Tag Archives: Buffalo New York

McDonell, Donald

1844                Address Unknown, Buffalo, New York.

1847-1852       192 Main Street, opposite the Farmers Hotel, Buffalo, New York.

1852-1858       208 and 210 Main Street, Buffalo, New York.

1855-1859       194 Main Street, Buffalo, New York.

1858-1864       232 Main Street, Buffalo, New York.

1865-1868       288 Main Street, Buffalo, New York.

1847.  Buffalo City Directory.  (Buffalo, New York.)  1847-1848, P. 28.

M’Donell & Co.  Daguerrian Rooms, Opposite The Farmers Hotel, No. 192 Main-Street, Buffalo.

Ladies and Gentlemen will please call and see their numerous Specimens whether they want Pictures or not.

Taken in all sorts of Weather.  Daguerreotypes Apparatus, Plates, Cases, Chemicals, and every article used in the Business, for sale wholesale or retail.

1847 October 22.  Morning Express.  (Buffalo, New York.)  October 22, 1847, Vol. 2, No. 556, P. 2.

Extensive Daguerrean Gallery.  McDonell & Co. No. 193 Main street, up one pair stairs, opposite the Farmers Hotel, respectfully invite the public to call and see their numerous specimens, whether they want pictures or not.  Pictures taken in any kind of weather, of size or style [to sell] purchasers.

Instruments, from medium to full size, with every article used in the business, for whole sale or retail.  Money enclosed by Mail for Instruments, Plates, Cases, Chemicals, Lockets, or any other material, will [be] promptly attended to, and the goods forwarded to any part of the country.

Those wishing to learn this truly delightful and useful Art, or those wishing to purchase anything belonging to the business, will find it to their advantage to call at this establishment.

Advertisement ran from October 22, 1847 to January 1, 1848.

1848.  Buffalo City Directory.  (Buffalo, New York.)  1848, P. 354, Published by Thomas S. Cutting.

M’Donell & Co’s Daguerrian Room and Stock Depot, 192 Main Street.

1848 February 16.  The Republic.  (Buffalo, New York.)  February 16, 1848, Vol. 2, No. 315, P. 2.

Daguerrian Gallery.  McDonnell & Co., 192 Main street, opposite the Farmer’s Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also a fine assortment of Lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Cases &c., forwarded to any part.

Advertisement ran from February 16 to May 8, 1848.

1848 May 1.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  May 1, 1848, Vol. XIV, No. 4180, P. 2.

McDonell & Co’s Daguerrian Rooms and Depot for the sale of Daguerreotype material of all kinds, No. 192 Main street.

Goods forwarded to any part.  Instruction given in the art, including every improvement known in the art.

Advertisement was recorded between May 1 to June 14, 1848.

1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849. 1848 December 21.  Morning Express.  (Buffalo, New York.)  December 21, 1848, Vol. 3, No. 912, P. 2.

Meade Brothers’  Celebrated Daguerreotypes, At No. 232 Main street.  (Branch of McDonnell & Co.’s)  Prof. Meade respectfully informs his old friends and the public generally, that he will take their celebrated Daguerreotype Likenesses, at the original Room, No. 232 Main st. a few doors above Swan, where he will be happy to see all who wish a [superb] Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day with great facility and accuracy.  Also, groups of Families, &c.  Pictures set in lockets, breastpins, rings, &c.

N. B.—Persons sick or infirm will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch.

Rooms open from 9 A. M. till 5 P. M.

Through Instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.

Advertisement ran from December 21, 1848 to January 13, 1849.

1849 January 16.  Buffalo Morning Express.  (Buffalo, New York.)  January 16, 1849, Vol. IV, No. 932, P. 3. 

Meade Brothers’ Celebrated Daguerreotypes—At 232 Main-street (Branch of McDonnell & Co’s.  Prof. Meade respectfully inform his old friends, and the public generally, that he will take their celebrated Daguerreotype likenesses, at the Original Room, No. 232Main street, a few doors above Swan, where he will be happy to see all who wish a superior Likeness.

Terms as moderate as any other establishment.  Young children taken in the middle of the day, with great facility and accuracy.  Also, Groups of Families, etc.  Pictures set in lockets, breast pins, rings, &c.

N. B.—Persons sick or infirm, will be attended at their own homes, if required.  Also, Likenesses of persons after death, will be taken with care and dispatch. 

Rooms open from 9 A. M. till 5 P. M.

Thorough instruction in all the branches of this beautiful Art, with the latest improvements, may be obtained on application as above.  dec.21tjan.26.

Advertisement Was recorded between January 16 to 27, 1849.

1849 November 25.  New York Herald.  (New York, New York.)  November 25, 1849, Whole No. 5638, P. 3.

Fine Arts.—To All Professional Daguerreotypers and Amateurs of the Photographic Art throughout the United States.—The subscribers, owners of Talbot’s United States Patent for taking pictures on paper, by aide of the Camera Obscura, considering that it is more consonant with the spirit of the age and the free institutions of this country, to give access to a valuable invention to every one who desires it, have concluded to dispose of this Patent Right, together with their valuable improvements, in individual licenses, at the trifling sum of thirty dollars for each of the first two hundred licenses, and fifty dollars for each subsequent one.  For this sum every purchaser receives license to exercise the art throughout the United States, with the exception of the States of Louisiana, Alabama, Georgia, Florida and Texas, for which States the exclusive right has been sold previous to this arrangement; a copy of the original patent and a printed pamphlet containing a full, clear, and minute description of the process, as improved by the scribers.  For further particulars, apply to the subscribers or their agents, post paid, who will send by return of mail a full prospectus of all the conditions. 

W. & F. Langenheim, Exchange, Philadelphia.  Agent—

E. White, 24 Broadway[1], New York City.

A. Q. Browns, 228 Washington Street, Boston.

Hale & Co., Boston.

Eastern Patent Agency, Boston.

W. A. Wisong, Baltimore

W. A. Pratt, Richmond, Va.

John C. Simons, King st., Charleston, S. C.

Peter Smith, Cincinnati, O.

Messrs. Long, St. Louis, Mo.

D. McDonnell, Buffalo, N. Y.

Advertisement ran from November 25 to December 3, 1849.

1850 August 20.  Buffalo Morning Express.  (Buffalo, New York.)  August 20, 1850, Vol. V, No. 1423, P. 2.

Important to Daguerrean Artists.  M’Donell & Co. No. 192 Main street, have for sale a new style Buff, only ten dollars a pair, called the Magnetic Buff.  It makes a plate so sensitive that an impression can be taken in from two to three seconds, with the instruments in common use.  A immense supply of stock, including the largest supply of Gold Lockets in Western New York, just received, and which we sell wholesale at New York prices.

Plates, cases, cameos, &c. forwarded to any part of the country.  Money sent by Express or by mail will come safe.

McDonell’s celebrated sensitive for sale constantly.  Instruction given in the art with the necessary apparatus, and supplies furnished on moderate terms.

Advertisement was recorded between August 20, 1850 to February 21, 1851.

1851 April 19.  Buffalo Morning Express.  (Buffalo, New York.)  April 19, 1851, Vol. VI, No. 1629, P. 3. 

Daguerrean Gallery.  McDonnell & Co.—192 Main st., opposite the Farmers Hotel, Buffalo.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Please call and see.  From 6¼ A. M. to 7 P. M.

Advertisement was recorded between April 19, 1851 to July 9, 1852.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. VI, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present limits we only refer to the following:  First—a Silver Medal and a Diploma by the N. Y. State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear, in the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

1852.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1852, P. 83, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1852 January 6.  Buffalo Morning Express.  (Buffalo, New York.)  January 6, 1852, Vol. VI, No. 1849, P. 2.

Daguerreotyping, Or, The Fine Arts In Buffalo.  McDonell & Co., in returning many thanks to their friends and the public generally, for their kind a liberal patronage since their commencement in Buffalo, eight years ago, have a pleasure in saying, that they were never better prepared to make Pictures on a very superior kind, from the smallest size imaginable to double full size, which is an advantage not found in any other establishment west of New York.

Having again stooped to notice the taunting and bombastic libels issued against us by a harmless yet much agitated competitor, O. B. Evans, whose exasperated jealousy of our popular success, which by every low mend of tergiversation he assails, and wonted petulance gives him the liberty of my name; and although having at all times great aversion to the usage of invective and dissension, and much greater to the notice of them from an inferior source—yet we are impressed with the idea, that erroneous fallacy, if seized, in its exit and hurried back to the teeth of its miserable author, the venom of whose boiling soul seems ever employed to drag him into difficulties, may be to him a moral less [n], and perhaps in time a pecuniary gain.  In contradiction to O. B. E.’s notice of the 27th ult., I would merely say, that my conscious belief has been confirmed by that of most credible authenticity, that his acquirements of Diplomas were not meritorious, but through a courtesy to highly accomplished auxiliary etiquette.  Moreover, I feel no hesitation in expressing my firm belief, that the Inspecting Committee at the Rochester State Fair, evinced either a blinded sympathy or total ignorance of the intricacy attending the improvements making in the Art, which belief is confirmed by the Daguerrian Journal, which reads as follows:

“For several years but little satisfaction has been felt by those who have exhibited Daguerreotypes at the exhibition of the American Institute.  We would not say this, were it not that others than the exhibitors have been disappointed by the course of decisions.  Yet it may be well and properly accounted for—for oftentimes the judges are others than those who know even the first principle of science.”

