Tag Archives: New York City

Broadbent, Samuel

1841-1843       136 Nassau Street, New York, New York.

1842-1843       Rooms opposite Central Hotel, Macon, Georgia.

1843                American Hotel, Madison, Georgia.

1843                Masonic Hall, Augusta, Georgia,

1843-1844       Rooms over Mrs. Bullard’s (Miss Kendrick) Store, Congress Street, Savannah, Georgia.

1844                Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, Macon, Georgia.

1845                Rooms over Ives & Brothers Dry Goods Store, Broad Street, Columbus, Georgia.

1845                Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street,, Macon, Georgia.

1845                Mitchell’s New Building, over Field & King’s Store, Athens, Georgia.

1845                271 King Street, Charleston, South Carolina.

1845-1846       Maybin Hotel, Columbia, South Carolina.[1]

1846                Address Unknown, Hartford, Connecticut.1

1846                Rooms over Mrs. Bueaulard’s Store, Congress Street, Savannah, Georgia.

1846-1847       Corner of Market-Square and Bryan Street, Savannah, Georgia.

1847-1848       A few doors below Dr. Evans’s Drug Store, Wilmington, North Carolina. 

1848                Rooms over Hart & Polley’s Store, Wilmington, North Carolina.

1848                Rooms in the New Hotel, Fayetteville, North Carolina.

1848                Rooms At B. B. Smith’s Building, Raleigh, North Carolina.

1848-1849       211 Baltimore Street, Baltimore, Maryland.

1849-1850       Third & Market, Glazier Building, Wilmington, Delaware.[2]

1850                Rooms over Mr. Lewis’ Office, Market Street, West Chester, Pennsylvania.

1851-1857       136 Chestnut Street, Philadelphia, Pennsylvania.

1858                428 Chestnut Street, Philadelphia, Pennsylvania.

1859-1862       814 Chestnut Street, Philadelphia, Pennsylvania.

1862-1863       912 & 914 Chestnut Street, Philadelphia, Pennsylvania.

1840 January 4.  The Constitutionalist.  (Augusta, Georgia.)  January 4, 1840.  Vol. XVII, No. 64, P. 4.

List of Letters remaining in the Post Office…S. Broadbent.

1840 May 15.  The Southern Banner.  (Athens, Georgia.)  May 15, 1840, Vol. IX, No. 9, P. 3.

S, Broadbent, Miniature Painter, At the Town Hall, directly over the Post Office.  Specimens may be seen at his room.

Advertisement ran from May 15 to June 5, 1840.

1840 November 3.  The Constitutionalist.  (Augusta, Georgia.)  November 3, 1840.  Vol. XVIII, No. 87, P. 3.

List of Letters remaining in the Post Office…S. Broadbent.

1841 April 17.  New York Mechanic.  (New York, New York.)  April 17, 1841, New Series—    Vol. 1, No. 16, P. 3.

Daguerreotype Portraits, Taken with or without Sunlight, from ten o’clock, A. M. until dark, every day at the Studio of Professor Morse, No. 136 Nassau Street, opposite the Brick Church, by S. Broadbent.

Professor Morse, Will Generally Be In Attendance.

N. B.—Portraits are taken equally well in Cloudy , and even in Stormy weather.

More recently likenesses are taken in the sunlight in one second of time, without the sun in Twenty Seconds.

Advertisement ran from April 17 to August 21, 1843.

1842 December 8.  Georgia Messenger.  (Macon, Georgia.)  December 8, 1842, Vol. XX, No. 42, P. 2.

Daguerreotype Portraits.—If any one wants a fac simile of his countenance, as accurately as nature can copy it, (or of a friend,) let him call at the room of Mr. Broadbent, opposite the Central Hotel.  Mr. Broadbent has been the pupil of Professor Morse, the President of the National Academy; and the execution of his work is more perfect, and the features and outlines of his miniatures more plainly and strikingly delineated, than we have ever before seen.

1842 December 15.  Georgia Messenger.  (Macon, Georgia.)  December 15, 1842, Vol. XX, No. 43, P. 3.

Daguerreotype Portraits.  S. Broadbent respectfully announces to the citizens of Macon and vicinity, that he has taken Rooms over the store formerly occupied by Wm. B. Parker, opposite the Central Hotel, where he will be happy to wait upon Ladies and Gentlemen, who wish to see specimens, or have their Likeness taken by the Photographic Art.

Advertisement ran on December 15 & 22, 1842.

1843 January 12.  Georgia Messenger.  (Macon, Georgia.)  January 12, 1843, Vol. XX, No. 47, P. 3.

Daguerreotype Mr. Broadbent has been wee encouraged by our citizens.  His likenesses are as faithful as reflection can make them, and if it is a satisfaction to any one to have a faithful resemblance of wife, children or friends, the opportunity is now offered them.  

1843 February 16.  Georgia Messenger.  (Macon, Georgia.)  February 16, 1843, Vol. XX, No. 52, P. 3.

Daguerreotype Portraits.  Mr. Broadbent respectfully informs the citizens of Macon that he has just returned from New York, and will remain in this city for a short time, and that those who wish their Portraits taken can now be gratified.

Advertisement ran on February 16 & 23, 1843.

1843 May 20.  Southern Miscellany.  (Madison, Georgia.)  May 20, 1843, Vol. II, No. 8, P. 3.

Daguerreotype Miniatures.  Mr. Broadbent is at present at the American Hotel, where he is prepared to take miniatures of such as may desire them, in a superior style.  We have seen several of Mr. Broadbent’s pictures, and do not hesitate to pronounce them superior to any we have yet seen.  Mr. B. has certainly brought the art to perfection.  Let those who doubt visit his rooms.

1843 June 2.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  June 2, 1843, Vol. VII, No. 128, P. 2.

Photographic Miniatures.  By reference to the advertisement of Mr. Broadbent, it will be seent hat he has taken rooms at the Masonic Hall, where he proposes to take miniatures by the aid of this astonishing art.  Mr. B. has exhibited to us, and left in our possession, some specimens of his proficiency, which are, indeed, very satisfactory and should commend him to the favor of those who desire to obtain miniatures.

1843 June 2.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  June 2, 1843, Vol. VII, No. 128, P. 3.

 Daguerreotypes.—S. Broadbent respectfully announces that he has taken rooms at the Masonic Hall, where he will remain a few days only, and will be happy to wait upon Ladies and Gentlemen who may wish to see specimens, or have their likenesses taken by the Daguerreotype process.

1843 October 7.  Savannah Daily Republican.  (Savannah, Georgia.)  October 7, 1843, Vol. XLI, No. 285, P. 2.

Daguerreotype Portraits.—We call the attention of our citizens as well as that of strangers visiting the city, to the advertisement of Mr. Broadbent, which appears in our columns this morning.  We have examined several of his likenesses, and unhesitatingly pronounce them superior to any that we have ever before seen.  They have mor the appearance of a painted portrait than the common Daguerreotype likeness. Mr. B’s stay in this city will not be long, and we therefore recommend our friends to give him an early call

1843 October 7.  Savannah Daily Republican.  (Savannah, Georgia.)  October 7, 1843, Vol. XLI, No. 285, P. 3.

Daguerreotype Portraits.—S. Broadbent, having taken Rooms over the store occupied by Mrs. Bullard, Congress-street, opposite Pulaski House—will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or  have their Likenesses, taken by the Daguerreotype process.

Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and warranted superior to any Specimens that can be produced in New York, or elsewhere, or no charge.  

1843 October 17.  The New York Herald.  (New York, New York.)  October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.

Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.

The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.  P. Haas, Esq., Washington, D. C.  Dr. A. Caspari, Richmond, Va.  S. Broadbent, Esq., for the Southern States.  William West, Esq., Cincinnati, Ohio.          

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.

Advertisement ran from October 17, 1843 to January 26, 1844.

1843 October 17.  Savannah Daily Republican.  (Savannah, Georgia.)  October 17, 1843, Vol. XLI, No. 242, P. 2.

Daguerreotype Portraits.—S. Broadbent, respectfully announces that he has taken Rooms over the store occupied by Miss Kendrick and Mrs. Bullard, in Congress-street, opposite the Pulaski House, where he will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or have their Likenesses, taken by the Daguerreotype process.

Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and are warranted superior to any Specimens that can be produced done in New York, or elsewhere.

Groups of two or more taken on one plate, (whole family groups taken.)

Portraits taken equally well in cloudy, or even in stormy weather.

Advertisement ran from October 17 to November 1, 1843.

1843 November 7.  Savannah Daily Republican.  (Savannah, Georgia.)  November 7, 1843, Vol. XLI, No. 258, P. 2.

Mr. Broadbent’s Daguerreotype Likenesses.—It is only recently that we have paid much attention to the really excellent work of Mr. Broadbent, in this new art.  So repeated have been the failures of all similar attempts here, so imperfect have been the portraits which we have hitherto seen of this kind, that we have never held the method in proper estimations.  The likenesses of Mr. Broadbent are full of merit.  They are perhaps a little too true to be pleasing in some instances, but they are perfect.  The effect of light and shade and foreshortening, is precisely that which the most eminent artist known how to reach, while the peculiar contrast and gradation of colors cause them to present an appearance somewhat between a steel and mezzotint engraving.  Mr. B. has a method of precipitating gold upon the finished picture which prevents any change in it from lapse of time, whether from oxidation or otherwise.  Napoleon was but poorly gratified when Isabey told him that he could paint a picture which should last 400 years.  We can see no reason why these pictures should have any limit to their duration.  Chemically speaking there is a necessity of their continuous perfection.  Their price brings them within the reach of every one.  Mr. B.’s stay in Savannah will not be protracted much longer, as he has engagements elsewhere.  Those therefore, who desire to send cherished friends, true likenesses  of themselves, ought to make immediate application.

1843 December 8.  Savannah Daily Republican.  (Savannah, Georgia.)  December 8, 1843, Vol. XLI, No. 284, P. 3.

Daguerreotype Portraits, By S. Broadbent—Taken every day without regard to weather, (equally well in cloudy or even stormy weather) either with or without colours, and warranted superior to any taken in this city or elsewhere, or no charge.

Room in Congress street, over the store occupied by Miss Kendrick, late Mrs. Beaulard.

Mr. B. has just received a large supply of French Plates, No. 20, also, Scovill’s, Corduan’s and German Plates, and Morocco Cases; which he offers for sale by the gross or dozen, at New York prices.

Mr. B. is agent for the sale of German Instruments, and has them for sale at the importer’s price.

Advertisement ran from December 8, 1843 to January 6, 1844.

1844 February 17.  Savannah Daily Republican.  (Savannah, Georgia.)  February 17, 1844, Vol. XLII, No. 41, P. 3.

Daguerreotype Portraits—By S. Broadbent.—Rooms over the store occupied by Miss Kendrick, Congress street.

N. B. Mr. B. will remain in Savannah but a short time longer.  He will be happy to wait upon Ladies and Gentlemen who wish to examine Specimens, or have their Likenesses taken, and hope that they will make it convenient to call soon.

