Tag Archives: Photographer

Jules E. Loiseau

1856                423 Broadway, New York, New York.[1]

Jules E. Loiseau was recorded on January 1, 1856 in the Photographic and fine Arts Journal  (New York, New York).  In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

J. E. Loiseau—A French artist. The gallery contains some very fair photographs.

J. E. Loiseau is recorded in other photographic directories, but is included because of the first- hand account of his work.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

Loiseau and Bulot

1858                Address Unknown, Nashville, Tennessee.

Loiseau and Bulot were recorded in an announcement on April 9, 1858 in the Nashville Union and American (Nashville, Tennessee).  Tennessee Historical Society…Messrs. Loiseau and Bulot presented a photograph of Shakespeare and his contemporaries, from a painting of John Ford.

Loiseau and Bulot are not recorded in other photographic directories.  Loiseau is possible Joseph Loiseau who is recorded in Craig’s Daguerreian Registry as being active in Nashville in 1859-1861.

Professor Leine

1855                165 Eighth Avenue, New York, New York.

Professor Leine was recorded in an advertisement for Edward P. Huylar on September 2, 1855 in The New York Herald (New York, New York).  Photograph’s—Plain or Colored, by Huylar, 165 Eighth avenue, having fitted up this gallery in connection with our daguerreotype business, we would be happy to have our friends give us a call.  E. Huylar, first operator; Professors Leine and Hunt assistants.

Professor Leine is not recorded in other photographic directories.  Edward P. Huylar is recorded in Craig’s Daguerreian Registry as Edward P. Huylers.

(A. G.) Da Lee

1859             Address Unknown, Lawrence, Kansas.

(A. G.) Da Lee was recorded in three announcements and one advertisement in The Kansas Herald of Freedom (Wakarusa, Kansas, Territory).  The first announcement appeared on January 1, 1859.  Photographic Artist.  We invite the attention of our readers to the advertisement of Mr. Da Lee, which it will be an object for all persons to consult at this season of the year. A good picture of one’s self is about as pretty a New Year’s present as can be made to a friend, and quite as likely to be treasured as of inestimable value.  Persons bound for the gold region in the Spring, should procure duplicate copies, and forward to all persons having an interest in them.  Mr. Da Lee is acquainted with all the different modes of taking pictures by the sun’s rays, and readily transfers one’s shadow to a silver plate, glass, marble, iron or leather, and fastens it there in a durable manner.  We had the pleasure of visiting his rooms a few days ago, and found them fitted up in the very best style, with a splendid skylight.  After once getting a good likeness, he has the art of multiplying them to any extent without the necessity of an extra sitting.  Go in and get a picture and present it to your friend or lover.

The advertisement ran from January 1 to March 12, 1859.  Pictures!  Mr. Da Lee Is always prepared to take Pictures of any style, in all kinds of weather, at his Gallery in Lawrence.  Those wishing to send a Likeness by letter to their friends, can obtain one, which will make no extra postage, and warranted to please.  Please call and examine specimens.

The second announcement  appeared on October 15, 1859.  Douglas County Agricultural Society.—The Fair….Class twenty was filled by artist of this city, and attracted universal attention.  A. G. Da Lee exhibited several of his beautiful photographs and ambrotypes, which were never excelled in beauty and quality in any Eastern city….

The third announcement appeared on October 15, 1859.  Photographs of Lawrence.  Mr. Da Lee is photographing views of Lawrence from a designs by A. Conant.  The design is admirably drawn, and the photographs are in the best style of the art.  They can be obtained at the low price of $2.50 each.

(A. G.) Da Lee is not recorded in other photographic directories.

Ledoyt & Hodges

1855-1856       222 Main Street, Fosters Building, Worcester, Massachusetts.

Ledoyt (Ludoyt) & Hodges appeared in one advertisement that ran from October 6, 1855 to January 12, 1856 in the Worcester Daily Spy (Worcester, Massachusetts).  New Advertisements.  A Card To The Public.—The subscribers having disposed of their interest in the Ambrotype establishment in Foster’s Building, 222 Main st., to Messrs. Ledoyt & Hodges, would cheerfully recommend them to our customers and the public generally, as gentlemen of merit and artistical skill, and are worthy of an extensive patronage.     Hathaway Brothers.

