Tag Archives: Boston Massachusetts

Cooke, Joseph Parson

Calotypes, , ,

1842.               Amateur photographer made calotype in Boston and Cambridge, Massachusetts.[1]

From Harvard Magazine (Cambridge, Massachusetts) January-February 1981, Vol. 83, No. 3, p. 41.  At That Moment In Time.  Harvard’s photo archives, explored by Christopher S. Johnson, Fourteen in a series.

Josiah Parsons Cooke (1827-1894) Took these Calotype photographs of the Boston Museum on Tremont Street and part of city hall (or was it the old courthouse?) around 1842.

In 1842, Cooke was just fifteen.  No matter.  Photography itself was only three.  Daguerre’s silver-plate process (the daguerreotype) and William Fox Talbot’s paper-negative process (the calotype or talbotype) had been made public in 1839.  The daguerreotype, because of its subtle gradations of tone, its microscopic grain, and its awesomely high definition, became the popular favorite.  The calotype, in which a harsh granite like image emerged from a haze of paper weave, mottling, blotches, and even watermarks, would not be fully appreciated until Impressionism had accustomed critics to form that dissolved in a mist of texture.  By then both calotype and daguerreotype had long been obsolete.

The calotype was patented in England and the United States; the daguerreotype was patented only in England.  Calotype licenses came dear, and for the Americans the daguerreotype was free.  Commercial common sense made the American calotype a rarity.

Still, a calotype was more easily made than a daguerreotype.  Writing paper dipped in solutions of table salt and silver nitrate was less expensive (and less deadly) than a silver plate fumed with vapors of iodine and mercury.  A few American amateurs—well beneath the notice of the patentee—tried their hand at calotype.

The earliest were Samuel Longfellow (younger brother of the poet) and Edward Everett Hale (author of “The Man without a Country”), who,  in the spring of 1839—their senior year at Harvard—succeeded in calotyping Harvard Hall from the window of Hale’s room in Massachusetts Hall.  Hale was seventeen at the time.  In February of 1840, M. Carey Lea, then seventeen years old, exhibited forty of his calotypes to the American Philosophical Society in Philadelphia.  In 1842, the Boston inventor William F. Channing, at a relatively mature 22, published an account of his own simplified version of the calotype process.

Though last, Josiah Cooke, at fifteen, was the youngest of these young experimenters; and of them all, his images alone survive.  Photo historian Robert Taft, in Photography and the American Scene, concludes that “they are among the earliest American negatives still in existence.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Comsett, Moses W.

Daguerreotypes, Photographs, , , , ,

1855-1859       199 Hanover Street, Boston, Massachusetts.[1]          

Ca.1860-1865 22½ Winter Street, Boston, Massachusetts.1[2]

1864-1865       22½ Winter Street, Boston, Massachusetts.1

1866-1868       32 Winter Street Boston, Massachusetts.1

1857 January 9.  Daily Evening Traveler.  (Boston, Massachusetts.)  January 9, 1857, Vol. XII, No. 239, P. 3.

Dissolution Of Copartnership.  The copartnership heretofore existing under the firm of Rood & Comsett, was dissolved Dec. 1st, 1856, by mutual consent.  The business of the late firm will be settled by M. W. Comsett, who will continue the Daguerreotype business as heretofore, at 199 Hanover street.  E. H. Rood, M. W. Comsett.

Advertisement was recorded on January 9 & 10, 1857.

[1] A Directory of Massachusetts Photographers 1839-1900.

[2] Carte de Visite Comsett & Daily 22½ Winter Street, Boston, Massachusetts.

Collagan, Charles H.

Ambrotypes, , , ,

C1850-1856    142 Washington Street, Boston, Massachusetts.[1]

1857                142 Washington Street, Boston, Massachusetts.                                   

1858                142 Washington Street, Boston, Massachusetts.1

1860                North Street, Plymouth, Massachusetts.1

Ca. 1850-55.   Advertising Card in back of a Ninth Plate Daguerreotype.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars.  N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

1857 May 18.  The Boston Herald.  (Boston, Massachusetts.)   May 18, 1857, No. 10, 546, P. 4.

C. H. Collagan, Ambrotype and Daguerrean Artist, Respectfully informs his friends and the public that he may be found at his old quarters, 142 Washington Street, (at the Gallery formerly occupied by L. M. Ives,) where he will be most happy to meet all their requirements in his line, having every facility to Give Perfect Satisfaction to all wanting Ambrotypes or Daguerreotypes, at the lowest possible prices, in a range from Twenty-Five Cents to Twenty-Five Dollars.  To give good pictures, and Good Pictures Only, will be the moto of this establishment, and we shall therefore pay Particular Attention To Children’s Pictures, as well as to all branches of the business.  142 Washington street,  142.Advertisement ran from May 18 to 22, 1847.

Advertisement ran from May 18 to 22, 1857.

1857 June 9.  The Boston Herald.  (Boston, Massachusetts.)   June 9, 1857, No. 10, 564, P. 2.

The Truth will Prevail.  Collagan is the only Ambrotypist that gives perfect satisfaction on 25 cent pictures.  Room 142 Washington st.

