Tag Archives: New Orleans Louisiana

Dobyns, Thomas Jefferson

1845                Across from Commercial Hotel, [Memphis, Tennessee.][1]

1846                Front Street, Memphis, Tennessee.1

1847-1850       Over 477 Main Street, Louisville, Kentucky.1

1848                24 Fifth Street, Cincinnati, Ohio.

1848                Jefferson Street, Memphis, Tennessee.

1851-1852       Water Street, Over the Insurance Office, Evansville, Indiana.

1851-1854       489 Main Street, Louisville, Kentucky.

1851-1855       1 Fowlkes’ Row, Memphis, Tennessee.

1852                Over Craig’s, Holly Springs, [Mississippi.][2]

1853-1854       59 College Street, Nashville, Tennessee.

1851-1854       6 & 23 (28) Camp Street, New Orleans, Louisiana.

1851-1854       Corner 4th and Chestnut Streets, St. Louis, Missouri

1854                Olive & Fourth, St. Louis, Missouri.

1853-1854       303 Broadway, New York, New York.


1848 May 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 18, 1848, Vol. X, No. 31, P. 2.

Daguerrean Galleries.—Dobyns & Co., Proprietors.

Cincinnati, O., No. 24 5th st., between Main and Walnut.

Louisville, Ky., North side of Market st., between 5th and 6th.

Memphis, Tenn., on Jefferson st.

At any of the above places can be had likenesses of all sizes.  In regard to the tone and finish they have nothing to say.  Their pictures show for themselves.

Pictures of deceased persons taken in any part of the city.

Always on hand and for sale—Stock, Chemicals, Instruments, and every thing appertaining to the art.

Instruction imparted to pupils at either of the above rooms.

Advertisement was recorded from May 18 to December 7, 1848.

1848 May 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 20, 1848, Vol. X, No. 33, P. 2.

Daguerreotyping.  Dobyns & Co. have fitted up a new Daguerrian Gallery on Fifth street, between Main and Walnut, over the store of J. H. Walker.  The room is large and handsomely arranged, and a sky-light window has been made, rendering every thing in perfect order for the reception of visitors.  The Queen City Daguerreotypist have established an enviable reputation for the perfection of their pictures, and from the long experience of Mr. Dobyns, and his great taste in such matters, he will fully sustain, if nor increase that reputation.  The pictures already taken by Messrs. D. & Co., of some of our citizens, must be recognized by all who know the person as most perfect and finished likenesses.

1848 July 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 18, 1848, Vol. X, No. 81, P. 2.

When will wonders cease?  Dobyns & Co., on Fifth street, over J. H. Walker’s store, have an instrument that will take a perfect Daguerrian Likeness of a child in one second.  Now is your time, for those who have the original, to “secure the shadow ere the substance fades.”

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished daguerrean artist in America, who has taken the extensive establishment, No. 6 Camp street, lately occupied by McGuire & Harrington.  The former patrons of that establishment will find that it has lost nothing by the change; and that is saying a great deal.  We have known Col. Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage.  He is one of those rare men we occasionally meet with, and only occasionally, who, from their strong intellectual endowments, and force of character, will place themselves, in despite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to its highest degree of perfection, and we wish him the success to which his high merits entitle him.  

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

Daguerreotyping—Maguire’s old stand, No. 6 Camp street.—The subscriber, having leased this well known and celebrated establishment, and secured the services of Dr. W. H. Harrington, partner of J. Maguire for the last four years, will continue the business at No. 6 Camp street; where he is prepared to furnish Likenesses, of all sizes, equal to any in the United States.  From long experience and strict attention, he trusts fully to sustain the reputation of this long established Gallery.

Gallery, No. 28 Camp street, will at all times be open for the reception of visitors and stock dealers.  T. J. Dobyns.

Dr. Harrington avails himself of this opportunity to return his thanks to his friends and the public for the liberal patronage heretofore received, and respectfully solicits a continuance of the same, at the above Gallery.         

Advertisement ran from January 13 to 25, 1851.

 Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 August 23.  Daily Missouri Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished Daguerrean artists in America who has taken the extensive establishment, No. 6 Camp street lately occupied by Maguire and Harrington.  The former patrons of that establishment will find that it has lost nothing by the changes, and that is saying a great deal.  We have known Col Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage. He is one of those rare men we occasionally meet with, and only occasionally , who, from their strong intellectual endowment and force of character, will please themselves in spite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to the highest degree of perfection, and we wish him the success to which his high merits entitle him.—[New Orleans Cresent.        

1851 August 23.  Daily Morning Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 3.

Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. 2, No. 3, P. 189.

–We have had among us, during the last month, quite a number of western and southern Daguerreans, who have come for the purpose of purchase their winter’s supplies of materials; among them…Dobyns of New Orleans…

1851 October.  The Photographic Art Journal.  (New York, New York.)  October 1851, Vol. 2, No. 4, P. 255.

At a meeting of the Daguerreotypist of the city of St. Louis, held at Fitzgibbon’s Gallery on Tuesday evening, Oct 7th.

J. H. Fitzgibbon was called to the Chair, and S. L. Meachan appointed Secretary.

The object of the meeting being stated by the Chairman, the following gentlemen were appointed a committee to draft resolutions for the action of the meeting:

C. Burritt, M. Wright, T. J. Dobyns,  C. A. Rand, W. A. West, J. McKee, which committee made the following report:

Whereas, It hast pleased the Almighty to call from among us one of our brethrn, (sic.) therefor, be it—

Resolved, That we, the Daguerreotypists of the City of St. Louis, deeply regret the loss of our brother H. H. Long, whose uprightness of character and perseverance in the Daguerreotype art, hath promoted its welfare and elevated its standing.

Resolved, That the Daguerrean Art has lost by the death of Mr. Long, one of its brightest ornaments and best artists.

Resolved, That we deeply sympathise with the widow and friends of the deceased, for the severe loss they have sustained.

Resolved, That the Chgairman and Secretary of this meeting be requested to address a letter of condolence to the widow of our deceased brother.

Resolved, That these proceedings be published in the daily papers of the city of St. Louis—the Daguerrean Journal, and Photographic-Art Journal of New York.  J. H. Fitzgibbon, Chairman.  S. L. Meachan, Sec’y.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 2.

St. Louis Business Directory…Daguerrean Artist.—Fitzgibbon, No 1 Fourth and Market streets; Dobyn & Co., Corner Fourth and Chestnut streets; Rand 57 Fourth street, opposite Planter’s House.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 3.

Dobyn’s & Co.’S Daguerreotype Galleries, No. 489 Main st., Louisville, Ky.; No 1 Fowlks Row, Memphis, Tenn.; No. 6 & 28 Camp st., New Orleans, La., and corner Forth and Chestnut, St. Louis, Mo.  oc9.

