Category Archives: Photographs

Martin, G. R.

Photographs, ,

1857                Address and Location Unknown, New York.

1857 October 7.  Westfield Republican.  (Westfield, New York.)  October 7, 1857, Vol. 3, No. 24, P. 1.

Agricultural Society Report…Painting &c….

In the Daguerreotype Department, there were several exhibitions deserving of more than a Passing notice from your Committee, but as the scale of premiums have been limited, we are reluctantly compelled to contain ourselves to the following;

Best specimens of Daguerreotypes, called Melainotypes, to No. 162, O. Monroe, Dunkirk; 2d do. No. 158.

The committee would respectfully recommend a premium of the 2d class to. No. 316 G. R. Martin[1], being four Photographs in oil.

There were on exhibition three Ambrotypes without numbers from Messrs. Palmer, Bartholomew & Co. Westfield, deserving much credit for their perfection and life-like expression of the specimens presented for inspection.

[1] G. R. Martin was recorded in Jamestown, New York in 1849-1850, it may be possibly they are the same person but additional research is needed.

Marston, Joseph H.

Daguerreotypes, Photographs, , ,

1849-1860       Ninth & Spring Garden, Philadelphia, Pennsylvania.[1]

1853-1855       276 Arch, Philadelphia, Pennsylvania.

1855-1857       Franklin & School, Streets, Philadelphia, Pennsylvania.1

1855-1857       246 N. 2nd, Philadelphia, Pennsylvania.1

1858-1859       825 Spring Garden, Philadelphia, Pennsylvania.1

1849 June 10.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 10, 1849, Vol. II, No. 5, P. 3.

Marston’s Daguerreotypes.—Marston is exciting much attention in Spring Garden by the beauty of his daguerreotypes.  His rooms at the N. E. corner of Ninth and Spring Garden streets, are crowded with customers.  His pictures are not only cheap, but there is a high finish about them only attainable by the first artists.

1849 June 17.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 17, 1849, Vol. II, No. 6, P. 2.

Marston’s Daguerreotypes.—We congratulate the citizens of Spring Garden on their having an excellent daguerreotypist among them.  Such is Marston, at the N. E. corner of Ninth and Spring Garden streets, whose pictures are most beautiful, clear. Life-like, finished and cheap.  

1849 June 24.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 24, 1849, Vol. II, No. 7, P. 3.

The Spring Garden Daguerreotype Saloon of Marston, at the N. E. corner of Ninth and Spring Garden streets, does a most excellent business.  The pictures taken here are beautiful in style, accuracy and finish—and, withal, cheap as the cheapest.  Marston does well.

1849 July 1.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 1, 1849, Vol. II, No. 8, P. 3.

Marston’s Daguerreotypes.—Marston, at the N. E. corner of Ninth and Spring Garden streets, is an accomplished daguerreotypist.  His pictures are beautiful and finished in style and appearance.  They are clear, life-like, and most accurate likenesses.

1849 July 8.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 8, 1849, Vol. II, No. 9, P. 3.

The Daguerreotypes Of Marston, which are taken at the saloon corner of Ninth and Spring Garden streets, are beautiful and finished pictures.  Marston is worthy of patronage; he is as skilful an operator as can be found, and his prices are cheap.

1849 July 15.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 15, 1849, Vol. II, No. 10, P. 3.

Marston’s Daguerreotypes.—At the north-east corner of Ninth and Spring Garden streets, Marston keeps his well known daguerreotype saloon, which is already famous with the “uptowners.”  Marston is a good artist, and produces excellent pictures.

1849 July 29.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 29, 1849, Vol. II, No. 12, P. 3.

The Place To Go In Spring Garden for good Daguerreotypes is at Marston’s saloon, N. E. corner of Ninth and Spring Garden streets.  Marston is a good artist and takes excellent pictures.  They are clear, life-like and pleasing in tone and style.  Marston does a great business.

1849 August 5.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 5, 1849, Vol. II, No. 13, P. 3.

Marston Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerreotype ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 August 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 12, 1849, Vol. II, No. 14, P. 3.

Marston’s Daguerreotypes are the prettiest which are taken in all Spring Garden.  He is a good operator.  His pictures are extremely popular, and his saloons, at the N. E. corner of Ninth and Spring Garden streets, are daily crowded with visitors, none of whom go away dissatisfied.

1849 August 19.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 19, 1849, Vol. II, No. 15, P. 3.

The Best Daguerreotype Saloon In Spring Garden is Marston’s, at the corner of Ninth and Spring Garden streets.  Marston has a fine suite of rooms, excellent apparatus, and is skilful in his art and reasonable in his charges.

1849 August 26.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 26, 1849, Vol. II, No. 16, P. 3.

Marston’s Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerrean ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 September 2.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 2, 1849, Vol. II, No. 17, P. 3.

A word To Spring Gardenites.—Citizens of Spring Garden! Ye who would fain possess breathing likenesses of yourselves, go to Marston the daguerreotypist, corner of 9th and Spring Garden sts.  He is a skilful and popular operator, and his pictures are to be found in the most fashionable centre tables in the district.

1849 September 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 16, 1849, Vol. II, No. 19, P. 3.

In The Way Of Daguerreotypes, Marston, at the N. E. corner of Ninth and Spring Garden streets, is creating great excitement.  Such beautiful specimens of the art as are produced from his gallery are rarely seen.  Those who wish to have evidences of the rapid improvement of the daguerrean art, should step in at his saloon and have their pictures taken.

1849 September 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 26, 1849, Vol. XXVIII, No. 5, P. 4.

The Daguerreotypes of Marston which are taken at the Saloon, corner of Ninth and Spring Garden Sts., are beautiful and finished Pictures.  Marston is worthy of patronage.  He is as skilful an operator as can be found, and his prices are cheap.—Sunday Dispatch.  

1853 June 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 12, 1853, Vol. VI, No. 6, P. 6.

The Only True Likeness of Arthur Spring the elder, is that which was taken in his cell, a few days ago, by Joseph H. Marston.  It is a portrait which every one will recognize who has seen the original, and its truthfulness will be acknowledged.  Those who desire to see this likeness will be accommodated by calling at Marston’s Daguerrean Rooms, No. 276 Arch street, below Tenth.  A fine picture of Arthur Spring the younger can also be seen at the same place.  Marston is a capital artist, and has justly acquired a great reputation in his profession.

1853 August 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 2, 1853, Vol. XXXV, No. 112, P. 1.

Jos. H. Marston’s City Daguerreotype Rooms No, 276 Arch St.—Likenesses taken in a superior

Style and finish, in clear or cloudy weather.  Prices moderate.

1853 August 7.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 7, 1853, Vol. VI, No. 14, P. 3.

Something New In Daguerreotyping.—Having fitted up a new suit of rooms in a handsome style, sparing no expense in making them equal to any in the city for producing the Finest Quality Likenesses, I invite all to call at No. 276 Arch Street, below Tenth, where perfect satisfaction is guaranteed them, in quality, price, and beauty of finish, in all likenesses produced.  Joseph H. Marston, Spring Garden Daguerreotype Gallery, N. E. corner of Ninth and Spring Garden Streets.  Established five years.

Advertisement ran from August 7 to October 23, 1853.  

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

Marston’s Spring Garden Daguerrean Rooms are at the N. E. cor. Ninth and Spring Garden Sts.

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

The New Discovery—Mezzographic Portraits, Marston’s Daguerreotype Rooms, Arch St., first door below Tenth.

1855 January 29, 1855.  Philadelphia Inquirer.  (Philadelphia,. Pennsylvania.)  January 29, 1855, Vol. LII, No. 25, Whole No. 8096, P. 2.

Removal.—I have closed my Daguerrean Rooms, at No. 276 Arch street, and shall operate hereafter at the N. E. corner of Ninth and Spring Garden streets.  Likeness in one case, for One Dollar.  Joseph H. Marston.

1856 January 5.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 5, 1856, Vol. XL, No. 89, P. 1.

Only 50 Cents.—The extra large size Daguerreotypes, set in fine gilt embossed cases, with preserver complete.  The cheapest to be had in this city.  Marston’s Rooms, No. 246 N. Second below Willow.

1856 April 1.  Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Martson. — A really tip-top artist. His daguerreotypes surpass. His Ambrotypes are excellent, as also his retouched photographs. This artist has three galleries in the city. I saw some really fine positive photographs, which might place him among the first.

“Gilbert. — A tip top gallery. I was highly pleased with the specimens, and was surprised to find such a good artist among so many poor ones. Reimer, Marston, Newcome, and Gilbert, are too good artists for 2nd Street.”

[1] Activity dates from Newspapers cited above and Directory Of Pennsylvania Photographers 1839-1900.

Marsters, Joseph D.

Ambrotypes, Daguerreotypes, Photographs, Stereotypes, , , , , ,

1850-1859       147 Lexington Street, near Howard Street, Baltimore, Maryland.

1850 July 6.  Baltimore Price-Current and Weekly Journal of Commerce.  (Baltimore, Maryland.)  July 6, 1850, Vol. 1, No. 2, P. 1.

Marsters, Joseph D., Sky-Light Daguerrian Rooms, 147 Lexington street, West of Howard.  As good Pictures taken as can be had elsewhere in Baltimore—price, from $1.50 to $10.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Daguerreotypes.—Reader, if you wish a good picture of yourself, or friend, patronize Mr. Marster’s Sky Light establishment, at 147 Lexington street, a few doors West of Howard street.  You will not be expected to pay for one that does not please you.  His pictures are as good as any, and his prices more moderate than some others.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 2.

J. D. Marsters Daguerrean Artist 147 Lexington St. near Howard, Baltimore.  Being Supplied With Every Facility  will furnish his patrons with Pictures Of A Superior Quality On more Reasonable Terms than others, (Moderate Expenses enabling him to do so.)

Pictures That Do Not Prove Satisfactory To Friends will be retaken without charge.

Every variety of Cases always on hand—cheap as well as costly.

Likenesses neatly and securely set in Medallions, Breastpins, Rings, Watch-Keys, &c.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1852 December 24.  The Sun.  (Baltimore, Maryland.)  December 24, 1852, Vol. XXXII, No. 31, P. 2.

Daguerreotypes For Christmas.—We heartily recommend our friends intending to patronize the art, to call on Mr. Marsters, 147 Lexington street, near Howard.,  We can insure them first rate work, at moderate prices.  He has gold medallions, rings, watch keys breastpins, &c., in abundance.  Be sure to go early and get ahead of the crowd.  “A word to the wise.”

1853 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1853, Vol. XXXII, No. 44, P. 2.

Sky-Light Daguerrean Saloon.  147 Lexington Street, near Howard.  The proprietor invites you to give him a trial if you wish a good picture.  His arrangements are such as to justify him (with his experience and skill) in assuring his patrons that they shall have at least as good as can be had in the city at any price, on more reasonable terms than some others.  We have a handsome variety of Jewelry, and Fancy Cases, comprising Gold medallions, Breastpins, Watch Keys, &c.; Tortoise Shell, Inlaid, Papier Mache and Velvet Cases, cheap as well as costly, some of them entirely new, unique and beautiful—appropriate for holiday presents.  Call and see.  J. D. Marsters.

1853 May 14.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 14, 1853, Vol. 86, No. 115, Whole No. 11,975, P. 3.

Daguerreotypes.—It cannot be denied that for making good and highly embellished likenesses, Mr. Marsters, No. 147 Lexington street, above Howard, is well qualified.

His sky-light, too, we believe, is not excelled.  The modest locality he has chosen is characteristic of the man.  He ask no one to pay that is not pleased.

1854 January 11.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 11, 1854, Vol. 88, No. 9, Whole No. 12,179, P. 3.

Marster’s Daguerrean Saloon, 147 Lexington St., Above Howard Baltimore.  The Golden Prize, awarded by good taste, he only who wins should wear.  The meanest may boast.  We pledge our best endeavors to all who patronize us.  No one will be expected to pay unless they are pleased.  We have always for sale a variety of the rich [and] fancy cases, such as Velvet, Inlaid, Papier Mache, Tortoiac [sic.] Shell and Pearl.  Also Gold Lockets, Breast-Pins, Keys, Seals and Trinkets, in which pictures will be neatly set, at moderate prices.  mh14.

1855 April 26.  True Union.  (Baltimore, Maryland.)  April 26, 1855, Vol. VI, No. 16, P. 4.

J, D, Marsters’ Sky Light Daguerrean Saloon, No. 147 Lexington Street, near Howard.  The proprietor solicits the patronage of his friends and the public who may want a good Likeness.  Every endeavor will be made t please; no [person] will be expected to pay unless the are satisfied, being well established, and pretty extensively known, we deem it unnecessary to say more. 

1855 December 3.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 3, 1855, Vol. 40, No. 123, Whole No. 12,781, P. 2.

Daguerreotypes.—If any of our readers wish a life-like Daguerreotype, one that will give entire satisfaction, should call on J. D. Marsters, for he is the gentleman that will not suffer a picture to be taken from his rooms if it does not suit the purchaser in every respect.  Try him.

Advertisement ran from December 3 to 7, 1855.

1855 December 8.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 8, 1855, Vol. 40, No. 128, Whole No. 12,786, P. 2.

Gentlemen wishing to get a beautiful Life-like Daguerreotype of themselves, to give to their lady-love for a Christmas or New Year’s present, should just stop into J. D. Marsters, 147 Lexington street, for he is acknowledged by competent judges to get daguerreotypes that cannot be surpassed by any other gentleman in the profession, and is taking them at rather lower prices.  Mr. Marsters is polite and accommodating, and studies to please his customers.

Advertisement ran from December 8 to 12, 1855.

1855 December 13.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 13, 1855, Vol. 40, No. 132, Whole No. 12,790, P. 2.

Sam, the “Dark Lantern Hero,” as Governor Wise of Virginia, calls him, had his daguerreotype taken yesterday—costume, pair spurs, and extensive shirt-collar.  Sam had a good time, as do his fellow citizens getting pictures at J. D. Marsters, 147 Lexington street.  The Old Hero left the daguerreotype for an extra finish in the coloring of his costume, and is to call for it on Saturday next, at 11 O’clock, A. M., so that any of his old friends that wish to see him, and give him the “right hand of fellowship,” have a fine opportunity of doing so.

Advertisement ran on December 13 to 15, 1855.

1855 December 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 19, 1855, Vol. 40, No. 135, Whole No. 12,793, P. 2.

Ladies, Look Here.—If you wish to get a daguerreotype of your little son, daughter or yourself, you cannot select a better place than at J. D. Marsters, 147 Lexington street, for he is reasonable in his prices and has politeness with children, and will warrant you a good picture.

Advertisement ran from December 19 to 26, 1855.

1856 December 20.  American and Commercial Advertiser.  (Baltimore, Maryland.)  December 20, 1856, Vol. CXIV, No. 18,812, P. 2.

Marsters’ Ambro-Daguerrian Saloon.  Splendid New Goods For The Holidays.  Call Fellow citizens, and allow Mr. Marsters to get you up some beautiful pictures and set them in some of his splendid cases as a Holyday present.  You can give nothing as valuable to your friends, and surely no more appropriate memento can be found.  Mr. M. gives his personal attention and guarantees satisfaction at moderate prices.  No. 147 Lexington street, near Howard.

Advertisement ran from December 20 to 27, 1856.