L. & H. are now prepared to furnish the Ambrotype, Mezograph or Crystalotype Pictures in the best style of the art. Pictures copied from paintings, engravings, Daguerreotypes. The public are invited to call and examine for themselves.  B. Ledoyt,  J. R. Hodges.

Ledoyt & Hodges are recorded in Craig’s Daguerreian Registry as Ludoyt with no first name or initial. Information from the 1856 Worcester City Directory, resident section. (Ludoyt & Hodges.)

Le Mire & Bouchez

1856                Rooms in the Brick House, Opelousas, Louisiana.

Le Mire & Bouchez were recorded in one announcement and one advertisement in The Opelousas Courier (Opelousas, Louisiana).  The announcement ran on April 19, 1856.  Daguerreotype Artists.—In looking over our advertisement column, our readers will see that Messrs. Le Mire and Bouchez, have taken lodging in our town, and are now ready to take likenesses, landscapes, &c., by different processes, viz: Daguerreotype, Photography and Ambrotype.  All the specimens that we have seen at their saloon proves to us that they are no common artist and deserves a share of the public patronage.

The advertisement ran from April 19 to May 17, 1856.  Le Mire & Bouchez, Artist in Photography, Daguerreotype and Ambrotype.  having just arrived in Opelousas, and have taken rooms in the brick house, lately occupied by Mrs. Pigeon, as a Millinery store, where they are prepared to take  likenesses, pictures, landscapes, & c., on glass, paper or metal, according to the taste of those wishing to encourage them.

They intend to remain in this town but a few days, the public are invited to come and examine their specimens, which will be, they hope a sufficient encouragement to satisfy the most difficult, with a portrait, a correct view of a building, &c.   Opelousas.

Le Mire & Bouchez as partners or individuals, are not recorded in other photographic directories.

John S. Lay

1859                3 Hathaway’s Block, opposite the Gazette Office, , New York.

John S. Lay was recorded in one advertisement that ran from June 30 to July 28, 1859 in Lansingburgh Democrat (Lansingburgh, New York).  Ambrotypes.  No. 3 Hathaway’s Block, opposite the Gazette office, Lansingburgh.  Prices Reduced large size only 50 Cents including Fine Case.

The Ladies and Gentlemen of this place and vicinity are respectfully notified that Mr. Lay will remain here a few days, for the purpose of making some of his choice Mezzotint Ambrotypes!

Natural Color, double glass, warranted never to fade.  He wishes to call particular attention to the fact his pictures are made on Black plate glass, which obviates entirely, the use of tar and pitch on the back of Ambrotypes, as the reader can see for himself by knocking an Ambrotypes from its case.  He proposes to furnish the people with Double Glass, Warranted Ambrotypes.  Made on Black Extra Plate Glass, and put up at a style at less than New York and Albany prices.  Each picture will be made and finished by Mr. Lay in person, and he will guarantee it to be as durable as the glass tablet upon which the portrait if fixed.

Pictures taken in Lockets, Rings, &c., old Daguerreotypes Copied, and Lettertypes, cor mail.  Personal attention paid to securing Likenesses of invalid or deceased persons at private residences.  Also, Views of Buildings, Cattle, Machinery, &c.

N. B.—Avoid white, pink and blue in your dresses, ladies,, and never mind the fine clothes. Calico equals, if not excels silk in a portrait. Call and see for yourself.  John S. Lay.

John S. Lay is not recorded in other photographic directories.

William L. Lawrence

1858-1859       Rooms Clinton Hall, third story, Tallmadge Block, phot Ohio.

William L. Lawrence of the partnership of Lawrence & Massey was recorded in two advertisements in the American Lancaster Gazette (Lancaster, Ohio).  The first advertisement ran from December 9, 1858 to April 21, 1859.  Clinton Hall Art Gallery.  Lawrence & Massey Having leased the above well known suit of rooms, and fitting them up in a superior style, with a splendid Sky Light, would invite the citizens on Lancaster and vicinity, and all others wishing a superior Grade of Pictures to give them a call.