1857 June 11.  The Boston Herald.  (Boston, Massachusetts.)   June 11, 1857, No. 10, 566, P. 4.

Terrible Results Of Carelessness.  The foolish citizens who go anywhere but to Collagan’s, No. 142 Washington street, to get 25 cent Ambrotypes, find they are “sold” when it is too late.

1857 June 15.  The Boston Herald.  (Boston, Massachusetts.)   June 15, 1857, No. 10, 569, P. 4.

It will save thousands from disappointment if they will avoid “blowing establishments,” and go to Collagan’s, 142 Washington street, to get their 25 cent Ambrotypes.

1857 June 18.  The Boston Herald.  (Boston, Massachusetts.)   June 18, 1857, No. 10, 572, P. 2.

Collagan’s 25 cent Ambrotype Rooms, 142 Washington street.

1857 June 24.  The Boston Herald.  (Boston, Massachusetts.)   June 24, 1857, No. 10, 577, P. 2.

A Happy Lot Of People.  Every one feels perfectly happy after visiting Collagan’s Ambrotype Rooms, 142 Washington street.  It is the only place in Boston where people are allowed to satisfy themselves on 25 cent pictures.

1857 July 2.  The Boston Herald.  (Boston, Massachusetts.)   July 2, 1857, No. 10, 584, P. 4.

A Free Banquet On The Fourth.  In order to make up for the loss of the City Regatta, there will be a sumptuous feast spread at Collagan’s Gallery, 142 Washington street, where all may freely feast their eyes on the 25 cent ambrotypes taken by that artist.

1857 July 3.  The Boston Herald.  (Boston, Massachusetts.)   July 3, 1857, No. 10, 585, P. 4.

The City Procession will halt in front of the Ambrotype Gallery of C. H. Collagan, 142 Washington street, while the people pay tribute to the artist who takes pictures until sitters are perfectly satisfied.

1857 July 9.  The Boston Herald.  (Boston, Massachusetts.)   July 9, 1857, No. 10, 590, P. 4.

Collagan’s Ambrotypes are perfect gems, and any one doubting it can be confirmed by calling at his old rooms, 142 Washington street.

1857 October 28.  The Boston Herald.  (Boston, Massachusetts.)   October 28, 1857, No. 10, 685, P. 4.

Ambrotypes for 6 cents, taken by Collagan, at 142 Washington street.  A liberal discount made to Artists.  The poor considered.

1857 October 29.  The Boston Herald.  (Boston, Massachusetts.)   October 29, 1857, No. 10, 686, P. 2. 

Hold Your Horses!  Collagan takes splendid ambrotypes for only 6 cents.  Children only 10 cents.  Rooms 142 Washington street.

1857 October 31.  The Boston Herald.  (Boston, Massachusetts.)   October 31, 1857, No. 10, 688, P. 4.

Six Cent Ambrotypes!  Not genuine, unless taken by Collagan, at his original six cent rooms, 142 Washington street.

1857 November 2.  The Boston Herald.  (Boston, Massachusetts.)   November 2, 1857, No. 10, 689, P. 4.

The Cheapest Yet.  Six cent pictures, warranted perfect, at Collagan’s, 142 Washington street.  Every picture well varnished for the above price.

1857 November 4.  The Boston Herald.  (Boston, Massachusetts.)   November 4, 1857, No. 10, 691, P. 2.

As High As A Kite.  Collagan, of No. 142 Washington street, knocks his competitors “as high as a kite.”  He takes ambrotypes for six cents!

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 2.

Reader, do you want a large sized Ambrotype in a case?  The same as you have been paying $1.50 for?  If so, Collagan of 142 Washington street, will take you one for 25 cents.

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 4.

Pictures Given To The Poor, During the entire day next Saturday, Collagan, at 142 Washington street, will take pictures of the poor free of any expense.  Come children and all on that day.

Advertisement ran from November 5 to 7, 1857.

1857 November 6.  The Boston Herald.  (Boston, Massachusetts.)   November 6, 1857, No. 10, 693, P. 2.

A Sight For Six Cents.  It is worth six cents to see Collagan, the originator of the six cent ambrotypes; and by going to No 142 Washington street, you can see him and get a picture for six cents.

1857 November 9.  The Boston Herald.  (Boston, Massachusetts.)   November 9, 1857, No. 10, 695, P. 2.

As Good Pictures as ever were taken in Summer Street, if not better, taken for six cents, at No. 142 Washington street, at Collagan’s Gallery.

1857 November 10.  The Boston Herald.  (Boston, Massachusetts.)   November 10, 1857, No. 10, 696, P. 2.

Look You Here!  For six cents Collagan gives you an ambrotype the size of the original 25 cent ones, and for 25 cents a larger size, neatly put in case or frame, as you may desire.—Rooms 142 Washington street.

1857 November 11.  The Boston Herald.  (Boston, Massachusetts.)   November 11, 1857, No. 10, 697, P. 4.

Four Hundred pictures of the poor were given away at Collagan’s 142 Washington st., on Saturday last, and he continues to take the best ambrotypes for six cents.

