Tag Archives: Southworth & Hawes.

Cahill, Miles Standish

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , , , ,

1848                364½ Washington Street, Boston, Massachusetts.

1851-1864       293 Washington Street, Boston, Massachusetts.[1]

1854                75 Court Street, Boston, Massachusetts.[2]

1865                75 Court Street, Boston, Massachusetts.1

1865                375 Washington Street, Boston, Massachusetts.[3]

1848 June 22.  Boston Herald.  (Boston, Massachusetts.)  June 22, 1848, Vol. 4, No. 256, P. 4.

M. S. Cahill, Daguerreotype Rooms, No. 364½ Washington Street, corner of Newbury Place, Boston, Miniatures taken, including a good morocco case, from 62½ cents to $5.00  Good satisfaction given.  Pictures taken in any weathers.

Advertisement ran from June 22 to August 9, 1848.

1851 August 23.  South Boston Gazette & Dorchester Chronicle.  (Boston, Massachusetts.)  August 23, 1851, Vol. V, No. 47, P. 3. 

Cahill’s Daguerreian Gallery, No. 293 Washington Street, (Between West and Winter streets, Boston.)

Pictures taken in the highest perfection of the art, with modern improvements, and unsurpassed for finish and durability.  Those who wish for a good likeness of themselves or friends, will find it to their advantage to give him a call, before sitting elsewhere.  Charges moderate.  Satisfaction warranted.

1851 August 29.  Boston Daily Times.  (Boston, Massachusetts.)  August 29, 1851, Vol. XXVIII, No. 4999, P. 3.

Cahill’s Daguerreian Gallery, No. 293 Washington Street, (Between West and Winter streets, Boston.)

Pictures taken in the highest perfection of the art, with modern improvements, and unsurpassed for finish and durability.  Those who wish for a good likeness of themselves or friends, will find it to their advantage to give him a call, before sitting elsewhere.  Charges moderate.  Satisfaction warranted.  M. S. Cahill.  au18.

Advertisement was recorded five times between Aug. 29 to October 27, 1851.

1852.  Boston Directory.  Published by George Adams, P. 35. 

Cahill’s Daguerrean Gallery, No. 293 Washington St., Boston.

Pictures taken in the highest perfection of the Art.  Miniatures taken from Paintings, Statuary, and everything connected with the Art, executed at this establishment, at Low Rates.

1854 March 8.  The Boston Herald.  (Boston, Massachusetts.)  March 8, 1854, No. 9566, P. 4.

Robbery.  Sunday night last, the daguerreotype saloon of Eastman & Cahil, No. 75 Court street, was entered, it is supposed by picking the lock, and a lot of miniature cases stolen.  Last night, officer A. C. Whitcomb and watchman Jellison, arrested two boys in New Prince street, named Patrick Brawley and John Mahan, on suspicion of being the robbers.  In the pockets of the latter was found a lot of cases, and each had a implement known as a “picklock” in his possession.  They are both known to the Police, and Brawley has already been in State Prison.  In the Police Court, this morning, Mahan was held in $500 for trial in the Municipal Court, and Brawley in $800.

1854 September 6.  The Boston Herald.  (Boston, Massachusetts.)  September 6, 1854, No. 9721, P. 2.

Cahill’s Daguerrian Rooms, No. 293 Washington street.  Notice.—We don’t gull the public by advertising 25 cent pictures and two pictures at one pop, &c., but give each patron two pops at one price.  M. S. Cahill.

Advertisement ran from September 6 to 8, 1854.

1855.  Lady’s’ Almanac. No. II, P. 121.

Boston Business Directory.  Daguerreotype Miniatures.  M. S. Cahill…..293 Washington street, up one flight of stairs.

1855 May 26.  The Boston Herald.  (Boston, Massachusetts.)  May 26, 1855, No. 9943, P. 2.

Cahill’s Photographic Establishment, No. 293 Washington street.  Daguerreotypes, Hyallyotypes and Photographic pictures on paper and glass.

Advertisement ran on May 26 & 28, 1855.

1855 May 26.  The Boston Herald.  (Boston, Massachusetts.)  May 26, 1855, No. 9943, P. 2.

The art of taking Hyallyotypes or Daguerreotypes on glass, taught by M. S. Cahill, No. 293 Washington street.

Advertisement ran from May 26 to October 9, 1855.

