Tag Archives: San Francisco California

McIntyre, Sterling C.

October 26, 2026Daguerreian Stock and Materials, DaguerreotypesCharleston South Carolina, Daguerreian Materials, Daguerreotypist, George A. McIntyre, J. J. Crygier, Nevada City California, New York City, Newport Rhode Island, Pensacola Florida, Samuel C. McIntyre, San Francisco California, Sterling C. McIntyre, W. S. McNaughtan, W. S. Vaughtpioneeramericanphotographers

1845 Mr. Quinn’s Building, , Pensacola, Florida.

1845-1848 190 King Street, opposite Victoria House, Charleston, South Carolina.

1849 222 King Street, Charleston, South Carolina.

1849-1850 663 Broadway, New York, New York.

1850 North of the Ocean House, Newport, Rhode Island.

1850-1851 2 Clay Street, San Francisco, California.

1852 Address Unknown, Nevada City, California.

1844 May 25. Pensacola Gazette. (Pensacola, Florida.) May 25, 1844, Vol. XI, No. 9, P. 3.

Dentistry. Dr. S. C. McIntyre respectfully informs the citizens of Pensacola that he will pay them a visit about the 13th inst. when he will be happy to serve his friends and the public professionally.

1845 June 14. Pensacola Gazette. (Pensacola, Florida.) June 14, 1845, Vol. XII, No. 11, P. 2.

Daguerreotype.—Those of our citizens who are desirous of having likenesses of themselves of friends taken in this cheap and perfect manner, will never find a better opportunity than that afforded by the visit of Dr. McIntyre (whose advertisement appears in another column) to our city. We have paid a pleasant visit to the Doctor’s apartment at Hernandez’s and have never seen more perfect specimens of the beautiful art to which he has devoted himself, and have seldom met with a gentleman of more agreeable and amiable deportment. We see that the Tallahassee papers (which city he has recently left) do full justice to the Doctor’s worth, professional and private—indeed, he seems to have won golden opinions from all, wherever it has been his lot to sojourn. We advise our friends to pay him a visit.

In connection with the above, we would also recommend to those who may be suffering from decayed teeth, &c., to give Dr. S. an early call, we can from personal knowledge recommend him to the public as a scientific Dentist.

1845 June 14. Pensacola Gazette. (Pensacola, Florida.) June 14, 1845, Vol. XII, No. 11, P. 4.

Daguerrian Gallery, At Mr. Quinn’s Building. Dr. S. C. McIntyre respectfully informs the Ladies and Gentlemen of Pensacola, that he is now prepared at the above rooms to execute Coloured Photographs in the latest and most improved style. Colours warranted never to fade.

His specimens are open at all times for the inspection of those who may favor him with a visit.

Likenesses taken in all kinds of weather. Hours from 8 A. M. till 5 P. M.

In connection with his brother, at the Florida House, he will attend to all the branches of Dentistry.

Advertisement was recorded five times between June 14 to August 2, 1845.

1845 October 10. The Charleston Courier. (Charleston, South Carolina.) October 10, 1845, Vol. XLIII, No. 13,102, P. 2.

Arrivals at the Charleston Hotel. October 9, 1845…

S. C. McIntyre.

1845 October 15. The Charleston Courier. (Charleston, South Carolina.) October 15, 1845, Vol. XLIII, No. 13,105, P. 3.

Daguerren [sic.] Gallery. S. E. [sic.] McIntyre respectfully informs the citizens of Charleston that he has taken the rooms formerly occupied by Beals & Co., opposite the Victoria Hotel, King Street, where he expects to take Likenesses equal in beauty of coloring and durability to any of the most approved, and as cheap as the same style of Picture and materials can be had in New-York, ranging from $3.50 to $12. He will keep constantly on hand a supply of every article belonging to the art, Waightlander and American Canvass, French and Americal Plates, Cases, &c.

1845 November 8. The Southern Patriot. (Charleston, South Carolina.) November 8, 1845, Vol. LIV, No. 8201, P. 3.

Arrived Yesterday. U. L. Ship Sullivan, Waite, New York, 83 hours.—

…S. C. McIntyre…

1845 December 2. The Charleston Courier. (Charleston, South Carolina.) December 2, 1845, Vol. XLIII, No. 13,144, P. 2.

Arrived Yesterday. C. L. brig Linden, Knudson, New-York, 65 hours.—

…S. C. McIntyre…

1845 December 5. The Charleston Courier. (Charleston, South Carolina.) December 5, 1845, Vol. XLIII, No. 13,147, P. 2.

St. Andrew’s Society. The CXVI Anniversary of this Society was celebrated at their Hall, on Monday, 1^st December. The members assembled at 12 o’clock M. for the transaction of business, and the distribution of pensions…

Offered Toast…By Mr. McIntyre, a guest.—The Memory of Burns…

1846 April 20. The Charleston Courier. (Charleston, South Carolina.) April 20, 1846, Vol. XLIV, No. 13,258, P. 3.

Prices Of Daguerreotype Reduced.—Mr. McIntyre respectfully informs his friends and the public, that he has received per ship Anson, a lot of Daguerreotype Materials, from Mr. Plumb, New-York, which will enable him to take likenesses at the same price of that gentleman in Broadway.

He has also received his large Camera and is prepared to execute pictures of companies or individuals, on plates eight and a half by ten inches.

He has but a short time longer to remain in the city for this season.

He has on hand several complete sets of Apparatus, which he would like to dispose of at $150, with instructions in the art, to some young man of taste.

Advertisement was recorded between April 20 to 30, 1846.

1846 August 7. The Southern Patriot. (Charleston, South Carolina.) August 7, 1846, Vol. LIV, No. 9019, P. 3.

Daguerreotype Notice. The subscriber begs leave to inform the citizens of Charleston and the public that he has taken the rooms recently occupied by Mr. McIntyre, opposite the Victoria Hotel, and is now prepared to furnish Miniatures, of various sizes, either single or in groups, in a style for richness and durability which cannot be surpassed. The public are respectfully invited to call and examine specimens. C. LHom’dieu.

N. B. Portraits and Miniatures neatly copied; Miniatures set in lockets or broches; Likenesses of Deceased Persons taken in any part of the city if required: persons having Likenesses taken by various operators and not satisfactory, can have them taken over in a superior style at a moderate charge.

1846 September 29. The Southern Patriot. (Charleston, South Carolina.) September 29, 1846, Vol. LVI, No. 9064, P. 2.

Passengers…Per steamship Southerner, from New York…

S. E. [sic.] McIntyre.

1846 October 2. The Charleston Courier. (Charleston, South Carolina.) October 2, 1846, Vol. XLIV, No. 13,399, P. 2.

Mr. McIntyre. This gentleman, who, by his obliging manners and gentlemanly deportment, conciliated the esteem and well wishes of every one, during his stay in this city the past winter, coupled with the universally admired correctness of his likenesses by the Daguerreotype process, has again visited us, and we are informed, established himself at his former stand in King street, opposite “Victoria House.”

Mr. McIntyre, during his absence, has possessed himself of proficiencies in the art which enable him, in any state of the weather, to execute likenesses, either singly or in groups, including even infants, in the incredible short space of time of from two to ten seconds.

1846 October 15. The Charleston Courier. (Charleston, South Carolina.) October 15, 1846, Vol. XLIV, No. 13,410, P. 2.

Passengers…Per U. S. M. steam packet Wm. Seabrook, fm. Savannah…

S. C. McIntyre.

1846 October 27. The Charleston Courier. (Charleston, South Carolina.) October 27, 1846, Vol. XLIV, No. 13,419, P. 2.

Arrived. Steam ship Southerner, M. Berry, Master, New-York 55 hours…

S. C. McIntyre.

1846 October 30. The Charleston Courier. (Charleston, South Carolina.) October 30, 1846, Vol. XLIV, No. 13,422, P. 2.

Passengers…Per packet Wilmington, from Wilmington, (N. C.)…

C. McIntyre.

1846 November 7. The Charleston Courier. (Charleston, South Carolina.) November 7, 1846, Vol. XLIV, No. 13,428, P. 3.

Photographic Likenesses, Taken By The Recently Much Improved Daguerrian Process. Mr. McIntyre respectfully invites the attention of his friends and the public to the specimens he has just received.

Persons wishing Likenesses of themselves or friends, separately or in groups, either in the engraving or colored style, neatly set in cases, frames, gold lockets or breast pins; can have them completed in a few minutes, the time required for sitting being much reduced from that of last season.

Ladies are respectfully recommended to dress in figured or dark materials, avoiding white or light blue, a scarf or shawl gives a pleasing effect to the picture. Gentlemen—a black or figured vest, also figured scarf or cravat, so that the bosom be not too much exposed. Children—plaid, striped or figured dresses; lace work adds much to the beauty of the picture. The best hour for children is from 11 A. M. to 2 P. M. A cloudy day preferred for very light complexions.

Advertisement was recorded between November 7 to 21, 1846.

1846 November 27. The Charleston Courier. (Charleston, South Carolina.) November 27, 1846, Vol. XLIV, No. 13,445, P. 3.

Photographic Likenesses, Taken By The Recently Much Improved Daguerrian Process. Mr. McIntyre respectfully invites the attention of his friends and the public to the specimens he has just received.

Many persons are impressed with the belief that the Daguerreotype Likenesses will fade in a few years. The following testimonial from the greatest Chemist in the world is conclusive testimony against this opinion.

Professor Faraday says: “Likenesses taken by this interesting art in its earlier days were liable to fade in a few years. The late improvement of Chemical gilding on the surface of the plate, forms a pure image of silver and gold which must retain its brilliancy for ages.”

On Hand, For Sale, German and American Cameras, French and American Plates, Cases, Sensitives, and other chemicals. 190 King-Street.

Advertisement was recorded between November 27, 1856 to January 16, 1847.

1846 December 5. The Charleston Courier. (Charleston, South Carolina.) December 5, 1846, Vol. XLIV, No. 13,452, P. 3.

Arrived Yesterday…Line brig Paul T. Jones, Taylor, Philadelphia 3½ days from the cape…

S. C. McIntyre.

1846 December 7. The Charleston Courier. (Charleston, South Carolina.) December 7, 1846, Vol. XLIV, No. 13,453, P. 3.

Arrived on Saturday… C. E. Brig Emily, Burr, New York, 6 days…

S. C. McIntyre.

1846 December 12. The Charleston Courier. (Charleston, South Carolina.) December 12, 1846, Vol. XLIV, No. 13,458, P. 3.

Arrived Yesterday…C. L. barque Carolina, Sherwood, New York 6 days…

S. C. McIntyre.

1847 January 23. The Charleston Courier. (Charleston, South Carolina.) January 23, 1847, Vol. XLV, No. 13,493, P. 3.

Line ship Sutton, Galloway, New York, 7 Days…

S. C. McIntyre.

1847 February 18. Charleston Mercury. (Charleston, South Carolina.) February 18, 1847, P. 2.

“Child of the Sun, and faithful to his fire.” Let all who wish to have an exact resemblance of themselves call on Mr. McIntyre, in King-street, opposite the Victoria, and it will be well done, and quickly. We saw there yesterday a head of Mr. Calhoun, on a large scale, which is an absolute transcript of the outer man of the greatest statesman of the age.

