Tag Archives: Charleston South Carolina

Jenkins, Jr., Solon

1848-1849       379½ Washington Street, Boston, Massachusetts.

1850                85 Main Street, Charlestown, Massachusetts.

1850-1851       290 Broadway, New York, New York.[1]

1850                4½ Pennsylvania Avenue, Washington, D. C.1, 2

C1851-1852    77 Main Street, Richmond, Virginia.[2]

1852                Address Unknown, New York, New York.[3]

1852-1853       221 King Street, Charleston, South Carolina.[4]

1854                Address Unknown, Columbia, South Carolina.

1854                Over Fisher and Agnew’s Store, Columbia, South Carolina.[5]

1850 April 27.  Norfolk County Journal.  (Roxbury, Massachusetts.)  April 27, 1850,  N. P. 

Roxbury Daguerrian Gallery At The Old Stand, In Lemist Building, 82 Washington St., Corner of Felton Place, Over Lemist and Kellogg’s Dry Goods Store.

Miniatures, single or in groups, taken in the best manner, without regard to weather, and warranted not to fade.  An idea has prevailed that, in time, pictures would fade, but this erroneous impression has been entirely removed by many eminent chemists, who give it as their opinion that a Daguerreotype Picture, coated with a solution of gold, will stand any length of time; and no respectable operator will send out a picture without this gilding.

Ladies are recommended to dress in figured or dark material, avoiding white or light blue.  Gentlemen, a black or figured vest, also figured scarf or cravat, so that the shirt bosom will not be too much exposed.  Children, plain and stripped, or figured dresses, avoiding white or light blue; red will take like a dark dress.  Children taken from 9, A. M., to 2, P. M.; others from 8, A. M. till 6, P. M., without regard to weather.  Lancey & Co.

N.B…Messrs. Lancey & Co. Having fitted up an extensive Daguerrian Establishment in the City of Charlestown, in connection with Mr. Jenkins, under the name of Jenkins & Co., and engaged the valuable services of Mr. Lougee to superintend the operating department, would recommend the citizens of Charlestown and vicinity if they wish to get an excellent Daguerreotype Likeness of themselves and friends, to give Mr. L. a call at the Daguerrian Gallery, 85 Main st., Charlestown.           

Advertisement ran from April 27 to June 29, 1850.

1850 June 29.  Norfolk County Journal.  (Roxbury, Massachusetts.) June 29, 1850, P. 3.  

Price Reduced.  Miniatures taken Lower than at any other Establishment and warranted not to fade. 

Roxbury Daguerrian Gallery At The Old Stand, In Lemist Building, 82 Washington St., Corner of Felton Place, Over Lemist and Kellogg’s Dry Goods Store.

Miniatures, single or in groups, taken in the best manner, without regard to weather, and warranted not to fade.  An idea has prevailed that, in time, pictures would fade, but this erroneous impression has been entirely removed by many eminent chemists, who give it as their opinion that a Daguerreotype Picture, coated with a solution of gold, will stand any length of time; and no respectable operator will send out a picture without this gilding.

Ladies are recommended to dress in figured or dark material, avoiding white or light blue.  Gentlemen, a black or figured vest, also figured scarf or cravat, so that the shirt bosom will not be too much exposed.  Children, plain and stripped, or figured dresses, avoiding white or light blue; red will take like a dark dress.  Children taken from 9, A. M., to 2, P. M.; others from 8, A. M. till 6, P. M., without regard to weather.  Lancey & Co.

N.B…Messrs. Lancey & Co. Having fitted up an extensive Daguerrian Establishment in the City of Charlestown, in connection with Mr. Jenkins, under the name of Jenkins & Co., and engaged the valuable services of Mr. Lougee to superintend the operating department, would recommend the citizens of Charlestown and vicinity if they wish to get an excellent Daguerreotype Likeness of themselves and friends, to give Mr. L. a call at the Daguerrian Gallery, 85 Main st., Charlestown. April 27th, 1850         

Advertisement ran from June 29 to November 9, 1850.

1852 May 13.  Charleston Courier.  (Charleston, South Carolina.)  May 13, 1852, Vol. L, No. 15112, P. 2.

Passengers…Per steamer Metamora, from Savannah—…S. Jenkins…

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

Julia Dean Daguerreotype.  On Calling in to D. L. Glen’s Gallery, 221 King-street, I was shown there the finest production in the line of Daguerreotyping I ever saw.  Being an artist myself, and having seen others in the different Northern cities, I must, with pleasure say, that finer pictures are taken there, that in any city in the United States, or in the world.

It was the likeness of Miss Julia Dean, also, a group of Miss Julia and sister.  I find him assisted by S. Jenkins, from Richmond, Virginia, of Whitehurst’s Gallery.  He is acknowledged by the best Northern Artists to be ahead in his line.

Mr. Jenkins’ references are, Ex-Governor Floyd, Virginia; Caskie, Virginia; J. Plumbe; J. H. Whitehurst, Virginia; S. M. Root[6], Philadelphia; McClees & Germon, Philadelphia; Masney [sic.] & Silsbee[7], Boston; Professor Ives[8], Boston; Dr. Cleveland, Charleston; Whiteford Smith, Charleston.

Elsewhere you will find that the prize awarded (being the highest for the best productions) is settled by the Committee, J. M. Osborn being noticed by them for a group of colored subjects only.  A. Citizen.

Citizens Of Charleston And Strangers Visiting.  To You Greetings.  Please notice as you pass the fine Specimens of the Photographic Art, Exposed to view in the splendid Show Case, before the door of 221 King-street.  For softness of shade, Tone of Pictures and position, no Daguerreotypes in the world can Equal them—(Beautiful to Contemplate.)  The South ahead.

The Gallery is crowded with all Classes, to procure those life-like Miniatures, which are produced so Instantaneously and with perfection.  Mr. Glen, with such an Artist as S. Jenkins, from Virginia, assisting him, and Mr. J. Having the highest recommend from All the principal Artists in America, Who will delay procuring for themselves Or friends those Mementoes, regarded As the Best gift oneself can bestow Upon another.

1853 January 25.  Charleston Courier.  (Charleston, South Carolina.)  January 25, 1853, Vol. LI, No 16327, P. 2.

For Sale, a very good Piano, for $40, in fine order.  Inquire of S. Jenkins, At Glen’s Daguerrian Gallery, 221 King-street.

1853 August 30.  Charleston Courier.  (Charleston, South Carolina.)  August 30, 1853, Vol. LI, No 16510, P. 2.

James Adger.  Another Quick Trip!!  The U. S. Mail steam ship James Adger, Capt. John Dickinson, arrived at her wharf in this city yesterday afternoon, about 5 o’clock, having made the passage from New-York in the very short time of forty-nine hours, from wharf to wharf,…

The following are the names of the passengers by the James Adger:…S. Jenkins…

1854 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1854, Vol. V, No. 328, P. 1.

Mr. Solon Jenkins, daguerrean artist, died in Columbia, S. C. on Sunday morning.

1854.  December.  Daguerreian Journal.  (New York. New York.)  December 1854, N.P.

Solon Jenkins, Jr., died at Columbia, S.C., on the 19th of November.  He contracted the Yellow Fever while at Charlestown, and died after a brief illness.  Mr. J.  Was engaged for sometime at Mr. Whitehurst’s Gallery at Richmond, Va., and afterwards had an establishment of his own in this city.  At the time of his demise, he was engaged for Mr. Tucker at his Gallery in Columbia.

New York City Directories.  (NewYork, New York.)

1850.  Not Listed.  Directory published by John Doggett, Jr.

1851.  Not Listed.  Directory published by Doggett & Rode.

1852.  daguerreotypes, h-77 Bowery.  Directory published by John Fowler Trow.

1853.  Not Listed.  Directory published by John Fowler Trow.


[1] Craig’s Daguerreian Registry

[2] Jesse Harrison Whitehurst Gallery address.

[3] New York City Directory.

[4] Daniel L. Glen’s Studio

[5] Partners with the Sun South Carolina Photographers 1840-1940, P. 69.

[6] Probably S. & M. Root

[7] Masury & Silsbee

[8] Loyal Moses Ives

Jeffers, George A.

1849-1855       Corner of River and First Streets, Troy, New York.[1]

1853                Address Unknown, Norfolk, Virginia.[2]

1854-1855       Craven Street, over Whaley’s Store, Newbern, North Carolina,

1855                Over E. Williams’ Store, Kinston, North Carolina,

1856                Winyah Hall, Georgetown, South Carolina.[3]

1856                Address Unknown, Charleston, South Carolina.

1856                Rooms at the Mansion House, Charlotte, North Carolina.

1856                Address Unknown, Chester, South Carolina.2

1856                Rooms over Brown, Stitt & Co.’s. Store, opposite Kerr’s Hotel, Charlotte, North Carolina.

1856-1857       Address Unknown, Georgetown, South Carolina.2

1851 September 25.  Lansingburgh Democrat.  (Lansingburgh, New York.)  September 25, 1851, Vol. XIII, No. 49, P. 3.

Daguerreotypes Which Please Everybody.  Can Be Found At Jeffer’s Celebrated Establishment.  Corner of River and First sts., opposite the Troy House, Troy.

No picture sold but those entirely satisfactory to customers and myself also—so that each and every person is sure of getting the very best kind of work, no matter whether they are judges of Daguerreotypes or not.

The superior advantage and facility possessed by this establishment for producing the very best results in Daguerreotyping, are pretty generally known, and are attested by the qualities of the thousands upon thousands of pictures which the subscriber has furnished the public for several years past.  Daguerreotyping in all its varieties by George A. Jeffers.

N. B.—Entrance to the Gallery on First st., directly opposite the Troy House.

Advertisement ran from September 25, 1851 to April 28, 1853.

1852 June 4.  The Troy Daily Times.  (Troy, New York.)  June 4, 1852, Vol. I, No. 297, P. 4.

Daguerreotypes Which Please Everybody, Can Be Found At Jeffer’s Celebrated Establishment Corner of River and First sts., opposite the Troy House.  No picture sold but those entirely satisfactory to myself also—so that each and every person is sure of getting the very best kind of work, no matter whether they are judges of Daguerreotypes or not.

The superior advantage and facility possessed by this establishment for producing the very best results in Daguerreotyping, are pretty generally known, and are attested by the qualities of the thousands upon thousands of pictures which the subscriber has furnished the public for several years past.  Daguerreotyping in all its varieties by George A. Jeffers.  au20.

N. B.—Entrance to the Gallery on First st., directly opposite the Troy House.

1852 August 18.  The Troy Daily Times.  (Troy, New York.)  August 18, 1852, Vol. II, No. 361, P. 4.

North Light Daguerreotypes.  Jeffers’ Daguerreotype Gallery, corner of River and First Sts., opposite the Troy House, is the oldest and best arranged establishment of the kind in the city.  It was established in the year 1838, and has been fitted up, regardless of expense, with every convenience for taking Daguerreotypes in the most perfect manner.  The principal feature of this establishment is the Great Northern Operating Light, which is acknowledged by all to be the most desirable light that can be obtained.

Instruction given in the art, and apparatus furnished on the most reasonable terms.

N. B.   All pictures made in this gallery are taken on pure silver plates, and furnished in the best style, and warranted to never fade or spot.

Pictures put up in every style of case or frame, as low as they can be obtained elsewhere.  Perfect Satisfaction given in all cases or no charge.  Geo. A. Jeffers, Artist.  Entrance on First street, opposite the Troy House, Troy, N. Y.  feb7.

1853 February 3.  Lansingburgh Democrat.  (Lansingburgh, New York.)  February 3, 1853, Vol. XVII, No. 16, P. 3.

Wonderful Discovery!  Great Improvement in the application of Daguerreotype Portraits to the Stereoscope.  George A Jeffers, Daguerreotypist, Corner of River and First sts., opposite the Troy House, has just received an ingenious, apparatus, by which he is enabled to execute Daguerreotypes from Life, for the Stereoscope with nearly the some facility as the ordinary Daguerreotype, thereby overcoming all the obstacles hitherto thought insurmountable in the way of applying daguerreotype Likenesses from life to the Stereoscope.  In looking at pictures through this instrument, the eye is completely deceived, the image appearing like a real, round, solid body which can be felt and handled, instead of a flat picture.  With the aid of this great improvement we have the means of transmitting to posterity the exact image of all that is physically remarkable in the present day, at least so much as can be appreciated by the sense of vision.  Paintings, Engravings & c., copied without being reversed, if desired.  The greatest variety of Fancy Cases, &c. that can be found in the city, constantly on hand.  Remember the place.                    

Geo. A. Jeffers, Artist, opposite the Troy House—Entrance on First st.

Advertisement ran from February 3 to December 1, 1853.

1853 June 30.  Lansingburgh Democrat.  (Lansingburgh, New York.)  June 30, 1853, Vol. XVII, No. 36, P. 2.

From the Troy Daily Post of Wednesday.  Jeffers & Clough’s Gallery.  We paid a visit to this Daguerreotype Gallery yesterday; and certainly they have arranged their rooms in admirable order and with elegant taste.  The first room, is well supplied with sofas, and lounges, and mirrors; is richly papered and carpeted, and will soon have a piano of the best character, to enable those who wait, to keep their patience amused and in good humor.

Off this room is the toilet-room, appropriated to the ladies, and where they can rest,—‘tire themselves, and put on their most conquering look.

The next story, to which you ascend by easy stairs, is the operating room; and which has recently been fitted with northern and side light, according to the mode adopted by the best artists in the country.  Immediately adjoining this is the room for the chemicals, the work shop, and finishing, and preparatory departory department of the artist themselves.

Messrs. Jeffers & Clough are among the most accomplished daguerreotypist in the country; and with the perfect means now at their command, cannot fail.

To make the sun with pencil true,

Bring features lov’d before our view;

Memento’s friendship still will prize,

When in the grave the dear one lies!

1853 October 6.  Lansingburgh Democrat.  (Lansingburgh, New York.)  October 6, 1853, Vol. XVII, No. 50, P. 3.

Jeffers, corner of River and First street, is the place where you may be sure of getting a good Daguerreotype.  He has lately fitted up his rooms with every convenience for taking pictures, and you will always find him on hand whenever any of his friends favor him with a call.

Advertisement ran from October 6, 1853 to March 22, 1855.

1855 January 3.  The Daily Delta.  (New Bern, North Carolina.)  January 3, 1855, Vol. 1, No. 1, P. 3.

Jeffers’ Gallery Of Daguerreotypes.  The citizens of Newbern and vicinity are respectfully invited to call at Jeffers’ rooms, and examine his great variety of specimens.  His new styles of Crayon, Floral Wreath and Chemically colores Daguerreotypes are pronounced to be the finest productions of the art.  He has on hand the largest assortment of Plain, rich and fancy Cases ever exhibited in this country.

Daguerreotyping, in all its varreties, [sic.] done with neatness and dispatch .

Rooms on Craven st., over Whaley’s store.  G. A. Jeffers, Artist., Dec 19th, 1854.

Advertisement ran from January 3 to February 14, 1855. 

1855 August 30.  American Advocate.  (Kinston, North Carolina.)  August 30, 1855, Vol. 1, No. 12, P. 3.

Grand Exhibition Of Daguerreotype.  Jeffers & Doty, The Celebrated Artists, From New York.  Have taken Rooms over E. Williams’ Store, Where they are prepared to take Likenesses in the most modern style, having been engaged in the business for the last nine years, and being posted in all the new and valuable improvements, they do not hesitate in saying, that they can produce Daguerreotypes superior to any heretofore taken in this place.

The Ladies and Gentlemen of Kinston and vicinity, are respectfully invited to call and examine the specimens, and judge for themselves.

We have on hand the largest and best assortment of Cases and Frames ever offered for sale in this country, which we will furnish, with perfect Likenesses at very moderate rates.

N. B.—An early call will be necessary, as we will remain in this town but four weeks.  Jeffers & Doty, Artist.

Advertisement ran from August 30 to September 28, 1855.

1856 September 23.  The Western Democrat.  (Charlotte, North Carolina.)  September 23, 1856, New Series—Vol. 5, No. 9, P. 3.

Jeffers, The celebrated Ambrotype and Daguerrean Artist from Charleston, South Carolina, has fitted up a suit of rooms Over Brown, Stitt & Co.’s. Store, opposite Kerr’s Hotel, where he is prepared to execute these Beautiful Likenesses, in the Highest Style Of The Art.  The Ambrotype is taken on Glass and unlike the Daguerreotype.  Without being reversed, they can be viewed in any position with distinctness, as they are free from the glare of the Metallic plate.  They cannot get dusty, and are Impervious to Water or Acids, and cannot be tarnished or injured even by washing or rubbing, and are Warranted to last for Ages.  The superiority of these pictures in point of beauty and durability, has placed them at the head of the Fine Arts.

The Ladies and Gentlemen of Charlotte and vicinity, are respectfully invited to call and examine his specimens.

N. B.—An early call will be necessary, as I will remain in this place for three weeks only.  Perfect satisfaction given in all cases, or no charge.  Terms moderate.  G. Abben Jeffers, Artist.            

1856 September 16.  The Western Democrat.  (Charlotte, North Carolina.)  September 16, 1856, New Series—Vol. 5, No. 8, P. 3.

Mr. Jeffres, the celebrated daguerrean and Ambrotypian Artist, of Charleston, S. C., is in town, at the Mansion House, and proposes favoring our citizens with counterparts of themselves—or letting us “see ourselves as others see us.”  He will be prepared in a day or two to commence operations.  In the meantime, call at the Hotel, and see specimens of his skill.

1856 October 7.  The Western Democrat.  (Charlotte, North Carolina.)  October 7, 1856, New Series—Vol. 5, No. 14, P. 3.

$100 Reward!!!   The subscriber offers the above reward to any person who will produce an Ambrotype taken in this country equal to his.  G. Alben Jeffers, Artist.

N. B.—Jeffers’ Ambrotypes are richly colored and are warranted never to fade or spot.

Remember the place Opposite Kerr’s Hotel.

Last Week.  Remember this is the last Week of Jeffers the celebrated Ambrotype Artist.  Those wishing Perfect Likenesses of themselves or friends, should not fail to improve this opportunity of getting them.  Rooms over Brown, Stitt & Co.’s. Store, opposite Kerr’s Hotel.


