Tag Archives: Meade Brothers

Barnard, George N.

Daguerreotypes, Photographs, , , , , , , , , , , , , , , , ,

1846-1852       Rooms in Woodruff Building, corner First and Cayuga Streets, Oswego, New                            York.

1852-1855       Over City Bank, opposite the Welland House, Oswego, New York.[1]

1857                8 Whiting Block, Syracuse, New York.1

1845 August 20.  The Oswego Palladium.  (Oswego, New York.)  August 20, 1845, Vol. XXVI, No. 1400, New Series—Vol.  I, No. 9, P. 3.

The Oswego Hotel.  Grover S. Wormer, who has kept the Oswego Hotel for the last two years, has formed a copartnership with Mr. George N. Barnard, in the management and conducting of the establishment.  For the public patronage with which the house has ever been sustained while under his direction.  Mr. Warmer would tender his grateful acknowledgments and the subscribers hope by the new arrangement, to so extend their attentions and accommodations as to make their house worthy of a more extensive support.

The Oswego Hotel is favorably located in the immediate neighborhood of the steamboat and packet boat landings, and no efforts will be spared to make the house agreeable and pleasant to those who may make it a stopping place.

A Carriage to convey Passengers, and a Wagon for the conveyance of their baggage, will at all times be in attendance upon the arrival and departure of the Boats free of charge.

Grover S. Wormer, George N. Barnard.

1846 August 4.  The Oswego Palladium.  (Oswego, New York.)  August 4, 1846, Vol. XXVII, No. 1450, New Series—Vol. II, No. 7, P. 2.

Daguerreotype Miniatures.  Mr. Barnard, late of the Oswego Hotel, has taken a room in the Woodruff Building, adjoining our Counting Room, for the purpose of taking Daguerreotype Likenesses of such as may desire them.  Some of his pictures are the clearest and best we have ever seen.  He charges but $1.50, so that all can now afford to have their own and children’s faces taken.  Give him a call.

1847 August 3.  The Oswego Palladium.  (Oswego, New York.)  August 3, 1847, Vol. XXVIII, No. 1501, New Series—Vol. III, No. 7, P. 2.

Daguerreotype Likenesses.  Mr. Barnard respectfully informs the citizens of Oswego and vicinity, that he has again opened his room in the Woodruff Building where he is prepared to take Photographic Miniatures, unsurpassed by any artist in the country.

Persons visiting his room, can have their Miniature taken in this beautiful style, and neatly set in Morocco cases, lockets, Breast Pins, &c., in a few minutes.

The best time for children, is from 9 in the morning to 1 in the afternoon, all others 9 to 5. Oswego, July 30, 1847.                                                                       

Advertisement ran from August 3 to February 20, 1849.

1849 January 18.  The Oswego Palladium.  (Oswego, New York.)  January 18, 1849, Vol. XXIX, No. 1577, New Series—Vol. IV, No. 31, P. 3.

Daguerreotype Likenesses.  Mr. Barnard Respectfully informs the citizens of Oswego and vicinity that he is still engaged in the manufacture of those beautiful productions of Art, which are so much valued and admired by all.  The price is now  so trifling that every person can afford to procure an accurate Likeness of himself and of those he holds dear by the ties of association or of [ ? ] And, as “delays are always dangerous,” the Present [ ? ] best time to obtain such a likeness.

The People are requested to call at “Barnard’s Daguerrean Rooms,” in the third story of the Woodruff Building. And examine specimens.

N. B.  Instructions in the Art carefully given.  A good second-hand Apparatus for sale cheap for cash.

Advertisement ran from January 18 to January 5, 1850.

1849 July 24.  The Oswego Palladium.  (Oswego, New York.)  July 24, 1849, Vol. XXX, No. 1555, Third Series—Vol. IV, No. 6, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from July 24, 1849 to July 31, 1851.

1850 January 12.  The Oswego Palladium.  (Oswego, New York.)  January 12, 1850, Vol. XXXI, No. 1579, Third Series—Vol. I, No. 30, P. 3.

Sky –Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for taking Daguerreotype Pictures, over E. P. Burt’s store.  He has perfected a powerful sky-light, yet so mellow that he is enabled to take the likenesses of children and all others, in a few seconds, with perfect ease to the sitter; retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him, he would call their attention to his new arrangement for producing pictures by the agency of light.  Hours for children from 9 A. M. to 2 P. M.  Likenesses taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instructions carefully given and instrument furnished.

