Category Archives: Daguerreotypes

Kimball, William H.

1847-1849       142 Main Street, Concord, New Hampshire.

1847                12 Central Building, Manchester, New Hampshire.

1849-1851       189 Main Street, Dunklee Building, Concord, New Hampshire.

1851                Merchant’s Exchange Building, third story, Concord, New Hampshire.

1851-1852       School Street, A Few Rods West of the Post Office, Concord, New Hampshire.

1852-1854       South End of Stickney’s Block, opposite Court House, Concord, New Hampshire.

1859                Rooms, Over E. H. Rollins’ Drug Store, Concord, New Hampshire.

1860-1864       155 Main Street, Concord, New Hampshire.

N. D.  The New York Historical Society’s Dictionary of Artists in American 1564-1860.  (New York, New York.)  P. 370.

Kimball, William Hazen (1817-1892)  Miniature painter.  Born April 6, 1817, at Goffstown (N. H.) Kimball studied miniature painting in Boston and practiced in Manchester (N. H.), Lowell, (Mass.), and Philadelphia.  Returning to Manchester, he edited a newspaper for two years before taking up daguerreotyping in 1844.  He settled in Concord (N. H.) about 1860 ad from 1867 to 1890 served as State Librarian of New Hampshire.  He died in Concord on March 10, 1892.  One of his sons, Edward Wyatt Kimball (born 1852,) became a professional painter.[1] 

1839 December 21.  Manchester Magazine.  (Manchester, New Hampshire.)  December 21, 1839, Vol. 1, No. 1, P. 3.

Wm. H. Kimball, Portrait & Miniature Painter, Room No. 46, Up Stairs, Elm Street, Manchester.

1847 March 25.  Congregational Journal.  (Concord, New Hampshire.)  March 25, 1847, Vol. VII, No. 324, P. 3.

Daguerreotype Rooms.  Marsh & Kimball, Daguerrean Artists, have taken rooms at 142 Main Street, (up stairs,) next building south of Eagle Coffee House, Concord, N. H., where they will attend to all orders in their profession.  Ladies and Gentlemen, wishing to obtain correct and beautiful Daguerrean Miniatures, rarely to be met with, or to examine specimens of this wonderful art, are invited to visit their rooms, where they will scarcely fail to recognize the likenesses of their friends and acquaintances.

By recent improvements in the art, the most splendid results are obtained: in an instant, as it were, upon the silver surface, a correct and indelible picture is formed; the most unerring delineation of life; portraying the innocence of childhood, the joyous countenance of youth, and the dignity of old age.  Fathers and mothers, brothers and sisters, lovers and friends, the cost is trifling, the object laudable;–delay not, then, to secure such valuable mementos of life, which, under the trying circumstances of a final separation from friends, no price can purchase.  This opportunity once lost, may be lost to you forever.  There is a time when a faithful likeness is beyond price, as it is all that can be preserved from the grave.

“Catch the Shadow, ‘ere the Substance Fades.”

Diamonds are valued and treasured with care,

And Brilliants are priceless, because they are rare;

But thy face, gentle reader, none saw ‘ere ‘twas thine,

And none through all ages will say, it is mine,

Ah, that Face!  Nature’s masterpiece, quickly ‘twill fade;

But no matter,—the Daguerreotype comes to its aid.

Just give your attention—thy Features he’ll write—

True to nature the impress, everlasting and bright;

Thy friend with that picture,—No, never will part,

So true to the image engraved on his heart.

Miniatures taken from 8 o’clock, A. M., until 5, P. M., without regard to weather.

The Miniatures taken at their rooms, in correctness of expression, softness of light and shade, and artistic effect, will compare with those of any other establishment.  Miniatures set in lockets, breast-pins, or bracelets.

A select assortment of gold lockets constantly on hand; also, plated ones, particularly adapted for Miniatures.  All Miniatures executed at this establishment will be finished in the most perfect manner, and no one will be expected to take them unless they are perfectly satisfactory. 

German and American Cameras, best French and American Plates, Cases, Frames, Chemicals, Polishing Materials, &c. &c., wholesale and retail, to which the attention of purchasers from the country is invited.

Advertisement ran nine times between March 25 to June 24, 1847.  

1847 June 10.  Congregational Journal.  (Concord, New Hampshire.)  June 10, 1847, Vol. VII, No. 335, P. 3.

Daguerreotype Pictures.  Messrs. Kimball & Marsh, near the Eagle Coffee House, Concord, have acquired a deserved popularity among our citizens, for their truly excellent pictures, and should continue to have their rooms thronged with visitors.  Every lady and gentleman wanting a first-rate likeness, should make them a call forthwith.—pab.

1847 November 12.  New-Hampshire Statesman.  (Concord, New Hampshire.)  November 12, 1847, Vol. XXVII, No. 1381, P. 3.

Dissolution Notice.  Notice is hereby given that the subscribers, by mutual consent, have this day dissolved their connection in business heretofore known under the firm name Marsh & Kimball.  All just claims in favor of and against the firm, will be adjusted by Mr. Kimball, who will still continue business at the former rooms of the firm.  Geo. Marsh, Wm. H. Kimball.  Manchester, Nov. 1, 1847.

Advertisement ran from November 12 to 26, 1847.

1847 November 18.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) November 18, 1847, Vol. 1, No. 26, Whole No. 2026, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any

Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

Rooms, in Concord, 142 Main Street, in Manchester, 12 Central Building, up stairs.  Wm, H, Kimball.

Advertisement ran from November 18 to December 2, 1847.

1847 November 26.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 26, 1847, Vol. XXVII, No. 1383, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, in Concord, 142 Main Street, in Manchester, No. 12 Central Building, up stairs.  W. H. Kimball.  November 16, 1847.

Advertisement ran from November 26, 1847 to March 31, 1848.

1847 December 9.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 9, 1847, Vol. 1, No. 29, Whole No. 2029, P. 3.

Likenesses To Perfection.  The subscriber having become full proprietor of the Daguerreotype

Establishments at Concord and Manchester, heretofore managed by Marsh & Kimball, now tenders his services to community in this true and beautiful art of Picture Making.  And he does it with the fullest confidence, and pledges himself that his pictures shall not be excelled by any

Establishment in the United States.  He has recently made an essential improvement in one of the most important chemical preparation used in the process, and invites particular attention to his recent pictures as proof of the excellence thereof.  With a long experience as an artist previous to becoming an operator, giving him the skill of imparting delicate and beautiful colors to his pictures, to judge of position and manage light and shade effective manner, he assures his patrons that he will not stand out of the front rank of operators in this country.  Pictures made, in from 15 to 60 seconds, in all kinds of weather.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England, also Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, in Concord, 142 Main Street, in Manchester, 12 Central Building, up stairs.  Wm, H, Kimball.

Advertisement ran from December 9, 1847 to March 2, 1848.

1848 February 24.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  February 24, 1848, Vol. 1, No. 40, Whole No. 2040, P. 3.

Kimball’s Daguerreotypes, Are universally admitted to be superior to any put up in the region, and equal to any in the world.  Mr. K. would call the particular attention of Artists, Amateurs, and indeed all, to the peculiar excellencies of his pictures—the superior rotundity of features, and general relief of the whole figure—the depth, purity, and brilliancy of taste—the transparency of shading, always blending into the lights with a softness not excelled in any department of art, or even nature itself; while the lights are so managed as never to be overdone—the slightest lines and most delicate shades being preserved, and yet kept perfectly pure.

From a rapid and steady increase of patronage, he feels assured that these excellencies are generally appreciated, and in order to meet the demands of the community more efficiently, he will be assisted in future by his brother, having disposed of his rooms in Manchester, with the determination to spend his undivided efforts in meeting the wants of his friends and patrons in Concord.

Pictures put up in every desired style and form, and copying of all kinds satisfactory executed.  Invalids will be waited upon at their residences, if desired.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also, Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, 142 Main Street, first door South of Eagle Coffee House.  Wm. H. Kimball.

Advertisement ran from February 24 to December 28, 1848.

1848 April 7.  New Hampshire Statesman.  (Concord, New Hampshire.)  April 7, 1848, Vol. XXVII, No. 1402, P. 3.

Kimball’s Daguerreotypes, Are universally admitted to be superior to any put up in the region, and equal to any in the world.  Mr. K. would call the particular attention of Artists, Amateurs, and indeed all, to the peculiar excellencies of his pictures—the superior rotundity of features, and general relief of the whole figure—the depth, purity, and brilliancy of taste—the transparency of shading, always blending into the lights with a softness not excelled in any department of art, or even nature itself; while the lights are so managed as never to be overdone—the slightest lines and most delicate shades being preserved, and yet kept perfectly pure.

From a rapid and steady increase of patronage, he feels assured that these excellencies are generally appreciated, and in order to meet the demands of the community more efficiently, he will be assisted in future by his brother, having disposed of his rooms in Manchester, with the determination to spend his undivided efforts in meeting the wants of his friends and patrons in Concord.

Pictures put up in every desired style and form, and copying of all kinds satisfactory executed.  Invalids will be waited upon at their residences, if desired.

To Operators.  The subscriber would say that he is prepared to furnish them an article of Sensitive Coating, superior to anything of the kind to be had in New England; also, Chloride of Gold and gilding ready for use.

Instruction given in the art, including a complete knowledge of the preparation of every chemical preparation used, the latter of which will be a saving to any operator, in six months, of more than the whole expense of acquiring the art.

Rooms, 142 Main Street, first door South of Eagle Coffee House.  Wm. H. Kimball.

Advertisement ran five times from April 7 to June 8, 1848.

1848 June 16.  New Hampshire Statesman.  (Concord, New Hampshire.)  June 16, 1848, Vol. XXVII, No. 1412, P. 3.

Kimball would remind Visitors, Members of the Legislature, citizens of Concord, and the people at large, that Daguerreotype pictures may still be obtained at his Rooms, in all kinds of weather, executed in that faithful and excellent manner which has given his later productions such wide renown.  Please call in.

Rooms, first door south of Eagle Hotel, up stairs.

Advertisement ran from June 16 to 30, 1848.

1849 March 15.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  March 15, 1849, Vol. 2, No. 95, Whole No. 2095, P. 2.

“Light From Above.”  William H. Kimball, Daguerreotype Operator, No. 142 Main Street (up stairs,) directly south of the Eagle Hotel.  Rooms enlarged and extended, with a magnificent Top Light, universally conceded by artists to be the only light capable of giving a truly artistical development to the features.

Pictures put up in all weather in every desired style, and at reduced prices.

Chemical prepared for other operators, and stock for sale.  Wm. H. Kimball.

Advertisement ran from March 15 to December 13, 1849.

1849 March 23.  New Hampshire Statesman.  (Concord, New Hampshire.)  March 23, 1849, Vol. XXVII, No. 1452, P. 3.

Light from Above, Kimball’s Daguerreotype Rooms have just been enlarged and fitted up in a manner which he trusts will fully meet the increased demands of business, and the approbation of community.  He is now putting up Pictures, made by a magnificent top light, which is always considered by artists and amateurs to be the only light capable of giving that free and full development of the features that always distinguishes true art.

Pictures made in any weather and put up in every desired style, and at reduced prices.  He also prepares a superior article of Chemical, which, together with any kind of stock, will be furnished to operators on fair terms, for cash.  Wm. H. Kimball.  Concord, March 15, 1849.

Advertisement ran thirty time from March 23 to December 14, 1849.