“With such a Committee, a skilful operator had better keep his Specimens within his own walls.”

When O. B. Evans could receive a Diploma, while our double whole size Pictures of which are acknowledged by distinguished Artists to remain unsurpassed if equalled by any executed in this country or Europe, received not their merited notice.  With this belief, a consciousness of our own ability, and the popularity of an enlightened and discerning public, we have deemed the pursuit and requirement of Diplomas matter of no special gain or repute.  Yet for our many encomiums and Diplomas, we seek no further confutation of O. B. Evans’ slanderous libels, in whose own unpolished diction, by the assumption of his pointed liberty of my name, he acknowledges me his superior, and the only bar to his success, than the public before whose eyes they have hung in our Gallery for the last three years.

As to the extension of O. B. Evans’ patronage, we have never assumed the petty province of investigating; but would say, that in our employ we keep four persons busily engaged, and that it speaks poorly that he has out merited his patronage in Buffalo, and gone for a time to operate in some country village.

We feel no displeasure that O. B. Evans receives a liberal share of patronage by honest means; but he who would seek to lessen his neighbor’s merit by a resort to superlative untruth and unparalleled self-conceit, deserves to be noticed only that he may be the more despised.  D. McDonell.

 Advertisement ran from January 6 to 8, 1852.

1852 June 18.  Buffalo Morning Express.  (Buffalo, New York.)  June 18, 1852, Vol. VII, No. 1988, P. 2. 

Daguerreotypes—That which can beckon back the absent and summon up the dead, furnishing something more than an imperfect imagination of their features, by its cunning counterfeit of the actual being, must be regarded as of inestimable value.  It is one of the greatest triumphs of art, that it has secured to the most indigent as well as the opulent, the means of “snatching a copy” of the lineaments of those whom they are called to [resign].  Our city is highly favored with artists in this line.  We have taken a stroll recently through the rooms of Messrs. McDonnell and find them filled with creditable specimens, of the art du soliel.  Their gallery is finely fitted up and affords a desirable lounging place for these hot days.  Their collection of pictures embraces many persons of note.  These gentlemen have received several diplomas attesting their skill, and those desiring a good daguerreotype may anticipate satisfaction at this establishment.

1852 July 8.  Buffalo Morning Express.  (Buffalo, New York.)  July 8, 1852, Vol. VII, No. 2004, P. 2. 

Removal.  McDonell & Co., have removed their celebrated Daguerrian Rooms to Nos. 208 and 210, over the scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonell & Co.

Advertisement ran from June 8 to 15, 1852. 

1852 July 10.  Buffalo Morning Express.  (Buffalo, New York.)  July 10, 1852, Vol. VII, No. 2006, P. 1. 

Daguerrean Gallery.  McDonnell & Co.—208 and 210 Main street, over Scotch Store.

Daguerreotype Apparatus, and all the materials used in the business, for sale wholesale or retail.  Also, a fine assortment of lockets.  Orders enclosing money by mail will meet with immediate attention.  Cameras, Plates, Oases, &c., forwarded to any part.

N. B.—McDonnell & Co., have had a Diploma awarded to them at the meeting of the New York State Agricultural Society, held in Buffalo in 1848, for superior Daguerreotypes, without their having got up a specimen or frame expressly for the occasion.

They have since improved their light by opening a large window; have also at much expense obtained a full set of imported Voighlander’s celebrated Cameras, which enables them to take impressions of children in the forenoon, in the wonderful short space of from three to five seconds.

The picture exhibited in the State Fair by themselves, or any others, good judges say, will no more compare with those they are now making, with their new instruments than factory cloth will with fine silk, they are so clear, soft and distinct.

Advertisement was recorded between July 10, 1852 to January 15, 1853.

1852 August 27.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  August 27, 1852, Vol. XVIII, No. 5508, P. 3.

Daguerrian Rooms—McDonell & Co’s celebrated Rooms removed to 208 and 210.  The only establishment west of New York where double full size pictures are made.  All the smaller sizes made as usual.  Daguerrian goods for sale wholesale.

Instruction given in the art.

Rooms open from 7½ A. M. till 7½ P. M.  Remember the No., 208 and 210.

N. B.—A splendid lot of Lockets, &c. &c. of all sizes, ways on hand.

Advertisement was recorded between August 27, 1852 to January 13, 1854.

1852 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1852, Vol. VII, No. 2032, P. 3. 

McDonnell & Co., 208-210 Main Street. , are making some fine pictures of late.  Their new rooms are a great improvement upon the old.  Persons wishing a good “counterfeit of the human face divine” should give them a call.

1852 August 14.  American Celt, and Catholic Citizen.  (Buffalo, New York.)  August 14, 1852, Vol. IV, No. 33, P. 8.

Daguerrean Rooms.  McDonell & Co.’s Celebrated Rooms and Stock Depot Nos. 208 & 210 Main-st.  The only Rooms West of New York where the double whole size impressions are taken.

Instructions given in the Art and Daguerrean goods sold at whole sale.

Impressions taken of children of any age.

Advertisement as recorded on August 14, 1852 & on May 28, 1853.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Last but not least are a group of three ladies, and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient need of praise unless it be the first approval of the committee…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next to North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Removal.  McDonnell & Co., have removed their celebrated Daguerrean Rooms to Nos. 208 and 210, over the Scotch Store, a few doors from their old stand.

Having everything in order, they are prepared to execute Likenesses from the double full size to the smallest ever made.  This is the oldest and most extensive establishment in Buffalo, possessing every facility and advantage to enable them to be a little in advance of the times.  McDonnell & Co.  jy9.

1852 October 30.  Buffalo Evening Post.  (Buffalo, New York.)  October 30, 1852, Vol. 1, No. 32, P. 4.

Daguerrean Rooms.  The Oldest in Buffalo. 

Diploma Awarded To D. McDonell For Superior Daguerreotypes.  B.P. Johnson Sec.  [and] [P.] Allen Pres.

McDonnell & Co’s., celebrated Rooms and Stock Depot are over the Scotch Store, No. 208 and 210 Main st., a few doors from their former place, where they are makingsuperb pictures from the smallest size possible to Double Full Size.  His is the only Establishment west of New York where these mammoth impressions are made.

An immense amount of Daguerreotype Material including gold Lockets, Watch Keys, Seals, Bracelets, &c. &c., all for miniatures, for sale wholesale.  Instructions given in the art and everything furnished on reasonable terms.

Do Not forget the place 208 and 210, up stairs.  jy17.

1853.  Buffalo City Directory.  (Buffalo, New York.)  1852, P. 80, Published by Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co.  No. 192 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1853 February 21.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  February 21, 1853, Vol. XI, No. 5657, P. 2.

Pursuant to notice there was a special meeting of the St. Andrew’s Society of the city of Buffalo, held at Mr. D. McDonell’s Rooms, No. 208 Main street, on the evening of Saturday the 19th February 1853, in relation to the death of Mr. Alexander Allen.

In the absence of the President, Hugh Cameron, Esq., Mr. Donald McDonell, one of the Vice Presidents, was called to the chair…

D. McDonell, President.

John Jamison, Secretary.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is susceptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854.  Buffalo City Directory.  (Buffalo, New York.)  1854, P. 59, Published By Jewett, Thomas & Co.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1854 August 10.  Buffalo Morning Express.  (Buffalo, New York.)  August 10, 1854, Vol. IX, No. 2649, P. 3. 

Daguerreotypes.  McDonnell & Co., Is Thanking The public for the liberal patronage constantly extended to them since 1844, would avail themselves of the present opportunity of reminding those who have yet to secure the last true and imperishable mementos of life, health and beauty, that “procrastination is the thief of time.”  Though pressure of business renders it next to impossible, the subscribers, ever willing, are constantly taking impressions of deceased persons, whose friends are sorely reminded of the above adage,  Securer the shadow ere the substance fade, for we know not what a day may bring forth.

The subscribers have lately got on a rich and beautiful assortment of plain and fancy Cases; also, a fresh supply of Gold Lockets, Rings, Pins, &c.  They would also say to Daguerrean Artists, that they are prepared to furnish large supplies of the celebrated H. B. Plates; also Cases, Frames, &c.  D. McDonnell & Co., No’s 208 and 210 Main street, Buffalo.

Advertisement ran from August 10 to 17, 1854.

1854 August 11.  Buffalo Morning Express.  (Buffalo, New York.)  August 11, 1854, Vol. IX, No. 2650, P. 3. 

We understand that McDonnell & Co., the well known Daguerreotypist, are about to fit up one of the most extensive and elegant Galleries, out of New York city.  Particulars in due time.  Meanwhile, they are receiving a choice assortment of cases, lockets, pins, rings, etc., and are prepared to put faces upon record at the shortest notice, and to the best advantage.  Their pictures are always exquisite, and are, therefore, highly prized.