Advertisement ran from January 12 to July 13, 1851.

1851 July19.  The Oswego Palladium.  (Oswego, New York.)  July 19, 1851, Vol. 1, No. 131 P. 2.

A Daguerrian Convention was held at Syracuse on the 13th inst., for the purpose of bringing about a union of thought, action, sentiment, “a uniform standard of prices, and to devise means to elevate the beautiful art in which they are engaged.”  Appropriate resolutions were adopted, and a committee appointed to draft a constitution and by laws for “The New York State Photographic Society,” to be presented at the next meeting to be held at Utica, on the 20th of August next.

We noticed that our friend G. N. Barnard was present and participated in the doings of the Convention.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from August 1, 1851 to March 9, 1852.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 4.

Sky-Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for the taking of Daguerreotype Pictures, over E. P. Burt’s store He has a perfected a powerful sky-light, yet so mellow that he is enabled to take the likeness of children and all others, in a few seconds With perfect ease t the sitter retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him he would call their attention to his new arrangement for producing pictures by the agency of Light.  Hours for Children from 9 A. M. to 2 P. M.  Likeness taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instruction carefully given; and instruments furnished.

Advertisement ran from August 1, 1851 to March 9, 1852.

1854 January 2.  The Oswego Daily Palladium.  (Oswego, New York.)  January 2, 1854, Vol. III, No. 271, P. 3.

Removal.  Barnard’s Gallery Of Daguerreotypes, Removed to the City Bank Building, opposite the Welland House.  G. N. Barnard would respectfully announce to his friends and the public. that he has opened, as above, an elegant suite of apartments, fitted up expressly for the Daguerrean Business, and provided with everything necessary for the comfort and convenience of his patrons.

Every department of his art has separate and appropriate rooms.  The operating room is so arranged as to prevent visitors from being offended at the fumes of chemicals used.

Possessing a superior Light, and many years experience, he flatters himself that he is enabled to produce as fine pictures as the art is capable of giving.

Daguerreotypes will be copied of the same size, and in most cases equal to the original.

The best time for children, in clear weather, is from 10 A. M. to 2 P. M.  Mr. B. may always be found at his rooms between the hours of 8 and 5, where he trusts to receive a continuance of the patronage so long and liberally bestowed upon him.  A large variety of plain and fancy cases, frames, &c., and a fine assortment of Daguerrean goods for sale.  Jy. 3.

Advertisement ran from January 2 to February 25, 1854.

1855 January 12.  The Oswego Daily Palladium.  (Oswego, New York.)  January 12, 1855, Vol. IV, No. 270, P. 2.

Barnard & Nichols’ Daguerreian Rooms, Over City Bank, opposite the Welland House, Oswego, N. Y.  oct 5.

Advertisement ran from October 5, 1854 to August 7, 1855.

1857 November 7.  New York Daily Tribune.  (New York, New York.)  November 7, 1857, Vol. XVII, No. 5164, P. 6 & 7.

Premiums Awarded at the Twenty ninth Fair of the American Institute…Daguerreotypes, Photographs, Hallotypes, &c.

M. B. Brady, No. 359 Broadway, N. J., for best plain and retouched photographs.

………………………………………………………………………………….Small Gold Medal    

J. Gurney, No. 349 Broadway, N. Y., for plain and retouched Photographs (a Gold Medal having been before awarded)……………………………………………………………………..Diploma

M. M. Lawrence, No. 381 Broadway, N. Y., for the best Daguerreotypes and Miniatures in Oil

…………………………………………………………………………………Large Silver Medal

Meade Brothers, No. 233 Broadway, N. Y., for instantaneous Daguerreotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………………Diploma

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………Diploma

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for the best Crayon Photographs and Hallotypes………………………………………………………………………Large Silver Medal

J. Gurney, No. 349 Broadway, N. Y., for Crayon Photographs and Hallotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Aquerille.

…………………………………………………………………………………Small Silver Medal

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Aquerille.