1849 April 19.  Congregational Journal.  (Concord, New Hampshire.)  April 19, 1849, Vol. IX, No. 432, P. 3.

Light from Above, Kimball’s Daguerreotype Rooms have just been enlarged and fitted up in a manner which he trusts will fully meet the increased demands of business, and the approbation of community.  He is now putting up Pictures, made by a magnificent top light, which is always considered by artists and amateurs to be the only light capable of giving that free and full development of the features that always distinguishes true art.

Pictures made in any weather and put up in every desired style, and at reduced prices.  He also prepares a superior article of Chemical, which, together with any kind of stock, will be furnished to operators on fair terms, for cash.  Wm. H. Kimball.  Concord, March 15, 1849.

Advertisement ran thirteen times between April 19 to November 15, 1849.

1849 May 3.  Independent Democrat.  (Concord, New Hampshire.)  May 3, 1849, Vol. V, No. 1, Whole No. 248, P. 1.

Daguerreotyping Perfected!  Prices Reduced!!  Kimball’s Daguerreotype Rooms, At the old stand, have just been refitted, and extended, with a magnificent Top Light, always considered indispensable to the production of the highest degree of artistic excellence, not only by artists, but by all of acknowledged taste.  Pictures put up in any weather, in any styledesired and at reduced prices.

Advertisement ran from May 3 to December 20, 1849.

1849 November 23.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 23, 1849, Vol. XXVIII, No. 1487, P. 2.

Daguerreotypes.  We learn that Mr. Kimball, whose Daguerreotype Rooms in Concord have won such fame, is about to travel, to give the people abroad the advantages of his skill.  He has purchased an interest in a Traveling Saloon, and intends visiting the villages generally in the State, still keeping his Rooms open as usual in Town.

1849 December 20.  Independent Democrat.  (Concord, New Hampshire.)  December 20, 1849, Vol. V, No. 34, Whole No. 281, P. 3.

Great Fire!  Last Friday morning, at about 1 o’clock, or citizens were awakened by the cry of “fire.”  It was soon found that the long wooden block directly South of the Eagle Coffee House on Main St. had take fire in the upper part near the center of the building.  Before the Fire Department could get well at work, the whole upper part of the building was in flames.  Tis block was occupied in the lower part, by the Drug Store of Allison & Gault, the Bookstore of B. W. Sanborn, and the clothing Store of Dustin & Shaw.  The second story was occupied by Dr. Haynes’ office, Kimball’s Daguerreotype Rooms, Cadwell’s Daguerreotype Rooms,…

1849 December 20.  National Eagle.  (Claremont, New Hampshire.)  December 20, 1849, Vol. XV, No. X, P. 2.

Great Conflagration.—Concord, N. H. was visited on the morning of the 14th instant, with a most destructive conflagration.  The long wooden block, immediately South of the Eagle Coffee House, in front of the State House, Main street, including the clothing store of Dustin & Shaw…Kimball’s Daguerreotype rooms, &c., were consumed…

Fire in Concord.  On Friday morning about half past twelve o’clock, the large three story wooden block on Main street, next south of the Eagle Coffee House, called “Butterfield’s Block,: was discovered to be on fire,]; and before men enough to resit it had assembled, the fire had made such progress as to render it impossible to save the building, and it was entirely consumed, together with the two story building next south, owned and occupied by A. Prescott & Son for the manufacture and sale of musical instruments.  Nex to that were two “ten footers” and then a two story dwelling house, all owned by Col. B. Grover, the first of which was nearly burnt up, and the other considerably injured.  The Eagle Coffee House was in great danger, and suffered some, the windows and the wood work on the south side end being pretty much used up…

“Butterfield’s Block,” owned by Samuel Butterfield, Esq., of Andover…in the second story—Wm. H. Kimball, Daguerreotype Rooms, loss $450—insured for $400 in the New England Co., Concord.  Dr. Timothy Haynes’ office, loss $100—no insurance.  George H. Batchelder, Shoemaker, loss $100—No insurance.  A. B. Cadwell, Daguerreotype Rooms, loss small…

1849 December 21.  Barre Patriot.  (Barre, Massachusetts.)  December 21, 1849, Vol. 6, No. 23, Whole No. 283, P. 3.

Great Conflagration!  Concord N. H., Dec. 14, 1849.  Our town has just been visited with one of the most destructive conflagrations to which it was ever subjected…Kimball’s daguerreotype rooms, &c., must be consumed…

1849 December 21.  New Hampshire Statesman.  (Concord, New Hampshire.)  December 21, 1849, Vol. XXVIII, No. 1491, P. 2.

Destructive Fire In Concord.  On Thursday night of last week, at about half past 12 o’clock, our citizens were aroused from their slumbers and hastened to a fire raging freely in the large three story block, all of wood, on Main st., just south of the Eagle Coffee House, and in front of the brick block at the south east corner of the State House Yard….

…in the second story—Wm. H. Kimball, Daguerreotype Rooms, loss $450—insured for $400 in the New England Co., Concord.  Dr. Timothy Haynes’ office, loss $100—no insurance.  George H. Batchelder, Shoemaker, loss $100—No insurance.  A. B. Cadwell, Daguerreotype Rooms, loss small…

1849 December 27.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  December 27, 1849, Vol. 3, No. 136, Whole No. 2136, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from December 27, 1849 to November 7, 1850.

1850 January 3.  Independent Democrat.  (Concord, New Hampshire.)  January 3, 1850, Vol. V, No. 36, Whole No. 283, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from January 3 to July 25, 1850.

1850 January 4.  New Hampshire Statesman.  (Concord, New Hampshire.)  January 4, 1850, Vol. XXVIII, No. 1493, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement ran from January 4, 1850 to  February 7, 1851.

1850 February 4.  Congregational Journal.  (Concord, New Hampshire.)  February 4, 1850, Vol. X, No. 475, P. 3.

Fire!  Fire!!  Fire!!!  I wish to inform my friends and the public generally, that, notwithstanding the recent unfortunate burn-out, I am again located and ready to meet their demands for Daguerreotype Likenesses.

From the steady increase of patronage during my residence in Concord, I flatter myself that my Pictures are duly appreciated; and I pledge myself that my exertions to excel shall never be less, so that I may still maintain the proud consciousness of ranking with those very few operators who stand at the head of the Art.

On hand as heretofore, a complete supply of Stock, Chemicals and Apparatus, on moderate terms, For Cash. 

Rooms, Dunklee’s New Block, Main St.  Wm. H. Kimball.  Concord, Jan 4, 1850.

Advertisement was recorded thirty-four times between February 4, 1850 and February 6, 1851.

1850 July 12.  New Hampshire Statesman.  (Concord, New Hampshire.)  July 12, 1850, Vol. XXIX, No. 1520, P. 3.

Serious Reflections.  For The N. H. Statesman.  Messrs. Editors:  A few days since an interesting young lady, at the age of about 17, passed away from among us to the “Spirit land,” as silently as closes the beautiful rose under the influence of “Summer evening’s latest sigh;” but a few days before she took her upward flight,—and it was the only time for several weeks when she felt well enough to do it,—she  rode to the Rooms of the Messrs. Kimball, and had he Daguerreotype taken twice or thrice while there.  These she left with her family, ad to day fifty times the money paid for them could not buy them.  The writer of this was present when the afflicted family returned from the grave where they had deposited the original, and saw the father, mother, sister and other relatives gaze upon the daguerrean copies with teary eyes, evincing the value they placed upon the likenesses.  These were the first and only ones ever taken of her, and it was a solace in the hour of their greatest grief, that she had been thus thoughtful of those she was so soon to leave to mourn her loss.

The incident, sad and affecting as it was, made an impression on my mind, I resolved to call the attention of all who have neglected to have their daguerreotypes taken, and who read your paper, to the importance of doing it while in health and good spirits, that their friends may fancy they see them when they are out of sight of mortal eyes, as they were when moving among them in life’s pleasant hours.

I have often seen parents, and children, and other near relatives, very sad when the truth seemed to flash upon their minds, apparently for the first time, after the loss of a dear friend, that no likeness was left by the deceased upon which the eye would gaze, other than what was on memory’s treacherous plate.

I write this to go into the very interesting column of your paper, under the head of “Serious Reflections,” a column to which, for the Ladies’ sakes I trust you will continue to give much attention.—No one interested in taking daguerreotypes knows that I have written, or that I intended to write, a word upon the matter.  I do ot write for the interest of the artists but for the interests of those who shall survive departed friends.  I write to urge the living to do something while they can to soften the grief of friends when they die.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, P. 106.

W. H. Kimball, Daguerrian Artist, Has fitted up rooms in Dunklee’s Building, 189 Main Street, a few doors north of the American House.

He invites the attention of all who desire a good likeness of themselves or friends, to call on him, and procure one or more of those pictures of his putting up, which are so much admired by all good judges for their life-like and brilliant tone.  Operators supplied with stock at Boston prices.  Concord, January 1, 1850.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, Residence listing.

Kimball, Wm. H.  Daguerreotype artist, 189 Main st., H.—Warren st.

Kimball, J. L.—Daguerrean Artist—189 Main st., H.—Warren st.

1850 November 14.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  November 14, 1850, Vol. 4, No. 182, Whole No. 2182, P. 3.

Daguerreotypes.  From 50 Cents to 20 Dollars.  The subscriber hereby informs his friends and the public that he is again established in large and commodious Rooms with a light built expressly to his order and with every facility for making pictures, either singly or in groups, of the aged, middle-aged, children and infants in a manner seldom equalled—never excelled.  Not to multiply words he asks the attention of a discriminating Public, not only to his specimens, but the pictures he is constantly sending out to every part of the country.  Instructions faithfully given to such as have an aptness for the art and desire to learn, and apparatus and stock furnished on the most reasonable terms.

Rooms, Merchant’s Exchange, third story, over Allison & Gault’s Drug and Medicine Store.  Wm. H. Kimball.

Advertisement ran from November 14, 1850 to February 6, 1851.

1851 February 6.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  February 6, 1851, Vol. 4, No. 194, Whole No. 2194, P. 2.

Merchants’ Exchange Building.—Among the improvements in this the principal village of Concord, made during the past year, we believe the erection of this, the largest and most extensive, block of buildings, has not yet received a newspaper notice.  It occupies the [area] upon which formerly stood the block of wooden buildings which was consumed last [winter], situated directly south of the Eagle Coffee House and opposite the Patriot Office.  The new block covers 84 feet front by 85 in depth, is of three stories, 11, 10 and 9 feet in height respectively…

…the third story.  Here may be found the daguerreotype rooms of Messrs. Kimball, and usually a large number of ladies and gentlemen examining their specimens.  Three or four of the rooms yet remain unoccupied…

1851 February 7.  New Hampshire Statesman.  (Concord, New Hampshire.)  February 7, 1851, Vol. XXIX, No. 1550, P. 3.

Daguerreotypes From 50 Cents to 20 Dollars.  The subscriber informs his friends and the public that he is again established in large and commodious Rooms with a light built expressly to his order and with every facility for making pictures, either singly or in groups, of the aged, middle-aged, children and infants in a manner seldom equalled—never excelled.  Not to multiply words he asks the attention of a discriminating Public, not only to his specimens, but the pictures he is constantly sending out to every part of the country.  Instructions faithfully given to such as have an aptness for the art and desire to learn, and apparatus and stock furnished on the most reasonable terms.

Rooms, Merchant’s Exchange, third story, over Allison & Gault’s Drug and Medicine Store.  Wm. H. Kimball.

Advertisement ran from February 7 to August 9, 1851.