Likenesses will also be seen there of other distinguished men. Go and see, and set. We were particularly interested by the tasteful disposition as well as fine execution of the groups.

1847 February 23. Charleston Mercury. (Charleston, South Carolina.) February 23, 1847, P. 3.

Mr. McIntyre Respectfully invites the attention of his friends and the public to the specimens of Daguerreotypes, at present taken at his new rooms. He believes that his light is the best and quickest in the city, varying from 15 to 60 seconds. He is enabled consequently to take the largest family groupes, [sic.] as many as ten on one plate, and by recently improved Chemicals, he seldom requires more than one sitting.

All kinds of weather alike, except for Children, they require a clear day.

Advertisement was recorded between February 23 to March 13, 1847.

1847 March 15. The Charleston Courier. (Charleston, South Carolina.) March 15, 1847, Vol. XLV, No. 13,536, P. 2.

Arrival On Saturday. Line ship H. Allen, Wilson, New-York 4 days…

S. C. McIntyre.

1847 March 22. The Southern Patriot. (Charleston, South Carolina.) March 22, 1847, Vol. LVII, No. 9178, P. 3.

Notice.—Mr. McIntyre respectfully informs his friends and the public, that he intends shortly to leave the city, and would invite those who wish to have their likenesses, (not cheap Daguerreotypes) Photographs, to give him an early call. He has a few likenesses of Mr. Calhoun yet on hand.

He would be happy to instruct some gentlemen of taste in the art, and give him up his Room, Apparatus, &c., &c.

Advertisement was recorded between March 22 to May 25, 1847.

1847 March 23. The Charleston Courier. (Charleston, South Carolina.) March 23, 1847, Vol. XLV, No. 13,543, P. 3.

Notice.—Mr. M’Intyre respectfully informs his friends and the public that he intends shortly to leave the city, and would invite those who wish to have Likenesses, (not cheap Daguerreotypes,) Photographs boarding on the Miniature Paintings, to give him an early call.

He would be happy to instruct some gentlemen of taste in the art, and give him up his room, apparatus, &c.

Advertisement was recorded between March 23 to May 12, 1847.

1847 March 23. Charleston Mercury. (Charleston, South Carolina.) March 23, 1847, P. 3.

He would be happy to instruct some gentlemen of taste in the art, and give him up his Room, Apparatus, &c., &c.

Advertisement was recorded between March 23 to May 27, 1847.

1847 October 26. The Southern Patriot. (Charleston, South Carolina.) October 26, 1847, Vol. LVIII, No. 9,361, P. 2.

Mr. McIntyre’s Daguerreotypes. We were yesterday shawn [sic.] a daguerreotype view of the steam packet Northerner, taken while she was lying off the wharf previous to departing. The view was taken by Mr. McIntyre and it is not only remarkably correct, but exceedingly distinct in every shade, looking much more like an exquisitely finished steel engraving than any thing else. We would recommend to our friends who decide to see the extent of improvement to which the art of daguerreotyping has arrived, that they pay a visit to the gallery of Mr. McIntyre in King street, where they will find a perfect treat in the way of solar pictures.

1847 October 26.[1] The Southern Patriot. (Charleston, South Carolina.) October 26, 1847, Vol. LVIII, No. 9,361, P. 2.

Arrived This Day. Steam ship Southerner, Berry, N. York 62 hours…

S. C. McIntyre.

1847 October 28. Charleston Mercury. (Charleston, South Carolina.) October 28, 1847, P. 1.

Arrived Yesterday. Steam ship Southerner, Berry, New York 62 hours…

S. C. McIntyre.

1847 November 1. The Southern Patriot. (Charleston, South Carolina.) November 1, 1847, Vol. LVIII, No. 9,366, P. 2.

Daguerreotypes. Mr. McIntyre has again shown us one of his admirable daguerreotype landscapes. It is a prospect beautifully distinct, taken from the corner of Tradd and Meeting streets, and consists of a view of St. Michael’s Steeple, the Circular church and the Hall of the South Carolina Society with the intermediate buildings. No engraving can be softer, nor any drawing as correct. The very hour at which this view was taken is indicated by the hand pointing on the dial plate.

1847 November 2. Charleston Mercury. (Charleston, South Carolina.) November 2, 1847, P. 3.

Arrived Yesterday. C. L. ship Columbia, Galloway, New York 72 hours…

S. C. McIntyre.

1847 November 2. The Southern Patriot. (Charleston, South Carolina.) November 2, 1847, Vol. LVIII, No. 9,367, P. 2.

Arrived Yesterday. C. L. ship Columbia, Galloway, New York 72 hours…

S. C. McIntyre.

1847 November 23. The Southern Patriot. (Charleston, South Carolina.) November 23, 1847, Vol. LVIII, No. 9,390, P. 2.

Daguerreotypes. We paid a visit on Saturday to the room of Mr. McIntyre, and enjoyed quite a treat in Daguerreotypes which adorn the walls in great profusion. The art of daguerreotype drawing has within a few years taken a wonderful change. We well remember the first specimens which we believe was ever seen in our city, and which was shown to us many years ago by a friend. It was a view of the Thuilleries, [sic.] taken at Paris, by we think, M. Daguerre himself. We well recollect that the impression on the plate was one that by no means pleased us. We saw, indeed, the evidences of a new art, that the progressive science of man would make more useful and more valuable in the course of time, but in the stage in which it then appeared before us, it by no means offered anything upon which, exclusive of that anticipation, we might dwell with pleasure. The outlines of the building were exceedingly indistinct, so that to see anything we were obliged to place the picture in a certain position in respect to the sun, and even then we saw but little more than a few lines whose distinctness was more sadly destroyed by the general glare of the ground work. Since then daguerreotypes have been rapidly receiving the advantages of science, whose lights have been made to bear upon the art.

Of these improvements, our friend McIntyre has fully himself, and his daguerreotype pictures exhibit the evidences of skill which is indebted to long experience and much study for its perfection. The specimens which we saw at his room were so far superior to any that it has been our pleasure in former years to examine, as to shew that he has made a profitable use of every thing that the masters of science have laid before him for his instruction and government. His portraits as well as his landscapes and a few sea scenes, are so distinct, requiring no relative position to the sun, and so soft and mellow as to resemble, to the deception of almost any one not minutely versed in such affairs, the appearance of mezzotinto engravings.

We recommend to our friends who desire to see daguerreotypes carried to the very extent of the art, to call on Mr. McIntyre and examine his pictures.

1847 December 23. The Southern Patriot. (Charleston, South Carolina.) December 23, 1847, Vol. LVIII, No. 9,416, P. 2.

Daguerreotypes. We have had the pleasure of seeing this morning two capital Daguerreotype likenesses of Gen. Shields, taken by Mr. L’homdieu. From one of these we understand that our enterprising Musical publisher Mr. Oates, intends having an engraving taken to be used as Vignette to “Shiela’s Quick Step,” a new march that he has composed.

Just as we had written this paragraph an admirable Daguerreotype of Gen. Quitman was sent down for our inspection by Mr. McIntyre. The admirable execution of both these heroes by the respective daguerreotypists would place any connoisseur in an awkward predicament if he were to attempt to draw a comparison. As we are only amateurs we shall decline such an invidious task.

1848 January 28. The Southern Patriot. (Charleston, South Carolina.) January 28, 1848, Vol. LIX, No. 9,445, P. 3.

Card. Mr. McIntyre, begs leave to return his sincere thanks to his friends and the public for the liberal and kind patronage extended to him during the past three years, and also to inform them that he has resolved to take his final leave of Charleston in a few weeks, when those who may desire to have likenesses in his style will do well to call soon. He will dispose of his rooms, apparatus, specimens, &c. on liberal terms.

To operators he has a lot of sensitive which he will sell at $10 per bottle with instructions for using.

Advertisement was recorded between January 28 to April 22, 1848.

1848 February 17. Charleston Mercury. (Charleston, South Carolina.) February 17, 1848, P. 4.

Arrived Yesterday. Steamship Northerner, Budd, New York, Saturday, 3 o’clock, p. m.

…S. C. McIntyre.

1848 March 28. The Southern Patriot. (Charleston, South Carolina.) March 28, 1848, Vol. LIX, No. 9496, P. 3.

Arrived This Day. Steam ship Northerner, Budd, New York—sailed Saturday, 4 P. M.

…S. C. McIntyre.

1848 April 24. The Charleston Courier. (Charleston, South Carolina.) April 24, 1848, Vol. XLVI, No. 13,877, P. 3.

Notice.—Mr. McIntyre respectfully informs his friends and the public, that having disposed of his Daguerreotype Establishment to Mr. J. J. Crygier, he will remain only long enough to fulfil the engagements he has on hand.

Those who may wish Likenesses taken by him, would do well to call soon. He still has a number of specimens to dispose of.

Advertisement ran from April 24 to May 27, 1848.

1848 April 25. Charleston Mercury. (Charleston, South Carolina.) April 25, 1848, P. 1.

Those who may wish Likenesses taken by him, would do well to call soon. He still has a number of specimens to dispose of.

Advertisement ran from April 25 to May 30, 1848.

1848 May 1. The Southern Patriot. (Charleston, South Carolina.) May 1, 1848, Vol. LIX, No. 9524, P. 3.

Those who may wish Likenesses taken by him, would do well to call soon. He still has a number of specimens to dispose of.

Advertisement ran from May 1 to May 29, 1848.

1848 November 21. Florida Sentinel. (Tallahassee, Florida.) November 21, 1848, Vol. IX, No. 47, Whole No. 463, P. 3.

S. C. McIntyre Will be in Tallahassee with his Daguerrean apparatus, on or about the 1st proximo. He will remain in the city but few days. Persons desiring miniatures in a superior style with all the recent improvements in the art, will please call upon him early.

Advertisement was recorded three times between November 21 to December 12, 1848.

1848 December 9. Charleston Mercury. (Charleston, South Carolina.) December 9, 1848, P. 1.

Colored Photographs.—The Subscriber would respectfully recommend his Successor, Mr. J. J. Crygier, to the kind patronage of the public. From his long experience in the Daguerreotype Art, having been with Prof. Plumbe of New York, four years, and the last three with my self, he hopes to give entire satisfaction to all who may favor him with a call. His light is the best in the City, and his Apparatus of the last improvement. S. C. M’Intyre. Dec. 4.

Advertisement was recorded between December 9, 1848 to May 29, 1849.

1849 May 16. The Sumter Banner. (Sumterville, South Carolina.) May 16, 1849, Vol. III, No. 29, P. 3.

Likenesses. The subscriber respectfully informs the citizens of Sumterville and vicinity that he is prepared to take the likenesses of those who may favor him with a sitting. From long experience, having been connected with Mr. McIntyre of Charleston for the past three years, he has no doubt, but he shall be able to give the most perfect satisfaction to those who may favor him with a call.

