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G. Wilson

1842                Three doors north of the Cheshire House, Keene, New Hampshire.

1845                3 Lamson’s Building, Keene, New Hampshire.

G. Wilson was recorded in two advertisements.  The first appeared on September 14, 1842 in the  Cheshire Republican and Farmer’s Museum (Keene, New Hampshire).  Photographic Miniatures.  Ladies and Gentlemen are respectfully informed that rooms are again open, three doors north of the Cheshire House, for taking Daguerreotype Miniatures.

G. Wilson having returned from Boston, and vicinity, where he has devoted his attention to the acquisition of the recent improvements in the above art, flatters himself that he can produce Miniatures that will not fail to please.

N. Wilson, grateful for past favors, would inform the public that the Watch and Jewelry business is carried on in connection with the above business.  Also, that the Finest as well as common Watches will be cleaned and repaired in superior style, as usual.

Miniatures taken from Portraits with perfect fidelity.

The second advertisement appeared in October 23, 1845 in the Cheshire Republican and Farmer (Keene, New Hampshire).  Cheshire Photographic Institute, G. Wilson, Having returned from Boston, where he has availed himself of the latest improvements, will take Superior Pictures at reduced prices.  His long experience he trusts, will secure him public confidence.

Rooms, No. 3, Lamson’s Building.

G. Wilson is not recorded in other photographic directories.  There were only three newspapers available between 1842-1845 (he was not listed in the May 8, 1845 issue), and only one issue on July 16, 1856 which he was not recorded in.  According to the first advertisement it appears that he was active in Keene before September 14, 1842.

Charles Wilson

1856                Rooms over Mr. McCarty’s Store, Shreveport, Louisiana.

1856                Address Unknown, Little Rock, Arkansas.

1857                Rooms at Hebert’s Hall, Plaquemine, Louisiana.

1857                Address Unknown, Grosse Tete, Louisiana.

1858                Address Unknown, Shreveport, Louisiana.

Charles Wilson was recorded in fourteen announcements and five advertisements in three different newspapers.  The first announcement appeared on March 26, 1856 in The South-Western (Shreveport, Louisiana).  We take pleasure in calling the attention of our readers to Mr. Wilson’s advertisement, in another column.  His pictures are among the finest we have ever seen, and we would advise all who wish to obtain a superior likeness to call on this able artist ere his departure.

The first advertisement ran from March 26 to April 9, 1856 in The South-Western.  Ambrotypes.  The undersigned begs leave to inform the public that he has rooms over Mr. McCarty’s store, where he is ready at all times to take his beautiful and unparalleled new style of pictures.  For brilliancy and fineness they surpass Daguerreotypes, and unlike them, they are not reversed.  They can also be produced instantaneously, which is a great advantage in taking children and persons who cannot bear strong light.  They can never fade nor change as they are hermetically sealed and rendered impervious to air or dampness.  Chas. Wilson.  Shreveport, March 26, 1856.

The second announcement appeared on July 22, 1856 in The True Democrat (Little Rock, Arkansas.)  Ambrotype Pictures.—Prof. Wilson arrived here a few days since, and is prepared to execute pictures by this new and beautiful process which will combine that relief, distinction and life-like appearance that is truly wonderful.—His advertisement will be found in another column.

The second advertisement ran from July 22 to August 12, 1856 in The True Democrat.  Ambrotype Pictures.  The undersigned begs leave to inform the public that he has secured a gallery, in Little Rock, for a short time only, for the purpose of introducing Ambrotype Likenesses.

These likenesses have many advantages over the daguerreotype, among which are the following: they are more beautiful—they are more finely delineated—the faces have a softer tone, having greater relief and Can Never Fade!  They can be seen in any light, as they have none of the glare of the daguerreotype.  Their superiority above the latter is beyond all comparison, so much so that daguerreotypes are entirely abandoned wherever the ambrotype has been introduced.  Ladies and gentleman are respectfully invited to call and judge for themselves.

Persons residing in the country would do well to spend a day in Little Rock for the purpose of securing one of these never fading impressions.

Young men of enterprise should embrace this opportunity for learning the art—amount of capital required for a fair start, only $250, which with good management will be replaced in 15 or 20 days.  Chas. Wilson.

The third announcement appeared on January 10, 1857 in the Southern Sentinel (Plaquemine, Louisiana). 

