Tag Archives: Albany New York

Gavit, Daniel E.

Daguerreotypes, , , , , , ,

1845                15 Dow’s Building, Albany, New York.[1]

1845-1846       85 Genesee Street, Auburn, New York.

1848-1850       480 Broadway, Albany, New York.

1850-1852       247 Broadway, New York, New York.

1852                192 Broadway, corner John Street, New York, New York.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures.

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 2.

Gavit’s Daguerreotype Gallery.  Mr. Oliphant,—I last week visited the Daguerreotype Gallery of D. E. Gavit, late of Albany.  Although I Have had the pleasure of seeing many fine specimens of this beautiful art.  I never saw any, that for magnificence of execution, and faithfulness of representation would compare with those taken by Mr. Gavit.  His pictures unlike those taken by most other artist, present every feature as perfect as they exist in the person taken.  The eyes, the expression of the countenance, and the complexion, are all taken perfectly, which in my opinion render them equal, if not superior to the best Miniature Likenesses upon ivory.  And I sincerely hope Mr. Gavit may receive that patronage from the citizens of this village, which his talents and his superiority in his business deserve.  Auburn, Dec. 1, 1845.         G. L. F.

We insert the above with pleasure, conscious that by such course we are but doing an act of justice to Mr. G., whose beautiful specimens of the perfection to which this recently discovered art has been brought, deserve the highest praise.  The reader is referred also to his advertisement.

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 3.

Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

1845 December 10.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 10, 1845, Vol. 13, No. 32, P. 2.

Daguerreotype.—In consequence of the liberal patronage received from the citizens of Auburn, for which he begs leave to return his sincere thanks, and to accommodate those who wish to sit, the subscriber has determined to remain a few day longer.

Those who require his services are requested to call immediately, as he assures them his stay is limited.  D. E. Gavit, Galleries No. 85 Genesee-st., up stairs.

Advertisement ran from December 10, 1845 to January 7, 1846.

1845 December 24.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 24, 1845, Vol. 13, No. 34, P. 2.

Mr. Editor,—A correspondent in your last, in alluding to the Daguerreotype Gallery of Mr. Gavit, quotes the old saying, that a “new broom sweeps clean.”  I believe all who have seen Mr. G’s specimens in the art alluded to, up to the present time, will concur with me in the remark that his broom has so far the advantage of many others that have been known in this section, that it still retains its newness and freshness.

1848 September 11.  New York Herald.  (New York, New York.)  September 11, 1848, Whole No. 5213, P. 1.

Another Fire In Albany.  [From The Albany Atlas, September 9.]

About 2 o’clock this morning, a fire broke out in the the splendid block of buildings, Nos. 480 and 482 Broadway, a door or two north of the Mansion House, belonging to the estate of Samuel Fisk, Esq., and occupied by Mulford & Wendell, jewelers; R. W. Freeman, tailor; Samuel Stevens, law office; Mr. Delancey, and the Daguerrean room of Mr. D. Gavitt… 

1849 October.  Eighth Annual Report Of The American Institute, Of The City Of New York.  (Albany, New York.)  1850, P. 25 & 46.

List Of Premiums Awarded By The Managers Of The Twenty-Second Annual Fair Of The American Institute, October 1849…Daguerreotypes.

M. B. Brady, 205 Broadway, for the best daguerreotypes.  Gold Medal.

M. A. Root, Philadelphia, Penn., for the second best daguerreotypes.  Silver Medal.

D. E. Gavit, Albany, N. Y., for daguerreotypes.  Diploma.

1850 August 13.  New York Herald.  (New York, New York.)  August 13, 1850, Whole No. 5908, P. 5.

President Millard Fillmore.—Just published, an admirable portrait of the President of the United States, executed by Crehen, after a beautiful daguerreotype taken by Gavit.  Price of each copy $1.  Goupel, Vibert & Co., 289 Broadway.

Advertisement ran from August 13 to 16, 1850.

1850 September 13.  New York Semi-Weekly Tribune.  (New York, New York.)  September 13, 1850, Vol. IV, No. 32, Whole No. 344, P. 2.

Another Fire In Albany.—The Evening Journal says, James Kidd’s beautiful building, Nos. 480 and 482 Broadway, was destroyed by fire on Saturday morning.  The upper part of the building was occupied in part by S. Stephens, Esq. as a law Office, Gavitt & Co. Daguerreotypists, and several persons.  Nearly all the property in the building was insured.…

1850 September 13.  New York Daily Tribune.  (New York, New York.)  September 13, 1850, Vol. X, No. 2885, P. 4.

A Daguerreotype.—We were shown yesterday an exquisite specimen of the excellence to which Daguerreotyping has been brought.  It was the portrait of a young girl, by Mr. D. E. Gavit, of Albany, to whom the first premium of a silver medal has just been awarded at the late State Fair in Albany.  The great merit of this Daguerreotype lies in the general softness and harmony of the shadows, the unconstrained ease of the attitude, and the life-like animation of the face.  It may be seen for a few days at Mr. Anthony’s, 205 Broadway.  Mr. Gavit, we learn, intends shortly establishing himself in this city.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 September 15.  The New York Herald.  (New York, New York.)  September 15, 1850, Whole No. 5941, P. 3.

The State Fair.—We were shown, yesterday, a specimen of daguerreotypes from the gallery of Mr. D. E. Gavit, of Albany, and the one which won the first prize of a silver medal, at the late State fair.  It was a perfect specimen of the art, and shows the great perfection to which that branch has been brought.  Mr. G. also received a diploma for the best selection of pictures, all of which he has left at the store of Mr. Anthony, in Broadway, for public inspection.

1850 October.  Transactions Of The American Institute Of The City Of New York 1850. P.21 & 41.

List Of Premiums Awarded By The Managers Of The Twenty-Third Annual Fair Of The American Institute, October 1850…

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway

Meade Brothers, 233 Broadway,

Harrison & Holmes, 289 Broadway,

D. E. Gavit, 247 Broadway,

C. M. Cary, 187 Broadway

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

*C. M. Cary, New York,             do           do.

*possibly Preston M. Cary.

1850 November 5.  The Granite Farmer.  (Manchester, New Hampshire.)  November 5, 1850, Vol. I, No. 34, P. 5.

Fair of the American Institute…

Daguerreotypes.

Considerable space in the gallery is devoted to the exhibition of Daguerreotype pictures, as usual.  We have generally paid attention to the quality of the specimens, and, without wishing to disparage our city artists, we feel compelled to give the preference to Messrs. Roots’, of Philadelphia, and Mr. Gavitt’s, of Albany.  We last year paid a high compliment to the [skill] of Messrs. Roots, and we are pleased to notice, by a card, that they have opened a splendid gallery in this city, at No. 363 Broadway, corner of Franklin.  If any of our friends desire a perfect cemblance (sic.) of themselves, and a picture finished in the highest style of the art, we can assure them that they can obtain it at the above place.  Scientific American.

