Tag Archives: Alexandria Virginia

Grubb, John S.

Daguerreotypes, , , ,

1846-1847       Washington and King Streets, Alexandria, Virginia.

1848-1849       Corner of King and Royal streets, Alexandria, Virginia.

1846 April 20.  Alexandria Gazette.  (Alexandria, Virginia.)  April 20, 1846, Vol. XLVII, No. 94, P. 3.

Enamelled (sic.) And Isenring Daguerreotypes—Extra Size.—Wm. A. Pratt, Artist, respectfully informs the citizens of Alexandria and its vicinity that he is prepared to execute Portraits in the above and common styles, in the rooms formerly occupied by Mr. John S. Grubb, at the corner of Washington and King-streets, for a few weeks only.

Advertisement ran from April 16 to 25, 1846.

1846 April 20.  Alexandria Gazette.  (Alexandria, Virginia.)  April 20, 1846, Vol. XLVII, No. 94, P. 3.

Patent Enamelled (sic.) And Isenring Daguerreotypes—Extra Size.—Wm. A. Pratt, Artist, respectfully informs the citizens of Alexandria and its vicinity that he is prepared to execute Portraits in the above and common styles, in the rooms formerly occupied by Mr. John S. Grubb, at the corner of Washington and King-streets, for a few weeks only.

Advertisement ran from April 25 to May 9, 1846.

1847 February 4.  Alexandria Gazette.  (Alexandria, Virginia.)  February 4, 1847, Vol. XLVIII, No. 30, P. 2.

Permit me, through your paper, to call the attention of the citizens of Alexandria and vicinity, to the Daguerrian Gallery, recently opened on the corner of King and Washington streets, by our young townsman, Mr. John S. Grubb.  The specimens there exhibited, are certainly equal, if not superior, to any yet produced in this city.—Mr. Grubb’s skill as an artist, gentlemanly deportment, and assiduous efforts to give satisfaction, merit a large share of public patronage.  An Alexandrian.

1847 February 10.  Alexandria Gazette.  (Alexandria, Virginia.)  February 10, 1847, Vol. XLVIII, No. 35, P. 2.

Daguerreotype Portraits.  The article which lately appeared in the Gazette, signed :Alexandrian,” and which made complimentary reference to the Daguerreotype Portraits by Mr. John S. Grubb, doubtless induced many to call at the Daguerrian Gallery of the new artist, and judge for themselves of the justice of that compliment, and of Mr. Grubb’s claim to a liberal share of the public patronage.

Fortunately for those who, as it were, embark in this employment, as the agents of the sun, to paint indelibly the human countenance, the specimens of their operation are the surest evidences of their competency and skill.  As one among the many who have visited the gallery, on the corner of King and Washington streets, I beg leave thus publicly to acknowledge my gratification at the success which has attended the efforts of the daguerreotypist in taking the most exact and beautiful portraits of those who have favored him with a trial.  Many of the citizens disposed to aid their worthy townsman in this enterprise, have called upon him, and in return for a moderate sum, have received dumb duplicates of themselves.

Anecdote is related of an Indian, one of the tribe lately in Washington, whose daguerreotype portrait was taken without his knowledge.  The fellow was reputed the handsomest of his tribe, and was notorious for his vanity and pride.—When his portrait was shown him, seizing it from the hand of the operator, he bore it off, with an air of joy and triumph, exclaiming in his Indian tongue that he could never die.

I would respectfully recommend all those who would ‘live always,’ to call at Mr. Grubb’s room, and whilst affording encouragement to this amiable and excellent artist, they will be favored by him with their portraits, the accuracy of which will be ample recompense for their money.  A Volunteer.

1848 January 1.  Alexandria Gazette.  (Alexandria, Virginia.)  January 1, 1848, Vol. XLIX, No. 1, P. 3.

Sky Light Daguerreotypes.—John S. Grubb having constructed a splendid Sky Light, is prepared to take Daguerreotypes in the best style, at his rooms over Mr. Wimer D. Corse’s Dry Goods Store, corner of King and Royal streets.  By the aid of this beautiful light the most correct likenesses, are given, and a brilliancy and depth of time imparted to the picture which cannot be obtained by a side or any other light.  The public are respectfully invited to call and examine his specimens.  Portraits taken without regard to weather.  Entrance to the rooms through Mr. Corse’s Store.

Advertisement ran from January 1 to 15, 1848.

1848 January 25.  Alexandria Gazette.  (Alexandria, Virginia.)  January 25, 1848, Vol. XLIX, No. 21, P. 2.

Married, On the 23rd Instant. By the Rev. O. W. Briggs, Mr. John S. Grubb to Miss Emily, daughter of the late Wm. Pratt, all of this place.

1848 March 31.  Alexandria Gazette.  (Alexandria, Virginia.)  March 31, 1848, Vol. XLIX, No. 77, P. 2.

Daguerreotyping.  The lovers of this beautiful and interesting art, can be most agreeable entertaining by a visit to the Rooms of Mr. Grubb, and a view of his productions.  His miniatures exhibit a skill in coloring, and a perfection of likenesses surpassing any I ever saw.  I was particularly struck with the entire absence in huis pictures of a most disagreeable feature which I have generally observed in sun-painting likenesses, an un corrugation of the brow and expression of the eye, producing the effect which is forcibly described by the phrase usually applied to persons of unamiable countenances, that “his face hurts him.”  In the hands of Mr. G. Photography rises to the dignity of a refined art.  His coloring has a naturalness and vigor of effect rivalling the best painted miniatures.  I trust this gentleman is liberally encouraged by our citizens: it would, indeed, be an outrage upon their character for good taste, to suppose the contrary.  I write this, however, in the hope of attracting to him the attention of such as may not have had the pleasure of witnessing specimens of his accomplished skill in the business to which he devotes himself.