Ambrotyping.  See the card of Messrs. Wilson & Steele, who have just arrived amongst us with a large and complete stock of materials, for practicing their art to the fullest extent.  Their pictures speak for themselves, making any remarks from us almost superfluous. Our citizens would be well pleased by visiting their rooms at Hebert’s Hall.

The third advertisement ran from January 10 to 24, 1857 in the Southern Sentinel.  A Card.  The undersigned respectfully informs the citizens of Bayou Plaquemine and vicinity that they have taken rooms at Hebert’s Hall, for the purpose of taking Ambrotype pictures.  They respectfully invite ladies and gentlemen to call and examine their specimens.  To those wishing pictures, they would say that they need not fear getting any inferior pictures palmed off on them, (a too common practice by men calling themselves artists, who, in reality, neither know or care anything about the art or its progress, further than to suit their own selfish purposes.)  Persons having pictures taken in the Eastern States or Europe are respectfully requested to produce them in our rooms for comparison.  We are prepared to challenge (superior pictures,) competition with any artist on either continent, as one of the party has experimented in the art from its earliest infancy, having operated with great success in the principal cities in Europe and America.  The patronage of those wishing Superior pictures is most respectfully solicited.  Call without delay as our stay is limited.  Wilson & Steele

The fourth announcement appeared on January 17, 1857 in the Southern Sentinel.  Ambrotypes.  Our readers are referred to the Card of Prof. Wilson, in our advertising columns.

It will be seen that he promises a great deal, but we are prepared to endorse it all, and will guarantee perfect satisfaction to the most fastidious.

We have examined his specimens, and can truly say that we have never yet seen any thing to equal, much less excel them.  They are beyond description, and must be seen to be fully appreciated.

Prof. Wilson is justly celebrated in his Art—has given universal satisfaction wherever he has been—and, as he will remain here but a few weeks, we bespeak for him the liberal patronage of our citizens, so eminently due to his merits.

Those who have old Daguerreotype pictures, had better destroy them at once, and get Ambrotypes, if they wish to “preserve the shadow ere the substance fade.”  Go and examine for yourselves.—Little Rock Gazette and Democrat.

We heartily endorse the above.  The Ambrotypes of Messrs. Wilson & Steele are unsurpassed in point of beauty and correctness of delineation.  Our citizens could not fail to spend a half hour delightfully at their rooms at Hebert’s Hall, admiring their numerous specimens; and once witnessing the faithful resemblance impressed upon the glass, we feel quite sure they would also feel inclined, as did their acquaintance, to transmit their features to posterity, for the benefit of the loved ones left behind, when the substance has faded away.  The above gentlemen will remain here but a short time, and the present opportunity should not be neglected.

The fifth announcement appeared on January 24, 1857 in the Southern Sentinel.  The Ambrotype Art.  A writer in the Journal of Commerce gives some interesting facts concerning the art of photography, from which it appears that but a short time ago there were one hundred and fifty daguerreotype rooms in New York city, employing on an average five persons; but now, by the introduction of new processes not easily attainable, many of the old operators are irretrievable ruined.  The finer texture and subdued coloring of the plate-glass ambrotype led to the relinquishment of the metallic plate, so that the unnatural glare of the latter was avoided, the effect produced being more like that of a fine engraving; nor is the image reversed, as in the daguerreotype.  Another advantage is that the impression is taken instantaneously, so that the features are not disturbed by fatigue or impatience.  The photograph is another process much in use, which approaches more to the old style of miniature painting, the pencil being employed to a considerable extent, though the lineament and general expression an conveyed by optical apparatus, as in the ambrotype, except that paper is substituted for plate glass.

The above beautiful art of Ambrotyping is now being practiced in our town, in the highest grade of its perfection, by Messrs. Wilson & Steele.  Their stay among us cannot be of much longer duration, we learn, and those who have not yet caused their features to be made imperishable, by sitting a few seconds before the camera of these gentlemen, should not lose the opportunity; for it may be years before another chance like this occurs for procuring portraits of such faithfulness and durability, and finished with such skill and beauty by the artist’s brush.

The sixth announcement appeared on January 31, 1857 in the Southern Sentinel.  Read the card of Wilson & Steel, Ambrotypists; their stay in Plaquemine is limited to but a few days longer.  Lose not this, probably, the last opportunity that will occur for a long time.