[1] Craig’s Daguerreian Registry list Jeffers in Troy, New York starting in 1849.

[2] Photographers In North Carolina The First Century, 1842-1841.

[3] Partners With The Sun South Carolina Photographers 1840-1940, P. 61-62.  Jeffers & Doty.

Glen, Daniel L.

1850-1851       233 King Street, Charleston, South Carolina.

1851-1856       221 King Street, Charleston, South Carolina.

1856                215 King Street, Charleston, South Carolina.

1850 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1850, P. 1.

Glen’s Sky-Light Daguerrian Miniature Gallery, No. 233 King Street, Over J. S. Roberts’s Shoe

Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. N. (sic.) Glen.

Advertisement was recorded from November 28, 1850 to January 9, 1851.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Strangers and others who are desirous of having their likenesses Daguerreotypes in a superior manner, are referred to the advertisement of Mr. Glen, a Native Artist, in another column.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Glen’s Sky-Light Daguerrian Miniature Gallery.  No. 233 King street, over J. S. Robert’s Shoe Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. L. Glen

Advertisement was recorded from May 6 to 31, 1851.

1851 September 27.  The Charleston Mercury.  (Charleston, South Carolina.)  September 27, 1851, P. 3.

Palmento Daguerrean Gallery.  No. 221 King-st., over W. J. Jacobi & Son.  D. L. Glen Respectfully informs the citizens of his native State that he is prepared to take Pictures of all sizes, in a style that cannot be surpassed.  Having all the facilities of light to produce a good Picture, he pledges himself to give a perfect Likeness.  Mr. G. returns his thanks for past favors, and respectfully solicits a call at his rooms. 

Daguerrean Stock for sale.

Advertisement was recorded from September 27, 1851 to January 1, 1852.

1852 March 16.  The Charleston Mercury.  (Charleston, South Carolina.)  March 16, 1852, P. 4.

Mr. Glen’s Daguerreotypes.  The Daguerreotypist of Charleston are avowedly some of the first artists in the State.  Their galleries contain specimens of the success with which they have labored in their art, of the most pleasing and convincing nature.  Among these Artists, Mr. D. L. Glen, of King street, ranks deservedly high.  The improvements he has made of late are very important, one of which has enabled him to obtain such complete mastery of lights and shades, that he can effect as vivid a likeness in days of gloom as in days of sunshine.  In his Galler are to be found most striking portraits of many of our leading citizens, who though absent from the spot really seem to speak to their friends.  During the past week Mr. Glen has added to his fame by the production of two large-sized portraits, the one representing Signor Novelli, the eminent Barytone, and the other Signor Gambati, the famous Musician.  As works of arts these portraits are likely long to remain unsurpassed.

The Fair and Poultry Exhibition—Third Day… The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day.  In Oil Painting, Mr. S. N. Carvalho, of this city, presents several creditable offerings from his studio-conspicuous among which is a familiar Portrait readily recognized as the weather beaten but expressive countenance of “The Wandering Jew,” a venerable eccentric character well known down town, by his constant presence, and up the road, through the innumerable hieroglyphics traced along the fences, to an indefinite extent, by his hand.  These paintings add no little attraction to the Exhibition.

Messrs. Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…

1852 November 23.  The Camden Journal.  (Camden, South Carolina.)  November 23, 1852, Vol. 3, No. 94, P. 2.

The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day….Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…Charleston Courier, 19th Inst.

1852 November 25.  Charleston Courier.  (Charleston, South Carolina.)  November 25, 1852, Vol. L, No 15277, P. 2.

The Committee on Premiums, to whom was assigned the duty of selecting competent judges to decide on the respective merits of the various articles offered for exhibition at the Fair of the South-Carolina Institute for the present year, respectfully report the following list of awards…

S. N. Carvalho, for the Bust of a Beggar—a Silver Medal.

Osborn, for the best Composition Daguerreotypes—A Silver Medal. 

Glenn, for the best Daguerreotype heads—a Silver Medal.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

A Card.  That part of the community who are in the habit of reading advertisements, must be somewhat surprised to find two Daguerreotypist proclaiming that each had the first Premium awarded to him at the late Fair.  Now I ask no more than I have merited, and I leave the public to judge.  The Committee in awarding Premiums made the following public announcement:  “To J. M. Osborn, a Silver Medal, for the best composition Daguerreotypes; To D. L. Glenn, for the best Daguerreotype Heads.”  These were the precise words used in awarding the Premiums, and I make o hesitation in assuming as mine was the first Premium awarded by the committee, and that for a superior branch of Daguerreotyping, that it was intended, as I certainly think all must understand it, that the first Premium was awarded to me.  J. M. Osborn, 233 King-st.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

Daguerreotypes.  First Premium Awarded To Osborn, At The Late Fair.  Rooms 223 King-street, a few doors above the Bend.  Where may be had Daguerreotypes in every style of the Art, viz:  Ordinary Daguerreotypes, copying and enlarging Daguerreotypes to any size, Crayon Daguerreotypes, Illuminated Daguerreotype, Cameo Daguerreotypes, Golden Tint Daguerreotype.  Also a Reproduction of the Daguerreotype on Copper by Electro Galvanic process.  Backgrounds rendered non-reflecting and of any color.  Also, Talbotypes or pictures taken on paper by the Camera.

Pupils taken and instructions given in all the above branches if required.  Also, Daguerreian Chemistry taught.

Advertisement ran from November 30 to December 6, 1852.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

A Card.  At the request of Mr. Glen, we state that the committee appointed by the Directors of the South Carolina Institute for awarding premiums in the Department of Fine Arts—decided that the first prize should be given to Osborn, for the best Daguerreotype Composition piece—the one representing a colored boy and girl sitting near a stove.

Advertisement ran from December 2 to 6, 1852.

The first place for Heads, was awarded to Glen—they regarding his Daguerreotypes as the best in that department.  Committee—T. L. Hutchinson, Chairman of Committee.  Geo. W. Flagg.  Chas. D. Carr, Chairman Committee on Premiums So. Ca. Institute.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

Julia Dean Daguerreotype.  On Calling in to D. L. Glen’s Gallery, 221 King-street, I was shown there the finest production in the line of Daguerreotyping I ever saw.  Being an artist myself, and having seen others in the different Northern cities, I must, with pleasure say, that finer pictures are taken there, that in any city in the United States, or in the world.

It was the likeness of Miss Julia Dean, also, a group of Miss Julia and sister.  I find him assisted by S. Jenkins, from Richmond, Virginia, of Whitehurst’s Gallery.  He is acknowledged by the best Northern Artists to be ahead in his line.

Mr. Jenkins’ references are, Ex-Governor Floyd, Virginia; Caskie, Virginia; J. Plumbe; J. H. Whitehurst, Virginia; S. M. Root[1], Philadelphia; McClees & Germon, Philadelphia; Masney & Silsbee[2], Boston; Professor Ives[3], Boston; Dr. Cleveland, Charleston; Whiteford Smith, Charleston.

Elsewhere you will find that the prize awarded (being the highest for the best productions) is settled by the Committee, J. M. Osborn being noticed by them for a group of colored subjects only.  A. Citizen.

1852 December 9.  Charleston Courier.  (Charleston, South Carolina.)  December 9, 1852, Vol. L, No 15289, P. 2.

Grand Prize Concert.  The Infant Drummer.  Will give another Brilliant Entertanment (sic.) At Hibernian Hall.  This Afternoon And Evening, Dec. 9.  Assisted By Major J. Hammond, And Other Instrumental Talent.  Three Magnificent Daguerreotypes Of The Infant Drummer, taken by D. L. Glen, 221 King-street, of this city, will be distributed among the audience This Evening, and also This Afternoon among the children.  The Prizes will be distributed as follows:  Each person entering the Hall, will be presented with a number; a corresponding number will be deposited in a vase, from which the Infant Drummer will draw at the close of the entertainment.

The person having the number corresponding with the 5th number drawn, will be entitled to the first prize; and the person having the corresponding number with the next fifth number drawn, will be entitled to the second prize, and the same for the third…

1852 December 16.  Charleston Courier.  (Charleston, South Carolina.)  December 16, 1852, Vol. L, No 15295, P. 2.

Stranger, At Mr. Glen’s, 221 King-street, you can get the finest Likeness of yourself or friends.  Remember he obtained at the late fair, the highest premium for the best Daguerreotypes.  As good likeness or Picture in rainy as in fair weather, you can get there.  Solon.

Citizens Of Charleston And Strangers Visiting.  To You Greetings.  Please notice as you pass the fine Specimens of the Photographic Art, Exposed to view in the splendid Show Case, before the door of 221 King-street.  For softness of shade, Tone of Pictures and position, no Daguerreotypes in the world can Equal them—(Beautiful to Contemplate.)  The South ahead.

The Gallery is crowded with all Classes, to procure those life-like Miniatures, which are produced so Instantaneously and with perfection.  Mr. Glen, with such an Artist as S. Jenkins, from Virginia, assisting him, and Mr. J. Having the highest recommend from All the principal Artists in America, Who will delay procuring for themselves Or friends those Mementoes, regarded As the Best gift oneself can bestow Upon another.

1853 March 2.  Charleston Courier.  (Charleston, South Carolina.)  March 2, 1853, Vol. LI, No 16358, P. 2.

Gov. Manning called in to Mr. Glen’s Daguerrian Gallery, (Knowing Where To Go,) to procure for his lady, a true fac simile of himself; and Jenkins, Glen’s celebrated Artist, [I besides,] retained for the public, a fine likeness of his Excellency.  It can be seen at all times at the Gallery, 221 King-street.  It is considered a fine production.  Now, the public know where to go for a true Artistic Picture.

1853 March 9.  Charleston Courier.  (Charleston, South Carolina.)  March 9, 1853, Vol. LI, No 16364, P. 2.

Call Into Glen’s Daguerrean Gallery, 221 King-street.  He has the finest selection of Pictures out.  He has taken recently,

Governor Manning

The Mayor of Charleston

Miss Julia Dean

Miss Anna Cruise

Miss Graham

Mr. Neatie, the Tragedian.

Mr. G. got the medal at the late Fair, for the best Pictures.

Advertisement ran from March 9 to 29, 1853.

1853 April 25.  Charleston Courier.  (Charleston, South Carolina.)  April 25, 1853, Vol. LI, No 16403, P. 2.

The Daguerrian Gallery Of Our Friend Glen is continually crowded with the considerate, the fashionable and the gay, to see his splendid specimens of the Photographic Art, and but few leave the premises without taking with them a fac simile of themselves, in the shape of a fine Likeness.

Strangers secure the shadow ere the substance fades.  Nothing can surpass Glen’s Pictures.

1853 May 4.  Charleston Courier.  (Charleston, South Carolina.)  May 4, 1853, Vol. LI, No 16411, P. 2.

 Fife Dollars Reward.—Taken from the show case, in the entry at D. L. Glen’s Daguerrean Rooms, a Daguerreotype of a Lady—[it] was in a case which is made to hang up, and not closed up.  The eyes on the picture are looking up.  If returned the above reward will be paid and no questions asked.  The likeness is of a Boston Lady, and valuable to none but the proprietor.  D. L. Glen, 221 King st.

Advertisement ran on May 4 & 5, 1853.

1853 May 30.  Charleston Courier.  (Charleston, South Carolina.)  May 30, 1853, Vol. LI, No 16433, P. 2.

Friend Glen Is ahead in the Daguerrian Line.  To know this a certain truth, call in any time in business hours.  You will find the most fashionable sitting for their pictures and likenesses, an issue which cannot be excelled by any Artist in the Union.

You will always find our little friend Jenkins on hand, and if any one can arrange position and get the right expression, ‘tis he.

Advertisement ran from May 30 to June 1, 1853.

1853 October 12.  Charleston Courier.  (Charleston, South Carolina.)  October 12, 1853, Vol. LI, No 16547, P. 2.

Having occasion to look in lately at the First Premium Daguerrean Gallery of D. L. Glen at 221 King-street, we spent some time very agreeably in examining his large and varied collection of specimens.  We found numerous well known faces admirably and truthfully represented in all the best styles and with the latest and most improved effects of the face printing art.  Besides individual portraits we observed some groups in the execution of which the artist had been eminently successful.

1853 October 9.  Charleston Courier.  (Charleston, South Carolina.)  October 9, 1853, Vol. LI, No 16569, P. 2.

Glen’s First Premium Daguerreotypes, 221 King -Street, Opposite The Mammoth Boot.  Mr. G, is still making those beautiful Pictures, for which he received a Silver Medal at the last Fair of the South-Carolina Institute.  Every style produced by the art, taken at his rooms.  All persons who want a perfect Likeness, will do well to call, as no picture is allowed to go out the rooms, unless it gives perfect satisfaction.  Pictures copied at the shortest notice.

Advertisement was recorded fourteen times between November 9 to December 5, 1853.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 9, 1854, Vol. LI, No 16696, P. 1.

Daguerreotypes.  Calling lately at the establishment of Mr. D. L. Glen, 221 King-street, we found many new additions to his previously large and attractive stock of specimens.  He is evidently determined not to be outdone in excellence and to improve on himself to the utmost.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 10, 1854, Vol. LI, No 16696, P. 2.

Glen’s Superior Daguerreotypes If you want a perfect picture Call at Glen’s  First Premium Gallery, where may be seen some of the best specimens in the city.  The public are invited to call and see for themselves.  Pictures at the door are specimens of the kind taken up stairs.

Room, 221 King-street, opposite the Big Boot.

Advertisement was recorded from April 10 to 14, 1854.

1854 October 11.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 11, 1854, Vol. LII, No 16850, P. 2.

Marion Lodge No. 2, I. O. O. F.[4]—The Members of this Lodge, and the Brothers of the Order generally, are respectfully invited to attend the Funeral of Brother A. Krause, from his late residence, No. 5 Pain’s Court, at Nine o’clock This Morning.  Daniel L. Glen, N. G.[5]

A Day At The Fair.  The number of new contributors pouring in is still so great, that several tables examined by us on Thursday presented quite a strange aspect on Friday…

We are next attracted to some fine specimens of the Daguerrean art—an art in which our State has attained a deserved distinction from the degrees of excellence manifested by our leading operators.

The Gallery of D. L. Glen, 221 King-street, represented by a fine case, containing specimens of groups, portraits, and copies from prints.  Of the new and later additions to his collection, we noticed the portraits of Cr. Dewey, and Miss Eliza Logan.

J. T. Zealy of Columbia, one of the best, if not the very best of our Daguerrean artists, of the interior, has contributed some very fine specimens.  We readily recognize his Excellency Governor Adams, and Chancellor Wardlaw; the portrait of the latter, however, is marked “Chancellor Dargan”—a case of “individual misapprehension,” which shows a singular freak of optics, and would be unpardonable in a sheriff. 

Mr. Cohen sends a case from his Daguerrean rooms, corner of King and Liberty-sts.

Geo. S. Cook sends from his well known rooms a fine collection, in all styles of the art, including the new process of oil photographs on paper.

Fifth Annual Fair.  Catalogue Of The Articles On Exhibition At The Fair Of The South Carolina Institute, April 1855.

98.   Four Daguerreotypes; J. T. Zealy.

101.  One large Framed Daguerreotypes, seven single do; two Framed Photographs, one in oil and one plain; D. L. Glen.

102.  One Frame Daguerreotypes, one lot Photographic Paintings, one lot Plain Photographs; George S. Cook.

105.  One Frame Daguerreotypes; A. D. Cohen.

1855 April 21.  The Charleston Mercury.  (Charleston, South Carolina.)  April 21, 1855, P. 2.

The Catholic Fair…

En passant we may allude to the beautiful Portrait of the late lamented Bishop Reynolds, painted faithfully (from a Daguerre) by the merited artist, W. A. Ashe; a copy from another Portrait of Bishop England, faithfully executed by one of the Sisters of Mercy; and the Daguerreotypes of four eminent Priests, grouped in easy attitude, and almost perfect semblance of the distinguished originals, by D. L. Glen, Esq…

1855 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1855, Vol. LII, No 17014, P. 2.

D. L. Glen exhibits a new specimen of his skill in a daguerreotype from Mr. Galt’s admired and classical bust of “The Bacchante.”

List Of Premiums Awarded At The South-Carolina Institute Fair, Charleston, S. C., April 26, 1855.

D. L. Glen and Geo. S. Cook, Photographs and Daguerreotypes, equal in Merit—a Diploma to each.

Young American on Two Sticks.  Master Benson A. English, the young drum-major—or shall we say drum—minor—who beats anything of his size and shape, with two sticks on a sheepskin, will give a concert and entertainment this evening at the institute Hall.  It is sufficient to say that he visits our city in accordance with a letter of invitation signed by many leading and influential citizens, who remember the gratification experience from his performances here two years since.  On that occasion, which was his first public appearance, we believe in a Southern city, Master Benson was received with lively tokens of welcome, and honored by many demonstrations in the form of presents.  Among others we may note, a uniform from the Cadets of the Citadel, which the little major has worn with much gratification,—a goblet and salver from the Washington Light Infantry, a uniform from the Vigilant Fire Engine Company, a silver knife and fork from Capt. Berry, then in command of the steam ship Marion, now of the Nashville, and a silver trumpet from the German Fire Engine Company.  His Honor, the Mayor, and many citizens also testified their admiration in many forms, and on the same tour he was received with equal approval by Gov. Manning, and the citizens of our Capital generally.  This has been indeed his well deserved fortune in all cities where he has appeared.

Many of the tokens and presents received by the little Major, including one from the widow of President Polk, and one from President Pierce, may now be seen at the store of James E. Spear, on King, opposite Haskell-street.  The prizes to be distributed after the first concert, are also on exhibition there.  Our well known daguerrean artists, Osborn of 233 King-street, and Glen of 221 King-street, have taken excellent daguerreotypes, which may be seen in their collections of specimens…

1855 May 21.  The Charleston Daily Courier.  (Charleston, South Carolina.)  May 21, 1855, Vol. LII, No 17086, P. 2.

The Ladies Fair…

Mr.  D. L. Glen has contributed in Daguerreotypes…

1855 August 28.  The Charleston Daily Courier.  (Charleston, South Carolina.)  August 28, 1855, Vol. LII, No 17024, P. 2.