1855 December 20.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 20, 1855, Vol. 40, No. 138, Whole No. 12,796, P. 2.

Christmas Is Coming.  The approach of the holidays is indicated by nothing more certain than the rich and beautiful articles…

Daguerreotypes.

J. D. Marsters, No. 147 Lexington street.

D. R. Stiltz, No. 159 Baltimore street offer to those who may call upon them the most beautiful pictures that can be taken, and can there be a more valued souvenir than a likeness.  Give one to those you love.

1855 December 27.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 27, 1855, Vol. 40, No. 143, Whole No. 12,801, P. 2.

Great Excitement in the 12th Ward.—It has just been decided that J. D. Marsters, 147 Lexington street, can get as good a daguerreotype as any other gentleman belonging to the profession.  All are delighted in regard to the price and quality of the picture.  Visit him by all means.

Advertisement ran from December 27, 1855 to January 1, 1856.

1856 January 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 2, 1856, Vol. 41, No. 2, Whole No. 12,806, P. 2.

A Man of the Times.—Who is better known to the community as a man of the times than J. D. Marsters?  Everything he does is in perfect keeping with the enterprising spirit of the age.  Go and look at his rooms, 147 Lexington street, and examine his elegant life-like Daguerreotypes, and if you can leave there without purchasing a handsome daguerreotype of yourself, then we should say you are hard to please.

Advertisement ran from January 2 to 22. 1856.

1856 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1856, Vol. XXXIV, No. 132, P. 2.

Ambro-Daguerrean Saloon, 147 Lexington Street.—We can recommend the proprietor of this quite celebrated establishment as the master of his profession.  Some of the very best Ambrotypes we have ever seen are produced by him.  His pictures indeed seem to have something peculiar about them, combining the fine delineation of the Daguerreotype with the better qualities of the Ambrotype, and happily avoiding that dullness so often complained of and produced by others.  Patronize Mr. Marsters if you wishthe best work at a fair price.

1858 September 7.  The Daily Exchange.  (Baltimore, Maryland) September 7, 1858, Vol. I, No. 169, P.2.

Ambro-Daguerreotypes, &c.  Mr. Marsters, 147 Lexington street, near Howard street, will furnish his patrons with pictures on glass, card-board, plates or canvas; life size or in miniature from nature, or copied in oil, French Pastell or water colors, in a style of superior excellence.  He has on hand a full assortment of plain and fancy Cases; also, Gilt Frames, all of the best material.  His long experience and attested success enables him to assure his patrons complete satisfaction or no charge.

Advertisement ran from September 7, 1858 to September 13, 1859; and October 31 to November 5, 1859.

1858 December 25.  Daily Exchange.  (Baltimore, Maryland.)  December 25, 1858, Vol. II, No. 262, P. 3.

Stereoscopes!  Boxes And Plates!  At Marsters, 147 Lexington street, near Howard.  Views, Groups and Statuary, foreign and domestic, made to order as cheap as can be had.  Call early.  Will Be Open To-Day, (Christmas.)

1860 November 9.  The Sun.  (Baltimore, Maryland.)  November 9, 1860, Vol. XLVII, No. 152, P. 2.

Taylor’s Ambrotype And Photographic Studio.  No. 147 West Lexington Street.  The subscriber would respectfully inform his friends and the public generally that after a long experience in the art, part of which time he was engaged with Mr. Marsters, he has purchased the above establishment, where he intends to furnish the same kind of work at much reduced prices.

1863 May 4.  The Sun.  (Baltimore, Maryland.)  May 4, 1863, Vol. LII, No. 141, P. 2.

Died At Onancock, Accomac county, Va., on the 26th Instant, after a lingering illness which she bore with Christian resignation , Eliza J., wife of Joseph D. Marsters, formerly of Baltimore.

Marshall, James A.

Photographs, ,

1858-1859       117 Main Street, Fitchburg, Massachusetts.[1]

1858 September 24.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  September 24, 1858, Vol. XX, No. 39, P. 3.

J. A. Marshall, Photographic Artist, Octagon Building, 117 Main st.  Work executed in all branches of the Art in the best manner, and at the cheapest rates.

Imperial Photographs, For one half the usual prices for 90 days from date.

Advertisement ran from September 24, 1858 to February 25, 1859.

1859 February 25.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  February 25, 1859, Vol. XXI, No. 8, P. 2.

Photographic Counterfeiting.—James A. Marshall of this town, a daguerreotypist, was arrested on Monday, and held for examination on the charge of counterfeiting, by the photographic process, and circulating notes on the Manufactures’ Bank of Providence, R. I.

William Barr, of Harvard, who recently went from this place,, was also arrested on suspiction of being concerned in the matter—and in his possession were found two of the counterfeit bills.  The notes were of the denomination of two dollars, but few of which were circulated, and it is supposed all have been recovered.  Marshall and Barr were brought before Justice Ware on Wednesday for examination, and were bound over on two complaints each, under bonds of $2000, for trial at the May term of the Court of Common Pleas.  Being unable to procure bail, both were committed.  Marshall is only about twenty years of age, and has heretofore borne a good character.  The counterfeits, it is supposed, were made by him as an interesting experiment in his art, and in an evil hour he yielded to the temptation to pass them.—Barr is a middle-aged man, and is supposed to have been instrumental in leading Marshall into the business.

1859 February 24.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 24, 1859, Vol. VIII, No. 866, P. 2.

Photographing Counterfeiting.  In Fitchburg this week a young daguerreotypist named James Marshall has been arrested for making photographs of bank bills, and one Barr of Harvard has been seized as an accomplice, having in his pocket some of the counterfeits.  The latter were all $2 bills on the Manufacturers’ Bank of Providence and were accurate imitations except that the paper was to coarse and thick to deceive any person of experience.  The Reveille expresses much sympathy for young Marshall, who, it says—

Has hitherto borne a good character, and has been carefully and well educated by an excellent mother, now a widow, and crushed with the weight of this great affliction.  It is now supposed that he committed the crime from a deliberate purpose formed beforehand, but having attempted the counterfeit as an interesting experiment in his art, yielded to the temptation presented by his success, and so, in an evil hour, for the first time, departed from the path of honesty.

1859 March 4.  Hartford Evening Post.  (Hartford, Connecticut.)  March 4, 1859, Vol. 1, No. 279, P. 1.

James Marshall of Fitchburg, engaged in the daguerreotype business, has been arrested on the charge of counterfeiting by the photographing process, and a man named Barr has also been arrested on suspicion  of being concerned in the matter.  He had in his possession two of the counterfeit notes on the Manufacturer’s Bank of Providence.

1859 May 27.  Fitchburg Sentinel.  (Fitchburg, Massachusetts.)  May 27, 1859, Vol. XXI, No. 21, P. 2.

James A. Marshall of Fitchburg, says the Palladium, plead guilty to an indictment for photographing bank notes; but upon representations made by Hon. N. Wood, Hon. Moses Wood, and Hon. E. Torrey, of that town, the Court directed the indictment to be placed upon file; first cautioning the young man to such a course of conduct as would save him from being brought in for sentence at any time upon the charge against him.

[1] A Directory Of Massachusetts Photographers 1839-1900. (1859)

Marshall, Augustus

Daguerreotypes, Photographs, , ,

1859-1861       63 Court Street, Boston, Massachusetts.[1]

1861-1862       203 Washington Street, Boston, Massachusetts.1

1863-1867       90 Studio Building, Boston, Massachusetts.1

1867-1869       145 Tremont Street, Boston, Massachusetts.1

1870-1882       147 Tremont Street, Boston, Massachusetts.1

1882-1888       44 Boylston Street, Boston, Massachusetts.1

1888-1889       53 Boylston Street, Boston, Massachusetts.1

1889                44 Boylston Street, Boston, Massachusetts.1

1890-1891       53 Boylston Street, Boston, Massachusetts.1

1891-1893       122 Boylston Street, Boston, Massachusetts.1

1894-1916       16 Arlington Street, Boston, Massachusetts.1

1865 September 20.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXI, No. 144, P. 2.

The Mechanics’ Association Fair.  Opening Day.  At noon to-day, the doors of Faneuil Hall were thrown open to the public, and the fair of the Mass. Charitable Mechanics’ Association was inaugurated under favorable auspices…

Sections 8, 9, 10, 11 and 12 constitute a splendid gallery of photographs, in which magnificent specimens from the first masters of the art arranged by hundreds.  Here are Black & Case, Augusta Marshall, A. Sourel, T. R. Burnham, Allen, John A. Whipple, Getchell & Brownell, Masury, Sowle [sic.] and others.

1865 September 22.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 22, 1865, Vol. XXI, No. 145, P. 2.

The Mechanics’ Association Fair.  The Fair at Faneuil Hall and Quincy Halls is constantly and largely patronized, and is evidently to be in every respect a thorough success.  We would advise all visitors to look especially at the photograph gallery in Faneuil Hall, where five alcoves are devoted…

Display Of Photography.  The numbers of the alcoves are overhead on the face of the gallery, and we believe that in the whole exhibition there is nothing more magnificent than the single case of painting on porcelain, in alcove 12, near the door.

It contains eight or ten faces, and the beauty of the colors, the rich warm expression of the eyes, the delicacy of the outlines and the exquisite perfection of the workmanship cannot fail to elicit the heartiest admiration of every visitor.  It is a difficult and beautiful art, that the porcelain portrait painting, and these specimens reflect great credit on the house that exhibits them—that of Masury, photographer and artist, No. 289 Washington street, opposite Warren’s old store.

In alcove 9, the fourth from the door, on the North side of Faneuil Hall, is one of the most singularly truthful and superb likenesses of Senator Sumner, large size, that we ever saw.  It is on the left side of the alcove in the collection of Augustus Marshall, the photographist of classic works of No. 90 Studio Building.

Right above it, in a square gilt frame, is a superb picture of Rev. Dr. Huntington, the rector of the Episcopal Church of the Emmanuel, and former professor in Harvard College—a life like and attractive work.  Beneath are copies of two celebrated pictures by old masters, one a Madonna.

Black & Case, of 163 and 173 Washington street, have the whole of alcove 8, and they have a superb show of scores of richly colored cabinet portraits and photographic landscapes.  Here the visitor, too, may see the life size portraits of numbers of men whose names have been made immortal in the great rebellion,—there Generals Stevenson, Meade, Dix, Lowell, Bartlett, who did such gallant deeds at Port Hudson, Tilton, Anderson of Fort Sumter memory, and Burnside, Colonels Griswold, Coggswell, Leonard, Palfrey, Kurtz (the Boston Chief of Police), Howe, Major Goodrich, Professor Phelps, and others; group pictures, including officers of the 9th battery, those of the Director, a class of Dr. Lewis’s, and so on.  The alcove is in itself a whole exhibition, and shows conclusively to what a high standard the art of photography may be carried in skilful hands.

1867 October 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 18, 1867, Vol. XVII, No. 3512, P. 2.

Premions [sic.] At The Fair.  The publication of the list of premiums at the Mechanic Fair is concluded below…

Class O.

Paintings, Statuary Drawings, Engravings, Lithographs, Daguerreotypes, Photographs, &c…

Nathaniel C. Sanborn, Lowell, photographs, bronze medal.

Asa B. Eaton, Lowell, photographs, bronze medal.

George C. Gilchrest, Lowell, Lowell, photographs, bronze medal.

Andrew J. Simpson, Lowell, photographs. Bronze medal.

August Marshall, Boston, photographs, bronze medal.

J. S. Notman & Co., Boston, photographs, bronze medal. 

1916 November 2.  The Boston Herald.  (Boston, Massachusetts.)  November 2, 1916, Vol. CXL, No. 125, P. 9.

Famous Old Photographer Dies In Newton.  Augustus Marshall Made His First Picture in 1858 and Later Had as Sitters Henry Wilson, Oliver Wendell Holmes, John B. Gough, Theodore Parker and Teresa Carreno. 

Augustus Marshall, who was Boston’s oldest photographer is dead at his home in Newton after an illness of a week.  He was about 81 years of age and made his first pictures in 1858, group pictures of Morris Brothers, Pell & Trowbridge’s minstrels, that were hung at the dooirway of the company’s old exhibition hall on Washington street.

He first started in business for himself in 1860 at 63 Court street, at a time when there were listed in the Boston City Directory 50 daguerreotypist and 12 photographers.  The following year both branches of the picture art were consolidated as one vocation, and there have since been only “photographers.”  Previous to that time, however, Mr. Marshall had been employed by an “artist” named Hamilton, whose gallery was on the fifth floor of a building at Washington and Bromfield streets.  And later with Marcus Ormsbee, an enterprising ambrotypist at 203 Washington street.  The latter in 1860 anticipated the Boston visit of the Prince of Wales, later King Edward of England.  By procuring from England a small daguerreotype of the royal guest and, copying it by wholesale, flooded the streets with an article that met with a ready and profitable sale.

In 1861 Mr. Marshall became an occupant of the Studio building, at that time a veritable hive of artists of all descriptions, and while there took pictures of many of the celebrities that lived in Boston, as well as a number of distinguished visitors who came to the city.

One of these was Henry Wilson, Massachusetts senator, practically all of whose pictures existing today were taken by Mr. Marshall.  Another was Oliver Wendell Holmes, who was an amateur in wet photography, invited Mr. Marshall to his home on many occasions, and “when interest in the things at hand began to sag,” to quote Mr. Marshall in a recent interview, “Dr. Holmes would pull down his violin and give me a brief concert.  In other words the doctor fiddled while I experimented, and I shall never forget those Charles street visits when I led the ‘Autocrat’ into one branch of our business.”

Among other familiar visitors to Mr. Marshall’s studio in the early days were John B. Gough, temperance orator of fame, Wyzeman Marshall, the heavy man of the local Thespians:  Theodore Parker, W. M. Hunt, painter and in 1863, Teresa Carreno, the child pianist, who years afterward when she had become a mature woman, returned and paid as visit “for old times sake,” to the man through whose art she had in part became famous.  Mr. Marshall for the last 25 years, and up to the time of his illness, conducted a studio at 16 Arlington street.

Mr. Marshall is survived by two sons and two daughters, Charles P. and Loring L. Marshall, and Emma F. and Helen L. Marshall. All of Newton.  The funeral service will be held tomorrow at his late home, 17 Willard Street.

1916 November 3.  The Boston Herald.  (Boston, Massachusetts.)  November 3, 1916, Vol. CXL, No. 126, P. 15.

Died.  Marshall—At Newton, No. 1.  Augustus Marshall in his 81st yr.  Funeral services at his late residence 17 Willard st. Newton.  Friday, Nov. 3, at 2 P. M. Relatives and friends invited.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Marsh, H. A.

Ambrotypes, Daguerreotypes, Photographs, , , , , , ,

1855                Over Fresco Hall, Warren, Ohio.

1855-1856       Over A. J. Troxel’s Store, corner Market and Liberty Streets, Warren, Ohio.

1857-1860       Rooms first building south of the Bank, Main Street, Ashtabula, Ohio.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 3.

—Messrs. Lake & Harsh, [sic.] on the second floor of the same building, are taking good Daguerreotype pictures.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 2.

A Change.—Something New And Interesting To The Public—The old Rooms formerly occupied by H. W. Holloway together with the entire stock and interest of same, having been purchased by Lake & Marsh, experienced Daguerreotypists, they are now prepared to execute work in the best style of the art.