The fourth advertisement ran from January 31 to February 14 in the Southern Sentinel.  A Card.  For the liberal patronage extended to us—by the flattering manner in which our Pictures have been received in Plaquemine—we return our sincere acknowledgments, and would say, that whatever good reputation we may have had, has been the result of a constant endeavor to please our patrons, and the persevering study of our art for years.  With our extensive facilities and long experience in the business, we are prepared to warrant satisfaction.

Our stay will be limited to a few days longer, during which time we invite all who have not had Portraits taken by our never-fading Ambrotypic process, to call and procure at once so valuable a memento, upon which time can effect no change; and which, for beauty, correctness of delineation, and perfectibility in coloring, we challenge the world to produce superior pictures! Wilson & Steel.

The seventh announcement appeared on February 7, 1857 in the Southern Sentinel.  The Ambrotype Room of Messrs. Wilson & Steel seems to have been the most popular and fashionable resort for the past week, and to all appearances, likely to continue so for some time.  Their portraits appear to give universal satisfaction.  The gentlemen artists are very courteous and accommodating, and allow none to leave who extend their patronage without being wholly and entirely satisfied with their work.  Their stay here cannot extend to but a few days more, from what we understand, and we again advise procrastinators to hold back no longer.

The eighth announcement appeared on February 14, 1857 in the Southern Sentinel.  “What would I give to have her Portrait now!”—How many have made this exclamation! —made it, when unexpected Death has stepped in to deprive him or her who was the light of his life.  The expression is equally applicable to the female as to the male sex.—This reflection was brought to our mind while on a visit a day or two since to the Ambrotype Room of Prof. Wilson, who was engaged at the time in taking copies of Daguerreotypes of a young couple, by a sudden terrible disaster, had passed from earth to eternity.  As the Professor was showing the life-like copy to his visitors, we heard on exclaim, as a reply to a remark of a friend, “Alas! It is too late now—it is too late now!”  meaning, no doubt, some dear one who had left this earth without leaving a resemblance of her features behind.  Lose not the present opportunity, then, Prof. Wilson will probably leave after he has got through with his present engagements.

The ninth announcement appeared on February 21,1857 in the Southern Sentinel.  The Last Week.  It will be seen by advertisement of Prof. Wilson that in one more week his stay here will end, and those who have procrastinated thus far had better take advantage of the few days remaining, if they would secure a portrait of such perfectness and beauty as they will not have an opportunity to do, probably, for a long length of time.  Prof. Wilson has taken several hundred portraits of all sizes since he has been here, and has given universal satisfaction.

The fifth advertisement ran from February 21 to 28, 1847 in the Southern Sentinel.  A Card.—The undersigned, grateful for, and flattered by, the patronage which has been extended him as an Ambrotypist by the citizens of Plaquemine and vicinity, respectfully informs the public that his stay here will not exceed seven or eight days longer, and those who desire portraits, but have been holding back, had better pay him an early visit, so he would have time to take an excellent portrait and finish it properly with the brush.  Chas. Wilson.

The tenth announcement appeared on February 28, 1857 in the Southern Sentinel.  Prof. Chas. Wilson.  It is seldom that our country towns are visited by any but mountebanks in the various sciences they pretend to practice, or in the exhibitions they pretend to exhibit.  It is, then, as much our duty as our pleasure to record the fact, when a deserving person visits our town and fully performs all that he professes, whether in art, science or amusement.  That Prof. Wilson has done this, in the practice of his beautiful art, hundreds of delighted patrons in this town and vicinity will testify.  He came here unheralded and unknown, but a few days only elapsed before his great skill as an Ambrotypist was fully understood and appreciated.  There is no doubt that his portraits are of the very first class, as to faithfulness, beauty, and life-like appearance—in position, shade, coloring, &c. &c.  In fact, the art of coloring (or indeed painting) in connection with his Ambrotyping, is a separate art of itself, which he acquired after studying it in Paris and other cities in Europe, and in examining and studying good paintings in the many galleries of the fine arts to be seen in that country.

We have heard competent judges pronounce Prof. Wilson’s Ambrotypes to be the best they had ever seen—indeed, equal to photographs.  To prove this assertion, we refer to one particular portrait among many others of his work, to be seen in his gallery: it is that of a little daughter of a respected clergyman of this town.   She is taken full length—her apron hoisted up with one hand, and roses falling out of it on the ground—a beautiful idea—the impression conveyed that she has just returned from the garden, where she had been gathering flowers.  We are sure that this beautiful picture cannot be excelled by a photograph, and it is alone sufficient in itself to establish his reputation.