D. L. Glen Has returned from the North posted up all the late Improvements In Daguerreotyping and Photography.  The public are respectfully invited to call at his Rooms, 221 King-street, where specimens may be seen.

Advertisement was recorded nine times between August 28 to September 18, 1855.

1856 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1856, Vol. LIV, No 17328, P. 2.

Colored Photographs.  We were much pleased yesterday with a colored photograph we had an opportunity of inspecting, which exhibits a new and most effected model of adding the advantages of color and hue to the photograph without destroying the peculiar delicacies of the original impression.  The coloring was executed by Mrs. E. M. Link, whose ingenious and highly meritorious skill in Grecian painting, leather work, and other branches of ornamental elegance we have had previous occasions to notice, and who occupies rooms at the S. E. corner of King and Hasell streets, (over the store of Calder, Browne & Co.) for the purpose of giving instruction in these arts.  The photograph in this case was taken by Glenn, in the usual excellent style of his gallery.

1856 October 13.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 13, 1856, Vol. LIV, No 17458, P. 2.[6]

Glen’s Photographs, Ambrotypes, And Daguerreotypes, 221 King-Street.  [ ? ] many a flower is born to blush unseen, and waste [ ? ] on the desert air,” but a Likeness of [ ? ] some dear friend, taken by Glen, could no [ ? ] the admiring eye, than could the sun at noon [ ? ] its radiance.

Pictures [Taken at] Glen’s Gallery have always been admitted [ ? ] to be of superior tone and finish.  Pictures [ ? ] size and price taken at the shortest notice.

[ ? ] sick and deceased persons taken.  Glen, Southern Artist, 221 King-street.

1856 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1856, Vol. XLVII, No. 9781, P. 2.

Ambrotypes For $1.00 At Glen’s Gallery of Art, 215 King-Street, Over Messrs. Duncan & Paxton’s Drug Store.

Mr. G. Having Made Arrangements To enable him to take Ambrotypes at a reasonable price, now offers the public,

Ambrotypes, from $1 upward.

Daguerreotypes, from $1 upwards.

Photographs, $4 to $40.

All who desire to get correct Pictures, will do well to call at his Rooms, where specimens may be seen in all the various branches of the Art.

Advertisement was recorded from November 28 to December 19, 1856.

1856 November 27.  The Charleston Daily Courier.  (Charleston, South Carolina.)  November 27, 1856, Vol. LIV, No 17496, P. 1.

The Gallery of Paintings at the Institute.

“All that imagination’s power could trace,

Breathed in the pencil’s imitative grace,

O’er all the canvas, form and soul and feeling

That wonderous art, infused with power of life,

Portrayed each pulse, each passion’s might revealing,

Sorrow and joy, life, hatred, fear, and strife.”

A walk around the extensive Gallery of Paintings at the Institute Hall, furnishes us with material for more that one day’s study and reflection.  We have, therefore, gathered up our notes from the point at which we left off yesterday, and continue to day our rambling sketches of this choice repository of the fine arts…

Daguerreotypes, Ambrotypes and Photographs, from the galleries of Messrs Glen and Wenderoth…


[1] Marcus Aurelius. Root or Samuel Root or Samuel & Marcus Root.

[2] Masury & Silsbee

[3] Loyal Moses Ives

[4] I. O. O. G. Independent Order of Odd Fellows.

[5] N. G. Nobel Grand.

[6] Whole left side of advertisement unreadable.

Gladden, John G.

1859-1859       Address Unknown, Columbia, South Carolina.

1859                Rooms over Messrs. Wilkinson & Co.’s. Jewelry Store, Charlotte, North Carolina.

1858 July 31.  Charleston Mercury.  (Charleston, South Carolina.)  July 31, 1858, Vol. LI, No. 10,299, P. 2.

Correspondence of the Mercury.  Eagle Fire Company in Columbia—Fire.  Columbia, July 30.—All day yesterday we spent a glorious June [in] parading [ ? ] city [ ? ] its well arranged gardens and public buildings.  We went to the Capitol building, now one of the finest works in this or perhaps in any other country.  It is progressing finely, and growing into attractive shape…From the Capitol-grounds we proceeded into line and joined the whole body of our Company parading up the Main street, when we were daguerreotyped on masse by a photographic and daguerrean artist of this city, Mr. Gladden…

1859 April 19.  The Western Democrat.  (Charlotte, North Carolina.)  April 19, 1859, Vol. 7, No. 357, P. 3.

Ambrotypes & Melainotypes, Finished on an Improved Style.  The subscriber, (recently from Wearn’s Premium Photograph Gallery, Columbia, S. C.,) respectfully announces to the citizens of Charlotte and vicinity that he has opened Rooms, for a short time, over Messrs. Wilkinson & Co.’s. Jewelry Store, where he will be happy to receive calls from those who desire fine pictures. 

Instruction given in the art, with success guarantied.   J. G. Gladden.        

Advertisement ran from April 19 to May 3, 1859.

Gale, A. D.

1850                Room at the Odd Fellows’ Hall, Camden, South Carolina.

1850                Rooms in Moses’ New Building, Sumterville, South Carolina.

1851                235 King Street, Charleston, South Carolina.[1]

1851                Rooms formerly occupied by Dr. J. E. Muse, Darlington, South Carolina.

1851                rooms over Freeman & Roberts’ Carriage Repository, Macon, Georgia.

1850 March 15.  The Camden Journal.  (Camden, South Carolina.)  March 15, 1850, Vol. 11, No. 21, P. 3.

Photographic Likenesses, By A. D. Gale, Taken at the Odd Fellows’ Hall in from two to five seconds.  All those desirous of preserving an accurate likeness for the future reference would do well to embrace the opportunity.  Parents would, especially, do well to have their children taken, as even a day may deprive them of so valuable a memento in after life. March 15.

Advertisement ran from March 15 to April 16, 1850.

1850 March 26.  The Camden Journal.  (Camden, South Carolina.)  March 26, 1850, Vol. 11, No. 24, P. 2.

Photographic Likenesses.  Those of our citizens who desire a likeness “as is” a likeness, would do well to give Mr. Gale a call at his Daguerrean Gallery, Odd Fellows’ Hall.  His pictures will bear inscription, and “speak for themselves.”

1850 May 3.  The Camden Journal.  (Camden, South Carolina.)  May 3, 1850, Vol. 11, No. 35, P. 3.

The Last Week.  The Subscriber respectfully announces to the ladies and gentlemen of Camden and vicinity, that he will not remain longer than next week.—Those wishing pictures will please call as early as practicable.  A. D. Gale.

Advertisement ran on May 3 & 7, 1851.

1850 June 26.  The Sumter Banner.  (Sumterville, South Carolina.)  June 26, 1849, Vol. IV, No. 35, P. 3.

Photographic Likenesses!  Gallery in Moses’ New Building.  The Subscriber would respectfully inform the citizens of Sumterville and vicinity, that he has opened a Daguerrean Gallery at the above place.

Having had a practical experience of about six years in some of the best rooms in the Eastern cities, and having during that time enjoyed a professional intimacy with some of the most celebrated and successful operators in the country, and having been thereby enabled to avail himself of the new discoveries and improvements in the art that have from time to time been made, he feels that he thus presents no ordinary claim to the confidence of the public.

He does not, however, rely upon these circumstances merely (advantages though they be) to secure patronage, but respectfully invites attention to his specimens as the best evidence of his skill.  His pictures will speak for themselves.  He holds it to be but a low qualification of the artist, to be able to produce good likenesses only.  The perfection of the art consists in imparting to the likeness the color and expression of life.

Pictures of all sizes taken, from those suitable for rings and lockets up to large family groups.  Having a large Camera, he is enabled to copy full-size picture, paintings, and statuary, as well as residences and landscapes.  Children taken almost instantaneously.  A clear day should be selected.  As the impression depends much on the color of the dress, black or dark dresses are recommended to ladies as preferable, though not essential.  All pictures from his Gallery warranted not to fade.  A good assortment of lockets on hand.

Ladies and gentlemen, please call and examine for yourselves.

Rooms open from 8 a. m. to 6 p.m.  Instructions given in the art, and superior Apparatus furnished.  A. D. Gale, Artist. 

1851 March 5.  The Darlington Flag.  (Darlington, South Carolina.)  March 5, 1851, Vol. 1, No. 1, P. 3.

Daguerrean Gallery.  The subscriber respectfully announces to the citizens of Darlington District, that he has opened a Daguerrean Gallery in the office formerly occupied by Dr. J. E. Muse, where he is prepared to accommodate all persons who may desire accurate likenesses of themselves and friends.  He has had nine years experience in the business and warrants perfect satisfaction.  He has been especially successful in taking the pictures of small children.  He will remain in Darlington only for a short time.  A. D. Gale.

Advertisement ran from March 5 to April 9, 1851.

1851 April 23.  The Darlington Flag.  (Darlington, South Carolina.)  April 23, 1851, Vol. 1, No. 8, P. 2.

“Pictures.”  We are requested by Mr. Gale to state that he will leave Darlington in a few days; those who have not had themselves “put in a frame,” had better be in a hurry.  Mr. G. has had great success in Darington, and given, we believe, general satisfaction.

1851 June 7.  The Georgia Citizen.  (Macon, Georgis.)  June 7, 1851, Vol. 2, No. 10, P. 3.

Gale’s New Daguerrean Gallery.  The undersigned, who has been engaged for nearly ten years, and who has recently been operating for Mr. Cook, in Charleston, has taken the rooms over Freeman & Roberts’ Carriage Repository, fitted them up with Sky Lights and every other convenience for his business.

He is prepared to take correct and faithful Likenesses of single persons, families or groups, at the shortest notice, and in the very best style.

Children of any age taken in from two to five seconds.  Likenesses warranted, and complexion perfectly natural.  A. D. Gale. 

Advertisement ran from June 7 to October 4, 1851.


[1] Partners with the Sun South Carolina Photographers 1840-1940.  At George Smith Cook’s (early 1851).

Crygier, J. J.

1848                190 King Street, Charleston, South Carolina.

1849                Rooms at the Court House, Sumterville, South Carolina.

1846 October 7.  The Charleston Courier.  (Charleston, South Carolina.)  October 7, 1846, Vol. XLIV, No. 13,403, P. 2.

Passengers.  Per line ship H. Allen, from New-York—…J. J. Crygier.

1848 October 7.  The Charleston Courier.  (Charleston, South Carolina.)  October 7, 1848, Vol. XLVI, No. 13,877, P. 3.

Notice.—Mr. McIntyre respectfully informs his friends and the public, that having disposed of his Daguerreotype Establishment to Mr. J. J. Crygier, he will remain only long enough to fulfill the engagements he has on hand. 

Those who may wish Likenesses taken by him, would do well to call soon.  He has still a number of specimens to dispose of.

1849 May 16.  The Sumter Banner.  (Sumterville, South Carolina.)  May 16, 1849, Vol. III, No. 29, P. 3.

Likenesses.  The subscriber respectfully informs the citizens of Sumterville and vicinity that he is prepared to take the likenesses of those who may favor him with a sitting.  From long experience, having been connected with Mr. McIntyre of Charleston for the past three years, he has no doubt, but he shall be able to give the most perfect satisfaction to those who may favor him with a call.

Ladies and gentlemen are respectfully invited to call and examine his specimens.  He has taken rooms at the Court House, where he will remain about three weeks.         J. J. Crygier.  May 16.

1849 May 23.  The Sumter Banner.  (Sumterville, South Carolina.)  May 23, 1849, Vol. III, No. 30, P. 3.

Daguerreotype Likenesses.  The subscriber will remain but one week longer; those wishing pictures of themselves or family will do well to call soon.—The best hours from 8 A. M. until 2 P. M.—Room in the Court House.  J. J. Crygier.  May 23.

Advertisement ran from May 23 to 30, 1849.

Cohen, A. D.

1853-1855       Corner of King and Liberty Streets, Charleston, South Carolina.

1853 November 16.  Charleston Courier.  (Charleston, South Carolina.)  November 16, 1853, Vol. LI, No 16575, P. 2.

Cohen & LaFar, New Daguerreotype Gallery, Corner Of King And Liberty-Streets.  The largest Sky Light in the city, with all the latest improvements, and being on the second floor, the most easy of access.  Stock for sale.

Advertisement ran from November 16 to December 10.

1853 December 12.  Charleston Courier.  (Charleston, South Carolina.)  December 12, 1853, Vol. LI, No 16596, P. 2.

Cohen & LaFar, New Daguerreotype Gallery, Corner Of King And Liberty-Streets.  The largest Sky Light in the city, with all the latest improvements, and being on the second floor, the most easy of access.  Stock for sale. 

Advertisement was recorded twenty-six times between December 12, 1853 to February 6, 1854.

1854 February 8.  Charleston Courier.  (Charleston, South Carolina.)  February 8, 1854, Vol. LII, No 16664, P. 2.

Notice.  The firm of Cohen & LaFar Daguerrian Artists, is mutually dissolved.  Mr. Cohen is authorized to collect all money due the firm, and pay the debts of the same.  Mr. Cohen will carry on the business, and thankful for pass favors, solicits the continuance of the public patronage, corner of King and Liberty streets.  A. D. Cohen. T. A. LaFar. 

1854 February 8.  Charleston Courier.  (Charleston, South Carolina.)  February 8, 1854, Vol. LII, No 16664, P. 2.

Cohen’s New Daguerreotype Gallery, Corner Of King And Liberty-Streets.  The largest Sky Light in the city, with all the latest improvements, and being on the second floor, the most easy of access.  Stock for sale. 

Advertisement ran from February 8 to April 10, 1854.

1854 April 11.  Charleston Courier.  (Charleston, South Carolina.)  April 11, 1854, Vol. LII, No 16697, P. 2.

Unprecedented Prices!  The People’s Gallery.  A Perfect Daguerreotype For One Dollar.  As perfect in every detail as any taken in the United States.  The known character of the subscriber will assure the public that there is no delusion—no humbug—at his Gallery.  Call and see the numerous specimens on hand, and encourage this effort to put it in the power of the poor and rich to obtain accurate Portraits.  Corner King And Liberty-Sts.  A. D. Cohen.

Advertisement ran from April 11 to August 11, 1854.

1854 August 12.  Charleston Courier.  (Charleston, South Carolina.)  August 12, 1854, Vol. LII, No 16801, P. 2.

Cohen’s Gallery, Corner Of King And Liberty-Streets.  A Perfect Daguerreotype For One Dollar.  Call And Look At Specimens.

Advertisement ran from August 12, 1854 to January 6, 1855.

Cohen & LaFar

1853-1854       Corner of King and Liberty Streets, Charleston, South Carolina.

1853 November 16.  Charleston Courier.  (Charleston, South Carolina.)  November 16, 1853, Vol. LI, No 16575, P. 2.

Cohen & LaFar, New Daguerreotype Gallery, Corner Of King And Liberty-Streets.  The largest Sky Light in the city, with all the latest improvements, and being on the second floor, the most easy of access.  Stock for sale.

Advertisement ran from November 16 to December 10.

1853 December 12.  Charleston Courier.  (Charleston, South Carolina.)  December 12, 1853, Vol. LI, No 16596, P. 2.

Cohen & LaFar, New Daguerreotype Gallery, Corner Of King And Liberty-Streets.  The largest Sky Light in the city, with all the latest improvements, and being on the second floor, the most easy of access.  Stock for sale. 

Advertisement was recorded twenty-six times between December 12, 1853 to February 6, 1854.

1854 February 8.  Charleston Courier.  (Charleston, South Carolina.)  February 8, 1854, Vol. LII, No 16664, P. 2.

Notice.  The firm of Cohen & LaFar Daguerrian Artists, is mutually dissolved.  Mr. Cohen is authorized to collect all money due the firm, and pay the debts of the same.  Mr. Cohen will carry on the business, and thankful for pass favors, solicits the continuance of the public patronage, corner of King and Liberty streets.  A. D. Cohen. T. A. LaFar. 

Carvalho, Solomon Nunes

1849-1850       205 Baltimore Street, Baltimore, Maryland.

1849-1850       Corner of 4½ Street and Pennsylvania Avenue, Washington, D. C.

1850                205 Baltimore Street, Baltimore, Maryland.

1850-1851       230 King Street, Charleston, South Carolina.

1851                Masonic Hall, King and Wentworth Streets, Charleston, South Carolina.

1851-1852       167 Meeting Street, Charleston, South Carolina.

1852                294 King Street, Charleston, South Carolina.

1853                349 Broadway, New York, New York.

N. D.  The New York Historical Society’s Dictionary Of American Artists In America 1564-1860.  (New Haven, Connecticut.)  1957, P. 113-114.

Carvalho, Solomon Nunes (1815-1894).  Portrait and Landscape painter, daguerreotypist, and photographer; born in Charleston (S. C.), April 27, 1815.  The artist’s father, David N. Carvalho (1784-1860), a watchmaker and merchant in Charleston for many years, moved in 1828 to Baltimore, where he established a marble paper Manufactory.  The family moved again in 1835, to Philadelphia, where they remained for the next fifteen years.  Solomon’s career as an artist began in Philadelphia about 1838 and centered there for the next decade, though he also worked in Charleston and Washington in the early 1840’s.  S. N. Carvalho was again in Philadelphia in 1849, when he exhibited at the Pennsylvania Academy, but the following year the whole family, including Solomon’s wife and two year old son David, moved to Baltimore, where they made their home until the elder Carvalho’s death in 1860.  In 1851-52 Solomon again paid a professional visit to Charleston.  His next professional venture was his two year service as artist-photographer with John C. Fremont’s expedition to the Far West (1853-54), Carvalho’s own account of which was published in 1857.  During the latter half of the 1850’s the artist worked in Baltimore, but soon after his father’s death he moved to NYC, accompanied by his wife and four sons—David, Jerrite, Jacob, and Solomon (ages 12, 10, 8 and 4, respectively, in 1860).  Carvalho was listed as an artist or photographer in NYC directories until about 1880 and thereafter as president of the Carvalho Heating and Super-heating Co. or simply as inventor.  He died in NYC in 1894…

1845 October 25.  Saturday Courier.  (Philadelphia, Pennsylvania.)  October 25, 1845, Vol. XV, No. 33, P. 3. 

On the 15th inst. By the Rev. Isaac Leeser, Mr. Solomon N. Carvalho, of Barbadoes, (sic.), eldest son of D. N. Carvalho, of this city, to Miss. Sarah M. daughter of the late Jacob S. Solis, of New York.

