Tag Archives: Jeremiah Gurney

Hall, John Bishop

Hallotypes, Patent, , , , ,

1857                585 Broadway, New York, New York.

1857 January 21.  Evening Star.  (Washington, District of Columbia.)  January 21, 1857, Vol. IX, No. 1,252, P. 2.

Patents for the week ending January 20, 1857.  John Bishop Hall—For improved in treating photographic pictures.  No. 16,438.

1857 January 27.  The New York Herald.  (New York, New York.)  January 27, 1857, Whole No. 7454, P. 3.

New Patents Issued for the week ending January 20, 1857.  John Bishop Hall of N. Y., for improved in treating photographic pictures.  [No. 16,438]

1857 February 14.  The New York Herald.  (New York, New York.)  February 14, 1857, Whole No. 7472, P. 5.

Highly Important to the Pubic—Hallotypes patented.  The undersigned would respectfully announce that they will exhibit specimens of the “Hallotype” at their gallery.  No. 585 Broadway, on and after the 16th inst., and that they will commence taking them for the public on the 16th., and will deliver them on and after the 19th inst.  The hallotypes will be taken in this city by J. B. Hall the inventor and patentee, at the above gallery.  N. B.—No connection with any other establishment in the city.  John Bishop Hall, C. D. Fredricks.  585 Broadway, opposite Metropolitan Hotel.

Advertisement ran on the 14 & 16, 1857.

1857 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1857, Vol. XVI, No. 4938, P. 7.

Important caution To The Public And Photographic Artist.  Hallotypes.

It having been announced in the Photographic journals and the daily papers that specimens of the Hallotype would be exhibited at Nos. 585 and 349 Broadway on the 16th inst. the undersigned would state that justice to the public, to himself and to the art, of which he is the inventor and patentee, demands of him the following statement:

The specimens exhibited by J. Gurney at No. 349 Broadway will not give a correct idea of the merits of this new Art, as they were not executed in strict accordance with instructions given by the undersigned, and for this reason he will not exhibit at his Gallery, No. 585 Broadway, any of the specimens produced at No. 349 Broadway, which he had designed doing as during his absence from the city some of the most important parts of the manipulation were neglected.  All the specimens, therefore, which he will exhibit at No. 585 Broadway will be those produced since the 13th inst., at his own Gallery—he having also recently made some very important improvements.  The undersigned will not, therefore, be in any way responsible for the results produced at any other establishment, as the Hallotypes will only be made under his personal direction at No. 585 Broadway, opposite Metropolitan Hotel.    John Bishop Hall.

1857 February 21.  New York Daily Tribune.  (New York, New York.)  February 21, 1857, Vol. XVI, No. 4943, P. 7.

Hallotypes—These Beautiful Portraits are taken by J. B. Hall, the inventor and patentee, only at the Gallery of Hall & Fredricks, No. 585 Broadway, opposite the Metropolitan Hotel.

Advertisement ran every three to four days from February 21 to 28, 1857.

1857 February 26.  New York Daily Tribune.  (New York, New York.)  February 26, 1857, Vol. XVI, No. 4947, P. 7.

Hallotypes.  To Photographic Artists And The Public.  The following not from Mr. Hall requires a public reply:

Temple Of Art, No. 585 Broadway, Feb. 24. 1857.

J. Gurney, esq.—Dear Sir:  My attention has been called to your card of the 17th inst., published in the Tribune and Times, in reply to mine of the 16th, which appeared in the same papers.  My arrangements have been such that I have here huberto neglected to take any steps in the matter.  You understand better than the public possibly can the reasons which prompted me to pen my Card.  But you evidently misunderstood the some what ambiguous language which I emplied, or your high sense of honor, of propriety and justice, would not have allowed you to prefer against me so grave a charge as “repudiating legal obligations,” and masing statement [    ] were “false.”  If you understood me as denying your right to practice the Hallotype, and your ability to present it in an attractive form to the public, you could not do otherwise than to pronounce such statements false.  The peculiar circumstance of the case, in connection with the somewhat ambiguous style which I employed, has led you into an error.  But there was nothing in my Card which if properly understood, could have justified the conclusion at which you arrive, and by correcting the erroneous impressions which your Card is calculated to procure, you will do no honor to yourself, justice to the public and to the undersigned.  Wishing you every success in the practice of the Hallotype. I am Truly Yours, John Bishop Hall.

                                                                        Reply

Mr. John B. Hall—Dear Sir:  Your conclusion is correct, that the peculiar circumstances of the case, together with the somewhat ambiguous language which you employed. did lead me to misunderstand your meaning, and it affords me pleasure to be able to make the correction.  A discriminating public will award to you the honor of having invented the most brilliant improvement in the Photographic art, and which I am determined to present to the public in all its exquisite perfection and beauty.  Yours truly,  J. Gurney, Photographic Artist.  Palace of Art, No. 349 Broadway, Feb. 26, 1857.

We, the undersigned, copartners in the disposal of the patent rights throughout the United States and Europe for the new style of portraiture called Hallotypes, would inform Photographic artists and amateurs that we are now ready to dispose of said rights to suit purchasers.

John Bishop, J. Gurney

All business letters to be addressed to Gurney’s Palace of Art, No. 340 Broadway, corner of Leonard-st., New York.

Advertisement ran on February 26 & 28, 1857.

1857 February 27.  The New York Herald.  (New York, New York.)  February 27, 1857, Whole No. 7485, P. 8.

To Photographic Artists And The Public.  The following note from Mr. Hall requires a public reply:

Temple Of Art, No. 585 Broadway, Feb. 24. 1857.

J. Gurney, esq.—Dear Sir:  My attention has been called to your card of the 17th inst., published in the Tribune and Times, in reply to mine of the 16th, which appeared in the same papers.  My arrangements have been such that I have here hitherto neglected to take any steps in the matter.  You understand better than the public possibly can the reasons which prompted me to pen my card.  But you evidently misunderstood the somewhat ambiguous language which I employed, or your high sense of honor, of propriety and justice, would not have allowed you to prefer against me so grave a charge as “repudiating legal obligations,” and making statement which were “false.”  If you understood me as denying your right to practice the Hallotype, and your ability to present it in an attractive form to the public, you could not do otherwise than to pronounce such statements false.  The peculiar circumstance of the case, in connection with the somewhat ambiguous style which I employed, has led you into an error.  But there was nothing in my card which if properly understood, could have justified the conclusion at which you arrive, and by correcting the erroneous impressions which your card is calculated to produce, you will do no honor to yourself, justice to the public and to the undersigned.  Wishing you every success in the practice of the Hallotype. I am Truly Yours, John Bishop Hall.

                                                                        Reply

Mr. John B. Hall—Dear Sir:  Your conclusion is correct, that the peculiar circumstances of the case, together with the somewhat ambiguous language which you employed. did lead me to misunderstand your meaning, and it affords me pleasure to be able to make the correction.  A discriminating public will award to you the honor of having invented the most brilliant improvement in the photographic art, and which I am determined to present to the public in all its exquisite perfection and beauty.  Yours truly, J. Gurney, Photographic Artist.  Palace of Art, No. 349 Broadway, Feb. 26, 1857.

We, the undersigned, copartners in the disposal of the patent rights throughout the United States and Europe for the new style of portraiture called Hallotypes, would inform Photographic artists and amateurs that we are now ready to dispose of said rights to suit purchasers.

John Bishop Hall, J. Gurney.

All business letters to be addressed to Gurney’s Palace of Art, No. 340 Broadway, corner of Leonard street, New York.

1857 February 27.  The New York Herald.  (New York, New York.)  February 27, 1857, Whole No. 7485, P. 8.

Hallotypes.  Letters Patent Granted January 20, 1857.  A large collection of this new and beautiful style of portraiture is now on exhibition at J. Gurney’s well known photographic palace of art, No. 349 Broadway, N. Y.

The public are respectfully invited to call and judge for themselves of the superiority of these pictures over other styles; and although executed by the camera, they combine the truthfulness of the finest photographs, with the beauty and finish of the most delicate miniature in ivory.  To quote the expression of our celebrated miniature painters, “The stereoscopic effect is wonderful; our occupation is gone; these pictures surpass in every respect, our best endeavors.”  J. Gurney is now prepared to execute said pictures for the public.  Gallery open from 8 A. M. till 6 P. M.  J. Gurney, Photographic Artist, No. 349 Broadway, cor. Leonard st., N. Y.  N. B.—No connection with any other establishment.

1857 March 10.  New York Daily Tribune.  (New York, New York.)  March 10, 1857, Vol. XVI, No. 4957, P. 7.

Hallotypes.  J. B. Hall, the inventor and patentee of the Hallotypes, would respectfully inform the public that his Gallery of Pictures in the above style is at the Photographic establishment of Mr. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel, and he has no connection with any other establishment in this city.

Advertisement ran on March 10 & 13, 1857.

1857 March 11.  The New York Herald.  (New York, New York.)  March 11, 1857, Whole No. 7497, P. 5.

Hallotypes.—J. B. Hall, the inventor and patentee of the hallotypes, would respectfully inform the public that his Gallery of pictures in the above style is at the photographic establishment of Mr. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel, and he has no connection with any other establishment in this city.

Advertisement ran on March 11 & 14, 1857.

1857 March 19.  New York Daily Tribune.  (New York, New York.)  March 19, 1857, Vol. XVI, No. 4965, P. 7.

John Bishop Hall’s Gallery Of Hallotypes, At Fredericks’s Temple Of Art, No. 585 Broadway, Opposite Metropolitan Hotel.

