Category Archives: Daguerreotypes

Martin, S. B.

1853                Rooms opposite Dr. James’ Hotel, Sailsbury, North Carolina.

1853                Rowan House, Salisbury, North Carolina.

1856                Rooms with Dr. Cutliff, Shreveport, Louisiana.

1853 January 13.  The Carolina Watchman.  (Salisbury, North Carolina.)  January 13, 1853, New Series.–Vol. IX, No. 36, P. 2.

Pictures.—Mr. S. B. Martin, Daguerrean Artist, is now offering an opportunity to the citizens of this place and vicinity to have portraits taken.  See his advertisement in another column.

1853 January 13.  The Carolina Watchman.  (Salisbury, North Carolina.)  January 13, 1853, New Series.–Vol. IX, No. 36, P. 2.

Daguerreotypes.  S. B. Martin, Would respectfully announce to the citizens of Salisbury and vicinity, that he has opened rooms directly opposite Dr. James’ Hotel, where he offers a most favorable opportunity for obtaining splendid Likenesses, taken in every style of the Art.  Taken equally as well in cloudy weather as in clear.

Ladies and gentle are invited to call and examine specimens.

Advertisement ran from January 13 to February 17, 1853.

1853 April 14.  The Carolina Watchman.  (Salisbury, North Carolina.)  April 14, 1853, New Series.–Vol. IX, No. 40, P.3.

Sky light Daguerrean Gallery, At the Rowan House, Salisbury, North Carolina, By. S. B. Martin.  Daguerreotypes taken of all sizes, in every style of the Art, and finished in the best manner the Art is capable of producing.  Children of every age taken.  Every exertion will be made to give entire satisfaction to all who may patronize him.

Rooms opened about the first of May next.  Ladies and Gentlemen are invited to call and examine specimens whether they wish to set or not.

Advertisement was recorded from April 14 to May 5, 1853.[1],[2]

1856 February 6.  The South-Western.  (Shreveport, Louisiana.)  February 6, 1856, Vol. IV, No. 25, P.2.

Those wishing to procure daguerreotypes, of a superior order, are referred to the advertisement of Mr. Martin.  He has taken many fine pictures.

1856 February 6.  The South-Western.  (Shreveport, Louisiana.)  February 6, 1856, Vol. IV, No. 25, P.3.

S. B. Martin, Daguerreotypist, Has taken rooms with Dr. Cutliff, where he is well prepared to furnish likenesses in a superior style, put up in stereoscopic, magnifying or common cases, single or in groups.  Also in lockets, pins, rings, &c.  Paintings, daguerreotypes, etc., correctly copied.—Taken in any weather and in a manner never surpassed here or elsewhere.  Ladies and gentlemen are respectfully invited to call and examine specimens.

Instruction given in the art.                

Advertisement ran from February 6 to March 5, 1856.


[1] There was no available newspaper to reference after May 5, the next paper available was August 18, 1853, which S. B. Martin was not listed. 

[2] More research is needed to connect the two S. B. Martins’.  It is possible they are the same person.

Martin, James E.

1846                Rooms over Mr. Prescott’s Jewelry Store, Keeseville, New York.

1846                Plattsburgh Library Room, opposite Trinity Church, Plattsburgh, New York.

1846                Fireman’s Hall, Plattsburgh, New York.

1846-1847       100 State Street, Walker’s Building, Schenectady, New York.

1847                Rooms First Building West of the Congregational Church, Litchfield, Connecticut.

1847                No. 5 County House, Litchfield, Connecticut.

1846 May 23.  Essex County Republican.  (Keeseville, New York.)  May 23, 1846, Vol. VIII, No. 107, P. 3.

Colored Daguerreotype Miniatures.  Messrs. Ficket & Martin respectfully announce to the citizens of this place and vicinity, that having taken rooms over Mr. Prescott’s Jewelry store they are prepared to execute miniatures of all sizes, from that of a sixpence to the largest ever taken in this place—in a superior style in tone, coloring and finish—put up in fine cases or lockets, and warranted to give satisfaction.

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., they will take them in Exchange For New Ones, or find a new plate and put them up into the case at reasonable prices.

In taking likenesses by this new method, different kinds of chemicals are made use of, and the gilding is of an entirely different and superior quality from that used formerly, by which the impression is made permanent on the plate; and the depth-like appearance, which has hitherto been the objection to Daguerreotype Likenesses, is obviated.

Our mode of operating is entirely different from that of operators who have previously visited this place.

Ladies and Gentlemen are solicited to call and examine specimens and sit for their likenesses if they chose, by way of experiment.

Those wishing to avail themselves of this opportunity will please call soon, as we shall stay but a few days only.

Likenesses taken in all kinds of weather.                              

Advertisement ran from May 23 to June 20, 1846.

1846 June 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  June 20, 1846, Vol. XXXVI, No. 49, P. 3.

Colored Daguerreotype Miniatures!  Messrs. Ficket & Martin respectfully announce to the citizens of this village and vicinity, that they have taken the Plattsburgh Library Room, opposite Trinity Church, the are prepared to execute Miniatures of all sizes, from that of a six-pence to the largest ever taken in this place—in a superior style in tone, coloring, and finish—put up in fine cases or lockets, and warranted to give satisfaction.

They would say to those who have pictures taken by the old method, which are either faded out, or unlifelike in color, &c. that they will take them in Exchange for New ones, or find a new plate and put them up into the cases at reasonable prices.  Our mode of operating is entirely different from those who have previously visited this place.

In taking likenesses by this new method, different kinds of chemicals are made use of, and the gilding is of an entirely different and superior quality from that used formerly, by which the impression is made permanent on the plate, and the death-like appearance, which has hitherto been the objection to Daguerreotype Likenesses, is obviated.

Ladies and Gentleman are solicited to call and examine specimens and sit for their likenesses, if they choose, by way of experiment.

Those wishing to avail themselves of this opportunity will please call soon, as we shall stay but a few days only.

Instruction in the art given, and all apparatus and chemicals found, upon reasonable terms.

Likenesses taken in all kinds of weather.                              

Advertisement ran from June 29 to July 11, 1846.

1846 July 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 11, 1846, Vol. XXXVI, No. 52, P. 2.

Messrs. Ficket & Martin have been taking likenesses by the Daguerreotype process, at Firemen’s Hall, in this village, for the past week, with great success.  The following notice appeared in the Keeseville Republican a week or two since:  “A slight inspection of the work thrown off since their arrival in Keeseville, will at once convince any one as it has us, that they are no ordinary artists, and that none who have heretofore visited the place have been able to approach the perfection in the execution of a likeness which they display.  Many improvements have been introduced into the mode of taking pictures, of which they have availed themselves, and all their materials are of the very best quality from the celebrated establishments of Plumb[e] in New-York.  Sitters do not now have an opportunity of falling asleep in their chairs while a picture is perfecting, and what is better, a good likeness is almost invariably the result of the first trial.  It is well worth a visit to their [rooms to notice the [ ? ] their business is accomplished, and the striking clear and life-like expression that is imparted to their pictures. 

Those intending to give them a call will do well to improve an early opportunity, as they will probably leave here next week.

1846 December 18.  The Schenectady Reflector.  (Schenectady, New York.)  December 18, 1846, Vol. XII, No. 51, P. 3.

Colored Photographic Likenesses.  Messrs. Fickett & Martin, have rented rooms at No. 100 State-street, (up stairs) where they will remain a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior style, possessing all the Colors Of Life, and Warranted To Give Satisfaction.

Having made themselves acquainted with all the late improvements in the Art, they are prepared to do work which shall compare with any done in our larger cities.

Likenesses taken by the old method, which are either faded out, or unlife-like in color, &c. will be taken in exchange for new ones, or a new plate fitted to the cases, at reasonable rates.

Ladies and gentlemen are solicited to call and examine specimens, and sit for their likenesses, if they chose, by way of experiment.

Miniatures taken in all kinds of weather.

Rooms in Walker’s Building (opposite Mathews Store.)  Schenectady.

Advertisement ran from December 18, 1846 to February 5, 1847.

1846 December 22.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  December 22, 1846, Vol. XXXVII, No. 1901, P. 3.

Colored Photographic Likenesses.  Messrs. Fickett & Martin, have rented rooms at No. 100 State-street, (up stairs) where they will remain a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior style, possessing all the Colors Of Life, and Warranted To Give Satisfaction.

Having made themselves acquainted with all the late improvements in the art, they are prepared to do work which shall compare with any done in our larger cities.

Likenesses taken by the old method, which are either faded out, or unlife-like in color, &c. will be taken in exchange for new ones, or a new plate fitted to the cases, at reasonable rates.

Ladies and gentlemen are solicited to call and examine specimens, and sit for their likenesses, if they chose, by way of experiment.

Miniatures taken in all kinds of weather.