Daguerreotype Apparatus, Plates, Cases, &c. for sale at New York prices.

Advertisement ran from February 17 to March 1, 1844.

1844 March 8.  Savannah Daily Republican.  (Savannah, Georgia.)  March 8, 1844, Vol. XLII, No. 58, P. 3.

A Card—Daguerreotype.—S. Broadbent, begs leave respectfully to tender his thanks to the citizens of Savannah, for the liberal patronage he has received during his stay here, and hopes that those who wish, will avail themselves of this opportunity of having their Portraits taken, as he intends remaining a short time longer, and would advise all such that the weather is now vary favorable.

Advertisement ran from March 8 to 16, 1844.

1844 April 15.  Savannah Daily Republican.  (Savannah, Georgia.)  April 15, 1844, Vol. XLII, No. 89, P. 3.

The Last Call—Daguerreotype.—Mr. Broadbent begs leave once more to remind those who wish their portraits. That te will remain one week longer only (and as he has recently made some improvements, he is sure of giving perfect satisfaction to such as wish  their Likeness taken.

Rooms over Miss Kendrick’s store, Congress st., opposite the Palaski House.

1844 April 24.  Savannah Daily Republican.  (Savannah, Georgia.)  April 24, 1844, Vol. XLII, No. 97, P. 3.

Daguerreotype Once More, Since the last call, Mr. Broadbent has been detained longer than he anticipated, and begs leave to say, that he will be detained a very few days longer, and will be happy to wait upon those who desire to have their Likenesses taken.

Advertisement ran from April 24 to 29, 1844.

1844 May 6.  Savannah Daily Republican.  (Savannah, Georgia.)  May 6, 1844, Vol. XLII, No. 107, P. 2.

Daguerreotype Miniatures.—Mr. Broadbent will take no miniatures after this day.  Those who intend to sit for their pictures must therefore call, as this will be the last opportunity afforded them.

1844 May 11.  Savannah Daily Republican.  (Savannah, Georgia.)  May 11, 1844, Vol. XLII, No. 112, P. 2.

Not Gone Yet.—Daguerreotype!—Mr. Broadbent, having Portraits engaged for several families, is encouraged to remain until the last of the week, and hopes that those who desire their Portraits, will avail themselves of this opportunity.

1844 May 14.  Savannah Daily Republican.  (Savannah, Georgia.)  May 14, 1844, Vol. XLII, No. 114, P. 2.

Daguerreotype Again—Still Here!—S. Broadbent is yet on hand ready to wait upon Ladies and Gentlemen, who wish their Likenesses taken.

Advertisement ran from May 14 to 18, 1844.

1844 June 7.  Savannah Daily Republican.  (Savannah, Georgia.)  June 7, 1844, Vol. XLII, No. 185, P. 3.

Per brig Clinton, sailed yesterday for New York—…S. Broadbent…

1844 October 24.  The Charleston Courier.  (Charleston, South Carolina.)  October 24, 1844, Vol. XLII, No. 12816, P. 3.

Arrivals at the Charleston Hotel.  October 23, 1844.  S. Broadbent, Residence.  New-York.

1844 November 28.  Georgia Messenger.  (Macon, Georgia.)  November 28, 1844, Vol. XXII, No. 42, P. 3.

Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.

Portraits with or without color, and warranted equal to any in the world.

Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time.  S. Broadbent.

Advertisement ran from November 28 to December 19, 1844.

1844. December 3.  The Weekly Telegraph.  (Macon, Georgia.)  December 3, 1844, Vol. 1, No. 10, Whole No. 946, P. 3.

Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.

Portraits with or without color, and warranted equal to any in the world.

Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time.  S. Broadbent.

Advertisement ran from December 3 to 24, 1844.

1845 February 12.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  February 12, 1845, Vol. XVIII, No. 8, P. 1.

Colored Daguerreotype Portraits.  The Subscribers respectfully announces that they have taken rooms over Messrs. Ives & Brother’s Dry Goods Store, Broad street, and are prepared to take likenesses of such as wish, by the Daguerreotype process, beautifully colored, and warranted superior to any done in New York or elsewhere, or no charge.

This is a favorable opportunity for those who wish to preserve the resemblances of their parents, relatives or friends, and as we shall remain but a short time, those who wish their portraits will do well to call soon.  S. Broadbent & Co

Advertisement ran from February 12 to March 12, 1845.

1845 April 2.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 2, 1845, Vol. XVIII, No. 15, P. 2.

Broadbent’s Daguerreotype.  We had often seen notices of the superior excellence of Broadbent’s pictures, and have always heard him spoken of as excelling all others in the Daguerreotype—and we really think him deserving of all the praise that has been awarded him.  His pictures are more highly finished, and have a strength, brilliancy and beauty about them, that we have never seen in Daguerreotype pictures before. 

We have seen a few specimens of Miniature Paintings by Broadbent, which show him to be an artist of very superior skill, and probably his artistical skill may be one reason why he excels in the Daguerreotype.

Mr. B. intimates that he will leave in a few days, and we would advise all those who wish their portraits to call on him at once, as probably there may never occur an opportunity of getting portraits equal to Broadbent’s Daguerreotypes, which are infinitely superior as likenesses, and consequently more valuable, than any painted portrait in the world.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 15, P. 2.

For The Times.  Daguerreotype.  Messrs. Editors:—Having recently visited the operating room of Mr. Broadbent, over Ives & Brothers Store in this city, who is now engaged in taking Miniature likenesses, I was astonished to see what perfection this beautiful art has attained.  Among his specimens I saw many familiar faces which I daily meet, and so natural are they, that were they Busts, instead of Pictures , nothing is wanting save the infusion of the breath of life, to make them real or second self.  Mr. B. being an Artist, (with the aid of the magic pencil, or some other secret charm,) imparts a coloring to his pictures which makes them vie with nature itself.  I understand that he will remain in the city but a few days longer; therefore all persons interested in obtaining a perfect resemblance of themselves, or friends, will improve the golden moment, and resort at once to his room, where almost in a twinkling he will indelibly stamp their features on something more lasting than paper, or durable than wood.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 15, P. 3.

Daguerreotype Portraits, Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call.  He insures his customers that their portraits shall be taken in the best possible manner.

1845 April 9.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 9, 1845, Vol. XVIII, No. 16, P. 3.

Daguerreotype Again.  Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call.  He insures his customers that their portraits shall be taken in the best possible manner.

N. B.  Portraits taken equally well in cloudy and even stormy weather.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 16, P. 3.

Daguerreotype Portraits.  Mr. Broadbent, one of the most successful artist in this country in taking Daguerreotype portraits, is still in this city.—His pictures must satisfy anyone of the perfection to which he has arrived in the art of taking impressions from the human face Divine, more perfect and distinct than can be effected by the engraver.

1845 April 16.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 16, 1845, Vol. XVIII, No. 17, P. 3.

Not Gone Yet.  Mr. Broadbent, Will remain a few days longer.  All who wish to avail themselves of the opportunity of having their Portraits taken by him, will do well to apply soon.

Specimens may be seen at his rooms which will satisfy any one of the superiority of his Pictures, as being bettered colored, more bold, perfect and distinct, than any taken elsewhere.

Portraits taken equally well in all kinds of weather.  Rooms over Ives & Brother’s Dry Goods Store, at the Central Hotel.

1845 April 24.  Georgia Messenger.  (Macon, Georgia.)  April 24, 1845, Vol. XXIII, No. 10, P. 3.

Daguerreotype Portraits.  The subscriber respectfully informs his friends and the public, that he has taken the rooms recently occupied by Mr. Broadbent, over J. L. Jones & Co.’s Clothing Store, Mulberry street, where he is prepared to take Portraits by the Daguerreotype process.  He is provided with a very superior instrument, and the latest improvements in the art; and will engage to execute Portraits, either with or without color, equal to any in the United States.  Henry C. Freeman.

1845 May 15.  Southers Banner.  (Athens, Georgia.)  May 15, 1845, Vol. XIV, No. 10, P. 3.

Colored Daguerreotype Portraits.  By S. Broadbent.  Rooms over Field & King’s Store, in Mitchell’s New Building.

Ladies and Gentlemen are respectfully invited to call and see specimens.

N. B. Portraits taken equally well in all kinds of weather.

Advertisement ran from May 15 to 29, 1845.

1845 May 15.  Southern Whig.  (Athens, Georgia.)  May 15, 1845, Vol. XIII, No. 4, P. 3.

Colored Daguerreotype Portraits.  S. Broadbent Respectfully announces that he has taken rooms in Mitchell’s new building, over Field & King’s Store, and hopes that those who wish portraits of themselves and families, beautifully coloured, will make it convenient to call soon.  Ladies and Gentlemen are respectfully invited to call and see specimens.

Advertisement ran from May 15 to June 12, 1845.

1845 June 5.  Southers Banner.  (Athens, Georgia.)  June 5, 1845, Vol. XIV, No. 13, P. 3.

Colored Daguerreotype Portraits.  Mr. Broadbent, Will remain in Athens a few days longer, and desires that those who wish their portrait taken by him, will make it convenient to call soon.

Rooms over Field & King’s Store, in Mitchell’s New Building.

Ladies and Gentlemen are respectfully invited to call and see specimens.

N. B. Portraits taken equally well in all kinds of weather.

Advertisement ran from June 5 to 19, 1845.

1845 October 21.  The Charleston Courier.  (Charleston, South Carolina.)  October 21, 1845, Vol. XLIII, No. 13110, P. 1.

List Of Letters remaining at the post Office, Charleston, So. Ca.  Oct, 15.  Broadbent, Saml.

1845 October 22.  The Charleston Courier.  (Charleston, South Carolina.)  October 22, 1845, Vol. XLIII, No. 13111, P. 2.

Passengers.  Per steam packet Wilmington, from Wilmington, (N. C.)…S. Broadbent.

1845 October 27.  The Charleston Courier.  (Charleston, South Carolina.)  October 27, 1845, Vol. XLIII, No. 13115, P. 2.

Col’d Daguerreotype Portraits By S. Broadbent.  Rooms at 271 King Street, up stairs, 3 doors above Babcock & Co’s Book Store.

Portraits executed equal to any that can be produced elsewhere, or no charge.

Groups of  two or more taken on one plate.

Portraits taken equally well in all kinds of weather.  For sale, Voigtlander’s Geerman Cameras and every article used in the Daguerreotype.  271 King-street, S. Broadbent.

Advertisement ran from October 27 to November 1, 1845.

1845 October 31.  The Charleston Courier.  (Charleston, South Carolina.)  October 31, 1845, Vol. XLIII, No. 13118, P. 2.

[For The Courier.]  Daguerreotype Portraits.  Those who desire to procure the most perfect likenesses by this beautiful and truly wonderful process, can now have an opportunity of doing so, by calling at the rooms of Mr. Broadbent, in King-street.  This gentleman has carried the practical operation of this science to a perfection which has not been attained by any other artist within our knowledge.  Whether it is the result of the quality of the materials used, or the superior skill of the artist, we cannot say, but the pictures of Mr. Broadbent surpasses any we have ever seen for distinctness and beauty.  They are brought out in such a manner as to resemble the finest engraving, without that unsatisfactory dimness and want of life which characterises most likenesses taken by this process.  For durability, also, they are fully equal to engravings.  Mr. B. now has in his possession portraits, several years old, that present as fresh an appearance as though they had just been retaken, If there are any who doubt what we have stated, we can only say to them call and judge for yourselves.  X. Y. Z.

