Tag Archives: San Francisco California

Marks, Harvey (Henry) Roberts

1848-1850       117 Baltimore, Baltimore, Maryland.[1]

1850-1854       159 Baltimore Street, Baltimore, Maryland.

c.1851-1852    Address Unknown, San Francisco, California.

1854-1858       57 Dauphin and Royal Streets, Mobile, Alabama.[2]

1866                Main between Preston and Prairie, Houston, Texas.[3]                    

1867                Main at Congress, Houston, Texas.3

1871-1901       Various Addresses, Austin, Texas.3

1849 January 24.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) January 24, 1849, Vol. 78, No. 21, Whole No. 11,016, P. 3.

Daguerreotypes.—The beautiful display of Daguerreotypes at the late fair of the Maryland Institute, is more fresh in the memory of those who visited it, than perhaps any other class of articles exhibited; for in no department of art or mechanical, was there to be observed a nearer approach to what we would conceive perfection.  It is a fact, and one gratifying to national pride, that the art is practiced in this country with greater skill than in Europe; even in Paris, where Daguerre first published his invention; and it is further the fact, that a French operator studied here the improvements attained, and then returned to profit by them in France.  Of Daguerreotypes, as superbly executed as American operators can present them, certainly their very best were collected in the Maryland Institute Fair; and of these, none were more admired, as combining in them all the essentials of an unexceptionable portrait, the expression of nature, placid repose of features, distinctness of outline, and tact in so disposing the focus that no part or member of the object suffers from distortion—all these essentials, that depend so much upon the superior capacity of the induvial operator, than those of Mr. J. Shew, of this city.  And so though the judges, in awarding him a premium.

It gives us pleasure to add to this testimonial, a [statement], that the rooms of Mr. Shew, at the corner of South and Baltimore streets, their convenience of access, and arrangement within, are such as to make a sitting rather agreeable than otherwise, particularly to ladies.  The apparatus is more directly under the charge of Mr. Marks, an accomplished operator, and one whose efforts are uniformly successful to the entire satisfaction of all who sit; for a Daguerreotype is not allowed to leave the establishment unless under those circumstances.

1849 February 10.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  February 10, 1849, Vol. XCIX, No. 17,209, P. 2.

Gold Region—Overland Route.  Notice.—Col. Whiting will leave this city on Monday 12th inst., for Pittsburgh.  Several persons having applied for admission into the Company, but require a little more time, has induced Col. W. to appoint an agent, as his positive engagement to be in Pittsburgh on the 16th inst. will prevent him remaining any longer time in Baltimore.

Mr. H. R. Marks, 117 Baltimore street, will be pleased to give any information required to persons desirous of joining the Company, as to routes, expenses, outfit, &c.

Maps, Circulars, &c., are left with Mr. Marks, and those who apply can obtain any required information relative to the expedition.

1849 February 13.  The Sun.  (Baltimore, Maryland.)  February 13, 1849, Vol. XXIV, No. 73, P. 2.

For California.  Overland Expedition To The Gold Region.  The object of this Expedition is to afford protection to a given number of respectable men, who desire to take the overland route to California, and the entire cost of outfit, travel expenses, &c., will not exceed $200, and can be brought considerably within that limit.  The time of departure from the point of Rendezvous on Red River , will be the 25th of March, and the route fixed upon—from Natchitoches, La., across Texas, to the point on the Rio del Norte crossed by Gen. Kearney, thence along his trail to San Diego, and up the cost to San Francisco—is believed to possess many adventures over the Northern route, not only on account of the distance of land travel, which is lessened over 700 miles, but the climate is much milder and the region traversed more fertile, affording luxurious grass for animals at an earlier season.

Col. Whiting, the leader of this expedition, has already gone to make the necessary preparations at the point of rendezvous.

Persons wishing to avail themselves of the advantages here offered, would do well to make immediate application to the undersigned, as he will leave Baltimore for the West on the 29th instant.   H. R. Marks, 117 Baltimore street.

Advertisement ran on February 13 to 15, 1849.    

1849 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 75, Whole No. 11,074, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  The subscribers respectfully call attention to their collection of Daguerreotypes, with confidence that they will not suffer in comparison with any taken in Baltimore.  Their facilities for taking Pictures are unequalled, and the situation and arrangements of their Rooms, are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, with accuracy and dispatch, for Lockets, Signets, Rings, &c., and satisfaction guaranteed in all cases.

Advertisement ran from April 2 to October 17, 1849.

1849 April 3.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  April 3, 1849, Vol. XCIX, No. 17,244, P. 7.

Daguerrian Gallery, 117 Baltimore Street.  Shew & Marks Respectfully call the attention of the public to their large collection of Daguerreotype Portraits, and assure those who may be pleased to test their skill, that their likenesses shall be inferior to none taken in Baltimore.  Their facilities for taking pictures are un equalled, and the situation and arrangement of their rooms are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, and for Signet Rings, Lockets, &c; Paintings, Engravings, &c. copied with accuracy and dispatch, and satisfaction guaranteed in all cases.

Advertisement ran between April 3 to October 10, 1849.

1849 April 4.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 77, Whole No. 11,076, P. 3.

Daguerrian Galleries.—A Daguerreotype, well taken, clear distinct in outline, and naturally reflecting form, face and feature, is not so often to be had, that when it can be depended upon as a matter of certainty, it does not bring the Daguerreotypist into notice and his establishment into a successful run of business.  Such an establishment, with rooms of convenient location, instruments the best, operators of pleasant personal address and accomplished in their art, and what follows as a consequence, admirable likenesses—is to be found in that of Messrs. Shaw & Marks, Covin building; which during the absence of Mr. Shew, (in California,) will be conducted by his partner, Mr. Marks.

The present season is the one above others favorable for Daguerreotypes; and among the many excellent establishments in Baltimore, there is none we can recommend above the subject of this notice.

1849 May 1.  The Sun.  (Baltimore, Maryland.)  May 1, 1849, Vol. XXIV, No. 138, P. 2.

Faithful Likenesses.—At this season of the year many of our friends are visiting Baltimore upon business and other pursuits; and to such of them as desire a striking Daguerreotype likeness, we recommend the establishment of Messrs. Shew & Marks, 117 Baltimore street.  We have in our possession a ring of moderate size, containing the likeness—one of the most correct we ever saw—of an esteemed friend, which was taken by these gentlemen; and we are so much gratified with the excellence of its execution, (aside from its cheapness, which is remarkable,) that we are induced to offer this voluntary tribute to their skill, in the hope that it may induce others to employ them, as they are so eminently successful in their endeavors to obtain correct likenesses.—Centerville Times, April 28, 1849.

