Tag Archives: Ambrotypist

Maurice W. Lockwood

1854-1855       Corner Eighth Avenue and Fourteenth Street, New York, New York.              1856                   186 West 18th Street, New York, New York.[1]                                                              1856-1857       145 Eighth Avenue, New York, New York.                                                                          1858                   185 8th Avenue, New York, New York.

Maurice W. Lockwood was listed in seven advertisements and one notice in The New York Herald (New York, New York) (to date) also he was mentioned in one article.  The first advertisement appeared on June 2, 1854.  Splendid Daguerreotypes, Double the Size of those taken elsewhere, including a fine case and preserver, for only 50 cents, at Lockwood’s, corner of Eighth Avenue and Fourteenth street.

The second ad appeared on January 24, 1855.  Daguerrean Gallery For Sale, Cheap For cash, doing a good business.  For particulars apply to M. W. Lockwood, corner of Eighth avenue and Fourteenth street.

The notice appeared on April 2, 1855.  Charge Of Taking Daguerreotypes On Sunday.  M. W. Lockwood, a daguerreotypist, doing business at the corner of Eighth avenue and Fourteenth street, was arrested yesterday by Captain Ackerman, of the Ninth ward police, charged with having taken daguerreotype likenesses on Sunday, contrary to a city ordinance.  The accused was arrested on the complaint of officer Winars, who, it is alleged, entered Lockwood’s place and got his likeness taken, as also did his brother and several others who were present.  The artist, along with his show case, which was standing on the sidewalk, was conveyed before Justice Davison, at the Jefferson Market Police Court, where a fine of one dollar was imposed upon the offender.

The article appeared on January 1, 1856 in Photographic and Fine Arts Journal (New York, New York) entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Lockwood, 18th street — I cannot say much for this gallery. The artist must be young in the art, and therein his excuse.

The third advertisement appeared on April 28, 1856.  Extra Large Ambrotypes, In Gilt Cases, for only fifty cents, warranted equal to any sold elsewhere for $2, at M. E. Lockwood’s gallery, 186 Eighteenth street, one door west of Eighth avenue.

The fourth advertisement appeared on August 15, 1856.  To Ambrotypists.—Something Entirely New and original.—Lockwood’s heileoprints, on paper, far surpassing anything ever yet produced in the picture line.  Beware of imposters, as I have no agents canvassing the city, but will teach the art at M. E. Lockwood’s gallery, 145 Eighth avenue.  Call and see specimens.  The only place in the world where a large sized ambrotype can be had for 25 cents, including case.  Gallery, 145 Eighth avenue.

The fifth ad appeared on September 30, 1856.  Large Size Ambrotypes, In Cases, only 25c.—The same size, and warranted equal to those others make for one dollar, at M. E. Lockwood’s, Gallery, 145 Eighth avenue.

The sixth ad appeared on April 10, 1857.  Lockwood’s Ambrotypes—Large size, beautifully colored, including case, only twenty-five cents of the same size and warranted equal to any made elsewhere for one dollar.  Gallery No. 145 Eighth avenue.

The seventh advertisement appeared on November 19, 1858.  Beautifully Colored Ambrotypes in genuine Union Cases for 50 cents, warranted equal to any sold elsewhere for $2, at Lockwood’s, No. 185 8th-av.

Maurice W. Lockwood is recorded in Craig’s Daguerreian Registry.  He is recorded here because of the additional information.  M. E. Lockwood maybe the same person.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

M. E. Lockwood

1856-1857       145 Eighth Avenue, New York, New York.

M. E. Lockwood was recorded in four advertisements that appeared in The New York Herald (New York, New York). The first advertisement ran on April 28, 1856.  Extra Large Ambrotypes, In Gilt Cases, for only fifty cents, warranted equal to any sold elsewhere for $2, at M. E. Lockwood’s gallery, 186 Eighteenth street, one door west of Eighth avenue.