1857 March 21.  The New York Herald.  (New York, New York.)  March 21, 1857, Whole No. 7507, P. 5.

John Bishop Hall’s Gallery of Hallotypes.  At Frederick’s Temple of Art, No. 586 Broadway, Opposite Metropolitan Hotel.

Advertisement ran on March 21, 25, 28; April 1, 1857.

1857 March 26.  New York Daily Tribune.  (New York, New York.)  March 26, 1857, Vol. XVI, No. 4971, P. 7.

John Bishop Hall’s Gallery Of Hallotypes, At Fredericks’s Temple Of Art, No. 585 Broadway, Opposite Metropolitan Hotel.

Advertisement ran from March 26 to April 2, 1857.

1857 April 3.  The New York Herald.  (New York, New York.)  April 3, 1857, Whole No. 7520, P. 5.

Hallotypes!—$1,000 Reward.—The Undersigned will give the above reward for the first conviction of any person or persons infringing the patent granted by the United States government to John Bishop Hall, of New York city, on the 20th day of January, 1857, for producing pictures known as “hallotypes”  Hall & Gurney.  New York, March 7, 1857.

Advertisement ran From April 3 to 10, 1857.

1857 April 11.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 11, 1857, Vol. III, No. 70, P. 15.

Frederick’s Temple of Art—Hallotypes, Photographs, Daguerreotypes, Ambrotypes.  585 Broadway, opposite Metropolitan Hotel.

John Bishop Hall, The Inventor and Patentee of the Hallotype, would respectfully inform the Public that his gallery is at Frederick’s Temple Of Art, 585 Broadway, and that he has no connection with any other establishment.

Cary, Preston M.

Daguerreotypes, , , , , , , , , , , , , ,

1843-1849       Rooms in the Sterling Block, Bridgeport, Connecticut.

1849                211 and 128 Baltimore Street, Baltimore, Maryland.

1849-1851       Corner Bryan Street and Market Square, Savannah, Georgia.

1850                Sterling Block, Bridgeport, Connecticut

1850                187 Broadway, New York, New York.

1851                Water Street, Bridgeport, Connecticut.

1852                Corner Main and State Streets, Bridgeport, Connecticut.

1853                407 Broadway, New York, New York.

1853                Corner Bryan Street and Market Square, Savannah, Georgia.

1843 August 8.  Republican Farmer.  (Bridgeport, Connecticut.)  August 8, 1843, Vol. XXXIV, No. 1738, New Series Vol. II, No. 84, P. 3.

Splendid Colored Daguerreotypes.  Single or in groups, taken by Cary at the Sterling Block.

Advertisement ran from August 8 to December 5

1843 August 22.  Republican Farmer.  (Bridgeport, Connecticut.)  August 22, 1843, Vol. XXXIV, No. 1740, New Series Vol. II, No. 86, P. 3.

Daguerreotypes.—This method of taking likenesses, is one of the most astonishing discoveries of the age.  Had the discovery been made in the seventeenth century, the author would no doubt have been regarded as a witch, and perhaps been hung or burnt at the stake.  The improvements that have been recently made in the art, are very great.  Not only are the form and features correctly given, but those taken by Mr. Cary, now at Sterling’s Building, give also, to a remarkable degree, the colors of the face.  We examined some dozen or more likenesses, in an unfinished state, at his room, last week, and were surprised at the improvement in this respect.  Some of them were almost as true as life.—We recognized every face with which we were acquainted, at the very first glance.  Among the number, were the likenesses of two children, (brother and sister,) on one plate.—They were complete.  Mr. Cary remains here another week.  

1844 March 12.  Republican Farmer.  (Bridgeport, Connecticut.)  March 12, 1844, Vol. XXXIV, No. 1769, New Series Vol. III, No. 115, P. 3.

Daguerreotypes.  See advertisement of Mr. Cary.  He does the business right.  No Mistake.  Give him a call.

1844 March 12.  Republican Farmer.  (Bridgeport, Connecticut.)  March 12, 1844, Vol. XXXIV, No. 1769, New Series Vol. III, No. 115, P. 3.

Daguerreotyping.  Mr. Cary will remain a few days longer, and will happy to execute Likenesses for all who may be disposed to avail themselves of his services.

Having recently made the most astonishing Improvement in the art of finishing portraits, he is now prepared to furnish them true to nature, and equal in beauty to the finest painting.  He would also inform the public that his time of sitting is from 10 to 45 seconds, being about one-eighth of the time usually occupied by ordinary bunglers in the art; this enables him to catch not only the outline of the individual setting, but the expression of countenance, which cannot be transferred where a person is obliged to sit from 3 to 5 minutes.  Groups of from 2 to 10 persons taken in the same time.

Rooms in the Sterling Block.

Mr. C. has taken the agency of the new and improved instruments, and can furnish instructions to any who may desire to become good operators.

Advertisement ran from March 12 to 19, 1844.

1844 March 26.  Republican Farmer.  (Bridgeport, Connecticut.)  March 26, 1844, Vol. XXXIV, No. 1771, New Series Vol. III, No. 117, P. 3.

The Daguerreotype Process.—Messrs. Editors:  There is no memorial of a departed friend so valuable as an accurate picture that will recall those features which are once so familiar.  This new process affords the means of procuring such a picture by the sitting of a few seconds, which in beauty and accuracy, much exceeds the ordinary miniature painted on ivory.  What can be more accurate than the shadow of an object we would copy, and I am sure nothing can be more beautiful than the colored daguerreotypes, which Mr. Cary of the Sterling Buildings is every day preparing for those who visit his rooms.

This process may be considered as having reached its perfection, for I am sure no one can see the pictures which Mr. Cary furnishes by the aid of the pencil, without feeling that no greater accuracy or beauty, could possibly be attained.  So it appears to me.  Observer.

1844 April 16.  Republican Farmer.  (Bridgeport, Connecticut.)  April 16, 1844, Vol. XXXV, No. 1774, New Series Vol. III, No. 120, P. 3.

Daguerreotypes.  Mr. Cary will remain in this city till 25th inst.  Those who want their likenesses taken right should give him a call.

1844 April 30.  Republican Farmer.  (Bridgeport, Connecticut.)  April 30, 1844, Vol. XXXV, No. 1776, New Series Vol. III, No. 122, P. 3.

Daguerreotypes.  “Catch the shadow ere the substance fades.”  Mr. Cary respectfully announces to the citizens of Bridgeport and vicinity, that, finding it impossible to meet all his engagements within the time specified for his departure, he has concluded to remain a few days longer, and in connection with Mr. E. Punderson, has taken rooms formerly occupied by Dr. Merritt, in Sterling Building, where they are now ready to take likenesses in a manner which cannot be surpassed by any operator in the United States.

1844 December 3.  Republican Farmer.  (Bridgeport, Connecticut.)  December 3, 1844, Vol. XXXV, No. 1808, New Series Vol. III, No. 143, P. 3.

Daguerreotype Portraits.  Mr. Cary respectfully announces to the Ladies and Gentlemen of Bridgeport, that he has reopened his rooms in the Sterling Block, and will be happy to wait on all who would have an accurate likeness.

Having recently made very great improvements in the art of Daguerreotyping, he is prepared to furnish a more finished Picture than can be obtained in any other city.

Persons who have had Pictures taken can have them retaken at a trifling expense. 

Instructions given and all the necessary apparatus furnished.

Advertisement ran from December 3 to 17, 1844.

1845 October 11.  The Hartford Times.  (Hartford, Connecticut.)  October 11, 1845, Vol. XXIX, No. 1503, P. 3.

Premiums Awarded By The Hartford County Agricultural Society.  Oct 4th, 1845…

Specimens In Fine Arts And Arts…

A Silver Medal to Cary & Stancliff, for Daguerreotype Specimens.

1846 June 20.  The Hartford Times.  (Hartford, Connecticut.)  June 20, 1846, Vol. XXX, No. 1539, P. 1.

Improved Colored Daguerreotype Portraits and Miniatures.  Messrs.  Cary & Stancliff are now executing Pictures, by a new process, that are pronounced by critics to be far superior to any thing of the kind ever offered in this State.  This we submit to the public.

Portraits of Deceased Persons copied accurately.

Likenesses taken After Death, in city or Country.

Correct Likenesses of Infants taken in5 or 6 seconds, in a clear morning.

Ordinary Daguerreotype operators, and persons wishing to learn the art, will find it an object to become acquainted with our new process.

Pictures taken equally well in Cloudy or Fair Weather.

Materials, Chemicals and Apparatus furnished and warranted.

The public room is open and free for visitors from 8 A. M. until 6 P. M.  We respectfully solicit a visit to our collection.  Cry & Stancliff, corner of Main and Pearl sts., over Olmstead & Co.  May 30.

Advertisement was recorded twelve times between June 20 to November 7, 1846.

1846 September 15.  Republican Farmer.  (Bridgeport, Connecticut.)  September 15, 1846, Vol. XXXV, No. 1900, New Series Vol. IV, No. 246, P. 3.

Daguerreotype Miniatures.  Mr. Cary would respectfully give notice to the inhabitants of Bridgeport and vicinity, that he has taken rooms in the Sterling Block, where he is prepared to furnish Portraits to all who would have a beautiful picture, either in cloudy or fair weather.

Likenesses of young children taken from 2 to 4 seconds.

Instructions given, and all the important apparatus furnished.  [Sept. 1.]