Prof. Wilson is now about to leave us, and we commend him to the good graces of our cotemporaries every where.  In his contemplated return to Europe and visit to the Holly Land, in the enthusiastic pursuit of his profession—to take views of celebrated localities, for the purpose of embellishing a work he has in preparation—we wish him continued health and uninterrupted success in the accomplishment of his praiseworthy undertaking.

Since the above was in type we understand that Prof. Wilson will not be enabled to leave here the ensuing week, so much has his business increased.

The eleventh announcement appeared on March 7, 1857 in the Southern Sentinel.  This gentleman, although he fully expected to have left us a week since, is still here, and as busily engaged in practicing his beautiful art, as he was the first or second week of his visit.  Of course he cannot leave while such a flood of patrons flock in upon him as has been characteristic of the past week—yet, as the time is approaching, as we understand, when he has definitely fixed upon for his departure for Europe, he cannot, under any circumstance, considering his pre-engagements, allow himself to be detained here or anywhere else but a very short time longer; it would therefore be well, if there are any yet in this vicinity who have determined upon taking advantage of his present visit (and without doubt his last) to have their features portrayed upon the faithful and fadeless glass, they should not procrastinate a day longer, for he may leave before our paper again goes to press.

The twelfth announcement appeared on March 14, 1857 in the Southern Sentinel. Prof. Wilson.—We understand that our friend Prof. Wilson (who, per force, is here still, and whose success here as an Ambrotypist is unprecedented), anticipates visiting the beautiful region of Grosse Tete, where, we are sure, his talents will be equally as well appreciated as they have been here.  Our friends up there will no doubt be happy to see him and his cameras in that vicinity.        

The thirteenth announcement appeared on May 9, 1857 in the Southern Sentinel.  Ambrotypes.  If it is not already publicly known, it will be in a few days, that Capt. Verbois, having made himself thoroughly acquainted with the art of Ambrotyping, under the tuition of that celebrated artist, Mr. Chas. Wilson, will commence the practice of his art forthwith on the opposite side of the river.  His specimens that we have seen are in no way inferior to those of his tutor, and we feel sure that he can give the highest satisfaction.  The Thibodaux Minerva thus speaks of the captain:

The fourteenth announcement appeared on January 27, 1858 in the Southern Sentinel.  Mons. Adriene, who was so popular here, is performing in New Orleans, and Wilson, the Ambrotypist, is performing in Shreveport, both seemingly dealing in magic, in their separate arts.

Charles Wilson is recorded in Pioneer Photographers from the Mississippi to the Continental Divide A Biographical Dictionary 1839-1865 as being active in Little Rock, Arkansas in 1856.  It is unknown if he is the same person recorded in Craig’s Daguerreian Registry as being active in New York City in 1860.

Simeon Williams

1848                Clinton House, Clinton, Massachusetts.

1849                82 Main Street, Waits Block, Worcester, Massachusetts.[1]

1851                Address Unknown, Claremont, New Hampshire

Simeon Williams was recorded in two books, two advertisements and one announcement.  The first book he was mentioned in was the History of the Origin of the Town of Clinton, Massachusetts 1653-1865 by Andrew E. Ford, 1896.  Daguerrean Artists.  P. 397…S. Williams, who had a saloon near the Clinton House [Clinton, Massachusetts].

The second book he was mentioned in wasThe Worcester Historical Society Publications  (Worcester, Massachusetts.)  New Series Vol. I, No. 8, April 1935, p. 438…During the year 1846 we find the firm of White and Andrews located in the Central Exchange.  They appear to have remained in business only for a brief period.  Other men in the field before 1850 were Lewis Babbitt, Simeon Williams and M. S. Chapin.

The first advertisement ran from January 8 to April 18, 1849 in the Worcester Daily Spy  (Worcester, Massachusetts).  Daguerreotypes for 75 Cents, S. Williams, the proprietor of the City Daguerreotype Gallery, having taken the Rooms formerly occupied by A. Morse, in Wait’s Block, No. 82 Main Street, nearly opposite the Eagle Hotel, and fitted them up with new and Enlarged Lights, arranged and perfectly adapted to the business, is prepared to execute Daguerreotype Likenesses superior to those taken or exhibited at any other establishment in Worcester.  This is the only place in this City where a first rate Daguerreotype can be obtained for Seventy-five Cents—notwithstanding the advertisements to the contrary by Boys who are employed to clean plates at a certain other establishment, the proprietor of which has, for the past seven or eight months, been floating upon the reputation of another Artist.

