Tag Archives: Charleston South Carolina

James L. Lyons

1846                Address Unknown, Richmond, Virginia.

James L. Lyons was recorded in an advertisement ran that from January 10 to February 19, 1846 in The New York Herald (New York, New York).  Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlaender’s Apparatus.

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.                                                                                                          Mr. James L. Lyon, Richmond, Va.                                                                                                                      Mr. S. Broadbent, Columbia, S. C.                                                                                                                      Mr. James P. Perry, Charleston, S. C.                                                                                                                  Mr. S. Noessel, New Orleans.                                                                                                                        Messrs. Johnson & Jacobs, New Orleans.                                                                                                        W. & F. Langenheim, Exchange, Philadelphia.

James Laurence Lyon listed in Craig’s Daguerreian Registry in Richmond, Virginia in 1844 at 33½  Main Street, this is possibly the same person.

Charles Lhomdieu

1852                Address Unknown, Charleston, South Carolina.

Charles Lhomdieu was recorded on November 2, 1852 in an announcement in The New York Herald (New York, New York).  List of Patents Issued from the United States Patent Office for the week ending October 26, 1852….Charles Lhomdieu, of Charleston, S. C.—For improvement in gilding daguerreotypes.  Patent No. 9,354.[1]

Charles Lhomdieu is recorded in American Photographic Patents The Daguerreotype & Wet Plate Era 1840-1880.

[1] Patent Number from American Photographic Patents The Daguerreotype & Wet Plate Era 1840-1880.

Fuller

1850                Address Unknown, *Charleston, South Carolina.

Fuller was recorded in the partnership of Bostwick & Fuller in an announcement and advertisement.  The announcement was recorded on February 27, 1850 in The Sumter Banner  (Sumterville, South Carolina).  By the arrival of Mr. C. D. Boyden, from the Daguerrean Gallery of Messrs. Bostwick & Fullel, the citizens of Sumter are enabled to have correct likenesses of themselves and family taken, at a very moderate charge and in a style unequalled for durability and life-like expression.  Mr. B. is certainly master of his profession, and we recommend to all, have their Likenesses taken by him immediately—such an opportunity rarely occurs and advantages should be taken of it.

The advertisement ran from February 27 to March 6, 1850 in The Sumter Banner (Sumterville, South Carolina).  Daguerreotypes, C. D. Boyden, from the Daguerrean Gallery of Bostwick & Fuller, has taken rooms in the Sumter Court House, and is now prepared to take perfect and imperishable likenesses of all who will favor him with a call; and at prices to suit the times.  Come and see.  Sumterville, Feb. 20, 1850.

*In the book Partners with the Sun South Carolina Photographers, 1840-1940. By Harvey S. Teal.  Page 48.  Bostwick & Squires…Bostwick “states in a May 1850 newspaper that he was ‘recently from New York & directly from the City of Charleston’”

Cook & Glen

1852                Address Unknown, Charleston, South Carolina.

Cook & Glen were recorded in an announcement on November 23 1852 in The Camden Journal  (Camden, South Carolina).  The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day….Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…Charleston Courier, 19th Inst.

Both George Smith Cook and D. L. Glen are listed in photographic directories in Charleston, South Carolina.  They have not been recorded as partners, in fact looking at Craig’s Daguerreian Registry he records George Smith Cook in 1852 at 235 King Street, D. L. Glen at 221 King Street and James M. Osborn at 233 King Street.

B. A. & Washington W. Chilton

N. D.                   Address Unknown, New York, New York.                                                                        1841-1842       269 King Street, Charleston, South Carolina.[1]                                                              1842                   Rooms at Mr. Starke’s Hotel, Camden, South Carolina.

B. A. & Washington W. Chilton were recorded in two announcements and one advertisement in The Camden Journal (Camden, South Carolina.) The first announcement appeared on March 9, 1842. Miniatures.  By reference to our advertising columns, it will be seen that the Messrs. Chilton propose furnishing those of our citizens who may desire it, with facsimile of themselves.  We have seen some specimens, exhibiting the perfection to which the art has been carried, and although they are not very pretty specimens, they are surprisingly exact likenesses.  Those of our friends, therefore, who may desire to possess a perfect counterpart of themselves, have now the opportunity of doing so.  We want them beforehand, however, not to fall out with the artist, if he should not, at the same time be able to make handsome picture, and a perfect likeness—the latter may be relied on.