1849 May 21.  The Sun.  (Baltimore, Maryland.)  May 21, 1849, Vol. XXV, No. 4, P. 2.

Daguerreotypes.—Messrs. Shew & Marks continue to take suck Likenesses as cannot fail to please the most fastidious, and we would recommend all who wish to procure a Daguerreotype true to life, to call at their Gallery, No. 117 Baltimore Street, 3d door above South Street.

Advertisement ran on May 21 & 22, 1849.

1849 August 31.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) August 31, 1849, Vol. 79, No. 52, Whole No. 11,202, P. 2.

Shew & Marks’ Daguerreotypes.—Shew & Marks continue to keep pace with all the improvements which practical skill and mature experience are developing in their art, while they make no crafty boast of “wonderful improvements,” or of the application of principles to its advancement, which are unknown in its practice,—such as electricity, &c.  Their Likenesses are unsurpassed by any taken in Baltimore; and they may confidently challenge the production of their superiors, either in strength of likeness, beauty of tone, or finish.

All who want a perfect Daguerreotype, are recommended to call at their Gallery, No. 171 Baltimore street.

Advertisement ran on August 31 & September 1, 1849.

1849 October 18.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  October 18, 1849, Vol. C, No. 17,404, P. 3.

Fair Of The Maryland Institute…

Awards Of Premiums…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of Daguerreotypes, first premium.

H. Pollock, for next best specimens of Daguerreotypes, second premium

W. & F. Langenheim, Philadelphia, for specimens Talbotypes, first premium.

1849 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1849, Vol. 79, No. 92, Whole No. 11,243, P. 2.

Fair of the Maryland Institute…

Premiums Awarded…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of daguerreotypes, first premium.

H. Pollock, for next best specimens of daguerreotypes. second premium.

W. & F. Langenheim. Philadelphia, for specimens of Talbotypes, first premium.

1849 October 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 19, 1849, Vol. 79, No. 93, Whole No. 11,244, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses accurately taken in any weather, for Lockets, Signet Rings, &c., and satisfaction guaranteed in all cases.

Paintings and Engravings correctly copied.

Advertisement ran from October 19, 1849 to April 2, 1850

1849 October 20.  The Sun.  (Baltimore, Maryland.)  October 20, 1849, Vol. XXV, No. 133, P. 2.

First Premium Daguerrian Gallery.  Shew & Marks, No. 117 Baltimore Street.  The Highest Premium awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses taken in any weather, and satisfaction guarantied in all cases.

Advertisement ran from October 20 to November 20, 1849.

1849 December 19.  The Sun.  (Baltimore, Maryland.)  December 19, 1849, Vol. XXVI, No. 27, P. 2.

Christmas Gifts.—The holidays are near,—the season which time honored custom has set apart for the bestowal of precious gifts on those we love.  The likeness of an esteemed friend is always highly valued, and in suggesting this as a suitable present, we would call attention to the excellence of Messrs. Shew & Marks’ daguerreotypes, who it will be remembered received the highest premium at the late Fair of the Maryland Institute.  Gallery 117 Baltimore street.

1849 December 21.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 21, 1849, Vol. 79, No. 145, Whole No. 11,296, P. 2.

Preparations For The Holydays…

Daguerreotypes.—What more appropriate gift could be made at this season, then the “counterfeit presentment” of some dear loved one, or friend?—Such can be procured in a style rarely to be excelled, at either of the following places:

Shew & Marks, No.    117 Baltimore street.

Carvalho,                    205      do.       do.

J. H. Whitehurst,         207      do.       do.

1850 March 2.  The Sun.  (Baltimore, Maryland.)  March 2, 1850, Vol. XXVI, No. 89, P. 2.

Shew & Marks’ Premium Daguerrian Gallery, No. 117 Baltimore Street.  Highest Premium awarded at the late Fair of the Maryland Institute for the best Daguerreotypes exhibited.

Superior Likenesses taken in any weather, and entire satisfaction guaranteed in all cases.

Advertisement ran from March 2 to April 1, 1850.

1850 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 2, 1850, Vol. 80, No. 79, Whole No. 11,381, P. 2.

H. R. Marks’ (Late Shew & Marks’) Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited—all of which were taken by Mr. Marks.

Superior Likenesses taken in weather, and entire satisfaction guaranteed in all cases.

Daguerreotypes, Paintings and Engravings correctly copied.

Instruction given in the Art.

Advertisement ran from April 2 to November 15, 1850.

1850 April 3.  The Sun.  (Baltimore, Maryland.)  April 3, 1850, Vol. XXVI, No. 89, P. 2.

Premium Daguerreotypes.—Those wanting perfect likenesses should call at Marks’ (late Shew & Marks’) favorite Gallery, No. 117 Baltimore street, where the most superior pictures can be obtained on reasonable terms.

1850 April 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 15, 1850, Vol. 80, No. 90, Whole No. 11,392, P. 3.

Marks’, (late Shew & Marks’) Daguerrean Gallery.—This establishment, so long and justly celebrated for the fidelity and excellence of its likenesses, still maintain its high reputation under the management of its skillful and urbane proprietor.  As an artist of taste and skill, Mr. Marks is unsurpassed by any in his profession, and we take great pleasure in commending his gallery 117 Baltimore street, to the favorable notice of those who have not already visited it.  The award of the highest premium, by the Maryland Institute, to pictures taken by Mr. Marks, is all that we need say of their superiority, it being an evidence of merit which none will pretend to question.  Give him a call and judge for yourselves.

1850 September 6.  The Sun.  (Baltimore, Maryland.)  September 6, 1850, Vol. XXVII, No. 95, P. 2.

Premium Daguerreotypes.—The most favorable season for taking Daguerreotypes is now at hand, and we would advise all who want an accurate likeness, and a picture of superior finish, to visit Mr. Marks’ Gallery, No. 117 Baltimore street.

1850 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1850, Vol. 81, No. 93, Whole No. 11,190, P. 2.

Fair of the Maryland Institute…

328.  A lot of daguerreotypes, by P. L. Perkins, Balt.

350.  A frame view of Carroll’s Manor, and several other frame views, by R. H. Marks, Balt.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1850 November 6.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 6, 1850, Vol. 81, No. 109, Whole No. 11,206, P. 2.

List of Premiums…

Fine Arts.

