Tag Archives: Artist

Boisseau, Alfred

Ambrotypes, Daguerreotypes, Landscape Painter, Photographs, Portrait Painter, , , , , , , , , , ,

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Alfred Boisseau (1823–1901) was an American/Canadian artist who was born in Paris, France. He was known as a painter and photographer, who specialized in paintings of North American Natives and the West.

As a young man in his 20s, Boisseau immigrated to the United States, settling first in New Orleans, where his brother was working for the French consul. Except for a brief visit to Paris, he lived and worked in North America for the rest of his life. From 1848 Boisseau lived and worked in New York City and later in Cleveland. In 1860 he moved to Montreal and later to Manitoba, Canada in the western part of the country.

Biography

Alfred Boisseau was born in Paris, France. He had an older brother who later served in government and the diplomatic corps. Becoming interested in art, Boisseau studied under Paul Delaroche, a fashionable Paris artist whose style combined neo-classicism and romanticism.

In his early 20s, Boisseau moved to New Orleans, Louisiana, living there from 1845 to 1847, while his brother served as secretary to the French consul. Boisseau painted his first works on Native American themes – mostly of members of the Choctaw nation who were historically based in Louisiana and Mississippi. He returned to Paris, where his painting Louisiana Indians Walking Along a Bayou (1847), now in the permanent collection of the New Orleans Museum of Art, was exhibited at the Paris Salon of 1848. After that Boisseau sailed back to the United States, settling in New York City. There he taught art from 1849 to 1852.[1]

By 1852 Boisseau was working as a daguerreotypist in Cleveland, Ohio. He also advertised as a portrait and landscape painter, art teacher and art dealer.

In 1860 he moved to Canada, where he opened a succession of three photographic studios in Montreal. While working as secretary and bibliographer to the Institut canadien de Montréal, he completed several paintings.[2]

Near the end of his life, he moved to western Canada, where he opened a studio in Brandon, Manitoba. There he produced paintings of Plains Indian natives. He returned to the United States and died in Buffalo, New York in 1901 where he is interred.

[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.

Blanchard, Mrs. Eliza H.

Daguerreotypes, Portrait Painter, , ,

1844                23 Westminster Street, Providence, Rhode Island.

1844.  The Providence Almanac and Business Directory.  (Providence, Rhode Island.)  1844-1845, Business Directory—Providence—Daguerreotypes.

Blanchard, Mrs. E. H., Miniature Painter…23 Westminster St.

1843-1849.  The New York Historical Society’s Dictionary Of Artists In America 1564-1860.

Blanchard, Mrs. Eliza H.  Portrait and Miniature Painter, Providence, R. I. 1843-1849. 

Allen, Oscar C.

Daguerreotypes, ,

1859-1860       Bailey’s Block, Claremont, New Hampshire.

1860 April 12.  National Eagle.  (Claremont, New Hampshire.)  April 12, 1860, Vol. XXVI, No. 27, P. 1.

Notice.  Oscar C. Allen Is now prepared to furnish Ambrotypes and Pictures Of all kinds, and may be found in Bailey’s Block, over the Eagle Office.  The public are respectfully invited to call and examine specimens.  Claremont, Sept. 6, 1859.

Mr. Schwert

Colorist, , ,

N. D.               Address Unknown, Cleveland, Ohio.

1859                Address Unknown, Ashland, Ohio.

Mr. Schwert was recorded in two announcements in The Ashland Union (Ashland, Ashland County, Ohio). The second announcement does not mention him by name but gives credit to the photographer.  The first announcement appeared on October 15, 1859.

Photographs.—Mr. Ensminger had on exhibition at the county Fair as fine a collection of colored Photographs as can be found in any gallery in any city East or West.  The coloring of these Photographs was executed by Mr. Schwert, late of Cleveland.  Mr. S. will remain in Ashland two or three weeks, and all who desire to obtain for themselves or friends life-like Pictures, should avail themselves of the rare opportunity now offered.  A visit to Mr. Ensminger’s gallery will compensate all who appreciate good pictures.

The second announcement appeared on October 26, 1859.  Premiums Awarded at the Eighth Annual Fair of the Ashland County Agricultural Society…

Best painted photographs, E. Ensminger, diploma and 5, 00.

Mr. Schwert is not recorded in other photographic directories. 

Mrs. E. E. Lamson

Colorist, , ,

1859                91 Middle Street, Portland, Maine.