1857 November 16.  The Boston Herald.  (Boston, Massachusetts.)   November 16, 1857, No. 10, 701, P. 4.

The Man For The People.  Collagan of 142 Washington street, will give you two large loaves of bread and a perfect Ambrotype, all for the small sum of 25 cents.

1857 November 19.  The Boston Herald.  (Boston, Massachusetts.)   November 19, 1857, No. 10, 704, P. 2.

Collagan’s Advice to the Community.  If any of you have $1.25 to pay for an Ambrotype instead of patronizing some stupid blockhead, who mistakes his calling, you had better give $1 of it to some poor person, and for the remaining 25 cents, Collagan will give you a large sized picture, in a case.

Advertisement ran on November 19 & 20, 1857.

Everything on a Level.  Large size Ambrotypes taken perfect, and put in good cases for 25 cents each, at Collagan’s Gallery, 142 Washington street.  Fancy Cases at one third the usual price.

1857 November 25.  The Boston Herald.  (Boston, Massachusetts.)   November 25, 1857, No. 10, 709, P. 4.

Have you Heard the News!  To-morrow Is Thanksgiving Day, and Collagan, 142 Washington St., will take Ambrotypes all day, at astonishingly low prices.  Fancy Cases, suitable for presents, at one third the usual price.  Come one and all, and come early!

1857 December 3.  The Boston Herald.  (Boston, Massachusetts.)   December 3, 1857, No. 10, 715, P. 2.

A Magnificent Charity!  It beats the Soup House excitement to see the people rushing to Collagan’s, No. 142 Washington street, to get those beautiful large Ambrotypes, for 25 cents, and to receive, in addition, Two Loaves Of Bread For Nothing!

1857 December 5.  The Boston Herald.  (Boston, Massachusetts.)   December 5, 1857, No. 10, 717, P. 4.

Don’t throw your Money Away Buying miserable Ambrotypes of poor operators, but takes 6 cents and go to Collagan’s. where you can get suited.  Recollect the number, 142 Washington st.

1857 December 14.  The Boston Herald.  (Boston, Massachusetts.)   December 14, 1857, No. 10, 724, P. 4.

Lose another Dollar, And by that time you will learn a lesson worth knowing Collagan is the People’s Artist, and can be found at his old quarters, 142 Washington Street.

1857 December 23.  The Boston Herald.  (Boston, Massachusetts.)   December 23, 1857, No. 10, 732, P. 2.

A Hint.  Those would-be Ambrotype artists, who visit the Rooms of Mr. Collagan, 142 Washington street, and behave in such a very gentlemanly manner, are reminded that should wish to repeat their visit, they will find the proprietor more ready to appreciate their civilities than the ladies attached to the establishment.

1857 December 25.  The Boston Herald.  (Boston, Massachusetts.)   December 25, 1857, No. 10, 734, P. 2.

Closing the Daguerrian Galleries.  It matters to the people if all other places are closed to-day (Christmas,) so long as it is known that Collagan, of No. 142 Washington street, will keep open, and take Ambrotypes as usual.

Advertisement ran on December 25 & 26, 1857.

1858 January 30.  The Boston Herald.  (Boston, Massachusetts.)   January 30, 1858, No. 10, 764, P. 4.

Charles H. Collagan Would be happy to see an Old Schoolmate, formerly of Baldwin, Me., at his Ambrotype Rooms, 142 Washington street.

Advertisement ran on January 30 & February 1, 1858.

1858 February 9.  The Boston Herald.  (Boston, Massachusetts.)   February 9, 1858, No. 10, 772, P. 2.

Curiosities of Literature:  The puffs, written by sundry verdant youths, of a so called Ambrotype Saloon in the neighborhood of Summer street.  The “puffs” and the “pictures” are of the same school, and the wise will not be deceived by them.  Those who wish a true, artistic picture, should visit the rooms of Collagan, 142 Washington street, where they can procure a better picture for 12½ cents, and the balance can be expended in some work of charity.

1858 February 16.  The Boston Herald.  (Boston, Massachusetts.)   February 16, 1858, No. 10, 778, P. 2.

Where are you Going?  To Collagan’s, 142 Washington street, to get one of his Six Cent Ambrotypes.  This beats the world.  Collagan is ahead, and everybody else is—Nowhere!

1858 February 27.  The Boston Herald.  (Boston, Massachusetts.)   February 27, 1858, No. 10, 788, P. 4.

True Artists.  Thos who would have their Pictures taken by True Artists should visit Collagan’s extensive Ambrotype Gallery, at 142 Washington Street.

1858 March 4.  The Boston Herald.  (Boston, Massachusetts.)   March 4, 1858, No. 10, 792, P. 4.

Military Orders……Attention! 

Come, from the hill-side, and up thro’ the valley,

Over the river, the lake and the sea,—

Leave in the furrow the ploughshare, and rally,

Lithe as an army whose banners are free!

All ye who prize the familiar dear faces,

Gentle and faithful, tender and true;

Attention! march! The best Ambrotype place is

Number on Washington street, one forty-two.

Given at Headquarters, 142 Washington St., over the propeller Printing Rooms.

Sol, (familiarly called “Ols Sol,” Lieutenant General.  C. H. Collagan, Private Secretary.