Rooms in Walker’s Building (opposite Mathews Store.)  Schenectady.      

Advertisement ran from December 22, 1846 to February 9, 1847.

1846 December 22.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  December 22, 1846, Vol. XXXVII, No. 1901, P. 3.

Presents For The Season!—Parents or Children, Brothers or Sisters, or even Lovers, can, by calling on Messrs.  Fickett & Martin, at their Rooms, obtain a perfect, true and permanent Likeness of themselves, put up in fine Cases or Lockets, and making as suitable present for the holydays as can be procured.

Our rooms, at 100 State-st. in walker’s building, have been fitted up for the convenience and comfort of those who may favor us with a call.

Advertisement ran on December 22 & 29, 1846.

1846 December 25.  The Schenectady Reflector.  (Schenectady, New York.)  December 25, 1846, Vol. XII, No. 52, P. 2.

Mr. Editor.  A day or two since, I called with a friend up on Mr. Martin (of the firm Fickett and Martin) at their rooms, where I saw some of the finest and most finished specimens of Daguerreotype Miniatures imaginable, being far superior in many respects, to any-thing of the kind that has been done in this place previous to their coming, and equal to any done in the land; there is a clearness and life-like appearance, a softness of tone, and a richness in the coloring of their Likenesses which has not been approached by those who have preceded them—and I would say to those who may wish a lasting and suitable “present for the season” to give them a call, at 100 State st. (up stairs) in Walker’s Building.

1847 January 5.  The Schenectady Cabinet, or, Freedom’s Sentinel.  (Schenectady, New York.)  January 5, 1847, Vol. XXXVII, No. 1903, P. 3.

Colored Daguerreotype Likenesses.—The Subscribers are now prepared to execute, in the finest and most perfect manner, Daguerreotype Miniatures, which are permanent and life-like, and colored to suit the taste of patrons.  Likenesses taken in various sizes, and put up in rich gold or plated lockets, frames or cases, and warranted satisfactory.

Likenesses taken from family paintings that look more natural and life-like than the paintings.

Ladies and Gentlemen are invited to call and examine specimens at our room No. 100 State-street, (up stairs.)

Instructions in the art, and all apparatus, plates, chemicals, &c., furnished at reasonable rates. Fickett & Martin.                                                            

Advertisement ran from January 5 to February 9, 1847.

1847 January 15.  The Schenectady Reflector.  (Schenectady, New York.)  January 15, 1847, Vol. XIII, No. 3, P. 3.

Colored Daguerreotype Likenesses.—The Subscribers are now prepared to execute, in the finest and most perfect manner, Daguerreotype Miniatures, which are permanent and life-like, and colored to suit the taste of patrons.  Likenesses taken in various sizes, and put up in rich gold or plated lockets, frames or cases, and warranted satisfactory.

Likenesses taken from family paintings that look more natural and life-like than the paintings.

Ladies and Gentlemen are invited to call and examine specimens at our room No. 100 State-street, (up stairs.)

Instructions in the art, and all apparatus, plates, chemicals, &c., furnished at reasonable rates. Fickett & Martin.   Jan. 5.

Advertisement ran from January 15 to February 26, 1847.

Daguerreotypes.—We cordially invite the attention of our readers to the advertisement of Messrs. Martin & Locke, Daguerreotypist, 1st door west of the Congregational Church.  All who desire to obtain elegant and correct miniatures of themselves or their friends, will do well to avail themselves of the opportunity now presented.  A far mor exact likeness can now be obtained for $2, than could have been procured for $30 ten years ago.

1847 June 3.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 3, 1847, Vol. XXI1, No, 3, Whole No. 1095, P. 3.

Colored Photographic Likenesses.  Messrs. Martin & Locke Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made themselves acquainted with all the latest improvements in the Art, they are prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

Advertisement ran from June 3 to 17, 1847.

1847 June 17.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 17, 1847, Vol. XXI1, No, 5, Whole No. 1097, P. 3.

Martin’s Premium Colored Daguerreotypes.  Rooms in the first building west of the congregational Church. 

Advertisement ran on June 17 & 24, 1847.

1847 June 24.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 24, 1847, Vol. XXI1, No, 6, Whole No. 1098, P. 2.

Daguerreotyping.  We invite the attention of our readers to the following notices of Martin’s Daguerreotypes.  From personal observation we know the statement to be correct.  Mr. Martin will remain in town a few days longer.  Those who design to have their likenesses taken, will do well to avail themselves of the present opportunity.

Opinions Of The “Press” In favor of Martin’s Premium Daguerreotypes.

“Many improvements have been introduced into the work of taking pictures, of which he has availed himself, and all his materials are of the very best quality.”—Keeseville (N. Y.) Republican.

“They are of the finest and most finished specimens of Daguerreotype Miniatures—superior alike in clearness and life-like appearances, softness of tone, and richness of coloring.”—Schenectady (N. Y.)  Reflector.

“Giving our citizens an opportunity to examine specimens, and obtain of themselves or friends a Likeness that will out-rival the finest painting in finish and accuracy.”—St. Albans, (Vt.)  Messenger.

“There is a naturalness in the in the Miniatures, a perfection, a beauty we never saw equalled,”–St. Albans (Vt.)  Republican.

“His pictures are equal to any, and surpassed by none in the country.”—Glen Falls (N. Y.)  Republican.  

“They are the finest specimens of Daguerreotype Miniatures we have ever seen, and would recommend to them who have not done so, to call upon him at once.”—Kingston (N. Y.) Journal.

Those persons who may be desirous of obtaining a Likeness of themselves or friends, would do well to call soon, as my stay in this place is somewhat limited.

A few fine Gold Lockets on hand, suitable for Miniatures, which will be sold at reasonable prices.

Likenesses taken in all kinds of weather.

Rooms in the first building west of the Congregational Church.

1847 June 24.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  June 24, 1847, Vol. XXI1, No, 6, Whole No. 1098, P. 3.

Colored Photographic Likenesses.  Martin’s Formerly Messrs. Martin & Locke Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made themselves acquainted with all the latest improvements in the Art, they are prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

They would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

1847 June 26.  Litchfield, Republican.  (Litchfield, Connecticut.)  June 26, 1847, Vol. 1, No, 1, P. 2.

Now Is Your Time.   We understand that Mr. Martin, the Daguerreotypist, contemplates remaining in this village but a short time.  His miniatures are a little superior to any we have seen.  They almost induce us to believe in “Fairy Legends,” so often and so sweetly sung by the Poets—particularly by Spencer in his “Fancy Queen.”  They seem to live, to breath, to speak.  Mr. Martin is justly entitled to great credit for his unrivalled proficiency in this most beautiful and splendid art.  We have seen the Daguerreotype likenesses of Pardee in Waterbury, which are admirably fine; but we cannot say that they excel those of Mr. Martin.  We sincerely hope that he will meet with good encouragement every where, as he is eminently deserving of the most extensive patronage.  We refer our readers to his card or advertisement in another column.  

Advertisement ran on June 26 & July 1, 1847

1847 June 26.  Litchfield, Republican.  (Litchfield, Connecticut.)  June 26, 1847, Vol. 1, No, 1, P. 3.

Martin’s Premium Colored Daguerreotypes.  Rooms in the 1st Building West Of The Congregational Church.

Advertisement ran from June 26 to July 29, 1847.

1847 July 1.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 1, 1847, Vol. XXI1, No, 7, Whole No. 1099, P. 3.

Martin’s (Formerly Martin & Locke’s) Premium Colored Photographic Likenesses.  Will remain in this place for a short time, and will execute Photographic Likenesses by the Daguerreotype process, in a superior stye, possessing all the Colors of Life and guaranteed to give satisfaction.

Having made himself acquainted with all the latest improvements in the Art, he is prepared (with the use of a different and superior article of Chemicals and gilding, by which, the impression receives a perfectly clear and natural appearance, and is made permanent upon the plate,) to do work which shall compare with any done in the cities.  Our mode of operating being the same as that of the principal Galleries in New York and Boston, and entirely different from those who preceded us. 

He would say to those who have pictures taken by the old method which are either faded out, or unlifelike in color, &c., that they will take them in Exchange For New Ones, or find a new plate and put them up into the cases at reasonable prices.

Groups of from two to six taken with all the distinctness of a single picture.

Likenesses of children taken with much success.  Also, Likenesses taken from Family Portraits which look more natural and lifelike than the Painting.

Ladies and Gentlemen are solicited to call and examine specimens, and sit for their Likenesses, if they choose, by way of experiment.

Likenesses taken in all kinds of weather.  Rooms 1st building west of the Congregational Church.

Advertisement ran from July 1 to September 2, 1847.

