlative untruth and unparalleled self-conceit, deserves to be noticed only that he may be the more despised.  D. McDonell.

 Advertisement ran from January 6 to 8, 1852.

1852 June 18.  Buffalo Morning Express.  (Buffalo, New York.)  June 18, 1852, Vol. VII, No. 1988, P. 2. 

Daguerreotypes—That which can beckon back the absent and summon up the dead, furnishing something more than an imperfect imagination of their features, by its cunning counterfeit of the actual being, must be regarded as of inestimable value.  It is one of the greatest triumphs of art, that it has secured to the most indigent as well as the opulent, the means of “snatching a copy” of the lineaments of those whom they are called to [resign].  Our city is highly favored with artists in this line.  We have taken a stroll recently through the rooms of Messrs. McDonnell and find them filled with creditable specimens, of the art du soliel.  Their gallery is finely fitted up and affords a desirable lounging place for these hot days.  Their collection of pictures embraces many persons of note.  These gentlemen have received several diplomas attesting their skill, and those desiring a good daguerreotype may anticipate satisfaction at this establishment.

1852 July 8.  Buffalo Morning Express.  (Buffalo, New York.)  July 8, 1852, Vol. VII, No. 2004, P. 2. 

Removal.  McDonell & Co., have removed their celebrated Daguerrian Rooms to Nos. 208 and 210, over the scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonell & Co.

Advertisement ran from June 8 to 15, 1852. 

1852 July 10.  Buffalo Morning Express.  (Buffalo, New York.)  July 10, 1852, Vol. VII, No. 2006, P. 1. 

Daguerrean Gallery.  McDonnell & Co.—208 and 210 Main street, over Scotch Store.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Advertisement was recorded between July 10, 1852 to January 15, 1853.

1852 August 27.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  August 27, 1852, Vol. XVIII, No. 5508, P. 3.

Daguerrian Rooms—McDonell & Co’s celebrated Rooms removed to 208 and 210.  The only establishment west of New York where double full size pictures are made.  All the smaller sizes made as usual.  Daguerrian goods for sale wholesale.

Instruction given in the art.

Rooms open from 7½ A. M. till 7½ P. M.  Remember the No., 208 and 210.

N. B.—A splendid lot of Lockets, &c. &c. of all sizes, ways on hand.

Advertisement was recorded between August 27, 1852 to January 13, 1854.

1852 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1852, Vol. VII, No. 2032, P. 3. 

McDonnell & Co., 208-210 Main Street. , are making some fine pictures of late.  Their new rooms are a great improvement upon the old.  Persons wishing a good “counterfeit of the human face divine” should give them a call.

1852 August 14.  American Celt, and Catholic Citizen.  (Buffalo, New York.)  August 14, 1852, Vol. IV, No. 33, P. 8.

Daguerrean Rooms.  McDonell & Co.’s Celebrated Rooms and Stock Depot Nos. 208 & 210 Main-st.  The only Rooms West of New York where the double whole size impressions are taken.

Instructions given in the Art and Daguerrean goods sold at whole sale.

Impressions taken of children of any age.

Advertisement as recorded on August 14, 1852 & on May 28, 1853.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Last but not least are a group of three ladies, and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient need of praise unless it be the first approval of the committee…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next to North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Removal.  McDonnell & Co., have removed their celebrated Daguerrean Rooms to Nos. 208 and 210, over the Scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonnell & Co.  jy9.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Daguerrean Rooms.  The Oldest in Buffalo. 

Diploma Awarded To D. McDonell For Superior Daguerreotypes.  B.P. Johnson Sec.  [and] [P.] Allen Pres.

McDonnell & Co’s., celebrated Rooms and Stock Depot are over the Scotch Store, No. 208 and 210 Main st., a few doors from their former place, where they are makingsuperb pictures from the smallest size possible to Double Full Size.  His is the only Establishment west of New York where these mammoth impressions are made.

An immense amount of Daguerreotype Material including gold Lockets, Watch Keys, Seals, Bracelets, &c. &c., all for miniatures, for sale wholesale.  Instructions given in the art and everything furnished on reasonable terms.

Do Not forget the place 208 and 210, up stairs.  jy17.

1853.  Buffalo City Directory.  (Buffalo, New York.)  1852, P. 80, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1853 February 21.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  February 21, 1853, Vol. XI, No. 5657, P. 2.

Pursuant to notice there was a special meeting of the St. Andrew’s Society of the city of Buffalo, held at Mr. D. McDonell’s Rooms, No. 208 Main street, on the evening of Saturday the 19th February 1853, in relation to the death of Mr. Alexander Allen.

In the absence of the President, Hugh Cameron, Esq., Mr. Donald McDonell, one of the Vice Presidents, was called to the chair…

D. McDonell, President.

John Jamison, Secretary.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is susceptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854.  Buffalo City Directory.  (Buffalo, New York.)  1854, P. 59, Published By Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1854 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1854, Vol. IX, No. 2649, P. 3. 

Daguerreotypes.  McDonnell & Co., Is Thanking The public for the liberal patronage constantly extended to them since 1844, would avail themselves of the present opportunity of reminding those who have yet to secure the last true and imperishable mementos of life, health and beauty, that “procrastination is the thief of time.”  Though pressure of business renders it next to impossible, the subscribers, ever willing, are constantly taking impressions of deceased persons, whose friends are sorely reminded of the above adage,  Securer the shadow ere the substance fade, for we know not what a day may bring forth.

The subscribers have lately got on a rich and beautiful assortment of plain and fancy Cases; also, a fresh supply of Gold Lockets, Rings, Pins, &c.  They would also say to Daguerrean Artists, that they are prepared to furnish large supplies of the celebrated H. B. Plates; also Cases, Frames, &c.  D. McDonnell & Co., No’s 208 and 210 Main street, Buffalo.

Advertisement ran from August 10 to 17, 1854.

1854 August 11.  Buffalo Morning Express.  (Buffalo, New York.)  August 11, 1854, Vol. IX, No. 2650, P. 3. 

We understand that McDonnell & Co., the well known Daguerreotypist, are about to fit up one of the most extensive and elegant Galleries, out of New York city.  Particulars in due time.  Meanwhile, they are receiving a choice assortment of cases, lockets, pins, rings, etc., and are prepared to put faces upon record at the shortest notice, and to the best advantage.  Their pictures are always exquisite, and are, therefore, highly prized.

1854 December 6.  Buffalo Morning Express.  (Buffalo, New York.)  December 6, 1854, Vol. IX, No. 2752, P. 2. 

All Hail!  Happy Season Of Amusements, Gifts And Mementos.  In Thanking Our Numerous Friends for the liberal patronage hitherto extended, we would take this method of informing them that we have just received a large assortment of the richest and most beautiful Cases, comprising Union, Antique, Sontag, &c., and Picture Frames, Lockets, Rings, &c., that was ever offered to the citizens of Buffalo.  On comparison with their equalities they will be found cheap.  Ladies and gentlemen please call and see them.  McDonell & Co.

Advertisement was recorded between December 6, 1854 to January 5, 1855.

1854 December 7.  Buffalo Morning Express.  (Buffalo, New York.)  December 7, 1854, Vol. IX, No. 2753, P. 2. 

To Let.  A Very Desirable And Commodious dwelling, being No. 58, corner Chippewa and Franklin streets, west of Main.  It is supplied with water and gas, has a garden containing several fruit trees, and a good brick barn on the lot.

Also, the upper part of Nos. 208 and 210 Main street—For further particulars enquire of the subscriber, who is nearly ready to move into the new and splendid rooms over Murray and Cummings new store, No. 194 Main st.  D. McDonell.

1855.  Buffalo City Directory.  (Buffalo, New York.)  1855, P. 49, Published By Thomas & Lathrops.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1856.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1856, P. 54.  Published By Thomas & Lathrops.

Daguerrean Rooms—The Oldest in Buffalo.  M’Donell & Co.  NO. 208 & 210 Main Street, Importers, Manufactures & Dealers in Daguerreotype Materials.  Rooms open to the Public from 7 a.m. to 7½ p. m. 

1856 February 8.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  February 8, 1856, Vol. XI, No. 3115, P. 2. 

Just Received By McDonell & Co., No. 194 Main street, Buffalo, a very large supply of Daguerrian Goods.  Also, Photograph Material.

Advertisement ran from February 8 to 13, 1856.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

To Rent.  A Splendid Front Room Over Murray & Cumming, No. 195 Main street, suitable for a large office, Merchant Tailor, &c  Also, a fine room over the same establishment, with good entrance from Pearl street.

For particulars apply to the subscriber.  D. McDonell.

Advertisement ran from July 3, 1856 to March 24, 1857.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

“Advertising Medium.”  Notice.  Persons Holding Due Bills Against me for Daguerreotypes are requested, while the weather is fine, to attend to them.  D. McDonell.

Advertisement ran from July 3 to 7, 1856.

1856 September 27.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  September 27, 1856, Vol. XI, No. 3315, P. 3. 

Fair of the American Agricultural Exchange Association.—The following Premiums were awarded by the committee…

On Miscellaneous Articles…diploma to…D. McDonnell…

1856 October 22.  Campaign Courier.  (Buffalo, New York.)  October 22, 1856, Vol. 2, No. 19, P. 3.

Rooms Open To The Public. The most extensive Daguerrean Establishment in Western New York, 232½ feet deep, through from Main to Pearl street, second floor, over Murray & Cumming’s fine Dry Goods Store, 194 Main street, opposite the Metropolitan Theatre.

$10,000 Worth Of Daguerreotype Material constantly on hand, including Gilt And Rosewood Frames, Cases of all sizes and styles, where persons having pictures taken can have a chance to select . 

Impressions Taken on Plates, Glass And Paper.  Artists supplied with Cameras and all kinds of Material for Daguerreotypes, Crystalotypes, or Photographs.  McDonell & Co.   no27.

1856 December 7.  The Spirit of the Times.  (Batavia, New York.)  December 7, 1856, Vol. 34, No. 26, P. 8.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co., No. 208 and 210, Main street, Importers Manufacturers, and Dealers in Daguerreotype Materials, of every description, thank the public for the liberal patronage extended to them.  Having enlarged their rooms, and added a splendid Sky Light to their facilities for making their superb pictures, their patrons can have a choice; having also added largely to their supply of Instruments, Plates, Cases, Chemicals and Gold Lockets, Pins, Bracelets, Locket seals, Rings, &c., for Miniatures, would invite strangers visiting the city, or Falls of Niagara, to give a peep into their new rooms, where they can be seen the largest supply of specimens in Western New York.  They are prepared always to take impressions of Children of every age, in the wonderful short space of one second.

Daguerrean Artists sending orders, with the cash, by mail can have them filled to any extent, at least as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instructions given in the art.  The Buffalo and other papers will account for our Diplomas, encomiums for the specimens sent to the World’s Fair, &c.

Rooms open to the public from 6 A. M. to 7½ P. M.  Recollect the number, 192 Main Street, opposite the Farmer’s Hotel.

1858 May 17.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  May 17, 1858, Vol. XI, No. 3819, P. 2. 

Removal.  The Daguerrean, Ambrotype And Photographic Gallery of D. McDonell has been removed from 194 to 282 Main street, between Swan and Erie streets, where its unrivalled attractions will be continued.

Advertisement ran from May 17 to August 9, 1857.

1858 August 4.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  August 4, 1858, Vol. XIII, No. 3886, P. 4. 

From The Fire Marshall.  Fire Marshall’s Office, Buffalo, August 2, 1858.  To The Hon. The Common Council of the city of Buffalo.—Gentlemen a fire occurred on the 21st inst. at 2½ o’clock, P. M. in a two story brick building known as the Jas. M. Fish elevator situated on the southwest corner of Ohio and Cincinnati streets, owned by the New York Central Railroad, unoccupied.  Loss on the building $3,000.  No insurance.  The fire spread as follows, to wit:…2 story wooden building owned by D. McDonnell, occupied by E. Connelly as a grocery.  Loss on building $500.  Fully insured.

1859 December 31.  Buffalo Evening Post.  (Buffalo, New York.)  December 31, 1859, Vol. X, No. 286, P. 2. 

Bought Out.—R. McDonell, of the old Daguerrean Rooms opposite the Metropolitan Theatre, has bought out the entire stock of A. B. Nimbs’ colored photographs, daguerreotypes, ambrotypes and furniture.  Mr. Nimbs is acknowledged to be the best colorer in Western New York, and will hereafter color for Mr. R. McDonell.  Citizens may depend upon having work done promptly at 194 Main street.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 3. 

Removed.—By reference to the card of Mr. J. H. Keller it will be seen that he has removed his Photograph and Daguerreian Gallery to the large and commodious rooms formerly occupied by R. McDonell, at No. 194 Main street.  He will there continue to execute sun pictures in the very highest style of art.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 2. 