Ladies and gentlemen are respectfully invited to call and examine his specimens. He has taken rooms at the Court House, where he will remain about three weeks. J. J. Crygier.

1849 July 31. Charleston Mercury. (Charleston, South Carolina.) July 31, 1849, P. 3.

Notice.—Mr. McIntyre respectfully informs his friends and the public, that he has left his Rooms for the summer in charge of his cousin, W. S. McNaughtan, from Scotland, who has had a long experience, and is well qualified to execute Likenesses in the latest and most approved process, at a Reduction Of Prices. 222 King-St. above Mr. Porter’s Store.

For sale, a splendid Quick Half Instrument, with a long Copying Box and extra Plate Frames, warranted to take Pictures in one half the usual time.

Advertisement was recorded between July 31 to November 6, 1849.

1849 November 19. New York Herald. (New York, New York.) November 19, 1849, Whole No. 5640, P. 2.

S. C. McIntyre Respectfully Invites Public attention to his new Miniature Daguerrean Gallery, No. 663 Broadway.

Advertisement ran from November 19 to 23, 1849.

1849 November 23. Charleston Courier. (Charleston, South Carolina.) November 23, 1849, Vol. XLVII, No. 14,361, P. 3.

Oil Paintings For Sale.—Six Beautiful Oil Paintings, In Rich Gilt Frames, At McIntyre’s Gallery, Over N. M. Porters Store.—Mr. McIntyre respectfully informs his friends and the public, that W. S. McNaughtan will continue to occupy his rooms, in King street, where all the improvements in the art will be practised and at reduced prices.

Mr. McIntyre has opened a Gallery at No. 663 Broadway, New-York, where he will be happy to see his Southern friends. He will keep no stock on hand, but all cash orders will have the best materials in the city, selected; and no instrument or materials sent, except those tested by himself.

1849 December 20. New York Herald. (New York, New York.) December 20, 1849, Whole No. 5676, P. 2.

S. C. McIntyre, Daguerrean Artist, No. 663 Broadway, fronting Bond street, respectfully invites the public to call and examine specimens of his new style of Miniatures.

1850 June 11. New York Herald. (New York, New York.) June 11, 1850, Whole No. 5846, P. 3.

S. C. M’Intyre, having disposed of his Daguerrean establishment, No. 663 Broadway, begs leave to inform his friends and the public, who may desire a specimen of his art, that he will remain a few days for that purpose. A large collection of specimens for sale.

1850 June 16. New York Herald. (New York, New York.) June 16, 1850, Whole No. 5851, P. 4.

S. C. McIntyre, having disposed of his Daguerrean establishment, No. 663 Broadway, respectfully informs his friends and the public, who may desire a specimen of his art, that he may be found at his rooms till the 1^st July. A large collection of specimens, views heads, &c., for sale some of which would be valuable to artists.

1850 June 20. New York Herald. (New York, New York.) June 20, 1850, Whole No. 5855, P. 3.

Gen. Scott.—S. C. McIntyre, 663 Broadway, has just executed a Daguerreotype likeness of the great General, said to be the best ever taken. Mr. McIntyre will continue at his rooms till first July, when his business will be given up to one who is well skilled in art.

1850 June 25. New York Herald. (New York, New York.) June 25, 1850, Whole No. 5860, P. 6.

Daguerrean Notice.—S. C. McIntyre, 663 Broadway, respectfully informs his friends and the public, that this is the last week in the city. Are who are desirous of having a likeness taken by him, must call before 1st July. His specimens are not yet all disposed of.

1850 July 11. Herald of the Times. (Newport, Rhode Island.) July 11, 1850, Vol. XXI, No. 5, Whole No. 1149, P. 2.

Mr. McIntyre, the distinguished Daguerrian Artist from New York, has arrived and opened his rooms in the building next North of the Ocean House. Mr. M’s pictures are superior to those of any other artist, and so closely resemble a fine painting, that the one is almost as valuable as the other. His pictures have the same life-like and natural expression which you see in the best and most faithful paintings, and are entirely free from that stiffness and dead expression which is so common in most Daguerreotypes. Those who want excellent and very faithful pictures of their friends, in any shape or size, should give him a call.

1850 November 22. Daily Alta California. (San Francisco, California.) November 22, 1850, Vol. 1, No. 294, P. 2.

Per Steamer California…

J. C. McIntyre…

1850 December 16. Daily Alta California. (San Francisco, California.) December 16, 1850, Vol. 2, No. 7, P. 3.

S. C. McIntyre, Surgeon Dentist. Surgeon Dentist. Testimonials from Dr. Brewster, Paris, whom he graduated in 1840, and Dr. Parmly, New York. May be seen at his office, No. 2 Clay st., Dr. Rabe’s Building.

Advertisement ran from December 16, 1850 to January 19, 1851.

1851 January 19. Daily Alta California. (San Francisco, California.) January 19, 1851, Vol. 2, No. 40, P. 2.

Daguerreotype Of San Francisco.—Decidedly the finest thing in the fine arts produced in this city, which we have seen, is a consecutive series of Daguerrean plates, five in number, arranged side by side so as to give a view of our entire city and harbor, the shipping, bay, coast and mountains opposite, islands, dwellings and hills—all embraced between Rincon Point on the right, to the mouth of our beautiful bay on the left, included between lines proceeding from the hills to the west of the city as the point of vision.

This picture, for such it may be termed, although the first attempt, is nearly perfect. It is admirable in execution as well as design. It is intended for the “World’s Industrial Convention” in London. We venture the assertion that nothing there will create greater interest than this specimen of Art among us, exhibiting a perfect idea of the city which of all the world carries with its name abroad more of romance and wonder than any other. It is a picture, too, which cannot be disputed—it carries with it evidence which God himself gives through the unerring light of the world’s great luminary.

The People of Europe have never yet seen a picture of this, to them, most wonderful city. this will tell its own story, and with the sun to testify to its truth, We would suggest that a subscription be raised to out it into a frame equal to its merits, Californian in style and richness, inlaid with native specimens of gold and auriferous quartz. This would make it a perfect gem. The views were taken by Mr. McIntyre of this city. He proposes, if his efforts meet with sufficient encouragement, to finish and furnish duplicates of this excellent and artistical picture to the lovers of art, at one hundred dollars. It may be seen at this office.

1851 January 20. Daily Alta California. (San Francisco, California.) January 20, 1851, Vol. 2, No. 41, P. 2.

The Panorama Of San Francisco.—A large number of gentlemen called at our counting room yesterday to examine Mr. McIntyre’s admirable Daguerreotypic panorama of San Francisco. They all expressed themselves highly pleased with it. It is certainly the only picture of any description ever produced given anything like a correct idea of the extent of our city.

1851 January 28. Daily Alta California. (San Francisco, California.) January 28, 1851, Vol. 2, No. 49, P. 2.

View Of The Plaza.—We are indebted to Doctor S. C. McIntyre for a very spirited and faithful Daguerreotype of the plaza, or Portsmouth Square. It embraces all the buildings from the old adobe to the corner of Kearny and Washington street, including the office of the Alta California. The buildings and figures in the foreground, the background and in fact all the minutiae of the scene is admirably taken. It was executed literally instantaneously. Dr. McI. Is the gentleman who has been engaged in getting up the panorama of San Francisco for the World’s Fair. His picture prove him an adept in the interesting art daguerreotypic.

1851 February 8. Daily Alta California. (San Francisco, California.) February 8, 1851, Vol. 2, No. 60, P. 3.

Protection—For sale, one of Genin’s patent twenty-shooting Rifles. To be seen at the office of S. C. McIntyre, Dr. Rabe’s Building.

1851 September 13. Navada Journal. (Nevada City, California.) September 13, 1851, Vol. 1, No. 41, P. 3.

Dr. McIntyre, Dentist. Office in Nevada City, at Gregory’s Hotel; at Grass Valley, at Peckham’s; at Rough and Ready, at Mrs. Downey’s.

References—Dr. Clark, Dr. Coryell, Dr. Overton,} Nevada, Dr. Robberts, Rough and Ready.

1851 September 13. Navada Journal. (Nevada City, California.) September 13, 1851, Vol. 1, No. 41, P. 3.

Dentistry. S. C. McIntyre respectfully informs the public that he has located himself in Navada, and offers his undivided professional attention in all its branches. From a long experience, and the highest testimonials from Dr. Brewster of Paris, (with whom he graduated) and Dr. Parudy of New York, he hopes to merit public confidence. He proposes visiting Grass Valley and Rough and Ready a few days every month.

All operations warranted.

1852 January 22. Navada Journal. (Nevada City, California.) January 22, 1852, Vol. 1, No. 78, P. 3.

For Sale. Twelve sluice claims ready for work,

One full share in the Ripple Box,

Two shares in the Wisconsin Tunnel,

One share in Orleans Quartz mining Co.

Two share Yuba Quartz mining Co.

Half share Wyoming Quartz mining Co.

One share Ural Quartz mining Co.

Three share Mount Hope Quartz mining Co.

One share Pacific Hill Quartz mining Co.

One share Tehama Quartz mining Co.

One share Stirling Quartz mining Co.

One share Wasson lead

Three share Versailles lead

Two share Phenix lead

Two claims on Union Hill, Grass Valley.

S. C. McIntyre, Agent, at the Gregory House.

1852 February 7. Navada Journal. (Nevada City, California.) February 7, 1852, Vol. 1, No. 83, P. 3.

Daguerreotypes. S. C. McIntyre respectfully informs his friends and the public that in a few days he will close his Gallery. All who may wish to have any thing done in his way, will do well to call immediately.

1853 March 18. Navada Journal. (Nevada City, California.) March 18, 1853, Vol. 2, No. 47, P. 3.

Dentistry. Mr. S. C. M’Intyre—Surgeon Dentist. Respectfully returns his sincere thanks to his friends and the public for the liberal patronage he has received. He is prepared to execute and warrant all manner of dental operations, in the best manner, and at the lowest prices. Office at Hodge’s Book Store. Ladies waited on at their residences.

1853 April 8. Nevada Journal. (Nevada City, California.) April 8, 1853, Vol. 2, No. 50, P. 3.

Wyoming Q. M. C. At a meeting of the board of trustees held at the company’s office on the 28th March 1853, an assessment of $25.00 on each half share of stock was called, to be paid in to the Treasurer on or before to 10th April. All delinquent shares will be advertised and sold according to law. S. C. McIntyre.

1853 December 15. Grass Valley Telegraph. (Grass Valley, California.) December 15, 1853, Vol. 1, No. 13, P. 3.

Dentistry. Office, United States Hotel,—Nevada City. Dr. S. C. McIntyre, respectfully begs leave to inform his friends and the public that he is now permanently located, for the purpose of practicing in all the branches of his profession…

New York City Directories. (New York, New York.)