1847 July 8.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 8, 1847, Vol. 1, No, 2, P. 2.

Landscape Daguerreotyping.—On Wednesday of last week, our friend Martin showed us a most beautiful representation of the finest portion of our Village, taken by himself in Daguerreotype.  It included most of the public buildings—the Park—the Mansion House—the conspicuous edifices in the business part of the borough—her stately elms and other trees—and an extensive portion of the most beautiful scenery in the vicinity.  It is a most accurate and elegant specimen of the wonderful powers of the Daguerreotype, in the hands of a true artist, in landscape pencilling with beams of light.  it would constitute an exquisite parlor ornament, to hang up on the side of the wall, in the place of many of those engravings, which cannot compare with it, in any respect.

The public will find it for their benefit and gratification, to call on Mr. Martin , as soon as convenient, if they wish to have their likenesses taken; as he he contemplates remaining in this village but a short season.

1847 July 15.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 15, 1847, Vol. XXI1, No, 9, Whole No. 1101, P. 2.

Martin’s Premium Daguerreotypes. We are requested to state that next week will be the last one of Mr. Martin’s stay among us, for the purpose of taking Daguerreotype Likenesses.  Those who have delayed, will do well to give him a call immediately.

1847 July 15.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 15, 1847, Vol. 1, No, 3, P. 2.

Colored Daguerreotypes.—Mr. Martin requests us to give notice, that his stay in Litchfield is about to close, next week being the last of his remaining among us.  He has met with much and deserved success in his profession—giving satisfaction to all who have called upon him.  we would advise all who have not done so, to call at his rooms, and improve the opportunity now offered, for securing superior likenesses; for they know not how soon they may have occasion to regret it, through accident or otherwise, should they not do so.  The Preservation of the well-known features of relatives and friends, who are liable every day, to be sundered by death, or called away to some far distance land, should be the duty, as it is the privilege of all who choose to avail themselves of the opportunity now presented.  Mr. Martin can be found as usual, in the first building west of the Congregational Church.

1847 July 22.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 22, 1847, Vol. 1, No, 4, P. 3.

A Card.  Mr. Martin would take this method of expressing to the citizens of Litchfield, his obligations for the kindness which they have manifested towards him; and being agreeably disappointed in the extent of their patronage, he would inform them , that his Rooms will be kept open a short time longer, giving those who wish, an opportunity of securing his services. 

1847 July 29.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  July 29, 1847, Vol. XXI1, No, 11, Whole No. 1113, P. 3.

Notice.—Mr. Martin would inform the citizens of Litchfield and vicinity that his Rooms will be kept open for the purpose of taking Daguerreotype Likenesses, until after the sitting of Court, which will be the extent of his stay in this place owing to arrangements for going elsewhere.

Advertisement ran from July 29 to August 26, 1847.

1847 July 29.  Litchfield, Republican.  (Litchfield, Connecticut.)  July 29, 1847, Vol. 1, No, 5, P. 3.

Notice.  Mr. Martin, would inform the citizens of Litchfield and vicinity, that his Rooms will be kept open for the purpose of taking Daguerreotype Likenesses until after the sitting of the Court, which will be the extent of his stay in this place; owing to arrangements for going elsewhere.

Advertisement ran from July 29 to September 2, 1847.

1847 August 19.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  August 19, 1847, Vol. XXII, No, 14, Whole No. 1016, P. 3.

Persons visiting Litchfield during Court, are respectfully referred to the advertisement of Mr. Martin, the Daguerreotypist.  We have never seen better Likenessses than have been made by him.

1847 August 19.  Litchfield, Republican.  (Litchfield, Connecticut.)  August 19, 1847, Vol. 1, No, 8, P. 2.

Mr. Martin, the Daguerreotypist, is still “on hand,” and will be, during the Court.  His likenesses are just as true to nature as ever, and his prices do not vary, any more than the labors of his genius.  He needs no further recommendation.

Bear in mind, that Mr. Martin, the Daguerreotype artist, remains in town but a few days longer.

1847 September 2.  Litchfield, Enquirer.  (Litchfield, Connecticut.)  September 2, 1847, Vol. XXI1, No, 16, Whole No. 1118, P. 3.

Notice.  To all whom it may concern.—Mr. Martin having made arrangements with Mr. J. L. Judd of this village, who is receiving through instructions; is obligated to stay in Litchfield a few days longer, for the purpose of taking Daguerreotype Likenesses;

On and after Monday of next week, September 6th, he can be found at the County House where he will be pleased to see all who may favor him with a call.

Rooms at the County House, No. 5 up stairs.

Advertisement ran on September 2 & 9, 1847.

1847 September 2.  Litchfield, Republican.  (Litchfield, Connecticut.)  September 2, 1847, Vol. 1, No, 10, P. 3.

Notice.  To all whom it may concern.—Mr. Martin having made arrangements with Mr. J. L. Judd of this village, who is receiving through instructions; is obligated to stay in Litchfield a few days longer, for the purpose of taking Daguerreotype Likenesses;

On and after Monday of next week, September 6th, ha can be found at the County House where he will be pleased to see all who may favor him with a call.

Rooms at the County House, No. 5 up stairs.

1847 September 2.  Litchfield, Republican.  (Litchfield, Connecticut.)  September 2, 1847, Vol. 1, No, 10, P. 2.

For The Republican.  Sonnet, To Mr. Martin, The Daguerreotypist.

Thine is an Art, my friend, of Wond’rous power,

More than a Raphael’s pencil ever drew.

From Inspiration’s heaven-encircled bower,

All glowing bright with Hermon’s sacred dew!

With magic skill, how dost thou bring to view

Friends, lovers, kindred—all, a brilliant throng,

More lovely than the sweetest power of song!

Thou snatchest from the dark unconscious tomb

The memories of all we love below!

They seem to live, to speak, to breathe, to bloom!

As fairies’ mid the flowers of Spring-tide glow!

Accept the tribute I would fain bestow;

Though it be small, my friend, ‘tis from the heart!

O mayst thou ever prosper in thine art!   H. W.

A Card.  Mr. Martin [renders] his sincere acknowledgement to the citizens of Litchfield and vicinity for the generous patronage which has been extended to him.  His last call has gone forth and was promptly attended to.  But knowing that there are still very many who from various circumstances, could not avail themselves of his services he takes this opportunity of informing them that he leaves the business with entire confidence in the hands of Mr. J. L. Judd, who has received all necessary instructions in the art.  Comment is unnecessary—for by calling at his rooms (in the County House, up stairs,) and examining his specimens, all must be satisfied of his ability.

A Card.  Mr. Martin, again tenders his sincere acknowledgements to the citizens of Litchfield and vicinity, for the generous patronage which has been extended to him.  His “Last Call” has gone forth, and was promptly attended to—but knowing that there are still very many who, from various circumstances could not avail themselves of his services, he takes this opportunity of in forming them that he leaves the business with entire confidence in the hands of Mr. Jesse L. Judd, who has received all necessary instructions in the art.  Comment is unnecessary, for by calling at his Rooms, in the County House, up Stairs, and examine his specimens, all must be satisfied of his ability.

1849 May 3.  The Litchfield, Enquirer.  (Litchfield, Connecticut.)  May 3, 1849, Vol. XXIII, No, 51, Whole No. 1205, P. 3.

California Gold!  Or Current Bank Notes Will be received by the subscriber for his splendid Daguerreotypes, as he will open the Rooms formerly occupied by James E. Martin, first door west of the congregational Church, on Monday the 7 inst.  For a period of Two Weeks Only.

Wonderful discoveries and great improvements have been made in the Art during the last six months, and being in possession of every thing new which will warrant his Pictures Satisfactory.

He trusts all who have not a correct representation of life, will avail themselves of this opportunity to “secure the shadow ere the substance perish,”

At his Rooms may be seen a rich collection of specimens.

Hours of opening from 8 A. M. to 4 P. M.

Marston, Joseph H.

1849-1860       Ninth & Spring Garden, Philadelphia, Pennsylvania.[1]

1853-1855       276 Arch, Philadelphia, Pennsylvania.

1855-1857       Franklin & School, Streets, Philadelphia, Pennsylvania.1

1855-1857       246 N. 2nd, Philadelphia, Pennsylvania.1

1858-1859       825 Spring Garden, Philadelphia, Pennsylvania.1

1849 June 10.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 10, 1849, Vol. II, No. 5, P. 3.

Marston’s Daguerreotypes.—Marston is exciting much attention in Spring Garden by the beauty of his daguerreotypes.  His rooms at the N. E. corner of Ninth and Spring Garden streets, are crowded with customers.  His pictures are not only cheap, but there is a high finish about them only attainable by the first artists.

1849 June 17.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 17, 1849, Vol. II, No. 6, P. 2.

Marston’s Daguerreotypes.—We congratulate the citizens of Spring Garden on their having an excellent daguerreotypist among them.  Such is Marston, at the N. E. corner of Ninth and Spring Garden streets, whose pictures are most beautiful, clear. Life-like, finished and cheap.  