Mrs. E. E. Lamson appeared in one advertisement that was recorded on July 16, 1859 in the  Portland Daily Advertiser (Portland, Maine).  Mrs. E. E. Lamson, Artist, From Boston, Would respectfully inform the citizens of Portland and vicinity, that having had several years’ experience in the art of Finishing Photographs in India Ink, Oil and Water-Colors.

Would say to all lovers of art, that she would be happy to receive a share of their patronage, and those desiring instruction in the same, would do well to give her an early call at B. F. Smith’s Rooms, Middle Street, where Specimens can be seen.

Likenesses warranted to be kept unchanged. 

Mrs. E. E. Lamson is not recorded in other photographic directories.  Side note only one issue of this newspaper was available for 1859.

Peter Kohlbeck

Ambrotypes, Portrait Painter, , ,

1856-1858       229 Bowery.

New York City Directories

1855/1856—Painter—h-118 St. Mark’s Place.

1856/1857–Not Listed.

1857/1858—Ambrotypist—h-229 Bowery.

1858/1859—Ambrotypist, 229 Bowery.

1859/1860—Portraits, 229 Bowery.

1860/1861—Artist, 229 Bowery.

Peter Kohlbeck was recorded in one announcement and one entry in The New York Historical Society’s Dictionary Of Artist In America 1564-1860.  The announcementappeared on November 4, 1856 in the New York Tribune (New York, New York).  Fire In The Bowery.  Yesterday morning about 4 o’clock a fire broke out in the rear part of the second story of building No. 229 Bowery, known as the German American Hall, and before the fireman could subdue the flames the upper stories with most of their contents were destroyed.  The Fire extended to a carpenter shop in the rear, occupied by James M. Duff.  The basement of the front building was occupied by Otto Strum as a large beer saloon; first and second floors by Ernst Hanbold as a large-beer saloon and concert room; third floor by Peter Kohlbeck, daguerreotypist.  Loss of Mr. Duff, $[100]; no insurance.  Loss of Mr. Hanbold, $2,000; insured for $2,000 in the Pacific Insurance Company.  Loss of Mr. Kohlbeck, $400; insured for $1,000 in the Rutgers Insurance Company…  The fire is supposed to have been the work of design, as a man was seen to come out of the building and lock the door shortly before the fire was discovered.  The matter will be investigated by the Fire Marshal.

The entry appeared in The New York Historical Society’s Dictionary Of Artist In America 1564-1860.  Kohlbeck, Peter.  Portrait painter on NYC.  He was painting portraits in the latter half of the 1850’s, then turned to taking ambrotypes and photographs.  he was active until 1878.   nybd 1856-61; NYCD 1860-78.

Peter Kohlbeck is recorded in Craig’s Daguerreian Registry as being active 1858-1859.

Samuel Raymond Fanshaw

Daguerreotypes, Portrait Painter, , , , , , , , , ,

1843                235 Broadway, New York New York.

1850                247 Broadway, New York, New York.

Samuel Raymond Fanshaw was recorded in eight advertisements and two announcements, in the New York Herald and New York Tribune.  He was an miniature painter & artist according to the New York City Directory, and a miniature & portrait painter according to an entry in The New York Historical Society’s Dictionary of Artists in America 1564-1860. The advertisements and announcements show him in the partnerships of Fanshaw, Young & Cunningham; Fanshaw & Hite and Hite, Langenheim & Fanshaw.  The city directories only list him as an artist and not in a partnership.

The first advertisement ran every other day from May 25 to 29, and every day from June 4 to 6, 1843 in The New York Herald.  Miniature Portraits copied from Daguerreotypes in natural colors on ivory, with perfect accuracy, or with any desired alteration or improvement on very moderate terms.  Specimens to be seen in the Daguerreotype Room, No. 1, at 235 Broadway, near park place.

The first announcement appeared on September 19,1843 in the New York Daily Tribune.  Fair at the American Museum.—The problem of opening a new and spacious Saloon at the American Museum, as a Perpetual Fair or Bazaar for the Exhibition and Sale of Goods, Wares, Merchandize, &c has proved highly successful.  It is now one of the most attractive Halls in the Establishment, and is undoubtedly the cheapest Advertising Medium in the world.  The name, location and business of all depositors are advertised in 100,000 small bills per annum—also in the principal city papers.  The following persons have already made deposits in this Fair, and as nearly all the articles are For Sale, Merchants and others will find it to their interest to make their purchases through this medium.  It is obvious that no articles but those of the best quality are deposited here.  Persons desirous of depositing specimens of Goods or Cards of Business in the perpetual Fair, can do so on reasonable terms.  Circulars of prices, & c. can be obtained at the Office of the Museum.