1855 June 4.  The Boston Herald.  (Boston, Massachusetts.)  June 4, 1855, No. 9950, P. 4.

The Photographic Art.  It is astonishing what perfection this truly wonderful art has arrived at.  It must ere long supercede (sic.) the daguerreotype.  We have seen some pictures taken by Mr. Cahill, No. 293 Washington street, which are rare gems.  We would advise the public to call and examine his specimens.

1855 August.  The Photographic And Fine Art Journal.  (New York, New York.)  August 1855, Vol. 8, No. 8, P. 246-247.

A Trip To Boston.—Boston Artists….Mr. Cahill, in Washington street, has taken a position in the front rank of excellence.  His photographs are quite equal to the best I have seen without retouching or coloring, and some are exquisitely beautiful, of both small and life size.  There is a uniformity of excellence in his specimens, not often surpassed by the ablest Boston professors….

1855 August 16.  Daily Evening Traveller.  (Boston, Massachusetts.)  August 16, 1855, Vol. XI, No. 142, P. 3.

Marriages.  In this city, Aug. 16, by Rev. Mr. Miner, Mr. Miles S. Cahill to Miss Henrietta G. Perry, both of Boston…

1855 August 25.  The Trumpet and Universalist Magazine.  (Boston, Massachusetts.)  August 25, 1855, Vol. XXVIII, No. 12, P. 3.

Marriages.  In this city…Aug. 16, by Rev. Mr. Miner, Mr. Miles S. Cahill to Miss Henrietta G. Perry, both of Boston…

1855 October 24.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  October 24, 1855, Vol. CIV, No. 7789, P. 1.

New England Industrial Exhibition.  The great exhibition of mechanical and decorative art, under the auspices of the New England Inventors’ and Mechanic’ Mutual Association, was opened in Gore Block, Green street, at two o’clock Monday afternoon…

Crystalotype views from Messrs. Whipple & Black, and daguerreotype likenesses from Cahill & Co…

1855 October 24.  Boston Weekly Messenger.  (Boston, Massachusetts.)  October 24, 1855, Vol. XLV, No. 20, P. 3.

New England Industrial Exhibition.  The great exhibition of mechanical and decorative art, under the auspices of the New England Inventors’ and Mechanic’ Mutual Association, was opened in Gore Block, Green street, at two o’clock Monday afternoon…

Crystalotype views from Messrs. Whipple & Black, and daguerreotype likenesses from Cahill & Co…

1855 October 25.  American Traveller.  (Boston, Massachusetts.)  October 25, 1855, Vol. XVII, No. 42, P. 3.

New England Industrial Exhibition.  Gore Block, Green Street.  The grand exhibition of mechanical and decorative art, under the auspices of the New England Inventors’ and Mechanic’ Mutual Association, was thrown open to the public on Tuesday…

The paintings and engravings which adorn the walls invite attention but do not call for criticism.  There are some very fine daguerreotypes by Whipple & Black, Masury & Silsbee, and some very beautiful specimens on glass by Cahill, with photographs, plain and colored, from miniatures to life size.

1855 October 29.  Daily Atlas.  (Boston, Massachusetts.)  October 29, 1855, Vol. XXIV, No. 102, P. 1.

New England Industrial Exhibition.  This exhibition has taken the public by surprise.  When all eyes were turned towards the great Agricultural Fair, it was announced a few weeks ago that there would be an Industrial Exhibition, or a show of those organized inanimate productions which now seem to be more natural to New England than corn or cattle…

There are good displays of daguerreotypes and colored photographs, from Cahil & Co., Masury & Silsbee, and Whipple & Black…

1855 October 31.  Boston Weekly Messenger.  (Boston, Massachusetts.)  October 31, 1855, Vol. XLV, No. 21, P. 4.

New England Industrial Exhibition.  The Industrial Exhibition in Green street, appears to be increasing in popularity…

A varied and most beautiful display of colored and plain photographic portraits, views, &c., from the establishment of Messrs. Whipple & Black, of this city, attracts a large share of attention.  Several of the portraits are life size, and painted in oils by artists connected with their establishment.  The high degree of excellence which this branch of art has attained is indeed wonderful.

Masury and Silsbee exhibited a large collection of photographs, both plain and colored, executed in the highest style of the art.  Their collection contains a large number of photographic pictures executed in Paris, embracing views of many of the most celebrated public buildings of the French capital.  These pictures are very attractive.

Some photographs from the establishment of Mr. Cahill, of this city are also worthy of attention.