1854 December 6.  Buffalo Morning Express.  (Buffalo, New York.)  December 6, 1854, Vol. IX, No. 2752, P. 2. 

All Hail!  Happy Season Of Amusements, Gifts And Mementos.  In Thanking Our Numerous Friends for the liberal patronage hitherto extended, we would take this method of informing them that we have just received a large assortment of the richest and most beautiful Cases, comprising Union, Antique, Sontag, &c., and Picture Frames, Lockets, Rings, &c., that was ever offered to the citizens of Buffalo.  On comparison with their equalities they will be found cheap.  Ladies and gentlemen please call and see them.  McDonell & Co.

Advertisement was recorded between December 6, 1854 to January 5, 1855.

1854 December 7.  Buffalo Morning Express.  (Buffalo, New York.)  December 7, 1854, Vol. IX, No. 2753, P. 2. 

To Let.  A Very Desirable And Commodious dwelling, being No. 58, corner Chippewa and Franklin streets, west of Main.  It is supplied with water and gas, has a garden containing several fruit trees, and a good brick barn on the lot.

Also, the upper part of Nos. 208 and 210 Main street—For further particulars enquire of the subscriber, who is nearly ready to move into the new and splendid rooms over Murray and Cummings new store, No. 194 Main st.  D. McDonell.

1855.  Buffalo City Directory.  (Buffalo, New York.)  1855, P. 49, Published By Thomas & Lathrops.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonell & Co.  No. 208 and 210 Main Street, Importers, Manufacturers, And Dealers In Daguerreotype Materials Of every description, thank the public for the liberal patronage extended to them.  Having enlarged their Rooms, and added a Splendid Sky Light to their facilities, for making their superb Pictures, their patrons can have a choice.  Having also added largely to their supply of Instruments, Plates, Cases, Chemicals, and Gold Lockets, Pins, Bracelets, Locket Seals, Rings, &c, for Miniatures, would invite strangers visiting the city, Falls of Niagara, to give a peep into their new Rooms, where can be seen the largest supply of Specimens in Western New York.  Daguerrean Artist sending orders, with the cash, by mail, can have them filled, to any extent, as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instruction given in the art.

Rooms open to the Public from 6 A. M. to 7½ P. M.

1856.  Commercial Advertiser Directory For The City Of Buffalo.  (Buffalo, New York.)  1856, P. 54.  Published By Thomas & Lathrops.

Daguerrean Rooms—The Oldest in Buffalo.  M’Donell & Co.  NO. 208 & 210 Main Street, Importers, Manufactures & Dealers in Daguerreotype Materials.  Rooms open to the Public from 7 a.m. to 7½ p. m. 

1856 February 8.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  February 8, 1856, Vol. XI, No. 3115, P. 2. 

Just Received By McDonell & Co., No. 194 Main street, Buffalo, a very large supply of Daguerrian Goods.  Also, Photograph Material.

Advertisement ran from February 8 to 13, 1856.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

To Rent.  A Splendid Front Room Over Murray & Cumming, No. 195 Main street, suitable for a large office, Merchant Tailor, &c  Also, a fine room over the same establishment, with good entrance from Pearl street.

For particulars apply to the subscriber.  D. McDonell.

Advertisement ran from July 3, 1856 to March 24, 1857.

1856 July 3.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  July 3, 1856, Vol. XI, No. 3239, P. 2. 

“Advertising Medium.”  Notice.  Persons Holding Due Bills Against me for Daguerreotypes are requested, while the weather is fine, to attend to them.  D. McDonell.

Advertisement ran from July 3 to 7, 1856.

1856 September 27.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  September 27, 1856, Vol. XI, No. 3315, P. 3. 

Fair of the American Agricultural Exchange Association.—The following Premiums were awarded by the committee…

On Miscellaneous Articles…diploma to…D. McDonnell…

1856 October 22.  Campaign Courier.  (Buffalo, New York.)  October 22, 1856, Vol. 2, No. 19, P. 3.

Rooms Open To The Public. The most extensive Daguerrean Establishment in Western New York, 232½ feet deep, through from Main to Pearl street, second floor, over Murray & Cumming’s fine Dry Goods Store, 194 Main street, opposite the Metropolitan Theatre.

$10,000 Worth Of Daguerreotype Material constantly on hand, including Gilt And Rosewood Frames, Cases of all sizes and styles, where persons having pictures taken can have a chance to select . 

Impressions Taken on Plates, Glass And Paper.  Artists supplied with Cameras and all kinds of Material for Daguerreotypes, Crystalotypes, or Photographs.  McDonell & Co.   no27.

1856 December 7.  The Spirit of the Times.  (Batavia, New York.)  December 7, 1856, Vol. 34, No. 26, P. 8.

Daguerrean Rooms.  The Oldest in Buffalo.  McDonnell & Co., No. 208 and 210, Main street, Importers Manufacturers, and Dealers in Daguerreotype Materials, of every description, thank the public for the liberal patronage extended to them.  Having enlarged their rooms, and added a splendid Sky Light to their facilities for making their superb pictures, their patrons can have a choice; having also added largely to their supply of Instruments, Plates, Cases, Chemicals and Gold Lockets, Pins, Bracelets, Locket seals, Rings, &c., for Miniatures, would invite strangers visiting the city, or Falls of Niagara, to give a peep into their new rooms, where they can be seen the largest supply of specimens in Western New York.  They are prepared always to take impressions of Children of every age, in the wonderful short space of one second.

Daguerrean Artists sending orders, with the cash, by mail can have them filled to any extent, at least as cheap as New York prices.  Artists will do well to call and examine their stock, as they have made a wonderful deduction.  Instructions given in the art.  The Buffalo and other papers will account for our Diplomas, encomiums for the specimens sent to the World’s Fair, &c.

Rooms open to the public from 6 A. M. to 7½ P. M.  Recollect the number, 192 Main Street, opposite the Farmer’s Hotel.

1858 May 17.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  May 17, 1858, Vol. XI, No. 3819, P. 2. 

Removal.  The Daguerrean, Ambrotype And Photographic Gallery of D. McDonell has been removed from 194 to 282 Main street, between Swan and Erie streets, where its unrivalled attractions will be continued.

Advertisement ran from May 17 to August 9, 1857.

1858 August 4.  Buffalo Morning Express and Daily Democrat.  (Buffalo, New York.)  August 4, 1858, Vol. XIII, No. 3886, P. 4. 

From The Fire Marshall.  Fire Marshall’s Office, Buffalo, August 2, 1858.  To The Hon. The Common Council of the city of Buffalo.—Gentlemen a fire occurred on the 21st inst. at 2½ o’clock, P. M. in a two story brick building known as the Jas. M. Fish elevator situated on the southwest corner of Ohio and Cincinnati streets, owned by the New York Central Railroad, unoccupied.  Loss on the building $3,000.  No insurance.  The fire spread as follows, to wit:…2 story wooden building owned by D. McDonnell, occupied by E. Connelly as a grocery.  Loss on building $500.  Fully insured.

1859 December 31.  Buffalo Evening Post.  (Buffalo, New York.)  December 31, 1859, Vol. X, No. 286, P. 2. 

Bought Out.—R. McDonell, of the old Daguerrean Rooms opposite the Metropolitan Theatre, has bought out the entire stock of A. B. Nimbs’ colored photographs, daguerreotypes, ambrotypes and furniture.  Mr. Nimbs is acknowledged to be the best colorer in Western New York, and will hereafter color for Mr. R. McDonell.  Citizens may depend upon having work done promptly at 194 Main street.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 3. 

Removed.—By reference to the card of Mr. J. H. Keller it will be seen that he has removed his Photograph and Daguerreian Gallery to the large and commodious rooms formerly occupied by R. McDonell, at No. 194 Main street.  He will there continue to execute sun pictures in the very highest style of art.

1860 September 8.  Buffalo Morning Express.  (Buffalo, New York.)  September 8, 1860, Vol. XV, No. 4525, P. 2. 

Keller’s Gallery.  J. H. Keller Has Removed To The Large And Old Established Rooms of R. McDonell, 194 Main Street, opposite the Theatre, where, with increased facilities, he will be happy to see his old friends and patrons.  These rooms are the most airy and convenient in the city, being reached by only one pair of stairs, and in order to meet the wants of the people, and to suit the times, I have reduced the price of pictures as follows:

Ivorytypes, without frames…………$8.00

Photographs, colored in oil…………$10.00

Photographs, Water colors………….$5.00

Photographs, India Ink………………$5.00

Also superior Ambrotypes and Melainotypes taken at the lowest prices.

All Pictures taken in the finest style of the art, and warranted to give perfect satisfaction.

Phereotypes are also made at my rooms.

Daguerreotypes, from pictures already taken of deceased persons, produced of an enlarged size, and painted in oil at $10 each, and finished in the most superior style of the art.  J. H. Keller.

1861 April 20.  Buffalo Commercial Advertiser.  (Buffalo, New York.)  April 20, 1861, Vol. XXVII, No. 10,227, P. 3.

“Scots Wha Ha’ Wi’ Wallace Bled.”—

Scotch adopted citizens and the sons of Scotchmen, are requested to meet at the Old Court House, on Monday evening, April 22d, for the purpose of declaring their sentiments, and taking whatever action may deemed advisable, in the present condition of our National affairs.

David Bell, President St. Andrew’s Society.

James Smith, Ex-Pres. St. Andrew’s Society.