Having the best arranged Light perhaps in the State, they feel justified in saying that their Pictures, in point of brilliancy, delineation, boldness and unerring truthfulness, are equaled by few & excelled by none.

Ambrotypes taken at these Rooms, are executed in the latest and most approved style of the art.  Their Sphereotypes are decidedly the most beautiful style of Pictures that has yet been produced.  They seem to stand out in bold relief, (unaffected by light, air, or age,) while there for softness of shadow, beauty of detail, and warmth of tone never found in either kind of pictures.

Now Is The Time To Get Better Pictures, and at as low figures, as can be obtained at any other establishment in the State.

Ladies and Gentlemen who wish to obtain a finer likeness than ever before taken in Lancaster, can have an opportunity by calling at the Clinton Hall Art Gallery.  Pictures taken in all kinds of weather.  Coping Pictures, filling lockets and all other work in their line executed on short notice.  Entire satisfaction warranted!  The public are respectfully invited to call.  Rooms Clinton Hall, third story, Tallmadge Block, Main Street, entrance one door West of Springer & Trout’s Clothing Store.  Lancaster.

The second advertisement ran from April 14 to August 11, 1859.  Pictures Cheaper Than Ever!  At The Clinton Hall Art Gallery.  We are determined not to be out-done by any establishment in the State, in the way of taking Good, Cheap and Inimitable Likenesses.—we have established our prices at Lower Figures than have as yet been made in this vicinity.  Our prices will range from Ten Cents Upward.  And on all cases, whether Fine or Common, will be sold from 10 to 20 percent lower than can be obtained at either of Mr. Rhode’s Rooms.

Our Rooms have been fitted up expressly for the business in which they are now used, and possess many advantages over any other room of the kind in this city, as it is large and commodious, easy of access, and neatly finished.  Our Sky Light, which is much higher than that of either of the other establishments, throws a more even shade upon the subject, and brings out a Likeness in a higher degree of perfection, than can possibly be obtained at any other room in the city, as the Sky Lights in those rooms are very low, and therefore they cannot obtain that softness of shadow, beauty of detail, and warmth of tone, that is found in our pictures.  Persons having pictures that were taken at either of the other rooms, with which they are dissatisfied, can have them re-taken at the Clinton Hall Art Gallery at a reasonable charge.

Copying pictures, filling Lockets, Breast-pins, Rings, etc., etc., done on short notice.  Entire satisfaction warranted.  The public are invited to call.  Rooms, Clinton Hall, Third Story Tallmadge Block, Main Street.  April 14, 1859.  Lawrence & Massey.

William L. Lawrence is recorded in other photographic directories.

J. H. Larrabee

1859                Address Unknown, Chittenango, New York.

J. H. Larrabee is recorded in one advertisement that ran from November 2 to 23, 1859 in the Cazenovia Republican (Cazenovia, New York). A Card. The Subscriber Respectfully Informs the Citizens of Cazenovia and adjoining Towns, that the Photographs on exhibition in The North West Part Of Floral Hall At The Cazenovia Fair, were not made by Mr. Weld, as was supposed by many and intimated by some, but were made by the Subscriber At His Gallery In Chittenango where he is prepared, at all times to execute Plain and Colored Photographs, Ambrotypes, Melainotypes, and Pictures on Patent Leather, in a style not surpassed in or out of Madison County.  Large Photographs made from small Daguerreotypes, and colored in Oil in a style truly wonderful, which need only to be seen to be admired.  Perfect satisfaction warranted in all cases, or no charge.  J. H. Larrabee.

A J. H. Larrabee is listed in Craig’s Daguerreian Registry as being active in 1859 in Binghampton, New York it is possible they are the same person the distance between Binghampton and Chittenango, New York is about 80 miles.

Augustus Larcombe

1856                40 College Street, Nashville, Tennessee.                                                            1858                Corner of Cherry and Union Streets, Nashville, Tennessee.

