1847 285 Broadway, New York, New York.
1847 October 4. The New York Herald. (New York, New York.) October 4, 1847, Vol. XIII, No. 272, Whole No. 4869, P. 3. Wanted—By a Scotch girl, a situation as chambermaid in a respectable family. Recommendations from Scotland will be given and good references in the city. Enquire at Campbell’s Daguerreotype rooms, 285 Broadway, opposite Stewart’s.
1841-1842 7½ Bowery, Corner Division Street, New York, New York.
1845-1846 Address Unknown, New York, New York.[1]
1847 251 Broadway, New York, New York.
1848-1850 251 Broadway, New York, New York.
1851-1854 251 Broadway, New York, New York.
1839. New York City Directories. (New York, New York.) 1839/1840, Published by Thomas Longworth. not listed.
1840. New York City Directories. (New York, New York.) 1840/1841, Published by Thomas Longworth. No occupation listed, 30 Cherry, h-25 Chestnut.
1841. New York City Directories. (New York, New York.) 1841/1842, Published by Thomas Longworth. No occupation listed, 7½ Bowery, h-25 Chestnut.
1842. New York City Directories. (New York, New York.) 1842/1843, Published by John Doggett. daguerreotype, 7½ Bowery, h-416 Pearl.
1843. New York City Directories. (New York, New York.) 1843/1844, Published by John Doggett. Not listed.
1844. New York City Directories. (New York, New York.) 1844/1845, Published by John Doggett. Not listed.
1845. New York City Directories. (New York, New York.) 1845/1846, Published by John Doggett. daguerreotyper, address unknown, h-68 Church.
1846. New York City Directories. (New York, New York.) 1846/1847, Published by John Doggett. daguerreotyper, address unknown, h-3 Read.
1847. New York City Directories. (New York, New York.) 1847/1848, Published by John Doggett. daguerreotyper, 251 Broadway, h-151 Fourth.
1848. New York City Directories. (New York, New York.) 1848/1849, Published by John Doggett. daguerreotype, 251 Broadway, h-151 Fourth.
1849. New York City Directories. (New York, New York.) 1849/1850, Published by John Doggett. daguerreotype, 251 Broadway.
1850. New York City Directories. (New York, New York.) 1850/1851, Published by John Doggett. daguerreotype, 251 Broadway.
1851. New York City Directories. (New York, New York.) 1851/1852, Published by Doggett & Rode. Not listed.
1852. New York City Directories. (New York, New York.) 1852/1853, Published by John Fellow Trow. Not listed.
1853. New York City Directories. (New York, New York.) 1853/1854, Published by John Fellow Trow. Artist, 251 Broadway, h-New Rochelle.
1854. New York City Directories. (New York, New York.) 1854/1855, Published by John Fellow Trow. Not listed.
1854. New York City Directories. (New York, New York.) 1854/1855, Published by John Fellow Trow. Rachel Butler—Wid. Wm. H.—artist 251 Broadway, h-211 Sixth Ave.
1855. New York City Directories. (New York, New York.) 1855/1856, Published by John Fellow Trow. Rachel Butler—Wid. Wm. H.—fancy 271 Sixth Ave.
1856. New York City Directories. (New York, New York.) 1856/1857, Published by John Fellow Trow. Rachel Butler—Wid. Wm. H.—fancy goods 271 Sixth Ave.
1857. New York City Directories. (New York, New York.) 1857/1858, Published by John Fellow Trow. Rachel Butler—Wid. Wm. H.—no occupation listed, h-19 Carmine.
1858. New York City Directories. (New York, New York.) 1858/1859, Published by John Fellow Trow. Rachel Butler—not listed.
1841 October 12. The Evening Post. (New York, New York.) October 12, 1841, No. 12,046, P. 2.
Daguerreotype Apparatus of all descriptions—Daguerreotype plates of all sizes, warranted to be genuine article, superior polished substance. Lenses, and Miniature cases of all descriptions made to order; also apparatus for taking likenesses, with directions, carefully packed for transportation, and for sale by the manufacturer. WM H. Butler, 7½ Bowery, corner Division street, N. Y.
Portraits taken every day except Sunday.
Advertisement ran on October 12 & 13, 1841.
1841 October 13. The Evening Post. (New York, New York.) October 13, 1841, No. 12,047, P. 2.
Messrs. Stephens and Catherwood[2], in their second visit to Central America, have taken out with them a complete set of Butler’s Daguerreotype apparatus, with a view of obtaining photographic drawings of the curious remains of aboriginal architecture in that country.
1841 October 16. New-York Observer. (New York, New York.) October 16, 1841, Vol. XIX, No. 42, Whole No. 962, P. 4.
A Second Trip.—We learn that Messrs. Stephens and Catherwood, having supplied themselves with a complete set of Butler’s Daguerreotype Apparatus, sailed on Saturday for Central America, with the purpose of taking Daguerreotype impressions of the ruins in that country.
1841 December 2. New York Tribune. (New York, New York.) December 2, 1841, Vol. I, No. 202, P. 3.
Daguerreotype Apparatus of all descriptions, Daguerreotype Plates of all sizes, warranted to be genuine article. Superior Polished substance, Lenses, and Miniature Cases of all descriptions also Apparatus for taking Likenesses, with directions that will enable a person of ordinary capacity after their perusal to operate the first time with complete success, carefully packed for transportation, and for sale by the manufacturer.
Wm. H. Butler, 7½ Bowery, cor. Division st. N. Y. Portraits taken every day except Sunday.
Advertisement ran from December 2 to 4, 1841.
1842 March 9. The New York Herald. (New York, New York.) March 9, 1842, Vol. VII, No. 353, Whole No. 2021, P. 3.
Daguerreotype Apparatus of all descriptions, Daguerreotype Plates of all sizes, warranted to be genuine article. Superior Polished substance, Lenses, and Miniature Cases of all descriptions also Apparatus for taking Likenesses, with directions that will enable a person of ordinary capacity after their perusal to operate the first time with complete success, carefully packed for transportation, and for sale by the manufacturer.
Wm. H. Butler, 7½ Bowery, cor. Division st. N. Y. Portraits taken every day except Sunday.
1842 April 20. The New York Herald. (New York, New York.) April 20, 1842, Vol. VII, No. 395, Whole No. 2063, P. 3.
Daguerreotype Apparatus Of All Descriptions.—Daguerreotype Plates of all sizes, warranted to be genuine article. Superior polished substance, Lenses, and Miniature Cases of all descriptions; also Apparatus for taking Likenesses, with directions that will enable a person of ordinary capacity after their perusal to operate the first time with complete success, carefully packed for transportation, and for sale by the manufacturer. Wm. H. Butler, 7½ Bowery, cor. Division st., N. Y. Portraits taken every day except Sunday.
Advertisement ran on April 20 & 21, 1842.
1847 June 2. The Evening Post. (New York, New York.) June 2, 1847, Vol. XLV, P. 2.
Daguerreotypes.—We understand that a recent improvement has been made in the mode of operating by the Daguerreotype process, which will require a sitting of only five seconds, instead of thirty, to produce a fine picture, and entirely overcomes the rigid and grave expression which even a sitting of thirty seconds is apt to produce. One other advantage is, that small children that can be kept quite for two or three seconds, can be taken with perfect ease.
We learn from Mr. Butler, of the Plumbe National Daguerrian Gallery, No. 251 Broadway, that this is the result of a long series of experiments to which he has given his personal attention. It is to be hoped that it may yield him a full reward.
1847 June 4. The Brooklyn Daily Eagle and Kings County Democrat. (Brooklyn, New York.) June 4, 1847, Vol. 6, No. 132, P. 2.
The House Of The Million Faces.—Even to the philosophic student of human nature,—indeed specially to such an one—The walls of Plumbe’s rooms, in Broadway, New York, are provocative of worlds of thought and comparison! How curious the reflection that of the innumerable features presented in that house of a million faces, each is or has been vital, and you see but a counterfeit of what is moving and acting in some part of the world!…….We Observe by the following from the New York Courier, that a much needed improvement has been effected by Mr. Plumbe:
Daguerreotypes.—We understand that a recent improvement has been made in the mode of operating by the daguerreotype process, which will require a sitting of only five seconds, instead of thirty, to produce a fine picture, which entirely overcomes the rigid and grave expression which even a sitting of thirty seconds is apt to produce. One other advantage is, that small children, that can be kept quite for two or three seconds, can be taken with perfect ease. We learn from Mr. Butler of the Plumbe National Daguerrian Gallery, No. 251 Broadway, that this is a result of a long series of experiments to which he has given his personal attention. We hope that it may yield him a full reward.
1847 June 22. St. Lawrence Republican. (Ogdensburgh, New York.) June 22, 1847, Vol. XVII, No. 28, P. 2.
Daguerreotypes.—We understand that a recent improvement has been made in a mode of operating by the Daguerreotype process, which will require a sitting of only five seconds, instead of thirty, to produce a fine picture, which entirely overcomes the ridge and grave expression which even a sitting of thirty seconds is apt to produce. One other advantage is, that small children that can be kept quite for two or three seconds, can be taken with perfect ease. We learn from Mr. Butler, of the Plumbe National Daguerrian Gallery, No. 251 Broadway, that this is the result of a long series of experiments, to which he has given his personal attention. We hope that it may yield him a full reward.—Courier.
1851 May 30. New York Daily Tribune. (New York, New York.) May 30, 1851, Vol. XI, No. 3,286, P. 6.
Mr. Butler’s Daguerreotypes in Oil are most perfect portraits. They combine all the beauty of a fine miniature painting, with the detail of the Daguerreotype.
1851 May 28. The New York Herald. (New York, New York.) May 28, 1851, Whole No. 6791, P. 2.
Fine Arts.—Daguerreotypes in Oil, by Wm. H. Butler, Plumbe National Gallery, No. 251 Broadway.
1851 June 5. The New York Herald. (New York, New York.) June 5, 1851, Whole No. 6799, P. 4.
Mr. Butler’s Daguerreotypes in Oil.—Specimens of this new and interesting discovery can be seen at the Plumbe National Gallery, No. 251 Broadway.
Advertisement ran on June 5 & 6, 1851.
1851 June 10. The Evening Post. (New York, New York.) June 10, 1851, Vol. XLIX, P. 1.
Daguerreotypes In Oil—Mr. Butler, the proprietor of Plumbe’s Daguerrean Gallery, in Broadway, has discovered a process of transferring a daguerreotype impression to a metallic surface, which admits of being colored in oil. We have seen several portraits taken in this way, which combine the fidelity of the daguerreotype with the finish of the miniature painting. They are soon taken, and are much cheaper than the ordinary miniature on ivory. Mr. Butler has likenesses of several of our prominent citizens in view at his rooms.
1851 June 20. The New York Herald. (New York, New York.) June 20, 1851, Whole No. 6814, P. 4.
Mr. W. H. Butler, Proprietor of the Plumbe National Gallery, No. 251 Broadway, has discovered a process of making daguerreotypes in oil, at a single sitting of a few seconds: the portrait being finished without any further trouble to the sitter. Portraits, Miniatures, and even Daguerreotypes, are copied by this process perfect. The price is but very little more than that of as ordinary Daguerreotype of the same size.
1851 June 21. The New York Herald. (New York, New York.) June 21, 1851, Whole No. 6815, P. 2.
Daguerreotypes in Oil, by Wm. H. Butler, at the Plumbe National Daguerrean Gallery, No. 251 Broadway. This new discovery should be seen to be appreciated.
1851 June 24. The New York Herald. (New York, New York.) June 24, 1851, Whole No. 6818, P. 4.
Daguerreotypes in Oil—By W. H. Butler, Proprietor of the Plumbe National Daguerrean Gallery, No. 251 Broadway. This new and interesting discovery in the arts must needs be seen to be appreciated.
1851 June 28. The New York Herald. (New York, New York.) June 28, 1851, Whole No. 6822, P. 2.
Daguerreotypes in Oil, by Wm. H. Butler, Plumbe National Daguerrean Gallery, No. 251 Broadway. Should be seen to be appreciated. These beautiful pictures fully realize the wishes of the discoverer.
1851 July 9. Culturist and Gazette. (Pittsfield, Massachusetts.) July 9, 1851, Vol IV, No. 28, P. 3.
Daguerreotypes In Oil. Colors.—A New York paper says that a gentleman connected with Plumbe’s National Daguerrian Gallery in that city, has made a discovery by which daguerreotypes are fixed upon panels, so that an artist is enabled to produce likenesses in oil colors in a brief space of time, and with astonishing accuracy. It is supposed that this discovery will lead, in a measure, to the disuse of the present mode of daguerreotyping.
1851 July 10. The Farmers’ Cabinet. (Amherst, New Hampshire.) July 10, 1851, Vol. 49, No. 48, P. 2.
And Still Another.—The ne plus ulta in the Daguerreotype art will seem to have been reached when the following discovery shall have been combined with the wonderful discovery of Mr. Hill.
Mr. Wm. H. Butler, of the Plumbe National Daguerrian Gallery, New-York, has recently discovered a mode of fixing Daguerreotypes upon panels, which enables a likeness to be fixed by the hand of the artist, in a remarkably brief space of time, and with astonishing accuracy.
This throws all the other new processes entirely in the shade, for the expense is only ten dollars, and the likeness is actually an oil painting! We have seen a number of specimens, and cannot withhold our unqualified praise as to the fidelity and beauty of pictures thus produced. The discovery is one of great importance, as it will lead in a measure, to the disuse of the present mode of Daguerreotyping.
1851 July 19. Norfolk County Journal. (Roxbury, Massachusetts) July 19, 1851, P. 4.
Daguerreotypes In Oil Colors.—We are not quite enabled to announce the discovery of a process whereby daguerreotypes may be instantly taken, with all the natural colors in oil, but the next thing to such a process has been produced. Mr. William H. Butler, of the Plumbe National Daguerrian Gallery, corner of Broadway and Murray street, has recently discovered a mode of fixing Daguerreotypes upon panels, which enables a likeness to be fixed by the hand of an artist, in a remarkably brief space of time, and with astonishing accuracy.
This throws all the other new processes entirely in the shade, for the expense is only ten dollars, and the likeness is actually an oil painting! We have seen a number of specimens, and cannot withhold our unqualified praise as to the fidelity and beauty of pictures thus produced. The discovery is one of great importance, as it will lead, in a measure to the disuse of the present mode of daguerreotyping.—[N. Y. Sun.
1851 August 23. Copway’s American Indian. (New York, New York.) August 23, 1851, Vol. 1, No. VII, P. 4.
Daguerreotypes In Oil. William H. Butler, Proprietor Of The Plumbe National Gallery, No. 251 Broadway.
1851 November 13. The New York Herald. (New York, New York.) November 13, 1851, Whole No. 6958, P. 5.
Mr. Butler’s Daguerreotypes in Oil.—This new discovery combines the fidelity of the Daguerreotype with the finish of the finest miniature painting. Being put on a metallic surface, their durability cannot be questioned. Specimens can be seen at Mr. B.’s rooms, No. 251 Broadway, over Tenney’s Jewelry store.
Advertisement ran on November 13 & 15, 1851.
1852 February 3. The New York Herald. (New York, New York.) February 3, 1852, Whole No. 7039, P. 5.
Daguerreotypes in Oil.—A New and Beautiful discovery in the arts, by William H. Butler, proprietor of the Plumbe National Gallery, No. 251 Broadway. These pictures combine the detail of the daguerreotype, with the finish of the finest miniature painting.
Advertisement ran on February 3 & 4, 1852.
1852 February 10. The New York Herald. (New York, New York.) February 10, 1852, Whole No. 7041, P. 5.
Daguerreotypes in Oil.—A New and Beautiful discovery in the arts, by William H. Butler, proprietor of the Plumbe National Gallery, No. 251 Broadway. These pictures combine the detail of the daguerreotype, with the finish of the finest miniature painting.
Advertisement ran on February 10 to 13, 1852.
1852 March 9. The New York Herald. (New York, New York.) March 9, 1852, Whole No. 7041, P. 5.
Daguerreotypes in Oil.—This new and important discovery in the arts, by William H. Butler, proprietor of the Plumbe National Gallery, No. 251 Broadway, ought to be seen by all lovers of art.
Advertisement ran from March 9 to 13, 1852.
1852 April 2. The New York Herald. (New York, New York.) April 2, 1852, Whole No. 7093, P. 2.
Daguerreotypes in Oil.—This new and important discovery, by William H. Butler, (Plumbe National Gallery,) No. 251 Broadway, combines the detail of the daguerreotype with the finish of the finest miniature painting. Only one sitting required.
Advertisement ran from April 2 to 8, 1852.
1852 April 7. The Evening Post. (New York, New York.) April 7, 1852, Vol. LI, P. 2.
Fine Arts—Daguerreotypes In Oil.—This new and interesting discovery which was made by Mr. Wm. H. Butler, of the Plumbe National Gallery, No. 251 Broadway, combining as it does, the detail of the Daguerreotype with the finish of the finest miniature painting producing Daguerreotypes in permant colors, Portraits, Miniatures and Daguerreotypes as copied to nature.