Donald McDonell,

Alexr. McKay,

James E. Thompson,

Archer McPherson.

1861 August 12.  Buffalo Morning Express.  (Buffalo, New York.)  August 12, 1861, Vol. XVI, No. 4809, P. 2. 

Removal!  W. M. Knight having associated himself with R. J. Willett, has removed to the large and finely lighted rooms lately occupied by McDonnell, No. 194 Main Street, Over H. Con’s Emporium, (directly opposite the Metropolitan Theatre), is now prepared to make pictures of all sizes and varieties, from the cheap Ambrotype to Photographs, life size, in oil.  Having a large, fine sky light, (up only one flight of stairs) especial attention will be given to Children and Groups.

We are fitted up for making First Class Daguerreotypes Which are the nicest and most durable pictures ever made.  Large Photographs at one-half the price of the up town rooms.

We shall make none but good Pictures, and shall sell them at prices to suit the times.  Call and see.  Knight & Willett.

1861 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1861, Vol. XVI, No. 4823, P. 3. 

Our Holiday Directory…

Miscellaneous.  At R. McDonnell & Co., 257 Main street, may be obtained for holiday presents choice photographs, beautiful daguerreotypes, and exquisite ambrotypes.

Buffalo City Directories.  (Buffalo, New York.)

1844.   McDonnell, Donald—Clerk, 166 Main Street., B-Murray’s.

1847.   McDonnel & Co., Daguerrian, Rooms 192 Main.

1848.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McD. & Co.) 192 Main.

1849.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald, (Firm of McDonnell & Co.) B-Bennet’s Temperance Hotel.

1850.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.) H- 16 Carrole.

1851.   McDonnell & Co., Daguerrian Rooms, 192 Main.

McDonnell, Donald (Firm of McDonnell & Co.)  H- 16 Carrole.

1853.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1854.   McDonell & Co., Daguerrean Rooms over 208 and 210 Main.

McDonell, Donald (Firm of McDonell & Co.)  H-corner Chippewa & Franklin.

1855.   McDonell & Co., Daguerrean Rooms over 194 Main.

 McDonell, Donald (Firm of McD. & Co.)  H-Pearl above Seneca.

 McDonell, A. Daguerrean, B. Genesse House.

1856.   McDonell & Co., Daguerrean Rooms, over 194 Main.

McDonell, Donald (Firm of McD. & Co.) H-Franklin corner Chippewa.

McDonell, Ronald, no occupation listed, over 194 Main.

McDonell, Ronald C., no occupation listed, over 194 Main.

1857.   McDonell, Donald, Daguerreotypist, 194 Main.  H-58 Chippewa.

 McDonell, R., artist, 194 Main.

1858.   McDonell, Donald—232 Main st., H-Chippewa corner Franklin.

McDonell, R., Daguerrean, 194 Main.  H-194 Main.

1859.   McDonell & Co.—Daguerrean Gallery—232 Main.

McDonell, Donald, (Firm of McD. & Co).  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1860.   McDonell & Co., Daguerrean Gallery, 232 Main.  H-58 Chippewa.

McDonnell, R., Daguerrean Rooms, 194 Main.  H-194 Main.

1861.  McDonell or McDonnell—Not listed

1862.   McDonell, Donald—Photographer, 232 Main.  H-58 Chippewa.

McDonel, R., Photographer, 255 Main.

1863.   McDonell, Donald—Photograph Gallery, over 232 Main.  H-58 Chippewa.

McDonell, R.  Not listed.

1864.   McDonell, Donald—Artist—232 Main.  H-58 Chippewa.

1865.   McDonnell, Donald—Picture Gallery—288 Main.  H-58 Chippewa.

1866.   McDonell, Donald—Photographer—over 288 Main.  H-58 W. Chippewwa.

1867.   Donnell, Donald—Photographer—288 Main.  H-58 Chippewa.

1868.   Donnell, Donald—Photographer—288 Main.  H-53 Chippewa.

1869.   Donell, Donald—Agent.  H-53 W. Chippewa.

1870.   Donnell, Donald—Insurance Agent.  H-53 Chippewa.


[1] Possibly a typo for 247 Broadway

Mayhew, William C.

1847                274 Main Street, Buffalo, New York.

1847 June 30.  The Republic.  (Buffalo, New York.)  June 30, 1847, Vol. 1, No. 125, P. 2.

Daguerrian Gallery.—Cameo Likenesses taken by Mr. Wm. C. Mayhew.  Copies of the antique cut in Cameo from designs.  Daguerrian likenesses taken in all weather, with or without color.  Rooms No. 274 Main st.

Advertisement ran from June 30 to August 28, 1847.

Benton, Oliver Benton

1846                Eagle Tavern, Cooperstown, New York.

1846                Address Unknown, Norwich, New York.

1846                E. W. Yates’ Hotel, Louisville, New York.

1846                Address Unknown, Butternuts, New York.

1846                Address Unknown, Laurens, New York.

1846                Address Unknown, Otego, New York.

1847                Address Unknown, Buffalo, New York.

1847                Rooms at Mr. E. S. Edgerton’s residence, Franklin, New York

1847                Address Unknown, Delhi, New York.

1847                Address Unknown, Unadilla, New York.

1847                Address Unknown, Troy, New York.

1848                Room on Water Street, one door west of Hall’s Jewelry Store, Geneva, N. Y.

1848-1850       220 Main Street, Buffalo, New York.

1850                218 Main Street, Buffalo, New York.

1851-1853       214 Main Street, Townsend Hall, Buffalo, New York.

1851-1856       214 Main Street, Buffalo, New York.[1]

1852                Champion Buildings, nearly opposite the Eagle Tavern, Batavia, New York.

1856                Over Sackett’s Harbor Bank, Buffalo, New York.1

1857                over 214 & 216 Main Street, Buffalo, New York.1

1859                Erie Street, corner Main Street, Buffalo, New York.1

1846 January 17.  The Freeman’s Journal.  (Cooperstown, New York.)  January 17, 1846, Vol. XXXVIII, No. XXI, P. 3.

Premium Photographic Miniatures, At the Eagle Tavern, Cooperstown.  O. Benton Evans Would most respectfully solicit a call from the people of Cooperstown and vicinity, and have their miniatures executed by way of experiment, free of expense.  Those who have not seen the improved Photographs cannot form any conception of their present beauty.  For strength of relief, fineness of shading, and beauty of color, they now surpass any other method of portraying in miniature the human form.

By an improvement of the achromatic lens, Mr. E. can execute miniatures from half the size of sixpence to the largest miniature size, and in all weather, from 8 o’clock A. M. until 3 P. M., enveloped in frames, cases lockets or pins, in any attitude or costume the individual may please to assume.

At the late Fair of the Rensselaer Co. Agricultural Society, the subscriber had awarded to him the first premium and the highest honors for the best specimens ever seen by the committee, in competition with some of the best operators in this country; also for the best construction of apparatus.

Gentlemen and ladies can receive instruction in this art, and apparatus furnished at New York prices.  Immediate attention is absolutely necessary.

N. B.—A carriage will be furnished, free of expense, for the conveyance of any number of Ladies or Gentlemen, not less than six, by forwarding their address to the subscriber.

Advertisement ran from January 17 to April 11, 1846.

1846 April 11.  The Freeman’s Journal.  (Cooperstown, New York.)  April 11, 1846, Vol. XXXVIII, No. XXXIII, P. 3.

Daguerreotype.  By the most earnest solicitations, the subscriber has been persuaded to remain through the coming week, for he express purpose of Portraiting the Elderly People of this place and vicinity.

N. B.  Gentlemen studying professions, or wishing to travel, will find this the most respectable and lucrative business now extant.  O. B. Evans. 

1846 August 15.  The Freeman’s Journal.  (Cooperstown, New York.)  August 15, 1846, Vol. XXXVIII, No. LI, P. 3.

Photographic.  (Norwich, Chenango  County.)  O. B. Evans returns his most sincere thanks to his old friends and patrons in the principal cities and villages, wherein he has operated for the last four years with unparalleled success, and still solicits the patronage of all who wish to “see themselves as they are seen by others.”  And all who may wish instructions and apparatus will need apply immediately.  Mr. E. has made (in addition to his long experience in the art,) a new and valuable discovery Operators in the country, who find it difficult to operate in extreme temperatures of weather, can be instructed in a few days to operate with perfect certainty. 

1846 September 19.  The Freeman’s Journal.  (Cooperstown, New York.)  September 19, 1846, Vol. XXX, No. IV, P. 3.

O. B. Evans’ Daguerrian Gallery, (At E. W. Yates’ Hotel,) Louisville, Otsego Co., N. Y.

Advertisement ran from September 19 to 26, 1846.

1846 October 10.  The Freeman’s Journal.  (Cooperstown, New York.)  October 10, 1846, Vol. XXXIX, No. VII, P. 1.

Otsego County Cattle Show And Fair….Discretionary Premiums…..

Specimens of daguerreotype, O. B. Evans, Butt’s, 1.00

The Daguerreotype Miniatures and Pictures taken by Mr. O. B. Evans, recently of this village, and now of Butternuts, drew forth the praise of all, as almost every one readily recognized the familiar faces of many of our respected citizens.  Such efforts in the art can hardly be excelled in our cities.