1851 June 19.  Independent Democrat.  (Concord, New Hampshire.)  June 19, 1851, Vol. VII, No. 8, Whole No. 349, P. 3.

Interest Tables.  The subscribers, having purchased the Right for making and selling Bread’s Interest Table for the State of New Hampshire, are now prepared to meet the demand for that invaluable article.

This Table, unlike all others, is at once so simple, cheap ad comprehensive—giving a ready solution to every problem in interest—that five minutes [attention] from any intelligent person will convince one that it must ultimately be adopted by all classes.

For sale at Kimball’s Daguerreotype Rooms, Exchange Building, (up stairs) and by the proprietors who are about to travel throughout the limits of their Right.  Price, invariably 50 cents.  Wm. H. Kimball, J. W. Worthen.

Advertisement ran from June 19 to August 28, 1851.

1851 August 29.  Vermont Journal.  (Windsor, Vermont.)  August 29, 1851, Vol. VII, No. 13, Whole No. 326, P. 3.

Concord, Tuesday Morning, , 6 o’clock.  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block, which was burned in December, 1849… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 26.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 26, 1851, P. 2.

Great Conflagration At Concord, N. H.  Through Messrs. Cheney & Co.’s Northern Express we have received a slip from the office of the New Hampshire Patriot, at Concord, stating that the most disastrous fire that ever occurred in that town or State took place there last night and this morning, destroying the best of the business portion of the town.  The following particulars are given. 

At about 11 o’clock last night the cry of “fire” resounded through out streets, and the alarm bells soon rang.  The fire was found to be in Abbott’s paint shop, directly back of Stickney’s block…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms.  The contents of this block were principally saved but greatly damaged…

1851 August 26.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  August 26, 1851, Vol. 2, No. 259, P. 2.

Extensive Fire in Concord.  A fire broke out in Concord las night, at about 11 o’clock…

Next was the new Exchange,… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 27.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  August 27, 1851, Vol. 5, No. 223, Whole No. 2223, P. 2.

Concord, Tuesday Morning, , 6 o’clock.  Terrible Conflagration!  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block, which was burned in December, 1849… and Kimball’s Daguerreotype Rooms.  The contents of this block were principally saved, but greatly damaged.

1851 August 27.  The Union Democrat.  (Manchester, New Hampshire.)  August 27, 1851, Vol. 1, No. 32, P. 3. 

We copy the following from the extra Patriot.  It is impossible at this hour, (5 o’clock) to give a full list of the sufferers by this terrible fire.  We can only give the principal ones…Kimball’s Daguerreotype Rooms…

1851 August 28.  Independent Democrat.  (Concord, New Hampshire.)  August 28, 1851, Vol. VII, No. 18, Whole No. 359, P. 2.

The Great Fire!  As most of our readers have already learned through other sources, Concord was, last Monday night, visited by the most destructive fire ever had in town.  About a quarterb past eleven o’clock, The Paint Shop of Mr. G. D. Abbott, directly in the rear of our printing office, was discovered to be on fire…

…the New Brick Exchange Building in which were…Kimball’s Daguerreotype Rooms…

1851 August 28.  National Eagle.  (Claremont, New Hampshire.)  August 28, 1856, Vol. XVI, No. XLVI, P. 3.

Terrible Conflagration!  The Best Part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 1.  Exeter News-Letter And Rockingham Advertiser.  (Exeter, New Hampshire.)  September 1, 1851, Vol. XXI, No. 21, P. 2.

Terrible Conflagration!  The best part of Concord in Ashes!  The most disastrous fire that ever occurred in this town or State took place here last night and this morning, destroying the best of the business portion of the town…

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 2.  Dover Enquirer.  (Dover, New Hampshire.)  September 2, 1851, Vol. XXV, No. 4, P. 2.

Awful Conflagration In Concord.  On Tuesday morning we received an extra from the patriot office giving the following details of a terrible fire in Concord on Monday night:

Next was the new Exchange, a three story brick block erected last year on the site of Butterfield’s block, which was burned in December, 1849…and in the third story by W. H. Barrett’s and H. P. Rolfe’s Law office, Prescott’s Musical Instrument Manufactory, C. T. Tower’s Paint shop, and Kimbell’s Daguerreotype Rooms… 

1851 September 2.  Maine Democrat.  (Saco, Maine.)  September 2, 1851, Vol. XXIII, No. 4, P. 2.

From The New Hampshire Patriot, of the 26th of August.  Fire In Concord.  The best part of Concord, N. H., in  Ashes!—The  most disastrous fire that ever occurred in this town or state. Took place here last night and this morning, destroying the best part of the business portion of the town.  At about 11 o’clock last evening fire took in Abbott’s paint shop, back of Stickney’s block…and Kimball’s daguerreotype rooms…

1851 September 3.  The Granite Farmer.  (Manchester, New Hampshire.)  September 3, 1851, Vol. 2, No. 35, P. 7.

Fire at Concord…Kimball’s Daguerreotype Rooms…

1851 September 18.  Independent Democrat.  (Concord, New Hampshire.)  September 18, 1851, Vol. VII, No. 20, Whole No. 361, P. 3.

New Daguerreotype House On School Street, A Few Rods West Of The Post Office.  W. H. Kimball, will be happy to wait upon his friends and the public at his new place, where he assures them, may be obtained first class Daguerreotypes.  Stock ad materials for Sale as heretofore.

Advertisement ran from September 18,1851 to April 22, 1852.

1852 April 24.  New Hampshire Statesman.  (Concord, New Hampshire.)  April 24, 1852, Vol. XXVI, No. 1613, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Picture taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29, 1851 to January 19, 1856.

1852 April 29.  Independent Democrat.  (Concord, New Hampshire.)  April 29, 1852, Vol. VIII, No. 1, Whole No. 394, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Picture taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29, 1851 to September 7, 1854.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Pictures taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29 to June 17, 1852.

1852 September 8.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  September 8, 1852, Vol. 6, No. 277, Whole No. 2277, P. 3.

More Light From Above, At Kimball’s New top-light Daguerrian Hall, Stickney’s Block, third story, over Rollins’ Apothecary store.  Pictures taken in any weather, and neatly set in rings, pins, lockets, bracelets, cases and frames of every description, and at reduced prices.  The arrangement of our light, especially for taking groups, is superior to anything of the kind in the country.

Advertisement ran from September 8, 1852 to August 31, 1853.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853.  Residence Listing.

Kimball, William H.—Not Listed in residence section

Kimball, Joseph L.—Daguerrian Artist, Stickney’s Block—H.—Warren Street.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853, advertisement N. P.

Kimball’s To-Light Daguerrean Gallery.  The arrangement of Light at this Gallery are such that pictures are made to suit all the various tastes of customers, and in every style of the Art, at as Low as can be obtained at any other Gallery in the New England States!

A good assortment of Gold Lockets, keys, pins &c. constantly on hand.

Please call and see specimens for yourself.

Entrance, south end Stickney’s Block, opposite the State House, Concord, N. H., 1853.

1853 February 14.  New Hampshire Statesman.  (Concord, New Hampshire.)  February 14, 1853, Vol. XXXII, No. 1655, P. 5.

Burglary.  Kimball’s Daguerreotype Rooms in the third story of Stickney’s Block, were broken into on Wednesday night, 10th inst.  The door was opened with prys, and about $30 worth of Daguerreotype cases, picture frames and specimens were taken, among which was a large likeness of Ole Bull…

Kimball’s  New Daguerreotype Establishment Just opened in Merchant’s Exchange up three flights of stairs On The Right.  With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor.

W. H. Kimball, Operator.

Advertisement ran from March 30 to August 10, 1854.

1854 April 5.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  April 5, 1854, Vol. 7, No. 359, Whole No. 2359, P. 3.

Kimball’s  New Daguerreotype Establishment, Just opened in Merchant’s Exchange up three flights of stairs On The Right. 

With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor.

W. H. Kimball, Operator.

Advertisement ran from April 5 to July 26, 1854.

1854 June 8.  Independent Democrat.  (Concord, New Hampshire.)  June 8, 1854, Vol. X, No. 6, P. 2.

Kimball’s Christallotypes.  Wm. H. Kimball, at his Daguerreotype Rooms, In the Exchange Block, executes Crystallotype likenesses in fine style, and with fine remarkable fidelity.  These Chrystallotypes are a very decided improvement on the daguerreotype.  Call at his rooms and see them.

1854 August 3.  Independent Democrat.  (Concord, New Hampshire.)  August 3, 1854, Vol. X, No. 14, P. 1.

From the Lowell News, a little [altered].  Have You A Good Daguerreotype?—We have often thought of the happiness one must enjoy in possessing the good daguerreotype of a deceased friend, in after years, when the original is laid in the cold and silent tomb, they might look and recall the scenes of life. What vividness would a faithful daguerreotype of the face of a friend create in one’s memory? and what money would purchase from us such a memento?  These are questions but rarely thought of by us when we and our friend are in the enjoyment of life and health; but if neglected until the icy hand of death has parted us, we wonder that we could have been so thoughtless.  And while upon this subject, we would remark that the picture of a friend, whether deceased or not, will be valued according to the accuracy of the picture.  An indifferent one would not be much prized, while an accurate one will be prized highly.  If any of our readers want a good daguerreotype, let them go to Kimball’s on Main street.  Mr. Kimball has devoted himself assiduously to the study of the art for several years, spent much time and money experimenting, and has been rewarded by a knowledge and skill which enable him to stand at the head of his profession.  Again we say go to Kimball’s in front of the State House, in Rollins’ and Stickney’s Block.

1859 September 1.  Independent Democrat.  (Concord, New Hampshire.)  September 1, 1859,

Vol. XV, No. 19, P. 3. 

Notice.  The firm heretofore existing under the style of R. A. Houston & Co., is by mutual consent this day dissolved.  R. A. Houston.  Wm. H. Kimball.

1859 September 8.  Independent Democrat.  (Concord, New Hampshire.)  September 8, 1859,

Vol. XV, No. 20, P. 3. 

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between September 8 to December 29, 1859.

1859 September 10.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 10, 1859, Vol. XXXIX, No. 1997, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment

to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H.

Advertisement ran ten times between September 10 to December 17, 1859.

1859 September 15.  Independent Democrat.  (Concord, New Hampshire.)  September 15, 1859, Vol. XV, No. 21, P. 3. 

Having disposed of all our right, title and interest in Photographing, Ambrotyping, &c., in Concord to R. H. Kimball, we hereby ask the continued favors of the public in behalf of our successor, and earnestly request all who are indebted to us to make immediate payment to R. H. Kimball, and also desire all who have claims against us to present as above for adjustment.  Wm. H. Kimball, R. A. Houston.

Advertisement ran nine times between September 15 to December 29, 1859.

1859 October 5.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) October 5, 1859, Vol. XIII, No. 646, Whole No. 2646, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between October 5 to December 28, 1859.

1862 January 23.  The Independent Democrat.  (Concord, New Hampshire.)  January 23, 1862, Vol. XVII, No. 40, P. 3.

A Word about Photographs and Kindred Things.  Our friend W. H. Kimball, has long devoted himself to the science and art of Photography, in all its various departments.—He is not merely a good mechanical artist, but he is a scientific one, who thoroughly understands the philosophical mysteries of his profession.  Hence, it is not strange that his pictures should be so highly prized as they are, and that his rooms should be crowded with customers.—In producing Ambrotypes he has no superior, while his Photographs, of all kinds, are equal to those of Brady.  In the difficult task of obtaining life-like and perfect photographs of young children, Mr. Kimball is eminently successful.  His delicately colored portraits of this class, closely resembling the best paintings on ivory, are gems of beauty, only excelled by the bright living faces which they represent.  The demand for card photographs is now very large, and Mr. Kimball is doing a great business in that department.  Let all interested in these matters give Mr. Kimball a call at his rooms in the Block next north of Eagle Hotel opposite the Capitol.