1850 November 14.  The New York Daily Tribune.  (New York, New York.)  November 14, 1850, Vol. X, No. 2989, P. 4.

Gavit’s Premium Daguerreotype, at the National Miniature Gallery, 247 Broadway, corner Murray, over Ball, Thompkins & Black’s.—The proprietor is pleased to announce, that after repeated requests from his friends in New York, he is now permanently located as above, where all who wish can procure his superior Photographs, which he will warrant to be equal in finish and artistical skill to any yet produced in this wonderful art.  The Gallery (which is formerly owned by Anthony, Clarke & Co.) is the most extensive in the world, and contains over one thousand portraits of the most eminent men of the age who are celebrated as statesmen, warriors, poets, artists, divines, heroes, etc., and is well worth a visit from all.  The proprietor will use his utmost endeavors to please all who honor him with their patronage, and no charge will be made without the utmost satisfaction is given. 

D. E. Gavit, successor to Langenheim & Co.

Having sold our Daguerreotype Establishment to Daniel E. Gavit, we beg leave to recommend our successor to our customers, being satisfied that he deserves the public patronage in the fullest degree.  Langenheim & Co.

1850 November 21.  The New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 4.

Daniel Webster.—A superior Portrait of this great statesman can be seen at the National Miniature Gallery.  Also Portraits just added of Washington Hunt and Horatio Seymour, the late rival candidates for Governor.  Come and see them at Gavit’s, late Anthony, Clarke & Co. 247 Broadway, corner Murray.

1850 November 21.  The New York Herald.  (New York, New York.)  November 21, 1850, Whole No. 6007, P. 2.

Gavit, whose portraits were so extensively admired at the late fair of the American Institute, is now permanently located at the National Miniature Gallery, 247 Broadway, where those who wish can procure a perfect Daguerreotype, at all hours of the day.  The first prize, of a silver medal, was awarded those pictures, at the State Fair at Albany, and at the American Institute.  Late Anthony, Clark & Co., 247 Broadway, corner of Murray street.

1850 December 3.  New York Daily Tribune.  (New York, New York.)  December 3, 1850, Vol. X, No. 3005, P. 4.

Andrew Jackson, Gen. Taylor, Jas. K. Polk, Chancellor Kent, Silas Wright.—Portraits of the above, taken from life, can be seen at Gavit’s National Miniature Gallery, 247 Broadway, over Ball Thompson & Black.

1850 December 3.  The New York Herald.  (New York, New York.)  December 3, 1850, Whole No. 6019, P. 2.

The two highest medals for 1850, for the best Daguerreotype exhibited at the two last Fairs, held at Castle Garden and the State Fair at Albany, were awarded to D. E. Gavit, of the National Miniature Gallery, 247 Broadway—come and see them together with the largest and most elegant collection in the world.  Remember 247 Broadway, over Ball, Thompson & Black.

1850 December 4.  The New York Herald.  (New York, New York.)  December 4, 1850, Whole No. 6020, P. 2.

Gavit’s Daguerreotype.—Don’t be deceived or humbugged by those who profess to be Napoleons, Kings, Lyons, &c., but go and examine for yourselves, and give your patronage to that establishment where you are convinced you can get the utmost perfection of the art.  Be sure to call at the National Miniature Gallery, 247 Broadway.  No charge without the utmost satisfaction.

16 December 1850.  The Evening Post.  (New York, New York.)  December 16, 1850, Vol. XLIX, P. 2.

Gavit’s National Miniature Gallery, 247 Broadway, cor. Murray st. (Formerly Anthony, Clarke & Co.)

This establishment, the largest and most celebrated in the country, is now conducted by the subscriber, who pledges himself that its former enviable reputation shall be fully sustained, and that every picture will combine all the requisite perfection that the advancement of this elegant art is capable of producing.

This gallery contains over 1,000 portraits of the most distinguished men of the age, who are celebrated as statesmen, poets, authors, divines, heroes, orators, &c. and is well worthy a visit from all.

Those who patronize this establishment, are assured that pictures are as represented, and that we don’t depend on the usual gasconade and humbug of the day for business; and if the utmost satisfaction is not given to each patron, no charge is made.  Just received, a few elegant styles of cases, etc., for holiday presents.  D. E. Gavit, Proprietor.

Advertisement ran from December 16, 1850 to January 4, 1851.

23 December 1850.  The Evening Post.  (New York, New York.)  December 23, 1850, Vol. XLIX, P. 2.

Holiday Articles….—Among the many pleasing articles which may be presented as Gifts for the Holidays, we know of none more pleasing or appropriate than daguerreotype likenesses.  A reference to our advertising columns will give the names of some of the best daguerreotypist in New York, where accurate likenesses may be obtained at a little more than a minutes sitting, and at a moderate cost.  Among these we may mention the following names:  Holmes, 259 Broadway, who receives an extensive public patronage; Gavit’s daguerrean gallery, where may be seen the portraits of several of the notabilities of this and other countries.  Accurate portraits may also be obtained at the daguerrean rooms over J. J. Cox’s store, 349, where every convenience and requisite necessary for the taking of perfect likenesses may be found.  In addition to the daguerreotypists above named, we would recommend Mr. Gurney’s gallery, 189 Broadway, which is the oldest establishment of the kind in the city.  Color types on Ivory, glass and paper, are also taken here at a short sitting.  The gallery, No. 363 Broadway, is well worthy of a visit from those desiring a superior article.  Here may be seen several portraits of Jenny Lind, and other celebrities of the day.  Mr. Root exhibits no less than six medals, as testimonials of his services in the art.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And

Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.  M. A. Root, daguerreotypes.

28.  W. & F. Langenheim, photographic slides.

31.  O. B. Evans, daguerreotypes.

35.  Meade & Brothers, daguerreotypes.

51.  D. E. Gavit, daguerreotypes.

63.  M. B. Brady, daguerreotypes.

77.  M. M. Lawrence, daguerreotypes.

1851 January 22.   The New York Herald.  (New York, New York.)  January 22, 1851, Whole No. 6066, P. 6.

Gavit’s National Miniature Gallery 247 Broadway, corner Murray street.—This establishment contains the largest collection on of the portraits of distinguished individuals ever brought together, and those daily taken there are specimens of the highest perfection of art.  The public are invited to call.

1851 February 1.  New York Daily Tribune.  (New York, New York.)  February 1, 1851, Vol. XI, No. 3056, P. 5.

Mr. D. E. Gavit, late of Albany, has opened a handsome suite of Daguerreotype rooms at the corner of Broadway and Murray-st. as successor to Langenheim & Co.  His pictures have frequently received premiums, and merit examination.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.  M. A. Root, Philadelphia, Pa., daguerreotypes.

62.  W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.  O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.  Meade & Brothers, New York, daguerreotype.