The second advertisement appeared on August 15, 1856.  To Ambrotypists.—Something Entirely New and original.—Lockwood’s heileoprints, on paper, far surpassing anything ever yet produced in the picture line.  Beware of imposters, as I have no agents canvassing the city, but will teach the art at M. E. Lockwood’s gallery, 145 Eighth avenue.  Call and see specimens.  The only place in the world where a large sized ambrotype can be had for 25 cents, including case.  Gallery, 145 Eighth avenue.

The third advertisement appeared on September 30, 1856.  Large Size Ambrotypes, In Cases, only 25c.—The same size, and warranted equal to those others make for one dollar, at M. E. Lockwood’s, Gallery, 145 Eighth avenue.

The fourth advertisement appeared on May 25, 1857.  Stop that Croaking.—Lockwood Defies competition, but invites comparison.  Ten Cent ambrotypes—ambrotypes ten cents.  Large size, including frame, only ten cents, at M. E. Lockwood’s gallery, 145 Eighth avenue; three thousand daily.  Fancy cases less than others charge for common ones.  N. B.—No connection with any other gallery.  Likenesses of deceased persons and invalids taken at their residences.  No. 145 Eighth avenue, one door north of seventeenth street.

M. E. Lockwood is not recorded in other photographic directories. There is a strong possibility that this is Maurice W. Lockwood.

John Liewer

1857                Rooms opposite the Post Office, over Sulzbacher’s Store, Glasgow, Missouri.

John Liewer was recorded in an advertisement on March 26, 1857 in the Glasgow Weekly Times  (Glasgow, Missouri).  Ambrotypes.  Mr. John Liewer & Co., are prepared to take any description of the above beautiful style of Pictures, and will be happy to see those who may need their services.  The Ambrotype is a Positive Picture on Glass.  It possesses a softness, rotundity, a commingling of light and shade, a distinctness and delicacy of tone, which the old Daguerreotype has never attained.  It can be viewed with all the ease and distinctness of an Engraving; but above all, is bound to last as long as the Glass itself.  Rooms opposite the Post Office, over Sulzbacher’s Store.

John Liewer is not recorded in other photographic directories.

M. L. Lemily

1859                Address Unknown, Kortright, New York.

M. L. Lemily was recorded in an announcement that appeared on March 24, 1859 in Delaware Gazette (Delhi, New York). Delaware County Agricultural Society. Premium List—1859…Class L—No. 3—Discretionary…

Best ambrotypes, Jones & Ferguson, Kortright,        $1                                                                          2d best, M. L. Lemily, Kortright,                                        .75                                                                            3d best, O’Conner & Atkins,                                                .50

M. L. Lemily is not listed in other photographic directories.

Ledoyt & Hodges

1855-1856       222 Main Street, Fosters Building, Worcester, Massachusetts.

Ledoyt (Ludoyt) & Hodges appeared in one advertisement that ran from October 6, 1855 to January 12, 1856 in the Worcester Daily Spy (Worcester, Massachusetts).  New Advertisements.  A Card To The Public.—The subscribers having disposed of their interest in the Ambrotype establishment in Foster’s Building, 222 Main st., to Messrs. Ledoyt & Hodges, would cheerfully recommend them to our customers and the public generally, as gentlemen of merit and artistical skill, and are worthy of an extensive patronage.     Hathaway Brothers.

L. & H. are now prepared to furnish the Ambrotype, Mezograph or Crystalotype Pictures in the best style of the art. Pictures copied from paintings, engravings, Daguerreotypes. The public are invited to call and examine for themselves.  B. Ledoyt,  J. R. Hodges.

Ledoyt & Hodges are recorded in Craig’s Daguerreian Registry as Ludoyt with no first name or initial. Information from the 1856 Worcester City Directory, resident section. (Ludoyt & Hodges.)