1848 May 10.  Alexandria Gazette.  (Alexandria, Virginia.)  May 10, 1848, Vol. XLIX, No. 111, P. 2.

Daguerreotype Portraits And Miniatures.—John S. Grubb, respectfully invites all persons wanting Daguerreotype miniatures of themselves or friends to call early, as he intends leaving for the country in the course of two or three weeks. 

He offers for rent, that very desirable Dwelling, now occupied by Mrs. Pratt, on King, near Washington st.

Advertisement ran from May 10 to 22, 1848.

1848 May 11.  Alexandria Gazette.  (Alexandria, Virginia.)  May 11, 1848, Vol. XLIX, No. 112, P. 3.

Some beautiful specimens of Daguerreotype likenesses are to be seen at Mr. Grubb’s rooms at the corner of King and Royal streets—the best, we think, we ever saw.  Our citizens should [go] and see them, and have their own likenesses taken.

1848 October 11.  Alexandria Gazette.  (Alexandria, Virginia.)  October 11, 1848, Vol. XLIX, No. 243, P. 3.

Sky-Light Daguerrean Rooms.—John S. Grubb respectfully informs the public that he has opened his rooms at the North-west corner of King and Royal streets, and is prepared to take Daguerreotype Miniatures or Groups, in the most perfect manner.  Having provided himself with all the late improvements in the art, he insures entire satisfaction to all those who patronize him.

Advertisement ran from October 11 to November 3.

1848 October 20.  Alexandria Gazette.  (Alexandria, Virginia.)  October 20, 1848, Vol. XLIX, No. 250, P. 1.

Sky-Light Daguerrean Rooms.—John S. Grubb respectfully informs the public that he has opened his rooms at the North-west corner of King and Royal streets, and is prepared to take Daguerreotype Miniatures or Groups, in the most perfect manner.  Having provided himself with all the late improvements in the art, he insures entire satisfaction to all those who patronize him.

N. B.  Instruction given in the Daguerrean art, and complete apparatus furnished on reasonable terms.

Advertisement ran from October 20 to November 10, 1848.

1848 December 19.  Alexandria Gazette.  (Alexandria, Virginia.)  December 19, 1848, Vol. XLIX, No. 301, P. 3.

Sky Light Daguerreotypes.—John S. Grubb, respectfully informs the public that he is prepared to take Daguerreotype Portraits and Miniatures, in the most perfect manner, and will insure perfect satisfaction to all who patronize him.  What more beautiful or appropriate present for the Holidays, than a Daguerreotype Family group of Father and Mother, Sisters, Brothers, and Self.  Those who make their parents such a present as this, we are certain will never regret it.  For years afterwards such a token is highly valued.

Advertisement ran from December 19, 1848 to January 8, 1849.

1849 January 18.  Alexandria Gazette.  (Alexandria, Virginia.)  January 18, 1849, Vol. L, No. 3 P. 3.

Daguerrean Rooms.—John S. Grubb respectfully announces to the public, that he has just completed an improvement, by which his rooms are rendered accessible to all.  The Entrance now is on Royal street, (second door from the corner of King) by a private stair-way, of easy ascent—He has also made additions and improvements to his apparatus, which enables him to take Daguerrean Portraits, and Miniatures, in the very best style.—The public are invited to call and examine the specimens and those who patronize him, will receive pictures not, in every way, inferior, to the specimens exhibited.  Rooms open from 9 A. M. to 5 P. M.

Advertisement ran from January 18 to May 8, 1849.

1849 February 6.  Alexandria Gazette.  (Alexandria, Virginia.)  February 6, 1849, Vol. L, No. 32, P. 2.

John S. Grub, would respectfully inform the inhabitants of Alexandria and its vicinity, that he will be unavoidably detained from home for a week or ten days; at the expiration of which time he will resume his business as a Daguerreotypist in this place. 

Advertisement was recorded three times from February 6 to 10, 1849.

1849 February 9.  Alexandria Gazette.  (Alexandria, Virginia.)  February 9, 1849, Vol. L, No. 34, P. 3.

The Daguerrean Sky-Light.—John S. Grubb would respectfully call the attention of the public to this beautiful light, which he has constructed for the express purpose of taking Daguerrean Pictures.  This mode of introducing light is the only proper one to secure the correct lights and shadows; and it has been universally conceded by all who have had portraits taken at his establishment, that there is an expression secured in this way which cannot be obtained by any other light in use.  The great difficulty which has heretofore been experienced in securing a correct expression of the eye, has been entirely obviated by it, and the light blue eye is defined with as much beauty and brilliancy as the dark.  Many persons are impressed with the idea that the Daguerreotype will in time fade, but this erroneous impression may be entirely set aside, as experiments made by some of the most eminent chemists in this country have enabled them to give it as their opinion that the Daguerreotype, when properly taken, will stand for any length of time.  It may be proper to remark that these pictures are taken on pure silver plate, and there fixed by a strong coating of gold; the impression then is actually between the gold and silver, and the most severe tests both of light and heat to which they have been subjected satisfactorily prove that time cannot change them.