For the finest specimens of daguerreotype miniatures, H. R. Marks, a silver medal.

Specimens of large daguerreotypes, by W. [sic.] Whitehurst, a silver medal.

Superior daguerreotype groups, by H. Pollock, a silver medal.

1850 November 15.  The Sun.  (Baltimore, Maryland.)  November 15, 1850, Vol. XXVII, No. 155, P. 2.

Marks’ Daguerrian Gallery.—Our friends wanting Daguerreotypes should bear in mind that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished gallery, and is prepared to make likenesses which cannot fail to please the most fastidious.  Call and see him.

1850 November 16.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 16, 1850, Vol. 81, No. 118, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

1850 November 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 18, 1850, Vol. 81, No. 119, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from November 18,1850 to June 27, 1851.

1850 December 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 7, 1850, Vol. 81, No. 135, Whole No. 11,214, P. 2.

Jenny L First Concert—Sal Tickets.—The sale of tickets at auction, this morning by Gibson & Co., at the Theatre, was attended by a very large number of persons, and the bidding was quite spirited up to the time we left.

Mr. J. H. Whitehurst, daguerreotypist in Baltimore street, was the purchaser of the first choice, for which he paid $100, premium.  He choose 1005, immediately in front of the stage, in the first tier of the dress circle.

The seats in the parquette beginning at No. 1, were then offered, and the first four were taken by H. R. Marks, daguerreotypist, Baltimore street, at $4 premium each.

1850 December 9.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 9, 1850, Vol. CII, No. 15,953, P. 3.

Jenny Lind Concert—Auction Sale or Seats.—The sale by auction of the seats for the first concert to be given tonight by Jenny Lind, took place at the Front Street Theatre on Saturday morning.  As the hour for the commencement of the sale approached the theatre began rapidly to fill up, and soon every part of the house, except the parquette into which the crowd was not admitted, was closely occupied by an eager and excited assemblage.  Diagrams were distributed through the house showing the location of the different seats, and at 10 o’clock Mr. Gibson, of the firm of Gibson & Co., auctioneers, took his stand and commenced the sale.  He stated that the bids made would be bona fide ones, no one having been employed to in any way advance the price of seats by making fictitious bids.  The price of $3 had been fixed on every seat in the house and the amount offered by each bidder would be a premium over and above this stated price, and the purchaser of each seat would have the privilege of taking any number of seats not exceeding fifteen in one lot.

The regulations of the sale having been thus announced, the choice of the first seat in the house was offered.  A momentary pause ensued when a bid of $10 premium was made, followed rapidly by bids from different parts of the house of $25, $50, $75, and $100.  No bid higher than $100 being offered, after calling it for some time, it was finally knocked down at that sum, and Mr. J. H. Whitehurst, proprietor of the daguerrian gallery, was announced as the successful purchaser.  The announcement was greeted with considerable cheering and applause, with cries of “Whitehurst,” “Whitehurst,” “show him up,” &c.  Mr. W., however, not being in the house, the desire of the audience could not be gratified.  The agent of Mr. Whitehurst selected as the choice seat No. 1005, the first seat on the front bench of the box on the right hand of the entrance to the parquette; a conspicuous location, but not, we should judge, the most comfortable or agreeable in the house.  He subsequently secured the adjoining seats for Mrs. Whitehurst at a premium of $6.50.

The sale of the seats in the parquette was then commenced, beginning at No. 1 and continuing on to No. 516, with the exception of a number of seats reserved for the press.  The first seat sold in the parquette was bid in by Mr. H. R. Marks at a premium of $1…

1850 December 12.  The Sun.  (Baltimore, Maryland.)  December 12, 1850, Vol. XXVIII, No. 21, P. 2.

Marks’ Daguerreotypes.—Our friends in want of superior Daguerreotypes should not forget that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished Gallery, with a large, improved Sky Light, and every facility for making the most satisfactory likenesses.  Mr. Marks was awarded the highest premium by the Maryland Institute, in 1849, and the Silver Medal in 1850;  and these are evidences of merit which none will question.  Call and see him.

1850 December 23.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 23, 1850, Vol. 81, No. 148, Whole No. 11,227, P. 3.

Holiday Gifts, &c…

Daguerreotype Galleries.

H. R. Marks, No. 159 Baltimore street.

J. H. Whitehurst,  209 Baltimore street.

S. N. Carvalho,    205 Baltimore street.

At all of these establishments many beautiful presents are to be found, and the proprietors are all worthy of the patronage and confidence of the public.        

1851 January 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 7, 1851, Vol. 82, No. 6, Whole No. 11,239, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm. 

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm.—From Patriot.  

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling the attention of our readers to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore st., Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.  

1851 February 12.  The Sun.  (Baltimore, Maryland.)  February 12, 1851, Vol. XXVIII, No. 72, P. 2.

Marks’ Daguerreotypes.—We have just seen some very superior and highly finished Daguerreotypes from the popular establishment of Mr. Marks, No. 150 [sic.] Baltimore street, and must say we have never seen them surpassed.  Mr. M. continues to receive the preference of a large class of our community, and should always do so as long as his pictures equal those shown to us.  Call and examine his specimens, and judge for yourselves.

1851 March 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 15, 1851, Vol. 82, No. 64, Whole No. 11,297, P. 2.

Beautiful Daguerreotypes.—If any of our readers wish to see the perfection to which the art of the Daguerreotyping has been brought within a few years, they can be gratified by a visit to the gallery of Mr. Marks, in Baltimore street, opposite the museum.  Mr. M. has given much time and attention to this beautiful art; and truly has been well rewarded, to judge from the many elegant copies of “familiar faces” that grace the walls of his gallery.  His pictures present a freshness and a glowing vividness of feature, that at once impress the beholder with the belief that they are the work of one who is perfect master of his craft, and who knows how to use his tools in such way as to receive the best return for his labor.  Mr. Marks received the silver medal at the last fair of the Maryland Institute, for the best Miniature Daguerreotypes on exhibition—a tribute to skill which was well deserved, as all will say who will examine his pictures.  Mr. Marks and assistants are polite and attentive, and none who visit him will come away without being fully satisfied with the equivalent received.

1851 April 11.  The Sun.  (Baltimore, Maryland.)  April 11, 1851, Vol. XXVIII, No. 122, P. 2.

Daguerreotypes.—We have lately seen some very fine Daguerreotypes from the establishment of Mr. Marks, No. 159 Baltimore street, which we think superior to any specimens of the art we have ever seen.  Mr. Marks has twice received the highest honors awarded by the Maryland Institute for the unequalled excellence of his pictures, and, since his removal to his new gallery, he has enjoyed greater facilities than before for the production of likenesses suitable in the taste of all.  Those wanting Daguerreotypes should call and examine his specimens.