1840-1849 Not listed.

1850 M’Intyre, Samuel C.—daguerrian, 663 Broadway. Published by John Doggett, Jr.

1851 Not listed.

[1] Possible October 27 not 26, 1847.

Marks, Harvey (Henry) Roberts

September 8, 2026Daguerreotypes, PhotographsAustin Texas, Baltimore Maryland, Daguerreotypist, Harvey Roberts Marks, Henry Roberts Marks, Houston Texas, Jacob Shew, Mobile Alabama, Photographer, San Francisco California, Shew & Markspioneeramericanphotographers

1848-1850 117 Baltimore, Baltimore, Maryland.[1]

1850-1854 159 Baltimore Street, Baltimore, Maryland.

c.1851-1852 Address Unknown, San Francisco, California.

1854-1858 57 Dauphin and Royal Streets, Mobile, Alabama.[2]

1866 Main between Preston and Prairie, Houston, Texas.[3]

1867 Main at Congress, Houston, Texas.³

1871-1901 Various Addresses, Austin, Texas.³

1849 January 24. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) January 24, 1849, Vol. 78, No. 21, Whole No. 11,016, P. 3.

Daguerreotypes.—The beautiful display of Daguerreotypes at the late fair of the Maryland Institute, is more fresh in the memory of those who visited it, than perhaps any other class of articles exhibited; for in no department of art or mechanical, was there to be observed a nearer approach to what we would conceive perfection. It is a fact, and one gratifying to national pride, that the art is practiced in this country with greater skill than in Europe; even in Paris, where Daguerre first published his invention; and it is further the fact, that a French operator studied here the improvements attained, and then returned to profit by them in France. Of Daguerreotypes, as superbly executed as American operators can present them, certainly their very best were collected in the Maryland Institute Fair; and of these, none were more admired, as combining in them all the essentials of an unexceptionable portrait, the expression of nature, placid repose of features, distinctness of outline, and tact in so disposing the focus that no part or member of the object suffers from distortion—all these essentials, that depend so much upon the superior capacity of the induvial operator, than those of Mr. J. Shew, of this city. And so though the judges, in awarding him a premium.

It gives us pleasure to add to this testimonial, a [statement], that the rooms of Mr. Shew, at the corner of South and Baltimore streets, their convenience of access, and arrangement within, are such as to make a sitting rather agreeable than otherwise, particularly to ladies. The apparatus is more directly under the charge of Mr. Marks, an accomplished operator, and one whose efforts are uniformly successful to the entire satisfaction of all who sit; for a Daguerreotype is not allowed to leave the establishment unless under those circumstances.

1849 February 10. American and Commercial Daily Advertiser. (Baltimore, Maryland.) February 10, 1849, Vol. XCIX, No. 17,209, P. 2.

Gold Region—Overland Route. Notice.—Col. Whiting will leave this city on Monday 12th inst., for Pittsburgh. Several persons having applied for admission into the Company, but require a little more time, has induced Col. W. to appoint an agent, as his positive engagement to be in Pittsburgh on the 16th inst. will prevent him remaining any longer time in Baltimore.

Mr. H. R. Marks, 117 Baltimore street, will be pleased to give any information required to persons desirous of joining the Company, as to routes, expenses, outfit, &c.

Maps, Circulars, &c., are left with Mr. Marks, and those who apply can obtain any required information relative to the expedition.

1849 February 13. The Sun. (Baltimore, Maryland.) February 13, 1849, Vol. XXIV, No. 73, P. 2.

For California. Overland Expedition To The Gold Region. The object of this Expedition is to afford protection to a given number of respectable men, who desire to take the overland route to California, and the entire cost of outfit, travel expenses, &c., will not exceed $200, and can be brought considerably within that limit. The time of departure from the point of Rendezvous on Red River , will be the 25th of March, and the route fixed upon—from Natchitoches, La., across Texas, to the point on the Rio del Norte crossed by Gen. Kearney, thence along his trail to San Diego, and up the cost to San Francisco—is believed to possess many adventures over the Northern route, not only on account of the distance of land travel, which is lessened over 700 miles, but the climate is much milder and the region traversed more fertile, affording luxurious grass for animals at an earlier season.

Col. Whiting, the leader of this expedition, has already gone to make the necessary preparations at the point of rendezvous.

Persons wishing to avail themselves of the advantages here offered, would do well to make immediate application to the undersigned, as he will leave Baltimore for the West on the 29th instant. H. R. Marks, 117 Baltimore street.

Advertisement ran on February 13 to 15, 1849.

1849 April 2. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 75, Whole No. 11,074, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street. The subscribers respectfully call attention to their collection of Daguerreotypes, with confidence that they will not suffer in comparison with any taken in Baltimore. Their facilities for taking Pictures are unequalled, and the situation and arrangements of their Rooms, are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, with accuracy and dispatch, for Lockets, Signets, Rings, &c., and satisfaction guaranteed in all cases.

Advertisement ran from April 2 to October 17, 1849.

1849 April 3. American and Commercial Daily Advertiser. (Baltimore, Maryland.) April 3, 1849, Vol. XCIX, No. 17,244, P. 7.

Daguerrian Gallery, 117 Baltimore Street. Shew & Marks Respectfully call the attention of the public to their large collection of Daguerreotype Portraits, and assure those who may be pleased to test their skill, that their likenesses shall be inferior to none taken in Baltimore. Their facilities for taking pictures are un equalled, and the situation and arrangement of their rooms are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, and for Signet Rings, Lockets, &c; Paintings, Engravings, &c. copied with accuracy and dispatch, and satisfaction guaranteed in all cases.

Advertisement ran between April 3 to October 10, 1849.

1849 April 4. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 77, Whole No. 11,076, P. 3.

Daguerrian Galleries.—A Daguerreotype, well taken, clear distinct in outline, and naturally reflecting form, face and feature, is not so often to be had, that when it can be depended upon as a matter of certainty, it does not bring the Daguerreotypist into notice and his establishment into a successful run of business. Such an establishment, with rooms of convenient location, instruments the best, operators of pleasant personal address and accomplished in their art, and what follows as a consequence, admirable likenesses—is to be found in that of Messrs. Shaw & Marks, Covin building; which during the absence of Mr. Shew, (in California,) will be conducted by his partner, Mr. Marks.

The present season is the one above others favorable for Daguerreotypes; and among the many excellent establishments in Baltimore, there is none we can recommend above the subject of this notice.

1849 May 1. The Sun. (Baltimore, Maryland.) May 1, 1849, Vol. XXIV, No. 138, P. 2.

Faithful Likenesses.—At this season of the year many of our friends are visiting Baltimore upon business and other pursuits; and to such of them as desire a striking Daguerreotype likeness, we recommend the establishment of Messrs. Shew & Marks, 117 Baltimore street. We have in our possession a ring of moderate size, containing the likeness—one of the most correct we ever saw—of an esteemed friend, which was taken by these gentlemen; and we are so much gratified with the excellence of its execution, (aside from its cheapness, which is remarkable,) that we are induced to offer this voluntary tribute to their skill, in the hope that it may induce others to employ them, as they are so eminently successful in their endeavors to obtain correct likenesses.—Centerville Times, April 28, 1849.

1849 May 21. The Sun. (Baltimore, Maryland.) May 21, 1849, Vol. XXV, No. 4, P. 2.

Daguerreotypes.—Messrs. Shew & Marks continue to take suck Likenesses as cannot fail to please the most fastidious, and we would recommend all who wish to procure a Daguerreotype true to life, to call at their Gallery, No. 117 Baltimore Street, 3d door above South Street.

Advertisement ran on May 21 & 22, 1849.

1849 August 31. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) August 31, 1849, Vol. 79, No. 52, Whole No. 11,202, P. 2.

Shew & Marks’ Daguerreotypes.—Shew & Marks continue to keep pace with all the improvements which practical skill and mature experience are developing in their art, while they make no crafty boast of “wonderful improvements,” or of the application of principles to its advancement, which are unknown in its practice,—such as electricity, &c. Their Likenesses are unsurpassed by any taken in Baltimore; and they may confidently challenge the production of their superiors, either in strength of likeness, beauty of tone, or finish.

All who want a perfect Daguerreotype, are recommended to call at their Gallery, No. 171 Baltimore street.

Advertisement ran on August 31 & September 1, 1849.

1849 October 18. American and Commercial Daily Advertiser. (Baltimore, Maryland.) October 18, 1849, Vol. C, No. 17,404, P. 3.

Fair Of The Maryland Institute…

Awards Of Premiums…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of Daguerreotypes, first premium.

H. Pollock, for next best specimens of Daguerreotypes, second premium

W. & F. Langenheim, Philadelphia, for specimens Talbotypes, first premium.

1849 October 18. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) October 18, 1849, Vol. 79, No. 92, Whole No. 11,243, P. 2.

Fair of the Maryland Institute…

Premiums Awarded…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of daguerreotypes, first premium.

H. Pollock, for next best specimens of daguerreotypes. second premium.

W. & F. Langenheim. Philadelphia, for specimens of Talbotypes, first premium.

1849 October 19. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) October 19, 1849, Vol. 79, No. 93, Whole No. 11,244, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street. Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses accurately taken in any weather, for Lockets, Signet Rings, &c., and satisfaction guaranteed in all cases.

Paintings and Engravings correctly copied.

Advertisement ran from October 19, 1849 to April 2, 1850

1849 October 20. The Sun. (Baltimore, Maryland.) October 20, 1849, Vol. XXV, No. 133, P. 2.

First Premium Daguerrian Gallery. Shew & Marks, No. 117 Baltimore Street. The Highest Premium awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses taken in any weather, and satisfaction guarantied in all cases.

Advertisement ran from October 20 to November 20, 1849.

1849 December 19. The Sun. (Baltimore, Maryland.) December 19, 1849, Vol. XXVI, No. 27, P. 2.

Christmas Gifts.—The holidays are near,—the season which time honored custom has set apart for the bestowal of precious gifts on those we love. The likeness of an esteemed friend is always highly valued, and in suggesting this as a suitable present, we would call attention to the excellence of Messrs. Shew & Marks’ daguerreotypes, who it will be remembered received the highest premium at the late Fair of the Maryland Institute. Gallery 117 Baltimore street.

1849 December 21. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) December 21, 1849, Vol. 79, No. 145, Whole No. 11,296, P. 2.

Preparations For The Holydays…

Daguerreotypes.—What more appropriate gift could be made at this season, then the “counterfeit presentment” of some dear loved one, or friend?—Such can be procured in a style rarely to be excelled, at either of the following places:

Shew & Marks, No. 117 Baltimore street.

Carvalho, 205 do. do.

J. H. Whitehurst, 207 do. do.

1850 March 2. The Sun. (Baltimore, Maryland.) March 2, 1850, Vol. XXVI, No. 89, P. 2.

Shew & Marks’ Premium Daguerrian Gallery, No. 117 Baltimore Street. Highest Premium awarded at the late Fair of the Maryland Institute for the best Daguerreotypes exhibited.