1846 February 5.  American Sentinel.  (Philadelphia, Pennsylvania.)  February 5, 1846, Vol. XXX, P. 3. 

Married. In Barbados, W. I. On Wednesday, the 15th October, at the residence of Mr. S. Solis, Mr. Solomon N. Carvalho, of Bridgetown, Barbados, and son of D. N. Carvalho, of Philadelphia, to Miss. Sarah M. Solis, of that city, daughter of the late Jacob S. Solis.

1849 May 28.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 28, 1849, Vol. XCIX, No. 17,288, P. 3.

Gallery Of Fine Arts.  No. 205 Baltimore Street.  S. N. Carvalho, Artist, respectfully informs the inhabitants of Baltimore and its vicinity, that he has become the proprietor of the establishment formerly known as the Plumbe National Gallery, over The Jewelry Store of Messrs. R. & A. Campbell.  He has procured the services of Mr. T. O. Smith, the principal operator at Root’s Gallery of Philadelphia, who will attend to the production of an entirely new style Daguerreotype, patented under the name of the Crayon Daguerreotype, never before introduced in this city.  The great advantage which this style of picture possesses over any other, is that the picture can be seen equally well in any light, and as distinctly when hung against a wall as the finest miniature.  The whole strength of the Instrument is thrown on the head, and the artistic distribution of light and shadow give it the appearance of one of the celebrated Italian Crayon Drawings.

S. N. Carvalho will attend to the Painting department.  Portraits and Miniatures, either from life or Daguerreotype, executed in a manner which he is certain will give satisfaction.  In connection with the above, the Gallery will be adorner with choice works of art, both ancient and modern, affording to the citizens and ladies of Baltimore a fashionable and pleasing resort, without any pecuniary outlay.  The establishment is now being newly fitted up, and will be opened on the first of June.

The charges for the Crayon Daguerreotype will be less than those charged for ordinary Pictures, by the old process.  The subscriber depends solely on the merits of the Pictures produced at this establishment for the success which he anticipates.  

1849 June 22.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  June 22, 1849, Vol. XCIX, No. 17,310, P. 3.

Daguerreotypes—Mr. S. N. Carvalho, has recently opened his Gallery of Fine Arts at No. 205 Baltimore street, where he is prepared to take likenesses which, for superiority of execution and strictness of resemblance, cannot be surpassed.  Mr. C. has adopted the Crayon style, by which the daguerreotype is made to resemble a finely executed engraving.  By it, too, the artistic affect of light and shadow is more clearly developed; the bust is lost in the back ground, in imitation of crayon drawing; and the eyes, heretofore considered a very difficult feature to imitate successfully, are brought out with a distinctness and close resemblance which must satisfy all.  Another thing claimed for this style is that a large sized picture may be taken on a plate of one third the dimensions required by the old process.  Mr. Carvalho will also execute colored daguerreotypes when desired, for which his experience as an artist renders him peculiarly qualified.  He is assisted in his beautiful art by Mr. Smith, whose knowledge of chemistry enables him to prepare the plates with such sensitiveness that children may be taken in the short space of from one to three seconds.  The likeness of the Hon. Henry Clay, John Swift, Esq. Mayor of Philadelphia, and a number of other distinguished gentlemen, which may be found at Mr. C.’s rooms, will be readily recognized.  All in want of first rate pictures should not fail to give him a call.  Visitors will find the rooms handsomely furnished, and while waiting for pictures may amuse themselves on one of Messrs. Wise & Bro.’s fine tone pianos with the improved touch.

1849 July 17.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  July 17, 1849, Vol. C, No. 17,330, P. 2.

Improved Daguerreotypes.  S. N. Carvalho’s Gallery Of Fine Arts, No. 205 Baltimore street.  The subscriber informs the public generally that he has erected a building with a combination of sky and side lights, where he can (from his knowledge of light and shadow, having made it his study for 15 years,) produce Daguerreotype likenesses which will compare with any taken in the United States.  His new crayon process is admirably adapted for gentlemen’s portraits.  He invites the public to call and view his specimens, and will in all instances, if allowed, take a picture of a gentleman or lady to show the style of his work, without any charge.

Children of any age taken in a few seconds.

Portraits, Engravings, Statuary, &c., accurately copied.  S. N. Carvalho, over Campbell’s Jewelry Store, 205 Baltimore st.

1849 July 31.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  July 31, 1849, Vol. C, No. 17,342, P. 3.

Daguerreotypes.—There is no branch of art in which more improvement has been effected in so short a time as that of Photography, or Daguerreotyping.  Among those who are foremost in the adoption of all new progressions in this beautiful science in Mr. S. N Carvalho, who has lately introduced here the Crayon process, by which his pictures are made to closely resemble a fine engraving.—He has recently much enlarged and made important additions to his already excellent sky light, and sitters may rely on having their likenesses taken in the most correct and life-like manner, and in the highest style of the art.  Mr. Carvalho’s rooms are at 205 Baltimore street, and will be fond to be handsomely furnished, with piano and other musical instruments for the entertainment of visitors.

1849 August 21.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  August 21, 1849, Vol. C, No. 17,360, P. 3.

Carvalho’s Daguerreotypes are justly admired for their truthful likenesses, classical arrangement, and beautiful tone.  Those who want a good picture are invited to call on Mr. Carvalho, No. 205 Baltimore street, over R. & A. Campbell’s jewelry store.

Advertisement ran from August 21 to 27, 1849.

1849 September 3.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  September 3, 1849, Vol. C, No. 17,371, P. 3.

Improved Daguerreotypes.  S. N. Carvalho’s Gallery Of Fine Arts, No. 205 Baltimore street.  The subscriber informs the public generally that he has erected a building with a combination of sky and side lights, where he can (from his knowledge of light and shadow, having made it his study for 15 years,) produce Daguerreotype likenesses which will compare with any taken in the United States.  His new crayon process is admirably adapted for gentlemen’s portraits.  He invites the public to call and view his specimens, and will in all instances, if allowed, take a picture of a gentleman or lady to show the style of his work, without any charge.

Children of any age taken in a few seconds.

Portraits, Engravings, Statuary, &c., accurately copied.  S. N. Carvalho, over Campbell’s Jewelry Store, 205 Baltimore st.

1849 September 17.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  September 17, 1849, Vol. C, No. 17,386, P. 3.

Carvalho’s Daguerreotypes are worthy a place in the Cabinet of all lovers of good pictures—his portraits are gems in their way.  They have a beautiful rich lifelike tone, and are considered by first rate judges to be the best in the city.  Mr. Carvalho is an experienced artist having practiced successfully his profession in this city ten years ago; and his knowledge of light and shadow enables him to give a classical arrangement to the figure.  His skylight is most scientifically projected; and his Saloon, No. 205 Baltimore st., is well worth a visit.

Advertisement ran from September 17 to 21, 1849.

1849 November 13.  The Republic.  (Washington, D. C.)  November 13, 1849, Vol. 1, No. 130, P. 3.

Arrivals At The Hotels…National Hotel, Corner of Pennsylvania Avenue and 6th street…S. N. Carvalho, Baltimore.

1849 November 27.  The Republic.  (Washington, D. C.)  November 27, 1849, Vol. 1, No. 142, P. 3.

Arrivals At The Hotels…National Hotel, Corner of Pennsylvania Avenue and 6th street…S. N. Carvalho, Baltimore.

1849 November 28.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  November 28, 1849, Vol. C, No. 17,428, P. 3.

Carvalho’s Gallery Of Fine Arts’ (formerly Plumb’s,) No. 205 Baltimore St. 

Why are Carvalho’s Daguerreotypes the best in the city?  Because they are made by an experienced Artist who understands the profession scientifically.

Why is Carvalho’s Gallery of Fine Arts continually thronged with visitors?  Because his rooms are elegantly arranged with beautiful specimens of Paintings, Engravings and Daguerreotypes, an improved tone Piano, and a Lady always in attendance for the comfort of Lady visitors.

Why are Carvalho’s Daguerreotypes easily distinguished from all others taken in the city?  Because there is a depth of tone, an artistic arrangement of light and shadow, and an ease and grace about the attitudes, which none others possess.

Why did not Carvalho’s Daguerreotypes take the premium at the late fair?  Simply because Carvalho’s Daguerreotypes were not on exhibition at the late Fair.  The public had already awarded him the highest premium for his Pictures.

Why is the operating room filled with Children of all ages from eleven o’clock till three every day?  Because during those hours he is continually engaged in producing the most beautiful groups of these interesting responsibilities.

Why he is always engaged in cloudy weather?  Because a cloudy day is the very best time for Adults to sit for Pictures.  Let the public bear this in mind.

1849 December 4.  The Republic.  (Washington, D. C.)  December 4, 1849, Vol. 1, No. 147, P. 3.

Arrivals At The Hotels…National Hotel, Corner of Pennsylvania Avenue and 6th street…S. N. Carvalho, Baltimore.

1849 December 7.  The Republic.  (Washington, D. C.)  December 7, 1849, Vol. 1, No. 150, P. 3.

Daguerreotypes.—We refer to the card, in another column, of Mr. Carvalho, artist, who has established himself in our city.  He has acquired much celebrity, and understands the art not only pf taking Daguerreotype likenesses, but of drawing, painting, &c., thoroughly.  Mr. C. is well known in Baltimore, and has now in that city a superb and highly attractive gallery of paintings.  We refer those who may desire his services to his establishment, and are confident they will be suited in the very best manner.

1849 December 7.  The Republic.  (Washington, D. C.)  December 7, 1849, Vol. 1, No. 150, P. 3.

American Photographic Gallery.  S. N. Carvalho, Artists, of Baltimore, respectfully informs the citizens of Washington and the public in general, that he has rented the Daguerreotype Gallery formerly occupied by Van Loan & Chase, at the corner of 4½ street and Pennsylvania avenue, where he is prepared to make pictures which will bear comparison with any daguerreotypes in the world.  He has established at Baltimore a reputation for making the best pictures in that city; and the public at Washington have now the opportunity of procuring an artistic picture, such an one as will be worthy a place in the cabinet of the connoisseurs or the ladies’ centre table.  Groups of any number of persons can be taken, with all the classical arrangement of light and shadow, expression, and beautiful tone of a highly-finished mezzotint engraving.

N. B.  The greatest care taken in procuring correct likenesses of children; and in no instance will a charge be made without the picture is perfectly satisfactory.  Call and examine specimens.  Post mortem cases promptly attended to.  Corner of 4½ and Pennsylvania avenue.

1849 December 8.  Daily National Intelligencer.  (Washington, D. C.)  December 8, 1849, Vol. XXXVII, No. 11,479, P. 3.

American Photographic Gallery.  S. N. Carvalho, Artists, of Baltimore, respectfully informs the citizens of Washington and the public in general, that he has rented the Daguerreotype Gallery formerly occupied by Van Loan & Chase, at the corner of 4½ street and Pennsylvania avenue, where he is prepared to make pictures which will bear comparison with any daguerreotypes in the world.  He has established at Baltimore a reputation for making the best pictures in that city; and the public at Washington have now the opportunity of procuring an artistic picture, such an one as will be worthy a place in the cabinet of the connoisseurs or the ladies’ centre table.  Groups of any number of persons can be taken, with all the classical arrangement of light and shadow, expression, and beautiful tone of a highly-finished mezzotint engraving.

N. B.  The greatest care taken in procuring correct likenesses of children; and in no instance will a charge be made without the picture is perfectly satisfactory.  Call and examine specimens.  Post mortem cases promptly attended to.  Corner of 4½ and Pennsylvania avenue.

1849 December 12.  The Daily Union.  (Washington, D. C.)  December 12, 1849, Vol. V, No. 191, P. 3.

American Photographic Gallery.  S. N. Carvalho, Artists, of Baltimore, respectfully informs the citizens of Washington and the public in general, that he has rented the Daguerreotype Gallery formerly occupied by Van Loan & Chase, at the corner of 4½ street and Pennsylvania avenue, where he is prepared to make pictures which will bear comparison with any daguerreotypes in the world.  He has established at Baltimore a reputation for making the best pictures in that city; and the public at Washington have now the opportunity of procuring an artistic picture, such an one as will be worthy a place in the cabinet of the connoisseurs or the ladies’ centre table.  Groups of any number of persons can be taken, with all the classical arrangement of light and shadow, expression, and beautiful tone of a highly-finished mezzotint engraving.

N. B.  The greatest care taken in procuring correct likenesses of children; and in no instance will a charge be made without the picture is perfectly satisfactory.  Call and examine specimens.  Post mortem cases promptly attended to.  Corner of 4½ and Pennsylvania avenue.

Advertisement ran from December 12, 1849 to March 24, 1850.

1850 January 1.  The Daily Union.  (Washington, D. C.)  January 1, 1850, Vol. V, No. 207, P. 3.

Wonders will never cease!—We are told that a most beautiful Daguerreotype likeness can be obtained at the new daguerrean establishment, at the Odeon, for only One Dollar.

Advertisement ran from January 1 to 10, 1850.

1850 March 13.  Daily National Intelligencer.  (Washington, D. C.)  March 13, 1850, Vol. XXXVIII, No. 11,557, P. 3.

Carvalho’s Daguerreotypes, Odeon, corner of 4½ street and Pennsylvania avenue.  Daguerreotypes taken in the first style of art.  The public are invited to call and examine specimens.

1850 June 29.  Baltimore Price-Current and Weekly Journal of Commerce.  (Baltimore, Maryland.) June 29, 1950, Vol. 1, No. 1, P. 1.

Carvalho’s Daguerreotype Gallery, No. 205 Baltimore st.  Pictures taken in all weathers.

The most extensive and scientifically arranged sky-light in the city.

Advertisement ran from June 29, 1850 to July 12, 1851.

1850 July 6.  Baltimore Price-Current and Weekly Journal of Commerce.  (Baltimore, Maryland.) July 6, 1850, Vol. 1, No. 2, P. 1.

Carvalho’s Daguerreotype Gallery, No. 205 Baltimore st.  Pictures taken in all weather.

The most extensive and scientifically arranged sky-light in the city.

1850 July 31.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  July 31, 1850, Vol. CII, No. 15,843, P. 2.

Ivory Daguerreotypes At Carvalho’s Gallery, 205 Baltimore Street.  The Subscriber is now producing a new and beautiful style of  pictures, resembling a miniature painted on Ivory, which for beauty and tone of finish, cannot be surpassed and supercede (sic.) entirely the necessity of the expensive Miniature Painting, which these imitate.  S, N. Carvalho. 205 Baltimore street, over Campbell’s Jewelry Store.

1850 October 24.  The Sun.  (Baltimore, Maryland.)  October 24, 1850, Vol. XXVII, No. 136, P. 2.

Cattle Show.—Strangers visiting the city for the purpose of attending the above, are respectfully invited to Carvalho’s Daguerreotype Gallery, No. 205 Baltimore Street, over Campbell’s Jewelry Store where they can obtain a superior picture of themselves and friends.

1850 December 16.  The Charleston Courier.  (Charleston, South Carolina.)  December 16, 1850, Vol. XLVIII, No. 14,681, P. 2.

Ship News Port Of Charleston Dec. 16, 1850.  Arrived on Saturday…

Line Schr. Saml. Butler, Booze, Baltimore, 3m days from Capes…S. N. Carvalho.

1850 December 17.  The Charleston Courier.  (Charleston, South Carolina.)  December 17, 1850, Vol. XLVIII, No. 14,682, P. 3.

Ivory Daguerreotypes.  S, N. Carvalho, a native of Charleston, respectfully informs the Ladies and Gentlemen of this city, and its vicinity, that he has taken rooms at No. 230 King street, opposite Messrs. Lambert & Brother’s Carpet store, where he is prepared to make Daguerreotypes on an entire new style, by a process discovered by himself.  These pictures resemble a highly finished miniature on Ivory, and possess the advantage of being seen in any light.  Being an artist, he is also enabled, from his knowledge of light and shade, to make classical arrangements of groups, by the usual process.

Particular care taken in making Daguerreotypes of Children of any age. Which by the aid of powerful quick working instrument, can be correctly delivered in one second of time.

Likenesses Taken After Death, at the shortest notice.  Paintings, Engravings, Statuary and Daguerreotypes accurately copied.

Portraits painted in oil from life, and Likenesses in every instance guaranteed.  S. N. Carvalho, 230 King street.

1851 February 3.  The Charleston Courier.  (Charleston, South Carolina.) February 3, 1851, Vol. XLIX, No. 14,721, P. 2.

Mr. Carvalho’s Daguerreotypes and Oil Paintings.—Within the last year, numerous important improvements in the process of Daguerreotyping have been introduced, which we have taken occasion from time to time, to notice.  Among the latest is a new style resembling a highly finished miniatures on ivory, several specimens of which are on exhibition at the rooms of Mr. S. N. Carvalho, 230 King street.  Mr. C. is a native of this city, where he has returned, after an absence of a few years, with recruited health, and experience in the profession to which he has devoted himself, with the view of taken up his permanent residence among us.  His studio has  been only recently opened to the public, but he has already accumulated a respectable number of likenesses of well known residents of this city both in Photographic and Oil paintings; his familiarity as a professional artist with the philosophical principles of light and shadow, enabling him to combine the study and practice of both to great advantage.  An exquisitely delicate and life-like fancy sketch in oil, which he has just completed, is attracting the admiration of his visitors, and considered by many good judges among them to be a highly successful effort, in the delineation of a difficult subject, altitude and expression.  Mr. Carvalho’s rooms are open at all hours of the morning and afternoon for the inspection of ladies and gentlemen desirous of seeing his specimens and improvements in the art.

1851 March 4.  American and Commercial Daily Advertiser.  (Baltimore, Maryland.)  March 4, 1851, Vol. CIII, No. 16,025, P. 3.