125.  D. E. Gavit, New York, daguerreotypes.

137.  M. B. Brady, New York, daguerreotypes.

151.  M. M. Lawrence, New York, daguerreotypes.

396.  J. W. Whitehurst, Baltimore, daguerreotypes.

1851 February 19.  New York Daily Tribune.  (New York, New York.)  February 19, 1851, Vol. XI, No. 3071, P. 5.

The Daguerreotype Art.—In this age of in the useful arts and in cheap luxuries, none who possess the means of subsistence can make the costliness of family portraits an excuse for being without them.  The art of Daguerreotyping, in this country, has reached a point of great perfection, and the artists of New-York are among the foremost in excellence of workmanship, beauty of finish, and a quick apprehension and application of a new discoveries.  The establishment of Mr. D. E. Gavit, corner of Broadway and Murray-st., to which we alluded a few days since, is one of the most extensive in this country, and combines a number of advantages, which give it a peculiar claim upon public attention.—Probably a larger or better selected Portrait Gallery of distinguished personages could not be found.  His rooms are decked with the speaking likenesses of Presidents, Governors, Congressmen, eminent Divines, Jurists, and other more or less distinguished—the careful gleanings of many years.  Joining to a large experience that spirit of enterprise that never fails to succeed, Mr. Gavit has been enabled, by his discoveries on new chemical compounds and combinations, to impart to his pictures a finish of remarkable beauty, which gives general satisfaction, and insures him frequent premiums.  In Albany, where his principal establishment was, until recently, located, he achieved a name which is a sure guarantee of success among us.  We commend his establishment, No. 247 Broadway, to the attention of the reader.

1851 March 13.   The New York Herald.  (New York, New York.)  March 13, 1851, Whole No. 6716, P. 2.

The Daguerreotype In Perfection, at the National Miniature Gallery, 247 Broadway, corner Murray. Over Ball, Tompkins & Black.  Portraits of all sizes, in variety of settings.  Daguerreotypes copied, equal to the original.  Gavit’s, late Anthony Clark & Co.

1851 March 28.   The New York Herald.  (New York, New York.)  March 28, 1851, Whole No. 6731, P. 2.

Fine Arts.—Beautiful Daguerreotypes on ivory paper, in oil and water, finished in the most elaborate style.  The public generally are requested to call, and examine specimens of this superior process, at the National Miniature Gallery, 247 Broadway, corner of Murray.  Artists furnished with Talbotypes on reasonable terms.  D. G. Gavit.

1851 April 1.   The New York Herald.  (New York, New York.)  April 1, 1851, Whole No. 6735, P. 4

Talbotypes and Daguerreotypes.—Those beautiful pictures are acknowledged to be the “ne plus ultra” of art.  Those who wish to examine specimens (of which this gallery contains the largest collection in the world) are requested to call at the National Miniature Gallery, No. 247 Broadway.  D. E. Gavit.

1851 July 10.  The New York Herald.  (New York, New York.)  July 10, 1851, Whole No. 6833, P. 1.

Final Passage Of The Canal Bill, Large Number Of Bills Acted On.  Items from All Sections of the Country.  New York Legislature.  Special Session….Senate.  Albany, July 9, 1851.  Daguerreotype Likenesses of Senators.  A petition was presented by J. E. Gavet, asking the Senate to purchase the daguerreotype likenesses of the Senators.  It was referred to the Committee on Retrenchment.

1851 July 12.  The New York Herald.  (New York, New York.)  July 12, 1851, Whole No. 6835, P. 1.

New York Legislature.  Special Session…. Senate.  Albany, July 11, 1851….

Daguerreotype Likenesses.  The Senate refused to purchase the Daguerreotypes of the Senators of the previous Senate.

1852 February 15.  The New York Herald.  (New York, New York.)  February 15, 1852, Whole No. 7046, P. 2.

Fire.—Yesterday, evening about half past six o’clock, a fire broke out in the fourth story of the large brick building on the corner of Broadway and Murray street, occupied by D. E. Gavitt as the National Daguerreotype gallery; the occupants of the building are as follows:–The first floor is occupied by Ball, Black, & Co., jewelers, and the basement by W. O. Stout, card and steal engraver.  The second story by M. Lafever, B. T. Smith, architects, and Thomas Jones, keeper of bookkeeping; the third by D. W. C. Boutel, artist, W. W. Niles, and a P. Begley; attorneys; Henry Reiley, Taylor & Van Skelien, manufacturer of artificial flowers; the fourth floor by D. E. Gavitt, daguerreotype gallery, by S. Ellis & H. Noland, sculptors.  The fire originated in the mercury room of Gavitt’s daguerreotype gallery; but from what caused he could not tell.  The flames spread with such rapidity that before the firemen could get fairly at work the rooms were completely burned out, and in consequence of the impossibility of getting the hose to operate with anything like effect, caused by the bursting of several of them, fears were, at one time, entertained that the whole building would fall a prey to the devouring element.  When, however, several powerful streams were ultimately brought to play on the flames, they were soon subdued, but not before the greater part of the fourth story was demolished.  D. E. Gavitt lost every thing, amounting to about $3,000 which was not insured.  This is the second time that he has had the misfortune of being burned out—the first time in Albany, some three or four years ago, and also without being insured…

1852 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1852, Vol. XI, No. 3379, P. 4.

Fires.—About 7 o’clock Saturday evening a fire broke out in the large four story brick building No. 247 Broadway, extending back over 150 feet on Murray-st, occupied by the following persons; Basement floor by Wm. C. Stout, card and seal engraver; first and second floors by Ball, Black & Co., jewelry and silverware manufacturers; third floor by W. W. Niles and S. Bagley, lawyers, Mr. Von Skelline, artificial flower maker, Henry Riley, tailor, Thomas Jones, teacher of penmanship, and M. Lafever and B. Smith, architects; fourth floor by D. E. Gavit, daguerreotypist, D. W. C. Boutelle, artist, and Horace Noland, sculptor.  The fire originated in Mr. Gavit’s daguerreotype establishment, and when first discovered could have been easily extinguished with a few pails of water.  Mr. G. was near by when the fire broke out, and discovering that it was in his premises ran quickly to the room, and had nearly succeeded in smothering the flames with his overcoat, when he was compelled to desist, being nearly suffocated by the dense smoke which had already filled the apartment.

The promptness with which the bell ringer gave the alarm, soon brought a large body of firemen upon the ground, who made their immediate action, succeeded in a short time completely subduing the devouring elements, which at first threatened the destruction of considerable property.

The rear portion of the fourth story occupied by Mr. Gavit, Horace Noland, and Boutelle the Artist, was entirely destroyed by fire, together with the property of the occupants, which is not insured.  The property of the occupants of the second and third story was damaged by water to the amount of several thousand dollars.

Mr. Gavit estimates his loss at about $3,000.  This loss falls heavily upon him, as the property destroyed was all he possessed, and he is not insured a dollar.  Some time since he met with a similar misfortune; his establishment in Albany having been destroyed, but there he was insured.  Mr. G. had a great number of pictures, of which about 600 were of distinguished Americans.  These were all destroyed, and as many of the originals are dead, they can never be replaced.  He saved only about a dozen pictures in all, besides two medals which had been awarded to him—one by the State Agricultural Society, and the other by the American Institute.  We trust to see Mr. G. at work again soon, when all his old friends should give him a lift….

1852 February 16.  Richmond Whig.  (Richmond, Virginia.)  February 16, 1852, Vol. 29, No. 14, P. 2.

New York, Feb. 15.—A fire broke out last night on the corner of Broadway and Murray street in a large building occupied by Messrs. Ball, Black & Co., Jewellers.—The upper story only was burnt which was occupied by D. Garritt, daguerreotypist, and by S. Cuss, whose damage was about $3000.  Much injury was done to Messrs. Ball, Black & Co., and the other occupants, by water, there was a large insurance, more than covering the loss.