1858 March 8.  The Boston Herald.  (Boston, Massachusetts.)   March 8, 1858, No. 10, 795, P. 4.

The World in Arms! 

Crinoline’s the rage, and Caroline is pretty,

Over the water they sport the jupon rogue;

Little girls are queens, and the little kingdom, “Britty,”

Laughingly points us its streamer, grand and huge.

All this we Yankees can wink at and whistle—

Go it! we cry to our cousins o’er the blue;

All through the realms of rose, shamrock and thistle,

No one such Ambrotypes as Collagan can do!

‘Seek him in Washington street, one forty-two.

1858 April 12.  The Boston Herald.  (Boston, Massachusetts.)   April 12, 1858, No. 10,825, P. 2.

See!  See!  See!  The Best Ambrotypes are taken by I. Bent, Artist, No. 142 Washington street, a few doors below the Old South Church, formerly Collagan’s.  Everybody gets pleased there.

1858 December 25.  American Traveller.  (Boston, Massachusetts.)  December 25, 1858, Vol. XX, No. 52, P. 2.

An Alleged Spiritual Exposure.—Mr. C. H. Collagan, of West Newton, has written a long letter to the Courier, in which he makes certain statements in regard to J. V. Mansfield, a well known “spirit Medium” of this city.  Mr. Mansfield has carried on quite an extensive business in selling portraits of the departed, which purported to have been painted by spirits, but which, in reality, were painted by Mr. Collagan, under the direction of Mr. M., either from a daguerreotype likeness or from Mr. M.’s descriptions.  Mr. Collagan relates several instances of this nature, and is desirous of corresponding with any person who may have received such portraits from Mansfield.  One of the last picture she drew for Mansfield was what purported to be the spirit-bride of a clergyman of Portsmouth, N. H.  Mansfield said there had been a great wedding, at which the clergyman had been wedded to a spirit, but afterwards owned up to the humbug of the affair.

He requested Mr. Collagan to draw the picture, saying it was not so material as to the style of face, so long as it was very beautiful.  It was drawn in muslin robes, and a rose was placed in the bride’s hand because the minister was found of flowers.  Mansfield said the clergyman paid $10 for the picture, and it was to be hung up in his church in Portsmouth.

Mr. C. was next asked to draw a picture of the clergyman’s deceased mother, and commenced the work, but threw up the business before finishing.  Mansfield would sometimes say when he gave an order that it was for a believer, and that Mr. C. need not be very particular about it, as they were easy to please.

Mr. Collagan first formed the acquaintance of this “Medium” two years ago.  He had several sittings with him, and received through him several communications which purported to have emanated from the spirit world.

In conclusion, he says: “I have expended a great deal of money in investigating Spiritualism, and, whatever may be my opinion as regards the phenomena I have witnessed, I am fully satisfied that there never has been a portrait drawn through spirit influence, and that all the so-called spirit-artists are imposters, and that their disgraceful attempts are lacking in talent, taste, and education in art.”  Mr. Collagan has been led to make these disclosures on account of Mansfield’s failure to pay him for his labor, the account having once been placed in a lawyer’s hands for collection.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Coffin, Alonzo K.

Daguerreotypes, , , ,

1851                Address Unknown, Fredericton, New Brunswick, Canada.

1851                Address Unknown, Woodstock, New Brunswick, Canada.

1851-1854       Address Unknown, New Brunswick, Canada.

1855                28 Hanover Street, Boston, Massachusetts.[1]

1855-1856       365 Washington Street, Boston, Massachusetts.1

Information from Graham Garrett

American itinerant who advertised “Coffin’s Traveling Daguerrian Saloon” in Fredericton and Woodstock, New Brunswick, Canada, 1851.  Claimed in August 1852 that the saloon “had been to nearly all towns and villages of New Brunswick.”  Sold his saloon to John P. Curran (q.v.) In 1854.  Opened gallery in Boston 1855.

1856.  History of Boston, From 1630 to 1856 (Boston, Massachusetts) p. 47.

Drew & Coffin, Photograph Publishers, Office No. 270 Washington Street, 3d Door so. Of Avon Place.  George H. Drew.  Rooms No. 365 Washington Street, 3d Door No. Of Adams House.  A. K. Coffin.

Photographs, Plain or Colored.  Daguerreotypes on Plate or Glass, taken in the best manner.  Particular attention given to copying Photographs, Daguerreotypes, Engravings, and Paintings.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Clifford, Daniel A.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , , , , ,

1855-1857       241 Essex Street, Salem, Massachusetts.[1]                       

1859-1860       49 Tremont Street, Boston, Massachusetts.1                       

1860                335 Washington Street. Boston, Massachusetts.1

1861-1863       31 Winter Street, Boston, Massachusetts.1

1864-1865       18½ Winter Street, Boston, Massachusetts.1

1866                Address Unknown, Boston, Massachusetts.1

1867-1868       22 Winter Street, Boston, Massachusetts.1

1871-1887       Corner Main Street and Eastern Avenue, St. Johnsbury, Vermont  

1878-1879       Walton Block, State Street, Montpelier, Vermont         

1852 November 27.  The Caledonian.  (St. Johnsbury, Vermont.)  November 27, 1852, Vol. 16, No. 20, P. 2.

Singing School.—Mr. Clifford of Lebanon, N. H., advertises in our columns that he will open a singing school in this village next week.  See his notice.