Advertisement ran from September 15 to October 20, 1846

1847 June 22.  Republican Farmer.  (Bridgeport, Connecticut.)  June 22, 1847, Vol. XXXVI, No. 1940, New Series Vol. VI, No. 286, P. 3.

Daguerreotypes.  Cary’s Daguerreotype Rooms, Sterling Block,—4th Story.

Advertisement ran from June 22 to August 31, 1847.

1847 August 3.  Republican Farmer.  (Bridgeport, Connecticut.)  August 3, 1847, Vol. XXXVI, No. 1946, New Series Vol. VI, No. 292, P. 3.

The Daguerreotype Art is one of the most astonishing discoveries of this astonishing age.  Portraits accurate as life itself, are now taken in a twinkling, almost.  Mr. Carey, at Sterling Block, is one of the best operators the country affords.  His pictures are the very best specimens of the art.  We have never seen any equal to his.  He remains in town a few days longer,  Those who want good likenesses, true to nature, should give him an immediate call.

1847 August 24.  Republican Farmer.  (Bridgeport, Connecticut.)  August 24, 1847, Vol. XXXVII, No. 1946, New Series Vol. VI, No. 295, P. 3.

Go to Carey’s, if you want a good Daguerreotype Portrait.  His Pictures are the best we have ever seen.  We do not believe a better operator can anywhere be found.

1847 August 31.  Republican Farmer.  (Bridgeport, Connecticut.)  August 31, 1847, Vol. XXXVII, No. 1946, New Series Vol. VI, No. 296, P. 3.

Mr. Carey leaves town to-day, to be gone one or two weeks.  Those who wish good Daguerreotypes, should give him an early call on his return.

1847 September 21.  Republican Farmer.  (Bridgeport, Connecticut.)  September 21, 1847, Vol. XXXVI, No. 1953, New Series Vol. VI, No. 299, P. 3.

Daguerreotypes.  Cary’s Daguerreotype Room, is re-opened for a few days previous to his leaving for the South.

All persons indebted to him for Portraits will settle the same without further notice.

Advertisement ran from September 21 to November 2, 1847.

1848 July 4.  Republican Farmer.  (Bridgeport, Connecticut.)  July 4, 1848, Vol. XXXVIII, No. 1994, New Series—VII, No. 340, P. 3.

Cary’s Daguerreotype Rooms, Sterling Block, No. 14.  Mr. Cary would respectfully give notice to the citizens of Bridgeport and vicinity, that he is now prepared to execute Daguerreotype Portraits in his most admired style.

Rooms open from 9 A. M. to 5 o’clock, P. M.

Perfect likenesses of young children (of any age) may be taken between the hours of 1 and 3, P. M., in from one to three seconds’ sitting.

Instruction given in the art, and all his recent improvements thoroughly taught.

Advertisement ran from July 4 to December 5, 1848.

1849 May 29.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 29, 1849, Vol. XCIX, No. 17,289, P. 3.

Broadbent & Cary’s Daguerreotype Rooms, 211 and 128 Baltimore Street.

Advertisement ran from May 29  to August 6, 1849.

1849 May 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 30, 1849, Vol. XCIX, No. 17,290, P. 3.

Local Matters.  Reported for the American…

Beautiful Daguerreotypes.—We have recently [examined] with much pleasure the very beautiful specimens of Daguerreotyping, executed by Messrs, Broadbent Cary, No. 128 Baltimore street.  These gentlemen, with a perfect knowledge of the art, have availed themselves of the latest improvements made in France and Germany, and now produce a perfect likeness, [which] by the aid of a little colouring, is made to bear [a close] resemblance to a finely executed miniature.—[those] who will take the trouble to examine their [speci ?] will at once acknowledge their great excellence.  [The] rooms of Messrs. Broadbent & Cary are neatly [prepared] for the reception of ladies and gentlemen, and [ ? ] great pains they take to afford entire satisfaction to [those] who favor them with their custom, commends [them] strongly to public patronage.

1849 June 13.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  June 13, 1849, Vol. XCIX, No. 17,302, P. 2.

Left at The Daguerreotype Rooms of Broadbent & Cary, in the American Office Building, a Bead Purse containing Money, and other articles which the owner can have by paying for this advertisement.

1849 October 2.  Republican Farmer.  (Bridgeport, Connecticut.)  October 2, 1849, Vol. XXXIX, No. 2059, New Series—VIII, No. 405, P. 3.

Daguerreotypes.  Carey remains at Sterling Block ten day longer.  Persons who wish good likenesses will please give him a call.

Advertisement ran from October 2 to November 13, 1849.

1849 October 31.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 31, 1849, Vol. XLVII, No. 256, P. 3.

Daguerreotypes.  The Subscriber has made an arrangement with P. M. Carey, to take charges of his Daguerreotype Establishment, this season, and request all who want a good Picture, to call at his rooms, corner of Bryan-street and Market-square.

Mr. Carey’s merits as an artist are too well known to require comment.  T. T. Wilmot.

1849 December 3.  The Savannah Daily Republican.  (Savannah, Georgia.)  December 3, 1849, Vol. XLVII, No. 283, P. 2.

Daguerreotypes.  T. T. Wilmot would respectfully announce to the inhabitants of Savannah, that Mr. Cary has arrived and is prepared to execute Likenesses in the most splendid style.

His Portraits are pronounced by Artist and the best judges, to be unequalled.

Rooms corner of Bryan-st. and Market-square.

Advertisement ran from December 3 to 14, 1849.

1850 February 15.  The Savannah Daily Republican.  (Savannah, Georgia.)  February 15, 1850, Vol. XLVIII, No. 39, P. 2.

It will be seen by Mr. Cary’s advertisement, that he has resumed the business of taking Daguerreotypes.  Mr. C’s. work has always given entire satisfaction, and with his recent practice in New York and elsewhere, it can hardly be doubted that he excels in the art more now than ever.

1850 February 15.  The Savannah Daily Republican.  .  (Savannah, Georgia.)  February 15, 1850, Vol. XLVIII, No. 39, P. 2.

Beautiful Daguerreotypes.  Cary’s Daguerreotype Rooms are now open, over the Jewelry Store of the late T. T.  Wilmot, corner Bryan-street and Market -square.

Operating Hours from 9 A. M. to 5 P. M.

Children’s Likenesses (at any age) taken from one to three seconds sitting.

Advertisement ran from February 15 to March 21, 1850.

1850 June 1.  The Savannah Daily Republican.  (Savannah, Georgia.)  June 1, 1850, Vol. XLVIII, No. 128, P. 2.

Daguerreotypes.  P. M. Cary returns his thanks to the citizens of Savannah for the liberal patronage bestowed upon him during the past season, and would respectfully give notice that his Rooms will close in 10 days.

Advertisement ran on June 1 & 3, 1850.

1850 August 19.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  August 19, 1850, Vol. 1, No. 97, P. 2.

It is hardley necessary for us to refer to the advertisement of Mr. Cary.  His Daguerreotypes are among the best in the country.

1850 August 19.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  August 19, 1850, Vol. 1, No. 97, P. 2.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has reopened his rooms, in the Sterling Block, where he would be happy to wait on my persons who may wish their portraits taken by him.

Advertisement ran from August 20 to September 11, 1850.

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway.

Meade Brothers, 233 Broadway.

Harrison & Holmes, 289 Broadway.

D. E. Gavit, 247 Broadway.

C. M. Cary[1], 187 Broadway.

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

C. M. Cary1, New York,             do           do.

1850 November 25.  The Savannah Daily Republican.  (Savannah, Georgia.)  November 25, 1850, Vol. XLVIII, No. 295, P. 2.

Daguerreotypes.  P. M. Cary would respectfully give notice to the public that he has re-opened his Rooms, Corner Bryan-street and Market-square, (over Wilmot’s Jewelry Store,) where he will be happy to wait upon all who would have their Pictures wall executed.

A Daguerreotype of Jenny Lind may be seen at his Rooms.

Advertisement ran from November 25, 1850 to May 24, 1851.

1851 September 3.  The Tri-Weekly Standard.  (Bridgeport, Connecticut.)  September 3, 1851, Vol. 2, No. 105, Whole No. 258, P. 3.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has taken the rooms of C. S. Middlebrook, Water-St. (for a few days only) where he would be happy to wait upon any person who would have their pictures well taken.  aug25.

1851 September 9.  Republican Farmer.  (Bridgeport, Connecticut.)  September 9, 1851, Vol. XLI, No. 2159, New Series—X, No. 506, P. 3.

Daguerreotypes.  P. M. Cary would respectfully give notice that he has taken the rooms of C. S. Middlebrook, Water-St. (for a few days only) where he would be happy to wait upon any person who would have their pictures well taken.  August 25, 1851.

1851 October 22.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 22, 1851, Vol. XLIX, No. 248, P. 2.

Passengers…Per steam packet Gordon, from Charleston—Mrs. Cary and Child…P. M. Cary.  

1851 October 28.  The Savannah Daily Republican.  (Savannah, Georgia.)  October 28, 1851, Vol. XLIX, No. 253, P. 2.

P. M. Cary would respectfully give notice that he has re-opened his gallery (corner Bryan-street and Market-square) where he would be happy to wait on all persons who would have a superior picture.

For Sale.—A fine assortment of Plates and Cases, of the finest quality.

Advertisement ran from October 28 to December 31, 1851.

1852 October 6.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  October 6, 1852, Vol. 3, No. 117, Whole No. 427, P. 3.