The advertisement ran from March 9 to 30, 1842 in The Camden Journal (Camden, South Carolina.)  Daguerreotype Miniatures.  The Ladies and Gentlemen of Camden are respectfully informed that the Subscribers, late of New York City, have fitted up rooms at Mr. Starke’s Hotel, and will remain until the first of April, for the purpose of taking Miniature Likenesses, after the manner of M. Daguerre, of Paris.  The process of taking Miniatures in the above manner has been brought to such a state of perfection that the powerful rays of the sun, heretofore so necessary in the operation, have been entirely dispensed with, and likenesses can consequently, be taken in any kind of weather, with perfect accuracy, occupying the time of the sitter but a few seconds.  Specimens can be seen at Mr. McKain’s Drug Store, and at the Subscribers’ rooms.  Office hours from 9 A. M., to 4 P. M. every day.

The second announcement appeared on March 16, 1842 in the same newspaper.  Messrs. Chilton are prepared to take Daguerreotype likenesses at their room at Mr. Starke’s Hotel.  As their stay in Camden, is limited to the first of April those who wish to have their miniatures taken, would do well to avail themselves of the present opportunity.

[1] Information from Craig’s Daguerreian Registry.

C. D. Boyden

1850                Address Unknown, Charleston, South Carolina.                                                1850                Rooms in the Sumter Court House, Sumterville, South Carolina.

C. D. Boyden was recorded in a notice and advertisement which ran from February 27 to March 6, 1850 in The Sumter Banner (Sumterville, South Carolina.)  The notice.              By the arrival of Mr. C. D. Boyden, from the Daguerrean Gallery of Messrs. Bostwick & Fuller, the citizens of Sumter are enabled to have correct likenesses of themselves and family taken, at a very moderate charge and in a style unequaled for durability and life-like expression.  Mr. B. is certainly master of his profession, and we recommend to all, have their Likenesses taken by him immediately—such an opportunity rarely occurs and advantages should be taken of it.

The Advertisement.  Daguerreotypes, C. D. Boyden, from the Daguerrean Gallery of Bostwick & Fuller, has taken rooms in the Sumter Court House, and is now prepared to take perfect and imperishable likenesses of all who will favor him with a call; and at prices to suit the times.  Come and see.  Sumterville, Feb. 20, 1850.

In the book Partners with the Sun South Carolina Photographers, 1840-1940. By Harvey S. Teal.  Page 48.  Bostwick & Squires…Bostwick “states in a May 1850 Georgetown newspaper that he was “recently from New York & directly from the City of Charleston.”  The same information is also recorded in Craig’s Daguerreian Registry.

Bostwick & Fuller

The partnership of Bostwick & Fuller was mentioned in an announcement and advertisements in The Sumter Banner (Sumterville, South Carolina.) on February 27, 1850. The notice and advertisement announces the arrival of C. D. Boyden from the Daguerrean Gallery of Messrs. Bostwick & Fuller.

In the book Partners with the Sun South Carolina Photographers, 1840-1940. By Harvey S. Teal.  Page 48.  Bostwick & Squires…Bostwick “states in a May 1850 Georgetown newspaper that he was “recently from New York & directly from the City of Charleston.”  The same information is also recorded in Craig’s Daguerreian Registry.

Unfortunately no first names are given in any of the newspaper accounts.  It is unknown if Bostwick was a practicing  Daguerreotypist in New York City  or in the State New York.

Tyler & Company

While this is an interesting group of photographers and needs further exploration, the following is what I know at this point. They advertised mostly as Tyler & Co. (with no first names.)  John Craig refers to them as “mass merchandisers” they come in to a town, stay a short period of time, undercut their competition, and flood the market with ninth plate images.  I have advertisements from several newspapers from both Boston and Worcester Massachusetts, but the bulk comes from the Richmond Daily Dispatch.  A new advertisement appears almost every day, starting on March 19, 1857 until late December when they advertise that they have opened another gallery at 39 Sycamore Street, Petersburg, Virginia.  Afterwards their advertising slows down a little, they miss a day or two here and there.  On January 30, 1858 they drop their price in half from .50 – $50 to .25 – $25.  During this time period a typical day’s advertisement is in a solid block with a paragraph or two and or between one and 13 separate lines of often repeating text.  On March 20, 1858 they claim that they have spent $4,000 over the past year on advertising.

They repeatedly make unsubstantiated claims. First that they were in New Orleans, Louisiana for eight years prior to being in Charleston, South Caroline for three.  In reviewing a number of photographic directories, I cannot at this time verify the New Orleans claim.  Looking at Photography in New Orleans, The Early Years, 1840-1866 by Margaret Denton Smith & Mary Louise Tucker they do not mention them. Craig’s Daguerreian Registry also does not list them in New Orleans, except to say that they won a wager that they could make 1,000 likenesses in four hours.  This was probably from an advertisement in one of the Charleston papers.  Looking at Partners with the Sun South Carolina Photographers 1840-1940, by Harvey S Teal.  He has Tyler & Co. in Charleston from December 1855 to June 1856 and again between, November 1856 to February 1857 that’s a total of 11 months, not the three years they claim.