Advertisement ran from October 9, 1851 to January 15, 1852.

1851 November 8.  The Evansville Daily Journal.  (Evansville, Indiana.)  November 8, 1851, Vol. IV, No. 170, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

N. B.—All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale.  The above rooms are now furnished and open.  All are invited to call and examine for themselves.  nov. 5.

Advertisement ran from November 8, 1851 to June 15, 1852.

1852 January 1.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 1, 1852.  Vol. I, No. 17, P. 1.

Removal Daguerreotype Gallery and Furnishing Depot.  We have removed to No. 1 Fowlkes’ Row, corner Main and Adams street, where Yearout will continue to furnish those fine tone life-like Pictures.  For comfort and elegance our new rooms are unsurpassed.  [jly9]  Dobyns & Co.

1852 January 6.  New Orleans Daily Crescent  (New Orleans, Louisiana.)  January 6, 1852, Vol. IV, No. 261, P. 2.

Dobyn’s & Harrington’s Daguerreotype And Stock Depot, No. 6 Camp street.—This well known establishment having been thoroughly repaired, enlarged and improved, the proprietors invite the attention of the public to their Picture Gallery, where Portraits are furnished of all sizes, in the most superior style and finish.

N. B.—Operators fitted out with complete Apparatus at the lowest cash prices.  Voightlander, French, Harrison’s, Lewis & Helb’s half size Tubes, with Box and extra Tablets, for twenty-five dollars.  Quick working Tubes, Plates, (American and French,) Cases, Frames, Stands, Boxes, Baths, Chemicals, together with every article used in the Daguerreotype Business, constantly on hand, and for sale wholesale and retail.

Advertisement ran from January 6, 1852 to January 7, 1853.

1852 May 24.  The Evansville Daily Journal.  (Evansville, Indiana.)  May 24, 1852, Vol. V, No. 27, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale. 

The above rooms are now furnished and open.  All are invited to call and examine for themselves.  my12.

Advertisement was recorded three times between May 24 and June 15, 1852.

1852 October 19.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 19, 1852.  Vol. I7, No. 263, P. 2.

Something New in the way of a Likeness.  Dobyne & Yearout hold the Patent Right for the State of Tennessee, for taking the delicate and beautiful miniature known as the Crayon Daguerreotype, and are now prepared to furnish a very superior Likeness.  We also have another style of Likeness—they are worth a visit, call and judge for yourself.  We have a large lot of stock and can furnish operators with any and all articles used by the art at Memphis, New Orleans, St. Louis, Louisville and Holly Springs, at very low rates. 

Our old friend Dobyns, the extensive Daguerreotypist, has just returned from New York, bringing with him many late and valuable improvements in the Daguerrean Art.  He can be seen for a few days only, at his rooms, over S. Fowlkes & Co’s store, as he intends leaving this week for New Orleans, where we learn he is doing a splendid business in his line.  We understand that Col. Yearout, who has for some time past been associated with Mr. Dobyns, is now in Philadelphia, with the great Daguerreotypist, Root, but is daily expected to return with other new improvements, and then between Dobyns, Yearout and Lipman, at the firm of Dobyns & Yearout, in this city—The very best likenesses of the “human face divine,” can be procured.

See advertisement in another column.

1852 October 31.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 31, 1852, Vol. I7, No. 265, P. 3.

Daguerreotype Establishments.

Dobyns & Yearout, Memphis, Tenn., over Fowlkes & Co.

Dobyns & Yearout, Nashville, Tenn., over Stevenson’s.

Dobyns & Yearout, Holly Springs[2], over Craig’s.

Dobyns & Harrington, New Orleans, La., corner Camp and Canal sts.

Dobyns & Spaulding, St. Louis, Mo., corner 4th and Olive sts.

Dobyns & Co., St. Louis, Mo. Corner 4th and Chestnut sts.

Dobyns & Co., Louisville, Ky., Stanclift’s old gallery.

Dobyns & Hall, Louisville, Ky., 47 Main st.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  T. J. Dobyns.

1852 November 23.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  November 23, 1852, Vol. I7, No. 290, P. 3.

Dobyns’ & Co.—So far as we have had an opportunity of observing, we do not hesitate to pronounce the Daguerrean establishment of Messrs. Dobyn’s & Co., the finest and most extensive in this city.  Mr. Lipman, a very polite and accommodating young gentleman, is the artist, who now has the management of the establishment; Messrs. Dobyns and Yearout, both being absent the former at New Orleans, and the latter at Nashville.  A few days since we were shown by Mr. Lipman some fine specimens of pictures, executed by him.  They were indeed superior to any we have seen in a long time.  Those would see them selves as they are seen by others, have only to call for a few minutes on Messrs. Dobyns & Co.,—corner of Main & Adams streets.

1852 November 27.  The Louisville Daily Democrat.  (Louisville, Kentucky.)  November 27, 1852, Vol. IX, No. 115, P. 4.

Dobyns’ Daguerrean Galleries. 

No. 489 Main street, over Kitts’s Jewelry Store, Louisville, Ky.

No. 1 Fowlkes’ Row, Memphis, Tenn.

No. 28 Camp street, New Orleans, La.

Corner Camp and Canal streets, (Maguire’s old corner,) New Orleans, La.

Corner Fourth and Chestnut streets, St. Louis, Mo.

By calling at either of the above establishments you can procure such Pictures as must please.  We respectfully solicit a call.  Dobyns & Co.

1853 March 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  March 20, 1853, Vol. I8, No. 67, P. 3.

Dobyns & Yearout, Daguerrean Artists, Corner Main and Adams Streets, Over Fowlkers’ Row. 

Likenesses taken in all kinds of weather.

Daguerreotype stock, and everything pertaining to the trade, for sale.

1853 May.  The Photographic Art Journal.  (New York, New York.)  May 1853, Vol. 5, No. 5, P. 320.

–Messrs. Dobyns & Harrington of New Orleans, in connection with Mr. V. L. Richardson, have opened a gallery in New York city, at the corner of Broadwayand Duane street,  The well known reputation of these gentlemen will ensure them a liberal share of patronage.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 7465, P. 4.

New Daguerrean Gallery.—The Undersigned respectfully inform their friends, and the public in general, that their new gallery is open for the reception of visitors.  Portraits taken in every style of the art.  Dobyns, Richardson & Co., 303 Broadway.

