Tag Archives: Meade Brothers

McDonell, Donald

1844                Address Unknown, Buffalo, New York.

1847-1852       192 Main Street, opposite the Farmers Hotel, Buffalo, New York.

1852-1858       208 and 210 Main Street, Buffalo, New York.

1855-1859       194 Main Street, Buffalo, New York.

1858-1864       232 Main Street, Buffalo, New York.

1865-1868       288 Main Street, Buffalo, New York.

1847.  Buffalo City Directory.  (Buffalo, New York.)  1847-1848, P. 28.

M’Donell & Co.  Daguerrian Rooms, Opposite The Farmers Hotel, No. 192 Main-Street, Buffalo.

Ladies and Gentlemen will please call and see their numerous Specimens whether they want Pictures or not.

Taken in all sorts of Weather.  Daguerreotypes Apparatus, Plates, Cases, Chemicals, and every article used in the Business, for sale wholesale or retail.

1847 October 22.  Morning Express.  (Buffalo, New York.)  October 22, 1847, Vol. 2, No. 556, P. 2.

Extensive Daguerrean Gallery.  McDonell & Co. No. 193 Main street, up one pair stairs, opposite the Farmers Hotel, respectfully invite the public to call and see their numerous specimens, whether they want pictures or not.  Pictures taken in any kind of weather, of size or style [to sell] purchasers.

Instruments, from medium to full size, with every article used in the business, for whole sale or retail.  Money enclosed by Mail for Instruments, Plates, Cases, Chemicals, Lockets, or any other material, will [be] promptly attended to, and the goods forwarded to any part of the country.

Those wishing to learn this truly delightful and useful Art, or those wishing to purchase anything belonging to the business, will find it to their advantage to call at this establishment.

Advertisement ran from October 22, 1847 to January 1, 1848.

1848.  Buffalo City Directory.  (Buffalo, New York.)  1848, P. 354, Published by Thomas S. Cutting.

M’Donell & Co’s Daguerrian Room and Stock Depot, 192 Main Street.

1848 February 16.  The Republic.  (Buffalo, New York.)  February 16, 1848, Vol. 2, No. 315, P. 2.

Daguerrian Gallery.  McDonnell & Co., 192 Main street, opposite the Farmer’s Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also a fine assortment of Lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Cases &c., forwarded to any part.

Advertisement ran from February 16 to May 8, 1848.

1848 May 1.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  May 1, 1848, Vol. XIV, No. 4180, P. 2.

McDonell & Co’s Daguerrian Rooms and Depot for the sale of Daguerreotype material of all kinds, No. 192 Main street.

Goods forwarded to any part.  Instruction given in the art, including every improvement known in the art.

Advertisement was recorded between May 1 to June 14, 1848.

1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849. 1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849.

1849 January 16.  Buffalo Morning Express.  (Buffalo, New York.)  January 16, 1849, Vol. IV, No. 932, P. 3. 

Meade Brothers’ Celebrated Daguerreotypes—At 232 Main-street (Branch of McDonnell & Co’s.  Prof. Meade respectfully inform his old friends, and the public generally, that he will take their celebrated Daguerreotype likenesses, at the Original Room, No. 232Main street, a few doors above Swan, where he will be happy to see all who wish a superior Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day, with great facility and accuracy.  Also, Groups of Families, etc.  Pictures set in lockets, breast pins, rings, &c.

N. B.—Persons sick or infirm, will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch. 

Rooms open from 9 A. M. till 5 P. M.

Thorough instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.  dec.21tjan.26.

Advertisement Was recorded between January 16 to 27, 1849.

1849 November 25.  New York Herald.  (New York, New York.)  November 25, 1849, Whole No. 5638, P. 3.

Fine Arts.—To All Professional Daguerreotypers and Amateurs of the Photographic Art throughout the United States.—The subscribers, owners of Talbot’s United States Patent for taking pictures on paper, by aide of the Camera Obscura, considering that it is more consonant with the spirit of the age and the free institutions of this country, to give access to a valuable invention to every one who desires it, have concluded to dispose of this Patent Right, together with their valuable improvements, in individual licenses, at the trifling sum of thirty dollars for each of the first two hundred licenses, and fifty dollars for each subsequent one.  For this sum every purchaser receives license to exercise the art throughout the United States, with the exception of the States of Louisiana, Alabama, Georgia, Florida and Texas, for which States the exclusive right has been sold previous to this arrangement; a copy of the original patent and a printed pamphlet containing a full, clear, and minute description of the process, as improved by the scribers.  For further particulars, apply to the subscribers or their agents, post paid, who will send by return of mail a full prospectus of all the conditions. 

W. & F. Langenheim, Exchange, Philadelphia.  Agent—

E. White, 24 Broadway[1], New York City.

A. Q. Browns, 228 Washington Street, Boston.

Hale & Co., Boston.

Eastern Patent Agency, Boston.

W. A. Wisong, Baltimore

W. A. Pratt, Richmond, Va.

John C. Simons, King st., Charleston, S. C.

Peter Smith, Cincinnati, O.

Messrs. Long, St. Louis, Mo.

D. McDonnell, Buffalo, N. Y.

Advertisement ran from November 25 to December 3, 1849.

1850 August 20.  Buffalo Morning Express.  (Buffalo, New York.)  August 20, 1850, Vol. V, No. 1423, P. 2.

Important to Daguerrean Artists.  M’Donell & Co. No. 192 Main street, have for sale a new style Buff, only ten dollars a pair, called the Magnetic Buff.  It makes a plate so sensitive that an impression can be taken in from two to three seconds, with the instruments in common use.  A immense supply of stock, including the largest supply of Gold Lockets in Western New York, just received, and which we sell wholesale at New York prices.

Plates, cases, cameos, &c. forwarded to any part of the country.  Money sent by Express or by mail will come safe.

McDonell’s celebrated sensitive for sale constantly.  Instruction given in the art with the necessary apparatus, and supplies furnished on moderate terms.

Advertisement was recorded between August 20, 1850 to February 21, 1851.

1851 April 19.  Buffalo Morning Express.  (Buffalo, New York.)  April 19, 1851, Vol. VI, No. 1629, P. 3. 

Daguerrean Gallery.  McDonnell & Co.—192 Main st., opposite the Farmers Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Please call and see.  From 6¼ A. M. to 7 P. M.

Advertisement was recorded between April 19, 1851 to July 9, 1852.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. VI, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present limits we only refer to the following:  First—a Silver Medal and a Diploma by the N. Y. State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear, in the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

1852.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1852, P. 83, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1852 January 6.  Buffalo Morning Express.  (Buffalo, New York.)  January 6, 1852, Vol. VI, No. 1849, P. 2.

Daguerreotyping, Or, The Fine Arts In Buffalo.  McDonell & Co., in returning many thanks to their friends and the public generally, for their kind a liberal patronage since their commencement in Buffalo, eight years ago, have a pleasure in saying, that they were never better prepared to make Pictures on a very superior kind, from the smallest size imaginable to double full size, which is an advantage not found in any other establishment west of New York.

Having again stooped to notice the taunting and bombastic libels issued against us by a harmless yet much agitated competitor, O. B. Evans, whose exasperated jealousy of our popular success, which by every low mend of tergiversation he assails, and wonted petulance gives him the liberty of my name; and although having at all times great aversion to the usage of invective and dissension, and much greater to the notice of them from an inferior source—yet we are impressed with the idea, that erroneous fallacy, if seized, in its exit and hurried back to the teeth of its miserable author, the venom of whose boiling soul seems ever employed to drag him into difficulties, may be to him a moral less [n], and perhaps in time a pecuniary gain.  In contradiction to O. B. E.’s notice of the 27th ult., I would merely say, that my conscious belief has been confirmed by that of most credible authenticity, that his acquirements of Diplomas were not meritorious, but through a courtesy to highly accomplished auxiliary etiquette.  Moreover, I feel no hesitation in expressing my firm belief, that the Inspecting Committee at the Rochester State Fair, evinced either a blinded sympathy or total ignorance of the intricacy attending the improvements making in the Art, which belief is confirmed by the Daguerrian Journal, which reads as follows:

“For several years but little satisfaction has been felt by those who have exhibited Daguerreotypes at the exhibition of the American Institute.  We would not say this, were it not that others than the exhibitors have been disappointed by the course of decisions.  Yet it may be well and properly accounted for—for oftentimes the judges are others than those who know even the first principle of science.”

“With such a Committee, a skilful operator had better keep his Specimens within his own walls.”

When O. B. Evans could receive a Diploma, while our double whole size Pictures of which are acknowledged by distinguished Artists to remain unsurpassed if equalled by any executed in this country or Europe, received not their merited notice.  With this belief, a consciousness of our own ability, and the popularity of an enlightened and discerning public, we have deemed the pursuit and requirement of Diplomas matter of no special gain or repute.  Yet for our many encomiums and Diplomas, we seek no further confutation of O. B. Evans’ slanderous libels, in whose own unpolished diction, by the assumption of his pointed liberty of my name, he acknowledges me his superior, and the only bar to his success, than the public before whose eyes they have hung in our Gallery for the last three years.

As to the extension of O. B. Evans’ patronage, we have never assumed the petty province of investigating; but would say, that in our employ we keep four persons busily engaged, and that it speaks poorly that he has out merited his patronage in Buffalo, and gone for a time to operate in some country village.

We feel no displeasure that O. B. Evans receives a liberal share of patronage by honest means; but he who would seek to lessen his neighbor’s merit by a resort to superlative untruth and unparalleled self-conceit, deserves to be noticed only that he may be the more despised.  D. McDonell.

 Advertisement ran from January 6 to 8, 1852.

1852 June 18.  Buffalo Morning Express.  (Buffalo, New York.)  June 18, 1852, Vol. VII, No. 1988, P. 2. 

Daguerreotypes—That which can beckon back the absent and summon up the dead, furnishing something more than an imperfect imagination of their features, by its cunning counterfeit of the actual being, must be regarded as of inestimable value.  It is one of the greatest triumphs of art, that it has secured to the most indigent as well as the opulent, the means of “snatching a copy” of the lineaments of those whom they are called to [resign].  Our city is highly favored with artists in this line.  We have taken a stroll recently through the rooms of Messrs. McDonnell and find them filled with creditable specimens, of the art du soliel.  Their gallery is finely fitted up and affords a desirable lounging place for these hot days.  Their collection of pictures embraces many persons of note.  These gentlemen have received several diplomas attesting their skill, and those desiring a good daguerreotype may anticipate satisfaction at this establishment.