1845 December 3.  The Southern Patriot.  (Charleston, South Carolina.)  December 3, 1845, Vol. LIV, No. 8222, P. 3.

Colored Daguerreotype Portraits.  By S. Broadbent, 271 King-st., 3 doors above Babcock’s Book Store.  Portraits warranted equal to any that can be produced in the world, or no charge.  German Instruments and every article used in the Daguerreotype for sale.

Advertisement ran from December 3 to 12, 1845.

1845 December 13.  The Southern Patriot.  (Charleston, South Carolina.)  December 13, 1845, Vol. LIV, No. 8231, P. 3.

Colored Daguerreotype Portraits.  Mr. Perry[3], from New-York, having taken the rooms recently occupied by Mr. Broadbent, No. 271 King-street, proposes Taking Portraits By The Daguerreotype Process,—and he assures his patrons that his Pictures shall be superior, for beauty and finish, to any that can be produced at any other house in Charleston.

Mr. Perry for several years has had the charge of Mr. Plumb’s establishment in New-York, and produced the pictures for which Mr. Plumb obtained the first premium for the best pictures at the Fair of the American Institute in New-York the several successive years he was with him.  Mr. P. was also commissioned to visit the President’s house at Washington to take the portraits of his family—and also was engaged during the last session of Congress, taking the Portraits of Members of Congress, and other eminent persons.  It is well known the Daguerreotype reverses the picture, making the right appear the left side of the sitter.  Mr. P. has a mode of correcting this error by the use of a speculum which takes portraits or views without reversing them—which is not practiced by others in this city.

Mr. Perry is a practical optician, and manufactures the very best Daguerreotype instruments extant—and has for sale, Perry’s Premium Apparatus, also Plates, Cases, Chemicals, &c. &c.  Instructions given in the most approved process.

1846 January 10.  The New York Herald.  (New York, New York.)  January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.

Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlaender’s Apparatus. 

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.

Mr. James L. Lyon, Richmond, Va.

Mr. S. Broadbent, Columbia, S. C.

Mr. James P. Perry, Charleston, S. C.

Mr. S. Noessel, New Orleans.

Messrs. Johnson & Jacobs, New Orleans.

W. & F. Langenheim, Exchange, Philadelphia.                                            

Advertisement ran from January 10 to February 19, 1846.

1846 May 11.  The Charleston Courier.  (Charleston, South Carolina.)  May 11, 1846, Vol. XLIV, No. 13276, P. 2.

Per C. L. brig Carolina, for New-York—…S. Broadbent…

1846 October 27.  Savannah Daily Republican.  (Savannah, Georgia.)  October27, 1846, Vol. XLIV, No. 255, P. 3.

Per steam-packet Gen. Clinch, from Charleston—…S. Broadbent…

1846 November 3.  Savannah Daily Republican.  (Savannah, Georgia.)  November 3, 1846, Vol. XLIV, No. 261, P. 3.

Daguerreotype Portraits.—S. Broadbent respectfully announces that he has returned to the city , and taken rooms which he formerly occupied over Mrs. Beaulard’s Store, for the purpose of taking Likenesses by the Daguerreotype Process.  Those who wish their Portraits taken, may be assured of their being done by him in the very best possible manner.

Apparatus and Daguerreotype Materials for sale,

Instruction given on reasonable terms.

Advertisement ran on November 3 & 4, 1846.

1846 November 18.  Savannah Daily Republican.  (Savannah, Georgia.)  November 3, 1846, Vol. XLIV, No. 278, P. 3.

Daguerreotype Portraits.—The Subscriber would respectfully inform the inhabitants of Savannah and visitors, that he rooms are ready, and that Mr. Cary, in connection with Mr. Broadbent is now prepared to execute Likenesses in a style not to be surpassed.

Young Children setting between the hours of 11 and 12, taken in a few seconds.  Portraits for Finger Rings, Lockets, Bracelets and Broaches; also Full Length Portraits and Family Groups, with from two to fifteen persons, taken on large plates.  Printed Portraits and Daguerreotypes copied, and Pictures taken after death.

Instruction given and Daguerreotype Instruments, Chemicals, and Plates for sale.

Entrance to the Rooms one door east from the corner of Market-square and Bryan-street.  T. T. Wilmot.

P. S. Portraits taken equally well in cloudy as fair weather.

Advertisement ran from November 18, 1846 to January 5, 1847.

1847 November 2.  The Commercial.  (Wilmington, North Carolina.)  November 2, 1847, Vol. 2, No. 98, P. 2.

Daguerreotype.  We desire to call the attention of our citizens to this beautiful art as practiced  by Mr. Broadbent, whose miniatures are the chef d’ӕuvre of the Daguerreotype.  All who see his pictures testify the warmest admiration of his skill.

His likenesses combine great beauty of finish, and an unusual artistical effect—very unlike ordinary Daguerreotypes, and, beside the merit of fac simile likenesses, they are as strong as steel engravings, and have all the delicacy of color of the most exquisitely painted miniatures.  It must be a great gratification to the family and social circle to possess these beautiful representations of its members and of friends.  All who wish good portraits of themselves or friends would do well to give Mr. Broadbent a call.

1847 November 2.  The Commercial.  (Wilmington, North Carolina.)  November 2, 1847, Vol. 2, No. 98, P. 3.

Daguerreotype Portraits, By S. Broadbent, A few doors below Dr. Evans Drug Store near the Market.

Portraits taken in a style superior to any that can be produced, done elsewhere, or no charge.

Mr. B. will remain but a short time.

Advertisement ran from November 2 to 30, 1847.

1847 December 18.  The Commercial.  (Wilmington, North Carolina.)  December 18, 1847, Vol. 2, No. 118, P. 3.

Christmas Presents.  Daguerreotype Portraits By S. Broadbent, From the largest size to the very smallest desired, for Breast Pins, Lockets &c.

Room a few doors below Dr. Evans’ Drug Store, Market Street.

Advertisement ran from December 18 to 30, 1847.

1848 January 27.  The Commercial.  (Wilmington, North Carolina.)  January 27, 1848, Vol. 2, No. 134, P. 3.

Daguerreotype!  Removal.  S. Broadbent has removed to rooms over Messrs. Hart & Polley’s store where he has a Sky Light built expressly for the Daguerreotype.  There are several advantages of a sky light—the pictures are stronger, more effective, and of a more pleasing character than those done by side light; the objection of one side of the face being light and the other dark is obviated, and blue eyes can be as well taken as others.

Mr. Broadbent is an artist by profession, which gives him many advantages in the arrangement and finish of his pictures.  He has had, perhaps, mor experience in the Daguerreotype than any other person; having been successfully engaged in it ever since the art has been practiced, and his process is superior to that practiced by others, (either with machinery patented last October, or otherwise,) and he warrants better pictures than can be produced, done elsewhere.—or no charge.

Ladies and Gentlemen are respectfully invited to call and see specimens.  Rooms over Hart & Polly’s store.

Advertisement ran from January 27 to February 26, 1848.

1848 April 11.  Fayetteville Observer.  (Fayetteville, North Carolina.)  April 11, 1848, Vol. XXXI, No. 1610, P. 3.

Daguerreotype Portraits.  S. Broadbent purposes remaining in Fayetteville a few days, and will be happy to wait upon such as wish to see specimens, or have their likenesses taken by the Daguerreotype process.  Portraits taken equally well in cloudy or even in stormy weather.  Rooms in the New Hotel.

Advertisement ran from April 11 to May 9, 1848.

1848 May 2.  Fayetteville Observer.  (Fayetteville, North Carolina.)  May 2, 1848, Vol. XXXI, No. 1613, P. 3.

Messrs. Broadbent and Bennett[4] will remain in Fayetteville the remainer of this week, giving all who may wish a correct Daguerreotype likeness of themselves or friends an opportunity to obtain it.  Miniatures taken equally well in cloudy or fair weather.

1848 May 24.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 24, 1848, Vol. XLIX, No. 41, P. 3.

For the Register.  Daguerreotyping.  We have seen some specimens of this novel and beautiful art, by Mr. Broadbent, who is now in our City, which are entirely different and superior to any of the kind we have ever before seen.  His miniatures are finished in a style at once unique and splendid.

Mr. B. has taken rooms in B. B. Smith’s building, next door to the Telegraph Office.

1848 May 24.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 24, 1848, Vol. XLIX, No. 41, P. 3.

Colored Daguerreotype Portraits by S. Broadbent.  Rooms At B. B. Smith’s Corner.  Pictures taken in all the various sizes, and in the very best possible manner.

Advertisement ran from May 24 to 31, 1848.

1848 May 27.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 27, 1848, Vol. XLIX, No. 42, P. 3.

For The Register.  Daguerreotype Portraits.  Mr. Broadbent, one of the most successful Artist in the country, in taking Daguerreotype Likenesses, is still in this City, and will remain but a few day.  We have seen a letter from Prof. Stillman, speaking of Mr. Broadbent’s Pictures, in which he says “that they are decidedly the best specimens of the Art he has ever seen, and are truly elegant and perfect.”

His Likenesses combine great beauty of finish and an unusual artistical effect—very much unlike ordinary Daguerreotypes; and besides the merit of fac simile Likenesses, they are as strong as steel engravings, and have all the delicacy of color of exquisitely painted Miniatures.  All who wish good portraits of themselves and friends, would do well to give Mr. Broadbent a call immediately, as he will leave soon.

Advertisement ran on May 27 & 31, 1848.

1848 December 19.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 19, 1848, Vol. XCVIII, No. 17,164, P. 2.

Daguerreotype.  Mr. Broadbent respectfully announces that he has taken rooms at 211 Baltimore Streer, over J. E. Bird’s store, next Mr. Easter’s, where he has a very superior Sky Light, built expressly for the Daguerreotype.

Mr. B. has many advantages over ordinary operators—he has had as much, and probably more experience in the Daguerreotype, than any other person,–having been successfully engaged in it ever since the art has been practiced; and being an artist, he understands how to place the sitter in the most favorable light and position to make a good picture, and show best the likeness and character of the sitter—beside, his process is superior to that practiced by others.  Those who want the very best picture that can possibly be taken (and no one wants any other) will do well to give Mr. Broadbent a call at 211 Baltimore st.

Advertisement ran from December 19 to 21, 1848.

1848 December 23.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 23, 1848, Vol. XCVIII, No. 17,168, P. 3.

Daguerreotype Portraits Taken By Broadbent & Co., No. 211 Baltimore st., over J. E. Bird’s Store, next Mr. Easter’s, and warranted superior to any that can be produced elsewhere, or no charge.