Keller’s Gallery.  J. H. Keller Has Removed To The Large And Old Established Rooms of R. McDonell, 194 Main Street, opposite the Theatre, where, with increased facilities, he will be happy to see his old friends and patrons.  These rooms are the most airy and convenient in the city, being reached by only one pair of stairs, and in order to meet the wants of the people, and to suit the times, I have reduced the price of pictures as follows:

Ivorytypes, without frames…………$8.00

Photographs, colored in oil…………$10.00

Photographs, Water colors………….$5.00

Photographs, India Ink………………$5.00

Also superior Ambrotypes and Melainotypes taken at the lowest prices.

All Pictures taken in the finest style of the art, and warranted to give perfect satisfaction.

Phereotypes are also made at my rooms.

Daguerreotypes, from pictures already taken of deceased persons, produced of an enlarged size, and painted in oil at $10 each, and finished in the most superior style of the art.  J. H. Keller.

1861 April 20.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  April 20, 1861, Vol. XXVII, No. 10,227, P. 3.

“Scots Wha Ha’ Wi’ Wallace Bled.”—

Scotch adopted citizens and the sons of Scotchmen, are requested to meet at the Old Court House, on Monday evening, April 22d, for the purpose of declaring their sentiments, and taking whatever action may deemed advisable, in the present condition of our National affairs.

David Bell, President St. Andrew’s Society.

James Smith, Ex-Pres. St. Andrew’s Society.

Donald McDonell,

Alexr. McKay,

James E. Thompson,

Archer McPherson.

1861 August 12.  Buffalo Morning Express.  (Buffalo, New York.)  August 12, 1861, Vol. XVI, No. 4809, P. 2. 

Removal!  W. M. Knight having associated himself with R. J. Willett, has removed to the large and finely lighted rooms lately occupied by McDonnell, No. 194 Main Street, Over H. Con’s Emporium, (directly opposite the Metropolitan Theatre), is now prepared to make pictures of all sizes and varieties, from the cheap Ambrotype to Photographs, life size, in oil.  Having a large, fine sky light, (up only one flight of stairs) especial attention will be given to Children and Groups.

We are fitted up for making First Class Daguerreotypes Which are the nicest and most durable pictures ever made.  Large Photographs at one-half the price of the up town rooms.

We shall make none but good Pictures, and shall sell them at prices to suit the times.  Call and see.  Knight & Willett.

1861 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1861, Vol. XVI, No. 4823, P. 3. 

Our Holiday Directory…

Miscellaneous.  At R. McDonnell & Co., 257 Main street, may be obtained for holiday presents choice photographs, beautiful daguerreotypes, and exquisite ambrotypes.

Buffalo City Directories.  (Buffalo, New York.)

1844.   McDonnell, Donald—Clerk, 166 Main Street., B-Murray’s.

1847.   McDonnel & Co., Daguerrian, Rooms 192 Main.

1848.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McD. & Co.) 192 Main.

1849.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald, (Firm of McDonnell & Co.) B-Bennet’s Temperance Hotel.

1850.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.) H- 16 Carrole.

1851.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.)  H- 16 Carrole.

1853.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1854.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1855.   McDonell & Co., Daguerrean Rooms over 194 Main.

 McDonell, Donald (Firm of McD. & Co.)  H-Pearl above Seneca.

 McDonell, A. Daguerrean, B. Genesse House.

1856.   McDonell & Co., Daguerrean Rooms, over 194 Main.

McDonell, Donald (Firm of McD. & Co.) H-Franklin corner Chippewa.

McDonell, Ronald, no occupation listed, over 194 Main.

McDonell, Ronald C., no occupation listed, over 194 Main.

1857.   McDonell, Donald, Daguerreotypist, 194 Main.  H-58 Chippewa.

 McDonell, R., artist, 194 Main.

1858.   McDonell, Donald—232 Main st., H-Chippewa corner Franklin.

McDonell, R., Daguerrean, 194 Main.  H-194 Main.

1859.   McDonell & Co.—Daguerrean Gallery—232 Main.

McDonell, Donald, (Firm of McD. & Co).  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1860.   McDonell & Co., Daguerrean Gallery, 232 Main.  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1861.  McDonell or McDonnell—Not listed

1862.   McDonell, Donald—Photographer, 232 Main.  H-58 Chippewa.

McDonel, R., Photographer, 255 Main.

1863.   McDonell, Donald—Photograph Gallery, over 232 Main.  H-58 Chippewa.

McDonell, R.  Not listed.

1864.   McDonell, Donald—Artist—232 Main.  H-58 Chippewa.

1865.   McDonnell, Donald—Picture Gallery—288 Main.  H-58 Chippewa.

1866.   McDonell, Donald—Photographer—over 288 Main.  H-58 W. Chippewwa.

1867.   Donnell, Donald—Photographer—288 Main.  H-58 Chippewa.

1868.   Donnell, Donald—Photographer—288 Main.  H-53 Chippewa.

1869.   Donell, Donald—Agent.  H-53 W. Chippewa.

1870.   Donnell, Donald—Insurance Agent.  H-53 Chippewa.


[1] Possibly a typo for 247 Broadway

Longking, Thomas

1856                14 Chatham, New York, New York.

1857                142 Chatham, New York, New York.

1857-1859       190 Fulton Street, Brooklyn, New York.

1854 January 31.  American Photographic Patents The Daguerreotype & Wet Plate Era 1840-1880.  (Nevada City, California.)  P. 7.

Patent No. 10, 475, Improved apparatus for cleaning and buffing daguerreotype plates.  Thomas Longking, Brooklyn. New York.

1858 February 26.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  February 26, 1858, Vol. 17, No. 48, P. 3.

Messrs. I. Stuehler & W. Baabe, both professors of Music, respectfully inform the public that their Academy Of Music, 190 Fulton street, Rooms No. 11 & 12.  Will be open for Singing Classes from the 1st of March, on Monday and Thursday Evenings, from 7½ to 9½ o’clock.  Terms—$5 per Quarter, for Gents; $4 for Ladies; payable in advance.  They also instruct on the Piano and Singing, the French and German languages, privately and in classes, in and out of their residence.  Applications will be received in the forenoon from 8 to 11 o’clock, in case of absence, at Mr. Longkint’s Daguerrean Rooms, at the same place.

Advertisement ran from February 26 to March 23, 1858.

1858 July 19.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  July 19, 1858, Vol. 17, No. 169, P. 3.

Superior Ambrotypes And Nielographs, all styles and prices, by Lingking190 Fulton street.

Advertisement ran from July 19 to August 12, 1858.

1858 November 8.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  November 8, 1858, Vol. 17, No. 264, P. 3.

Photographs—Of A Superior Style, colored and plain, at cheaper rates than ever before offered to the public can now be obtained at Longking’s Photographic Temple of Art, 190 Fulton street,

Ambrotypes 25 cents to $5 each.

Daguerreotypes, &c., copied and enlarged to Photographs.

N. B.—Crayon Photographs in beautiful style.                                                          n.6.

Advertisement ran from November 6 to December 4, 1858.  

1858 December 24.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  December 24, 1858, Vol. 17, No. 304, P. 3.

An ambrotype is a pretty couvenir, that will suit the taste of many, and for perfection in the artistic finish and make up, get your likenesses at—

E. M. Douglas’ 345 Fulton st.

Williamson & Bros., 249 Fulton st.

Longking’s, 190 Fulton st.

1859 January 24.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  January 24, 1859, Vol. 18, No. 19, P. 3.

Special Notice—To All Concerned—You are herby informed that you can get a beautiful large size Photograph for only One Dollar, and Duplicates, as many as you please at only 50 cents each, at Longking’s Gallery of Art, 190 Fulton street.  Ambrotypes, including case at 25 cents.

Advertisement ran from January 24 to 27, 1859.

Brooklyn City Directories.  (Brooklyn, New York.)

1852.  Not listed.  Published by-Henry R. & William J. Hearnes.

1853.  salesman, 43 Stanton.  Published by-Henry R. & William J. Hearnes.

1854.  salesman, 43 Stanton.  Published by-Henry R. & William J. Hearnes.

1855.  Not listed. Published by-Henry R. & William J. Hearnes.

1856.  Not listed.  Published by-Henry R. & William J. Hearnes.

1856.  daguerreotype apparatus, 14 Chatham, N. Y., h-198 Bridge.  Published by Hope & Henderson.

1857.  daguerreotypist,  142 Chatham, N. Y., h-198 Bridge.  Published by William H. Smith.

1857.  daguerrean and ambrotype gallery, 190 Fulton, h- 190 Fulton.  Published by Jonathan Lain.

1858.  daguerreotypes, 190 Fulton, h-182 Fulton.  Published by Jonathan Lain.

1859.  Not listed.  Published by Jonathan Lain.

Longking, Joseph

1853-1859       142 Chatham Street, New York, New York.

1857 January 7.  The New York Herald.  (New York, New York.)  January 7, 1857, Whole No. 7434, P. 6.

Wanted A Daguerrean Or Ambrotypist immediately, also a girl to seal pictures.  Apply soon at Palmer & Longking,[1] 142 Chatham.

New York City Directory.  (New York, New York.)  Published by John Fowler Trow.

1852.  Not listed.

1853.  daguerreotype apparatus, 142 Chatham, H-Newburgh.

1854.  daguerreotype apparatus, 142 Chatham, H-Newburgh.

1855.  daguerreotype apparatus, 142 Chatham, H-Newburgh.

1856.  daguerreotype apparatus, 142 Chatham, H-Newburgh.

            Longking & Palmer—daguerreotypist, 142 Chatham.

1857.  daguerreotype apparatus, 142 Chatham, H-Newburgh.

1858.  daguerreotype materials, milliners & hat pressing machines, 142 Chatham, H-Newburgh.

1859.  photographic materials, milliners & hat pressing machines, 142 Chatham, H-Newburgh.

1860.  Not listed.


[1] Listing in the New York City Directories between 1853 to 1857 Palmer & Longking, daguerreotype apparatus, 142 Chatham.

Libolt, Dr. Adam

1842                Address Unknown, Columbia, South Carolina.[1]

1843                Madison House, Augusta, Georgia.

1843                Planters’ Hotel, Madison, Georgia.

1843                Central Hotel, Athens, Georgia.

1843                88 Westminster Street, Providence, Rhode Island.

1843-1844       260 King Street, corner of Wentworth, Charleston, South Carolina.

1844                188 King Street, Charleston, South Carolina.

1840 February 6.  The Emancipator.  (New York, New York.)  Vol. IV, No. 41, Whole No. 197, P. 3.

New York, Sept. 9, 1839.  At a meeting of the New York City Young Men’s Anti-Slavery Society, held in pursuance to previous public notice at the office of the American Anti-Slavery Society, No. 143 Nassau street.  Mr. Anthony Lane was called to the Chair, and Albert O. Wilcox appointed Secretary.

The Committee appointed by the Ex. Com. Of the Society to nominate officers for the ensuing year reported through Dr A. Libolt, their chairman, the following names of individuals to fill the several offices…

1843 January 28.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  January 28, 1843, Vol. VII, No. 26, P. 3.

Daguerreotype Miniatures.—The subscriber, thankful for patronage already bestowed, takes this method to inform the citizens of Augusta, that he will continue one or two weeks longer to take Daguerreotype Likenesses, at his rooms in the mansion House, where ladies and gentlemen are invited to call and examine specimens of his art. 

Advertisement ran from January 28 to February 1, 1843.

1843 March 11.  Southern Miscellany.  (Madison, Georgia.)  March 11, 1843, Vol. 1, No. 50, P. 3.

Daguerreotype Miniatures.  Those of our citizens who would like to possess, not merely a “counterfeit presentment” of themselves, but a genuine bona fide reflection of their own personal images, can do so by calling upon Dr. Libolt, at the Planters’ Hotel.  We have seen several specimens of the Doctor’s Miniatures which we conceive to be excellent impressions, exhibiting a greater degree of vividness and distinctness of outline, than is generally obtained by those inexperienced in the application of the apparatus.  See advertisement.

1843 March 11.  Southern Miscellany.  (Madison, Georgia.)  March 11, 1843, Vol. 1, No. 50, P. 3.

Daguerreotype Miniatures.  The subscriber begs leave to announce to the citizens of Madison, that he has taken rooms at the Planter’s Hotel for the purpose of taking Daguerreotype Miniature Likenesses, and respectfully invites ladies and gentlemen to call and examine specimens of his art.  Portraits, Landscapes, Views, &c. of any description will be Daguerreotyped in the neatest manner.  Also, Miniatures painted upon Ivory.  A. Libolt.

Advertisement ran from March 11 to April 1, 1843.