Having a large amount of Stock, and Cases of all kinds and sizes, they flatter themselves that they can give entire satisfaction to all who may favor them with their patronage.

No Pictures will be sold unless they are positively good ones.

Come old, come young, come great and small,

To the Daguerrean Rooms over “Fresco Hall.”

Advertisement ran from June 27 to Nov 7, 1855.

1855 December 19.  Western Reserve Chronicle  (Warren, Ohio.)  December 19, 1855, Vol. 40, No. 18, Whole No. 2046, P. 2.

Ambrotypes.—H. A. Marsh would respectfully announce to the citizens of Warren, and the public generally, that having availed himself of the new and recent discovery in the art of taking pictures, styled Ambrotypes, he is prepared to take them in the best style of the art, and would solicit a share of the public patronage.  They are taken on prepared glass, and for softness, depth, brilliancy of tone, and beauty of finish, are unequalled.  They can be taken in any kind of weather, and are admirably adopted to children, as they can be taken in from one to two seconds.  Also, Daguerreotypes taken as usual, in the best style.  Rooms over A. J. Troxel’s Provision Store, corner Market and Liberty streets—entrance on Liberty street, opposite the Bank.  H. A. Marsh.  Warren, Dec. 19, 1855.

Advertisement ran from December 19, 1855 to March 26, 1856.

1856 January 2.  Western Reserve Chronicle  (Warren, Ohio.)  January 2, 1856, Vol. 41, No. 20, Whole No. 2048, P. 2.

Ambrotypes.  We cannot imagine a more appropriate gift, to a relative or friend, than a life-like Ambrotype likeness.  They are much superior in every respect to Daguerreotypes.  Wm. F. Porter and Mr. Marsh, have taken some capital pictures of this kind.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 1.

H. A. Marsh, Successor to E. Howell, Daguerreotype and Ambrotype Artist.  Also E. Howell’s new Papertype, recently Patented.  Lockets and Miniatures Pins filled at reasonable rates.  Pictures taken on patent leather, if desired.  Rooms, first building south of the Bank, Main Street, Ashtabula, Ohio.

Advertisement ran from July 3, 1858 to January 28, 1860.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 4.

H. A. Marsh, Successor to E. Howell Would respectfully announced to the citizens of Ashtabula, and surrounding country, that he has recently purchased the entire interest of E. Howell in the Daguerreian business in this place, including his Papertype, recently patented, and that he is prepared to take correct likenesses, in all the different branches of the art, and in the most approved style.  Having had several year’s experience with the first artists in the country, I am enabled to keep up with all the improvements, and feel safe in saying I will furnish as good pictures, and correct, to the life, as can be obtained anywhere in this section of country.  No pictures shall go from my rooms, that are not entirely satisfactory, and warranted.  Pictures taken on patent leather, if desired.  Lockets and Miniature Pins filled at reasonable rates.  Particular attention given, in taking childrens’ likenesses.  Rooms first building south of the Bank, Main Street, where I can always be found from 8 o’clock, A. M. to 5 P. M.  H. A. Marsh.

Old Pictures copied, and new ones taken in any weather.  Ashtabula, July 15th, 1857.

Advertisement ran from July 3 to December 18, 1858.

1858 October 16.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) October 16, 1858, Vol. IX, No. XXXXII Whole No. 460, P. 1.

Premiums Awarded by the Ashtabula Farmers Club. Held at Ashtabula, October 5th & 6th, 1858…. Class XIX.  Fine Arts, Ornamental Works, &c. 49 entries.  Frist Premiums H. A. Marsh in both Ambrotypes & Photographs.

1858 December 18.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) December 18, 1858, Vol. IX, No. LI, Whole No. 469, P. 2.

Look Here!  Every one of the lovers of art, every one who admires the beautiful, and especially, every one who delights to look upon the familiar face of a dear friend or relative, (though that friend may be thousands of miles away. Or in the Spirit Land.) take notice that you can get a true—life likeness of yourself or friends at Marsh’s Gallery of Art in Ashtabula, and also, that during the Holydays, in consideration of the closeness of times, I will furnish superior pictures at Much Reduced Prices! 

What Christmas or New Year Gifts, are more appropriate than to present a perfect likeness of Yourself to your friends.  I intend to keep constantly on hand a variety of good durable cases, also frames to hang up, so that as you sit by your fireside, you can behold the faces you love, beaming upon you, waking up old memories, and calling to mind past scenes of pleasure and enjoyment.

Having recently refitted my rooms, I shall endeavor to make it as pleasant and agreeable as possible, for all who may give me a call, whether wishing pictures or not.  But remember, time waits for no man, and hard times does not prevent death from removing those you love.

Secure the shadow, Ere the substance Fades; which you can do at Marsh’s Ambrotype Gallery, in cloudy as well as clear weather, between 8 A. M., and 4 P. M.  Rooms first building south of Bank. H. A. Marsh.

Advertisement ran from December 18, 1858 to November 19, 1859.

1859 November 12.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) November 12, 1859, Vol. X, No. XLVI, Whole No. 516, P. 2.

Look Here!  H. A. Marsh!  Photographic Pictures.  I am now taking some fine Photographs, a new and popular style of Pictures, on paper.  After the first is taken, any number can be printed from it, without repeated sitting.

Also—Every other style of pictures, taken in the Best & Most Durable Manner, Warranted.  All of the above styles of pictures, can be obtained Cheap at Marsh’s Gallery, First building South of the Bank, H. A. Marsh.                    

Advertisement ran from November 12 to January 28, 1860.

1860 January 28.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) January 28, 1860, Vol. XI, No. 4, Whole No. 527, P. 3.

Carmichael & Robbins.—This is the name of the new firm, who have purchased the Ambrotype establishment of H. A. Marsh, of this village, and expect to go at once vigorously into the Ambrotyping business.  Mr. Carmichael will have the principal management of then affairs of this office.  The facilities which this firm will bring to bear in the conduct of their business here, may be inferred from the extract which follows, from the Warren Democrat.—Some specimens of their work have been shown us, which are not surpassed in merit by anything in this line of business.  We bespeak for them a share of public attention and favor.

Marks, Harvey (Henry) Roberts

Daguerreotypes, Photographs, , , , , , , , , ,

1848-1850       117 Baltimore, Baltimore, Maryland.[1]

1850-1854       159 Baltimore Street, Baltimore, Maryland.

c.1851-1852    Address Unknown, San Francisco, California.

1854-1858       57 Dauphin and Royal Streets, Mobile, Alabama.[2]

1866                Main between Preston and Prairie, Houston, Texas.[3]                    

1867                Main at Congress, Houston, Texas.3

1871-1901       Various Addresses, Austin, Texas.3

1849 January 24.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) January 24, 1849, Vol. 78, No. 21, Whole No. 11,016, P. 3.

Daguerreotypes.—The beautiful display of Daguerreotypes at the late fair of the Maryland Institute, is more fresh in the memory of those who visited it, than perhaps any other class of articles exhibited; for in no department of art or mechanical, was there to be observed a nearer approach to what we would conceive perfection.  It is a fact, and one gratifying to national pride, that the art is practiced in this country with greater skill than in Europe; even in Paris, where Daguerre first published his invention; and it is further the fact, that a French operator studied here the improvements attained, and then returned to profit by them in France.  Of Daguerreotypes, as superbly executed as American operators can present them, certainly their very best were collected in the Maryland Institute Fair; and of these, none were more admired, as combining in them all the essentials of an unexceptionable portrait, the expression of nature, placid repose of features, distinctness of outline, and tact in so disposing the focus that no part or member of the object suffers from distortion—all these essentials, that depend so much upon the superior capacity of the induvial operator, than those of Mr. J. Shew, of this city.  And so though the judges, in awarding him a premium.

It gives us pleasure to add to this testimonial, a [statement], that the rooms of Mr. Shew, at the corner of South and Baltimore streets, their convenience of access, and arrangement within, are such as to make a sitting rather agreeable than otherwise, particularly to ladies.  The apparatus is more directly under the charge of Mr. Marks, an accomplished operator, and one whose efforts are uniformly successful to the entire satisfaction of all who sit; for a Daguerreotype is not allowed to leave the establishment unless under those circumstances.

1849 February 10.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  February 10, 1849, Vol. XCIX, No. 17,209, P. 2.

Gold Region—Overland Route.  Notice.—Col. Whiting will leave this city on Monday 12th inst., for Pittsburgh.  Several persons having applied for admission into the Company, but require a little more time, has induced Col. W. to appoint an agent, as his positive engagement to be in Pittsburgh on the 16th inst. will prevent him remaining any longer time in Baltimore.

Mr. H. R. Marks, 117 Baltimore street, will be pleased to give any information required to persons desirous of joining the Company, as to routes, expenses, outfit, &c.

Maps, Circulars, &c., are left with Mr. Marks, and those who apply can obtain any required information relative to the expedition.

1849 February 13.  The Sun.  (Baltimore, Maryland.)  February 13, 1849, Vol. XXIV, No. 73, P. 2.

For California.  Overland Expedition To The Gold Region.  The object of this Expedition is to afford protection to a given number of respectable men, who desire to take the overland route to California, and the entire cost of outfit, travel expenses, &c., will not exceed $200, and can be brought considerably within that limit.  The time of departure from the point of Rendezvous on Red River , will be the 25th of March, and the route fixed upon—from Natchitoches, La., across Texas, to the point on the Rio del Norte crossed by Gen. Kearney, thence along his trail to San Diego, and up the cost to San Francisco—is believed to possess many adventures over the Northern route, not only on account of the distance of land travel, which is lessened over 700 miles, but the climate is much milder and the region traversed more fertile, affording luxurious grass for animals at an earlier season.

Col. Whiting, the leader of this expedition, has already gone to make the necessary preparations at the point of rendezvous.

Persons wishing to avail themselves of the advantages here offered, would do well to make immediate application to the undersigned, as he will leave Baltimore for the West on the 29th instant.   H. R. Marks, 117 Baltimore street.

Advertisement ran on February 13 to 15, 1849.    

1849 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 75, Whole No. 11,074, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  The subscribers respectfully call attention to their collection of Daguerreotypes, with confidence that they will not suffer in comparison with any taken in Baltimore.  Their facilities for taking Pictures are unequalled, and the situation and arrangements of their Rooms, are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, with accuracy and dispatch, for Lockets, Signets, Rings, &c., and satisfaction guaranteed in all cases.

Advertisement ran from April 2 to October 17, 1849.

1849 April 3.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  April 3, 1849, Vol. XCIX, No. 17,244, P. 7.

Daguerrian Gallery, 117 Baltimore Street.  Shew & Marks Respectfully call the attention of the public to their large collection of Daguerreotype Portraits, and assure those who may be pleased to test their skill, that their likenesses shall be inferior to none taken in Baltimore.  Their facilities for taking pictures are un equalled, and the situation and arrangement of their rooms are such as to render them convenient and pleasant to all.

Likenesses taken in any weather, and for Signet Rings, Lockets, &c; Paintings, Engravings, &c. copied with accuracy and dispatch, and satisfaction guaranteed in all cases.

Advertisement ran between April 3 to October 10, 1849.

1849 April 4.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 4, 1849, Vol. 78, No. 77, Whole No. 11,076, P. 3.

Daguerrian Galleries.—A Daguerreotype, well taken, clear distinct in outline, and naturally reflecting form, face and feature, is not so often to be had, that when it can be depended upon as a matter of certainty, it does not bring the Daguerreotypist into notice and his establishment into a successful run of business.  Such an establishment, with rooms of convenient location, instruments the best, operators of pleasant personal address and accomplished in their art, and what follows as a consequence, admirable likenesses—is to be found in that of Messrs. Shaw & Marks, Covin building; which during the absence of Mr. Shew, (in California,) will be conducted by his partner, Mr. Marks.

The present season is the one above others favorable for Daguerreotypes; and among the many excellent establishments in Baltimore, there is none we can recommend above the subject of this notice.

1849 May 1.  The Sun.  (Baltimore, Maryland.)  May 1, 1849, Vol. XXIV, No. 138, P. 2.

Faithful Likenesses.—At this season of the year many of our friends are visiting Baltimore upon business and other pursuits; and to such of them as desire a striking Daguerreotype likeness, we recommend the establishment of Messrs. Shew & Marks, 117 Baltimore street.  We have in our possession a ring of moderate size, containing the likeness—one of the most correct we ever saw—of an esteemed friend, which was taken by these gentlemen; and we are so much gratified with the excellence of its execution, (aside from its cheapness, which is remarkable,) that we are induced to offer this voluntary tribute to their skill, in the hope that it may induce others to employ them, as they are so eminently successful in their endeavors to obtain correct likenesses.—Centerville Times, April 28, 1849.

1849 May 21.  The Sun.  (Baltimore, Maryland.)  May 21, 1849, Vol. XXV, No. 4, P. 2.

Daguerreotypes.—Messrs. Shew & Marks continue to take suck Likenesses as cannot fail to please the most fastidious, and we would recommend all who wish to procure a Daguerreotype true to life, to call at their Gallery, No. 117 Baltimore Street, 3d door above South Street.

Advertisement ran on May 21 & 22, 1849.

1849 August 31.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) August 31, 1849, Vol. 79, No. 52, Whole No. 11,202, P. 2.

Shew & Marks’ Daguerreotypes.—Shew & Marks continue to keep pace with all the improvements which practical skill and mature experience are developing in their art, while they make no crafty boast of “wonderful improvements,” or of the application of principles to its advancement, which are unknown in its practice,—such as electricity, &c.  Their Likenesses are unsurpassed by any taken in Baltimore; and they may confidently challenge the production of their superiors, either in strength of likeness, beauty of tone, or finish.

All who want a perfect Daguerreotype, are recommended to call at their Gallery, No. 171 Baltimore street.

Advertisement ran on August 31 & September 1, 1849.

1849 October 18.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  October 18, 1849, Vol. C, No. 17,404, P. 3.

Fair Of The Maryland Institute…

Awards Of Premiums…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of Daguerreotypes, first premium.

H. Pollock, for next best specimens of Daguerreotypes, second premium

W. & F. Langenheim, Philadelphia, for specimens Talbotypes, first premium.

1849 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1849, Vol. 79, No. 92, Whole No. 11,243, P. 2.

Fair of the Maryland Institute…

Premiums Awarded…

Fine Arts, Paintings, &c.

Shew & Marks, for best specimens of daguerreotypes, first premium.

H. Pollock, for next best specimens of daguerreotypes. second premium.

W. & F. Langenheim. Philadelphia, for specimens of Talbotypes, first premium.

1849 October 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 19, 1849, Vol. 79, No. 93, Whole No. 11,244, P. 3.

Shew & Marks’ Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses accurately taken in any weather, for Lockets, Signet Rings, &c., and satisfaction guaranteed in all cases.

Paintings and Engravings correctly copied.

Advertisement ran from October 19, 1849 to April 2, 1850

1849 October 20.  The Sun.  (Baltimore, Maryland.)  October 20, 1849, Vol. XXV, No. 133, P. 2.

First Premium Daguerrian Gallery.  Shew & Marks, No. 117 Baltimore Street.  The Highest Premium awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited.