Paintings And Furniture Of A Gallery Of Fine Arts.—On This (Wednesday) Morning, March 5th, at 12 o’clock, precisely, we shall sell at 205 Baltimore street, over the store of Messrs. R. & A. Campbell, the Paintings and Furniture of Mr. S. N. Carvalho. Who is about to vacate the premises.  We name—One suit of solid Walnut Furniture, consisting of Sofas, 2 Lounges and 8 Chairs; Tapestry covers, made by Riddle, of Philadelphia; Damask Window Curtains; Lace do; French Plate Mirrors; Centre Tables; Side do; Show Cases; Stoves, &c. –in fact, every thing usually found in such an establishment.  Also, 25 Oli Paintings, part of which are original and very valuable.

Terms cash, in bankable money.  Cannon, Bennett & Co., Aucts.

Advertisement ran on March 4 & 5, 1851.

1851 April 2.  The Charleston Courier.  (Charleston, South Carolina.) April 2, 1851, Vol. XLIX, No. 14,772, P. 3.

Carvalho’s Daguerreotypes, at the Masonic Hall, corner of King and Wentworth sts., entrance on Wentworth-st.—The subscriber respectfully  informs the public generally, that he has removed his Gallery to the first floor of the Masonic Hall, where he is prepared to make Daguerreotypes of all sizes, in style which for classical arrangements and beauty of finish, cannot be excelled.   S. N. Carvalho.

1851 June 11.  The Charleston Courier.  (Charleston, South Carolina.) June 11, 1851, Vol. XLIX, No. 14,831, P. 3.

Ship News.  Port of Charleston, June 11, 1851.  Arrived Yesterday…

Brig. [Gulnare, Ellenis], Baltimore, 9 days from the capes…S. N. Carvalho.   

1851 June 17.  The Charleston Courier.  (Charleston, South Carolina.) June 17, 1851, Vol. XLIX, No. 14,836, P. 3.

South-Carolina Daguerrean Gallery,  Grand Sky Light 167 Meeting-st., nearly opposite the Charleston Hotel.  The subscriber has fitted up on scientific principles, a grand Sky Light , so arranged, that Pictures can be made in all kinds of weather, but without inconvenience to the weakest eyes from excessive glare of light.

Citizens and strangers are invited to visit this Gallery whether they wish pictures or not.

Daguerreotypes Of Children, singly or in family groups.

All pictures warranted not to rub off,  S. N. Carvalho.

Advertisement ran from June 17 to 20, 1851.

1851 November 21.  The Southern Press.  (Washington, D. C.)  November 21, 1851, Vol. II, No. 140, P. 3.

From the Charleston Courier.  Opening of the Fair,..

Specimens Of Art.  Daguerreotypes.—From Smith and Longman, S. N Carvalho. 

Oil Paintings—Messrs. Curtis, Carvalho.

1852 February 14.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 14, 1852, P. 1.

A daguerreotypist in Charlestown, (sic.) Mr. Carvalho, has discovered a mode of covering the daguerreotypes with a transparent enamel surface, whereby he dispenses with the glass cover to protect the picture.  Rubbing the plate, instead of injuring, improves the picture.  Such pictures may be sent any distance without injury.

1852 February 21.  The Planters’ Banner.  (Franklin, Louisiana.)  February 21, 1852, Vol. XVII, No. 6, P. 3.

New Discovery in Daguerreotyping.—J. N. Carvalho, of Charleston, has shown the editor of the Courier a specimen of his newly invented daguerreotype plate, which possesses this advantage over the old method, viz: that it requires no glass to protect it, inasmuch as it is covered with a transparent enamel surface, which renders the picture impervious to the effects of the atmosphere, and less liable to be rubbed off; in fact, the more friction that is used on the surface, the brighter and clearer the picture becomes.  So durable is it that it can be sent in a letter any distance without the possibility of its being scratched or defaced.  Mr. Carvalho, who is a native of Charleston intends to take out a patent for his discovery

1852 February 21.  Sunbury American.  (Sunbury, Pennsylvania.)  February 21, 1852, New Series Vol. 4, No. 48, Old Series Vol. 12, No. 22, P. 1.

A Daguerreotypist in Charlestown, (sic.) Mr. Carvalho, has discovered a mode of covering the Daguerreotypes with a transparent enamel surface, whereby he dispenses with the glass cover to protect the picture.  Rubbing the plate, instead of injuring, improves the picture.  Such pictures may be sent any distance without injury.

1852 February 26.  The New York Reformer.  (Watertown, New York.)  February 26, 1852, Vol. 2, No. 27, P. 3.

Valuable Discovery.—A daguerreotypist in Charleston, Mr. Carvalho, has discovered a mode of covering the daguerreotypes with a transparent enamel surface, whereby he dispenses with the glass cover to protect the picture.  Rubbing the plate, instead of injuring, improves the picture.  Such pictures may be sent to any distance without injury.

1852 March 2.  Vermont Chronicle.  (Windsor, Vermont.)  March 2, 1852, Vol. XXVII, No. 9, Whole No. 1352, P. 4.

A gentleman in Charleston is said to have made a valuable discovery in the art of daguerreotyping.  The advantage claimed for a picture taken by the new process is, that it requires no glass to protect it, inasmuch as it is covered with a transparent enameled surface, which renders the picture impervious to the effects of the atmosphere, and less liable to be rubbed off; in fact, the more friction that is used on the surface, the brighter and clearer the picture becomes; and so durable is it, that it can be sent in a letter any distance without the possibility of its being scratched or defaced.

1852 March 4.  Hannibal Journal.  (Hannibal, Missouri.)  March 4, 1852, Vol. II, No. 27, P. 4.

New Discovery In Daguerreotyping.—We had placed on our desk yesterday by Mr. J. N. Carvalho, of 167 Meeting street for the inspection of the curious in such matters a specimen of his newly invented daguerreotype plate, which possesses this advantage over the old method, viz: that it requires no glass to protect it, inasmuch as it is covered with a transparent enamel surface, which renders the picture impervious to the effects of the atmosphere, and less liable to be rubbed off—in fact the more friction that is used on the surface the brighter and clearer the picture becomes, and so durable is it that it can be sent in a letter any distance without the possibility of its being scratched or defaced.  Mr. Carvalho intends, we understand, to take out a patent.—Charleston paper.

1852 April 1.  Pittsfield Sun.  (Pittsfield, Massachusetts.)  April 1, 1852, Vol. LII, No. 2689, P. 2.

A Daguerreotypist in Charleston, S. C. has discovered a mode of covering daguerreotypes with a transparent enamel surface, whereby he dispenses with the glass cover to protect the picture.  Rubbing the plate, instead of injuring, improves the picture.  Such pictures may be sent to any distance without injury.

1852 May 20.  The Charleston Courier.  (Charleston, South Carolina.) May 20, 1852, Vol. L, No. 15,118, P. 3.

Grand Scientifically Arranged Light,  Carvalho’s King-Street Daguerreotype Gallery, 294, Opposite Liberty-Street, Only Up One Flight Of Stairs.  First Rate Pictures From $1.50, Case Included, To Ten Dollars.

Likenesses of Children taken in One Second of time.  All Pictures Warranted.

N. B. A reception room expressly for Ladies.

1852 August 14.  The New York Herald.  (New York, New York.)  August 14, 1852, Whole No. 7226, P. 3.

Daguerrean Gallery.—A First Rate Opportunity for going into business.–For sale, a Daguerrean Gallery, with skylight ten feet square, neatly fitted up, now doing a business of $1,800 per annum, in the most business part of Charleston, S. C., either with or without a whole or a half plate instrument.  The subscriber, being engaged in the duties of his profession, is unable to attend to it.  Address, post paid, to S. N. Carvalho, artist, Charleston, S. C.  N. B.—From $300 to $400 required, as may be agreed on , and possession given immediately.

1852 November 23.  The Camden Journal.  (Camden, South Carolina.)  November 23, 1852, Vol. 3, No. 94, P. 2.

The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day.  In Oil Painting, Mr. S. N. Cavalho (sic.), of this city, presents several creditable offerings from his studio-conspicuous among which is a familiar Portrait readily recognized as the weather beaten but expressive countenance of “The Wandering Jew,” a venerable eccentric character well known down town, by his constant presence, and up the road, through the innumerable hieroglyphics traced along the fences, to an indefinite extent, by his hand.  These paintings add no little attraction to the Exhibition.

1852 November 25.  Charleston Courier.  (Charleston, South Carolina.)  November 25, 1852, Vol. L, No 15277, P. 2.

The Committee on Premiums, to whom was assigned the duty of selecting competent judges to decide on the respective merits of the various articles offered for exhibition at the Fair of the South-Carolina Institute for the present year, respectfully report the following list of awards…

S. N. Carvalho, for the Bust of a Beggar—a Silver Medal.

Osborn, for the best Composition Daguerreotypes—A Silver Medal. 

Glenn, for the best Daguerreotype heads—a Silver Medal.

1852 December 27.  The Charleston Courier.  (Charleston, South Carolina.) December 27, 1852, Vol. L, No. 15,304, P. 2.

For Sale.—The Subscriber, intending to devote his whole time to his profession (Portrait Painting) will dispose of his Daguerrean Gallery, 294 King-street, together with instruments, &c., on accommodating terms.  He will also give instructions to the purchaser if required.  Apply as above.  S. N. Carvalho.

1853 February 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  February 28, 1853, Vol. VIII, No. 49, P. 2

A valuable discovery with regard to daguerreotypes has been made by Mr. S. N. Carvalho, an artist of Charleston, S. C.  It has been hitherto necessary to enclose daguerreotypes in cases, and cover them with glass, as the least friction destroyed the work of sun and shadow.  Mr. Carvalho has discovered a perfectly transparent enamel, insoluble by all ordinary agents, a thin coating of which being spread upon a daguerreotype, may be carried about without other protection, or sent by post to any part of the world.  The enamel, produces no perceptible effect upon the picture.

1853 March 4.  The Freeman’s Journal.  (Cooperstown, New York.)  March 4, 1853, Vol. XLV, No. 29, Whole No. 2,317, P. 4.

A valuable discovery with regard to daguerreotypes has been made by Mr. S. N. Carvalho, an artist of Charleston, S. C.  It has been hitherto necessary to enclose daguerreotypes in cases, and cover them with glass, as the least friction destroyed the work of sun and shadow.  Mr. Carvalho has discovered a perfectly transparent enamel, insoluble by all ordinary agents, a thin coating of which being spread upon a daguerreotype it may be carried about without other protection, or sent by post to any part of the world.  The enamel, produces no perceptible effect upon the picture.

1853 March 8.  Portland Weekly Advertiser.  (Portland, Maine.)  March 8, 1853, Vol. LV, No. 10, P. 2.

A Discovery And An Improvement.—Mr. Carvalho, a young artist who has won some deserved celebrity at Charleston, S. C. has shown us a specimen of the successful application of a recent discovery of his, which must add, we think great value to the daguerreotype.  It is a process of enamelling,—applied after the picture is taken—by which the impression is permanently secured, and protected from the action of fire, water, or contact of any kind.  Thus protected, the daguerreotype needs no glass, in framing, and it may be transmitted, without injury, by mail, to any distance.  [N. Y. Express.

1853 March 17.  New York Daily Tribune.  (New York, New York.)  March 17, 1853, Vol. XII, No. 3718, P. 4.

Transparent Enameled Daguerreotypes.—J. Gurney, Daguerreotypist, No. 349 Broadway, corner of Leonard-st., having completed arrangements and entered into an arrangement with Mr. S. N. Carvalho, the discoverer of the above beautiful and highly important process, takes this method to inform his patrons and the public generally, that Mr. Carvalho may be found at his gallery, No. 349 Broadway, where he is prepared to enamel daguerreotypes of all sizes, whether taken at the gallery or elsewhere.

In offering this discovery to the public, Mr. Gurney is deeply impressed with the importance which a hard, transparent; enamel surface must and does add to the intrinsic value of good Daguerreotypes.  It effectually and permanently preserves it from atmospheric action; the picture may be washed, rubbed hard with a soft handererchief or glove, handled with soiled or greasy fingers, the surface of the enamel not sustaining the slightest injury.

Valuable Daguerreotypes of deceased relatives or friends may be thus permanently preserved at a small expense.

To Miniature painters, engravers and artists generally this enamel surface affords facility for tracing, which is a great desideratum.

For transmitting Daguerreotypes in a simple letter to any part of the world, without extra expense for postage, express, &c., thousands of persons will take advantage, as it supercedes the great uncertainty, detention, and expense of ordinary transportation.

The public are respectfully invited to call and examine specimens.  J. Gurney, cor. Leonard and Broadway.

Advertisement ran on March 17 & 18, 1853.

1853 March 22.  Vermont Chronicle.  (Windsor, Vermont.)  March 22, 1853, Vol. XXVIII, No. 12, Whole No. 1408, P. 4.

Enamel For Daguerreotypes.  A valuable discovery with regard to daguerreotypes has been made by Mr. S. N. Carvalho, an artist of Charleston, S. C,  It has been hitherto necessary to enclose daguerreotypes in cases, and cover them with glass, as the least friction destroyed the work of sun shadow. 

Mr. Charvalho (sic.) has discovered a perfectly transparent enamel, insoluble by all ordinary agents, a thin coating of which being spread upon a daguerreotype, it may be carried about without other protection, or sent by post to any part of the world.  The enamel produces no perceptible effect upon the picture.

1853 October 28.  Wheeling Daily Intelligencer.  (Wheeling, Virginia.)  October 28, 1853, Vol. 2, No. 55, P. 2.

Col. Fremont had sufficiently recovered from his indisposition to enable him to resume his winter expedition over the central rout to the Pacific.  He left St. Louis on the 15th to join his company at Old Caw Mission, at which place they were camping.  His party consists of twenty-one men, ten of whom are Delaware Indians.  Some of these Indians have been with Col. Fremont on previous expeditions.  They are picked men of their tribe, and most skillful hunters.  A daguerrean artist goes with the party, who will take sketches of everything worthy to be represented along the route.

1854 September 22.  The Western Democrat.  (Charlotte, North Carolina.)  September 22, 1854, Vol. 3, No. 9, P. 2.

Daguerreotypes of The Rocky Mountains.  The Washington correspondent of the New York Times writes: 

Calling upon the world-renowned Col. Fremont, at his residence a few evenings since. I was favored with an exhibition of quite a number of the three hundred daguerreotype views of various points of interest passed by him during his recent expedition to the Rocky Mountains, taken by the Colonel, with the assistance of a young artist who belonged to his party.  I hardly know whether to express more admiration of the perfection of these pictures as a work of art, or of the happy idea which suggested this method of presenting perfectly truthful descriptions of the country through which the explorer passed.  Some of these views present a back-ground of twenty or thirty miles; and, notwithstanding they were all taken in the open air, and under circumstances which make it quite impossible for the artist to avail themselves of some of the chemicals indispensable by Brady or Whitehurst, the latter gentlemen never turned out better specimens of the art than are many of the Colonel’s plates.   

 1897 May 24.  New York Tribune.  (New York, New York.)  May 24, 1897, Vol. LVII, No. 18, 453, P. 7.

Solomon N. Carvalho.  Solomon N. Carvalho, an artist, of No. 479 Mount Hope Place, died at his home on Friday.  Mr. Carvalho was eighty-two years old.  He leaves two sons, S. S. Carvalho, the newspaper man, who lives at Metuchen, N. J., and David N. Carvalho, of No. 42 East One-Hundred-and-thirty-third-st., who is at present in California.

Information From internet:

http://www.jamaicanfamilysearch.com/Members/ffrenchConnections_2.htm

Charleston, South Carolina.

27 Apr 1815 Born   Attended Charleston College?
1828 Parents left him @13?  to go to Baltimore
1833 Stayed in Charleston
1834 “Professional Artist” Paints Beth Elohim synagogue. After 1838 when it burnt down offers it to Congregation who pay him $50 for it.

Barbados?

1835 onwards  working for “Uncle” ie Emmanuel (or David, his father?
1838 Dry Goods store owner in Charleston
1840 “Child with rabbits” picture used on bank notes US & Canada
20 Mar 1841 visit to Washington DC for silhouette portrait of himself

July 1843 in Bridgetown, Barbados with sister Julia
1844 Barbados self-portrait

Philadelphia, Pennsylvania.

1845-50  Learned the daguerreotype process
16 Jul 1845 writes to Sarah’s brother re marriage
15 Oct 1845 M Sarah Miriam Etting Solis (b 15 Oct 1824/ d Mt Pleasant, NY 2 May 1894-Dau of Jacob daSilva Solis & Charity Hays who had been married by uncle Emanuel Carvalho-Sarah had royal ancestry from Portugal, Castile, Leon &Spain i.e. very establishment family)
1846 Shipwreck on honeymoon to the “Islands”
29 Sep 1848 son David 1-born
1848 visits Washington Dinner with Prof Samuel F B Morse
1849  Exhibition of work. residence 144 Chestnut Street, Phil. (Delightful! see Google Streetview)
1849/50 Officer Hebrew Education Soc

Baltimore, Maryland.

July 1849 opens Gallery of Fine Arts at 205 Baltimore St. prev. location of John Plumbe Jr.
1850 Listed as Daguerrian Washington DC & Baltimore. Advertised his gallery of “Ivory and other Daguerreotypes” at the Odeon, corner of 4-1/2 Street and Pennsylvania Ave, Washington.
1850  Occupation  Artist
1850 census lists family
1850 Painted Little Miss Carvalho “VKA” An Azevedo or Emanuel’s dau?.
Late 1850 moved his business to Washington
1851 advertised in Baltimore as daguerrian & portrait painter

Charleston, South Carolina.

3 Feb 1851 Advt. in Charleston Courier– Gallery at 230 King Street
1852 Spec Ctee Shearith Israel Congregation Synagogue
1852 Listed himself  “Grand Sky-light Daguerrian Gallery @167 Meeting St Charleston
23 Sep 1852 Jacob Solis 2-born (later “Uncle Jack who married Suzanne Walker convert
12 Apr 1853 Charity (Charrie) 3-born
1853 invented process for the transparent enameling of daguerreotypes.
1853 Employed by Jeremiah Gurney NYC to utilize this process

Fremont Expedition.