1849 June 24.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 24, 1849, Vol. II, No. 7, P. 3.

The Spring Garden Daguerreotype Saloon of Marston, at the N. E. corner of Ninth and Spring Garden streets, does a most excellent business.  The pictures taken here are beautiful in style, accuracy and finish—and, withal, cheap as the cheapest.  Marston does well.

1849 July 1.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 1, 1849, Vol. II, No. 8, P. 3.

Marston’s Daguerreotypes.—Marston, at the N. E. corner of Ninth and Spring Garden streets, is an accomplished daguerreotypist.  His pictures are beautiful and finished in style and appearance.  They are clear, life-like, and most accurate likenesses.

1849 July 8.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 8, 1849, Vol. II, No. 9, P. 3.

The Daguerreotypes Of Marston, which are taken at the saloon corner of Ninth and Spring Garden streets, are beautiful and finished pictures.  Marston is worthy of patronage; he is as skilful an operator as can be found, and his prices are cheap.

1849 July 15.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 15, 1849, Vol. II, No. 10, P. 3.

Marston’s Daguerreotypes.—At the north-east corner of Ninth and Spring Garden streets, Marston keeps his well known daguerreotype saloon, which is already famous with the “uptowners.”  Marston is a good artist, and produces excellent pictures.

1849 July 29.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 29, 1849, Vol. II, No. 12, P. 3.

The Place To Go In Spring Garden for good Daguerreotypes is at Marston’s saloon, N. E. corner of Ninth and Spring Garden streets.  Marston is a good artist and takes excellent pictures.  They are clear, life-like and pleasing in tone and style.  Marston does a great business.

1849 August 5.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 5, 1849, Vol. II, No. 13, P. 3.

Marston Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerreotype ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 August 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 12, 1849, Vol. II, No. 14, P. 3.

Marston’s Daguerreotypes are the prettiest which are taken in all Spring Garden.  He is a good operator.  His pictures are extremely popular, and his saloons, at the N. E. corner of Ninth and Spring Garden streets, are daily crowded with visitors, none of whom go away dissatisfied.

1849 August 19.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 19, 1849, Vol. II, No. 15, P. 3.

The Best Daguerreotype Saloon In Spring Garden is Marston’s, at the corner of Ninth and Spring Garden streets.  Marston has a fine suite of rooms, excellent apparatus, and is skilful in his art and reasonable in his charges.

1849 August 26.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 26, 1849, Vol. II, No. 16, P. 3.

Marston’s Daguerreotype Saloon, N. E. corner of Ninth and Spring Garden streets, is one of the best daguerrean ateliers in the district.  Marston takes first class pictures, pleasing in attitude and expression, clear and life-like in the eye, and artistic and beautiful in every part.

1849 September 2.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 2, 1849, Vol. II, No. 17, P. 3.

A word To Spring Gardenites.—Citizens of Spring Garden! Ye who would fain possess breathing likenesses of yourselves, go to Marston the daguerreotypist, corner of 9th and Spring Garden sts.  He is a skilful and popular operator, and his pictures are to be found in the most fashionable centre tables in the district.

1849 September 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  September 16, 1849, Vol. II, No. 19, P. 3.

In The Way Of Daguerreotypes, Marston, at the N. E. corner of Ninth and Spring Garden streets, is creating great excitement.  Such beautiful specimens of the art as are produced from his gallery are rarely seen.  Those who wish to have evidences of the rapid improvement of the daguerrean art, should step in at his saloon and have their pictures taken.

1849 September 26.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 26, 1849, Vol. XXVIII, No. 5, P. 4.

The Daguerreotypes of Marston which are taken at the Saloon, corner of Ninth and Spring Garden Sts., are beautiful and finished Pictures.  Marston is worthy of patronage.  He is as skilful an operator as can be found, and his prices are cheap.—Sunday Dispatch.  

1853 June 12.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  June 12, 1853, Vol. VI, No. 6, P. 6.

The Only True Likeness of Arthur Spring the elder, is that which was taken in his cell, a few days ago, by Joseph H. Marston.  It is a portrait which every one will recognize who has seen the original, and its truthfulness will be acknowledged.  Those who desire to see this likeness will be accommodated by calling at Marston’s Daguerrean Rooms, No. 276 Arch street, below Tenth.  A fine picture of Arthur Spring the younger can also be seen at the same place.  Marston is a capital artist, and has justly acquired a great reputation in his profession.

1853 August 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 2, 1853, Vol. XXXV, No. 112, P. 1.

Jos. H. Marston’s City Daguerreotype Rooms No, 276 Arch St.—Likenesses taken in a superior

Style and finish, in clear or cloudy weather.  Prices moderate.

1853 August 7.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  August 7, 1853, Vol. VI, No. 14, P. 3.

Something New In Daguerreotyping.—Having fitted up a new suit of rooms in a handsome style, sparing no expense in making them equal to any in the city for producing the Finest Quality Likenesses, I invite all to call at No. 276 Arch Street, below Tenth, where perfect satisfaction is guaranteed them, in quality, price, and beauty of finish, in all likenesses produced.  Joseph H. Marston, Spring Garden Daguerreotype Gallery, N. E. corner of Ninth and Spring Garden Streets.  Established five years.

Advertisement ran from August 7 to October 23, 1853.  

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

Marston’s Spring Garden Daguerrean Rooms are at the N. E. cor. Ninth and Spring Garden Sts.

1854 January 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 9, 1854, Vol. XXXVI, No. 92, P. 2.

The New Discovery—Mezzographic Portraits, Marston’s Daguerreotype Rooms, Arch St., first door below Tenth.

1855 January 29, 1855.  Philadelphia Inquirer.  (Philadelphia,. Pennsylvania.)  January 29, 1855, Vol. LII, No. 25, Whole No. 8096, P. 2.

Removal.—I have closed my Daguerrean Rooms, at No. 276 Arch street, and shall operate hereafter at the N. E. corner of Ninth and Spring Garden streets.  Likeness in one case, for One Dollar.  Joseph H. Marston.

1856 January 5.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 5, 1856, Vol. XL, No. 89, P. 1.

Only 50 Cents.—The extra large size Daguerreotypes, set in fine gilt embossed cases, with preserver complete.  The cheapest to be had in this city.  Marston’s Rooms, No. 246 N. Second below Willow.

1856 April 1.  Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Martson. — A really tip-top artist. His daguerreotypes surpass. His Ambrotypes are excellent, as also his retouched photographs. This artist has three galleries in the city. I saw some really fine positive photographs, which might place him among the first.

“Gilbert. — A tip top gallery. I was highly pleased with the specimens, and was surprised to find such a good artist among so many poor ones. Reimer, Marston, Newcome, and Gilbert, are too good artists for 2nd Street.”


[1] Activity dates from Newspapers cited above and Directory Of Pennsylvania Photographers 1839-1900.

Marsters, Joseph D.

1850-1859       147 Lexington Street, near Howard Street, Baltimore, Maryland.

1850 July 6.  Baltimore Price-Current and Weekly Journal of Commerce.  (Baltimore, Maryland.)  July 6, 1850, Vol. 1, No. 2, P. 1.

Marsters, Joseph D., Sky-Light Daguerrian Rooms, 147 Lexington street, West of Howard.  As good Pictures taken as can be had elsewhere in Baltimore—price, from $1.50 to $10.

1850 October 18.  The Sun.  (Baltimore, Maryland.)  October 18, 1850, Vol. XXVII, No. 131, P. 1.

Fair of the Maryland Institute.—During the day yesterday there were a great number visitors to the Halix, and although it clouded up in the evening and some rain fell, yet it did not prevent a good attendance.

The daguerreotypist occupy a prominent position in the grand saloon.  Five of them have pictures on exhibition, Vix:—Mr. Pollock, Mr. Whitehurst, Mr. Perkins, Mr. Marks, and Mr. Marsters, all of this city.  Among them we discover many finished pictures and most admirable portraits.  Mr. Whitehurst is distinguished for the size and brilliancy of the portraits; Mr. Pollock for the beauty of his groupings, which are really admirable.  They all, however, present portraits which will be pronounced excellent any where.

1851 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1851, Vol. XXIX, No. 131, P. 2.

Daguerreotypes.—Reader, if you wish a good picture of yourself, or friend, patronize Mr. Marster’s Sky Light establishment, at 147 Lexington street, a few doors West of Howard street.  You will not be expected to pay for one that does not please you.  His pictures are as good as any, and his prices more moderate than some others.