J. S. G. has recently received a new and splendid Apparatus, comprising all the late improvements: The Camera is of the largest size in use, and of very superior quality.  He is thus enabled to take portraits which will be fully equal in size and all other respects to those taken by any other establishment in the country.

It is recommended for Ladies to dress in figured or dark material avoiding white or light blue.  A scarf or shawl gives a pleasing effect to the picture.  Gentlemen should wear a black or figured vest; also figured scarf or cravat, so that the bosom may not be too much exposed.  For Children dark plaid, stripe, or figured dresses, blue and pink are bad colours.  Ringlets add much to the beauty of the picture.

The best hours for children is from 11 A. M. to 2 P. M. , all others from 9 A. M. to 4 P. M.

Rooms at the N. W. corner of King and Royal streets, (up stairs.)  Entrance through Mr. Wilmer D. Corse’s Dry Good Store.

Advertisement ran from February 9 to March 14, 1849.

1849 March 19.  Alexandria Gazette.  (Alexandria, Virginia.)  March 19, 1849, Vol. L, No. 66, P. 3.

Mr. J. S. Grubb, of this place, has taken an accurate daguerreotype likeness of the unknown man found murdered on the banks of the Canal, near Georgetown.

1849 May 24.  Alexandria Gazette.  (Alexandria, Virginia.)  May 24, 1849, Vol. L, No. 123, P. 3.

Daguerreotypes.—Edgar L. Brockett respectfully informs the public that he has taken the Daguerrean Rooms, at the S. W. corner of King and Royal, formerly occupied by Mr. John S. Grubb, and will continue the business there as formerly.  His apparatus is of the very best, and his process contains all the late improvements in taking Daguerrean Likenesses.  He respectfully solicits the public to call and examine his specimens, and pledges himself to those who patronize him to give them pictures not inferior to any former operator.  Rooms open from 8 until 5.

Hours for operating from 9 until 4—without regard to weather.

John S. Grubb takes pleasure in recommending Mr. Edgar L. Brockett to the public as a very skillful Daguerrean Artist, one thoroughly acquainted with his profession, and one who will make every exertion to give entire satisfaction to those who patronize him.  Those wishing portraits or miniatures need not hesitate to call on Mr. B., as I feel confident that he will not permit any work to leave his room that is not of the best character.

1849 June 12.  Richmond Enquirer.  (Richmond, Virginia.)  June 12, 1849, Vol. XLVI, No. 12, P. 3.

Celerotypes Now taken at the Virginia Daguerrian Gallery, No. 139 Main Street, above Governor, over Nash and Woodhouse’s bookstore, are universally allowed to be the happiest combination of chemical skill, together with artistic arrangement of light, which or beautiful art has ever yet attained.  The proprietors, ever anxious to please their numerous patrons, are most happy to inform them, that they have made arrangements with Mr. John S. Grub, late of Alexandria, the originator of the Celerotype, by which they have secured his valuable assistance; and they now fearlessly announce that their pictures shall attain the highest point to which the art is susceptible.  Their new style are taken almost instantaneously, may be seen in any light, and are imperishable.  William A. Pratt & Co.

P. S.  All articles as usual at the New York prices.

A magnificent Northern Combination Skylight has just been erected, and is now in use by us.

Advertisement was recorded five times between June 12 to August 7, 1849.    

1849 June 12.  Richmond Whig and Public Advertiser.  (Richmond, Virginia.)  June 12, 1849, Vol. 26, No. 47, P. 3.

The Great Desideratum, is the improved Daguerreotype, called Celerotype.  By this method, the Portrait is taken in an incredibly short time, and with so fine a finish that it may be seen in all lights, and is imperishable.  We have secured the valuable services of its originator, Mr. John S. Grubb, late of Alexandria, and hereafter may promise pictures that cannot be excelled.  A northern combination, Sky Light, has lately been built, and is now in full operation, at No. 139 Main st., above Governor street, Wm. A. Pratt & Co. Proprietors.

Advertisement was recorded twenty six times between June 12 to October 9, 1849.

1850 August 16.  Richmond Enquirer.  (Richmond, Virginia.)  August 16, 1850, Vol. XLVII, No. 31, P. 3.

Grace Street Female Seminary, Between 7th and 8th Streets, Richmond, Virginia.—The Seminary, formerly under the direction of Mrs. Kingsford, will be opened on the 1st of October, 1850, under the superintendence of Mrs. John S. Grubb…

1856 July 18.  The Schenectady Reflector.  (Schenectady, New York.)  July 18, 1856, Vol. XXXII, No. 29, P. 3.

Singular Case, Supposed Clue To A Murder In 1849.—It will be recollected that on the 9th of March, succeeding the inauguration of President Taylor, the dead body of a man was found on the towpath of the Alexander canal, near Arlington…

Mr. S. Grubb took an accurate daguerreotype of the body, and the deceased was interred on Penny Hill, where he has slumbered now for seven years.

Funk, Nichols

Daguerreotypes, ,

1845                2nd Story of D. Appich’s Confectionary Store, Alexandria, Virginia.