……………………………………………………………………………………….Bronze Medal

S. C. Holmes, No. 289 Broadway, N. Y., for the best Photographic Views.

…………………………………………………………………………………Small Silver Medal

B. Hafnagel, No. 413 Broadway, N. Y., for photographic Views and copies of Prints.

……………………………………………………………………………………….Bronze Medal

Phillip E. Bogart & Co., No. 58 Pine street, N. Y., for Photographs by the Solar Camera.

…………………………………………………………………………………………….Diploma

G. N. Bernard, Syracuse, N. Y., for Photographs on Wood.

…………………………………………………………….…………………………Bronze Medal

C. C. Harrison, Fifty-third Street, near East River, N. Y., for Photographic Cameras (a Silver Medal having been before awarded………………………………………………………Diploma

Robert A. Werner, No. 25 East Broadway, N. Y., for an ingeniously planned Diaphragm.

……………………………………………………………………………………………..Diploma

A. Beckers, No. 411 Broadway, N. Y., for a Stereoscopic Panorama.

……………………………………………………………………………………………..Diploma

R. Newell & Co., Philadelphia, Pa., for three delicately tinted Portraits.

……………………………………………………………………………………………..Diploma

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Pastel.

……………………………………………………………………………………….Bronze Medal

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Pastel.

……………………………………………………………………………………………..Diploma

[1] Craig’s Daguerreian Gallery list Barnard’s address in 1852-1853 as being over City Bank Building, 1857 list Barnard at 8 Whiting Block, Syracuse.

 

James Cady

Ambrotypes, Daguerreotypes, Photographs, , , , , , ,

1854-1855       233 Broadway, New York, New York.

1856                139 Nain Street, Wheeling, Virginia.

1858-1864       343 Canal Street, New York, New York.

James Cady was mentioned in two advertisements and fourteen New York City Directories.  In the 1853/54 & 1854/55 New York City Directory he was not listed in the residence section.

The first advertisement that he was mentioned in appeared on September 28, 1854 in The New York Herald (New York, New York).  Mr. James Cady. our Principal Daguerreotype artist, has returned from his summer trip, and will be found at his old post in our establishment.  The celebrity of pictures taken by this celebrated artist need no eloquence from us.  Pictures taken daily.  Meade Brothers, artists and importers, 233 Broadway, four doors above the Astor House.

In the 1855/1856 New York City Directory, residence section he was listed as a daguerrian, 233 Broadway, H-Howard House. 

1856/57 & 1857/58  New York City Directory he was not listed.

The second advertisement that he was mentioned in ran from April 21 to August 6, 1856 in the Wheeling Daily Intelligencer (Wheeling, Virginia).  One Hundred Dollars, Will be given to any artist in Virginia who will exhibit twelve pictures, vix: six Ambrotypes and six Daguerreotypes of equal merit to twelve of which Mr. Adams will select from his collection.  He has opened a new Gallery over Forb’s Jewelry Store, 139 Main St., with a skylight arranged on the most approved principles, which cannot be equaled unless similarly situated fronting on the river.  With rooms easy of access, large and well arranged, with every convenience for making first class pictures of every style and size.  He is happy to announce that he will be assisted by Mr. Cady the artist who made the pictures that were awarded the highest premium, a Gold medal, at the last fair of the American Institute at Castle Garden, New York, also the only premium awarded for Daguerreotypes at the Worlds Fairs at Paris.  Mr. A. has received five medals and eight diplomas for the best daguerreotypes exhibited at different fairs in the United States, which fully attest to the superiority and having been honored with a large proportion of the business in Wheeling the past year he expects with increased facilities not only to retain but enlarge the number of his patrons, more especially as he relies on the intristic merits of his productions rather than a display of furniture.  Ambrotypes either on single or double glass.  Daguerreotypes plain or colored equal to painting on Ivory.  Photographs from the lowest prices up to fifty dollars.  Our light being made of French Plate Glass and being unobstructed by other buildings, pictures can be made      from sunrise to sunset.  Pictures of children taken instantaneously from 9 A. M. to 3 P. M.  Yet the light is so soft and mild that persons with weak eyes can sit by it with perfect ease.  Cloudy days as good as any by this light.  Call and examine before engaging elsewhere.

1858/1859 New York City Directory an advertisements on page 7 reads Ambrotypes, Photographs, Niellographs, &c.  No. 343 Canal Street, three doors West of Greene St., New York.