5 Sep 1853 “Accompanied General John C Fremont on his expedition across the Rockies as the artist of the expedition. Lost for 6 months & mourned as dead, reached California …first ever to put the beauty of the Grand Canyon on canvas” Claire Carvalho
8 Feb Arrived Parowan, Utah -saved by the Mormon Heap family
1 Mar Arrived Salt Lake City-painted many portraits Made a great deal of money.
13 June 1854 arr. Los Angles  “Carvalho & Johnson” Los Angles

Baltimore, Maryland.

1856 Paints portrait of wife Sarah Miriam Solis
Sept 1856 Published “Incidents of Travel & Adventure…with Col. Fremont….” Chose $300 flat fee instead of 5 cents per book which would have paid 5 times as much!
Jan 1856  Solomon III Solis 4-born
1856/7 listed as artist Baltimore directory resident at 35 South Gay St
1857 Founded Beth Israel synagogue, Sephardic Spanish & Portuguese customs
1857 Holiday with Sarah “Revisiting Bermuda” ? Barbados??
1858/9 listed at 81 Liberty St Baltimore
1859 Paints “Little Annie Abrams” aged 2 (She becomes David II’s wife later)
1860 listed at 92 Saratoga St Baltimore
1860 father David I dies & Sarah & family move to NYC-Solomon to New Orleans

New Orleans, Louisiana.

1860/61 Setting up steam heating invention in New Orleans
1861-Civil War time-Carvalho family is not on 1860 Census

NEW YORK CITY,NY

1862 Solomon joins family in NYC
1862 Res 177th St., Tremont Studio at “Dodsworth’s 204 5th Ave  per Nat Acad of Design
1862 Paints son Jacob Solis
1864  studio at 59 East 13th St Paints sister Miriam “Mona Lisa” style
1864 Exhibits self-portrait at National Academy of Design entry 256
1865 Paints portrait Abe Lincoln marking 2nd inauguration March 4.

1870 Census New York District 10.

Solomon Nunes  Carvalho           53 Artist Portrait Painter Real Est $6500 Pers $500
Sarah Miriam Solis  Carvalho      42  keeps house

David Nunes  Carvalho                21  clerk in soap manfg.
Charrie Solis Carvalho                 18  at home
Jacob Solis Carvalho                    17  Clerk lumber yard “Uncle Jack”  
Solomon Solis Carvalho              14
Elizth Kell                                      19  servant

1870 With Sarah directed a religious school-part of Hand-in-Hand Congregation NYC.
1871 Cataract operation.
1872 Fall  Travelled to Martinique with son David. Picture of them both on voyage. Produced “Album of Martinique with 24 plates” Copies in NYC Public Library and Schomberg Collection.
1872/3 Paints wife Sarah.
1877/8 Patents Steam Heating System-awarded Medal of Excellence by American Institute in NYC. Office address 119 Liberty Street then to 107.Resident  177th, Tremont.
Charity Carvalho and husband Adolf Marsheutz lived next door with their 4 children Jules, Solomon, Sarah & Ethel.
1885 Res at 24 East 131st St, NYC.
2 May 1894 Sarah died & Solomon went to live with Charity.
21 May 1897 Solomon died New York City death cert 15519.  Solomon & Sarah were both buried in a plot belonging to The Congregation Shearith Israel in NYC, the Sephardic synagogue founded in 1654.

“Jacob(Jack)  Carvalho, son of Solomon & Sarah, became president of a large lumber company in New York, married late in life to Suzanne Walker and built a lovely home in Lawrence, Long Island where they lived until their death.

“Another Carvalho son, Solomon Solis went into the newspaper business, first with Pulitzer, & then with Hearst, until his death. He also married late in life to a fellow newspaper worker, Helen Cuisak & they had 2 children. “Sol” was a connoisseur of Chinese porcelain.
“the only surviving daughter Charity ( was there another?)  became a painter of miniatures in addition to being a loving daughter, wife & mother”  per Joan Sturhahn’s “Carvalho”

Note: This is a work in progress. Not all newspapers have been searched. In some cases advertisements in Baltimore, Maryland, Washington, D. C. and Charleston, South Carolina have been recorded but have not been followed and recorded. In addition not all articles or advertisements were recorded, before being posted.

Broadbent, Samuel

1841-1843       136 Nassau Street, New York, New York.

1842-1843       Rooms opposite Central Hotel, Macon, Georgia.

1843                American Hotel, Madison, Georgia.

1843                Masonic Hall, Augusta, Georgia,

1843-1844       Rooms over Mrs. Bullard’s (Miss Kendrick) Store, Congress Street, Savannah, Georgia.

1844                Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, Macon, Georgia.

1845                Rooms over Ives & Brothers Dry Goods Store, Broad Street, Columbus, Georgia.

1845                Rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street,, Macon, Georgia.

1845                Mitchell’s New Building, over Field & King’s Store, Athens, Georgia.

1845                271 King Street, Charleston, South Carolina.

1845-1846       Maybin Hotel, Columbia, South Carolina.[1]

1846                Address Unknown, Hartford, Connecticut.1

1846                Rooms over Mrs. Bueaulard’s Store, Congress Street, Savannah, Georgia.

1846-1847       Corner of Market-Square and Bryan Street, Savannah, Georgia.

1847-1848       A few doors below Dr. Evans’s Drug Store, Wilmington, North Carolina. 

1848                Rooms over Hart & Polley’s Store, Wilmington, North Carolina.

1848                Rooms in the New Hotel, Fayetteville, North Carolina.

1848                Rooms At B. B. Smith’s Building, Raleigh, North Carolina.

1848-1849       211 Baltimore Street, Baltimore, Maryland.

1849-1850       Third & Market, Glazier Building, Wilmington, Delaware.[2]

1850                Rooms over Mr. Lewis’ Office, Market Street, West Chester, Pennsylvania.

1851-1857       136 Chestnut Street, Philadelphia, Pennsylvania.

1858                428 Chestnut Street, Philadelphia, Pennsylvania.

1859-1862       814 Chestnut Street, Philadelphia, Pennsylvania.

1862-1863       912 & 914 Chestnut Street, Philadelphia, Pennsylvania.

1840 January 4.  The Constitutionalist.  (Augusta, Georgia.)  January 4, 1840.  Vol. XVII, No. 64, P. 4.

List of Letters remaining in the Post Office…S. Broadbent.

1840 May 15.  The Southern Banner.  (Athens, Georgia.)  May 15, 1840, Vol. IX, No. 9, P. 3.

S, Broadbent, Miniature Painter, At the Town Hall, directly over the Post Office.  Specimens may be seen at his room.

Advertisement ran from May 15 to June 5, 1840.

1840 November 3.  The Constitutionalist.  (Augusta, Georgia.)  November 3, 1840.  Vol. XVIII, No. 87, P. 3.

List of Letters remaining in the Post Office…S. Broadbent.

1841 April 17.  New York Mechanic.  (New York, New York.)  April 17, 1841, New Series—    Vol. 1, No. 16, P. 3.

Daguerreotype Portraits, Taken with or without Sunlight, from ten o’clock, A. M. until dark, every day at the Studio of Professor Morse, No. 136 Nassau Street, opposite the Brick Church, by S. Broadbent.

Professor Morse, Will Generally Be In Attendance.

N. B.—Portraits are taken equally well in Cloudy , and even in Stormy weather.

More recently likenesses are taken in the sunlight in one second of time, without the sun in Twenty Seconds.

Advertisement ran from April 17 to August 21, 1843.

1842 December 8.  Georgia Messenger.  (Macon, Georgia.)  December 8, 1842, Vol. XX, No. 42, P. 2.

Daguerreotype Portraits.—If any one wants a fac simile of his countenance, as accurately as nature can copy it, (or of a friend,) let him call at the room of Mr. Broadbent, opposite the Central Hotel.  Mr. Broadbent has been the pupil of Professor Morse, the President of the National Academy; and the execution of his work is more perfect, and the features and outlines of his miniatures more plainly and strikingly delineated, than we have ever before seen.

1842 December 15.  Georgia Messenger.  (Macon, Georgia.)  December 15, 1842, Vol. XX, No. 43, P. 3.

Daguerreotype Portraits.  S. Broadbent respectfully announces to the citizens of Macon and vicinity, that he has taken Rooms over the store formerly occupied by Wm. B. Parker, opposite the Central Hotel, where he will be happy to wait upon Ladies and Gentlemen, who wish to see specimens, or have their Likeness taken by the Photographic Art.

Advertisement ran on December 15 & 22, 1842.

1843 January 12.  Georgia Messenger.  (Macon, Georgia.)  January 12, 1843, Vol. XX, No. 47, P. 3.

Daguerreotype Mr. Broadbent has been wee encouraged by our citizens.  His likenesses are as faithful as reflection can make them, and if it is a satisfaction to any one to have a faithful resemblance of wife, children or friends, the opportunity is now offered them.  

1843 February 16.  Georgia Messenger.  (Macon, Georgia.)  February 16, 1843, Vol. XX, No. 52, P. 3.

Daguerreotype Portraits.  Mr. Broadbent respectfully informs the citizens of Macon that he has just returned from New York, and will remain in this city for a short time, and that those who wish their Portraits taken can now be gratified.

Advertisement ran on February 16 & 23, 1843.

1843 May 20.  Southern Miscellany.  (Madison, Georgia.)  May 20, 1843, Vol. II, No. 8, P. 3.

Daguerreotype Miniatures.  Mr. Broadbent is at present at the American Hotel, where he is prepared to take miniatures of such as may desire them, in a superior style.  We have seen several of Mr. Broadbent’s pictures, and do not hesitate to pronounce them superior to any we have yet seen.  Mr. B. has certainly brought the art to perfection.  Let those who doubt visit his rooms.

1843 June 2.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  June 2, 1843, Vol. VII, No. 128, P. 2.

Photographic Miniatures.  By reference to the advertisement of Mr. Broadbent, it will be seent hat he has taken rooms at the Masonic Hall, where he proposes to take miniatures by the aid of this astonishing art.  Mr. B. has exhibited to us, and left in our possession, some specimens of his proficiency, which are, indeed, very satisfactory and should commend him to the favor of those who desire to obtain miniatures.

1843 June 2.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  June 2, 1843, Vol. VII, No. 128, P. 3.

 Daguerreotypes.—S. Broadbent respectfully announces that he has taken rooms at the Masonic Hall, where he will remain a few days only, and will be happy to wait upon Ladies and Gentlemen who may wish to see specimens, or have their likenesses taken by the Daguerreotype process.

1843 October 7.  Savannah Daily Republican.  (Savannah, Georgia.)  October 7, 1843, Vol. XLI, No. 285, P. 2.

Daguerreotype Portraits.—We call the attention of our citizens as well as that of strangers visiting the city, to the advertisement of Mr. Broadbent, which appears in our columns this morning.  We have examined several of his likenesses, and unhesitatingly pronounce them superior to any that we have ever before seen.  They have mor the appearance of a painted portrait than the common Daguerreotype likeness. Mr. B’s stay in this city will not be long, and we therefore recommend our friends to give him an early call

1843 October 7.  Savannah Daily Republican.  (Savannah, Georgia.)  October 7, 1843, Vol. XLI, No. 285, P. 3.

Daguerreotype Portraits.—S. Broadbent, having taken Rooms over the store occupied by Mrs. Bullard, Congress-street, opposite Pulaski House—will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or  have their Likenesses, taken by the Daguerreotype process.

Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and warranted superior to any Specimens that can be produced in New York, or elsewhere, or no charge.  

1843 October 17.  The New York Herald.  (New York, New York.)  October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.

Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.

The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.  P. Haas, Esq., Washington, D. C.  Dr. A. Caspari, Richmond, Va.  S. Broadbent, Esq., for the Southern States.  William West, Esq., Cincinnati, Ohio.          

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.

Advertisement ran from October 17, 1843 to January 26, 1844.

1843 October 17.  Savannah Daily Republican.  (Savannah, Georgia.)  October 17, 1843, Vol. XLI, No. 242, P. 2.

Daguerreotype Portraits.—S. Broadbent, respectfully announces that he has taken Rooms over the store occupied by Miss Kendrick and Mrs. Bullard, in Congress-street, opposite the Pulaski House, where he will be happy to wait upon Ladies and Gentlemen, who wish to see Specimens, or have their Likenesses, taken by the Daguerreotype process.

Mr. B.’s Portraits have all the colors of the complexion, dress, &c., and are warranted superior to any Specimens that can be produced done in New York, or elsewhere.

Groups of two or more taken on one plate, (whole family groups taken.)

Portraits taken equally well in cloudy, or even in stormy weather.

Advertisement ran from October 17 to November 1, 1843.

1843 November 7.  Savannah Daily Republican.  (Savannah, Georgia.)  November 7, 1843, Vol. XLI, No. 258, P. 2.

Mr. Broadbent’s Daguerreotype Likenesses.—It is only recently that we have paid much attention to the really excellent work of Mr. Broadbent, in this new art.  So repeated have been the failures of all similar attempts here, so imperfect have been the portraits which we have hitherto seen of this kind, that we have never held the method in proper estimations.  The likenesses of Mr. Broadbent are full of merit.  They are perhaps a little too true to be pleasing in some instances, but they are perfect.  The effect of light and shade and foreshortening, is precisely that which the most eminent artist known how to reach, while the peculiar contrast and gradation of colors cause them to present an appearance somewhat between a steel and mezzotint engraving.  Mr. B. has a method of precipitating gold upon the finished picture which prevents any change in it from lapse of time, whether from oxidation or otherwise.  Napoleon was but poorly gratified when Isabey told him that he could paint a picture which should last 400 years.  We can see no reason why these pictures should have any limit to their duration.  Chemically speaking there is a necessity of their continuous perfection.  Their price brings them within the reach of every one.  Mr. B.’s stay in Savannah will not be protracted much longer, as he has engagements elsewhere.  Those therefore, who desire to send cherished friends, true likenesses  of themselves, ought to make immediate application.

1843 December 8.  Savannah Daily Republican.  (Savannah, Georgia.)  December 8, 1843, Vol. XLI, No. 284, P. 3.

Daguerreotype Portraits, By S. Broadbent—Taken every day without regard to weather, (equally well in cloudy or even stormy weather) either with or without colours, and warranted superior to any taken in this city or elsewhere, or no charge.

Room in Congress street, over the store occupied by Miss Kendrick, late Mrs. Beaulard.

Mr. B. has just received a large supply of French Plates, No. 20, also, Scovill’s, Corduan’s and German Plates, and Morocco Cases; which he offers for sale by the gross or dozen, at New York prices.

Mr. B. is agent for the sale of German Instruments, and has them for sale at the importer’s price.

Advertisement ran from December 8, 1843 to January 6, 1844.

1844 February 17.  Savannah Daily Republican.  (Savannah, Georgia.)  February 17, 1844, Vol. XLII, No. 41, P. 3.

Daguerreotype Portraits—By S. Broadbent.—Rooms over the store occupied by Miss Kendrick, Congress street.

N. B. Mr. B. will remain in Savannah but a short time longer.  He will be happy to wait upon Ladies and Gentlemen who wish to examine Specimens, or have their Likenesses taken, and hope that they will make it convenient to call soon.

Daguerreotype Apparatus, Plates, Cases, &c. for sale at New York prices.

Advertisement ran from February 17 to March 1, 1844.

1844 March 8.  Savannah Daily Republican.  (Savannah, Georgia.)  March 8, 1844, Vol. XLII, No. 58, P. 3.

A Card—Daguerreotype.—S. Broadbent, begs leave respectfully to tender his thanks to the citizens of Savannah, for the liberal patronage he has received during his stay here, and hopes that those who wish, will avail themselves of this opportunity of having their Portraits taken, as he intends remaining a short time longer, and would advise all such that the weather is now vary favorable.

Advertisement ran from March 8 to 16, 1844.

1844 April 15.  Savannah Daily Republican.  (Savannah, Georgia.)  April 15, 1844, Vol. XLII, No. 89, P. 3.

The Last Call—Daguerreotype.—Mr. Broadbent begs leave once more to remind those who wish their portraits. That te will remain one week longer only (and as he has recently made some improvements, he is sure of giving perfect satisfaction to such as wish  their Likeness taken.

Rooms over Miss Kendrick’s store, Congress st., opposite the Palaski House.

1844 April 24.  Savannah Daily Republican.  (Savannah, Georgia.)  April 24, 1844, Vol. XLII, No. 97, P. 3.

Daguerreotype Once More, Since the last call, Mr. Broadbent has been detained longer than he anticipated, and begs leave to say, that he will be detained a very few days longer, and will be happy to wait upon those who desire to have their Likenesses taken.

Advertisement ran from April 24 to 29, 1844.

1844 May 6.  Savannah Daily Republican.  (Savannah, Georgia.)  May 6, 1844, Vol. XLII, No. 107, P. 2.

Daguerreotype Miniatures.—Mr. Broadbent will take no miniatures after this day.  Those who intend to sit for their pictures must therefore call, as this will be the last opportunity afforded them.

1844 May 11.  Savannah Daily Republican.  (Savannah, Georgia.)  May 11, 1844, Vol. XLII, No. 112, P. 2.

Not Gone Yet.—Daguerreotype!—Mr. Broadbent, having Portraits engaged for several families, is encouraged to remain until the last of the week, and hopes that those who desire their Portraits, will avail themselves of this opportunity.

1844 May 14.  Savannah Daily Republican.  (Savannah, Georgia.)  May 14, 1844, Vol. XLII, No. 114, P. 2.

Daguerreotype Again—Still Here!—S. Broadbent is yet on hand ready to wait upon Ladies and Gentlemen, who wish their Likenesses taken.

Advertisement ran from May 14 to 18, 1844.

1844 June 7.  Savannah Daily Republican.  (Savannah, Georgia.)  June 7, 1844, Vol. XLII, No. 185, P. 3.

Per brig Clinton, sailed yesterday for New York—…S. Broadbent…

1844 October 24.  The Charleston Courier.  (Charleston, South Carolina.)  October 24, 1844, Vol. XLII, No. 12816, P. 3.

Arrivals at the Charleston Hotel.  October 23, 1844.  S. Broadbent, Residence.  New-York.

1844 November 28.  Georgia Messenger.  (Macon, Georgia.)  November 28, 1844, Vol. XXII, No. 42, P. 3.

Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.

Portraits with or without color, and warranted equal to any in the world.

Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time.  S. Broadbent.

Advertisement ran from November 28 to December 19, 1844.

1844. December 3.  The Weekly Telegraph.  (Macon, Georgia.)  December 3, 1844, Vol. 1, No. 10, Whole No. 946, P. 3.

Daguerreotype Portraits The subscriber respectfully announces his return to Macon, and that he has taken rooms over J. L. Jones & Co.’s Clothing Store, Mulberry Street, and proposes taking Portraits of such as wish, by the Daguerreotype process.

Portraits with or without color, and warranted equal to any in the world.

Those who wish Portraits, will please call soon, as Mr. B. will remain but a short time.  S. Broadbent.

Advertisement ran from December 3 to 24, 1844.

1845 February 12.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  February 12, 1845, Vol. XVIII, No. 8, P. 1.

Colored Daguerreotype Portraits.  The Subscribers respectfully announces that they have taken rooms over Messrs. Ives & Brother’s Dry Goods Store, Broad street, and are prepared to take likenesses of such as wish, by the Daguerreotype process, beautifully colored, and warranted superior to any done in New York or elsewhere, or no charge.

This is a favorable opportunity for those who wish to preserve the resemblances of their parents, relatives or friends, and as we shall remain but a short time, those who wish their portraits will do well to call soon.  S. Broadbent & Co

Advertisement ran from February 12 to March 12, 1845.

1845 April 2.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 2, 1845, Vol. XVIII, No. 15, P. 2.

Broadbent’s Daguerreotype.  We had often seen notices of the superior excellence of Broadbent’s pictures, and have always heard him spoken of as excelling all others in the Daguerreotype—and we really think him deserving of all the praise that has been awarded him.  His pictures are more highly finished, and have a strength, brilliancy and beauty about them, that we have never seen in Daguerreotype pictures before. 

We have seen a few specimens of Miniature Paintings by Broadbent, which show him to be an artist of very superior skill, and probably his artistical skill may be one reason why he excels in the Daguerreotype.

Mr. B. intimates that he will leave in a few days, and we would advise all those who wish their portraits to call on him at once, as probably there may never occur an opportunity of getting portraits equal to Broadbent’s Daguerreotypes, which are infinitely superior as likenesses, and consequently more valuable, than any painted portrait in the world.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 15, P. 2.

For The Times.  Daguerreotype.  Messrs. Editors:—Having recently visited the operating room of Mr. Broadbent, over Ives & Brothers Store in this city, who is now engaged in taking Miniature likenesses, I was astonished to see what perfection this beautiful art has attained.  Among his specimens I saw many familiar faces which I daily meet, and so natural are they, that were they Busts, instead of Pictures , nothing is wanting save the infusion of the breath of life, to make them real or second self.  Mr. B. being an Artist, (with the aid of the magic pencil, or some other secret charm,) imparts a coloring to his pictures which makes them vie with nature itself.  I understand that he will remain in the city but a few days longer; therefore all persons interested in obtaining a perfect resemblance of themselves, or friends, will improve the golden moment, and resort at once to his room, where almost in a twinkling he will indelibly stamp their features on something more lasting than paper, or durable than wood.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 15, P. 3.

Daguerreotype Portraits, Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call.  He insures his customers that their portraits shall be taken in the best possible manner.

1845 April 9.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 9, 1845, Vol. XVIII, No. 16, P. 3.

Daguerreotype Again.  Mr. Broadbent, Having engagements with several families, is induced to remain during this, and perhaps a part of next week, and in the mean time he will be happy to wait upon others who may favor him with a call.  He insures his customers that their portraits shall be taken in the best possible manner.

N. B.  Portraits taken equally well in cloudy and even stormy weather.

1845 April 9.  The Columbus Times.  (Columbus, Georgia.)  April 9, 1845, Vol. V, No. 16, P. 3.

Daguerreotype Portraits.  Mr. Broadbent, one of the most successful artist in this country in taking Daguerreotype portraits, is still in this city.—His pictures must satisfy anyone of the perfection to which he has arrived in the art of taking impressions from the human face Divine, more perfect and distinct than can be effected by the engraver.

1845 April 16.  Weekly Columbus Enquirer.  (Columbus, Georgia.)  April 16, 1845, Vol. XVIII, No. 17, P. 3.

Not Gone Yet.  Mr. Broadbent, Will remain a few days longer.  All who wish to avail themselves of the opportunity of having their Portraits taken by him, will do well to apply soon.

Specimens may be seen at his rooms which will satisfy any one of the superiority of his Pictures, as being bettered colored, more bold, perfect and distinct, than any taken elsewhere.

Portraits taken equally well in all kinds of weather.  Rooms over Ives & Brother’s Dry Goods Store, at the Central Hotel.

1845 April 24.  Georgia Messenger.  (Macon, Georgia.)  April 24, 1845, Vol. XXIII, No. 10, P. 3.

Daguerreotype Portraits.  The subscriber respectfully informs his friends and the public, that he has taken the rooms recently occupied by Mr. Broadbent, over J. L. Jones & Co.’s Clothing Store, Mulberry street, where he is prepared to take Portraits by the Daguerreotype process.  He is provided with a very superior instrument, and the latest improvements in the art; and will engage to execute Portraits, either with or without color, equal to any in the United States.  Henry C. Freeman.

1845 May 15.  Southers Banner.  (Athens, Georgia.)  May 15, 1845, Vol. XIV, No. 10, P. 3.

Colored Daguerreotype Portraits.  By S. Broadbent.  Rooms over Field & King’s Store, in Mitchell’s New Building.

Ladies and Gentlemen are respectfully invited to call and see specimens.

N. B. Portraits taken equally well in all kinds of weather.

Advertisement ran from May 15 to 29, 1845.

1845 May 15.  Southern Whig.  (Athens, Georgia.)  May 15, 1845, Vol. XIII, No. 4, P. 3.

Colored Daguerreotype Portraits.  S. Broadbent Respectfully announces that he has taken rooms in Mitchell’s new building, over Field & King’s Store, and hopes that those who wish portraits of themselves and families, beautifully coloured, will make it convenient to call soon.  Ladies and Gentlemen are respectfully invited to call and see specimens.

Advertisement ran from May 15 to June 12, 1845.

1845 June 5.  Southers Banner.  (Athens, Georgia.)  June 5, 1845, Vol. XIV, No. 13, P. 3.

Colored Daguerreotype Portraits.  Mr. Broadbent, Will remain in Athens a few days longer, and desires that those who wish their portrait taken by him, will make it convenient to call soon.

Rooms over Field & King’s Store, in Mitchell’s New Building.

Ladies and Gentlemen are respectfully invited to call and see specimens.

N. B. Portraits taken equally well in all kinds of weather.

Advertisement ran from June 5 to 19, 1845.

1845 October 21.  The Charleston Courier.  (Charleston, South Carolina.)  October 21, 1845, Vol. XLIII, No. 13110, P. 1.

List Of Letters remaining at the post Office, Charleston, So. Ca.  Oct, 15.  Broadbent, Saml.

1845 October 22.  The Charleston Courier.  (Charleston, South Carolina.)  October 22, 1845, Vol. XLIII, No. 13111, P. 2.

Passengers.  Per steam packet Wilmington, from Wilmington, (N. C.)…S. Broadbent.

1845 October 27.  The Charleston Courier.  (Charleston, South Carolina.)  October 27, 1845, Vol. XLIII, No. 13115, P. 2.

Col’d Daguerreotype Portraits By S. Broadbent.  Rooms at 271 King Street, up stairs, 3 doors above Babcock & Co’s Book Store.

Portraits executed equal to any that can be produced elsewhere, or no charge.

Groups of  two or more taken on one plate.

Portraits taken equally well in all kinds of weather.  For sale, Voigtlander’s Geerman Cameras and every article used in the Daguerreotype.  271 King-street, S. Broadbent.

Advertisement ran from October 27 to November 1, 1845.

1845 October 31.  The Charleston Courier.  (Charleston, South Carolina.)  October 31, 1845, Vol. XLIII, No. 13118, P. 2.

[For The Courier.]  Daguerreotype Portraits.  Those who desire to procure the most perfect likenesses by this beautiful and truly wonderful process, can now have an opportunity of doing so, by calling at the rooms of Mr. Broadbent, in King-street.  This gentleman has carried the practical operation of this science to a perfection which has not been attained by any other artist within our knowledge.  Whether it is the result of the quality of the materials used, or the superior skill of the artist, we cannot say, but the pictures of Mr. Broadbent surpasses any we have ever seen for distinctness and beauty.  They are brought out in such a manner as to resemble the finest engraving, without that unsatisfactory dimness and want of life which characterises most likenesses taken by this process.  For durability, also, they are fully equal to engravings.  Mr. B. now has in his possession portraits, several years old, that present as fresh an appearance as though they had just been retaken, If there are any who doubt what we have stated, we can only say to them call and judge for yourselves.  X. Y. Z.

1845 December 3.  The Southern Patriot.  (Charleston, South Carolina.)  December 3, 1845, Vol. LIV, No. 8222, P. 3.

Colored Daguerreotype Portraits.  By S. Broadbent, 271 King-st., 3 doors above Babcock’s Book Store.  Portraits warranted equal to any that can be produced in the world, or no charge.  German Instruments and every article used in the Daguerreotype for sale.

Advertisement ran from December 3 to 12, 1845.

1845 December 13.  The Southern Patriot.  (Charleston, South Carolina.)  December 13, 1845, Vol. LIV, No. 8231, P. 3.

Colored Daguerreotype Portraits.  Mr. Perry[3], from New-York, having taken the rooms recently occupied by Mr. Broadbent, No. 271 King-street, proposes Taking Portraits By The Daguerreotype Process,—and he assures his patrons that his Pictures shall be superior, for beauty and finish, to any that can be produced at any other house in Charleston.

Mr. Perry for several years has had the charge of Mr. Plumb’s establishment in New-York, and produced the pictures for which Mr. Plumb obtained the first premium for the best pictures at the Fair of the American Institute in New-York the several successive years he was with him.  Mr. P. was also commissioned to visit the President’s house at Washington to take the portraits of his family—and also was engaged during the last session of Congress, taking the Portraits of Members of Congress, and other eminent persons.  It is well known the Daguerreotype reverses the picture, making the right appear the left side of the sitter.  Mr. P. has a mode of correcting this error by the use of a speculum which takes portraits or views without reversing them—which is not practiced by others in this city.

Mr. Perry is a practical optician, and manufactures the very best Daguerreotype instruments extant—and has for sale, Perry’s Premium Apparatus, also Plates, Cases, Chemicals, &c. &c.  Instructions given in the most approved process.

1846 January 10.  The New York Herald.  (New York, New York.)  January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.

Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlaender’s Apparatus. 

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.

Mr. James L. Lyon, Richmond, Va.

Mr. S. Broadbent, Columbia, S. C.

Mr. James P. Perry, Charleston, S. C.

Mr. S. Noessel, New Orleans.

Messrs. Johnson & Jacobs, New Orleans.

W. & F. Langenheim, Exchange, Philadelphia.                                            

Advertisement ran from January 10 to February 19, 1846.

1846 May 11.  The Charleston Courier.  (Charleston, South Carolina.)  May 11, 1846, Vol. XLIV, No. 13276, P. 2.

Per C. L. brig Carolina, for New-York—…S. Broadbent…

1846 October 27.  Savannah Daily Republican.  (Savannah, Georgia.)  October27, 1846, Vol. XLIV, No. 255, P. 3.

Per steam-packet Gen. Clinch, from Charleston—…S. Broadbent…

1846 November 3.  Savannah Daily Republican.  (Savannah, Georgia.)  November 3, 1846, Vol. XLIV, No. 261, P. 3.

Daguerreotype Portraits.—S. Broadbent respectfully announces that he has returned to the city , and taken rooms which he formerly occupied over Mrs. Beaulard’s Store, for the purpose of taking Likenesses by the Daguerreotype Process.  Those who wish their Portraits taken, may be assured of their being done by him in the very best possible manner.

Apparatus and Daguerreotype Materials for sale,

Instruction given on reasonable terms.

Advertisement ran on November 3 & 4, 1846.

1846 November 18.  Savannah Daily Republican.  (Savannah, Georgia.)  November 3, 1846, Vol. XLIV, No. 278, P. 3.

Daguerreotype Portraits.—The Subscriber would respectfully inform the inhabitants of Savannah and visitors, that he rooms are ready, and that Mr. Cary, in connection with Mr. Broadbent is now prepared to execute Likenesses in a style not to be surpassed.

Young Children setting between the hours of 11 and 12, taken in a few seconds.  Portraits for Finger Rings, Lockets, Bracelets and Broaches; also Full Length Portraits and Family Groups, with from two to fifteen persons, taken on large plates.  Printed Portraits and Daguerreotypes copied, and Pictures taken after death.

Instruction given and Daguerreotype Instruments, Chemicals, and Plates for sale.

Entrance to the Rooms one door east from the corner of Market-square and Bryan-street.  T. T. Wilmot.

P. S. Portraits taken equally well in cloudy as fair weather.

Advertisement ran from November 18, 1846 to January 5, 1847.

1847 November 2.  The Commercial.  (Wilmington, North Carolina.)  November 2, 1847, Vol. 2, No. 98, P. 2.

Daguerreotype.  We desire to call the attention of our citizens to this beautiful art as practiced  by Mr. Broadbent, whose miniatures are the chef d’ӕuvre of the Daguerreotype.  All who see his pictures testify the warmest admiration of his skill.

His likenesses combine great beauty of finish, and an unusual artistical effect—very unlike ordinary Daguerreotypes, and, beside the merit of fac simile likenesses, they are as strong as steel engravings, and have all the delicacy of color of the most exquisitely painted miniatures.  It must be a great gratification to the family and social circle to possess these beautiful representations of its members and of friends.  All who wish good portraits of themselves or friends would do well to give Mr. Broadbent a call.

1847 November 2.  The Commercial.  (Wilmington, North Carolina.)  November 2, 1847, Vol. 2, No. 98, P. 3.

Daguerreotype Portraits, By S. Broadbent, A few doors below Dr. Evans Drug Store near the Market.

Portraits taken in a style superior to any that can be produced, done elsewhere, or no charge.

Mr. B. will remain but a short time.

Advertisement ran from November 2 to 30, 1847.

1847 December 18.  The Commercial.  (Wilmington, North Carolina.)  December 18, 1847, Vol. 2, No. 118, P. 3.

Christmas Presents.  Daguerreotype Portraits By S. Broadbent, From the largest size to the very smallest desired, for Breast Pins, Lockets &c.

Room a few doors below Dr. Evans’ Drug Store, Market Street.

Advertisement ran from December 18 to 30, 1847.

1848 January 27.  The Commercial.  (Wilmington, North Carolina.)  January 27, 1848, Vol. 2, No. 134, P. 3.

Daguerreotype!  Removal.  S. Broadbent has removed to rooms over Messrs. Hart & Polley’s store where he has a Sky Light built expressly for the Daguerreotype.  There are several advantages of a sky light—the pictures are stronger, more effective, and of a more pleasing character than those done by side light; the objection of one side of the face being light and the other dark is obviated, and blue eyes can be as well taken as others.

Mr. Broadbent is an artist by profession, which gives him many advantages in the arrangement and finish of his pictures.  He has had, perhaps, mor experience in the Daguerreotype than any other person; having been successfully engaged in it ever since the art has been practiced, and his process is superior to that practiced by others, (either with machinery patented last October, or otherwise,) and he warrants better pictures than can be produced, done elsewhere.—or no charge.

Ladies and Gentlemen are respectfully invited to call and see specimens.  Rooms over Hart & Polly’s store.

Advertisement ran from January 27 to February 26, 1848.

1848 April 11.  Fayetteville Observer.  (Fayetteville, North Carolina.)  April 11, 1848, Vol. XXXI, No. 1610, P. 3.

Daguerreotype Portraits.  S. Broadbent purposes remaining in Fayetteville a few days, and will be happy to wait upon such as wish to see specimens, or have their likenesses taken by the Daguerreotype process.  Portraits taken equally well in cloudy or even in stormy weather.  Rooms in the New Hotel.

Advertisement ran from April 11 to May 9, 1848.

1848 May 2.  Fayetteville Observer.  (Fayetteville, North Carolina.)  May 2, 1848, Vol. XXXI, No. 1613, P. 3.

Messrs. Broadbent and Bennett[4] will remain in Fayetteville the remainer of this week, giving all who may wish a correct Daguerreotype likeness of themselves or friends an opportunity to obtain it.  Miniatures taken equally well in cloudy or fair weather.

1848 May 24.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 24, 1848, Vol. XLIX, No. 41, P. 3.

For the Register.  Daguerreotyping.  We have seen some specimens of this novel and beautiful art, by Mr. Broadbent, who is now in our City, which are entirely different and superior to any of the kind we have ever before seen.  His miniatures are finished in a style at once unique and splendid.

Mr. B. has taken rooms in B. B. Smith’s building, next door to the Telegraph Office.

1848 May 24.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 24, 1848, Vol. XLIX, No. 41, P. 3.

Colored Daguerreotype Portraits by S. Broadbent.  Rooms At B. B. Smith’s Corner.  Pictures taken in all the various sizes, and in the very best possible manner.

Advertisement ran from May 24 to 31, 1848.

1848 May 27.  The Raleigh Register and North Carolina Gazette.  (Raleigh, North Carolina.)  May 27, 1848, Vol. XLIX, No. 42, P. 3.

For The Register.  Daguerreotype Portraits.  Mr. Broadbent, one of the most successful Artist in the country, in taking Daguerreotype Likenesses, is still in this City, and will remain but a few day.  We have seen a letter from Prof. Stillman, speaking of Mr. Broadbent’s Pictures, in which he says “that they are decidedly the best specimens of the Art he has ever seen, and are truly elegant and perfect.”

His Likenesses combine great beauty of finish and an unusual artistical effect—very much unlike ordinary Daguerreotypes; and besides the merit of fac simile Likenesses, they are as strong as steel engravings, and have all the delicacy of color of exquisitely painted Miniatures.  All who wish good portraits of themselves and friends, would do well to give Mr. Broadbent a call immediately, as he will leave soon.

Advertisement ran on May 27 & 31, 1848.