1852 April 15. New York Daily Tribune. (New York, New York.) April 15, 1852, Vol. XII, No. 3,430, P. 5.
Fine Arts, Daguerreotypes In Oil.—Specimens of this new and important discovery of Mr. Wm. H. Butler, of the Plumbe Gallery, No. 251 Broadway, are worthy of the attention of all who wish a perfect likeness, as well as the most beautiful and durable picture ever made.
1852 April 15. The New York Herald. (New York, New York.) April 15, 1852, Whole No. 7106, P. 4.
Fine Arts.—Butler’s Daguerreotypes in Oil, on exhibition at the Plumbe National Gallery, No. 251 Broadway, should be seen by all who admire truthfulness and beauty combined.
1852 April 16. The New York Herald. (New York, New York.) April 16, 1852, Whole No. 7107, P. 2.
Fine Arts.—Butler’s Daguerreotypes in Oil. At Mr. Butler’s rooms, Plumbe National Gallery, No. 251 Broadway, are specimens of Mr. B.’s new and beautiful discovery; also copies of Daguerreotypes of deceased persons.
1852 April 17. New York Daily Tribune. (New York, New York.) April 17, 1852, Vol. XII, No. 3,432, P. 9.
Fine Arts, Daguerreotypes In Oil.—This beautiful discovery of Mr. Wm. H. Butler, of the Plumbe National Gallery, No. 251 Broadway, combines the detail of the Daguerreotype with the finish of the finest miniature painting.
1852 April 17. The New York Herald. (New York, New York.) April 17, 1852, Whole No. 7108, P. 4.
Fine Arts.—Daguerreotypes in Oil.—This beautiful art, combining, as it does, the detail of the daguerreotype, with the finish of the finest miniature painting. This discovery of Mr. Butler, Proprietor of the Plumbe National Gallery, enables him to copy portraits, miniatures, and daguerreotypes, making a perfect, and beautiful, and imperishable picture.
Advertisement ran on April 17 & 18, 1852.
1852 April 20. The New York Herald. (New York, New York.) April 20, 1852, Whole No. 7111, P. 5.
Fine Arts.—Daguerreotypes in Oil.—This beautiful art, combines, the detail of the daguerreotype, with the finish of the finest miniature painting. This discovery of Mr. Butler, Proprietor of the Plumbe National Gallery, enables him to copy portraits, miniatures, and daguerreotypes, making a perfect, and beautiful, and imperishable picture.
Advertisement ran on April 20 & 24, 1852.
1852 April 21. The New York Herald. (New York, New York.) April 21, 1852, Whole No. 7112, P. 4.
Fine Arts.—Daguerreotypes in Oil.—By W. H. Butler, No. 251 Broadway. This new and beautiful discovery, combines the detail of the Daguerreotype, with the finest miniature painting. Portraits, miniatures, and Daguerreotypes, copied perfect, and imperishable.
1852 April 24. New York Daily Tribune. (New York, New York.) April 24, 1852, Vol. XII, No. 3,438, P. 9.
Fine Arts, Daguerreotypes In Oil.—Specimens of this new and important discovery of Mr. Wm. H. Butler, of the Plumbe Gallery, No. 251 Broadway, are worthy of the attention of all who wish a perfect likeness, as well as the most beautiful and durable picture ever made.
1852 April 24. New York Daily Tribune. (New York, New York.) April 24, 1852, Vol. XII, No. 3,438, P. 9.
Fine Arts, Daguerreotypes In Oil, By William. H. Butler, No. 251 Broadway, are worthy of the attention of all who wish a perfect likeness, as well as the most beautiful and durable picture ever made. This new art combines the detail of the Daguerreotype with the finish of the finest miniature painting.
1852 April 24. The Evening Post. (New York, New York.) April 24, 1852, Vol. LI, P. 2.
Fine Arts—Daguerreotypes In Oil.—The discovery which Mr. Butler, of No. 251 Broadway, has recently brought out, is certainly a beautiful art, combining as it does the detail of the Daguerreotype of deceased persons are copied by this process with perfect satisfaction.
1852 April 27. The New York Herald. (New York, New York.) April 27, 1852, Whole No. 7118, P. 4.
Fine Arts.—Daguerreotypes in Oil.—This important discovery of Mr. Butler, No. 251 Broadway, be gratifying to those who are in possession of a Daguerreotype of a friend, and who wish to obtain a copy of the same, in all its fidelity, with the finish of the finest miniature painting.
Advertisement ran from April 27 to May 1, 1852.
1852 May 4. The New York Herald. (New York, New York.) May 4, 1852, Whole No. 7125, P. 5.
Fine Arts—Daguerreotypes In Oil.—This new and interesting discovery of Mr. Butler, No. 251 Broadway, merits the attention of those who value a truthful likeness as well as a beautiful picture, as both are combined by this discovery.
Advertisement ran from May 4 to 7, 1852.
1852 May 4. The New York Herald. (New York, New York.) May 4, 1852, Whole No. 7125, P. 6.
Wanted—A Smart Intelligent, American young man, to learn the daguerreotype art. Apply at the Plumbe Gallery, 251 Broadway.
1852 May 7. New York Daily Tribune. (New York, New York.) May 7, 1852, Vol. XII, No. 3,449, P. 7.
Daguerreotypes In Oil.—Mr. W. H. Butler, at the Plumbe Gallery, No. 251 Broadway, has invented a new style of Daguerreotypes in Oil, which we do not admire and consider inferior in fidelity and reliability to the best sun-portraits. It has some points of superiority, however, and we invite to it the attention of Daguerreotypers, presuming that it may yet prove the basis of an important advance in their Art.
1852 May 8. The New York Herald. (New York, New York.) May 8, 1852, Whole No. 7129, P. 2.
Fine Arts—Daguerreotypes In Oil.—by Mr. Butler, Plumbe’s Gallery, No. 251 Broadway, upper corner of Murray street. These portraits excel and others ever made for truthfulness, beauty, permanency. Daguerreotypes copied satisfactorily. One sitting only required.
1852 May 11. New York Daily Tribune. (New York, New York.) May 11, 1852, Vol. XII, No. 3,452, P. 7.
Fine Arts.—Daguerreotypes In Oil—By W. H. Butler, No. 251 Broadway, upper corner of Murray-st. Daguerreotypes of deceased persons copied.
1852 May 11. The New York Herald. (New York, New York.) May 11, 1852, Whole No. 7132, P. 4.
Fine Arts—Daguerreotypes In Oil.—Mr. Butler, the discoverer of this new art, at his rooms, 251 Broadway , upper corner of Murray street, several specimens that are worthy of the attention of all. Especially those who have Daguerreotypes of deceased friends.
1852 May 12. The New York Herald. (New York, New York.) May 12, 1852, Whole No. 7133, P. 4.
Fine Arts—Daguerreotypes In Oil.—Mr. Butler, the discoverer of this new art, at his rooms, 251 Broadway, upper corner of Murray street. This new and beautiful art is deserving the attention of all whom admire truth and beauty of finish in a portrait. Only one sitting is required, and is finished on a metallic surface.
Advertisement ran on September 12 to 15, 1852.
1852 May 18. The New York Herald. (New York, New York.) May 18, 1852, Whole No. 7139, P. 6.
Fine Arts—Daguerreotypes In Oil.—Mr. Butler, the discoverer of this new art, at his rooms, 251 Broadway, upper corner of Murray street, Plumbe Gallery. This new and beautiful art combines the detail of the Daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied imperishably.
Advertisement ran on May 18 to 22, 1852.
1852 May 25. The New York Herald. (New York, New York.) May 25, 1852, Whole No. 7146, P. 4.
Fine Arts—Daguerreotypes In Oil.—by W. H. Butler, Plumbe National Gallery. 251 Broadway, upper corner of Murray street. This interesting discovery combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied imperishably.
Advertisement ran from May 25 to 28, 1852.
1852 June 1. The New York Herald. (New York, New York.) June 1, 1852, Whole No. 7153, P. 4.
Fine Arts—Daguerreotypes In Oil.—by W. H. Butler, upper corner of Broadway and Murray street. Plumbe National Gallery. These portraits are on a metallic surface, and equal in finish the finest miniature painting. They are imperishable, as well as the most truthful and beautiful pictures ever made.
Advertisement ran from June 1 to 5, 1852.
1852 June 2. New York Daily Tribune. (New York, New York.) June 2, 1852, Vol. XII, No. 3,471, P. 7.
Fine Arts.—Daguerreotypes In Oil—By W. H. Butler, No. 251 Broadway, upper corner of Murray-st. Daguerreotypes of deceased persons copied.
1852 June 8. New York Daily Tribune. (New York, New York.) June 8, 1852, Vol. XII, No. 3,476, P. 7.
Fine Arts.—Daguerreotype In Oil by W. H. Butler, upper cor. of Broadway and Murray st., Plumbs National Gallery. These beautiful Portraits, equal in finish to the finest miniature paintings, with the truthfulness of the daguerreotype.
1852 June 8. The New York Herald. (New York, New York.) June 8, 1852, Whole No. 7160, P. 4.
Fine Arts—Daguerreotypes In Oil.—by W. H. Butler, upper corner of Broadway and Murray street—Plumbe National Gallery. These portraits are equal in finish the finest miniature painting. Being on a metallic surface, they are imperishable, as well as truthful and beautiful. Only one sitting is required. Daguerreotypes copied.
Advertisement ran from June 8 to 19, 1852.
1852 June 16. The Evening Post. (New York, New York.) June 16, 1852, Vol. LI, P. 2.
Fine Arts—Daguerreotypes In Oil by W. H. Butler, upper corner of Broadway and Murray street, Plumbe National Gallery. These beautiful portraits equal in finish the finest miniature painting being on a metallic surface, imperishable, truthful and beautiful, only one sitting is required, Daguerreotypes of deceased persons copied to the life.
1852 June 18. The Evening Post. (New York, New York.) June 18, 1852, Vol. LI, P. 2.
Fine Arts.—Mr. Butler’s new discovery in the arts must be of great importance to those who desire truthfulness as well as beauty in a portrait, and to which there cannot be any change, being on a metallic surface and finished in the best of oil colors.
Mr. B. has finished several portraits of persons who were deceased, to the great delight of the friends of those whose portraits were made.
1852 June 19. New York Daily Tribune. (New York, New York.) June 19, 1852, Vol. XII, No. 3,486, P. 7.
Fine Arts.—Daguerreotype In Oil by W. H. Butler, upper corner of Broadway and Murray st., Plumbs National Gallery. These beautiful Portraits, are truthful, imperishable and equal in finish to the finest Miniature paintings. By this, Daguerreotypes of deceased persons are copied to the life.
1852 October 6. The New York Herald. (New York, New York.) October 6, 1852, Whole No. 7279, P. 4.
Fine Arts.—Daguerreotype In Oil by W. H. Butler, upper corner of Broadway and Murray st., Plumbs National Gallery. These beautiful Portraits, are truthful, imperishable and equal in finish to the finest Miniature paintings. By this, Daguerreotypes of deceased persons are copied to the life.
Advertisement ran from October 6 to 14, 1852.
1852 October 19. New York Daily Tribune. (New York, New York.) October 19, 1852, Vol. XII, No. 3,590, P. 7.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, No. 251 Broadway, upper corner of Murray-st. This beautiful art combines truth and beauty in the picture, making the most faithful portraits ever made.
Advertisement ran on October 19 & 20, 1852.
1852 October 20. The New York Herald. (New York, New York.) October 20, 1852, Whole No. 7279, P. 4.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, No. 251 Broadway, upper corner of Murray-st. This beautiful art combines the detail of the daguerreotype with the finish of the finest miniatures, thus making it as true as it is beautiful. Daguerreotypes of deceased persons copied to nature.
Advertisement ran from October 19 to 23, 1852.
1853 February 24. The New York Herald. (New York, New York.) February 24, 1853, Whole No. 7369, P. 5.
A Daguerreotype in Oil of the late Hon. Daniel Webster, by Mr. Butler, No. 251 Broadway, is said by all who have seen it to be the best portrait of this eminent person that has ever been made.
1853 March 1. The New York Herald. (New York, New York.) March 1, 1853, Whole No. 7374, P. 4.
A Daguerreotype in Oil, by W. H. Butler, Plumbe National Gallery, 251 Broadway, upper corner of Murray street. These portraits combine the detail of the daguerreotype with the finish of the finest miniature painting. Portraits of deceased persons copied to the life.
Advertisement ran from March 1 to 4, 1853.
1853 March 1. The New York Herald. (New York, New York.) March 1, 1853, Whole No. 7374, P. 4.
The Plumbe National Gallery, 251 Broadway, contains the largest as well as the most interesting collection of portraits in the world. No one should fail to visit this old and renowned establishment.
Advertisement ran from March 1 to 4, 1853.
1853 March 8. The New York Herald. (New York, New York.) March 8, 1853, Whole No. 7381, P. 4.
The Plumbe National Gallery, 251 Broadway, contains the most interesting collection in this country. Anny one acquainted at all with the history of this country should not fail to examine the portraits of its distinguished individuals.
Advertisement ran from March 8 to 10, 1853.
1853 March 8. The New York Herald. (New York, New York.) March 8, 1853, Whole No. 7381, P. 4.
Daguerreotypes in Oil, by Wm. H. Butler, 251 Broadway, upper corner of Murray street.–These beautiful pictures combine the detail of the Daguerreotype with the finish of the finest miniature painting. Daguerreotypes, miniatures, and portraits copied to nature.
Advertisement ran from March 8 to 10, 1853.
1853 March 11. The New York Herald. (New York, New York.) March 11, 1853, Whole No. 7384, P. 4.
Daguerreotypes in Oil of Mr. Webster.—The portraits which Mr. Butler has made of this eminent person, are said by his most eminent friends to be more satisfactory to them than anything that they have seen. Mr. Butler’s rooms are on the corner of Broadway and Murray street .
Advertisement ran on March 11 & 12, 1853.
1853 March 15. The New York Herald. (New York, New York.) March 15, 1853, Whole No. 7388, P. 4.
Daguerreotypes in Oil, by Wm. H. Butler, on the upper corner of Broadway and Murray street. These beautiful specimens of nature and art, have the finish of the finest miniature painting. Daguerreotypes copied to nature.
1853 March 16. The New York Herald. (New York, New York.) March 16, 1853, Whole No. 7389, P. 4.
Daguerreotypes in Oil, by Wm. H. Butler, on the upper corner of Broadway and Murray street. These pictures combines the detail of the daguerreotype with the finish of the finest miniature. Painting daguerreotypes of deceased persons copied to nature.
1853 March 17. The New York Herald. (New York, New York.) March 17, 1853, Whole No. 7390, P. 5.
Daguerreotypes in Oil of Mr. Webster.—The portraits which Mr. Butler has made of this eminent person, are said by his most intimate friends to be more satisfactory to them than anything that they have seen. Mr. Butler’s rooms are on the corner of Broadway and Murray street.
1853 April 16. The New York Herald. (New York, New York.) April 16, 1853, Whole No. 7420, P. 4.
Daguerreotypes in Oil, by Wm. H. Butler, upper corner of Broadway and Murray street. Mr. Butler, by this new and beautiful discovery, is enabled to copy daguerreotypes, miniatures, and portraits, to the life.
1853 April 19. The New York Herald. (New York, New York.) April 19, 1853, Whole No. 7423, P. 4.
Fine Arts.—Mr. Butler’s daguerreotypes in oil combine the detail of the daguerreotype with the finish of the finest miniature painting. Mr. Butler’s rooms are on the corner of Broadway and Murray street.
1853 April 20. The New York Herald. (New York, New York.) April 20, 1853, Whole No. 7424, P. 4.
A Portrait of President Pierce, from life, to be seen at Mr. Butler’s rooms, on the upper corner of Broadway and Murray street; also the portraits of many of the most distinguished individuals in this country.
1853 April 20. The New York Herald. (New York, New York.) April 20, 1853, Whole No. 7424, P. 4.
Fine Arts.—Daguerreotypes in Oil.—The Discoverer of this new and beautiful process, Mr. W. H. Butler. No. 251 Broadway, upper corner of Murray street, is enabled to copy daguerreotypes, miniatures, and portraits to nature. One sitting only is required to produce the most perfect likeness ever made.
1853 April 21. The New York Herald. (New York, New York.) April 21, 1853, Whole No. 7425, P. 5.
Fine Arts.—Daguerreotypes in Oil by Wm. H. Butler, No. 251 Broadway, upper corner of Murray street. The new art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to nature. Only one sitting required.
1853 April 22. The New York Herald. (New York, New York.) April 22, 1853, Whole No. 7426, P. 4.
Fine Arts.—Daguerreotypes in Oil, by Wm. H. Butler, No. 251 Broadway, upper corner of Murray street. The new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copies of portraits, and miniatures, made to life.
Advertisement ran on April 22 & 23, 1853.