Niellographs may be enclosed in letters, and sent to any part of the world, without additional charge.

1858/1859 New York City Directory, residence section he is recorded as a daguerreotypes, 343 Canal.

1859/1860 New York City Directory, residence section he is recorded as a daguerreotypes, H-79 Sullivan. He is also recorded as Cady & Adams, (James Cady & George Adams), photographist, 343 Canal.

1860/1861 New York City Directory residence section he is recorded as a daguerreotypes, 343 Canal.

1861/1862 New York City Directory residence section he is recorded as an artist, 343 Canal

1862/18631 New York City Directory residence section he is recorded as photographs, 343 Canal, H-43 E. 28th.

1863/1864 New York City Directory residence he is recorded as a photographer, 343 Canal.

1864/1865 New York City Directory residence section he is recorded as a  photographer, 343 Canal.

1865/1866, or the 1866/1867  New York City Directory residence section he is not listed.

James Cady is recorded in Craig’s Daguerreian Registry as being active in New York City in 1858-1860.  It is possible that the George Adams who was active in Worcester, Massachusetts; Providence, Rhode Island; Washington, D. C.; Morgantown, Virginia and Wheeling, Virginia is the same George Adams who Cady was in partnership with in 1859.

William H. Rablen

Ambrotypes, Daguerreotypes, , , , , , , ,

C.1842-1854   Address and Location Unknown, New York.                                                                  1854-1855       4 Franklin Square, Troy, New York.[1]                                                                          1856                   Address Unknown, Union Village, New York.                                                                1857-1858        Rooms in Stewart’s Block, Middlebury, Vermont.

William H. Rablen was recorded in two announcements and seven advertisements.  The first announcement he was mentioned, appeared on  July 1, 1855 in The New York Herald (New York, New York).  New and Beautiful Discovery.—The Public are invited to call and see some specimens of daguerreotypes, with an improvement discovered by Mr. W. H. Rablen of Troy, formerly one of our artists, by which the most beautiful effects are projected.  Meade Brothers, 233 Broadway, four doors above the Astor House.

The second announcement he was mentioned, appeared on  September 18, 1856 in the Washington County People’s Journal (Union Village, New York.)  Ambrotypes.—Our readers will perceive by the advertisement of Mr. Morse, that they have now an opportunity of procuring the new and beautiful style of picture called the Ambrotype.  The Ambrotype is generally adjusted superior to the daguerreotype.  Mr. M. and his associate, Mr. Rablen, are skilful operators; they have a good instrument, and keep on hand an excellent assortment of cases.  We have seen several pictures executed by them, which for richness of tone, beauty of finish and accuracy in delineating the human face divine, cannot well be surpassed, either in city or country.  Give them a call.

The first advertisement ran from September 18 to November 27, 1856 in the Washington County People’s Journal (Union Village, New York).  Ambrotypes.  George Morse, would respectfully announce to the citizens of Washington County and vicinity that he is now located for a few weeks at Union-Village for the purpose of making Ambrotypes.

He has engaged the services of Mr. W. H. Rablen, of Troy, who for the past 14 years has been engaged in Daguerreotyping in the principal cities in this State, and therefore has had an excellent opportunity of engaging in all new styles of Pictures as they have made their appearance.  Being among the first who launched into the Glass process and for the last 18 months practicing that branch alone, he confidently asserts that he will produce as good a Picture as can be produced by the Ambrotype process; for proof, bring along one of your best Ambrotypes and let him have a “shot at you.”

An Ambrotype is taken on Plate Glass, then hermetically sealed between two glasses, so that it cannot be effected by either air or water.

Mr. Morse returns his sincere thanks for the patronage that he has already met with.  Geo. Morse.

The following six advertisements appeared in The Middlebury Register (Middlebury, Vermont).  The second advertisement ran from March 11 to 25, 1857.  Improved Ambrotypes.  There is nothing prettier to present to a friend than a “fac simile” of yourself, when you can procure one executed in a scientific manner.  Since the introduction of the Daguerreotyping in America improvements have continually been made by our enterprising countrymen.  One of the latest of these improvements the subscribers now introduce to the citizens of Middlebury.  By it we make the picture of the subject have the appearance of projecting an eight of an inch from the glass, therefore get a full stereoscopic view without the use of lenses.