1851 June 28.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) June 28, 1851, Vol. 82, No. 154, Whole No. 11,388, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from June 28, 1851 to February 4, 1852. 

1851 October 1.  The Sun.  (Baltimore, Maryland.)  October 1, 1851, Vol. XXIX, No. 115, P. 2.

Premium Daguerreotypes.—We take pleasure in calling attention to the popular Gallery of Mr. Marks, No. 159 Baltimore street, where we recommend all persons to call who wish to secure an unmistakable likeness of themselves or their friends.  Mr. Marks has twice received the highest honors of the Maryland Institute, and is daily producing Daguerreotypes which have never been surpassed.

1851 October 15.  The Sun.  (Baltimore, Maryland.)  October 15, 1851, Vol. XXIX, No. 126, P. 2.

Daguerreotypes.—Those of our readers who want an excellent likeness, cannot do better than call at Mr. Marks’ Gallery, No. 159 Baltimore street.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling attention to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore street.  Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.

1851 December 3.  The Sun.  (Baltimore, Maryland.)  December 3, 1851, Vol. XXX, No. 13, P. 2.

Notice.—The interest of H. R. Marks, in Marks’ Daguerrean Gallery, No. 159 Baltimore Street, ceased by sale of the establishment on the first of this month.

The business will continue to be conducted, as formerly, by his accomplished operator, Mr. John R. Tankersley.

Advertisement ran from December 3 to 5, 1851.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 April 10.  The Sun.  (Baltimore, Maryland.)  April 10, 1852, Vol. XXX, No. 123, P. 2.

Mr. Marks’ reputation as an artist is well known to the citizens of Maryland, he having twice received the highest honor of the Maryland Institute; and it is only necessary that his return amongst us should be known to insure him a large share of patronage.  Gallery 158 Baltimore street.

1852 April 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  April 29, 1852, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ Premium Daguerrean Gallery, No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from April 29, 1851 to March 26, 1853.

1852 May 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 15, 1852, Vol. 84, No. 117, Whole No. 11,666 P. 3.

We observed with great pleasure the return of our gifted townsman, Mr. H. R. Marks.  During his absence he has enriched his gallery with a complete view of San Francisco, so exquisitely reflected, that the horses, chaises, and other minute objects on the distant hill tops, are distinctly discernible.  We have no hesitation in saying that it gives by far the most accurate and instructive representation of this new city of promise, which has risen like Aladdin’s palace, upon our gold-veined peninsula.

Another feature, even more attractive at this moment, is a frame containing the portraits of seventeen Japanese sailors, in their native costumes, who were recently picked up at sea and brought into San Francisco.  This picture is a most interesting study: we have before us the very fellows whom we mean to drub, if necessary, into a little civilization and brotherhood.  Some few of the faces are characterzed [sic.] by refinement and great ability, whilst others exhibit a monkey look of degeneracy.  But it is a curious and interesting comparison.

We are most happy, also, to welcome Mr. Marks back to the city, which possess so many tokens of his skill, and we recommend him to the patronage of all who desire the likeness of those they love, accomplished with all the delicacy, and more than the fidelity of the finest miniature.   

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1853 January 22.  Illustrated News.  (New York, New York.)  January 22, 1853, Vol. 1, No. 4, P. 57.

Three illustrations, (after daguerreotypes) of 18 Japanese Sailors. 1. Tametho.  2. Hecotho, (Cabin Boy).  3. Montho, (Captain.) 4. Geesahkoo,  5. Simpay. 6. Ewatho.  7. Simoatch, (Cook).  8. Drehecho.  9. Keotho.   10. Commetho.  11. Kechetho.  12. Ahsahgodro.  13. Commetho.  14. Saypatch.  15. Ekotho.  16. Jimpatch, (2d Mate).  17. Yasatahro.  18. Chonowski, (Mate).

Japanese Sailors.  From Daguerreotype By H. R. Marks, Md.  Everything relating to Japan is now interesting, and we have deemed ourselves fortunate in obtaining a series of daguerreotypes of the crew of the Japanese Junk, picked up in the month of December 1850, by the Bost bark Auckland.  The junk had sailed from the city of Jeddo, on the 25th day of the 10th moon of October.  On the 16th day after leaving Jeddo, a storm arose, which lasted with little intermission for fifty-two days.  On the 21st of December they were, however, so happy as to be discovered by the crew of the Auckland, and were taken on board.  Fearing to remain in their junk, they disembarked in such haste as to leave on board the sum of 4.000 dollars.  The captain of the Auckland “hove to,” and endeavored to board the junk, but unsuccessfully, and therefore kept on a course to San Francisco.  After arrival, the Japanese remained for twenty-four days on board the Bark, and were finally transferred to the U. S. R. bark Polk.  While on board the latter, the daguerreotypes were taken, by Mr. H. R. Marks, of Baltimore, Md., from whom we have received them.  The portraits above are faithful copies.  These are believed to be the first daguerreotypes of Japanese individuals ever taken, and as such, possess uncommon interest… 

1853 February 18.  The Sun.  (Baltimore, Maryland.)  February 18, 1853, Vol. XXXII, No. 79, P. 2.

Daguerreotypes.—Among the most interesting daguerreotypes we have seen. Are the Japanese

and views of San Francisco, brought by Mr. Marks from California, and to be seen at his gallery, No. 159 Baltimore street.  Mr. Marks’ skill as a daguerreotypist is well known to our citizens, he having twice received the highest honors of the Maryland Institute.  All who want good pictures will know where to get them.

1853 March 15.  The Sun.  (Baltimore, Maryland.)  March 15, 1853, Vol. XXXII, No. 102, P. 2.

Daguerreotypes.—Likenesses of superior tone and finish can be procured at Marks’ Gallery, No. 159 Baltimore street, six doors above Calvert.

1853 March 25.  The Sun.  (Baltimore, Maryland.)  March 25, 1853, Vol. XXXII, No. 111, P. 2.

Daguerreotyped Japanese.—At this moment, when public attention is directed to Japan, we are reminded of the fact that the crew of a Japanese trading junk, blown to sea in 1850, was picked up by the U. S. Revenue bark, “Polk,[4]” and brought into the harbor of San Francisco.  While lying there, Mr. H. R. Marks of this city, who was at that time in San Francisco, obtained daguerreotype pictures of the whole party, and brought them home with him.  They present quite an interesting subject for the contemplation of the physiognomist, and afford to us all an intelligent idea of the external aspect of the race.

