Tag Archives: Artist

William Tinsley

1849                Room over G. D. Wells, Drug Store, Penn Pan, New York.

William Tinsley was recorded in one advertisement that ran from May 15 to July 3, 1849 in the Penn Yan Democrat (Penn-Yan, New York).  Portrait Painter & Daguerrean.  Respectfully inform the citizens of Penn Yan and vicinity, that he has opened Rooms for the practice of the above Arts.

He has been successful in procuring Optical instruments of the finest workmanship, possessing powers superior to anything that has yet appeared in this region, and equal to anything that ever may come into competition.  By which he flatters himself he shall be able to produce works of the most minute fidelity, varying in size from 4 inches to the smallest locket or finger-ring.

Operating room over the Drug store of G. D. Wells.  Penn-Yan, May 8, 1849.

William Tinsley is recorded in Craig’s Daguerreian Registry as being active in 1850-1851 in Penn Pan, New York without a business address.  Tinsley is recorded in The New York Historical Society’s Dictionary of Artists in America 1564-1860 as a portrait painter in Albany, New York in 1852.

F. Taenzer

1858-1859       Union Hotel, Ball Room, Clinton, Louisiana.

F. Taenzer was recorded in One advertisement and one announcement in The Feliciana Democrat (Clinton, Louisiana).  The advertisement ran from September 18, 1858 to January 1, 1859.  Photograph & Oil Painting.  Union Hotel Ball Room.  Having Located in the Town of Clinton, for the purpose of executing all orders in the above art, the subscriber respectfully solicits a share of the public patronage.  Portraits taken by the photographic process, or painted upon canvass, of any size or proportion, from life, or faithfully copied and enlarged from Daguerreotypes, or other pictures.

Buildings, landscapes, military or civic companies, photographed at reasonable rates.

The public generally, are invited to call at his room, at the Union Hotel Ball Room, and examine specimens of his art.  sept. 11.  F. Taenzer.

The announcement ran on November 13, 1858.  Tanezer’s Photograph Gallery.—To those who desire a perfect likeness of themselves, their families, or a copy of a daguerreotype or ambrotype of a deceased relative or friend, we would especially recommend to call on M. Taenzer, in the rooms adjoining White’s Hotel.  They will there have evidence of his ability as an artist; and will be able to procure from him as finished a picture as could be desired.  It is the first time that our citizens have had  the opportunity of procuring the services of such an artist, and as it is not likely such a chance will again present itself they should avail themselves of his stay in our town to procure life-like portraits.  Give him a call, at his rooms east of White’s hotel.  His charges are moderate as his pictures are excellent.

F. Taenzer is not recorded in other photographic directories.

S. H. Sexton

1844                Room in the Davis’ Building, opposite Phoenix Hotel, Schenectady, New York.

S. H. Sexton was recorded in one advertisement ran from August 6 to 27, 1844 in The Schenectady Cabinet, or, Freedom’s Sentinel (Schenectady, New York).  Daguerreotype Miniatures.  S. H. Sexton, Daguerreotypist.  Room in Davis’ Building, opposite the Phoenix Hotel, recently occupied by Mr. Dennison.               

S. H. Sexton is not recorded in other photographic directories.  It is possible that this is Samuel H. Sexton a portrait and landscape painter who was active in Schenectady, New York from 1839-1860.[1]         

[1] The New York Historical Society’s Dictionary Of Artists In America 1564-1860.

Mr. Schwert

N. D.               Address Unknown, Cleveland, Ohio.

1859                Address Unknown, Ashland, Ohio.

Mr. Schwert was recorded in one announcement on October 19, 1859 in The Ashland Union.  (Ashland, Ohio).  Photographs.—Mr. Ensminger had on exhibition at the county Fair as fine a collection of colored Photographs as can be found in any gallery in any city East or West.  The coloring of these Photographs was executed by Mr. Schwert, late of Cleveland.  Mr. S. will remain in Ashland two or three weeks, and all who desire to obtain for themselves or friends life-like Pictures, should avail themselves of the rare opportunity now offered.  A visit to Mr. Ensminger’s gallery will compensate all who appreciate good pictures.