Superior Likenesses taken in any weather, and entire satisfaction guaranteed in all cases.

Advertisement ran from March 2 to April 1, 1850.

1850 April 2. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) April 2, 1850, Vol. 80, No. 79, Whole No. 11,381, P. 2.

H. R. Marks’ (Late Shew & Marks’) Daguerrian Gallery, 117 Baltimore Street. Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited—all of which were taken by Mr. Marks.

Superior Likenesses taken in weather, and entire satisfaction guaranteed in all cases.

Daguerreotypes, Paintings and Engravings correctly copied.

Instruction given in the Art.

Advertisement ran from April 2 to November 15, 1850.

1850 April 3. The Sun. (Baltimore, Maryland.) April 3, 1850, Vol. XXVI, No. 89, P. 2.

Premium Daguerreotypes.—Those wanting perfect likenesses should call at Marks’ (late Shew & Marks’) favorite Gallery, No. 117 Baltimore street, where the most superior pictures can be obtained on reasonable terms.

1850 April 15. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) April 15, 1850, Vol. 80, No. 90, Whole No. 11,392, P. 3.

Marks’, (late Shew & Marks’) Daguerrean Gallery.—This establishment, so long and justly celebrated for the fidelity and excellence of its likenesses, still maintain its high reputation under the management of its skillful and urbane proprietor. As an artist of taste and skill, Mr. Marks is unsurpassed by any in his profession, and we take great pleasure in commending his gallery 117 Baltimore street, to the favorable notice of those who have not already visited it. The award of the highest premium, by the Maryland Institute, to pictures taken by Mr. Marks, is all that we need say of their superiority, it being an evidence of merit which none will pretend to question. Give him a call and judge for yourselves.

1850 September 6. The Sun. (Baltimore, Maryland.) September 6, 1850, Vol. XXVII, No. 95, P. 2.

Premium Daguerreotypes.—The most favorable season for taking Daguerreotypes is now at hand, and we would advise all who want an accurate likeness, and a picture of superior finish, to visit Mr. Marks’ Gallery, No. 117 Baltimore street.

1850 October 18. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) October 18, 1850, Vol. 81, No. 93, Whole No. 11,190, P. 2.

Fair of the Maryland Institute…

328. A lot of daguerreotypes, by P. L. Perkins, Balt.

350. A frame view of Carroll’s Manor, and several other frame views, by R. H. Marks, Balt.

1850 October 18. The Sun. (Baltimore, Maryland.) October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon. Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city. Among them we discover many finished pictures and most admirable portraits. Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable. They all, however, present portraits which will be pronounced excellent any where.

1850 November 6. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) November 6, 1850, Vol. 81, No. 109, Whole No. 11,206, P. 2.

List of Premiums…

Fine Arts.

For the finest specimens of daguerreotype miniatures, H. R. Marks, a silver medal.

Specimens of large daguerreotypes, by W. [sic.] Whitehurst, a silver medal.

Superior daguerreotype groups, by H. Pollock, a silver medal.

1850 November 15. The Sun. (Baltimore, Maryland.) November 15, 1850, Vol. XXVII, No. 155, P. 2.

Marks’ Daguerrian Gallery.—Our friends wanting Daguerreotypes should bear in mind that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished gallery, and is prepared to make likenesses which cannot fail to please the most fastidious. Call and see him.

1850 November 16. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) November 16, 1850, Vol. 81, No. 118, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street. Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

1850 November 18. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) November 18, 1850, Vol. 81, No. 119, Whole No. 11,206, P. 3.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from November 18,1850 to June 27, 1851.

1850 December 7. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) December 7, 1850, Vol. 81, No. 135, Whole No. 11,214, P. 2.

Jenny L First Concert—Sal Tickets.—The sale of tickets at auction, this morning by Gibson & Co., at the Theatre, was attended by a very large number of persons, and the bidding was quite spirited up to the time we left.

Mr. J. H. Whitehurst, daguerreotypist in Baltimore street, was the purchaser of the first choice, for which he paid $100, premium. He choose 1005, immediately in front of the stage, in the first tier of the dress circle.

The seats in the parquette beginning at No. 1, were then offered, and the first four were taken by H. R. Marks, daguerreotypist, Baltimore street, at $4 premium each.

1850 December 9. American and Commercial Daily Advertiser. (Baltimore, Maryland.) December 9, 1850, Vol. CII, No. 15,953, P. 3.

Jenny Lind Concert—Auction Sale or Seats.—The sale by auction of the seats for the first concert to be given tonight by Jenny Lind, took place at the Front Street Theatre on Saturday morning. As the hour for the commencement of the sale approached the theatre began rapidly to fill up, and soon every part of the house, except the parquette into which the crowd was not admitted, was closely occupied by an eager and excited assemblage. Diagrams were distributed through the house showing the location of the different seats, and at 10 o’clock Mr. Gibson, of the firm of Gibson & Co., auctioneers, took his stand and commenced the sale. He stated that the bids made would be bona fide ones, no one having been employed to in any way advance the price of seats by making fictitious bids. The price of $3 had been fixed on every seat in the house and the amount offered by each bidder would be a premium over and above this stated price, and the purchaser of each seat would have the privilege of taking any number of seats not exceeding fifteen in one lot.

The regulations of the sale having been thus announced, the choice of the first seat in the house was offered. A momentary pause ensued when a bid of $10 premium was made, followed rapidly by bids from different parts of the house of $25, $50, $75, and $100. No bid higher than $100 being offered, after calling it for some time, it was finally knocked down at that sum, and Mr. J. H. Whitehurst, proprietor of the daguerrian gallery, was announced as the successful purchaser. The announcement was greeted with considerable cheering and applause, with cries of “Whitehurst,” “Whitehurst,” “show him up,” &c. Mr. W., however, not being in the house, the desire of the audience could not be gratified. The agent of Mr. Whitehurst selected as the choice seat No. 1005, the first seat on the front bench of the box on the right hand of the entrance to the parquette; a conspicuous location, but not, we should judge, the most comfortable or agreeable in the house. He subsequently secured the adjoining seats for Mrs. Whitehurst at a premium of $6.50.

The sale of the seats in the parquette was then commenced, beginning at No. 1 and continuing on to No. 516, with the exception of a number of seats reserved for the press. The first seat sold in the parquette was bid in by Mr. H. R. Marks at a premium of $1…

1850 December 12. The Sun. (Baltimore, Maryland.) December 12, 1850, Vol. XXVIII, No. 21, P. 2.

Marks’ Daguerreotypes.—Our friends in want of superior Daguerreotypes should not forget that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished Gallery, with a large, improved Sky Light, and every facility for making the most satisfactory likenesses. Mr. Marks was awarded the highest premium by the Maryland Institute, in 1849, and the Silver Medal in 1850; and these are evidences of merit which none will question. Call and see him.

1850 December 23. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) December 23, 1850, Vol. 81, No. 148, Whole No. 11,227, P. 3.

Holiday Gifts, &c…

Daguerreotype Galleries.

H. R. Marks, No. 159 Baltimore street.

J. H. Whitehurst, 209 Baltimore street.

S. N. Carvalho, 205 Baltimore street.

At all of these establishments many beautiful presents are to be found, and the proprietors are all worthy of the patronage and confidence of the public.

1851 January 7. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) January 7, 1851, Vol. 82, No. 6, Whole No. 11,239, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum. Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession. It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits. There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled. They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known. He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow. Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance. He has a large improved skylight, which may impart to his present works even an additional charm.

1851 January 8. The Sun. (Baltimore, Maryland.) January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling the attention of our readers to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore st., Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.

1851 February 12. The Sun. (Baltimore, Maryland.) February 12, 1851, Vol. XXVIII, No. 72, P. 2.

Marks’ Daguerreotypes.—We have just seen some very superior and highly finished Daguerreotypes from the popular establishment of Mr. Marks, No. 150 [sic.] Baltimore street, and must say we have never seen them surpassed. Mr. M. continues to receive the preference of a large class of our community, and should always do so as long as his pictures equal those shown to us. Call and examine his specimens, and judge for yourselves.

1851 March 15. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) March 15, 1851, Vol. 82, No. 64, Whole No. 11,297, P. 2.

Beautiful Daguerreotypes.—If any of our readers wish to see the perfection to which the art of the Daguerreotyping has been brought within a few years, they can be gratified by a visit to the gallery of Mr. Marks, in Baltimore street, opposite the museum. Mr. M. has given much time and attention to this beautiful art; and truly has been well rewarded, to judge from the many elegant copies of “familiar faces” that grace the walls of his gallery. His pictures present a freshness and a glowing vividness of feature, that at once impress the beholder with the belief that they are the work of one who is perfect master of his craft, and who knows how to use his tools in such way as to receive the best return for his labor. Mr. Marks received the silver medal at the last fair of the Maryland Institute, for the best Miniature Daguerreotypes on exhibition—a tribute to skill which was well deserved, as all will say who will examine his pictures. Mr. Marks and assistants are polite and attentive, and none who visit him will come away without being fully satisfied with the equivalent received.

1851 April 11. The Sun. (Baltimore, Maryland.) April 11, 1851, Vol. XXVIII, No. 122, P. 2.

Daguerreotypes.—We have lately seen some very fine Daguerreotypes from the establishment of Mr. Marks, No. 159 Baltimore street, which we think superior to any specimens of the art we have ever seen. Mr. Marks has twice received the highest honors awarded by the Maryland Institute for the unequalled excellence of his pictures, and, since his removal to his new gallery, he has enjoyed greater facilities than before for the production of likenesses suitable in the taste of all. Those wanting Daguerreotypes should call and examine his specimens.

1851 June 28. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) June 28, 1851, Vol. 82, No. 154, Whole No. 11,388, P. 3.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from June 28, 1851 to February 4, 1852.

1851 October 1. The Sun. (Baltimore, Maryland.) October 1, 1851, Vol. XXIX, No. 115, P. 2.

Premium Daguerreotypes.—We take pleasure in calling attention to the popular Gallery of Mr. Marks, No. 159 Baltimore street, where we recommend all persons to call who wish to secure an unmistakable likeness of themselves or their friends. Mr. Marks has twice received the highest honors of the Maryland Institute, and is daily producing Daguerreotypes which have never been surpassed.

1851 October 15. The Sun. (Baltimore, Maryland.) October 15, 1851, Vol. XXIX, No. 126, P. 2.

Daguerreotypes.—Those of our readers who want an excellent likeness, cannot do better than call at Mr. Marks’ Gallery, No. 159 Baltimore street.

1851 October 21. The Sun. (Baltimore, Maryland.) October 21, 1851, Vol. XXIX, No. 131, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling attention to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore street. Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.

1851 December 3. The Sun. (Baltimore, Maryland.) December 3, 1851, Vol. XXX, No. 13, P. 2.

Notice.—The interest of H. R. Marks, in Marks’ Daguerrean Gallery, No. 159 Baltimore Street, ceased by sale of the establishment on the first of this month.