1853 April 26. The New York Herald. (New York, New York.) April 26, 1853, Whole No. 7430, P. 5.
Fine Arts.—Daguerreotypes in Oil.—There is on exhibition at Mr. W. H. Butler’s rooms, No. 251 Broadway, upper corner of Broadway and Murray street, specimens of this new and beautiful art, that must be interesting to all lovers of the fine arts. Daguerreotypes of deceased persons copied.
1853 April 27. The New York Herald. (New York, New York.) April 27, 1853, Whole No. 7431, P. 4.
Fine Arts—Daguerreotypes in Oil by Wm. H. Butler, No. 251 Broadway, upper corner of Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to life.
1853 July 6. The New York Herald. (New York, New York.) July 6, 1853, Whole No. 7499, P. 4.
The Plumbe National Gallery, on the upper corner of Broadway, contains the largest collection of portraits of celebrated individuals in this country. A new discovery has been added to this gallery. Daguerreotypes in oil, by William H. Butler. Daguerreotypes of deceased persons copied imperishably.
1853 July 6. The New York Herald. (New York, New York.) July 6, 1853, Whole No. 7499, P. 4.
Fine Arts.—A New and Important Discovery has been made by William H. Butler, on the upper corner of Broadway and Murray street, by which daguerreotypes can be finished with all the beauty of the finest miniature painting, thereby producing the most perfect likeness ever made.
1853 July 22. The New York Herald. (New York, New York.) July 22, 1853, Whole No. 7515, P. 5.
Fine Arts—Daguerreotypes in Oil, by Wm. H. Butler, No. 251 Broadway. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied permanently.
1853 July 23. The New York Herald. (New York, New York.) July 23, 1853, Whole No. 7516, P. 4.
Fine Arts—Daguerreotypes in Oil, by W. H. Butler, on upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons to the life. One sitting only required.
1853 July 26. The New York Herald. (New York, New York.) July 26, 1853, Whole No. 7519, P. 4.
Fine Arts.—Daguerreotypes in Oil, by William H. Butler, on upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes copied permanently. One sitting only from life is required.
1853 August 3. The New York Herald. (New York, New York.) August 3, 1853, Whole No. 7527, P. 5.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to the life.
1853 August 5. The New York Herald. (New York, New York.) August 5, 1853, Whole No. 7529, P. 5.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, No. 251 Broadway upper corner of Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to the life, in oil colors, and the metallic plate.
1853 August 6. The New York Herald. (New York, New York.) August 6, 1853, Whole No. 7530, P. 5.
Fine Arts.—Daguerreotypes in Oil Colors.—Mr. Wm. H. Butler, on upper corner of Broadway and Murray street, has perfected the art of producing a portrait with all the fidelity of the daguerreotype and the finish of the finest miniature painting. Only one sitting required. Daguerreotypes of deceased persons copied.
1853 August 9. The New York Herald. (New York, New York.) August 9, 1853, Whole No. 7533, P. 5.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to the life.
1853 August 19. The New York Herald. (New York, New York.) August 19, 1853, Whole No. 7543, P. 5.
Fine Arts.—Daguerreotypes in Oil Colors, by W. H. Butler, No. 251 Broadway, (Plumbe National Gallery,) upper corner of Murray street, who has perfected his discovery in this new and beautiful art which combines the detail of the daguerreotype with the finish of the finest miniature painting.
1853 August 19. The New York Herald. (New York, New York.) August 19, 1853, Whole No. 7543, P. 5.
Plumbe National Daguerrean Gallery, No. 251 Broadway, upper corner of Murray street. It is only necessary to say it has not changed its location for the last eleven years. Its collection is the largest in the world.
1853 August 24. The New York Herald. (New York, New York.) August 24, 1853, Whole No. 7548, P. 5.
Fine Arts.—Daguerreotypes in Oil—Mr. Butler’s discovery combines the detail of the daguerreotype with the finish of the finest miniature painting. The specimens at his room, corner of Broadway and Murray streets, are worthy of the admiration which they receive from every one who has seen them. Daguerreotypes copied.
1853 September 6. The New York Herald. (New York, New York.) September 6, 1853, Whole No. 7556, P. 4.
Fine Arts—Daguerreotypes in Oil, by William H. Butler, No. 251 Broadway, upper corner of Murray street—This beautiful art combine the detail of the daguerreotype with the finish of the finest miniature painting. These portraits, for faithfulness, beauty and durability, are unequalled in the world.
1853 September 6. The New York Herald. (New York, New York.) September 6, 1853, Whole No. 7556, P. 4.
Plumbe National Gallery, No. 251 Broadway, upper corner of Murray street. Contains the largest collection of portraits of distinguished individuals in this country. This celebrated gallery fully sustains the reputation which it has so long enjoyed for its superior portraits.
1853 September 16. The New York Herald. (New York, New York.) September 16, 1853, Whole No. 7566, P. 5.
Fine Arts.—Daguerreotypes in Oil—Mr. Butler, No. 251 Broadway has at his rooms on the upper corner Murray streets some beautiful specimens of his new art, combining, as they do, the fidelity of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes copied in this new style.
Advertisement ran from September 16 to 18, 1853.
1853 September 20. The New York Herald. (New York, New York.) September 20, 1853, Whole No. 7570, P. 1.
Fine Arts—Daguerreotypes in Oil. By Mr. Wm. H. Butler, at the Plumbe National Gallery, on the upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the Daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to the life.
1853 September 29. The New York Herald. (New York, New York.) September 29, 1853, Whole No. 7579, P. 5.
Fine Arts—Daguerreotypes in Oil—By Mr. William. H. Butler, on the upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting. Daguerreotypes of deceased persons copied to the life.
Advertisement ran from September 29 to October 1, 1853.
1853 September 29. The New York Herald. (New York, New York.) September 29, 1853, Whole No. 7579, P. 5.
The Plumbe National Gallery, on the upper corner of Broadway and Murray street. Continues to furnish the patrons with the same satisfactory portraits that have gained for it a celebrity that has never been surpassed. Mr. Butler’s new art combining the detail of the Daguerreotype with the finish of the finest miniature painting.
Advertisement ran from September 29 to October 1, 1853.
1853 October 4. The New York Herald. (New York, New York.) October 4, 1853, Whole No. 7584, P. 5.
Fine Arts—Daguerreotypes in Oil, by Mr. Wm. H. Butler, on the upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the first miniature painting.
1853 October 4. The New York Herald. (New York, New York.) October 4, 1853, Whole No. 7584, P. 5.
The Plumbe National Gallery, on the upper corner of Broadway and Murray street. This well known establishment continues to serve its patrons with the same satisfactory portraits that have it has done for many years.
1853 October 6. New York Daily Tribune. (New York, New York.) October 6, 1853, Vol. XIII, No. 3,891, P. 4.
The Plumbe National Gallery, on the upper corner of Broadway and Murray-st., continues, we see, to furnish its patrons in the same satisfactory manner that it has done for many years.
1853 October 6. The New York Herald. (New York, New York.) October 6, 1853, Whole No. 7586, P. 5.
The Plumbe National Gallery, on the upper corner of Broadway and Murray street, continues to furnish its patrons with the same satisfactory manner that have it has done for many years.
1853 October 7. New York Daily Tribune. (New York, New York.) October 7, 1853, Vol. XIII, No. 3,892, P.7.
The Plumbe National Gallery, on the upper corner of Broadway and Murray-st., continues to satisfy its patrons.
1853 October 7. New York Daily Tribune. (New York, New York.) October 7, 1853, Vol. XII, No. 3,892, P. 7.
Fine Arts.—Daguerreotypes in Oil, by Mr. Wm. H. Butler, on the upper cor. of Broadway and Murray-st., who is enabled to copy Daguerreotypes of deceased persons.
1853 October 7. The New York Herald. (New York, New York.) October 7, 1853, Whole No. 7587, P. 5.
Fine Arts—Daguerreotypes in Oil, by Mr. Wm. H. Butler, on the upper corner of Broadway and Murray street. This new art combines the detail of the daguerreotype with the finish of the finest miniature painting.
Advertisement ran on October 7 & 8, 1853.
1853 October 13. The New York Herald. (New York, New York.) October 13, 1853, Whole No. 7593, P. 4.
Fine Arts—Daguerreotypes in Oil, by Mr. Wm. H. Butler, on the upper corner of Broadway and Murray street. This beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting.
1853 October 15. The New York Herald. (New York, New York.) October 15, 1853, Whole No. 7595, P. 5.
Fine Arts—Daguerreotypes in Oil, by Mr. Wm. H. Butler, on the upper corner of Broadway and Murray street. This new and beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting.
1853 October 15. New York Daily Tribune. (New York, New York.) October 15, 1853, Vol. XII, No. 3,899, P. 7.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray-st. These portraits combine the detail of the Daguerreotype with the finish of the finest miniature painting.
1853 October 18. New York Daily Tribune. (New York, New York.) October 18, 1853, Vol. XIII, No. 3,901, P.7.
The Plumbe National Gallery on the upper corner of Broadway and Murray-st., continues, to furnish its patrons with the inimitable style for which it has been so long.
1853 October 18. New York Daily Tribune. (New York, New York.) October 18, 1853, Vol. XII, No. 3,901, P. 7.
Fine Arts.—Daguerreotypes in Oil.—By W. H. Butler, No. 251 Broadway, corner of Murray-st. These portraits combine the detail of the Daguerreotype with the finish of the finest miniature painting.
1853 October 18. The New York Herald. (New York, New York.) October 18, 1853, Whole No. 7598, P. 4.
Fine Arts—Daguerreotypes in Oil, by Mr. Wm. H. Butler, 251 Broadway, corner Murray street.
—This beautiful art combines the detail of the daguerreotype with the finish of the finest miniature painting.
1853 October 18. The New York Herald. (New York, New York.) October 18, 1853, Whole No. 7598, P. 4.
The Plumbe National Gallery on the upper corner of Broadway and Murray street, continues, to serve its patrons in the same satisfactory manner that it has done for many years.
1853 October 21. The New York Herald. (New York, New York.) October 21, 1853, Whole No. 7601, P. 5.
Fine Arts.—Daguerreotypes in Oil, by Wm. H. Butler, on the upper corner of Broadway and Murray street. This beautiful art combine the details of the daguerreotype with the finish of the finest miniature painting.
1853 October 22. New York Daily Tribune. (New York, New York.) October 22, 1853, Vol. XII, No. 3,905, P. 7.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray-st. This new art combine the details of the Daguerreotype with the finish of the finest miniature painting.
1853 October 22. The New York Herald. (New York, New York.) October 22, 1853, Whole No. 7602, P. 5.
The Plumbe National Gallery on the upper corner of Broadway and Murray street.—This well-known establishment continues to serve its patrons in the same satisfactory manner that it has done for years.
1853 October 25. New York Daily Tribune. (New York, New York.) October 25, 1853, Vol. XIII, No. 3,907, P. 7.
Fine Arts.—The Plumbe National Gallery, on the upper corner of Broadway and Murray-st., has added to its attractions Mr. Butler’s Daguerreotypes in Oil, which should be seen by all who appreciate truth and beauty.
1853 October 25. The New York Herald. (New York, New York.) October 25, 1853, Whole No. 7605, P. 5.
Fine Arts.—The Plumbe National Gallery, on the upper corner of Broadway and Murray-st., has added to its attractions Mr. Butler’s Daguerreotypes in oil, which should be seen by all who appreciate truth and beauty.
Advertisement ran from October 25 to 29, 1853.
1853 November 3. New York Daily Tribune. (New York, New York.) November 3, 1853, Vol. XIII, No. 3,915, P. 7.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray-st. This new art combine the details of the Daguerreotype with the finish of the finest miniature painting.
1853 November 3. The New York Herald. (New York, New York.) November 3, 1853, Whole No. 7614, P. 4.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray-street. This new art combines the details of the daguerreotype with the finish of the finest miniature painting.
1853 November 5. The New York Herald. (New York, New York.) November 5, 1853, Whole No. 7616, P. 5.
Fine Arts.—Daguerreotypes in Oil.—The specimens which Mr. Butler has of his new art, at his rooms on the upper corner of Broadway and Murray street. Should be seen by all who admire beauty and truth combined.
1853 November 8. New York Daily Tribune. (New York, New York.) November 8, 1853, Vol. XIII, No. 3,919, P. 6.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray-st. This beautiful art combine the details of the Daguerreotype with the finish of the finest miniature painting.
Advertisement ran on November 8 & 9, 1853.
1853 November 8. The New York Herald. (New York, New York.) November 8, 1853, Whole No. 7619, P. 5.
Fine Arts.—Butler’s Daguerreotypes in Oil, at the Plumbe National Gallery, on the upper corner of Broadway and Murray street are at the most truthful, as well as the most beautiful portraits ever made.
1853 November 9. The New York Herald. (New York, New York.) November 9, 1853, Whole No. 7620, P. 5.
Fine Arts.—Daguerreotypes in Oil, by W. H. Butler, on the upper corner of Broadway and Murray street. This new and beautiful art combines the details of the daguerreotype with the finish of the finest miniature painting.
1853 December 15. New York Daily Tribune. (New York, New York.) December 15, 1853, Vol. XIII, No. 3,951, P. 7.
Fine Arts.—Daguerreotypes in Oil—By Wm. H. Butler, on the upper corner of Broadway and Murray-st., are the pictures of people as they are.
1854 January 6. The New York Herald. (New York, New York.) January 6, 1854, Whole No. 6345, P. 5.
Fine Arts.—Daguerreotypes in Oil, by Wm. H. Butler, on the upper corner of Broadway and Murray street. This new and beautiful discovery combines the details of the daguerreotype with the finish of the finest miniature painting. They are in fact, daguerreotypes with the true colors of nature. One sitting only is required, and, being on a metallic surface, and finished in oil colors they are the most permanent, as well as the most truthful portraits ever made. Daguerreotypes copied in colors.
Advertisement ran on January 6 & 7, 1854.
[1] New York City Directory.
[2] James Lloyd Stephens; Frederick Catherwood; [Sam S. Cabot] information from Craig’s Daguerreian Registry.
1850 323 Broadway, New York, New York.
1851-1852 323 Broadway, New York, New York.[1]
1853-1854 314 Second, New York, New York.1
1849. New York City Directory. (New York, New York.) Published by John Doggett, 1849/1850.
Not listed in directory.
1850. New York City Directory. (New York, New York.) Published by John Doggett, 1850/1851.
daguerreotypes, 323 Broadway.
1850 April 20. New London Democrat. (New London, Connecticut.) April 20, 1850, Vol. VI, No. 6, Whole No. 266, P. 3.
Broadway Daguerrean Gallery, 323 Broadway, New York, (Opposite The Broadway Theatre) Likenesses for 50 Cents and upwards, with case. Having fitted up these Rooms for the comfort and convenience of the public, all who wish a Good, Cheap and Durable Likenesses, will need no better guarantee than to know that we employ no halfway operators at this establishment, but give our personal attention to the making of Pictures, and use none but the best materials.
Having had several years’ experience in Daguerreotyping, we flatter ourselves that we can please the most fastidious. If there are any so foolish as to assert that it is all Humbug to talk of making a Likeness For Fifty Cents, send them to us and we can convince them to the contrary.
N. B. Likenesses of Children make in from 3 to 12 seconds, Daguerreotypes inserted in Lockets, Rings, &c. at reasonable prices.
Remember the number, 323 Broadway, opposite the Broadway Theatre, and first room above the City Hospital. L. L. Harrington, L. D. Buswell, Proprietors.
Instructions given in the Art. Apparatus and Stock furnished at the Lowest Prices.
Advertisement was recorded nine times between April 20 to July 20, 1850.
1850 May 12. New York Herald. (New York, New York.) May 12, 1850, Whole No. 5817, P. 2.
The Cuban Expedition, or one similar in number, may be seen every day moving up Broadway to the Broadway Daguerrean Gallery 323 Broadway, where every body goes to have their pictures made. This is the best and cheapest place in the city to get a good likeness. A good likeness in a case, as low as fifty cents.
1850 July 4. New York Herald. (New York, New York.) July 4, 1850, Whole No. 5869, P. 2.
Broadway Daguerrean Gallery, No. 323 Broadway, is the place where all who feel particularly good natured will call to-day, and have their likenesses made. Harrington & Buswell are prepared to make some less than a thousand. A likeness in a case can be had as low as 50 cents.
1850 September 21. New London Democrat. (New London, Connecticut.) September 21, 1850, Vol. VI, No. 28, Whole No. 288, P. 3.
Harrington & Bushnell, at No 323 Broadway, New York, furnish Daguerreotype Pictures at 50 cents, and which they warrant accurate to life.
Please call and examine specimens. Aug. 24, 1850
Advertisement ran from September 21 to December 7, 1850.
1851. New York City Directory. (New York, New York.) Published by Doggett & Rhode, 1851/1852.
daguerreotype, 323 Broadway.