1846 November 28.  The Freeman’s Journal.  (Cooperstown, New York.)  November 28, 1846, Vol. XXXIX, No. XIV, P. 3.

Daguerreotypes!  O. B. Evans’ Photographic Miniature Gallery at Laurens, Otsego county, and will also visit Otego, Unadilla and Delhi in a few days.  All who would desire these perfect and valuable Mementos of themselves and friends, must be ready on Mr. E.’s arrival.  Those who are acquainted with the celebrity of the above, will need no further comment.  November 20, 1846.

Advertisement ran on November 28 and December 5, 1846.

1847 January 13.  Delaware Gazette.  (Delhi, New York.)  January 13, 1847, Vol. XXVIII, No. 14, P. 2.

Photographic.—Mr. O. B. Evans, whose advertisement will be found in another column, is expected here in a few days, for the purpose of taking Miniatures by the Daguerreotype process.  From the specimens we have seen, we think it superior to anything of the kind ever before shown us.  Mr. Evans has testimonials from gentlemen of the highest respectability and standing, many of whom are known to our citizens.  Among those we have seen, is a highly complementary note from J. Fennimore Cooper, Esq., Rev. A. E. Campbell, Pastor of the Presbyterian Church, Cooperstown, and Hon. John H. Prentiss, editor of the Freeman’s Journal—Names that would not have been given to a person unworthy of public confidence.

1847 January 13.  Delaware Gazette.  (Delhi, New York.)  January 13, 1847, Vol. XXVIII, No. 14, P. 3.

Photographic.  O. Benton Evans, Celebrated Daguerrian, With his Gallery of Three Hundred Miniatures, will visit Delhi in a few days.  Persons who have not satisfactory pictures, taken by inferior and incompetent operators can be furnished with Miniatures executed by a different process, and entirely superior to any ever before taken in this County—not inferior to the most celebrated Oil Paintings.

Advertisement ran from January 13 to March 24, 1847.

1847 February 24.  Delaware Gazette.  (Delhi, New York.)  February 24, 1847, Vol. XXVIII, No. 20, P. 3.

O. B. Evans’ most grateful acknowledgments are due to the people of Franklin and vicinity, for the very liberal patronage which he has received in the last four weeks, and would also solicit a call from the people of Delhi and adjacent towns, who may wish Miniatures of themselves and friends, taken in all weather, from the size of a sixpence to the largest Miniature size, enveloped in frames, cases,, lockets, finger rings and bracelets, as the purchaser desires.

Mr. E. has also lense for executing pictures larger and entirely superior to any ever offered to this community.  Persons with light eyes and hair, can have pictures with equal perspicuity as those of dark.

The most experienced and artistical skill will be given to position and equalizing the light and shade on the face so as to retain every minutia and life like expression and entirely obviate the cadaverous and mechanical appearance which is so universally common to Daguerreotypes taken by young, inexperienced and inefficient Daguerrians.

The subscriber is one of the oldest operators now in America, together with testimonials from distinguished individuals to substantiate all the above assertions; also a large Gallery of Pictures with different positions, complexions, dress &c., so that persons from analogy, can choose a position satisfactory to the most fastidious observer. 

Rooms at Mr. E. S. Edgerton’s residence.

1847 March 10.  Delaware Gazette.  (Delhi, New York.)  March 10, 1847, Vol. XXVIII, No. 22, P. 3.

The subscriber is under the necessity of giving notice to all who may wish unparalled miniatures of themselves and friends, to give notice two or three days in advance, to avoid coming in collision with others.

N. B.—Thee special attention of the people of this place and vicinity is called to an inspection of miniatures taken of R. Parker, esq., and others, which have not their equal this side of New York, and not surpassed in the world.

Persons from the country are also respectfully invited to call before purchasing elsewhere.  Entire satisfaction is guaranteed both in price and Miniatures.  O. B. Evans.

Advertisement ran from March 10 to April 14, 1847.

1847 March 24.  Delaware Gazette.  (Delhi, New York.)  March 24, 1847, Vol. XXVIII, No. 24, P. 3.

Premium Daguerreotypes.  The subscriber will remain only this week.  The like valuable opportunity will doubtless never be offered to the people of Delhi again.  O. B. Evans. 

Advertisement ran from March 24 to April 7, 1847.

1847 April 14.  Delaware Gazette.  (Delhi, New York.)  April 14, 1847, Vol. XXVIII, No. 27, P. 3.

The Last Notice to the People of Delhi and vicinity.  The subscriber will positively leave this place for Unadilla on Friday next.  All persons having unfinished pictures, are respectfully requested to attend to the same immediately.

The people of Unadilla must also be in readiness on his arrival, as his sojourn will be limited to one week only.  O. B. Evans.

Mr. E. returns his most grateful acknowledgements to the inhabitants of Delhi and adjacent towns, for the very liberal patronage and courtesy which he has received from all.

1847 December 29.  Geneva Courier.  (Geneva, New York.)  December 29, 1847, Vol. XVIII, No. 1, Whole No. 887, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, will visit Geneva in a few days with the most splendid variety of Frames, Cases, and Lockets, that has ever been imported into this country.  Pictures executed by an entirely new process.  All persons are respectfully solicited to wait and see for themselves.

Advertisement ran from December 29, 1847 to January 19, 1848.

1848 January 1.  Geneva Daily Gazette.  (Geneva, New York.)  January 1, 1848, New Series-Whole No. 157, Vol. IV, No. 1, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, will visit Geneva in a few days with the most splendid variety of Frames, Cases, and Lockets, that has ever been imported into this country.  Pictures executed by an entirely new process.  All persons are respectfully solicited to wait and see for themselves.

Advertisement ran from January 1 to February 19, 1848.

1848 February 5.  Geneva Daily Gazette.  (Geneva, New York.)  February 5, 1848, New Series-Whole No. 162, Vol. IV, No. 6, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, has fitted up rooms in the second story of the building first door south of Hall’s Jewelry Store, Water Street, where he has the most splendid variety of Frames, Cases and Lockets, that has ever been imported into this country.—Pictures taken by an entirely new process.  All persons are respectfully solicited to call and see for themselves. 

Advertisement ran from February 5 to March 11, 1848.

1848 February 9.  Geneva Courier.  (Geneva, New York.)  February 9, 1848, Vol. XVIII, No. 1, Whole No. 887, P. 3.

Photographic Pictures.  Mr. O. B. Evans, Daguerreotypist, is in town, and has opened a room on Water St., one door west of Hall’s Jewelry Store.  He has 4 hundred specimens, and he invites all to call and examine them.  Geneva, Feb. 9, 1848.

Advertisement ran from February 9 to March1, 1848.

1848 March 11.  Geneva Daily Gazette.  (Geneva, New York.)  March 11, 1848, New Series-Whole No. 167, Vol. IV, No. 11, P. 2.

Reflection.—Portraits are like wills—they should be executed during the life of the testator.  Like the latter, they may also prove most valuable after death.  A third resemblance consists in the fact that they both witnesses after execution.  For the information of those who are desirous of obtaining a life-like likeness (and who should not be?)  we would refer them to the Daguerrean Rooms of our friend Prof. O. B. Evans, first door south of A. B. Hall’s silver-smith shop.

1848 March 15.  Geneva Courier.  (Geneva, New York.)  March 15, 1848, Vol. XVIII, No. 13, Whole No. 898, P. 2.

Photographic!  Prof. O. B. Evans is fast perpetuating the beauty of the present inhabitants of Geneva, for the eye of those who may come after them.—He has taken some of the best likenesses we have seen.  The Professor’s rooms are in Water street, a few doors north of the Franklin House.

Let those who are young and single, of both sexes, get their likenesses, that they may interchange—let those who are un-single be not backward, that when they have grown old together, their hearts may “fill with life’s young tides again,” as they gaze on themselves in days far gone by—let those who are middle-aged do likewise before they become wrinkled and gray—let those who are old, yet on account of a sweet disposition have preserved a mild and venerable countenance, also be taken, that their grand-children may take knowledge of their pleasant ways and imitate them.  And, finally, let those who are old, ill-tempered and ugly, have their faces taken, that their grand-children may see them, and thus avoid “barking up the wrong tree!”

N. B.  As this is leap year, single ladies, who are five and ——! Should tender their exact picture to bachelors, and bachelors vice versa.  See advertisement.

1848 March 15.  Geneva Courier.  (Geneva, New York.)  March 15, 1848, Vol. XVIII, No. 13, Whole No. 898, P. 3.

Photographic!  Prof. O. B. Evans, late of Troy, N. Y., who is the oldest practical Daguerrean now in America, is prepared at all hours from 8 A. M. until 4 P. M. to execute Miniatures by the Late London Process, entirely superior to any ever before exhibited in this part of the state.  By this process, it will be seen that picture possess a strength not inferior to the most celebrated Oil Paintings, yet preserving all the beauty of light and shade which can be found in finest mezzotint engraving.  These pictures are also made indelible by the patent gilding, which gives them that peculiar tone which is seen in none taken by the old process; in short,  their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscriber has a variety of Frames, Cases and Lockets, of the richest quality, not surpassed in the world—made only to his order!