1863 June 11.  The Legislative Reporter.  (Concord, N. H.)  June 11, 1863, Vol. 2, No. 5, P. 2.

Fine Pictures.  Large crowds daily visit Kimball’s Photograph Rooms in State Block.  There is no place in the State where better photographs can be obtained than at this famous establishment.  He has the best conveniences that can be found this side of Boston for taking pictures.

Concord City Directories.  (Concord, New Hampshire.)

1850.  daguerreotype artist, rooms Dunklee Building, 189 Main st.—h-Warren st.

1853.  Not listed

1860.  photographer, 155 Main st.—h-7 Tahanto st.

1864.  photographer, 155 Main st.—h-7 Tahanto st.


[1] Morrison and Sharples, History of the Kimball Family in America, Vol. II. P. 653-854; Art and Artists in Manchester, P. 114; Granite Monthly, Vol. XIV, (1892), P. 125-126; Manchester City Directory 1844; Concord City Directory 1860, 1876.

Kimball, Richard H.

1854                Merchant Exchange, Concord, New Hampshire,

1859                Rooms over E. H. Rollins’ Drug Store, Concord, New Hampshire.

1859-1864       155 Main Street, Concord, New Hampshire.

1852 April 24.  New Hampshire Statesman.  (Concord, New Hampshire.)  April 24, 1852, Vol. XXVI, No. 1613, P. 3.

Kimball’s New Top-Light Daguerreotype Rooms, Stickney’s Block, third story, over E. H. Rollins’ Store.  Picture taken in any weather.  Stock and apparatus for sale at the lowest prices for Cash.

Advertisement ran from April 29, 1851 to January 19, 1856.

1854 March 30.  Independent Democrat.  (Concord, New Hampshire.)  March 30, 1854, Vol. IX, No. 48, Whole No. 493, P. 3.

Kimball’s  New Daguerreotype Establishment Just opened in Merchant’s Exchange up three flights of stairs On The Right.  With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor. W. H. Kimball, Operator.

Advertisement ran from March 30 to August 10, 1854.

1854 April 5.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  April 5, 1854, Vol. 7, No. 359, Whole No. 2359, P. 3.

Kimball’s  New Daguerreotype Establishment, Just opened in Merchant’s Exchange up three flights of stairs On The Right.  With Superior Light and Chemicals, we put up Pictures, in all weather, of unsurpassed excellence.

R. H. Kimball, Proprietor. W. H. Kimball, Operator.

Advertisement ran from April 5 to July 26, 1854.

1859 September 8.  Independent Democrat.  (Concord, New Hampshire.)  September 8, 1859, Vol. XV, No. 20, P. 3. 

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between September 8 to December 29, 1859.

1859 September 10.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 10, 1859, Vol. XXXIX, No. 1997, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between September 10, 1859 to March 31 1860.

1859 September 15.  Independent Democrat.  (Concord, New Hampshire.)  September 15, 1859, Vol. XV, No. 21, P. 3. 

Having disposed of all our right, title and interest in Photographing, Ambrotyping, &c., in Concord to R. H. Kimball, we hereby ask the continued favors of the public in behalf of our successor, and earnestly request all who are indebted to us to make immediate payment to R. H. Kimball, and also desire all who have claims against us to present as above for adjustment.  Wm. H. Kimball, R. A. Houston.

Advertisement ran nine times between September 15 to December 29, 1859.

1859 October 5.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) October 5, 1859, Vol. XIII, No. 646, Whole No. 2646, P. 2.

Merrimack County Fair.  The Fair of the Merrimack County Agricultural Society, held in this city on Wednesday, Thursday and Friday of last week…List Of Entries.  Inside The Tent…

R. H. Kimball, Twelve Photographs, colored and plain…

1859 October 5.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.) October 5, 1859, Vol. XIII, No. 646, Whole No. 2646, P. 3.

R. H. Kimball, having purchased and taken charge of the Photographic Establishment heretofore owned by R. A. Houston & Co., and in addition to his own experience and application, secured the services of Mr. Nichols, the distinguished Photographist from New York, and also Mr. Thomas J. Dane who has no superior as an Artist, asks the especial attention of the public to the pictures he is daily presenting.

The new and splendid Life-Size Photographs produced by Mr. N. through the Solar Camera process, are a marvel of art and beauty; and we claim the exclusive credit of introducing this surpassingly beautiful process, and in the hands of a perfect master in the art.

It must be conceded  that this new Pictorial Revelation throws all the previous pretensions in Photography, excellent as they have been, quite into the shade, and promises a revolution in the art.—Its capacities are wonderful in every direction.  Especially to those who have pictures of deceased or absent friends which they desire to enlarge and perpetuate, the Solar process furnishes a means hitherto unavailable.  Even if your pictures are considerably imperfect, we have the means of restoring them to high order and beauty.

We shall be assisted by Mr. W. H. Kimball, a practical artist and well known Photographer, who by India Ink touching will restore imperfect pictures, and when desirable will color to nature.

Having spared no pains or expense in availing ourself of every means, and fitted our establishment to meet every demand, we confidently claim the public favor, and pledge our best endeavors in their behalf.

N. B.  Every picture leaving our establishment warranted to be perfectly durable, and to give Satisfaction in all cases.

Rooms—Kimball’s Old Stand, (Over E. H. Rollins’ Store,) Opp. State House, Concord, N. H. Advertisement ran ten times between October 5 to December 28, 1859.

1860 June 8.  The Daily Patriot.  (Concord, New Hampshire.)  June 8, 1860, Vol. XXVIII, No. 2, P. 2.

…Kimball, photographer, Concord, took different views of the Horse Guards while in position in front of the Capitol, and they will no doubt be good pictures…

1860 June 14.  The Daily Patriot.  (Concord, New Hampshire.)  June 14, 1860, Vol. XXVIII, No. 6, P. 2.

Down!  Down!!  Photographs, At Kimball’s Opposite the State House, Both Life Size and small, in style and price to challenge the world.

Also, the various Collodeon [sic.] Pictures at any price to suite customers.

Advertisement was recorded between June 14 to July 5, 1860.

1860 October 3.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  October 3, 1860, New Series—Vol. XIV, No. 698, Whole No. 2698, P. 2.

List of Premiums Awarded by the Merrimack County Agricultural Society at its Fair, held Sept. 26, 27, and 28, 1860…

Painting And Drawing…

Best Photographs, R. H. Kimball, Concord, 1.00.

1860 October 4.  The Independent Democrat.  (Concord, New Hampshire.)  October 4, 1860, Vol. XVI, No. 24, P. 3.

List of Premiums Awarded by the Merrimack County Agricultural Society at its Fair, held Sept. 26, 27, and 28, 1860…

Painting And Drawing…

Best Photographs, R. H. Kimball, Concord, 1.00.

1860 October 10.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  October 10, 1860, New Series—Vol. XIV, No. 699, Whole No. 2699, P. 2.

The State Fair.  The eleventh annual Fair of the N. H. State Agricultural Society was held at Manchester on Tuesday, Wednesday and Thursday of last week…

Award of Premiums…

Pictures…

Eaton & Wallace, Manchester, photographs, &c. 4;

E. H. Kimball, Concord, 2;

Mrs. F. A. Brown, Manchester, photographs, &c. dip.

1860 October 11.  The Independent Democrat.  (Concord, New Hampshire.)  October 11, 1860, Vol. XVI, No. 25, P. 3.

24 Photographs For One Dollar!  (By the New Multiplying Camera.)  May Be Had At Kimball’s Photographic Art Gallery Being determined to meet every demand of the public, we have sounded every note in the Photographic scale, and are prepared to meet our friends and patrons at any point from high to low, and from large to small, on terms so unprecedentedly low for good, faithful work, that we confidently urge especial attention to our new arrangements and new proposals.

The disgusting and trashy cheap Ambrotypes may now be discarded, and their place supplied with Photographs at a mere fraction of their cost, neat, durable, and in every way more convenient; appropriate as a contribution to a friend’s scrapbook, to send by mail, &c. &c.

Also, Photographic Visiting Cards, a new and beautiful thing just now the rage in all polite circles.

We ask the particular attention of Collegiate, Academic and other classes in want of large quantities of Photographs, feeling sure we can meet any reasonable demand, both as regards price and quality.

Commanding the services of one of the most accomplished Photographist in this country, we invite especial attention to our work in the line of Life, Cabinet, and common size Photographs.  In this interesting sphere of the art we allow no one either in city or country to distance us.  Also, with a skillful operator especially devoted to Ambrotyping we propose to furnish Ambrotypes, and other collodian pictures as heretofore.  Also, copies of and picture made and enlarged to any size desired.

Kimball’s Gallery, Opposite State House, Concord, N. H.

Advertisement was recorded between October 11, 1860 to March 7, 1861.

1860 October 13.  New-Hampshire Statesman.  (Concord New Hampshire.)  October 13, 1860, Vol. XL, No. 2054, P. 4.

State Fair Premiums…

Eaton & Wallace, Manchester, photographs, &c. 4;

E. H. Kimball, Concord, 2;

Mrs. F. A. Brown, Manchester, photographs, &c. dip.

1860 October 24.  New Hampshire Patriot and State Gazette.  (Concord, New Hampshire.)  October 24, 1860, New Series—Vol. XIV, No. 701, Whole No. 2701, P. 3.

24 Photographs For One Dollar,  (By the New Multiplying Camera,)  May be had at Kimball’s Photographic Art Gallery.  Being determined to meet every demand of the public, we have sounded every note in the Photographic scale, and are prepared to meet our friends and patrons at any point from high to low, and from large to small, on terms so unprecedentedly low for good, faithful work, that we confidently urge especial attention to our new arrangements and new proposals.

The trashy, cheap Ambrotypes may now be discarded, and their place supplied with Photographs at a mere fraction of their cost, neat, durable, and in every way more convenient; appropriate as a contribution to a friend’s album or autograph book, to send by mail, &c. &c.  Also,

Photographic Visiting Cards, a new and beautiful thing just now the rage in all polite circles.

We ask the particular attention of Collegiate, Academic and other classes in want of large quantities of Photographs, feeling sure we can meet any reasonable demand, both as regards price and quality.

Commanding the services of one of the most accomplished Photographist in this country, we invite especial attention to our work in the line of Life, Cabinet, and common size Photographs.  In this interesting sphere of the Art we allow no one either in city or country to distance us. 

Also, with a skillful Operator especially devoted to Ambrotyping we propose to furnish Ambrotypes, and other collodian pictures as heretofore. 

Copies of any Picture made and enlarged to any size desired.

Kimball’s Gallery, Opposite State House, Concord, N. H.

Advertisement was recorded between October 24, 1860 to January 16, 1861.

Concord City Directories.  (Concord, New Hampshire.)

1860.  photographer, 155 Main st.—b-W. H. Kimball.

1864.  photographer, 155 Main st.—b -W. H. Kimball.

Kimball, Joseph L.

1850                189 Main Street, Dunklee Building, Concord, New Hampshire.

1853                South End of Stickney’s Block, opposite Court House, Concord, New Hampshire.

1859                Address Unknown, Milford, New Hampshire.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, P. 106.