1852. New York City Directory. (New York, New York.) Published by John Fowler Trow, 1852/1853.
Not Listed in directory.
1853. New York City Directory. (New York, New York.) Published by John Fowler Trow, 1853/1854.
Daguerreotypes, 314 Second, h-314 Second.
1854. New York City Directory. (New York, New York.) Published by John Fowler Trow, 1854/1855.
Daguerreotypes, 314 Second, h-314 Second.
1855. New York City Directory. (New York, New York.) Published by John Fowler Trow, 1855/1856.
Not listed in directory.
[1] New York City Directory
1843-1844 192 Broadway, New York, New York.
1845 233 Broadway, New York, New York.
1845 4 Fountain Row, Over R. Shurtleff’s Auction Store, Springfield, Massachusetts.[1]
1846 5 Dey Street, New York, New York.[2]
1847-1848 181 Broadway, New York, New York.2
1849-1851 187 Broadway, New York, New York.2
1851 North Main Street, Springfield, Massachusetts.1
1853-1858 293 Broadway, New York, New York.2
1859 663 Broadway, New York, New York.2
1861 453 Broadway, Ner York, New York.2
1864-1866 407 Broadway, New York, New York.2
1866 190 Fulton, Brooklyn, New York.2
1843-1866. New York City Directories. (New York, New York.) 1843-1866, John Fowler Trow, Publisher.
1843. 1843/1844, P. 56. Burgess, Nathan G.—daguerreotypes, 192 Broadway. H.-65 Murray.
1844. 1844/1845, P. 58. Burgess, Nathan G.—daguerreotypes, 192 Broadway.
1845. 1845/1846, not listed.
1846. 1846/1847, P. 63. Burgess, N. G.—daguerreotype, 5 Dey. H.-5 Dey.
1847. 1847/1848, P. 71. Burgess, N. G.—daguerreotypes, 181 Broadway.
1848. 1848/1849, P. 72. Burgess, N. G.—daguerreotypes, 181 Broadway.
1849. 1849/1850, P. 74. Burgess, N. G.—daguerreotypes, 187 Broadway.
1850. 1850/1851, P. 81. Burgess, N. G.—daguerreotypes, 187 Broadway.
1851. 1851/1852, P. 86. Burgess, N. G.—daguerreotypes, 187 Broadway.
1852. 1852/1853. Not listed
1853. 1853/1854, P. 103. Burgess, Nathan G.—daguerreotypes, 293 Broadway.
1854. 1853/1854, P. 103. Burgess, Nathan G.—daguerreotypes, 293 Broadway.
1855. 1855/1856, P. 122. Burgess, Nathan G.—daguerreotypes, 293 Broadway. H.-108 E. 14th St.
1856. 1856/1857, P. 118. Burgess, Nathan G.—artist, 293 Broadway.
1857. 1857/1858, P. 120. Burgess, Nathan G.—photographs, 293 Broadway. H-38 Willow, Brooklyn.
1858. 1858/1859, P. 118. Burgess, Nathan G.—photographs, 293 Broadway. H-49 Cranberry, Brooklyn.
1859. 1859/1860, P. 123. Burgess, Nathan G.—photographs, 663 Broadway. H-49 Cranberry, Brooklyn.
1860. 1860/1861. Not listed
1861. 1861/1862, P. 123. Burgess, Nathan G.—photographs, 453 Broadway. H-49 Cranberry, Brooklyn.
1862. 1862/1863. Not listed.
1863. 1863/1864. Burgess, Nathan G.—Clerk , 56 Broadway. H-119 Henry, Brooklyn.
1864. 1864/1865, P. 128. Burgess, Nathan G.—photographs, 407 Broadway. H-119 Henry, Brooklyn.
1865. 1865/1866, P. 137. Burgess, Nathan G.—photographs, 407 Broadway. H-Brooklyn.
1866. 1866/1867, P. 137. Burgess, Nathan G.—photographs, 407 Broadway & 190 Fulton, Brooklyn.
1867-1870 not listed.
1843 September 19. New York Daily Tribune. (New York, New York.) September 19, 1843, Vol. III, No. 139, Whole No. 760, P. 3.
Fair at the American Museum.—The problem of opening a new and spacious Saloon at the American Museum, as a Perpetual Fair or Bazaar for the Exhibition and Sale of Goods, Wares, Merchandize, &c has proved highly successful. It is now one of the most attractive Halls in the Establishment, and is undoubtedly the cheapest Advertising Medium in the world. The name, location and business of all depositors are advertised in 100,000 small bills per annum—also in the principal city papers. The following persons have already made deposites in this Fair, and as nearly all the articles are For Sale, Merchants and others will find it to their interest to make their purchases through this medium. It is obvious that no articles but those of the best quality are deposited here. Persons desirous of depositing specimens of Goods or Cards of Business in the perpetual Fair, can do so on reasonable terms. Circulars of prices, & c. can be obtained at the Office of the Museum.
Daguerreotype Miniatures…..N. G. Burgess, 192 Broadway
Daguerreotype Miniatures…..J. Gurney, 189 Broadway
Daguerreotype Miniatures…..J. Plumbe, Jr., 251 Broadway
Daguerreotype Miniatures…..Fanshaw, Young & Cunningham, 235 Broadway
1843 September 20. Connecticut Courant. (Hartford, Connecticut.) September 30, 1843, Vol. LXXIX, No. 4100, P. 2.
Exhibition and Fair. We shall not be thought to give the subject an undue importance, by again reminding our citizens of the Fair now in progress at the City Hall. The list of articles (to the publication of which we give up a large space in our paper this week) shows that the Farmers, Mechanics, Manufacturers and artist of this county, have not forgotten the annual returm of this interesting occasion…
169. Daguerreotype miniatures; N. G. Burgess, Hartford.
1843 October 7. Connecticut Courant. (Hartford, Connecticut.) October 7, 1843, Vol. LXXIX, No. 4107, P. 3.
Hartford County Agricultural Society. List of Premiums. The several committees have awarded the following premiums…
Fine Arts and Arts…
N. G. Burgess, New York, best specimen of Daguerreotype likenesses, silver medal.
1843 October 14. The Hartford Times. (Hartford, Connecticut.) October 14, 1843, Vol. XXVII, No. 1399, P. 1.
Hartford County Agricultural Society. List of Premiums. The several committees have awarded the following premiums…
Fine Arts and Arts…
N. G. Burgess, New York, best specimen of Daguerreotype likenesses, silver medal.
1844 December 27. New York Daily Tribune. (New York, New York.) December 27, 1844, Vol. IV, No. 227, Whole No. 1158, P. 3.
Daguerreotypes. Burgess’ Gallery Of Colored Daguerreotypes, 192 Broadway. N. Y. N. G. Burgess, Principal Operator.
Advertisement ran from December 27, 1844 to March 1, 1845.
1845 April 14. The New York Herald. (New York, New York.) April 14, 1845, Vol. XI, No. 103, Whole No. 4065, P. 2.
The daguerreotype—We had thought that the perfection of this art had been attained, but we find there are still improvements. Among those we have seen recently were some specimens at Mr. Tracy’s rooms, No. 233 Broadway. He has taken some portraits which, for life-like beauty and effect, cannot be excelled. He has, likewise, engaged the services of Mr. Burgess, who formerly occupied rooms at the corner of John and Broadway, and those who wish a picture in his style, which is acknowledged to be superior, will please call soon, as Mr. B. leaves the city in a few days.
1845 April 14. The New York Herald. (New York, New York.) April 14, 1845, Vol. XI, No. 103, Whole No. 4065, P. 3.
Daguerreotype Portraits. J. F. Tracy has taken Rooms at No. 233 Broadway, up stairs, second floor, where he is executing some of the most beautiful specimens of the Daguerrian Art in this city. The prices are according to the style and finish, from One To Three Dollars.
Those in want of perfect Pictures are requested to call and examine his specimens. Mr. T. is happy to announce that he has engaged the professional services of N. G. Bingers [sic.], for a short time, and those who wish Pictures in his peculiar beautiful style would do well to call soon.
Plates, Cases, Chemicals, &c., always on hand, and instructions given in the Art on moderate terms.
Advertisement ran from April 14 to May 27, 1845.
1845 June 18. Springfield Gazette. (Springfield, Massachusetts.) June 18, 1845, Vol. 14, No. 25, P. 2.
Daguerreotypes.—We have pleasure in referring to the card of Mr. Burgess, in another column, who will be in town for a few days, to answer the calls of our citizens who may wish to obtain a perfect and durable impression of their living features by means of the daguerreotype. Mr. B. exhibits some of the best specimens of the perfection of the art that we have ever seen
1845 June 17. Springfield Daily Republican. (Springfield, Massachusetts.) June 17, 1845, Vol. 2, No. 374, P. 3.
Daguerreotypes. N. G. Burgess, of New York, has opened his Gallery of Colored Daguerreotypes, for a few days only, at No. 4 Fountain Row, Over R. Shurtleff’s Auction Store.
Mr. B. has been induced to open his rooms in Springfield for a short time, and he is prepared to execute Likenesses in a style sure to please and greatly superior to any before offered in this town.
Miniatures and Portraits taken in all the various sizes, from the smallest breast-pin size to that of the cabinet Portrait.
These pictures are warranted durable colors, and will retain their clearness and distinctness as long as the painted portrait.
The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection. Operations from 8 A. M. until 4 P. M. without regard to weather.
Springfield, June 17, 1845.
Advertisement ran from June 17 to June 30, 1845.
1845 June 18. Springfield Gazette. (Springfield, Massachusetts.) June 18, 1845, Vol. 14, No. 25, P. 3.
Daguerreotypes. N. G. Burgess, From New York, Has Opened His Gallery of Colored Daguerreotypes, for a few days only, at No. 4 Fountain Row, Over R. Shurtleff’s Auction Store.
Mr. B. has been induced to open his rooms in Springfield for a short time, and he is prepared to execute likenesses in a style sure to please and greatly superior to any before offered in this town.
Miniatures and Portraits taken in all the various sizes, from the smallest breast-pin size to that of the Cabinet Portrait. These pictures are warranted durable colors, and will retain their clearness and distinctness as long as the painted portrait.
The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection. Operations from 8 A. M. until 4 P. M. without regard to weather.
Springfield, June 17, 1845.
Advertisement ran from June 18 to July 2, 1845.
1845 June 27. Springfield Daily Republican. (Springfield, Massachusetts.) June 27, 1845, Vol. 2, No. 383, P. 2.
Mr. Burgess, the Daguerreotype artist, is to remain in town but two or three day longer, and those who wish to secure their exact pictures by this peculiar and interesting mode must call immediately. We have seen a number of pictures taken by Mr. B., and readily pronounce them far superior to any we ever saw of the kind, before.
1854 June 3. The New York Herald. (New York, New York.) June 3, 1854, Whole No. 6492, P. 4.
Burgess, Daguerrean Artist, 293 Broadway, the oldest and most practical in the city, would inform his friends and former patrons, that he has resumed the profession of this beautiful art, in all its branches. Pictures taken in all the various styles. French, German, Italian, &c., spoken.
1854 November 3. The New York Herald. (New York, New York.) November 3, 1854, Whole No. 6644, P. 4.
To Daguerreans.—Wanted, A Daguerreotype Operator, at Burgess’ daguerrean rooms, 293 Broadway.
1855 June. The Photographic and Fine Art Journal. Vol. 8, No. 6 p. 190
For the Photographic and Fine Art Journal. Amusing Incidents In The Life Of A Daguerrean Artist. By N. G. Burgess.
The experience of all those who follow the Daguerrean Art, as a profession, will show many amusing and laughable incidents which have been noted down from time to time. For the benefit of the readers of the Journal I will transcribe a few, which may amuse at least if not instruct them.
Persons who sat for pictures, in the early stage of the Art, were of course ignorant of the modus operandi, and they not unfrequently moved during the sitting, although the Artist may have given full directions to the contrary.
An elderly lady was once seated in front of the camera, and was informed that for two minutes she must be in a perfectly passive mood and watch the glasses of the camera. On returning to the camera, the Artist was surprised to find her standing by the window viewing the
passers‑by in Broadway. She remarked that while she was waiting for the picture to come out of the box, she thought, there would be no harm in looking out of the window, as she expected her son to call for her about that time and she was wondering why he did not come.
Another Artist, was called upon to take the likeness of a lady dressed in deep mourning, who when seated in the chair, and the focus of the camera drawn accurately upon the ground glass, and just as he was about to place the plate‑holder in the Box, she called upon him to wait a moment, for her to request him to represent her in the picture, as holding in her lap a dear little child whom she had but a few days before laid in the cold grave.
But a most amusing and laughable anecdote is related of an Artist who was called upon by a volunteer in the late Mexican War. He was just starting for the battle‑fields of glory, when, he bethought himself of his Daguerreotype, that he would leave with his lady‑love. He had imprudently, imbibed too much of those strong drinks repudiated by the Prohibitory Law, and the day being rather cloudy, it required at least three or four minutes sitting. When the time expired, our hero the volunteer, was found to be a sleeper at his post. The Artist however did not disturb him, but quietly removing the plate, he proceeded to bring it out over the mercury bath, when it was found to be very dark, and withal, rather sleepy in appearance: The light was not sufficiently strong for another picture, and it was finished, and the sleeper awakened to receive his image on silver which was deemed rather dark and misty. But the Artist assured him, when the weather became clear and his head also the picture would assume a clearness not then discernable, which fully satisfied the soldier, and he departed for Mexico.
A traveling artist was quite amused by a call from a young man in a country town, late in the afternoon, just as the sun was sinking behind the western hills; when it was too late to produce any impression on the plate. The young man was rather verdant; nor had he seen the wonderful process of Daguerre, much less any paraphernalia of a Daguerrean artist. He was very anxious to obtain his portrait that very evening, as he was just starting for the west. The Artist assured him it was too late to produce a good one, as his labors ceased at dusk. But the youth was incredulous, and insisted on his likeness being then taken. He would be satisfied with anything, if not so good a likeness. The Artist was reluctant to comply, but he bethought himself of some old specimens in his plate‑box, that might answer for a likeness and he requested the young man to be seated, in front of the camera, when he drew the focus and required him to remain still until he returned which would be at least five or ten minutes. He repaired to his plate box, and found a picture that bore the only resemblance to the young man, in the fact that it was taken for another young man in the city of New York. The likeness was sealed up and put into a case—and then carefully laid in the Camera‑box—when five minutes had expired the artist, withdrew the picture from the box, and immediately opened it to the astonished gaze of the sitter. There were several of the artists friends and acquaintances in the room during the occurrence, all anxiously watching the scene, and of course highly amused at the wonder expressed by the subject of the levity. He was quite surprised to learn that he made so good a likeness, and still more so that the artist had given him such a fine suit of clothes; remarking that the coat had more buttons than his, and in fact was a very much better picture than he thought he would make. The artist very complacently informed him that he knew it would please him the more to show his likeness in an improved dress and he accordingly added a few more buttons, and withal put on an entire new suite throughout as he sadly needed one. The youth was much obliged to him, he took the picture and paid his dollar and left for the west.
It may be questioned here whether the conduct of the Artist, on this occasion was strictly correct. But many pictures are delivered daily that do not bear so strong a likeness to the one intended, as this one in question, being executed by those who have no skill or knowledge of
any of the rules of Art.
An instance of forgetfulness was mentioned as occurring many years ago, when it required five or ten minutes sitting. A sitter was requested to await the return of the artist who thoughtlessly went to his dinner, and actually forgot that he had a sitter in his chair. When at least half an hour had expired the sitter’s patience became exhausted, he left the seat, and sought in vain, for the Artist and it was several minutes before he returned when he humbly demanded pardon, for his forgetfulness, and proceeded to take another, which he presented him gratis; for his long forbearance and forgiving disposition. Reprinted from DagNews.
1855 August 25. The New York Herald. (New York, New York.) August 25, 1855, Whole No. 6937, P. 5.
Boy Wanted—At Burgess’ Photographic rooms, 293 Broadway, up stairs. Apply between 9 and 10 o’clock A. M.
1855 October 30. The New York Herald. (New York, New York.) October 30, 1855, Whole No. 7002, P. 6.
To Daguerreotypists—Wanted—An Operator, who fully understands the business. Apply, between 9 and 11 o’clock A. M., at Burgess’ Photographic rooms, 293 Broadway.
1855 November 20. The New York Herald. (New York, New York.) November 20, 1855, Whole No. 7023, P. 4.
Improved Ambrotypes.—Burgess, No. 293 Broadway, is now taking superior pictures by this new process, which rivals all sun portraits heretofore produced. Call and examin specimens. German, French, and Italian spoken.
1856 January 1. Photographic and fine Arts Journal. (New York, New York.) January 1, 1856, Vol. IX, No. 1, P. 19.
In an article entitled the Photographic Galleries of America. Number One, New York. The author visited 69 Galleries in New York City.