Advertisement ran from December 23, 1858 to January 9, 1859.

1849 May 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 30, 1849, Vol. XCIX, No. 17,290, P. 3.

Local Matters.  Reported for the American…

Beautiful Daguerreotypes.—We have recently [examined] with much pleasure the very beautiful specimens of Daguerreotyping, executed by Messrs, Broadbent Cary, No. 128 Baltimore street.  These gentlemen, with a perfect knowledge of the art, have availed themselves of the latest improvements made in France and Germany, and now produce a perfect likeness, [which] by the aid of a little colouring, is made to bear [a close] resemblance to a finely executed miniature.—[those] who will take the trouble to examine their [speci ?] will at once acknowledge their great excellence.  [The] rooms of Messrs. Broadbent & Cary are neatly [prepared] for the reception of ladies and gentlemen, and [ ? ] great pains they take to afford entire satisfaction to [those] who favor them with their custom, commends [them] strongly to public patronage.

1849 June 13.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  June 13, 1849, Vol. XCIX, No. 17,302, P. 2.

Left at The Daguerreotype Rooms of Broadbent & Cary, in the American Office Building, a Bead Purse containing Money, and other articles which the owner can have by paying for this advertisement.

1849 July 13.  Blue Hen’s Chicken.  (Wilmington, Delaware.)  July 13, 1849, P. 2.[2]

Daguerreotypes.—Mr. Broadbent, from Baltimore, is resuscitating at the Glazier Building, taking likenesses to the life.  He gives true and beautiful pictures.  Who does not want to be often remembered  hen call and get your likeness and send it to your friend.  His specimens are splendid.

1849 July 13.  Blue Hen’s Chicken.  (Wilmington, Delaware.)  July 13, 1849, P. 3.4

Colored Daguerreotype Portraits.  S. Broadbent has taken rooms in Glazier’s new building, corner of Third and Market Streets; where he purposes remaining a short time, and respectfully invites ladies and Gentlemen, to call and see specimens.

His pictures are guaranteed superior to any others; or no charge.

N. B.—Likenesses taken equally well in all kinds of weather.

1849 August 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  August 30, 1849, Vol. C, No. 17,363, P. 3.

Splendid Colored Daguerreotype Portraits By C. W. Purcell, late Operator for Broadbent & Cary, No. 128 Baltimore street, over the American Office.

Having a through knowledge of all the latest improvements in this beautiful art.  Mr. Purcell feels a confidence in assuring the public that all pictures taken at his establishment shall combine a most correct likeness with the highest artistical skill.  He will undertake to give the fullest satisfaction, or no charge will be made.

Ladies and Gentlemen are requested to call at his rooms and examine his specimens.

1850 February 26.  The Record.  (West Chester, Pennsylvania.) February 26, 1850, Vol. XXXIII, No. 1704, P. 3.

Daguerreotype.  S. Broadbent respectfully announces that he has taken rooms over the office of Joseph Lewis, Esq., Market street, and intends remaining a short time for the purpose of taking portraits by the Daguerreotype process.  Ladies and Gentlemen are invited to call and examine specimens.

Advertisement ran from February 26 to March 19, 1850.

1850 April 2.  The Record.  (West Chester, Pennsylvania.) April 2, 1850, Vol. XXXIII, No. 1706, P. 3.

Daguerreotypes.  Mr. Broadbent has made arrangements with Mrs. Hewes to continue for a short time, the taking of Daguerreotype Portraits, at the rooms recently occupied by him in Wester Chester Those who desire pictures should call on Mrs. H., who having practiced with him, executes in the best style of the art and by the same process as Mr. B.; it being acknowledged superior to that of any other artist.—Their pictures are strong as Steel Engravings and beautifully colored.

Specimens may be seen at their rooms over Mr. Lewis’ Office, Market street.

1851 April 10.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  April 10, 1851, New Series—Vol. VIII, No. 15, P. 3.

Something New.  Broadbent & Co.  Colored Skylight Daguerreotypes.  We would advise our friends and the public in general, that we are prepared to offer best efforts to those wishing pictures, and shall be pleased to exhibit specimens to any who may call, at 136 Chestnut street, over Baily & Co., Philadelphia.  Mr. S. Broadbent.  Mrs. S. G. Hawes.

Advertisement ran from April 10, 1851 to September 11, 1852.

1851 June 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 16, 1851, Vol. XXXI, No. 70, P. 2.

All who visit Broadbent & Co’s Daguerreotype Rooms, testify the warmest admiration of their beautiful style of pictures.  Rooms 136 Chestnut st.

1851 August 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 19, 1851, Vol. XXXI, No. 124, P. 2.

Broadbent & Co.’s Daguerreotypes—over Bailey, No. 136 Chestnut street—are the most perfect gems in the art.

1851 September 1.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 1, 1851, Vol. XXXI, No. 135, P. 2.

Broadbent & Co.’s Portraits, by the Daguerreotype. Are peerless.  Rooms 136 Chestnut street, between Fourth and Fifth, south side.

1851 October 30.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  October 30, 1851, New Series—Vol. VIII, No. 44, P. 2.

Likeness Of George Thompson.—We have seen, at various times three or four different pictures of this eminent man, but they were all failures—we had almost said caricatures.  Correct in outline, they yet lacked expression, and were powerless to convey a right impression of the man whose lineaments they professed to present.  But we have before us now a picture of another sort, and one that does something like justice to its subject.  It is an engraving by Illman & Sons, from a Daguerreotype by Broadbent & Co.; and those who have seen Mr. Thompson will, we think, agree with us that it is not only a striking likeness, but a beautiful work of art.  The engraver has been fortunate in catching the spirited and life-like expression so effectually traced by the sun, and in looking at the picture you might almost think that the man himself stood before you, and was about to give you an illustration of his oratorical powers.

It is for sale at the Anti-Slavery Office, price 37½ cents.

1851 December 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 12, 1851, Vol. XXXII, No. 67, P. 2.

An Assortment Of Cases, for holiday gifts, at Broadbent & Co.’s, 136 Chestnut Street.  The pictures need no comment—the speak for themselves.

1851 December 20.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 20, 1851, Vol. XXXII, No. 74, P. 2.

Holiday Presents.—Broadbent & Co.’s Daguerreotypes, No. 136, South side of Chestnut st., between Fourth and Fifth.  Saml. Broadbent.  Mrs. S. G. Hewes.

1852 September 18.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  September 18, 1852, New Series—Vol. IXI, No. 38, P. 3.

Daguerreotypes!!  Broadbent & Co. offer to those desiring pictures the best facilities in the art.  Beautiful Landscapes, Picturesque or Plain Backgrounds, at the option of the Sitter; see the new and elegant style of illuminated heads.

Those who desire pictures or portraits copied Stereoscope portraits of themselves, or miniatures on ivory or beautifully enameled on porcelain, shall be faithfully served at 136 Chestnut st.  Samuel Broadbent, Sally G. Hawes.

Advertisement ran from September 18, 1852 to June 15, 1854.

1852 September 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 25, 1852, Vol. XXXIV, No. 2, P. 2.

Daguerreotypes in new and beautiful styles, by Broadbent & Co., 136 Chestnut street, between Fourth and Fifth.

1856 April.  The Photographic And Fine Arts Journal.  (New York, New York.)  April 1856, Vol. IX, No. 4, P. 124-126.

The Photographic Galleries Of America.   Number two Philadelphia. Philadelphia, April, 1856.

Broadbent & Co., Chestnut St.—What specimens we saw, chiefly daguerreotypes, were in the first style of the art, with a few exceptions. Good daguerreotypes are not so much appreciated as formerly, as the attention of true artists is directed now particularly to Photography on paper and glass. As daguerreotyping has not yet reached its acme of perfection, I am very glad to see that there are some artists who are still striving for its improvement; although I acknowledge the superiority of paper and collodion photographs.

1858 October 23.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  October 23, 1858, Vol. LIX, No. 95, P. 1.

We Noticed also, among the photographic specimens some magnificent works by Broadbent.  Other cities may boast as much as they will of the advancement of the photographic art—Philadelphia still, as we think, bears away the palm.  Some of the works in the collection of Broadbent surpass any we have ever seen, either of home or foreign execution.  Those of them which are plain have high merits, while those that are colored are, if possible, even more attractive.

1858 November 6.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  November 6, 1858, Vol. LIX, No. 106, P. 1.

Franklin Institute…Among the photographic specimens at the Fair, we have heard but one opinion expressed of the works of Broadbent, Dinmore, [Hotly], Williams, and others.  Those of Broadbent and Dinmore have been particularly lauded, and with great reason.  They are truly gems in the way of art.

1858 November 10.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 10, 1858, Vol. XLVI, No. 44, P. 1.

Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.

1858 November 11.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  November 11, 1858, Vol. LIX, No. 110, P. 1.

Franklin Institute.—The photographs of Mr. Broadbent, in the upper saloon of the Institute, are beautiful specimens.  Among them we noticed a likeness of John Grigg, Esq., which is brilliantly executed, presenting a most spirited fac simile of the features of that well known and highly respected gentleman.  The coloring of all the specimens in Mr. Broadbent’s collection is extremely life-like.  Indeed, the entire display he makes at the Fair is of the best possible character.

1858 November 17.  The Dollar Newspaper.  (Philadelphia, Pennsylvania.)  November 17, 1858, Vol. XVI, No. 46, P. 2.

Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.

1861 December 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 13, 1861, Vol. LIL, No. 71, P. 3.

Wanted—A good Photographer—One who understands the Albumen process, preferred.  Broadbent & Co., 814 Chestnut street.

1862 July 30.  The Press.  (Philadelphia, Pennsylvania.)  July 30, 1862, Vol. 5, No. 307, P. 3.

New Photographic Rooms, Nos. 912 and 914 Chestnut Street.—The old established house of Broadbent & Company have just opened at the above place an attractive Gallery of Art, where will be found every variety of picture, from the plain carte de visite to the most exquisitely-finished ivorytype.  Prices are graded as low as consistent with the character of the pictures furnished.  Everything that is excellent in the Photographic line may here be enjoyed at leisure, and the art-loving public will not fail to make Broadbent & Company’s a constant place of resort.

1862 July 31.  The Press.  (Philadelphia, Pennsylvania.)  July 31, 1862, Vol. 5, No. 308, P. 3.

Messrs. Broadbent & Co.’s New Photographs Gallery.—We congratulate the citizens of Philadelphia upon the splendid acquisition to their photographic establishments of the new Gallery and Operating Rooms of Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, (late 814 Chestnut street.)  For elegance of design, comfort and convenience of applicants for pictures, variety and artistic merit of the pictures taken, and general excellence in all its departments, it is unsurpassed by any in the country.  Besides the charming new style of pictures made by this firm alone, the general work is pronounced unrivalled.  Scores of our citizens are visiting their magnificent new rooms daily.