1845 March 19.  Alexandria Gazette.  (Alexandria, Virginia.)  March 19, 1845, Vol. XLV, No. 67, P. 2.

For One Week Only.—Daguerrian Miniatures.—Mr. Nicholas Funk would respectfully call the attention of Citizens and Strangers to his Daguerreotype Apparatus, 2nd story of D. Appich’s Confectionary establishment, where can be had Miniatures, single or in groups, which, for beauty of color, tone and effect, cannot be surpassed.  Likenesses in all cases warranted to give satisfaction, and colored in most beautiful style.

Mr. F. is a pupil of Plumbe, and his Camera the latest improvement. Miniatures taken in all weather.  Entrance through the confectionary store.

Advertisement ran from March 19 to 21, 1845.

1845 March 26.  Alexandria Gazette.  (Alexandria, Virginia.)  March 26, 1845, Vol. XLV, No. 73, P. 2.

For One Week Longer.—Daguerrian Miniatures.—Mr. Nicholas Funk would respectfully inform the public, that in consideration of the liberal patronage extended him, during the past week, he will remain One Week More, in Alexandria, and respectfully invites examination of his specimens and apparatus, 2nd story of D. Appich’s Confectionary establishment, where can be had Miniatures, single or in groups, which, for beauty of color, tone and effect, cannot be surpassed.  Likenesses in all cases warranted to give satisfaction, and colored in most beautiful style.

Mr. F. is a pupil of Plumbe, and his Camera the latest improvement. Miniatures taken in all weather.  Entrance through the confectionary store.

Advertisement ran from March 26 to 28, 1845.

1845 April 14.  Alexandria Gazette.  (Alexandria, Virginia.)  April 14, 1845, Vol. XLV, No. 89, P. 3.

Notice Is Hereby Given, that Edwin R. Violett, at his cheap cash Store, next door to D. Appich’s Mint Stick and Doll Baby Emprium, and Mynheer Von Funk’s Daguerrean Gallery…

Bear, John W.

Daguerreotypes, , , , , , , , , , , , , ,

1845                Address Unknown, Philadelphia, Pennsylvania.[1]

1845                17 Hanover Street, Boston, Massachusetts.[2]

1846                Address Unknown, Wilmington, Delaware.

1846                Address Unknown, Washington, Delaware.

1846                Court House, Annapolis, Maryland.1

1846                Washington Street, Alexandria, Virginia.1

N. D.               Address Unknown, Frederick, Maryland.1

N. D.               Court House, Hagerstown, Maryland.1

N. D.               Address Unknown, Chambersburg, Pennsylvania.1

N. D.               Address Unknown, Carlisle, Pennsylvania.1

1847-1848       Address Unknown, Winchester, Virginia.1

1848                Rooms in the Court House, Charles Town, Virginia.

1850                Address Unknown, Schuylkill Haven, Pennsylvania. 

1850-1852       Various towns in Pennsylvania.1

1846 January 29.  The Boston Daily Mail.  (Boston, Massachusetts.)  January 29, 1846, Vol. VI, No. 45, P. 2.

Baer, the ‘Buckeye Blacksmith,’ is now taking daguerreotype likenesses at Wilmington, Del.  If we mistake not, he drew some very good portraits during the political campaign of 1840.

1846 January 30.  Blue Hens Chicken & Delaware Democratic Whig.  (Wilmington, Delaware.)  January 30, 1846, Vol. 1, No. 24, P. 3.

Daguerreotype Likenesses.  Mr. Bear, the Buckeye Blacksmith, respectfully informs the citizens of Wilmington and vicinity, that he has taken the room occupied by Messrs. Miller & Co., as a Writing School.  He will warrant a correct likeness not to fade, in a good Morocco Case for one dollar and a half.  Jan. 16.

1846 February 7.  The Hartford Times.  (Hartford, Connecticut.)  February 7, 1846, Vol. XXX, No. 1520, P. 3.

Baer, the “Buckeye Blacksmith,” is now taking daguerreotypes likenesses at Wilmington, Del.  If we mistake not. He drew some very good portraits during the political campaign of 1840.  Boston Mail.

1846 February 21.  Democratic Banner.  (Bowling Green, Missouri.)  February 21, 1846, Vol. 1, No. 50, p. 1.

Bear, the Buckeye Blacksmith, is Taking Daguerreotypes likenesses at Washington, Delaware.

1846 October 6.  The Spirit of the Times.  (Batavia, New York.)  October 6, 1846, Vol. 28, No. 16, P. 3.

John W. Bear, The Buckeye Blacksmith, who has figured considerably as a whig stump speaker, is now taking daguerreotype likenesses in Annapolis, Md.

1846 October 23.  American Republican and Baltimore Daily Clipper.  (Baltimore, Maryland.)  October 23, 1846, Volume XV, No. 99, P. 4.

Bear, the Buckeye Blacksmith, is across the Potomac, in Alexandria, taking daguerreotype likenesses.  He is a kind of man-of-all-work.  First a blacksmith, next a political orator, afterwards an Indian agent, then a temperance lecturer, and now a daguerreotypist.

1846 November 2.  The Columbian Fountain.  (Baltimore, Maryland.)  November 2, 1846, Volume 1, No. 273, P. 2.

Mr. Bear, The Buckeye Blacksmith is still alive and kicking, and is at present taking daguerreotype likenesses in Alexandria, Va.