1852 February 17.  New York Daily Tribune.  (New York, New York.)  February 17, 1852, Vol. XI, No. 3380, P. 5.

Help Proposed.—We understand that the Daguerreotype Artists of this City contemplate raising a fund for the benefit of Mr. Gavit, Whose establishment was totally destroyed by fire on Saturday evening last.  We trust the craft will do something handsome for Mr. G., as the fire swept everything away, leaving him nothing but his naked hands with which to support a large family.  His policy of insurance expired a few days before the fire, and unfortunately he had neglected to renew it.  He is a good artist, and an energetic man, and with a little timely assistance, which shall enable him to recommence business, he will soon be on his feet again.

1852 February 21.  New London Democrat.  (New London, Connecticut.)  February 21, 1852, Vol. VII, No. 50, Whole No. 362, P. 3.

Fire In New York, &c.  New York, Geb. 15—9 P. M.  The building corner of Broadway and Murray street was discovered on fire in the fourte (sic.) story last evening, and that portion occupied as the National Daguerreotype Gallery, was almost consumed.  The first story was occupied by Messrs Ball, Black & Co., who sustained considerable damage to their stock which is valued at $250,000, and is fully insured.

1852 April.  The Photographic Art Journal.  (New York, New York.)  April 1852, Vol. III, No. IV, P. 257.

The photographic art has had to pass through a fiery ordeal since our last, no less than four galleries have been wholly or partially destroyed by the devouring element.

The first was D. E. Gavit, 247 Broadway, which occurred early in March, destroying his whole stock.  The daguerrean art and the whole country suffered an irreparable loss by this occurrence, as Mr. Gavit’s gallery contained the largest, best and most valuable collection of daguerreotypes in the world.  Splendid portraits of some of our most remarkable men, and which can never be replaced, were consumed.  Mr. Gavit’s loss was total, as his policy of insurance expired only a day or two previous.

Mr. Gurney was the next to suffer—but we are happy to say received very little damage—and following close upon his disaster was that of Mr. Whitehurst, whose beautiful gallery in New York was nearly ruined by fire and water on Sunday morning March 28th.

The fourth and last case was that of Mr. Clark of Ithica, N. Y., who while in this city purchasing his spring stock received a telegraphic dispatch on the 29th ult. That his gallery had been burnt out.  The amount of this young but deserving artist’s loss we have not learned.

1852 April 18.  The New York Herald.  (New York, New York.)  April 18, 1852, Whole No. 7109, P. 2.

Daguerreotype.—Gavit’s National Miniature Gallery is re-opened at 192 Broadway, corner of John street, where the proprietor hopes to receive the patronage of his friends and the public generally.

1852 September 27.  New York Daily Tribune.  (New York, New York.)  September 27, 1852, Vol. XII, No. 3571, P. 1.

The Campaign Scott and Graham Songster—Second edition, enlarged and improved.  The largest, most beautiful, and best edition of spirited Whig Song extant.  Every section of the country should be supplied.  Committees and Booksellers’ orders, with cash, promptly supplied at $4 per 100 by the publisher, D. E. Gavit, No. 192 Broadway, N. Y.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Prize Medal Daguerreotypes.—The first medal ever awarded for Daguerreotypes in this country was given to D. E. Gavit, 192 Broadway, corner of John street, the excellence of whose pictures is universally acknowledged, and whose prices are lower than any other good artist’s in the city.  This utmost satisfaction given in all cases.

1856 December 25.  New York Daily Tribune.  (New York, New York.)  December 25, 1856, Vol. XVI, No. 4894, P. 3.

Republican General Committees For 1857.  Delegates to the Republican Central Committee and a Young Men’s Committee were chosen on Tuesday night by various Ward Associations.  In most of the wards only one ticket was got up.  Where there were more we have given the names said to be elected….Ward XX. Young Men’s Committee…D. E. Gavit.

[1] Address from Craig’s Daguerreian Registry.

Davie, Daniel D. T.

Daguerreian Stock and Materials, Daguerreotypes, , , , ,

1849-1858       Devereux Block, Utica, New York.

1850                Address Unknown, Washington, D. C.

1854                Address Unknown, Syracuse, New York.

1858-1859       494 Broadway, Albany, New York.[1]

1849 December 20.  New York Baptist Register.  (Utica, New York.)  December 20, 1849, Vol. XXVI, No. 47, P. 4.

First Premium Skylight Pictures, Taken At The Empire Daguerrean Gallery, (Devereux Block,) By D. D. T. Davie.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 November 21.  New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 5.

Portrait of Daniel Webster.—Yesterday the Hon. Secretary of State sat for a portrait at the Daguerrean Rooms of J. Gurney, No. 189 Broadway.  We have seen the picture, and consider it the best likeness of the Great Expounder that has ever come under our notice.  In this opinion we are sustained by a gentleman fully capable of judging, and indeed by Mr. Webster himself—for he was so well pleased with the likeness that he ordered a copy to send to his wife, the first occasion of the kind during his life.

—There was a great strife among our artist to secure the attendance of Mr. Webster, but we understand that he yielded only (in fulfillment of a promise made last Winter) to Mr. D. D. T. Davie, proprietor of the “Empire Gallery,” Utica, N. Y. and had a picture taken at Mr. Gurney’s, as above stated.

1850 November 21.  New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 5.

New Discovery.—We learn that Mr. D. D. T. Davie, Daguerreotype Artist of Utica, has made a very valuable improvement in Daguerreotype machinery for preparing plates.  His discovery is creating considerable interest in the city.  Those interested can get further information at Scovill’s Manufacturing Co. 57 Maiden-lane.

1851 August.  The Photographic Art Journal.  (New York, New York.)  August 1851, Vol. 2, No. 2, P. 121-122.

Those who feel a deep interest in the Photographic art will view with pleasure the movement now made—as indicated by the following reports—to form Photographic Art Association all over the United States, as well as one great parent , or national society…

Daguerreotype convention.  Pursuant to a call signed by a large number of Daguerreotypists from different parts of the State of New York, a convention met at Syracuse, July 12th, 1851.  E. T. Whitney of Rochester, was elected chairman, and C. B. Denny, of Rochester, F. J. Clark, of Utica, and B. L. Higgins, of Syracuse, were appointed Secretaries.  Remarks were made by D. D. T Davie, of Utica, P. H. Benedict, of Syracuse, and G. N. Barnard, of Oswego, stating the object of the convention to be a union of thought, action, sentiment, a uniform standard of prices, and to devise means to elevate this beautiful art in which we are engaged.  Received a communication from H. H. Snelling, editor of the Photographic Art Journal, which was read by the chairman.

Resolved, On motion, That a committee be appointed to draft resolutions to be presented to this convention.

The Chairman appointed D. D. T. Davie, of Utica, G. N. Barnard, of Oswego, P. H. Benedict, of Syracuse, L. V. Parsons, of Auburn, and L. V. Griffin, of Genesse, as such committee…

The convention then appointed M. A. Root. Of New York, D. D. T. Davis of Utica, and O, B, Evans, of Buffalo, a committee to draft a constitution and by-laws, to be presented at the next meeting…

1851 August.  The Photographic Art Journal.  (New York, New York.)  August 1851, Vol. 2, No. 2, P. 128.

D. D. T. Davie, of Utica, has opened in connection with his other business, a depot for the sale of Daguerreotype materials.  We know this will be good news to our friends in that section of the country, as they can depend upon his having such stock as they would wish to buy.  Mr. Davie will also receive subscriptions to the Photographic Art Journal.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. 2, No. 3, P. 164-165.