Augustus Larcombe was recorded in two Announcements and four advertisements.  The first advertisement ran from March 11 to April 16, 1856 in the Nashville Union and American  (Nashville, Tennessee).  A. Larcombe, Ambrotypist.  No. 40, College Street, Corner of Union, Ambrotypes—the new Photographic Pictures on Glass, made by Cutting’s Patent Process, are now offered to the public as the most beautiful and only permanent likeness in the world.

All sizes and styles from Breastpins to Cabinet Portraits.  Daguerreotypes copied in Ambrotype.  Caution—Imitation Pictures got up by Daguerreotypist are not Ambrotypes.  One is perishable, the other immortal.  Genuine Ambrotypes are made at 40, College street and no where else in Nashville.

The first announcement appeared on October 26, 1856 in the Nashville Union and American  (Nashville, Tennessee).  Mechanics’ Institute.  Second Annual Exhibition.  Premiums Awarded…Class No. 6—Marble Work, Paintings, Drawing, Daguerreotypes, Etc.

J. W. & E. S. Dodge, Nashville, Miniatures on Ivory……………………….5                                        J. W. & E. S. Dodge, Nashville, Photographs, plain and colored…………5                                      A. Larcomb, Nashville, Ambrotypes…………………….…………………..5                                    Hughes Brothers, Nashville, Daguerreotypes…………………………….5

The second advertisement ran from November 13 to December 19, 1856 in the Nashville Union and American (Nashville, Tennessee).  Get The Best.  Larcombe’s Ambrotypes Took the first Premium over all competitors at the recent Exhibition, and are acknowledged to be the best Pictures in Tennessee.

Made as heretofore at New York and Philadelphia prices, and put up in tip top style at his Ambrotype Rooms, No. 40 College street, over Campbell & Donegan’s.

The third advertisement ran from February 1 to October 1, 1858 in the Nashville Patriot (Nashville, Tennessee).  Get The Best.  The Genuine Ambrotype—the Premium Picture—is beyond comparison the best style of likeness yet introduced, and stands without rival:

Time cannot change them,                                                                                                                              Light cannot fade them,                                                                                                                            Dampness cannot mould them,                                                                                                                          Dust can never reach them,                                                                                                                                   Rust cannot corrode them.

Made as heretofore by Larcombe, Corner of Cherry and Union Streets, and put up in tip-top style at Eastern prices.  Made in no other rooms in Nashville.

The second announcement appeared on July 21, 1858 in the Nashville Patriot (Nashville, Tennessee).  The Ambrotype Process.  This new process of photography upon glass excels all previous methods of taking portraits by the action of light.  The daguerreotype, it is well known, too commonly wears a sharp angular, harsh expression, arising from too strong a contrast of light and shade.  The photograph, on the contrary, is apt to wear a dull inanimate expression, and its unnatural hue is sometimes far from being agreeable.  By the ambrotype process entire precision of outline and naturalness of feature and expression are secured, while at the same time a tone of softness is diffused over the picture from the more graceful effect of light and shade upon a surface of glass.  Moreover, two pictures are obtained from one impression, the face of the glass exhibiting the sitter as he sees himself in a mirror, while the reverse shows him as he appears to others.  The latter is a very great advantage over either the daguerreotype or the photograph.  These always present a reversed picture, more natural to the eye of the subject himself than to others; but the ambrotype gives both the mirror face and the natural face.  It will probably be some considerable period of time before this beautiful branch of the art is brought to the highest state of perfection of which it is capable, but scarcely a week goes by without some improvement being announced.

Call on Larcombe if you would get an Ambrotype in its most perfect state.

The fourth advertisement ran from September 21, 1858 to November 28, 1859 in the Nashville Patriot (Nashville, Tennessee).  Home Again!  Mr. Larcombe desires to inform his friends and the public generally that he has returned from his Northern tour, and is ready to open the fall campaign.

Fully posted in all recent improvements in Photographic Manipulation—relying, as heretofore, solely upon the merits of his pictures, and determined to spare no effort to please, he confidently invites those who have never given him a fair trial, to do so.

Ladies will find his present rooms the most conveniently and pleasantly located of any in the City, Cherry Street, corner of Union.

Augustus Larcombe is recorded in Craig’s Daguerreian Registry as being active in Nashville starting in 1857.