1852 November 27.  The Caledonian.  (St. Johnsbury, Vermont.)  November 27, 1852, Vol. 16, No. 20, P. 3.

Singing School.  The subscriber will open a Singing School in this place on Tuesday evening November 30th, at which time he will be pleased to see all who are interested in the art of singing.  Place, to be hereafter noticed by Post Bill.  D. A. Clifford.  Nov. 22, 1852.

1855 April 30.  Salem Register.  (Salem, Massachusetts.)  April 30, 1855, Vol. LVI, No. 35, P. 3. 

Ambrotype and Mezzograph Pictures!  D. A. Clifford would respectfully inform the people of Salem and vicinity, that he has taken the Daguerreotype Rooms formerly occupied by Mr. D. W. Bowdoin, No. 241 Essex st., and is prepared to take the above pictures.

The following explanation will convince all of the superiority of the Pictures:—Explanation.

The term Ambrotypes, by which the pictures are designated is derived from the Greek word ambrotos, signifying durability, over lasting, &c.  The picture is taken upon plate glass, over which is placed a corresponding glass, the two being united by an indestructible gum enabling the picture to retain its brilliancy for ages.  It will not corrode at sea, or change in any climate; is beautiful in tone, bold and clear in its effect, and may be seen in any light.

Mezzograph is an improvement on the Crystalotype process, taking the picture from real life, instead of copying from a Daguerreotype, and in less time, greatly improving the tone, and all the finer details of the picture.

The Ambrotype is patented in the United States, Great Britain and France by Mr. James A. Cutting, of Boston.

The public are invited to call and examine specimens, at my Gallery, 241 Essex street, Salem.

N. B.—The Ambrotype process is particularly adapted to taking children, as the sitting is less than one quarter the time in the usual way.  Particular attention given to copying Pictures.                   

Advertisement ran from April 30 to October 25, 1855

1855 July 12.  Salem Register.  (Salem, Massachusetts.)  July 12, 1855, Vol. LVI, No. 56, P. 2.

Ambrotypes.  We would call the attention of those who wish to procure a good likeness and never changing picture, to the Ambrotype made by Mr. D. A. Clifford, at No. 241 Essex street, (formerly Mr. D. B. Bowdoin’s rooms.)  These pictures have become exceedingly popular, from the fact that they are the only pictures that will not fade or change in any climate or at sea, being taken upon plate glass, over which is placed a corresponding glass, (experiments having proved that pictures put up on a single glass are worthless,) the two surfaces being united by an indestructible gum, virtually making the picture in one solid plate of glass.  Besides, the picture is not reversed, and can be seen in any light.

1855 August 20.  Salem Register.  (Salem, Massachusetts.)  August 20, 1855, Vol. LVI, No. 67, P. 3.

Caution.  Ambrotype Pictures.  The immense success and popularity of the Ambrotype Pictures has induced those who have not been able to obtain the right to work said process to offer a Worthless Imitation of these Pictures.

The fact that Ambrotypes are made upon glass leads many to suppose that all pictures on glass are Ambrotypes, but this is not so.  The Ambrotypes are put with two glasses, the picture being between, and the surfaces cemented together with an indestructible gum, thereby securing the picture from injury or change as though it were in solid glass.

I would also inform the public that the process for making Ambrotype Pictures is patented, and I have the exclusive right for Essex county; therefore no other artist has a right to make them, without a deed of right from me.

D. A. Clifford, Artist, In Ambrotype, Mezzograph & Daguerreotype Pictures, 241 Essex street, Salem.                            

Advertisement ran from August 20 to October 29, 1855.

1855 November 1.  Salem Register.  (Salem, Massachusetts.)  November 1, 1855, Vol. LVI, No. 88, P. 3.

Ambrotype Pictures, The Greatest Discovery In The Photographic Art.  Patented In The United States, Great Britain and France.

D. A. Clifford would thank the people of Salem and vicinity for their very liberal patronage since his introduction of the above named Photographs to their notice, and would inform them that he is making them with so much success, that they have entirely superseded the Daguerreotype, to those wishing to preserve a lasting likeness of their family and friends.

Some of its peculiar advantages over other pictures are, that it never changes in time or climate—making it the most desirable to carry to sea—is not reversed in position—can be seen in any light as well as a painting or engraving, (and possessing a lite-like expression not attained in either) more bold, clear. And beautiful than anything before produced by the Photographic Art—all of which are gained by the picture bing made on fine white plate glass, and permanently secured between two plates of glass, being in effect as though in solid glass.  Put up in all the desirable system.

I have made recent additions of new instruments, of the best makers in the world, and my establishment is now furnished with apparatus equal to the best in the state.  My rooms are easy of access, (up only one flight of stairs) and my patrons are assured that no pains will be spared to produce as good Likenesses and Elegant Pictures as any other establishment in the country.