1851 December 25.  The Sun.  (Baltimore, Maryland.)  December 25, 1851, Vol. XXX, No. 13, P. 2.

Christmas And New Year.—We have occasion this morning to add to our notice of holiday houses, which abound in all parts of the city…

Daguerreotypes.—These are things which constitute an enduring and appropriate memento of the season, and should have their place in the familiar relations of the day.  We observe that several of the successful artists in this line, are before the public, amongst whom Messrs. Pollock, 155 Baltimore street, Whitehurst, 205 Baltimore streets, Marks, 159 Baltimore street, Marsters, in Lexington between Howard and Eutaw streets, are prominent.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 2.

J. D. Marsters Daguerrean Artist 147 Lexington St. near Howard, Baltimore.  Being Supplied With Every Facility  will furnish his patrons with Pictures Of A Superior Quality On more Reasonable Terms than others, (Moderate Expenses enabling him to do so.)

Pictures That Do Not Prove Satisfactory To Friends will be retaken without charge.

Every variety of Cases always on hand—cheap as well as costly.

Likenesses neatly and securely set in Medallions, Breastpins, Rings, Watch-Keys, &c.

1852 June 1.  Baltimore Pathfinder, Traveler’s Guide, and Business Register.  (Baltimore, Maryland.)  June 1, 1852, Vol. 1, No. 19, P. 3.

Daguerrean Galleries.

Marks, R. H.  159 Baltimore.

Marsters, J. D.  147 Lexington st.

Perkins & Bro., 211 Baltimore st.

Perkins’s Rooms, Franklin Hall Building, 1 North street.

Pollock, 155 Baltimore

Whitehurst, J. H.  297 Baltimore.

Daguerrean Stock.

King, F. W. & R.  33 South.

Wisong, Wm. A.  2 N. Liberty.

1852 December 24.  The Sun.  (Baltimore, Maryland.)  December 24, 1852, Vol. XXXII, No. 31, P. 2.

Daguerreotypes For Christmas.—We heartily recommend our friends intending to patronize the art, to call on Mr. Marsters, 147 Lexington street, near Howard.,  We can insure them first rate work, at moderate prices.  He has gold medallions, rings, watch keys breastpins, &c., in abundance.  Be sure to go early and get ahead of the crowd.  “A word to the wise.”

1853 January 8.  The Sun.  (Baltimore, Maryland.)  January 8, 1853, Vol. XXXII, No. 44, P. 2.

Sky-Light Daguerrean Saloon.  147 Lexington Street, near Howard.  The proprietor invites you to give him a trial if you wish a good picture.  His arrangements are such as to justify him (with his experience and skill) in assuring his patrons that they shall have at least as good as can be had in the city at any price, on more reasonable terms than some others.  We have a handsome variety of Jewelry, and Fancy Cases, comprising Gold medallions, Breastpins, Watch Keys, &c.; Tortoise Shell, Inlaid, Papier Mache and Velvet Cases, cheap as well as costly, some of them entirely new, unique and beautiful—appropriate for holiday presents.  Call and see.  J. D. Marsters.

1853 May 14.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  May 14, 1853, Vol. 86, No. 115, Whole No. 11,975, P. 3.

Daguerreotypes.—It cannot be denied that for making good and highly embellished likenesses, Mr. Marsters, No. 147 Lexington street, above Howard, is well qualified.

His sky-light, too, we believe, is not excelled.  The modest locality he has chosen is characteristic of the man.  He ask no one to pay that is not pleased.

1854 January 11.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 11, 1854, Vol. 88, No. 9, Whole No. 12,179, P. 3.

Marster’s Daguerrean Saloon, 147 Lexington St., Above Howard Baltimore.  The Golden Prize, awarded by good taste, he only who wins should wear.  The meanest may boast.  We pledge our best endeavors to all who patronize us.  No one will be expected to pay unless they are pleased.  We have always for sale a variety of the rich [and] fancy cases, such as Velvet, Inlaid, Papier Mache, Tortoiac [sic.] Shell and Pearl.  Also Gold Lockets, Breast-Pins, Keys, Seals and Trinkets, in which pictures will be neatly set, at moderate prices.  mh14.

1855 April 26.  True Union.  (Baltimore, Maryland.)  April 26, 1855, Vol. VI, No. 16, P. 4.

J, D, Marsters’ Sky Light Daguerrean Saloon, No. 147 Lexington Street, near Howard.  The proprietor solicits the patronage of his friends and the public who may want a good Likeness.  Every endeavor will be made t please; no [person] will be expected to pay unless the are satisfied, being well established, and pretty extensively known, we deem it unnecessary to say more. 

1855 December 3.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 3, 1855, Vol. 40, No. 123, Whole No. 12,781, P. 2.

Daguerreotypes.—If any of our readers wish a life-like Daguerreotype, one that will give entire satisfaction, should call on J. D. Marsters, for he is the gentleman that will not suffer a picture to be taken from his rooms if it does not suit the purchaser in every respect.  Try him.

Advertisement ran from December 3 to 7, 1855.

1855 December 8.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 8, 1855, Vol. 40, No. 128, Whole No. 12,786, P. 2.

Gentlemen wishing to get a beautiful Life-like Daguerreotype of themselves, to give to their lady-love for a Christmas or New Year’s present, should just stop into J. D. Marsters, 147 Lexington street, for he is acknowledged by competent judges to get daguerreotypes that cannot be surpassed by any other gentleman in the profession, and is taking them at rather lower prices.  Mr. Marsters is polite and accommodating, and studies to please his customers.

Advertisement ran from December 8 to 12, 1855.

1855 December 13.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 13, 1855, Vol. 40, No. 132, Whole No. 12,790, P. 2.

Sam, the “Dark Lantern Hero,” as Governor Wise of Virginia, calls him, had his daguerreotype taken yesterday—costume, pair spurs, and extensive shirt-collar.  Sam had a good time, as do his fellow citizens getting pictures at J. D. Marsters, 147 Lexington street.  The Old Hero left the daguerreotype for an extra finish in the coloring of his costume, and is to call for it on Saturday next, at 11 O’clock, A. M., so that any of his old friends that wish to see him, and give him the “right hand of fellowship,” have a fine opportunity of doing so.

Advertisement ran on December 13 to 15, 1855.

1855 December 19.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 19, 1855, Vol. 40, No. 135, Whole No. 12,793, P. 2.

Ladies, Look Here.—If you wish to get a daguerreotype of your little son, daughter or yourself, you cannot select a better place than at J. D. Marsters, 147 Lexington street, for he is reasonable in his prices and has politeness with children, and will warrant you a good picture.

Advertisement ran from December 19 to 26, 1855.

1856 December 20.  American and Commercial Advertiser.  (Baltimore, Maryland.)  December 20, 1856, Vol. CXIV, No. 18,812, P. 2.

Marsters’ Ambro-Daguerrian Saloon.  Splendid New Goods For The Holidays.  Call Fellow citizens, and allow Mr. Marsters to get you up some beautiful pictures and set them in some of his splendid cases as a Holyday present.  You can give nothing as valuable to your friends, and surely no more appropriate memento can be found.  Mr. M. gives his personal attention and guarantees satisfaction at moderate prices.  No. 147 Lexington street, near Howard.

Advertisement ran from December 20 to 27, 1856.

1855 December 20.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 20, 1855, Vol. 40, No. 138, Whole No. 12,796, P. 2.

Christmas Is Coming.  The approach of the holidays is indicated by nothing more certain than the rich and beautiful articles…

Daguerreotypes.

J. D. Marsters, No. 147 Lexington street.

D. R. Stiltz, No. 159 Baltimore street offer to those who may call upon them the most beautiful pictures that can be taken, and can there be a more valued souvenir than a likeness.  Give one to those you love.

1855 December 27.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  December 27, 1855, Vol. 40, No. 143, Whole No. 12,801, P. 2.

Great Excitement in the 12th Ward.—It has just been decided that J. D. Marsters, 147 Lexington street, can get as good a daguerreotype as any other gentleman belonging to the profession.  All are delighted in regard to the price and quality of the picture.  Visit him by all means.

Advertisement ran from December 27, 1855 to January 1, 1856.

1856 January 2.  Baltimore Patriot and Commercial Gazette.  (Baltimore, Maryland.)  January 2, 1856, Vol. 41, No. 2, Whole No. 12,806, P. 2.

A Man of the Times.—Who is better known to the community as a man of the times than J. D. Marsters?  Everything he does is in perfect keeping with the enterprising spirit of the age.  Go and look at his rooms, 147 Lexington street, and examine his elegant life-like Daguerreotypes, and if you can leave there without purchasing a handsome daguerreotype of yourself, then we should say you are hard to please.

Advertisement ran from January 2 to 22. 1856.

1856 October 21.  The Sun.  (Baltimore, Maryland.)  October 21, 1856, Vol. XXXIV, No. 132, P. 2.

Ambro-Daguerrean Saloon, 147 Lexington Street.—We can recommend the proprietor of this quite celebrated establishment as the master of his profession.  Some of the very best Ambrotypes we have ever seen are produced by him.  His pictures indeed seem to have something peculiar about them, combining the fine delineation of the Daguerreotype with the better qualities of the Ambrotype, and happily avoiding that dullness so often complained of and produced by others.  Patronize Mr. Marsters if you wishthe best work at a fair price.