D. D. T. Davie, First President Of The Association Of Daguerreotypist.  Mr. Davie is now thirty-two years of age.  His first essays in the production of photographic pictures were made in the year 1846, at a period which our readers will remember was anterior to the most striking improvements in the process by which they are now produced.  He had early a fondness for pictures, and a strong desire to become a portrait painter; but the want of pecuniary resources compelled him to abandon the idea of adopting this pursuit, and to educate himself for the more active business life.  Accident at length induced him to attempt the making a picture by the ordinary photographic apparatus in use at the time, and his success, uninstructed as he was, led him at once to devote himself to the art.  He was at the time almost entirely ignorant of chemistry, and without the aid of resources to aid him in obtaining instructions in its principles, and too poor to afford himself the best apparatus then used by the Daguerreotypist in this country.  What he lacked in these respects he determined to make up in careful study and untiring efforts to improve his knowledge and practice.  His success in the course he marked out for himself is well known to most of the practitioners of the art.  They are indebted to him for several of the most important aids and improvements in the process and apparatus now used in the United States.  The refined rotton stone so extensively used is prepared by a process discovered by him, and his preparations of gold and silver for the use of photographers, are very highly esteemed by the profession.  The compound lever buffing vice, the cast iron cone buffer, the machine for clipping and crimping plates, and the camera stand invented by him, are each of them superior to any others in use, and are contributions towards the advancement of the art, which none but its professors can properly appreciate.  His latest gift to the profession is his machine called the American Photographer, which clips, crimps, cleans and buffs the plate.  This was awarded by the Mechanics’ Association in Utica, its first premium, for the most useful recent mechanical invention.

Mr. Davie is enthusiastic in his love of his profession and in his desire to render it useful and respectable.  He has been very active in all the movements for uniting photographers in their association for the improvement of their art, and always ready to communicate the results of his studies and experiments to his brethren.  For the last three years he has resided in the city of Utica.  His rooms are adorned with the portraits of the most distinguished men of our country, taken by himself.  He visited Washington during the session of Congress in 1850, and while there succeeded in obtaining sittings from all the officers of Government, and the members of both houses of Congress, with one or two exceptions, which he subsequently obtained.  His photograph of Mr. Webster, taken in 1850, is regarded as the most striking likeness of this distinguished statesmen extant.  Among other well deserved compliments which he has received, the judges at the last State Fair awarded him a silver medal for the largest and best collection of photographic pictures on exhibition. 

1852 May.  The Photographic Art Journal.  (New York, New York.)  May 1852, Vol. 3, No. 5, P. 320-321.

Mr. D. D. T. Davie has opened a fine suite of rooms in Syracuse, N. Y., which will under the charge of his brother, J. Davie, a young operator of excellent skill and judgement.  With Messrs Clark, and Geer & Benedict, Syracuse can now boast of three of the best daguerreotypist in the state.  Mr. D. D. T. Davie still remains in Utica.

1854 May.  The Photographic And Fine Art Journal.  (New York, New York.)  May 1854, Vol. 7, No. 5, P. 160.

Mr. Davie of Utica, was burned out on the 15th of March, but he promises to be in the field again shortly.

1857 December 25.  The Gospel Messenger and Church Record of Western New-York.  (Utica, New York.)  December 25, 1857.  Vol. XXXI, No. 50, P. 2.

Almost the only luxury consistent with the present hard times, is to be found in Daguerreotypes, Ambrotypes, and Photographs, which the pressure has made so cheap that few need forego them.  Davie, of Devereux Block, is producing very fine specimens of his art at unexampled low prices.

N. D.  Nineteenth-Century Photography An Annotated Bibliography 1839-1879. (Boston, Massachusetts.)  by William S. Johnson, P. 173-175.

See for other citations.

[1] Craig’s Daguerreian Registry.

Cushing, T. H.

Daguerreotypes, Engravers, , , , , , , ,

1841                1 Exchange, fourth floor, Albany, New York.

1841                Address Unknown, Saratoga, New York.

1840 January 3.  Albany Journal.  (Albany, New York.)  January 3, 1840, Vol. 10, No. 1023, P. 1.

Engraving of Judge Buel.—We have seen proof impression of an engraved Portrait of the late Judge Buel, by T. H. Cushman[1], from a painting of Mr. F. Fine[2].  It is an excellent and striking likeness.  The Artist, who are both Albanians, have in this effort displayed genius which give abundant promise of future usefulness and eminence.  He numerous friends of Judge Buel will appreciate their obligations to these young Artists for their fidelity in preserving the resemblance of a distinguished public benefactor.  A copy of this Portrait will be sent to each of the subscribers of the Cultivator.

1840 January 25.  Daily Albany Argus.  (Albany, New York.)  January 25, 1840, Vol. XV, No. 5423, P. 2.

Portrait Of The Late Judge Buel.  We have been favored with a proof impression of a portrait of the late Judge Buel, designed to grace the pages of the valuable agricultural paper to which he devoted the latter years of his useful life.  It is by Cushman, an artist of no ordinary cleverness, from Fink’s portrait, which is conceded to be both a good likeness and a capital effort of art.  The intellectual as well as personal characteristics of the original are well retained in the copy, which is in the best style of line engraving.  The simplicity and dignity of attitude and expression, which belonged tin his profession.  o the subject, and which evinced the benevolence and practical character of the man, are finely preserved.  To the numerous friends and acquaintances of the late Judge Buel, and to a public that appreciate the value of his labors, it is a desirable memento.

1840 May 1.  Albany Journal.  (Albany, New York.)  May 1, 1840, Vol. 11, No. 1057, P. 2.

“The New Yorker”—The last number of the quarto edition of this valuable publication is accompanied by a beautiful vignette engraven on steel, representing “the outlet of Lake George,” designed as a frontispiece for the 8th volume.  The engraving is skillfully executed by Mr. T. H. Cushman of this city whose talents and attainments as an artist cannot fail to elevate him to a high rank in his profession.  The subject has been happily selected from a picture in the possession of Mr. James Horner of this city, painted by J. C. Ward, one of natur’’s most accomplished limners.

1840 July 21.  Albany Argus.  (Albany, New York.)  July 21, 1840, Vol. XXXII, No. 2869, P. 3.

Poem.  Delivered before the Young Men’s Association, July 4, 1840.  By Thomas H. Cushman.

Not recorded.

1841 January 5.  Albany Argus.  (Albany, New York.)  January 5, 1841, Vol. XXIX, No. 2917, P. 3. 

Daguerreotype.—We have seen several specimens of the portraits taken at No. 1, 4th floor Exchange, by this newly discovered process, and think them beautiful and correct.  The young men who have this matter in charge will not let their productions suffer by comparison with any  thing of the kind done in this country. We assure the public that they are skillful in such science and art as is necessary to bring it to its highest perfection.