Likenesses taken in any weather, and satisfaction guarantied in all cases.

Advertisement ran from October 20 to November 20, 1849.

1849 December 19.  The Sun.  (Baltimore, Maryland.)  December 19, 1849, Vol. XXVI, No. 27, P. 2.

Christmas Gifts.—The holidays are near,—the season which time honored custom has set apart for the bestowal of precious gifts on those we love.  The likeness of an esteemed friend is always highly valued, and in suggesting this as a suitable present, we would call attention to the excellence of Messrs. Shew & Marks’ daguerreotypes, who it will be remembered received the highest premium at the late Fair of the Maryland Institute.  Gallery 117 Baltimore street.

1849 December 21.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 21, 1849, Vol. 79, No. 145, Whole No. 11,296, P. 2.

Preparations For The Holydays…

Daguerreotypes.—What more appropriate gift could be made at this season, then the “counterfeit presentment” of some dear loved one, or friend?—Such can be procured in a style rarely to be excelled, at either of the following places:

Shew & Marks, No.    117 Baltimore street.

Carvalho,                    205      do.       do.

J. H. Whitehurst,         207      do.       do.

1850 March 2.  The Sun.  (Baltimore, Maryland.)  March 2, 1850, Vol. XXVI, No. 89, P. 2.

Shew & Marks’ Premium Daguerrian Gallery, No. 117 Baltimore Street.  Highest Premium awarded at the late Fair of the Maryland Institute for the best Daguerreotypes exhibited.

Superior Likenesses taken in any weather, and entire satisfaction guaranteed in all cases.

Advertisement ran from March 2 to April 1, 1850.

1850 April 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 2, 1850, Vol. 80, No. 79, Whole No. 11,381, P. 2.

H. R. Marks’ (Late Shew & Marks’) Daguerrian Gallery, 117 Baltimore Street.  Highest Premium Awarded at the late Fair of the Maryland Institute, for the Best Daguerreotypes exhibited—all of which were taken by Mr. Marks.

Superior Likenesses taken in weather, and entire satisfaction guaranteed in all cases.

Daguerreotypes, Paintings and Engravings correctly copied.

Instruction given in the Art.

Advertisement ran from April 2 to November 15, 1850.

1850 April 3.  The Sun.  (Baltimore, Maryland.)  April 3, 1850, Vol. XXVI, No. 89, P. 2.

Premium Daguerreotypes.—Those wanting perfect likenesses should call at Marks’ (late Shew & Marks’) favorite Gallery, No. 117 Baltimore street, where the most superior pictures can be obtained on reasonable terms.

1850 April 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) April 15, 1850, Vol. 80, No. 90, Whole No. 11,392, P. 3.

Marks’, (late Shew & Marks’) Daguerrean Gallery.—This establishment, so long and justly celebrated for the fidelity and excellence of its likenesses, still maintain its high reputation under the management of its skillful and urbane proprietor.  As an artist of taste and skill, Mr. Marks is unsurpassed by any in his profession, and we take great pleasure in commending his gallery 117 Baltimore street, to the favorable notice of those who have not already visited it.  The award of the highest premium, by the Maryland Institute, to pictures taken by Mr. Marks, is all that we need say of their superiority, it being an evidence of merit which none will pretend to question.  Give him a call and judge for yourselves.

1850 September 6.  The Sun.  (Baltimore, Maryland.)  September 6, 1850, Vol. XXVII, No. 95, P. 2.

Premium Daguerreotypes.—The most favorable season for taking Daguerreotypes is now at hand, and we would advise all who want an accurate likeness, and a picture of superior finish, to visit Mr. Marks’ Gallery, No. 117 Baltimore street.

1850 October 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) October 18, 1850, Vol. 81, No. 93, Whole No. 11,190, P. 2.

Fair of the Maryland Institute…

328.  A lot of daguerreotypes, by P. L. Perkins, Balt.

350.  A frame view of Carroll’s Manor, and several other frame views, by R. H. Marks, Balt.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1850 November 6.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 6, 1850, Vol. 81, No. 109, Whole No. 11,206, P. 2.

List of Premiums…

Fine Arts.

For the finest specimens of daguerreotype miniatures, H. R. Marks, a silver medal.

Specimens of large daguerreotypes, by W. [sic.] Whitehurst, a silver medal.

Superior daguerreotype groups, by H. Pollock, a silver medal.

1850 November 15.  The Sun.  (Baltimore, Maryland.)  November 15, 1850, Vol. XXVII, No. 155, P. 2.

Marks’ Daguerrian Gallery.—Our friends wanting Daguerreotypes should bear in mind that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished gallery, and is prepared to make likenesses which cannot fail to please the most fastidious.  Call and see him.

1850 November 16.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 16, 1850, Vol. 81, No. 118, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

1850 November 18.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) November 18, 1850, Vol. 81, No. 119, Whole No. 11,206, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from November 18,1850 to June 27, 1851.

1850 December 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 7, 1850, Vol. 81, No. 135, Whole No. 11,214, P. 2.

Jenny L First Concert—Sal Tickets.—The sale of tickets at auction, this morning by Gibson & Co., at the Theatre, was attended by a very large number of persons, and the bidding was quite spirited up to the time we left.

Mr. J. H. Whitehurst, daguerreotypist in Baltimore street, was the purchaser of the first choice, for which he paid $100, premium.  He choose 1005, immediately in front of the stage, in the first tier of the dress circle.

The seats in the parquette beginning at No. 1, were then offered, and the first four were taken by H. R. Marks, daguerreotypist, Baltimore street, at $4 premium each.

1850 December 9.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 9, 1850, Vol. CII, No. 15,953, P. 3.

Jenny Lind Concert—Auction Sale or Seats.—The sale by auction of the seats for the first concert to be given tonight by Jenny Lind, took place at the Front Street Theatre on Saturday morning.  As the hour for the commencement of the sale approached the theatre began rapidly to fill up, and soon every part of the house, except the parquette into which the crowd was not admitted, was closely occupied by an eager and excited assemblage.  Diagrams were distributed through the house showing the location of the different seats, and at 10 o’clock Mr. Gibson, of the firm of Gibson & Co., auctioneers, took his stand and commenced the sale.  He stated that the bids made would be bona fide ones, no one having been employed to in any way advance the price of seats by making fictitious bids.  The price of $3 had been fixed on every seat in the house and the amount offered by each bidder would be a premium over and above this stated price, and the purchaser of each seat would have the privilege of taking any number of seats not exceeding fifteen in one lot.

The regulations of the sale having been thus announced, the choice of the first seat in the house was offered.  A momentary pause ensued when a bid of $10 premium was made, followed rapidly by bids from different parts of the house of $25, $50, $75, and $100.  No bid higher than $100 being offered, after calling it for some time, it was finally knocked down at that sum, and Mr. J. H. Whitehurst, proprietor of the daguerrian gallery, was announced as the successful purchaser.  The announcement was greeted with considerable cheering and applause, with cries of “Whitehurst,” “Whitehurst,” “show him up,” &c.  Mr. W., however, not being in the house, the desire of the audience could not be gratified.  The agent of Mr. Whitehurst selected as the choice seat No. 1005, the first seat on the front bench of the box on the right hand of the entrance to the parquette; a conspicuous location, but not, we should judge, the most comfortable or agreeable in the house.  He subsequently secured the adjoining seats for Mrs. Whitehurst at a premium of $6.50.

The sale of the seats in the parquette was then commenced, beginning at No. 1 and continuing on to No. 516, with the exception of a number of seats reserved for the press.  The first seat sold in the parquette was bid in by Mr. H. R. Marks at a premium of $1…

1850 December 12.  The Sun.  (Baltimore, Maryland.)  December 12, 1850, Vol. XXVIII, No. 21, P. 2.

Marks’ Daguerreotypes.—Our friends in want of superior Daguerreotypes should not forget that Mr. Marks has removed from the corner of South to No. 159 Baltimore street, where he has an elegantly furnished Gallery, with a large, improved Sky Light, and every facility for making the most satisfactory likenesses.  Mr. Marks was awarded the highest premium by the Maryland Institute, in 1849, and the Silver Medal in 1850;  and these are evidences of merit which none will question.  Call and see him.

1850 December 23.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) December 23, 1850, Vol. 81, No. 148, Whole No. 11,227, P. 3.

Holiday Gifts, &c…

Daguerreotype Galleries.

H. R. Marks, No. 159 Baltimore street.

J. H. Whitehurst,  209 Baltimore street.

S. N. Carvalho,    205 Baltimore street.

At all of these establishments many beautiful presents are to be found, and the proprietors are all worthy of the patronage and confidence of the public.        

1851 January 7.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 7, 1851, Vol. 82, No. 6, Whole No. 11,239, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm. 

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We observe that the Daguerreotype Gallery of H. R. Marks has been removed from the corner of South Street to No. 159 Baltimore street, nearly opposite the Museum.  Mr. M. has been amongst us four years: shortly after his arrival he was recognized by the superior excellence of his pictures, as the first in his profession.  It was not long before the Maryland Institute endorsed the public opinion by awarding him the highest premium at their annual exhibition; and they have continued their preference from year to year.

By the last decision he received the highest medal for the best miniature daguerreotypes, and stands at the head of the list: he made no claim to excellence in daguerreotype Portraits.  There are many who can cast powerful masses of light and shade as well as Mr. Marks; but the exquisite lining, the delicate finish of feature and drapery, and above all the exact fidelity of his impressions, are all unrivalled.  They remind one rather of the minute touching of a master pencil, than of the rapid seal of the sun.

We recommend that accomplished artist to all who visit us—to the community he is already known.  He will always be the favorite of those who wish the perfect reflection of themselves or their friends, rather than an uncertain, though well meaning shadow.  Mr. Marks’ present rooms are spacious, and furnished with great taste and elegance.  He has a large improved skylight, which may impart to his present works even an additional charm.—From Patriot.  

1851 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1851, Vol. XXVIII, No. 43, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling the attention of our readers to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore st., Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.  

1851 February 12.  The Sun.  (Baltimore, Maryland.)  February 12, 1851, Vol. XXVIII, No. 72, P. 2.

Marks’ Daguerreotypes.—We have just seen some very superior and highly finished Daguerreotypes from the popular establishment of Mr. Marks, No. 150 [sic.] Baltimore street, and must say we have never seen them surpassed.  Mr. M. continues to receive the preference of a large class of our community, and should always do so as long as his pictures equal those shown to us.  Call and examine his specimens, and judge for yourselves.

1851 March 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 15, 1851, Vol. 82, No. 64, Whole No. 11,297, P. 2.

Beautiful Daguerreotypes.—If any of our readers wish to see the perfection to which the art of the Daguerreotyping has been brought within a few years, they can be gratified by a visit to the gallery of Mr. Marks, in Baltimore street, opposite the museum.  Mr. M. has given much time and attention to this beautiful art; and truly has been well rewarded, to judge from the many elegant copies of “familiar faces” that grace the walls of his gallery.  His pictures present a freshness and a glowing vividness of feature, that at once impress the beholder with the belief that they are the work of one who is perfect master of his craft, and who knows how to use his tools in such way as to receive the best return for his labor.  Mr. Marks received the silver medal at the last fair of the Maryland Institute, for the best Miniature Daguerreotypes on exhibition—a tribute to skill which was well deserved, as all will say who will examine his pictures.  Mr. Marks and assistants are polite and attentive, and none who visit him will come away without being fully satisfied with the equivalent received.

1851 April 11.  The Sun.  (Baltimore, Maryland.)  April 11, 1851, Vol. XXVIII, No. 122, P. 2.

Daguerreotypes.—We have lately seen some very fine Daguerreotypes from the establishment of Mr. Marks, No. 159 Baltimore street, which we think superior to any specimens of the art we have ever seen.  Mr. Marks has twice received the highest honors awarded by the Maryland Institute for the unequalled excellence of his pictures, and, since his removal to his new gallery, he has enjoyed greater facilities than before for the production of likenesses suitable in the taste of all.  Those wanting Daguerreotypes should call and examine his specimens.

1851 June 28.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.) June 28, 1851, Vol. 82, No. 154, Whole No. 11,388, P. 3.

H. R. Marks’ Improved Sky Light Daguerrian Gallery, 159 Baltimore Street.  Highest Premium Awarded by the Maryland Institute, in 1849, and the Silver Medal in 1850, for the Finest Daguerreotypes Miniatures exhibited.

Mr. Marks tenders his thanks to the public for the liberal patronage hitherto received, and hopes that his change of location will tend to increase the number of his patrons as his new gallery affords the most superior facilities for taking likenesses.

Likenesses taken in any weather, and pictures of all kinds correctly copied.

Instructions given in the Art.

Advertisement ran from June 28, 1851 to February 4, 1852. 

1851 October 1.  The Sun.  (Baltimore, Maryland.)  October 1, 1851, Vol. XXIX, No. 115, P. 2.

Premium Daguerreotypes.—We take pleasure in calling attention to the popular Gallery of Mr. Marks, No. 159 Baltimore street, where we recommend all persons to call who wish to secure an unmistakable likeness of themselves or their friends.  Mr. Marks has twice received the highest honors of the Maryland Institute, and is daily producing Daguerreotypes which have never been surpassed.

1851 October 15.  The Sun.  (Baltimore, Maryland.)  October 15, 1851, Vol. XXIX, No. 126, P. 2.

Daguerreotypes.—Those of our readers who want an excellent likeness, cannot do better than call at Mr. Marks’ Gallery, No. 159 Baltimore street.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Marks’ Daguerreotypes.—We take pleasure in calling attention to the popular gallery of Mr. H. R. Marks, No. 159 Baltimore street.  Mr. Marks has for years occupied an enviable position in his profession, and at the two last exhibitions of the Maryland Institute he received the highest honors awarded to Daguerreotypists, for the superiority of his pictures.—We cheerfully recommend him to all, with the conviction that his likenesses cannot fail to please the most fastidious.

1851 December 3.  The Sun.  (Baltimore, Maryland.)  December 3, 1851, Vol. XXX, No. 13, P. 2.

Notice.—The interest of H. R. Marks, in Marks’ Daguerrean Gallery, No. 159 Baltimore Street, ceased by sale of the establishment on the first of this month.

The business will continue to be conducted, as formerly, by his accomplished operator, Mr. John R. Tankersley.

Advertisement ran from December 3 to 5, 1851.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 April 10.  The Sun.  (Baltimore, Maryland.)  April 10, 1852, Vol. XXX, No. 123, P. 2.

Mr. Marks’ reputation as an artist is well known to the citizens of Maryland, he having twice received the highest honor of the Maryland Institute; and it is only necessary that his return amongst us should be known to insure him a large share of patronage.  Gallery 158 Baltimore street.

1852 April 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  April 29, 1852, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ Premium Daguerrean Gallery, No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from April 29, 1851 to March 26, 1853.

1852 May 15.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 15, 1852, Vol. 84, No. 117, Whole No. 11,666 P. 3.

We observed with great pleasure the return of our gifted townsman, Mr. H. R. Marks.  During his absence he has enriched his gallery with a complete view of San Francisco, so exquisitely reflected, that the horses, chaises, and other minute objects on the distant hill tops, are distinctly discernible.  We have no hesitation in saying that it gives by far the most accurate and instructive representation of this new city of promise, which has risen like Aladdin’s palace, upon our gold-veined peninsula.