1846 November 18.  Auburn Journal and Advertiser.  (Auburn, New York.)  November 18, 1846, Vol. 14, No. 29, P. 2.

John W. Baer, the “Buckeye Blacksmith,” is established at Alexandria, Va., as a Daguerreotypist, and meets with great encouragement.  If he can portray features as well as he did the political iniquities of Van Burenisn, we do not wonder at his success,

1848 July 25.  Spirit of Jefferson.  (Charles Town, Virginia.)  July 25, 1848, Volume V, No. 3, P. 2.

Correct Pictures.  Mr. John W. Bear has opened rooms at the Court House for the purpose of receiving visits of those who may desire Daguerreotypes—Mr. B. has in his position the best apparatus that has ever been in our place, or else is the best operator—probably both, combined—for his pictures are certainly the most correct delineations of the originals that we have ever seen.  Having examined his specimens we can speak thus positively, and all who desire good pictures will do well to “embrace the present opportunity.”  His card will be found in another column.

1848 July 25.  Spirit of Jefferson.  (Charles Town, Virginia.)  July 25, 1848, Volume V, No. 3, P. 3.

Only $1.50 for the Best Daguerreotype Likeness ever taken in Charlestown—

Mr. J. W. bear respectfully informs the Ladies and Gentlemen of Charlestown and vicinity, that he has taken rooms at the Court House, for a few days only, where, with the latest and best apparatus ever imported, and materials of the first quality, he is fully prepared to execute Daguerreotype Likenesses, of all sizes, in a style not to be surpassed by any other artist in the country.  Giving to the picture a bold relief from that deadness usually seen in Daguerreotypes, [and] fully developing the eyes, (the imperfections of which have so long been an objection to this class of Miniatures.) and giving the whole picture a life-like appearance unusually seen in the Daguerreotype Miniature.

Likenesses of Children, as young as two years, taken in exquisite style; and where is the parent that would not pay the paltry sum of $1.50, for a correct likeness at that interesting age?

Family groups taken on the largest scale ever taken in this country, in splendid style and at moderate prices.

Single pictures, medium sizes, colored true to life, and warranted not to fade for $1.50, including a fine morocco case.

As his stay will be limited to a few days, those wishing to procure miniatures or examine specimens would do well to call soon.

Miniatures taken without regard to the state of the weather from 6 o’clock, A. M., until 5 o’clock P. M.  Instructions given in the art with all the latest Improvements for a reasonable price.

RULES.

 No person shall be bound to take a picture unless they and their friends who are present when it is taken are satisfied that it is a correct likeness.  But no miniatures will be taken back and retaken after it leaves the room, under $1.

Call as soon for my prices are low.  If your pictures don’t please you I’ll call it no go.  Likenesses of servants taken in a splendid style.  Charlestown, July, 25, 1848.

Advertisement ran from July 25 to August 15, 1848.

1850 May 9.  The Star of the North.  (Bloomsburg, Pennsylvania.)  May 9, 1850, Volume 2, No. 15, P. 3.

We announced in our last issue the arrival of J. W. Bear, the Buckeye Blacksmith, and we must this week record his departure for Orwigsburg, attended by an escort of one or two constables.  His charge is seduction under promise of marriage.  The girl is a resident of Pottsville.—Schuylkill Haven Map.

1850 May 30.  Jefferson Republican.  (Stroudsburg, Pennsylvania.)  May 30 1850, Volume 10, No. 40, P. 3.

John W. Bear.  We learn that the suits commenced against John W. Bear, the Buckeye Blacksmith, have been withdrawn at the instance of the prosecutor, who admits that he acted under improper advice.  Mr. Bear is busily engaged in taking Daguerreotypes at Orwigsburg.

1850 June 6.  The Star of the North.  (Bloomsburg, Pennsylvania.)  June 6, 1850, Volume 2, No. 19, P. 3.

To The Public.  Mr. B. Bannan:—Sir—I perceived a small paragraph in the Miners Journal of Saturday 18th inst., stating that the prosecution or suits commenced against John W. Bear, “had been withdrawn at the instance of the prosecutor, who admits that he acted under improper advice, and that Mr. Bear is busily engaged in taking Daguerreotypes at Orwigsburg.”  In reply to which, I beg leave to answer, that the withdrawal of the suits was at the instance of John W. Bear’s Counsel, which, after reflection and consideration, I yielded to, upon the payment of costs and expenses, and with the understanding that he, (Bear,) would leave the county in a short time, permanently.  With reference to my having admitted that I had acted under improper advice, this is entirely incorrect.—Before the suits were brought, as since, and at present, I conceive it to be my duty, and the duty of every parent in this and all communities, to try and save their children from the seductive snare of the aged and artful, who are disposed to offer violence to the young and unwary, altho’ at the expanse of broken hearts of parents, family, and friends.

Your humble serv’t, most respectfully,  James Staats.  Pottsville, May 21st, 1850.  

[1] The Life And Travels of John W. Bear, “The Buckeye Blacksmith.” P. 138-152. .

[2] Boston City Directory, Residence Listing.  Not recorded in Directory of Massachusetts Photographers, 1839-1900.

Richards

Daguerreian Stock and Materials, Daguerreotypes, , ,

1853                3 Exchange Block, Alexandria, Virginia.

Richards appeared in one advertisement that was recorded on November 14, 1853 in the Alexandria Gazette (Alexandria, Virginia).  Daguerrean Fancy Goods.—Richards’, No. 3 Exchange Block, has every article generally kept in a Fancy Store, and of the best quality, and will be sold cheap.  Now if you want your Daguerreotype in a first rate case, go to Richards, and buy $5 worth of goods, and he will give you your picture free of charge.  The pictures are perfect, and warranted not to fade. 