1855 November 1. The Boston Herald.  (Boston, Massachusetts.)  November 1, 1855, No. 10,078, P. 4.

New England Industrial Exhibition in Gore Block was crowded yesterday…

The most interesting specime3ns of pictorial art on exhibition are those produced by the Daguerrean and photographic art, from the establishments of Whipple & Black, Masury & Silsbee, and Cahill.  They are absolutely life-like.  Those of Whipple & Black are perfect.  The taste of Masury & Silsbee in finely illustrated in their contributions.  Cahill has a fine collection, showing that his skill in the production of Daguerreotypes, Hyallotypes, and Crystallotypes is not excelled.  The colored photographs produced by these gentlemen, from their truthfulness to nature, are the most valuable portraits for preservation that can be had.

1855 December 29. The Boston Herald.  (Boston, Massachusetts.)  December 29, 1855, No. 10,127, P. 4.

A New Year’s Present.  We have seen a beautiful daguerreotype of six young ladies, who compose the Sunday School class of Mrs. A. A. Miner, wife of the pastor of the Universalist Church in School street.  This beautiful and interesting picture, executed by Cahill, is intended as a New Year’s present to Mrs. Miner.

1856 September.  Massachusetts Charitable Mechanic Association. 

Received a diploma for daguerreotypes, photographs, & ambrotypes at the Eighth Exhibition of the 1856 Massachusetts Charitable Mechanic Association Fair.

1856.  Lady’s Almanac.  Vol. 3, p. 121.

Boston Business Directory.  Daguerreotype Miniatures.  M. S. Cahill…..293 Washington street, up one flight of stairs.

1856 February 21. The Boston Herald.  (Boston, Massachusetts.)  February 21, 1856, No. 10,173, P. 2.

Boston Business Directory…Daguerreotypes, Chrystalotypes, Photographs, etc.

Cahil…………………….293 Washington street.

Whipple & Black…………96 Washington street.

Southworth & Hawes……..5½ Tremont Row.

1856 March 31. The Boston Herald.  (Boston, Massachusetts.)  March 31, 1856, No. 10,206, P. 4.

There is now on exhibition at Mr. Barns’ picture-frame store, No. 125 Washington street, a beautiful photographic picture the largest and best we have ever see.  It was executed by Cahill, No. 293 Washington street.  We have noticed, from time to time, some beautiful specimens of photographic art in Mr. Barns’ windows, by the different artists in this city, but the one now on exhibition is decidedly the best we have ever seen, and shows to what a perfection this beautiful art has been brought.

1856 October 24.  Boston Morning Journal.  (Boston, Massachusetts.)  October 24, 1856, Vol. XXIV, No. 7302, P 1.

Boston Business Directory.  Daguerreotypes, Photographs, Chrystalotypes, &c.  Cahill 293 Washington st.

1856 October 25.  Worcester Daily Spy.  (Worcester, Massachusetts.)  October 25, 1856, Vol. XI, No. 252, P. 3.

Arts & Manufactures.  Ambrotype, Daguer’type & Photograph Rooms, Photographs, life size.  Cahill, Artist 293 Wash’ton st.

1856 October 27. The Boston Herald.  (Boston, Massachusetts.)  October 27, 1856, No. 10,385, P. 4.

A Surprise Party.  A very agreeable surprise came off last Thursday night, at the house of Deacon N. O. Hart, in Arnold street.  The Young Men’s Bible Class of the Baldwin Place Church, thirty-three in number, unexpectedly called on their late teacher, Deacon Hart, at his residence, and presented him with their Daguerreotypes, enclosed in a rich gilt frame, executed by Cahill, 293 Washington street…

1856 November 27.  National Eagle. (Claremont, New Hampshire.)  November 27, 1856, Vol. XXIII, No. 7, P. 3.

Cahill’s Daguerrean And Photographic Establishment.  No. 298 Washington Street, Boston.  Daguerreotypes, Ambrotypes, or Daguerreotypes on Glass, Photographs, plain and colored, from Miniatures to life size.

Everything connected with the Picture business done at this establishment.

Daguerreotypes and other Pictures copied.

Advertisement ran from November 27 to December 25, 1856.