1862 August 4.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 4, 1862, Vol. LIII, No. 115, P. 2.

The Greatest Attraction at the present time, on Chestnut street, is Broadbent & Co.’s New Photographic Gallery, at Nos. 912 & 914.  This long established house has just opened he most beautiful and best appointed Rooms for the Photographic purpose to be found in the world.  Their entrance on Chestnut street, where are exhibited the most exquisite Ivorytypes, Wenderotypes and Cartes de Visite, is thronged  from morning till night.  By [increased] sky light arrangements, they are enabled to secure much greater promptness in attending to visitors.  Sky lights but a short flight of steps above the Reception Room.

1862 August 7.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 7, 1862, P. 5.

Broadbent & Co.’s New Photographic Galleries.—The removal of Messrs Broadbent & Co.’s Photograph Galleries to Nos. 912 and 914 Chestnut street, is meeting the popular approval of the public.  This establishment is now the most popular art centre in our city, and hundreds visit it daily for the purpose of examining the magnificent specimens there exhibited, executed in all the various styles of the Photographic art.

1862 August 11.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 11, 1862, P. 4.

 Messrs. Broadbent & Co.’s New Photograph Galleries, Nos. 912 and 914 Chestnut street [are] justly attracting general attention.  To have a life-like and artistic picture made, in any and every style of the Photographic art, this is the place.  In addition to the plain Photographs, either Carte or any of the larger sizes, they are executing, to order a large number of Ivorytypes, and the beautiful new Wenderotype, the latter being [confined] to this popular house, and is an invention of Mr. Wenderoth, a member of the firm. 

1862 August 16.  The Press.  (Philadelphia, Pennsylvania.)  August 16, 1862, Vol. 6, No. 14, P. 3.

New Card Photographs Of Distinguished Men.—Messrs. Broadbent & Co., No. 912 & 914 Chestnut street, have recently added to their collection of fine carte de visite for the Photograph Album excellent pictures of Hon. Edward Everett; Brigadier General Negley; Dr. J. E. Rhoads; Dr. A. C. Hart; Rev. Dr. [Suddards]; Governor Yates, of Illinois; Rev A. B. Atkins; Rev. Kingston Goodard, D. D.; Rev. T. K. Conrad; Dr. M. [Duane]; Rev. E. W. Hutter, D, D.; Colonel Collie, of the Zouaves d’Afrique; Dr. Reed; late B. T. Conrad, and others, all executed in the highest style of the art.

1862 August 26.  The Press.  (Philadelphia, Pennsylvania.)  August 26, 1862, Vol. 6, No. 2, P. 3.

Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.

Notice ran on August 26 & 28, 1862,

1862 August 27.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 27, 1862, P. 5.

Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.

1862 September 4.  The Press.  (Philadelphia, Pennsylvania.)  September 4, 1862, Vol. 6, No. 30, P. 3.

Beautiful Specimens Of Sculpture.—Messrs Broadbent & Co.’s establishment, Chestnut street, above Ninth, is a thorough Emporium of Art.  In addition to their celebrated photographs in every style of the art, from the carte de visite, colored and plain, to the life size portrait finished in oil, they are now executing some of the finest specimens of sculptured likenesses that we have ever examined, in bust, medallion, life size, and miniature.  Every department of this extensive house is under the control of thoroughly educated professional artists.

1863 June 5.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  June 5, 1863, P. 5.

Copartnership Notice.—Philadelphia, June 3, 1863.—The Firm of Broadbent & Co., Photographers is this day dissolved by the retirement of S. Broadbent.

The business will be continued by his late partners under the name Wenderoth & Taylor.  Mr. Wenderoth, the artist and the inventor of the Ivorytype and Wenderotype, who was associated with the late firm for four years, will continue at the head of the artists department, and Mr. Taylor, also a partner in the late firm, will remain, as heretofore, in charge of the business in the reception room.  S. Broadbent, F. A. Wenderoth, W. C. Taylor, 912 and 914 Chestnut Street.

1880 July 26.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  July 26, 1880, Vol. CIII, P. 5.

Died.  Broadbent.—On Saturday evening.  July 24, 1880, Mr. Samuel Broadbent, in his seventieth year of age.

The funeral will take place from his late residence, on Wednesday, 28th inst., at 3 o’clock P. M.

Samuel Broadbent is still a work in progress, Philadelphia newspapers have not been thoroughly checked.

1880 July 27.  The Daily Gazette.  (Wilmington, Delaware.)  July 27, 1880, Vol. XCVI, No. 87, P. 1.

Deceased.  Samuel Broadbent, of Broadbent Taylor, photographers, Chestnut street, Philadelphia died at his residence in that city , on Saturday in the 70th year of his age. 

Mr. Broadbent formerly lived in this city, and had a gallery in the building at Third and Market streets, belonging to Mr. Phillip Plunket.  Mr. Elwood Garret, the skillful photographer of this city learned the photographic art with Mr. Broadbent while in this city.  Mr. Broadbent was one of the best artist in Philadelphia, and a gentlemen of refinement, pleasant and reliable.  He was very active for his age and continued to be at his business until within a few weeks of his death. He had a wide circle of friends and his death will be sincereely (sic.) regretted


[1] Craig’s Daguerreian Register

[2] A Directory of Delaware Photographers 1839-1900 and Beyond.

[3] James P. Perry based on the January 10, 1846 advertisement.

[4] N. S. Bennett address was in the rear of Dr. Ware’s Office, Front Street.

Brainard, Charles H.

ND                  Address Unknown, Boston, Massachusetts.

1846                205 Baltimore Street, Baltimore, Maryland.

1850                Address Unknown, Washington, D. C.

1851-1852       Broadway and Leonard Streets, New York, New York.

1852                Pennsylvania Avenue, between 4½ and 6th streets, over Duvall & Brother’s store, Washington, D. C.

1855                Pennsylvania Avenue between 4½ and 6th Streets, Washington, D. C.

1857                308 Pennsylvania Avenue, Washington, D. C.

1846 July 1.  American Republican and Baltimore Daily Clipper.  (Baltimore, Maryland.)  July 1, 1846, Volume XV, No. 1, P. 2.

To the Publishers of the Clipper:

Gentlemen—In the Clipper of the morning I noticed an article headed “No Premium Awarded.” In which an attempt is made, to convince the public, that Mr. Plumbe’s claim to the honor of having received a Gold Medal for his superior specimens of Photography exhibited at the National fair, is unfounded.

In the absence of Mr. Plumbe from this city, I consider myself called upon to deny the charge of deception contained in the article alluded to, and to state such facts as will forever silence all doubts on the subject.

Mr. Plumbe has never claimed to have received a Gold Medal from the Official Committee of the National Fair, and is not responsible for the errors committed by the press in various sections of the Union.

The Gold Medal was presented to Mr. Plumbe by a committee of gentlemen who were impressed with the superiority of his pictures, and deemed his success in perfecting the Photographic art entitled to some “tangible compliment.”  It is but justice to Mr. P. to state that he had no knowledge whatever of the intentions of this committee until the day preceding the presentation of the Medal.

The presentation of the Medal was thus announced in the National Intelligencer, edited by Mr. Seaton, one of the Committee of the National Fair, and of course the last person in the world to publish a statement not strictly true.

Flattering Compliment.  So great was the admiration which the specimens of Photography from the Plumbe National Daguerrean Gallery commended at the late fair, that a number of gentlemen, desirous of testifying their high appreciation of the perfection to which Professor Plumbe has brought this beautiful art, have presented him with a handsome Gold Medal, accompanied by a highly complementary letter, expressive of their admiration of his genious as an artist and his worth as a man.—Nat. Int.

An advertisement, similar in character to that in your paper of this date, appears in the Philadelphia Ledger, of June 18th, over the signature of J. E. Mayall, who, it seems, had the courage to make the charge openly, unlike the brainless and cowardly idiot who attempts to reiterate the charge which Mr. May all honestly retracts in the following manner:

To Professor Plumbe:  Dear Sir—as a matter of justice it is proper that I should say, that when the communication over my signature which appeared in the Ledger of the 18th inst., referring to an article in the same paper of the 13th inst., was written, I was under the same impression that it was claimed for you to have received from the Committee of the National fair at Washington a gold medal for your specimens of Daguerreotype.  Having since learned that this medal was presented to you by a number of gentlemen unconnected with the committee, I deem it but right to make this explanation, and express my regret that my statement in the Ledger is so far incorrect.

I am respectfully your obedient servant, J. E. Mayall.

The above statement are, I trust, sufficient to convince you, and the public also, that Mr. Plumbe claims no honor that he is not entitled to, and that a Gold Medal (though presented by a private committee) is as high a compliment as if presented by a public committee in their official capacity.  C. H. Brainard, Agent for Plumbe.   Baltimore, June 30, 1846. 

1851 June 28.  South Boston Gazette and Dorchester Chronicle (Boston, Massachusetts) Vol. V, No, 39, p. 2.

Whitehurst’s Famous Daguerrean Saloon, at the corner of Broadway and Leonard street, New York,  is well worth an hour’s time of strangers visiting in that city.  We called in person last Monday, and were received by the courteous superintendent of the establishment,— Mr. C. H. Brainard, formerly of this city, late of Washington,— we say we were received by him with every demonstration of high regard; when he proceeded to redeem his former pledge to take our picture whenever we should visit the great Gotham.  The picture was taken; it hangs suspended by a ring (instead of any vulgar string!) Among the pious, good and great, of nearly every Christian state.  Will those who visit this Saloon, great as the favor, as a boon, to stop and think,—‘tis yes, or no! can’t Whitehurst take my picture so, hi-link-tum-lorum! 

1852 December 24.  The New York Herald.  (New York, New York.)  December 24, 1852, Whole No. 7358, P. 5.

C. H. Brainard, late of Gurney’s Gallery, 349 Broadway will be at Whitehurst’s Gallery Washington, D. C. during the present session of Congress, and will be happy to receive orders from daguerreotypist and engravers, for portraits of public men residing at the national capital.

Boston City Directory

1840                Not Listed

1841-1842       Charles H. Brainard, Clerk, 9 Court Street, Boston

1843                Charles H. Brainard & Co., Books, 13 Court Street, Boston

1844-1845       Charles H. Brainard, Books, 82 Washington Street, Boston

1846-1852       Not Listed

Boomer & Rolle

1853                247 Broadway, New York New York.

1853 June 22.  New York Daily Tribune.  (New York, New York.)  June 22, 1853, Vol. XIII, No. 3801, P. 4.

Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway.  These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process.  These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature.  The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.

Advertisement ran from June 22 to 24, 1853

1853 June 27.  New York Daily Tribune.  (New York, New York.)  June 27, 1853, Vol. XIII, No. 3805, P. 4.

Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway.  These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process.  These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature.  The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.

Advertisement ran on June 27 & 29, 1853.

1853 July 1.  New York Daily Tribune.  (New York, New York.)  July 1, 1853, Vol. XIII, No. 3809, P. 4.

Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway.  These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process.  These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature.  The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.

Advertisement ran on July 1 & 4, 1853.

Boisseau, Alfred

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Biography


[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.