1853 March 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 29, 1853, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from March 29, 1853 to February 23, 1854.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Daguerreotypes.—For clearness, beauty of finish, and fidelity of likeness, Mr. Marks’ pictures are unsurpassed.  All who want likenesses should call at his gallery, No. 159 Baltimore st.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Boy Wanted.—One of pleasing manners, and who can come recommended for steadiness and honesty, may obtain an agreeable situation by applying at Marks’ Daguerrean Gallery, No. 159 Baltimore street.

1853 August 2.  The Sun.  (Baltimore, Maryland.)  August 2, 1853, Vol. XXXIII, No. 64, P. 2.

Daguerreotypes.—The best pictures are always the cheapest and all who want a correct likeness are recommended to Mr. Marks’ gallery, No. 159 Baltimore st., where they can get pictures to please them.

1854 October 30.  Alabama Planter.  (Mobile, Alabama.)  October 30, 1854, Vol. VIII, No. 48, P. 2.

Daguerreotyping.—Our Daguerreotype artists have been making improvements for an extensive business the coming winter.

The art, we believe, was first introduced into Mobile by Mr. Barnes, who attained great distinction in it.  Indeed, we believe, it may be said that his success has been so great that he has accumulated a fortune.

He was followed by numerous other persons, but the only establishments besides his are those of the Messrs. Stanton and Mr. Marks.  The former have their rooms on the south side of Dauphin way, entering by the same steps which lead to the printing office of the Tribune.  They have erected a large glass front, which will enable them to obtain an excellent light for their operations.

Mr. Marks, at the southeast corner of Dauphin and Royal streets, has been here about a year.  He comes from Baltimore with the prestige of success and one or two medals from the great fairs.  He has also changed the externals of the building he occupies and has made a large skylight which is very complete.  His rooms are elegantly fitted up, and the numerous pictures which decorate his walls are a sufficient proof of his great skill in the art.  He has a series of very striking Daguerreotype views of San Francisco, taken by himself, and exhibiting that place by sections which, joined together, make a complete picture of the entire city, in which the minutest detail of every house tree, and street, and shipping, &c., is given with surprising clearness.  The name on some of the signs can be easily read by the naked eye. 

We are satisfied that there are o more exquisitely executed pictures any where than those which our Daguerreotypists are ready to take; and we commend them to our country friends who, doubtless, this winter will liberally patronize this very beautiful art.  Let them visit the galleries of our artists and see how difficult it is to resist the desire to have their pictures taken.


[1] Directory Of Maryland Photographers 1839-1900.  By Ross J. Kelbaugh. And Baltimore newspapers.

[2] Shot in Alabama A History of Photography 1839-1941 And A List Of Photographers.  By Frances Osborn Robb.

[3] Catching Shadows A Directory of 19th Century Texas Photographer, By Davis Haynes.

[4] Left New York on 5 April 1850 and arriving at San Francisco on 27 September 1850.

Lovering, Reuben F.

C.1843-1847   75 Court Street, Boston, Massachusetts.[1]

1845                190 Washington Street, Boston, Massachusetts.                       

1848                257 Washington Street, Boston, Massachusetts.[2]

1849                34 Tremont Row, Boston, Massachusetts.2

1850-1851       203 Washington, Boston, Massachusetts.2                                   

1851                247 Washington Street, Boston, Massachusetts.2

1851                34 Tremont Row, Boston, Massachusetts.

1855                Address Unknown, Boston, Massachusetts.

1859                182 Washington Street, San Francisco, California.[3]

1859-1860       111 Montgomery Street, San Francisco, California.

1845 July 21.  The Boston Daily Mail.  (Boston, Massachusetts.)  July 21, 1845, Vol. V, No. 191, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

Advertisement ran from July 21 to August 20, 1845.

1845 July 23.  The Boston Daily Times.  (Boston, Massachusetts.)  July 23, 1845, Vol. XVIII, No. 4949, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

Advertisement was recorded twice on July 23 & 28, 1845.

1845 July 24.  The Boston Daily Mail.  (Boston, Massachusetts.)  July 24, 1845, Vol. V, No. 194, P. 2.

Daguerreotypes.  Cannon and Lovering have removed their rooms to 190 Washington street opposite the Marlboro’ Chapel, where they executed the most perfect miniatures at prices lower than at any other establishment.—Call and examine them.

1846 November 10.  Daily Evening Transcript.  (Boston, Massachusetts.)  November 10, 1846, Vol. , No. 4999, P. 2.

Robbery.  Between 3 and 4 o’clock yesterday afternoon a show case belonging to Lovering & Davis daguerreotype artists no. 34 Tremont row, which was hanging in the passage way at the foot of the stairs was pried open by some rogue and $40 worth of lockets were stolen.  The lockets were of Stone & Weaver’s manufacture, Providence.

1846 November 11.  The Boston Daily Mail.  (Boston, Massachusetts.)  November 11, 1846, Vol. VI, No. 289. P. 2.

The Daguerreotype Show Case of Messrs. Lovering and Davis, No. 34 Tremont Row, was broken open on Monday night, and about $40 worth of lockets stolen.

1847 August 6.  The Boston Daily Times.  (Boston, Massachusetts.)  August 6, 1847, Vol. XVIII, No. 4961, P. 3.

Cannon & Lovering, Daguerreotype Rooms, No. 190 Washington Street, (Opposite The Marlboro Hotel,) Boston.  Miniatures taken with or without coloring at a reasonable price.  Daguerreotype Apparatus constantly on hand.  Instructions in the art carefully given.  Terms moderate.

1848 September 5.  Boston Daily Times.  (Boston, Massachusetts.)  September 5, Vol. XXV, No. 3884, P. 3.

For Sale—A Daguerreotype Establishment, well located and doing a good business; only a small capital required.  Sufficient reason given for selling.  Inquire of R. F. Lovering, 257 Washington st.

1850 February 9.  Christian Register.  (Boston, Massachusetts.)  Febroary 9, 1850, Vol. XXIX, No. 6, P. 4.

Marriages.  In Manchester, 5th inst. by Rev. A. B. Fuller, Mr. Reuben F. Lovering of Boston to Miss Martha Ann Whitle of Deering, N. H.