1857 June 27.  Ballou’s Pictorial Drawing Room Companion.  (Boston, Massachusetts.) June 27, 1857, P. 412.

Illustration of Charles T. Jackson, M. D. from a photograph by M. S. Cahill

1857 October.  The Photographic And Fine Art Journal.  October 1857, P. 319.

…Mr. Cahill, showed us some excellent photographs, but we must give the preference to the ammonio-nitrate prints.  Those taken by his new developing process, have too much the characteristics of the amphitype pictures described above…

1857 November.  The Photographic And Fine Art Journal.  November 1857, P. 352.

Printing Without Silver.—In our last, we exposed the last pretended “New American Discovery,” which several photographers, among them Mr. Cahill of Boston, Mr. Tomlinson of New York, and Mr. Rhen of Philadelphia, have been selling or trying to sell, to their brother artists.  The folly of buying processes cannot be better shown than in this case—as we give, in the present number, the best formula of the kind ever discovered.  (See page 339)

No Date.  Unknown publication, P. 197. 

Cahill’s daguerreian Gallery, 293 Washington Street, (Between West and Winter Sts.) Boston.

Persons desirous of obtaining good and satisfactory likenesses of themselves, or their friends, will find it very much to their advantage to call as above, as the proprietor feels assured, from his experience in the Scientific Art of Daguerreotyping, and the superior facilities of “Light” and apparatus which his establishment affords, he can produce pictures which, for superiority of tone and finish, cannot be excelled, if equaled, in this city or country.  Satisfactory pictures given or no charge.  The public are respectfully invited to call and examine his specimens.  M. S. Cahill.           

1857 November 18. The Boston Herald.  (Boston, Massachusetts.)  November 18, 1857, No. 10,703, P. 2.

Photographs For $1.00.  Cahill & Co., 293 Washington street, is now prepared to take Photographs, large size, such as we have always had $5.00 for, at the astonishing low price of one dollar.  Ambrotypes, such as we have always had $1 for, we are not taking for 25 cents.—Those in want of either ambrotypes, photographs, daguerreotypes, or any of the various kinds of pictures that are now made, will find it very much to their advantage to call at No. 293 Washington street.

1857 November 19. The Boston Herald.  (Boston, Massachusetts.)  November 19, 1857, No. 10,704, P. 2.

The Fall of Delhi.  The news reached Boston, Nov. 14th; on the same day Cahil & Co., No. 293 Washington street, concluded to reduce their prices of Ambrotypes, Photographs and Daguerreotypes.  Ambrotypes, 25 cents, Photographs, $1.

November 19 & 20, 1857.

1859 July 7. Boston Press and Post Semi-Weekly.  (Boston, Massachusetts.)  July 7, 1859, Vol. XXII, No. 97, P. 4.

The Parade of the “Odds and Ends.”  …The Cacaan Brass Band, an organization consisting of forty-five instruments, including a drum corps of thirteen…Arriving at State street, the line was brought to a halt while a large photograph of the company was taken by Cahill, without—we are happy to say—any serious damage to his instruments.

1861 May 6. Boston Traveller.  (Boston, Massachusetts.)  May 6, 1861, Vol. XVII, No. 30, P. 2.

“Leave Your Likeness At Home.” –At Mr. Cahill’s rooms, 293 Washington street, are beautiful life-like specimens of Ambrotypes and photographs taken by artificial light in the evening, by Dodge’s patent process, which is very desirable for those whose advocations render it inconvenient to have pictures taken in the day time.  Mr. Cahill is equally successful in his pictures taken by sunlight, and his prices are reasonable.

1861 March 27. The Boston Herald.  (Boston, Massachusetts.)  March 27, 1861, P. 2.

Night Pictures!  Ambrotypes And Photographs Every Evening!  The subscriber, having purchased the exclusive right to the city of Boston for taking Photographs and Ambrotypes by “Dodge’s Artificial Light Process,” would respectfully give notice that his rooms, at No. 293 Washington Street, will be open This Evening, Wednesday, March 27th, to all whose occupation renders it inconvenient for them to have Pictures taken in the daytime.  M. S. Cahil.

N. B.  Skeptics invited to examine specimens.

1861 March 30. The Boston Herald.  (Boston, Massachusetts.)  March 30, 1861, P. 4.

Night Pictures!  Ambrotypes & Photographs Taken Every Evening, By Cahill, No. 293 Washington Street.

1861 May 9. The Daily Evening Traveler.  (Boston, Massachusetts.)  May 9, 1861, Vol. XVII, No. 33, P. 2.

Ambrotypes and Photographs, are taken in superior style and colored by a skillfull artist to give a life-like expression, by sunlight or artificial light, day or evening, at the rooms of Mr. Cahill, 293 Washington street—call and see his specimens, and notice his reasonable prices.