Bank Place Daguerrian Gallery, Corner Main and State sts.  Opposite the Franklin House, Bridgeport.—This Establishment has obtained a reputation, unequalled for good Daguerreotypes.  P. M. Cary, having now returned from the South, has connected himself with the above named place for a short time,—whose reputation as an artist is well known; and we would say that we are now prepared at all hours and all weather to serve those who may wish to “Secure the shadow before the substance fades.”

The Likenesses produced at this Establishment are remarkable for their life-like appearance and Durability of Impression.

N. B.—A good Likenesses guaranteed in every case, or no charge made.

Advertisement ran from October 6 to December 22, 1852.

1853 July 19.  The Evening Post.  (New York, New York.)  July 19, 1853, Vol. LII, P. 3.

Passengers Arrived…In the steamship Florida, from Savannah—…P. M. Cary…

1853 October 22.  The New York Herald.  (New York, New York.)  October 22, 1853, Whole No. 7602, P. 5.

Cary & Perkins’ Daguerreotypes Taken daily at 407 Broadway, and corner of Bryan street and Market square, Savannah, Ga.

Advertisement ran on October 22 & 23, 1853.

1853 October 24.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  October 24, 1853, Vol. 4, No. 125, Whole No. 592, P. 2.

Cary & Perkins, Daguerreotypists, No. 407 Broadway, New York, And Savannah, Geo.

Advertisement ran from October 6, 1853 to June 5, 1854.

1853 October 24.  Tri-Weekly Standard.  (Bridgeport, Connecticut.)  October 24, 1853, Vol. 4, No. 125, Whole No. 592, P. 2.

Cary & Perkins, Daguerreotypists, No. 407 Broadway, New York, And Savannah, Geo.

Advertisement ran from October 24, 1853 to June 5, 1854.

[1] Probably Preston M. Cary.

Brainard, Charles H.

Daguerreotypes, , , , , , , , ,

ND                  Address Unknown, Boston, Massachusetts.

1846                205 Baltimore Street, Baltimore, Maryland.

1850                Address Unknown, Washington, D. C.

1851-1852       Broadway and Leonard Streets, New York, New York.

1852                Pennsylvania Avenue, between 4½ and 6th streets, over Duvall & Brother’s store, Washington, D. C.

1855                Pennsylvania Avenue between 4½ and 6th Streets, Washington, D. C.

1857                308 Pennsylvania Avenue, Washington, D. C.

1846 July 1.  American Republican and Baltimore Daily Clipper.  (Baltimore, Maryland.)  July 1, 1846, Volume XV, No. 1, P. 2.

To the Publishers of the Clipper:

Gentlemen—In the Clipper of the morning I noticed an article headed “No Premium Awarded.” In which an attempt is made, to convince the public, that Mr. Plumbe’s claim to the honor of having received a Gold Medal for his superior specimens of Photography exhibited at the National fair, is unfounded.

In the absence of Mr. Plumbe from this city, I consider myself called upon to deny the charge of deception contained in the article alluded to, and to state such facts as will forever silence all doubts on the subject.

Mr. Plumbe has never claimed to have received a Gold Medal from the Official Committee of the National Fair, and is not responsible for the errors committed by the press in various sections of the Union.

The Gold Medal was presented to Mr. Plumbe by a committee of gentlemen who were impressed with the superiority of his pictures, and deemed his success in perfecting the Photographic art entitled to some “tangible compliment.”  It is but justice to Mr. P. to state that he had no knowledge whatever of the intentions of this committee until the day preceding the presentation of the Medal.

The presentation of the Medal was thus announced in the National Intelligencer, edited by Mr. Seaton, one of the Committee of the National Fair, and of course the last person in the world to publish a statement not strictly true.

Flattering Compliment.  So great was the admiration which the specimens of Photography from the Plumbe National Daguerrean Gallery commended at the late fair, that a number of gentlemen, desirous of testifying their high appreciation of the perfection to which Professor Plumbe has brought this beautiful art, have presented him with a handsome Gold Medal, accompanied by a highly complementary letter, expressive of their admiration of his genious as an artist and his worth as a man.—Nat. Int.

An advertisement, similar in character to that in your paper of this date, appears in the Philadelphia Ledger, of June 18th, over the signature of J. E. Mayall, who, it seems, had the courage to make the charge openly, unlike the brainless and cowardly idiot who attempts to reiterate the charge which Mr. May all honestly retracts in the following manner:

To Professor Plumbe:  Dear Sir—as a matter of justice it is proper that I should say, that when the communication over my signature which appeared in the Ledger of the 18th inst., referring to an article in the same paper of the 13th inst., was written, I was under the same impression that it was claimed for you to have received from the Committee of the National fair at Washington a gold medal for your specimens of Daguerreotype.  Having since learned that this medal was presented to you by a number of gentlemen unconnected with the committee, I deem it but right to make this explanation, and express my regret that my statement in the Ledger is so far incorrect.

I am respectfully your obedient servant, J. E. Mayall.

The above statement are, I trust, sufficient to convince you, and the public also, that Mr. Plumbe claims no honor that he is not entitled to, and that a Gold Medal (though presented by a private committee) is as high a compliment as if presented by a public committee in their official capacity.  C. H. Brainard, Agent for Plumbe.   Baltimore, June 30, 1846. 

1851 June 28.  South Boston Gazette and Dorchester Chronicle (Boston, Massachusetts) Vol. V, No, 39, p. 2.

Whitehurst’s Famous Daguerrean Saloon, at the corner of Broadway and Leonard street, New York,  is well worth an hour’s time of strangers visiting in that city.  We called in person last Monday, and were received by the courteous superintendent of the establishment,— Mr. C. H. Brainard, formerly of this city, late of Washington,— we say we were received by him with every demonstration of high regard; when he proceeded to redeem his former pledge to take our picture whenever we should visit the great Gotham.  The picture was taken; it hangs suspended by a ring (instead of any vulgar string!) Among the pious, good and great, of nearly every Christian state.  Will those who visit this Saloon, great as the favor, as a boon, to stop and think,—‘tis yes, or no! can’t Whitehurst take my picture so, hi-link-tum-lorum! 

1852 December 24.  The New York Herald.  (New York, New York.)  December 24, 1852, Whole No. 7358, P. 5.

C. H. Brainard, late of Gurney’s Gallery, 349 Broadway will be at Whitehurst’s Gallery Washington, D. C. during the present session of Congress, and will be happy to receive orders from daguerreotypist and engravers, for portraits of public men residing at the national capital.

Boston City Directory

1840                Not Listed

1841-1842       Charles H. Brainard, Clerk, 9 Court Street, Boston

1843                Charles H. Brainard & Co., Books, 13 Court Street, Boston

1844-1845       Charles H. Brainard, Books, 82 Washington Street, Boston

1846-1852       Not Listed

Bartholomew, Charles G.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , ,

1849                Aurora Street, over Mr. Frost’s Saddle and Harness Emporium, Ithaca, New York.

1850-1853       96 Owego Street, Ithaca, New York.

1855-1856       99 Genesee Street, opposite the Western Exchange, Auburn, New York.

1857                Genesee Street, Auburn, New York.

1858-1859       Address Unknown, Auburn, New York.

1849 April 11.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  April 11, 1849, Vol. XXXIII, No. 44, Whole No. 1,651, P. 3.

Don’t Read This.  Mr. Bartholomew would respectfully announce to the citizens of Ithaca, that he has taken the room formerly occupied by Johnson & Schuyler, on Aurora St., for taking Daguerreotype Likenesses, Single or in groups up to 12 upon the latest Paris and London improvements, which does away with that blue, dark, inanimate, fading appearance to pictures; like ivory painting, with a Light, Soft, Florid Tone as in nature.  He finishes all his miniatures with the Electro Gilding, (and the enameled back ground if desired) which will last for ages without fading; and put them up in the most beautiful and splendid French style, never before introduced in this village.

Mr. B. would merely say to Parents and others that a guarantee of the life of friends and children has never been given, therefore secure these unfading likeness and your own when and how you can.  He invites all the ladies and gentlemen to call and see him, whether they desire to sit for portraits or not and judge for themselves if his rooms is not.

The Place to obtain true life like Miniatures.  Cloudy or rainy weather does not affect Mr. B.’s taking pictures, for he Has the control of the light according to its strength from sun rise to sun set.

Strangers can have their likenesses taken and put up in 15 to 20 minutes. Stock furnished to Operators.  Ithaca, April 7, 1849.

Advertisement ran from April 11 to May 2, 1849.

1849 December 5.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  December 5, 1849, Vol. XXXIV, No. 32, Whole No. 1,684, P. 3.

The Sky-Light!  A New Daguerrean Arrangement!  Mr. Bartholtrmew announces to the citizens of Ithaca and Tompkins co. that he has fitted up a set of Rooms expressly for Daguerreotyping, in a superior Style over Mr. Frost’s Saddle and Harness Emporium on Aurora-street, with a large Sky-Light—the only one within a 100 miles—the best ever constructed, being a combined liget from above and side, so arranged that perfect likenesses are taken rain or shine, in from 2 to 5 seconds, with a large German Quick Instrument, (a new invention) of superior power, producing a rich toned picture surpassing fine Mezzotint Engravings—not possible to be equaled when taken in the ordinary way by a side light only, and a common slow Camera.  Also a new constructed copying Instrument that will copy the smallest pictures to a half size, and the largest paintings, Engravings, &c., to the size of the smallest pea.  The preparation of the plates on which the Likeness is taken, is entirely done by machinery, producing a fine finish and Miniature, incomparably better than by the ordinary method.