1853 June 12.  Sunday Dispatch.  (New York, New York.)  June 12, 1853, Vol. 8, No. 29, P. 3.

The Principal Daguerrean Gallery in this metropolis, is that which is located at 303 Broadway, and is under the direction of Messrs. Dobyns, Richardson & Moissenet, who have branch establishments in successful operation at New Orleans, Louisville, St. Louis, Memphis and Nashville, and in each of which cities, as well as in New York, do they enjoy the reputation of taking by means of a skylight, constructed upon an entire new plan, and approved apparatus, under the direction of the most skilful artists, the best portraits and pictures that have been taken by the daguerreotype process.  Citizens and strangers should remember this fact, and call at No. 303 Broadway.

Advertisement was recorded eleven times from June 12 to October 2, 1853.

1853 June 15.  The New York Herald.  (New York, New York.)  June 15, 1853, Whole No. 7480, P. 4.

“A Thing of Beauty is a Joy Forever—Its loveliness increases;” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 16.  New York Daily Tribune.  (New York, New York.)  June 16, 1853, Vol. XIII, No. 3796, P. 4.

“A thing of Beauty is a joy forever—its loveliness increases!” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 27.  New York Daily Tribune.  (New York, New York.)  June 27, 1853, Vol. XIII, No. 3805, P. 4.

“So sweet a language from so fair a mouth, ah, “to what efforts would it not persuade!”  Such mouths are to be seen only in the matchless daguerreotypes of Dobyns, Richardson & Moissenet.  So expressive are they that “sweet language” seems to flow from them.  The eyes, too, are those that “speak language in a “look.”  These superb pictures may be had at No. 303 Broadway.

1853 July 9.  Daily Missouri Republican.  (St. Louis, Missouri.)  July 9, 1853, Vol. XXXI, No. 162, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Harrington, New Orleans, La.

Dobyns & Co., Memphis, Tenn.

Dobyns & Yearout, Nashville, Tenn.

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Moessint, 303 Broadway, New York.

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 1.

Dobyns & Hall’s Celebrated Daguerrean Gallery, No. 489 Main street, Louisville, Ky., importers and Dealers in every description of Daguerreotype materials.  For sale cheap.

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 3.

Persons desirous of seeing the Crystal Palace can do so by calling at our Daguerrean Rooms, No. 489 Main street, Louisville, Kentucky, over Kitts’s Jewelry Store, where they will always find us prepared to take pictures in the most improved style, at the same time pledging ourselves to give satisfaction.  We are constantly receiving shipments from the East, which enable us to accommodate our customers with the latest style of cases.

Operators wishing Daguerrean Material will find it to their advantage to give us a call, as our assortment is always complete/  Dobyns & Hall.

1853 August 17.  Nashville Union and American.  (Nashville, Tennessee.)  August 17, 1853, Vol. XXIV, No. 75, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Yearout, Nashville, Tennessee, College Street

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Morssewet, New York

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Yearout, Memphis, Tenn.

Dobyns & Harrington, New Orleans

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

Advertisement ran from August 17, 1853 to January 15, 1854.

1853 August 18.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 18, 1853, Vol. XXII, No. 225, P. 3.

Daguerreotyping.—Messrs. Dobyns & Hall, whose gallery is over Kitts’s Jewelry establishment, have a system of daguerreotyping, which we strongly advise our friends to call and examine.  We have not time to describe it to our readers, but we can assure them that it will surprise, astonish, and delight them.

1853 October 16.  Nashville Union and American.  (Nashville, Tennessee.)  October 16, 1853, Vol. XXIV, No. 117, P. 3.

Col. Dobyns, the extensive Daguerreotypist of Dobyns & Yearout, 59 College Street, who has just returned from his New York establishment, has several improvements which will be introduced id a few days.  We understand that the celebrated artists E. Church, so long and favorably known as one of the best in the city of New York, came out with the Col. For the purpose of remaining permanently in that gallery.  If he surpasses Yearout’s pictures, we should say Nashville will have something to be proud of.  We shall see what we shall see.

1853 October 17.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 17, 1853, Vol. VI, No. 191, P. 2.

Daguerreotypes.—The Daguerreotyping Saloon of Messrs. Dobbyns & Harrington, on the corner of Camp and Canal streets, are now in active operation under the superintendence of Mr. McClure, the acting Operator.  These rooms contain a large and well selected stock of materials for taking likenesses according to the most approve method, and the pictures taken give general satisfaction.  The operation is almost instantaneous, and the results in all cases a true type of the features, even to the slightest shades of expression.  The specimens exhibited at these rooms are of such a various character that a visit to them is equivalent to a stroll through an extensive picture gallery.  The operator, Mr. McClure, has brought the art of coloring the pictures to the nicest perfection, imparting a tint to the complexion exceedingly life-like, and in a manner always true to the reality.  Persons having relations and friends at a distance, or who wish to preserve the likenesses of those in whom they are interested, may here find a ready means for engraving their features on lasting materials, which are unchangeable, and which will not deteriorate through time.  Plates of every description may be obtained here, and on the most accommodating terms.  Strangers in the city should not fail to gratify their curiosity by paying these rooms a visit.

1853 November 26.  Mississippi Free Trader.  (Natchez, Mississippi.)  November 26, 1853, Vol. XIX, No. 11, P. 3.

Dobyn’s Daguerreotype Establishments.  At New Orleans, Memphis, Holly Springs, Nashville, Louisville and St. Louis, are now complete in every particular and have full supplies of every article used in the art.

Dobyns & Harrington, at the corner of Camp and Canal streets, New Orleans, (Maguire’s old stand,) have remodeled and arranged one of the best Saloons in the United States.  Our Pictures speak for themselves.

The largest assortment of Stock ever in New Orleans, and at such prices as must please.

We own the patent for the State of Louisiana for taking those new Vignette Pictures, never surpassed in beauty.  Our Col. Dobyns is the agent for selling rights in the State of Texas, Arkansas, Mississippi, Georgia, Alabama and Florida. 

Advertisement ran from November 26, 1853 to

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 1.

Dobyns & Yearout, Memphis, Tenn.;

Dobyns & Yearout, Nashville, Tenn.;

Dobyns & Harrington, N. Orleans, La.;

Dobyns & Spaulding, St. Louis, Mo.;

Dobyns & Dobyns & Hall, Louisville, Ky.;

[Dobyns] Kite &  Co., Louisville, Ky.;

Dobyns & Richardson & Co., 303 Broadway, New York.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  [Je25, 53]  T. J. Dobyns. 

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 2.

To the Lovers of the Marvelous.  Dobyns & Yearout are now prepared to execute those wonderful productions termed Stereoscopic Pictures.  The chief beauty of these Pictures consist in the beautiful and life-like appearance, obtained by the use of perspective or convex glasses.