1861 May 9. The Daily Evening Traveler.  (Boston, Massachusetts.)  May 9, 1861, Vol. XVII, No. 33, P. 2.

Ambrotypes and Photographs, are taken in superior style and colored by Mr. J. B. Wilkinson, a skillful artist, to give a life-like expression, by sunlight or artificial light, day or evening, at the rooms of Mr. Cahill, 293 Washington street—call and see his specimens, and notice his reasonable prices.

1863 March 7.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 7, 1863, Vol. XXXV, No. 10,085, P. 2.

The Fire On Washington Street, at 9½ o’clock last evening, was much more destructive than reported in the morning papers.

It broke out in the chemical department connected with the photographic establishment of Messrs. Case & Getchell, and which was located in the second story of the rear of 293, completely destroying the room and its contents of Chemicals, silver, &c.

The flames also extended into the operating room of the firm, breaking the sky-lights, and burning most of the fixtures and furniture.

The entire stock of negatives in the establishment were preserved fr4om injury, with the exception of those taken yesterday, which were destroyed by the fire breaking the glass, as any amount of saturation by water will not injure them.

Messrs. Case & Getchell’s loss is estimated at from $2000 to $3000, but they are fully insured.  Their fine reception room at No. 299½ in no wise suffered from the effects of the fire, nor will their business be interrupted more than a day or two.

The flames penetrated the photograph room of M. S, Cahill, in the second story of 293, destroying valuable pictures and furniture—the new skylights above were also badely broken.  Damage about $1000, and insured.

The photograph rooms of L. H. Hale, on the lower floor of No. 293, were damaged about $250 by water.  Insured at the Suffolk office.

1865 September 14.  Boston Daily Advertiser.  (Boston, Massachusetts.)  September 14, 1865, Vol. 106, No. 64, Whole No. 15,929, P. 4.

Business Changes. 

Boston, Mass.:—Brownell & Cahill, Photographers, dissolved.  A. C. Brownell, Artist.

Getchell & Brownell, Photographers.  New firm—W. B. Getchell and A. C. Brownell.

1865 September 16.   Commercial Bulletin,  (Boston, Massachusetts.)  September 16 , 1865, Vol. VII, No. 349, P. 2.

Changes in Business in Boston.

Getchell & Brownell, Photographers; new firm—W. B. Getchell & A. C. Brownell.

Brownell & Cahill, Photographers; dissolved.

1896 March 28.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 28, 1896, P. 11.

Mr. Miles Standish Cahill, who died at Dorchester Friday, had been a successful business man in this city for nearly half a century.  He was born in Chatham, Mass., Oct. 15, 1823.  When nineteen years of age he came to this city and for some years was in the daguerreotype and photograph business on Washington street.  For the last twenty-five years he carried on a large business in shoe findings, slippers, etc. he was a member of the Universaltist Club, a Mason, an Odd Fellow. A Knight of Honor and a member of other fraternal societies.

[1] A Directory Of Massachusetts Photographers 1839-1900

[2] Eastman & Cahill.

[3] Brownell & Cahill.

Barnum, DeLos

Daguerreotypes, Photographs, Stereoviews, , , , , , ,

1856                Address Unknown, Boston, Massachusetts.[1]

1857                2 Winter Street, Boston, Massachusetts.1

1858                335 Washington Street, Boston, Massachusetts.

1858                230 Commercial Street, Boston, Massachusetts.1

1859                365 Washington Street, Boston, Massachusetts.1

1860                Address Unknown, Roxbury, Massachusetts.1

1856 April 5.  Manuscript.  Letter from D. Barnum to Scovill Manufacturing Company.  Collection of Scovill Manufacturing Company Records, Scovill II, Incoming Letters, vol. 2, p. 104.  Baker Library, Harvard University Graduate School in Business Administration.

Mr. Humphrey, Dear Sir In you (sic) journal for March 15, I Noticed a Call for a first class Daguerreotypist to go to California.  being desirous of visiting that Country I resolved to Answer your notice.  I have been in the business now 5 years & for the past year I have been at work for Messrs. Southworth & Hawes and I am at work there at present. & Shall continue to unless I go to California.  I am a Married Man & Shall take my wife with me.  If you have not found the man you want, And should you think fit to Answer this Stating particulars

Address.  D. Barnum 5½ Tremont, Row, Southworth & Hawes’ Daguerreotype Rooms, Boston

1857-1875.  Stereo Views.  By John S. Waldsmith, 1991.