1848 December 19.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 19, 1848, Vol. XCVIII, No. 17,164, P. 2.

Daguerreotype.  Mr. Broadbent respectfully announces that he has taken rooms at 211 Baltimore Streer, over J. E. Bird’s store, next Mr. Easter’s, where he has a very superior Sky Light, built expressly for the Daguerreotype.

Mr. B. has many advantages over ordinary operators—he has had as much, and probably more experience in the Daguerreotype, than any other person,–having been successfully engaged in it ever since the art has been practiced; and being an artist, he understands how to place the sitter in the most favorable light and position to make a good picture, and show best the likeness and character of the sitter—beside, his process is superior to that practiced by others.  Those who want the very best picture that can possibly be taken (and no one wants any other) will do well to give Mr. Broadbent a call at 211 Baltimore st.

Advertisement ran from December 19 to 21, 1848.

1848 December 23.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  December 23, 1848, Vol. XCVIII, No. 17,168, P. 3.

Daguerreotype Portraits Taken By Broadbent & Co., No. 211 Baltimore st., over J. E. Bird’s Store, next Mr. Easter’s, and warranted superior to any that can be produced elsewhere, or no charge.

Advertisement ran from December 23, 1858 to January 9, 1859.

1849 May 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  May 30, 1849, Vol. XCIX, No. 17,290, P. 3.

Local Matters.  Reported for the American…

Beautiful Daguerreotypes.—We have recently [examined] with much pleasure the very beautiful specimens of Daguerreotyping, executed by Messrs, Broadbent Cary, No. 128 Baltimore street.  These gentlemen, with a perfect knowledge of the art, have availed themselves of the latest improvements made in France and Germany, and now produce a perfect likeness, [which] by the aid of a little colouring, is made to bear [a close] resemblance to a finely executed miniature.—[those] who will take the trouble to examine their [speci ?] will at once acknowledge their great excellence.  [The] rooms of Messrs. Broadbent & Cary are neatly [prepared] for the reception of ladies and gentlemen, and [ ? ] great pains they take to afford entire satisfaction to [those] who favor them with their custom, commends [them] strongly to public patronage.

1849 June 13.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  June 13, 1849, Vol. XCIX, No. 17,302, P. 2.

Left at The Daguerreotype Rooms of Broadbent & Cary, in the American Office Building, a Bead Purse containing Money, and other articles which the owner can have by paying for this advertisement.

1849 July 13.  Blue Hen’s Chicken.  (Wilmington, Delaware.)  July 13, 1849, P. 2.[2]

Daguerreotypes.—Mr. Broadbent, from Baltimore, is resuscitating at the Glazier Building, taking likenesses to the life.  He gives true and beautiful pictures.  Who does not want to be often remembered  hen call and get your likeness and send it to your friend.  His specimens are splendid.

1849 July 13.  Blue Hen’s Chicken.  (Wilmington, Delaware.)  July 13, 1849, P. 3.4

Colored Daguerreotype Portraits.  S. Broadbent has taken rooms in Glazier’s new building, corner of Third and Market Streets; where he purposes remaining a short time, and respectfully invites ladies and Gentlemen, to call and see specimens.

His pictures are guaranteed superior to any others; or no charge.

N. B.—Likenesses taken equally well in all kinds of weather.

1849 August 30.  American And Commercial Daily Advertiser.  (Baltimore, Maryland.)  August 30, 1849, Vol. C, No. 17,363, P. 3.

Splendid Colored Daguerreotype Portraits By C. W. Purcell, late Operator for Broadbent & Cary, No. 128 Baltimore street, over the American Office.

Having a through knowledge of all the latest improvements in this beautiful art.  Mr. Purcell feels a confidence in assuring the public that all pictures taken at his establishment shall combine a most correct likeness with the highest artistical skill.  He will undertake to give the fullest satisfaction, or no charge will be made.

Ladies and Gentlemen are requested to call at his rooms and examine his specimens.

1850 February 26.  The Record.  (West Chester, Pennsylvania.) February 26, 1850, Vol. XXXIII, No. 1704, P. 3.

Daguerreotype.  S. Broadbent respectfully announces that he has taken rooms over the office of Joseph Lewis, Esq., Market street, and intends remaining a short time for the purpose of taking portraits by the Daguerreotype process.  Ladies and Gentlemen are invited to call and examine specimens.

Advertisement ran from February 26 to March 19, 1850.

1850 April 2.  The Record.  (West Chester, Pennsylvania.) April 2, 1850, Vol. XXXIII, No. 1706, P. 3.

Daguerreotypes.  Mr. Broadbent has made arrangements with Mrs. Hewes to continue for a short time, the taking of Daguerreotype Portraits, at the rooms recently occupied by him in Wester Chester Those who desire pictures should call on Mrs. H., who having practiced with him, executes in the best style of the art and by the same process as Mr. B.; it being acknowledged superior to that of any other artist.—Their pictures are strong as Steel Engravings and beautifully colored.

Specimens may be seen at their rooms over Mr. Lewis’ Office, Market street.

1851 April 10.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  April 10, 1851, New Series—Vol. VIII, No. 15, P. 3.

Something New.  Broadbent & Co.  Colored Skylight Daguerreotypes.  We would advise our friends and the public in general, that we are prepared to offer best efforts to those wishing pictures, and shall be pleased to exhibit specimens to any who may call, at 136 Chestnut street, over Baily & Co., Philadelphia.  Mr. S. Broadbent.  Mrs. S. G. Hawes.

Advertisement ran from April 10, 1851 to September 11, 1852.

1851 June 16.  Public Ledger.  (Philadelphia, Pennsylvania.)  June 16, 1851, Vol. XXXI, No. 70, P. 2.

All who visit Broadbent & Co’s Daguerreotype Rooms, testify the warmest admiration of their beautiful style of pictures.  Rooms 136 Chestnut st.

1851 August 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 19, 1851, Vol. XXXI, No. 124, P. 2.

Broadbent & Co.’s Daguerreotypes—over Bailey, No. 136 Chestnut street—are the most perfect gems in the art.

1851 September 1.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 1, 1851, Vol. XXXI, No. 135, P. 2.

Broadbent & Co.’s Portraits, by the Daguerreotype. Are peerless.  Rooms 136 Chestnut street, between Fourth and Fifth, south side.

1851 October 30.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  October 30, 1851, New Series—Vol. VIII, No. 44, P. 2.

Likeness Of George Thompson.—We have seen, at various times three or four different pictures of this eminent man, but they were all failures—we had almost said caricatures.  Correct in outline, they yet lacked expression, and were powerless to convey a right impression of the man whose lineaments they professed to present.  But we have before us now a picture of another sort, and one that does something like justice to its subject.  It is an engraving by Illman & Sons, from a Daguerreotype by Broadbent & Co.; and those who have seen Mr. Thompson will, we think, agree with us that it is not only a striking likeness, but a beautiful work of art.  The engraver has been fortunate in catching the spirited and life-like expression so effectually traced by the sun, and in looking at the picture you might almost think that the man himself stood before you, and was about to give you an illustration of his oratorical powers.

It is for sale at the Anti-Slavery Office, price 37½ cents.

1851 December 12.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 12, 1851, Vol. XXXII, No. 67, P. 2.

An Assortment Of Cases, for holiday gifts, at Broadbent & Co.’s, 136 Chestnut Street.  The pictures need no comment—the speak for themselves.

1851 December 20.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 20, 1851, Vol. XXXII, No. 74, P. 2.

Holiday Presents.—Broadbent & Co.’s Daguerreotypes, No. 136, South side of Chestnut st., between Fourth and Fifth.  Saml. Broadbent.  Mrs. S. G. Hewes.

1852 September 18.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  September 18, 1852, New Series—Vol. IXI, No. 38, P. 3.

Daguerreotypes!!  Broadbent & Co. offer to those desiring pictures the best facilities in the art.  Beautiful Landscapes, Picturesque or Plain Backgrounds, at the option of the Sitter; see the new and elegant style of illuminated heads.

Those who desire pictures or portraits copied Stereoscope portraits of themselves, or miniatures on ivory or beautifully enameled on porcelain, shall be faithfully served at 136 Chestnut st.  Samuel Broadbent, Sally G. Hawes.

Advertisement ran from September 18, 1852 to June 15, 1854.

1852 September 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 25, 1852, Vol. XXXIV, No. 2, P. 2.

Daguerreotypes in new and beautiful styles, by Broadbent & Co., 136 Chestnut street, between Fourth and Fifth.

1856 April.  The Photographic And Fine Arts Journal.  (New York, New York.)  April 1856, Vol. IX, No. 4, P. 124-126.

The Photographic Galleries Of America.   Number two Philadelphia. Philadelphia, April, 1856.

Broadbent & Co., Chestnut St.—What specimens we saw, chiefly daguerreotypes, were in the first style of the art, with a few exceptions. Good daguerreotypes are not so much appreciated as formerly, as the attention of true artists is directed now particularly to Photography on paper and glass. As daguerreotyping has not yet reached its acme of perfection, I am very glad to see that there are some artists who are still striving for its improvement; although I acknowledge the superiority of paper and collodion photographs.

1858 October 23.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  October 23, 1858, Vol. LIX, No. 95, P. 1.

We Noticed also, among the photographic specimens some magnificent works by Broadbent.  Other cities may boast as much as they will of the advancement of the photographic art—Philadelphia still, as we think, bears away the palm.  Some of the works in the collection of Broadbent surpass any we have ever seen, either of home or foreign execution.  Those of them which are plain have high merits, while those that are colored are, if possible, even more attractive.

1858 November 6.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  November 6, 1858, Vol. LIX, No. 106, P. 1.

Franklin Institute…Among the photographic specimens at the Fair, we have heard but one opinion expressed of the works of Broadbent, Dinmore, [Hotly], Williams, and others.  Those of Broadbent and Dinmore have been particularly lauded, and with great reason.  They are truly gems in the way of art.

1858 November 10.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 10, 1858, Vol. XLVI, No. 44, P. 1.

Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.

1858 November 11.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  November 11, 1858, Vol. LIX, No. 110, P. 1.

Franklin Institute.—The photographs of Mr. Broadbent, in the upper saloon of the Institute, are beautiful specimens.  Among them we noticed a likeness of John Grigg, Esq., which is brilliantly executed, presenting a most spirited fac simile of the features of that well known and highly respected gentleman.  The coloring of all the specimens in Mr. Broadbent’s collection is extremely life-like.  Indeed, the entire display he makes at the Fair is of the best possible character.

1858 November 17.  The Dollar Newspaper.  (Philadelphia, Pennsylvania.)  November 17, 1858, Vol. XVI, No. 46, P. 2.

Franklin Institute…Fine Arts—F. DeB. Richards, for untouched photographs recall 1st premium; Broadbent & Co., photographs touched with crayon, 1st premium…The other exhibitions of photographs and daguerreotypes are mentioned in the report, but none, except those given, are considered worthy of premiums.

1861 December 13.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 13, 1861, Vol. LIL, No. 71, P. 3.

Wanted—A good Photographer—One who understands the Albumen process, preferred.  Broadbent & Co., 814 Chestnut street.

1862 July 30.  The Press.  (Philadelphia, Pennsylvania.)  July 30, 1862, Vol. 5, No. 307, P. 3.

New Photographic Rooms, Nos. 912 and 914 Chestnut Street.—The old established house of Broadbent & Company have just opened at the above place an attractive Gallery of Art, where will be found every variety of picture, from the plain carte de visite to the most exquisitely-finished ivorytype.  Prices are graded as low as consistent with the character of the pictures furnished.  Everything that is excellent in the Photographic line may here be enjoyed at leisure, and the art-loving public will not fail to make Broadbent & Company’s a constant place of resort.

1862 July 31.  The Press.  (Philadelphia, Pennsylvania.)  July 31, 1862, Vol. 5, No. 308, P. 3.

Messrs. Broadbent & Co.’s New Photographs Gallery.—We congratulate the citizens of Philadelphia upon the splendid acquisition to their photographic establishments of the new Gallery and Operating Rooms of Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, (late 814 Chestnut street.)  For elegance of design, comfort and convenience of applicants for pictures, variety and artistic merit of the pictures taken, and general excellence in all its departments, it is unsurpassed by any in the country.  Besides the charming new style of pictures made by this firm alone, the general work is pronounced unrivalled.  Scores of our citizens are visiting their magnificent new rooms daily.

1862 August 4.  Public Ledger.  (Philadelphia, Pennsylvania.)  August 4, 1862, Vol. LIII, No. 115, P. 2.

The Greatest Attraction at the present time, on Chestnut street, is Broadbent & Co.’s New Photographic Gallery, at Nos. 912 & 914.  This long established house has just opened he most beautiful and best appointed Rooms for the Photographic purpose to be found in the world.  Their entrance on Chestnut street, where are exhibited the most exquisite Ivorytypes, Wenderotypes and Cartes de Visite, is thronged  from morning till night.  By [increased] sky light arrangements, they are enabled to secure much greater promptness in attending to visitors.  Sky lights but a short flight of steps above the Reception Room.

1862 August 7.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 7, 1862, P. 5.

Broadbent & Co.’s New Photographic Galleries.—The removal of Messrs Broadbent & Co.’s Photograph Galleries to Nos. 912 and 914 Chestnut street, is meeting the popular approval of the public.  This establishment is now the most popular art centre in our city, and hundreds visit it daily for the purpose of examining the magnificent specimens there exhibited, executed in all the various styles of the Photographic art.

1862 August 11.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 11, 1862, P. 4.

 Messrs. Broadbent & Co.’s New Photograph Galleries, Nos. 912 and 914 Chestnut street [are] justly attracting general attention.  To have a life-like and artistic picture made, in any and every style of the Photographic art, this is the place.  In addition to the plain Photographs, either Carte or any of the larger sizes, they are executing, to order a large number of Ivorytypes, and the beautiful new Wenderotype, the latter being [confined] to this popular house, and is an invention of Mr. Wenderoth, a member of the firm. 

1862 August 16.  The Press.  (Philadelphia, Pennsylvania.)  August 16, 1862, Vol. 6, No. 14, P. 3.

New Card Photographs Of Distinguished Men.—Messrs. Broadbent & Co., No. 912 & 914 Chestnut street, have recently added to their collection of fine carte de visite for the Photograph Album excellent pictures of Hon. Edward Everett; Brigadier General Negley; Dr. J. E. Rhoads; Dr. A. C. Hart; Rev. Dr. [Suddards]; Governor Yates, of Illinois; Rev A. B. Atkins; Rev. Kingston Goodard, D. D.; Rev. T. K. Conrad; Dr. M. [Duane]; Rev. E. W. Hutter, D, D.; Colonel Collie, of the Zouaves d’Afrique; Dr. Reed; late B. T. Conrad, and others, all executed in the highest style of the art.

1862 August 26.  The Press.  (Philadelphia, Pennsylvania.)  August 26, 1862, Vol. 6, No. 2, P. 3.

Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.

Notice ran on August 26 & 28, 1862,

1862 August 27.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  August 27, 1862, P. 5.

Messrs. Broadbent & Co., Nos. 912 and 914 Chestnut street, have just published, at their Photographic Galleries, fine carte de visite of Hon. Judge McCandles , of Pittsburg; Commodore McKean; Lieut. Colonel Starr (who has just been released from the Richmond prison); the Rev. R. A. Carden; Captain Gillies, of Delaware; Right Rev. Bishop Wood; Rev. William P. Bread; John Hunt, a noted preacher in the Society of Friends; Mr. Healy, the artist, and the Union General Jackson, of Kentucky.

1862 September 4.  The Press.  (Philadelphia, Pennsylvania.)  September 4, 1862, Vol. 6, No. 30, P. 3.

Beautiful Specimens Of Sculpture.—Messrs Broadbent & Co.’s establishment, Chestnut street, above Ninth, is a thorough Emporium of Art.  In addition to their celebrated photographs in every style of the art, from the carte de visite, colored and plain, to the life size portrait finished in oil, they are now executing some of the finest specimens of sculptured likenesses that we have ever examined, in bust, medallion, life size, and miniature.  Every department of this extensive house is under the control of thoroughly educated professional artists.

1863 June 5.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  June 5, 1863, P. 5.

Copartnership Notice.—Philadelphia, June 3, 1863.—The Firm of Broadbent & Co., Photographers is this day dissolved by the retirement of S. Broadbent.

The business will be continued by his late partners under the name Wenderoth & Taylor.  Mr. Wenderoth, the artist and the inventor of the Ivorytype and Wenderotype, who was associated with the late firm for four years, will continue at the head of the artists department, and Mr. Taylor, also a partner in the late firm, will remain, as heretofore, in charge of the business in the reception room.  S. Broadbent, F. A. Wenderoth, W. C. Taylor, 912 and 914 Chestnut Street.

1880 July 26.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  July 26, 1880, Vol. CIII, P. 5.

Died.  Broadbent.—On Saturday evening.  July 24, 1880, Mr. Samuel Broadbent, in his seventieth year of age.

The funeral will take place from his late residence, on Wednesday, 28th inst., at 3 o’clock P. M.

Samuel Broadbent is still a work in progress, Philadelphia newspapers have not been thoroughly checked.

1880 July 27.  The Daily Gazette.  (Wilmington, Delaware.)  July 27, 1880, Vol. XCVI, No. 87, P. 1.

Deceased.  Samuel Broadbent, of Broadbent Taylor, photographers, Chestnut street, Philadelphia died at his residence in that city , on Saturday in the 70th year of his age. 

Mr. Broadbent formerly lived in this city, and had a gallery in the building at Third and Market streets, belonging to Mr. Phillip Plunket.  Mr. Elwood Garret, the skillful photographer of this city learned the photographic art with Mr. Broadbent while in this city.  Mr. Broadbent was one of the best artist in Philadelphia, and a gentlemen of refinement, pleasant and reliable.  He was very active for his age and continued to be at his business until within a few weeks of his death. He had a wide circle of friends and his death will be sincereely (sic.) regretted


[1] Craig’s Daguerreian Register

[2] A Directory of Delaware Photographers 1839-1900 and Beyond.

[3] James P. Perry based on the January 10, 1846 advertisement.

[4] N. S. Bennett address was in the rear of Dr. Ware’s Office, Front Street.