The business will continue to be conducted, as formerly, by his accomplished operator, Mr. John R. Tankersley.

Advertisement ran from December 3 to 5, 1851.

1851 December 25. The Sun. (Baltimore, Maryland.) December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day. We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 April 10. The Sun. (Baltimore, Maryland.) April 10, 1852, Vol. XXX, No. 123, P. 2.

Mr. Marks’ reputation as an artist is well known to the citizens of Maryland, he having twice received the highest honor of the Maryland Institute; and it is only necessary that his return amongst us should be known to insure him a large share of patronage. Gallery 158 Baltimore street.

1852 April 29. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) April 29, 1852, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ Premium Daguerrean Gallery, No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather. Satisfaction guarantied in all cases.

Advertisement ran from April 29, 1851 to March 26, 1853.

1852 May 15. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) May 15, 1852, Vol. 84, No. 117, Whole No. 11,666 P. 3.

We observed with great pleasure the return of our gifted townsman, Mr. H. R. Marks. During his absence he has enriched his gallery with a complete view of San Francisco, so exquisitely reflected, that the horses, chaises, and other minute objects on the distant hill tops, are distinctly discernible. We have no hesitation in saying that it gives by far the most accurate and instructive representation of this new city of promise, which has risen like Aladdin’s palace, upon our gold-veined peninsula.

Another feature, even more attractive at this moment, is a frame containing the portraits of seventeen Japanese sailors, in their native costumes, who were recently picked up at sea and brought into San Francisco. This picture is a most interesting study: we have before us the very fellows whom we mean to drub, if necessary, into a little civilization and brotherhood. Some few of the faces are characterzed [sic.] by refinement and great ability, whilst others exhibit a monkey look of degeneracy. But it is a curious and interesting comparison.

We are most happy, also, to welcome Mr. Marks back to the city, which possess so many tokens of his skill, and we recommend him to the patronage of all who desire the likeness of those they love, accomplished with all the delicacy, and more than the fidelity of the finest miniature.

1852 June 1. Baltimore Pathfinder, Traveler’s Guide, and Business Register. (Baltimore, Maryland.) June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H. 159 Baltimore.

Marsters, J. D. 147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H. 297 Baltimore.

Daguerrean Stock.

King, F. W. & R. 33 South.

Wisong, Wm. A. 2 N. Liberty.

1853 January 22. Illustrated News. (New York, New York.) January 22, 1853, Vol. 1, No. 4, P. 57.

Three illustrations, (after daguerreotypes) of 18 Japanese Sailors. 1. Tametho. 2. Hecotho, (Cabin Boy). 3. Montho, (Captain.) 4. Geesahkoo, 5. Simpay. 6. Ewatho. 7. Simoatch, (Cook). 8. Drehecho. 9. Keotho. 10. Commetho. 11. Kechetho. 12. Ahsahgodro. 13. Commetho. 14. Saypatch. 15. Ekotho. 16. Jimpatch, (2d Mate). 17. Yasatahro. 18. Chonowski, (Mate).

Japanese Sailors. From Daguerreotype By H. R. Marks, Md. Everything relating to Japan is now interesting, and we have deemed ourselves fortunate in obtaining a series of daguerreotypes of the crew of the Japanese Junk, picked up in the month of December 1850, by the Bost bark Auckland. The junk had sailed from the city of Jeddo, on the 25th day of the 10th moon of October. On the 16th day after leaving Jeddo, a storm arose, which lasted with little intermission for fifty-two days. On the 21st of December they were, however, so happy as to be discovered by the crew of the Auckland, and were taken on board. Fearing to remain in their junk, they disembarked in such haste as to leave on board the sum of 4.000 dollars. The captain of the Auckland “hove to,” and endeavored to board the junk, but unsuccessfully, and therefore kept on a course to San Francisco. After arrival, the Japanese remained for twenty-four days on board the Bark, and were finally transferred to the U. S. R. bark Polk. While on board the latter, the daguerreotypes were taken, by Mr. H. R. Marks, of Baltimore, Md., from whom we have received them. The portraits above are faithful copies. These are believed to be the first daguerreotypes of Japanese individuals ever taken, and as such, possess uncommon interest…

1853 February 18. The Sun. (Baltimore, Maryland.) February 18, 1853, Vol. XXXII, No. 79, P. 2.

Daguerreotypes.—Among the most interesting daguerreotypes we have seen. Are the Japanese

and views of San Francisco, brought by Mr. Marks from California, and to be seen at his gallery, No. 159 Baltimore street. Mr. Marks’ skill as a daguerreotypist is well known to our citizens, he having twice received the highest honors of the Maryland Institute. All who want good pictures will know where to get them.

1853 March 15. The Sun. (Baltimore, Maryland.) March 15, 1853, Vol. XXXII, No. 102, P. 2.

Daguerreotypes.—Likenesses of superior tone and finish can be procured at Marks’ Gallery, No. 159 Baltimore street, six doors above Calvert.

1853 March 25. The Sun. (Baltimore, Maryland.) March 25, 1853, Vol. XXXII, No. 111, P. 2.

Daguerreotyped Japanese.—At this moment, when public attention is directed to Japan, we are reminded of the fact that the crew of a Japanese trading junk, blown to sea in 1850, was picked up by the U. S. Revenue bark, “Polk,[4]” and brought into the harbor of San Francisco. While lying there, Mr. H. R. Marks of this city, who was at that time in San Francisco, obtained daguerreotype pictures of the whole party, and brought them home with him. They present quite an interesting subject for the contemplation of the physiognomist, and afford to us all an intelligent idea of the external aspect of the race.

1853 March 29. Baltimore Patriot and Commercial Gazette. (Baltimore, Maryland.) March 29, 1853, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Likenesses taken in any weather. Satisfaction guarantied in all cases.

Advertisement ran from March 29, 1853 to February 23, 1854.

1853 May 28. The Sun. (Baltimore, Maryland.) May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Daguerreotypes.—For clearness, beauty of finish, and fidelity of likeness, Mr. Marks’ pictures are unsurpassed. All who want likenesses should call at his gallery, No. 159 Baltimore st.

1853 May 28. The Sun. (Baltimore, Maryland.) May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Boy Wanted.—One of pleasing manners, and who can come recommended for steadiness and honesty, may obtain an agreeable situation by applying at Marks’ Daguerrean Gallery, No. 159 Baltimore street.

1853 August 2. The Sun. (Baltimore, Maryland.) August 2, 1853, Vol. XXXIII, No. 64, P. 2.

Daguerreotypes.—The best pictures are always the cheapest and all who want a correct likeness are recommended to Mr. Marks’ gallery, No. 159 Baltimore st., where they can get pictures to please them.

1854 October 30. Alabama Planter. (Mobile, Alabama.) October 30, 1854, Vol. VIII, No. 48, P. 2.

Daguerreotyping.—Our Daguerreotype artists have been making improvements for an extensive business the coming winter.

The art, we believe, was first introduced into Mobile by Mr. Barnes, who attained great distinction in it. Indeed, we believe, it may be said that his success has been so great that he has accumulated a fortune.

He was followed by numerous other persons, but the only establishments besides his are those of the Messrs. Stanton and Mr. Marks. The former have their rooms on the south side of Dauphin way, entering by the same steps which lead to the printing office of the Tribune. They have erected a large glass front, which will enable them to obtain an excellent light for their operations.

Mr. Marks, at the southeast corner of Dauphin and Royal streets, has been here about a year. He comes from Baltimore with the prestige of success and one or two medals from the great fairs. He has also changed the externals of the building he occupies and has made a large skylight which is very complete. His rooms are elegantly fitted up, and the numerous pictures which decorate his walls are a sufficient proof of his great skill in the art. He has a series of very striking Daguerreotype views of San Francisco, taken by himself, and exhibiting that place by sections which, joined together, make a complete picture of the entire city, in which the minutest detail of every house tree, and street, and shipping, &c., is given with surprising clearness. The name on some of the signs can be easily read by the naked eye.

We are satisfied that there are o more exquisitely executed pictures any where than those which our Daguerreotypists are ready to take; and we commend them to our country friends who, doubtless, this winter will liberally patronize this very beautiful art. Let them visit the galleries of our artists and see how difficult it is to resist the desire to have their pictures taken.

[1] Directory Of Maryland Photographers 1839-1900. By Ross J. Kelbaugh. And Baltimore newspapers.

[2] Shot in Alabama A History of Photography 1839-1941 And A List Of Photographers. By Frances Osborn Robb.

[3] Catching Shadows A Directory of 19th Century Texas Photographer, By Davis Haynes.

[4] Left New York on 5 April 1850 and arriving at San Francisco on 27 September 1850.

Lovering, Reuben F.

April 3, 2026Ambrotypes, Daguerreotypes, PhotographsAmbrotypist, Boston Massachusetts, Cannon & Lovering, Daguerreotypist, Hamilton & Lovering, John Plumbe Jr., Lovering & Davis, Photographer, Reuben F. Lovering, San Francisco Californiapioneeramericanphotographers

C.1843-1847 75 Court Street, Boston, Massachusetts.[1]

1845 190 Washington Street, Boston, Massachusetts.

1848 257 Washington Street, Boston, Massachusetts.[2]

1849 34 Tremont Row, Boston, Massachusetts.²

1850-1851 203 Washington, Boston, Massachusetts.²

1851 247 Washington Street, Boston, Massachusetts.²

1851 34 Tremont Row, Boston, Massachusetts.

1855 Address Unknown, Boston, Massachusetts.

1859 182 Washington Street, San Francisco, California.[3]

1859-1860 111 Montgomery Street, San Francisco, California.

1845 July 21. The Boston Daily Mail. (Boston, Massachusetts.) July 21, 1845, Vol. V, No. 191, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston. Miniatures taken with or without coloring at a reasonable price. Daguerreotype Apparatus constantly on hand. Instructions in the art carefully given. Terms moderate.

Advertisement ran from July 21 to August 20, 1845.

1845 July 23. The Boston Daily Times. (Boston, Massachusetts.) July 23, 1845, Vol. XVIII, No. 4949, P. 3.

Advertisement was recorded twice on July 23 & 28, 1845.

1845 July 24. The Boston Daily Mail. (Boston, Massachusetts.) July 24, 1845, Vol. V, No. 194, P. 2.

Daguerreotypes. Cannon and Lovering have removed their rooms to 190 Washington street opposite the Marlboro’ Chapel, where they executed the most perfect miniatures at prices lower than at any other establishment.—Call and examine them.

1846 November 10. Daily Evening Transcript. (Boston, Massachusetts.) November 10, 1846, Vol. , No. 4999, P. 2.

Robbery. Between 3 and 4 o’clock yesterday afternoon a show case belonging to Lovering & Davis daguerreotype artists no. 34 Tremont row, which was hanging in the passage way at the foot of the stairs was pried open by some rogue and $40 worth of lockets were stolen. The lockets were of Stone & Weaver’s manufacture, Providence.