The object of this advertisement is to inform the public where they can procure a Daguerreotype for the above price, executed by a skillful Artist; instead of being made subjects for the practice of inexperienced Youths.

The announcement appeared on October 23, 1851 in the National Eagle (Claremont, New Hampshire).  Daguerreotypes.  In another part of this paper may be found the advertisement of Messrs. Bundy & Williams, Daguerreotypists.  We have seen some specimens of their work, and they are certainly very fine.  We know not that we ever saw Daguerreotype pictures so clear and life-like, as may be found among their specimens.  Call and see them.

The second advertisement ran from October 23 to November 13, 1851 in the National Eagle.

Daguerreotypes.  The citizens of this village and vicinity are respectfully solicited to visit the Daguerrian Gallery of Messrs. J. K. Bundy and S. Williams, now stopping in this place, where may be found a better assortment of Specimens of the Daguerrian Art than has ever been exhibited here before.  The artists guarantee that every judge of Pictures that will call shall feel satisfied that this is the fact, and they shall be shown pictures of some of the most distinguished men of the age, and also some of the most beautiful ladies in New England.

The subscribers are prepared to take and pit up pictures in every variety of style, from the miniature for a finger ring up to as large a size as desired, and at such a reasonable rate that all shall be satisfied.  For clearness of tone and strength of likeness, no picture taken in the country have ever surpassed them.  A dull, smokey, greasy looking Daguerreotype is worse than nothing, and we wish our pictures compared with those formerly taken in this place.—Will Ladies and Gentlemen give us an early call, as our stay must be very short.

Testimonials of the most flattering character will be shown if desired.

Copying of every description done to order.

Ladies and Gentlemen, will be better satisfied with Pictures in dark drapery.

Children should sit in mid-day in fair weather—all others in any weather and at all hours.

We are also acting agents for the sale of Smith & Green’s Seraphines and Melodeons, a beautiful instrument, manufactured with Carkart’s Improvement, and we are authorized to sell them at a more reasonable rate than they can be purchased at any other place.  We have one specimen at our carriage.  Also for sale, Sheet Music.  J. K. Bundy, S. Williams.

Simeon Williams is recorded in other photographic directories as being active in Worcester, Massachusetts in 1849.


[1] A Directory of Massachusetts Photographers 1839-1900.

Seth N. Williams

1852-1854       Granite Hall Building, Water Street, Augusta, Maine.

1855                Address Unknown, Rockland, Maine.

Seth N. Williams was recorded in four advertisements, one of which he was mentioned in, in the Maine Farmer (Augusta, Maine).  The first advertisement ran from October 21, 1852 to January 13, 1853.  S. N. Williams, (Successor to A. J. Pierce,) Daguerreotype Gallery, Granite Hall Building, Water Street, Augusta, Me.  Likenesses taken in Clear or Cloudy Weather—Hours for Children from 10 A. M. to 2 P. M.  Painted or Daguerreotype Likenesses accurately copied.  Mr. Pierce will remain a few weeks at the Room.

Stock and Apparatus for sale at Boston prices.

The second advertisement ran from October 13, 1853 to February 9, 1854.  S. N. Williams, (Successor to A. J. Pierce,) Daguerrean Gallery, Granite Hall, Water Street, Augusta, Me.  Stock & Apparatus at Boston Prices.

He was mentioned in the third advertisement that that first appeared on June 22, 1854. 

Photographs, Stereoscopic Crayon, Crystalotypes, and other Styles of Pictures, May be found at Isaac H. Dupee’s Rooms, Granite Hall, Water Street, Augusta, Me.  I. H. Dupee respectfully inform his friends and the public generally, that he has taken the Rooms formerly occupied by Pierce & Williams, for the purpose of Daguerreotyping.  Having one of the largest Cameras in the city, he is prepared to take large pictures, and especially groups, (no matter how many,) arranged in the most appropriate style.  Having paid particular attention to taking Children, and being provided with a quick working Camera, he can take small children in one quarter of the usual time.  Hours for Children from 9 A. M. till 2 P. M.  Likenesses taken in clear or cloudy weather, and warranted perfect, for the low price of $1 and upwards, including case.  Also inserted in Rings, Pins, Lockets, Seals, &c., a large assortment of which he has on hand at all times.  H having had long experience in this business, solocots a share of your patronage.  All work entrusted to his care will be promptly attended to and warranted as good as the best.

