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Norman Taylor

1858                Address Unknown, Franklin, New York.

1859                Address Unknown, Franklin, New York.[1]

Norman Taylor was recorded in an announcement in the Delaware Gazette (Delhi, New York.)  on December 24, 1858.  List Of Premiums Awarded By The Delaware County Agricultural Society, At The Fair Held At Franklin, September 22d and 23d, 1858….No. 3—Discretionary…

Best Ambrotypes,       N. Taylor, Franklin,                $2.00

2d        do                    E. C. Riggs, Delhi,                  $1.00

Norman Taylor is recorded in Craig’s Daguerreian Registry for 1859.


[1] Craig’s Daguerreian Registry recorded as a daguerreian.

J. H. Taylor

1854                Address Unknown, Springfield, Illinois.

1855                13 West Side of Public Square, Springfield, Illinois[1]

J. H. Taylor was recorded in the Illinois And Missouri State Directory (St. Louis, Missouri.) for 1854-1855.

Probably John H. Taylor listed in Craig’s Daguerreian Registry in 1855.  J. H. Taylor is also listed in A Directory of Early Illinois Photographers.


[1] Craig’s Daguerreian Registry & A Directory of Early Illinois Photographers.

George P. Taylor

Ca. 1855-1856          10 Federal Street, Salem, Massachusetts.

1857                            Address Unknown, Haverhill, Massachusetts.[1]

1861                            Address Unknown, Salem, Massachusetts.[2]

ND                              Address Unknown, Alexandria, Virginia.

1866-1899                  188 Essex Street, Salem, Massachusetts.[2]

George P. Taylor was recorded from an entry in 200 Years Of Masonry In Essex Lodge 1779-1979 By Worshipful Harold Pierce Hadley.

George P. Taylor—born June 9, 1836, at 51 Broad Street, Salem.  Educated in Salem schools and at the age of 17 shipped on the White Swallow, to the Pacific.  Upon his return he was employed at D. W. Bowdoin’s.  From 1857-1859 had a traveling studio and practiced through Massachusetts.  During the Civil War he had a studio in Alexandria, Va.  Ca. 1867 with Charles F. Preston bought out the studio of William Snell the firm was Taylor and Preston he retired in 1906 and died on October 17, 1911.

George P. Taylor is recorded in other photographic directories, but is recorded here because of the additional information.


[1] Craig’s Daguerreian Registry

[2] A Directory Of Massachusetts Photographers 1839-1900.

Edward G. Taylor

1854                16 Spruce Street, New York, New York.

Edward G. Taylor was recorded in one announcement in The Evening Post (New York, New York) on March 6, 1854.  Great Fire In Spruce Street.—Four Buildings Destroyed—Yesterday (Sunday) morning, about half past two o’clock, a fire was discovered in a five story brick building at No. 8 Spruce street…the fire soon extended to the adjoining store, No. 10, the basement of which was occupied by Mr. Spinney, dealer in rags.  The first floor by Benedict & Cunningham as a paper warehouse.  Second floor as the publication office of the Independent.  Third floor in part by T. C. Janes, importer of book binders’ leather.  The remaining portion of the third floors, together with the whole of the fifth floor, also the first and second stories of No. 16, were occupied by S. W. Bendict, printer.  The fourth floor was occupied by Edward G. Taylor, book binder and daguerreotype case manufacturer…

Edward G. Taylor is recorded in Craig’s Daguerreian Registry as being active in 1851 to 1853 at 128 Fulton and 89 Nassau.  Further research indicates that he is not listed in the following New York City directories 1854/55; 1855/56; 1856/57 but, in the 1857/58 directory he is listed as a Bookbinder at 15 Nassau Street.

E. B. Taylor

1855                Large Brick Building, South Side of Square, Fayetteville, Tennessee.

1855                Address Unknown, Millville, Tennessee.

1856                Sulphur Spring at Craighead, Tennessee.

1857-1858       South side of the Square, long brick building, Fayetteville, Tennessee.

E. B. Taylor was recorded in three announcements and five advertisements in the Fayetteville Observer (Fayetteville, Tennessee).  The first announcement appeared on April 26, 1855.  Daguerreotypes—Mr. E. B. Taylor, Daguerrean Artist, has taken a room in the large brick building, south side of the Square, where he may be found on Friday and Saturday of each week, ready to furnish customers with any number of superior pictures that may be desired.  He has an excellent camera, good light, fine and common plates and cases, the best of chemicals, and what is more, he knows how to use them.  Give him a call—he is a clever, accommodating gentleman.

The first advertisement ran from April 26 to May 24, 1855.  Daguerreotypes!  The subscriber has the pleasure of informing the residents of Fayetteville and vicinity, that he has taken an excellent room in this pace, in the large brick, south side of the public square, where all are respectfully invited to call.  Come whether you want pictures or not, and see what is to be seen.

My stay will be short—only every Friday and Saturday of each week—come without delay.  Secure some precious Memento of your friends before death takes them from you.