1858 September 7.  The Daily Exchange.  (Baltimore, Maryland) September 7, 1858, Vol. I, No. 169, P.2.

Ambro-Daguerreotypes, &c.  Mr. Marsters, 147 Lexington street, near Howard street, will furnish his patrons with pictures on glass, card-board, plates or canvas; life size or in miniature from nature, or copied in oil, French Pastell or water colors, in a style of superior excellence.  He has on hand a full assortment of plain and fancy Cases; also, Gilt Frames, all of the best material.  His long experience and attested success enables him to assure his patrons complete satisfaction or no charge.

Advertisement ran from September 7, 1858 to September 13, 1859; and October 31 to November 5, 1859.

1858 December 25.  Daily Exchange.  (Baltimore, Maryland.)  December 25, 1858, Vol. II, No. 262, P. 3.

Stereoscopes!  Boxes And Plates!  At Marsters, 147 Lexington street, near Howard.  Views, Groups and Statuary, foreign and domestic, made to order as cheap as can be had.  Call early.  Will Be Open To-Day, (Christmas.)

1860 November 9.  The Sun.  (Baltimore, Maryland.)  November 9, 1860, Vol. XLVII, No. 152, P. 2.

Taylor’s Ambrotype And Photographic Studio.  No. 147 West Lexington Street.  The subscriber would respectfully inform his friends and the public generally that after a long experience in the art, part of which time he was engaged with Mr. Marsters, he has purchased the above establishment, where he intends to furnish the same kind of work at much reduced prices.

1863 May 4.  The Sun.  (Baltimore, Maryland.)  May 4, 1863, Vol. LII, No. 141, P. 2.

Died At Onancock, Accomac county, Va., on the 26th Instant, after a lingering illness which she bore with Christian resignation , Eliza J., wife of Joseph D. Marsters, formerly of Baltimore.

Marshall

1856                Address Unknown, Greene, New York.

1856 March 207.  The Chenango American.  (Greene, New York.)  March 20, 1856, Vol. 1, No. 27, P. 2.

Marshall, the Daguerrean Artist, at his Car, has just received a new assortment of cases, &c., which he pronounces superior to any thing yet seen in Greene, and he states that he is prepared to take representations of the human phiz, in a style not to be excelled.  His success hitherto has been unequalled.  Those who are desirous of procuring Daguerreotypes from his establishment must call soon, as he intends leaving town as quick as the weather will permit him to move his car.

Marshall, Professor James

1854                259 Broad Street, Newark, New Jersey.

1854 September 13.  Newark Daily Advertiser.  (Newark, New Jersey.)  September 13, 1854, Vol. XXIII, No. 190, P. 3.

Great Military Parade.  Ladies And Gentlemen, Attention!  C. R. Brewster would respectfully inform the citizens of Newark and adjoining towns, that he has secured the services of Prof. James Marshall, who is known throughout the United States as one of the oldest and most experienced Daguerreotypist in the country.

Pictures are taken in all the latest styles known in the art, in any kind of weather in a very few seconds, and out up in elegant Frames, Cases, &c., at 30 per cent cheaper than they can be had at any other place in this city.

N. B.—No Daguerreotype will be allowed to go out of my room unless perfect satisfaction.

Brewster’s Popular and Magnificent Establishment, No. 259, Broad-street.

Advertisement ran from September 13 to October 7, 1854.

1854 October 12.  Newark Daily Advertiser.  (Newark, New Jersey.)  October 12, 1854, Vol. XXIII, No. 213, P. 3.

The Great Military Parade, on the 12th Oct.  Artist Order No. 1.  It is expected that all Military men will call at Brewster’s Popular Daguerreotype Establishment, No. 259 Broad st., and have their likenesses taken in uniform, in the most finished and artistic manner, by his new and improved apparatus, showing all the natural colors in the dress.

Prof. James Marsh, the People’s Artist, is still operating with great success at this Gallery.  He has given unbounded satisfaction to all that have favored him with a call.

All kinds of copying done to perfection and inserted, if wished, into Lockets, Breastpins, Rings, &c., in the neatest and most secure manner, at the very lowest prices.  Brester, Artist, 259 Broad st., between Commerce and Clinton sts.

Advertisement ran from October 12 to 17, 1854.

1854 November 27.  Newark Daily Advertiser.  (Newark, New Jersey.)  November 27, 1854, Vol. XXIII, No. 251, P. 3.

The Cry Is Still They Come  Great Excitement.  And it is vey desirable that citizens seeking the worth of their money should be acquainted with the most eminent in the profession or trade to which he may address his patronage, and it is with this view in mind that we venture to assert the fact, that those wishing life like Likenesses should call on Brewster, the popular and go ahead Daguerreotypist, 259m Broad st.—His miniatures are taken in all the latest styles known in the art, in any kind of weather, and put up in elegant Frames and Cases, &c., at the very lowest prices.

Prof. James Marshall, who is well known throughout the United States as one of the most experienced Daguerreotypist in the country, is still operating at this Gallery with great success.

The Ladies will find a private reception room handsomely fitted up for their own use.  A lady will be in attendance at all hours of the day to wait upon my friends and customers.  Brewster’s Rooms, 259 Broad st., between Commerce and Clinton sts.

Advertisement ran from November 27 to December 11, 1854.

Marshall, Josiah P. C.

1849-1850       268 Washington Street, Boston, Massachusetts.[1], [2]       

1853                140 Washington Street, Boston, Massachusetts.1

1849 January 1.  Boston Daily Republican.  (Boston, Massachusetts.)  January 1, 1849, Vol. 4, No. 64, P. 4.

Boston Business Illustrated Directory…Daguerreotype Miniatures.

Cannon, John, Blanchard’s Block, Court.  Pictures taken in the utmost perfection of the art.[3]

Foss, Plummer, 190 Washington, opp.  Marlboro’ Hotel.  Perfect satisfaction given or no charge.  Please call.

Lerow & Co., 91 Washington, would inform the public that they are now taking better Pictures than formerly on account of some important improvements which they have recently made in the Art.  Their work now cannot by surpassed by any in quality, and their prices are extremely low.  Particular attention given to copying Paintings, Engravings, &c.

North’s Daguerreotype Rooms, 142 Washington.  In consequence of the demand for Daguerreotype Miniatures being more than he could supply at his rooms, 142, Mr. North has opened another splendid Daguerreotype Establishment in connection with Mr. Marshall, 268 Washington st.  Likenesses can be procured at either establishment.

Shew, Wm.,  123 Washington, Miniatures taken in the best manner and at low rates.

Whipple, John A., 96 Washington, Miniatures beautifully executed.

Advertisement ran from January 1 to April 2, 1849.

1849 March 1.  The Daily Chronotype.  (Boston, Massachusetts.)  March 1, 1849, Vol. 6, No. 138, P. 3.

North’s Daguerreotype Rooms, 142 Washington Street, (at the foot of School street), Boston.

Mr. North has every facility for executing Daguerreotype Miniatures.

He invites all who have friends they love, to call at his Rooms, and “Secure their shadow ere the substance fades.”

He also has Rooms in connection with Mr. Marshall, 268 Washington st.  These rooms are up only one flight of stairs, fitted up in good style, with a superior sky-light.

Advertisement ran from March 1 to May 31, 1849.

1853 February 3.  The Boston Daily Atlas.  (Boston, Massachusetts.)  February 3, 1853, Vol. XXI, No. 185, P. 3.

Boston Business Directory, Contains Important Trade & Professions Alphabetically Arranged.  Published Tuesdays, Thursdays and Saturdays, In The Boston Atlas.  The following List, representing Only Two Houses in each branch of trade…

Daguerreotype Miniatures.

J. A. Whipple, 93 Washington .

S. B. Buttrick & J. P. C. Marshall, 139½ Washington.

Daguerrean Stock.

John Sawyer & Co., 123 Washington street.

Advertisement ran from February 3 to July 9, 1853.

Boston Business Directory.  (Boston, Massachusetts.)  Published by George Adams.

1848.  Not Listed.

1849.  (J.P.C. Marshall) daguerreotypist, 268 Washington st.—H-7 Essex.

1850.  Not Listed.

1851.  Not Listed.

1852.  Not Listed.

1853.  (Buttrick & Marshall) 140 Washington st.—b—139 Harrison ave.

(Buttrick, Samuel B. & Marchall J. P. C.) daguerreotypist, 140 Washington st.—H—at          Salem.

1854.  No occupation listed—b—17 Grove.

1855.  artist, 631 Washington.[4]

1856.  artist, 631 Washington—b—34 Eliot.