N. G. Burgess—Here again we have a first-rate Ambrotyper; one who is theoretically and practically acquainted with this process and seems determined not to be excelled. I believe he has a patent for a peculiar style of picture. A very fine specimen of the process is a portrait of a fair child leaning on a table; it is perfectly life-like.
1856 April 16. The New York Herald. (New York, New York.) April 16, 1856, Whole No. 7170, P. 6.
To Artists.—Wanted. An Artist, Who Understands the art of painting photographs, to go to a Southern city, to whom a liberal price will be paid. Apply immediately at Burgess & Beniczky’s photographic gallery. 293 Broadway, up stairs.
1856 May 6. The New York Herald. (New York, New York.) May 6, 1856, Whole No. 7190, P. 5.
Pearl Ambrotypes.—A New Discovery in ambrotypes.—Pearl ambrotypes, which possess all the brilliancy and whiteness of a daguerreotype, are taken only at 293 Broadway, by Burgess & Beniczky. Pupils taught this new art. Photographs taken for $1; colored, for $5, by A. Cosmas, artist, from Paris.
1856 June 17. The New York Herald. (New York, New York.) June 17, 1856, Whole No. 7237, P. 7.
For Sale—A Splendid Uniform Belonging to an officer of the 69th Regiment N. Y. S. M., consisting of cap, coat, epaulettes, sword, belt, pants, &c. To be sold low, on immediate application at Burgresss and Beniczky’s photographic rooms, 293 Broadway.
1856 October 27. The New York Herald. (New York, New York.) October 27, 1856, Whole No. 7363, P. 5.
Fremont, Filmore and Buchanan.—Ambrotype portraits of Presidential candidates for sale, wholesale and retail, by Burgess & Beniczky, No. 293 Broadway. Agents wanted.
1858 January 26. The Evening Post. (New York, New York.) January 26, 1858, Vol. LVII, P. 2.
Wiley & Halsted Published This Day: The Photograph And Ambrotype Manual, A Practical Treatise on the Art of Taking Positive and Negative Photographs on Paper and Glass, By N. Burgess. Fourth Edition.
From Contents:
I History and Progress of Photographic Art, &c.
II Theory and Practice of Photographic Process.
III Photographic Printing, &c.
IV Copy Daguerreotypes and other Pictures into Photographs.
V On Ambrotype Process, &c.
1 Volume, 249 pages. $1.00.
1858 March 15. The Evening Post. (New York, New York.) March 15, 1858, Vol. LVII, P. 3.
The Photograph And Ambrotype Manual; A Practical Treatise on the Art of Taking Positive and Negative Photographs on Paper and Glass, commonly known as Photography, in all its Branches.
Containing all the Various Recipes Practiced by the Most Successful Operators in the United States. By N. G. Burgess [Brugers.] Fourth Edition. New York: Wiley & Halsted.
The wonders of the photographic art have not ceased. It will be applied to many now and important uses, and itself will increase in perfection and power. This little manual is one of the best of its kind, and will help to make the discoveries of Daguerre, Talbot, and Sir John Herschel more widely known and useful.
[1] A Directory Of Massachusetts Photographers 1839-1900.
[2] New York City Directory.
1856 293 Broadway, New York, New York.
1856 April 16. The New York Herald. (New York, New York.) April 16, 1856, Whole No. 7170, P. 6.
To Artists.—Wanted. An Artist, Who Understands the art of painting photographs, to go to a Southern city, to whom a liberal price will be paid. Apply immediately at Burgess & Beniczky’s photographic gallery. 293 Broadway, up stairs.
1856 May 6. The New York Herald. (New York, New York.) May 6, 1856, Whole No. 7190, P. 5.
Pearl Ambrotypes.—A New Discovery in ambrotypes.—Pearl ambrotypes, which possess all the brilliancy and whiteness of a daguerreotype, are taken only at 293 Broadway, by Burgess & Beniczky. Pupils taught this new art. Photographs taken for $1; colored, for $5, by A. Cosmas, artist, from Paris.
1856 June 17. The New York Herald. (New York, New York.) June 17, 1856, Whole No. 7237, P. 7.
For Sale—A Splendid Uniform Belonging to an officer of the 69th Regiment N. Y. S. M., consisting of cap, coat, epaulettes, sword, belt, pants, &c. To be sold low, on immediate application at Burgess and Beniczky’s photographic rooms, 293 Broadway.
1856 October 27. The New York Herald. (New York, New York.) October 27, 1856, Whole No. 7363, P. 5.
Fremont, Filmore and Buchanan.—Ambrotype portraits of Presidential candidates for sale, wholesale and retail, by Burgess & Beniczky, No. 293 Broadway. Agents wanted.
1856 407 Broadway, New York, New York.
1856. New York City Directory. (New York, New York.) 1856-1857, advertisement P. 9.
Apollo Gallery Of Daguerreotypes and Ambrotypes, 407 Broadway, New York.
Large size Daguerreotypes for 50 cts. A brilliant and durable Ambrotype for $1.00
Pictures taken in any weather. Roswell H. Brown, Artist.
1850-1853 181 Broadway, New York, New York.
N. D. The New York Historical Society’s Dictionary Of Artist In America 1564-1860. P. 86.
Brown, James. Landscape, marine, genre, and portrait painter, born in New York State about 1820; at NYC, 1844-1855; St. Louis, 1859. A portrait painter, J. Brown, is listed in NYBD 1844; James Brown appears in NYCD 1850 as an artist, and exhibited at the American Art-Union (1850) and the National Academy (1850-1855).
New York City Directories. Published by Doggett, John(1843-1852); Trow, John Fowler (1853-on)
1851 August 28. The New York Herald. (New York, New York.) August 28, 1851, Whole No. 6881, P. 3.
James Brown, Daguerrean Artist, Late Student of the National Academy of Design, and of the new Water Color Association, has in use, at his Gallery, 181 Broadway, up stairs (rear), all the modern improvements in the art.
Advertisement ran from August 28 to September 2, 1851.
1851 September 4. New York Daily Tribune. (New York, New York.) September 4, 1851, Vol. XI, No. 3239, P. 4.
We see it stated in one of our contemporaries, that “New-York has returned to town, and will again take up her residence here for the next eight or nine months;” but we hope before she settles down to the dull, plodding business of life, she will step into the Daguerrean Gallery of Mr. James Brown, No. 181 Broadway, no stairs, and have her features transferred to the plate, while yet in her heyday of loveliness; for a few months of city life will quickly destroy the roses brought out on her cheeks by her late ramble through the hills and dales of the blooming country.
1851 September 5. New York Daily Tribune. (New York, New York.) September 5, 1851, Vol. XI, No. 3240, P. 4.
These cool, delightful mornings make us feel on good terms with ourselves and with our fellow beings; and, beside, bring out our “good looks” in bold relief. No better time can be chosen to have picture taken, and no better artist in the Daguerrean Art can be found in this city, than Mr. James Brown, of No. 181 Broadway, who stands unrivalled, not only as a daguerreotypist, but as a practical artist, and whose pictures have been pronounced, by connoisseurs, the ne plus ultra of the art. Mr. Brown has adopted all the modern improvements, and is prepared to take pictures of any desired size, color or shade, and at moderate rates.
1851 September 5. The New York Herald. (New York, New York.) September 5, 1851, Whole No. 6889, P. 5.
Mr. James Brown, Daguerrean Artist, Member of the Water Color Society—Gallery, 181 Broadway, between Courtlandt and Dey Streets. The public, and stranger particularly, are invited to call and examine his specimens; and in particular, to note the peculiarly artistic arrangements, and general tone and finish, for which the picture from this Gallery stand pre-eminent.
Advertisement ran from September 5 to 10, 1851.
1851 September 10. New York Daily Tribune. (New York, New York.) September 10, 1851, Vol. XI, No. 3244, P. 4.
The Art Of Daguerreotyping, although yet in its infancy, has been reduced to a science as nice and minute as that of Astrology; and we are proud to record the merits of such artists in the business as really deserve it. In this list stands prominently the name of Mr. James Brown, whose gallery is located at No. 181 Broadway. Mr. Brown’s picture possess a tone and finish rarely met with, and recommend themselves immediately to all who have a taste for the beautiful in art; and we are pleased to hear that his merits are receiving their just award.
1851 September 21. The New York Herald. (New York, New York.) September 21, 1851, Whole No. 6905, P. 3.
Mr. James Brown, Daguerrean Artist, Member of the Water Color Society—Gallery, 181 Broadway, between Courtlandt and Dey Streets. The public, and stranger particularly, are invited to call and examine his specimens; and in particular, to note the peculiarly artistic arrangements, and general tone and finish, for which the picture from this Gallery stand preeminent.
Advertisement ran from September 21 to 26, 1851.
1853 August 19. Semi-Weekly Tribune. (New York, New York.) August 19, 1853. Vol. VIII, No. 859. P. 1.
The Exhibition At The Crystal Palace. XVI. American Art—Daguerreotypes. If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced. In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons. In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts. Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe. Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals. Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life. Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green.. Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection? Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon? The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused. Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda. Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda. Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture. In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other. This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation. But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.
Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver. Some of these are more readily acted on by light than others—are more sensitive, as it is termed. Such are the iodide, bromide, and chloride of silver. These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate. The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver. It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.
To produce a daguerreotype picture there are five operations necessary. The first is cleaning the plate. This is the stumbling block of most operators. They are not cleanly enough. Several views in this Exhibition show that the plates were not well enough cleaned. Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping. The second the second is the foundation of the sensitive iodide of silver over the surface of the plate. The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression. The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera. The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture. The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art. The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate. These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.
Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement. The latter quality is specially noticeable in “The Three Ages.” The mechanical execution of these pictures is unexcelled. These pictures of Mr. L. were exhibited in London. Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him. In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence. The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate. D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads. J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission. Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed. Besides this, he has a couple of other pictures, though on the whole his show is mediocre. In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution. In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.
Webster, of Louisville, KY., has twenty-three pictures possessing clearness. They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution. Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief. There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion. The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit. Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly. Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates. This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited. The mechanical execution is excellent, the perspective good, and the development unsurpassed. The effect of the smoke over the southern part of the city is very finely given. the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out. The rest of the collection is fair, possessing no peculiar merit. Williamson exhibits a poor collection. Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good. The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad. That of the Bateman Children, in character, is a good picture. There are some exceedingly well executed heads in this collection.
Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit. A likeness of Prof. Mitchell, Cincinnati, is well executed. Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel. As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist. We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?” Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection. The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures. His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them. Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished. The collections of Kilsey, Beals, and Howe do not require notice. Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed. Some of his large heads have their features out of all proportion. Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun. McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair. Hawkins exhibits photographs on paper. Drummond, eight plates of the order of Free masons in their lodge dress. Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed. It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original. It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy. This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint. Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.
1853 November 16. The Daily Union. (Washington, D. C.) November 16, 1853, Vol. III, No. 183, P. 3.
List of patents issued from the United States Patent Office for the week ending November 15, 1853—each barring that date….
James Brown, of New York, New York, for improvement in daguerreotype apparatus.
William and William H. Lewis, of New York, New York, for improved coating-box for daguerreotype plates. No. 10, 225.
1853 November 16. The Evening Post. (New York, New York.) November 16, 1853, Vol. LII, P. 2.
James Brown, of New York, N. Y.—for improvement in daguerreotype apparatus. Dated November 15, 1853.
Wm. and Wm. H. Lewis, of New York, N. Y.—For improved coating box for daguerreotype plates. Dated November 15, 1853.
1853 November 17. The New York Herald. (New York, New York.) November 17, 1853, Whole No. 2628, P. 2.
American Genius. James Brown, of New York, N. Y., for improvement in daguerreotype apparatus.
William and William H. Lewis, of New York, N. Y., for improved coating-box for daguerreotype plates. No. 10, 225.
1841-1843 136 Nassau Street, New York, New York.
1842-1843 Rooms opposite Central Hotel, Macon, Georgia.
1843 American Hotel, Madison, Georgia.
1843 Masonic Hall, Augusta, Georgia,
1843-1844 Rooms over Mrs. Bullard’s (Miss Kendrick) Store, Congress Street, Savannah, Georgia.
1844 Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, Macon, Georgia.
1845 Rooms over Ives & Brothers Dry Goods Store, Broad Street, Columbus, Georgia.
1845 Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street,, Macon, Georgia.
1845 Mitchell’s New Building, over Field & King’s Store, Athens, Georgia.
1845 271 King Street, Charleston, South Carolina.
1845-1846 Maybin Hotel, Columbia, South Carolina.[1]
1846 Address Unknown, Hartford, Connecticut.1
1846 Rooms over Mrs. Bueaulard’s Store, Congress Street, Savannah, Georgia.
1846-1847 Corner of Market-Square and Bryan Street, Savannah, Georgia.
1847-1848 A few doors below Dr. Evans’s Drug Store, Wilmington, North Carolina.
1848 Rooms over Hart & Polley’s Store, Wilmington, North Carolina.
1848 Rooms in the New Hotel, Fayetteville, North Carolina.
1848 Rooms At B. B. Smith’s Building, Raleigh, North Carolina.
1848-1849 211 Baltimore Street, Baltimore, Maryland.
1849-1850 Third & Market, Glazier Building, Wilmington, Delaware.[2]
1850 Rooms over Mr. Lewis’ Office, Market Street, West Chester, Pennsylvania.
1851-1857 136 Chestnut Street, Philadelphia, Pennsylvania.
1858 428 Chestnut Street, Philadelphia, Pennsylvania.
1859-1862 814 Chestnut Street, Philadelphia, Pennsylvania.
1862-1863 912 & 914 Chestnut Street, Philadelphia, Pennsylvania.
1840 January 4. The Constitutionalist. (Augusta, Georgia.) January 4, 1840. Vol. XVII, No. 64, P. 4.
List of Letters remaining in the Post Office…S. Broadbent.
1840 May 15. The Southern Banner. (Athens, Georgia.) May 15, 1840, Vol. IX, No. 9, P. 3.
S, Broadbent, Miniature Painter, At the Town Hall, directly over the Post Office. Specimens may be seen at his room.
Advertisement ran from May 15 to June 5, 1840.
1840 November 3. The Constitutionalist. (Augusta, Georgia.) November 3, 1840. Vol. XVIII, No. 87, P. 3.
List of Letters remaining in the Post Office…S. Broadbent.
1841 April 17. New York Mechanic. (New York, New York.) April 17, 1841, New Series— Vol. 1, No. 16, P. 3.
Daguerreotype Portraits, Taken with or without Sunlight, from ten o’clock, A. M. until dark, every day at the Studio of Professor Morse, No. 136 Nassau Street, opposite the Brick Church, by S. Broadbent.
Professor Morse, Will Generally Be In Attendance.
N. B.—Portraits are taken equally well in Cloudy , and even in Stormy weather.
More recently likenesses are taken in the sunlight in one second of time, without the sun in Twenty Seconds.
Advertisement ran from April 17 to August 21, 1843.
1842 December 8. Georgia Messenger. (Macon, Georgia.) December 8, 1842, Vol. XX, No. 42, P. 2.
Daguerreotype Portraits.—If any one wants a fac simile of his countenance, as accurately as nature can copy it, (or of a friend,) let him call at the room of Mr. Broadbent, opposite the Central Hotel. Mr. Broadbent has been the pupil of Professor Morse, the President of the National Academy; and the execution of his work is more perfect, and the features and outlines of his miniatures more plainly and strikingly delineated, than we have ever before seen.
1842 December 15. Georgia Messenger. (Macon, Georgia.) December 15, 1842, Vol. XX, No. 43, P. 3.
Daguerreotype Portraits. S. Broadbent respectfully announces to the citizens of Macon and vicinity, that he has taken Rooms over the store formerly occupied by Wm. B. Parker, opposite the Central Hotel, where he will be happy to wait upon Ladies and Gentlemen, who wish to see specimens, or have their Likeness taken by the Photographic Art.
Advertisement ran on December 15 & 22, 1842.
1843 January 12. Georgia Messenger. (Macon, Georgia.) January 12, 1843, Vol. XX, No. 47, P. 3.
Daguerreotype Mr. Broadbent has been wee encouraged by our citizens. His likenesses are as faithful as reflection can make them, and if it is a satisfaction to any one to have a faithful resemblance of wife, children or friends, the opportunity is now offered them.
1843 February 16. Georgia Messenger. (Macon, Georgia.) February 16, 1843, Vol. XX, No. 52, P. 3.
Daguerreotype Portraits. Mr. Broadbent respectfully informs the citizens of Macon that he has just returned from New York, and will remain in this city for a short time, and that those who wish their Portraits taken can now be gratified.
Advertisement ran on February 16 & 23, 1843.
1843 May 20. Southern Miscellany. (Madison, Georgia.) May 20, 1843, Vol. II, No. 8, P. 3.
Daguerreotype Miniatures. Mr. Broadbent is at present at the American Hotel, where he is prepared to take miniatures of such as may desire them, in a superior style. We have seen several of Mr. Broadbent’s pictures, and do not hesitate to pronounce them superior to any we have yet seen. Mr. B. has certainly brought the art to perfection. Let those who doubt visit his rooms.