A large assortment of Daguerreotype Materials for sale to the trade at Boston prices.  Operators furnished with every thing necessary to carry on business with.  Perfect satisfaction given in all cases.

Sick and deceased persons taken at their houses, if wished, as well as at his rooms.

Portraits, Daguerreotypes and Engravings, copied accurately and put in cases or frames.  The public are invited to call and judge for themselves.  Mr. Dupee, by attention to business, and keeping his rooms open at all hours, hopes to secure Miniatures of all who call and are in want.

I take this opportunity to return my thanks to my friends and patrons for their liberal patronage.  I have sold my Rooms to Isaac H. Dupee, formerly of Bath.  I can recommend him to all who may wish for a good Daguerreotype of themselves or friends.  Mr. D. has had long experience in the Daguerreotype business; he comes well recommended as an artist and a gentleman.  S. N. W.

The fourth advertisement ran from July 12 to August 2, 1855.  Ambrotypes.  Pictures Taken On Glass!  These new Pictures differ essentially from the Daguerreotype, as they can be seen at any angle, are not reversed, will not corrode , or change by time, are as permanent as the glass on which they are made, and will retain their brilliancy for ages.

Letters Patent have been obtained for the United States, Great Britain, and France, by J. A. Cutting, the inventor.

The following counties for sale:—Kennebec, Franklin, Piscataquis, Somerset, Lincoln, Waldo, and Aroostook.  For particulars apply to S. N. Williams, Agent, Rockland, Me.  June 27, 1855.

Seth N. Williams is recorded in ­Craig’s Daguerreian Registry as being active in Rockland, Maine as a daguerreian in 1855.  

S. H. Williams & Co.

1848                Address Unknown, Honolulu, Hawaii.

S. H. Williams & Co. were recorded in two advertisements in the Polynesian (Honolulu, Hawaii).  The first appeared on March 18, 1848.  Flour, Hides, &c.  For Sale by S. H. Williams & Co. 300 barrels superior Columbia River Flour; 2000 Sandwich Island hides; 25 superior Sea Otter Skins; 67 Rolls 40 yards each 4×4 China Matting.

The second appeared on July 1, 1848.  For Sale A Daguerreotype apparatus, with chemicals complete.  Apply to S. H. Williams & Co.

S. H. Williams & Co. is not recorded in other photographic directories.  It appears from the first advertisement the Williams was a purveyor ad not a daguerreotypist.

William Willard

Ca. 1855          Address Unknown, Boston, Massachusetts

1855                Pennsylvania Avenue, between 4½ and 6th Streets, Washington, D. C.

1856                5½ Tremont Row, Boston, Massachusetts.

William Willard was recorded in two announcements in the Evening Star (Washington, D. C. and one entry from The New York Historical Society’s Dictionary Of Artist In America 1564-1860.  The first announcement appeared on December 18, 1855.  Henry Willard, a Boston artist of great merit, has taken a studio in the same building with Whitehurst’s Daguerreotype establishment, where he is painting the portraits of several of our distinguished men.

The second announcement appeared on December 22.  Fine Arts.—Visiting several studios this morning, we found the artists busy at their easels, apparently well content with the patronage they are receiving from an appreciating public…  Henry Willard, in the building with Vannerson, was at work on a portrait, in oils, of the Hon. Mr. De Witt, of Mass….

The entry appeared in The New York Historical Society’s Dictionary Of Artist In America 1564-1860.  Willard, William (1819-1904)  Portrait painter; born March 24, 1819 at Sturbridge (Mass.)  died there November 1, 1904.  He was active in Boston during the 1850’s and exhibited at the Athenaeum Gallery.  The American Antiquarian Society owns his self-portrait and his portraits of Charles Sumner, Daniel Webster, and George Frisbie Hoar.  He also painted a panorama of Boston from Bunker Hill.  Weis Checklist of Portraits; Boston CD 1851-60; Swan, BA; Boston Evening Transcript, May 2, 1849 (courtesy of J. Earl Arrington).