Mr. B. respectfully solicits a call from every Lady and Gentleman in the county, whether they desire to sit for a portrait or not.

Strangers at any distance would be four-fold compensated by coming to Ithaca to Mr. B.’s rooms to have their likenesses taken, single or with their families in groups to any number.  He warrants all the miniatures he takes never to fade—his facilities for doing the best of work is not surpassed in this or any other country, from the fact that he has the best and only Sky and side light combined, the only Quick Instrument in the country (for taking Babies of any age) a fine copying, a full size and medium Camera.

Likenesses of the sick or dead taken at Private Residences if desired.

Young men desirous of making the most of their time, study human nature, make money in travelling, can be well and ably qualified in the art, and with it be able to accomplish their desires.  Ithaca, Nov. 27, 1849.

Advertisement ran from December 5, 1849 to February 20, 1850.

1850 July 12.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  July 12, 1850, Vol. XXXIV, No. 48, Whole No. 1,711, P. 3.

Found!  At 96 Owego-St., At Mr. Bartholomew’s Daguerrean Rooms!  The Great Sky Light, and the largest camera in Western N. Y., a German Quick Instrument, that takes Likenesses in from 2 to 5 seconds, the only one in the county; and superior Copying Camera, the only one in Ithaca, a medium and half size, four instruments of the latest Improvements.

Also found, a very large assortment of splendid Stock, such as the Chinese and Mache (large and small) cases, inlaid with Gold, and pure Pearl, Rose and other Flowers most beautiful.  A fine assortment of French and other cases, frames, &c., some rare Paintings, a splendid room, with every attention requisite, and doing a first rate business.  Please pop in and see for yourselves, 96 Owego-Street.

Advertisement ran from June 12 to August 14, 1850.

1850 August 28.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  August 28, 1850, Vol. XXXV, No. 9, Whole No. 1,722, P. 3.

Lost Money! For a poor Miniature taken at —————; or might as well have lost it—by not going to Mr. Bartholomew’s Daguerrean Rooms! At 96 Owego-St., for my miniature.  He has the great Sky Light and works upon the new and beautiful improvement and has the largest Camera in Western New York.

Also found, a very large assortment of splendid Stock, such as the Chinese and Mache (large and small) cases, inlaid with Gold, and pure Pearl, Rose and other Flowers most beautiful.  A fine assortment of French and other cases, frames, &c., some rare Paintings, a splendid room, with every attention requisite, and doing a first rate business.  Please pop in and see for yourselves, 96 Owego-Street.

Advertisement ran from August 28, 1850 to August 17, 1853

1853 February 16.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  February 16, 1853, Vol. XXXVII, No. 33, Whole No. 1,850, P. 3.

To Daguerreotypist.  Mr. Bartholomew has just returned from the City with the largest amount, the best assortment, the latest patterns (all new) of cases, frames, lockets, and Daguerreotype Jewelry, that was ever in this market, at such prices that will induce all those who want Stock or Likenesses, to call at his Rooms opposite the New Brick Block on Owego street, next to Mr.  Greenly’s Store in Ithaca, and furnish themselves with less money than they ever have done before.

Cheap, Cheaper, Cheapest.

Advertisement ran from February 16 to September 21, 1853.

1853 August 31.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  August 31, 1853, Vol. XXXVIII, No. 9, Whole No. 1,878, P. 3.

G. Bartholomew’s Great Sky and Side Light Daguerrean Rooms, No. 96 Owego, opposite the new brick block.  This is the oldest and Largest Establishment in this county, and a single flight of stairs (not 2 or 3) of gentle ascent and only 10 feet rise lands you in his rooms—4 in number—1 expressly for ladies—which for size and convenience are well calculated for taking Superior Pictures of all Sizes.

A few things to be remembered by those wishing to have a Good Life-like Likenesses!  One that will never fade.  It is conceded by those acquainted with Mr. B.’s Daguerreotyping, that he is at the head of the profession in this region, having stood the test of competition of other operators for the last 4 years in the village of Ithaca, 15 having left for business in other places, and in the same time has taken from 6000 to 7000 Miniatures.

Such a practice is of itself a sufficient guarantee to a discriminating public, that his Rooms is the place to get good Likenesses.  But there are other reasons than those above:

1st—He galvanizes or re-silvers every plate on which the likeness in=s taken, before using it.

2d—The preparing of the same is done by machinery, producing a finer and making a finer miniature—incomparably better than the ordinary way.  Mr. B. is a member of the American Daguerrean Association, and is in possession of the New and Recent Improvements in that Association.  In addition to what we call the Daguerreotype proper, there are other processes that Mr. B. is prepared to execute, viz:  Gurney’s new process of coloring likenesses.  They are fine.  The Crystalotype—this is a beautiful style of Daguerreotype.  The Crayon, the Cameotype, and the enameled Back grounds and circles of a variety of colors, &c. and fancy and tasty acquisitions to the Art, and is very much admired.  He has one full sized Instrument, acromatic Lens, in goodness not surpassed—1½ size quick working Instrument for taking likenesses of babies, children & nervous people in from 2 to 5 seconds, the only one in this county—1 copying Instrument that copies all sized pictures perfectly—1 1-9 instrument expressly for taking Locket Pictures, a new thing—1 full size Sceptrum for taking views of Buildings and Landscapes at any distance within 2 miles, without reversing the object in the Picture taken.  Mr. B. respectfully informs Daguerrean Artist that he keeps on hand and for sale wholesale and Retail a complete assortment of Daguerreotype Goods, bought exclusively for cash, at the lowest New York Prices, and from a knowledge of the wants of the Artist, he is confident he can give good satisfaction in quality and price to all who may purchase of him.  All goods are warranted as represented, and advice on the practical part of Daguerreotyping, cheerfully given.

Likenesses of the Sick or Dead taken at their residences.  Remember the great Sky and Side light rooms No. 96 Owego street, Ithaca, where they take likenesses rain or shine, as low if not lower than at any other place.

Advertisement ran from August 31 to December 28, 1854.  *Newspapers from 1854 were not included in database.

1855 February 14.  Auburn Weekly American.  (Auburn, New York.)  February 14, 1855, Vol. 1, No. 2, P. 3.

Bartholomews’s Sky And Side Light Daguerrean Rooms.  No. 99 Genesee Street, opposite the Western Exchange.  Pictures of all sizes taken and inserted in Frames, Cases, Lockets, Pins, Rings, or Bracelets.—All sized pictures copied perfect, enlarged or made smaller.  He has a large assortment of cases, of every pattern, size and style.  Also, a new large Quick Instrument, for taking pictures of Children, in from 2 to 4 seconds, the only one in this place or county.

Also an apparatus for taking buildings or views with out reversing them.  Daguerreotypes of sick or deceased persons taken at their residences.  Pictures taken as well in cloudy as clear weather, as he has the instrument to do it with.

Remember, 99 Genesee street.  It is the only sky and side light Daguerrean Rooms in this place.

Advertisement ran from February 14, 1855 to February 6, 1856.

1855 April 11.  Auburn Weekly American.  (Auburn, New York.)  April 11, 1855, Vol. 1, No. 10, P. 4.

A good likeness is a good thing, and when we get a good thing, we ought to get it.  Bartholomew possesses every facility for taking life-like pictures.  Give him a call.

1856 September 3.  Auburn Weekly American.  (Auburn, New York.)  September 3, 1856, Vol. II, No. 31, P. 3.

Auburn Fillmore & Donelson Club.  The undersigned propose to form a Fillmore & Donelson Club…C. G. Bartholomew…

1856 November 12.  Auburn Weekly American.  (Auburn, New York.)  November 12, 1856, Vol. II, No. 41, P. 3.

Daguerreotypes And Ambrotypes Made As Usual At Bartholomew’s Daguerrean Rooms, 99 Genesee street, up-stairs.  A good assortment of cases of all styles and frames.  Pictures made of children in two or three seconds, with a quick instrument, the only one in this place or county.  All size pictures copied perfect, enlarged or made smaller.  Pictures single or in groups.  A few of those small Gold Lockets at very low prices.

N. B. No six shillings turpentine Ambrotypes made at his Rooms.

1857 December 30.  Auburn Weekly American.  (Auburn, New York.)  December 30, 1857, Vol. III, No. 48, P. 1.

Our Holiday Directory.  1857-8. Head-Quarters Of Santa Claus….Daguerrean Artists. 

What more appropriate present than a perfect photograph, elegantly framed or encased?  Anybody can procure them of

E. P. Senter,  Genesee St.

 C. G. Bartholomew,  Genesee St.

 J. B. Swift,  Genesee St.

1858 December 29.  Auburn Weekly American.  (Auburn, New York.)  December 29, 1858, Vol. IV, No. 48, P. 3.

Our Holiday Directory.  Presents And Where To Get Them….Ambrotypes, & C.

The perfection to which this art has been brought during the last few years, renders its products extremely desirable, as well as very appropriate for presents.  The cost, when taking into account the real worth of a photograph, ambrotype or a daguerreotype, is comparatively trifling.  We advise our friends to “sit” at either Senter’s,  or Bartholomew’s,                                     

1859 January 5.  Auburn Weekly American.  (Auburn, New York.)  January 5, 1859, Vol. IV, No. 49, P. 3.

High Wind—Alarm Of Fire—Accidents and Incidents.—A very severe westerly wind storm rose last evening, and prevailed without abatement until about 10½ o’clock this morning….Bartholomew’s handsome ambrotype and daguerreotype show case was prostrated, breaking the glass, and damaging the pictures considerably…. 