1841 January 5.  Albany Argus.  (Albany, New York.)  January 5, 1841, Vol. XXIX, No. 2917, P. 3. 

Daguerreotype Portraits taken every clear day, from 10 A. M. to 1 P. M., at No. 1, fourth floor, Exchange.

Advertisement ran on January 5 & 8, 1841.

1841 March 30.  Albany Argus.  (Albany, New York.)  March 30, 1841, Vol. XXIX, No. 2941, P. 3. 

Daguerreotype Miniatures.—Those who have not been witness to the fact, will be surprised attendance  the facility and accuracy with which miniature likenesses are produced by the Daguerreotype process, under the superintendence of Mr. Thomas H. Cushman, at No. 1, 4th floor, Exchange building.  To those who are desirous of possessing a correct copy of their own features, or those of a friend, at a small outlay of time and money, the discovery is invaluable; since a person is thereby enabled to leave the room in five minutes after his entry, with an unflattered likeness in his pocket—(the medium though which it is taken being like the finding  of a great jury, in legal contemplation, “uninfluenced by fear, favor or hope of reward,”) and that too at a cost not incompatible with the most moderate circumstances.  It may not be amiss to add that under recent improvements, the miniatures are taken in the ordinary light, and of course, without the painful sensations heretofore incident to bringing the rays of the sun into direct contact with the eyes.

1841 May 7.  Albany Argus.  (Albany, New York.)  May 7, 1841, Vol. XXIX, No. 2951, P. 3. 

Daguerreotype Portraits Taken Daily—Instruction will be given in Portrait and Landscape taking with the Daguerreotype, by the subscribers, at thgeir rooms in the Exchange.  The recent discovery of their own, by which, with the light in an ordinary room, portraits may be taken in a few seconds, and with sun light in a single instant, will be imparted, together with all information which shall enable any one successfully to take either Landscape views or Portraits.  They will n

By new arrangements and improved apparatus, they are now enabled to take two or three  figures upon the same plate, and of children a larger number.  Prices—Single portrait in plain case, $5; in embossed morocco, $6; set in gold locket, $10; groups, from $8 to $10.  E. N. Horsford, T. H. Cushman.

Daguerreotype apparatus for sale.

Advertisement ran on May 7 & 11, 1841.

1841 June 23.  Albany Argus.  (Albany, New York.)  June 23, 1841, Vol. XXIX, No. 2966, P. 2. 

Daguerreotype.  Those who have not supplied themselves with a fac simile of their features by means of this correct and expeditious limner, should embrace the present opportunity.

Mr. Cushman has been experimenting long and faithfully to bring the new art to perfection, and has recently been awarded with gratifying success.

We understand that Messrs. Horsford &Cushman are about removing their apparatus to Saratoga, to remain there for the season.

1841 November 19.  Albany Argus.  (Albany, New York.)  November 19, 1841, Vol. XXIX, No. 3008, P. 2. 

Died on Tuesday evening, 16 inst., Thomas Hasting Cushman, aged twenty-six years.

Also listed in The New York Historical Society’s Dictionary Of Artist In America 1564 to 1860.

Cushman Thomas Hastings (1851-1841).  Banknote and general engraver; born in Albany (N. Y.), June 6, 1815; died there November 17, 1841.  A member of the Albany banknote engraving firm of Hall, Packard & Cushman in 1838-1839, Cushman exhibited an engraving at the National Academy in 1838.  He was working in NYC in 1840, but died in Albany the following year.

[1] Possibly Thomas Hasting Cushing

[2] Frederick Fink (1817-1849) Portrait, miniature, and figure.

Clark

Daguerreotypes, ,

1850                Address and Location Albany, New York.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

George S. Rugg

Ambrotypes, Daguerreotypes, Melainotypes, Photographs, , , , , , , , , , , , ,

1854-1856       Fairbanks’ Block, corner Arsenal and Court-sts., Watertown, New York

1857                Washington Hall Block, Watertown, New York.

1859                480 & 482 Broadway, Albany, New York.

George S. Rugg was recorded in six advertisements and five announcements in two different newspapers.  The first advertisement ran from August 31, 1854 to May 17, 1855 in The New York Reformer (Watertown, New York).  George S. Rugg’s Sky And Side Light Daguerrean Gallery!  The subscriber would respectfully say to the citizens of Watertown and vicinity, that he has opened in Fairbanks’ Block Splendid Daguerrean Gallery, convenient in every respect for executing pictures of all sizes, from the smallest ever taken to the largest.  His rooms are all separated from each other, so that no one branch of the business shall interfere with the other.  He will keep constantly on hand every variety of the Latest and Best Styles of Daguerreotype Stock.  Artists Supplies With Stock on most liberal Terms.

A cordial invitation is extended to all to visit his Gallery, and examine his stock, specimens, &c. No Picture will be considered sold until perfect satisfaction is given.  he has all the Latest Improvements in the Daguerreotype Art.  He has lately discovered a new Chemical Compound for cleaning plates, which excels every other article for that purpose now in use, enabling him to produce better and more Life Like Pictures Vignette and Stereoscopic Pictures will be neatly executed if desired.  Also Pictures taken on Ornamental Back-Ground.

Opinions Of The Watertown Press.  Daguerreotyping.—We were more than ever impressed with the beauty and utility of this invention, while lately visiting the pleasant suit of rooms expressly fitted up for the execution of this art, by our friend Rugg, in the Fairbanks Block, and examining the specimens of his handiwork.  We there saw the likeness of some of our townsmen, that if anything was wanting to render perfect we were not able to detect it; pictures that spoke highly of the skill of the operator.  Mr. Rugg has spared no pains or expense in fitting up this suit of rooms, and we hope he will receive a share of the public patronage.  A trial of his ability to give satisfaction, will convince all who may favor him with a call.— The New York Reformer.

Rugg’s Gallery.—In the very top of Fairbanks’ Block, is the best place to take likenesses we ever visited.  A man may let his face out there to double in a few seconds.  If any one shall desire that there should be any more faces in the world, that appear just like his own, let him call on Rugg, up, up, up stairs at “Fairbanks.”—Democratic Union.

Fairbanks’ Block, on the Corner of Arsenal and Court-sts., (opposite American Hotel,) Entrance to Daguerrean Gallery, on Court and Arsenal Streets.  Geo. S. Rugg.  Watertown, April 10, 1854.

The second advertisement ran from February 7, 1856 to April 30, 1857 in The New York Reformer.  S. S. (sic.) Rugg, Artist in Patent Ambrotype and Photographic Pictures.  Corner of Court and Arsenal Streets, Opposite the American Hotel.

The Ambrotype was invented by Mr. Cutting, of Boston, and is patented in the United States, Great Britain and France.  The picture is taken on fine plate glass, and permanently secured between two plate of glass, and permanently secured between two plates of glass; is bold, clear and distinct, not reversed, and will not change in any climate—taken from the smallest to full size.

The Public are cautioned in purchasing pictures taken on glass as Ambrotypes, that do not bear patent stamp.

Pictures taken on single glass, and covered with black paint, are not Ambrotypes.

Notice.  G. S. Rugg has this day purchased the exclusive right, for making Cutting’s Patent Ambrotype Pictures, in the Counties of Jefferson and Lewis, N. Y..—Shaw & Clark, Att’ys for Company.  Watertown, Jan. 1st, 1856.