Ladies and Gentlemen are invited to call and examine specimens, No. 1 Fowlkes’ Row.  [sep23]

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 5.

Daguerreotypes—The Daguerrean Rooms, formerly occupied by Dobyns, Richardson & Co., 303 Broadway, corner of Duane street, are reopened and ready for the reception of visitors.  V. L. Richardson operator.  Yearout & Richardson.

1854 September 3.  Nashville Union and American.  (Nashville, Tennessee.)  September 3, 1854, Vol. XXV, No. 372, P. 2.

Notice.—The Copartnership heretofore existing under the firm of Dobyns & Church and Dobyns & Co., is dissolved.  No one is authorized to collect debts of the concern but Mr. J. T. Yearout.  T. J. Dobyns.        Sep. 3.

Advertisement ran from September 3 to December 30, 1854.

1854.  Illinois And Missouri State Directory for 1854-1855.  (St. Louis, Missouri.)  1854, P. 141-142.

Dobyns & Spaulding  north west corner Olive and Fourth, St. Louis, Missouri.

1854 September 16.  Nashville Union and American.  (Nashville, Tennessee.)  September 16, 1854, Vol. XXV, No. 383, P. 3.

The Fine Arts.  Amongst the numerous enterprises that are being pushed forward in our city, we notice the Daguerreian Establishment of Messrs. Dobbins [sic.] & Yearout, 59 College Street, over the dry goods store of Messrs. Stevenson & White.  We visited their galleries yesterday and found them fitting up their rooms and instruments.  One or both of these gentlemen have been absent from our city a considerable portion of the summer, visiting a number of the principal cities of the United States, where they also have similar establishments.  We are informed that they have secured the services of the celebrated artist, Mr. Mallory, who has been operating heretofore in the larger cities, North and West, and we have no doubt he will sustain here the high reputation that he has acquired in other places.  Here is what the St. Louis Herald says of him:

‘Look On This Picture.’—The other day we were shown some of the finest specimens of the Daguerrean art ever seen in this city.  These pictures were life-like, mellow and beautiful.  They were taken by Mr. Mallory.  It may not be generally known, but there is as much difference in daguerreotypes as between cheese and chalk.—Some operators take pictures which others would be ashamed of.  Those who want a first-rate picture should call and get Mallory to ‘point his machine at them’ for about half a minute, and we will agree to treat if he doesn’t produce a ‘counterfeit presentment’ which will give satisfaction.”

We are also informed by the proprietors of this establishment that in addition to furnishing daguerreotype likenesses of the very first order, at very moderate prices, they import directly from Europe and the Eastern cities every description of stock used in their line, which they can and will sell to traveling operators as low as they can buy in New York, or elsewhere in the United States.  Such enterprise deserves encouragement.

1854 October 31.  Nashville Union and American.  (Nashville, Tennessee.)  October 31, 1854, Vol. XXV, No. 420, P. 2.

Hughes Brothers, Daguerrean Artists And Daguerreotype Stock Dealers.

C. C. Hughes, Union Street, over Streetch & Orr’s

F. N Hughes, 59 College Street, late Dobyns & Co.

The subscribers have the honor to inform their numerous friends, that owing to an increase of business they have purchased the Rooms lately occupied by Dobyns & Co.; our galleries are fitted up in neat style, with powerful Sky-Lights, the only ones in the city, which is well adopted for taking large Family Groups without the dark shades so generally seen and objected to.  In the Union Street Gallery we have a beautiful Piano for he use of the Ladies, and every other facility to produce First Class Pictures—no others are allowed to leave the rooms.  We attend to our patrons personally, so that our patrons may rely on polite attention, and Pictures equal to any, no matter by whom taken.

Citizens and Strangers are politely invited to visit our Rooms, whether they need Pictures or not.   

1855 March 17.  The Leader.  (St. Louis, Missouri.)  March 17, 1855, Vol. 1, No. 2, P. 1.

A Mialaret, Daguerrean, (Successor to Dobyns & Spaulding,) N. W. corner of Fourth and

Olive streets, over Porter & White’s store.

Pictures taken in all kinds of weather, with any desired tone or shade, equal to the best.  Children, of any age taken in from one to five seconds.  Prices range from one to twenty-five dollars.

1855 October 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 20, 1855, Vol. XX, No. 242, P. 4.

Daguerreotypes for $1.00.  I take pleasure in saying to my old friends that I have purchased the Daguerrean Gallery of Col. J. T. Dobyns, and am now prepared to make better pictures than heretofore, at One Dollar.  Particular attention paid to children.  A fine assortment of finer Cases, Gold Lockets and Breast Pins for Daguerreotypes.  Rooms opposite United States Hotel.  Call and see me.  Respectfully, J. T. Yearout. 

1857 Januaru 16. The Daily Picayune. (New Orleans, Louisiana.) January 16, 1857, Vol. XX, No. 304, P. 4.

“Americans use an American Pen,” is the moto of the American Steel Pen Manufacturing Company. Their agents, Messrs. Dobyns & Harrington, 6 Camp street, have presented us with a box of the “Washington Medallion Pen.” We have tried this pen, and find it an excellent article, and can [ ? ] recommend it to the public.


[1] Craig’s Daguerreian Registry.

[2] Possibly Holly Springs, Mississippi.

Curtright, N. B.

1850                28 Camp Street, New Orleans, Louisiana.

1850                over J. W. Quiggins’ Shoe Store, Lafayette Street, Baton Rouge, Louisiana.

1852                46 Camp Street, New Orleans, Louisiana.

1852-1853       80 Camp Street, corner Natches Street, New Orleans, Louisiana.

1850 September 14.  Baton-Rouge Gazette.  (Baton Rouge, Louisiana.)  September 14, 1850, Vol. XXXII, No. 32, P. 3.

Curtright’s Gold-Enamelled Daguerreotypes.  Mezzotint or Colored.  N. B. Curtright, from 82 Camp Street, New Orleans, respectfully informs the citizens of East Baton Rouge, and vicinity, that he has fitted up rooms over Mr. J. W. Quiggins’ Shoe Store, on Lafayette street, where he would be happy to wait on all who are desirous of obtaining a correct likeness.  Single or in Groups and put in the best city style, of Shell, Pearl, or Morocco, Book Cases, Frames, Gold Lockets, Medallions, Breastpins, Rings, &c.

All are invited to call and examine specimens which are respectfully submitted to the citizens of Baton Rouge, as a proof of his artistic skill.

Advertisement ran from September 14 to 21, 1850.