Another feature, even more attractive at this moment, is a frame containing the portraits of seventeen Japanese sailors, in their native costumes, who were recently picked up at sea and brought into San Francisco.  This picture is a most interesting study: we have before us the very fellows whom we mean to drub, if necessary, into a little civilization and brotherhood.  Some few of the faces are characterzed [sic.] by refinement and great ability, whilst others exhibit a monkey look of degeneracy.  But it is a curious and interesting comparison.

We are most happy, also, to welcome Mr. Marks back to the city, which possess so many tokens of his skill, and we recommend him to the patronage of all who desire the likeness of those they love, accomplished with all the delicacy, and more than the fidelity of the finest miniature.   

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1853 January 22.  Illustrated News.  (New York, New York.)  January 22, 1853, Vol. 1, No. 4, P. 57.

Three illustrations, (after daguerreotypes) of 18 Japanese Sailors. 1. Tametho.  2. Hecotho, (Cabin Boy).  3. Montho, (Captain.) 4. Geesahkoo,  5. Simpay. 6. Ewatho.  7. Simoatch, (Cook).  8. Drehecho.  9. Keotho.   10. Commetho.  11. Kechetho.  12. Ahsahgodro.  13. Commetho.  14. Saypatch.  15. Ekotho.  16. Jimpatch, (2d Mate).  17. Yasatahro.  18. Chonowski, (Mate).

Japanese Sailors.  From Daguerreotype By H. R. Marks, Md.  Everything relating to Japan is now interesting, and we have deemed ourselves fortunate in obtaining a series of daguerreotypes of the crew of the Japanese Junk, picked up in the month of December 1850, by the Bost bark Auckland.  The junk had sailed from the city of Jeddo, on the 25th day of the 10th moon of October.  On the 16th day after leaving Jeddo, a storm arose, which lasted with little intermission for fifty-two days.  On the 21st of December they were, however, so happy as to be discovered by the crew of the Auckland, and were taken on board.  Fearing to remain in their junk, they disembarked in such haste as to leave on board the sum of 4.000 dollars.  The captain of the Auckland “hove to,” and endeavored to board the junk, but unsuccessfully, and therefore kept on a course to San Francisco.  After arrival, the Japanese remained for twenty-four days on board the Bark, and were finally transferred to the U. S. R. bark Polk.  While on board the latter, the daguerreotypes were taken, by Mr. H. R. Marks, of Baltimore, Md., from whom we have received them.  The portraits above are faithful copies.  These are believed to be the first daguerreotypes of Japanese individuals ever taken, and as such, possess uncommon interest… 

1853 February 18.  The Sun.  (Baltimore, Maryland.)  February 18, 1853, Vol. XXXII, No. 79, P. 2.

Daguerreotypes.—Among the most interesting daguerreotypes we have seen. Are the Japanese

and views of San Francisco, brought by Mr. Marks from California, and to be seen at his gallery, No. 159 Baltimore street.  Mr. Marks’ skill as a daguerreotypist is well known to our citizens, he having twice received the highest honors of the Maryland Institute.  All who want good pictures will know where to get them.

1853 March 15.  The Sun.  (Baltimore, Maryland.)  March 15, 1853, Vol. XXXII, No. 102, P. 2.

Daguerreotypes.—Likenesses of superior tone and finish can be procured at Marks’ Gallery, No. 159 Baltimore street, six doors above Calvert.

1853 March 25.  The Sun.  (Baltimore, Maryland.)  March 25, 1853, Vol. XXXII, No. 111, P. 2.

Daguerreotyped Japanese.—At this moment, when public attention is directed to Japan, we are reminded of the fact that the crew of a Japanese trading junk, blown to sea in 1850, was picked up by the U. S. Revenue bark, “Polk,[4]” and brought into the harbor of San Francisco.  While lying there, Mr. H. R. Marks of this city, who was at that time in San Francisco, obtained daguerreotype pictures of the whole party, and brought them home with him.  They present quite an interesting subject for the contemplation of the physiognomist, and afford to us all an intelligent idea of the external aspect of the race.

1853 March 29.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  March 29, 1853, Vol. 84, No. 103, Whole No. 11,652, P. 2.

H. R. Marks’ No. 159 Baltimore Street, Having Twice Been Awarded the Highest Premium by the Maryland Institute, for the eminent superiority of his Pictures, Mr. Marks can confidently assure all who want an accurate Likeness, combining every requisite of a finished work of art, that they can get it at his Gallery.

Mr. M. has also the satisfaction of announcing that he has recently added to his collection a complete Daguerreotype View Of The City Of San Francisco, taken by himself, and Seventeen Japanese Mariners, Who were picked up in distress off the coast of Japan, and brought into San Francisco, whence they were sent home on board an American sloop-of-war.

Likenesses taken in any weather.  Satisfaction guarantied in all cases.

Advertisement ran from March 29, 1853 to February 23, 1854.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Daguerreotypes.—For clearness, beauty of finish, and fidelity of likeness, Mr. Marks’ pictures are unsurpassed.  All who want likenesses should call at his gallery, No. 159 Baltimore st.

1853 May 28.  The Sun.  (Baltimore, Maryland.)  May 28, 1853, Vol. XXXIII, No. 9, P. 2.

Boy Wanted.—One of pleasing manners, and who can come recommended for steadiness and honesty, may obtain an agreeable situation by applying at Marks’ Daguerrean Gallery, No. 159 Baltimore street.

1853 August 2.  The Sun.  (Baltimore, Maryland.)  August 2, 1853, Vol. XXXIII, No. 64, P. 2.

Daguerreotypes.—The best pictures are always the cheapest and all who want a correct likeness are recommended to Mr. Marks’ gallery, No. 159 Baltimore st., where they can get pictures to please them.

1854 October 30.  Alabama Planter.  (Mobile, Alabama.)  October 30, 1854, Vol. VIII, No. 48, P. 2.

Daguerreotyping.—Our Daguerreotype artists have been making improvements for an extensive business the coming winter.

The art, we believe, was first introduced into Mobile by Mr. Barnes, who attained great distinction in it.  Indeed, we believe, it may be said that his success has been so great that he has accumulated a fortune.

He was followed by numerous other persons, but the only establishments besides his are those of the Messrs. Stanton and Mr. Marks.  The former have their rooms on the south side of Dauphin way, entering by the same steps which lead to the printing office of the Tribune.  They have erected a large glass front, which will enable them to obtain an excellent light for their operations.

Mr. Marks, at the southeast corner of Dauphin and Royal streets, has been here about a year.  He comes from Baltimore with the prestige of success and one or two medals from the great fairs.  He has also changed the externals of the building he occupies and has made a large skylight which is very complete.  His rooms are elegantly fitted up, and the numerous pictures which decorate his walls are a sufficient proof of his great skill in the art.  He has a series of very striking Daguerreotype views of San Francisco, taken by himself, and exhibiting that place by sections which, joined together, make a complete picture of the entire city, in which the minutest detail of every house tree, and street, and shipping, &c., is given with surprising clearness.  The name on some of the signs can be easily read by the naked eye. 

We are satisfied that there are o more exquisitely executed pictures any where than those which our Daguerreotypists are ready to take; and we commend them to our country friends who, doubtless, this winter will liberally patronize this very beautiful art.  Let them visit the galleries of our artists and see how difficult it is to resist the desire to have their pictures taken.

[1] Directory Of Maryland Photographers 1839-1900.  By Ross J. Kelbaugh. And Baltimore newspapers.

[2] Shot in Alabama A History of Photography 1839-1941 And A List Of Photographers.  By Frances Osborn Robb.

[3] Catching Shadows A Directory of 19th Century Texas Photographer, By Davis Haynes.

[4] Left New York on 5 April 1850 and arriving at San Francisco on 27 September 1850.

Mansfield, Sereno

Ambrotypes, Daguerreotypes, Photographs, , , , ,

1855                11 & 12 Street Building, New Haven, Connecticut.

1855-1867       144 Chapel Street, New Haven, Connecticut.

1855 June 4.  Morning Journal and Courier.  New Haven, Connecticut.)  June 4, 1855, Vol. X, P. 2.

Copartnership Notice.  The subscribers would notify their patrons and the public generally, that they have formed a Copartnership under the firm of Beers & Mansfield for the transaction of the Daguerrean business in all its branches.  Wm. A. Beers, Sereno Mansfield, “Union Daguerrean Gallery.”

Owing to the above arrangement, having united the rooms formerly occupied by Mr. Wm. A. Judson, in Elliot’s Building, with those of Wm. A. Beers, Street’s Building, and having thoroughly refitted and improved the interior of both Galleries, we are prepared to execute Pictures of any and all styles at either establishments, in the most artistic manner, and with all the modern improvements of the profession.  Our splendid collection of specimen pictures on exhibition are well worthy the attention of those who are (or may be) in want of a likeness, either for themselves or their friends, as we warrant all our own work to be unsurpassed by any Operator in the trade.  Our instruments are of the best manufacture now in use, and our stock of the most superior quality, therefore, we flatter ourselves that with this superiority, together our double advantage of a side and sky light, we can please all our patrons in all respects, as at no other Gallery in the State are the same conveniences secured.  Likenesses of infants and Children taken in a few seconds, and warranted perfect to life.  A liberal discount made to families or groups.  Our arrangements for taking sick or deceased persons is second to none.  We also take views of Churches and all other Buildings, either in or out of town, at short notice and on reasonable terms. 

Tendering our thanks to patrons for past favors, we hope by strict attention and “superior work” to merit a continuance of the same.

Instruction given in the Art.

Hours of Operating from 7 A. M. to 7 P. M.

Prices of Pictures, from 50 cents to $30.  Beers & Mansfield, Practical Daguerrean Artists, Union Gallery, No. 144 Eliot’s Building, and 11 & 12 Street Building.

Advertisement ran from June 4 to 7, 1855.

1855 November 24.  Morning Journal and Courier.  New Haven, Connecticut.)  November 24, 1855, Vol. X, P. 2.

Photographic Portraits On Glass.  The Proprietors of the Union Daguerrean Establishment would respectfully call the attention of the public to this entirely new process for taking the most  beautiful pictures on glass.  By the Photographic method, a likeness is obtained far superior to any produced by either the Ambrotype, The Photographic, or the Daguerrean.  Much less time being required in the process than by those methods, the Photogenic is peculiarly adapted for taking of children and family groups, a true and life-like expression being thereby much more readily obtained.  Having received instructions of a superior artist and skillful operator of New York city, and having fitted up our rooms expressly for this purpose, we would respectfully request any to favor us with a call who may wish for a First-Rate Portrait on glass, or by the Daguerrean process.

N. B.—Pictures copied, and old Daguerreotypes removed and replaced by the Photogenic.

Prices made satisfactory.

Photogenic and Daguerrean Gallery, 142 Chapel st. Elliot’s Building.  Beers & Mansfield, Artist.

Advertisement ran from November 24 to 29, 1855.

1855 December 3.  Morning Journal and Courier.  New Haven, Connecticut.)  December 3, 1855, Vol. X, P. 2.

What A Perfect Resemblance!  How beautiful it is taken!  Are the remarks that are made daily  by crowds of Ladies and Gentlemen, who visit our Gallery, and take away with them one of our specimens of the Daguerrean or Photogenic art.  Pictures on glass executed by us are pronounced by competent judges far superior to any other process, for taking a correct likeness, ever offered to the public.

Prices in all cases made satisfactory.

N. B.—All pictures warranted not to fade or corrode in the least.  Children and groups taken extraordinary.  Call soon at Beers & Mansfield’s Photogenic and Daguerrean Gallery, Elliot’s Building 144 Chapel st.

Advertisement ran from December 3 to 10, 1855.

1855 December 11.  Morning Journal and Courier.  New Haven, Connecticut.)  December 11,

1855, Vol. X, P. 2.

Those Pictures on Glass That are on exhibition, and are daily taken, at the Union Gallery, seemed to please all who have examined and procured one.  The brilliant tone and life-like appearance cannot be surpassed.  By the way Daguerreotypes executed by us are pronounced by good judges to be as good, if not a little better, than pictures which are generally taken.  We Invite all to give us a call, and examine our specimen, as we should be happy to exhibit them.

Read this.  Our prices are cheaper than at any other establishment in the city, and our Cases, Frames and Lockets superior in finish and durability.

N. B.—Children taken life-like and cheap.

Remember the place, Beers & Mansfield’s Photogenic and Daguerrean Gallery, 144 Chapel st. Room 5 and 7 Elliot’s Building.

Advertisement ran from December 11 to 15, 1855.

1855 December 18.  Morning Journal and Courier.  New Haven, Connecticut.)  December 18, 1855, Vol. X, P. 3.

Beauty Restored!  The Greatest Praise Awarded To Beers & Mansfield.  For their superior pictures on Glass.  Also, for their highly finished Daguerreotypes, which are daily taken in large numbers at their Gallery,  We would most respectfully remind the Ladies and Gentlemen of New Haven, and all who intend to procure a Likeness for the Holidays, that we have made ample arrangements for the accommodation of all who may see fit to favor us with their patronage.  We have a good assortment of Cases, Frames, &c. all of which we have marked much below the usual prices.  Our $1.00 Pictures will be sold at 75 cents, and others in proportion—until after the Holidays.

Remember the place,  Beers and Mansfield’s Photogenic and Daguerrean Gallery, 144 Chapel st. Rooms 5 and 7 Elliot’s Building.

Advertisement ran from December 18 to 20, 1855.

1855 December 24.  Morning Journal and Courier.  New Haven, Connecticut.)  December 24, 1855, Vol. X, P. 3.

Unfading Gifts.  Something Splendid For Holiday Presents.  What can be more suitable for a token of affection and esteem, or for a Holliday Present, than one of those life-like and unfading Glass or Daguerreotype portraits executed by Beers & Mansfield.  Ladies and Gentlemen, we would respectfully remind you, that in making our selection of Cases, Frames, &c. we have not forgot to secure a good assortment, (many of them new patterns, never before offered to the public,) all of which are now ready, and on exhibition at our Gallery, for you to select from.  We have reduced our prices very low, and shall do our best to please all In Cases, Picture and Price.  $1 Pictures are reduced to 75 cents.  All others in proportion.

We will close by wishing you all a Merry Christmas and Happy New Year.  Our Rooms will be open all day Christmas and New Years.  Please remember the number, and give us a call.  Beers & Mansfield, Artists, Rooms 5,6 and 7 Elliot’s Building, 144 Chapel st.

Advertisement ran from December 24 to 31, 1855.

1856 January 19.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 19, 1856, Vol. XLV, No. 2252, P. 3.

Gallery Of Female Beauty.  Prizes Amounting To $20,000, For The Likenesses Of The Handsomest Women In America.  Daguerreotypes Of Beautiful Females taken, Without Expenses To The Sitters, by the first artists in the country!—The celebrated enterprize of Mr. P. T. Barnum, the “Gallery Of American Female Beauty,” is now being actively carried out by the proprietors of Barnum’s American Museum, in New York, Messrs. Greenwood & Butler, as originally designed by Mr. B.  The premium for the likenesses of the handsomest lady, is $1,000 for the new most handsomest, $300; the next, $200; the next, $150; the next, $100; the next ninety, $25 each.  The entire one hundred are to be painted in oil portraits, afterwards, by distinguished artists, and the ten Handsomest Of All will be engraved for the World’s Book Of Beauty, in Paris.  The following artists will take the daguerreotypes, in this city, Free Of All Expense To The Sitters:– M. Moulthrop, Phoenix Building; H. Hooper, 142 Chapel st; Beers & Mansfield, 144 Chapel st.; Wells Brothers, Mitchell’s Building; H. Van Gleson, Chapel st.  