List Delos Barnum as being active from 1857 to 1875.  Made early photographs of Boston

(ca. 1857) on ivory mounts with blind-stamped identification.  Most notable is his “American Historical Series” (1859) of more than fifty views of Revolutionary War landmarks in and around Boston.  These are on ivory mounts with ornate and fancy descriptive backs.  He also did a fine series of Saratoga and Niagara Falls Plus a series of Washington, D. C.

1858 January 22.  Waltham Sentinel.  (Waltham, Massachusetts.)  Vol. 3, No. 4, P. 3.

Wyman & Co., Photographic Artists, 335 Washington Street, cor. West Street, Boston.

Photographs, Ambrotypes, and every picture in the Art, executed in the neatest and most approved style.

Photographs colored in oil, or tinted in water colors in any style.  Particular attention given to copying.  H. Wyman.  Ja 22.   D. Barnum.

Advertisement ran from January 22 to February 19, 1858.

1860 September.  Massachusetts Charitable Mechanic Association.

Awarded a Bronze Medal at the ninth exhibition of the Massachusetts Charitable Mechanic Association Fair for Stereoscopic Pictures.

1860 September 24.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  September 24, 1860, Vol. XXXI, No 9331,  P. 2.

Stereoscopic Views.  Mr. Delos Barnum of Roxbury has a fine show of Stereoscopic Views in Mechanics Exhibition.  These views are not only of a very high order of merit, but the subjects selected for illustration have special interest to our citizens.  Mr. Barnum last year published an historical series of 21 pictures of noted places in Eastern Massachusetts, which we commended to public attention at the time.  His list, besides those above named, now include eight views of the College buildings and private residences in Cambridge, sixteen views of Mount Auburn, three at Nahant, twelve of places at Franconia, twelve of Niagara, twelve of Buildings and squares in Boston, and others representing noted objects  in Canada, Michigan, Vermont, Greenwood Cemetery, Jamaica Plain, etc.  The whole forming a collection of about a hundred and twenty American views of great beauty and national interest.  Thomas Groom & Co. and the other dealers have these views for sale.

[1] Directory of Massachusetts Photographs, 1839-1900.

Henry Willard

Portrait Painter, , , , , , ,

Ca. 1855          Address Unknown, Boston, Massachusetts

1855                Pennsylvania Avenue, between 4½ and 6th Streets, Washington, D. C.

Henry Willard was recorded in two announcements in the Evening Star (Washington, D. C.).  The first appeared on December 18, 1855.  Henry Willard, a Boston artist of great merit, has taken a studio in the same building with Whitehurst’s Daguerreotype establishment, where he is painting the portraits of several of our distinguished men.

The second announcement appeared on December 22, 1855.  Fine Arts.—Visiting several studios this morning, we found the artists busy at their easels, apparently well content with the patronage they are receiving from an appreciating public…  Henry Willard, in the building with Vannerson, was at work on a portrait, in oils, of the Hon. Mr. De Witt, of Mass….

The New York Historical Society’s Dictionary of Artists in America 1564–1860 list Henry Willard as a portrait, miniature and genre painter of Boston, active from about 1833.

Henry Willard is not recorded in other photographic directories.  Craig’s Daguerrean Registry does record a William Willard as an artist at 5½ Tremont Row.  Both Henry and William are recorded in The New York Historical Society’s Dictionary of Artists in America 1564–1860. William  as a portrait painter active in Boston in the 1850’s and Henry as a portrait, miniature, and genre painter.  It is unknown what arrangements Henry had with Whitehurst or Vannerson if he was just using the gallery space as professional courtesy or if money exchanged hands or if Henry colored or painted photographs.  In the case of William it is unknow if he work for Southworth & Hawes or had his own space in the building.

Wainwright Jones

Daguerreotypes, , , , , ,

1849-1850       265 Washington Street, Boston, Massachusetts.

Wainwright Jones was Recorded in four announcements and one advertisements in the Boston Daily Evening Transcript (Boston, Massachusetts).  The advertisement ran from August 14, 1849 to April 16, 1850.  Persons desirous of Daguerreotype Likenesses of themselves or friends, taken in a superior style, will do well to call at W. Jones’s Rooms, 265 Washington street, Corner of Winter.

The first announcement appeared on September 4, 1849.  Daguerreotypes.  For the information of the public we would state that excellent likenesses are taken at the gallery of Mr. W, Jones, 265 Washington street, corner Winter.  Persons desiring single figures, groups, or other pictures, would do well to call.  We have a specimen of his work before us that is excellent.