1843 March 18.  Southern Miscellany.  (Madison, Georgia.)  March 18, 1843, Vol. 1, No. 51, P. 3.

The Daguerreotype.  Dr. Libolt is still with us, “holding the mirror up to nature,” whenever the inclemency of the weather will permit.  During the late cloudy days, he has had but little opportunity to take miniatures, but we have seen those of several of our acquaintances, which are as perfect as the reflection of their faces in a mirror—to use a home-bread expression, as natural as pig tracks—as indeed, a Daguerreotype miniature must be, whenever a fair impression is obtained. The sun, unlike other artists, does not flatter, and yet so delicately does it lay on its lights and shades that a very ordinary face makes a beautiful picture—while it copies beauties and blemishes, with equal truth, it throws over all a chasteness and delicacy of finish that causes us to grow in favor with ourselves.  If any picture is worth sitting for, a Daguerreotype Miniature, such as those taken by Dr. Libolt, is in valuable.

The weather has thus far prevented the ladies from embracing the opportunity thus afforded of preserving their native beauty from the wreck of time.  We hope they will not fail to take advantage  of the present sunshine.  In afteryears none will regret the trifling price, by which they will be enabled to “look on this picture and then on that,” and to compare what they are with what they have once been.

1843 May 26.  The Southern Banner.  (Athens, Georgia.)  May 26, 1843, Vol. XII, No. 11, P. 2.

Daguerreotype Miniatures.  We would call public attention to the advertisement of Mr. Libolt, who proposes to spend a few days in our place.  We have examined some of his specimens, and have no hesitation in pronouncing them equal to any we have seen. The face and form is distinctly delineated upon the plate—a desideratum but recently attained—and which renders pictures of this kind much more attractive than formerly.

1843 May 26.  The Southern Banner.  (Athens, Georgia.)  May 26, 1843, Vol. XII, No. 11, P. 2.

Daguerreotype Miniatures.  The subscriber begs leave to announce to the citizens of Athens, that he has taken rooms at the central Hotel for the purpose of taking Daguerreotype Miniature Likenesses, and respectfully invite ladies and gentlemen to call and examine specimens of his art.  Portraits, Landscapes, Views, &c. of any description will be Daguerreotyped in the neatest manner.

1843 May 26.  Southern Whig.  (Athens, Georgia.)  May 26, 1843, Vol. XI, No. 5, P. 3.

Daguerreotype Miniatures.  The subscriber begs leave to announce to the citizens of Athens, that he has taken rooms at the central Hotel for the purpose of taking Daguerreotype Miniature Likenesses, and respectfully invite ladies and gentlemen to call and examine specimens of his art.  Portraits, Landscapes, Views, &c. of any description will be Daguerreotyped in the neatest manner.

Advertisement ran on May 26 and June 2, 1843.

1843 June 2.  The Southern Banner.  (Athens, Georgia.)  June 2, 1843, Vol. XII, No. 12, P. 2.

Daguerreotype Miniatures.  Doct. Libolt is still here, and will remain but a few days longer.  Persons desirous of obtaining distinct and striking likenesses, will do well to call early, at his room in the Central Hotel.

1843 June 2.  Southern Whig.  (Athens, Georgia.)  June 2, 1843, Vol. XI, No. 6, P. 3.

Those of our citizens who have not examined the pictures of Mr. Libolt at the Central Hotel would do well to call, as Mr. L.’s stay will be prolonged but for a few days.  The accuracy and beauty of Mr. Libolt’s pictures will satisfy all who may favor him with a call.  “As true as a Daguerreotype” has passed into a proverb, and they who want a likeness of themselves and not a painting can now obtain one.

1843 September 8.  Providence Daily Journal.  (Providence, Rhode Island.)  September 8, 1843, Vol. XIV, No. 213, P. 2.

Daguerreotype Portraits.  The subscriber having taken rooms at Mrs. Brownell’s, No. 88 Westminster st., will be happy to wait upon ;adies and gentlemen whpo may wish to see specimens or have their likenesses taken by the Daguerreotype process, either with or without colors.

N. B.  Portraits taken in a manner superior to any done in New York or elsewhere, or no charge.

Oil Paintings, Scenes, Views, &c., &c., of any description will be Daguerreotyped in the neatest manner.  A. Libolt. 

Advertisement ran from September 8 to 21, 1843.

1843 September 20.  Providence Daily Journal.  (Providence, Rhode Island.)  September 20, 1843, Vol. XIV, No. 223, P. 2.

Daguerreotype Likenesses.—Dr. Libolt continues to take Daguerreotype likenesses at No. 88 Westminster street, where he will remain a few days longer.  His likenesses are admirably done, either with or without colors, and are the best we have seen by the process which has made such a revolution in the art.  We recommend our friends to call and examine his specimens, any of which will at once be recognized.

1843 November 17.  The Southern Patriot.  (Charleston, South Carolina.)  November 17, 1843, Vol. L, No. 7586, P. 2.

Passengers.  Per U.  L. brig George, from New York—Mrs. S. H. Libolt…Dr. A. Libolt…

1843 December 13.  The Charleston Mercury.  (Charleston, South Carolina.)  December 13, 1843, Vol. XXXII, No. 6263, P. 2.

Daguerreotype—Dr. Libolt.  Among our advertisements will be found the card of Dr. A. Libolt, Daguerreotypist, to which we would call attention.  He occupies rooms very pleasant for his purpose and convenient to the public, in the building North-East corner of King and Wentworth streets, entrance in Wentworth.  There he takes impressions of the “human face divine,” and they are decidedly the most vivid and perfect of any specimens we have yet seen of this surprising art.  There is something peculiarly comfortable in having one’s face taken off by this lightning process—the effect seems so out of proportion to the cause—it is but to sit still one moment and lo! You are engraved.  But all this does not prevent its being the nicest sort of of [sic.] operation, requiring skill, experience and the extremest care on the part of the magician, or his  charm may dissolve at each step, and the vagrant spirit of light escape from his chains and play the deuce with his work.  First there is a plate faced with silver which is wrought to a delicate mirror polish—that is the canvass.  Just previous to taking the likeness, this plate is exposed to the vapors of iodine, which gives it the miraculous susceptibility of impressions from light.  The sitter is than placed in his position before the camera—everything exactly adjusted—the plate slipt in the focus of the camera—you keep quite one minute, and all is over! All for the sitter, that is.  The plate is taken out, carefully screened from light, and placed over the vapor of heated quicksilver—this ”brings out” the picture, of which you can see nothing at first,  This done, a chemical solution is poured over it to fix the impression.  There is another and most important process to give permanence to the picture—a solution of gold in chloric acid is poured over it and thus a subtle gilding, imperishable except by mechanical action, forms the surface.  A fine glass plate is then put over it, delicately separated all round by a thin gilded one, gib=ving form to the picture, and the whole wrapped on the edge with gold beater skin, impervious to air or dust, and then put into the case, and you have a neat picture finished, which has one recommendation above all others, (if that be a recommendation) that it looks exactly like you—neither better or worse—no bungling—no daubing—no exquisite insipidity—no prismatic fog swallowing up all individuality and hiding the stupidity of the artist in a chaos of glorified millinery.

The Daguerreotype, in the hands of Dr. Libolt, gives vivid likenesses, which cost little, which are finished at a single sitting of a few minutes, and which will remain perfect as long as they are well taken care of.  The impression that these pictures are easily defaced by, the action of light, arose from the imperfectness of the process on its first discovery and the subsequent practice of bunglers who knew only half of the art.  Skilful men have since found means completely to remove that difficulty, and among those who have attained the greatest degree of perfection in the art, is undoubtedly Dr. Libolt.  We commend him to the patronage of the public.  

1843 December 13.  The Charleston Mercury.  (Charleston, South Carolina.)  December 13, 1843, Vol. XXXII, No. 6263, P. 3.

Daguerreotype Miniature Likenesses.  The subscriber respectfully inform the citizens of Charleston that he has taken rooms at the corner of King and Wentworth-streets, 260 King, over the clothing store, and opposite the Masonic Hall, where Ladies and Gentlemen are invited to call and examine specimens of his art.

Likenesses will be taken either with or without colors, and warranted to be equal in beauty, to any done in the country.  They will be taken in cloudy and rainy as well as clear weather.  Entrance in Wentworth st.

N. B.—The latest improvement in coloring. 

Advertisement ran from December 13 to 19, 1843.

1843 December 14.  The Charleston Courier.  (Charleston, South Carolina.)  December 14, 1843, Vol. XLI, No. 12559, P. 2.

Daguerreotype Likenesses.—We invite the attention to the advertisement of Dr. A. Libolt, who has taken rooms, over the clothing store, corner of King and Wentworth streets, and is prepared to practice the curious art of the Daguerreotypist, for the gratification of our citizens.  Dr. L. has carried the art to a very high degree of perfection, and produces the most finished specimens we have ever seen, whether in reference to likeness, drapery or scenery.

1843 December 14.  The Charleston Courier.  (Charleston, South Carolina.)  December 14, 1843, Vol. XLI, No. 12559, P. 2.

Daguerreotype Miniature Likenesses.  The subscriber respectfully inform the citizens of Charleston that he has taken rooms at the corner of King and Wentworth-streets, 260 King, over the clothing store, and opposite the Masonic Hall, where Ladies and Gentlemen are invited to call and examine specimens of his art.

Likenesses will be taken either with or without colors, and warranted to be equal in beauty, to any done in the country.  They will be taken in cloudy and rainy as well as clear weather.  Entrance in Wentworth st.

Advertisement was recorded six times between December 14, 1843 to January 11, 1844.

1844 February 27.  The Charleston Courier.  (Charleston, South Carolina.)  February 27, 1844, Vol. XLII, No. 12619, P. 2.

Messrs. Editors—Allow me, through your columns, to invite public attention to the very superior instrument for taking Daguerreotype Miniatures, which is now in our city for a short period.  You have only to take your seat, and remain perfectly quite for one or two minutes, (alas, for the Ladies,) and there you are, as natural as life, and sometimes a good deal prettier, because little defects in pictures on so small a scale, are not easily perceived.  I never counted myself at all passable, in regard to looks; but since I have been Daguerreotyped, I have serious thoughts of setting up for a very good looking personage.  I have see some interesting family groups, taken quite recently, which are really striking and must be invaluable to relatives and friends.  If I were a man of family myself, I should call together my wife and children, and stereotype, or rather, Daguerreotype their beauties at once.  But, being unfortunately alone in the world, and now on the shady side of –, I must content myself with advising all those who are blessed with family groups to have them taken at once.  Or if, like me, they are single men, and likely to remain so, let them, like me, have their own dear selves taken; because, I take it, we’re all valuable to someone, and somebody would like to have our picture when we’re dead and gone.  Besides, I am much in hope that some fair lady will fall in love with that likeness of mine, and then it would be quite unnatural in her not to transferher affection to me.  Joking aside, the instrument in possession of Dr. Libolt, at the north east corner of Wentworth and King-streets, is the best that I have ever seen; and I advise all those who wish to avail themselves of his visit to our city, to call upon him as soon as convenient, as the length of his sojourn among us is quite uncertain.  D.

1844 March 1.  The Charleston Mercury.  (Charleston, South Carolina.)  March 1, 1844, Vol. XXXIII, No. 6325, P. 2.

Daguerreotype.  Dr. Libolt, whose Daguerreotype miniatures have been so much and justly admired, is, we are sorry to be informed, soon to leave us.  Those who desire to have the benefit of his skill in his beautiful art, would do well therefore to make reasonable haste, or the opportunity will be lost.  Dr. Libolt’s rooms are still at the N. E. corner of King and Wentworth-streets.

1844 May 27.  The Charleston Courier.  (Charleston, South Carolina.)  May 27, 1844, Vol. XLII, No. 12692, P. 2.

Passengers…

Per U. L. ship Southport, for New York…Libolt…

1844 October 24.  The Charleston Courier.  (Charleston, South Carolina.)  October 24, 1844, Vol. XLII, No. 12816, P. 2.

Passengers …Dr. A. Libolt and lady…

1844 November 9.  The Charleston Mercury.  (Charleston, South Carolina.)  November 9, 1844, Vol. XXXIII, No. 6531, P. 3.

Daguerreotyping.  The Subscriber having just returned from New York, respectfully announces that he has taken rooms at No. 188 King-street, opposite the Victoria House, where he will be happy to wait upon his friends and patrons.  Having (at great expense) procured the finest German Lenses for taking Large pictures, and machinery for preparing plates in a new and improved manner, he trusts that he shall be able to execute business in a style unsurpassed by any in the country.  Ladies and gentlemen are respectfully invited to call and examine specimens of his art.

Instructions will be given—all kinds of materials for Daguerreotyping furnished by applying as above.  A. Libolt.

Advertisement was recorded on November 9 & 19, 1844.