1846 November 11. The Boston Daily Mail. (Boston, Massachusetts.) November 11, 1846, Vol. VI, No. 289. P. 2.

The Daguerreotype Show Case of Messrs. Lovering and Davis, No. 34 Tremont Row, was broken open on Monday night, and about $40 worth of lockets stolen.

1847 August 6. The Boston Daily Times. (Boston, Massachusetts.) August 6, 1847, Vol. XVIII, No. 4961, P. 3.

1848 September 5. Boston Daily Times. (Boston, Massachusetts.) September 5, Vol. XXV, No. 3884, P. 3.

For Sale—A Daguerreotype Establishment, well located and doing a good business; only a small capital required. Sufficient reason given for selling. Inquire of R. F. Lovering, 257 Washington st.

1850 February 9. Christian Register. (Boston, Massachusetts.) Febroary 9, 1850, Vol. XXIX, No. 6, P. 4.

Marriages. In Manchester, 5th inst. by Rev. A. B. Fuller, Mr. Reuben F. Lovering of Boston to Miss Martha Ann Whitle of Deering, N. H.

1851 February 17. The Boston Daily Bee. (Boston, Massachusetts.) February 17, 1851, Vol. 18, No. 102, P. 2.

A fire was discovered yesterday morning about 3 o’clock, in the daguerreotype establishment of R. F. Lovering, in the third story of the building 203 Washington, corner of Bromfield street. The fire burnt quite freely and nearly destroyed Mr. L’s stock—amounting to about $1000. It is supposed to have been set on fire, as two or three suspicious characters were seen sculking about the neighborhood a short time before the fire broke out.

1851 February 17. The Boston Daily Mail. (Boston, Massachusetts.) February 17, 1851, Vol. XI, No. 41. P. 2.

Fires. At 3 o’clock Sunday morning fire was discovered in the second story of a building No. 203 Washington street, corner of Bromfield street, occupied by R. F. Lovering, daguerreotype artist, whose stock and materials were destroyed and considerable damage done to the building…

1851 February 17. The Boston Herald. (Boston, Massachusetts.) February 17, 1851, No. 8625, P. 4.

Fire. About 3 o’clock yesterday morning, fire broke out in one of the upper rooms over the jewelry store of Mr. Wm. B. Fessenden, corner of Washington and Bromfield streets, occupied as a daguerreotype room by Mr. R. F. Lovering, The room in which the fire originated was pretty well burnt out, and one or two other rooms were somewhat damaged by the fire. The stock of Mr. Fessenden suffered considerable damage from water.

1854 November 23. The Boston Daily Atlas. (Boston, Massachusetts.) November 23, 1854, Vol. XXIII, No. 124, P. 2.

In the Police Court, John O’Brien and John Sullivan , minors, were arraigned for breaking and entering the house of Reuben F. Lovering, No. 12 Bond st. Sullivan was sent to the State Reform School, and there having been a previous warrant against O’Brien for leading an idle and dissolute life, he was sent to the House of Reformation for Juvenile offenders.

1859 July 30. The Pacific. (San Francisco, California.) July 30, 1859, Vol. X, No. 53, P. 3.

A Temple of Art is Hamilton & Lovering’s new Photographic Establishment. There are Eight rooms all on the second floor (an advantage possessed by no other extensive establishment in the United States), and built expressly for the practice of the Photographic Art in all its branches. An experience of both Hamilton and Lovering of over sixteen years constant practice enables them to turn out finer work than any other establishment, as they are not compelled, like other establishments, to hire operators, who scarcely know anything about the business. The First Premium was awarded to us at both the last State and City Fairs. Hamilton & Lovering, Second story of Lecount’s Gallery, 111 Montgomery street. jy12.

Advertisement was recorded twice on July 30 & August 5, 1859.

1859 September 20. Sacramento Daily Union. (Sacramento, California.) September 20, 1859, Vol., XVIII, Whole No. 2646, P. 1.

Sixth Annual Fair Of The State Agricultural Society. Sixth Day…

The Exhibition. The Picture Gallery…

East Room. In the northeast corner of this wing of the Pavillion are placed the daguerreotypes, ambrotypes and photographs of D. H. Woods, Sacramento. They embrace about nineteen specimens, and besides fine portraits, contains excellent landscape views. The next left hand collection is part of Vance’s (San Francisco and Sacramento) exhibition, consisting chiefly of a series of beautiful views of yo Semite Falls and scenery. There are thirteen of these views, each remarkably clear and well taken; the excite much admiration…

West Room…

The remainder of the south wall is occupied by the fine display of photographs done in every variety of style, and exhibited by Hamilton & Lovering, San Francisco. Between some of the pictures, and the splendid show down stairs by Vance, it is hard to choose. We have not time to specify the particular merits of each collection. It is sufficient to say that both firms have brought the art of photographing, in taking portraits, to high perfection. These two exhibits of pictures are among the chief attractions of the Fair.

1859 October 7. Sacramento Daily Union. (Sacramento, California.) October 7, 1859, Vol., XVIII, Whole No. 2661, P. 1.

Official List Of Premiums Awarded At The Sixth Annual Fair Of The California State Agricultural Society…

Ambrotypes—W. Dickman, Sacramento; special premium, diploma.

Plain Photographs—Hamilton & Lovering, San Francisco; second premium, $5.

Ambrotypes—Hamilton & Lovering, San Francisco; second premium, $5.

Daguerreotypes—Jacob Shew, Sacramento, first premium, plate, $10.

Stereoscopic Pictures—R. H. Vance, San Francisco; special diploma.

Plain Photographs—R. H. Vance, San Francisco ; first premium, plate, $10.

Ambrotypes—R. H. Vance, San Francisco; first premium, plate, $10.

1860 September 24. Sacramento Daily Union. (Sacramento, California.) September 24, 1860, Vol., XX, Whole No. 2962, P. 1.

Seventh Annual Fair Of The State Agricultural Society…

Photographs.—The exhibit of photographs of various styles, ambrotypes and other camera pictures [is] not extensive. They fill however, the walls of the [ ? ] room. The largest exhibit, if not the most artistic display, is from Hamilton & Lovering, of San Francisco. They occupy nearly the whole of the north wall. The east wall is hung with specimens from W. H. Towne’s photograph gallery, Sacramento. The south wall is taken up with the photographs of J. Shew, of Sacramento, and there is a large display and variety in the center of the same wall, sent down by A. Liebert, of Nevada. Next to these, on the same side is the best display of large photographic portraits in the room, from W. Shew, of San Francisco; and, to complete the list Dickman, of this city, covers the east side with some of his highly finished India ink photographs and other specimens. Few as are the contributions, in proportion to the number of photograph establishments in the State, they present: not only a fine display, but exhibit the very highest specimens of the art in all its styles.

1860 October 23. The Pacific. (San Francisco, California.) October 23, 1860, Vol. XI, No. 123, P. 2.

Four First Premiums at the late State Fair, and the Only First Premium at the Fair of the Mechanics’ Institute, were all awarded to us, over all competitors, for the Best Photographs, plain, re-touched, and life-size. Also, the First Premium for the best Ambrotypes, at both Fairs.

Prices low as ordinary pictures at other establishments. Rooms all on the second floor.

Over seventeen years’ experience of both of us, enables us to excel all our competitors. Hamilton & Lovering, Lecount’s Building. 111 Montgomery street.

Advertisement ran from October 23 to November 16, 1860.

1862 June 23. Sacramento Daily Union. (Sacramento, California.) June 23, 1862, Vol., XX, Whole No. 3505, P. 2.

Passengers For The East.—The following named persons leave in the Golden Age to-day for the East:…

R. F. Lovering and wife.

[1] The American Daguerreotype.

[2] A Directory Of Massachusetts Photographers 1839-1900.

[3] Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865.

Bailey, Morris B.

April 10, 2024DaguerreotypesAshland New York, Daguerreotypist, Lowell Massachusetts, Morris B. Bailey, San Francisco California, Timbuctoo Californiapioneeramericanphotographers

1853-1858 88 Merrimack Street, Lowell, Massachusetts.[1]

1853-1855 Active in Ashland, New York.[2]

1859 Active in San Francisco, California.²

1860 Active in Timbuctoo Post Office, California.²

1862-1863 Active in San Francisco, California.²

1856. A Hand Book Of Business In Lowell, with a History Of The City. (Lowell, Massachusetts.) 1856, P. 113.

Daguerreotype And Ambrotype Gallery, No. 88 Merrimack Street, Up One Flight Of Stairs, These rooms are pleasantly located, easy of access, handsomely furnished, and well ventilated. The Sky-Light is one of the largest, and without doubt, the best in the city. The proprietor, one of the oldest and most successful operators in the city, attends personally to the making of each picture, and Nothing but First Class Work is ever allowed to be taken from the room. Citizens and strangers visiting the city are invited to call and examine. M. Bailey, 88 Merrimack Street.

1856 April 28. Lowell Daily Citizen and News. (Lowell, Massachusetts.) April 28, 1856, Vol. VI, No. 1, P. 3.

M. Bailey, Daguerreotypist Rooms—88 Merrimack Street, Lowell. Personal attention given, and likenesses always warranted. ap21.

Advertisement ran from April 28, 1856 to

1856 May 16. Lowell Daily Citizen and News. (Lowell, Massachusetts.) May 16, 1856, Vol. VI, No. 17, P. 2.

Ambrotypes. Mr. M. Bailey, at 88 Merrimack st., is devoting his attention quite largely to the taking of ambrotypes, or daguerreotypes upon glass. They are much superior to daguerreotypes in fineness, roundness, depth of light and shade, and for richness to tone and Mr. Bailey takes them in his usual artistic manner. We advise our readers to call at his saloon and examine specimens.

1856 May 17. Lowell Daily Citizen and News. (Lowell, Massachusetts.) May 17, 1856, Vol. VI, No. 18, P. 2.

Ambrotypes. M. Bailey, 88 Merrimack st., takes ambrotype pictures for $1.50 and upwards.

1857 February 10. Lowell Daily Citizen and News. (Lowell, Massachusetts.) February 10, 1857, Vol. VI, No. 243, P. 2.

Daguerreotypes. We would call the attention of our readers to the card of Mr. Bailey, in our advertising columns. The known superiority of his pictures should induce all to give him a call.

1857 February 10. Lowell Daily Citizen and News. (Lowell, Massachusetts.) February 10, 1857, Vol. VI, No. 243, P. 2.

Daguerreotypes At Reduced Prices. At Bailey’s, 88 Merrimack st., You can get a good Picture in a Velvet Case, for 50. feb.10.

[1] Directory of Massachusetts Photographers, 1839-1900.