1858 March 20.  Columbian Weekly Register.  (New Haven, Connecticut.)  March 20, 1858, Vol. XLVII, No. 2365, P. 4.

Auction Sale.  The subscriber will sell at public auction, on the 6th day of April, 1858, twenty one acres of land, belonging to Sereno Mansfield, situated in the town of North Haven, namely twelve acres of meadow and pasture, on Town Hill, so called—two acres of wood land, on North Hill—one piece of salt meadow, containing two and a half acres—one other piece, containing one acre and a half—also one piece of dyke meadow, containing two and one-fourth acres and one forth acres.  Sale to commence at the residence of the late Richard Mansfield, at 9 o’clock a. m.  If the day should be very stormy, it will deferred until the first fair week day.  Merrit Barnes, Auctioneer.

1859 January 1.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 1, 1859, Vol. XLVII, No. 2406, P. 3.

Christmas and New Year’s.  Grand Attraction.  Something very appropriate for Holiday Presents!  Imperishable Gifts.  Beers Mansfield’s, at 144 Chapel st., Is The Place.  We wish to call the particular attention to our patrons and all seekers of something beautiful, durable and truly appropriate for a holiday present, to our splendid assortment of Cases, Frames, etc., many of them entirely new patterns, purchased especially for this occasion.  It is our intention to insert in them any style of Photograph, Ambrotype, or Daguerreotype (including the hermetically sealed Ambrotype,) that the sitter may desire, and finished in a style not to be surpassed by any in the art.  Please remember the place, and give us a call.  Also, please remember that this is the only Gallery in New Haven where Photographs, the size of life, are taken, and colored by Mr. Hunt.

Prices very moderate.  Beers & Mansfield, 144 Chapel st.

N. B.—Pictures taken on Niello Paper and Melainotype, for sending by mail.  Price 50 cents.  Dec. 14, 1858

Advertisement was recorded on January 1 & 8, 1859.

1859 May 7.  Columbian Weekly Register.  (New Haven, Connecticut.)  May 7, 1859, Vol. XLVII, No. 2424, P. 1.

Photographic Pictures.  The great improvements in taking portraits, was impressed upon our mind, yesterday, on visiting the rooms of Messrs, Beers & Mansfield, Daguerrian Artists, in Chapel street.  We saw there life-size colored portraits of two deceased citizens, (Messrs, Jewett and Booth,) which were as natural as life itself; and each was copied from a small daguerreotype, enlarged by the photographic process to life-size, and than colored to life by Hunt, the celebrated painter.—More satisfactory portraits can hardly be conceived than these we speak of—and Messrs. B. & M. can pride themselves on not being beaten in the photographic art.

1859 December 24.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 24, 1859, Vol. XLVII, No. 2457, P. 3.

Not a Bad Christmas present, is the ambrotype picture of a friend—got up as Beers & Mansfield do it.  A visit to their rooms in Chapel street, a few seconds before their powerful camera, and you are painted to the life.

1859 December 24.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 24, 1859, Vol. XLVII, No. 2457, P. 3.

News!!  Hurrah for the Holidays!  Grand Rush To Beers & Mansfield’s Photographic Establishment.  Room left for a few more!  Those who have not already made up their minds that an imperishable likeness, executed by Beers & Mansfield, is the most appropriate Gift for a Christmas or a New Year’s Holiday, will, we think, be at once convinced of the fact, by visiting our Gallery and making a trial, as hundreds have previously done.  Every known style of Portrait taken at this Gallery—Ambrotypes, Photographs or Daguerreotypes—from the smallest locket to the life-size, in oil or pastil, by Beers & Mansfield, 144 Chapel street.

Prices very reasonable.  Work speaks for itself.

Advertisement was recorded on December 24 & 31, 1859.

1859 December 31.  Columbian Weekly Register.  (New Haven, Connecticut.)  December 31, 1859, Vol. XLVII, No. 2458, P. 3.

Photographs.  One of the best photographic pictures, by Beers & Mansfield, that we have ever seen, is that of Rev. L. S. Weed, of the First Methodist Church—lately published by his friends.  It is Mr. W.’s last ministerial year, and they took this mode of locating him in their memories.

1862 January 25.  Columbian Weekly Register.  (New Haven, Connecticut.)  January 25, 1862, Vol. L, No. 2566, P. 4.

A Public Invitation To Beers & Mansfield’s National Gallery.  This is to inform the public in general, and our numerous patrons in particular, that after a lapse of several weeks, wherein our Gallery has been undergoing extensive alterations, &c., that ios now complete and ready for your reception and general inspection; and we will here state, for the benefit of those who have not already been informed, that no pains or expense has been spared to make our establishment not only the largest (having a front of forty feet) and pleasantest, but the most tastefully arranged and finely finished Gallery in the State—and with the addition of a large number of specimens of the art, and with the perfectness and beauty with which all work is at this establishment executed, we think we can, and do, hold out inducements to the public which defy competition.

Strangers visiting the city, are respectfully invited to our Gallery.  Clubs, Societies, and all privat parties who are about having themselves portrayed in any style of the Photographic art, are particularly reminded to examine the numerous specimens on exhibition at the National, where every style of Photographs and Ambrotypes, plain or colored, large or small, and neatly executed on the most reasonable terms.  Beers & Mansfield, Proprietors, National Photographic Gallery, No. 242 Chapel street.

1863 April 18.  New Haven Daily Palladium.  (New Haven, Connecticut.)  April 18, 1863, Vol. XXIII, No. 92, P. 1.

The Engineers of the New York and New Haven Railroad, 25 in number, have been photographed by Messrs. Beers & Mansfield, and the pictures, which are each 8 by 10 inches in size, have been framed by Messrs. Bradley & Bassett.  They may be seen at the window of Messrs. Skinner & Sperry’s Music store.

1863 April 20.  New Haven Daily Palladium.  (New Haven, Connecticut.)  April 20, 1863, Vol. XXIII, No. 93, P. 3.

Garden To Rent.  A good size Garden, near the center of the city, on shares, or otherwise.  Enquire of Beers & Mansfield, National Photograph Gallery, 242 Chapel st.

1866 February 24.  Morning Journal and Courier.  (New Haven, Connecticut.)  February 24, 1866, Vol. XXXIV, P. 2.

Rev. Mr. Eustis.  Beers & Mansfield have made a large and very excellent porcelain likeness of Rev. W. T. Eustis, which is highly creditable to their artistic skill, and as faithful a likeness as could be desired.  They also have some very fine large size photographs of him, of which duplicate copies can be obtained at their gallery, as also carte de visites.  These were all taken the day before Mr. Eustis left the city for New Orleans, and will be highly valued by his many friends.

1867 April 20.  Columbian Weekly Register.  (New Haven, Connecticut.)  April 20, 1867, Vol. LV, No. 2839, P. 3.

Tin Wedding.  On Monday Evening, as Mr. and Mrs. Wm. A. Beers, of the firm Beers & Mansfield, were quietly enjoying the rest of home, a party of about sixty of their friends rapped for admittance at the front door.   The happy throng were ushered in and made welcome by the agreeable proprietor and his excellent lady.  The occasion was the celebration of the tenth anniversary of their marriage, but more familiarly known as a “tin wedding.”  Many were the articles added to their stock of housekeeping goods.  The supply of tin was enough for one occasion.  The inventory shows that there was contributed a tin hat, in the latest style, a bonnet of ye ancient times, collars and cuffs for the bride that never need washing or starching, a dust pan that would take up the whole of the Freedmen’s Bureau, and a spoon “big enough for the mouth of the “Mississippi river.”  The congratulations over, the feast on the good things next followed, and the right merrily did all enjoy it.  At a reasonable hour, the friends departed with hearty wishes for the health and happiness of their host and hostess.

Mannington, John

Ambrotypes, Daguerreotypes, Photographs, , , ,

1856-1857       Merriman & Ainsworth’s Block, Third Story, Geneseo, Illinois.

1858-1861       Perry’s & Ainsworth’s Block, Third Story, Geneseo, Illinois.

1856 November 25.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  November 25, 1856, Vol. I, No. 23, P. 3.

Sky-Light Ambrotypes And Daguerreotypes.  Mr. J. Manington[1], Thankful for the liberal patronage of the citizens of Geneseo and vicinity, would respectfully ask for a continuance of the same, at his New Rooms, In Merriman & Ainsworth’s Block, Third Story.

Likenesses taken in every style of the art

Having had seven years experience in the picture business he has no hesitation in warranting satisfaction.  Call and examine specimens fellow-citizens, and judge for your selves.

Advertisement ran from November 25, 1856 to September 30, 1857.

1856 November 25.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  November 25, 1856, Vol. I, No. 23, P. 3.

Sky-Light Ambrotypes And Daguerreotypes.  Mr. J. Mannington1, Thankful for the liberal patronage of the citizens of Geneseo and vicinity, would respectfully ask for a continuance of the same, at his New Rooms, In Perry’s & Ainsworth’s Block, Third Story.

Likenesses taken in every style of the art

Having had seven years experience in the picture business he has no hesitation in warranting satisfaction.  Call and examine specimens fellow-citizens, and judge for your selves.

Advertisement ran from November 25, 1856 to September 30, 1858.

1858 December 22.  Geneseo Republic And Henry County News.  (Geneseo, Illinois.)  December 22, 1858, Vol. III, No. 28, Whole No. 132, P. 1.

J. Mannington, Ambrotyper and Photographer.  Likenesses taken in every style of art.  Room in Perry & Ainsworth’s Block, Geneseo, Ill.

Advertisement was recorded Between December 22, 1858 to February 27, 1861.

1861 April 17.  Geneseo Republic.  (Geneseo, Illinois.)  April 17, 1861, Vol. V, No. 45, Whole No. 253, P. 3.

By the aid of an improved process, Mannington is taking photographs that beat life, all holler.  We had our face divine taken on past-board, the other day, and so perfectly natural was the picture, that every rat left our cellar, on its being hung up there.  Seriously, we never saw better—nor so good—pictures as those taken by Mannington with the assistance of Walter, who, by the way, is a genius of the first water, and we advise our people to obtain them for self and children, without delay.

[1] Recorded in Craig’s Daguerreian Registry as John Mannington.

Mallon, Maurice M.

Ambrotypes, Daguerreotypes, Photographs, Stereoviews, , , , , , , , , , , , , , , , ,

N. D.               Address Unknown, New York, New York.

N. D.               Address Unknown, Baltimore, Maryland.[1]

1853                294 King Street, Charleston, South Carolina.

1853                Thespian Hall, Mozart Hall Building, Wilmington, North Carolina.1

1854                Over Fisher & Agnew’s Store, Columbia, South Carolina.[2]

1855                Rooms at Mrs. M. Adams’, Greensboro, North Carolina.

1856-1857       Address Unknown, Raleigh, North Carolina.

1857                Odds Fellows Hall, Beaufort, North Carolina.

1857-1859       Rooms at the Odd Fellows’ Hall, Tarboro’, North Carolina.

1859                Rooms over Mr. J. M. Mathews’ Jewelry Store, Elizabeth City, North Carolina.

1865                Bank Street, Old Post Office Building, Bridgeport, Connecticut.

1866-1870       Main Street, near County House, Flemington, New Jersey.[3]

1853 February 15.  The Charleston Daily Courier.  (Charleston, South Carolina.)  February 15, 1853, Vol. LI, No. 16345, P. 4.

Passengers.  Per steamer C. Vanderbilt from Wilmington, N. C.—…M. M. Mallon…

1853 March 31.  The Charleston Daily Courier.  (Charleston, South Carolina.)  March 31, 1853, Vol. LI, No. 16382, P. 2.

M. M. Mallon 294 King-street, is doing a fair business with furnishing the public with his $1.50 Pictures,  Call in and see him.  294 King-Street.

1853 April 5.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 5, 1853, Vol. LI, No. 16386, P. 2.

Mallon’s Crayon Daguerreotypes Are universally acknowledged to be the finest ever produced.

Daguerreotypes taken in the highest style of the art, and warranted, for $1.50, at Mallon’s Great North, Sky and Side Light, 294 King-street.

1853 April 6.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 6, 1853, Vol. LI, No. 16387, P. 2.

A Grand Chance To Engage In Business.—Any Young Man having 3 or $500 can learn of a good genteel business, yielding a large percentage.  For full particulars enquire of M. M. Mallon, 294 King-st.

1853 April 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 8, 1853, Vol. LI, No. 16391, P. 4.

Per U. S. M. steam ship Osprey, for Philadelphia…M.M. Mallon…

1853 April 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 8, 1853, Vol. LI, No. 16390, P. 2.

Good Enough For Any, And Cheap Enough For All.  Mallon is still issuing fine Daguerreotypes, put up in beautiful Morocco Cases for $1.50, at his Daguerrean Rooms, 294 King-street, opposite Liberty-street.

1854 July 22.  The Daily Journal.  (Wilmington, North Carolina.)  July 22, 1854, Vol. 3, No. 272, Whole Number 889, P. 2.

Daguerreotypes.  Mr. J. H. Whitehurst, (the well known Artist,) would respectfully inform the inhabitants of Wilmington and vicinity, that he has had his rooms thoroughly overhauled, and furnished in the best style, with all the latest improvements in the art.  By his arrangement of light, the eye is made to look life-like, however light it may be the features prominent—the dress clear and distinct—thus producing a Picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  He has also succeeded in procuring the valuable services of the celebrated Artists, Mr. M. M. Mallon, who will be happy to wait on all who may favor him with a call.—Rooms open from 8 A.M., to 6 P. M., at Mozart Hall, over Polly & Hart’s store, Front street.

Advertisement ran from July 22 to September 23, 1854.

1854 July 28.  Wilmington Journal.  (Wilmington, North Carolina.)  July 28, 1854, Vol. 10, No. 47, P. 3.

Daguerreotypes.  Mr. J. H. Whitehurst, (the well known Artist,) would respectfully inform the inhabitants of Wilmington and vicinity, that he has had his rooms thoroughly overhauled, and furnished in the best style, with all the latest improvements in the art.  By his arrangement of light, the eye is made to look life-like, however light it may be the features prominent—the dress clear and distinct—thus producing a Picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  He has also succeeded in procuring the valuable services of the celebrated Artists, Mr. M. M. Mallon, who will be happy to wait on all who may favor him with a call.—Rooms open from 8 A.M., to 6 P. M., at Mozart Hall, over Polly & Hart’s store, Front street.

Advertisement ran from July 28 to September 22, 1854.

