Ca. 1844-1846 Address Unknown, Boston, Massachusetts.[1], [2], [3]
1847-1856 142 Washington Street, Boston, Massachusetts.3
1851 near the Old South [Church], Boston, Massachusetts.3
Ca. 1850-56. Advertising Card in back of a Ninth Plate Daguerreotype. Chris Steele’s collection.
Ives’ Daguerreian Gallery, 142 Washington St., Boston. Prices of Daguerreotypes, 25 cents to 25 Dollars.
N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston. Operators, L. M. Ives, C. H. Collagan.
Information from The New York Historical Society’s Directory of Artists in America 1564-1860. (New Haven, Connecticut & London, England.) P. 342.
Ives, Loyal Moss. Portrait painter who worked in New Haven (Conn.) During the latter 1850’s and in NYC from about 1863 into the 1890’s
1850 September 19. Daily Evening Transcript. (Boston, Massachusetts.) September 19, 1850, Vol. XXI, No. 6194, P. 2.
Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.
The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish. The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.
The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut. Gov Reed. There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.
Other highly creditable specimens are contributed by Messrs Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…
1850 September. Massachusetts Charitable Mechanic Association Report (Boston, Massachusetts.) September 1850, N. P.
Exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association Fair. A silver medal was awarded.
1850 September 19. Daily Evening Transcript. (Boston, Massachusetts.) September 19, 1850, Vol. XXI, No. 6194, P. 2.
Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.
The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish. The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.
The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut Gov Reed. There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.
Other highly creditable specimens are contributed by Messrs. Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…
1850 October 16. Railway Advertiser. (Boston, Massachusetts.) October 16, 1850, Vol. 2, No. 13, P. 1.
Ives Daguerreotype Rooms! 142 Washington Street, Boston. (Opposite The Foot Of School Street.) The Public are respectfully invited to call and examine specimens of daguerreotypes and for themselves. jul 2.
Advertisement ran from Oct 16, 1850 to April 30, 1851.
1850 December 21. Gazette Francaise. (Boston, Massachusetts.) December 21, 1850, Vol. 1, No. 15, P. 4.
Daguerreotypes! L. M. Ives, A la derniere Exposition une Medaille avec Diploma a ete accordee specimens, et garantit une parfait resemblances a tous ceux qui voudront bien l’honorer de leur confiance.
Advertisement was recorded fourteen times between December 21, 1850 to July 19, 1851.
1851 March 1. The Daguerreian Journal. (New York, New York.) March 1, 1851, Vol. 1, No. 1, N. P.
Lister in the Daguerreian Artist Register (March 1 to April 15, 1851 as L. M. Joes, 142 Washington St., Boston) and as L. M. Ives from May 1 to Dec. 15, 1851 at 142 Washington St., Boston.
Advertisement ran from March 1 to December 15, 1851.
1851 May 15. The Daguerreian Journal. (New York, New York.) May 15, 1851, Vol. 2, No. 1, P. 19.
L. M. Ives of Joston, [sic.] is, we understand, producing some exquisite specimens of Daguerreotypes. Success.
1851 June 1. The Daguerreian Journal. (New York, New York.) June 1, 1851, Vol. 2, No. 2, P. 53.
L. M. Ives of Boston, will please pardon us (or rather or printer) for the mistake in the Journal in his name and locality. Mr. I. being himselfa sure operator, will certainly pardon a failure in others. We will endeavor to do better in future.
1851 July 1. The Daguerreian Journal. (New York, New York.) July 1, 1851, Vol. 2, No. 4, P. 114-115.
Boston Daguerreotypists….Mr. Ives we found very busy with his customers, and after taking a hurried look through his collection of specimens, we were not in the least surprised to find so many waiting their turn.
1851 September 8. Daily Evening Transcript. (Boston, Massachusetts.) September 8, 1851, Vol. XXII, No. 6494, P. 1.
A Family Picture…
Let me say to the young men of Boston, whose parental home is in the country, that if they would awaken the affection that lingers around the family hearth, next to that of their living presence—they should send home a fine daguerreotype—such as Ives, or Ormsby and Silsbee, of Washington street, can produce. A picture where every feature and expression are so finely delineated, and the tone and color so well preserved, that it appears more the reflection from a mirror, than the result of a chemical process. Such a present to a parent or sister, would be one of the most valuable that could be made, and should death take the original away, this truthful representation would be invaluable. In this way, at a trifling expense, a whol;e family may leave a memorial which would be greatly prized by the living. What amount of money, would purchase from a mother the daguerreotype of her dead son? With this happy thought I close this family letter. Yours very truly, G. Q. C.
1851 September 9. Dover Enquirer. (Dover, New Hampshire.) September 9, 1851, Vol. XXV, No. 15, P. 3.
Premium Daguerreotypes. Ives, Daguerrean Artist, 142 Washington Street. Boston.
Advertisement ran from September 9 to October 7, 1851.
1851 September 11. Green-Mountain Freeman. (Montpelier, Vermont.) September 11, 1851, Vol. VIII, No. 37, P. 3.
Premium Daguerreotypes. Ives, Daguerrean Artist, 142 Washington Street. Boston.
Advertisement ran from September 11 to October 9, 1851.
1851 September 13. New Hampshire Statesman. (Concord, New Hampshire.) September 13, 1851, Vol. XXX, No. 1581, P. 3.
Premium Daguerreotypes. Ives, Daguerrean Artist, 142 Washington Street. Boston.