Le Mire & Bouchez

1856                Rooms in the Brick House, Opelousas, Louisiana.

Le Mire & Bouchez were recorded in one announcement and one advertisement in The Opelousas Courier (Opelousas, Louisiana).  The announcement ran on April 19, 1856.  Daguerreotype Artists.—In looking over our advertisement column, our readers will see that Messrs. Le Mire and Bouchez, have taken lodging in our town, and are now ready to take likenesses, landscapes, &c., by different processes, viz: Daguerreotype, Photography and Ambrotype.  All the specimens that we have seen at their saloon proves to us that they are no common artist and deserves a share of the public patronage.

The advertisement ran from April 19 to May 17, 1856.  Le Mire & Bouchez, Artist in Photography, Daguerreotype and Ambrotype.  having just arrived in Opelousas, and have taken rooms in the brick house, lately occupied by Mrs. Pigeon, as a Millinery store, where they are prepared to take  likenesses, pictures, landscapes, & c., on glass, paper or metal, according to the taste of those wishing to encourage them.

They intend to remain in this town but a few days, the public are invited to come and examine their specimens, which will be, they hope a sufficient encouragement to satisfy the most difficult, with a portrait, a correct view of a building, &c.   Opelousas.

Le Mire & Bouchez as partners or individuals, are not recorded in other photographic directories.

John S. Lay

1859                3 Hathaway’s Block, opposite the Gazette Office, , New York.

John S. Lay was recorded in one advertisement that ran from June 30 to July 28, 1859 in Lansingburgh Democrat (Lansingburgh, New York).  Ambrotypes.  No. 3 Hathaway’s Block, opposite the Gazette office, Lansingburgh.  Prices Reduced large size only 50 Cents including Fine Case.

The Ladies and Gentlemen of this place and vicinity are respectfully notified that Mr. Lay will remain here a few days, for the purpose of making some of his choice Mezzotint Ambrotypes!

Natural Color, double glass, warranted never to fade.  He wishes to call particular attention to the fact his pictures are made on Black plate glass, which obviates entirely, the use of tar and pitch on the back of Ambrotypes, as the reader can see for himself by knocking an Ambrotypes from its case.  He proposes to furnish the people with Double Glass, Warranted Ambrotypes.  Made on Black Extra Plate Glass, and put up at a style at less than New York and Albany prices.  Each picture will be made and finished by Mr. Lay in person, and he will guarantee it to be as durable as the glass tablet upon which the portrait if fixed.

Pictures taken in Lockets, Rings, &c., old Daguerreotypes Copied, and Lettertypes, cor mail.  Personal attention paid to securing Likenesses of invalid or deceased persons at private residences.  Also, Views of Buildings, Cattle, Machinery, &c.

N. B.—Avoid white, pink and blue in your dresses, ladies,, and never mind the fine clothes. Calico equals, if not excels silk in a portrait. Call and see for yourself.  John S. Lay.

John S. Lay is not recorded in other photographic directories.

William L. Lawrence

1858-1859       Rooms Clinton Hall, third story, Tallmadge Block, phot Ohio.

William L. Lawrence of the partnership of Lawrence & Massey was recorded in two advertisements in the American Lancaster Gazette (Lancaster, Ohio).  The first advertisement ran from December 9, 1858 to April 21, 1859.  Clinton Hall Art Gallery.  Lawrence & Massey Having leased the above well known suit of rooms, and fitting them up in a superior style, with a splendid Sky Light, would invite the citizens on Lancaster and vicinity, and all others wishing a superior Grade of Pictures to give them a call.

Having the best arranged Light perhaps in the State, they feel justified in saying that their Pictures, in point of brilliancy, delineation, boldness and unerring truthfulness, are equaled by few & excelled by none.

Ambrotypes taken at these Rooms, are executed in the latest and most approved style of the art.  Their Sphereotypes are decidedly the most beautiful style of Pictures that has yet been produced.  They seem to stand out in bold relief, (unaffected by light, air, or age,) while there for softness of shadow, beauty of detail, and warmth of tone never found in either kind of pictures.