1852 July 8.  Buffalo Morning Express.  (Buffalo, New York.)  July 8, 1852, Vol. VII, No. 2004, P. 2. 

Removal.  McDonell & Co., have removed their celebrated Daguerrian Rooms to Nos. 208 and 210, over the scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonell & Co.

Advertisement ran from June 8 to 15, 1852. 

1852 July 10.  Buffalo Morning Express.  (Buffalo, New York.)  July 10, 1852, Vol. VII, No. 2006, P. 1. 

Daguerrean Gallery.  McDonnell & Co.—208 and 210 Main street, over Scotch Store.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Advertisement was recorded between July 10, 1852 to January 15, 1853.

1852 August 27.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  August 27, 1852, Vol. XVIII, No. 5508, P. 3.

Daguerrian Rooms—McDonell & Co’s celebrated Rooms removed to 208 and 210.  The only establishment west of New York where double full size pictures are made.  All the smaller sizes made as usual.  Daguerrian goods for sale wholesale.

Instruction given in the art.

Rooms open from 7½ A. M. till 7½ P. M.  Remember the No., 208 and 210.

N. B.—A splendid lot of Lockets, &c. &c. of all sizes, ways on hand.

Advertisement was recorded between August 27, 1852 to January 13, 1854.

1852 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1852, Vol. VII, No. 2032, P. 3. 

McDonnell & Co., 208-210 Main Street. , are making some fine pictures of late.  Their new rooms are a great improvement upon the old.  Persons wishing a good “counterfeit of the human face divine” should give them a call.

1852 August 14.  American Celt, and Catholic Citizen.  (Buffalo, New York.)  August 14, 1852, Vol. IV, No. 33, P. 8.

Daguerrean Rooms.  McDonell & Co.’s Celebrated Rooms and Stock Depot Nos. 208 & 210 Main-st.  The only Rooms West of New York where the double whole size impressions are taken.

Instructions given in the Art and Daguerrean goods sold at whole sale.

Impressions taken of children of any age.

Advertisement as recorded on August 14, 1852 & on May 28, 1853.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Last but not least are a group of three ladies, and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient need of praise unless it be the first approval of the committee…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next to North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Removal.  McDonnell & Co., have removed their celebrated Daguerrean Rooms to Nos. 208 and 210, over the Scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonnell & Co.  jy9.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Daguerrean Rooms.  The Oldest in Buffalo. 

Diploma Awarded To D. McDonell For Superior Daguerreotypes.  B.P. Johnson Sec.  [and] [P.] Allen Pres.

McDonnell & Co’s., celebrated Rooms and Stock Depot are over the Scotch Store, No. 208 and 210 Main st., a few doors from their former place, where they are makingsuperb pictures from the smallest size possible to Double Full Size.  His is the only Establishment west of New York where these mammoth impressions are made.

An immense amount of Daguerreotype Material including gold Lockets, Watch Keys, Seals, Bracelets, &c. &c., all for miniatures, for sale wholesale.  Instructions given in the art and everything furnished on reasonable terms.

Do Not forget the place 208 and 210, up stairs.  jy17.

1853.  Buffalo City Directory.  (Buffalo, New York.)  1852, P. 80, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1853 February 21.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  February 21, 1853, Vol. XI, No. 5657, P. 2.

Pursuant to notice there was a special meeting of the St. Andrew’s Society of the city of Buffalo, held at Mr. D. McDonell’s Rooms, No. 208 Main street, on the evening of Saturday the 19th February 1853, in relation to the death of Mr. Alexander Allen.

In the absence of the President, Hugh Cameron, Esq., Mr. Donald McDonell, one of the Vice Presidents, was called to the chair…

D. McDonell, President.

John Jamison, Secretary.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is susceptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854.  Buffalo City Directory.  (Buffalo, New York.)  1854, P. 59, Published By Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1854 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1854, Vol. IX, No. 2649, P. 3. 

Daguerreotypes.  McDonnell & Co., Is Thanking The public for the liberal patronage constantly extended to them since 1844, would avail themselves of the present opportunity of reminding those who have yet to secure the last true and imperishable mementos of life, health and beauty, that “procrastination is the thief of time.”  Though pressure of business renders it next to impossible, the subscribers, ever willing, are constantly taking impressions of deceased persons, whose friends are sorely reminded of the above adage,  Securer the shadow ere the substance fade, for we know not what a day may bring forth.

The subscribers have lately got on a rich and beautiful assortment of plain and fancy Cases; also, a fresh supply of Gold Lockets, Rings, Pins, &c.  They would also say to Daguerrean Artists, that they are prepared to furnish large supplies of the celebrated H. B. Plates; also Cases, Frames, &c.  D. McDonnell & Co., No’s 208 and 210 Main street, Buffalo.

Advertisement ran from August 10 to 17, 1854.

1854 August 11.  Buffalo Morning Express.  (Buffalo, New York.)  August 11, 1854, Vol. IX, No. 2650, P. 3. 

We understand that McDonnell & Co., the well known Daguerreotypist, are about to fit up one of the most extensive and elegant Galleries, out of New York city.  Particulars in due time.  Meanwhile, they are receiving a choice assortment of cases, lockets, pins, rings, etc., and are prepared to put faces upon record at the shortest notice, and to the best advantage.  Their pictures are always exquisite, and are, therefore, highly prized.

1854 December 6.  Buffalo Morning Express.  (Buffalo, New York.)  December 6, 1854, Vol. IX, No. 2752, P. 2. 

All Hail!  Happy Season Of Amusements, Gifts And Mementos.  In Thanking Our Numerous Friends for the liberal patronage hitherto extended, we would take this method of informing them that we have just received a large assortment of the richest and most beautiful Cases, comprising Union, Antique, Sontag, &c., and Picture Frames, Lockets, Rings, &c., that was ever offered to the citizens of Buffalo.  On comparison with their equalities they will be found cheap.  Ladies and gentlemen please call and see them.  McDonell & Co.

Advertisement was recorded between December 6, 1854 to January 5, 1855.

1854 December 7.  Buffalo Morning Express.  (Buffalo, New York.)  December 7, 1854, Vol. IX, No. 2753, P. 2. 

To Let.  A Very Desirable And Commodious dwelling, being No. 58, corner Chippewa and Franklin streets, west of Main.  It is supplied with water and gas, has a garden containing several fruit trees, and a good brick barn on the lot.

Also, the upper part of Nos. 208 and 210 Main street—For further particulars enquire of the subscriber, who is nearly ready to move into the new and splendid rooms over Murray and Cummings new store, No. 194 Main st.  D. McDonell.

1855.  Buffalo City Directory.  (Buffalo, New York.)  1855, P. 49, Published By Thomas & Lathrops.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1856.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1856, P. 54.  Published By Thomas & Lathrops.

Daguerrean Rooms—The Oldest in Buffalo.  M’Donell & Co.  NO. 208 & 210 Main Street, Importers, Manufactures & Dealers in Daguerreotype Materials.  Rooms open to the Public from 7 a.m. to 7½ p. m. 

1856 February 8.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  February 8, 1856, Vol. XI, No. 3115, P. 2. 

Just Received By McDonell & Co., No. 194 Main street, Buffalo, a very large supply of Daguerrian Goods.  Also, Photograph Material.

Advertisement ran from February 8 to 13, 1856.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

To Rent.  A Splendid Front Room Over Murray & Cumming, No. 195 Main street, suitable for a large office, Merchant Tailor, &c  Also, a fine room over the same establishment, with good entrance from Pearl street.

For particulars apply to the subscriber.  D. McDonell.

Advertisement ran from July 3, 1856 to March 24, 1857.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

“Advertising Medium.”  Notice.  Persons Holding Due Bills Against me for Daguerreotypes are requested, while the weather is fine, to attend to them.  D. McDonell.

Advertisement ran from July 3 to 7, 1856.

1856 September 27.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  September 27, 1856, Vol. XI, No. 3315, P. 3. 

Fair of the American Agricultural Exchange Association.—The following Premiums were awarded by the committee…

On Miscellaneous Articles…diploma to…D. McDonnell…

1856 October 22.  Campaign Courier.  (Buffalo, New York.)  October 22, 1856, Vol. 2, No. 19, P. 3.

Rooms Open To The Public. The most extensive Daguerrean Establishment in Western New York, 232½ feet deep, through from Main to Pearl street, second floor, over Murray & Cumming’s fine Dry Goods Store, 194 Main street, opposite the Metropolitan Theatre.

$10,000 Worth Of Daguerreotype Material constantly on hand, including Gilt And Rosewood Frames, Cases of all sizes and styles, where persons having pictures taken can have a chance to select . 

Impressions Taken on Plates, Glass And Paper.  Artists supplied with Cameras and all kinds of Material for Daguerreotypes, Crystalotypes, or Photographs.  McDonell & Co.   no27.

1856 December 7.  The Spirit of the Times.  (Batavia, New York.)  December 7, 1856, Vol. 34, No. 26, P. 8.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co., No. 208 and 210, Main street, Importers Manufacturers, and Dealers in Daguerreotype Materials, of every description, thank the public for the liberal patronage extended to them.  Having enlarged their rooms, and added a splendid Sky Light to their facilities for making their superb pictures, their patrons can have a choice; having also added largely to their supply of Instruments, Plates, Cases, Chemicals and Gold Lockets, Pins, Bracelets, Locket seals, Rings, &c., for Miniatures, would invite strangers visiting the city, or Falls of Niagara, to give a peep into their new rooms, where they can be seen the largest supply of specimens in Western New York.  They are prepared always to take impressions of Children of every age, in the wonderful short space of one second.

Daguerrean Artists sending orders, with the cash, by mail can have them filled to any extent, at least as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instructions given in the art.  The Buffalo and other papers will account for our Diplomas, encomiums for the specimens sent to the World’s Fair, &c.

Rooms open to the public from 6 A. M. to 7½ P. M.  Recollect the number, 192 Main Street, opposite the Farmer’s Hotel.

1858 May 17.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  May 17, 1858, Vol. XI, No. 3819, P. 2. 

Removal.  The Daguerrean, Ambrotype And Photographic Gallery of D. McDonell has been removed from 194 to 282 Main street, between Swan and Erie streets, where its unrivalled attractions will be continued.

Advertisement ran from May 17 to August 9, 1857.