The first announcement appeared on March 5, 1857 in The New York Reformer.  Removal.—G. S. Rugg, Artists, has removed his Daguerreian Gallery from Fairbanks’ Block, Court-st., to Washington Hall Block, where he has fitted up rooms with new and elegant furniture, and is prepared to take pictures in the best styles of the art.

But his old rooms are not deserted:  Mr. Oscar Button, an operator of experience, has engaged the same rooms in the Fairbanks Block, vacated by Mr. Rugg, and will continue the business in all its branches.

The second announcement appeared on May 6,1857 in the  Northern New York Journal (Watertown, New York.)  Daguerrean Gallery.—Messrs. Rugg & Fowler have fitted up a fine Gallery in Washington Hall building, and are taking some excellent life-like likenesses, either Daguerreotype, Ambrotype, Melainotype, Ambrograph, or Photograph.  Indeed we have never seen better specimens of the art than from their Gallery.  Their advertisement will be found in another column of our paper.

The third advertisement ran from May 6 to August 12, 1857 in the Northern New York Journal.  

Removal!  New Daguerrean Gallery!  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card Board.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We, therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! And Coloring Them In Oil.  Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes Made in the best Style for those who prefer them. Rugg & Fowler.  Watertown, March 7, 1857.

The third announcement appeared on May 7, 1857 in The New York Reformer. Daguerrean Artists.  The tendency towards perfection in no art has been more steady and rapid than that of taking likenesses on silver, glass and other prepared substances.  Pictures are now produced in such elegance of style, softness of tone, and exactness of likeness, on silver, glass, paper, paste-board, &c., as would astonish Daguerre himself could be revisit the earth and witness the progress the great art which bears his name has made within a few years past.  Nor is any city or village more fortunate in the possession of skillful artists in this line than Watertown.  The pictures now produced at Rugg & Fowler’s gallery in the Washington Hall block, evince a practical knowledge of the art in all its branches which marks a degree of perfection that may well be called complete.—Their rooms are very tastefully fitted up with new and elegant furniture for the express purpose of making an inviting retreat for all wishing to see their pictures or procure likenesses.

The fourth advertisement ran from May 7 to August 13, 1857 in The New York Reformer.  Removal!  New Daguerrean Gallery.  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card B’d.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes made in the best style for those who prefer them.  Rugg & Fowler.  Watertown, May 1, 1857.

The fifth advertisement was recorded from August 12 to September 30, 1857 in the Northern New York Journal.  Bought Out!  Having Purchased The Sky and Side Light Daguerrean Gallery!  (Known as Rugg’s Gallery, in the Fairbank’s Block,) the undersigned would respectfully inform his friends and the public generally, that after many additions and improvements, in which he has spared no pains or expense, he is now fully prepared to execute Pictures in the very best style and finish the art is enable of producing.  He has had many years experience in the art, and during the time has been in many of the larger cities of the Union, North and South, East and West.  All work taken by him is warranted and unless entire satisfaction is given, the money will be refunded.  Of Cases, Frames, &c. he has an entirely new lot of every possible variety.

Remember, Fairbanks Buildings, Corner Court And Arsenal Streets, Opposite The American Hotel.  O. P. Button.  Watertown, April 29, 1857.

The sixth advertisement ran from August 20 to September 3, 1857 in The New York Reformer. 

Dissolution.  The Copartnership heretofore existing under the name and firm of Rugg & Fowler, is this day dissolved by mutual consent.  The business will be carried on in all its branches by G. S. Rugg.  The debts against the firm will be paid by him, and all debts due the firm must be paid to him.   G. S. Rugg, O. (sic.) S. Fowler.  Watertown, Aug. 10, 1857.

Daguerreotyping will be renewed for the benefit of those who still adhere to them, and at reduced prices.  S. G. Rugg.

The fourth announcement appeared on October 1, 1857 in The New York Reformer.  Jefferson County Agricultural Society.  Premiums Awarded…Pictures…

Best Specimens Daguerreotypes, Hart & Hose, Watertown, Dip. $1.00.

2d Best Specimens Daguerreotypes, Thos. Waite, Pamelia, book.

Best Specimens Photographs, Hart & Hose, Watertown, Dip. & $1.00.

2d Best Specimens Photographs, G. S. Rugg, Watertown, book.

Miss Alice Smith, Watertown, recommended, $3.00.

Hart & Hose, Watertown, recommended, $2.00

Those recommend a discretionary premium of $3.00 to No. 207 for best Ambrotypes, also one of $2.00 to No. 65 for 2d best Ambrotypes.

The committee would recommend that, at the next annual exhibition there be one premium for the best ambrotypes and one for the 2d best, and also a premium for the best ambrotype views.  A large portion of the pictures exhibited were of this character, and as they form a very interesting part of the exhibition the committee have recommended premiums to be given, and that greater inducement be offered by the society hereafter for the exhibition of specimens of art.  E. Q. Sewall, T. C. Chittenden, Jr., E. H. Smith, Judges.

The fifth announcement appeared on January 13, 1859 in The New York Reformer.  Fire In Broadway.—The only really alarming fire that has occurred in this city for six months, broke out a little before 9 o’clock on Saturday evening, on the third floor on Nos. 480 and 482 Broadway, in a room occupied by G. S. Rugg (late of Watertown) as a photographic gallery.  The origin of the fire is not known definitely, but is supposed to have been either a spontaneous combustion or taken from a spirit lamp in his laboratory.  When discovered, the room was enveloped in flames, and in a very short space of time the fire had crept through the lath and plaster partitions into the fourth story and thence to the roof….

George S. Rugg is not recorded in other photographic directories.  Craig’s Daguerreian Registry does record a G. S. Rugg in 1854 without a business address or location, it is unknown if this is the same person.

Walker & Gavit

Daguerreotypes, , , ,

1845                15 Dow’s Building, Albany, New York.[1]

Walker & Gavit was recorded in one advertisement that appeared in the Auburn Journal and Advertiser (Auburn, New York) on December 3, 1845.  Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

Walker & Gavit are recorded in Craig’s Daguerreian Registry, unfortunately the identity of Walker remains unknown.

[1] Address from Craig’s Daguerreian Registry.

Mr. Reynolds

Daguerreotypes, , , , ,

ND                  Address Unknown, Albany, New York.                                                                          ND                  Address Unknown, New York, New York.                                                                            1850               Address Unknown, Penn Yan, New York.

Mr. Reynolds was recorded in one advertisement that ran from September 3 to 17, 1850 in the Penn Yan Democrat (Penn-Yan, New York).  Daguerreotypes!  Mr. Reynolds, of New York who formerly operated for Meade & Bro. of Albany, has taken rooms over Rose’s store,—and having availed himself of the recent improvements in the art, the finish of his Pictures will in no way inferior to Brady and other artists of New York who are working after this late improved process.  Pictures finished by this process have a beauty of tone, roundness of features and distinctness of outline that far surpass those by the old method, and may readily be seen in any light.

Mr. Reynolds has brought with him his full gallery of over 100 specimens, containing portraits from life of some of our eminent men among which is one of the late President Taylor.