The second announcement appeared on October 20, 1849.  Daguerreotypes.  Excellent specimens in this beautiful art are taken by Mr. Jones, at his gallery at the corner of Washington and Winter streets, and at very low prices too, put up in elegant cases, which are an ornament to the centre table.  Give him a call.

The third announcement appeared on September 4, 1849.  Christmas Presents…For Superior daguerreotypes to Whipple; to Southworth & Hawes; to Davis; to Jones; to Chase and some few others…

The fourth announcement appeared on January 14, 1850.  Daguerreotypes, are taken at a very low price at Jones’s Gallery 265 Washington street.  If not good likenesses no pay is required.

Wainwright Jones is recorded in other photographic directories, but is included here to clarify the record.

DeWitt C. Grenell

Daguerreotypes, , , , , , , , , , , ,

N. D.               5½ Tremont Row, Boston, Massachusetts.                                                                            N. D.               205 Broadway, New York, New York.                                                                                      N. D.               100 Chestnut, Philadelphia, Pennsylvania.                                                                        N. D.               Eighth and Chestnut, Street, Philadelphia, Pennsylvania.                                            N. D.               205 Baltimore Street, Baltimore, Maryland.                                                                      1849                Rooms in Safford’s New Block, Watertown, New York.                                              1850                236 Grand Street, New York, New York.                                                          1851                557 & 559 Broadway, New York, New York.

DeWitt C. Grenell was recorded in three advertisements.  The first advertisement ran on October 17 to November 14, 1849 in the Northern New York Journal (Watertown, New York).  Daguerreotype, Plumbotype, and Calotype Pictures, “Secure the Shadow ere the Substance Fades.”  DeWitt C. Grenell, Daguerrean Artist, just arrived from New York and Philadelphia, with the largest assortment of Daguerreotype Stock, Apparatus and Specimens, ever exhibited in Watertown.  Having had many years experience in the largest establishments in the United States, viz: Southworth & Hawes, Boston, M. B. Brady, N. York, T. P. & D. C. Collins, McLees & German sic. McCless & Germon Philadelphia, also Plumbe’s National Daguerrean Gallery, Baltimore.  He has taken and furnished in the best manner three large and commodious rooms in Safford’s New Block, opposite the American Hotel.  Having a thorough knowledge of all the late improvements in the art, and a superior Apparatus, he feels confident his portraits will excel anything before offered.  Ladies and Gentlemen are respectfully invited to call and examine specimens , among which are several distinguished personages.  Photographs neatly set in Lockets, Pins and Rings.  Family Groups of any desired size, also Children taken instantly.

Daguerreotype Stock constantly on hand at the lowest New York Prices.  Goods will be forwarded to Operators in the country on the shortest notice.  Also, instructions given to any person desiring to learn the mysteries of the art.  Watertown, Sept. 26th, 1849.

The Second advertisement ran on June 8 & 10, 1851 in The New York Herald (New York, New York).  D. C. Grenell’s New-York Daguerreian Gallery at the Alhambra, building 557 & 559 Broadway, formerly occupied by J. Niblo, is now open for the reception of the public; no expense has been spared in making it one of the most perfect establishments of the kind in the world, with a thorough knowledge of every improvement the art has attained, and operators of long experience and superior talent employed enables the proprietor to warrant every picture equal to any taken in this country.  The Sky light which is arranged upon a new plan, is superior to many and surpassed by none.  The public can rely upon perfect satisfaction, both with regard to quality and price.

The third advertisement ran on June 9 & 10, 1851 in the New York Daily Tribune.  (New York, New York.)  June 9, 1851, Vol. XI, No. 3165, P. 4.

D. C. Grenell’s New-York Daguerreian Gallery at the Alhambra, building 557 & 559 Broadway, formerly occupied by J. Niblo, is now open for the reception of the public; no expense has been spared in making it one of the most perfect establishments of the kind in the world, with a thorough knowledge of every improvement the art has attained, and operators of long experience and superior talent employed enables the proprietor to warrant every picture equal to any taken in this country. The Sky light which is arranged upon a new plan, is superior to many and surpassed by none. The public can rely upon perfect satisfaction, both with regard to quality and price.

DeWitt C. Grenell is recorded in Craig’s Daguerreian Registry in 1850 to 1851 in New York City.