Advertisement ran from September 13 to October 11, 1851.
1851 October 1. Cheshire Republican and Farmer. (Keene, New Hampshire.) October 1, 1845, Vol. 18, No. 8, Whole No. 1255, P. 4.
Premium Daguerreotypes. Ives, Daguerrean Artist, 142 Washington Street, Boston.
Advertisement was recorded on October 1 & 8, 1851.
1851 November 15. The Carpet Bag. (Boston, Massachusetts.) Vol. 1, No. 33, P. 4.
Daguerreotypes.—The pictures taken by Ives & Black, near the Old South, are unsurpassed for the beauty of their finish and the correctness of their portraiture. It is almost inexcusable in any one to neglect securing pictures of relatives and friends, in view of the facilities now afforded for doing so. Years ago, when a miniature was a work of great labor and expense, and then was often dependent upon the partiality of friends to decipher the resemblance it bore to those whom it was intended to represent, a picture of a loved object was not to be hoped for by a poor man—in his memory, alone, could the likeness be cherished, unless, perhaps, it was recalled dimly by some queer old black profile, that hung smoke dried on the wall, like that of “corporal Paul” in Mrs. Partington’s back sitting-room. But now everyone has it in his power to save the semblance of friends in these exquisite pictures, which look out lovingly upon the living though Death may have claimed the originals years agone. Messrs Ives & Black execute Talbotypes superbly, and specimens we examined recently, we found it difficult to distinguish from the finest lithographs.
1852. Boston City Directory. (Boston, Massachusetts.) 1852/1853, P. 35. Published by George Adams, 1852.
Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.
The Public are Respectfully Invited To Call and Examine Specimens. Customers can be sure of as good pictures as the specimens exhibited. Perfect Satisfaction Guarantied.
1852 October 16. The Carpet Bag. (Boston, Massachusetts.) Vol. 2, No. 29, P. 27.
To Pathfinders!—Among the numerous paths in the City of Notions, there is one leading to L. M. Ives’s Daguerrian Gallery, 142 Washington Street.
Strangers visiting the city are respectfully invited to call, and examine a large collection of Premium Daguerreotypes, and whoever wishes a picture may feel sure of perfect satisfaction being give. jan 14
1852 December 4. The Carpet-Bag. (Boston, Massachusetts.) Vol. 2, No. 36, P. 6.
Whipple’s Crysalotypes are charming specimens of this class of daguerreotypes. All the softness and distinctness of lithography are preserved with the correctness and beauty of the daguerreotype. The pictures of the President elect and the late R. Rantoul, Jr., may well be referred to in proof of what we say. Those familiar with the features of these notables may see at a glance the life-likeness preserved in their pictures. Mr. Whipple’s room abound with splendid specimens of daguerreotypes and crysalotypes, worthy the attention of all interested in art. Mr. Black, formerly with Ives, presides over the crysalotype department, and the excellence of his productions is a lasting monument of his skill.
1853. Boston City Directory. (Boston, Massachusetts.) P. 33. Published by George Adams, 1853.
Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.
The Public are Respectfully Invited To Call and Examine Specimens. Customers can be sure of as good pictures as the specimens exhibited. Perfect Satisfaction Guarantied.
1853 July 12. Daily Evening Transcript. (Boston, Massachusetts.) July 12, 1853, Vol. XXIV, No. 7061, P. 3.
New Daguerreotype Rooms. 140 Washington Street, Seaver & Butler, having recently purchased these rooms, and neatly fitted and newly furnished them throughout, till they are surpassed in convenience and elegance by none in the city, are now prepared to take Likenesses with promptness, in the very best style of the art, and in every size and mode of finish. The public are respectfully invited to give them a call. Entire satisfaction guaranteed.
Mr. Seaver having been employed as Operator at Ives’s Establishment, for over a year past, would be pleased to see his numerous friends and acquaintances at his new place of business, where they will meet with entire satisfaction, as heretofore.
Advertisement ran from July 12 to 25, 1853.
1854 June 3. Boston Evening Transcript. (Boston, Massachusetts.) June 3, 1854, Vol. XXV, No. 7338, P. 3.
25 Cents Daguerreotypes. Good Daguerreotypes are taken at Ives’s, 142 Washington st., for 25 cents.
Advertisement ran from June 3 to 9, 1854.
1854 December 13. Boston Evening Transcript. (Boston, Massachusetts.) December 13, 1854, Vol. XXV, No. 7501, P. 2.
A splendid Portrait. Mr. Charles H. Brainard has this day published a very accurate and striking likeness of the Rev. Theodore Parker, drawn by Grozelier, from a daguerreotype by L. M. Ives, and printed by L. H. Bradford & Co….
1855 August. The Photographic And Fine Arts Journal. (New York, New York.) August 1855, New Series Vol. II, Old Series VIII, No. 8. P. 247.
A Trip to Boston.—Boston Artist…
…Of Mr. Ives and Mr. Chase, both also located in Washington street, and both devoting their attention to daguerreotypes exclusively, I can speak in terms of high commendation. By their many beautiful productions they have shown themselves able proficients in their art, while by their character and manners they do honor to their profession.
M. A. R., Philadelphia, cor. Chestnut and Fifth sts.
[1] The American Daguerreotype P. 397. Partnership of Chase & Ives.
[2] The Camera and the Pencil Or, The Heliographic Art, P. 361.
[3] A Directory Of Massachusetts Photographers 1839-1900.