1858 August 4.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  August 4, 1858, Vol. XIII, No. 3886, P. 4. 

From The Fire Marshall.  Fire Marshall’s Office, Buffalo, August 2, 1858.  To The Hon. The Common Council of the city of Buffalo.—Gentlemen a fire occurred on the 21st inst. at 2½ o’clock, P. M. in a two story brick building known as the Jas. M. Fish elevator situated on the southwest corner of Ohio and Cincinnati streets, owned by the New York Central Railroad, unoccupied.  Loss on the building $3,000.  No insurance.  The fire spread as follows, to wit:…2 story wooden building owned by D. McDonnell, occupied by E. Connelly as a grocery.  Loss on building $500.  Fully insured.

1859 December 31.  Buffalo Evening Post.  (Buffalo, New York.)  December 31, 1859, Vol. X, No. 286, P. 2. 

Bought Out.—R. McDonell, of the old Daguerrean Rooms opposite the Metropolitan Theatre, has bought out the entire stock of A. B. Nimbs’ colored photographs, daguerreotypes, ambrotypes and furniture.  Mr. Nimbs is acknowledged to be the best colorer in Western New York, and will hereafter color for Mr. R. McDonell.  Citizens may depend upon having work done promptly at 194 Main street.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 3. 

Removed.—By reference to the card of Mr. J. H. Keller it will be seen that he has removed his Photograph and Daguerreian Gallery to the large and commodious rooms formerly occupied by R. McDonell, at No. 194 Main street.  He will there continue to execute sun pictures in the very highest style of art.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 2. 

Keller’s Gallery.  J. H. Keller Has Removed To The Large And Old Established Rooms of R. McDonell, 194 Main Street, opposite the Theatre, where, with increased facilities, he will be happy to see his old friends and patrons.  These rooms are the most airy and convenient in the city, being reached by only one pair of stairs, and in order to meet the wants of the people, and to suit the times, I have reduced the price of pictures as follows:

Ivorytypes, without frames…………$8.00

Photographs, colored in oil…………$10.00

Photographs, Water colors………….$5.00

Photographs, India Ink………………$5.00

Also superior Ambrotypes and Melainotypes taken at the lowest prices.

All Pictures taken in the finest style of the art, and warranted to give perfect satisfaction.

Phereotypes are also made at my rooms.

Daguerreotypes, from pictures already taken of deceased persons, produced of an enlarged size, and painted in oil at $10 each, and finished in the most superior style of the art.  J. H. Keller.

1861 April 20.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  April 20, 1861, Vol. XXVII, No. 10,227, P. 3.

“Scots Wha Ha’ Wi’ Wallace Bled.”—

Scotch adopted citizens and the sons of Scotchmen, are requested to meet at the Old Court House, on Monday evening, April 22d, for the purpose of declaring their sentiments, and taking whatever action may deemed advisable, in the present condition of our National affairs.

David Bell, President St. Andrew’s Society.

James Smith, Ex-Pres. St. Andrew’s Society.

Donald McDonell,

Alexr. McKay,

James E. Thompson,

Archer McPherson.

1861 August 12.  Buffalo Morning Express.  (Buffalo, New York.)  August 12, 1861, Vol. XVI, No. 4809, P. 2. 

Removal!  W. M. Knight having associated himself with R. J. Willett, has removed to the large and finely lighted rooms lately occupied by McDonnell, No. 194 Main Street, Over H. Con’s Emporium, (directly opposite the Metropolitan Theatre), is now prepared to make pictures of all sizes and varieties, from the cheap Ambrotype to Photographs, life size, in oil.  Having a large, fine sky light, (up only one flight of stairs) especial attention will be given to Children and Groups.

We are fitted up for making First Class Daguerreotypes Which are the nicest and most durable pictures ever made.  Large Photographs at one-half the price of the up town rooms.

We shall make none but good Pictures, and shall sell them at prices to suit the times.  Call and see.  Knight & Willett.

1861 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1861, Vol. XVI, No. 4823, P. 3. 

Our Holiday Directory…

Miscellaneous.  At R. McDonnell & Co., 257 Main street, may be obtained for holiday presents choice photographs, beautiful daguerreotypes, and exquisite ambrotypes.

Buffalo City Directories.  (Buffalo, New York.)

1844.   McDonnell, Donald—Clerk, 166 Main Street., B-Murray’s.

1847.   McDonnel & Co., Daguerrian, Rooms 192 Main.

1848.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McD. & Co.) 192 Main.

1849.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald, (Firm of McDonnell & Co.) B-Bennet’s Temperance Hotel.

1850.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.) H- 16 Carrole.

1851.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.)  H- 16 Carrole.

1853.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1854.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1855.   McDonell & Co., Daguerrean Rooms over 194 Main.

 McDonell, Donald (Firm of McD. & Co.)  H-Pearl above Seneca.

 McDonell, A. Daguerrean, B. Genesse House.

1856.   McDonell & Co., Daguerrean Rooms, over 194 Main.

McDonell, Donald (Firm of McD. & Co.) H-Franklin corner Chippewa.

McDonell, Ronald, no occupation listed, over 194 Main.

McDonell, Ronald C., no occupation listed, over 194 Main.

1857.   McDonell, Donald, Daguerreotypist, 194 Main.  H-58 Chippewa.

 McDonell, R., artist, 194 Main.

1858.   McDonell, Donald—232 Main st., H-Chippewa corner Franklin.

McDonell, R., Daguerrean, 194 Main.  H-194 Main.

1859.   McDonell & Co.—Daguerrean Gallery—232 Main.

McDonell, Donald, (Firm of McD. & Co).  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1860.   McDonell & Co., Daguerrean Gallery, 232 Main.  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1861.  McDonell or McDonnell—Not listed

1862.   McDonell, Donald—Photographer, 232 Main.  H-58 Chippewa.

McDonel, R., Photographer, 255 Main.

1863.   McDonell, Donald—Photograph Gallery, over 232 Main.  H-58 Chippewa.

McDonell, R.  Not listed.

1864.   McDonell, Donald—Artist—232 Main.  H-58 Chippewa.

1865.   McDonnell, Donald—Picture Gallery—288 Main.  H-58 Chippewa.

1866.   McDonell, Donald—Photographer—over 288 Main.  H-58 W. Chippewwa.

1867.   Donnell, Donald—Photographer—288 Main.  H-58 Chippewa.

1868.   Donnell, Donald—Photographer—288 Main.  H-53 Chippewa.

1869.   Donell, Donald—Agent.  H-53 W. Chippewa.

1870.   Donnell, Donald—Insurance Agent.  H-53 Chippewa.


[1] Possibly a typo for 247 Broadway

Mason, Oscar G.

N. D.               233 Broadway, New York, New York.[1]

1855                Union Block, Northfield, Vermont.

1856                Address Unknown, Northfield, Vermont.1

1857                Union Block, Northfield, Vermont.1

1858                Address Unknown, Springfield, Massachusetts.

1859                Goodrich Block, Springfield, Massachusetts.[2]

1860                Address Unknown, Springfield, Massachusetts.2

1861                Goodrich Block, Rooms 34, 35 & 36, Springfield, Massachusetts.2

1862                Address Unknown, Springfield, Massachusetts.2

1864                691 Broadway, New York, New York.

1865-1866       599 Broadway, New York, New York.

New York City Directories.  (New York, New York.)

1849 to 1850   Published by John Doggett.

1851                Published by Doggett & Rode.

1852 to 1870+ Published by John Fowler Trow.

1849-1855       Not Listed.

1863                Not Listed.

1864                Sec. 599 Broadway and Photographer 691 Broadway.

1865                Artistic & Scientific Photographer, Sec. Photographical Society. 599 Broadway, H-399 Adelphi, Brooklyn.

1866-1870       Not Listed.

Brooklyn City Directory.  (Brooklyn, New York.) 

1863-1875+    Published by Jonathan Lain & Company.

1863 to 1865   Not Listed.

1866                Photographer, 599 Broadway, New York, H-339 Adelphi.

1867-1875       Not Listed.

1855 January 17.  Vermont Christian Messenger.  (Northfield, Vermont.)  January 17, 1855, Vol. IX, No. 3, Whole No. 419, P. 3.

Art Notice.  O. C. Mason Would most respectfully inform the citizens of Northfield, and vicinity, that his ne Sky-Light Daguerrian Gallery is now open to the public.  The rooms have been built under the personal direction of the Artist, and expressly for Heliographic purposes, which combined with not only a theoretical but a practical knowledge of the Art, in its various branches, warrants him in the assertion that his patrons shall have as good work as can be found elsewhere.  Judging by the experience of an extensive city practice, he feels confident that he can give entire satisfaction to all who may be pleased to test his skill in producing true Types from nature.

Particulars Interesting to those wanting Daguerreotype Likenesses from life.

Not only should the best outline of the face be selected, but also that of the head, and neck, for the outline of every feature of the likeness is effected by any change.  The eyes, eye-brows, nose, lips, mouth, chin and every shade in the face should also be most carefully observed and the best point of view chosen.

Drapery, Dress and Ornaments.

Dark colors or woolen fabrics should be chosen by gentlemen, the plainer the better.  For ladies, if the ground colors are made of red, green, orange, yellow, dark blue, indigo or purple, black or brown the picture of the dress will usually be darker than that of the face, but white, light blue, or any light pink or violet will be lighter that the face.  Enquire, study and understand how colors take in Daguerreotypes and then you can judge properly what shades to select.  Avoid white as much as possible.  Lace work should be narrow and open, usually.  Ornaments, such as rings, pins, chains &c. can be worn if chosen.

Vignette Or Head Simply.

This is a new & mast beautiful style of Daguerreotype.  The strength and boldness of the effect can be equalled in no other way.  No drapery attracts the eye from the face, or its character,

Groups.

Fine grouping, shows skill in the Artist, and though he may not be able to select his sitters, he may arrange them in a picturesque manner, and give a pleasing representation of life scenes.

Harmony, Expression And Air.

Every part of a picture should be in keeping with every other part,  If a reporter was taking down a speech made in the open air, he might with propriety wear a hat.  An artist representing a choir of singers might as well introduce a scissors grinder as a lady reading the last novel.  In Daguerreotypes greater care should be taken to avoid incongruities and make every minute particular in shade, figure, drapery and all do its duty in preserving harmony and unity.