Mr. Armington

Daguerreotypes, , , , , ,

Recorded in the Lynn News, published in Lynn, Massachusetts on April 26, 1850. Daguerreotype Gallery, In The Sagamore Building, near the Central Building, Lynn.  J. H. Currier, Daguerrian Artists, having procured of his late partner, Mr. Armington, his large German Instrument, is now prepared to execute Miniatures of all styles, in groups or single, on small or the largest sized plates that are used.

The date on the advertisement is February 1, 1850. No other advertisements or articles relating to the partnership or to Mr. Armington have been located, and no address was associated to the partnership.  One might speculate that since the partnership was mention in the advertisement that the address of the partnership was the same.

We can further speculate that this might be the H. Armington who wrote a letter to Southworth & Hawes on October 13, 1846 from Pawtucket, Massachusetts.

Pawtucket Mass. Oct. 13th 1846 Messrs.  Southworth & Hawes, Gents, We have seen in pictures in Providence said to have been taken with “quickstuff” prepared and sold by you, which we liken the appearance of very much. We wish you to send us a bottle of the same with the directions necessary for using it.  If we could produce the same results with it as those we saw in Providence should like to make use of it altogether, Please write us your lowest price for Scovilles No. 1 Medium Plates. Also cheapest Medium satin cases also Velvet good articles.  Yours Respectfully                 H. Armington & Co. [1]

 Note that Mr. Armington,  J. H. Currier and their partnership do not appear In The Directory of  Massachusetts Photographers, 1839-1900.

[1] Manuscript formerly in Matthew R. Isenburg’s Collection.

J. T. Ames

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J. T. Ames is recorded twice in the Daily Republican newspaper, published in Springfield, Massachusetts on October 14, 1845. His name appears in a list of entries of the Hampden County Agricultural Fair under Specimens of fine arts which was held on October 8 & 9th. J. T. Ames possibly (James T.) from Cabotville (Chicopee) exhibited two daguerreotypes; J. Beals, Jr. of West Springfield exhibited 4 daguerreotypes; G. W. James probably (George W. James) from Springfield is listed with two entries first exhibiting twelve specimens of daguerreotypes and the second entry exhibiting four daguerreotypes; and Stock & Cooley who exhibited six paintings and four daguerreotypes.[1]

The second time he is mentioned was on September 29, 1851 also in the Daily Republican in an announcement for the Seventh Annual Cattle Show and Fair of the Hampden Agricultural Society…The following are the Committees on the various departments of the exhibition:…Under Paintings and Daguerreotypes.—T. W. Carter, Chicopee, James T. Ames, Chicopee, Edmund Freeman, Springfield.

In looking in Craig’s Daguerreian Registry he list a Joseph Ames as an artist and painter at 5½ Tremont Row from 1852-1856 the same address as Southworth and Hawes.  From 1857-1858 at 41 Tremont Row and 1859-1860 at 16 Summer Street.  He goes on to say that another source noted him as a daguerreian who gave assistance to Southworth and Pennell in their early stages (1840.)  John cites the business directory and WW as his sources.  W. W. is William Welling’s Photography in America: The Formative Years 1839-1900.  On page 20.  Welling writes Southworth & Pennell, meanwhile, at some point in the spring or summer of 1840, established a daguerreotype business in Cabotville, near Boston.  “We had the sympathy and substantial assistance of Messrs. Ames, Chase and Bemis.”  This information comes from The Philadelphia Photographer Volume 8, No. 94, October 1871 Page. 315-323. An Address To The National Photographic Association of the United States, Delivered at Cleveland, Ohio, June 1870.  By Albert Southworth. The passage is on page 317.

Checking The New York Historical Society’s Dictionary of Artist in America 1564-1860 there is a listing for Joseph Alexander Ames as working mostly in Boston from 1841-1847; he went to Italy in 1848, returning to Boston, visiting New York city in 1850, was in Baltimore, Maryland in 1870, and thereafter in New York City where he died on October 30, 1872.  There is no mention of an association with Southworth and Hawes, Southworth and Pennell or daguerreotyping.

In conclusion I believe that the attribution to Joseph Ames is based on the 5½ Tremont Row Address in Boston, not the Cabotville (Chicopee) location where Southworth & Pennell resided in 1840. Further research into J. T Ames (James T.) is needed, we know he made daguerreotypes in 1845 and still resided in Chicopee in 1851.  It is possible J. T. is the Ames mentioned in the Southworth Address to the National Photographic Association of the United States, not Joseph Ames.

[1] Three names J. T. Ames; J. Beals, Jr. and G. W. James are new name and not recorded in A Directory of Massachusetts Photographers, 1839-1900.