Daguerreotype Miniatures…..N. G. Burgess, 192 Broadway

Daguerreotype Miniatures…..J. Gurney, 189 Broadway

Daguerreotype Miniatures…..J. Plumbe, Jr., 251 Broadway

Daguerreotype Miniatures…..Fanshaw, Young & Cunningham, 235 Broadway

The second announcement appeared on June 18, 1850 in the New York Herald.  Fine Arts.—Samuel R. Fanshaw & George H. Hite, miniature and portrait painters, have associated with W. & F. Langenheim, the celebrated Daguerreotype and Talbotype artist of Philadelphia, and purchased the splendid National Miniature Gallery, established by Edwards, Anthony & Clark, 247 Broadway, corner Murray street, where they will superintend the sittings for Daguerreotypes.  Their Talbotype miniatures and portraits, which are taken upon ivory, ivory-paper, etc., may be seen in the above gallery.  There is but one prevailing opinion, that they possess all the truthfulness of a good Daguerreotype, with all the artistic merit that has characterized the former highly finished miniatures of those artists.  For further evidence; please call and see them.

The second advertisement ran from June 27 to 28, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The third advertisement ran from July 3 to 6, 1850 in the New York Herald.  Fine Arts.—Talbotypes and Daguerreotypes.—The subscribers having purchased the National Miniature Gallery, 247 Broadway, (late E. White’s) are prepared to take Talbotype Portraits of all sizes, up to the size of life.  The fidelity of likeness, and the beautiful finish of these pictures, gain them greater popularity every day.  Daguerreotypes taken in the most approved style.  The public are respectfully invited to examine specimens at our establishment, 247 Broadway.  Hite, Langenheim & Fanshaw.

The fourth advertisement appeared on July 10, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The fifth advertisement ran from July 14 to 17, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper, are daily taken in a superior style, and in any size required up to the size of life, at the National Miniature Gallery.  Daguerreotypes taken in the most artistical style.  The public are invited to examine specimens at 247 Broadway.  Hite, Langenheim & Fanshaw.

The sixth advertisement ran on July 16 & 20, 1850 in the New York Daily Tribune.  Fine Arts—Talbotypes, or Portraits on Ivory, Ivory Paper and Glass, and Daguerreotypes, are daily taken by the subscribers in a superior style, and in any size required up to the size of life.  The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.                                                        

The seventh advertisement ran on July 18 to 19, 1850 in the New York Herald.  Fine Arts.—Talbotypes, or Portraits on Ivory and ivory paper and glass, and daguerreotypes are daily taken by the subscribers, in a superior style, and in any size required up to the size of life. The public are respectfully invited to examine specimens at the National Miniature Gallery, 247 Broadway.  Hite, Langenheim & Fanshaw.

The eighth advertisement appeared on August 29, 1850 in the New York Daily Tribune.  To Artists.—An artists who understands Miniature Portrait Painting in oil and water colors, and who can give proof of his talents, can find employment at the National Miniature Gallery, No. 247 Broadway.  None but competent persons need apply.  Hite, Langenheim & Fanshaw.                                                                                  

Samuel R. Fanshaw is recorded in the New York City Directories.

1840/1841 & 1841/1842—Miniature painter, 1 Cortlandt, H- 280 Henry.

1842/1843 to 1844/1845—Artist, 1 Cortlandt, H-249 Seventh.

1845/1846—Artist, 1 Cortlandt, H-[ ? ] Ave C & 11th.

1846/1847-1847/1848—Artist, 25 Maiden Lane & 1 Cortlandt, H-249 Seventh.

1848/1849—Artist, 1 Cortlandt, H-249 Seventh.

1849/1850—Artist, 1 Cortlandt, H-Winchester.

1850/1851—Artist, 247 Broadway, B-Winchester.

1851/1852 to 1855/1856—Artist, 363 Broadway, H-Conn. (1854/1855) Norwalk.

1856/1857 & 1857/1858—Painter, 363 Broadway, H-Conn.

1858/1859—Not listed.