[2] Pioneer Photographers of the Far West A Biographical Dictionary 1840-1865

James Pierpont

August 12, 2020DaguerreotypesBoston Massachusetts, Daguerreotypist, James Pierpont, San Francisco Californiapioneeramericanphotographers

Ca. 1850-1851 Address Unknown, San Francisco, California.[1] 1857 109 Washington Street, Boston, Massachusetts.[2]

James Pierpont was listed in Baker’s Biographical Dictionary of Musicians. (New York, New York.) P. 1409.

Born in Boston 1822, Died Winter Haven, Fla. 1893 Father John Pierpont was an abolitionist minister in Boston and held the rank of Brig. General in the Union Army during the Civil War. James joined the confederacy during the Civil War. James was also an American composer

Jingle Bells, or The One Horse Open Sleigh (1859) which did not become popular until the 20^th century. His best known works were the Little White Cottage, or Gentle Nettie Moore (1857); We Conquer or Die (1861); and Strike for the South (1863).

2016 December 8. On line article in BU Today “Jingle Bells”…Pierpont could not have written “Jingle Bells” in a Medford tavern in 1850, because in 1850, he was in California trying in vain to cash in on the Gold Rush. He did enjoy some small measure of success as a daguerreotype artist, at least until an 1851 San Francisco fire burned down his shop. He returned to Boston broke.

James Pierpont is recorded in Craig’s Daguerreian Registry as being active in Boston in 1857.

[1] On-line article in BU Today News, Opinion Community. December 8, 2016 by Joel Brown. “Jingle Bells” History takes surprising tern beloved Christmas favorite was first performed in Boston Minstrel Hall. (Research by Kyna Hamill).

[2] Craig’s Daguerreian Registry.

Peter G. Clark

August 28, 2018DaguerreotypesBeckers & Piard, Boston Massachusetts, Charlottetown Prince Edward Island Canada, Daguerreotypist, Jeremiah Gurney, Josiah W. Thompson, Julius Brill, Marcellus Kerston, Martin M. Lawrence, Meade Brothers, Myron H. Kimball, New York City, Peter G. Clark, Richard A. Lewis, Rufus Anson, Samuel Root, San Francisco Californiapioneeramericanphotographers

1850 Address Unknown, [Boston], Massachusetts.[1] 1851 247 Washington Street, Boston, Massachusetts.[2] 1851-1852 36 Washington Street, Boston, Massachusetts.[3] 1852-1854 in San Francisco, California.[4] 1853 Address Unknown, Boston, Massachusetts.[1] 1854 103 Washington Street, Boston, Massachusetts.[3] 1854-1856 in New York City.[4] 1855 158 Bowery, New York, New York.[5 ] 1857 Lower Great George Street, Charlottetown, Prince Edward Island, Canada.[4] 1859-1862 in San Francisco, California.[4]

Peter G. Clark first appeared in the Massachusetts Charitable Mechanic Association Report for September 1850. He exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association, no award was given.

Reported on December 20, 1851 in The Carpet Bag (Boston, Massachusetts). A Present.—We have received from the artist, Mr. P. G. Clark, No. 247 Washington street, an elegant and faithful likeness of Mrs. H. M. Stephens, of this city, and we take pleasure in exhibiting the treasure to our many visitors. [We have an adjourned promise of the transcript of another fair face from the East—“down east,”—when the “sometimes operator” shall get back.] Of course we are proud of it, and of course we thank the donor, and commend him to the notice of that public which always patronizes those who favor the printers.

Reported in the September 1853 report of the Massachusetts Charitable Mechanic Association. Peter G. Clark exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association. Award a bronze medal for daguerreotype views of California.

Reported in an advertisement on December 22, 1855 in the New York Daily Tribune (New York, New York). Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits. Highest prize $1,000. For particulars see circulars at the Museum. Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway; Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

Peter G. Clark is known see the following publications for more information Pioneer Photographers of the Far West, A Biographical Dictionary 1840-1865, Craig’s Daguerreian Registry, A Directory of Massachusetts Photographers 1839-1900.

The new Information, is the fact that he showed at the Massachusetts Charitable Mechanic Association in 1850 and in 1853, the advertisement in the Carpet Bag newspaper with the 247 Washington Street address, and the December 22, 1855 New York Daily Tribune advertisement with address of 156 Bowery, New York.

[1] Massachusetts Charitable Mechanic Association records, 1850 & 1853. [2] The Carpet Bag (newspaper). [3] Directory of Massachusetts Photographers 1839-1900. [4] Pioneer Photographers of the Far West. [5] New York Daily Tribune (newspaper).

Robert A Carden

July 13, 2018Ambrotypes, Daguerreotypes, PhotographsAlexandria Virginia, Ambrotypist, Daguerreotypist, New Orleans Louisiana, New York City, Photographer, Robert A. Carden, San Francisco Californiapioneeramericanphotographers

1855 Address Unknown, Alexandria, Virginia. 1853-1854 293 Broadway, New York, New York. 1854 369 Broadway, New York, New York.[1] 1855 Address Unknown, Alexandria, Virginia. 1856 Clay & Kearny Streets, San Francisco, California.[2] 1858 Address Unknown, New Orleans, Louisiana.

Based on work done by Peter Palmquist and Thomas Kailbourn in Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, Craig’s Daguerreian Registry by John Craig, New York City Directories, and newspaper advertisements and notices in New York City and Washington, D. C. I’ve put together the following snapshot of Carden’s activity.

Robert A. Carden was not listed in the 1852-1853 New York City Directory, he was listed in the 1853-1854 and 1854-1855 directories as daguerreotypes, 293 Broadway, in 1853-1854 directory his house was listed at 393 Broadway, Carden was not listed in subsequent NYC directories. In 1853-1854 there was also a listing for Carden & Co, daguerreotypes, at the 293 Broadway.

Carden was recorded on April 13, 1853 in the New York Daily Tribune (New York, New York.) 25 Cent Daguerreotypes.—Carden & Co., No. 293 Broadway, are still taking those superb Pictures at the low price of 25 cents, notwithstanding there are some who advertise 12 ½ cent one to be taken at a future day. It is a well known fact that a picture cannot be produced for less than 25 cents; hence the great rush every day at Carden & Co.’s.

Craig’s Daguerreian Registry recorded the partnership of Carden & Norton, 369 Broadway from the 1854 Mercantile Directory.

He was recorded in the Daily American Organ (Washington, D. C.) on February 9, 1855 and in the Evening Star (Washington, D. C.) on February 10, 1855. The Exhibition of the Metropolitan Mechanic’s Institute.—…Contributions from Virginia…Smith Bennett and Robert A. Carden, Frames of beautiful daguerreotypes;

Six months later the following advertisement appears on August 9 & 15, 1855 in the Evening Star (Washington, D. C.) Daguerrean Gallery For Sale in Alexandria, Va. One of the best rooms in Alexandria. Will be sold cheap for cash. Any person who wants to learn the business will be taught; and also will teach the art of Photograph free. That alone is worth one hundred dollars to any artist. Two Artist wanted to color Photographs. Address “RAC,” Artist, Alexandria, Va.

Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, by Peter Palmquist and Thomas Kailbourn. They mention that Carden is in San Francisco, California in 1856 working for Henry William Bradley at Clay & Kearny Streets. Also that he wrote two articles for the Photographic and Fine Art Journal on April 1857, p 112 & 113 on Photography in California and was signed R. A. C. the same as the Evening Star advertisement on August 9 & 15, 1855. In August of 1858 he wrote about the New Orleans Photographic Galleries on pages 244 & 245. Carden is reported in the same issue on page 256 that that he has returned to New York from New Orleans where he showed Ambrotypes and prints taken while he was there. Was Carden active as a photographer or possibly as an assistant? Further research is needed. He was not listed in as being active in Photography in New Orleans The Early Years, 1840-1865, by Margaret Denton Smith and Mary Louise Tucker except to mention the article in The Photographic And Fine Art Journal.

Recorded on November 11, 1859 in the New York Daily Tribune (New York, New York.) Carden—At Little Falls, Herkimer County, N. Y., on Thursday, Sept. 15, Robert A. Carden, photographic artist, formerly of this city [died], aged 26.

[1] Craig’s Daguerreian Gallery in partnership of Carden & Norton. [2] Entry for 1856 & 1858 from Pioneer Photographers Of The Far West.

Henry William Bradley

May 25, 2018DaguerreotypesBaton-Rouge, Daguerreotypist, Henry William Bradley, Louisiana, New Orleans Louisiana, Sacramento California, San Francisco California, Wilmington North Carolinapioneeramericanphotographers

1844- c.1846 Address Unknown, New Orleans, Louisiana. 1844 Room in the corner house, opposite Judge Morgan residence, Baton-Rouge, Louisiana. c.1846-1849 Address Unknown, Wilmington, North Carolina. 1850-1878 San Francisco, California. 1853-c. 1854 Sacramento, California.

Henry William Bradley was recorded in the Baton-Rouge Gazette (Baton-Rouge, Louisiana) on October 12 & 19, 1844. Card. H. W. Bradley, Daguerreotypist of New Orleans, respectfully informs the citizens of East and West Baton Rouge, that it is his intention to occupy a room in the corner house, opposite the residence of Judge Morgan for a short time, where he will be pleased to attend to those who may favor him with their patronage. He is desirous that all should call and examine his specimens, which will speak for themselves; and guarantees to give a good picture, with or without coloring, or make no charge; which in all cases will be reasonable. Pictures of any description accurately copied.

Bradley was not recorded in Photography in New Orleans The Early Years, 1840-1865 (Margaret Denton Smith and Mary Louise Tucker). Craig’s Daguerreian Registry mentions that Henry W. Bradley learned the daguerreotype process in New Orleans, Louisiana but does not reference any dates. John goes on to say that he arrived in California in 1849 and by August 1850 was operating a business. Also listed in Biographies of Western Photographers (Carl Mautz.) In Pioneer Photographers Of The Far West A Biographical Dictionary, 1840-1864 (Peter Palmquist and Thomas R. Kailbourn) List Henry William Bailey as being active in New Orleans, Louisiana c. 1846; Wilmington, North Carolina, c. 1846-1849; San Francisco, California 1850-1878; Sacramento, California 1853-c. 1854.

Based on the above information and checking all available photographic directories I am confident that the article below is for Henry William Bradley. Recorded in the Southern Standard (Tarboro’, North Carolina) on January 31, 1852. Agriculture In California. Gold is not the only source of wealth in California. But her soil is rich, and in many localities capable of immense production. Agriculture appears to be attracting much attention, and has been very profitable during the past season. We find in the San Francisco “Courier,” of the 14^th November, a notice of an award of premiums for best agricultural specimens…and added to the exhibition are also beautiful specimens of the daguerrean and photographic art from Mr. Shew, and also from Mr. Bradley….

Pioneer American Photographers, 1839 – 1860

Sharing twenty-five years of research using primary sources

Tag Archives: San Francisco California

McIntyre, Sterling C.

Marks, Harvey (Henry) Roberts

Lovering, Reuben F.

Bailey, Morris B.

James Pierpont

Peter G. Clark

Robert A Carden

Henry William Bradley