Richards is not recorded in other photographic directories.

George P. Taylor

Ambrotypes, Photographs, , , , , , , ,

Ca. 1855-1856          10 Federal Street, Salem, Massachusetts.

1857                            Address Unknown, Haverhill, Massachusetts.[1]

1861                            Address Unknown, Salem, Massachusetts.[2]

ND                              Address Unknown, Alexandria, Virginia.

1866-1899                  188 Essex Street, Salem, Massachusetts.[2]

George P. Taylor was recorded from an entry in 200 Years Of Masonry In Essex Lodge 1779-1979 By Worshipful Harold Pierce Hadley.

George P. Taylor—born June 9, 1836, at 51 Broad Street, Salem.  Educated in Salem schools and at the age of 17 shipped on the White Swallow, to the Pacific.  Upon his return he was employed at D. W. Bowdoin’s.  From 1857-1859 had a traveling studio and practiced through Massachusetts.  During the Civil War he had a studio in Alexandria, Va.  Ca. 1867 with Charles F. Preston bought out the studio of William Snell the firm was Taylor and Preston he retired in 1906 and died on October 17, 1911.

George P. Taylor is recorded in other photographic directories, but is recorded here because of the additional information.

[1] Craig’s Daguerreian Registry

[2] A Directory Of Massachusetts Photographers 1839-1900.

D. Haas

Daguerreotypes, ,

1853                3 Exchange Block, King Street, Alexandria, Virginia.                                                  1855                Address Unknown, Alexandria, Virginia.

D. Haas was recorded in one announcement and one advertisement in the Daily Evening Star (Washington, D. C). The advertisement ran from August 18 to November 25, 1853. Alexandria Daguerrean Gallery Exchange Block, changed hands.  D. Haas having bought out the entire interest of E. L. Brockett in the above Gallery, and replenished his stock with a beautiful variety of new Plain and Fancy Cases, Lockets, Rings, Pins, and Ornamental Frames, is prepared to take Pictures with every improvement in the Art.

Pictures taken in any weather and warranted to give entire satisfaction.  He will not permit any Pictures to leave the Gallery that are not perfect.  Miniatures for lockets, Rings, and other Ornaments taken in the best possible manner an on the most reasonable terms.  The Public are requested to call and examine for themselves.  Remember the place—the only Daguerrean Gallery in Alexandria, No. 3 Exchange Block, King street, Alexandria,  Va.

The announcement appeared on December 15, 1855.  Alexandria Correspondence.  Alexandria, Dec. 15, 1855…The Ladies Fair at Sarepta Hall continues to be the centre of evening gayety…

Among the principal objects of public interest here is the memorial prepared by Mr. Haas, at his daguerrean gallery, to the victims of the recent calamity by the fire.  I[t] consists of a unique frame, enclosing admirable likenesses of the fallen firemen around a circle, in which is daguerreotyped the inscription, “The victims of the fire on King street, November 17, 1855:  Their memory is enshrined in the hearts of their fellow citizens.”  The tout ensemble is really beautiful, and Mr. H. deserves equal praise for his skill as for his public spirit.

D. Haas was recorded in Craig’s Daguerreian Registry in Alexandria, Virginia from 1860 to 1871.

Robert A Carden

Ambrotypes, Daguerreotypes, Photographs, , , , , , ,

1855                Address Unknown, Alexandria, Virginia.                                                                          1853-1854     293 Broadway, New York, New York.                                                                        1854                369 Broadway, New York, New York.[1]                                                                1855                Address Unknown, Alexandria, Virginia.                                                                  1856                Clay & Kearny Streets, San Francisco, California.[2]                                      1858                Address Unknown, New Orleans, Louisiana.

Based on work done by Peter Palmquist and Thomas Kailbourn in Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, Craig’s Daguerreian Registry by John Craig, New York City Directories, and newspaper advertisements and notices in New York City and Washington, D. C.  I’ve put together the following snapshot of Carden’s activity.

Robert A. Carden was not listed in the 1852-1853 New York City Directory, he was listed in the 1853-1854 and 1854-1855 directories as daguerreotypes, 293 Broadway, in 1853-1854 directory his house was listed at 393 Broadway, Carden was not listed in subsequent NYC directories.  In 1853-1854 there was also a listing for Carden & Co, daguerreotypes, at the 293 Broadway.

Carden was recorded on April 13, 1853 in the New York Daily Tribune (New York, New York.)  25 Cent Daguerreotypes.—Carden & Co., No. 293 Broadway, are still taking those superb Pictures at the low price of 25 cents, notwithstanding there are some who advertise 12 ½ cent one to be taken at a future day.  It is a well known fact that a picture cannot be produced for less than 25 cents; hence the great rush every day at Carden & Co.’s.

Craig’s Daguerreian Registry recorded the partnership of Carden & Norton, 369 Broadway from the 1854 Mercantile Directory.

He was recorded in the Daily American Organ (Washington, D. C.) on February 9, 1855 and in the Evening Star (Washington, D. C.) on February 10, 1855.  The Exhibition of the Metropolitan Mechanic’s Institute.—…Contributions from Virginia…Smith Bennett and Robert A. Carden, Frames of beautiful daguerreotypes;

Six months later the following advertisement appears on August 9 & 15, 1855 in the Evening Star (Washington, D. C.)  Daguerrean Gallery For Sale in Alexandria, Va.  One of the best rooms in Alexandria.  Will be sold cheap for cash.  Any person who wants to learn the business will be taught; and also will teach the art of Photograph free.  That alone is worth one hundred dollars to any artist.  Two Artist wanted to color Photographs.  Address “RAC,” Artist, Alexandria, Va.