Now Is The Time To Get Better Pictures, and at as low figures, as can be obtained at any other establishment in the State.

Ladies and Gentlemen who wish to obtain a finer likeness than ever before taken in Lancaster, can have an opportunity by calling at the Clinton Hall Art Gallery.  Pictures taken in all kinds of weather.  Coping Pictures, filling lockets and all other work in their line executed on short notice.  Entire satisfaction warranted!  The public are respectfully invited to call.  Rooms Clinton Hall, third story, Tallmadge Block, Main Street, entrance one door West of Springer & Trout’s Clothing Store.  Lancaster.

The second advertisement ran from April 14 to August 11, 1859.  Pictures Cheaper Than Ever!  At The Clinton Hall Art Gallery.  We are determined not to be out-done by any establishment in the State, in the way of taking Good, Cheap and Inimitable Likenesses.—we have established our prices at Lower Figures than have as yet been made in this vicinity.  Our prices will range from Ten Cents Upward.  And on all cases, whether Fine or Common, will be sold from 10 to 20 percent lower than can be obtained at either of Mr. Rhode’s Rooms.

Our Rooms have been fitted up expressly for the business in which they are now used, and possess many advantages over any other room of the kind in this city, as it is large and commodious, easy of access, and neatly finished.  Our Sky Light, which is much higher than that of either of the other establishments, throws a more even shade upon the subject, and brings out a Likeness in a higher degree of perfection, than can possibly be obtained at any other room in the city, as the Sky Lights in those rooms are very low, and therefore they cannot obtain that softness of shadow, beauty of detail, and warmth of tone, that is found in our pictures.  Persons having pictures that were taken at either of the other rooms, with which they are dissatisfied, can have them re-taken at the Clinton Hall Art Gallery at a reasonable charge.

Copying pictures, filling Lockets, Breast-pins, Rings, etc., etc., done on short notice.  Entire satisfaction warranted.  The public are invited to call.  Rooms, Clinton Hall, Third Story Tallmadge Block, Main Street.  April 14, 1859.  Lawrence & Massey.

William L. Lawrence is recorded in other photographic directories.

J. H. Larrabee

1859                Address Unknown, Chittenango, New York.

J. H. Larrabee is recorded in one advertisement that ran from November 2 to 23, 1859 in the Cazenovia Republican (Cazenovia, New York). A Card. The Subscriber Respectfully Informs the Citizens of Cazenovia and adjoining Towns, that the Photographs on exhibition in The North West Part Of Floral Hall At The Cazenovia Fair, were not made by Mr. Weld, as was supposed by many and intimated by some, but were made by the Subscriber At His Gallery In Chittenango where he is prepared, at all times to execute Plain and Colored Photographs, Ambrotypes, Melainotypes, and Pictures on Patent Leather, in a style not surpassed in or out of Madison County.  Large Photographs made from small Daguerreotypes, and colored in Oil in a style truly wonderful, which need only to be seen to be admired.  Perfect satisfaction warranted in all cases, or no charge.  J. H. Larrabee.

A J. H. Larrabee is listed in Craig’s Daguerreian Registry as being active in 1859 in Binghampton, New York it is possible they are the same person the distance between Binghampton and Chittenango, New York is about 80 miles.

Augustus Larcombe

1856                40 College Street, Nashville, Tennessee.                                                            1858                Corner of Cherry and Union Streets, Nashville, Tennessee.

Augustus Larcombe was recorded in two Announcements and four advertisements.  The first advertisement ran from March 11 to April 16, 1856 in the Nashville Union and American  (Nashville, Tennessee).  A. Larcombe, Ambrotypist.  No. 40, College Street, Corner of Union, Ambrotypes—the new Photographic Pictures on Glass, made by Cutting’s Patent Process, are now offered to the public as the most beautiful and only permanent likeness in the world.