A second announcement appeared on October 26, 1859 in The Ashland Union (Ashland, Ashland Ohio). Mr. Schwert’s name does not appear but should have also been credited.  Premiums Awarded at the Eighth Annual Fair of the Ashland County Agricultural Society…

Best painted photographs, E. Ensminger, diploma and 5, 00.

Mr. Schwert is not recorded in other photographic directories.  He is also not recorded in The New York Historical Society’s Dictionary of American Artists 1564 to 1860.

F. Sancan

1853-1854       80 Camp Street, New Orleans, Louisiana.                                                                        1854                   Rooms over Badeaux & Bruff, corner Main & Focus Streets, Thibodaux,                                             Louisiana.

F. Sancan was recorded in two advertisement and one announcement in the Thibodaux Minerva.  (Thibodaux, Louisiana).  The first advertisement ran from June 11, 1853 to June 1, 1854. Sache & Sancan, Daguerreotype and Painting Gallery, No. 80 Camp St., New Orleans.  my14.

The announcement appeared on March 11, 1854.  Don’t forget to call on Mr. Sancan, and obtain one of his Daguerreotypes by an entire new process.  See his card.

The second advertisement ran from March 11 to July 22, 1854. Daguerreotype Saloon.  Mr. F. Sancan, has the honor to inform the citizens of Thibodaux and vicinity, that he has opened a Daguerrean Saloon, over the store of Messrs. Badeaux & Bruff, corner of Main and Focus streets, where he will be happy to wait upon those who may honor him with a call.

By an entire new process—one yet little known—he not only gives his pictures a true likeness in features, but also in complexion.  This process has also another advantage in doing away in a partial degree the looking-glass appearance of the ground work.

F. Sancan is not listed in other photographic directories.  See Sache & Sancan post.

Sache & Sancan

1853-1854       80 Camp Street, New Orleans, Louisiana.

Sache & Sancan (F. Sancan) were recorded in one advertisement that ran from June 11, 1853 to June 1, 1854 in the Thibodaux Minerva (Thibodaux, Louisiana).  Sache & Sancan, Daguerreotype and Painting Gallery, No. 80 Camp St., New Orleans.  my14.

This is a complicated entry.  First in the book Photography in New Orleans The Early Years, 1840-1865 and in Craig’s Daguerreian Registry both list a Victor Sancan as being active in New Orleans in 1854 at 80 Camp Street.  Sache is not listed in either books.  In the New York Historical Society’s Dictionary of Artists in America 1564 to 1860 a J. Sancan is listed in New Orleans in 1854 as a portrait painter.  There is no mention of F. or Victor Sancan, again there is no listing found for Sache, there were a number of  Sachs and Sachse all were from Philadelphia and Baltimore and were either lithographers, or painters with no mention of anyone traveling to New Orleans.  To further complicate matters there is an advertisements from the same newspaper “Thibodaux Minerva” for an F. Sancan which will be posted on December 3d.  Another possibility is that Victor Sancan owner/operator of the New Orleans studio and that F. Sancan (a family member, working in the studio went to Thibodaux for four plus months.)  This is total speculation on my part.  An internet search listed an  F. Sancan in 1861 as the Editor and Proprietor of the Thibodaux Sentinel a weekly newspaper.  It is unknown if they are the same person.  Pioneer Photographers from the Mississippi to the Continental Divide: A Biographical Dictionary, 1839-1865 comes to the same conclusion that it is unclear if one of the partners were F. Sancan or Victor Sancan.