William Willard is recorded in Craig’s Daguerreian Registry.  It is unknown if He was Associated with Southworth and Hawes or if he had a artist studio in the same building.

Whitmore & Porter

1842                Rooms at the Tremont House, Claremont, New Hampshire.

1843                Rooms at J. C. Huntington’s Hotel, Middlebury, Vermont

1843-1844       Room at the American Hotel, Room 6, 2d floor, Burlington, Vermont.

Whitmore & Porter (also spelled Whittemore) were recorded in three advertisements and two announcements in three different newspapers.  The first announcement appeared on April 22, 1842 I the National Eagle (Claremont, New Hampshire).   Daguerreotype Miniatures.  We would call attention to the advertisement of Messrs. Whitmore & Porter in another column.—Those of our friends who may wish to have an exact impression of their faces transferred upon steel, can now have an opportunity.  We know nothing about the operation of the Daguerreotype, but the specimens show us are exceedingly beautiful, and such as could only  have been produced by one having a through practical knowledge of the instrument.  There is no quackery here, and if our citizens will favor the above gentlemen with a call, we will guarantee them a gentlemanly reception.

The first advertisement ran on April 22 & 29, 1842 in the National Eagle.  Pencil Of Nature.  Messrs. Whitmore & Porter, respectfully inform the citizens of Claremont, that they have taken rooms and set up their apparatus for taking Daguerreotype Miniatures, at the Tremont House and will remain there a few days, where they will be happy to exhibit to the Ladies and Gentlemen of Claremont, specimens of their work, and render such other attention as may be necessary for their information.  Those who have never seen a specimen of nature’s pencillings can hardly form an adequate idea of the extreme perfection, beauty, and wonderful minuteness of a Daguerreotype Picture.  Suffice it to say that productions of this process are the works of nature, and not of art-the light of heaven alone is the pencil used.                     

The second advertisement ran from June 28 to July 12, 1843 in The Middlebury People’s Press  (Middlebury, Vermont).  Pencil of nature.  Messrs. Whitmore & Porter, respectfully inform the citizens of Middlebury and vicinity, that they have taken rooms and set up their apparatus for taking Daguerreotype Miniatures, at J. C. Huntington’s Hotel, and will remain there a few days, where they will be happy to exhibit to the Ladies and Gentlemen of Middlebury, specimens of their work, and render such other attention as may be necessary for their information.

Those who have never seen a specimen of Nature’s pencillings can hardly form an adequate idea of the extreme perfection, beauty, and wonderful minuteness of a Daguerreotype Picture.  Suffice it to say that productions of this process are the works of nature, and not of art-the light of heaven alone is the pencil used.              

The second announcement appeared on July 5, 1843 in The Middlebury People’s Press.

Daguerreotype Miniatures.—As our citizens have never before had an opportunity to witness specimens of this kind, and the manner in which faces and objects are painted by nature, as perfect as life, they will do well to call at the rooms of Messrs. Whitmore and Porter at Huntington’s where they will remain a few days.

When it was first announced to the world by the light of Heaven alone the most perfect and minute similitudes of nature’s works could be painted, it was deemed almost incredible.  But its reality is now as certain as human existence, and as like every other art in its infancy it is susceptible of vast improvements, it is likely to produce as great a revolution in pictorial productions, as steam in maritime operations.  Let the people gratify a laudable curiosity in relation to this wonderful art, by calling upon the gentlemen now at Huntington’s, who promise to render every attention necessary for the information of visitors. 

The third advertisement ran from December 15, 1843 to January 12, 1844 in the Burlington Free Press (Burlington, Vermont),  Daguerreotype Miniatures.  Mess. Whittemore & Porter, Respectfully inform the citizens of Burlington that they have taken rooms and set up their apparatus for taking Daguerreotype Miniatures at the American Hotel (Room No. 6, 2d. floor) and will remain there a few days, where they will be happy to exhibit to the Ladies and Gentlemen of Burlington specimens of their work, and render such other attention as may be necessary for their information.

Those who have never seen a specimen of nature’s Pencilings can hardly form an adequate idea of the extreme perfection, beauty, and wonderful minuteness of daguerreotype Picture.  Suffice it to say that productions of this process are the works of nature, and not of art—the light of heaven alone is the Pencil used.

N. B. Copies of paintings engravings &c. by the same process.  Instructions given and apparatus furnished on reasonable terms.