1851 February 17.  The Boston Daily Bee.  (Boston, Massachusetts.)  February 17, 1851, Vol. 18, No. 102, P. 2.

A fire was discovered yesterday morning about 3 o’clock, in the daguerreotype establishment of R. F. Lovering, in the third story of the building 203 Washington, corner of Bromfield street.  The fire burnt quite freely and nearly destroyed Mr. L’s stock—amounting to about $1000.  It is supposed to have been set on fire, as two or three suspicious characters were seen sculking about the neighborhood a short time before the fire broke out.

1851 February 17.  The Boston Daily Mail.  (Boston, Massachusetts.)  February 17, 1851, Vol. XI, No. 41. P. 2.

Fires.  At 3 o’clock Sunday morning fire was discovered in the second story of a building No. 203 Washington street, corner of Bromfield street, occupied by R. F. Lovering, daguerreotype artist, whose stock and materials were destroyed and considerable damage done to the building…

1851 February 17.  The Boston Herald.  (Boston, Massachusetts.)  February 17, 1851, No. 8625, P. 4.

Fire.  About 3 o’clock yesterday morning, fire broke out in one of the upper rooms over the jewelry store of Mr. Wm. B. Fessenden, corner of Washington and Bromfield streets, occupied as a daguerreotype room by Mr. R. F. Lovering,  The room in which the fire originated was pretty well burnt out, and one or two other rooms were somewhat damaged by the fire.  The stock of Mr. Fessenden suffered considerable damage from water.

1854 November 23.  The Boston Daily Atlas.  (Boston, Massachusetts.)  November 23, 1854, Vol. XXIII, No. 124, P. 2.

In the Police Court, John O’Brien and John Sullivan , minors, were arraigned for breaking and entering the house of Reuben F. Lovering, No. 12 Bond st.  Sullivan was sent to the State Reform School, and there having been a previous warrant against O’Brien for leading an idle and dissolute life, he was sent to the House of Reformation for Juvenile offenders. 

1859 July 30.  The Pacific.  (San Francisco, California.)  July 30, 1859, Vol. X, No. 53, P. 3.

A Temple of Art is Hamilton & Lovering’s new Photographic Establishment.  There are Eight rooms all on the second floor (an advantage possessed by no other extensive establishment in the United States), and built expressly for the practice of the Photographic Art in all its branches.  An experience of both Hamilton and Lovering of over sixteen years constant practice enables them to turn out finer work than any other establishment, as they are not compelled, like other establishments, to hire operators, who scarcely know anything about the business.  The First Premium was awarded to us at both the last State and City Fairs.  Hamilton & Lovering, Second story of Lecount’s Gallery, 111 Montgomery street.  jy12.

Advertisement was recorded twice on July 30 & August 5, 1859.

1859 September 20.  Sacramento Daily Union.  (Sacramento, California.)  September 20, 1859, Vol., XVIII, Whole No. 2646, P. 1.

Sixth Annual Fair Of The State Agricultural Society.  Sixth Day…

The Exhibition.  The Picture Gallery…

East Room.  In the northeast corner of this wing of the Pavillion are placed the daguerreotypes, ambrotypes and photographs of D. H. Woods, Sacramento.  They embrace about nineteen specimens, and besides fine portraits, contains excellent landscape views.  The next left hand collection is part of Vance’s (San Francisco and Sacramento) exhibition, consisting chiefly of a series of beautiful views of yo Semite Falls and scenery.  There are thirteen of these views, each remarkably clear and well taken; the excite much admiration…

West Room…

The remainder of the south wall is occupied by the fine display of photographs done in every variety of style, and exhibited by Hamilton & Lovering, San Francisco.  Between some of the pictures, and the splendid show down stairs by Vance, it is hard to choose.  We have not time to specify the particular merits of each collection.  It is sufficient to say that both firms have brought the art of photographing, in taking portraits, to high perfection.  These two exhibits of pictures are among the chief attractions of the Fair. 

1859 October 7.  Sacramento Daily Union.  (Sacramento, California.)  October 7, 1859, Vol., XVIII, Whole No. 2661, P. 1.

Official List Of Premiums Awarded At The Sixth Annual Fair Of The California State Agricultural Society…

Ambrotypes—W. Dickman, Sacramento; special premium, diploma.

Plain Photographs—Hamilton & Lovering, San Francisco; second premium, $5.

Ambrotypes—Hamilton & Lovering, San Francisco; second premium, $5.

Daguerreotypes—Jacob Shew, Sacramento, first premium, plate, $10.

Stereoscopic Pictures—R. H. Vance, San Francisco; special diploma.

Plain Photographs—R. H. Vance, San Francisco ; first premium, plate, $10.

Ambrotypes—R. H. Vance, San Francisco; first premium, plate, $10.

1860 September 24.  Sacramento Daily Union.  (Sacramento, California.)  September 24, 1860, Vol., XX, Whole No. 2962, P. 1.

Seventh Annual Fair Of The State Agricultural Society…

Photographs.—The exhibit of photographs of various styles, ambrotypes and other camera pictures [is] not extensive.  They fill however, the walls of the [ ? ] room.  The largest exhibit, if not the most artistic display, is from Hamilton & Lovering, of San Francisco.  They occupy nearly the whole of the north wall.  The east wall is hung with specimens from W. H. Towne’s photograph gallery, Sacramento.  The south wall is taken up with the photographs of J. Shew, of Sacramento, and there is a large display and variety in the center of the same wall, sent down by A. Liebert, of Nevada.  Next to these, on the same side is the best display of large photographic portraits in the room, from W. Shew, of San Francisco; and, to complete the list Dickman, of this city, covers the east side with some of his highly finished India ink photographs and other specimens.  Few as are the contributions, in proportion to the number of photograph establishments in the State, they present: not only a fine display, but exhibit the very highest specimens of the art in all its styles.

1860 October 23.  The Pacific.  (San Francisco, California.)  October 23, 1860, Vol. XI, No. 123, P. 2.

Four First Premiums at the late State Fair, and the Only First Premium at the Fair of the Mechanics’ Institute, were all awarded to us, over all competitors, for the Best Photographs, plain, re-touched, and life-size.  Also, the First Premium for the best Ambrotypes, at both Fairs. 

Prices low as ordinary pictures at other establishments.  Rooms all on the second floor.

Over seventeen years’ experience of both of us, enables us to excel all our competitors.  Hamilton & Lovering, Lecount’s Building.  111 Montgomery street.

Advertisement ran from October 23 to November 16, 1860.  