Barnard, George N.

Daguerreotypes, Photographs, , , , , , , , , , , , , , , , ,

1846-1852       Rooms in Woodruff Building, corner First and Cayuga Streets, Oswego, New                            York.

1852-1855       Over City Bank, opposite the Welland House, Oswego, New York.[1]

1857                8 Whiting Block, Syracuse, New York.1

1845 August 20.  The Oswego Palladium.  (Oswego, New York.)  August 20, 1845, Vol. XXVI, No. 1400, New Series—Vol.  I, No. 9, P. 3.

The Oswego Hotel.  Grover S. Wormer, who has kept the Oswego Hotel for the last two years, has formed a copartnership with Mr. George N. Barnard, in the management and conducting of the establishment.  For the public patronage with which the house has ever been sustained while under his direction.  Mr. Warmer would tender his grateful acknowledgments and the subscribers hope by the new arrangement, to so extend their attentions and accommodations as to make their house worthy of a more extensive support.

The Oswego Hotel is favorably located in the immediate neighborhood of the steamboat and packet boat landings, and no efforts will be spared to make the house agreeable and pleasant to those who may make it a stopping place.

A Carriage to convey Passengers, and a Wagon for the conveyance of their baggage, will at all times be in attendance upon the arrival and departure of the Boats free of charge.

Grover S. Wormer, George N. Barnard.

1846 August 4.  The Oswego Palladium.  (Oswego, New York.)  August 4, 1846, Vol. XXVII, No. 1450, New Series—Vol. II, No. 7, P. 2.

Daguerreotype Miniatures.  Mr. Barnard, late of the Oswego Hotel, has taken a room in the Woodruff Building, adjoining our Counting Room, for the purpose of taking Daguerreotype Likenesses of such as may desire them.  Some of his pictures are the clearest and best we have ever seen.  He charges but $1.50, so that all can now afford to have their own and children’s faces taken.  Give him a call.

1847 August 3.  The Oswego Palladium.  (Oswego, New York.)  August 3, 1847, Vol. XXVIII, No. 1501, New Series—Vol. III, No. 7, P. 2.

Daguerreotype Likenesses.  Mr. Barnard respectfully informs the citizens of Oswego and vicinity, that he has again opened his room in the Woodruff Building where he is prepared to take Photographic Miniatures, unsurpassed by any artist in the country.

Persons visiting his room, can have their Miniature taken in this beautiful style, and neatly set in Morocco cases, lockets, Breast Pins, &c., in a few minutes.

The best time for children, is from 9 in the morning to 1 in the afternoon, all others 9 to 5. Oswego, July 30, 1847.                                                                       

Advertisement ran from August 3 to February 20, 1849.

1849 January 18.  The Oswego Palladium.  (Oswego, New York.)  January 18, 1849, Vol. XXIX, No. 1577, New Series—Vol. IV, No. 31, P. 3.

Daguerreotype Likenesses.  Mr. Barnard Respectfully informs the citizens of Oswego and vicinity that he is still engaged in the manufacture of those beautiful productions of Art, which are so much valued and admired by all.  The price is now  so trifling that every person can afford to procure an accurate Likeness of himself and of those he holds dear by the ties of association or of [ ? ] And, as “delays are always dangerous,” the Present [ ? ] best time to obtain such a likeness.

The People are requested to call at “Barnard’s Daguerrean Rooms,” in the third story of the Woodruff Building. And examine specimens.

N. B.  Instructions in the Art carefully given.  A good second-hand Apparatus for sale cheap for cash.

Advertisement ran from January 18 to January 5, 1850.

1849 July 24.  The Oswego Palladium.  (Oswego, New York.)  July 24, 1849, Vol. XXX, No. 1555, Third Series—Vol. IV, No. 6, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from July 24, 1849 to July 31, 1851.

1850 January 12.  The Oswego Palladium.  (Oswego, New York.)  January 12, 1850, Vol. XXXI, No. 1579, Third Series—Vol. I, No. 30, P. 3.

Sky –Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for taking Daguerreotype Pictures, over E. P. Burt’s store.  He has perfected a powerful sky-light, yet so mellow that he is enabled to take the likenesses of children and all others, in a few seconds, with perfect ease to the sitter; retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him, he would call their attention to his new arrangement for producing pictures by the agency of light.  Hours for children from 9 A. M. to 2 P. M.  Likenesses taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instructions carefully given and instrument furnished.

Advertisement ran from January 12 to July 13, 1851.

1851 July19.  The Oswego Palladium.  (Oswego, New York.)  July 19, 1851, Vol. 1, No. 131 P. 2.

A Daguerrian Convention was held at Syracuse on the 13th inst., for the purpose of bringing about a union of thought, action, sentiment, “a uniform standard of prices, and to devise means to elevate the beautiful art in which they are engaged.”  Appropriate resolutions were adopted, and a committee appointed to draft a constitution and by laws for “The New York State Photographic Society,” to be presented at the next meeting to be held at Utica, on the 20th of August next.

We noticed that our friend G. N. Barnard was present and participated in the doings of the Convention.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 1.

Geo. N. Barnard, Daguerrean Artists, Rooms in the 3d story of Woodruff Building, corner of First and Cayuga-streets, West Oswego.

Advertisement ran from August 1, 1851 to March 9, 1852.

1851 August 1.  The Oswego Daily Palladium.  (Oswego, New York.)  August 1, 1851, Vol. I, No. 242, P. 4.

Sky-Light Daguerreotypes.  G. N. Barnard, respectfully informs his friends and the public generally, that he has removed to his new rooms, fitted up expressly for the taking of Daguerreotype Pictures, over E. P. Burt’s store He has a perfected a powerful sky-light, yet so mellow that he is enabled to take the likeness of children and all others, in a few seconds With perfect ease t the sitter retaining a natural expression.

Grateful to his friends and the public for the very liberal patronage hitherto extended to him he would call their attention to his new arrangement for producing pictures by the agency of Light.  Hours for Children from 9 A. M. to 2 P. M.  Likeness taken in Clear or Cloudy Weather, in a style unsurpassed, enclosed in neat Morocco Cases, Lockets, Rings, &c., at various prices.  Likenesses of sick or deceased persons taken.

Painted or Daguerreotype Likenesses copied.  On hand a fine assortment of Gold Lockets and Fancy Cases.  Instruction carefully given; and instruments furnished.

Advertisement ran from August 1, 1851 to March 9, 1852.

1854 January 2.  The Oswego Daily Palladium.  (Oswego, New York.)  January 2, 1854, Vol. III, No. 271, P. 3.

Removal.  Barnard’s Gallery Of Daguerreotypes, Removed to the City Bank Building, opposite the Welland House.  G. N. Barnard would respectfully announce to his friends and the public. that he has opened, as above, an elegant suite of apartments, fitted up expressly for the Daguerrean Business, and provided with everything necessary for the comfort and convenience of his patrons.

Every department of his art has separate and appropriate rooms.  The operating room is so arranged as to prevent visitors from being offended at the fumes of chemicals used.

Possessing a superior Light, and many years experience, he flatters himself that he is enabled to produce as fine pictures as the art is capable of giving.

Daguerreotypes will be copied of the same size, and in most cases equal to the original.

The best time for children, in clear weather, is from 10 A. M. to 2 P. M.  Mr. B. may always be found at his rooms between the hours of 8 and 5, where he trusts to receive a continuance of the patronage so long and liberally bestowed upon him.  A large variety of plain and fancy cases, frames, &c., and a fine assortment of Daguerrean goods for sale.  Jy. 3.

Advertisement ran from January 2 to February 25, 1854.

1855 January 12.  The Oswego Daily Palladium.  (Oswego, New York.)  January 12, 1855, Vol. IV, No. 270, P. 2.

Barnard & Nichols’ Daguerreian Rooms, Over City Bank, opposite the Welland House, Oswego, N. Y.  oct 5.

Advertisement ran from October 5, 1854 to August 7, 1855.

1857 November 7.  New York Daily Tribune.  (New York, New York.)  November 7, 1857, Vol. XVII, No. 5164, P. 6 & 7.

Premiums Awarded at the Twenty ninth Fair of the American Institute…Daguerreotypes, Photographs, Hallotypes, &c.

M. B. Brady, No. 359 Broadway, N. J., for best plain and retouched photographs.

………………………………………………………………………………….Small Gold Medal    

J. Gurney, No. 349 Broadway, N. Y., for plain and retouched Photographs (a Gold Medal having been before awarded)……………………………………………………………………..Diploma

M. M. Lawrence, No. 381 Broadway, N. Y., for the best Daguerreotypes and Miniatures in Oil

…………………………………………………………………………………Large Silver Medal

Meade Brothers, No. 233 Broadway, N. Y., for instantaneous Daguerreotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………………Diploma

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for life-size Photographs in Oil (a Gold Medal having been before awarded)………………………………………………………Diploma

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for the best Crayon Photographs and Hallotypes………………………………………………………………………Large Silver Medal

J. Gurney, No. 349 Broadway, N. Y., for Crayon Photographs and Hallotypes.

……………………………………………………………………………………….Bronze Medal

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Aquerille.

…………………………………………………………………………………Small Silver Medal

C. D. Fredericks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Aquerille.

……………………………………………………………………………………….Bronze Medal

S. C. Holmes, No. 289 Broadway, N. Y., for the best Photographic Views.

…………………………………………………………………………………Small Silver Medal

B. Hafnagel, No. 413 Broadway, N. Y., for photographic Views and copies of Prints.

……………………………………………………………………………………….Bronze Medal

Phillip E. Bogart & Co., No. 58 Pine street, N. Y., for Photographs by the Solar Camera.