For Brilliancy of Tone and Durability of finish these pictures cannot be excelled.  One of the subscribers has had long experience in picture making, having for the last 14 years been engaged in the principal establishments both in this country and Europe.  Every improvement that has made its appearance he has had an excellent opportunity to “launch” directory into, and is  therefore fully competent to execute first class work at whichever branch of the picture business he undertakes.  Ambrotypes made after the most improved style, either on light or dark ground. An Ambrotype when properly finished is hermetically sealed between two glasses, so that they cannot be affected by either air or water.  All of our pictures are hermetically sealed, which process any one desirous of seeing will be shown with cheerfulness.  Ambrotypes set in lockets.

Pictures of sick or deceased persons taken at their residences.  Particular attention paid to copying Daguerreotypes, Ambrotypes of Paintings.  All copies we guarantee equal to the original pictures.

Rooms in Stewart’s Block.  All are respectfully invited to call and examine specimens.  Putnam & Rablen.

The third advertisement ran from April 8 to 22, 1857.  If You Want A Superior Ambrotype, —You had better call soon,—As We Remain In Town But a few days longer.  Rablen & Putnam.

The fourth advertisement appeared on July 8, 1857.  To The Music World!  Just received, a large lot of New Sheet Music…Call at the Daguerrean Rooms, in Stewart’s Building.  A, J. Hervey…

The fifth advertisement ran from July 22, 1857 to February 3, 1858.  Ambrotypes.  W. H. Rablen respectfully announces to the public that he has purchased his former Partner’s interest in the concern, and having had a good share of patronage awarded him, (for which he is very thankful) he has concluded to remain at Middlebury for some few months longer.  He has recently made great improvements in his rooms, making them much more convenient for customers, and fitted up in a neat and tasty manner.  Having had a number of applications to take views, I have engaged my brother to assist me, and am now prepared to take views of residences, scenery, horses, cattle, or anything that may be desired.  Specimens of scenery may be seen at the rooms.  Those wishing pictures, by patronizing me, may rest assured that they will get as good a picture as can be made, as I take a great interest in producing good work and allow no one to beat me in any branch of my business which I undertake, (unless in writing advertisements)  Please call and examine specimens.  Rooms in Stewart’s Block.

The sixth advertisement ran from February 3 to September 29, 1858.  Rablen Has introduced another new style of picture called the “Scenic Ambrotype.”  Which for beauty of finish and stereoscopic effect, has never before been equaled in Middlebury.  Please call and examine specimens at the Sky-Light Ambrotype Gallery, Stewart’s Block.

The seventh advertisement ran from April 28 to June 9, 1858.  Superior Ambrotypes!  A Good Sky-Light, And an Operator that knows how to use it.  A Genuine Ambrotype, Including Case, Only 50 CTS.

Luther M. Brooks announces to the public that he has reopened the Ambrotype Rooms in Stewart’s Block.  These Rooms have recently undergone repairs, and are fitted up in a neat and tasty manner.  He has engaged the services of the celebrated Ambrotypist, William H. Rablen, who guarantees to make pictures as good as can be produced by the process.

Pictures set in Lockets, Pins, Bracelets, &c.  If you want a first-rate Picture, call and have it done by Rablen, at Brooks’ Sky and Side Light Gallery, Stewart’s Block, over Chapman & Barrour’s.

William H. Rablen appears in Craig’s Daguerreian Registry as being active in Troy New York from 1854-1857.

[1] Dates and address from Craig’s Daguerreian Registry.

Robert Newell

Photographs, , , , , , , , , , , , , , ,

1857                Address Unknown, Philadelphia, Pennsylvania.                                                        1858-1859    926 Arch Street, Philadelphia, Pennsylvania.1

Robert Newell was listed in one announcement that appeared on November 7, 1857 in the New York Daily Tribune (New York, New York).  Premiums Awarded at the Twenty ninth Fair of the American Institute…Daguerreotypes, Photographs, Hallotypes, &c.