Pioneer Photographers of the Far West A Biographical Dictionary, 1840-1865, by Peter Palmquist and Thomas Kailbourn.  They mention that Carden is in San Francisco, California in 1856 working for Henry William Bradley at Clay & Kearny Streets.  Also that he wrote two articles for the Photographic and Fine Art Journal on April 1857, p 112 & 113 on Photography in California and was signed R. A. C. the same as the Evening Star advertisement on August 9 & 15, 1855.   In August of 1858 he wrote about the New Orleans Photographic Galleries on pages 244 & 245. Carden is reported in the same issue on page 256 that that he has returned to New York from New Orleans where he showed Ambrotypes and prints taken while he was there.  Was Carden active as a photographer or possibly as an assistant?  Further research is needed.  He was not listed in as being active in Photography in New Orleans The Early Years, 1840-1865, by Margaret Denton Smith and Mary Louise Tucker except to mention the article in The Photographic And Fine Art Journal.

Recorded on November 11, 1859 in the New York Daily Tribune (New York, New York.)  Carden—At Little Falls, Herkimer County, N. Y., on Thursday, Sept. 15, Robert A. Carden, photographic artist, formerly of this city [died], aged 26.

[1] Craig’s Daguerreian Gallery in partnership of Carden & Norton.                                                   [2] Entry for 1856 & 1858 from Pioneer Photographers Of The Far West.

 

E. L. Brockett

Daguerreotypes, ,

1853                3 Exchange Block, King Street, Alexandria, Virginia.

E. L. Brockett was recorded in the Daily Evening Star (Washington, D. C.) in an advertisement which ran from August 18 to November 25, 1853.  Alexandria Daguerrean Gallery Exchange Block, changed hands.  D. Haas having bought out the entire interest of E. L. Brockett in the above Gallery, and replenished his stock with a beautiful variety of new Plain and Fancy Cases, Lockets, Rings, Pins, and Ornamental Frames, is prepared to take Pictures with every improvement in the Art.

Pictures taken in any weather and warranted to give entire satisfaction.  He will not permit any Pictures to leave the Gallery that are not perfect.  Miniatures for lockets, Rings, and other Ornaments taken in the best possible manner an on the most reasonable terms.  The Public are requested to call and examine for themselves.  Remember the place—the only Daguerrean Gallery in Alexandria, No. 3 Exchange Block, King street, Alexandria, Va.

E. L. Brockett is not recorded in other photographic directories that I have access to.

 

Nahum S. Bennett

Daguerreotypes, , , , , , , , , , , , ,

There are a series of announcements and advertisements in the Washington, D. C. Newspapers that place Nahum S. Bennett in D. C. from 1850 to late 1852.  He was first recorded in The Daily Union (Washington, D. C.) in an announcement on August 21, 1850.

We are indebted to Mr. N. S. Bennett, of this city, for a daguerreotype likeness of Mr. Millard Fillmore, the present President of the United States, and lithographed by Mr. A. Newman.  It is an admirable likeness, and beautifully executed.  The President’s face is calculated to grace the art of the daguerreotypist or the painter; but those features are too apt to undergo a premature revolution from the wrinkles of care, which power, if faithfully administered, stamps with its seal upon the brow.…

In an announcement that was published in the Daily American Telegraph (Washington, D. C.) on July 13, 1852.  A Beautiful Daguerreotype.  The most perfect and admirable daguerreotype likeness we have ever seen has just been made of General Winfield Scott, by Mr. Bennett, of this city.  It is of very large size, and as clear and distinct as the reflection from a polished mirror.

We learn that the old General sat for this likeness with cheerfulness and patience, though under protest, declaring that so frequently has he of late been called upon to sit to artists of various kinds that he must henceforth refuse.  If others have succeeded as well as Mr. Bennett, we do not, indeed, think further efforts are needed.

Also on the 13th the following advertisement appears Rocky Mountain Indians!  Daguerreotype likenesses of the principal Chiefs of the Different Rocky Mountain tribes of Indians on exhibition at Bennett’s National Gallery, Penna. av., between 6th and 7th sts.

The last Daguerreotype, from life, of the departed patriot, Henry Clay, may be seen at Bennett’s National Gallery, Pa. av., between 6th and 7th sts.

In an article entitled The Pueblo Indians in the Daily American Telegraph (Washington, D. C.) on August 13, 1852 in part….Bennett, the skilful and popular daguerreotypist, took their portraits yesterday.  They were highly gratified, and, when told that each of them should have a copy of his own likeness, their pleasure knew no bounds.  The old man of the party (aged sixty-four) looked at his image for a while, and then said:  “When I am dead, and gone to heaven, I shall still live in this.”…

In an advertisement in the Daily American Telegraph.  (Washington, D. C.) on September 20, 1852 we learn that a portrait of General Scott is being painted by Stanley[1] which is possibly the best portrait of the General ever painted.  It is from a most beautiful daguerreotype by Bennett, of this city.