…………………………………………………………………………………………….Diploma

G. N. Bernard, Syracuse, N. Y., for Photographs on Wood.

…………………………………………………………….…………………………Bronze Medal

C. C. Harrison, Fifty-third Street, near East River, N. Y., for Photographic Cameras (a Silver Medal having been before awarded………………………………………………………Diploma

Robert A. Werner, No. 25 East Broadway, N. Y., for an ingeniously planned Diaphragm.

……………………………………………………………………………………………..Diploma

A. Beckers, No. 411 Broadway, N. Y., for a Stereoscopic Panorama.

……………………………………………………………………………………………..Diploma

R. Newell & Co., Philadelphia, Pa., for three delicately tinted Portraits.

……………………………………………………………………………………………..Diploma

J. Gurney, No. 349 Broadway, N. Y., for the best Photographs in Pastel.

……………………………………………………………………………………….Bronze Medal

C. D. Fredricks, Nos. 585 and 587 Broadway, N. Y., for Photographs in Pastel.

……………………………………………………………………………………………..Diploma

[1] Craig’s Daguerreian Gallery list Barnard’s address in 1852-1853 as being over City Bank Building, 1857 list Barnard at 8 Whiting Block, Syracuse.

 

John H. Johnson

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

C.1852-1859   349 Broadway, New York, New York.

1859                156 Bowery, New York, New York.

John H. Johnson was recorded in five advertisements, the first in the New York Daily Tribune  (New York, New York) followed by four in The New York Herald (New York, New York).

…Daguerreian Operating Rooms.  These are superintended by Mr. Gurney in person, assisted by Messrs. Hays, and Johnson, all of whom are proficient artists.  Mr. Gurney attends to the delicate coloring and finishing of the Pictures, which have been so successful in carrying off prizes; they will also be found superior in clearness, correctness, and beauty of finish to those of any other establishment…

The second appeared on February 9, 1859.  To Daguerreotypist.—Parties Having a lease of a daguerreotype gallery on Broadway, between Canal and Bleecker street, and wishing to let the same, unfurnished, will apply to J. H. Johnson, 349 Broadway, up stairs.

The third advertisement appeared on October 9, 1859. Draw The Conclusion.–$5,000 Rent For A First class gallery in Broadway; $800 for the same class gallery in the Bowery; go, then, to the Bowery Photographic Palace of Art, 156 Bowery, four doors from Broome street, for your pictures. Photographs $1 and upwards. Daguerreotypes and ambrotypes, 50 cents and upwards. This is the most extensive and best fitted up gallery on Bowery. Gillies & Johnson, proprietors. N. B.–Mr. Johnson has served at Gurney’s gallery as operator for eight years.

The fourth appeared on November 6, 1859.  Holyday Gifts.—Go To The Bowery Photographic Palace of Art, 156 Bowery, for your pictures, Photographs, Daguerreotypes and Ambrotypes at 50 cents [and] upwards.  This is the largest and best fitted up gallery on the Bowery.  Gillies & Johnson.  N. B.—Mr. Johnson has served at Gurney’s gallery as operator for eight years.

The fifth advertisement appeared on November 16, 1859.  Holiday Gifts.—Get Your Pictures Taken At 156 Bowery.—Photographs, Daguerreotypes and Ambrotypes at 50 cents and upwards.  Gillies & Johnson.  N. B.—Mr. Johnson has served at Gurney’s gallery as operator for eight years.

John H. Johnson was recorded in Craig’s Daguerreian Registry as being active in 1860 at 156 Bowery in the partnership of Johnson & Bjerg.

A. T. Goodell

Daguerreotypes, , , , , , , , , , , ,

ND                  251 Broadway, New York, New York.

1845                Corner Thames & Mary Streets, Newport, Rhode Island.

ND-1849         North William and Chatham Streets, New York, New York.

1853-1854       Corner of J and Third, Streets, Sacramento, California.[1]

A. T. Goodell was recorded in one advertisement in the Herald of the Times (Newport, Rhode) and one article in the St. Louis and Canadian Photographer (St, Louis, Missouri).  The advertisement that ran from May 29 to July 31, 1845.  Daguerreotype Rooms.  A, T. Goodell, Late of Plumbe’s, Broadway , New York, Would respectfully inform the Ladies and Gentlemen of Newport and vicinity, that he has engaged Rooms at the corner of Thames & Mary streets, for the purpose of taking pictures by the Daguerreotype process, where may be had miniatures, single or in groups, which for beauty of color, tone and effect, can be at all ties commend themselves; and if not superior, are equal to any that have been heretofore taken, upon as favorable terms at least.  They are also inserted in breast pins, lockets, &c., at various prices.

Painted or Daguerreotype Likenesses accurately copied.

The ladies and Gentlemen of Newport are respectfully invited to call and examine his specimens, if they intend sitting or not.

Taken in clear or cloudy weather.

Instructions carefully given—terms moderate.

The article appeared in the St. Louis and Canadian Photographer (St. Louis, Missouri) on March 1896, P. 114.  Our First Photographers

In reading of the recent death of the veteran photographer, M. B. Brady, in which it was claimed he was the father of photography in this country, I feel it is only justice to correct some of the statements, so I consulted Dr. A. T. Goodell, who began his career as a photographer in 1843 in this city, and obtained some facts which may interest your numerous readers.

In the year 1840‑41, a short time after Daguerre had invented the process of taking pictures bearing his name‑‑the daguerreotype‑‑John Plumbe, Jr., William H. Butler, S. Draper, James R. Chilton, and Samuel F. B. Morse, the inventor of telegraphy, opened a place at 7 Bowery to experiment in taking pictures by the Daguerre process.  They used only a side light.  It occurred to John Plumbe, Jr., that a skylight would bring about better results, and he leased the upper floors of 251 Broadway, corner of Murray street, where the Postal Telegraph building now stands, and opened Plumbe’s National Gallery, employing twelve operators and Mrs. Thomas, an artist, taking 400‑500 pictures a day at from $3 to $8 each.  At that time M. B. Brady was manufacturing daguerreotype cases at 187 Broadway.

Plumbe’s phenomenal success with the top light led many others to embark in the business, among which were Anthony, Edward & Clark, 247 Broadway, J. Gurney, 189 Broadway, and A. Bogardus, 217 Greenwich street.  J.M. Scoville started in the manufacturing of stock for galleries, and Brady still made cases, but in about 1845 or 1846 he opened a gallery at his factory, 187 Broadway.

Thus it appears that Plumbe was the first photographer in this country.

He opened galleries in all the principal cities in the United States, in London, and Paris, and made a fortune.  Dr. Goodell, who was Plumbe’s head operator, opened his own place at North William and Chatham streets, selling it out to go to California in 1849, around Cape Horn, and when he became stranded, after various ups and downs, his training with Plumbe enabled him to take charge of R. H. Vance’s gallery in Sacramento, the price for one daguerreotype being a half ounce of gold dust, worth about $8.  From the old Daguerre process, so successfully improved and enlarged by Plumbe and his operators, all of whom became prominent, grew the albumen process on glass, the collodion process, then dry plates, and so on.

Plumbe opened two galleries in Washington, one of which was in the Capitol building, and took the pictures of all the prominent men of the day.  [W. M. Chapman, in N. Y. Sun.

A. T. Goodell is recorded in other photographic directories, but the information above helps to clarify his early years.  Goodell is not listed in the New York City Directories between 1839/1840 to 1849/1850.   

[1] Pioneer Photographers Of The Far West A Biographical Dictionary, 1840-1865.

Gillies & Johnson

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1859                156 Bowery, New York, New York.

Gillies & Johnson (Gillies & John H. Johnson) were recorded in three advertisements in The New York Herald (New York, New York).  The first advertisement appeared on October 9, 1859.  Draw The Conclusion.–$5,000 Rent For A First class gallery in Broadway; $800 for the same class gallery in the Bowery; go, then, to the Bowery Photographic Palace of Art, 156 Bowery, four doors from Broome street, for your pictures.  Photographs $1 and upwards.  Daguerreotypes and ambrotypes, 50 cents and upwards.  This is the most extensive and best fitted up gallery on Bowery.  Gillies & Johnson, proprietors.  N. B.—Mr. Johnson has served at Gurney’s gallery as operator for eight years.

The second advertisement appeared on November 6, 1859. Holyday Gifts.–Go to The Bowery Photographic Palace of Art, 156 Bowery, for your pictures, Photographs, Daguerreotypes and Ambrotypes at 50 cents (and) upwards. This is the largest and best fitted up gallery on the Bowery. Gillies & Johnson. N. B.–Mr. Johnson has served at Gurney’s gallery as operator for eight years.

The third advertisement appeared on November 16, 1859.  Holiday Gifts.—Get Your Pictures Taken At 156 Bowery.—Photographs, Daguerreotypes and Ambrotypes at 50 cents and upwards.  Gillies & Johnson.  N. B.—Mr. Johnson has served at Gurney’s gallery as operator for eight years.

Gillies is not recorded in other photographic directories, nor is the partnership of Gillies & Johnson.  John H. Johnson is recorded in Craig’s Daguerreian Registry as being active in New York City in 1860 at 156 Bowery address.  What is possibly new information is that Johnson worked for Gurney since ca. 1851.

Samuel Raymond Fanshaw

Daguerreotypes, Portrait Painter, , , , , , , , , ,

1843                235 Broadway, New York New York.