He has on hand a supply of Lockets and Fancy cases.  Having one of the best instruments he is enabled to take correct Likenesses in any weather—and children of any age, that can sit still five seconds.

Please call immediately, as he will remain but a short time.  Peen Yan, Aug. 27, 1850.

Mr. Reynolds is not recorded in other photographic directories.

Morse

Daguerreotypes, , , ,

1850-1851       271 Main Street, Waldo Block, Worcester, Massachusetts.

Morse (partnership of Aldrich & Morse) was recorded in an advertisement that ran from January 1 to March 14, 1851 in the Worcester Daily Spy (Worcester, Massachusetts).  Now Is The Time, And Waldo Block is the Place.  In order to introduce our Types to the public, we shall sell them for a few days for fifty cents.  In the Best Cases for One Dollar, such as are sold for $1.50 at other rooms.  We intend to attract the public to our Rooms by making good Miniatures at fair prices, rather than by a display of Stained Glass, costly Mirrors, Tapestry Carpets, &c.  Beware of humbugs, and remember our Rooms are up only one flight of stairs, and that we have decidedly The Best Light in the City.  Aldrich & Morse.  Worcester. Nov. 2, 1850.

Morse is not listed in A Directory of Massachusetts Photographers, 1839-1900.  Craig’s Daguerreian Registry list the partnership as being active in Albany, New York in 1851-1852.

Jacob H. Lawyer

Daguerreotypes, , , , ,

1848                #2 & #4 Exchange, Second Floor, Albany, New York.[1]                                              1849-1850     37 Owego Street, Ithaca, New York.

Jacob H. Lawyer of the partnership of Lawyer and Clark was recorded in an advertisement that ran from August 22, 1849 to February 13, 1850 in the Ithaca Journal and Advertiser (Ithaca, New York).  Albany Daguerrean Gallery.  The Subscribers would respectfully announce to the citizens of Ithaca and vicinity, that they have opened a Daguerrean Gallery, in the room lately occupied by Messrs. Watson & Ryder, No. 37 Owego-st, where they will be at all times in readiness to furnish the public with better work than ever before done in Ithaca.

Being in possession of all the improvements in the art, they fear no competition, and invite the strictest examination and criticism.  The idea held out by indifferent operators that light eyes cannot be well taken, and linen cannot be made white is expelled at once by an examination of the work in this Gallery.

Miniatures can be obtained here of any size or price, at which they ought honestly to be afforded, but always of a superior quality.  The senior partner of the establishment have been employed as the operators in Meade & Bro’s. Gallery in Albany, in 1848, the best in the state feels confident of being able to give the public better Miniatures than have ever been furnished, and satisfy all that they have heretofore been outrageously humbugged.  The following recommendation is from Messrs. Meade, Albany:

We confidently recommend Mr. J. H. Lawyer to the public as a first rate Daguerrean Artist, understanding all the late improvements in the art.  Mr. L. has taken pictures in our establishment and has given general satisfaction.   Meade & Brother.  Albany, July 10, 1848.

The experience of the senior partner for the last three years in the business in the best Galleries, is sufficient to entitle him to the confidence of public when those around him are but beginners in the business without experience or taste.  Instructions given in the art on reasonable terms, and chemicals, &c. kept constantly on hand for sale.  J. H. Lawyer.  F. C. Clark.  Ithaca, August 20, 1849.

J. H. Lawyer is listed in other photographic directories, but is listed here for the information in the advertisement.

[1] Address from Craig’s Daguerreian Registry.

Myron E. Judd

Daguerreotypes, , ,

1851                   Address Unknown, Albany, New York.                                                                          1852-1854       41 South Pearl Street, Albany, New York.                                                                        1853-1856       3 Hathaway Building, Lansingburgh, New York.

Myron E. Judd was recorded in four announcements and one advertisement in Lansingburgh Democrat (Lansingburgh, New York).  The first announcement appeared on December 1, 1853.  It is currently reported that a new Daguerrean Saloon is to be opened in a few days in Hathaway’s building.  Judd of Albany is to be the artist.

The second announcement appeared on September 21, 1854.  The Country Fair…In the Daguerrian Gallery of Mr. Judd, we recognized many familiar faces, which gave the Fair quite a “home” aspect.

The advertisement ran from March 29, 1855 to March 6, 1856.  Daguerreotypes.  All persons Wishing To Secure good Daguerreotypes are again reminded that Mr. Judd takes the very best of Pictures in all kinds of weather.  He keeps constantly on hand a good assortment of plain and Fancy Cases, and his prices are strictly in accordance with the times—at the lowest rates.  It is needless to say, only to such as are not acquainted, that Mr. Judd takes the utmost pains to please.  Remember that life ins uncertain.  Secure the shadow ere the substance perish.  Put it not off until tomorrow, or you may regret it when too late.

The little laughing, loving child, in life so sweet                                                                                      Father, Mother, sister and brother, in a loving group do meet;                                                          But suppose that either or any by nature is taken away—                                                                        Quick! Then, be up, go over to Judd’s, and get their shadows to-day.

Yes and how dear is one of those daguerreotypes when any of our friends are suddenly taken away;—perhaps a father—perchance a mother.  How dear is the smile retained in a shadow when you see the originals no more.—Those persons wishing Good Likenesses of their Children should not wait until Saturday the most hurrying day of all the week.  Put by all, school not excepted.  Come when the light is good, to give the artist a good chance, and in return you will have a good picture.  Dress at all times in something dark.  Avoid as much as possible all light colors.  Wear brown, green, red, check or black.

Judd’s Rooms, No. 3 Hathaway’s Block, are as pleasantly located as could be desired.—Independent entrance, only one flight of stairs, easy of access to old people.  Mr. Judd is truly thankful for the liberal patronage bestowed upon him by the citizens of Lansingburgh and vicinity.  With increasing confidence in his ability to please, he would again invite all to his rooms, and solicit a continuance of the patronage so liberally bestowed upon him for the past year.  Myron E. Judd.   Lansingburgh, March 29, 1855.

The third announced appeared on April 19, 1855.  The more we examine the daguerreotypes taken by Mr. Judd, the more we are convinced that he has no superior as an Artist in this section of the State.  We have in our private daguerrean gallery perhaps forty specimens, taken by different artists, some here, some in Troy, New-York, and the far West, and we venture to say that no judge of a good picture would fail of arriving at the conclusion that Judd’s are clearly entitled to the premium.  His rooms are very tastefully fitted up, and he has every accommodation for visitors.  Another advantage in dealing with him is that he never lets a poor picture leave his hands—a person, therefore, who is no judge, stands an equal chance with those who are connoisseurs in the art.  One more fact we must mention—his charges will be found to be very moderate.

The fourth announcement appeared on November 15, 1855.  The Daguerrian Saloon formerly occupied by Mr. Judd, has passed into the possession of Mr. Clark, who is ready at all times to secure “the shadow, ere the substance perish,” for all those who wish it.—We noticed an Ambrotype of one of our active citizens hanging at his door a few days since—and if we can form an opinion from that, we judge that Prof. Judd’s mantle has fallen upon no unworthy successor.

Myron E. Judd is recorded in Craig’s Daguerreian Registry from 1851 to 1854 while in Albany, New York.