1859/1860—Artist, 381 Broadway, H-Hamilton Ave., near Gates Ave., Brooklyn.

Samuel R. Fanshaw is recorded in Craig’s Daguerreian Registry, but is misidentified as Thomas Fanshaw.  From 1851 to 1857 the 363 Address is the same as Samuel Root’s it is possible that Fanshaw is working for Root.  At this time it is only speculation about the connection.  

John Wood Dodge

Daguerreotypes, Portrait Painter, , , , , , , , ,

1855                Address Unknown, St. Louis, Missouri

1855-1857       Rooms over Hicks’ China Hall, Nashville, Tennessee.

1858                Address Unknown, Nashville, Tennessee.

John Wood Dodge, miniature portrait painter, daguerreotypist & farmer.  In the partnership of Dodge & Wenderoth and J. W. & E. S. Dodge was recorded in one announcement in The Daily Nashville True Whig and in eleven announcements and two advertisements in the Nashville Union and American.  The announcement in The Daily Nashville True Whig (Nashville, Tennessee) appeared on September 29, 1855.  Photographic Miniature Portraits.—Art has achieved a signal triumph in the Introduction of crystalotype likenesses.  In the hands of competent artists, Photography is destined to supersede miniature painting on ivory altogether.  The process is simple and sure.  The likeness is first daguerreotyped on glass, and then transferred to a very fine paper, prepared especially for the purpose.  They are then colored to the life.  The likenesses thus taken has all the accuracy of a daguerreotype, and all the beauty and finish of a painting.  They are much larger than the ordinary miniature, and can be furnished at about one-fourth the cost of the latter.  We noticed that our old friend, J. W. Dodge, formerly of this city, and whose skill as a miniature painter is well known here, has been for some taking likenesses upon this plan.  He is associated with Mr. Augustus Wenderoth, one of the finest artist in the Country.  We have before us a highly complimentary notice of their pictures from the St. Louis Republican.

We are pleased to learn that Messrs. Dodge & Wenderoth will be in this city early October, and will open rooms for a short stay.—With the high reputation which Mr. D. enjoys here, and the acknowledge talent of his associate, there can be no doubt that they will find a lucrative patronage ready for them.

The first announcement in the Nashville Union and American (Nashville, Tennessee) appeared on December 23, 1855.  The Fine Arts—Photographic Miniature Portraits.—We take pleasure in calling the attention of our readers to the card of Messrs. Dodge & Wenderoth in this morning’s paper.  Mr. Dodge is well known in this community as an artist who has no superior in this country in his peculiar department—miniatures on Ivory.  Hundreds of his pictures are in the possession of persons in Nashville alone—and whoever has the likeness of a valued friend from his pencil has a “thing of beauty” which will certainly be “a joy forever.”  Mr. D. has associated with him Mr. Wenderoth, an artist of the highest accomplishment, as an examination of some of his specimens will abundantly satisfy anyone.  Together they will not only furnish our citizens with those inimitable miniatures on ivory—celebrated wherever known—but what will prove, we believe, even more acceptable, are to furnish Photographic Miniature Portraits—a style of picture which is destined to a very great extent to supersede all others.  They present at once the faithfulness and accuracy of the daguerreotype, together with the beauty, finish, naturalness and ease of an oil painting—which they in reality are, more than any thing else.  The photographic process transfers to paper the form and feature with unmistakable accuracy in the minutest particulars, while the delicate touch of the artist’s pencil—a pencil already famous even without this aid—brings out in bold and striking relief a counterfeit presentment of the subject, perfect almost beyond credulity.—This photographic process enables the artist to enlarge the size of their pictures, and to prepare them with less labor, as well as more accuracy, and consequently at a reduced cost.  We advise those of our readers who are fond of the beautiful in art, after giving the card of Messrs. Dodge & Wenderoth a reading, to call and examine some of their specimens, of which they have a few.  We can guarantee to the most matter-of-fact individual that he will find something in them to excite emotions of pleasure, and that he will at once resolve to have himself or some friend “done up” in their inimitable style.

The first advertisement ran from December 23, 1855 to March 26, 1856.  To The Public.  A Card.  The undersigned would respectfully announce to his friends and the citizens of Nashville and vicinity, that he has returned to the city for the purpose of pursuing his profession, and that he has associated with him the talented Artist, Mr. F. Augustus Wenderoth, and he feels assured, from their success in another State, that their efforts in their profession cannot fail to be received with favor by the lovers of Art in Tennessee.  Nashville, Dec. 23d, 1855.  John W. Dodge.