Another claim is the amount of portraits they take daily which can fluctuate between 300 to 1,000 on any given day. They do advertise that they are taking daguerreotypes or what they call Vitrotype, later they advertise ambrotypes, photographs, lettertypes, ect.  They make the same claims “400 taken daily” when they were in Boston, Worcester and Charleston.  In Boston and Worcester they use a double lens camera.  In Richmond they advertise that they are taking “three at a pop.”  They also start out advertising that they employ fifteen artist which quickly becomes twenty and by the end of their time in Richmond they are up to twenty-five artists.

By the tone of their advertisement they are the only ones that ever uses steam in the production of likenesses, and that anyone who say they uses steam are just imitators. John Adams Whipple in Boston advertises on May 12, 1848 in the Salem Gazette that he is using a small steam engine to buff his plates. They also claim to have daguerreotype and ambrotype patents, and that they are inventors from everything I have looked at, no records of patents were ever issued to them.  They are also in the habit of claiming that they have at different time been issued 5 Gold medals, but they never say when or where they received these awards.  Every other photographer list when and where they received an award.  They did win a silver medal for Daguerreotypes at the 1857 Fair of the Virginia Mechanics Institute.  Also Albert Litch won a silver medal for color photographs, Sanxay & Chalmers won a silver medal for Ambrotypes, and E. Powers a first class diploma for Ambrotypes and Photographs.

Their philosophy which they state several time is to “keep it before the people.” Translation beat them over the head with their advertisements, and they do.  Their claim that other photographers are charging $2.50 for the same image they charge 50 cents for, is unjustified.  If fact other image makers were charging 50 cents for their images long before Tyler & Co. came to Richmond.

On May 18, 1858 we learn in an advertisement that C. R. Rees has returned to Richmond from a five month stay in Petersburg (Tyler & Co. new gallery.) On August 10, 1858 we learn that C. R. Rees is now the Proprietor.  Rees continues the same practice in his advertising as Tyler & Co. but with less regularity.  His excuses as to why he did not exhibit at the late fair was that he was getting ready to send specimens to his new gallery in Memphis, Tennessee.  It is interesting Tyler and Company have also opened a studio in Memphis around this time, what is the conection?

Craig speculates that the various listings he has for Tyler & Co. based on the language of the advertisements are the same company.  On June 6, 1857 the following advertisement appears in the Daily Dispatch which seems to verify John’s speculation.

Strangers and all others, are cautioned against being humbugged and deceived by steam pictures advertisements. This steam picture taker has been Driven out of Boston, Cincinnati, Worcester, Mass, and Charleston, S. C.  This Imposter commenced to advertise 50 cent Daguerreotypes but he found they did not take.  He then altered his show bills and advertisements to Vitrotypes for 50 cts., pretending it was a new kind of picture.  This fellow says he has taken 400 Pictures a day for 16 years.  Now he did not have money enough to buy a few yards of carpet when he arrived here, but had to run his face.  This same humbug man took pictures in Boston for 20 cts. apiece.  The public can judge whether his work is good or bad.  It is my intention to show him up just as long as he continues to humbug, lie and deceive the people of Richmond.                                                                       Respectfully, A. W. Osborne, Opposite Exchange Bank.

Below is the timeline and address of their studios to date.

 

N.D.               Address Unknown, New Orleans, Louisiana. [i]

1853-1855       2 Winter Street, Boston, Massachusetts. (Edward M. Tyler.) [ii]

1855                   Main & Front Streets, Worcester, Massachusetts.[iii]

1855-1856       233 King Street, Charleston, South Carolina. [iv]

1856-1857       233 King Street, Charleston, South Carolina. iv

1857                30 & 32 Fourth Street, Cincinnati, Ohio (James Tyler.) [v]

1857-1858       139 Main Street, Richmond, Virginia. i

1857-1858       39 Sycamore Street, Petersburg, Virginia. i

1858                Canal Street, New Orleans, Louisiana. i

1859-1860       219 Main Street, Memphis, Tennessee (Edward M. Tyler.) v

1860                81 Westminster Street, Providence, Rhode Island. (E. M. Tyler.) v

 

 

 

 

 

[i] The Richmond Daily Dispatch

[ii] Directory of Massachusetts Photographers, 1839-1900 and the Boston Morning Journal.

[iii] Worcester Daily Spy

[iv] Partners with the Sun South Carolina Photographers 1840-1940.

[v] Craig’s Daguerreian Registry