Alexander Ransom

1853                Mr. Ransom’s Rooms New York University, New York, New York.

Alexander Ransom was recorded in one announcement and one advertisement in The New York Herald (New York, New York).  The announcement appeared on December 13, 1853.  Mr. Freeman Having Purchased of Mr. Alexander Ransom the half of his property in the Drummond Light apparatus for enlarging daguerreotypes, will be prepared every day, between the hours of two and three o’clock P. M., to show any respectable parties, the effects of Daguerreotypes so enlarged, through which a perfect drawing is traced upon the reflection itself, from the cabinet to the size of life, or even larger, with the unerring certainty, in a comparatively short space of time.  Those having daguerreotypes of friends, will please bring them to determine their real value when magnified and thrown upon another surface, thereby avoiding all the disagreeable effects of the reflex of a polished plate, and withal of a hundred per cent increase of resemblance to their originals.  Outline for artists reasonably made.  Rooms No. 1, third floor, N. Y. University, Washington parade ground.

The advertisement ran from December 17 to 19, 1853.  Portraits Painted From Daguerreotypes.—Persons having daguerreotypes of deceased or absent  friends, can see the magnified to the size of life by a powerful Drummond light apparatus free at Mr. Ransom’s rooms, New York University, every day from 2 to 3 o’clock, P. M.

Alexander Ransom does not appear in other photographic directories.  He is recorded as a portrait painter in The New York Historical Society’s Dictionary of Artists in America 1564 – 1860 as being active in Boston and Lowell, Massachusetts, New York City and London, England.

S. W. Price

1857                Between Main and Franklin Streets, Clarksville, Tennessee.

S. W. Price is recorded in two announcements in the Clarksville Chronicle (Clarksville, Tennessee). The first announcement appeared on November 20, 1857. We are pleased to see that our clever friend and accomplished artist, Mr. S. W. Price, has returned to our city, to remain a short time.  We are shown a specimen of his skill, in the way of coloring upon the Photograph likeness of our Editor.  It is certainly a fine specimen of art.

If, with McCormac to take the picture, and Price to do the coloring, our senior’s face is not well taken, then there is no use in any one else trying.  In our opinion, this Photograph cannot be surpassed.

The second announcement appeared on May 21, 1858.  Mr. Price is again in our midst Mr. Price is a painter of decided merit, and if evidence of that fact were wanting, his picture of that fact were wanting, his picture of Mr. Fillmore is sufficient to place the matter beyond a doubt.  Mr. Price is also a high-toned and honorable gentleman, and we bespeak for him a liberal share of patronage.  We presume he will resume his employment as colorer of Photographers for Mr. W. J. McCormac.  Success attend them both.

S. W. Price is not recorded in other photographic directories. There is a possibility that this is Samuel Woodson Price a portrait and figure painter who was active in Kentucky and Tennessee prior to the Civil War.

William F. Porter

1855-1856       Over Baldwin’s Book Store, Main Street, Warren, Ohio.

William F. Porter was recorded in two announcements and two advertisements in the Western Reserve Chronicle  (Warren, Ohio).  The first announcement appeared on September 19, 1855.  Daguerreotypes.  Our young friend W. F. Porter, has somewhat changed his vocation, and instead of painting landscapes, trees, lakes and rivers, earth and sky on canvas, is now calling to his aid, the sun and light, to paint human, face divine on daguerrean plate.  Mr. Porter has the taste of a poet, and eye of an artist.  If his pictures are as life-like as his poetry is true and pure, his patrons must be satisfied.

He has tastefully fitted up rooms over Baldwin’s Book Store, on Main Street.  Success attend him.

The first advertisement ran from September 12 to November 21, 1855.  W. F. Porter’s Sky-Light Daguerrean Rooms.  “Secure The Shadow Ere The Substance Fade.”  The subscriber is happy to announce to the citizens of warren and surrounding country, that he has fitted up a suit of Rooms over Baldwin’s Bookstore, south of the Post Office, with a large sky-light, where he is prepared to furnish Daguerreotypes in the Best Style of the Art.  He has a fine assortment of Materials, Cases, &c., of the latest styles, which he has received direct from New York, and which he will be furnished at moderate prices.  He has also a collection of Oil Paintings and Daguerreotypes for the gratification of the lovers of Art, and has spared no pains to make the rooms a pleasant and agreeable place of resort at all hours, and he is determined by constant additions to keep up their interest and make them one of the places worth visiting, both by citizens and strangers.  And he looks for a liberal support in his efforts to gratify those who require his services as an Artist and Daguerreotypist.