Boggs & Bill

1858                419 Broadway, New York, New York.

1858                491 Broadway, New York, New York.

1858.  New York City Directory.  (New York, New York.)  1858-1859, advertisements P. 23.

Boggs & Bill’s Photographic Gallery, Nos. 419 & 491 Broadway, N. Y.

Pictures Taken In This Gallery Are warranted to have all the beauty and finish and accuracy of delineation that the most critical could desire.  Robt. M. Boggs.  Chas K. Bill.

Bogardus, Abraham

1846                363 Broadway, New York, New York.[1]

1846                Barclay & Greenwich Streets, New York.1

1847-1850       217 Greenwich Street, New York, New York.

1849                126 Washington Street, Newark, New Jersey.1

1850-1851       8 Clinton Street, Newark, New Jersey.1

1851-1863       229 Greenwich Street, Corner Barclay Street, New York, New York.

1862-1879       363 Broadway, New York, New York.

1870-1874       1153 Broadway, New York, New York.

1875-1886       872 Broadway, New York, New York.

1880-1889       349 Sixth Avenue, New York, New York.

1887-1890       11 East 42d Street, New York, New York.

1852 November 25.  New York Daily Tribune.  (New York, New York.)  November 25, 1852, Vol. XII, No. 3622, P. 4.

Daguerreotypes.—A Card.—The undersigned takes this method of reminding his numerous friends and the public of the of the necessity of calling for their pictures during the “early part of the day.”

Our facilities for the executing pictures with accuracy and dispatch are unsurpassed, and yet we are compelled to disappoint hundreds from the fact of their calling “too late.”

During the short days sitting should always be taken before 3 P. M., as the light fails soon after that hour.

N. B.—Extra exertions will be made to supply the demand for pictures during the holidays.

Bogardus, Practical Daguerreotypist, No. 229 Greenwich st., south-east corner Barclay-st.

1853 March 8.  The New York Herald.  (New York, New York.)  March 8, 1853, Whole No. 7381, P. 5.

To Daguerreotypist—Wanted A Young Man that understands putting up daguerreotypes.  Apply to Bogardus, 229 Greenwich street.

1853 May 12.  The New York Herald.  (New York, New York.)  May 12, 1853, Whole No. 7446, P. 4.

Something Good out of Broadway.—Persons wishing a first class daguerreotype, at a reasonable price, can always depend on a very fine picture, by visiting Bogardus Daguerreotype establishment, 229 Greenwich street, south corner of Barclay.

Advertisement ran on May 12 to 17, 1853.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Bogardus — This gentleman is well-known to the public. He has gone through the photographic mill, and mastered all the difficulties of the art. His pictures are sharp, clear and well-developed. They possess an artistic excellence which distinguishes them above the mass. His galleries are very tastefully arranged and the specimens are so placed that their advantages are at once perceived; (this is not often the case.)

We cannot select any one specimen as being superior to the rest, there is an evenness and regularity throughout. Mr. Bogardus seems to have his hands full. He deserves it.

1857 April 28.  The Evening Post.  (New York, New York,)  April 28, 1857, Vol. LVI, P. 2.

We have received from A. Bogardus, No. 229 Greenwich street, a well executed photograph of Columbia College, in its present condition.  As in a few weeks, this venerable pile will be levelled with the ground, so exact a representation of it as this will be ordered by many of its alumni in this city.

1858 February.  The Photographic And Fine Art Journal.  (New York, New York.)  February 1858, Vol. XI, No. 2, P. 63.

We had occasion to visit Mr. Bogardus’ gallery in this city, and were highly pleased, not only with his arrangements, but with the majority of his pictures.  Mr. Bogardus is one of those who attends strictly to his business, pleases his customers, and fines his advantage in the attention he bestows.

1858 February 11.  New York Daily Tribune.  (New York, New York.)  February 11, 1858, Vol. XVII, No. 5245, P. 1.

Photographs of the late Rev. Dr. Knox, from a most perfect daguerreotype, executed a few months before his decease, for sale at Bogardus’s Daguerreotype Establishment, No. 229 Greenwich-st.

1861 April 23.  The New York Herald.  (New York, New York.)  April 23, 1861, Whole No. 8992, P. 7.

A First Rate Photographic Printer Wanted at Bogardus’ 229 Greenwich street.

1862 April 26.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 26, 1862, Vol. XIII, No. 337, P. 18.

Bogardus, the well-known Daguerreotypist, has sent us a most excellent likeness of Captain Johnson of the New York 51st, who fell, mortally wounded, while leading a charge at the battle of Newberne.  It was this gallant soldier whose last words were, “I die gladly for my country!”

1862 October 30.  New York Observer.  (New York, New York.)  October 30, 1862, Vol. XL, No. 44, Whole No. 2060, P. 3.

Bogardus’ New Photographic Establishment, 363 Broadway, corner of Franklin, Now Open.  The Premises have been remolded, and every convenience added to insure the comfort of visitors; new Sky-lights constructed, and all the arrangements necessary for the production of first class Photographs in every desirable style.

Special Attention To The Carte De Visite.

My prices are reasonable for fine work.

Having unusual facilities, we shall be able to take sittings with rapidity, not subjecting our customers to tedious delay before sitting.

My Old Gallery, corner Barclay and Greenwich Streets, is still continued, having been in successful operation over 15 years.

Patronage is respectfully solicited.  Abm. Bogardus, 363 Broadway.

1863 May 9.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  May 9, 1863, Vol. XVI, No. 397, P. 11.

Illustration.  The Late Lieut. Col. Edgar Addison Kimball.  9th N. Y. Vol.—From A Photograph By Bogardus.

1865 January 26.  New York Observer.  (New York, New York.)  January 26, 1865, Vol. XLIII, No. 4, Whole No. 2177, P. 6.

Bogardus, 363 Broadway, has published excellent photographs of Rev. Dr. Ormiston, of Canada, whose many friends in this city will be pleased to obtain this admirable likeness.

1866 February 24.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  February 24, 1866, Vol. XXL, No. 543, P. 13.

Illustration.  The Rev. Thomas E. Vermilye.  This photograph gives as good a likeness, probably, as there is of Dr. Thomas E, Vermilye, pastor of the Collegiate Dutch Reformed Church of this city.  It was taken by Bogardus…

1867 February 14.  The New York Herald.  (New York, New York.)  February 14, 1867, Whole No. 11,125, P. 1.

A Desirable Photograph Gallery For sale for half its value.  Apply to or address Wm. F. [Kidney, care of Bogardus, 363 Broadway.

1872 February 23.  The Jewish Messenger.  (New York, New York.)  February 23, 1872, Vol. 31, No. 8, Whole No. 735, P. 8.

Bogardus & Bendann Brothers’ Photographic & Portrait Galleries No. 1153 Broadway, Near 27th Street, New York.  Photographs in all styles.

Oil and Pastel Portraits in the Highest Style of Art.  Small pictures of deceased persons copied to any size.

Advertisement ran from February 23 to June 28, 1872.

1872 April 19.  The Jewish Messenger.  (New York, New York.)  April 19, 1872, Vol. 31, No. 16, Whole No. 743, P. 2.

Messrs. Bogardus & Bendann Bros. have issued timely photographs of the late Prof. Morse, which excite general admiration.  The large painting of the venerable gentleman, which is on exhibition at their gallery, has been pronounced faultless, recalling vividly the deceased, and forming a rare work of art; and the photographs are faithful reproductions.  Of course, Bogardus enterprise is richly rewarded by the rapid sale of the photographs, in card, cabinet and imperial styles.

1872 July 5.  The Jewish Messenger.  (New York, New York.)  July 5, 1872, Vol. 32, No. 1, Whole No. 753, P. 2.

Bogardus & Bendann Bros., Photographic And Portrait Galleries, 1153 Broadway, (near 27th Street,) N. Y.  Pictures In The Highest Style Of Art At Moderate Prices.  Daniel Bandann.  A. Bogardus.  David Bendann.

Advertisement ran from July 5, 1872 to February 21, 1873.

1873 February 11.  The Evening Post.  (New York, New York.)  February 11, 1873, Vol;. 72, P. 2.

The Firm Of Bogardus & Bendann Bros. is this day dissolved by mutual consent, Bendann Bros. retiring.  A. Bogardus will receive and settle all accounts due to or from the late firm.  Dated New York, Feb. 1, 1873.  Wm, (sic.) Bogardus, Daniel Bendann, David Bendann.

Advertisement ran on February 11 & 12, 1873.

1873 February 27.  New York Observer.  (New York, New York.)  February 27, 1873, Vol. LI, No. 9, Whole No. 2599, P. 3.

Dissolution.  The Partnership heretofore existing under the firm name of Bogardus & Bandenn Brothers, Photographers, is dissolved (the Messrs. Bendann retiring).  The business will in future be conducted by the undersigned, who will, as far as possible, give his personal attention to every Sitter.

Abraham Bogardus, 1153 Broadway, Near 27th Street.

Fine Photographs At Reasonable Prices, and pains will be taken, in every instance, to make satisfactory Pictures.

Old Daguerreotypes, Photographs, &c., enlarged to any desired size, and artistically finished in Oil, Pastel, Crayon, India-ink, &c., &c.

See Specimens On View.  Bogardus, Established 1846.

1889 April 13.  Anthony’s Photographic Bulletin.  (New York, New York.)  April 13, 1889, Vol. XX, No. 7, P. 211-214

Fifty Years of Light, Fifty Years of Practice, Fifty Years of Advancement, What are the Results!

By Abraham Bogardus. Read before the Photographic Section of American Institute.

The daguerreotype on the silver plate, followed by the ambrotype or positive on glass, and now the photograph on paper.

These various productions have followed each other in rapid succession, and the photograph, with its many variations, is the picture of to-day.

Results, did I say ? The exposure in the camera reduced from thirty minutes to the fraction of a second. The at first dim, evanescent image succeeded by the strongly defined impression.

Then, from each sitting but one impression; now, from one sitting impressions without limit. Then, a burdensome and complicated set of apparatus was necessary to secure a picture ; now, a spring is touched and the embryo picture is secured. Then, the nature of the materials used required the immediate and continued prosecution to the finish, no stopping or waiting in any part of the operation; now, there is no limit to the time ; do it at your leisure ; carry your plate thousands of miles, and develop it this year or the next Then, the picture must be under glass for safety; now, they are mailed as freely as any printed matter. These are some of the results.

Little do the general public know of the time, labor and money spent in experimenting to bring about these results. Many expensive and difficult experiments resulted in failure. These were followed by some variations, another trial and another failure; but its votaries were not to be discouraged. Every point, was discussed, every difficulty attacked, until success was attained, and the process has been so simplified that persons of very little skill can practice it with some degree of success.

Honor, all honor, I say, to the pioneers who, by hand and brain, have accomplished all this. Many persons now enjoying the benefit of the labor of these pioneers fail to give credit **to whom credit is due,” and some in their wisdom seem to consider the now easy process as the result of their superior ability ; they say, ** Those old fellows had a hard time to make pictures, but just see how easy we do it.” The hard time those pioneers were having was the means of placing it where you can reach it, my friend.