1843 June 2. Daily Chronicle & Sentinel. (Augusta, Georgia.) June 2, 1843, Vol. VII, No. 128, P. 2.
Photographic Miniatures. By reference to the advertisement of Mr. Broadbent, it will be seent hat he has taken rooms at the Masonic Hall, where he proposes to take miniatures by the aid of this astonishing art. Mr. B. has exhibited to us, and left in our possession, some specimens of his proficiency, which are, indeed, very satisfactory and should commend him to the favor of those who desire to obtain miniatures.
1843 June 2. Daily Chronicle & Sentinel. (Augusta, Georgia.) June 2, 1843, Vol. VII, No. 128, P. 3.
Daguerreotypes.—S. Broadbent respectfully announces that he has taken rooms at the Masonic Hall, where he will remain a few days only, and will be happy to wait upon Ladies and Gentlemen who may wish to see specimens, or have their likenesses taken by the Daguerreotype process.
1843 October 7. Savannah Daily Republican. (Savannah, Georgia.) October 7, 1843, Vol. XLI, No. 285, P. 2.
Daguerreotype Portraits.—We call the attention of our citizens as well as that of strangers visiting the city, to the advertisement of Mr. Broadbent, which appears in our columns this morning. We have examined several of his likenesses, and unhesitatingly pronounce them superior to any that we have ever before seen. They have mor the appearance of a painted portrait than the common Daguerreotype likeness. Mr. B’s stay in this city will not be long, and we therefore recommend our friends to give him an early call
1843 October 7. Savannah Daily Republican. (Savannah, Georgia.) October 7, 1843, Vol. XLI, No. 285, P. 3.
Daguerreotype Portraits.—S. Broadbent, having taken Rooms over the store occupied by Mrs. Bullard, Congress-street, opposite Pulaski House—will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or have their Likenesses, taken by the Daguerreotype process.
Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and warranted superior to any Specimens that can be produced in New York, or elsewhere, or no charge.
1843 October 17. The New York Herald. (New York, New York.) October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.
Philadelphia Daguerreotype Establishment. Exchange Building, Rooms 26 & 27. The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.
Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.
The following gentlemen have agreed to act as their agents, viz:—
E. White, 175 Broadway, N. Y. P. Haas, Esq., Washington, D. C. Dr. A. Caspari, Richmond, Va. S. Broadbent, Esq., for the Southern States. William West, Esq., Cincinnati, Ohio.
All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.
Advertisement ran from October 17, 1843 to January 26, 1844.
1843 October 17. Savannah Daily Republican. (Savannah, Georgia.) October 17, 1843, Vol. XLI, No. 242, P. 2.
Daguerreotype Portraits.—S. Broadbent, respectfully announces that he has taken Rooms over the store occupied by Miss Kendrick and Mrs. Bullard, in Congress-street, opposite the Pulaski House, where he will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or have their Likenesses, taken by the Daguerreotype process.
Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and are warranted superior to any Specimens that can be produced done in New York, or elsewhere.
Groups of two or more taken on one plate, (whole family groups taken.)
Portraits taken equally well in cloudy, or even in stormy weather.
Advertisement ran from October 17 to November 1, 1843.
1843 November 7. Savannah Daily Republican. (Savannah, Georgia.) November 7, 1843, Vol. XLI, No. 258, P. 2.
Mr. Broadbent’s Daguerreotype Likenesses.—It is only recently that we have paid much attention to the really excellent work of Mr. Broadbent, in this new art. So repeated have been the failures of all similar attempts here, so imperfect have been the portraits which we have hitherto seen of this kind, that we have never held the method in proper estimations. The likenesses of Mr. Broadbent are full of merit. They are perhaps a little too true to be pleasing in some instances, but they are perfect. The effect of light and shade and foreshortening, is precisely that which the most eminent artist known how to reach, while the peculiar contrast and gradation of colors cause them to present an appearance somewhat between a steel and mezzotint engraving. Mr. B. has a method of precipitating gold upon the finished picture which prevents any change in it from lapse of time, whether from oxidation or otherwise. Napoleon was but poorly gratified when Isabey told him that he could paint a picture which should last 400 years. We can see no reason why these pictures should have any limit to their duration. Chemically speaking there is a necessity of their continuous perfection. Their price brings them within the reach of every one. Mr. B.’s stay in Savannah will not be protracted much longer, as he has engagements elsewhere. Those therefore, who desire to send cherished friends, true likenesses of themselves, ought to make immediate application.
1843 December 8. Savannah Daily Republican. (Savannah, Georgia.) December 8, 1843, Vol. XLI, No. 284, P. 3.
Daguerreotype Portraits, By S. Broadbent—Taken every day without regard to weather, (equally well in cloudy or even stormy weather) either with or without colours, and warranted superior to any taken in this city or elsewhere, or no charge.
Room in Congress street, over the store occupied by Miss Kendrick, late Mrs. Beaulard.
Mr. B. has just received a large supply of French Plates, No. 20, also, Scovill’s, Corduan’s and German Plates, and Morocco Cases; which he offers for sale by the gross or dozen, at New York prices.
Mr. B. is agent for the sale of German Instruments, and has them for sale at the importer’s price.
Advertisement ran from December 8, 1843 to January 6, 1844.
1844 February 17. Savannah Daily Republican. (Savannah, Georgia.) February 17, 1844, Vol. XLII, No. 41, P. 3.
Daguerreotype Portraits—By S. Broadbent.—Rooms over the store occupied by Miss Kendrick, Congress street.
N. B. Mr. B. will remain in Savannah but a short time longer. He will be happy to wait upon Ladies and Gentlemen who wish to examine Specimens, or have their Likenesses taken, and hope that they will make it convenient to call soon.
Daguerreotype Apparatus, Plates, Cases, &c. for sale at New York prices.
Advertisement ran from February 17 to March 1, 1844.
1844 March 8. Savannah Daily Republican. (Savannah, Georgia.) March 8, 1844, Vol. XLII, No. 58, P. 3.
A Card—Daguerreotype.—S. Broadbent, begs leave respectfully to tender his thanks to the citizens of Savannah, for the liberal patronage he has received during his stay here, and hopes that those who wish, will avail themselves of this opportunity of having their Portraits taken, as he intends remaining a short time longer, and would advise all such that the weather is now vary favorable.
Advertisement ran from March 8 to 16, 1844.
1844 April 15. Savannah Daily Republican. (Savannah, Georgia.) April 15, 1844, Vol. XLII, No. 89, P. 3.
The Last Call—Daguerreotype.—Mr. Broadbent begs leave once more to remind those who wish their portraits. That te will remain one week longer only (and as he has recently made some improvements, he is sure of giving perfect satisfaction to such as wish their Likeness taken.
Rooms over Miss Kendrick’s store, Congress st., opposite the Palaski House.
1844 April 24. Savannah Daily Republican. (Savannah, Georgia.) April 24, 1844, Vol. XLII, No. 97, P. 3.
Daguerreotype Once More, Since the last call, Mr. Broadbent has been detained longer than he anticipated, and begs leave to say, that he will be detained a very few days longer, and will be happy to wait upon those who desire to have their Likenesses taken.
Advertisement ran from April 24 to 29, 1844.
1844 May 6. Savannah Daily Republican. (Savannah, Georgia.) May 6, 1844, Vol. XLII, No. 107, P. 2.
Daguerreotype Miniatures.—Mr. Broadbent will take no miniatures after this day. Those who intend to sit for their pictures must therefore call, as this will be the last opportunity afforded them.
1844 May 11. Savannah Daily Republican. (Savannah, Georgia.) May 11, 1844, Vol. XLII, No. 112, P. 2.
Not Gone Yet.—Daguerreotype!—Mr. Broadbent, having Portraits engaged for several families, is encouraged to remain until the last of the week, and hopes that those who desire their Portraits, will avail themselves of this opportunity.
1844 May 14. Savannah Daily Republican. (Savannah, Georgia.) May 14, 1844, Vol. XLII, No. 114, P. 2.
Daguerreotype Again—Still Here!—S. Broadbent is yet on hand ready to wait upon Ladies and Gentlemen, who wish their Likenesses taken.
Advertisement ran from May 14 to 18, 1844.
1844 June 7. Savannah Daily Republican. (Savannah, Georgia.) June 7, 1844, Vol. XLII, No. 185, P. 3.
Per brig Clinton, sailed yesterday for New York—…S. Broadbent…
1844 October 24. The Charleston Courier. (Charleston, South Carolina.) October 24, 1844, Vol. XLII, No. 12816, P. 3.
Arrivals at the Charleston Hotel. October 23, 1844. S. Broadbent, Residence. New-York.
1844 November 28. Georgia Messenger. (Macon, Georgia.) November 28, 1844, Vol. XXII, No. 42, P. 3.
Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.
Portraits with or without color, and warranted equal to any in the world.
Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time. S. Broadbent.
Advertisement ran from November 28 to December 19, 1844.
1844. December 3. The Weekly Telegraph. (Macon, Georgia.) December 3, 1844, Vol. 1, No. 10, Whole No. 946, P. 3.
Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.
Portraits with or without color, and warranted equal to any in the world.
Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time. S. Broadbent.
Advertisement ran from December 3 to 24, 1844.
1845 February 12. Weekly Columbus Enquirer. (Columbus, Georgia.) February 12, 1845, Vol. XVIII, No. 8, P. 1.
Colored Daguerreotype Portraits. The Subscribers respectfully announces that they have taken rooms over Messrs. Ives & Brother’s Dry Goods Store, Broad street, and are prepared to take likenesses of such as wish, by the Daguerreotype process, beautifully colored, and warranted superior to any done in New York or elsewhere, or no charge.
This is a favorable opportunity for those who wish to preserve the resemblances of their parents, relatives or friends, and as we shall remain but a short time, those who wish their portraits will do well to call soon. S. Broadbent & Co
Advertisement ran from February 12 to March 12, 1845.
1845 April 2. Weekly Columbus Enquirer. (Columbus, Georgia.) April 2, 1845, Vol. XVIII, No. 15, P. 2.
Broadbent’s Daguerreotype. We had often seen notices of the superior excellence of Broadbent’s pictures, and have always heard him spoken of as excelling all others in the Daguerreotype—and we really think him deserving of all the praise that has been awarded him. His pictures are more highly finished, and have a strength, brilliancy and beauty about them, that we have never seen in Daguerreotype pictures before.
We have seen a few specimens of Miniature Paintings by Broadbent, which show him to be an artist of very superior skill, and probably his artistical skill may be one reason why he excels in the Daguerreotype.
Mr. B. intimates that he will leave in a few days, and we would advise all those who wish their portraits to call on him at once, as probably there may never occur an opportunity of getting portraits equal to Broadbent’s Daguerreotypes, which are infinitely superior as likenesses, and consequently more valuable, than any painted portrait in the world.
1845 April 9. The Columbus Times. (Columbus, Georgia.) April 9, 1845, Vol. V, No. 15, P. 2.
For The Times. Daguerreotype. Messrs. Editors:—Having recently visited the operating room of Mr. Broadbent, over Ives & Brothers Store in this city, who is now engaged in taking Miniature likenesses, I was astonished to see what perfection this beautiful art has attained. Among his specimens I saw many familiar faces which I daily meet, and so natural are they, that were they Busts, instead of Pictures , nothing is wanting save the infusion of the breath of life, to make them real or second self. Mr. B. being an Artist, (with the aid of the magic pencil, or some other secret charm,) imparts a coloring to his pictures which makes them vie with nature itself. I understand that he will remain in the city but a few days longer; therefore all persons interested in obtaining a perfect resemblance of themselves, or friends, will improve the golden moment, and resort at once to his room, where almost in a twinkling he will indelibly stamp their features on something more lasting than paper, or durable than wood.
1845 April 9. The Columbus Times. (Columbus, Georgia.) April 9, 1845, Vol. V, No. 15, P. 3.
Daguerreotype Portraits, Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call. He insures his customers that their portraits shall be taken in the best possible manner.
1845 April 9. Weekly Columbus Enquirer. (Columbus, Georgia.) April 9, 1845, Vol. XVIII, No. 16, P. 3.
Daguerreotype Again. Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call. He insures his customers that their portraits shall be taken in the best possible manner.
N. B. Portraits taken equally well in cloudy and even stormy weather.
1845 April 9. The Columbus Times. (Columbus, Georgia.) April 9, 1845, Vol. V, No. 16, P. 3.
Daguerreotype Portraits. Mr. Broadbent, one of the most successful artist in this country in taking Daguerreotype portraits, is still in this city.—His pictures must satisfy anyone of the perfection to which he has arrived in the art of taking impressions from the human face Divine, more perfect and distinct than can be effected by the engraver.
1845 April 16. Weekly Columbus Enquirer. (Columbus, Georgia.) April 16, 1845, Vol. XVIII, No. 17, P. 3.
Not Gone Yet. Mr. Broadbent, Will remain a few days longer. All who wish to avail themselves of the opportunity of having their Portraits taken by him, will do well to apply soon.
Specimens may be seen at his rooms which will satisfy any one of the superiority of his Pictures, as being bettered colored, more bold, perfect and distinct, than any taken elsewhere.
Portraits taken equally well in all kinds of weather. Rooms over Ives & Brother’s Dry Goods Store, at the Central Hotel.
1845 April 24. Georgia Messenger. (Macon, Georgia.) April 24, 1845, Vol. XXIII, No. 10, P. 3.
Daguerreotype Portraits. The subscriber respectfully informs his friends and the public, that he has taken the rooms recently occupied by Mr. Broadbent, over J. L. Jones & Co.’s Clothing Store, Mulberry street, where he is prepared to take Portraits by the Daguerreotype process. He is provided with a very superior instrument, and the latest improvements in the art; and will engage to execute Portraits, either with or without color, equal to any in the United States. Henry C. Freeman.
1845 May 15. Southers Banner. (Athens, Georgia.) May 15, 1845, Vol. XIV, No. 10, P. 3.
Colored Daguerreotype Portraits. By S. Broadbent. Rooms over Field & King’s Store, in Mitchell’s New Building.
Ladies and Gentlemen are respectfully invited to call and see specimens.
N. B. Portraits taken equally well in all kinds of weather.
Advertisement ran from May 15 to 29, 1845.
1845 May 15. Southern Whig. (Athens, Georgia.) May 15, 1845, Vol. XIII, No. 4, P. 3.
Colored Daguerreotype Portraits. S. Broadbent Respectfully announces that he has taken rooms in Mitchell’s new building, over Field & King’s Store, and hopes that those who wish portraits of themselves and families, beautifully coloured, will make it convenient to call soon. Ladies and Gentlemen are respectfully invited to call and see specimens.
Advertisement ran from May 15 to June 12, 1845.
1845 June 5. Southers Banner. (Athens, Georgia.) June 5, 1845, Vol. XIV, No. 13, P. 3.
Colored Daguerreotype Portraits. Mr. Broadbent, Will remain in Athens a few days longer, and desires that those who wish their portrait taken by him, will make it convenient to call soon.
Rooms over Field & King’s Store, in Mitchell’s New Building.
Ladies and Gentlemen are respectfully invited to call and see specimens.
N. B. Portraits taken equally well in all kinds of weather.
Advertisement ran from June 5 to 19, 1845.
1845 October 21. The Charleston Courier. (Charleston, South Carolina.) October 21, 1845, Vol. XLIII, No. 13110, P. 1.
List Of Letters remaining at the post Office, Charleston, So. Ca. Oct, 15. Broadbent, Saml.
1845 October 22. The Charleston Courier. (Charleston, South Carolina.) October 22, 1845, Vol. XLIII, No. 13111, P. 2.
Passengers. Per steam packet Wilmington, from Wilmington, (N. C.)…S. Broadbent.
1845 October 27. The Charleston Courier. (Charleston, South Carolina.) October 27, 1845, Vol. XLIII, No. 13115, P. 2.
Col’d Daguerreotype Portraits By S. Broadbent. Rooms at 271 King Street, up stairs, 3 doors above Babcock & Co’s Book Store.
Portraits executed equal to any that can be produced elsewhere, or no charge.
Groups of two or more taken on one plate.
Portraits taken equally well in all kinds of weather. For sale, Voigtlander’s Geerman Cameras and every article used in the Daguerreotype. 271 King-street, S. Broadbent.
Advertisement ran from October 27 to November 1, 1845.
1845 October 31. The Charleston Courier. (Charleston, South Carolina.) October 31, 1845, Vol. XLIII, No. 13118, P. 2.
[For The Courier.] Daguerreotype Portraits. Those who desire to procure the most perfect likenesses by this beautiful and truly wonderful process, can now have an opportunity of doing so, by calling at the rooms of Mr. Broadbent, in King-street. This gentleman has carried the practical operation of this science to a perfection which has not been attained by any other artist within our knowledge. Whether it is the result of the quality of the materials used, or the superior skill of the artist, we cannot say, but the pictures of Mr. Broadbent surpasses any we have ever seen for distinctness and beauty. They are brought out in such a manner as to resemble the finest engraving, without that unsatisfactory dimness and want of life which characterises most likenesses taken by this process. For durability, also, they are fully equal to engravings. Mr. B. now has in his possession portraits, several years old, that present as fresh an appearance as though they had just been retaken, If there are any who doubt what we have stated, we can only say to them call and judge for yourselves. X. Y. Z.