A call from the people of Geneva and vicinity is respectfully solicited.  Persons visiting town should not neglect this rare opportunity.

Instruction given and apparatus furnished to all who may wish to embark in this respectable vocation.

Rooms on Water street, a few doors north of the Franklin House. 

Advertisement ran from March 15 to 29, 1848.

1848 March 18.  Geneva Daily Gazette.  (Geneva, New York.)  March 18, 1848, New Series-Whole No. 168, Vol. IV, No. 12, P. 3.

Photographic!  Prof. O. B. Evans, late of Troy, N. Y., who is the oldest practical Daguerrean now in America, is prepared at all hours from 8 A. M. until 4 P. M. to execute Miniatures by the Late London Process, entirely superior to any ever before exhibited in this part of the state.  By this process, it will be seen that picture possess a strength not inferior to the most celebrated Oil Paintings, yet preserving all the beauty of light and shade which can be found in finest mezzotint engraving.  These pictures are also made indelible by the patent gilding, which gives them that peculiar tone which is seen in none taken by the old process; in short,  their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscriber has a variety of Frames, Cases and Lockets, of the richest quality, not surpassed in the world—made only to his order!

A call from the people of Geneva and vicinity is respectfully solicited.  Persons visiting town should not neglect this rare opportunity.

Instruction given and apparatus furnished to all who may wish to embark in this respectable vocation.

Rooms on Water street, a few doors north of the Franklin House. 

Advertisement ran from March 18 to May 7, 1848.

1848 March 29.  Geneva Courier.  (Geneva, New York.)  March 29, 1848, Vol. XVIII, No. 15, Whole No. 900, P. 3.

Photography.  Through the gentlemanly courtesy of Mr. J. S. Lewis, (late of New Orleans,) Prof. O. B. Evans is enabled to show his patrons a correct daguerreotype of old “Rough And Ready.”

1848 April 5.  Geneva Courier.  (Geneva, New York.)  April 5, 1848, Vol. XVIII, No. 16, Whole No. 901, P. 3.

Photographic!  Prod. O. B. Evans would say that his sojourn is limited to a very few days.  All persons having unfinished pictures are respectfully solicited to attend to it immediately. 

Advertisement ran from April 5 to 26, 1848.

London Daguerrian Gallery.  Messrs. Evans & Powelson, most respectfully announce to the people of Buffalo and vicinity that they are now prepared to execute Daguerreotypes by the Late London Process, entirely superior to any ever before exhibited in this part of the State.  By this process it will be seen that Pictures possess a strength not [inferior] to the most celebrated Oil Paintings yet possessing all the beauty of light and shade that can be found in the finest [lineal] engravings.  These Pictures are also made indelible by the Patent Gilding which gives them that peculiar and beautiful tone which is [seen] in none taken by the old process in short, their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscribers have also testimonials from the most distinguished [connoisseurs] in Europe and America and a variety of the richest Daguerrean stock made only to their order

Persons visiting Buffalo on business or pleasure should not neglect this rare opportunity to obtain for themselves and friends these [inestimable] mementoes.

Daguerrean Rooms No. 220 main street corner of West Swan over L. S. Reynolds Drug Store.  Don’t forget the place.

Advertisement ran from August 31 to November 6, 1848.

1848 November 6.  Buffalo Morning Express.  (Buffalo, New York.)  November 6, 1848, Vol. 3, No. 874, P. 3.

Dissolution.  The Copartnership of Evans & Powelson, is this day dissolved by mutual agreement—The Daguerrian business will be carried on hereafter by O. B. Evans, at the old stand No. 220 Main st.

1848 December 30.  Buffalo Morning Express.  (Buffalo, New York.)  December 30, 1848, Vol. 3, No. 919, P. 2.

Photographic.—The London Premium Daguerrian Gallery will be open for social calls on Monday next.  O. B. Evans.  December 30.

1849 March 7.  Buffalo Morning Express.  (Buffalo, New York.)  March 7, 1849, Vol. IV, No. 975, P. 2.

Daguerreotypes (inscription inside medal) New York State Agricultural Society 1848 Awarded to Evans & Powelson for best Daguerreotypes.

London First Premium Daguerrean Gallery, No. 220 Main, corner Swan street, Buffalo.

Awarded the subscribers, at the late Agricultural State Fair at Buffalo, two Diplomas and two Silver Medals, for the most elegant specimens of Daguerreotypes ever shown the Society.

This is the fifth premium the subscribers have received during the last nine years, in competition with the principal artist in this country.  Our pictures now stand unrivalled.  We challenge comparison with any executed in this country or Europe.

Persons visiting Buffalo, should not fail to call and examine for themselves.  We base our reputation only upon the opinion of those who are competent judges of Light and Shade.

To all Whom it May Concern.  This may certify, That I consider Prof. Evans pre-eminently the best Daguerrean Artist that I have ever become acquainted with, (and I have sat as many as seventy times to the best artists in many of the Eastern cities.)  I regard his pictures as a perfect study of artistical skill and beauty.  It is evident that it is not the difference in the Instrument or chemicals that gives his pictures such a splendid effect, but the superior knowledge of Light and Shade, which he possesses over all other Daguerreans.  My assertions are confirmed by the observations of all the able connoisseurs whose opinion I have heard expressed upon the subject.

Levi Tucker, Former Pastor Washington st. Bap. Church, Buffalo.  Buffalo, December 27, 1848.

Advertisement ran from March 7 to December 21, 1849.

1849 September 18.  Buffalo Morning Express.  (Buffalo, New York.)  September 18, 1849, Vol. IV, No. 975, P. 2.

Messrs. Evans & Powelson, of Buffalo, have exquisite pictures in their daguerreotypes—graceful and rich agreeable in coloring and faithful in portrait.  These artists really make their work so beautiful, and the language of eulogy is completely unfeigned.  The sweet picture of a group at chess is very much admired.  The quite, satisfied look of the winner, and the puzzled appearance of the loser, are inimitable.  How delightful it would have been if daguerreotyping such as this had been known in the days of Randolph and Jefferson, when they played their famous game at chess, the victory at which Mr. R. said, cost him the friendship of the illustrious man of Monticello.

The foregoing paragraph is extracted from a letter in the New York Courier and Enquirer, descriptive of the most prominent incident at the Syracuse Fair, written by the correspondent of that paper, Mr. Bogart, of Aurora, Cayuga county.  He is the author of the admirable letter in that paper written at different points on the President’s tour, descriptive of his reception and the chief incidents of his journey.  Bogart, it seems, has an eye for the beautiful in art as well as in nature.  We had been thinking, for some time, of inviting attention to the elgant pictures made by the above gentlemen—or Mr. Evans, rather, for the business is now conducted by him alone—but there is vary little to be added to the merited and discriminating encomium we have quoted.  It may be observed, however, that one great defect in daguerreotypes, and one which has struck almost everybody, has arisen from the want of artistic skill in arranging the accessories to the picture.  Those who have undertaken the work have been generally operators merely, not artists; and hence the stiffness and awkwardness of position, and the bad taste in grouping that impresses one so unpleasantly.  Mr. Evans is an artist, with a correct eye, cultivated taste, and a knowledge of all such matters as light and shade, color, prespective, and all the other elements employed to heighten the pleasing effect of a picture.  His productions show this, his groups being equal to anything of the kind we have ever seen.

1849 December 22.  Buffalo Morning Express.  (Buffalo, New York.)  December 22, 1849, Vol. IV, No. 1221, P.3.

Skylight Daguerreotypes At The London First Premium Daguerrean Gallery, No. 220 Main, corner Swan street, Buffalo.  The above is a cut of a Silver Medal, awarded the subscriber at the New York State Agricultural Fair, at Buffalo, and the fifth Premium in the last nine years.  Also, the first prize at the late Fair at Syracuse, in competition with over three hundred pictures from some of the first galleries in the United States.  This Gallery has now become the Picture Emporium for the entire Western World, and the standard of imitation.  Our competitors involuntarily acknowledge their inferiority by following in our wake and apeing us in every particular, Except The Picture!

Therefore strangers visiting the city are respectfully solicited to compare our Pictures with those executed by others.  Also, all who have long been prepossessed in favor of other Daguerreans, and have pictures taken by them, are very urgently invited to call and have one executed at this establishment, that they may have an ocular demonstration of the vast difference in portraying the same individuals.

N. B.—the subscriber would most respectfully notify the public that no premiums or diplomas have ever been awarded by the New York State Agricultural Fair to any Daguerrean in Buffalo except to the subscriber.  O. B Evans, The oldest Practical Daguerrean in the U. S.

Advertisement ran from December 22, 1849 to March 28, 1850.

1849 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1849, Vol. IV, No. 1222, P.2.

Daguerreotypes.—We have once before invited the attention of  our readers to the finished and elegant manner in which Mr Evans, on the corner of Main and Awan streets, execute miniatures with the daguerreotype.  He claims to be “the oldest practicing daguerrean in the United States”—and he is certainly one of the most accomplished in the art.  His productions, as has already been said, are of a superior order—many of them, remarkably so; and we have been led, in examining them, to wonder why Daguerreotypes are not, even in much greater demand than they are We regard the art of Daguerre as decidedly more valuable to mankind than that of Painting—we had almost said, than Painting and Sculpture combined.  Only the few can buy good pictures, but almost any one may have a good Daguerreotype of all those he loves dearly, which will be a blessing while they live and a solace when they have departed.  We believe the art has a moral value, and strongly tends to chasten and refine those who prize and cherish it products.  Wherefore, and on every account, let its faithful and cheap portraits of those we love be every where diffused and multiplied.  