The Fine Arts—Photographic Miniature Portraits.  Messrs. Dodge & Wenderoth would make known to the citizens generally, that they have taken Rooms over “Hicks’ China Hall,” North side of the Public Square, and are now prepared to execute (in addition to Miniatures on Ivory) the new Photographic Miniature Portraits.  These pictures are from Locket to Cabinet size, forming handsome ornaments for the Palor.  They possess the faithfulness of the mirror with the expression and coloring of life, and are Perfectly Permanent.

Painted Photographic copies of various sizes, taken of Daguerreotypes, when accompanied with a description of the complexion, color of the eyes, hair, dress, &c.  Specimens of the different styles, painted and plain, can be examine at their Studio.  dec.28.

The second announcement appeared on February 15, 1856.  Photographs Of The Legislature.—Messrs. Dodge & Wenderoth, the distinguished artists, will take a Photographic view of the interior of the House of Representatives, with the members (and we presume their lady friends in the gallery,) this morning at 10 o’clock, if the day proves a favorable one.  If the day should be unfavorable, the picture will be taken on the first bright day following, at the same hour.  The interior of the Senate chamber will be taken on the day after that of the House, at the same hour, if the weather is fair.

The third announcement appeared on February 16, 1856.  Interior View Of The Hall.  Mr. Parks submitted a resolution which had just been put into his hands, inviting Messrs. Dodge & Wenderoth, Photographic Artists, (conformably to their application,) to take a Photographic Miniature of the House of Representatives at any time it may suit their convenience, and requesting the Door-keepers to extend to them the necessary freedom of the Hall and facilities for that object: and he moved that the rule be suspended for its consideration.

And, accordingly, the rule was suspended, and the resolution was adopted….The Speaker read to the House a communication from Dodge, the Photographic Artists, stating that he would be prepared to take his interior view of the Hall to morrow (Friday) morning at 10 o’clock, if it should be a fair day; and, if not, on the first fair day following, at the same hour….

The fourth announcement appeared on May 16, 1856.  Photographic Miniature Portraits.  The studio of our friends, Messrs. Dodge & Wenderoth, over Hicks’ China Hall, north side of the square, has become the very general resort of that large class of our citizens of both sexes so justly celebrated for their high appreciation and liberal patronage of every thing truly excellent in the fine arts.  The reputation of Nr, Dodge alone as a miniature painter on ivory, in this city, where he has been so long and so favorably known, is of itself sufficient to attract all connoisseurs.  But there are other no less important features connected with his studio.  The introduction of the new style of pictures, known as Photographic Miniature Portraits, proves a most successful card.  These pictures, when painted, possess all the beauty of the ivory miniature, and, in addition, all the accurateness of outline and feature of the daguerreotype.  Besides they have the advantage in point of size, and are less expense in proportion.  Mr. Wenderoth is himself one of the most accomplished miniature painters in the country, as the specimens of his workmanship abundantly prove.  In the art of Photographing he is entirely au fait, and with his superior apparatus can exhibit pictures equal, if not superior, to any ever taken in this or any other country.

Mr. Dodge has recently returned from a visit to his family in the mountains, and is prepared, in connection with Mr. W., to attend to all orders.  Photographic Miniature Portraits can be readily taken from Daguerreotypes or Portraits.  We recommend those who wish to see something really superior to visit the studio of Dodge & Wenderoth.

The fifth announcement appeared on August 2, 1856.  Bank of Tennessee—Counter Notice.—We saw yesterday some specimens, of a new issue of the Bank of Tennessee, of the denomination of ten dollars, issued in lieu of their red brick tens, which have been withdrawn.  These notes are payable at the counter of the Bank here, and are being put in circulation in this city.  As specimens of Bank note engraving, they are equal, if not superior to any thing we have ever seen.  The face of the bill in on a yellow ground, and presents fine miniatures of Jackson, Polk, and Hon. Cave Johnson, President—the first two taken from J. W. Dodge’s Ivory Miniatures, and the latter from a Photographic Miniature by Dodge & Wenderoth….

The sixth announcement appeared on October 18, 1856.  State Fair.  Premiums….Report.  Agricultural And Miscellaneous…Display of Apples.