Caution.—the public are cautioned in purchasing pictures taken on glass, as Ambrotypes, which do not bear the patent stamp.  Pictures made on a single glass, and covered with black paint, are not ambrotypes.

I shall receive in a few days, some Fine Gold Lockets, for Ambrotypes, made expressly to my order, and which cannot be found at any other establishment in the country.

Daguerreotypes, Portraits, and all other Pictures copied in Ambrotype, at short notice.  **Daguerreotypes Taken for those who wish them.             Adults taken equally as well in cloudy as in fair weather.  Rooms 241 Essex Street, near Washington street.

Advertisement ran from November 1 to December 31, 1855.

1856 March 20.  Salem Register.  (Salem, Massachusetts.)  March 20, 1856, Vol. LVII, No. 23, P. 3.

Superior Photographs!  D. A. Clifford Would invite the attention of his friends and the public, to the Photographs, on Paper or Canvas, (variously called Crystalotypes, etc.,) made by him.

Having employed, permanently, the services of eminent artists to color them, I trust the pictures made at my establishment will not be found inferior to those made by the best artists.

Pictures of all sizes and styles.

Good pictures made from a daguerreotype, or other good pictures.

Views taken, when desired.

Patent Ambrotype.  This style of Photograph has become so well known, that it requires no special attention; and we would only say, that we spare no pains or expense in producing it in its greatest perfection.

N. B.  We would say, for the information of those purchasing Ambrotypes, that all pictures taken on glass are not genuine Ambrotypes.  The difference can be easily distinguished, by the Patent Stamp which is required by law—and none others are genuine.

Ambrotypes, Photographs, And Daguerreotypes, at the Lowest Prices.—Don’t forget the number—Rooms No. 241 Essex Street, next to Kinsman’s new Building.

1856 June 30.  Salem Register.  (Salem, Massachusetts.)  June 30, 1856, Vol. LVII, No. 52, P. 3.

Patent Ambrotypes.  The often repeated efforts of Mr. Snell to inform the public that the Patent Ambrotype is a great humbug, and that they are “imposed upon” by exorbitant prices, etc, etc (with a large amount of boasting of his own skill and facilities, there being no other place in Salem where “finished” pictures can be obtained), induce me to state to those that may be led to suppose that such statements are true, that the average prices charged for the Patent Ambrotype are no highrer than charged by Mr. S. for Daguerreotypes or spurious Ambrotypes.

Neither are there any improvements in the method of securing these pictures.  As to the value of the Patent Ambrotype over the single glass picture, or Daguerreotype, it is very plain to be understood —as common sense teaches any person that a picture with a glass on either side, and the two cemented together, is more surely secured from injury than any other way in which it can be done.  Besides, two glasses are stronger than one.  (The principle for making the Patent Ambrotype is patented in England and France, as well as in the United States.)

Also, I would inform those getting Pictures, that those made at my establishment are what they are represented to be, and put up in the most thorough and careful manner, and am confident that the Patent Ambrotype will continue as it now is, the most popular and desirable of all other Pictures.  In part proof of which statement, reference need only be made to the spurious imitation made by artist who have not been able to secure the patent right to make the genuine.

I would thank the people of Salem and vicinity for their very liberal patronage the past year, and no pains or expense shall be spared to merit a continuance of the same.

Rooms free to visitors—No. 241 Essex Street, next door to Kinsman’s New Building—where may be found at all times a large assortment of frames, Cases, Gold Lockets and Pins for Ambrotypes and daguerreotypes.  D. A. Clifford.

Advertisement ran from June 30 to

1857 January 1.  Salem Register.  (Salem, Massachusetts.)  January 1, 1857, Vol. LVIII, No. 1, P. 2.

Painted Photographic Portraits.  We have recently had an opportunity to examine some very fine photographs, taken by Mr. Dan A. Clifford, painted in oil colors by Miss Mary Derby, a well known artist of this city.  This style of portraits is likely to be very popular.  The daguerreotypist secures an accurate likeness, and the painter gives the natural colors of person and dress, while the style is the same as that of portrait painting, and the picture is of course as durable, with the advantage of costing less.  The painted photograph does not require to be protected by glass, any more than canvas does, and, if desired, it can be done on cloth.  Miss. Derby has had considerable experience in this department, having painted a number of photographs for Boston as well as Salem daguerreotypist.  For children’s portraits, this style of picture is especially desirable, as those who have seen specimens of Miss Derby’s skill will promptly acknowledge.

1865 December 16.  Massachusetts Ploughman.  (Boston, Massachusetts.)  December 16, 1865, Vol. XXV, No. 11, Whole No. 1261, P. 3.

Clifford & Shapleigh, Photographist, No. 18½ Winter St., opposite Music Hall, Boston.  D. A. Clifford.  T. W. Shapleigh.

We make it a special branch of our business to copy Daguerreotypes or other Pictures, of any size or style, retouching them in India Ink or Colors. oct14.

Advertisement was recorded on December 16, 1865 and January 6, 1866.