W. H. Kimball, Daguerrian Artist, Has fitted up rooms in Dunklee’s Building, 189 Main Street, a few doors north of the American House.

He invites the attention of all who desire a good likeness of themselves or friends, to call on him, and procure one or more of those pictures of his putting up, which are so much admired by all good judges for their life-like and brilliant tone.  Operators supplied with stock at Boston prices.  Concord, January 1, 1850.

1850    Concord, New Hampshire City Directory.  (Concord, New Hampshire.) 1850, Residence listing.

Kimball, Wm. H.  Daguerreotype artist, 189 Main st., H.—Warren st.

Kimball, J. L.—Daguerrean Artist—189 Main st., H.—Warren st.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853.  Business Listing—Daguerreotype Miniatures—

W. H. Kimball; J. H. Kimball.

1853.  Concord, New Hampshire City Directory 1853-1854.  (Concord, New Hampshire.)  1853.  Residence Listing.

Kimball, William H.—Not Listed in residence section

Kimball, Joseph L.—Daguerrian Artist, Stickney’s Block—H.—Warren Street.

1855 September 5.  New Hampshire Patriot & State Gazette.  (Concord, New Hampshire.)  September 5, 1855, Vol. 9, No. 433, Whole No. 2433, P. 2.

Foundation Stone Of The First Universalist Church.—The ceremony of laying the foundation stone of the new church of the first Universalist Society in this city, took place on Saturday last at 11 o’clock…

A B. Currier, Esq., then read the following statement of the documents, &c., which were enclosed in a copper box, and hermetically sealed,… a daguerreotype likeness of the late Rev. John Moore, pastor of the church, sealed in a copper case, on which is engraved the following inscription:—”This case contains a daguerreotype likeness of the late Rev. John Moore, who was five years pastor of this society, and who died in concord, Feb. 5th, 1855, aged 58 years.  Deposited by his son, September 1st , 1855.  J. C. Kimball, artist…

1859 January 12.  The Farmers Cabinet.  (Amherst, New Hampshire.)  January 12, 1855, Vol. 57, No. 24, P. 3.

Ambrotypes & Melainotypes Mr. K. S. Porter, Having leased the Daguerreotype Saloon and apparatus formerly belonging to J. L. Kimball, of Milford, N. H., would say to the public of Milford and vicinity, that he intends to offer said saloon for the reception of all those who are in want of Ambrotypes or Melainotypes of themselves or friends, on and after the 15th inst.

Pictures taken in the latest style and on the most reasonable terms.

One and all are most respectfully invited to call, whether in want of likenesses of themselves or friends. 

Old Pictures copied to order.  Milford, Jan. 10, 1859.

Kimball, Frank B.

1855-1856       8 Daniel Street, Portsmouth, New Hampshire.

1855 December 1.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  December 1, 1855 Vol. LXVI, No. 48, P. 3.

Daguerreotypes.  All kinds of sun Pictures are taken by Kimball, (successor to P. Salen) No. 8 Daniel street. Particular attention paid to taking Ladies and Children.  Perfect satisfaction given or no charge made.  Sick and deceased persons taken at their residences.

Advertisement ran from December 1, 1855 to August 2, 1856.

Killeen, P. J.

1851                39 Pleasant Street, Newburyport, Massachusetts.

1852                39 Pleasant Street, Newburyport, Massachusetts.[1]

1851 October 24.  Daily Herald.  (Newburyport, Massachusetts.)  October 24, 1851, Vol. XX, No. 96, P. 3.

Dancing.  European Quadrill & Drawing Room Polka Academy.  Mr. Killeen respectfully informs the Ladies and Gentlemen of Newburyport and vicinity, that he will open an Evening Class for instruction in Dancing, at Albion Hall, on Tuesday, Oct 27th.

Terms—Ladies $2.00:  Gentlemen $.00.

For further particulars apply at Mr. Killeen’s Daguerreotype Rooms, 39 Pleasant street, or Mr. Badger’s store, State street.

Advertisement ran from October 24 to 28, 1851.

1851 December 13.  Daily Herald.  (Newburyport, Massachusetts.)  December 13, 1851, Vol. XX, No. 138, P. 3.

Missing.  Taken from P. J. Killeen’s City Daguerreotype Rooms, Pleasant street, supposed by mistake, several Miniatures, among them one of a young man deceased, and another of a young woman also deceased.  The friends of the deceased young man are particularly anxious for the recovery of the picture, as it was the only copy in existence, and a reward will be paid to any person who will send or deliver it at the Rooms, and no questions will be asked.

Advertisement ran from December 13 to 20, 1851.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Kertson, Marcellus

N.D.                Address Unknown, Newburgh, New York.[1]

1855-1856       421 Broadway, New York, New York.

1856                419 Broadway, New York, New York.

1857                315, 419, & 429 Broadway, New York, New York.

1858                315 Broadway, New York, New York.

1855 December 22.  New York Daily Tribune.  (New York, New York.)  December 22, 1855, Vol. XV, No. 4579, P. 8.

Handsome Ladies!—Pictures Taken Gratis!—The time fixed for the opening of Barnum’s Gallery Of Beauty has been extended for a short period $20,000 will be expended in Premiums to the 100 handsomest Ladies and for painting their portraits.  Highest prize $1,000.  For particulars see circulars at the Museum.  Daguerreotypes for this Gallery will be taken free of all expense to the sitter, if application be made to them immediately, by all the principal artists in the United States, including the following superior Daguerreotypist in the City of New York.

J. Gurney, No. 489 Broadway; M. M. Lawrence, No. 831 Broadway; S. Root, No. 363 Broadway;  Meade Brothers, No. 233 Broadway; R. Anson, No. 589 Broadway; Beckers & Piard, No. 264 Broadway; M. H. Kimball, No. 407 Broadway; J. W. Thompson, No. 315 Broadway, and 182 Fulton-st, Brooklyn; M. Kerston, No. 421 Broadway, cor. of canal; P. Welling, Cor. of Bleecker and Carmine-sts; P. G. Clark, No. 156 Bowery; Jullus Brill, No. 204 Chatham-st; R. A. Lewis, No. 142 Chatham Square.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Kertson — I should advise this gentleman to pay more attention to focusing his pictures. As a general thing they are dim and either over or under developed.

1856 July 2.  The New York Herald.  (New York, New York.)  July 2, 1856, Whole No. 7247, P. 5.

Kertson’s Large Size Daguerreotypes, For fifty cents, are all the go now-a-days.  They are better and larger than any taken in or out of the city of New York.  You will find them at 419 and 421 Broadway, corner of Canal street.

1856 July 8.  The New York Herald.  (New York, New York.)  July 8, 1856, Whole No. 7252, P. 5.

Kertson’s Large Size Daguerreotypes, For fifty cents, are actually the best pictures in the known world.  Call and get one, and judge for yourself, at 419 and 421 Broadway, corner Canal street, entrance in Broadway.

1857 November 1.  The New York Herald.  (New York, New York.)  November 1, 1857, Whole No. 7731, P. 1.

Fire In Broadway…Between 2 and 3 o’clock on Saturday morning a fire broke out in the dwelling apartments of Dr. S. B. Henderson, oculist [419] Broadway…

The first floor, on the corner of Canal street…

The store next door…The fourth floor is occupied by Mr. Kertson, ambrotypist, &c.  Damaged by water and smoke.  The fire was just burning through the flooring of this floor when checked by the firemen.  Stock insured for $1,000 in the St. Marks Insurance Company…

1857 November 3.  New York Semi Weekly Tribune.  (New York, New York.)  November 3, 1857, Vol. XIII. No. 71,298, P. 5.

Fatal Conflagration In Broadway.—About a quarter to 3 o’clock on Saturday morning, a fire broke out in the large brick building No. 419 Broadway, corner of Canal street, occupied on the…fourth floor by Mr. Kertson, ambrotypist…

1858 January 17.  The New York Herald.  (New York, New York.)  January 17, 1858, Whole No. 7797, P. 3.

Wanted—Two ¼ And Two ½ Sized Cameras, cheap for cash or daguerreotype stock.  Apply to Rockwell & sic. Kertser [sic.], 315 Broadway.

1858 April 19.  The New York Herald.  (New York, New York.)  April 19, 1858, Whole No. 7899, P. 3.

A Large Store And Basement To Let Or lease; it is about being altered, and will, if applied for immediately, be altered to suit carpet, cabinet, or other business requirements requiring extensive rooms on one, two, three or four floors.  Apply H. M. Kertson, daguerreotype establishment, 315 Broadway. 

1858 October 23.  The New York Herald.  (New York, New York.)  October 23, 1858, Whole No. 8085, P. 3.

List Of Letters Remaining in the New York Post Office, Saturday October 23, 1858…

Kertson, Marcellus.

New York City Directories (New York, New York.)  published by John Fowler Trow.

1854.  Not Listed.

1855.  daguerreotypes, 421 Broadway, h—89 Elm.

1856.  daguerreotypes, 419 Broadway, h—36 Macdougal.

1857.  daguerreotype, 315, 419 & 429 Broadway, h—36 Macdougal

1858.  Not Listed.


[1] Craig’s Daguerreian Registry.

Kennee, Mr.

1857                Address Unknown, Newbury, Vermont.

1857 November 7.  American Traveller.  (Boston, Massachusetts.)  November 7, 1857, Vol. XIX, No. 34, P. 4.

An Artistical Fight.—The little village of Newbury, Vermont, was frightened from its propriety, on Wednesday last, by an affray between the rival Daguerreotypist.  It seems that Mr. Kynnee (sic.) pitched his tent or saloon, along side of Mr. Pepperson’s, and neither of them having any heads to “take off,” began incontinently to punch each other.  Both parties left the field with eyes blackened by knuckles instead of nitrate of silver, and it is rumored that each will exhibit a pugilistic photograph of himself.  We doubt not that the students of Newbury Seminary will derive great benefit from these pictures, which will finely illustrate “light and shade.” 

1857 November 13.  Bennington Banner.  (Bennington, Vermont.)  November 13, 1857, Vol. XVII, No. 37, Whole No. 869, P. 3.

An Artistical Fight.—The little village of Newbury, Vermont, was frightened from its propriety, on Wednesday last, by an affray between the rival Daguerreotypist.  It seems that Mr. Kennee pitched his tent or saloon, along side of Mr. Pepperson’s, and neither of them having any heads to “take off,” began incontinently to punch each other.  Both parties left the field with eyes blackened by knuckles instead of nitrate of silver, and it is rumored that each will exhibit a pugilistic photograph of himself.  We doubt not that the students of Newbury Seminary will derive great benefit from these pictures, which will finely illustrate “light and shade.”  So says the Boston Traveller.

An Artistical Fight.—The little village of Newbury, Vermont, was frightened from its propriety, on Wednesday last, by an affray between the rival Daguerreotypist.  It seems that Mr. Kynnee pitched his tent or saloon, along side of Mr. Pepperson’s, and neither of them having any heads to “take off,” began incontinently to punch each other.  Both parties left the field with eyes blackened by knuckles instead of nitrate of silver, and it is rumored that each will exhibit a pugilistic photograph of himself.  We doubt not that the students of Newbury Seminary will derive great benefit from these pictures, which will finely illustrate “light and shade.”  So says the Boston Traveller.

Kennedy, M. E.

1853-1854       Odd Fellows’ Hall, Goldsboro, North Carolina.