M. B. Brady, No. 359 Broadway, N. J., for best plain and retouched photographs.………………………………………………………………………………….Small Gold Medal  J. Gurney, No. 349 Broadway, N. Y., for plain and retouched Photographs (a Gold Medal having been before awarded…………………………………………………………..Diploma M. M. Lawrence, No. 381 Broadway, N. Y., for the best Daguerreotypes and Miniatures in Oil …………………………………………………………………………………Large Silver Medal    Meade Brothers, No. 233 Broadway, N. Y., for instantaneous Daguerreotypes.……………………………………………………………………………………….Bronze Medal J. Gurney, No. 349 Broadway, N. Y., for the best life-size Photographs in Oil (a Gold Medal having been before awarded……………………………………………………Diploma              C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for life-size Photographs in Oil (a Gold Medal having been before awarded)……………………………………………………Diploma  C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for the best Crayon Photographs and Hallotypes………………………………………………………………………Large Silver Medal J. Gurney, No. 349 Broadway, N. Y., for Crayon Photographs and Hallotypes.……………………………………………………………………………………….Bronze Medal J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Aquerille.…………………………………………………………………………………Small Silver Medal C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Aquerille.……………………………………………………………………………………….Bronze Medal S. C. Holmes, No. 289 Broadway, N. Y., for the best Photographic Views.…………………………………………………………………………………Small Silver Medal B. Hafnagel, No. 413 Broadway, N. Y., for photographic Views and copies of Prints.……………………………………………………………………………………….Bronze Medal Phillip E. Bogart & Co., No. 58 Pine street, N. Y., for Photographs by the Solar Camera.…………………………………………………………………………………………….Diploma G. N. Bernard, Syracuse, N. Y., for Photographs on Wood.…………………………………………………………….…………………………Bronze Medal C. C. Harrison, Fifty-third Street, near East River, N. Y., for Photographic Cameras (a Silver Medal having been before awarded……………………………………………………Diploma Robert A. Werner, No. 25 East Broadway, N. Y., for an ingeniously planned Diaphragm.……………………………………………………………………………………………..DiplomaA. Beckers, No. 411 Broadway, N. Y., for a Stereoscopic Panorama.……………………………………………………………………………………………..DiplomaR. Newell & Co., Philadelphia, Pa., for three delicately tinted Portraits.……………………………………………………………………………………………..Diploma J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Pastel.……………………………………………………………………………………….Bronze Medal C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Pastel.……………………………………………………………………………………………..Diploma

Robert Newell is recorded in other photographic directories as being active in Philadelphia in 1858-1860.

 

Jacob H. Lawyer

Daguerreotypes, , , , ,

1848                #2 & #4 Exchange, Second Floor, Albany, New York.[1]                                              1849-1850     37 Owego Street, Ithaca, New York.

Jacob H. Lawyer of the partnership of Lawyer and Clark was recorded in an advertisement that ran from August 22, 1849 to February 13, 1850 in the Ithaca Journal and Advertiser (Ithaca, New York).  Albany Daguerrean Gallery.  The Subscribers would respectfully announce to the citizens of Ithaca and vicinity, that they have opened a Daguerrean Gallery, in the room lately occupied by Messrs. Watson & Ryder, No. 37 Owego-st, where they will be at all times in readiness to furnish the public with better work than ever before done in Ithaca.

Being in possession of all the improvements in the art, they fear no competition, and invite the strictest examination and criticism.  The idea held out by indifferent operators that light eyes cannot be well taken, and linen cannot be made white is expelled at once by an examination of the work in this Gallery.

Miniatures can be obtained here of any size or price, at which they ought honestly to be afforded, but always of a superior quality.  The senior partner of the establishment have been employed as the operators in Meade & Bro’s. Gallery in Albany, in 1848, the best in the state feels confident of being able to give the public better Miniatures than have ever been furnished, and satisfy all that they have heretofore been outrageously humbugged.  The following recommendation is from Messrs. Meade, Albany:

We confidently recommend Mr. J. H. Lawyer to the public as a first rate Daguerrean Artist, understanding all the late improvements in the art.  Mr. L. has taken pictures in our establishment and has given general satisfaction.   Meade & Brother.  Albany, July 10, 1848.

The experience of the senior partner for the last three years in the business in the best Galleries, is sufficient to entitle him to the confidence of public when those around him are but beginners in the business without experience or taste.  Instructions given in the art on reasonable terms, and chemicals, &c. kept constantly on hand for sale.  J. H. Lawyer.  F. C. Clark.  Ithaca, August 20, 1849.