1844 December 2.  The Charleston Mercury.  (Charleston, South Carolina.)  December 2, 1844, Vol. XXXIII, No. 6549, P. 1.

Daguerreotype Photography.  We observed with pleasure that Dr. Libolt, the accomplished Daguerreotypist has again visited us, and taken rooms at 188 King-st., opposite the Victoria Hotel.  His stay in the city will probably be short, and we advise those who may wish a correct representation of themselves, not to lose the present opportunity of obtaining it.  The Dr. is certainly a complete master of the art.  We had the pleasure of examining several of his specimens, and were more than delighted with thye faithful transcript of some of our acquaintance.  A great improvement has been made recently in taking these pictures.  A skilful operator can now succeed in giving them great brilliancy and richness of tint, and strength equal  to a painting.  These portraits are invaluable as true likenesses, and while they serve to bring to remembrance the image of friends once dear, now absent or departed—they also tend to cherish a taste for the fine arts and the adornments of human life.  They are also relics of former friends—not only true delineations of the form and features, but really relics—subtitle and attenuated , but real substance emanating from the subject, and conveyed on the electric wings of light to its resting place, there to assume its original form.

Half of the wonders of Daguerreotyping have never been observed, few, very few of its merits have been appreciated or regarded.  Nature so bountiful in all her works—so imparted in here gifts, has hitherto allowed all sorts of bunglers to become practitioners in this wonderful art.  She did so probably in her hurry to gratify speedily the whole world, and give them a peep into her mysteries; but this hurry being over (and the election also.)  She is now determined that those who represent her handy work shall drink at the fountain of science and be instructed in the school of philosophy.  In other words Daguerreotyping is a profession, not to be learned in a day; and requiring for its successful accomplishment an amount of science, skill, judgement, discrimination, taste, &c., &c., which every journeyman tradesman does not possess.

As we ever desire to see merit duly rewarded, we hope the citizens of Charleston will evince their good taste and correct estimate of the photographic art by liberally patronizing Dr. L.

1844 December 7.  The Charleston Courier.  (Charleston, South Carolina.)  December 7, 1844, Vol. XLII, No. 12853, P. 2.

Daguerreotyping.—A reference to the advertisement of Dr. Libolt’s, in this morning’s paper, will show that this gentleman has opened rooms at No. 188 King street, opposite the Victoria  Hotel, where we would recommend all who desire a faithful delineation of their features to call.  We have seen some specimens of Dr. L’s art, which for clearness and brilliancy, richness of tint, and mellowness, are equal to any thing of the kind that has come under our observation.  The great advantage of this art consists in its truthfulness to nature—defects and beauties are all transferred to the plate without abatement in the one case or flattery in the other.  A whole family can be taken at a cost not exceeding the price of one painted portrait.

1844 December 7.  The Charleston Courier.  (Charleston, South Carolina.)  December 7, 1844, Vol. XLII, No. 12853, P. 2.

Daguerreotyping.  The subscriber having just returned from New York, respectfully announces that he has taken rooms at No. 188 King-street, opposite the Victoria House, where he will be happy to wait upon his friends and patrons.  Having (at great expense) procured the finest German Lenses for taking large pictures, and machinery for preparing plates in a new and improved manner, he trusts that he shall be able to execute business in a style unsurpassed by any in the country.  Ladies and gentlemen are respectfully invited to call and examine specimens of his art.

Instructions will be given and all kinds of materials for Daguerreotyping furnished by applying as above.  A. Libolt.

1845 January 17.  The Charleston Courier.  (Charleston, South Carolina.)  January 17, 1845, Vol. XLIII, No. 12877, P. 2.

Arrived Yesterday in. Ship Alfred Myers, New York 5 Days…

D. A. Libolt…

1845 March 20.  The Charleston Courier.  (Charleston, South Carolina.)  March 20, 1845, Vol. XLIII, No. 12936, P. 2.

Passengers…Per steam packet Gen. Clinch, from Savannah, via Hilton Head and Beaufort–…Mrs. Libolt…Dr. Libolt…

1845 June 2.  The Charleston Courier.  (Charleston, South Carolina.)  June 2, 1845, Vol. XLIII, No. 12997, P. 2.

Arrived Yesterday.  Line ship Catherine, Berry, New York 4 days…

Dr, Libolt.

1846 April 4.  The Daily Delta.  (New Orleans, Louisiana.)  April 4, 1846, Vol. I, No. 151, P. 3.

Arrivals At The Principal Hotels (April 3)…St. Charles Hotel—St. Charles street…

A. Libolt & lady; N. Y.

1846 May 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 18, 1846, Vol. V, No. 79, P. 3.

Arrivals At The Principal Hotels…Broadway Hotel—J. H. Cromwell, Proprietor…

A. Libolt & Lady, N. Y….


[1] Partners with the Sun South Carolina Photographers 1840-1940. P. 15.

Lewis, Richard A.

1852-1859       142 Chatham Street, New York, New York.

1860-1863       152 Chatham Street, New York, New York.

1864-1885       160 Chatham Street[1], New York, New York.

1868-1875       2d Ave., 3d Ave., East Broadway, Bleeker Street, 158, 160 & 162 Chatham, New York, New York.

1886                190 Park Row, New York, New York.

1887-1890       61 Bond Street, Brooklyn, New York.

1852 November 8.  The New York Herald.  (New York, New York.)  November 8, 1852, Whole No. 7312, P. 1.

To Daguerreotype Artists.—For Sale Cheap, a whole size apparatus, with duffing machine, new; has never been used.  Inquire at R. I. Lewis, Daguerrean Gallery, No. 142 Chatham street, up stairs.

1854 November 9.  The New York Herald.  (New York, York.)  November 9, 1854, Whole No. 6650, P. 5.

Daguerreotype Artist Wanted At R. A. Lewis’s, 142 Chatham street, none but a first rate artist need apply.  Good salary and permanent situation.

1855 May 24.  The New York Herald.  (New York, New York.)  May 24, 1855, Whole No. 6845, P. 5.

Photographs the place to procure perfect portraits of all sizes, at moderate prices, is at R. A. Lewis’s 142 Chatham street.

1855 September 7.  The New York Herald.  (New York, New York.)  September 7, 1855, Whole No. 6950, P. 4.

Those Beautiful Ambrotypes.—Don’t miss seeing them by any means.  Call at the gallery of R. A. Lewis, No. 142 Chatham street, and you will be not only pleased but delighted.  Photographs and daguerreotypes taken also at low prices.

Advertisement ran on September 7 & 8, 1855

1855 September 10.  The New York Herald.  (New York, New York.)  September 10, 1855, Whole No. 6953, P. 5.

Superb Triumphs of Art.—The elegant colored ambrotypes taken by R. A. Lewis, 142 Chatham street, exceed anything ever before presented to the public.  Visit his gallery by all means.

1855 September 11.  The New York Herald.  (New York, New York.)  September 11, 1855, Whole No. 6954, P. 4.

A Charming Present to Friends may be Selected at the gallery of R. A. Lewis, 142 Chatham street.  His new style of ambrotypes, photographs and daguerreotypes are gaining golden opinions.

1855 September 12.  The New York Herald.  (New York, New York.)  September 12, 1855, Whole No. 6955, P. 7.

The Loveliest in the World!—That is the opinion of all who have seen the beautiful Ambrotypes taken by R. A. Lewis, at No. 142 Chatham street.  His photographs and daguerreotypes are also worthy of notice.

1855 September 13.  The New York Herald.  (New York, New York.)  September 13, 1855, Whole No. 6956, P. 5.

Likenesses Upon Glass.—New York, Sept. 12th. 1855.—To The Editor Of The Herald:—A prominent article in your issue of to-day, under the caption of “New Discoveries in the Arts,” contains the following language:—”The latest novelty in the sun picture line is the instantaneous production of likenesses upon glass.  They are similar to the daguerreotype, but refined and perfected to the last degree.  Mr. Brady, with characteristic enterprise, was the first to introducer this branch, and his gallery is still the only establishment in this city which they are attainable.”  With all due deference to the opinions of the Herald, this is the most undeniably a mistake.  The likenesses upon glass, or ambrotypes, as termed by artists, have been taken at my establishment for a long time past, and furthermore, we have produced better specimens than at any other establishment in the Union; and in defying all competition, myself and assistants have a sufficient guarantee in the fact that we are at this time giving instruction to several Broadway Photographists, who are now under our tutelage, and who promise to become competent artists.  If the Editor of the Herald will call in person, or send an authorized representative to my gallery, No. 142 Chatham street, he shall be presented with an ambrotype that cannot be excelled by any artist in Broadway or out of it.  I remain, sir, very respectfully, yours, R. A. Lewis, No. 142 Chatham street.  James Gordon Bennett, Esq., Herald office, N. Y.

1855 September 15.  The New York Herald.  (New York, New York.)  September 15, 1855, Whole No. 6958, P. 5.

As Beautiful as a Diamond are those Splendid colored ambrotypes taken by R. A. Lewis.  No. 142 Chatham street.  He cannot be excelled by anybody.

1855 September 18.  The New York Herald.  (New York, New York.)  September 18, 1855, Whole No. 6961, P. 5.

Caught at Last.—The Ambrotypes taken at 142 Chatham street, by R. A. Lewis, have secured the admiration of all who have seen them.  Instructions given in this beautiful art.  For terms, apply as above.  Visitors always welcomed.

1855 September 19.  The New York Herald.  (New York, New York.)  September 19, 1855, Whole No. 6962, P. 4.

Priceless Jewels—Such We Consider the likenesses of our friends when they are lost forever.  Then improve the present moment by calling at the gallery of R. A. Lewis, who has the best ambrotypes, photographs, and daguerreotypes in the city, at 142 Chatham street.

Mille. Rachel and the New York Herald are both noted by the public, but the gallery of R. A. Lewis, 142 Chatham street, contains a choice display of ambrotypes, photographs and daguerreotypes that please and delight the world at large.  Call and see for yourself.

1855 September 21.  The New York Herald.  (New York, New York.)  September 21, 1855, Whole No. 6964, P. 5.

A Band of Music in the Park To-Night would not create half the enjoyment received from seeing one of those beautiful ambrotypes taken by R. A. Lewis, 142 Chatham street.  All who wish instructions will apply early.

1855 September 23.  The New York Herald.  (New York, New York.)  September 23, 1855, Whole No. 6966, P. 5.

“The Happiest Moment of my Life,” said a young and beautiful woman of our acquaintance, “was when I sat for an ambrotype at No. 142 Chatham street.”  Mr. R. A. Lewis, the artist, is constantly giving instructions.

1855 September 24.  The New York Herald.  (New York, New York.)  September 24, 1855, Whole No. 6967, P. 4.

Where to Get Instructed.—If you Wish to learn how to take those beautiful Ambrotypes, call upon R. A. Lewis, No. 142 Chatham street, where the most charming specimens are exhibited gratuitously.

1855 September 25.  The New York Herald.  (New York, New York.)  September 25, 1855, Whole No. 6967, P. 4.

Arrival of the Crescent City off Quarantine.—The public are looking for her, while the ladies look after those splendid ambrotypes, taken by R. A. Lewis, 142 Chatham street.

1855 September 26.  The New York Herald.  (New York, New York.)  September 26, 1855, Whole No. 6968, P. 5.

The Railroad Tracks Torn Up Along the Bowery would not raise half the excitement daily seen among the beauties of New York who call on R. A. Lewis, at No. 142 Chatham street, for their ambrotypes.

1855 September 27.  The New York Herald.  (New York, New York.)  September 27, 1855, Whole No. 6969, P. 5.

R. A. Lewis’ Ambrotypes, Taken at 142 Chatham street, are an improvement on all so-called patents.  Call and visit his gallery.

1855 September 29.  The New York Herald.  (New York, New York.)  September 29, 1855, Whole No. 6971, P. 5.

Ambrotypes Ahead of all Patents.—Call and see those exquisitely colored specimens taken by R. A. Lewis, 142 Chatham street.  Instructions given if desired.  Photographs of distinguished men on exhibition.

Advertisement ran on September 29 & 30, 1855.

1855 October.  Transactions Of The American Institute Of The City Of New York, For The Year 1855.  (New York, New York.)  1856, P. 131 & 153.

List Of Premiums Awarded By The Managers Of The Twenty-Seventh Annual Fair Of The American Institute, October 1855…

Daguerreotypes, Photographs, and Ambrotypes.  Judges—W. J. Stillman, R. B. Brown, J. A. B. Besson

J. Gurney 319 Broadway, for the best daguerreotypes.  A gold medal having been before awarded a Diploma.

M. B. Brady, 359 Broadway, for the second best daguerreotypes.  Silver medal.

S. Root & Co., 363 Broadway, for the third best daguerreotypes.  Diploma.

Gurney & Fredericks, 349 Broadway, for the best plain photograph and best photographs in oil.  Gold medal.

S. Root & Co., 363 Broadway, for the best photographs in water colors, and second best plain photographs.  Gold medal.

W. A. Tomlinson, 373 Broadway, for the best ambrotypes—a novelty in the art.  Silver medal.

R. A. Lewis, 142 Chatham street, for the second best ambrotype.  Diploma.

Daguerreotype Apparatus.