All sizes and styles from Breastpins to Cabinet Portraits.  Daguerreotypes copied in Ambrotype.  Caution—Imitation Pictures got up by Daguerreotypist are not Ambrotypes.  One is perishable, the other immortal.  Genuine Ambrotypes are made at 40, College street and no where else in Nashville.

The first announcement appeared on October 26, 1856 in the Nashville Union and American  (Nashville, Tennessee).  Mechanics’ Institute.  Second Annual Exhibition.  Premiums Awarded…Class No. 6—Marble Work, Paintings, Drawing, Daguerreotypes, Etc.

J. W. & E. S. Dodge, Nashville, Miniatures on Ivory……………………….5                                        J. W. & E. S. Dodge, Nashville, Photographs, plain and colored…………5                                      A. Larcomb, Nashville, Ambrotypes…………………….…………………..5                                    Hughes Brothers, Nashville, Daguerreotypes…………………………….5

The second advertisement ran from November 13 to December 19, 1856 in the Nashville Union and American (Nashville, Tennessee).  Get The Best.  Larcombe’s Ambrotypes Took the first Premium over all competitors at the recent Exhibition, and are acknowledged to be the best Pictures in Tennessee.

Made as heretofore at New York and Philadelphia prices, and put up in tip top style at his Ambrotype Rooms, No. 40 College street, over Campbell & Donegan’s.

The third advertisement ran from February 1 to October 1, 1858 in the Nashville Patriot (Nashville, Tennessee).  Get The Best.  The Genuine Ambrotype—the Premium Picture—is beyond comparison the best style of likeness yet introduced, and stands without rival:

Time cannot change them,                                                                                                                              Light cannot fade them,                                                                                                                            Dampness cannot mould them,                                                                                                                          Dust can never reach them,                                                                                                                                   Rust cannot corrode them.

Made as heretofore by Larcombe, Corner of Cherry and Union Streets, and put up in tip-top style at Eastern prices.  Made in no other rooms in Nashville.

The second announcement appeared on July 21, 1858 in the Nashville Patriot (Nashville, Tennessee).  The Ambrotype Process.  This new process of photography upon glass excels all previous methods of taking portraits by the action of light.  The daguerreotype, it is well known, too commonly wears a sharp angular, harsh expression, arising from too strong a contrast of light and shade.  The photograph, on the contrary, is apt to wear a dull inanimate expression, and its unnatural hue is sometimes far from being agreeable.  By the ambrotype process entire precision of outline and naturalness of feature and expression are secured, while at the same time a tone of softness is diffused over the picture from the more graceful effect of light and shade upon a surface of glass.  Moreover, two pictures are obtained from one impression, the face of the glass exhibiting the sitter as he sees himself in a mirror, while the reverse shows him as he appears to others.  The latter is a very great advantage over either the daguerreotype or the photograph.  These always present a reversed picture, more natural to the eye of the subject himself than to others; but the ambrotype gives both the mirror face and the natural face.  It will probably be some considerable period of time before this beautiful branch of the art is brought to the highest state of perfection of which it is capable, but scarcely a week goes by without some improvement being announced.

Call on Larcombe if you would get an Ambrotype in its most perfect state.

The fourth advertisement ran from September 21, 1858 to November 28, 1859 in the Nashville Patriot (Nashville, Tennessee).  Home Again!  Mr. Larcombe desires to inform his friends and the public generally that he has returned from his Northern tour, and is ready to open the fall campaign.

Fully posted in all recent improvements in Photographic Manipulation—relying, as heretofore, solely upon the merits of his pictures, and determined to spare no effort to please, he confidently invites those who have never given him a fair trial, to do so.

Ladies will find his present rooms the most conveniently and pleasantly located of any in the City, Cherry Street, corner of Union.

Augustus Larcombe is recorded in Craig’s Daguerreian Registry as being active in Nashville starting in 1857.