E. B. Taylor, Practical Daguerreotypist.                   

The second announcement appeared on May 24, 1855.  Daguerreotypes—By reference to the advertisement of Mr. E. B. Taylor, Daguerrean Artist, it will be seen that he will close his room in this place the last of this week, and open on Friday next week, at Millville.  To our many friends in that region, we commend him as a good operator, and an honorable, gentlemanly, courteous man.

The third announcement appeared on June 26, 1856.  Daguerreotypes—Mr. E. B. Taylor has opened his daguerrean rooms at the Sulphur Spring, eight miles north-west of this place.  Our friends in that section who may desire good pictures, would do well to give him a call.  See his card in another column.

The second advertisement ran from June 26 to July 31, 1856.  Pictures.  Do You Want Good Pictures?  Then come one come all to the Sulphur Spring, at Craighead.  Come and see my new specimens—and you that want your pictures, come and sit for one, and I will try to give satisfaction to all.  If I can’t, I will not bind you to take it.  Come soon as my stay is limited. 

The third advertisement ran from February 5 to October 29, 1857.  E. B. Taylor, Daguerrean, Ambrotype, Melainotype Artist, South side of the Square, Fayetteville, middle door of the long brick, and 3d story.

The Melainotype is something entirely new.  It can be seen alike in all lights.  There is no metallic glare in the way as is in a Daguerreotype, and cannot be surpassed by any other Pictures for their richness and beauty, and they can be sold from 75 cents up.  Pictures taken in cloudy weather as well as fair.  I only ask from 1 to 3 seconds in clear weather to take children’s Pictures.  The Melainotype Pictures can be sent in a letter, without a case, and not be soiled.  Come everybody, and see what is to be seen, and get Pictures if you want.  If I can’t give satisfaction before finishing, there is no obligation on the purchaser.      

The fourth advertisement ran from October 29 to November 19, 1857.  E. B. Taylor, Artist, Fayetteville, Tenn.  Takes this method of informing his friends and the public generally, that his business requires him to close his Gallery in Fayetteville in a few days—or at farthest, 3 weeks.  All those desiring Pictures will come.  I have some fine Frames and fine Cases I will sell very low. The price of other Cases as heretofore.  Those owing me will please pay against that time.  If not paid without suing for it, be assured you never get another on a credit.                            

The fifth advertisement ran from February 18 to 25, 1858.  E. B. Taylor, Has opened his Picture Gallery at his old stand, South side of the Square, Fayetteville, middle door of the long brick building, and third story.—My room will be open to all who will favor me with a call.  Always kept on hand an assortment of Cases and Frames.  Prices as heretofore.  I will say to those owing me, that I am obliged to have money to carry on the business. And if settlement is not made by the First Monday in March, I will certainly place their account in the hands of an officer for collection.                 

E. B. Taylor is not recorded in other photographic directories.

Taylor

Taylor—There were three Taylor’s recorded in an article in the Photographic and fine Arts Journal (New York, New York) on April 1, 1856 the article entitled the Photographic Galleries of America.  Number Two, Philadelphia.

The author visited 57 Galleries in Philadelphia.  According to the 1856 Philadelphia City Directory, (business directory)there are three Taylor’s listed under Daguerreotype Miniatures, Benjamin F., North West 2nd & Queen,  William at 205 South 2d, and William at 392 Market.  In the Residence section of the same directory only Benjamin F. and William at 392 Market appears.  Further investigation in Directory Of Pennsylvania Photographers 1839-1900 by Linda A. Ries & Jay W. Ruby.  Benjamin F. Taylor was active in Philadelphia from 1856 to 1893.  William Curtis Taylor was active from 1854 to 1898, and the second William is not recorded, but they do record an Isaac B. Taylor active from 1855 to 1859.  Based on this information the attribution has been attributed to the three.

Taylor, Benjamin F.

1856                Address Unknown, Philadelphia, Pennsylvania.[1]

Taylor. — This is a very good gallery, superior to most others. Principally daguerreotypes.

Benjamin F. Taylor is recorded in other photographic directories, but is included here because of the first-hand account of his work. 

Taylor, William Curtis

1856                392 Market Street, Philadelphia, Pennsylvania.[1]

Attributed to William Curtis Taylor In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

W. Taylor, Market St. — These daguerreotype specimens are pretty fair. There is, however, a great want of sharpness. In these pictures especially, I noticed that the focus was set on some prominent part of the sitter, to the exclusion of the rest of the body; now, every one will admit, that a mean distance should be taken if we wish to bring each part into exact proportion with the rest, otherwise there will be a dimness about some parts, though one particular point may be perfectly sharp. A mean term should undoubtedly be taken.

William Curtis Taylor is recorded in other photographic directories, but is included here because of the first had account of his work.  Based on the Market Street address this entry has been attribute to William Curtis Taylor.

Taylor, Isaac B.

1856                Address Unknown, Philadelphia, Pennsylvania.[1]

In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Taylor. — This artist takes pretty fair pictures. For him is not needed the recommendation of order and cleanliness, as the gallery is perfect in this respect. The pictures, however, require greater depth of tone. The gallery is opposite the market, which is not a very good location.    