J. H. Lawyer is listed in other photographic directories, but is listed here for the information in the advertisement.

[1] Address from Craig’s Daguerreian Registry.

Hovey

Photographs, , , , , , ,

1854                Address Unknown[1], New York, New York.

Hovey[2] was recorded in two announcements.  The first announcement appeared on October 7, 1854 in the New York Daily Tribune (New York, New York).  Premium List.  The following premiums were awarded at the Fair of the New-York State Agricultural Society, held in this City October 3-6…

Best Daguerreotypes—Meade & Brother, New York…………………..Dip.                                        Best sample Photographs—Root & Hovey, New York City…………….Dip.

The second announcement appeared in The New York Herald (New York, New York) on  October 8, 1854. New York State Fair…Painting, etc.

Best Daguerreotypes—Meade & Brother, New York…………………..Dip.                                          Best sample Photographs—Root & Hovey, New York City…………….Dip.

[1] Samuel Root’s address is 363 Broadway.                                                                                                  [2] Possibly Daniel Hovey.  Craig’s Daguerreian Registry records that Daniel Hovey worked for Samuel Root in Philadelphia in 1849, but does dot record the partnership of Root & Hovey or that he was in New York City.  In the Directory of Pennsylvania Photographers 1839-1900 by Linda A. Ries & Jay W. Ruby Daniel (Douglass) Hovey is listed in 1849 as an operator for Samuel Root in Philadelphia.  From 1849 to 1860’s they record him in Rochester, New York, in partnership with John Kelsey in 1854 and Henry Hartman from 1857-1863.  Interestingly Samuel Root is not list in their directory.

Isaac C. Hendrickson

Daguerreotypes, , , ,

1855                Fulton Street, two doors west of Washington Street, Jamaica, New York.

Isaac C. Hendrickson was recorded in an advertisement that ran from May 29 to September 25, 1855 in the Long Island Farmer, and Queens County Advertiser (Jamaica, New York).  Hendrickson’s Sky-Light Daguerrian Gallery.  The subscriber would respectfully call the attention of the public to the admirable arrangement of the light and to the other facilities for taking Perfect Daguerreotypes, at the rooms recently fitted up in Fulton Street, two doors west of Washington.  I. C. Hendrickson.  Jamaica, May 8, 1855.

Isaac C. Hendrickson is listed in Craig’s Daguerreian Registry as being active in New York city at 233 Broadway in 1855-1856.  233 Broadway is the Meade Brothers address it is possible that he was employed with them in early 1855.

A. D’Orathon Hartman

Daguerreotypes, , ,

1852                233 Broadway, New York, New York.                                                                                    1853                627 Broadway, New York, New York.

A. D’Orathon Hartman was recorded in two announcements in The New York Herald  (New York, New York).  The first announcement ran on June 7, 1852.  Reduced Prices—One Week More!—Go And see A. Hartman’s Exhibition of the Haytien and Dominican Collection, at Meade Brothers, No. 233 Broadway.  The whole ceremony of the Coronation of the Emperor and of Hayti, in full dress, the whole Court, Ministers, Consuls, and all the most influential personages of the empires by the Daguerreotype.  Admission, 25 cents, from 8 A. M. till 6 P. M.

The second announcement ran on June 20, 1853.  Daguerreotypes.—Have you seen Hartman’s daguerrean gallery, one of the marvels of New York?  Have you had your likeness taken in his splendid skylight studio, the best and most elegantly appropriated in the city?  These are the prevailing questions among ladies of fashion.  Well, if not, go to 627 Broadway, where you will have the rare chance of admiring something entirely new, artistic, and worthy of more than a mere visit.  Taste and refined politeness, as well as efficient science in the doing, are displayed in that gorgeous establishment, which is full of the choicest and most rare specimens of all descriptions.

A. D’Orathon Hartman is recorded in Craig’s Daguerreian Registry as being active in New York city in 1853-1854.

Peter G. Clark

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1850                Address Unknown, [Boston], Massachusetts.[1]                                                1851                247 Washington Street, Boston, Massachusetts.[2]                                                      1851-1852     36 Washington Street, Boston, Massachusetts.[3]                                                      1852-1854      in San Francisco, California.[4]                                                                          1853                Address Unknown, Boston, Massachusetts.[1]                                                  1854                103 Washington Street, Boston, Massachusetts.[3]                                                    1854-1856      in New York City.[4]                                                                                                1855                158 Bowery, New York, New York.[5]                                                                      1857                Lower Great George Street, Charlottetown, Prince Edward Island, Canada.[4]  1859-1862      in San Francisco, California.[4]

Peter G. Clark first appeared in the Massachusetts Charitable Mechanic Association Report for September 1850.  He exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association, no award was given.