C. C. Harrison, cor. Elm and White streets, for the best daguerreotype instrument.  Silver medal.

S. H. (Sic.) Holmes, 289 Broadway, for a double acting camera, Silver medal.

W. & W. H. Lewis, 63 Elizabeth street, for an improved daguerreotype coating box.  Diploma.

1855 October 1.  The New York Herald.  (New York, New York.)  October 1, 1855, Whole No. 6973, P. 5.

Ambrotypes.—Improvement on the Patent taken at R. A. Lewis’, 142 Chatham street.  Call and see his beautiful specimens.  Pupils instructed in the art.

1855 October 4.  The New York Herald.  (New York, New York.)  October 4, 1855, Whole No. 6976, P. 5.

Ambrotypes Beautifully Colored, an Improvement on the patent.  Also Photographs and Daguerreotypes in every style of the art, at R. A. Lewis’ 142 Chatham street.

1855 October 11.  The New York Herald.  (New York, New York.)  October 11, 1855, Whole No. 6983, P. 5.

The Fortunes of a Beautiful Woman would be secured, if her ambrotype should fall into the possession of a man of wealth and taste.  That kind of pictures is taken by R. A. Lewis, 142 Chatham street.

1855 October 12.  The New York Herald.  (New York, New York.)  October 12, 1855, Whole No. 6984, P. 4.

Splendid Exhibition Free to the Public.—Please call and see those lovely ambrotypes and photographs at the gallery of R. A. Lewis, 142 Chatham street.  Those wishing instructions will make immediate application.

1855 October 17.  The New York Herald.  (New York, New York.)  October 17, 1855, Whole No. 6989, P. 5.

Old Deacon Stebbins, of Podunk Village, says that the ambrotypes of R. A. Lewis, 142 Chatham street, can’t be beat.  Instructions are given in the art.

1855 October 18.  The New York Herald.  (New York, New York.)  October 18, 1855, Whole No. 6990, P. 5.

The Greatest Tragedian of the Age is Our own dear Ned Forrest; he beats the world as an actor, and R. A. Lewis at 142 Chatham street, beats the world on ambrotypes.  That’s so!

1855 October 20.  The New York Herald.  (New York, New York.)  October 20, 1855, Whole No. 6992, P. 5.

Great Excitement in the Sixth Ward.—It has just been decided that R. A. Lewis, 142 Chatham street, can beat the world on ambrotypes.  All are delighted.  Go and visit him, by all means.  Instruction given to all pupils.

1855 October 26.  The New York Herald.  (New York, New York.)  October 26, 1855, Whole No. 6998, P. 5.

Strangers just from the Cars.—By all means call upon R. A. Lewis, at 142 Chatham street.  His ambrotypes astonish everybody.  They are splendid.  Instructions given in the art.

1855 October 31.  The New York Herald.  (New York, New York.)  October 31, 1855, Whole No. 7003, P. 4.

Clear Toned Ambrotypes.—The finest Specimens of this beautiful art are taken every day by R. A. Lewis, No. 142 Chatham street.  The public will do well to call and examine specimens.  Instruction given to all pupils.

Advertisement ran on October 31 & November 1, 1855.

1855 November 2.  The New York Herald.  (New York, New York.)  November 2, 1855, Whole No. 7005, P. 4.

A Notorious Fact, and You Know It.—The ambrotypes taken by R. A. Lewis, at 142 Chatham street, excel anything of the kind in New York.  Pupils instructed in the art.

1855 November 7.  The New York Herald.  (New York, New York.)  November 7, 1855, Whole No. 7010, P. 5.

Ambrotypes and Photographs.—The Public have decided that the best place to have them taken is at R. A. Lewis’, 142 Chatham street.  Pupils instructed in the art.

1855 November 10.  The New York Herald.  (New York, New York.)  November 10, 1855, Whole No. 7013, P. 5.

The Clearest Toned Ambrotypes, and the most brilliant are taken at R. A, Lewis’, 142 Chatham street.  Please call and see specimens.  Instructions given to pupils.

Ambrotypes.—These Beautiful and Much admired miniatures the best place in the city to procure them is at R. A. Lewis’s, 142 Chatham street.  Pupils instructed in the art.

1855 November 13.  The New York Herald.  (New York, New York.)  November 13, 1855, Whole No. 7016, P. 4.

Superb Ambrotypes.—These Brilliant Gems of art are taken in cloudy weather, as well as with a clear day, by R. A. Lewis, 142 Chatham street.  Pupils thoroughly taught on application.

1855 November 17.  The New York Herald.  (New York, New York.)  November 17, 1855, Whole No. 7020, P. 5.

The Superb Ambrotypes of R. A. Lewis, No. 142 Chatham street, were awarded a premium at the Fair of the American Institute.  These beautiful gems of art are taken equally as well in cloudy as clear weather.

1855 November 20.  The New York Herald.  (New York, New York.)  November 20, 1855, Whole No. 7023, P. 4.

Premium Ambrotypes—The Most Brilliant and beautifully colored are taken at R. A. Lewis’, 142 Chatham street.  Pupils instructed in all the latest improvements in the art.

1855 November 23.  The New York Herald.  (New York, New York.)  November 23, 1855, Whole No. 7026, P. 5.

The Magnificent Daguerreotypes Taken at R. A. Lewis’s, 142 Chatham street, are beautifully colored and have the appearance of the finest miniatures on ivory.  Pupils instructed in the art.

1855 November 24.  The New York Herald.  (New York, New York.)  November 24, 1855, Whole No. 7027, P. 5.

The Superb Ambrotypes Taken at R. A. Lewis’, 142 Chatham street, are beautifully colored and have the appearance of the finest miniatures on ivory.  Pupils instructed in the art.

1855 November 27.  The New York Herald.  (New York, New York.)  November 27, 1855, Whole No. 7030, P. 4.

The Gems of Ambrotypes Taken at R. A. Lewis’, 142 Chatham street, are the perfection of brilliant, fine toned and beautifully colored.  Pupils instructed in the art.

1855 November 29.  The New York Herald.  (New York, New York.)  November 29, 1855, Whole No. 7032, P. 5.

The Superb Ambrotypes Taken at R. A. Lewis’, 142 Chatham street, are gaining golden opinions by every one who sees them, for they are superior to any that are taken elsewhere.  Pupils instructed in the art.

1855 December 1.  The New York Herald.  (New York, New York.)  December 1, 1855, Whole No. 7034, P. 5.

Magnificent Ambrotypes.—The best place in the city to have them taken with all the late improvements, is at R. A. Lewis’s, 142 Chatham street.  Instruction given to pupils.

1855 December 4.  The New York Herald.  (New York, New York.)  December 4, 1855, Whole No. 7037, P. 5.

Brilliant Ambrotypes, Beautifully Colored.  The best place to have them taken is at R. A. Lewis’, 142 Chatham street.  Pupils instructed with all the late improvements in the art.

1855 December 19.  The New York Herald.  (New York, New York.)  December 19, 1855, Whole No. 7052, P. 4.

Gifts for the Holidays.—The Choice for this year are the beautiful ambrotypes taken by R. A. Lewis, 142 Chatham street.  No connection with any other gallery in the city.

1855 December 21.  The New York Herald.  (New York, New York.)  December 21, 1855, Whole No. 7054, P. 5.

Holiday Presents.—If You would Like to make a gift that would please and delight your friends go to R. A. Lewis, 142 Chatham street, and have your ambrotype taken.  They are perfect gems of art.

1855 December 22.  New York Daily Tribune.  (New York, New York.)  December 22, 1855, Vol. XV, No. 4579, P. 8.

Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits.  Highest prize $1,000.  For particulars see circulars at the Museum.  Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway;  Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

1855 December 27.  The New York Herald.  (New York, New York.)  December 27, 1855, Whole No. 7060, P. 4.

New Years Presents.—Ambrotypes, Photographs, and daguerreotypes, with all the late improvements, taken at R. A. Lewis’, 142 Chatham street.  Prices moderate.  No connection with any other gallery.

1855 December 28.  The New York Herald.  (New York, New York.)  December 28, 1855, Whole No. 7061, P. 5.

The Dearest Object of Man’s [A? ration]  is a young and beautiful woman, and an ambrotype taken of her by R. A. Lewis, 142 Chatham street, is the next thing to it.  Call upon him.

1855 December 30.  The New York Herald.  (New York, New York.)  December 30, 1855, Whole No. 7063, P. 5.

Superb Ambrotypes—The Best in the City, are taken at R. A. Lewis’, 142 Chatham street—the most beautiful New Years present you can make to your friends.  No connection with any other gallery.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Lewis, Chatham Street — I had long heard of this artist and determined to give him a call. I was much pleased with his gallery. There were few specimens on hand, however, which show the superior skill of this gentleman. He ranks, however, I believe with the A No. l’s. [2]

1856 January 5.  The New York Herald.  (New York, New York.)  January 5, 1856, Whole No. 7068, P. 5.

Ambrotypes, Beautifully Colored or Plain.  The best in the city are taken at R. A. Lewis’, 142 Chatham street.  Pupils instructed at a moderate price.

1856 January 23.  The New York Herald.  (New York, New York.)  January 23, 1856, Whole No. 7086, P. 5.

Superb Ambrotypes, Plain or Colored, Price one dollar, taken at R. A. Lewis’, 142 Chatham street, opposite National theatre.  No connection with any other gallery.

1856 January 24.  The New York Herald.  (New York, New York.)  January 24, 1856, Whole No. 7087, P. 4.

Splendid Ambrotypes, Colored or Plain.  Price $1.  Photographs, whole size, $3; taken at R. A. Lewis’s, 142 Chatham st., opposite National theatre.  No connection with any other gallery.

1856 January 25.  The New York Herald.  (New York, New York.)  January 25, 1856, Whole No. 7088, P. 5.

Splendid Ambrotypes, Colored or Plain.  Price $1.  Photographs, whole size, $3; taken at R. A. Lewis’s, 142 Chatham st., opposite National theatre.  No connection with any other gallery.  Wanted a first rate daguerreotype artist, none other need apply.

1856 January 26.  The New York Herald.  (New York, New York.)  January 26, 1856, Whole No. 7089, P. 5.

Splendid Ambrotypes, Plain or Colored.  From $1 to $6;  Photographs, $3; daguerreotypes, large size, 50 cents, at R. A. Lewis, 142 Chatham st., opposite National theatre.  No connection with any other gallery.

1856 February 4.  The New York Herald.  (New York, New York.)  February 4, 1856, Whole No. 7098, P. 5.

The Splendid Ambrotypes Taken by R. A. Lewis, 142 Chatham street, opposite the National theatre, are admitted by everybody that they are perfect gems of art.  Prices, $1 to $6.  No connection with any other gallery.

1856 October 20.  The New York Herald.  (New York, New York.)  October 20, 1856, Whole No. 7356, P. 5.

Photographs by a New Process, in from five to ten seconds, at R. A. Lewis’, 142 Chatham street.  Pupils instructed.

Advertisement ran on October 20 & 21, 1856.

1856 October 27.  The New York Herald.  (New York, New York.)  October 27, 1856, Whole No. 7363, P. 5.

Photographs, by a New Process, In Five seconds sitting.  Ambrotypes instantaneous, with the same bath and collodion.  Instruction given, or the formula sent by mail.  R. A. Lewis, 142 Chatham street. 

Advertisement ran on October 26 & 29, 1856.

1856 November 9.  The New York Herald.  (New York, New York.)  November 9, 1856, Whole No. 7376, P. 5.

Photographs, by a New Process, In Five seconds sitting;  ambrotypes instantaneous, with the same bath and collodion.  Printed Instruction sent by mail on receipt of $5.  R. A. Lewis, 142 Chatham street. 

Advertisement ran on November 9 & 10, 1856.

1856 November 24.  The New York Herald.  (New York, New York.)  November 24, 1856, Whole No. 7391, P. 5.

Photographs, by a New Process, Taken in five seconds sitting.  Ambrotypes instantaneous. Printed Instruction sent by mail on receipt of $5.  R. A. Lewis, 142 Chatham street. 

Advertisement ran on November 24 & 25, 1856.

1856 December 16.  The New York Herald.  (New York, New York.)  December 16, 1856, Whole No. 7413, P. 5.

Cabinet Ambrotypes, Beautifully Colored, only 50 cents; photographs $1, at R. A. Lewis, 142 Chatham street. 

Advertisement ran on December 16 & 17, 1856.

1857 December 15.  The New York Herald.  (New York, New York.)  December 15, 1857, Whole No. 7775, P. 5.

Splendid Photographs only $1, at R. A. Lewis’, 142 Chatham street, opposite the theatre.