1850 February 6.  Buffalo Morning Express.  (Buffalo, New York.)  February 6, 1850, Vol. V, No. 1258, P.2.

Destructive Conflagration!  Between 4 and 5 o’clock yesterday morning a fire was discovered in the upper story of the block of Stores, on the southwest corner of Main and Swan streets, which spread until four large stores were consumed…

Store No. 218 Main street was occupied by M. Compton as a dry goods establishment.  Loss estimated at $15,000.  Insured for $10,000.  The Lexington Company has $2,000 and the balance is divided among several other companies.  Mr. Evans’ Daguerrian gallery was in the second and third stories over this store.  Mr. Evans loss, we understand is something over $1,000—insured in the Genesee Mutual for $1,000.

1850 February 8.  New York Herald.  (New York, New York.)  February 8, 1850, Whole No. 5725, P. 4.

The Late Fire in Buffalo, N. Y.—The Buffalo Courier, of the 6th inst…Evans’ Daguerrean gallery occupied the second and third stories of this building.  Insured in the Genesee Mutual for $1,000, which will fall short of covering the loss….

1850 February 11.  Portage Sentinel.  (Ravenna, Ohio.)  February 11, 1850, Vol. 5, No. 37, Whole No. 246, P. 2.

Great Fire in Buffalo, February 5.  This city has once again been visited by quite an extensive fire.  About half past four o’clock this morning, a fire was discovered in the upper part of the store No. [216] main street, next adjoining Coleman’s Drug store, corner of main and Swan streets.—Four three story brick stores belonging to the heirs of George Coyt, and the heirs of the late Judge Townsend…No. 218 was occupied by M. Compton as a dry goods store, whose loss is total, amounting to about $15,000.  He is insured for about two thirds—$2,000 of which was insured in the Lexington Company; the second and third stories were occupied by Evans Daguerrean gallery, which was insured in the Genesee Mutual company for one thousand dollars which will not cover the loss….

1850 February 12.  The Spirit of the Times.  (Batavia, New York.)  February 12, 1850, Vol. 31, No. 35, P. 2.

Extensive Conflagration in Buffalo.  Our city has once again been visited with quite a disastrous conflagration.  About half past four o’clock this morning, a fire was discovered in the upper part of store 218 Main st. next adjoining Coleman’s Drug store, corner of Main and Swan streets.  Four three story brick stores were burned—owned by George Coit, and the heirs of the late Judge Townsend…no. 218…The second and third stories were occupied by Evans’ Daguerrian Gallery.  Insured in the Genesee Mutual for $1000—which will not cover the loss…

1850 July 12.  The Schenectady Reflector.  (Schenectady, New York.)  July 12, 1850, Vol. XVI, No. 28, P. 2.

Most Fortunate Escape.—Capt. G. A. Griffing, of the Canal boat James M. Gray, informs us that 120 Norwegian emigrants, whom he conveyed to Buffalo, had paid their fare to Wisconsin on the ill fated steamer Griffith[2], and were just about to embark when Mr. O. B. Evans, Daguerrean, persuaded them to stop until next day, that he might take a picture of the boat and singularly dressed foreigners, which was done, and the money paid being refunded, their gratitude and joy, on hearing shortly of the sad destruction of the steamer can better be imagined than described.—Herkimer Journal.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.         M. A. Root, daguerreotypes.

28.       W. & F. Langenheim, photographic slides.

31.       O. B. Evans, daguerreotypes.

35.       Meade & Brothers, daguerreotypes.

51.       D. E. Gavit, daguerreotypes.

63.       M. B. Brady, daguerreotypes.

77.       M. M. Lawrence, daguerreotypes.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.       M. A. Root, Philadelphia, Pa., daguerreotypes.

62.       W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.     O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.     Meade & Brothers, New York, daguerreotype.

125.     D. E. Gavit, New York, daguerreotypes.

137.     M. B. Brady, New York, daguerreotypes.

151.     M. M. Lawrence, New York, daguerreotypes.

396.     J. W. Whitehurst, Baltimore, daguerreotypes.

1851 October 9.  New York Daily Tribune.  (New York, New York.)  October 9, 1851, Vol. XI, No. 3269, P. 5.

The Daguerreotypes At The Fair.—Among the most attractive articles in the present Fair of the American Institute at Castle Garden, the Daguerreotypes by our City artists hold, and worthily hold, we think, a very high place.  The improvements in the photographic art within a few years have certainly been extraordinary; and notwithstanding the art itself originated in France, the World’s Fair in London completely settled the question, that in this country it had already received a finish and perfection known to no other part of the earth.  And yet, in the World’s Fair were to be found only some of our most inferior specimens; the display in Castle Garden at this moment, far surpassing in point of excellence in the Daguerreotypie Art, that presented by the celebrated Crystal Palace.  Castle Garden, however, even to the most careless eye, exhibits, by no means, a monotonous uniformity of perfection in this particular branch of our national skill, taste and industry; for, although many of the specimens of the Daguerreotype are very good indeed, and many strikingly better, the collection in the upper, north gallery, by Messrs. M. A. & S. Root, of this City, is one that cannot fail to meet the entire approval of every one.  We look on those exceedingly large likenesses as beyond anything of the kind we have yet seen either in this country or in Europe.  In addition to their size, while it brings them up almost to the magnitude of portraits, increases immeasurably the difficulty of their correct production, there is a sharpness in the outline, a distinctness in the impression, a depth and clearness of expression, a fullness of character about them, as well as an absence of the cloudy dimness and mercurial flatness which so generally characterize and mar the limnings of the daguerreotype, that they at once arrest the attention and extort from all exclamations of admiration.  The likeness of Mr. Hite, the miniature painter, is exquisite.  The Messrs. Root also exhibit a very beautiful series of daguerreotypie illustrations of the sentiment of the song of “The Old Arm Chair.”  The picture are eminently artistic, appropriate and poetic, natural and full of taste.  If no other evidence were at hand, if the medals won by the Messrs. Root from various exhibitions in this and other States counted for nothing, if the gigantic pictures they have produced, so next to life itself in all their characteristics were set aside, this graphic illustration of so popular a song would place them in the foremost rank among the daguerreotypists of the world.

1851 October 10.  New York Daily Tribune.  (New York, New York.)  October 10, 1851, Vol. XI, No. 3270, P. 5.

To the Editors of the N. Y. Tribune:

Gentlemen:  I cannot let the article in your paper of this morning, headed “ The Daguerreotypes at the Fair,” pass without a reply.  Although appearing as editorial, I cannot for a moment believe that it was written by either of the Editors of The Tribune.  It is to partial, and so far from the truth, that no one at all acquainted with the facts of the case, can believe that it emanated from any other than the gentlemen who are so highly extolled.  It certainly is a sort of left-handed compliment to the exhibitors at the London Exhibition to say, that they have carried off the palm from the whole world, and yet, have done so, with the “most inferior specimens.”  Why did not the gentleman send some of those specimens “that arrest attention, and extort from all, exclamations of admiration?”  His name appears on the list of competitors at the Crystal Palace, yet, his pictures have never arrived there.  Why? Was he afraid to compete with “inferior specimens?”  Will any one suppose, That Mr. Whipple of Boston, Mr. Evans of Buffalo, Mr. Brady and Meades of New York, or your humble servant, sent nothing but “most inferior specimens?”  Fair competition, and honest rivalry I most heartily approve of.  It is that which has placed the art in its present high position in this country.  But for one to endeavor to elevate himself, by depreciating the productions of others that are equally meritorious, is neither fair, honorable nor honest.

M. M. Lawrence, No. 203 Broadway.  New York, Oct. 9, 1851.

1851 October 11.  New York Daily Tribune.  (New York, New York.)  October 10, 1851, Vol. XI, No. 3271, P. 5.

To the Editors of the N. Y. Tribune:

Gentlemen:  In The Tribune of this morning, I find an article signed “M. M. Laurence,” reflecting ungenerously upon Messrs. M. A. & S. Root, of this City, on account of an editorial that previously appeared in your columns, justly eulogizing the Daguerreotypes exhibited by the Messrs. Root, at the Fair, at Castle Garden.

With the personal feeling evinced by Mr. L. in his communication against the Messrs. R., I can have nothing to do, although, upon the principle “let the galled jade wince,” Mr. L. has placed himself, by his lamentation over the success of a rival, in a very undignified position before the public; and, as “one of the public,” I might have a right to amuse myself by taking advantage of it.

But, gentlemen, when Mr. L. taxes you with either injustice or ignorance, in your remarks relative to the Daguerreotypic specimens from this country, in the Crystal Palace, in London, and the very superior specimens of the art displayed by the Messrs. Root at Castle Garden, I cannot remain silent.