The last advertisement in the Daily American Telegraph (Washington, D. C.) appeared on October 26 and ran until November 18, 1852.  Crayon Daguerreotypes.  This style of Photographic Pictures was patented by John A. Whipple, of Boston, about six years since[2], and introduced into this city by Bennett in 1850, as many who have had them know.  Mr. B. continues to take them, in a superior manner, at his Gallery, Pennsylvania avenue, between 6 and 7th streets.

Published in an article about early Daguerreotypist in Washington, D. C. a letter from Samuel Rush Seibert dated October 19, 1896 is included.  It is in reply to Samuel C. Busey’s inquiry about early Daguerreotypist in Washington.  He states in part “Mr. N. S. Bennett had a Daguerreotype gallery a few doors west, on the same avenue, in a building which was on the east side and adjoining L. D. Gilman’s drug store. During the winter of 1851 and 1852 I negotiated with him for the purchase of the gallery for Marcus A. Root and John H. Clark, who immediately obtained possession and refitted the skylight and rooms, and there produced many fine specimens of the Daguerrean art.[3]”

Based on the last advertisement of Bennett’s (October 26, 1852) and the first ad for Root in the Washington papers (December 19, 1852) the sale of the gallery had to be in October-November 1852.  Interesting John H. Clark[e] does not appear in any advertisements found in the D. C. newspapers.  According to Laurie Baty’s unpublished Directory of Washington, D. C. Photographers Clark was a pupil of Root’s and was the operator of his D. C. gallery.

Bennett was on board the steamer Empire which left Troy, NY around 7 P. M. on Friday July 15, 1853 heading to New York City, when it was in a collision with the sloop General Livingston about 2 A. M on the 16th on the west shore of the Hudson River, opposite Clinton Point, about two and a half miles above New-Hamburg, and six below Poughkeepsie.   A number of people were killed or injured in the accident.  The extent of Bennett injuries are unknown it is reported in the Daguerreian Journal that he did lose a valuable collection of daguerreotypes including a whole plate of the last portrait taken of Henry Clay, sixteen specimens of members of the U. S. Senate, Likenesses of the Rocky Mountain Indian Tribes, and a portrait of Billy Bow Legs and John Howard Payne[4], who was an American actor, poet, playwright, and author.

No other advertisements, notices or articles have been found in any of the Washington newspapers that I have access to, until the three advertisements in the Evening Star discussed previously about Smith Bennett who was award a silver medal at the 1855 Metropolitan Mechanic’s Institute while he was in Alexandria, Virginia.

Reported in the Evening Star (Washington, D. C.) on February 10, 1857.  That N. S. Bennett has sent an application to the Mechanics’ Fair to exhibit ambrotypes and daguerreotypes.  Then on March 31 (in the same paper) a list was published of the premiums awarded at The Fair…Class 30….

Brady, N. Y.—photographs—Silver Medal.                                                                                 Whitehurst, Washington—ambrotypes—Silver Medal.                                                               Whitehurst, Washington—daguerreotypes—First award of merit.                                         Langenheim, Philadelphia—stereoscopes—Silver Medal.                                                      Vannerson, Washington—photographs, ambrotypes and daguerreotypes—Bronze Medal.   Whitehurst, Washington—photographs—Diploma.                                                                       Cutting & Turner, Boston—ambrotypes—Diploma                                                                                  N. S. Bennett, Alexandria—daguerreotypes—Diploma.

Bennett is reported to have been active in 1860 in Alexandria at 69 King Street.  At this time I have been unable to find directories for Alexandria to verify activity dates and address for Bennett from 1855-1860+.

[1] Probably John Mix Stanley.

[2] Crayon Daguerreotypes were patented by Whipple on January 23, 1849, Patent No. 6,056.

[3] In an article published in the Records of the Columbia Historical Society, Washington, D. C.  Vol. 3, P. 81-95.  Entitled Early History of Daguerreotypy in the City of Washington, by Samuel C. Busey.

[4] Article in the New York Times, July 18, 1853, P. 1.

Nathan S. Bennett

Daguerreotypes, , , , , , , ,

Nathan S. Bennett was first recorded in the 1844 Boston City Directory as a photographer at 109 Washington Street, Boston[1], with no residence information provided.  He was not listed in subsequent directories.  He next appears in an advertisement in the Wilmington Journal newspaper (Wilmington, North Carolina.)  The advertisement ran from December 24, 1847 to January 28, 1848.

“Transferred by wondrous magic art, Behold how perfect every part.”  N. S. Bennett, From Boston, would most respectfully inform the inhabitants of Wilmington and vicinity, that he has fitted up rooms in the rear of Dr. Ware’s Office, Front Street, for the purpose of taking Daguerreotype Miniatures, and would invite all who wish really bold and perfect miniatures of themselves or friends, to give him a call.  By a new and expeditious process, peculiar to himself, he is enabled to take the likeness of infants, of almost any age; and parents may now procure pictures of their little ones which will be protraction’s of life itself.  Hours for operating, from 10 a. m., till 4 p. m.

Nathan S. Bennett is recorded in several photographic directories for his time spent in Boston in 1844.  The possible connection to the Hale brothers (Charles E. and or Luther Holman) has not previously been explored.  There is also another possible connection to Smith Bennett and Nahum S. Bennett in Washington, D. C. and Alexandria, Virginia.

[1] He may have worked for Charles E. Hale and or possibly Luther Holman Hale in 1844-1845 at 109 Washington Street.