1862 June 23.  Sacramento Daily Union.  (Sacramento, California.)  June 23, 1862, Vol., XX, Whole No. 3505, P. 2.

Passengers For The East.—The following named persons leave in the Golden Age to-day for the East:…

R. F. Lovering and wife.


[1] The American Daguerreotype.

[2] A Directory Of Massachusetts Photographers 1839-1900.

[3] Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865.

Bailey, Morris B.

1853-1858                   88 Merrimack Street, Lowell, Massachusetts.[1]

1853-1855              Active in Ashland, New York.[2]                       

1859                            Active in San Francisco, California.2                

1860                            Active in Timbuctoo Post Office, California.2    

1862-1863                   Active in San Francisco, California.2

1856.  A Hand Book Of Business In Lowell, with a History Of The City.  (Lowell, Massachusetts.)  1856, P. 113.

Daguerreotype And Ambrotype Gallery, No. 88 Merrimack Street, Up One Flight Of Stairs, These rooms are pleasantly located, easy of access, handsomely furnished, and well ventilated.  The Sky-Light is one of the largest, and without doubt, the best in the city.  The proprietor, one of the oldest and most successful operators in the city, attends personally to the making of each picture, and Nothing but First Class Work is ever allowed to be taken from the room.  Citizens and strangers visiting the city are invited to call and examine.  M. Bailey, 88 Merrimack Street.

1856 April 28.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 28, 1856, Vol. VI, No. 1, P. 3.

M. Bailey, Daguerreotypist Rooms—88 Merrimack Street, Lowell.  Personal attention given, and likenesses always warranted.  ap21.

Advertisement ran from April 28, 1856 to

1856 May 16.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 16, 1856, Vol. VI, No. 17, P. 2.

Ambrotypes.  Mr. M. Bailey, at 88 Merrimack st., is devoting his attention quite largely to the taking of ambrotypes, or daguerreotypes upon glass. They are much superior to daguerreotypes in fineness, roundness, depth of light and shade, and for richness to tone and Mr. Bailey takes them in his usual artistic manner.  We advise our readers to call at his saloon and examine specimens.

1856 May 17.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 17, 1856, Vol. VI, No. 18, P. 2.

Ambrotypes.  M. Bailey, 88 Merrimack st., takes ambrotype pictures for $1.50 and upwards.

1857 February 10.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 10, 1857, Vol. VI, No. 243, P. 2.

Daguerreotypes.  We would call the attention of our readers to the card of Mr. Bailey, in our advertising columns.  The known superiority of his pictures should induce all to give him a call.

1857 February 10.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 10, 1857, Vol. VI, No. 243, P. 2.

Daguerreotypes At Reduced Prices.  At Bailey’s, 88 Merrimack st., You can get a good Picture in a Velvet Case, for 50.  feb.10.


[1] Directory of Massachusetts Photographers, 1839-1900.

[2] Pioneer Photographers of the Far West A Biographical Dictionary 1840-1865

James Pierpont

Ca. 1850-1851   Address Unknown, San Francisco, California.[1]                                                  1857                      109 Washington Street, Boston, Massachusetts.[2]

James Pierpont was listed in Baker’s Biographical Dictionary of Musicians. (New York, New York.)  P. 1409.

Born in Boston 1822,                                                                                                                                          Died Winter Haven, Fla. 1893                                                                                                                        Father John Pierpont was an abolitionist minister in Boston and held the rank of Brig. General in the Union Army during the Civil War.                                                                                        James joined the confederacy during the Civil War.                                                                        James was also an American composer

Jingle Bells, or The One Horse Open Sleigh (1859) which did not become popular until the 20th century.  His best known works were the Little White Cottage, or Gentle Nettie Moore (1857);  We Conquer or Die (1861); and Strike for the South (1863).

2016 December 8.  On line article in BU Today “Jingle Bells”…Pierpont could not have written “Jingle Bells”  in a Medford tavern in 1850, because in 1850, he was in California trying in vain to cash in on the Gold Rush.  He did enjoy some small measure of success as a daguerreotype artist, at least until an 1851 San Francisco fire burned down his shop.  He returned to Boston broke.

James Pierpont is recorded in Craig’s Daguerreian Registry as being active in Boston in 1857.

[1] On-line article in BU Today News, Opinion Community.  December 8, 2016 by Joel Brown.  “Jingle Bells” History takes surprising tern beloved Christmas favorite was first performed in Boston Minstrel Hall.  (Research by Kyna Hamill).

[2] Craig’s Daguerreian Registry.

Peter G. Clark

1850                Address Unknown, [Boston], Massachusetts.[1]                                                1851                247 Washington Street, Boston, Massachusetts.[2]                                                      1851-1852     36 Washington Street, Boston, Massachusetts.[3]                                                      1852-1854      in San Francisco, California.[4]                                                                          1853                Address Unknown, Boston, Massachusetts.[1]                                                  1854                103 Washington Street, Boston, Massachusetts.[3]                                                    1854-1856      in New York City.[4]                                                                                                1855                158 Bowery, New York, New York.[5]                                                                      1857                Lower Great George Street, Charlottetown, Prince Edward Island, Canada.[4]  1859-1862      in San Francisco, California.[4]

Peter G. Clark first appeared in the Massachusetts Charitable Mechanic Association Report for September 1850.  He exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association, no award was given.

Reported on December 20, 1851 in The Carpet Bag (Boston, Massachusetts). A Present.—We have received from the artist, Mr. P. G. Clark, No. 247 Washington street, an elegant and faithful likeness of Mrs. H. M. Stephens, of this city, and we take pleasure in exhibiting the treasure to our many visitors. [We have an adjourned promise of the transcript of another fair face from the East—“down east,”—when the “sometimes operator” shall get back.] Of course we are proud of it, and of course we thank the donor, and commend him to the notice of that public which always patronizes those who favor the printers.

Reported in the September 1853 report of the Massachusetts Charitable Mechanic Association.  Peter G. Clark exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association. Award a bronze medal for daguerreotype views of California.

Reported in an advertisement on December 22, 1855 in the New York Daily Tribune (New York, New York). Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits.  Highest prize $1,000.  For particulars see circulars at the Museum.  Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway; Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

Peter G. Clark is known see the following publications for more information Pioneer Photographers of the Far West, A Biographical Dictionary 1840-1865Craig’s Daguerreian Registry, A Directory of Massachusetts Photographers 1839-1900.

The new Information, is the fact that he showed at the Massachusetts Charitable Mechanic Association in 1850 and in 1853, the advertisement in the Carpet Bag newspaper with the 247 Washington Street address, and the December 22, 1855 New York Daily Tribune advertisement with address of 156 Bowery, New York.