1853 August 8.  The Charleston Daily Courier.  (Charleston, South Carolina.)  August 8, 1853, Vol. LI, No. 16491, P. 4.

Per U. S. M. steam ship Osprey, for Philadelphia—…M. M. Mallon…

1854 December 12.  The Daily Herald.  (Wilmington, North Carolina.)  December 12, 1854, Vol. 1, No. 238, P. 2.

Wilmington, Dec 9th, 1854.  Mr. Editor:—It is well known that Mr. Whitehurst’s enterprise, as a Daguerrean Artist, is second to that of none other in the Union.  Not only has he branches established in many of our principal cities; but his reputation is known throughout the land; and the Medals which have been awarded him by competent Judges, are but a simple tribute to the triumphs of well-directed talent.

But, one word with special reference to his Wilmington Gallery, and the intelligent and accomplished operator Mr. Mallon, who seems to have an inveterate habit of casting delicate reflections by the plate full.  Having frequently visited Mr. Mallon’s rooms, I became much impressed with an opinion of his superior merits as an artist.  His pictures in tone, beauty and finish, rank high; while his frank, unassuming and courteous manners, cannot, I am sure, fail of winning the respect and patronage of those who may make his acquaintance.  A prominent feature of his rooms, is a neatness that I’ve rarely witnessed in any of the galleries visited in my travels.  Surely, thought I, Mr. Mallon’s gallery in the place where youth and loveliness go to get a correct semblance of life; and, judging by the pictures I saw, I am of opinion that Wilmington is not a whit behind her sister cities in the beauty of her fair daughters.  I would advise all who desire a correct, life-like picture, to call on Mr. Mallon at once, whose long experience in connection with one of the first galleries in New York city, is the surest guarantee of his ability as a Daguerrian Artist.

This simple notice has been written without the knowledge or consent of Mr. Mallon, believing that his real merit deserves this word of commendation.  F.

1855 November 9.  The Greensboro Patriot.  (Greensboro, North Carolina.)  November 9, 1855, Vol. XVII, No. 856, P. 3.

We invite attention to the advertisement in another column of Mr. Mallon, Daguerreotypist.  From the recommendations he has received through the public prints, we opine he is amply qualified to execute likenesses second to none.

1855 November 9.  The Greensboro Patriot.  (Greensboro, North Carolina.)  November 9, 1855, Vol. XVII, No. 856, P. 3.

Facts are Stumbling Blocks—Nevertheless tis true you can now procure a beautiful Daguerreotype of yourself or friends for one dollar.

The subscriber would inform the Ladies and Gentlemen of Greensboro’ and vicinity, that he has taken rooms at Mrs. M. Adams’ where he will be pleased to see all who may wish to secure an unfading likeness, or one of those almost living, breathing, speaking Stereoscopic pictures, he has a fine assortment of fancy and all other styles of Cases and frames on hand, all of which will be filled with Daguerreotypes and sold on moderate terms.  With his long experience in the art, and the improvements in chemicals and aparatuses [sic.], he has in his possession, he feels confident that he will be able to please the most fastidious.  As his stay will be but short, he trusts that all will visit his rooms and examine his stock and specimens whether they may wish pictures or not.  M. M. Mallon.

1856 April 5.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  April 5, 1856, Vol. VI, No. 39, P. 3.

Co-Partnership.  T. J. Havens Having Associated With him M. M. Mallon, principal operator for many years the celebrated Whitehurst Premium Gallery, Baltimore, Md., and latterly of Willington, N. C., for the purpose of carrying on the Daguerrean and Photographic business in all its various branches, under the firm of Havens & Mallon; they are happy to announce to the citizens of Raleigh that they have completed arrangements with a gentleman in Philadelphia, one of the best artist in the Union, to color Photographs either in water or oil colors.

Daguerreotypes of Children taken by a new process in from 3 to 5 seconds.  T. J. Havens.     M. M. Mallon.  Raleigh, April 3, 1856.

Advertisement ran from April 5 to October 4, 1856.

1856 April 9.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  April 9, 1856, Vol. XXII, No. 27, Whole No. 1119, P. 3.

Co-Partnership.  T. J. Havens Having Associated With him M. M. Mallon, principal operator for many years the celebrated Whitehurst Premium Gallery, Baltimore, Md., and latterly of Willington, N. C., for the purpose of carrying on the Daguerrean and Photographic business in all its various branches, under the firm of Havens & Mallon; they are happy to announce to the citizens of Raleigh that they have completed arrangements with a gentleman in Philadelphia, one of the best artist in the Union, to color Photographs either in water or oil colors.

Daguerreotypes of Children taken by a new process in from 3 to 5 seconds.  T. J. Havens.     M. M. Mallon.  Raleigh, April 3, 1856.

1856 April 12.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  April 12, 1856, Vol. VI, No. 41, P. 3.

If You Wish A True And faithful Likeness of yourself or friends, call and get one of those gems produced only at Havens & Mallon’s Photographic Gallery.

Notice.—All Persons Indebted To Me will please call and settle their accounts immediately, as further indulgence cannot be Given.  T. J. Havens.

Advertisement was recorded twice on April 12 & 16, 1856.

1856 October 1.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. VI, No. 90, P. 3.

“Oh wad some power the giftie gi’e us,

To see oursels as ithers see us.”

At the Daguerrean Gallery of Havens & Mallon your wish can be gratified.

Mr. Mallon, (Of The Firm,) Has Just returned from the Northern cities where he acquired all the new styles of Daguerreotyping, as well as the latest and most approved modus operandi of transferring the “human face divine” to Glass, in all the natural colors, known as Ambrotypes.  Also, pictures on Ivory which cannot be surpassed.

Don’t forget that we color Ambrotypes as natural as life, and warrant a likeness.

We keep a large assortment of Daguerreotype and Ambrotype stock on hand which will be sold to the trade at the lowest cash price. 

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging.” Specking, &c., will be sent to any part of the union.  Freight pre-paid on the receipt of ten dollars.  Raleigh, October 1, 1856.

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging,” specking, &c., will be sent to any part of the Union.  Freight pre-paid on the receipt of ten dollars.

Advertisement ran from October 1, 1856 to February 18, 1857.

1856 October 1.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. VI, No. 90, P. 2.

The Art Progressing.—We have been shown specimens of pictures styled Ambrotypes, taken At The Daguerrean Gallery of Havens & Mallon, which appear to be faultless likenesses.  Mr. Mallon has just returned from the North, perfected in all the latest improvements in this rapidly advancing art.  Ambrotyping in now supplanting the old system of Daguerreotyping, and with the beautiful effects produced by the recent discoveries in coloring, it bids fair to place portrait painting amongst the things that were.  See advertisement in another column.  Call at the Gallery and judge for yourselves.

1856 October 1.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. XXII, No. 48, Whole No. 1152, P. 3.

The Art Progressing.—We have been shown specimens of pictures styled Ambrotypes, taken At The Daguerrean Gallery of Havens & Mallon, which appear to be faultless likenesses.  Mr. Mallon has just returned from the North, perfected in all the latest improvements in this rapidly advancing art.  Ambrotyping in now supplanting the old system of Daguerreotyping, and with the beautiful effects produced by the recent discoveries in coloring, it bids fair to place portrait painting amongst the things that were.  See advertisement in another column.  Call at the Gallery and judge for yourselves.

1856 October 1.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 1, 1856, Vol. XXII, No. 48, Whole No. 1152, P. 3.

“Oh wad some power the giftie gi’e us,

To see oursels as ithers see us.”

At the Daguerrean Gallery of Havens & Mallon your wish can be gratified.

Mr. Mallon, (Of The Firm,) Has Just returned from the Northern cities where he acquired all the new styles of Daguerreotyping, as well as the latest and most approved modus operandi of transferring the “human face divine” to Glass, in all the natural colors, known as Ambrotypes.  Also, pictures on Ivory which cannot be surpassed.

Don’t forget that we color Ambrotypes as natural as life, and warrant a likeness.

We keep a large assortment of Daguerreotype and Ambrotype stock on havd which will be sold to the trade at the lowest cash price. 

Bath Regulator.  Havens & Mallon’s Nitrate of Silver Bath Regulator for Ambrotypes, to make an old Bath work as good as a new one, to prevent “fogging.” Specking, &c., will be sent to any part of the union.  Freight pre-paid on the receipt of ten dollars.  Raleigh, October 1, 1856.

Advertisement ran from October 1 to 8, 1856.

1856 October 18.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 18, 1856, Vol. VI, No. 95, P. 3.

North Carolina State Fair… The annual Fair of the North-Carolina State Agricultural Society commenced, at the grounds near this city, on Tuesday last; and will close today, Friday… Floral Hall…

Specimens of the color-type likenesses by Mr. O. P. Copeland, Raleigh.  Also, specimens of likenesses in ambrotype, by Messrs. Havens & Mallon, Raleigh.  These likenesses, both by Mr. Copeland and by Messrs. Havens & Mallon, are elegantly done, and reflect credit on the taste and skill of the artist.

1856 October 22.  Spirit Of The Age  (Raleigh, North Carolina.)  October 22, 1856, Vol. VIII, No. 8, P. 2.

The State Fair.  The annual Fair of the North Carolina Agricultural Society, was held at the Grounds near this City, last Week…

Floral Hall was brilliant in specimens of the handiwork, &c…

Copeland’s wonderful Color-type likenesses; Havens’ ambrotypes;

1856 October 22.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 22, 1856, Vol. XXII, No. 41, Whole No. 1155, P. 1.

North Carolina State Fair… The annual Fair of the North-Carolina State Agricultural Society commenced, at the grounds near this city, on Tuesday last;…Floral Hall…

Specimens of the color-type likenesses by Mr. O. P. Copeland, Raleigh.  Also, specimens of likenesses in ambrotype, by Messrs. Havens & Mallon, Raleigh.  These likenesses, both by Mr. Copeland and by Messrs. Havens & Mallon, are elegantly done, and reflect credit on the taste and skill of the artist.

1856 October 29.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  October 29, 1856, Vol. VI, No. 98, P. 3.

North Carolina State Fair.  Report of Awarding Committees for the Fourth Annual Fair, held in Raleigh, October 1856….Sundries.

Best specimens of Ambrotypes, &c. Havens & Mellon, Raleigh,  $10.

The Committee also mention as deserving of notice and praise…A lot of Ambrotypes by Messrs. Havens & Mallon, and of Color Daguerreotypes by Mr. Copeland…

1856 October 29.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  October 29, 1856, Vol. XXII, No. 42, Whole No. 1156, P. 2.

North Carolina State Fair.  Report of Awarding Committees for the Fourth Annual Fair, held in Raleigh, October 1856….Works of Art, taste, Painting, &c….

The Committee also mention as deserving of notice and praise…A lot of Ambrotypes by Messrs. Havens & Mallon, and of Color Daguerreotypes by Mr. Copeland…

1856 November 5.  Spirit Of The Age  (Raleigh, North Carolina.)  November 5, 1856, Vol. VIII, No. 10, P. 1.

North Carolina State Fair.  Report of Awarding Committee for the Fourth Annual Fair, held in Raleigh, October 1856…

The Committee also mentioned as deserving of notice and praise…

A lot of Ambrotypes by Messrs. Havens & Mallon, and of colored Daguerreotypes by Mr. Copeland

Sundries.

Best specimens of Ambrotypes, &c. Havens & Mallon, Raleigh,  $10.

1856 November 5.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  November 5, 1856, Vol. XXII, No. 43, Whole No. 1157, P. 4.

Phew!  How tired a fellow feels!  How sleepy I am, to be sure!  I kinder sorter calculate “Old Rip” has had a nap broken during the past days of festivity, jollity, sunshine, rain and mud.  Beg pardon for yawning in company; but it would have required a small patent jaw-breaker, to have restrained me from gaping in my present condition of somniferous oblivion.  Speaking of “patents” puts one in mind of the “Fair”—not a “Patent Fair”—but of the “Masheens” that crowded the Fair Grounds.  Wall yer see, as heow what particarly attracted my attention, was the “Floral Hall,” happy name that.—Makes us think of all kinds of flowers!  Wall Flowers, and I guess yer deont oftent see many prettier wall flowers than was on exhibition by “Havens & Mallon.”  Ay golly; but they were good!  I laughed till I felt I was about to go off into a  “hysterical decline” at one chap, who spoke to one of the “pictures,” thinking that one of the directors had got into a recess and was looking at him with sharp eyes.  We scarce remember of ever having seen better likenesses—the eyes, the little curl of the lips, the construction of the brows, all were so minutely delineated by these inimitable daguerreans, that we do not blame the “chap” for speaking to any of them.  Well I am mighty sorry I can’t keep my eyes open; but it is no go, so good-buy.  Tempus Fuget Et Nos Run After It.

1856 December 20.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  December 20, 1856, Vol. VII, No. 9, P. 3.

Holyday Presents.—Members of the Legislature and others in the city, contemplating a visit to their families and friends, duding the Christmas Holidays, could not carry home a more acceptable present than one of those beautiful life-like Ambrotypes taken at Haven & Mellon’s Gallery, sign of the flag, Fayetteville St.

1857 January 31.  Semi-Weekly Standard.  (Raleigh, North Carolina.)  January 31, 1857, Vol. VII, No. 20, P. 3.

North-Carolina Not Blind.  We Have Received Some Very Fine photographic specimens executed by Messrs. Havens & Mallon, of Raleigh, N. C.  The positive photographs show much artistic skill, and are notable for great depth, softness of contour, and for even balance of light and shade, while their ambrotypes compare favorably with those of our best artist in this city.

Photographic & Fine Art Journal, New York.

Are You Going Home!  We regret To Learn That The General Assembly of North Carolina has determined to break up, and leave the City of Oaks in a few days more.  Before the members take their final leave we would call their attention to a new style of pictures which we denominate the Cameotype, an invention of our own, and resembles what it name denotes.  Call at our gallery, the only place where this beautiful style of picture can be procured, and which we warrant to endure.  Havens & Mallon, Sign of the Flag.  January 30, 1857.

Advertisement ran from January 31 to February 18, 1857.

1857 February 4.  Weekly North Carolina Standard.  (Raleigh, North Carolina.)  February 4, 1857, Vol. XXII, No. 5, Whole No. 1170, P. 1.

North-Carolina Not Blind.  We Have Received Some Very Fine photographic specimens executed by Messrs. Havens & Mallon, of Raleigh, N. C.  The positive photographs show much artistic skill, and are notable for great depth, softness of contour, and for even balance of light and shade, while their ambrotypes compare favorably with those of our best artist in this city.

Photographic & Fine Art Journal, New York.

Are You Going Home!  We regret To Learn That The General Assembly of North Carolina has determined to break up, and leave the City of Oaks in a few days more.  Before the members take their final leave we would call their attention to a new style of pictures which we denominate the Cameotype, an invention of our own, and resembles what it name denotes.  Call at our gallery, the only place where this beautiful style of picture can be procured, and which we warrant to endure.  Havens & Mallon, Sign of the Flag.  January 30, 1857.

1857 March 14.  The Southerner.  (Tarboro, North Carolina.)  March 14, 1857, Vol. 6, No. 11, Whole No. 267, P. 2.

Cameotypes.  The attention of the reader is directed to the advertisement of Messrs. Havens & Mallon.  Those desirous of procuring life like Pictures, can now procure them in this beautiful style at a very moderate expense.

1857 March 14.  The Southerner.  (Tarboro, North Carolina.)  March 14, 1857, Vol. 6, No. 11, Whole No. 267, P. 2.

Cameotypes!  Splendid Pictures!!  Something New.  Cameotypes the latest and greatest discovery of the age!  Havens & Mallon, From Raleigh, N. C.