1857.  artist, 631 Washington.

1858.  artist, 289 Washington[5]—b—29 Beach.

1859.  showcards, 323 Washington—b—29 Beach.

1860.  showcards,  276 & 323  Washington st.

1861.  showcards, 323 Washington st.—b—at Roxbury.


[1] A Directory Of Massachusetts Photographers 1839-1900.

[2] 1850 activity date from The American Daguerreotype, probably from the 1849/1850 Boston City Directory.

[3] Advertisement ran from January 8 to April 2, 1849.

[4] Unknown if he was a daguerreotypist/operator or colorist at 631 Washington, this was the same address as Joseph B. Starkweather (1854-1862).  Or he was possibly working alone as an artist at that address.

[5] Unknown if he was a daguerreotypist/operator or colorist at  289 Washington street, this was the same address as Edward L. Allen (1858-1860).  Or he was possibly working alone as an artist at that address.

Marshall, Augustus

1859-1861       63 Court Street, Boston, Massachusetts.[1]

1861-1862       203 Washington Street, Boston, Massachusetts.1

1863-1867       90 Studio Building, Boston, Massachusetts.1

1867-1869       145 Tremont Street, Boston, Massachusetts.1

1870-1882       147 Tremont Street, Boston, Massachusetts.1

1882-1888       44 Boylston Street, Boston, Massachusetts.1

1888-1889       53 Boylston Street, Boston, Massachusetts.1

1889                44 Boylston Street, Boston, Massachusetts.1

1890-1891       53 Boylston Street, Boston, Massachusetts.1

1891-1893       122 Boylston Street, Boston, Massachusetts.1

1894-1916       16 Arlington Street, Boston, Massachusetts.1

1865 September 20.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXI, No. 144, P. 2.

The Mechanics’ Association Fair.  Opening Day.  At noon to-day, the doors of Faneuil Hall were thrown open to the public, and the fair of the Mass. Charitable Mechanics’ Association was inaugurated under favorable auspices…

Sections 8, 9, 10, 11 and 12 constitute a splendid gallery of photographs, in which magnificent specimens from the first masters of the art arranged by hundreds.  Here are Black & Case, Augusta Marshall, A. Sourel, T. R. Burnham, Allen, John A. Whipple, Getchell & Brownell, Masury, Sowle [sic.] and others.

1865 September 22.  Boston Evening Traveler.  (Boston, Massachusetts.)  September 22, 1865, Vol. XXI, No. 145, P. 2.

The Mechanics’ Association Fair.  The Fair at Faneuil Hall and Quincy Halls is constantly and largely patronized, and is evidently to be in every respect a thorough success.  We would advise all visitors to look especially at the photograph gallery in Faneuil Hall, where five alcoves are devoted…

Display Of Photography.  The numbers of the alcoves are overhead on the face of the gallery, and we believe that in the whole exhibition there is nothing more magnificent than the single case of painting on porcelain, in alcove 12, near the door.

It contains eight or ten faces, and the beauty of the colors, the rich warm expression of the eyes, the delicacy of the outlines and the exquisite perfection of the workmanship cannot fail to elicit the heartiest admiration of every visitor.  It is a difficult and beautiful art, that the porcelain portrait painting, and these specimens reflect great credit on the house that exhibits them—that of Masury, photographer and artist, No. 289 Washington street, opposite Warren’s old store.

In alcove 9, the fourth from the door, on the North side of Faneuil Hall, is one of the most singularly truthful and superb likenesses of Senator Sumner, large size, that we ever saw.  It is on the left side of the alcove in the collection of Augustus Marshall, the photographist of classic works of No. 90 Studio Building.

Right above it, in a square gilt frame, is a superb picture of Rev. Dr. Huntington, the rector of the Episcopal Church of the Emmanuel, and former professor in Harvard College—a life like and attractive work.  Beneath are copies of two celebrated pictures by old masters, one a Madonna.

Black & Case, of 163 and 173 Washington street, have the whole of alcove 8, and they have a superb show of scores of richly colored cabinet portraits and photographic landscapes.  Here the visitor, too, may see the life size portraits of numbers of men whose names have been made immortal in the great rebellion,—there Generals Stevenson, Meade, Dix, Lowell, Bartlett, who did such gallant deeds at Port Hudson, Tilton, Anderson of Fort Sumter memory, and Burnside, Colonels Griswold, Coggswell, Leonard, Palfrey, Kurtz (the Boston Chief of Police), Howe, Major Goodrich, Professor Phelps, and others; group pictures, including officers of the 9th battery, those of the Director, a class of Dr. Lewis’s, and so on.  The alcove is in itself a whole exhibition, and shows conclusively to what a high standard the art of photography may be carried in skilful hands.

1867 October 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 18, 1867, Vol. XVII, No. 3512, P. 2.

Premions [sic.] At The Fair.  The publication of the list of premiums at the Mechanic Fair is concluded below…

Class O.

Paintings, Statuary Drawings, Engravings, Lithographs, Daguerreotypes, Photographs, &c…

Nathaniel C. Sanborn, Lowell, photographs, bronze medal.

Asa B. Eaton, Lowell, photographs, bronze medal.

George C. Gilchrest, Lowell, Lowell, photographs, bronze medal.

Andrew J. Simpson, Lowell, photographs. Bronze medal.

August Marshall, Boston, photographs, bronze medal.

J. S. Notman & Co., Boston, photographs, bronze medal. 

1916 November 2.  The Boston Herald.  (Boston, Massachusetts.)  November 2, 1916, Vol. CXL, No. 125, P. 9.

Famous Old Photographer Dies In Newton.  Augustus Marshall Made His First Picture in 1858 and Later Had as Sitters Henry Wilson, Oliver Wendell Holmes, John B. Gough, Theodore Parker and Teresa Carreno. 

Augustus Marshall, who was Boston’s oldest photographer is dead at his home in Newton after an illness of a week.  He was about 81 years of age and made his first pictures in 1858, group pictures of Morris Brothers, Pell & Trowbridge’s minstrels, that were hung at the dooirway of the company’s old exhibition hall on Washington street.

He first started in business for himself in 1860 at 63 Court street, at a time when there were listed in the Boston City Directory 50 daguerreotypist and 12 photographers.  The following year both branches of the picture art were consolidated as one vocation, and there have since been only “photographers.”  Previous to that time, however, Mr. Marshall had been employed by an “artist” named Hamilton, whose gallery was on the fifth floor of a building at Washington and Bromfield streets.  And later with Marcus Ormsbee, an enterprising ambrotypist at 203 Washington street.  The latter in 1860 anticipated the Boston visit of the Prince of Wales, later King Edward of England.  By procuring from England a small daguerreotype of the royal guest and, copying it by wholesale, flooded the streets with an article that met with a ready and profitable sale.

In 1861 Mr. Marshall became an occupant of the Studio building, at that time a veritable hive of artists of all descriptions, and while there took pictures of many of the celebrities that lived in Boston, as well as a number of distinguished visitors who came to the city.

One of these was Henry Wilson, Massachusetts senator, practically all of whose pictures existing today were taken by Mr. Marshall.  Another was Oliver Wendell Holmes, who was an amateur in wet photography, invited Mr. Marshall to his home on many occasions, and “when interest in the things at hand began to sag,” to quote Mr. Marshall in a recent interview, “Dr. Holmes would pull down his violin and give me a brief concert.  In other words the doctor fiddled while I experimented, and I shall never forget those Charles street visits when I led the ‘Autocrat’ into one branch of our business.”

Among other familiar visitors to Mr. Marshall’s studio in the early days were John B. Gough, temperance orator of fame, Wyzeman Marshall, the heavy man of the local Thespians:  Theodore Parker, W. M. Hunt, painter and in 1863, Teresa Carreno, the child pianist, who years afterward when she had become a mature woman, returned and paid as visit “for old times sake,” to the man through whose art she had in part became famous.  Mr. Marshall for the last 25 years, and up to the time of his illness, conducted a studio at 16 Arlington street.

Mr. Marshall is survived by two sons and two daughters, Charles P. and Loring L. Marshall, and Emma F. and Helen L. Marshall. All of Newton.  The funeral service will be held tomorrow at his late home, 17 Willard Street.

1916 November 3.  The Boston Herald.  (Boston, Massachusetts.)  November 3, 1916, Vol. CXL, No. 126, P. 15.

Died.  Marshall—At Newton, No. 1.  Augustus Marshall in his 81st yr.  Funeral services at his late residence 17 Willard st. Newton.  Friday, Nov. 3, at 2 P. M. Relatives and friends invited.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Marsh, J.