1866 January 2.  Boston Daily Journal.  (Boston, Massachusetts.)  January 2, 1866, Vol. XXXIII, No. 10149, P. 3.

The Copartnership heretofore existing under the firm name of Clifford & Shapleigh, Photographist has been dissolved by consent of parties Thomas W. Shapleigh settles the business of the firm at the rooms, No. 18½ Winter street.  Dan A. Clifford.  Thomas W. Shapleigh.  Boston, January 1, 1866.

1866 January 13.  Massachusetts Ploughman.  (Boston, Massachusetts.)  January 13, 1866, Vol. XXV, No. 15, Whole No. 1265, P. 2.

Photographs.—The establishment of Messrs. Clifford & Shapleigh is located at No. 18½ Winter Street.  We took occasion to call at their rroms a few days since, and were pleased to see the degree of neatness which pervades their establishment.  They have the reputation of giving satisfaction to all their patrons.

1866 March 2.  Boston Traveler.  (Boston, Massachusetts.)  March 2, 1866, Vol. XXI, No. 282, P. 4. 

Arrivals At Boston Hotels March 2, 1866…

Parker House…D. A. Clifford…

1871 May 19.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  May 19, 1871, Vol. 34, No. 1764, P. 3.

—Mr. Clifford has finished and furnished his photograph rooms, in Caledonian Block, in a through and neat manner and is now prepared to do work.  Mr. C. enjoys the reputation of being a first class artist, and we have no doubt he will receive a liberal patronage from the citizens of St. Johnsbury.

1871 June 9.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  June 9, 1871, Vol. 34, No. 1767, P. 3.

Mr. D. A. Clifford, would announce to the people of St. Johnsbury and surrounding towns that his New Photograph Rooms are completed, and he is now prepared to execute all the various kinds of Pictures in the highest style of the Photographic Art; among which are the beautiful and much admired Porcelain, Carte de Visite, Cabinet, and all the various sizes, to life size, plain or retouched in Indian Ink, Crayon, or painted in Oil or Water colors.

Special care taken in copying small pictures of whatever kind to any size.  Also views of Buildings, Machinery, Artist’s Drawing sculpture and Works of Art.

Publishes Lake Memphremagog and other Views.

A large assortment of fine Black Walnut and Gilt Frames, Cord, &c.  Frames made to order from the Best Finished Mouldings:

This establishment has been fitted up at much expense, has a perfect light, instruments of the very best kinds made, and the appointments are not excelled, if equalled, in the state.

After fifteen years experience in the city of Boston D. A. C. feels confident he will be able to please those who desire a fine class of work at reasonable prices.  Patronage respectfully solicited.

1871 August 4.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  August 4, 1871, Vol. 34, No. 1775, P. 3.

Read the following notice from the Boston Transcript:  The Perfection of Photography seems to be reached in the picture produced by Mr. D, A. Clifford, 22 Winter Street, In the great majority of photographs of human subjects, the most casual observer cannot fail to perceive that the most prominent lineaments of face or form are ludicrously exaggerated, so that hands are made to appear quite bloated, noses decidedly swelled, ears enlarged, shoulders shrugged, &c.  All these monstrosities, (not to mention others,) are voided by Mr. Clifford, whose artistic excellence is specially noticeable in the admirable drawing of his pictures, wherein the relative proportions of limbs and features are preserved, and all the effects of a painting secured.  He is equally successful with landscapes, as his charming views of the scenery around Lake Winnipiseogee, (sic.) &c. abundantly attest.  Mr. C. has all the improved facilities known to his profession and executes at short notice fine colored photographs of all styles and sizes, porcelain pictures, stereoscopic pictures from life, &c.  His rooms are well worth a visit.

1871 September 15.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  September 15, 1871, Vol. 35, No. 1781, P. 3.

–Mr. D. A. Clifford, artist over the Caledonian office, has procured a quantity of views fror the stereoscope, taken on Mt. Washington last winter.  Call and see them.

1871 December 15.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  December 15, 1871, Vol. 35, No. 1794, P. 2.

Clifford’s Gallery Is the place to have Pictures made of whatever kind.  Clifford’s Photographs are not excelled.  Clifford’s Porcelain Pictures are admired and praised by all who behold them.  Clifford’s Life Size Portraits are always a success, whether Copied From Small Pictures, or sittings from life.  Bring your small pictures to be Copied To Any Size or Style.

Come yourselves and bring your children.  Gilt and Black Walnut Frames on hand, and made to order.  Also Stereoscopes And Views.

Satisfaction Guaranteed, and Prices Low.  Caledonian Block, (Corner Main St., and Eastern Avenue,) St. Johnsbury, Vt.

1872 January 12.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  January 12, 1872, Vol. 35, No. 1798, P. 1.

Photographers.