All persons are cordially invited to call, whether wishing Pictures or not.

Work done at my rooms will be warranted.  William F. Porter.  Warren, Ohio.  Sept. 12, 1855.

The second announcement appeared on January 2, 1856.  Ambrotypes.  We cannot imagine a more appropriate gift, to a relative or friend, than a life-like Ambrotype likeness.  They are much superior in every respect to Daguerreotypes.  Wm. F. Porter and Mr. Marsh, have taken some capital pictures of this kind.

The second advertisement ran from January 2 to February 27, 1856.   Ambrotypes—Wm. F. Porter Takes this opportunity of informing the public that he is now taking this new and beautiful style of pictures.  For delicacy of shade, tone and brilliancy, they are unequaled by any other style, and to be appreciated, they must be seen.  They are without the glare of the Daguerreotype, and have softer lights and shadows.  They are very permanent, as the picture is taken on one glass plate, and then another plate is cemented to that by a process which renders the two plates in fact one.  The picture is then the centre of a heavy glass plate, and cannot be destroyed, unless the glass is broken.

Instruction.  Given to Ladies and Gentlemen in the above art, also in all the different branches of Daguerreotyping, as cheap as anywhere in the State.  Written instructions in Ambrotyping sent to any one, on the receipt of $3, by mail or otherwise.  Wm. F. Porter.  Rooms over Baldwin’s Bookstore, Main St., Warren, O.

William F. Porter is not recorded in other photographic directories.

James Thomas Poindexter

1852-1853                   Foster’s Building, Corner of Main and First Street, Evansville, Indiana.

(James) Thomas Poindexter was recorded in six announcements and two advertisements in The Evansville Daily Journal (Evansville, Indiana).  He was also recorded in an on line article in 2012 for the Evansville-Museum-Exhibition and an entry in The New York Historical Society’s Dictionary Of Artists In American 1584 to 1860.  The first announcement appeared on August 4, 1852. Mr. Poindexter, a portrait painter of much merit, has just arrived here from the South.  We hope he may be induced to remain among us for a time.  The Daguerreotype business has had the effect to drive all inferior portrait painters to some other business, while good artist alone are left, and they appear to be well patronized.  A well painted portrait cannot be excelled by any Daguerreotype, and it has the advantage of correct coloring to make it a more life-like work of art.  We hope sufficient inducements will be offered Mr. P. to urge him to stay here awhile, and leave with us some of the works of his skill.

The second announcement appeared on August 7, 1852.  Portrait Painting.—We take pleasure in calling attention to Mr. Poindexter’s advertisement of Portrait Painting.  The portrait of a citizen he has just painted, appears to us, who are no judge of such work, to be a at least a triumph so far as the likeness is concerned.  Mr. P. intends remaining here but a short time, and as we have had no professional portrait painter among us for a long time, it might be well for citizens to take advantage of the occasion.  A good portrait is a pleasing possession for any one, and an invaluable “relic of the past” when years have winged themselves into eternity.

The third announcement appeared on August 7, 1852.  Portrait Painting, T. Poindexter, Portrait Painter, has taken the rooms in Foster’s building, at head of stairs, where he would be pleased to have citizens call and examine his specimens of painting.  He intends remaining in Evansville but a short time, and would request those desirous of having their portraits painted to call soon.  He promises to give satisfaction, and only asks patronage as he may deserve it.

The fourth announcement appeared on September 27, 1852.  Mr. Poindexter, Portrait Painter, has been taking some excellent Portraits.  Mr. P. is not only capable of taking correct likenesses, as fine as we ever saw, but his pictures are good as works of art.  They are not surpassed as paintings, by the works of those artists who are considered the best portrait painters of the West, we defy any painter to make better likenesses.  Our citizens have been patronizing Daguerreotypist very freely, but one of Poindexter’s portraits are worth fifty Daguerreotypes—while to patronize him is to aid an artist, who has devoted a lifetime to his profession.