1841                Music Store of Marsh & Chase, Montpelier, Vermont.

1841 October 11.  Vermont Watchman & State Journal.  (Montpelier, Vermont.)  October 11, 1841, Vol. 36, No. 4, Whole No. 1825, P. 3,

Daguerreotype Portraits.  “Secure the shadow ere its substance fades.”  Portraits taken in any weather, for a few days only, at the Music Store, occupied by Marsh & Chase, from 8 A, M. to 5 P. M., by means of an improved process, which represents the object as it is—not inverted in the usual way.

Ladies and Gentlemen are invited to call and examine specimens.  J. Marsh.  Montpelier, Oct. 8, 1841.

Advertisement ran from October 11 to 25, 1841,

1841 October 16.  Universalist Watchman and Christian Repository.  (Montpelier, Vermont.)  October 16, 1841, Vol. 13, No. 14, P. 2.

Daguerreotype Miniatures.  We have been much pleased with some specimens of this kind of Likenesses taken in this village by Mr. J. Marsh.  The likeness is of course correct and the colours and shades are delicately arranged.  To those who wish to have their countenance placed before their eyes we cordially recommend Mr. Marsh as worthy of their patronage.

Mr. Collins, is also in this place taking this kind of likenesses, and we hear his work well spoke of but not having seen any specimen’s of his art, we are unqualified at present to express an opinion on his merits.

1841 October 16.  Universalist Watchman and Christian Repository.  (Montpelier, Vermaont.)  October 16, 1841, Vol. 13, No. 14, P. 3.

Daguerreotype Portraits.  ‘Secure the shadow ere its substance fades.’  Portraits taken in any weather, for a few days only, at the Music Store, occupied by Marsh & Chase, from 8 A, M. to 5 P. M., by means of an improved process, which represents the object as it is—not inverted in the usual way.

Ladies and Gentlemen are invited to call and examine specimens.  J. Marsh.

Any person desirous of acquiring the above art, can receive instruction on reasonable terms.  Montpelier, Oct. 8, 1841.

Advertisement ran from October 16 to November 13, 1841,

Marsh, H. A.

1855                Over Fresco Hall, Warren, Ohio.

1855-1856       Over A. J. Troxel’s Store, corner Market and Liberty Streets, Warren, Ohio.

1857-1860       Rooms first building south of the Bank, Main Street, Ashtabula, Ohio.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 3.

—Messrs. Lake & Harsh, [sic.] on the second floor of the same building, are taking good Daguerreotype pictures.

1855 June 27.  Western Reserve Chronicle  (Warren, Ohio.)  June 27, 1855, Vol. 39, No. 45, Whole No. 2021, P. 2.

A Change.—Something New And Interesting To The Public—The old Rooms formerly occupied by H. W. Holloway together with the entire stock and interest of same, having been purchased by Lake & Marsh, experienced Daguerreotypists, they are now prepared to execute work in the best style of the art.

Having a large amount of Stock, and Cases of all kinds and sizes, they flatter themselves that they can give entire satisfaction to all who may favor them with their patronage.

No Pictures will be sold unless they are positively good ones.

Come old, come young, come great and small,

To the Daguerrean Rooms over “Fresco Hall.”

Advertisement ran from June 27 to Nov 7, 1855.

1855 December 19.  Western Reserve Chronicle  (Warren, Ohio.)  December 19, 1855, Vol. 40, No. 18, Whole No. 2046, P. 2.

Ambrotypes.—H. A. Marsh would respectfully announce to the citizens of Warren, and the public generally, that having availed himself of the new and recent discovery in the art of taking pictures, styled Ambrotypes, he is prepared to take them in the best style of the art, and would solicit a share of the public patronage.  They are taken on prepared glass, and for softness, depth, brilliancy of tone, and beauty of finish, are unequalled.  They can be taken in any kind of weather, and are admirably adopted to children, as they can be taken in from one to two seconds.  Also, Daguerreotypes taken as usual, in the best style.  Rooms over A. J. Troxel’s Provision Store, corner Market and Liberty streets—entrance on Liberty street, opposite the Bank.  H. A. Marsh.  Warren, Dec. 19, 1855.

Advertisement ran from December 19, 1855 to March 26, 1856.

1856 January 2.  Western Reserve Chronicle  (Warren, Ohio.)  January 2, 1856, Vol. 41, No. 20, Whole No. 2048, P. 2.

Ambrotypes.  We cannot imagine a more appropriate gift, to a relative or friend, than a life-like Ambrotype likeness.  They are much superior in every respect to Daguerreotypes.  Wm. F. Porter and Mr. Marsh, have taken some capital pictures of this kind.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 1.

H. A. Marsh, Successor to E. Howell, Daguerreotype and Ambrotype Artist.  Also E. Howell’s new Papertype, recently Patented.  Lockets and Miniatures Pins filled at reasonable rates.  Pictures taken on patent leather, if desired.  Rooms, first building south of the Bank, Main Street, Ashtabula, Ohio.

Advertisement ran from July 3, 1858 to January 28, 1860.

1858 July 3.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) July 3, 1858, Vol. IX, No. XXVII, Whole No. 445, P. 4.

H. A. Marsh, Successor to E. Howell Would respectfully announced to the citizens of Ashtabula, and surrounding country, that he has recently purchased the entire interest of E. Howell in the Daguerreian business in this place, including his Papertype, recently patented, and that he is prepared to take correct likenesses, in all the different branches of the art, and in the most approved style.  Having had several year’s experience with the first artists in the country, I am enabled to keep up with all the improvements, and feel safe in saying I will furnish as good pictures, and correct, to the life, as can be obtained anywhere in this section of country.  No pictures shall go from my rooms, that are not entirely satisfactory, and warranted.  Pictures taken on patent leather, if desired.  Lockets and Miniature Pins filled at reasonable rates.  Particular attention given, in taking childrens’ likenesses.  Rooms first building south of the Bank, Main Street, where I can always be found from 8 o’clock, A. M. to 5 P. M.  H. A. Marsh.

Old Pictures copied, and new ones taken in any weather.  Ashtabula, July 15th, 1857.

Advertisement ran from July 3 to December 18, 1858.

1858 October 16.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) October 16, 1858, Vol. IX, No. XXXXII Whole No. 460, P. 1.

Premiums Awarded by the Ashtabula Farmers Club. Held at Ashtabula, October 5th & 6th, 1858…. Class XIX.  Fine Arts, Ornamental Works, &c. 49 entries.  Frist Premiums H. A. Marsh in both Ambrotypes & Photographs.

1858 December 18.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) December 18, 1858, Vol. IX, No. LI, Whole No. 469, P. 2.

Look Here!  Every one of the lovers of art, every one who admires the beautiful, and especially, every one who delights to look upon the familiar face of a dear friend or relative, (though that friend may be thousands of miles away. Or in the Spirit Land.) take notice that you can get a true—life likeness of yourself or friends at Marsh’s Gallery of Art in Ashtabula, and also, that during the Holydays, in consideration of the closeness of times, I will furnish superior pictures at Much Reduced Prices! 

What Christmas or New Year Gifts, are more appropriate than to present a perfect likeness of Yourself to your friends.  I intend to keep constantly on hand a variety of good durable cases, also frames to hang up, so that as you sit by your fireside, you can behold the faces you love, beaming upon you, waking up old memories, and calling to mind past scenes of pleasure and enjoyment.

Having recently refitted my rooms, I shall endeavor to make it as pleasant and agreeable as possible, for all who may give me a call, whether wishing pictures or not.  But remember, time waits for no man, and hard times does not prevent death from removing those you love.

Secure the shadow, Ere the substance Fades; which you can do at Marsh’s Ambrotype Gallery, in cloudy as well as clear weather, between 8 A. M., and 4 P. M.  Rooms first building south of Bank. H. A. Marsh.

Advertisement ran from December 18, 1858 to November 19, 1859.

1859 November 12.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) November 12, 1859, Vol. X, No. XLVI, Whole No. 516, P. 2.

Look Here!  H. A. Marsh!  Photographic Pictures.  I am now taking some fine Photographs, a new and popular style of Pictures, on paper.  After the first is taken, any number can be printed from it, without repeated sitting.

Also—Every other style of pictures, taken in the Best & Most Durable Manner, Warranted.  All of the above styles of pictures, can be obtained Cheap at Marsh’s Gallery, First building South of the Bank, H. A. Marsh.                    

Advertisement ran from November 12 to January 28, 1860.

1860 January 28.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio) January 28, 1860, Vol. XI, No. 4, Whole No. 527, P. 3.

Carmichael & Robbins.—This is the name of the new firm, who have purchased the Ambrotype establishment of H. A. Marsh, of this village, and expect to go at once vigorously into the Ambrotyping business.  Mr. Carmichael will have the principal management of then affairs of this office.  The facilities which this firm will bring to bear in the conduct of their business here, may be inferred from the extract which follows, from the Warren Democrat.—Some specimens of their work have been shown us, which are not surpassed in merit by anything in this line of business.  We bespeak for them a share of public attention and favor.