1845 December 3. The Southern Patriot. (Charleston, South Carolina.) December 3, 1845, Vol. LIV, No. 8222, P. 3.
Colored Daguerreotype Portraits. By S. Broadbent, 271 King-st., 3 doors above Babcock’s Book Store. Portraits warranted equal to any that can be produced in the world, or no charge. German Instruments and every article used in the Daguerreotype for sale.
Advertisement ran from December 3 to 12, 1845.
1845 December 13. The Southern Patriot. (Charleston, South Carolina.) December 13, 1845, Vol. LIV, No. 8231, P. 3.
Colored Daguerreotype Portraits. Mr. Perry[3], from New-York, having taken the rooms recently occupied by Mr. Broadbent, No. 271 King-street, proposes Taking Portraits By The Daguerreotype Process,—and he assures his patrons that his Pictures shall be superior, for beauty and finish, to any that can be produced at any other house in Charleston.
Mr. Perry for several years has had the charge of Mr. Plumb’s establishment in New-York, and produced the pictures for which Mr. Plumb obtained the first premium for the best pictures at the Fair of the American Institute in New-York the several successive years he was with him. Mr. P. was also commissioned to visit the President’s house at Washington to take the portraits of his family—and also was engaged during the last session of Congress, taking the Portraits of Members of Congress, and other eminent persons. It is well known the Daguerreotype reverses the picture, making the right appear the left side of the sitter. Mr. P. has a mode of correcting this error by the use of a speculum which takes portraits or views without reversing them—which is not practiced by others in this city.
Mr. Perry is a practical optician, and manufactures the very best Daguerreotype instruments extant—and has for sale, Perry’s Premium Apparatus, also Plates, Cases, Chemicals, &c. &c. Instructions given in the most approved process.
1846 January 10. The New York Herald. (New York, New York.) January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.
Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlaender’s Apparatus.
The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.
The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–
Messrs. Litch & Whipple, Boston, Mass.
Mr. James L. Lyon, Richmond, Va.
Mr. S. Broadbent, Columbia, S. C.
Mr. James P. Perry, Charleston, S. C.
Mr. S. Noessel, New Orleans.
Messrs. Johnson & Jacobs, New Orleans.
W. & F. Langenheim, Exchange, Philadelphia.
Advertisement ran from January 10 to February 19, 1846.
1846 May 11. The Charleston Courier. (Charleston, South Carolina.) May 11, 1846, Vol. XLIV, No. 13276, P. 2.
Per C. L. brig Carolina, for New-York—…S. Broadbent…
1846 October 27. Savannah Daily Republican. (Savannah, Georgia.) October27, 1846, Vol. XLIV, No. 255, P. 3.
Per steam-packet Gen. Clinch, from Charleston—…S. Broadbent…
1846 November 3. Savannah Daily Republican. (Savannah, Georgia.) November 3, 1846, Vol. XLIV, No. 261, P. 3.
Daguerreotype Portraits.—S. Broadbent respectfully announces that he has returned to the city , and taken rooms which he formerly occupied over Mrs. Beaulard’s Store, for the purpose of taking Likenesses by the Daguerreotype Process. Those who wish their Portraits taken, may be assured of their being done by him in the very best possible manner.
Apparatus and Daguerreotype Materials for sale,
Instruction given on reasonable terms.
Advertisement ran on November 3 & 4, 1846.
1846 November 18. Savannah Daily Republican. (Savannah, Georgia.) November 3, 1846, Vol. XLIV, No. 278, P. 3.
Daguerreotype Portraits.—The Subscriber would respectfully inform the inhabitants of Savannah and visitors, that he rooms are ready, and that Mr. Cary, in connection with Mr. Broadbent is now prepared to execute Likenesses in a style not to be surpassed.
Young Children setting between the hours of 11 and 12, taken in a few seconds. Portraits for Finger Rings, Lockets, Bracelets and Broaches; also Full Length Portraits and Family Groups, with from two to fifteen persons, taken on large plates. Printed Portraits and Daguerreotypes copied, and Pictures taken after death.
Instruction given and Daguerreotype Instruments, Chemicals, and Plates for sale.
Entrance to the Rooms one door east from the corner of Market-square and Bryan-street. T. T. Wilmot.
P. S. Portraits taken equally well in cloudy as fair weather.
Advertisement ran from November 18, 1846 to January 5, 1847.
1847 November 2. The Commercial. (Wilmington, North Carolina.) November 2, 1847, Vol. 2, No. 98, P. 2.
Daguerreotype. We desire to call the attention of our citizens to this beautiful art as practiced by Mr. Broadbent, whose miniatures are the chef d’ӕuvre of the Daguerreotype. All who see his pictures testify the warmest admiration of his skill.
His likenesses combine great beauty of finish, and an unusual artistical effect—very unlike ordinary Daguerreotypes, and, beside the merit of fac simile likenesses, they are as strong as steel engravings, and have all the delicacy of color of the most exquisitely painted miniatures. It must be a great gratification to the family and social circle to possess these beautiful representations of its members and of friends. All who wish good portraits of themselves or friends would do well to give Mr. Broadbent a call.
1847 November 2. The Commercial. (Wilmington, North Carolina.) November 2, 1847, Vol. 2, No. 98, P. 3.
Daguerreotype Portraits, By S. Broadbent, A few doors below Dr. Evans Drug Store near the Market.
Portraits taken in a style superior to any that can be produced, done elsewhere, or no charge.
Mr. B. will remain but a short time.
Advertisement ran from November 2 to 30, 1847.
1847 December 18. The Commercial. (Wilmington, North Carolina.) December 18, 1847, Vol. 2, No. 118, P. 3.
Christmas Presents. Daguerreotype Portraits By S. Broadbent, From the largest size to the very smallest desired, for Breast Pins, Lockets &c.
Room a few doors below Dr. Evans’ Drug Store, Market Street.
Advertisement ran from December 18 to 30, 1847.
1848 January 27. The Commercial. (Wilmington, North Carolina.) January 27, 1848, Vol. 2, No. 134, P. 3.
Daguerreotype! Removal. S. Broadbent has removed to rooms over Messrs. Hart & Polley’s store where he has a Sky Light built expressly for the Daguerreotype. There are several advantages of a sky light—the pictures are stronger, more effective, and of a more pleasing character than those done by side light; the objection of one side of the face being light and the other dark is obviated, and blue eyes can be as well taken as others.
Mr. Broadbent is an artist by profession, which gives him many advantages in the arrangement and finish of his pictures. He has had, perhaps, mor experience in the Daguerreotype than any other person; having been successfully engaged in it ever since the art has been practiced, and his process is superior to that practiced by others, (either with machinery patented last October, or otherwise,) and he warrants better pictures than can be produced, done elsewhere.—or no charge.
Ladies and Gentlemen are respectfully invited to call and see specimens. Rooms over Hart & Polly’s store.
Advertisement ran from January 27 to February 26, 1848.
1848 April 11. Fayetteville Observer. (Fayetteville, North Carolina.) April 11, 1848, Vol. XXXI, No. 1610, P. 3.
Daguerreotype Portraits. S. Broadbent purposes remaining in Fayetteville a few days, and will be happy to wait upon such as wish to see specimens, or have their likenesses taken by the Daguerreotype process. Portraits taken equally well in cloudy or even in stormy weather. Rooms in the New Hotel.
Advertisement ran from April 11 to May 9, 1848.
1848 May 2. Fayetteville Observer. (Fayetteville, North Carolina.) May 2, 1848, Vol. XXXI, No. 1613, P. 3.
Messrs. Broadbent and Bennett[4] will remain in Fayetteville the remainer of this week, giving all who may wish a correct Daguerreotype likeness of themselves or friends an opportunity to obtain it. Miniatures taken equally well in cloudy or fair weather.
1848 May 24. The Raleigh Register and North Carolina Gazette. (Raleigh, North Carolina.) May 24, 1848, Vol. XLIX, No. 41, P. 3.
For the Register. Daguerreotyping. We have seen some specimens of this novel and beautiful art, by Mr. Broadbent, who is now in our City, which are entirely different and superior to any of the kind we have ever before seen. His miniatures are finished in a style at once unique and splendid.
Mr. B. has taken rooms in B. B. Smith’s building, next door to the Telegraph Office.
1848 May 24. The Raleigh Register and North Carolina Gazette. (Raleigh, North Carolina.) May 24, 1848, Vol. XLIX, No. 41, P. 3.
Colored Daguerreotype Portraits by S. Broadbent. Rooms At B. B. Smith’s Corner. Pictures taken in all the various sizes, and in the very best possible manner.
Advertisement ran from May 24 to 31, 1848.
1848 May 27. The Raleigh Register and North Carolina Gazette. (Raleigh, North Carolina.) May 27, 1848, Vol. XLIX, No. 42, P. 3.
For The Register. Daguerreotype Portraits. Mr. Broadbent, one of the most successful Artist in the country, in taking Daguerreotype Likenesses, is still in this City, and will remain but a few day. We have seen a letter from Prof. Stillman, speaking of Mr. Broadbent’s Pictures, in which he says “that they are decidedly the best specimens of the Art he has ever seen, and are truly elegant and perfect.”
His Likenesses combine great beauty of finish and an unusual artistical effect—very much unlike ordinary Daguerreotypes; and besides the merit of fac simile Likenesses, they are as strong as steel engravings, and have all the delicacy of color of exquisitely painted Miniatures. All who wish good portraits of themselves and friends, would do well to give Mr. Broadbent a call immediately, as he will leave soon.
Advertisement ran on May 27 & 31, 1848.
1848 December 19. American And Commercial Daily Advertiser. (Baltimore, Maryland.) December 19, 1848, Vol. XCVIII, No. 17,164, P. 2.
Daguerreotype. Mr. Broadbent respectfully announces that he has taken rooms at 211 Baltimore Streer, over J. E. Bird’s store, next Mr. Easter’s, where he has a very superior Sky Light, built expressly for the Daguerreotype.
Mr. B. has many advantages over ordinary operators—he has had as much, and probably more experience in the Daguerreotype, than any other person,–having been successfully engaged in it ever since the art has been practiced; and being an artist, he understands how to place the sitter in the most favorable light and position to make a good picture, and show best the likeness and character of the sitter—beside, his process is superior to that practiced by others. Those who want the very best picture that can possibly be taken (and no one wants any other) will do well to give Mr. Broadbent a call at 211 Baltimore st.
Advertisement ran from December 19 to 21, 1848.
1848 December 23. American And Commercial Daily Advertiser. (Baltimore, Maryland.) December 23, 1848, Vol. XCVIII, No. 17,168, P. 3.
Daguerreotype Portraits Taken By Broadbent & Co., No. 211 Baltimore st., over J. E. Bird’s Store, next Mr. Easter’s, and warranted superior to any that can be produced elsewhere, or no charge.
Advertisement ran from December 23, 1858 to January 9, 1859.
1849 May 30. American And Commercial Daily Advertiser. (Baltimore, Maryland.) May 30, 1849, Vol. XCIX, No. 17,290, P. 3.
Local Matters. Reported for the American…
Beautiful Daguerreotypes.—We have recently [examined] with much pleasure the very beautiful specimens of Daguerreotyping, executed by Messrs, Broadbent Cary, No. 128 Baltimore street. These gentlemen, with a perfect knowledge of the art, have availed themselves of the latest improvements made in France and Germany, and now produce a perfect likeness, [which] by the aid of a little colouring, is made to bear [a close] resemblance to a finely executed miniature.—[those] who will take the trouble to examine their [speci ?] will at once acknowledge their great excellence. [The] rooms of Messrs. Broadbent & Cary are neatly [prepared] for the reception of ladies and gentlemen, and [ ? ] great pains they take to afford entire satisfaction to [those] who favor them with their custom, commends [them] strongly to public patronage.
1849 June 13. American And Commercial Daily Advertiser. (Baltimore, Maryland.) June 13, 1849, Vol. XCIX, No. 17,302, P. 2.
Left at The Daguerreotype Rooms of Broadbent & Cary, in the American Office Building, a Bead Purse containing Money, and other articles which the owner can have by paying for this advertisement.
1849 July 13. Blue Hen’s Chicken. (Wilmington, Delaware.) July 13, 1849, P. 2.[2]
Daguerreotypes.—Mr. Broadbent, from Baltimore, is resuscitating at the Glazier Building, taking likenesses to the life. He gives true and beautiful pictures. Who does not want to be often remembered hen call and get your likeness and send it to your friend. His specimens are splendid.
1849 July 13. Blue Hen’s Chicken. (Wilmington, Delaware.) July 13, 1849, P. 3.4
Colored Daguerreotype Portraits. S. Broadbent has taken rooms in Glazier’s new building, corner of Third and Market Streets; where he purposes remaining a short time, and respectfully invites ladies and Gentlemen, to call and see specimens.
His pictures are guaranteed superior to any others; or no charge.
N. B.—Likenesses taken equally well in all kinds of weather.
1849 August 30. American And Commercial Daily Advertiser. (Baltimore, Maryland.) August 30, 1849, Vol. C, No. 17,363, P. 3.
Splendid Colored Daguerreotype Portraits By C. W. Purcell, late Operator for Broadbent & Cary, No. 128 Baltimore street, over the American Office.
Having a through knowledge of all the latest improvements in this beautiful art. Mr. Purcell feels a confidence in assuring the public that all pictures taken at his establishment shall combine a most correct likeness with the highest artistical skill. He will undertake to give the fullest satisfaction, or no charge will be made.
Ladies and Gentlemen are requested to call at his rooms and examine his specimens.
1850 February 26. The Record. (West Chester, Pennsylvania.) February 26, 1850, Vol. XXXIII, No. 1704, P. 3.
Daguerreotype. S. Broadbent respectfully announces that he has taken rooms over the office of Joseph Lewis, Esq., Market street, and intends remaining a short time for the purpose of taking portraits by the Daguerreotype process. Ladies and Gentlemen are invited to call and examine specimens.
Advertisement ran from February 26 to March 19, 1850.
1850 April 2. The Record. (West Chester, Pennsylvania.) April 2, 1850, Vol. XXXIII, No. 1706, P. 3.
Daguerreotypes. Mr. Broadbent has made arrangements with Mrs. Hewes to continue for a short time, the taking of Daguerreotype Portraits, at the rooms recently occupied by him in Wester Chester Those who desire pictures should call on Mrs. H., who having practiced with him, executes in the best style of the art and by the same process as Mr. B.; it being acknowledged superior to that of any other artist.—Their pictures are strong as Steel Engravings and beautifully colored.
Specimens may be seen at their rooms over Mr. Lewis’ Office, Market street.
1851 April 10. The Pennsylvania Freeman. (Philadelphia, Pennsylvania.) April 10, 1851, New Series—Vol. VIII, No. 15, P. 3.
Something New. Broadbent & Co. Colored Skylight Daguerreotypes. We would advise our friends and the public in general, that we are prepared to offer best efforts to those wishing pictures, and shall be pleased to exhibit specimens to any who may call, at 136 Chestnut street, over Baily & Co., Philadelphia. Mr. S. Broadbent. Mrs. S. G. Hawes.
Advertisement ran from April 10, 1851 to September 11, 1852.
1851 June 16. Public Ledger. (Philadelphia, Pennsylvania.) June 16, 1851, Vol. XXXI, No. 70, P. 2.
All who visit Broadbent & Co’s Daguerreotype Rooms, testify the warmest admiration of their beautiful style of pictures. Rooms 136 Chestnut st.
1851 August 19. Public Ledger. (Philadelphia, Pennsylvania.) August 19, 1851, Vol. XXXI, No. 124, P. 2.
Broadbent & Co.’s Daguerreotypes—over Bailey, No. 136 Chestnut street—are the most perfect gems in the art.
1851 September 1. Public Ledger. (Philadelphia, Pennsylvania.) September 1, 1851, Vol. XXXI, No. 135, P. 2.
Broadbent & Co.’s Portraits, by the Daguerreotype. Are peerless. Rooms 136 Chestnut street, between Fourth and Fifth, south side.
1851 October 30. The Pennsylvania Freeman. (Philadelphia, Pennsylvania.) October 30, 1851, New Series—Vol. VIII, No. 44, P. 2.
Likeness Of George Thompson.—We have seen, at various times three or four different pictures of this eminent man, but they were all failures—we had almost said caricatures. Correct in outline, they yet lacked expression, and were powerless to convey a right impression of the man whose lineaments they professed to present. But we have before us now a picture of another sort, and one that does something like justice to its subject. It is an engraving by Illman & Sons, from a Daguerreotype by Broadbent & Co.; and those who have seen Mr. Thompson will, we think, agree with us that it is not only a striking likeness, but a beautiful work of art. The engraver has been fortunate in catching the spirited and life-like expression so effectually traced by the sun, and in looking at the picture you might almost think that the man himself stood before you, and was about to give you an illustration of his oratorical powers.