The Eyes.—The remark of visitors is very often made “What perfect eyes your miniatures have!  how clear and life like”  All eyes blue, light gray and black can be taken perfect, but in order to do so the Artist must perfectly understand the power and effect of light and arrange it in a mild and suitable manner to represent them to perfection and preserve the expression in keeping with the attitude lively and life-like, and give them their proper direction.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids.  Can always receive attention either at their residences or the Gallery, by giving due notice, and every effort will be made for means, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends. 

Citizens and Strangers are invited to call examine and enquire for themselves.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from January 17 to April 25, 1855.

1855 April 14.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 14, 1855, Vol. 1, No. 26, P. 3.

Daguerreotype Gallery.  All desirous of obtaining good Pictures are requestfully invited to call and examine specimens before purchasing elsewhere.

Satisfaction in all cases warranted.

Pictures taken in all kinds of weather.  O. G. Mason, Artist.

Advertisement was recorded nineteen times between April 14 to October 20, 1855.

1855 April 21.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  April 21, 1855, Vol. 1, No. 27, P. 1

O. G. Mason, Daguerreian Artist, Union Block.

Advertisement was recorded sixteen times between April 21 to September 1, 1855.

1855 May 5.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  May 5, 1855, Vol. 1, No. 29, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement was recorded on May 5 & June 9, 1855.

1855 May 16.  Vermont Christian Messenger.  (Northfield, Vermont.)  May 16, 1855, Vol. IX, No. 20, Whole No. 436, P. 3.

Northfield Sky-Light Daguerreian Gallery!!  The Subscriber continues to execute for his numerous patrons, the most approved style of Daguerreotypes, feeling confident that his pictures will recommend themselves far better than any thing he can say in print.  Therefore he invites all lovers of this Beautiful Art, to visit his rooms and compare his work with that of othert Artists both Far and Near,  and extend to him that amount of patronage he merits.  He desires nothing more.

Copying.—In all its branches neatly executed from the size of a three cent piece to that of life, if desired.

Invalids, can always receive attention either at their residence or at the Gallery, by givig due notice; and every effort will be made for success, and also for their comfort.

Views of Public Buildings, Private Residences and Landscapes, executed on reasonable terms.

In sending or presenting your likeness to friends, what could be a more appropriate accompaniment than a picture of your home or place of business.

Prices will in all cases be as reasonable as Good Work can be procured elsewhere.  Nom customers need take any work executed at this establishment unless it is satisfactory to themselves and friends.  O. G. Mason.  Unio Block, Northfield, Vt.

Advertisement ran from May 16 to June 13, 1855.

1855 August 11.  Star of Vermont and Farmer’s Register.  (Northfield, Vermont.)  August 11, 1855, Vol. 1, No. 42, P. 3.

Ambrotypes And Daguerreotypes, Executed in the Highest Style of Art, By O. G. Mason, Artist.  Union Block, Northfield.

Advertisement ran from August 11 to October 20, 1855.

1855 August 22.  Vermont Christian Messenger.  (Northfield, Vermont.)  August 22, 1855, Vol. IX, No. 34, Whole No. 450, P. 3.

Ambrotypes.  Pictures that are Pictures.  Warranted never to fade, spot, or change in any way unless broken.  The can be viewed in any light without the disagreeable reflection of the Daguerreotype, and can be taken in less time, and without reversing the subject as is necessary in Daguerreotyping.

These Pictures are taken o glass by an entirely new process, Invented and Patented by Prof. James A. Cutting, of Boston, from under whose personal instruction, the Subscriber has lately  returned and is now prepared to furnish all who may wish for a Never Changing Picture.  They need only to be seen to be admired.  We venture to say that no person of refined taste and sound judgement will hereafter think of sitting for a Daguerreotype when Ambrotypes can be obtained.

Citizens and Strangers are respectfully invited to call at the Subscriber’s Rooms and examine specimens and judge for themselves.  O. G. Mason, Artist, Union Block, Northfield, Vt.

Advertisement ran from August 22 to December 12, 1855.

1858 July 3.  Vermont Christian Messenger.  (Northfield, Vermont.)  July 3, 1858, Vol. XII, No. 28, Whole No. 598, P. 4.

Daguerreotype & Photograph Gallery To Let.  The spacious Gallery, in Union Block, occupied by O. G. Mason, is now offered for rent.  Fixtures, Furniture and a complete set of apparatus for sale, immediate possession will be given.  To an artist in want of a first class location this offer superior inducements, such as cannot be found elsewhere in the State.

Application must be made soon to C. R. Briggs.  Northfield, June 9th, 1858.

Advertisement ran from July 3 to 24, 1858.

1858 September 30.  Springfield Daily Republican.  (Springfield, Massachusetts.)  September 30, 1858, Vol. 15, No. 233, Whole No. 4425, P. 2.

Hampden County Agricultural Fair…

The Picture Gallery…

Mr. Mason of Springfield exhibits a collection of unusually fie photographs;

1858 October 1.  Springfield Daily Republican.  (Springfield, Massachusetts.)  October 1, 1858, Vol. 15, No. 234, Whole No. 4426, P. 2.

Hampden County Agricultural Fair…

Premiums…

Fine Arts…

Photographs—Oscar G. Mason, 3.  Ambrotypes—Calvan Ward, 2.  A. E. Allen, 1.  Daguerreotypes—Calvin Ward, 1.

1861. Springfield City Directory.  (Springfield, Massachusetts.)  1861/1862, Front Cover.

Photographic views,—Stereoscopic & First Class work in all branches of all the art, Rooms 34, 35 & 36 Goodrich Block.


[1] Craig’s Daguerrean Registry.

[2] A Directory Of Massachusetts Photographers 1839-1900.

Cary, Preston M.

1843-1849       Rooms in the Sterling Block, Bridgeport, Connecticut.

1849                211 and 128 Baltimore Street, Baltimore, Maryland.

1849-1851       Corner Bryan Street and Market Square, Savannah, Georgia.

1850                Sterling Block, Bridgeport, Connecticut

1850                187 Broadway, New York, New York.

1851                Water Street, Bridgeport, Connecticut.

1852                Corner Main and State Streets, Bridgeport, Connecticut.

1853                407 Broadway, New York, New York.

1853                Corner Bryan Street and Market Square, Savannah, Georgia.

1843 August 8.  Republican Farmer.  (Bridgeport, Connecticut.)  August 8, 1843, Vol. XXXIV, No. 1738, New Series Vol. II, No. 84, P. 3.

Splendid Colored Daguerreotypes.  Single or in groups, taken by Cary at the Sterling Block.

Advertisement ran from August 8 to December 5

1843 August 22.  Republican Farmer.  (Bridgeport, Connecticut.)  August 22, 1843, Vol. XXXIV, No. 1740, New Series Vol. II, No. 86, P. 3.

Daguerreotypes.—This method of taking likenesses, is one of the most astonishing discoveries of the age.  Had the discovery been made in the seventeenth century, the author would no doubt have been regarded as a witch, and perhaps been hung or burnt at the stake.  The improvements that have been recently made in the art, are very great.  Not only are the form and features correctly given, but those taken by Mr. Cary, now at Sterling’s Building, give also, to a remarkable degree, the colors of the face.  We examined some dozen or more likenesses, in an unfinished state, at his room, last week, and were surprised at the improvement in this respect.  Some of them were almost as true as life.—We recognized every face with which we were acquainted, at the very first glance.  Among the number, were the likenesses of two children, (brother and sister,) on one plate.—They were complete.  Mr. Cary remains here another week.  

1844 March 12.  Republican Farmer.  (Bridgeport, Connecticut.)  March 12, 1844, Vol. XXXIV, No. 1769, New Series Vol. III, No. 115, P. 3.

Daguerreotypes.  See advertisement of Mr. Cary.  He does the business right.  No Mistake.  Give him a call.

1844 March 12.  Republican Farmer.  (Bridgeport, Connecticut.)  March 12, 1844, Vol. XXXIV, No. 1769, New Series Vol. III, No. 115, P. 3.

Daguerreotyping.  Mr. Cary will remain a few days longer, and will happy to execute Likenesses for all who may be disposed to avail themselves of his services.

Having recently made the most astonishing Improvement in the art of finishing portraits, he is now prepared to furnish them true to nature, and equal in beauty to the finest painting.  He would also inform the public that his time of sitting is from 10 to 45 seconds, being about one-eighth of the time usually occupied by ordinary bunglers in the art; this enables him to catch not only the outline of the individual setting, but the expression of countenance, which cannot be transferred where a person is obliged to sit from 3 to 5 minutes.  Groups of from 2 to 10 persons taken in the same time.

Rooms in the Sterling Block.

Mr. C. has taken the agency of the new and improved instruments, and can furnish instructions to any who may desire to become good operators.

Advertisement ran from March 12 to 19, 1844.

1844 March 26.  Republican Farmer.  (Bridgeport, Connecticut.)  March 26, 1844, Vol. XXXIV, No. 1771, New Series Vol. III, No. 117, P. 3.

The Daguerreotype Process.—Messrs. Editors:  There is no memorial of a departed friend so valuable as an accurate picture that will recall those features which are once so familiar.  This new process affords the means of procuring such a picture by the sitting of a few seconds, which in beauty and accuracy, much exceeds the ordinary miniature painted on ivory.  What can be more accurate than the shadow of an object we would copy, and I am sure nothing can be more beautiful than the colored daguerreotypes, which Mr. Cary of the Sterling Buildings is every day preparing for those who visit his rooms.

This process may be considered as having reached its perfection, for I am sure no one can see the pictures which Mr. Cary furnishes by the aid of the pencil, without feeling that no greater accuracy or beauty, could possibly be attained.  So it appears to me.  Observer.

1844 April 16.  Republican Farmer.  (Bridgeport, Connecticut.)  April 16, 1844, Vol. XXXV, No. 1774, New Series Vol. III, No. 120, P. 3.

Daguerreotypes.  Mr. Cary will remain in this city till 25th inst.  Those who want their likenesses taken right should give him a call.

Daguerreotypes.  “Catch the shadow ere the substance fades.”  Mr. Cary respectfully announces to the citizens of Bridgeport and vicinity, that, finding it impossible to meet all his engagements within the time specified for his departure, he has concluded to remain a few days longer, and in connection with Mr. E. Punderson, has taken rooms formerly occupied by Dr. Merritt, in Sterling Building, where they are now ready to take likenesses in a manner which cannot be surpassed by any operator in the United States.