1853 October 27.  The New Era.  (Goldsboro, North Carolina.)  October 27, 1853, Vol. II, No. 27, P. 3. 

Daguerreotype Portraits.  M. E. Kennedy, Respectfully informs the citizens of Wayne, and the adjoining counties, that he has located himself in Goldsboro’ for an unlimited period, in Odd Fellows’ Hall, where he will be pleased to see all who desire Likenesses of themselves, children, or friends.  His pictures are taken in the latest and most approved style, and he flatters himself he can give entire satisfaction to all who may favor him with a sitting.  Call and see specimens.  Goldsboro’, Oct. 19, 1853.

Advertisement was recorded on October 27, November 3 & 10, 1853 and March 15, 1854.

Kelsey, John D.

N.D.                Address Unknown, Philadelphia, Pennsylvania.

1853                55 Main Street, Emporium Block, Rochester, New York.

1853                22 State Street, Rochester, New York.

1854-1857       55 Main Street, Gaffney’s Block, Rochester, New York.

N.D.  The American Daguerreotype by Floyd & Marion Rinhart.  (Athens, Georgia.)  1981, P. 398.

Lived in the same boarding house as Myron Shew in Philadelphia in 1850.  Worked for Myron Shew, dates unknown.

1853 March 25.  Rochester Daily American.  (Rochester, New York.)  March 25, 1853, Vol 9, No. 72, P. 2.

The entire third story of the Emporium Block, corner of Main and St. Paul streets, is occupied by the Daguerrian establishment of Messrs. Heath & Kelsey.  The first named gentleman came here a stranger last May, and commenced business.  His partner has been here two or three months.  Their success and progress for the year is quite remarkable.  The rooms rented by this firm are finely situated for their business.  The first is a room .  The first is a room 45 by 20 feet, whose walls are hung with pictures, engravings, and frames of beautiful daguerreotypes, the handiwork of the establishment.  This room is carpeted and well lighted, and is one of the best reception rooms of which we know.  At the right of the room is a room 75 by 20 feet, running from front to rear of the Block.  This room is about being brought into use.  The ceiling is frescoed in Glessing’s best style.  The floor will be covered with a handsome carpeting, and on the walls are to be suspended, within a few days now, the 52 portraits of the Pioneers taken by Kimball, and also a large number of other paintings.  This Pio [damaged line] in the city and the enterprise of Heath & Kelsey is much to be commended in providing for it.  At the extreme left, and opposite the Gallery room, is another large space, divided into rooms for various purposes, viz: a dressing room for ladies, about 15 feet square—a parlor, 35 by 20 feet, which is furnished with superb carpeting, with a piano, a chandelier, &c. &c.  Next is a dressing room for ladies, 16 feet square, in which is Kimball’s large painting of the “Judgement of Solomon;”  next in order is the work room, 35 by 20, supplied with all the accessories of the art—and finally the operating room, 25 by 25 feet, lighted and furnished with a full assortment of Cameras from smallest to the “mammoth.”  A second room is about being constructed, with a large skylight, to meet the claims of the business.

The great advantage of these rooms, aside from the acknowledged excellence of the pictures taken is the fact that the entire suite is on the same floor—a great convenience where ladies and children are concerned.  They are fast getting into shape to manage all the business that offers.

1853 March 28.  Rochester Daily American.  (Rochester, New York.)  March 28, 1853, Vol 9, No. 74, P. 2.

We learn that Messrs. Heath & Kelsey, who are forming a Gallery of Pioneer Portraits,” at their Daguerreotype Rooms, Emporium Block, recently procured a painting of the late Jared Newell, Esq.

1853 March 29.  Rochester Daily American.  (Rochester, New York.)  March 29, 1853, Vol 9, No. 75, P. 2.

Invitations, No. 1.  We have such nice rooms, and everything so convenient for the accommodation of our friends, and for taking Daguerreotype likenesses that we cannot hesitate any longer to extend a cordial invitation to everybody to come and see us.—It is worth the while of any person to spend an hour in our rooms simply to look at the fine pictures that adorn the walls, and examine the superior daguerreotypes, that prove the excellence of the art, and the genuineness of the skill that is exercised there.  The determination to possess as fine a miniature for one’s self, or one’s friend, is irresistible.  Come to the Emporium Block, corner of Main and St. Paul streets, third story.

Advertisement ran from March 29 to 31, 1853.

1853 April 1.  Rochester Daily American.  (Rochester, New York.)  April 1, 1853, Vol 9, No. 78, P. 2.

Invitations, No. 2.  Notwithstanding our first invitation has brought in upon us a rush of company, we take it is opportunity of inviting others, that we may enlarge the circle of our already extensive acquaintance.  Ladies flock in crowds tour rooms to see those noble Daguerreotypes, and to insist upon having one of the same sort for themselves.  Such pictures and such rare accommodations for the Ladies, are unknown here.—Come to the Emporium Block, corner Main and St. Paul streets.  Heath & Kelsey.

Advertisement was recorded on April 1 & 2, 1853.

1853 April 5.  Rochester Daily American.  (Rochester, New York.)  April 5, 1853, Vol 9, No. 81, P. 2.

Invitations, No. 3.  Come and see our prize pictures—they are the greatest attractions in the city.  We have any quantity of them and lots of beautiful engravings and paintings, and then such nice operators, such choice instruments, and the very best operating sky-light ever built.  There is no mistake about it.  You have only to ascend two pairs of stairs, and then you on the level of our rooms, sky-light and all.  It is in the Emporium Block, corner Main and St. Paul sts.  Heath & Kelsey.

Advertisement Ran from April 5 to 7, 1853.

1853 April 8.  Rochester Daily American.  (Rochester, New York.)  April 8, 1853, Vol 9, No. 84, P. 2.

Invitations, No. 4.  And still they come.  Our visitors who, by the way, are reckoned by thousands, still insist that there are no such rooms as those occupied by us.  A general expression of astonishment that anything so elegant is to be found here prevails.  Every day the skill of our experienced operator is put in requisition, to take pictures for persons who are disgusted with the work turned out at the shops in town—where they profess to take Daguerreotypes.  All conclude that the only place is in the Emporium Block.  Heath & Kelsey.

Advertisement ran from April 8 to 11, 1853.

1853 April 12.  Rochester Daily American.  (Rochester, New York.)  April 12, 1853, Vol 9, No. 86, P. 2.

Invitations, No. 5.  This glorious spring weather is the best time of all the year for taking Daguerreotypes, and for visiting our splendidly furnished rooms, and examining the beautiful pictures and engravings that adorn our walls.  The clear sunlight only renders more shining and brings out the brighter coloring the excellences of our pictures, which it gives us such a magnificent operating light that we cannot fail to take the most faithful and life-like likenesses.  Indeed all confess that there is no such word as fail, with.  Heath & Kelsey.

Advertisement was recorded on April 12 & 13, 1853.

1853 April 15.  Rochester Daily American.  (Rochester, New York.)  April 15, 1853, Vol 9, No. 89, P. 2.

Invitations, No. 6.  Of course there is a crowd here today.  Walk in—our rooms are on the third floor of the Emporium Block, corner of Main and St. Paul streets.  Once here, you have no further flight of stairs to climb to reach a cold and cheerless attic, or a low and poorly lighted back stairs garret.  But right in here—hardly 10 feet distance, and close by these sofas, this piano, and these beautiful dressing rooms, is our operator and his instruments.  You can have a picture in five minutes, and when you get it, it is a picture worth the money, and not a  poor caricature.  Heath & Kelsey.

Advertisement ran from April 15 to 18, 1853.

1853 April 19.  Rochester Daily American.  (Rochester, New York.)  April 19, 1853, Vol 9, No. 92, P. 2.

Invitations, No. 7.  Of course there is a crowd here today.  Walk in our rooms are on the third floor of the Emporium Block, corner Main and St Paul streets.  Once here, you have no further flight of stairs to climb to reach a cold and cheerless attic, or a low and poorly lighted back stairs garret.  But right in here—hardly 10 feet distance, and close by these sofas, this piano, and these beautiful dressing rooms, is our operator and his instruments.  You can have a picture in five minutes, and when you get it, it is a picture worth the money, and not a  poor caricature.  Heath & Kelsey.

Advertisement ran from April 19 to 21, 1853.

1853 April 22.  Rochester Daily American.  (Rochester, New York.)  April 22, 1853, Vol 9, No. 95, P. 2.

Invitations, No. 8.  Of course there is a crowd here today.  Walk in our rooms are on the third floor of the Emporium Block, corner Main and St Paul streets.  Once here, you have no further flight of stairs to climb to reach a cold and cheerless attic, or a low and poorly lighted back stairs garret.  But right in here—hardly 10 feet distance, and close by these sofas, this piano, and these beautiful dressing rooms, is our operator and his instruments.  You can have a picture in five minutes, and when you get it, it is a picture worth the money, and not a  poor caricature.  Heath & Kelsey.

Advertisement ran from April 22 to 25, 1853.

1853 April 27.  Rochester Daily American.  (Rochester, New York.)  April 27, 1853, Vol 9, No. 99, P. 2.

Invitations, No. 9.  The reputation acquired by our uniform habit of making the best Daguerreotypes taken in Rochester, or indeed in any place, large or small, has given us an extensive patronage from the liberal admirers of really fine pictures.  The invitations extended by us to the public, have been cordially responded to, and our books show an increased number of visitors and customers.  Come one, come all—look at our show cases—our splendid casings in morocco , papier-mâché, pearl and gold—our beautiful array of specimen pictures, our fine gallery of paintings, our noble suite of rooms, and our glorious light shed down upon us from the blue heavens.  These things, combined with our acknowledged skill and experience, make our rooms attractive and our customers enthusiastic.

Advertisement was recorded on April 27 & 28, 1853. 

1853 April 29.  Rochester Daily American.  (Rochester, New York.)  April 29, 1853, Vol 9, No. 101, P. 2.

Invitations, No. 10.  The reputation acquired by our uniform habit of making the best Daguerreotypes taken in Rochester, or indeed in any place, large or small, has given us an extensive patronage from the liberal admirers of really fine pictures.  The invitations extended by us to the public, have been cordially responded to, and our books show an increased number of visitors and customers.  Come one, come all—look at our show cases—our splendid casings in morocco , papier-mâché, pearl and gold—our beautiful array of specimen pictures, our fine gallery of paintings, our noble suite of rooms, and our glorious light shed down upon us from the blue heavens.  These things, combined with our acknowledged skill and experience, make our rooms attractive and our customers enthusiastic.

Advertisement ran from April 29 to May 6, 1853. 

1853 May 2.  Rochester Daily American.  (Rochester, New York.)  May 2, 1853, Vol 9, No. 103, P. 2.

The other day a couple of girls came to Heath & Kelsey’s Rooms to have their pictures taken, and brought with them a daguerreotype case which they said had contained a picture of their brother.  They wished their picture to be set in this case, in order to save expense.  Suspicion being aroused.  Messrs. H. & K. sent word to Mr. Appleby who at once identified the case as having been on his table the day before, when he had missed it and the picture it contained.  He also recognized the girls as visitors the day before at his rooms.  This was promptly denied.  But the affair resulted in a visit to the Post Office and an exposure of the girls.  These Petty Larceny offenders seem not to know that detection of such thefts is often very simple.  Perhaps this paragraph may be a warning to those who make gain by robbing the show cases of Daguerrians.