Would inform the Ladies and Gentlemen of Tarboro’ and vicinity, that they have taken Rooms at the Odd Fellows Hall, in Tarboro’, Where they are prepared to execute these beautiful Pictures in the highest style; the Cameotype is an invention of Mr. M. M. Mallon’s, and is all it is represented to be; they are more life-like as regards colors than any other style of Picture ever brought before the public, while at the same time they represent a stereoscopic effect, which can alone be equaled by the aid of a stereoscope, (yet no stereoscope is required;) while they are remarkably sharp and brilliant, giving a harmony in shade and tone which cannot be equaled by any other known process, and which no other artist can rival.  We are also making Photographs and Ambrotypes, by the latest and most approved process.  All persons wishing Pictures will do well to call soon, as our stay will be short, owing to other engagements.

N. B. Pictures taken in all kinds of weather in a few seconds, and put up in Lockets, Pins, Rings, or Cases to suit purchasers.  H. & M.        Tarboro’, March 12, 1857.

Advertisement ran from March 14 to May 16, 1857.

1857 April 4.  The Southerner.  (Tarboro, North Carolina.)  April 4, 1857, Vol. 6, No. 14, Whole No. 270, P. 2.

Cameotypes!!  The Last Call For one Week longer only.  We have just received by Express from Baltimore, this day a beautiful Assortment of Cases, Frames, &c.  Mad and fitted expressly for the Cameotype, and we would say to all those wishing one of those beautiful Pictures, come while you have an opportunity, as this is the last call.  Havens & Mallon

1857 April 11.  The Southerner.  (Tarboro, North Carolina.)  April 11, 1857, Vol. 6, No. 15, Whole No. 271, P. 2.

Beautiful Pictures.  It will be seen by an advertisement, that Messrs. Havens & Mallon will continue taking Cameotypes a short time longer in this place.  Their Pictures have excited general admiration.

1857 April 11.  The Southerner.  (Tarboro, North Carolina.)  April 11, 1857, Vol. 6, No. 15, Whole No. 271, P. 2.

Cameotypes!  Hang out our Banners on the outward Walls!!  The cry is, Still they come!!!

Owing to the earnest solicitations of many citizens of Tarboro’, Havens & Mallon Have concluded to stay a short time longer—thus giving all an opportunity of obtaining one of those beautiful and life-like Pictures.

Advertisement ran from April 11 to May 16, 1857.

1857 May 23.  The Southerner.  (Tarboro, North Carolina.)  May 23, 1852, Vol. 6, No. 21, Whole No. 277, P. 2.

Ambrotypes.  We would direct the attention of those in want of beautiful and correct likenesses, to the advertisement of Mr. Mallon.

1857 May 23.  The Southerner.  (Tarboro, North Carolina.)  May 23, 1852, Vol. 6, No. 21, Whole No. 277, P. 2.

Ambrotype Notice.  I would state to the citizens of Tarboro’ and vicinity that I have re-opened my Gallery At Odd Fellows’ Hall, Where I will be pleased to wait on all who may wish Pictures to themselves or friends.  And I would say to all those wishing likenesses, call soon as my time is limited to one week only.

All persons indebted to Havens & Mallon. Will confer a favor by calling immediately and settling up.  M. M. Mallon.  Tarboro’, May 20, 1857.

Advertisement ran from May 23 to June 27, 1857.

1857 June 24.  Beaufort Journal.  (Beaufort, North Carolina.)  June 24, 1857, Vol. 1, No. 12, P. 2.

Who Wants A Likeness Taken?  If you want a picture of yourself, your sweetheart, or any body else, call on Havens & Mallon, at the Odd Fellows Hall, where they will be pleased to attend to your wishes.  See advertisement in another column.

1857 June 24.  Beaufort Journal.  (Beaufort, North Carolina.)  June 24, 1857, Vol. 1, No. 12, P. 3.

Cameotypes.  Splendid Pictures.  Something New.  Cameotypes the latest and greatest discovery of the age.

Havens & Mallon, From Raleigh, N. C.  Would Inform The Ladies And Gentlemen of Beaufort and vicinity, that they have taken Rooms At The Odd Fellows Hall, in Beaufort, where they are prepared to execute these beautiful Pictures, in the highest style the Cameotypes, or Alto Relieno Pictures, is an invention of Mr. M. M. Mallon’s, and is all it is represented to be; they are more life-like as regards color than any other style of Picture ever brought before the public, while at the same time they represent a stereoscopic effect, which can alone be equalled by the aid of a stereoscope, (yet no stereoscope is required;) while they are remarkably sharp and brilliant, giving harmony in shade and tone which cannot be equalled by any other known process, and which no other artist can rival.  We are also making Photographs and Ambrotypes, by the latest and most improved process.  All persons wishing Pictures will do well to call soon, as our stay will be short, owing to other engagements.

N. B. Pictures taken in all kinds of weather in a few seconds, and put up in Lockets, Pins, Rings, or Cases to suit purchasers.  H. & M.     

1857 July 1.  Beaufort Journal.  (Beaufort, North Carolina.)  July 1, 1857, Vol. 1, No. 13, P. 3.

Beautiful Pictures.—Improvements in the Daguerrean art, or sun-painting, have of late years been made, until the at has almost become perfect.  Even the most accurate portrait painting can be rivalled.—No one should neglect an opportunity, when one occurs, of having his likeness taken, when it can be had at such a trifling cost, by this new an improved process; especially here, where one cannot go at all times, and sit for one.  Mr. Mallon, late of the gallery of Havens & Mallory, of Raleigh, is now in this place, and is prepared to take likenesses at the lowest prices, in the most approved and perfect manner.  His Daguerrean gallery in Raleigh was one of the best we have ever seen, and pictures taken by them, were pronounced unrivalled, and received the highest encomiums of praise from The New York Photographic Journal of Fine Arts; they also received the first and only premium at the State Fair of the Agricultural Society.  We noticed that the old Daguerreotype has been almost entirely superseded by the new processes of taking pictures under the names of Ambrotype, Photograph, and Cameotype.  By this last process, the pictures appear to stand boldly out, as it were, upon a light background, being more life-like, accurate and brilliant, than by any other process yet discovered.  Besides, they will remain as brilliant and perfect for an unlimited time, as when first taken.  The Cameotype is an invention of Mr. Mallon. 

Mr. Mallon’s gallery is at the Odd Fellows Hall, where he is prepared to take pictures at all hours of the day, and in any weather.  those wishing a perfect likeness would do well to give him a call immediately, as his stay here will necessarily be short owing to engagements elsewhere.

1858 January 23.  The Southerner.  (Tarboro, North Carolina.)  January 23, 1858, Vol. 7, No. 4, Whole No. 312, P. 2.

Splendid Pictures!  Only One Dollar!!  Wake up!  Edgecombe and look to your interest!!!  It is a fact worth knowing, that a Dollar saved is a Dollar earned.  The Subscriber having just returned from New York with a well assorted stock of all kinds of Cases, Frames, &c., suitable for Miniatures, which he purchased at a Bargain and consequently he can give the inhabitants of Tawboro’ and vicinity Pictures at very reduced prices.  I am now making good Pictures, and putting them up in handsome morocco cases, for the unprecedented low price of One Dollar; thus giving the citizens of this community the advantages of any of our large cities in procuring a first class likeness of themselves or friends for a very low sum.  I am making all styles of Photographs, Ambrotype!  Melainotype!!  Sperotype!!!  Talbotype!!!!  Cameotype!!!!!  And The Crystal Miniature!!!!  Which is the latest discovery.  I am also making Likenesses on Patent Leather, which can be sent by mail the same as letter postage.  M. M. Mallon

N. B. All persons wishing Pictures, will do well to call soon    , as my stay is limited.  

Advertisement ran from January 23 to April 3, 1858.

1858 January 23.  The Southern.  (Tarboro’, North Carolina.)  January 23, 1858, Vol. 7, No. 4, Whole No. 312, P. 2.

Go To Mallon’s Gallery, Odd Fellow’s Hall, And have your picture taken before he leaves town.  He has had 12 years experience in his business and has received from the State Agricultural Society the highest premium ever awarded in North Carolina for the best pictures ever produced in the State.  He is making them as low as One Dollar. 

Advertisement ran from January 23 to April 3, 1858.

1858 March 6.  The Southern.  (Tarboro’, North Carolina.)  March 6, 1858, Vol. 7, No. 10, Whole No. 318, P. 2.

Pictures!  Pictures!!  The Last Call.  I have just received, per Adams & Co.’s. Express, one of Holmes, Booth & Hayden’s celebrated first class Copying Cameras, Which enables me to take copies of any size required, from old Daguerreotypes and paintings, with the most minute correctness.  Persons wishing any of this class of work well done which is so seldom done properly, can now have opportunity rarely met with.

I have also received a beautiful assortment of all kinds of Fancy and other Cases, With a choice lot of Medallions, Pins and signet Rings, all of which persons can have good likenesses of themselves or friends put into a reasonable prices.

N. B.  None but first-class Pictures allowed to leave the Gallery.

Call soon at Odd Fellow’s Hall, or you will be too late.  M. M. Mallon. 

Advertisement ran from March 6 to April 3, 1858.

1858 June 19.  The Southern.  (Tarboro’, North Carolina.)  June 19, 1858, Vol. 7, No. 25, Whole No. 333, P. 2.

M. M. Mallon Has just returned and opened his Ambrotype Gallery At his old quarters, Odd Fellows’ Hall, where he will remain a short time, thus giving persons an opportunity of procuring Pictures previous to his visit to the mountains. 

1858 June 26.  The Southerner.  (Tarboro’, North Carolina.)  June 26, 1858, Vol. 7, No. 26, Whole No. 334, P. 2.

Pictures!  Pictures!!  Positively the last Week.  I will remain in Tarboro until July 6th, when other engagements compel me to leave.  M. M. Mallon.

Advertisement ran from June 26 to July 10, 1858.

1858 December 18.  The Southerner.  (Tarboro, North Carolina.)  December 18, 1858, Vol. 7, No. 51, Whole No. 359, P. 2.

Pictures!  Mallon, the Ambrotypist, is in our town again, and we would say to those who wish to make a Christmas present to their friends that will be appreciated for years, go to his Gallery, Odd fellows’ Hall, and sit for your Picture.

1858 December 18.  The Southerner.  (Tarboro, North Carolina.)  December 18, 1858, Vol. 7, No. 51, Whole No. 359, P. 2.

Pictures!  Pictures!!  M. M. Mallon, has just returned to Tarboro”, and opened his Ambrotype Gallery At the old stand, Odd Fellows’ Hall, where he is prepared with a fine assortment of stock to execute likenesses in the art, at prices varying from one dollar to twelve. 

Advertisement ran from December 18, 1858 to January 15, 1859.

1859 February 19.  The Southerner.  (Tarboro, North Carolina.)  February 19, 1859, Vol. 8, No. 7, Whole No. 367, P. 2.

Pictures!  I have just received pew Adams & Co’s Express, a first class Apparatus, with a fine assortment of stock, thus giving all persons wishing Likenesses a most excellent opportunity of procuring them, ere I leave Tarboro’.  I will remain for only one week only, owing to other engagements.  Gallery at Odd Fellows’ Hall.  M. M. Mallon.

Advertisement ran on February 19 & 26, 1859.

1859 June 21.  The Democratic Pioneer.  (Elizabeth City, North Carolina.) June 21, 1859, Vol. IX, No. 43, P. 2.

Pictures For The Millon.  M. M. Mallon would inform the inhabitants of E. City and vicinity that he has rented the Rooms over Mr. J. M. Mathews’ Jeweler store, on Road street, third door from Main street, where he has a large sky light and side light, thus enabling him to give the citizens of this place a much better likeness than they have had heretofore.  By this arrangement of light the eye is made to look life-like, however light it may be, the features prominent, the dress clear and distinct, thus producing a picture superior to those very black or pale likenesses usually taken by itinerant operators with an ordinary light.  All styles of pictures taken, such as Ambrotypes, Cameotypes, Melainotypes, &c.

Prices from $1 to $10.  The public are invited to call at the Gallery and examine specimens.

“State” please copy.

Advertisement ran on June 21 & 28, 1859.

1859 October 8.  The Southerner.  (Tarboro, North Carolina.)  October 8, 1859, Vol. 8, No. 40, Whole No. 400, P. 2.

Photographic Likenesses.  We notice our friend Mr. Mallon is in town again, and at his old stand Odd Fellow’s Hall, where he is taken likenesses on a new and improved plan.  Mr. M. is a first-class Artist and the best we have ever had in this place if not the best in the State.

We would say to those who wish good Pictures to give him a call ere it is too late, as he anticipates leaving shortly.

1859 October 8.  Southern Standard.  (Tarboro’, North Carolina.)  October 8, 1859, Vol. 8, No. 40, Whole No. 400, P. 2.

Ambrotypes And Photographs.  M. M. Mallon, Is In Town and at his old stand, Odd Fellows’ Hall.  Where he is prepared to take any and all styles of Pictures.  He has just returned from New York with a beautiful assortment of stock such as plain and fancy Cases, Lockets, Ladies and Gentlemen’s Pins, and Rings, all of which he would be pleased to put Pictures in at reasonable prices.  The public are invited to call soon, as I will remain but one week longer, owing to other engagements.  M. M. Mallon.  

Advertisement ran from October 8 to 15, 1859.

1865 January 27.  Republican Farmer.  (Bridgeport, Connecticut.)  January 27, 1865, Vol. LV, No. 2834, P. 3.

Something New.  Mr. Mallon, the photographer, opposite the Post office, has shown us a picture, on porcelain, taken by him, which is truly wonderful.  For distinctness of expression, and brilliancy of coloring, and yet, for delicacy and softness in general appearance, we remember of nothing that surpasses it.  Portraits of this description will, we think, be preferred by most persons, to all others.  See advertisement and give Mr. M. a call.  It will afford him much pleasure to give you a look at the picture.

1865 April 28.  Republican Farmer.  (Bridgeport, Connecticut.)  April 28, 1865, Vol. LV, No. 2847, P. 3.

Something New In The Photographic Art.  The Albatypes Or Porcelain Picture.  The undersigned would respectfully call the attention the public to a new and beautiful style of Photographic Miniature, by him lately introduced to the citizens of Bridgeport.  The picture is In Porcelain, and for durability, delicacy, clearness of outline, and brilliancy of coloring, surpasses the finest miniature in Ivory, Porcelain possesses no absolvent qualities and is not effected by atmospheric influences, nor by changes of temperature, so that the Picture Never Fades.

Indeed, this Gem Of Art must be seen to be appreciated, and we invite an inspection of its merits at the Gallery, where we shall take pleasure in showing it to those who may favor us with a call.

Carte De Visite’s and all other kinds of Photographs taken in our usual superior style at the Gallery, Old Post Office Building, Bank St.  M. M. Mallon, Photographer.  ap21.

Advertisement was recorded five times between April 28 to June 7, 1865.

[1] Partners with the Sun South Carolina Photographers 1840-1940. (Probably Jesse Harrison Whitehurst Gallery in Baltimore, Maryland.)

[2] Partners with the Sun & Craig’s Daguerreian Registry

[3] Gary Saretzky online list of New Jersey Photographers.