1852 April 12.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 21, 1852, Vol. V, No. 34, P. 2.

Daguerreotypes for $1.50.—Daguerreotypes, equal to any taken in this city, for one half the usual city prices, by N. B. Curtwright, 46 Camp street. 

Advertisement ran from April 12 to May 17, 1852.

80 Camp Street.  N. B. Curtright…J. B. Bradford.  We have taken the room over Geo. W. Hynson, corner of Natches and Camp street, for the prosecution of the Daguerreotype Business, and our changes—being half the usual prices—induce us to hope for a liberal patronage.

Hours of operation from 8 A. M. to 6 P. M.  Curtwright & Bradford, Artists. 

Advertisement ran from June 18 to September 18, 1852.

1852 September 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  September 28, 1852, Vol. V, No. 179, P. 2.

N. B. Curtright.  J. B. Bradford.  Curtright & Bradford, Daguerrean Artists, No. 80 Camp street, corner of Natchez. 

Advertisement ran from September 28, 1852 to February 11, 1853.

Curtright & Bradford

1852-1853       80 Camp Street corner Natchez Street, New Orleans, Louisiana.

1852 June 18.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  June 18, 1852, Vol. V, No. 92, P. 2.

80 Camp Street.  N. B. Curtright…J. B. Bradford.  We have taken the room over Geo. W. Hynson, corner of Natches and Camp street, for the prosecution of the Daguerreotype Business, and our changes—being half the usual prices—induce us to hope for a liberal patronage.

Hours of operation from 8 A. M. to 6 P. M.  Curtwright & Bradford, Artists.  je18.

Advertisement ran from June 18 to September 18, 1852.

1852 September 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  September 28, 1852, Vol. V, No. 179, P. 2.

N. B. Curtright.  J. W. Bradford.  Curtright & Bradford, Daguerrean Artists, No. 80 Camp street, corner Natchez.  sept 28.

Advertisement ran from September 28 1852 to February 11, 1853.

Boisseau, Alfred

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Biography


[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.

Blessing, Samuel T.

1858                134 Canal Street, New Orleans, Louisiana.

1859                61 Camp Street, corner Commercial Place, New Orleans, Louisiana.

1858 April 19.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 19, 1858, Vol. XI, No. 38, P. 4.

Anderson & Blessing’s New Photographic Gallery.  The Most Extensive in the City.  No. 134 Canal Street, New Orleans.

Daguerreotypes, Ambrotypes and Photographs in every style, either plain or colored.

Particular attention paid to copying Daguerreotypes of deceased persons into Photographs—life, cabinet and miniature sizes, and painted in oil colors.  By this process perfect and life-like Portraits and Miniatures can be secured either from life or Daguerreotypes.

Terms, very moderate.

Advertisement ran from April 19 to May 20, 1858.

1859 October 31.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 31, 1859, Vol. XII, No. 202, P. 1.

Anderson & Blessing’s New Extensive Photographic And Daguerrean Saloon, No. 61 Camp Street, Corner of Commercial Place, New Orleans. 

We beg leave to inform our patrons and the public that we have removed from 134 Canal street to the above named spacious building, which we have spared no pains or expense in fitting and furnishing in a superior style, for the comfort of our visitors and patrons, as well as for the better execution of every style of Miniatures and Portraits known to the art.

Photographs made Life Size by the new Solar Camera Process, either taken from  life of copied from Daguerreotypes, Paintings, etc. and painted in Oil, Water, Pastel or India Ink.

We call special attention to this new style of Portraits, as being much more truthful to life in point of likeness, and equally as durable and beautiful to the old style of Oil paintings.

Photographs, either Plain or Colored, made all sizes.

Ambrotypes made to their perfection on a new and improved plan taken upon Metallic Plates, which cannot be broken.

Particular attention given to making Daguerreotypes.

None but the best Operators and Painters employed, and the public can rely on getting only the best.

The public are invited to examine specimens of our work, which we will take pleasuring in showing.  Anderson  Blessing, 61 Camp street, corner of Commercial Place.

Advertisement ran from October 31 to November 4, 1859.

1859 November 4.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 4, 1859, Vol. XII, No. 206, P. 5.

Anderson & Blessing’s New And Superb Photographic & Daguerreotype Saloon, No. 63 Camp street, Corner Of Commercial Place, New Orleans.  Opposite the Picayune Office.

We beg leave to inform our numerous patrons and the public, that we have removed from 134 Canal street to the above named commodious building, which we have fitted and furnished  in a suitable style, with the Largest Sky-Light in the City, A Large Reception Room for the Public, A Splendid Parlor And Dressing-Room, Exclusively for Ladies, and A Large Studio for our Painters, Together with all the necessary room and conveniences for the execution of Every Size And Style of Miniatures and Portraits known to the art.  From The Smallest Locket To Full Length Life Size On Canvas In Oil.

Photographs, Life Size, made by the new Solar Camera Process.

Photographs on Visiting Cards, by the hundred.

Photographs, all intermediate size.

Photographs, all sizes, untouched.

Photographs Painted in Oil Colors.

Photographs Painted in Water Colors.

Photographs Painted in Pastel Colors.

Photographs Touched in India Ink.

Photographs Copied from old Daguerreotypes, Ambrotypes, Paintings, Drawings, etc. and finished in any style.

Photographs taken in Groups of Families.

Photographs taken of Buildings in any part of the city.

Daguerreotypes taken in all their beauty and perfection.

Daguerreotypes taken of deceased persons in any part of the city.

Ambrotypes taken on a new and improved plan upon metallic plates, thereby obviating the danger of braking.

Ambrotypes transferred to Paper or Leather, letter size, for mailing.

—Also—Any, Every And All Styles Of Miniatures and Portraits, Too numerous to enumerate here.

Advertisement ran from November 4 to December 31, 1859.

1859 November 7.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 7, 1859, Vol. XII, No. 208, P. 2.

A Splendid Establishment.—It is a function of our professionality to pry into and examine the merit of everything curious or unusual, and necessarily the attributes of novelty of curiousness which a thing so inspected possesses, must be of a very marked character to excite surprise in an intelligence rendered blasé by much sight-seeing.  Consequently we were surprised that we were surprised when we visited the new photographic and daguerreotype saloon of Messrs. Anderson & Blessing, at 61 Camp street.  It is an establishment which is really a credit to the city, such is its extent and elegance, and the costly magnificence of its appointments.  The finest furniture, the most gorgeous products of the carpet loom, and superb specimens of art combine to impart to the various and spacious apartments occupied by the proprietors an unusual aspect of elegance and munificence of management. A visit will repay any one, no matter where he has traveled and how much he has seen, for the saloon in unsurpassed.  It occupies the upper part of the large building corner of Camp street and Commercial Alley.  At the head of the first flight of stairs the visitor is issued into a wide apartment—the general reception room and and picture gallery—sumptuously furnished, its walls covered with paintings and pictures taken by several processes of daguerrean and photographic art.  Beyond this is the bookkeeper’s office and a vault large enough for any bank, or for a small family to go to house-keeping in, for the deposit of valuables used in the art, etc.  Further on is the warehouse room heavily stocked with material used by daguerrean and photographic artists, for Messrs. Anderson & Blessing are among the heaviest importers and dealers in these goods in the country.