Daguerreotype Portraits.  Mr. Cary respectfully announces to the Ladies and Gentlemen of Bridgeport, that he has reopened his rooms in the Sterling Block, and will be happy to wait on all who would have an accurate likeness.

Having recently made very great improvements in the art of Daguerreotyping, he is prepared to furnish a more finished Picture than can be obtained in any other city.

Persons who have had Pictures taken can have them retaken at a trifling expense. 

Instructions given and all the necessary apparatus furnished.

Advertisement ran from December 3 to 17, 1844.

1845 October 11.  The Hartford Times.  (Hartford, Connecticut.)  October 11, 1845, Vol. XXIX, No. 1503, P. 3.

Premiums Awarded By The Hartford County Agricultural Society.  Oct 4th, 1845…

Specimens In Fine Arts And Arts…

A Silver Medal to Cary & Stancliff, for Daguerreotype Specimens.

1846 June 20.  The Hartford Times.  (Hartford, Connecticut.)  June 20, 1846, Vol. XXX, No. 1539, P. 1.

Improved Colored Daguerreotype Portraits and Miniatures.  Messrs.  Cary & Stancliff are now executing Pictures, by a new process, that are pronounced by critics to be far superior to any thing of the kind ever offered in this State.  This we submit to the public.

Portraits of Deceased Persons copied accurately.

Likenesses taken After Death, in city or Country.

Correct Likenesses of Infants taken in5 or 6 seconds, in a clear morning.

Ordinary Daguerreotype operators, and persons wishing to learn the art, will find it an object to become acquainted with our new process.

Pictures taken equally well in Cloudy or Fair Weather.

Materials, Chemicals and Apparatus furnished and warranted.

The public room is open and free for visitors from 8 A. M. until 6 P. M.  We respectfully solicit a visit to our collection.  Cry & Stancliff, corner of Main and Pearl sts., over Olmstead & Co.  May 30.

Advertisement was recorded twelve times between June 20 to November 7, 1846.

1846 September 15.  Republican Farmer.  (Bridgeport, Connecticut.)  September 15, 1846, Vol. XXXV, No. 1900, New Series Vol. IV, No. 246, P. 3.

Daguerreotype Miniatures.  Mr. Cary would respectfully give notice to the inhabitants of Bridgeport and vicinity, that he has taken rooms in the Sterling Block, where he is prepared to furnish Portraits to all who would have a beautiful picture, either in cloudy or fair weather.

Likenesses of young children taken from 2 to 4 seconds.

Instructions given, and all the important apparatus furnished.  [Sept. 1.]

Advertisement ran from September 15 to October 20, 1846

1847 June 22.  Republican Farmer.  (Bridgeport, Connecticut.)  June 22, 1847, Vol. XXXVI, No. 1940, New Series Vol. VI, No. 286, P. 3.

Daguerreotypes.  Cary’s Daguerreotype Rooms, Sterling Block,—4th Story.

Advertisement ran from June 22 to August 31, 1847.

1847 August 3.  Republican Farmer.  (Bridgeport, Connecticut.)  August 3, 1847, Vol. XXXVI, No. 1946, New Series Vol. VI, No. 292, P. 3.

The Daguerreotype Art is one of the most astonishing discoveries of this astonishing age.  Portraits accurate as life itself, are now taken in a twinkling, almost.  Mr. Carey, at Sterling Block, is one of the best operators the country affords.  His pictures are the very best specimens of the art.  We have never seen any equal to his.  He remains in town a few days longer,  Those who want good likenesses, true to nature, should give him an immediate call.

1847 August 24.  Republican Farmer.  (Bridgeport, Connecticut.)  August 24, 1847, Vol. XXXVII, No. 1946, New Series Vol. VI, No. 295, P. 3.

Go to Carey’s, if you want a good Daguerreotype Portrait.  His Pictures are the best we have ever seen.  We do not believe a better operator can anywhere be found.

1847 August 31.  Republican Farmer.  (Bridgeport, Connecticut.)  August 31, 1847, Vol. XXXVII, No. 1946, New Series Vol. VI, No. 296, P. 3.

Mr. Carey leaves town to-day, to be gone one or two weeks.  Those who wish good Daguerreotypes, should give him an early call on his return.

1847 September 21.  Republican Farmer.  (Bridgeport, Connecticut.)  September 21, 1847, Vol. XXXVI, No. 1953, New Series Vol. VI, No. 299, P. 3.

Daguerreotypes.  Cary’s Daguerreotype Room, is re-opened for a few days previous to his leaving for the South.

All persons indebted to him for Portraits will settle the same without further notice.

Advertisement ran from September 21 to November 2, 1847.

1848 July 4.  Republican Farmer.  (Bridgeport, Connecticut.)  July 4, 1848, Vol. XXXVIII, No. 1994, New Series—VII, No. 340, P. 3.

Cary’s Daguerreotype Rooms, Sterling Block, No. 14.  Mr. Cary would respectfully give notice to the citizens of Bridgeport and vicinity, that he is now prepared to execute Daguerreotype Portraits in his most admired style.

Rooms open from 9 A. M. to 5 o’clock, P. M.

Perfect likenesses of young children (of any age) may be taken between the hours of 1 and 3, P. M., in from one to three seconds’ sitting.

Instruction given in the art, and all his recent improvements thoroughly taught.

Advertisement ran from July 4 to December 5, 1848.

1849 May 29.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 29, 1849, Vol. XCIX, No. 17,289, P. 3.

Broadbent & Cary’s Daguerreotype Rooms, 211 and 128 Baltimore Street.

Advertisement ran from May 29  to August 6, 1849.

1849 May 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 30, 1849, Vol. XCIX, No. 17,290, P. 3.

Local Matters.  Reported for the American…

Beautiful Daguerreotypes.—We have recently [examined] with much pleasure the very beautiful specimens of Daguerreotyping, executed by Messrs, Broadbent Cary, No. 128 Baltimore street.  These gentlemen, with a perfect knowledge of the art, have availed themselves of the latest improvements made in France and Germany, and now produce a perfect likeness, [which] by the aid of a little colouring, is made to bear [a close] resemblance to a finely executed miniature.—[those] who will take the trouble to examine their [speci ?] will at once acknowledge their great excellence.  [The] rooms of Messrs. Broadbent & Cary are neatly [prepared] for the reception of ladies and gentlemen, and [ ? ] great pains they take to afford entire satisfaction to [those] who favor them with their custom, commends [them] strongly to public patronage.

1849 June 13.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  June 13, 1849, Vol. XCIX, No. 17,302, P. 2.

Left at The Daguerreotype Rooms of Broadbent & Cary, in the American Office Building, a Bead Purse containing Money, and other articles which the owner can have by paying for this advertisement.

1849 October 2.  Republican Farmer.  (Bridgeport, Connecticut.)  October 2, 1849, Vol. XXXIX, No. 2059, New Series—VIII, No. 405, P. 3.

Daguerreotypes.  Carey remains at Sterling Block ten day longer.  Persons who wish good likenesses will please give him a call.

Advertisement ran from October 2 to November 13, 1849.

1849 October 31.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 31, 1849, Vol. XLVII, No. 256, P. 3.

Daguerreotypes.  The Subscriber has made an arrangement with P. M. Carey, to take charges of his Daguerreotype Establishment, this season, and request all who want a good Picture, to call at his rooms, corner of Bryan-street and Market-square.

Mr. Carey’s merits as an artist are too well known to require comment.  T. T. Wilmot.

1849 December 3.  The Savannah Daily Republican.  (Savannah, Georgia.)  December 3, 1849, Vol. XLVII, No. 283, P. 2.

Daguerreotypes.  T. T. Wilmot would respectfully announce to the inhabitants of Savannah, that Mr. Cary has arrived and is prepared to execute Likenesses in the most splendid style.

His Portraits are pronounced by Artist and the best judges, to be unequalled.

Rooms corner of Bryan-st. and Market-square.

Advertisement ran from December 3 to 14, 1849.

1850 February 15.  The Savannah Daily Republican.  (Savannah, Georgia.)  February 15, 1850, Vol. XLVIII, No. 39, P. 2.

It will be seen by Mr. Cary’s advertisement, that he has resumed the business of taking Daguerreotypes.  Mr. C’s. work has always given entire satisfaction, and with his recent practice in New York and elsewhere, it can hardly be doubted that he excels in the art more now than ever.

1850 February 15.  The Savannah Daily Republican.  .  (Savannah, Georgia.)  February 15, 1850, Vol. XLVIII, No. 39, P. 2.

Beautiful Daguerreotypes.  Cary’s Daguerreotype Rooms are now open, over the Jewelry Store of the late T. T.  Wilmot, corner Bryan-street and Market -square.

Operating Hours from 9 A. M. to 5 P. M.

Children’s Likenesses (at any age) taken from one to three seconds sitting.

Advertisement ran from February 15 to March 21, 1850.

1850 June 1.  The Savannah Daily Republican.  (Savannah, Georgia.)  June 1, 1850, Vol. XLVIII, No. 128, P. 2.

Daguerreotypes.  P. M. Cary returns his thanks to the citizens of Savannah for the liberal patronage bestowed upon him during the past season, and would respectfully give notice that his Rooms will close in 10 days.

Advertisement ran on June 1 & 3, 1850.

1850 August 19.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  August 19, 1850, Vol. 1, No. 97, P. 2.

It is hardley necessary for us to refer to the advertisement of Mr. Cary.  His Daguerreotypes are among the best in the country.

1850 August 19.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  August 19, 1850, Vol. 1, No. 97, P. 2.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has reopened his rooms, in the Sterling Block, where he would be happy to wait on my persons who may wish their portraits taken by him.

Advertisement ran from August 20 to September 11, 1850.

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway.

Meade Brothers, 233 Broadway.

Harrison & Holmes, 289 Broadway.

D. E. Gavit, 247 Broadway.

C. M. Cary[1], 187 Broadway.

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

C. M. Cary1, New York,             do           do.


1850 November 25.  The Savannah Daily Republican.  (Savannah, Georgia.)  November 25, 1850, Vol. XLVIII, No. 295, P. 2.

Daguerreotypes.  P. M. Cary would respectfully give notice to the public that he has re-opened his Rooms, Corner Bryan-street and Market-square, (over Wilmot’s Jewelry Store,) where he will be happy to wait upon all who would have their Pictures wall executed.

A Daguerreotype of Jenny Lind may be seen at his Rooms.