[1] Massachusetts Charitable Mechanic Association records, 1850 & 1853.                                        [2] The Carpet Bag (newspaper).                                                                                                                        [3] Directory of Massachusetts Photographers 1839-1900.                                                                          [4] Pioneer Photographers of the Far West.                                                                                                        [5] New York Daily Tribune (newspaper).

Robert A Carden

1855                Address Unknown, Alexandria, Virginia.                                                                          1853-1854     293 Broadway, New York, New York.                                                                        1854                369 Broadway, New York, New York.[1]                                                                1855                Address Unknown, Alexandria, Virginia.                                                                  1856                Clay & Kearny Streets, San Francisco, California.[2]                                      1858                Address Unknown, New Orleans, Louisiana.

Based on work done by Peter Palmquist and Thomas Kailbourn in Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, Craig’s Daguerreian Registry by John Craig, New York City Directories, and newspaper advertisements and notices in New York City and Washington, D. C.  I’ve put together the following snapshot of Carden’s activity.

Robert A. Carden was not listed in the 1852-1853 New York City Directory, he was listed in the 1853-1854 and 1854-1855 directories as daguerreotypes, 293 Broadway, in 1853-1854 directory his house was listed at 393 Broadway, Carden was not listed in subsequent NYC directories.  In 1853-1854 there was also a listing for Carden & Co, daguerreotypes, at the 293 Broadway.

Carden was recorded on April 13, 1853 in the New York Daily Tribune (New York, New York.)  25 Cent Daguerreotypes.—Carden & Co., No. 293 Broadway, are still taking those superb Pictures at the low price of 25 cents, notwithstanding there are some who advertise 12 ½ cent one to be taken at a future day.  It is a well known fact that a picture cannot be produced for less than 25 cents; hence the great rush every day at Carden & Co.’s.

Craig’s Daguerreian Registry recorded the partnership of Carden & Norton, 369 Broadway from the 1854 Mercantile Directory.

He was recorded in the Daily American Organ (Washington, D. C.) on February 9, 1855 and in the Evening Star (Washington, D. C.) on February 10, 1855.  The Exhibition of the Metropolitan Mechanic’s Institute.—…Contributions from Virginia…Smith Bennett and Robert A. Carden, Frames of beautiful daguerreotypes;

Six months later the following advertisement appears on August 9 & 15, 1855 in the Evening Star (Washington, D. C.)  Daguerrean Gallery For Sale in Alexandria, Va.  One of the best rooms in Alexandria.  Will be sold cheap for cash.  Any person who wants to learn the business will be taught; and also will teach the art of Photograph free.  That alone is worth one hundred dollars to any artist.  Two Artist wanted to color Photographs.  Address “RAC,” Artist, Alexandria, Va.

Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, by Peter Palmquist and Thomas Kailbourn.  They mention that Carden is in San Francisco, California in 1856 working for Henry William Bradley at Clay & Kearny Streets.  Also that he wrote two articles for the Photographic and Fine Art Journal on April 1857, p 112 & 113 on Photography in California and was signed R. A. C. the same as the Evening Star advertisement on August 9 & 15, 1855.   In August of 1858 he wrote about the New Orleans Photographic Galleries on pages 244 & 245. Carden is reported in the same issue on page 256 that that he has returned to New York from New Orleans where he showed Ambrotypes and prints taken while he was there.  Was Carden active as a photographer or possibly as an assistant?  Further research is needed.  He was not listed in as being active in Photography in New Orleans The Early Years, 1840-1865, by Margaret Denton Smith and Mary Louise Tucker except to mention the article in The Photographic And Fine Art Journal.

Recorded on November 11, 1859 in the New York Daily Tribune (New York, New York.)  Carden—At Little Falls, Herkimer County, N. Y., on Thursday, Sept. 15, Robert A. Carden, photographic artist, formerly of this city [died], aged 26.

[1] Craig’s Daguerreian Gallery in partnership of Carden & Norton.                                                   [2] Entry for 1856 & 1858 from Pioneer Photographers Of The Far West.

 

Henry William Bradley

1844- c.1846   Address Unknown, New Orleans, Louisiana.                                                                   1844                  Room in the corner house, opposite Judge Morgan residence, Baton-Rouge,                                 Louisiana.                                                                                                                            c.1846-1849    Address Unknown, Wilmington, North Carolina.                                                  1850-1878       San Francisco, California.                                                                                                1853-c. 1854   Sacramento, California.

Henry William Bradley was recorded in the Baton-Rouge Gazette (Baton-Rouge, Louisiana) on October 12 & 19, 1844.  Card.  H. W. Bradley, Daguerreotypist of New Orleans, respectfully informs the citizens of East and West Baton Rouge, that it is his intention to occupy a room in the corner house, opposite the residence of Judge Morgan for a short time, where he will be pleased to attend to those who may favor him with their patronage.  He is desirous that all should call and examine his specimens, which will speak for themselves; and guarantees to give a good picture, with or without coloring, or make no charge; which in all cases will be reasonable.  Pictures of any description accurately copied.

Bradley was not recorded in Photography in New Orleans The Early Years, 1840-1865 (Margaret Denton Smith and Mary Louise Tucker).  Craig’s Daguerreian Registry mentions that Henry W. Bradley learned the daguerreotype process in New Orleans, Louisiana but does not reference any dates.  John goes on to say that he arrived in California in 1849 and by August 1850 was operating a business. Also listed in Biographies of Western Photographers (Carl Mautz.) In Pioneer Photographers Of The Far West A Biographical Dictionary, 1840-1864 (Peter Palmquist and Thomas R. Kailbourn) List Henry William Bailey as being active in New Orleans, Louisiana c. 1846; Wilmington, North Carolina, c. 1846-1849; San Francisco, California 1850-1878; Sacramento, California 1853-c. 1854.

Based on the above information and checking all available photographic directories I am confident that the article below is for Henry William Bradley.  Recorded in the Southern Standard (Tarboro’, North Carolina) on January 31, 1852.  Agriculture In California.  Gold is not the only source of wealth in California.  But her soil is rich, and in many localities capable of immense production.  Agriculture appears to be attracting much attention, and has been very profitable during the past season.  We find in the San Francisco “Courier,” of the 14th November, a notice of an award of premiums for best agricultural specimens…and added to the exhibition are also beautiful specimens of the daguerrean and photographic art from Mr. Shew, and also from Mr. Bradley….