The third floor is occupied by ladies’ and gentlemen’s’ parlors and dressing rooms, elegantly furnished like the reception room below; by the skylight room, the skylight being of extraordinary size and probably not surpassed in the country; by a chemical laboratory; by a workshop and finishing room, and by a laboratory for the preparation of the paper, etc., for photographs, and by the studio for the artists who finish photographs in colors.  On the fourth floor are several rooms devoted to various uses, one of them containing the various solar camera apparatus for taking those life-size or colossal pictures, the excellence of which have given Messrs. A. & B. so wide a reputation.

These gentlemen, since removing to their new quarters, have renewed the beautiful daguerrean art which fell into comparative desuetude in the first rage for ambrotypes and photographs, and have made some of the finest pictures that were ever produced for those visitors who preferred the daguerreotype, which, after all, is “hard to beat,” if the picture be taken by a skillful and experienced artist, and only such practice their profession at Messrs. Anderson & Blessing’s establishment, where the extensive business of the concern is conducted in all its branches with a systematic regularity, promptitude and perfection only to be secured by the management of gentlemen who are thorough business men, as well as entirely accomplished artists.  We advise those who want the best pictures at a reasonable price, or want nothing but the gratification of an intelligent curiosity, to look in at 61 Camp street, for until they do they will have no idea of what a first-class photographic and daguerreotype saloon is.

Andrews, James

1855-1856       Corner Canal and St. Charles Streets, New Orleans, Louisiana.

1857                3 & 10 St. Charles, New Orleans, Louisiana.

1855 October 20.  Weekly Confederate.  (Galveston, Texas.)  October 20, 1855, Vol. 1, No. 15, P. 4.

National Daguerrean Gallery!  Cor. Canal and St Charles sts.  Entrance Numb. Three St. Charles Rooms Nos. 20 and 21—up stairs.  New Orleans.  Jas. Andrews.  Feb 23.

Advertisement was recorded on October 20, 1855 & April 19, 1856.

1857 May 1.  New York Daily Tribune.  (New York, New York.)  May 1, 1857, Vol. XVII, No. 5002, P. 5.

[From the N. O. True Delta, April 24.]  A Woman’s Revenge.  Almost A Second Burdell Affair.  St Charles street, in the aristocratic and fashionable neighborhood of Canal, is becoming famous for scenes of startling importance.… (Mrs. Mary Jane Charles) wielded the dagger, James Andrews, the daguerreotypist being the victim.

From the best information we could obtain, we learn that Mrs. Mary Jane Charles lives, and has lived for some time past, in a large and elegant establishment at No. 269 Common street, where she rents furnished rooms.  She is a widow, and has been for some time; is about 30 years of age, beautiful, highly accomplished and fascinating in her manners.  Andrews is a young artist of lofty aspirations and Byronic exterior; and as he, some two years ago, took rooms at the establishment of the fascinating widow, it may, without any stretch of imagination, be supposed that a unity of sentiment soon sprung up between two such congenial spirits.  They loved, but did not get married.  They progressed on the mutual confidence plan for nearly two years, when their honeymoon began to wane, or perhaps became obscured by the overshadowing influence of the comet which is now whisking his ponderous tail over our planet, killing the early blossoms, and destroying not only the fruit crop throughout the Union, but also the sugar crop of our beloved Louisiana.

Andrews abandoned the idea, gave up all thoughts of reaching the round of the artistic ladder, when his admiring countrymen would concede to him the unquestioned right of wearing the unappropriated mantle of a Michel Angelo or a Rubens.  He became practical.  The charming widow was flush of the “sordid lucre,” and, with true Jacksonian energy and will, he laid his plans for a transfer of the deposits, which he soon accomplished, and instead of erecting a villa on the banks of the Lake of Como with the widow’s funds, he established two daguerreotype saloons—one at No. 3 St. Charles street, and the other at No. 10, a few doors from the True Delta establishment. This was not all—the cup of the charming widow’s misery was not yet full—the last drop that overflows the golden goblet, like the last ounce that breaks the camel’s back, was poured in when the unfaithful Andrews deserted her, which he did a short time ago, and married a Miss. Hoffner.

We have now stated the case as it was yesterday morning, and will give the sequel in as few words as possible.

Mrs. Charles, it seems, made up her mind to wreak her vengeance on her faithless swain by assaulting him, and then end life’s troubles by killing herself.  She procured a beautiful pearl handled dagger, we believe at Guion’s , and crossed the street towards the entrance of No. 3 St. Charles street, intending to reach the daguerrean saloon of Andrews and strike him while in the act of transferring the features of some fair one to the metallic plate.  She met him on the sidewalk, and as quick as thought the glistening blade had pierced his neck. As he turned and reeled she inflicted two more wounds on his left arm, and before the by-standers that thronged the sidewalk at the time could interfere, she gave him another stab in the thigh, when the dagger dropped from her hand.  With the utmost coolness she then forced her way through the crowd, no one in  it attempting to interfere with her, and proceeded to a carriage in waiting at the next corner, and was driven rapidly to her home, No. 269 Common street.

At a late hour last night Andrews was still living and Mrs. Charles was at her home, no arrest or legal investigation that we could hear of having taken place.

1857 May 2.  The Brooklyn Daily Eagle.  (Brooklyn, New York.)  May 2, 1857, Vol. 16, No. 102, P. 1.

[From the N. O. True Delta, April 24.]  A Woman’s Revenge.  Almost A Second Burdell Affair.  St Charles street, in the aristocratic and fashionable neighborhood of Canal, is becoming famous for scenes of startling importance.… (Mrs. Mary Jane Charles) wielded the dagger, James Andrews, the daguerreotypist being the victim.

From the best information we could obtain, we learn that Mrs. Mary Jane Charles lives, and has lived for some time past, in a large and elegant establishment at No. 269 Common street, where she rents furnished rooms.  She is a widow, and has been for some time; is about 30 years of age, beautiful, highly accomplished and fascinating in her manners.  Andrews is a young artist of lofty aspirations and Byronic exterior; and as he, some two years ago, took rooms at the establishment of the fascinating widow, it may, without any stretch of imagination, be supposed that a unity of sentiment soon sprung up between two such congenial spirits.  They loved, but did not get married.  They progressed on the mutual confidence plan for nearly two years, when their honeymoon began to wane, or perhaps became obscured by the overshadowing influence of the comet which is now whisking his ponderous tail over our planet, killing the early blossoms, and destroying not only the fruit crop throughout the Union, but also the sugar crop of our beloved Louisiana.