1858.  New York City Directory.  (New York, New York.)  1858-1859, advertisements P. 7.

R. A. Lewis, Photographs, Ambrotypes, And Daguerreotypes, 142 Chatham, opposite Theatre.  Large Size Photographs, $1.  Duplicates, 50 cts.

Caution to the public.—As a certain individual, not far from 142 Chatham Street, has been in the habit of representing himself as Mr. Lewis, in order to secure the paltry price of a picture from persons who inadvertently stray into his rooms, in looking for the long established Gallery of R. A. Lewis, I take this method of notifying that I have but One Gallery, which is at 142 Chatham St.  By bearing this fact in mind, Deception will be avoided.  Richard A. Lewis, 142 Chatham St., opp. the National Theatre.

Lewis & Moits [Motts] celebrated Positive and Negative Collodions, wholesale and retail.

1859.  New York City Directory.  (New York, New York.)  1859-1860, advertisements P. 7.

R. A. Lewis, Photographs, Ambrotypes, And Daguerreotypes, 142 Chatham, opposite Theatre.  Large Size Photographs, $1.  Duplicates, 50 cts.

Caution to the public.—As a certain individual, not far from 142 Chatham Street, has been in the habit of representing himself as Mr. Lewis, in order to secure the paltry price of a picture from persons who inadvertently stray into his rooms, in looking for the long established Gallery of R. A. Lewis, I take this method of notifying that I have but One Gallery, which is at 142 Chatham St.  By bearing this fact in mind, Deception will be avoided.  Richard A. Lewis, 142 Chatham St., opp. the National Theatre.

Lewis & Holt’s celebrated Positive and Negative Collodions, wholesale and retail.

New York City Directories.  (New York, New York.)  published by John Fowler Trow.

1851.  Not listed.

1852.  Dago’types—142 Chatham—h-331 Grand.

1853.  Daguerreotypes—142 Chatham—h-20 Mott.

1854.  Daguerreotypes—142 Chatham—h-20 Mott.

1855.  Daguerreian—142 Chatham—h-18 Mott.

1856.  Daguerreotypist—142 Chatham—h-18 Mott.

1857.  Daguerreotypes—142 Chatham—h-Brooklyn.

1858.  Daguerrean—142 Chatham.

1859.  Photographer—142 Chatham—h-96 Cumberland, Brooklyn.

1860.  Photographs—152 Chatham—h-Brooklyn.

1861.  Photographs—152 Chatham—h-Brooklyn.

1862.  Photographs—152 Chatham—h-96 Cumberland, Brooklyn.

1863.  Photographs—152 Chatham—h-96 Cumberland, Brooklyn.

1863.  Photographs—160 Chatham (Old No. 152.)—h-96 Cumberland, Brooklyn.

1864.  Photographs—160 Chatham (Old No. 152.)—h-96 Cumberland, Brooklyn.

1865.  Photographs—160 Chatham (Old No. 152.)—h-96 Cumberland, Brooklyn.

1866.  Photographs—160 Chatham (Old No. 152.)—h-96 Cumberland, Brooklyn.

1867.  Photographs—160 Chatham (Old No. 152.)—h-96 Cumberland, Brooklyn.

1868.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-96 Cumberland, Brooklyn.

1869.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-96 Cumberland, Brooklyn.

1870.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-96 Cumberland, Brooklyn.

1871.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-126 Cumberland, Brooklyn.

1872.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-126 Cumberland, Brooklyn.

1873.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-126 Cumberland, Brooklyn.

1874.  Photographs established 1839—2d ave., 3d Ave., East Broadway, Bleecker street & new Bowery cars pass the door, 158, 160, & 162 Chatham—h-96 Cumberland, Brooklyn.

1875.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1876.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1877.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1878.  Photographer—160 Chatham—h-Brooklyn.

1879.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1880.  Photographer—160 Chatham—h-126 Cumberland, Brooklyn.

1881.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1882.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1883.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1884.  Photographer—160 Chatham—h-126 Cumberland, Brooklyn.

1885.  Photographs—160 Chatham—h-126 Cumberland, Brooklyn.

1886.  Photographs—190 Park Row—h-126 Cumberland, Brooklyn.

1887.  Photographs—61 Bond—h-126 Cumberland, Brooklyn.

1888.  Photographs—61 Bond—h-126 Cumberland, Brooklyn.

1889.  Not listed.

1890.  Photographs—61 Bond—h-Brooklyn.

1891.  Not listed.


[1] Old No. 152 Chatham Street.

Leigh, John

1849                Mansion House, Augusta, Georgia.

1849                Address Unknown, New Orleans, Louisiana.

1849                Address Unknown, Abbeville, South Carolina.

1850                Spann’s Hotel, Edgefield, South Carolina.[1]

1850-1852       Metcalf’s New Building, Opposite Masonic Hall, Augusta, Georgia.

1851                Rooms at the Spann Hotel, Edgefield, South Carolina.

1853                Address Unknown, Edgefield, South Carolina.

1854-1855       Address Unknown, Edgefield, South Carolina.

1856                Public Square, Edgefield, South Carolina.

1856                Address Unknown, Augusta, Georgia.

1857                In front of the Odd Fellows & Masonic Building, Edgefield, South Carolina.

1857                Address Unknown, Edgefield, South Carolina.

1858                Address Unknown, Edgefield, South Carolina.

1858                Address Unknown, Abbeville, South Carolina.

1849 February 6.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  February 6, 1849, Vol. XIII, No. 32, P. 3.

Last Call.  Those Who Wish their lineaments portrayed in life-like colors, that will never fade,

We bid you come, and we will give the hue

Which future ages shall admiring view—

And all for two dollars.  Call soon at Leigh & Co.’s. Daguerrean Rooms, Mansion House, and secure the shadow, ere the substance fades.  Our stay will be limited to only a few days longer.  Come and come quick.  Leigh & Co.

Advertisement ran from February 6 to 17, 1849.

1849 July 21.  The Abbeville Banner.  (Abbeville, South Carolina.)  July 21, 1849, Vol. VI, No. 18, P. 3.

Leigh’s Beautiful; Daguerreotype.  Mr. Leigh (Late of New Orleans) respectfully announces to the ladies and gentlemen of Abbeville and vicinity that he is now ready for the reception of company and those wishing a fine likeness and a highly finished picture of themselves or friends would do well to embrace this opportunity, as another so favorable may not soon offer.

Mr. L.’s stay will be limited as other engagements will soon call him hence.

Ladies will find it would add much to their Pictures to dress in black or colored dresses.  July 6, 1849.

1850 December 21.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  December 21, 1850, Vol. XIV, No. 302, P. 2.

Premium Daguerreotypes.—Messrs Leigh & Tucker, grateful for patronage received the past season, beg leave to inform the Ladies and Gentlemen of Augusta and vicinity, that as soon as their new Daguerreotype rooms can be completed in the new building now being erected by Mr. Metcalf, opposite the Masonic Hall, they will be prepared (assisted by one of the first artists of New York) to wait upon all who may wish their Premium Sky-light Daguerreotypes.  Their Rooms are being arranged expressly for their business, and will afford superior facilities; and they flatter themselves that all will be pleased with the style, beauty, and finish of their pictures.

Advertisement ran from December 21, 1850 to January 17, 1851.

1851 February 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  February 6, 1851, Vol. XVI, No. 3, P. 2.

Daguerreotypes.  Those who wish an excellent thing of this sort, would do well to call at Mr. Leigh’s rooms in the Spann Hotel.  We direct attention to his advertisement.  He is a South Carolinian by birth, and, beyond doubt, calculated to come up to his promises.

1851 February 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  February 6, 1851, Vol. XVI, No. 3, P. 3.

Premium Daguerreotypes!  Mr. Leigh of the firm of Leigh & Tucker, Augusta, Ga., whose Pictures was awarded the first Premium at the State Fair of Georgia, would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity, that he has taken rooms at the Spann Hotel, and would be pleased to wait on all that may favor him with their patronage.

Advertisement ran from February 6 to May 15, 1851.

1851 April 18.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  April 18, 1851, Vol. XV, No. 9, P. 3.

Premium Daguerrean Gallery.  Messrs. Leigh, Tucker & Perkins would respectfully announce to the citizens of Augusta, and vicinity, that their new and splendid Picture Gallery is now open for the reception of visitors.  By the aid of our greatly improved Sky-Light, we can produce a style of Daguerreotypes, unequalled by any that have ever before been offered in this city.  We would call attention, particularly to the specimens of our style of fine, large head.  Those are numerous other specimens of the Art, the Ladies and Gentlemen are cordially invited to call and examine, at our Rooms in Metcalf’s new Iron Front Building, opposite the Masonic Hall.

Daguerreotype Stock and Instruments for sale at reduced prices.

Advertisement was recorded between April 18 to June 29, 1851.

1851 May 29.  Edgefield Advertiser.  (Edgefield, South Carolina.)  May 29, 1851, Vol. XVI, No. 19, P. 2.

Daguerreotype Car.  Mr. Leigh the Daguerreotypist, who has been for some time occupying rooms in the Spann Hotel at this place, has had a Daguerrean Car constructed at the carriage-manufactory of our enterprising townsman, Mr. Abner Bushnell.  It is indeed an admirably arranged and elegantly finished thing, reflecting credit upon those who devised as well as those who built it.  We doubt if a neater or more convenient specimen of the kind, has yet been made.   Its advantages for the business are manifest.  Having lights at the sides, and a sky light which can be regulated easily according to the judgment of the artist, the precise degree of light can be readily attained.  In travelling, pictures can be produced without the delay and trouble usually required to make the necessary arrangements.  Here is always an elegant little saloon, with velvet-cushioned seats, and silk curtains, ready fixed and exactly adapted to the purpose of operating speedily and successfully.  The establishment, although very large and commodious, can be easily drawn by four horses, over any ordinary road.  Its entire cost (with harness) is near $1000, and the whole affair is one of those daily increasing proofs, that “some things can be done well as others,” even in the back country of ours.

The front of the car is ornamented with a landscape view, and from the top arises a beautiful vari-colored stain banner, a fit ensign of the taste exhibited below.

We wish for Mr. Leigh, whose sojourn here has won for him the respect of our community, many a pleasant and profitable jaunt in his travelling gallery.  The present is Car, No. 2, of the firm of Leigh & Tucker.  In their No. 1, the pictures were taken, that bore off the premium at the Georgia exhibition.  In their No. 2, others may be taken, that will win the prize at the next annual fair of the South Carolina Institute.  We will see.

1852 January 1.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  January 1, 1851, Vol. XVI, No. 1, P. 1.

Leigh, Tucker & Perkins’ Improved Sky Light Daguerrean Gallery.—The Pictures now being taken at this establishment, by the aid of an entirely new Apparatus and Sky Light, arranged expressly for the purpose, are pronounced by all superior to any that have ever been offered in this city.

We have just received a new stock, consisting of every variety of plain and fancy cases, into which Pictures will be inserted in the neatest and most caring manner.

Particular care will be bestowed on the arrangementbof Family Groups, and to the attitudes of single Pictures.

A general assortment of Plates, Cases, Polishing Materials, &c., constantly on hand for sale.  o11.

Advertisement was recorded between January 1 to June 29, 1852.

1853 March 9.  Edgefield Advertiser.  (Edgefield, South Carolina.)  March 9, 1853, Vol. XVIII, No. 8, P. 2.

Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity that he is fitting up a New Car, and will be ready in a few days to offer to them a New and Superior Style of Pictures!  having an advantage of a recent improvement in the finish and polish of the Plate, he feels confident that he will be able to offer to them a very Superior Picture.

He has also made arrangements for an instrument, by which he will be enabled to take Pictures of Children in the short time of one second.  J. Leigh.         

Advertisement ran from March 9 to April 6, 1853.

1853 July 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  July 6, 1853, Vol. XVIII, No. 25, P. 1.

Leigh’s Beautiful Daguerreotypes, Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity, that he is now ready to serve all that may be desirous of obtaining one or more of his Unrivalled Daguerreotypes.

Mr. L. is prepared to take any of the different styles of Pictures the Art is capable of.

Ladies will find that black or dark dressing will add much to the beauty of the Picture.  May 1.

Advertisement ran from July 6, 1853 to February 1, 1854.

1854 November 16.  Edgefield Advertiser.  (Edgefield, South Carolina.)  November 16, 1854, Vol. XIX, No. 44, P. 3.

The Daguerrean Car, Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity that he will be ready by Monday the 20th inst., to furnish all that may favor him with a call, with a Correct Daguerreotype Likeness, in any of the different styles they may desire.                                                     

November 16, 1854 to January 24, 1855.

1856 October 9.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  October 9, 1856, Vol. XX, No. 241, P. 2.

Pictures!  Pictures!!—Run to the Chalmers Daguerrean Gallery, and get a first rate Ambrotype for one dollar.

Photographs taken in superior style.  Call and examine specimens.