Whitemore (Whittemore) & Porter are not recorded in other photographic as being active in  

New Hampshire or Vermont.

William F. White

N. D.               Sycamore Street, Petersburg, Virginia.

William F. White was mentioned in one advertisement that was recorded on January 25, 1855 in  The Daily Express (Petersburg, Virginia).  Read And Remember.—If you wish a beautiful Gold Locket, Breast Pin, Watch Seal, Key, Ring, Bracelets, Medallion, Fancy Cases or Frames, and a correct and highly finished Daguerreotype taken, to have placed therein, that at the Gallery of Minnis’ is the place to obtain such.

Also remember, that Minnis has removed to the Gallery Formerly occupied by Wm. F. White, on Sycamore street, opposite Bollingbrook street, over the store of Lyon, Abrahams & Davis.

William F. White is not recorded in other photographic directories.

Whelden & Eveleth

1851                North Street, Pittsfield, Massachusetts.

Whelden & Eveleth (Charles M. Whelden & George H. Eveleth) were recorded in two advertisements in the Culturist and Gazette (Pittsfield, Massachusetts).  The first advertisement ran from September 10 to October 22, 1851.  Daguerrian Materials.  Comprising Bromine, Iodine, Chloride of Gold, &c., by Whelden and Eveleth, at the old stand of Peck and Olds.

The second advertisement was recorded on November 5, 1851. Dissolution of Copartnership.  The Co-partnership heretofore existing between Charles M. Whelden and George H. Eveleth, is this day dissolved.  The business hereafter will be conducted in all its branches, (Drugs and Medicines.) by Charles M. Whelden, who, thankful for past favors, solicits a continuance of the same.

All persons are hereby forbid trusting George H. Eveleth, on account of Whelden & Eveleth.  Charles M. Whelden.  Oct. 30, 1851.

Whelden & Eveleth are not recorded in other photographic directories.

H. N. Wevere

1855                Sycamore Street, Petersburg, Virginia.

H. N. Wevere was recorded in three advertisements in the Daily Express (Petersburg, Virginia.) The first advertisement was recorded on September 25, 1855.

“Blest be the art that can immortalize,

The art that baffles time’s tyrannic claim.”

H. N. Wevere having taken the well known and popular Whitehurst Gallery, recently occupied by Wm. G. Edgar, is prepared to accommodate all those in want of life-like and durable Daguerreotypes on reasonable terms and at the shortest notice.  Having had an experience of seven or eight years in some of the principal Galleries in the Union, he flatters himself that he is perfectly competent to produce Pictures equal to any made.

Customers will receive at all times every attention, and no exertion will be spared to render their Pictures satisfactory.  Stereoscopic and Crayon Pictures made in the highest style of the art.  A large assortment of Jewelry and Fancy Cases, made expressly for Daguerreotypes, kept constantly on hand.

Pictures of deceased persons taken at their residences in the most approved style.

No difference on account of the weather, except for small children.  Our motto is, “Exce’sior.”

The second advertisement was recorded on November 29.  1855. M. E. Conference.—Members of the Conference wishing to have their Daguerreotypes taken during their stay in the city, can do so at a liberal reduction from the usual prices, by calling at the old Whitehurst Gallery, over Noah Walker & Co.’s Clothing store, Sycamore street.

No Picture is allowed to be taken from the Gallery unless entirely satisfactory.  The Artist has a reputation second to none in the country.

Pictures fitted in Rings, Pins, and Lockets on the most reasonable terms.  A call is respectfully solicited.  H. N. Wevere, Proprietor.

The third advertisement was recorded on December 25, 1855.  Hurrah for The Holidays!—Nothing is as suitable for a Christmas and New Year Present as a Daguerreotype of those we love.  It is the most beautiful and appropriate souvenir that can be imagined.

H. N. Wevere, at the old Whitehurst Gallery, will be pleased to accommodate all those in want of Daguerreotypes for a reasonable consideration:  His Daguerreotypes are universally admired.  The beauty of tone, the excellence of finish, and arrangement of drapery, combined with the faultless position, render them perfect in every respect.

The Artist needs no further recommendation than that already given by the press.  A large variety of Cases, plain and fancy, kept constantly on hand.  A call is respectfully solicited.  H. N. Wevere., Proprietor.

H. N. Wevere is not recorded in other photographic directories.