Andrews abandoned the idea, gave up all thoughts of reaching the round of the artistic ladder, when his admiring countrymen would concede to him the unquestioned right of wearing the unappropriated mantle of a Michel Angelo or a Rubens.  He became practical.  The charming widow was flush of the “sordid lucre,” and, with true Jacksonian energy and will, he laid his plans for a transfer of the deposits, which he soon accomplished, and instead of erecting a villa on the banks of the Lake of Como with the widow’s funds, he established two daguerreotype saloons—one at No. 3 St. Charles street, and the other at No. 10, a few doors from the True Delta establishment. This was not all—the cup of the charming widow’s misery was not yet full—the last drop that overflows the golden goblet, like the last ounce that breaks the camel’s back, was poured in when the unfaithful Andrews deserted her, which he did a short time ago, and married a Miss. Hoffner.

We have now stated the case as it was yesterday morning, and will give the sequel in as few words as possible.

Mrs. Charles, it seems, made up her mind to wreak her vengeance on her faithless swain by assaulting him, and then end life’s troubles by killing herself.  She procured a beautiful pearl handled dagger, we believe at Guion’s , and crossed the street towards the entrance of No. 3 St. Charles street, intending to reach the daguerrean saloon of Andrews and strike him while in the act of transferring the features of some fair one to the metallic plate.  She met him on the sidewalk, and as quick as thought the glistening blade had pierced his neck. As he turned and reeled she inflicted two more wounds on his left arm, and before the by-standers that thronged the sidewalk at the time could interfere, she gave him another stab in the thigh, when the dagger dropped from her hand.  With the utmost coolness she then forced her way through the crowd, no one in  it attempting to interfere with her, and proceeded to a carriage in waiting at the next corner, and was driven rapidly to her home, No. 269 Common street.

At a late hour last night Andrews was still living and Mrs. Charles was at her home, no arrest or legal investigation that we could hear of having taken place.

1857 May 4.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  May 4, 1857, Vol. XXVIII, No. 8286, NP.

—James Andrews, a daguerreotypist, was stabbed at New Orleans on the 24th ult. By Mrs. Mary Ann Charles, whom he had deserted, and married another woman.  She struck him on the sidewalk, first in the neck with a dagger, then twice in the arm, then in the thigh.  The spectators, did not arrest her.

1857 May 12.  Bangor Daily Journal.  (Bangor, Maine.)  May 12, 1857, Vol. 3, No. 219, P. 2.

  A Woman’s Revenge.—James Andrews, a daguerreotypist of New Orleans, lived with Mrs. Mary Ann Charles two years without being married, then stole her money and married another woman.  On the 24 ult., Mrs. Charles procured a beautiful pearl handled dagger, and crossed the street, intending to reach the daguerrean saloon of Andrews and strike him while in the act of transferring the features of some fair one to the metallic plate.  She met him on the sidewalk, and quick as thought the glistening blade had pierced his neck.  As he turned and reeled, she inflicted two more wounds on his left arm, and before the bystanders that thronged the sidewalk, at the time, could interfere, she gave him another stab in the thigh, when the dagger dropped from her hand.  With the utmost coolness she then forced her way through the crowd, no one attempting to interfere with her, and proceeded to a carriage in waiting at the next corner, and was driven rapidly to her home.

Samuel E. Moore

1858                49 Camp Street, New Orleans, Louisiana.

Samuel E. Moore was recorded in one announcement and one advertisement in the Times-Picayune (New Orleans, Louisiana).  The announcement appeared on November 6, 1858. 

Stereoscopic.—One of the pleasantest, cheapest and most easily obtainable amusements for a family circle is a set of stereoscopic views.  They are beautiful specimens of the optician’s and daguerreotypist’s skill and taste, and afford never-wearying variety. 

Messrs. S. E. Moore & Co., 49 Camp street, have just received a fine assortment of these views which are more particularly described in their card elsewhere.

The advertisement first appeared on November 6, 1858.  Stereoscopic Views.  We have just received a fine assortment of these most elegant and instructive Parlor Ornaments, comprising of

Views in Paris.

Views in Rome.

Views in Switzerland.

Views in Vienna.

Views of Domestic Life, &c., &c., &c.

And of all qualities—upon Glass, Illustrated Paper and Plain.

The prices are very moderate, and no more desirable evening entertainment for the members of a family can be conceived than a study of these beautiful Scenes, which have the effect of transporting the observer to the very spot whence they were taken.  Sam’le E./ Moore & Co., 49 Camp street.

Samuel E. Moore is not recorded in other photographic directories.

McClure

1853                6 Camp Street, New Orleans, Louisiana.

McClure was mentioned in one advertisement that appeared on October 17, 1853 in the New Orleans Daily Crescent (New Orleans, Louisiana).  Daguerreotypes.—The Daguerreotyping Saloon of Messrs. Dobbyns & Harrington, on the corner of Camp and Canal streets, are now in active operation under the superintendence of Mr. McClure, the acting Operator.  These rooms contain a large and well selected stock of materials for taking likenesses according to the most approve method, and the pictures taken give general satisfaction.  The operation is almost instantaneous, and the results in all cases a true type of the features, even to the slightest shades of expression.  The specimens exhibited at these rooms are of such a various character that a visit to them is equivalent to a stroll through an extensive picture gallery.  The operator, Mr. McClure, has brought the art of coloring the pictures to the nicest perfection, imparting a tint to the complexion exceedingly life-like, and in a manner always true to the reality.  Persons having relations and friends at a distance, or who wish to preserve the likenesses of those in whom they are interested, may here find a ready means for engraving their features on lasting materials, which are unchangeable, and which will not deteriorate through time.  Plates of every description may be obtained here, and on the most accommodating terms.  Strangers in the city should not fail to gratify their curiosity by paying these rooms a visit.

McClure is not recorded in other photographic directories as being active in New Orleans, Louisiana.  Craig’s Daguerreian Register does list a J. S. McClure in Mobile, Alabama in 1859.  It is unknown if they are the same person at this time.

J. G. Harroun

1853-1854       26 Camp Street, New Orleans, Louisiana.