It is for sale at the Anti-Slavery Office, price 37½ cents.
1851 December 12. Public Ledger. (Philadelphia, Pennsylvania.) December 12, 1851, Vol. XXXII, No. 67, P. 2.
An Assortment Of Cases, for holiday gifts, at Broadbent & Co.’s, 136 Chestnut Street. The pictures need no comment—the speak for themselves.
1851 December 20. Public Ledger. (Philadelphia, Pennsylvania.) December 20, 1851, Vol. XXXII, No. 74, P. 2.
Holiday Presents.—Broadbent & Co.’s Daguerreotypes, No. 136, South side of Chestnut st., between Fourth and Fifth. Saml. Broadbent. Mrs. S. G. Hewes.
1852 September 18. The Pennsylvania Freeman. (Philadelphia, Pennsylvania.) September 18, 1852, New Series—Vol. IXI, No. 38, P. 3.
Daguerreotypes!! Broadbent & Co. offer to those desiring pictures the best facilities in the art. Beautiful Landscapes, Picturesque or Plain Backgrounds, at the option of the Sitter; see the new and elegant style of illuminated heads.
Those who desire pictures or portraits copied Stereoscope portraits of themselves, or miniatures on ivory or beautifully enameled on porcelain, shall be faithfully served at 136 Chestnut st. Samuel Broadbent, Sally G. Hawes.
Advertisement ran from September 18, 1852 to June 15, 1854.
1852 September 25. Public Ledger. (Philadelphia, Pennsylvania.) September 25, 1852, Vol. XXXIV, No. 2, P. 2.
Daguerreotypes in new and beautiful styles, by Broadbent & Co., 136 Chestnut street, between Fourth and Fifth.
1856 April. The Photographic And Fine Arts Journal. (New York, New York.) April 1856, Vol. IX, No. 4, P. 124-126.
The Photographic Galleries Of America. Number two Philadelphia. Philadelphia, April, 1856.
Broadbent & Co., Chestnut St.—What specimens we saw, chiefly daguerreotypes, were in the first style of the art, with a few exceptions. Good daguerreotypes are not so much appreciated as formerly, as the attention of true artists is directed now particularly to Photography on paper and glass. As daguerreotyping has not yet reached its acme of perfection, I am very glad to see that there are some artists who are still striving for its improvement; although I acknowledge the superiority of paper and collodion photographs.
1858 October 23. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) October 23, 1858, Vol. LIX, No. 95, P. 1.
We Noticed also, among the photographic specimens some magnificent works by Broadbent. Other cities may boast as much as they will of the advancement of the photographic art—Philadelphia still, as we think, bears away the palm. Some of the works in the collection of Broadbent surpass any we have ever seen, either of home or foreign execution. Those of them which are plain have high merits, while those that are colored are, if possible, even more attractive.
1858 November 6. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) November 6, 1858, Vol. LIX, No. 106, P. 1.
Franklin Institute…Among the photographic specimens at the Fair, we have heard but one opinion expressed of the works of Broadbent, Dinmore, [Hotly], Williams, and others. Those of Broadbent and Dinmore have been particularly lauded, and with great reason. They are truly gems in the way of art.
1858 November 10. Public Ledger. (Philadelphia, Pennsylvania.) November 10, 1858, Vol. XLVI, No. 44, P. 1.
Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.
1858 November 11. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) November 11, 1858, Vol. LIX, No. 110, P. 1.
Franklin Institute.—The photographs of Mr. Broadbent, in the upper saloon of the Institute, are beautiful specimens. Among them we noticed a likeness of John Grigg, Esq., which is brilliantly executed, presenting a most spirited fac simile of the features of that well known and highly respected gentleman. The coloring of all the specimens in Mr. Broadbent’s collection is extremely life-like. Indeed, the entire display he makes at the Fair is of the best possible character.
1858 November 17. The Dollar Newspaper. (Philadelphia, Pennsylvania.) November 17, 1858, Vol. XVI, No. 46, P. 2.
Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.
1861 December 13. Public Ledger. (Philadelphia, Pennsylvania.) December 13, 1861, Vol. LIL, No. 71, P. 3.
Wanted—A good Photographer—One who understands the Albumen process, preferred. Broadbent & Co., 814 Chestnut street.
1862 July 30. The Press. (Philadelphia, Pennsylvania.) July 30, 1862, Vol. 5, No. 307, P. 3.
New Photographic Rooms, Nos. 912 and 914 Chestnut Street.—The old established house of Broadbent & Company have just opened at the above place an attractive Gallery of Art, where will be found every variety of picture, from the plain carte de visite to the most exquisitely-finished ivorytype. Prices are graded as low as consistent with the character of the pictures furnished. Everything that is excellent in the Photographic line may here be enjoyed at leisure, and the art-loving public will not fail to make Broadbent & Company’s a constant place of resort.
1862 July 31. The Press. (Philadelphia, Pennsylvania.) July 31, 1862, Vol. 5, No. 308, P. 3.
Messrs. Broadbent & Co.’s New Photographs Gallery.—We congratulate the citizens of Philadelphia upon the splendid acquisition to their photographic establishments of the new Gallery and Operating Rooms of Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, (late 814 Chestnut street.) For elegance of design, comfort and convenience of applicants for pictures, variety and artistic merit of the pictures taken, and general excellence in all its departments, it is unsurpassed by any in the country. Besides the charming new style of pictures made by this firm alone, the general work is pronounced unrivalled. Scores of our citizens are visiting their magnificent new rooms daily.
1862 August 4. Public Ledger. (Philadelphia, Pennsylvania.) August 4, 1862, Vol. LIII, No. 115, P. 2.
The Greatest Attraction at the present time, on Chestnut street, is Broadbent & Co.’s New Photographic Gallery, at Nos. 912 & 914. This long established house has just opened he most beautiful and best appointed Rooms for the Photographic purpose to be found in the world. Their entrance on Chestnut street, where are exhibited the most exquisite Ivorytypes, Wenderotypes and Cartes de Visite, is thronged from morning till night. By [increased] sky light arrangements, they are enabled to secure much greater promptness in attending to visitors. Sky lights but a short flight of steps above the Reception Room.
1862 August 7. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) August 7, 1862, P. 5.
Broadbent & Co.’s New Photographic Galleries.—The removal of Messrs Broadbent & Co.’s Photograph Galleries to Nos. 912 and 914 Chestnut street, is meeting the popular approval of the public. This establishment is now the most popular art centre in our city, and hundreds visit it daily for the purpose of examining the magnificent specimens there exhibited, executed in all the various styles of the Photographic art.
1862 August 11. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) August 11, 1862, P. 4.
Messrs. Broadbent & Co.’s New Photograph Galleries, Nos. 912 and 914 Chestnut street [are] justly attracting general attention. To have a life-like and artistic picture made, in any and every style of the Photographic art, this is the place. In addition to the plain Photographs, either Carte or any of the larger sizes, they are executing, to order a large number of Ivorytypes, and the beautiful new Wenderotype, the latter being [confined] to this popular house, and is an invention of Mr. Wenderoth, a member of the firm.
1862 August 16. The Press. (Philadelphia, Pennsylvania.) August 16, 1862, Vol. 6, No. 14, P. 3.
New Card Photographs Of Distinguished Men.—Messrs. Broadbent & Co., No. 912 & 914 Chestnut street, have recently added to their collection of fine carte de visite for the Photograph Album excellent pictures of Hon. Edward Everett; Brigadier General Negley; Dr. J. E. Rhoads; Dr. A. C. Hart; Rev. Dr. [Suddards]; Governor Yates, of Illinois; Rev A. B. Atkins; Rev. Kingston Goodard, D. D.; Rev. T. K. Conrad; Dr. M. [Duane]; Rev. E. W. Hutter, D, D.; Colonel Collie, of the Zouaves d’Afrique; Dr. Reed; late B. T. Conrad, and others, all executed in the highest style of the art.
1862 August 26. The Press. (Philadelphia, Pennsylvania.) August 26, 1862, Vol. 6, No. 2, P. 3.
Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.
Notice ran on August 26 & 28, 1862,
1862 August 27. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) August 27, 1862, P. 5.
Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.
1862 September 4. The Press. (Philadelphia, Pennsylvania.) September 4, 1862, Vol. 6, No. 30, P. 3.
Beautiful Specimens Of Sculpture.—Messrs Broadbent & Co.’s establishment, Chestnut street, above Ninth, is a thorough Emporium of Art. In addition to their celebrated photographs in every style of the art, from the carte de visite, colored and plain, to the life size portrait finished in oil, they are now executing some of the finest specimens of sculptured likenesses that we have ever examined, in bust, medallion, life size, and miniature. Every department of this extensive house is under the control of thoroughly educated professional artists.
1863 June 5. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) June 5, 1863, P. 5.
Copartnership Notice.—Philadelphia, June 3, 1863.—The Firm of Broadbent & Co., Photographers is this day dissolved by the retirement of S. Broadbent.
The business will be continued by his late partners under the name Wenderoth & Taylor. Mr. Wenderoth, the artist and the inventor of the Ivorytype and Wenderotype, who was associated with the late firm for four years, will continue at the head of the artists department, and Mr. Taylor, also a partner in the late firm, will remain, as heretofore, in charge of the business in the reception room. S. Broadbent, F. A. Wenderoth, W. C. Taylor, 912 and 914 Chestnut Street.
1880 July 26. Philadelphia Inquirer. (Philadelphia, Pennsylvania.) July 26, 1880, Vol. CIII, P. 5.
Died. Broadbent.—On Saturday evening. July 24, 1880, Mr. Samuel Broadbent, in his seventieth year of age.
The funeral will take place from his late residence, on Wednesday, 28th inst., at 3 o’clock P. M.
Samuel Broadbent is still a work in progress, Philadelphia newspapers have not been thoroughly checked.
1880 July 27. The Daily Gazette. (Wilmington, Delaware.) July 27, 1880, Vol. XCVI, No. 87, P. 1.
Deceased. Samuel Broadbent, of Broadbent Taylor, photographers, Chestnut street, Philadelphia died at his residence in that city , on Saturday in the 70th year of his age.
Mr. Broadbent formerly lived in this city, and had a gallery in the building at Third and Market streets, belonging to Mr. Phillip Plunket. Mr. Elwood Garret, the skillful photographer of this city learned the photographic art with Mr. Broadbent while in this city. Mr. Broadbent was one of the best artist in Philadelphia, and a gentlemen of refinement, pleasant and reliable. He was very active for his age and continued to be at his business until within a few weeks of his death. He had a wide circle of friends and his death will be sincereely (sic.) regretted
[1] Craig’s Daguerreian Register
[2] A Directory of Delaware Photographers 1839-1900 and Beyond.
[3] James P. Perry based on the January 10, 1846 advertisement.
[4] N. S. Bennett address was in the rear of Dr. Ware’s Office, Front Street.
ND Address Unknown, Boston, Massachusetts.
1846 205 Baltimore Street, Baltimore, Maryland.
1850 Address Unknown, Washington, D. C.
1851-1852 Broadway and Leonard Streets, New York, New York.
1852 Pennsylvania Avenue, between 4½ and 6th streets, over Duvall & Brother’s store, Washington, D. C.
1855 Pennsylvania Avenue between 4½ and 6th Streets, Washington, D. C.
1857 308 Pennsylvania Avenue, Washington, D. C.
1846 July 1. American Republican and Baltimore Daily Clipper. (Baltimore, Maryland.) July 1, 1846, Volume XV, No. 1, P. 2.
To the Publishers of the Clipper:
Gentlemen—In the Clipper of the morning I noticed an article headed “No Premium Awarded.” In which an attempt is made, to convince the public, that Mr. Plumbe’s claim to the honor of having received a Gold Medal for his superior specimens of Photography exhibited at the National fair, is unfounded.
In the absence of Mr. Plumbe from this city, I consider myself called upon to deny the charge of deception contained in the article alluded to, and to state such facts as will forever silence all doubts on the subject.
Mr. Plumbe has never claimed to have received a Gold Medal from the Official Committee of the National Fair, and is not responsible for the errors committed by the press in various sections of the Union.
The Gold Medal was presented to Mr. Plumbe by a committee of gentlemen who were impressed with the superiority of his pictures, and deemed his success in perfecting the Photographic art entitled to some “tangible compliment.” It is but justice to Mr. P. to state that he had no knowledge whatever of the intentions of this committee until the day preceding the presentation of the Medal.
The presentation of the Medal was thus announced in the National Intelligencer, edited by Mr. Seaton, one of the Committee of the National Fair, and of course the last person in the world to publish a statement not strictly true.
Flattering Compliment. So great was the admiration which the specimens of Photography from the Plumbe National Daguerrean Gallery commended at the late fair, that a number of gentlemen, desirous of testifying their high appreciation of the perfection to which Professor Plumbe has brought this beautiful art, have presented him with a handsome Gold Medal, accompanied by a highly complementary letter, expressive of their admiration of his genious as an artist and his worth as a man.—Nat. Int.
An advertisement, similar in character to that in your paper of this date, appears in the Philadelphia Ledger, of June 18th, over the signature of J. E. Mayall, who, it seems, had the courage to make the charge openly, unlike the brainless and cowardly idiot who attempts to reiterate the charge which Mr. May all honestly retracts in the following manner:
To Professor Plumbe: Dear Sir—as a matter of justice it is proper that I should say, that when the communication over my signature which appeared in the Ledger of the 18th inst., referring to an article in the same paper of the 13th inst., was written, I was under the same impression that it was claimed for you to have received from the Committee of the National fair at Washington a gold medal for your specimens of Daguerreotype. Having since learned that this medal was presented to you by a number of gentlemen unconnected with the committee, I deem it but right to make this explanation, and express my regret that my statement in the Ledger is so far incorrect.
I am respectfully your obedient servant, J. E. Mayall.
The above statement are, I trust, sufficient to convince you, and the public also, that Mr. Plumbe claims no honor that he is not entitled to, and that a Gold Medal (though presented by a private committee) is as high a compliment as if presented by a public committee in their official capacity. C. H. Brainard, Agent for Plumbe. Baltimore, June 30, 1846.
1851 June 28. South Boston Gazette and Dorchester Chronicle (Boston, Massachusetts) Vol. V, No, 39, p. 2.
Whitehurst’s Famous Daguerrean Saloon, at the corner of Broadway and Leonard street, New York, is well worth an hour’s time of strangers visiting in that city. We called in person last Monday, and were received by the courteous superintendent of the establishment,— Mr. C. H. Brainard, formerly of this city, late of Washington,— we say we were received by him with every demonstration of high regard; when he proceeded to redeem his former pledge to take our picture whenever we should visit the great Gotham. The picture was taken; it hangs suspended by a ring (instead of any vulgar string!) Among the pious, good and great, of nearly every Christian state. Will those who visit this Saloon, great as the favor, as a boon, to stop and think,—‘tis yes, or no! can’t Whitehurst take my picture so, hi-link-tum-lorum!
1852 December 24. The New York Herald. (New York, New York.) December 24, 1852, Whole No. 7358, P. 5.
C. H. Brainard, late of Gurney’s Gallery, 349 Broadway will be at Whitehurst’s Gallery Washington, D. C. during the present session of Congress, and will be happy to receive orders from daguerreotypist and engravers, for portraits of public men residing at the national capital.
Boston City Directory
1840 Not Listed
1841-1842 Charles H. Brainard, Clerk, 9 Court Street, Boston
1843 Charles H. Brainard & Co., Books, 13 Court Street, Boston
1844-1845 Charles H. Brainard, Books, 82 Washington Street, Boston
1846-1852 Not Listed
1853 247 Broadway, New York New York.
1853 June 22. New York Daily Tribune. (New York, New York.) June 22, 1853, Vol. XIII, No. 3801, P. 4.
Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway. These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process. These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature. The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.
Advertisement ran from June 22 to 24, 1853
1853 June 27. New York Daily Tribune. (New York, New York.) June 27, 1853, Vol. XIII, No. 3805, P. 4.
Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway. These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process. These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature. The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.
Advertisement ran on June 27 & 29, 1853.
1853 July 1. New York Daily Tribune. (New York, New York.) July 1, 1853, Vol. XIII, No. 3809, P. 4.
Photographic Institution—For taking Likenesses by this new and popular process, has been opened by Bommer & Rolle, at No. 247 Broadway. These Likenesses have gained a deservedly high reputation in Germany and other parts of Europe, where they are regarded much superior to those taken by the Daguerreian process. These Likenesses are taken on paper so accurately, that the different colors of the dress are distinctly tinted, resembling a highly finished painting in miniature. The Gallery is open for the visitation of the public, which are invited to inspect. Bommer & Rolle.
Advertisement ran on July 1 & 4, 1853.
Pioneer American Photographers, 1839 - 1860 