The usual result of simplifying any difficult process is to place it in the hands of those who never would have touched it had it remained difficult, and they are the first to say, **See how easy it is !” And, as I said last month at the Society of Amateurs, “The men who have worked for half a century to bring photography to its present status know of the difficulties encountered before success was attained, and can better appreciate its worth than the novice who finds his newly purchased satchel to contain everything required, and, as the patent medicine chest says, ‘with full printed directions inside.'”

Somebody acquired knowledge by careful experimenting to prepare and classify those chemicals. Somebody possessed brains enough to write those directions, and that somebody did not find it so easy as the aforesaid novice. Practical knowledge is acquired by hard work and does not come ready-made.

I will just mention one troublesome, and, in fact, incomprehensible, difficulty. The workers of the old wet process will remember the uncertainty in making collodion (plates did not come ready coated then) ; the careful and exact weighing, the mixing and the shaking, and then on trying it we found it worthless. What was to be done ? Why, just buy another lot of ingredients and try it again, and perhaps with the same result ; and these large bottles of worthless collodion are placed on the upper shelf, and another mixture perhaps gives you something to work with, but its results are hardly up to your desires. Now, singular to relate, after those two bottles had “sparked ” on that upper shelf for two or three months, mix their contents together and they will often produce the best work you have made in years. Neither will produce a picture alone, but mix them and the combination seems perfect. When mixing our chemicals we could not tell whether they would be good or good for nothing. So much for the past

I am now going to indulge in imagination. If my audience will go with me, I should like to carry them to a meeting that will probably be held fifty years from to-night It will be the one hundredth anniversary of Daguerre’s discovery. I do not expect to be present on that occasion, but, as I said, we will* imagine ourselves there. It will be held in the year 1939. I do not know the name of the gentleman occupying the President’s chair. I do not know the speaker’s name; he speaks on subjects so far advanced that we do not comprehend him. The audience looks very much like the one assembled here to-night, except that the style of dress is entirely changed. The audience room is fitted up entirely different; the walls, the ceilings, the seats, all belong to an advanced age. And the light ! No gas-light, no electric light or any artificial light; these are as much things of the past as the old dip candle is in our time. Although it is evening, yet the room is lighted by day-light; by a simple contrivance the sunshine is stored in a reservoir during the day, and its rays are released as needed. There are no reporters present; all out of date. An instrument with sounding board is in front of the speaker; it is connected with wires with all the newspaper offices, and gives direct to the compositor in the printing room every word as it is uttered. This instrument is the result of a contrivance by a man named Edison some fifty years before. A venerable antiquarian reads from an old musty book found in his library the report of a meeting of a society called the Photographic Section of the American Institute, held in the City of New York, March 5, 1 889. That meeting celebrated Daguerre’s fiftieth year of discovery. Professor Henry J. Newton was the presiding officer and Messrs. O. G. Mason and J. B. Gardner were the members of his cabinet.

As the venerable man reads the audience laugh heartily at the antiquated ideas promulgated at that meeting, and they congratulate themselves on living in an age when such ignorance in regard to photography has passed away. The officers of that meeting are spoken of as fairly intelligent men for that dark age, but modem inventions had so completely changed everything connected with the process that the complications worried over fifty years before had become obsolete.

The reader said he found page after page occupied in the discussion of dry plates, dark rooms, flash-lights, over-timed and under-timed negatives, amateur outfits, etc. All these terms were out of use and the audience wondered what it all meant

The reader continued, and said at all the society meetings and in all the publications of that day the one subject that seemed to occupy the entire time and attention was something called developer, A member moved a recess of half an hour and the appointment of a Committee to examine the society dictionary and report what developer was, any way. (The dictionary was a book some three feet hy four and two feet tljick, mounted on a frame with rollers for convenience.) The motion was adopted and recess taken. During the recess the audience interested themselves in examining some photographs made fifty years before. These pictures had been carefully preserved, and were highly valued, not for intrinsic worth, but as relics of a former age. They bore the names of Sarony, Kurtz, Falk, Fredricks, Mora, Rockwood, Anderson, Hargrave, Alman and others. These men were spoken of as **old masters.” There were also exhibited some daguerreotypes bearing the stamps of Gumey, Brady, Lawrence, Becker, Bogardus and others, but there was not a person present who had ever made one or knew how they were made. It was stated that at the School of Mines of Columbia College a set of daguerreotype apparatus had been preserved, but the present feculty did not know how to use them.

On re-assembling the Committee asked for time, saying it would be impossible to report before the next meeting, as the subject of developer occupied a large portion of the big book, and the more they read the less they knew ; and they should be obliged to call to their aid all the professors of some college to explain the complication called developer. The remaining time of the meeting was used to show the great advances made since the semi-centennial referred to, and for the men of that day to think they knew anything about photography was simply ridiculous. ‘*Why,” said one worthy brother, “they could not produce a color, and they could not deliver a dozen pictures under several days, as they even printed with nitrate of silver in the sunshine only, and they did not know any better than to fix their prints with hyposulphite of soda, that miserable salt, that eats itself up and bleaches everything it touches.*’

The newspapers of that day, claiming a circulation of as many millions as they now do of thousands, are all printed from negatives. The matter once set «p is immediately photographed on plates the size of the sheet, and as many negatives as are required to print the immense edition are at once supplied.

There are no photograph galleries at that day. An individual carrying a camera under his arm goes from house to house and takes your picture. The lenses are at one end of the box and the finished picture comes out of the other end, if the box is long enough. It’s the make-’em-while-you-wait process.

All the photographic literature was practical. The writers on imaginary theories and impracticable nothings had long since gone to their own place. No demand then for articles on the “Evanescent nature of nothing as compared with the translucent equanimity of the intangible.”

When the meeting adjourned the audience were conveyed to their homes by real rapid transit, propelled by electricity, which had superseded steam ; and by its use time and space were almost annihilated.

There, I think we have been away long enough, and had better come home while it is safe.

1 am asked all kinds of questions. Will the colors ever be photographed?

Well, in this day of wonders I am not going to say. Scientific men say color is a sensation, and when we can photograph a sensation then we shall have the colors. A good story is told of a woman who brought her bouncing baby for a picture. When the operator came with his plate he found her ** spanking” the baby. When asked why she did that she said he always had such a good color after that operation. Still, I do not think the color in this instance was a chemical production. It seems to have been produced by hand.

Question. — Is photography a fine art? That depends on where you get your pictures. If you go down to Coney Island the proprietor is so clam-tiou% for patronage that he does not give much attention to the ‘*art” question ; but many of the pictures produced in Europe, and also in this countn*, show as^ much art in posing, lighting and composition as many of the world- renowned works of art do.

Question. — Will photographs fade? I hope so. I hope the cheap trash now made in quantities will fade, and that right early, and not disgrace this age in the eyes of the next generation.

Question. — Will prices continue to come down ? With the photographer on one side, and the employee, stock dealer and the landlord on the other, I hope not From certain notices at the photographer’s desk, I think it’s the sitter who is obliged to **come down.”

Question.— Is it true that the photograph of the murderer has been seen on. the eyes of the murdered man ? Well, we are using many substances nowadays for photographing, but I have not seen any exhibited on dead men’s eyes* When I see that I shall look for my picture on the eyes of every fish I catch.

Question. — Will the process be still shortened? They are taken prettyquick — so quick that some of the pictures of females seem to have been taken before they had had time to more than half dress themselves.

Question. — How many New York photographers have retired rich?

Question. — Where do photographers go to when they die ? These questions. I will answer when I get the statistics.

New York City Directories:

1844-1846 Not listed in city directories.  Published by John Doggett.

1847 New York City Directories.  (New York, New York.)  1847/1848, Published by John Doggett.

Bogardus, Abraham, daguerreotypes, 217 Greenwich.

1848 New York City Directories.  (New York, New York.)  1848/1849, Published by John Doggett.

Bogardus, Abraham, daguerreotypes, 217 Greenwich.

1849 New York City Directories.  (New York, New York.)  1849/1850, Published by John Doggett.

Bogardus, Abraham, daguerreotypes, 217 Greenwich, H – Newark.

1850 New York City Directories.  (New York, New York.)  1850/1851, Published by John Doggett.

Bogardus, Abraham, daguerreotypes, 217 Greenwich, H – Newark.

1851 New York City Directories.  (New York, New York.)  1851/1852, Published by Doggett & Rode.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – Grove Between Bleecker & Bedford.

1852 New York City Directories.  (New York, New York.)  1852/1853, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 36 King.

1853 New York City Directories.  (New York, New York.)  1853/1854, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 36 King.

1854 New York City Directories.  (New York, New York.)  1854/1855, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1855 New York City Directories.  (New York, New York.)  1855/1856, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1856 New York City Directories.  (New York, New York.)  1856/1857, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1857 New York City Directories.  (New York, New York.)  1857/1858, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1858 New York City Directories.  (New York, New York.)  1858/1859, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1859 New York City Directories.  (New York, New York.)  1859/1860, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1860 New York City Directories.  (New York, New York.)  1860/1861, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 229 Greenwich, H – 45 West 29th.

1861 New York City Directories.  (New York, New York.)  1861/1862, Published by John Fowler Trow.

Bogardus, Abraham, daguerreotypes, 229 Greenwich, H – 45 West 29th.

1862 New York City Directories.  (New York, New York.)  1862/1863, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway & 229 Greenwich, H – 45 West 29th.

1863 New York City Directories.  (New York, New York.)  1863/1864, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway & 229 Greenwich, H – 45 West 29th.

1864 New York City Directories.  (New York, New York.)  1864/1865, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway, H – 45 West 29th.

1865 New York City Directories.  (New York, New York.)  1865/1866, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway, H – 45 West 29th.

1866 New York City Directories.  (New York, New York.)  1866/1867, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway, H – 45 West 29th.

1867 New York City Directories.  (New York, New York.)  1867/1868, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway, H – 45 West 29th.

1868 New York City Directories.  (New York, New York.)  1868/1869, Published by John Fowler Trow.

Bogardus, Abraham, photographer, 363 Broadway, H – 45 West 29th.

1869 New York City Directories.  (New York, New York.)  1869/1870, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 Broadway, H – 45 West 29th.

1870 New York City Directories.  (New York, New York.)  1870/1871, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 & 1153 Broadway, H – 45 West 29th.

1871 New York City Directories.  (New York, New York.)  1871/1872, Published by John Fowler Trow.

Bogardus, Abraham, photographs, 363 & 1153 Broadway, H – 45 West 29th.

1872 New York City Directories.  (New York, New York.)  1872/1873, Published by Trow City Directories.

Bogardus, Abraham, photographs, 1153 Broadway, H – 45 West 29th.

Bogardus, Edward W, photographer, 363 Broadway, H – 45 Charles.

Bogardus Photographic Establishment, 363 Broadway.

Bogardus & Bendann Brothers, photographs, 1153 Broadway.