The fifth announcement appeared on April 20, 1853.  Mr. Poindexter, has opened a Daguerrean Gallery in Foster’s building, which he will carry on in connection with his portrait painting.  Mr. P. already established a good reputation in our city as a Portrait Painter, and his specimens in the Daguerrean art, will compare favorably with any ever taken here.  Mr. Poindexter has taken up his residence in our city, and designs establishing a permanent business in Picture and Portrait making.  We wish him great success, and hope our citizens will give him that generous support of which he has proven himself worthy.

The first advertisement ran from April 20 to December 7, 1853.  Daguerreotypes!  The subscriber respectfully informs the public generally that he has resumed the above business with which he has long been familiarly acquainted, and designs establishing permanent Daguerrean gallery in Evansville in Foster’s buildings, corner of Main and First street, where he hopes to receive the frequent visits of ladies and gentlemen which it shall be his earnest endeavor to merit; and he expects to be permanent, he depends more upon exhibitions of his proficiency and skill than noisy humbug of words for success.

His reputation as a portrait painter is too well established in Evansville and elsewhere to need remark further than that he will be happy to accommodate any desiring his services in that branch of art.  Thos. Poindexter.

The sixth advertisement appeared on July 24, 1856.  Hall Of Evansville Lodge, No. 64, A. Y. M. July 21, 1856.  At a called meeting of Evansville Lodge…By order of the Lodge Committee A. H. Sanders. Thos. Poindexter, Osborne Reilly.

The second advertisement ran from September 21v to November 23, 1857.  At Home.  Having returned to remain but a short time, the subscriber would respectfully invite those who may desire his artistic services to make it known without delay, as he has calls abroad that should not be neglected.  A good likeness warranted, either from life or a good Daguerrean or Ambrotype picture.  Studio first floor above and entrance through the store of A. C. Pushee.  See Specimens.  Thos. Poindexter.

1957.  The New-York Historical Society’s Dictionary Of Artists in America 1564–1860, P. 509.  Poindexter, James Thomas (1832-1891).  Portrait painter.  Born June 6, 1832 in Christian County (Ky.)  H was painting portraits in Evansville, (Ind) as early as 1852.  During the Civil War he was a telegraph operator.  He died June 10, 1891…

2012 August 23.  http://www.courierpress.com/features/evansville-museum-exhibition-celebrates-19th-century-portrait-painters-work-ep-444109151-324677591.html.

A single line in the Aug. 4, 1852, issue of the Evansville Daily Journal simply announced, “Poindexter, a portrait painter has come to town.”

James Thomas Poindexter, 23, was a Hopkinsville, Ky., native with little or no formal art training, but with a desire to make his living as a professional painter. He went on to become one of the most important portrait artists of the region.

His own work, which will be featured in an Evansville Museum show opening Sept. 2, reflected portraiture at the time, often done by traveling painters who moved from town to town brushing portraits and painting business signs for fees or, sometimes, food and lodging.

Poindexter married and settled in Evansville where, in addition to painting, he took up daguerreotype portrait photography.

He left during the Civil War to serve as a telegraph operator for the Army of the Confederacy, and worked painting portraits in Louisiana and Mississippi before returning to Evansville in 1871. His name appeared in city records until 1882. He died in Eddyville, Ky., nine years later.

Hanna Ganote, a New Albany, Ind., native who graduated from the University of Evansville this year, helped put together the Evansville Museum’s exhibition, which draws from the museum’s own collection of a dozen Poindexters, as well as portraits on loan from museums and libraries in Evansville and New Harmony, Ind., and in Louisville, Ky.

The show will hang through Nov. 25 in the Main Gallery, and may be seen online as a virtual exhibition on http://www.emuseum.org.

James Thomas Poindexter is not listed in other photographic directories.  He is like some other portrait painters during the daguerreian era who either dabbled for a time making daguerreotype images, used daguerreotypes in their portrait painting, or became daguerreotypist/photographers.