J. W. Dodge, Cumberland county, prem.  Pronounced the finest ever seen by all.

The seventh announcement appeared on October 22, 1856.  Sale of Fine Fruit.—Mr. Dodge premium apples will be sold at auction, at Odd Fellows’ Hall to-night at 8 o’clock.  Those, therefore, who desire a dish of that delicious fruit, will, of course, attend.

The eighth announcement appeared on November 15, 1856.  Cumberland Mountain—Fine Fruit And Vegetables. 

The extraordinary agricultural resources of the extensive table land of the Cumberland mountains are attracting considerable attention of late…

We are led to these remarks by the very gratifying circumstance of receiving from the hands of our clever artist friend, J. W. Dodge, Esq., a basket of those magnificent apples from his orchard on Cumberland mountain, in Cumberland county.  A case of these apples was exhibited at the late State Agricultural Fair in this city, and attracted universal attention.  We heard gentlemen who had attended Fairs in the oldest States in the Union, where there were contributions from the best fruit growing regions, say that they had never seen anything to compare with these apples.  At the conclusion of the Fair, Mr. Dodge sold his apples at auction, and some of the finest specimens brought as high as ten dollars and forty cents per dozen!—the best sale of apples on record.  As to the quality of this fruit, we assert, unhesitatingly, that it is superior to any we ever tasted.  Mr. Dodge has on his mountain farm some twenty or thirty of the best varieties, all thriving in the most remarkable degree….

In addition to the apples we are under obligations to Mr. Dodge for a specimen of the Irish Potatoes grown on the mountain.  They are of the red meshannock variety, and as fine specimens of Irish potato as we have ever saw. …

Mr. Dodge has several barrels of these apples for sale, and those wishing to enjoy something particularly luxurious in the way of fruit, will be accommodated by calling at his studio, over Hicks’s China store….Mr. D. has been for twenty years more or less on the mountain, and is familiar with its beauties, resources and attractions generally, and next to painting a good picture, delights in expatiating upon them.

The ninth announcement appeared on December 28, 1856.  Cumberland Mountain Land at Auction.  Valuable Stock Farm. 

I will offer at public sale, on Saturday, the 19tgh day of January, a beautiful and valuable tract of land, lying on the table of the Cumberland Mountain, in Cumberland county, about 26 miles East of Sparta, on the road to Knoxville.  This Land is a part of the tract upon which I reside and immediately adjoining my celebrated Fruit Orchard.—It contains about 1200 acres…A plat of the land can be seen at my Painting Rooms, over Hicks’s China Hall on the Square…

The tenth announcement appeared on October 26, 1856.  Mechanics’ Institute.  Second Annual Exhibition.  Premiums Awarded…Class No. 6—Marble Work, Paintings, Drawing, Daguerreotypes, Etc.

J. W. & E. S. Dodge, Nashville, Miniatures on Ivory…………………….      5

J. W. & E. S. Dodge, Nashville, Photographs, plain and colored…….…..         5

A. Larcomb, Nashville, Ambrotypes……………………………….…….      5

Hughes Brothers, Nashville, Daguerreotypes………………………….…  5

The second advertisement ran from April 14 to May 9, 1857.  A Card Having sold my Photographic rooms, apparatus, materials, &c., to Messrs. Hughes Brothers of this city, with a view to reside permanently at my home in Cumberland County, I take great pleasure in recommending them as my successors.  They are gentlemen of skill and experience in their profession, and I trust they may receive that full and liberal share of business which has ever flowed upon me.

The Messrs. Hughes have engaged a corps of artists of superior abilities, and I have no hesitation in saying that they are fully qualified, in their several departments, to give perfect satisfaction to all who may desire the finest Photographs, either plain or elaborately painted.  J. W. Dodge. 

Hughes Bros., (Successors to J. W. Dodge,) No. 46 Public Square, Nashville.  Photographs Either Plain or Colored, from the smallest in a Pin to Life Size on Canvass.

This is a new feature not heretofore attempted in Tennessee.  Our patrons can now have old Daguerreotypes of deceased friends copied as large as life, and color returned by describing the complexion, color of the hair, eyes, dress, &c.  The public are respectfully invited to call at the Gallery and see specimens, over Hicks’ China Hall, Public Square, Nashville.  P. B. & G.  [sic.]  F. H. & C. C.  

The eleventh announcement appeared on May 8, 1858.  Spring Fair.  Third Day, May 6th….Fine Arts.