Isaac B. Taylor is recorded in other photographic directories, but is included here because of the first-hand account of his work.                                                                                                                                                                                                      

[1] Not all first names or complete addresses were recorded in article.   Directory of Pennsylvania Photographers, 1839-1900 (Linda A. Ries & Jay W. Ruby) and Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added. 

Mr. Tarr

1853    283 Fulton Street, Brooklyn, New York.

Mr. Tarr of the firm Harrison & Hill was mentioned in one announcement for Harrison & Hill on August 27, 1853 in The Brooklyn Daily Eagle (Brooklyn, New York).  …Then long live Harrison and Hill’s Daguerreotype Establishment say we, with young Mr. Tarr, too, whose operating is capital, and his pictures likewise.  As to any flippant criticisms from some New York press, the writer whereof gives up about a quarter of a minute to look at the object criticized, and lets out the decision just as accident or interest turns it, why, the same critic, talking by word of mouth in an assembly of intelligent people, wouldn’t be thought worth any further answer than a pretty broad smile.—Why, old friend, Elizabeth, whose polite and honest face greets us so smilingly at your door, and into whose lap the children, we fancy, are always willing to sit quiet—she may have a far better eye for a good picture than even a Crystal Palace critic has.

Mr. Tarr is nor recorded in other photographic directories.

V. C. or V. B. Tarbon

1855-1856       Front Street, Rooms over Mayhugh’s Grocery Store, Pomeroy, Ohio.

V. C. or V. B. Tarbon was recorded in one announcement and one advertisement in the Meigs County Telegraph (Pomeroy, Ohio).  The announcement appeared on December 25, 1855.  V. B. Tarbon & Co., are prepared to take Daguerreotypes in good style.  Go and get your “ugly mug” taken.  His plates are strong. No danger of breaking them, unless you “put on airs.”

The advertisement ran from December 25, 1855 to March 4, 1856.  $100 For A Likeness!  “Hail holy Light!  Of Heaven first-born!!” 

How often we have heard it said, “I would give a hundred dollars, if I had a likeness of my deceased mother, &c.,”  Now one can be had, set in a good case, for only One Dollar, by visiting at any hour in the day, and in Any Weather, from 8 o’clock, A. M., till 4 P. M., at the Pomeroy daguerrean Gallery, front street, over Mayhugh’s Grocery.

The Subscribers keep on hand an assortment of Daguerreotype Stock and Apparatus, with which they will supply artist if desired.

Wanted!  A man to learn the business, to whom liberal inducements will be offered.  V. C. Tarbon & Co.

V. C. or V. B. Tarbon are not recorded in other photographic directories.

A. H. & C. C. Tappana

1855                Old Methodist Church, Glasgow, Missouri.

1855                Address Unknown, Fayette, Missouri.

A. H. & C. C. Tappana were recorded in one advertisement and one announcement in the Glasgow Weekly Times (Glasgow, Missouri).  The advertisement ran on August 23, 1855.  The Tappana’s Daguerreotypes.  Are you in want of a bold lifelike likeness—that for position, artistic finish or tone, cannot be surpassed by any?  If you are, now is the time to procure one, as our engagements elsewhere will not permit of us remaining here but a short time. 

We would advise all in want of a good picture to give us a call and unless you are perfectly satisfied with our work we will not ask you to take it.—

We think we can safely say we have heretofore given general satisfaction; we therefore feel confident of being able to please the citizens of this place, and all who may honor us with their patronage.

We may be found at the Old Methodist Church.  A. H. & C. C. Tappana.

The announcement appeared on August 30, 1855.  Daguerreotypes.  The Messrs. Tappana will only be here this week, and those desiring their services should call at once.  Their specimens and cases are worth an examination; and if any of our citizens want a finished job, they should embrace the opportunity presented.

They will be at Fayette next week, prepared to attend to all calls.

A. H. & C. C. Tappana are not recorded in other photographic directories.

Charles E. Tapley

1856                16 Harrington Corner, opposite the City Hall, Worcester, Massachusetts.

1857-1858       Address Unknown, Worcester, Massachusetts.[1]

1860                American Hotel Block, Worcester, Massachusetts.1

Charles E. Tapley was mentioned in an advertisement that ran from June 14 to September 13, 1856.  B. D. Maxham Would respectfully invite all those wishing superior Daguerreotypes of themselves or friends, to call at his old stand, where they can procure likenesses taken by himself or Mr. Tapley, an old and experienced operator from the City of New York.  No 12½ or 25 cent pictures will be taken by them—their time and talent will be devoted to their profession, which they wish to make honorable, by giving good pictures at reasonable prices to all who may favor them with their patronage.

Ladies and gentlemen, please call at No. 16 Harrington Corner, opposite the City Hall, and examine specimens.  B. D. Maxham, C. E. Tapley.

Charles E. Tapley is recorded in other photographic directories as being active in Worcester from 1857–1860.  It is unknown, but possible, that he is the same C. E. Tapley active in Vermont from 1852-1854.


[1] Craig’s Daguerreian Registry Information from the Worcester City Directory, residence section.