1853 May 7.  Rochester Daily American.  (Rochester, New York.)  May 7, 1853, Vol 9, No. 108, P. 2.

The World Challenged.  The reputation acquired by our uniform habit of making the best Daguerreotypes taken in Rochester, or indeed in any place, large or small, has given us an extensive patronage from the liberal admirers of really fine pictures.  The invitations extended by us to the public, have been cordially responded to, and our books show an increased number of visitors and customers.  Come one, come all—look at our show cases—our splendid casings in morocco , papier-mâché, pearl and gold—our beautiful array of specimen pictures, our fine gallery of paintings, our noble suite of rooms, and our glorious light shed down upon us from the blue heavens.  These things, combined with our acknowledged skill and experience, make our rooms attractive and our customers enthusiastic.

Advertisement ran from May 7 to June 15, 1853. 

1853 May 23.  Rochester Daily American.  (Rochester, New York.)  May 23, 1853, Vol 9, No. 121, P. 2.

A Card in another column, advertises the dissolution of partnership in the Daguerrean business of Messrs. Heath & Kelsey.  Mr. Kelsey will continue the business, and Mr. Heath will remain with him for a time.  These gentlemen have been very successful in their business, and have built up a great reputation for enterprise and skill.  Mr. K. as also rooms at No. 22 State st., which will be put under good management, and at once made popular.  The arrangements for the Gallery of Pioneer Portraits, are fast concluding, and in a few days the portraits will be put up and the rooms opened.

1853 May 23.  Rochester Daily American.  (Rochester, New York.)  May 23, 1853, Vol 9, No. 121, P. 2.

Notice Of Dissolution.  Notice is hereby given, that the Co-partnership heretofore existing between the undersigned, under the firm name of Heath & Kelsey, in the Daguerrian business, has been dissolved by mutual consent.  James Heath, John Kelsey.

The business will be continued at the well-known rooms in the Emporium Block, by the undersigned.  John Kelsey.

1854 June 16.  Rochester Daily American.  (Rochester, New York.)  June 16, 1854, Vol 9, No. 142, P. 2.

The World Challenged.  The reputation acquired our uniform habit of making the best daguerreotypes taken in Rochester, or indeed in any place, large or small, has given us an extensive patronage from the liberal admirers of really fine pictures.  The invitations extended by us to the public, have been cordially responded to, and our books show an increased number of visitors and customers.  Come one, come all—look at our show cases—our splendid casings in morocco, papier machie, pearl and gold—our beautiful array of specimen pictures, our fine gallery of paintings, our noble suite of rooms, and our glorious light, shed down upon us from the blue heavens.  These things, combined with our acknowledged skill and experience, make our rooms attractive and our customers enthusiastic.  John Kelsey.

Advertisement ran from June 16 to August 19, 1853.

1853 July 8.  Rochester Daily American.  (Rochester, New York.)  July 8, 1853, Vol 9, No. 160, P. 2.

Kelsey’s  Daguerrian Palace in Gaffney’s Block has been radiant for a few days, with a display of flags, such as is seen no where else, to the westward of the N. Y. Museum.  They are the work of E. C. Wulliams, and they finely set off and advertise the rooms of Mr. Kelsey, where may be found most admirable facilities for the finest pictures.  Among those now in his room we admire chiefly the beautiful views of residences and buildings in the city.

1853 August 2.  Rochester Daily American.  (Rochester, New York.)  August 2, 1853, Vol 9, No. 181, P. 2.

There was a fine daguerreotype of Miss Logan, the handiwork of Kelsey, in the Arcade yesterday.  Miss L. had her benefit last night.

1853 August 15.  Rochester Daily American.  (Rochester, New York.)  August 15, 1853, Vol 9, No. 192, P. 2.

Kelsey’s Daguerrian Palace.  This Establishment has now assumed a permanency in its proprietorship, as well as in the public climate and confidence, which it has steadily been gaining for the last few months.  The proprietor is happy to receive, from those capable of making nice discrimination of comparative merit in the fine art.

Ample Testimonials of Competency to please and satisfy the good taste of the community.  It is designed to make No. 55 Main Street, the Daguerrian Palace and Picture Gallery of Rochester and Western New York.  No little pains and expenditure of means have already been appropriated for the accomplishment of that object, and still the work is but just begun.  One advance has been recently achieved.  An additional Suite Of Rooms And Another Splendid Skylight have been joined to the rear of the old establishment.

Twice the amount of work can now be done in the same time of waiting which has been hitherto required of customers.  The patronage of the city and surrounding country has hitherto been liberally extended to this institution; and it is no vain presumption, that it will, in future, [be, the] Favorite Resort of the Lovers of Art who have an appreciation of the Quality and Style of articles which tax their purses, and are designed to be admired by good and correct tastes.

Also at No. 22 State Street, those rooms being now under the same proprietorship , it is believed that customers desiring Daguerrian Likenesses can be suited on terms as satisfactory as ay any other establishment in Rochester.  John Kelsey.

Advertisement ran from August 15 to October 21, 1853.

1853 October 4.  Rochester Daily American.  (Rochester, New York.)  October 4, 1853, Vol 9, No. 235, P. 2.

The County Fair at the Court House…

The display of Daguerreotypes was very extentensive [sic.] and very fine.  Kelsey’s Mammoth pictures surprised and delighted man who had never seen daguerreotypes of such size.  And they were as noticeable for their distinctness and finish, as for their magnitude.

Whitney’s group excited, as they always do, very general attention.  His pictures are exceedingly elegant and perfect.  Indeed, we think them equal to any we have seen at any Fair, County or State.

1853 December 12.  Rochester Daily American.  (Rochester, New York.)  December 12, 1853, Vol 9, No. 294, P. 2.

A frame containing a half-dozen beautiful daguerreotypes of out-door scenes in the city, was exhibited by Kelsey in the Arcade Hall, on Saturday.

1854 June 5.  Rochester Daily American.  (Rochester, New York.)  June 5, 1854, Vol 10, No. 133, P. 2.

Mr. Kelsey, the Daguerrian has a series of Photographic views of the late eclipse, on exhibition in the Arcade Hall.  They are very successfully done.  Mr. Kelsey is awake to all the improvements in the art, and has paid much attention to the taking of out door views.  His Daguerreotypes of residences and other buildings in this city and vicinity have been excellent and have attracted much attention.

Mr. Douglass Hovey, a daguerrian operator from New York, has lately formed a copartnership with Mr. Kelsey. Of the Daguerrian Palace Gallery.  The accession of photographic talent, secures to the establishment the well earned reputation hitherto enjoyed for the production of excellent pictures and gives the assurance of a continuance of the confidence and patronage which the public has given its former proprietor.  These gentlemen propose to make theirs the continued place of resort for all those who have  an eye for the beautiful, and an appreciation for true gems of Daguerrian art.

1855 March 16.  Rochester Daily American.  (Rochester, New York.)  March 16, 1855, Vol 11, No. 66, P. 2.

A Trip Across the Suspension Bridge…

We can only speak of the architectural beauty of the bridge.  It must be seen to be appreciated.  Mr. Kelsey, of this city took several Daguerrian views of it, on Wednesday, which may be see at his room, on Main st.  They are very fine representations.

1855 March 17.  Rochester Daily American.  (Rochester, New York.)  March 17, 1855, Vol 11, No. 67, P. 2.

Suspension Bridge.—Five perfect views of this bridge were taken on Wednesday by Mr. Kelsey on plates prepared in Rochester, which were kept sensitive for the space of eight hours.  The discovery of the chemical compound used for such purposes, Mr. Kelsey claims to have the credit for which the fraternity.  The train of cars seen upon the Bridge gives life and interest to the scene.  The views we believe are to be sent to Boston, and will appear in Ballou’s Pictorial.

1855 May 4.  Rochester Daily American.  (Rochester, New York.)  May 4, 1855, Vol 11, No. 107, P. 2.

We cannot forbear mentioning, in this connection, the superb photograph of the upper Falls, taken by our enterprising townsmen, Messrs. Kelsey & Hovey.  We have seen the finest water-views taken by Mr. Black, of Boston, undoubtedly the most skilful Photographer in America; but we remember none in which he has been as fortunate as our Rochester artists in catching the spirit of falling water and spray.  Much credit is due these gentlemen for their successful attempt to bring strangers, and not a few of our own citizens, to a better acquaintance with our great cataract.  They should neglect the lower Falls, nor the magnificent scenery of Portage.

1855 July 10.  Rochester Daily American.  (Rochester, New York.)  July 10, 1855, Vol 11, No. 166, P. 2.

Mr. Kelsey, at his Daguerrian Rooms in the Crystal Palace Block, has shown us some specimens of Photograph portraits, of life size, taken in a sitting of one minute, and then painted over.—They are perfect likenesses, and are furnished cheap.  He has them also of reduced size.  It is a splendid exhibition of the art.

1855 August 2.  Rochester Daily American.  (Rochester, New York.)  August 2, 1855, Vol 11, No. 184, P. 2.

A Card—The undersigned, in some article lately published, have claimed the credit of the first introduction of Life Size Photographic Painting in Rochester, and of being the only successful operators by this process.

A presumptuous attempt has lately been made, by advertisements from another quarter, to subvert this claim and delude the public into a belief foreign from the truth.  We therefore see it appropriate to make a more formidable protest against any further efforts of a cotemporary artist to thus seek unwarrantable honors for superior Photographic ability, and for appropriating unto himself a credit for skill which he does not possess.

We take occasion to repeat, that Life-size, or even Cabinet size Photographic impressions on Canvass, and colored in oil, are taken at no other establishment in Rochester.  We make this statement fearlessly, the truth of which all may easily become satisfied.

We justly expect the credit due to success in this most difficult yet beautiful process, and we hope for no patronage not justified by the actual merit in our productions.  Kelsey & Hovey, 55 Main street.  July 24, 1855.

Advertisement was recorded between August 2 to 10, 1855.

1855 September 1.  Rochester Daily American.  (Rochester, New York.)  September 1, 1855, Vol 11, No. 210, P. 2.

Photographic Painting.—These are portraits on canvass and colored in oil, like other paintings.  The method by which the portrait is produced differs from that formerly practiced by artists.  The likeness is not first drawn with a pencil by the hand, but taken with an instrument on the canvass.  In effectually placing the portrait upon the prepared canvass, the work of the artist has been greatly abridged,—he has only to color the portrait and it is done.  In a work of art, having to create, requires genius; but a good colorist may save the likeness and expression as given in the Photograph.  For these portraits is claimed greater accuracy than is possible to be obtained by any other method.  Only one sitting of a few seconds is required in their production.  Life and cabinet sizes, on canvass or paper, and colored to life, are taken by Kelsey & Hovey, Gaffney’s block, Main St.

The County Fair held on Thursday and Friday Sept. 20 and 21.  The County Fair at Spencerport was better attended than hitherto…

Messrs Kelsey & Hovey, 3 Photographic paintings, one of C. J. Hill, of Rochester, attracted great attention.

1855 September 25.  Rochester Daily American.  (Rochester, New York.)  September 25, 1855, Vol 11, No. 229, P. 3.

Monroe County Fair.  List of Premiums.  Awarded by the Monroe County Agricultural Society at the Annual Fair held at Spencerport, Sept. 20th and 21st, 1855…

Domestic Manufacturers…

Discretionary Premiums in this Department…

Photographs in Oil, Kelsey & Hovey, Rochester, Silver Medal.

A fine likeness of his Honor Mayor Hayden, by that accomplished portrait painter Mr. Nelson Cook, is on exhibition in the Arcade Hall—also a fine photographic portrait of the same gentleman by Messrs. Kelsey & Hovey.  These pictures attracted no little attention yesterday.