All kinds of Ambrotype Goods for sale—Sensitive Collodeon [sic.]—a number one article manufactured by ourselves, always on hand fresh.  Leigh & Chalmers.

1856 November 12.  Edgefield Advertiser.  (Edgefield, South Carolina.)  November 12, 1856, Vol. XXI, No. 44, P. 2.

Leigh & Co.’s. Ambrotype Car.  This beautiful and most complete Car is now on our Public Square, under the management of Mr. A. T. Lyon, a skillful artist, and one well prepared to take Ambrotypes of every description in a style second to none.  We bespeak for Mr. Lyon an extensive patronage, first because he is a native of our Town, and secondly, because his specimens of Ambrotypes are highly creditable to any one.  See advertisement in another column.

1857 April 15.  Edgefield Advertiser.  (Edgefield, South Carolina.)  April 15, 1857, Vol. XXII, No. 14, P. 2.

Serious Loses By Fire.  On Sunday morning last, about day-break, Mr. John M. Whitt’s Machine and Cabinet Shop, in this place, was discovered to be in flames past all possibility of being saved.  The fire rapidly spread to his Steam-mill adjoining, and to the Coach Manufactory and Black-Smith shops of Mr. John Leigh; also on the other side, to a cottage building occupied by Mr. Stanmore B. Griffin.  All of these were entirely consumed, together with a large portion of their contents.  The loss in machinery and tools of all kinds was very severe Messrs. Leigh, Witt, Griffin, Riddell, Covar, Paul and Hurlbut being the sufferers.  Some of them lost their entire implements of trade.  The whole loss is estimated at about twenty-five thousand dollars, and no insurance.  Messrs. Leigh and Witt are the principle losers their damages being reckoned by them at a sum not short of twenty thousand dollars.  The fire company was out and all possible exertions made lessen the disaster, which came near at one time being much more extensive.  It is not known how the fire originated, but supposed to be the work of an incendiary.

1857 April 29.  Edgefield Advertiser.  (Edgefield, South Carolina.)  April 29, 1857, Vol. XXII, No. 16, P. 2.

Leigh’s Ambrotypes.  The Ambrotypes, now being taken by Mr. Leigh in his Car, are pronounced the very best that have yet been exhibited here.  Mr. Leigh, our readers know, suffered a heavy loss by the late fire.  We suggest that there is a way here to help him in his difficulties and get full value received for the kind act.  Sit for one of his very beautiful ambrotype likenesses.  It will be a favor to the worthy operator and a gratification to yourself.  The car stands in front of the Odd Fellows & Masonic Building.

1857 May 27.  Edgefield Advertiser.  (Edgefield, South Carolina.)  May 27, 1857, Vol. XXII, No. 20, P. 2.

Absent.  Mr. John Leigh requests us to state that he is necessarily compelled to be absent from the Village and his Ambrotype Car until Monday next.  All in want of fac simile Ambrotypes will therefore not call until next week when they can be accommodated “pretty briefly,” and in a satisfactory manner.

1857 July 8.  Edgefield Advertiser.  (Edgefield, South Carolina.)  July 8, 1857, Vol. XXII, No. 26, P. 3.

The Car Is Off!  The Subscriber respectfully informs his friends and all indebted to him for Ambrotypes, that he will positively leave Edgefield in a few days, and they are particularly requested to call and settle without delay.  John Leigh.                

1858 March 17.  Edgefield Advertiser.  (Edgefield, South Carolina.)  March 17, 1858, Vol. XXIII, No. 10, P. 2.

Mr. Leigh’s Daguerrean Car left yesterday and will be located for a short time at Mr. Carson Warren’s.  Thence it will proceed towards the Ridge.

1858 December 10.  The Independent Press.  (Abbeville, South Carolina.)  December 10, 1858, Vol. 6, No. 32, Whole No. 292, P. 2.

Ambrotypes.  We are requested by Mr. Leigh, the well known Ambrotypist, to say that he will be in our village in the course of 10 or 15 days, and will than give our citizens the opportunity of obtaining Ambrotype Likenesses finished on the highest Style of his art.

Mr. Leigh is an Artist of peculiar aptitude for his profession, and from his long experience has established a high character as a proficient in his art.


[1] Partners with the Sun South Carolina Photographers 1840-1940. P. 74.

Hough, George S.

1846                Address Unknown, Portland, Maine.[1]

1846                Hoppins New Hall, Providence, Rhode Island.

1847                19 Westminster Street, Providence, Rhode Island.

1850                47 Fourth Street, Pittsburgh, Pennsylvania.

c. 1850-1852   Burke’s Building, Pittsburg, Pennsylvania.

1852-1856       62 Fourth Street, Pittsburgh, Pennsylvania.

1846.  The Providence Almanac and Business Directory. Revised and Corrected.  (Providence, Rhode Island.)  1846-1847.  P. 70, Business Directory Daguerreotype Miniatures

Hough & Anthony…Market.

1846.  The Providence Almanac and Business Directory.  Revised and Corrected.  (Providence, Rhode Island.)  1846-1847.  Advertisements P. 114

Daguerreotype Miniatures By Hough & Anthony Rooms In Hoppins New Hall, (Up Two Flights Of Stairs) Where specimens may be examined.

Our apparatus is of the most powerful kind, enabling us to produce pictures unsurpassed for accuracy and beauty.  The public generally are invited to call and examine.

Instruction given in the art containing the most recent improvements.  Stock of all kinds furnished at New York prices.  3d floor, room in front Hough & Anthony.

1847 December 18.  General Advertiser.  (Providence, Rhode Island.)  December 18, 1847, Vol. 1, No. 3, P. 3.

Pratt & Bowes, Agents, (Successor to Hough & Anthony,) Daguerrean Rooms, No. 19 Westminster Street, Providence.

Likenesses of Deceased persons taken at their late residence.  Also, Landscapes, Building, Portraits and Daguerreotypes, Copied correctly.  Dec. 11, 1847.

1852 November 10.  Daily Union.  (Pittsburgh, Pennsylvania.)  November 10, 1852, Vol. 1, No. 157, P. 3.

Hough & Anthony’s Daguerreotypes.—The undersigned would inform their many friends and others, that they have removed from Burke’s Building to 62 Fourth street, (a few doors above their old stand,) where they have fitted up rooms for Daguerreotyping.  Having a very superior arrangement of light, and the most approved instruments now in use, with some ten years’ experience in the business, they pledge themselves to turn out as good pictures as any other establishment in the country, and far more truthful likenesses than has heretofore been furnished to the citizens of Pittsburgh, either single or in groups.

Citizens and strangers are respectfully invited to call whether they wish pictures or not.

Our motto is good pictures, fair prices, and perfect satisfaction to our customers.  Hough & Anthony.

N. B.—We furnish all articles in our business to other operators as heretofore. may12.

Advertisement was recorded from November 10, 1852 to July 21, 1855.

1853 July 9.  Daily Union.  (Pittsburgh, Pennsylvania.)  July 9, 1853, Vol. II, No. 51, P. 3.

Daguerreotyping.—The degree of perfection to which this science has been reduced by Messrs Hough & Anthony, whose gallery is over the library rooms on Fourth street, is worthy of notice.  We saw some likenesses yesterday, taken by them, which looked like they only wanted a little breath to make them speak—they were so life-like.

1854 February 10.  Daily Union.  (Pittsburgh, Pennsylvania.)  February 10, 1854, Vol. II, No. 239, P. 3.

A very handsome and advantageous improvement has been made by Messrs. Hough & Anthony, in their daguerrean gallery, Fourth street.

The have added a fourth story to the building they occupy, and placed a glass roof upon it, by which means they are made sure, in the darkest days, of a sufficiency of light for the purpose of their art.  Although their reputation, as skillful daguerreotypists, has been of a most enviable character, yet they will derive such advantages of light from their new improvement, as will enable them to produce even better pictures in less time.  In taking children, shortness of the time of setting is, from their restlessness, a matter of great importance; and scarcely [less] so in grown persons, as a long setting is apt to give the likeness a stern, anxious look, while in a quick taking the daguerreotype retains the natural expression with which the person commenced the setting.  With their new flood of light, Messrs. Hough & Anthony will be enabled to shorten settings considerably. 

1856 July 10.  Daily Union.  (Pittsburgh, Pennsylvania.)  July 10, 1856, Vol. V, No. 51, P. 3.

Purloining Letters From The Post Office—Successful Scheme for the Arrest of the Offenders—For some time past Messrs. Hough & Anthony, daguerreotypists, Fourth street, did not receive their remittances by mail regularly, and suspected that they had been stolen either from the office in this city, or while being conveyed hither, On the 5th of July Mr. H. discovered that a registered letter, directed to him, had been taken out of his box, and receipted for by John Henderson.  He informed Postmaster Anderson of the circumstance, who yesterday caused to be placed in Messrs. Hough & Anthony’s box, a couple of decoy letters.  They were soon called for by the young man who took out the registered letter, and on asking for them, the clerk informed him that they were registered, and requested him to enter the office and receipt for them.  He did so, and was taken in custody by the clerks.  Finding himself in a tight place, he began to criminate others, and stated that a man named William Anderson, residing in Allegheny, was an accomplice.  Officers Moon and Maxwell proceeded in search of Anderson, and succeeded in arresting him in Allegheny, just as he was about leaving on the western cars.  An information was made against them, before Mayor Bingham, by Messrs. Hambright and McCullough, Post Office clerks.

It appears that Henderson’s real name is Shanor, and that about two years ago he was in the employ of Messrs. Hough & Anthony, and knew the number of their box.  Their loss is not known exactly, but various sums have been missed, amounting in all about one hundred and twenty dollars.  There were taken at various times letters containing eleven, eight, seven, and twenty dollars; also two drafts—one for seventy five and another for fifty dollars.  The latter was handed over to the officers.  It was drawn in favor of A. S. Hough, upon N. Holmes & Son, had been endorsed upon the back of the draft, by Shanor, but he had not presented it for payment.  The forgery was not such as would have deceived the Messrs. Holmes, as they are well acquainted with Mr. Hough’s signature.  The draft for seventy-five dollars, they say, was transmitted by them to Philadelphia for payment, but they never received any return.

After an examination, Shanor and Anderson were fully committed to answer a charge of mail robbery, at the next term of the United States District Court.

1856 November 10.  Daily Union.  (Pittsburgh, Pennsylvania.)  November 10, 1856, Vol. V, No. 156, P. 3.

Shanor And Anderson, the boys who plead guily [sic.] in the United States District Court, to intercepting the correspondence of Mr. Hough, of Fourth street, and who were sentenced to one year each in the penitentiary, were taken over on Saturday, by Marshall Frost and Deputy Marshal I. Grier Sproul. 

1847.  Harris’s General Business Directory of the Cities of Pittsburgh & Allegheny with the environs.  (Pittsburgh, Pennsylvania.) published by A. A. Anderson.

Hough & Anthony—Not Listed.

Hough, George S.—Not Listed.

Anthony, Charles James—Not Listed.

1850.  Fahnestock’s Pittsburg Directory for 1850.  (Pittsburgh, Pennsylvania.) Published by Samuel Fahnestock.

Hough & Anthony—Artists, 57 Fourth.

Hough, George S.—b-Monongahela House.

Anthony, Charles James—Artists-St. Charles Hotel.

1852.  Woodward and Rowlands’ Pittsburgh Directory for 1852.I  (Pittsburgh, Pennsylvania.)  Published by W. S. Haven.

Hough & Anthony—Daguerreotype Rooms, 62 Fourth.

Hough, George S.—h-101 Wylie

Anthony, Charles James—Not Listed.

1854.  Ulman’s Pennsylvania Business Directory.  (Philadelphia, Pennsylvania.)  published by H. C. Ulman.

Hough & Anthony—62 4th.

1856.  Directory For Pittsburgh and Allegheny Cities.  (Pittsburgh, Pennsylvania.)  Published by George H. Thurston.

Hough & Anthony—Not Listed.

Hough, George S.—Dagt. Artists—61 Fourth, H-between Preble & River, Manchester.

Anthony, Charles James—Not Listed.

Dealers In Daguerreotype And Photograph Materials.

Hough, G. S., 64 Fourth, up stairs.

1857.  Directory For Pittsburgh and Allegheny Cities.  (Pittsburgh, Pennsylvania.)  Published by George H. Thurston.

Hough & Anthony—Not Listed.

Hough, George S.—Not Listed.

Anthony, Charles James—Not Listed.


[1] Craigs Daguerreian Registry.

Hill, Walter S.

1859                9 Platt Street, New York, New York.[1]

1859                274 Canal Street, New York, New York.

1860                522 Broadway, New York, New York.[2]

1859 November 23.  The New York Herald.  (New York, New York.)  November 23, 1859, Whole No. 8479, P. 3.

To Photographic Artists, Amateurs, &c.—For sale, very low, several first class instruments, from quarter to double whole sizes.  Apply to or address W. S. Hill & Co., 274 Canal street, N. Y.