1850                247 Broadway, New York, New York.

Samuel Raymond Fanshaw was recorded in eight advertisements and two announcements, in the New York Herald and New York Tribune.  He was an miniature painter & artist according to the New York City Directory, and a miniature & portrait painter according to an entry in The New York Historical Society’s Dictionary of Artists in America 1564-1860. The advertisements and announcements show him in the partnerships of Fanshaw, Young & Cunningham; Fanshaw & Hite and Hite, Langenheim & Fanshaw.  The city directories only list him as an artist and not in a partnership.

The first advertisement ran every other day from May 25 to 29, and every day from June 4 to 6, 1843 in The New York Herald.  Miniature Portraits copied from Daguerreotypes in natural colors on ivory, with perfect accuracy, or with any desired alteration or improvement on very moderate terms.  Specimens to be seen in the Daguerreotype Room, No. 1, at 235 Broadway, near park place.

The first announcement appeared on September 19,1843 in the New York Daily Tribune.  Fair at the American Museum.—The problem of opening a new and spacious Saloon at the American Museum, as a Perpetual Fair or Bazaar for the Exhibition and Sale of Goods, Wares, Merchandize, &c has proved highly successful.  It is now one of the most attractive Halls in the Establishment, and is undoubtedly the cheapest Advertising Medium in the world.  The name, location and business of all depositors are advertised in 100,000 small bills per annum—also in the principal city papers.  The following persons have already made deposits in this Fair, and as nearly all the articles are For Sale, Merchants and others will find it to their interest to make their purchases through this medium.  It is obvious that no articles but those of the best quality are deposited here.  Persons desirous of depositing specimens of Goods or Cards of Business in the perpetual Fair, can do so on reasonable terms.  Circulars of prices, & c. can be obtained at the Office of the Museum.

Daguerreotype Miniatures…..N. G. Burgess, 192 Broadway

Daguerreotype Miniatures…..J. Gurney, 189 Broadway

Daguerreotype Miniatures…..J. Plumbe, Jr., 251 Broadway

Daguerreotype Miniatures…..Fanshaw, Young & Cunningham, 235 Broadway

The second announcement appeared on June 18, 1850 in the New York Herald.  Fine Arts.—Samuel R. Fanshaw & George H. Hite, miniature and portrait painters, have associated with W. & F. Langenheim, the celebrated Daguerreotype and Talbotype artist of Philadelphia, and purchased the splendid National Miniature Gallery, established by Edwards, Anthony & Clark, 247 Broadway, corner Murray street, where they will superintend the sittings for Daguerreotypes.  Their Talbotype miniatures and portraits, which are taken upon ivory, ivory-paper, etc., may be seen in the above gallery.  There is but one prevailing opinion, that they possess all the truthfulness of a good Daguerreotype, with all the artistic merit that has characterized the former highly finished miniatures of those artists.  For further evidence; please call and see them.

The second advertisement ran from June 27 to 28, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The third advertisement ran from July 3 to 6, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The fourth advertisement appeared on July 10, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The fifth advertisement ran from July 14 to 17, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The sixth advertisement ran on July 16 & 20, 1850 in the New York Daily Tribune.  Fine Arts—Talbotypes, or Portraits on Ivory, Ivory Paper and Glass, and Daguerreotypes, are daily taken by the subscribers in a superior style, and in any size required up to the size of life.  The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.                                                        

The seventh advertisement ran on July 18 to 19, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper and glass, and daguerreotypes are daily taken by the subscribers, in a superior style, and in any size required up to the size of life. The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.

The eighth advertisement appeared on August 29, 1850 in the New York Daily Tribune.  To Artists.—An artists who understands Miniature Portrait Painting in oil and water colors, and who can give proof of his talents, can find employment at the National Miniature Gallery, No. 247 Broadway.  None but competent persons need apply.  Hite, Langenheim & Fanshaw.                                                                                  

Samuel R. Fanshaw is recorded in the New York City Directories.

1840/1841 & 1841/1842—Miniature painter, 1 Cortlandt, H- 280 Henry.

1842/1843 to 1844/1845—Artist, 1 Cortlandt, H-249 Seventh.

1845/1846—Artist, 1 Cortlandt, H-[ ? ] Ave C & 11th.

1846/1847-1847/1848—Artist, 25 Maiden Lane & 1 Cortlandt, H-249 Seventh.

1848/1849—Artist, 1 Cortlandt, H-249 Seventh.

1849/1850—Artist, 1 Cortlandt, H-Winchester.

1850/1851—Artist, 247 Broadway, B-Winchester.

1851/1852 to 1855/1856—Artist, 363 Broadway, H-Conn. (1854/1855) Norwalk.

1856/1857 & 1857/1858—Painter, 363 Broadway, H-Conn.

1858/1859—Not listed.

1859/1860—Artist, 381 Broadway, H-Hamilton Ave., near Gates Ave., Brooklyn.

Samuel R. Fanshaw is recorded in Craig’s Daguerreian Registry, but is misidentified as Thomas Fanshaw.  From 1851 to 1857 the 363 Address is the same as Samuel Root’s it is possible that Fanshaw is working for Root.  At this time it is only speculation about the connection.  

George Penabert

Photographs, , , ,

1856-1857       168 Chestnut Street, Philadelphia, Pennsylvania.[1]                                            1856-1857       585 Broadway, New York, New York.                                                                                1857                   587 Broadway, New York, New York.

George Penabert is recorded in one article and six advertisements.  The article appeared on April 1, 1856 in the Photographic and fine Arts Journal (New York, New York).  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.  Fredericks, Penabert & Germon, Chestnut St.—The distinguishing feature of this gallery is its oil colored photographs, which are only equaled by some I have seen in Brady’s gallery New York. The positive photographs show much artistic skill, and are notable for great depth of tone, softness of contour, and for even balance of light and shade. The rooms are very prettily furnished, and their appearance very effective.

The first advertisement appeared on August 26 1856 in the New York Daily Tribune (New York, New York).   The Copartnership heretofore existing between Messrs. Gurney & Fredericks having been dissolved by mutual consent.  Mr. Charles D. Fredericks would respectfully announce to his former patrons and friends that he has removed the Photographic department, of which he was the introducer in this country, to his new, large and elegant rooms, at No. 585 Broadway, opposite the Metropolitan Hotel.  The several European artists, which Mr. Fredericks introduced from his Parisian establishment, will continue to assist him in the various styles of coloring, viz: Oil, Paste and Water.  Those who have examined their productions acknowledge them to be superior to those of any other artist in this country.  The advantage which the undersigned has by his connection with his Paris establishment, will enable him to introduce immediately upon their discovery in France the various improvements in the Photographic, Daguerreotype, and Ambrotype branches of the art.  The Daguerreian Department will be under the supervision of an accomplished and scientific operator.  The rooms are more spacious, and elegantly arranged than any in New York, and the reception room being situated on the first floor, obviates the necessity of ascending to lofty flights.  In conclusion the proprietor pledges himself to produce pictures which, for clearness delicacy of touch and harmony in coloring shall suit every taste.  These pictures will be of every style and size, and he trusts that those who so long and kindly have extended to him their patronage, will continue to support his endeavors to maintain art in its most refined state.

Charles D. Fredericks, No. 585 Broadway.                                                                                                      Fredericks, Penabert & German, Philadelphia.                                                                                           Fredericks, Penabert & Leblanc, Paris.

The second advertisement appeared on December 11, 1856 in the New York Daily Tribune (New York, New York).  Photographs.—Penabert of Paris, Photographist; finished in oil, aquarelle and pastel, by the talented and inimitable corps of Parisian artists introduced to this country by C. D. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel.

The third advertisement appeared on December 12, 1856 in The New York Herald (New York, New York).  Photographs.—Penabert of Paris, Photographist; finished in oil, aquarelle and pastel, by the talented and inimitable corps of Parisian artists introduced to this country by C. D. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel.

The fourth advertisement ran on December 23 & 26, 1856 in the New York Daily Tribune (New York, New York).  Ambrotypes and Melainotypes.—The most beautiful specimens produced in this city are by E. L. Walker (formerly of Brady’s Gallery), now at the magnificent Gallery of C. D. Fredericks, Photographist, No. 585 Broadway, opposite Metropolitan Hotel.

Photographs.—Penabert of Paris, Photographist.  Finished in oil, aquarelle, and pastel, by the talented and inimitable corps of Parisian artists, introduced to this country by C. D. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel.

Presents For The Holidays.—There is nothing so acceptable for a Holiday present as a beautiful Photograph, Daguerreotype, or Ambrotype, which should be secured as early as possible at Fredericks Magnificent Gallery, No. 585 Broadway, opposite the Metropolitan Hotel.

The fifth advertisement appeared on October 17, 1857 in the New York Daily Tribune (New York, New York) .  Card.—Mr. George Penabert, having returned from Paris would be happy to see his friends at Fredricks’s Photographic Temple of Art, 585 and 587 Broadway.

The sixth advertisement appeared on October 17, 1857 in The New York Herald (New York, New York).  Card.—Mr. George Penabert, having returned from Paris, would be happy to see his friends at Fredricks’s Photographic Temple of Art, 585 and 587 Broadway.

George Penabert is recorded in other photographic directories.  Craig’s Daguerreian Registry and Directory Of Pennsylvania Photographers 1839-1900 list him as Penabert.

[1] Not all first names or complete addresses were recorded in article.  Directory Of Pennsylvania Photographers 1839-1900 was used to assist in identification when possible first name and address were added.