1857 January 2.  Rochester Daily American.  (Rochester, New York.)  January 2, 1857, Vol 13, No. 1, P. 1.

In Beauty, Perfection, And Artistic Finish, Are The Richly Painted Photographs And Pictures In every style, made by Kelsey & Hovey. 53 Main street, Gaffney’s Block, corner St. Paul street.  Nov. 13, 1856.

Advertisement was recorded from January 2 to February 17, 1857.

1857 March 23.  Rochester Daily American.  (Rochester, New York.)  March 23, 1857, Vol 13, No. 68, P. 3.

The County Court room has received a material embellishment recently from the transfer to its walls of the Pioneer Portrait Gallery, heretofore kept in connection with the Daguerrean and Photographic Gallery of Messrs. Kelsey & Hovey, corner of Main and St. Paul streets, who are about to enlarge their establishment.  The pictures are still owned by Mr. Kelsey, and are placed in the Court room for safe keeping.  Whether they are to remain there permanently or not, we are not informed.  There are fifty one of them, which with the one that has long been hanging above the Judge’s bench, representing Hon. Vincent Matthews, and which is owned we believe by the County, make fifty-two portraits.  All of them we believe, except that of Judge Matthews, were painted by Mr. Colby Kimble, of this city.  The group about the portrait of Judge Matthews, are all the counterfeit presentments of citizens who have occupied seats upon the bench of our County Court.  They are Hons. Ashley Sampson, Moses Chapin, E. B. Strong, Wm. Buell, Joseph Sibley, Powell Carpenter, Elisha Ely, and Ralph Parker.  All of them are still living, except the three last named.

These portraits are appropriate and beautiful accessions to the already handsome Court room.

1857 April 3.  Rochester Daily American.  (Rochester, New York.)  April 23, 1857, Vol 13, No. 77, P. 1.

By Ald. Winslow—Resolved, That Kelsey & Hovey be allowed and paid one hundred and fifty dollars out of the Contingent Fund, when there is money applicable thereto, for the portrait of first Mayor, the Hon. Jonathan Child, executed by them, and now on exhibition in this Council Chamber; conditioned, however, that before the payment of the said one hundred and fifty dollars the said Kelsey & Hovey procure and place in this Chamber, as the property of the city of Rochester, the portraits of at least one-half of the ex-Mayors now living, without further expense to the city.

Adopted—as follows:

Ayes—Ald. Parsons, Winslow, McDonald, Perry, Selye, Morey and Dutton—7.

Noes—Ald.  Pancost, Briggs, Morse, Bennett, Fish and Bauer—6.

Adjourned to Friday evening, April 3d.

C. N. Simmons, Clerk.

Kelsey, Calvin C.

1846-1847       Rooms in Mr. Norris’s Building, Corner of Washington and Meridian Streets,                             Indianapolis, Indiana.

1849-1850       136 Lake, Chicago, Illinois.[1], [2]

1851-1857       96 Lake Street, Chicago, Illinois.

1846 November 11.  Indiana State Sentinel.  (Indianapolis, Indiana.)  November 11, 1846, Vol. II, No. 47, P. 3.

Daguerreotype Miniatures.  The subscriber has opened Daguerreotype Rooms in Mr. Norris’s Building, Corner of Washington and Meridian streets.  The Ladies and Gentlemen of Indianapolis are invited to call and examine specimens of this beautiful Art in its present high state of perfection.  Persons sitting for Likenesses are not required to take them unless they are perfectly satisfactory in every respect.  Pictures taken equally well in all kinds of weather.  C. C. Kelsey.

Advertisement ran from November 11, 1846 to January 2, 1847.

1846 November 12.  Indiana State Sentinel.  (Indianapolis, Indiana.)  November 12, 1846, Vol. VI, No. 21, P. 3.

Daguerreotype Miniatures.  The subscriber has opened Daguerreotype Rooms in Mr. Norris’s Building, Corner of Washington and Meridian streets.  The Ladies and Gentlemen of Indianapolis are invited to call and examine specimens of this beautiful Art in its present high state of perfection.  Persons sitting for Likenesses are not required to take them unless they are perfectly satisfactory in every respect.  Pictures taken equally well in all kinds of weather.  C. C. Kelsey.

1847 February 11.  Indiana State Sentinel.  (Indianapolis, Indiana.)  February 11, 1847, Vol. VI, No. 21, P. 3.

Daguerreotype Miniatures.—Kelsey, at his room in Norris’s Block, can show photographic likenesses equal to any that we have ever had the pleasure of seeing here or elsewhere.  We advise our friends, and enemies too, if we have any (!) to give him a call if they desire true representations of their phizzes.  If they are naturally handsome. He charges nothing extra; and if they are ugly, he will not grumble if the originals charge the defect upon the process.  Mr. Kelsey will remain in this city but a few days longer. 

1846 November 11.  Indiana State Sentinel.  (Indianapolis, Indiana.)  November 11, 1846, Vol. II, No. 47, P. 3.

Daguerreotype Miniatures.  The subscriber has opened Daguerreotype Rooms in Mr. Norris’s Building, Corner of Washington and Meridian streets.  The Ladies and Gentlemen of Indianapolis are invited to call and examine specimens of this beautiful Art in its present high state of perfection.  Persons sitting for Likenesses are not required to take them unless they are perfectly satisfactory in every respect.  Pictures taken equally well in all kinds of weather.  C. C. Kelsey.

Advertisement ran from November 11, 1846 to January 2, 1847.

1846 November 12.  Indiana State Sentinel.  (Indianapolis, Indiana.)  November 12, 1846, Vol. VI, No. 21, P. 3.

Daguerreotype Miniatures.  The subscriber has opened Daguerreotype Rooms in Mr. Norris’s Building, Corner of Washington and Meridian streets.  The Ladies and Gentlemen of Indianapolis are invited to call and examine specimens of this beautiful Art in its present high state of perfection.  Persons sitting for Likenesses are not required to take them unless they are perfectly satisfactory in every respect.  Pictures taken equally well in all kinds of weather.  C. C. Kelsey.

1847 February 11.  Indiana State Sentinel.  (Indianapolis, Indiana.)  February 11, 1847, Vol. VI, No. 21, P. 3.

Daguerreotype Miniatures.—Kelsey, at his room in Norris’s Block, can show photographic likenesses equal to any that we have ever had the pleasure of seeing here or elsewhere.  We advise our friends, and enemies too, if we have any (!) to give him a call if they desire true representations of their phizzes.  If they are naturally handsome. He charges nothing extra; and if they are ugly, he will not grumble if the originals charge the defect upon the process.  Mr. Kelsey will remain in this city but a few days longer. 

1853 January 8.  The Ottawa Free Trader.  (Ottawa, Illinois.)  January 8, 1853, Vol. XIII, No. 21, P. 3.

C. C. Kelsey’s Daguerreotypes, So long celebrated for their exquisite beauty and artistic finish, continue as heretofore to take the lead, as will be seen by the award of a Gold Medal at the late Fair, (1852) the judges pronouncing them the Finest Daguerreotypes they had ever seen.

Likenesses taken equally well in the darkest of Weather.

Call and examine his extensive and choice collection.

Artists will find in his Stock Department the largest and cheapest assortment of Daguerreotype Goods in the west.  No. 96 Lake st., opposite the Tremont, Chicago.  Chicago.

Advertisement ran from January 8, 1853 to January 21, 1854.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green.  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1853 December 20.  Joliet Signal.  (Joliet, Illinois.)  December 20, 1853, Vol. 11, No. 27, P. 4.

C. C. Kelsey’s Daguerreotypes.  So long celebrated for their exquisite beauty and artistic finish, continue as heretofore to take the lead, as will be seen by the award of a Gold Medal, at the late Fair, (1852) the judges pronounced them the Finest Daguerreotypes they had ever seen.  Likenesses Taken Equally Well In The Darkest Weather.

Call and examine his extensive and choice selection.

Artists will find in his Stock Department the largest and cheapest assortment of Daguerreotype Goods in the west.

No. 96 Lake-st. (opposite Tremont) Chicago.

1854 March 18.  New Covenant.  (Chicago, Illinois.)  March 18, 1854, Vol. VII, No. 111, P. 4.

C. C. Kelsey, Daguerreotypist, No. 96 Lake Street, (Opposite the Tremont House.)  Awarded the Gold Medal for the best Daguerreotype in 1852.

Likenesses taken equally well in the darkest weather.  A full assortment of Daguerreotype Stock constantly on hand and for sale at low prices.  jan. 8

1854.  Illinois And Missouri State Directory for 1854-1855.  (St. Louis, Missouri.)  1854, P. 141-142.

1856 February 1.  The Daily Democratic Press.  (Chicago, Illinois.)  February 1, 1856, Vol. IV, No. 105, P. 2 & 3.

Review of the Manufacturers of Chicago for 1855.  In presenting our readers with the fourth Annual Review of the Manufactures of Chicago, we are happy to say , that this important arm of our prosperity continues to keep pace with the general growth of the city and country…

Daguerreotypes, Photographs, Ambrotypes, &c.  The Daguerrean business is not strickly speaking a manufacturing branch of industry, yet as there is in this city a large amount of capital invested in establishments of this kind, we have thought it  but proper to include them.  During the past two years Daguerrean rooms have increased very rapidly; and we are happy to record the fact, that Chicago has some of the best operators in the United States.

A. Hesler, Daguerrean and Photographer, Metropolitan Block, Lasalle street.

This is the largest Daguerrean establishment in the United States.  It consists of 12 large rooms, most appropriately fitted up.  The show rooms are luxuriously furnished.

Mr. Hesler’s Daguerreotype likenesses have taken the premium at the World’s Fair, New York, and at several of the State Fairs throughout the United States.  He was formerly situated at Galena, in this State, and moved to this city in December, 1854.

The following is a statement of his business during 1855.

Capital Investment…………$22,000

Va. Of Pictures, &c.………..$38,000

Material used……….………$18,000

Wages used………………….$6,500

No. of operators employed….10.

Root, Cook & Fassett, Daguerreotypist and Ambrotypist, 131 Lake street.

This establishment was only commenced las September, since which time they have acquired a good reputation as Daguerreans.  Some of their pictures have taken premiums at State Fairs and Industrial exhibitions.

The Following is a statement of their operation from Sept. 1st to Dec. 31st, 1855.

Capital Invested……….$3,000

600 pictures……………$2,000

Raw material used……..$400

H. W. Williams, Daguerrean Artist, 58 West Randolph street.

The amount of business turned out in this establishment during the past year, is as follows:

Capital Invested……$500.

Value of pictures……$1,500.

No. of operators…….2.

Taylor & Lenox, Ambrotypist and Daguerreans, 75 Lake street.

This firm commenced business in September last.  They are the proprietors of the patent right of Cutting’s process of Ambrotyping, for this State and Wisconsin.  The figures during the few months they have been in business, we did not receive.

C. H. Lillibridge, Photographer, 77 Lake st….No report.

C. C. Kelsey, Daguerrean, 96 Lake st………..Blanks not returned.

G. E. Gordan, Daguerrean, 44 Dearborn st…..No returns.

E. G. Stiles, Daguerrean, 139 Lake st…………Blanks not returned.

P. Von Schneidau, Daguerrean, 142 Lake st….Blanks not returned.


[1] Craig’s Daguerreian Registry used for the following dates, 1849, 1851, 1852,1855, 1857

[2] Dated image inscribed on interior of case May 2m 1850 (Getty Museum.)