Color Photographs—Mrs. W. G. Harding, (by Dodge) premium; C. C. Hughes, Certificate.

Ambrotypes—C. C. Hughes, Premium.

Uncolored Photographs— C. C. Hughes, Premium.

John Wood Dodge is not recorded in other photographic directories.  Pioneer Photographers from the Mississippi to the Continental Divide A Biographical Dictionary 1839-1865, does record him as a dioramist and miniaturist active in New York City 1830-44; New Orleans 1848-1849; and Huntsville, Ala in 1854.  Current research suggest that while in St. Louis in (1854-1855) he colored photographs for Enoch Long.  Illegible advertisement in the Daily Missouri Republican dated May 30, 1855.

Ambrose Andrews

Daguerreotypes, Portrait Painter, , , ,

1852-1853       122 Canal, New York, New York.

Ambrose Andrews was listed or not listed in the New York City Directories, Vose Archives, and The New York Historical Society’s Dictionary Of Artists in America 1564-1860.  The first directory I looked at was the1849-1850 Doggett’s New York City Directory where Ambrose Andrews, is listed as a Portrait Painter, at 25 Lispenard.

The second was the 1850-1851 Doggett’s New York City Directory.  Where he was not listed in directory.

The third directory was the 1851-1852 Doggett’s & Rode New York City Directory where he is listed as an artist, at 122 Canal.

The fourth directory was the 1852-1853 Wilson & Trow New York City Directory where he is listed as a daguerreotypes, at 122 Canal.

The fifth directory was the 1853-1854 Wilson & Trow New York City Directory where he is listed as a daguerreotypes, at 122 Canal.

The sixth directory was the 1854-1855 Wilson & Trow New York City Directory where he was not listed in directory.

The Vose Archives, Boston, Massachusetts was at the time an unpublished database that Seth Vose shared with me in 1994.

Andrews, Ambrose (born West Stockbridge, MA 19 July 1801—died probably E. Palmyra, NY ca 1877).

Subject:  portrait, miniature, landscape. 

Media:  oil, water color.

Studied:  American Acad. of Fine Arts, NYC Oct-Nov. 1824, New York Drawing Assoc. NYC 1825; NAD, NYC 1826.

Worked:  West Stockbridge, Ma c. 1820-25, c 1833-36; Schuylerville, NY 1824; NYC 1825-26; 1848-62; Pa. 1827; Troy, NY 1829-31; Middletown, CT 1835; New Haven, CT 1837; Houston, TX 1837-41; New Orleans, LA 1841-42, 1844; Cincinnati, OH 1843; St. Louis, MO 1844-48; E. Palmyra, NY 1869-c 1877.

Active:  1824-c. 1877

Comments…In NYC during 1850’s did daguerreotyping and colored photographs.

Ambrose Andrews is not recorded in other photographic directories.

Henry Willard

Portrait Painter, , , , , , ,

Ca. 1855          Address Unknown, Boston, Massachusetts

1855                Pennsylvania Avenue, between 4½ and 6th Streets, Washington, D. C.

Henry Willard was recorded in two announcements in the Evening Star (Washington, D. C.).  The first appeared on December 18, 1855.  Henry Willard, a Boston artist of great merit, has taken a studio in the same building with Whitehurst’s Daguerreotype establishment, where he is painting the portraits of several of our distinguished men.

The second announcement appeared on December 22, 1855.  Fine Arts.—Visiting several studios this morning, we found the artists busy at their easels, apparently well content with the patronage they are receiving from an appreciating public…  Henry Willard, in the building with Vannerson, was at work on a portrait, in oils, of the Hon. Mr. De Witt, of Mass….

The New York Historical Society’s Dictionary of Artists in America 1564–1860 list Henry Willard as a portrait, miniature and genre painter of Boston, active from about 1833.

Henry Willard is not recorded in other photographic directories.  Craig’s Daguerrean Registry does record a William Willard as an artist at 5½ Tremont Row.  Both Henry and William are recorded in The New York Historical Society’s Dictionary of Artists in America 1564–1860. William  as a portrait painter active in Boston in the 1850’s and Henry as a portrait, miniature, and genre painter.  It is unknown what arrangements Henry had with Whitehurst or Vannerson if he was just using the gallery space as professional courtesy or if money exchanged hands or if Henry colored or painted photographs.  In the case of William it is unknow if he work for Southworth & Hawes or had his own space in the building.