Advertisement ran from November 25, 1850 to May 24, 1851.

1851 September 3.  The Tri-Weekly Standard.  (Bridgeport, Connecticut.)  September 3, 1851, Vol. 2, No. 105, Whole No. 258, P. 3.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has taken the rooms of C. S. Middlebrook, Water-St. (for a few days only) where he would be happy to wait upon any person who would have their pictures well taken.  aug25.

1851 September 9.  Republican Farmer.  (Bridgeport, Connecticut.)  September 9, 1851, Vol. XLI, No. 2159, New Series—X, No. 506, P. 3.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has taken the rooms of C. S. Middlebrook, Water-St. (for a few days only) where he would be happy to wait upon any person who would have their pictures well taken.  August 25, 1851.

1851 October 22.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 22, 1851, Vol. XLIX, No. 248, P. 2.

Passengers…Per steam packet Gordon, from Charleston—Mrs. Cary and Child…P. M. Cary.  

1851 October 28.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 28, 1851, Vol. XLIX, No. 253, P. 2.

P. M. Cary would respectfully give notice that he has re-opened his gallery (corner Bryan-street and Market-square) where he would be happy to wait on all persons who would have a superior picture.

For Sale.—A fine assortment of Plates and Cases, of the finest quality.

Advertisement ran from October 28 to December 31, 1851.

1852 October 6.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  October 6, 1852, Vol. 3, No. 117, Whole No. 427, P. 3.

Bank Place Daguerrian Gallery, Corner Main and State sts.  Opposite the Franklin House, Bridgeport.—This Establishment has obtained a reputation, unequalled for good Daguerreotypes.  P. M. Cary, having now returned from the South, has connected himself with the above named place for a short time,—whose reputation as an artist is well known; and we would say that we are now prepared at all hours and all weather to serve those who may wish to “Secure the shadow before the substance fades.”

The Likenesses produced at this Establishment are remarkable for their life-like appearance and Durability of Impression.

N. B.—A good Likenesses guaranteed in every case, or no charge made.

Advertisement ran from October 6 to December 22, 1852.

1853 July 19.  The Evening Post.  (New York, New York.)  July 19, 1853, Vol. LII, P. 3.

Passengers Arrived…In the steamship Florida, from Savannah—…P. M. Cary…

1853 October 22.  The New York Herald.  (New York, New York.)  October 22, 1853, Whole No. 7602, P. 5.

Cary & Perkins’ Daguerreotypes Taken daily at 407 Broadway, and corner of Bryan street and Market square, Savannah, Ga.

Advertisement ran on October 22 & 23, 1853.

1853 October 24.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  October 24, 1853, Vol. 4, No. 125, Whole No. 592, P. 2.

Cary & Perkins, Daguerreotypists, No. 407 Broadway, New York, And Savannah, Geo.

Advertisement ran from October 6, 1853 to June 5, 1854.

Cary & Perkins, Daguerreotypists, No. 407 Broadway, New York, And Savannah, Geo.

Advertisement ran from October 24, 1853 to June 5, 1854.

[1] Probably Preston M. Cary.

Byron, Walter C.

1851                155 Atlantic Street, Brooklyn, New York.

1851 May 12.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  May 12, 1851, Vol. 10, No. 112, P. 2.

Brooklyn Not To Be Outdone.—Byron & Bent, of 155 Atlantic Street, Brooklyn, whose artistic skill as Daguerreotypist, is rapidly gaining for them a distinguished celebrity, determined to keep pace with the New York artists, have, with a laudable enterprise, fitted up a Daguerrian gallery that will vie with any in the modern Gotham.  In point of accuracy of delineation, distinctness of execution and style, the likenesses by Byron & Bent, are as perfect as any we have seen, and superior to many, by artists who have had a longer experience, and hold a high rank in their profession.  We command Messrs. B. & B. to the patronage of their fellow citizens.  Their charges are moderate, and the portraits are permanent, which is not the case with very many of the low priced artists—we mean those who charge 50 cts.  Pay them a visit, and give them a trial; you will be sure to call again!

1851 May 17.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  May 17, 1851, Vol. 10, No. 117, P. 2.

Daguerrian Gallery, (From Meade Brothers,) 155 Atlantic street, Brooklyn.

The great want of a good Daguerrian Gallery, in South Brooklyn, has long been felt, and the subscribers have been induced to fit up the first floor over the splendid store of G. D. Sweetzer, at 155 Atlantic street, as one of the first class; and they can say, without fear of contradiction, that in point of convenience and general capabilities, it is surpassed by none in the States.

The Proprietors will always be on the spot, and guarantee that none but Superior Pictures shall be issued from their establishment.

Ladies and elderly persons will find a great convenience in the gallery and operating room being on the first floor.  Children’s Portraits taken in a few seconds.  Portraits taken at private residences.

A choice assortment of Lockets & c.

Portraits (colored), from $1.00 upwards,

Portraits with Locket included, $2.50.

Byron & Bent.                                                                                   

Advertisement ran from May 17 to August 22, 1851.

Barnard, George N.

1846-1852       Rooms in Woodruff Building, corner First and Cayuga Streets, Oswego, New                            York.

1852-1855       Over City Bank, opposite the Welland House, Oswego, New York.[1]

1857                8 Whiting Block, Syracuse, New York.1

1845 August 20.  The Oswego Palladium.  (Oswego, New York.)  August 20, 1845, Vol. XXVI, No. 1400, New Series—Vol.  I, No. 9, P. 3.

The Oswego Hotel.  Grover S. Wormer, who has kept the Oswego Hotel for the last two years, has formed a copartnership with Mr. George N. Barnard, in the management and conducting of the establishment.  For the public patronage with which the house has ever been sustained while under his direction.  Mr. Warmer would tender his grateful acknowledgments and the subscribers hope by the new arrangement, to so extend their attentions and accommodations as to make their house worthy of a more extensive support.

The Oswego Hotel is favorably located in the immediate neighborhood of the steamboat and packet boat landings, and no efforts will be spared to make the house agreeable and pleasant to those who may make it a stopping place.

A Carriage to convey Passengers, and a Wagon for the conveyance of their baggage, will at all times be in attendance upon the arrival and departure of the Boats free of charge.

Grover S. Wormer, George N. Barnard.

1846 August 4.  The Oswego Palladium.  (Oswego, New York.)  August 4, 1846, Vol. XXVII, No. 1450, New Series—Vol. II, No. 7, P. 2.

Daguerreotype Miniatures.  Mr. Barnard, late of the Oswego Hotel, has taken a room in the Woodruff Building, adjoining our Counting Room, for the purpose of taking Daguerreotype Likenesses of such as may desire them.  Some of his pictures are the clearest and best we have ever seen.  He charges but $1.50, so that all can now afford to have their own and children’s faces taken.  Give him a call.

1847 August 3.  The Oswego Palladium.  (Oswego, New York.)  August 3, 1847, Vol. XXVIII, No. 1501, New Series—Vol. III, No. 7, P. 2.

Daguerreotype Likenesses.  Mr. Barnard respectfully informs the citizens of Oswego and vicinity, that he has again opened his room in the Woodruff Building where he is prepared to take Photographic Miniatures, unsurpassed by any artist in the country.

Persons visiting his room, can have their Miniature taken in this beautiful style, and neatly set in Morocco cases, lockets, Breast Pins, &c., in a few minutes.

The best time for children, is from 9 in the morning to 1 in the afternoon, all others 9 to 5. Oswego, July 30, 1847.                                                                       

Advertisement ran from August 3 to February 20, 1849.

1849 January 18.  The Oswego Palladium.  (Oswego, New York.)  January 18, 1849, Vol. XXIX, No. 1577, New Series—Vol. IV, No. 31, P. 3.

Daguerreotype Likenesses.  Mr. Barnard Respectfully informs the citizens of Oswego and vicinity that he is still engaged in the manufacture of those beautiful productions of Art, which are so much valued and admired by all.  The price is now  so trifling that every person can afford to procure an accurate Likeness of himself and of those he holds dear by the ties of association or of [ ? ] And, as “delays are always dangerous,” the Present [ ? ] best time to obtain such a likeness.

The People are requested to call at “Barnard’s Daguerrean Rooms,” in the third story of the Woodruff Building. And examine specimens.

N. B.  Instructions in the Art carefully given.  A good second-hand Apparatus for sale cheap for cash.

Advertisement ran from January 18 to January 5, 1850.

1849 July 24.  The Oswego Palladium.  (Oswego, New York.)  July 24, 1849, Vol. XXX, No. 1555, Third Series—Vol. IV, No. 6, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from July 24, 1849 to July 31, 1851.

1850 January 12.  The Oswego Palladium.  (Oswego, New York.)  January 12, 1850, Vol. XXXI, No. 1579, Third Series—Vol. I, No. 30, P. 3.

Sky –Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for taking Daguerreotype Pictures, over E. P. Burt’s store.  He has perfected a powerful sky-light, yet so mellow that he is enabled to take the likenesses of children and all others, in a few seconds, with perfect ease to the sitter; retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him, he would call their attention to his new arrangement for producing pictures by the agency of light.  Hours for children from 9 A. M. to 2 P. M.  Likenesses taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instructions carefully given and instrument furnished.

Advertisement ran from January 12 to July 13, 1851.

1851 July19.  The Oswego Palladium.  (Oswego, New York.)  July 19, 1851, Vol. 1, No. 131 P. 2.

A Daguerrian Convention was held at Syracuse on the 13th inst., for the purpose of bringing about a union of thought, action, sentiment, “a uniform standard of prices, and to devise means to elevate the beautiful art in which they are engaged.”  Appropriate resolutions were adopted, and a committee appointed to draft a constitution and by laws for “The New York State Photographic Society,” to be presented at the next meeting to be held at Utica, on the 20th of August next.

We noticed that our friend G. N. Barnard was present and participated in the doings of the Convention.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from August 1, 1851 to March 9, 1852.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 4.

Sky-Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for the taking of Daguerreotype Pictures, over E. P. Burt’s store He has a perfected a powerful sky-light, yet so mellow that he is enabled to take the likeness of children and all others, in a few seconds With perfect ease t the sitter retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him he would call their attention to his new arrangement for producing pictures by the agency of Light.  Hours for Children from 9 A. M. to 2 P. M.  Likeness taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instruction carefully given; and instruments furnished.

Advertisement ran from August 1, 1851 to March 9, 1852.