I attended the Great World’s Fair in Hyde Park.  And examined their contents, every day, for weeks.  And yet, with the highest possible respect for the abilities of “Mr. Whipple, of Boston, Mr. Evans, of Buffalo, Messrs. Brady and Meade, of New York.” as well as of Mr. L., I assert that the Crystal Palace does contain, or did in May, June and July last, the “most inferior specimens” of the progress of the Daguerreotypic art in this country.  I would not insult any of those gentlemen by supposing that they sent their best pictures, for I have seen better at their doors; and I was going to say, they had more meritorious ones now on exhibition at Castle Garden.  But I discover that not one of them has felt disposed to enter into the contest for the medal, with the Messrs. Root, on this occasion.  “Discretion,” Falstaff remarks, “is the better part of Valor.”

As for Mr. L.’s anxiety to charge upon the Messrs. Root the disposition to “blow their own trumpet,” I have only to say, in the language of Lacon, “They most accuse who oftenest sin themselves.”  I know that the Messrs. Root did not write the article that has so wounded Mr. L.; and as to the merits of the Messrs. Root’s pictures at Castle Garden, they may be safely left to speak for themselves.  If they do not “arrest attention and extort from all exclamations of admiration, “then am I, certainly, no Judge Of Facts.  New-York, 10th Oct., 1851.

1851 October 14.  The Spirit of the Times.  (Batavia, New York.)  October 14, 1851, Vol. 33, No. 18, P. 3.

Photographic.  O. B. Evans, Proprietor of the London Premium Daguerrean Gallery, Buffalo, will open rooms for a few days at Mr. C. A. Johnson’s new sky-light Gallery, in Batavia.  Mr. E. trusts his reputation is too well established to require any comment.  All persons wishing pictures taken by him, must be ready as soon as his rooms are ready for business.

Specimens can be seen at Mr. Johnson’s Rooms.

The above is a cut of a Silver Medal awarded by the late State Fair, at Rochester, and the sixth premium in the last ten years.

Advertisement ran from October 14 to December 30, 1851.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. V, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present likits we only refer to the following:  First—a Silver Medal and a Diploma by the New York State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear. In the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

Advertisement was recorded from December 25, 1851 to  January 15, 1853.

1852 January 6.  The Spirit of the Times.  (Batavia, New York.)  January 6, 1852, Vol. 33, No. 30, P. 3.

Photographic.  O. B. Evans would most respectfully announce to the Ladies and Gentlemen of Batavia and vicinity, that he is now prepared to wait upon all who may please favor him with a call.  His sojourn will be limited to one week.  Rooms at Mr. Johnson’s Gallery.

1856 January 1.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  January 1, 1856, Vol. XI, No. 3083, P.3.

Photographic And Stereoscopic Likenesses.  O. B. Evans would most respectfully give notice that he will be fully prepared to execute all varieties pf paper and glass pictures in a few days.  Persons are most cordially solicited to take a look at his pictures before purchasing elsewhere.

Stereoscopic, as well as Photographic pictures, the subscriber would wish to see compared with other competitors.  jy17.


[1] Craig’s Daguerreian Registry.

Boisseau, Alfred

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Biography


[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.

Aaron Bean

1848-1851       290 Main Street, Buffalo, New York.[1]

1852                Address Unknown, Buffalo, New York.

Aaron Bean was recorded in two announcements.  The first appeared in The Freeman’s Journal  (Cooperstown, New York) on January 23, 1852.  Destructive Fire and Loss of Life.  Buffalo, Jan. 18.—At 2 o’clock this morning a fire broke out in the brick block on the corner of Main and Eagle Streets, originating in the saloon kept by Daniel Dix, in the basement of the corner building under the drug store of P. G. Vonght & Co….

Two mournful accidents occurred.  Aaron Bean, Daguerrean artist, who was sitting up in an upper chamber with the corpse of his child, was smothered to death before assistance could be rendered.  It is supposed he fell asleep and from the rapid spread of the fire, his room filled with smoke before he awoke.  His wife and daughter, in another chamber, were rescued….

The second appeared in the Jamestown Journal (Jamestown, New York) on January 23, 1852.

…The upper story was occupied by families.  Mr. Bean residing with his family over his daguerrean room.  We record with pain the death of Mr. Bean, who was infirm, and in saving the life of his wife, was suffocated in the smoke.  When taken out, he had ceased to breath, and every effort to resuscitate him proved unavailing.  Mr. Bean had just lost a child whose corpse was in the house at the time of the fire, but was taken out…

Arron Bean is recorded in other photographic directories.


[1] Craig’s Daguerreian Registry.

Philo Allen

1847-1848       164 Main Street, Buffalo, New York.

Philo Allen was recorded in two announcements in the Morning Express (Buffalo, New York).  The first advertisement ran from November 11, 1847 to January 8, 1848.  Daguerreotype Apparatus.  Philo Allen, 164 Main street, Buffalo, respectfully calls the attention of Daguerrian Artists to his large assortment of articles for their use.  Having for a number of years past been dealing in these articles he feels confident he has a better assortment of genuine materials than can usually be found away from the metropolitan cities, and the large amount of his sales enable him to offer them at as low prices [as] the same quality of materials can be found in the Union. Among his assortment may be found—

Scovill’s medium, quarter and half size plates, No. 1 and 2. E. White’s do do., Cases, of all sizes, styles and quality, including silk, velvet and satin lined, extra gilt, &c., &c. Thermometer Tubes, Prepared Buckskin, Colors and Brushers, Color Boxes, Calcined Rotten-stone, Distilled Mercury, Hyper-sulphate of Soda, [ ? ] of Potassium Bromine, German and American, Warranted pure, Iodine, Chloride of Iodine, Roche’s Quick Stuff, Chloride of Gold, Rogue, Black Polish, &c., &c. Mattings and Preservers, different sizes, Plate Glass, all sizes, Black Walnut and Rosewood Frames, Also—Voigtlander’s and Langenheim’s celebrated Cameras, and other apparatus furnished at New York prices.  Every article warranted genuine.

Artist and others wishing any thing in this line are invited to call and take prices.  Philo Allen, 164 Main st. 

The second advertisement ran from August 31 to after September 9, 1848.  Daguerreotype Materials…Unreadable…Poor film quality, out of focus, low resolution and over exposed.

Philo Allen is recorded in Craig’s Daguerreian Registry as being active in Buffalo, New York prior to April 1854 without a business address.

Walker & Benton

1847-1848       266 Main Street, Buffalo, New York.

Walker & Benton (George G. Walker & Russell O. Benton) were recorded in an advertisement in the 1847-1848 Buffalo City Directory (Buffalo, New York) and one advertisement in The Republic (Buffalo, New York).  The city directory advertisement reads:  Walker & Benton’s Daguerrian and Manufacturing Rooms,  Formerly Geo. G. Walker, No. 266 Main Street, Where Miniatures are taken equally well in clear or cloudy weather from 3 to 15 seconds.  Also, on hand and for sale a general assortment of German and American Cameras-Plates, Cases and Chemicals, And every thing pertaining to Daguerreotype business.

All Orders Directed To Walker  Benton With Remittance, Shall Be Filled With Dispatch.

N. B.—Instructions in the art thoroughly and carefully given.

The advertisement ran from July 2, 1847 to April 28, 1848 in The Republic(Buffalo, New York).  Walker & Benton, Daguerrian Rooms, 266 Main street, Buffalo.

Price of Miniatures from $1 to $10.  Apparatus. Plates, cases, chemicals &c., for sale.  All instruction in the art carefully and faithfully given.                                             

Walker & Benson are both recorded in Craig’s Daguerreian Registry, but Walker is misidentified as George R. Walker not George G. this has been verified in the above advertisements and the residence section of the 1847-1848 Buffalo City Directory.

Henry Shaft

1855                Address Unknown, Buffalo, New York.

Henry Shaft was recorded in one advertisement that appeared on June 20, 1855 in The New York Herald (New York, New York).  To Photographers.—Wanted, A Person Who thoroughly understands the photographing and daguerrean arts, to go to a large Western city.  To a competent man, a permanent situation, with good salary, will be given.  Address Henry Shaft, box 2410 Buffalo Post Office, with specimens of work.

Henry Shaft is not recorded in other photographic directories.  It is possible that Henry Shaft was an agent or contact person and not a photographer.  

Further research uncovered in the 1855 Buffalo City Directory residency listing Henry Shaft is listed as a book-keeper at R. J. Compton.  Richard J. Compton is recorded in the residence listing as an Engraver and Lithographer, 209 Main Street. In an advertisement P. 81 Compton’s Lithographing & Engraving Establishment, 209 Main Street, Buffalo, R. J. Compton, Proprietor, Having purchased the entire interest of my Co-partners, and having the most extensive establishment of the kind in the west, I am prepared to fill contracts for the largest kind of work with punctuality and in the best style.

William C. Mayhew

1847                274 Main Street, Buffalo, New York.

William C. Mayhew was recorded in an advertisement that ran from June 30 to August 28, 1847 in The Republic (Buffalo, New York).  Daguerrian Gallery.—Cameo Likenesses taken by Mr. Wm. C. Mayhew.  Copies of the antique cut in Cameo from designs.  Daguerrian likenesses taken in all weather, with or without color.  Rooms No. 274 Main st.

William C. Mayhew is not recorded in other photographic directories.