New York City Directories.  (New York, New York.)  Published by John Fowler Trow.

1858.  Not Listed

1859.  dag. materials, 274 Canal—h-73 Hicks.

1860.  photo materials, 522 Broadway—h-115 W. 33d.

1861.  Not Listed.


[1] Craig’s Daguerreian Registry.

[2] New York City Directory, 1860/1861.

Hildreth, C.

1850                Church Street, Burlington, Vermont.

1850 May 30.  St. Albans Messenger.  (St. Albans, Vermont.)  May 30, 1850, Vol. 13, No. 651, P. 3.

A large Stock of Goods At Burlington, VT.  Selling off cheap for Cash.  J. E. Brinsmaid, W. B. Brinsmaid, C. Hildreth.

Preparatory to rebuilding our store intending to devote our whole attention to the Watch and Jewelry business, we offer our large and beautiful assortment of Clocks, Parlor, hall and store Lamps, Plated and Britania Goods, Silk, Umbrellas, Canes, Willow Ware.

Daguerreotype Goods, Perfumery, fine Cutlery, Musical Instruments, Rifles, Guns, Pistols, Fishing Tackle ad sporting goods.  Together with our extensive assortment of Fancy Goods, at very low prices, many goods at and below cost, intending to clear them out so as not to have to remove them.  In the line of goods, such as we intend to continue the sale of, we have laid in a fine stock, which we will sell at reduced prices, on the ‘nimble sixpence’ principle.

We have now and shall keep a good stock of cheap Silver and Gold Watches, as low to say the least, as can be had anywhere, as well as higher priced ones.  Our stock of Jewelry and Silver Ware is very full and complete, and quite low.

100 gross Daguerreotype Plates and Cases at low prices.

Genuine Star plates, 40 at [$22] per gross, $1.75 per doz.  Watches for $3, $5, and $6½; Lepies and levers for ten and twelve dollars, Gold watches for $20 and %25, and upwards.  Particular attention given to Watch repairing.  Brinsmaid, Brother, & Co.  J. E. Brinsmaid, W. B. Brinsmaid, C. Hildreth.  Church street, Burlington.

Advertisement was recorded from May 30 to June 13, 1850.

1850 May 31.  Vermont Centinel.  (Burlington, Vermont.)  May 31, 1850, Vol. XXXIX, No. 36, P. 3.

Selling Off!  No Credit.  Being tired of selling goods on credit, we from this time abandon it entirely, and will sell our stock off at such very low prices as will insure all to buy who wish to use or sell or give them away.

Preparatory to rebuilding our store intending to devote our whole attention to the Watch and Jewelry business, we offer our large and beautiful assortment of Clocks, Parlor, hall and store Lamps, Plated and Britania Goods, Silk, Umbrellas, Cae Willow Ware.

Daguerreotype Goods, Perfumery, fine Cutlery, Musical Instruments, Rifles, Guns, Pistols, Fishing Tackle ad sporting goods.  Together with our extensive assortment of Fancy Goods, at very low prices, many goods at and below cost, intending to clear them out so as not to have to remove them.  In the line of goods, such as we intend to continue the sale of, we have laid in a fine stock, which we will sell at reduced prices, on the ‘nimble sixpence’ principle.

We have now and shall keep a good stock of cheap Silver and Gold Watches, as low to say the least, as can be had anywhere, as well as higher priced ones.  Our stock of Jewelry and Silver Ware is very full and complete, and quite low.

100 gross Daguerreotype Plates and Cases at low prices.

Genuine Star plates, 40 at [$22] per gross, $1.75 per doz.  Watches for $3, $5, and $6½; Lepies and levers for ten and twelve dollars, Gold watches for $20 and $25, and upwards.  Particular attention given to Watch repairing.  Brinsmaid, Brother, & Co.  J. E. Brinsmaid, W. B. Brinsmaid, C. Hildreth.  Church street, Burlington.

Advertisement was recorded from May 31 to July 12, 1850.

Note:

It is unknown if there is a connection with Caroline Hildreth, who is recorder in Craig’s Daguerreian Registry as an Artist.  Caroline is recorded in The New York Historical Society’s Dictionary Of Artist In America 1564-1860.  Hildreth, Mrs. Richard, see Caroline Negus.  (1814-1867) Miniaturist and crayon artist, Boston, 1844-1856.  She was a daughter of Joel Negus, a sister of Nathan and Joseph Negus, and an Aunt of George and Augustus Fuller.  She married Richard Hildreth (1807-1865), the noted historian…

Han, Edward

1840-1842       14 Cedar, New York, New York.[1]

1843-1847       20 Liberty Street, New York, New York.1

1844-1846       18 & 20 Liberty Street, New York, New York.

1849-1857       23 Liberty Street, New York, New York.1

1858-1859       43 Liberty Street, New York, New York.1

1844 September 4.  The New York Herald.  (New York, New York.)  September 4, 1844, Vol. X, No. 246, Whole No. 3846, P. 3.

Jet Buttons, Cut Bugles, Etc.  Daguerreotype Materials—Genuine Cologne Water—Agate Stones—Fancy Goods, &c.—For sale by Edw. Hen, 18 & 19 Liberty street, up stairs.

Homoeopathic medicines imported to order.

1844 November 7.  The New York Herald.  (New York, New York.)  November 7, 1844, Vol. X, No. 308, Whole No. 3908, P. 3.

Jet Buttons, Daguerreotype Plates And Instruments, German Slates, Lead Pencils, Segar Cases, Tobacco Boxes, Pipes, &c.  French China, plain and gilt—and a variety of other French and German goods.  For sale by Edward Hen, Importer, 18 & 19 Liberty street.

Advertisement ran from November 7 to December 3, 1844.

1844 December 6.  The New York Herald.  (New York, New York.)  December 6, 1844, Vol. X, No. 337, Whole No. 3937, P. 3.

Jet And Fancy Bead Goods.  The subscriber has recently received from one of the first houses in Paris, a new and select assortment of Ladies’ Head-ornaments, for balls and soirees; Combs, Breast and Hair Pins, Necklaces, Bracelets of various kinds, Seal and velvet Bags.  Also, a new style of Satin Buttons and Pins, not imported heretofore.

Daguerreotype Plates, &c. for sale.  E. Hen, Importer, 18 and 20 Liberty st., up stairs.

Advertisement ran from December 6, 1844 to January 21, 1845.

1845 March 20.  The New York Herald.  (New York, New York.)  March 20, 1845, Vol. XI, No. 78, Whole No. 4040, P. 4.

Jet And Horn Buttons, Of all sizes—Bugles, Beads; Hair, Shawl and Breast Pins, Bracelets, bead Bags, Hair Ornaments, &c.

Daguerreotype Plates and Instruments, French China Vases.  Also, Plain White China.  For sale by Edward Hen, Importer, 18 & 20 Liberty street.                                          

Advertisement ran from March 20 to April 28, 1845.

1846 March 2.  The New York Herald.  (New York, New York.)  March 2, 1846, Vol. XII, No. 60, Whole No. 4273, P. 3.

Daguerreotype Plates.  1000 Entire Plates of the well known Star brand, French.

500      do                    do                    extra good,      40yhs                        do

250      do                    do                                do        30ths                        do

100      do                    do                                do        10ths                        do

Chemicals, cases, Stamped Frames, &c.  Also, a nice lot of Osmium D’Iridium, for Gold Pen Points by Edward Hen, 18 and 20 Liberty street.                                                                    

1846 June 22.  The New York Herald.  (New York, New York.)  June 22, 1846, Vol. XI, No. 172, Whole No. 4395, P. 3.

Daguerreotype Plates.  1.000 Entire Plates, from different French manufacturers, amongst which are the well-known Star brand, just received.

Also, Morocco Cases, stamped Frames, &c.

Also, Steel Beads, Bag Clasps, Steel and Jet Buttons, &c., &c., and for sale by Edward Hen, Importer of French and German Goods, 18 and 20 Liberty street.                  

Advertisement ran from June 22 to July 1, 1846.

1840.  New York City Directory.  (New York, New York.)  1840/1841, Thomas Longworth, Publisher.

Han, Augustus F. T.—importers—14 Cedar.

Han, Edward—importers—14 Cedar.

1841.  New York City Directory.  (New York, New York.)  1841/1842, Thomas Longworth, Publisher.

Han, Augustus F. T.—importers—14 Cedar.

Han, Edward—importers—14 Cedar.

1842.  New York City Directory.  (New York, New York.)  1842/1843, Thomas Longworth, Publisher.

Han, Augustus F. T.—importers—14 Cedar.

Han, Edward—importers—14 Cedar.

1843.  New York City Directory.  (New York, New York.)  1843/1844, John Doggett, Publisher.

Han, Augustus F. T.—importers—20 Liberty.

Han, Edward—importers—20 Liberty.

1844.  New York City Directory.  (New York, New York.)  1844/1845, John Doggett, Publisher.

Han, Augustus F. T.—importers—20 Liberty.

Han, Edward—importers—20 Liberty.

1845.  New York City Directory.  (New York, New York.)  1845/1846, John Doggett, Publisher.

Han, Augustus F. T.—importers—20 Liberty.

Han, Edward—importers—20 Liberty.

1846.  New York City Directory.  (New York, New York.)  1846/1847, John Doggett, Publisher.

Han, Augustus F. T.—importers—20 Liberty.

Han, Edward—importers—20 Liberty.

1847.  New York City Directory.  (New York, New York.)  1847/1848, John Doggett, Publisher.

Han, Augustus F. T.—importers—20 Liberty.

Han, Edward—importers—20 Liberty.

1848.  New York City Directory.  (New York, New York.)  1848/1849, John Doggett, Publisher.

Han, Augustus F. T.—Not Listed.

Han, Edward—Not Listed

1849.  New York City Directory.  (New York, New York.)  1849/1850, John Doggett, Publisher.

Han, Augustus F. T.—importers—23 Liberty.

Han, Edward—importers—23 Liberty.

1850.  New York City Directory.  (New York, New York.)  1850/1851, John Doggett, Publisher.

Han, Augustus F. T.—Not Listed.

Han, Edward—importers—23 Liberty.

1851.  New York City Directory.  (New York, New York.)  1851/1852, Doggett & Rode, Publishers.

Han, Edward—importers—23 Liberty.

1852.  New York City Directory.  (New York, New York.)  1852/1853, John Fowler Trow, Publisher.

Han, Edward—imp. Fancy goods, guns, cutlery &c.—23 Liberty.

1853.  New York City Directory.  (New York, New York.)  1853/1854, John Fowler Trow, Publisher.

Han, Edward—imp. Fancy goods, guns, cutlery &c.—23 Liberty.

1854.  New York City Directory.  (New York, New York.)  1854/1855, John Fowler Trow, Publisher.

Han, Edward—imp.—23 Liberty.

1855.  New York City Directory.  (New York, New York.)  1855/1856, John Fowler Trow, Publisher.

Han, Edward—importer of French & German fancy goods, also smokers’ articles, clay pipes of all kinds real and imitation meerschaums, hookas and other Turkish water pipes, adapted for one or more smokers, amber Meerschaums, horn and china segar tubes, tobacco & snuff boxes, segar cases, matches, Turkish Tobacco, walking canes, show figures, Indians, &c., &c.  23 Liberty.

1856.  New York City Directory.  (New York, New York.)  1856/1857, John Fowler Trow, Publisher.

Han, Edward—importer of French & German fancy goods, also smokers’ articles, clay pipes of all kinds real and imitation meerschaums, hookas and other Turkish water pipes, adapted for one or more smokers, amber Meerschaums, horn and china segar tubes, tobacco & snuff boxes, segar cases, matches, Turkish Tobacco, walking canes, show figures, Indians, &c., &c.  23 Liberty.

1857.  New York City Directory.  (New York, New York.)  1857/1858, John Fowler Trow, Publisher.

Han, Edward—importer of French & German fancy goods, also smokers’ articles, clay pipes of all kinds real and imitation meerschaums, hookas and other Turkish water pipes, adapted for one or more smokers, amber Meerschaums, horn and china segar tubes, tobacco & snuff boxes, segar cases, matches, Turkish Tobacco, walking canes, show figures, Indians, &c., &c.  23 Liberty.

1858.  New York City Directory.  (New York, New York.)  1858/1859, John Fowler Trow, Publisher.

Han, Edward—43 Liberty. importer of French & German fancy goods, also smokers’ articles, clay pipes of all kinds real and imitation meerschaums, hookas and other Turkish water pipes,

1859.  New York City Directory.  (New York, New York.)  1859/1860, John Fowler Trow, Publisher.

Han, Edward—imp. of meerschaums pipes & segar holders, Turkish water pipes, & clay pipes of all kinds, Turkish & German tobaccos, 43 Liberty.


[1] New York City Directories.