1854 January 2.  The Oswego Daily Palladium.  (Oswego, New York.)  January 2, 1854, Vol. III, No. 271, P. 3.

Removal.  Barnard’s Gallery Of Daguerreotypes, Removed to the City Bank Building, opposite the Welland House.  G. N. Barnard would respectfully announce to his friends and the public. that he has opened, as above, an elegant suite of apartments, fitted up expressly for the Daguerrean Business, and provided with everything necessary for the comfort and convenience of his patrons.

Every department of his art has separate and appropriate rooms.  The operating room is so arranged as to prevent visitors from being offended at the fumes of chemicals used.

Possessing a superior Light, and many years experience, he flatters himself that he is enabled to produce as fine pictures as the art is capable of giving.

Daguerreotypes will be copied of the same size, and in most cases equal to the original.

The best time for children, in clear weather, is from 10 A. M. to 2 P. M.  Mr. B. may always be found at his rooms between the hours of 8 and 5, where he trusts to receive a continuance of the patronage so long and liberally bestowed upon him.  A large variety of plain and fancy cases, frames, &c., and a fine assortment of Daguerrean goods for sale.  Jy. 3.

Advertisement ran from January 2 to February 25, 1854.

1855 January 12.  The Oswego Daily Palladium.  (Oswego, New York.)  January 12, 1855, Vol. IV, No. 270, P. 2.

Barnard & Nichols’ Daguerreian Rooms, Over City Bank, opposite the Welland House, Oswego, N. Y.  oct 5.

Advertisement ran from October 5, 1854 to August 7, 1855.

1857 November 7.  New York Daily Tribune.  (New York, New York.)  November 7, 1857, Vol. XVII, No. 5164, P. 6 & 7.

Premiums Awarded at the Twenty ninth Fair of the American Institute…Daguerreotypes, Photographs, Hallotypes, &c.

M. B. Brady, No. 359 Broadway, N. J., for best plain and retouched photographs.

………………………………………………………………………………….Small Gold Medal    

J. Gurney, No. 349 Broadway, N. Y., for plain and retouched Photographs (a Gold Medal having been before awarded)……………………………………………………………………..Diploma

M. M. Lawrence, No. 381 Broadway, N. Y., for the best Daguerreotypes and Miniatures in Oil

…………………………………………………………………………………Large Silver Medal

Meade Brothers, No. 233 Broadway, N. Y., for instantaneous Daguerreotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………………Diploma

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………Diploma

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for the best Crayon Photographs and Hallotypes………………………………………………………………………Large Silver Medal

J. Gurney, No. 349 Broadway, N. Y., for Crayon Photographs and Hallotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Aquerille.

…………………………………………………………………………………Small Silver Medal

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Aquerille.

……………………………………………………………………………………….Bronze Medal

S. C. Holmes, No. 289 Broadway, N. Y., for the best Photographic Views.

…………………………………………………………………………………Small Silver Medal

B. Hafnagel, No. 413 Broadway, N. Y., for photographic Views and copies of Prints.

……………………………………………………………………………………….Bronze Medal

Phillip E. Bogart & Co., No. 58 Pine street, N. Y., for Photographs by the Solar Camera.

…………………………………………………………………………………………….Diploma

G. N. Bernard, Syracuse, N. Y., for Photographs on Wood.

…………………………………………………………….…………………………Bronze Medal

C. C. Harrison, Fifty-third Street, near East River, N. Y., for Photographic Cameras (a Silver Medal having been before awarded………………………………………………………Diploma

Robert A. Werner, No. 25 East Broadway, N. Y., for an ingeniously planned Diaphragm.

……………………………………………………………………………………………..Diploma

A. Beckers, No. 411 Broadway, N. Y., for a Stereoscopic Panorama.

……………………………………………………………………………………………..Diploma

R. Newell & Co., Philadelphia, Pa., for three delicately tinted Portraits.

……………………………………………………………………………………………..Diploma

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Pastel.

……………………………………………………………………………………….Bronze Medal

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Pastel.

……………………………………………………………………………………………..Diploma


[1] Craig’s Daguerreian Gallery list Barnard’s address in 1852-1853 as being over City Bank Building, 1857 list Barnard at 8 Whiting Block, Syracuse.

 

James Cady

1854-1855       233 Broadway, New York, New York.

1856                139 Nain Street, Wheeling, Virginia.

1858-1864       343 Canal Street, New York, New York.

James Cady was mentioned in two advertisements and fourteen New York City Directories.  In the 1853/54 & 1854/55 New York City Directory he was not listed in the residence section.

The first advertisement that he was mentioned in appeared on September 28, 1854 in The New York Herald (New York, New York).  Mr. James Cady. our Principal Daguerreotype artist, has returned from his summer trip, and will be found at his old post in our establishment.  The celebrity of pictures taken by this celebrated artist need no eloquence from us.  Pictures taken daily.  Meade Brothers, artists and importers, 233 Broadway, four doors above the Astor House.

In the 1855/1856 New York City Directory, residence section he was listed as a daguerrian, 233 Broadway, H-Howard House. 

1856/57 & 1857/58  New York City Directory he was not listed.

The second advertisement that he was mentioned in ran from April 21 to August 6, 1856 in the Wheeling Daily Intelligencer (Wheeling, Virginia).  One Hundred Dollars, Will be given to any artist in Virginia who will exhibit twelve pictures, vix: six Ambrotypes and six Daguerreotypes of equal merit to twelve of which Mr. Adams will select from his collection.  He has opened a new Gallery over Forb’s Jewelry Store, 139 Main St., with a skylight arranged on the most approved principles, which cannot be equaled unless similarly situated fronting on the river.  With rooms easy of access, large and well arranged, with every convenience for making first class pictures of every style and size.  He is happy to announce that he will be assisted by Mr. Cady the artist who made the pictures that were awarded the highest premium, a Gold medal, at the last fair of the American Institute at Castle Garden, New York, also the only premium awarded for Daguerreotypes at the Worlds Fairs at Paris.  Mr. A. has received five medals and eight diplomas for the best daguerreotypes exhibited at different fairs in the United States, which fully attest to the superiority and having been honored with a large proportion of the business in Wheeling the past year he expects with increased facilities not only to retain but enlarge the number of his patrons, more especially as he relies on the intristic merits of his productions rather than a display of furniture.  Ambrotypes either on single or double glass.  Daguerreotypes plain or colored equal to painting on Ivory.  Photographs from the lowest prices up to fifty dollars.  Our light being made of French Plate Glass and being unobstructed by other buildings, pictures can be made      from sunrise to sunset.  Pictures of children taken instantaneously from 9 A. M. to 3 P. M.  Yet the light is so soft and mild that persons with weak eyes can sit by it with perfect ease.  Cloudy days as good as any by this light.  Call and examine before engaging elsewhere.

1858/1859 New York City Directory an advertisements on page 7 reads Ambrotypes, Photographs, Niellographs, &c.  No. 343 Canal Street, three doors West of Greene St., New York.

Niellographs may be enclosed in letters, and sent to any part of the world, without additional charge.

1858/1859 New York City Directory, residence section he is recorded as a daguerreotypes, 343 Canal.

1859/1860 New York City Directory, residence section he is recorded as a daguerreotypes, H-79 Sullivan. He is also recorded as Cady & Adams, (James Cady & George Adams), photographist, 343 Canal.

1860/1861 New York City Directory residence section he is recorded as a daguerreotypes, 343 Canal.

1861/1862 New York City Directory residence section he is recorded as an artist, 343 Canal

1862/18631 New York City Directory residence section he is recorded as photographs, 343 Canal, H-43 E. 28th.

1863/1864 New York City Directory residence he is recorded as a photographer, 343 Canal.

1864/1865 New York City Directory residence section he is recorded as a  photographer, 343 Canal.

1865/1866, or the 1866/1867  New York City Directory residence section he is not listed.

James Cady is recorded in Craig’s Daguerreian Registry as being active in New York City in 1858-1860.  It is possible that the George Adams who was active in Worcester, Massachusetts; Providence, Rhode Island; Washington, D. C.; Morgantown, Virginia and Wheeling, Virginia is the same George Adams who Cady was in partnership with in 1859.

William H. Rablen

C.1842-1854   Address and Location Unknown, New York.                                                                  1854-1855       4 Franklin Square, Troy, New York.[1]                                                                          1856                   Address Unknown, Union Village, New York.                                                                1857-1858        Rooms in Stewart’s Block, Middlebury, Vermont.

William H. Rablen was recorded in two announcements and seven advertisements.  The first announcement he was mentioned, appeared on  July 1, 1855 in The New York Herald (New York, New York).  New and Beautiful Discovery.—The Public are invited to call and see some specimens of daguerreotypes, with an improvement discovered by Mr. W. H. Rablen of Troy, formerly one of our artists, by which the most beautiful effects are projected.  Meade Brothers, 233 Broadway, four doors above the Astor House.

The second announcement he was mentioned, appeared on  September 18, 1856 in the Washington County People’s Journal (Union Village, New York.)  Ambrotypes.—Our readers will perceive by the advertisement of Mr. Morse, that they have now an opportunity of procuring the new and beautiful style of picture called the Ambrotype.  The Ambrotype is generally adjusted superior to the daguerreotype.  Mr. M. and his associate, Mr. Rablen, are skilful operators; they have a good instrument, and keep on hand an excellent assortment of cases.  We have seen several pictures executed by them, which for richness of tone, beauty of finish and accuracy in delineating the human face divine, cannot well be surpassed, either in city or country.  Give them a call.

The first advertisement ran from September 18 to November 27, 1856 in the Washington County People’s Journal (Union Village, New York).  Ambrotypes.  George Morse, would respectfully announce to the citizens of Washington County and vicinity that he is now located for a few weeks at Union-Village for the purpose of making Ambrotypes.

He has engaged the services of Mr. W. H. Rablen, of Troy, who for the past 14 years has been engaged in Daguerreotyping in the principal cities in this State, and therefore has had an excellent opportunity of engaging in all new styles of Pictures as they have made their appearance.  Being among the first who launched into the Glass process and for the last 18 months practicing that branch alone, he confidently asserts that he will produce as good a Picture as can be produced by the Ambrotype process; for proof, bring along one of your best Ambrotypes and let him have a “shot at you.”

An Ambrotype is taken on Plate Glass, then hermetically sealed between two glasses, so that it cannot be effected by either air or water.

Mr. Morse returns his sincere thanks for the patronage that he has already met with.  Geo. Morse.