Reported on December 20, 1851 in The Carpet Bag (Boston, Massachusetts). A Present.—We have received from the artist, Mr. P. G. Clark, No. 247 Washington street, an elegant and faithful likeness of Mrs. H. M. Stephens, of this city, and we take pleasure in exhibiting the treasure to our many visitors. [We have an adjourned promise of the transcript of another fair face from the East—“down east,”—when the “sometimes operator” shall get back.] Of course we are proud of it, and of course we thank the donor, and commend him to the notice of that public which always patronizes those who favor the printers.

Reported in the September 1853 report of the Massachusetts Charitable Mechanic Association.  Peter G. Clark exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association. Award a bronze medal for daguerreotype views of California.

Reported in an advertisement on December 22, 1855 in the New York Daily Tribune (New York, New York). Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits.  Highest prize $1,000.  For particulars see circulars at the Museum.  Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway; Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

Peter G. Clark is known see the following publications for more information Pioneer Photographers of the Far West, A Biographical Dictionary 1840-1865,  Craig’s Daguerreian Registry, A Directory of Massachusetts Photographers 1839-1900.

The new Information, is the fact that he showed at the Massachusetts Charitable Mechanic Association in 1850 and in 1853, the advertisement in the Carpet Bag newspaper with the 247 Washington Street address, and the December 22, 1855 New York Daily Tribune advertisement with address of 156 Bowery, New York.

[1] Massachusetts Charitable Mechanic Association records, 1850 & 1853.                                        [2] The Carpet Bag (newspaper).                                                                                                                        [3] Directory of Massachusetts Photographers 1839-1900.                                                                          [4] Pioneer Photographers of the Far West.                                                                                                        [5] New York Daily Tribune (newspaper).

Byron & Bent

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1851                155 Atlantic Street, Brooklyn, New York.

Byron & Ben were first recorded in an announcement on May 12, 1851 in The Brooklyn Daily Eagle (Brooklyn, New York.)  Brooklyn Not To Be Outdone.—Byron & Bent, of 155 Atlantic Street, Brooklyn, whose artistic skill as Daguerreotypist, is rapidly gaining for them a distinguished celebrity, determined to keep pace with the New York artists, have, with a laudable enterprise, fitted up a Daguerrian gallery that will vie with any in the modern Gotham.  In point of accuracy of delineation, distinctness of execution and style, the likenesses by Byron & Bent, are as perfect as any we have seen, and superior to many, by artists who have had a longer experience, and hold a high rank in their profession.  We command Messrs. B. & B. to the patronage of their fellow citizens.  Their charges are moderate, and the portraits are permanent, which is not the case with very many of the low priced artists—we mean those who charge 50 cts.  Pay them a visit, and give them a trial; you will be sure to call again!

The following week an advertisement appeared on May 17 and ran until August 22, 1851 in The Brooklyn Daily Eagle (Brooklyn, New York.)  Daguerrian Gallery, (From Meade Brothers,) 155 Atlantic street, Brooklyn.  The great want of a good Daguerrian Gallery, in South Brooklyn, has long been felt, and the subscribers have been induced to fit up the first floor over the splendid store of G. D. Sweetzer, at 155 Atlantic street, as one of the first class; and they can say, without fear of contradiction, that in point of convenience and general capabilities, it is surpassed by none in the States.

The Proprietors will always be on the spot, and guarantee that none but Superior Pictures shall be issued from their establishment.  Ladies and elderly persons will find a great convenience in the gallery and operating room being on the first floor.  Children’s Portraits taken in a few seconds.  Portraits taken at private residences.  A choice assortment of Lockets & c.  Portraits (colored) from $1.00 upwards, Portraits with Locket included,          $2.50.  Byron & Bent.

While Walter C. Byron and Edward Stanley Bent are known and have been recorded in Craig’s Daguerreian Registry the new information is that they worked for the Meade Brothers.