Bendann, Daniel, photographs, 1153 Broadway.

Bendann, David, photographs, 1153 Broadway, H – St. George.

1873 New York City Directories.  (New York, New York.)  1873/1874, Published by Trow City Directories.

Bogardus, Abraham, Photographic Establishment, 1153 Broadway, H – 35 West 50th.

Bogardus Photographic Establishment, 363 Broadway, corner Franklin.

Bogardus, Edward W, photographer, 363 Broadway, H – 45 Charles.

Bendann, Daniel, photographs, 1134 Broadway, H – 28 West 45th.

Bendann, David, photographs, 1134 Broadway, H – 28 West 45th.

1874 New York City Directories.  (New York, New York.)  1874/1875, Published by Trow City Directories.

Bogardus, Abraham, Photographic Establishment, 1153 Broadway, H – 35 West 50th.

Bogardus Photographic Establishment, 363 Broadway, corner Franklin.

Bogardus, Edward W, photographer, 363 Broadway, H – New Jersey.

1875 New York City Directories.  (New York, New York.)  1875/1876, Published by Trow City Directories.

Bogardus, Abraham, Photographic Establishment, 872 Broadway, H – 36 West 50th.

Bogardus Photographic Establishment, 363 Broadway, corner Franklin.

Bogardus, Edward W, photographer, 363 Broadway.

1876 New York City Directories.  (New York, New York.)  1876/1877, Published by Trow City Directories.

Bogardus, Abraham, Photographic Establishment, 872 Broadway corner 18th, H – L. I.

Bogardus Photographic Establishment, 363 Broadway, corner Franklin.

Bogardus, Edward W, photographer, 363 Broadway, H – Nyack.

1877 New York City Directories.  (New York, New York.)  1877/1878, Published by Jo Trow City Directories.

Bogardus, Abraham, Photographic Establishment, 872 Broadway corner 18th, H – L. I.

Bogardus Photographic Establishment, 363 Broadway, corner Franklin.  The only gallery where photos are produced by the blue light.

Bogardus, Edward W, photographer, 363 Broadway, H – Nyack.

1878 New York City Directories.  (New York, New York.)  1878/1879, Published by Trow City Directories.

Bogardus The original old downtown photographic gallery, 363 Broadway, corner Franklin. 

Bogardus, Abraham, Photographic Establishment, 872 Broadway corner 18th, H – L. I.

Bogardus, Edward W, photographer, 363 Broadway, H – New Jersey.

1879 New York City Directories.  (New York, New York.)  1879/1880, Published by Trow City Directories.

Bogardus The original old downtown photographer,  clubs of 10 &15 a specialty, 363 Broadway, corner Franklin. 

Bogardus, Abraham, photographs, 872 Broadway corner 18th, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 363 Broadway, H – New Jersey.

1880 New York City Directories.  (New York, New York.)  1880/1881, Published by Trow City Directories.

Bogardus The original old town photographer has removed to 349 6th Ave.,  between 21st & 22d Streets.

Bogardus, Abraham, photographs, 872 Broadway corner 18th, H – 222 East 117th.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave.

1881 New York City Directories.  (New York, New York.)  1881/1882, Published by Trow City Directories.

Bogardus The original old downtown photographer has removed to his new studio 349 Sixth Ave.,  between 21st & 22d Streets.

Bogardus, Abraham, photographs, 872 Broadway corner 18th, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave.

1882 New York City Directories.  (New York, New York.)  1882/1883, Published by Trow City Directories.

Bogardus, Abraham, photographs, 872 Broadway, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave.

1883 New York City Directories.  (New York, New York.)  1883/1884, Published by Trow City Directories.

Bogardus, photographer 349 Sixth Ave., between 21st & 22d Streets, formerly 363 Broadway corner Franklin.

Bogardus, Abraham, photographs, 872 Broadway, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

1884 New York City Directories.  (New York, New York.)  1884/1885, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway corner Franklin.

Bogardus, Abraham, photographs, 872 Broadway, H – 1455 Lexington Ave.

Bogardus, Abraham & Co., photographs 872 Broadway

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

1885 New York City Directories.  (New York, New York.)  1885/1886, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway corner Franklin.  Imperials $5,00 per doz.

Bogardus, Abraham, photographs, 872 Broadway, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

1886 New York City Directories.  (New York, New York.)  1886/1887, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway corner Franklin.

Bogardus, Abraham, photographs, 872 Broadway, H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

1887 New York City Directories.  (New York, New York.)  1887/1888, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway corner Franklin.

Bogardus, Abraham, photographs, 811 East 42d (on Broadway upwards of 30 years), H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

1888 New York City Directories.  (New York, New York.)  1888/1889, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway corner Franklin.

Bogardus, Abraham, photographs, 811 East 42d (on Broadway upwards of 30 years), H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

Bogardus Photographic Parlors 11 East 42d.

1889 New York City Directories.  (New York, New York.)  1889/1890, Published by Trow City Directories.

Bogardus, photographer, The old reliable 349 Sixth Ave., between 21st & 22d Streets, formerly of Broadway.

Bogardus, Abraham, No occupation listed.  H – 1455 Lexington Ave.

Bogardus, Edward W, photographer, 349 Broadway Sixth Ave, H – Nyack, New York.

Bogardus Photographic Parlors 11 East 42d.

1890 New York City Directories.  (New York, New York.) 1890/1891, Published by Trow City Directories.

Bogardus Photographic Parlors 11 East 42d.

1891 New York City Directories.  (New York, New York.)  1891/1892, Published by Trow City Directories.

Not listed.

[1] The American Daguerreotype, Floyd & Marion Rinhart P. 383.

Blauvelt, Peter H.

1855-1856              395 Broadway, New York, New York.

1855 July 31.  The New York Herald.  (New York, New York.)  July 31, 1855, Whole No. 6912, P. 6.

D. D. Nash, Auctioneer—Store 310 Broadway.—Sheriff sale on Wednesday, August 1, at 10 o’clock A. M., at 395 Broadway, third story, consisting of a lot of furniture, carpets, &c., together with all the right, title and interest of Peter H. Blauvelt, of, in and to the daguerreotype apparatus property in said premises, being his portion and interest in the copartnership property of Wilmarth & Blauvelt.

1856 April 3.  The New York Herald.  (New York, New York.)  April 3, 1856, Whole No. 7157, P. 2.

Daguerrean Gallery To Let—No. 395 Broadway; one of the best locations in the city; excellent light, &c.  Apply to A. M. & R. Davis, on the premises, 2d floor.

Blauvelt, Isaac A.

1855                177 Greenwich Street, near Courtlandt, New York, New York.

1856-1857       383 Broadway, New York, New York.

1857                233 Greenwich Street, New York New York.

1858                231 & 233 Greenwich Street, corner Barclay, New York, New York.

1858                373 Broadway, New York, New York.

1858                525 Columbia Street, South Brooklyn, New York.

1855 October 29.  The New York Herald.  (New York, New York.)  October 29, 1855, Whole No. 7001, P. 1.

$20 Reward.—Stolen, On Saturday Evening.  September 29, from 177 Greenwich street, one large showcase, containing many valuable portraits, and some of deceased friends.  Any person giving information of the same and procuring the return of the article, will receive the above reward and thanks, by Isaac A. Blauvelt, 177 Greenwich st., daguerreotypist.

1855 October 29.  The New York Herald.  (New York, New York.)  October 29, 1855, Whole No. 7001, P. 6.

Daguerreotype operator Wanted.—A First rate hand, with good references, (and none other need apply,) will find steady employment by applying to Isaac A. Blauvelt, 177 Greenwich st., near Courtlandt.

1856 August 15.  The New York Herald.  (New York, New York.)  August 15, 1856, Whole No. 7290, P. 6.

To Daguerreotypists.—Wanted A Man, Who thoroughly understands the ambro and photograph types, and can come well recommended, at 383 Broadway.  None others need apply.  Call on Isaac A. Blauvelt, 383 Broadway.

1857 April 6.  The New York Herald.  (New York, New York.)  April 6, 1857, Whole No. 7523, P. 8.

Wanted—A Man Who Understands the Daguerreotype and ambrotype business, where he can have steady employment, at 383 Broadway.  Blauvelt.

1857 June 30.  The New York Herald.  (New York, New York.)  June 30, 1857, Whole No. 7608, P. 6.

Artist Wanted—One Who Understands The ambrotype and photograph business thoroughly, and can come well recommended.  None other need apply.  Inquire of J. A. Blauvely, 233 Greenwich st., corner of Barclay.

1858 March 26.  The New York Herald.  (New York, New York.)  March 26, 1857, Whole No. 7875, P. 6.

A Photographer Wanted.—A Man Who Understands ambrotyping and photographing thoroughly, where steady employment will be given at fair wages, and can come well recommended; none other need apply to J. A. Blauvelt, 231 and 233 Greenwich street, corner Barclay.

1858 March 30.  The New York Herald.  (New York, New York.)  March 30, 1858, Whole No. 7879, P. 9.

To Photographers And Ambrotypists.—One who thoroughly understands the business and of good qualifications, obliging to the public, and can come well recommended, may get steady employment, at fair wages.  A middle aged man preferred.  Inquire J. A. Blauvelt, 231 and 233 Greenwich st., corner of Barclay.

1858 October 21.  The New York Herald.  (New York, New York.)  October 21, 1858, Whole No. 8083, P. 2.

For Sale—A Photograph Establishment, fitted up in neat style, with two skylights, 16 feet by 20, with all materials for photographing, ambrotyping, and daguerreotyping; low rent; will be sold at a low valuation, as the owner has other business to attend to; now doing a good business.  Inquire at Blauvelt Brother’s Rooms No. 373 Broadway.

1858 December 22.  The New York Herald.  (New York, New York.)  December 22, 1858, Whole No. 8145, P. 3.

Ambrotype Rooms For Sale—With Stock And fixtures complete; will sell on account of the owner going to Cuba, Apply at 525 Columbia Street, South Brooklyn.  J. H. Blauvelt.

Blauvelt Brothers

1858                373 Broadway, New York, New York.

1858 October 21.  The New York Herald.  (New York, New York.)  October 21, 1857, Whole No. 8083, P. 2.

For Sale—A Photograph Establishment, fitted up in neat style, with two skylights, 16 feet by 20, with all materials for photographing, ambrotyping, and daguerreotyping; low rent; will be sold at a low valuation, as the owner has other business to attend to; now doing a good business.  Inquire at Blauvelt Brother’s Rooms No. 373 Broadway.

Bill, Charles K.

1858                419 Broadway, New York, New York.

1858                491 Broadway, New York, New York.

1858.  New York City Directory.  (New York, New York.)  1858-1859, advertisements P. 23.

Boggs & Bill’s Photographic Gallery, Nos. 419 & 491 Broadway, N. Y.

Pictures Taken In This Gallery Are warranted to have all the beauty and finish and accuracy of delineation that the most critical could desire.  Robt. M. Boggs.  Chas K. Bill.