The following six advertisements appeared in The Middlebury Register (Middlebury, Vermont).  The second advertisement ran from March 11 to 25, 1857.  Improved Ambrotypes.  There is nothing prettier to present to a friend than a “fac simile” of yourself, when you can procure one executed in a scientific manner.  Since the introduction of the Daguerreotyping in America improvements have continually been made by our enterprising countrymen.  One of the latest of these improvements the subscribers now introduce to the citizens of Middlebury.  By it we make the picture of the subject have the appearance of projecting an eight of an inch from the glass, therefore get a full stereoscopic view without the use of lenses.

For Brilliancy of Tone and Durability of finish these pictures cannot be excelled.  One of the subscribers has had long experience in picture making, having for the last 14 years been engaged in the principal establishments both in this country and Europe.  Every improvement that has made its appearance he has had an excellent opportunity to “launch” directory into, and is  therefore fully competent to execute first class work at whichever branch of the picture business he undertakes.  Ambrotypes made after the most improved style, either on light or dark ground. An Ambrotype when properly finished is hermetically sealed between two glasses, so that they cannot be affected by either air or water.  All of our pictures are hermetically sealed, which process any one desirous of seeing will be shown with cheerfulness.  Ambrotypes set in lockets.

Pictures of sick or deceased persons taken at their residences.  Particular attention paid to copying Daguerreotypes, Ambrotypes of Paintings.  All copies we guarantee equal to the original pictures.

Rooms in Stewart’s Block.  All are respectfully invited to call and examine specimens.  Putnam & Rablen.

The third advertisement ran from April 8 to 22, 1857.  If You Want A Superior Ambrotype, —You had better call soon,—As We Remain In Town But a few days longer.  Rablen & Putnam.

The fourth advertisement appeared on July 8, 1857.  To The Music World!  Just received, a large lot of New Sheet Music…Call at the Daguerrean Rooms, in Stewart’s Building.  A, J. Hervey…

The fifth advertisement ran from July 22, 1857 to February 3, 1858.  Ambrotypes.  W. H. Rablen respectfully announces to the public that he has purchased his former Partner’s interest in the concern, and having had a good share of patronage awarded him, (for which he is very thankful) he has concluded to remain at Middlebury for some few months longer.  He has recently made great improvements in his rooms, making them much more convenient for customers, and fitted up in a neat and tasty manner.  Having had a number of applications to take views, I have engaged my brother to assist me, and am now prepared to take views of residences, scenery, horses, cattle, or anything that may be desired.  Specimens of scenery may be seen at the rooms.  Those wishing pictures, by patronizing me, may rest assured that they will get as good a picture as can be made, as I take a great interest in producing good work and allow no one to beat me in any branch of my business which I undertake, (unless in writing advertisements)  Please call and examine specimens.  Rooms in Stewart’s Block.

The sixth advertisement ran from February 3 to September 29, 1858.  Rablen Has introduced another new style of picture called the “Scenic Ambrotype.”  Which for beauty of finish and stereoscopic effect, has never before been equaled in Middlebury.  Please call and examine specimens at the Sky-Light Ambrotype Gallery, Stewart’s Block.

The seventh advertisement ran from April 28 to June 9, 1858.  Superior Ambrotypes!  A Good Sky-Light, And an Operator that knows how to use it.  A Genuine Ambrotype, Including Case, Only 50 CTS.

Luther M. Brooks announces to the public that he has reopened the Ambrotype Rooms in Stewart’s Block.  These Rooms have recently undergone repairs, and are fitted up in a neat and tasty manner.  He has engaged the services of the celebrated Ambrotypist, William H. Rablen, who guarantees to make pictures as good as can be produced by the process.

Pictures set in Lockets, Pins, Bracelets, &c.  If you want a first-rate Picture, call and have it done by Rablen, at Brooks’ Sky and Side Light Gallery, Stewart’s Block, over Chapman & Barrour’s.

William H. Rablen appears in Craig’s Daguerreian Registry as being active in Troy New York from 1854-1857.

[1] Dates and address from Craig’s Daguerreian Registry.

Robert Newell

1857                Address Unknown, Philadelphia, Pennsylvania.                                                        1858-1859    926 Arch Street, Philadelphia, Pennsylvania.1

Robert Newell was listed in one announcement that appeared on November 7, 1857 in the New York Daily Tribune (New York, New York).  Premiums Awarded at the Twenty ninth Fair of the American Institute…Daguerreotypes, Photographs, Hallotypes, &c.

M. B. Brady, No. 359 Broadway, N. J., for best plain and retouched photographs.………………………………………………………………………………….Small Gold Medal  J. Gurney, No. 349 Broadway, N. Y., for plain and retouched Photographs (a Gold Medal having been before awarded…………………………………………………………..Diploma M. M. Lawrence, No. 381 Broadway, N. Y., for the best Daguerreotypes and Miniatures in Oil …………………………………………………………………………………Large Silver Medal    Meade Brothers, No. 233 Broadway, N. Y., for instantaneous Daguerreotypes.……………………………………………………………………………………….Bronze Medal J. Gurney, No. 349 Broadway, N. Y., for the best life-size Photographs in Oil (a Gold Medal having been before awarded……………………………………………………Diploma              C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for life-size Photographs in Oil (a Gold Medal having been before awarded)……………………………………………………Diploma  C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for the best Crayon Photographs and Hallotypes………………………………………………………………………Large Silver Medal J. Gurney, No. 349 Broadway, N. Y., for Crayon Photographs and Hallotypes.……………………………………………………………………………………….Bronze Medal J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Aquerille.…………………………………………………………………………………Small Silver Medal C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Aquerille.……………………………………………………………………………………….Bronze Medal S. C. Holmes, No. 289 Broadway, N. Y., for the best Photographic Views.…………………………………………………………………………………Small Silver Medal B. Hafnagel, No. 413 Broadway, N. Y., for photographic Views and copies of Prints.……………………………………………………………………………………….Bronze Medal Phillip E. Bogart & Co., No. 58 Pine street, N. Y., for Photographs by the Solar Camera.…………………………………………………………………………………………….Diploma G. N. Bernard, Syracuse, N. Y., for Photographs on Wood.…………………………………………………………….…………………………Bronze Medal C. C. Harrison, Fifty-third Street, near East River, N. Y., for Photographic Cameras (a Silver Medal having been before awarded……………………………………………………Diploma Robert A. Werner, No. 25 East Broadway, N. Y., for an ingeniously planned Diaphragm.……………………………………………………………………………………………..DiplomaA. Beckers, No. 411 Broadway, N. Y., for a Stereoscopic Panorama.……………………………………………………………………………………………..DiplomaR. Newell & Co., Philadelphia, Pa., for three delicately tinted Portraits.……………………………………………………………………………………………..Diploma J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Pastel.……………………………………………………………………………………….Bronze Medal C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Pastel.……………………………………………………………………………………………..Diploma

Robert Newell is recorded in other photographic directories as being active in Philadelphia in 1858-1860.

 

Jacob H. Lawyer

1848                #2 & #4 Exchange, Second Floor, Albany, New York.[1]                                              1849-1850     37 Owego Street, Ithaca, New York.

Jacob H. Lawyer of the partnership of Lawyer and Clark was recorded in an advertisement that ran from August 22, 1849 to February 13, 1850 in the Ithaca Journal and Advertiser (Ithaca, New York).  Albany Daguerrean Gallery.  The Subscribers would respectfully announce to the citizens of Ithaca and vicinity, that they have opened a Daguerrean Gallery, in the room lately occupied by Messrs. Watson & Ryder, No. 37 Owego-st, where they will be at all times in readiness to furnish the public with better work than ever before done in Ithaca.

Being in possession of all the improvements in the art, they fear no competition, and invite the strictest examination and criticism.  The idea held out by indifferent operators that light eyes cannot be well taken, and linen cannot be made white is expelled at once by an examination of the work in this Gallery.

Miniatures can be obtained here of any size or price, at which they ought honestly to be afforded, but always of a superior quality.  The senior partner of the establishment have been employed as the operators in Meade & Bro’s. Gallery in Albany, in 1848, the best in the state feels confident of being able to give the public better Miniatures than have ever been furnished, and satisfy all that they have heretofore been outrageously humbugged.  The following recommendation is from Messrs. Meade, Albany:

We confidently recommend Mr. J. H. Lawyer to the public as a first rate Daguerrean Artist, understanding all the late improvements in the art.  Mr. L. has taken pictures in our establishment and has given general satisfaction.   Meade & Brother.  Albany, July 10, 1848.

The experience of the senior partner for the last three years in the business in the best Galleries, is sufficient to entitle him to the confidence of public when those around him are but beginners in the business without experience or taste.  Instructions given in the art on reasonable terms, and chemicals, &c. kept constantly on hand for sale.  J. H. Lawyer.  F. C. Clark.  Ithaca, August 20, 1849.

J. H. Lawyer is listed in other photographic directories, but is listed here for the information in the advertisement.

[1] Address from Craig’s Daguerreian Registry.

Hovey

1854                Address Unknown[1], New York, New York.

Hovey[2] was recorded in two announcements.  The first announcement appeared on October 7, 1854 in the New York Daily Tribune (New York, New York).  Premium List.  The following premiums were awarded at the Fair of the New-York State Agricultural Society, held in this City October 3-6…

Best Daguerreotypes—Meade & Brother, New York…………………..Dip.                                        Best sample Photographs—Root & Hovey, New York City…………….Dip.

The second announcement appeared in The New York Herald (New York, New York) on  October 8, 1854. New York State Fair…Painting, etc.

Best Daguerreotypes—Meade & Brother, New York…………………..Dip.                                          Best sample Photographs—Root & Hovey, New York City…………….Dip.

[1] Samuel Root’s address is 363 Broadway.                                                                                                  [2] Possibly Daniel Hovey.  Craig’s Daguerreian Registry records that Daniel Hovey worked for Samuel Root in Philadelphia in 1849, but does dot record the partnership of Root & Hovey or that he was in New York City.  In the Directory of Pennsylvania Photographers 1839-1900 by Linda A. Ries & Jay W. Ruby Daniel (Douglass) Hovey is listed in 1849 as an operator for Samuel Root in Philadelphia.  From 1849 to 1860’s they record him in Rochester, New York, in partnership with John Kelsey in 1854 and Henry Hartman from 1857-1863.  Interestingly Samuel Root is not list in their directory.