J. G. Harroun was recorded in three advertisements and two announcements.  The first advertisement ran from November 1, 1852 to February 13, 1854 in the New Orleans Daily Crescent (New Orleans, Louisiana).  Sky-Light Daguerrean Saloon, No. 26 Camp street, New Orleans.—The undersigned having opened their Saloon at 26 Camp street, are prepared to execute Likenesses in every variety and style to suit their patrons.

The Ladies and Gentlemen of New Orleans, and strangers visiting the city, are requested to call and examine their specimens before procuring Likenesses elsewhere.  Perfect satisfaction given to all.  J. G. Harroun & Co.  n1.

The second advertisement ran from November 2 to December 3, 1853 in the Times Picayune (New Orleans, Louisiana). J. G. Harroun & Co.’s Sky Light Daguerrean Saloon, No. 26 Camp street, corner Camp and Common.

Our Saloon has been fitted up in a superior style, and we are prepared to give Likenesses equal if not superior to any artist in the city.  Our motto is, “To give good Pictures or none.”  We invite all citizens and strangers to call, and think we can give satisfaction to each and every one. J. G. Harroun & Co.

The first announcement appeared on November 3, 1853 in the Times Picayune (New Orleans, Louisiana).  Photography.—J. G. Harroun & Co., have fitted up their daguerreotype saloon at the corner of camp and common street, in superior style, and engage to give likenesses equal, if not superior, to those taken by any artist in the city.  Citizens and strangers are invited to call.  See their advertisement.

The second announcement appeared on February 14, 1854 in the New Orleans Daily Crescent  (New Orleans, Louisiana).  Daguerreotypes.—Some of the best daguerreotypes obtainable in this city can be found at the saloon of J. G. Harroun & Co., 26 Camp street.  The likenesses taken by them are very accurate and do not fade.

The third advertisement ran from February 14 to May 11, 1854 in the New Orleans Daily Crescent (New Orleans, Louisiana).  Sky-Light Daguerrean Saloon, No. 26 Camp street, New Orleans.—The undersigned having opened their Saloon at 26 Camp street, are prepared to execute Likenesses in every variety and style to suit their patrons.

The Ladies and Gentlemen of New Orleans, and strangers visiting the city, are requested to call and examine their specimens before procuring Likenesses elsewhere.  Perfect satisfaction given to all.  J. G. Harroun & Co.  feb14.

J. G. Harroun is not recorded in other photographic directories.

Mr. Giroux

1854                Mechanics’ Institute, New Orleans, Louisiana.

1856                142 Canal Street, New Orleans, Louisiana. 

Mr. Giroux was recorded in three announcements and two advertisements in the partnership of Giroux & Hirsch.   The first announcement was recorded on December 27, 1854 in the New Orleans Daily Crescent (New Orleans, Louisiana).  Destructive Fire—The Mechanics Institute in Ruins.—Last evening about 6 o’clock, a fire broke out in the rear part of the basement of the Mechanics’ Institute, on the Philippa street front of University Square, and in little more than a hour’s time the splendid edifice was reduced to a pile of smoking ruins; nothing being left standing but the front and portions of the side walls…

The Repository of Arts and Sciences, kept in one of the rooms by Mr. Brocket, lost every thing—valued at about $3000.  Mr. Truehols, the portrait and picture painter, occupying another room, lost every thing.  One picture alone, of large size, which he had nearly finished entitled “The Crucifixion,” he valued at [$3000].  Mr. Giroux, the photographist, occupying the from=nt room of the floor, opposite the library, lost every thing.  He had just finished fitting up at an expenditure of $2500.  Mr. Gomes who kept a cabinet making and repairing shop on the ground floor, under Mr. Giroux’s room, also lost his all—about $1000 worth…

The second announcement (same as the first) appeared on December 27, 1854 Times-Picayune.  (New Orleans, Louisiana).  Burning of the Mechanics’ Institute.  We regret to state that this noble building, one of the city’s proudest ornaments, was destroyed by fire last evening…   

Mr. Giroux, who had just established rooms for practicing the art of photography, lost about $2,500.

The third announcement (same as the first) appeared on January 5, 1855 in The New York Herald (New York, New York).  Burning of the Mechanics’ Institute, at New Orleans.  [From the New Orleans Picayune, Dec. 27.]  We regret to state that this noble building, one of the city’s proudest ornaments, was destroyed by fire last evening…Mr. Giroux, who had just established rooms for practicing the art of photography, lost about $2,500.

The first advertisement was appeared on April 23,1856 in the Semi-Weekly Creole (New Orleans, Louisiana).  Heliographic Gallery.  Portraits Drawn in a few Seconds by the Attraction of the Light.  Giroux & Hirsch. No. 142 Canal street, between Bourbon and Dauphin streets.

Messrs. Giroux & Hirsch, Heliographs, Informs the public that their Saloon and Studio are now opened, at 142 Canal street, where visitors will be gladly received.

They avail themselves of this opportunity to call the attention of amateurs to their improvement, in New Orleans to Heliographic Portraits, and present, to be compared with what has been done heretofore in the line, the proof Portraits exhibited in their gallery.

Messrs. G. & H. announce, besides, that with a view to the popularity of their art, the prices of their Portraits, whether black or colored, will be very moderate.  mh5.

The second advertisement (same as the first) was recorded July 1 to September 12, 1856 in the   New Orleans Daily Creole (New Orleans, Louisiana).  Heliographic Gallery.  Portraits Drawn in a few Seconds by the Attraction of the Light.  Giroux & Hirsch. No. 142 Canal street, between Bourbon and Dauphin streets.

Messrs. Giroux & Hirsch, Heliographs, Informs the public that their Saloon and Studio are now opened, at 142 Canal street, where visitors will be gladly received.

They avail themselves of this opportunity to call the attention of amateurs to their improvement, in New Orleans to Heliographic Portraits, and present, to be compared with what has been done heretofore in the line, the proof Portraits exhibited in their gallery.

Messrs. G. & H. announce, besides, that with a view to the popularity of their art, the prices of their Portraits, whether black or colored, will be very moderate.  mh5.

Mr. Giroux is recorded in other directories as being in the partnership only.  First names are not known at this time.  There is an advertisement for Leon Giroux, 142 Canal Street for Fancy Shoes the same address as the partnership.  It is unknown if this is the same person.  No additional advertisements have been located at this time for Hirsch.  Hirsch is recorded in Craig’s Daguerreian Registry as a “painter of photographs” which led me into looking at The New York Historical Society’s Dictionary of Artists In America 1564-1860.  There is one listing for Siegfried Hirsch, miniature and portrait painted who was active in New York City as a miniature painter from 1851-1855; then he went to Charleston, South Carolina; and by 1857 he was back in New York City. It is also unknown if he is the same person.