F. B. Gage, Brown’s Block, Main Street.

G. H. Aldrich, Burnham’s Building, Main Street.

D. A. Clifford, Caledonian Block, Main Street.

1886 December 20.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  December 20, 1887, Vol. 50, No. 2579, P. 2.

D. A. Clifford, Photographic Artist, Caledonian Bl’k, Main St. St. Johnsbury.

1887 June 9.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  June 9, 1887, Vol. 50, No. 2602, P. 1.

Recent Deaths.  Clifford.—The sudden death of D. A. Clifford removes a man of mark in his profession, a citizen whose artistic productions have widely extended the reputation of St. Johnsbury.  He was a man of native gifts,  Before his 8th year he could read music accurately, and at 17 he began teaching singing with such success that after a time Dr. Lowell Mason sent him, and for some years retained him as conductor of musical conventions, and agent for his publications.  But Mr. Clifford’s life work was in artistic photography, for which he had enthusiasm amounting to a passion.  He began with the introduction of the daguerreotype, about 45 years ago, and made himself master of every new process, to the time of his death.   He spared neither pains nor expense to reach idea perfection in his art, and was intolerant of anything inferior.  In this respect he believed in himself, and in his work, and he lived to gain a national reputation among artists.  Among 167 exhibitors, English and American, who entered their pictures at the exposition given by Lambert, inventor of the carbon process, at New York, in 1878, the first prize for large carbon work was awarded to Mr. Clifford, and two of his pictures were kept by Mr. Lambert to be exhibited in England as specimens of American photography.  At the time of his death, and for several years previous. Mr. Clifford was Vice President of the American Photographers Association, (for his enthusiasm at the meetings, he was familiarly known among the members as the “Old War Horse”).  His landscape pictures have been admired everywhere and have added much to the popular fame of Vermont scenery.  Not infrequently, persons appreciating nice work, have come from cities to be photographed by our St. Johnsbury artist.

Mr. Clifford was a man of strong, outspoken opinions, his speech was often seasoned with severity, his equanimity was disturbed by ill-health and repeated disappointments, but those who knew him intimately learned to appreciate his wide intelligence and sincerity of soul.  He felt his infirmities deeply, and valued above all things the mercies of his Redeemer.  Re died of heart-disease aged 61 years.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Clark, Jr., George

Daguerreotypes, ,

1853-1861       59 Court Street, Boston, Massachusetts.[1]

1854 October 18.  The Union Democrat.  (Manchester, New Hampshire.)  October 18, 1854, Vol. 4, No. 196, P. 3.

Know Nothings, Read!!  Our 250,000 readers, whether they severally reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.

Advertisement ran from October 18 to December 6, 1854.

1854 October 19.  Independent Democrat.  (Concord, New Hampshire.)  October 19, 1854, Vol. X, No. 25, P. 3.

Know Nothings, Read!!  Our 250,000 readers, whether they severally reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.

Advertisement ran from October 19 to November 16, 1854.

1854 October 20.  Barre Patriot.  (Barre, Massachusetts.)  October 20, 1854, Vol. XI, No. 15, P. 3.

Boston Directory.  Know Nothings, Read!!  Our 250,000 readers, whether they severely reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.  

Advertisement was recorded four time between October 20 to December 8, 1854.

1855 December 5.  Boston Daily Mail.  (Boston, Massachusetts.)  December 5, 1855, Vol. XV, No. 288, P. 3.

Metropolitan Daguerrean Gift Company No. 59 Court Street Boston.  A Fortune To Be Made.

The Following are among the Gifts of the Company.

1 Brick House in Boston, 3 stories…………………………………………..$12,000.

1 House and Farm 150 acres in Northfield, Vt…………………………………5,000.

2 Houses and Land in the vicinity of Boston, (2,500 each,)………………….5,000.

1 Two and one-half story Wooden House nearly new in Worcester………..4,500.

1 Lot of Land at Wellington Hill, Watertown, Mass………………………………900.

2 Lots of Land at Wellington Hill, Watertown, Mass…..$500…………….…..1,000.

6 House Lots, at Wellington Hill, Watertown, Mass……600…………………3,600.

1 cash Gift…………………………………………………………………………5,000.

5     do……………………………………………………1,000……………….…5,000.

5     do………………………………………………………500…………….……2,500.

20   do……………………………………………………..100…………………..2,000.

50   do……………………………………………………….10…………………….500.

2 Rosewood Pianos………………………………………500………………….1,000.

5   do   do……………………………………………………..300………………….1,500.

1 pair of Matched Horses…………………………………………………………..500.

1 Carriage…………………………………………………………………………1,000.

1 set of Jewelry……………………………………………………………………..150.

3 sets of  do………………………………………………..100…………………….300.

100 sets Ear-Drops……………………………………………5………………..….500.

2 Gold Watches, double case ind 2d……………………..50……………………..300.

10         do                         do…………………………………..100………………….1,000.

10         do…………………………………………………….75……………………750.

100      do………………………………………………….…50……………….…5,000.

100 Silver Watches…………………………………………25…………….……2,500.

10 lots Carpeting, 50 yards each….…………………….1.25………………….2,500.            

10 Melodeons. ……………………………………………..50……………………500.

200 Gold Pencils………………………………………….….5……………..…..1,000.

200     do Breast Pins…………………………………………5………………….1,000.

1,000  do Pencils……………………………………………..3…………………3,000.

12,000 Miscellaneous Gifts…………………………………..1………………..12,000.

83,000 Engravings………………………………………………………….…..19,000.           

                                                                                                                         $100,000

One Dollar will entitle each patron to a Daguerreotype and one of the Gifts from the foregoing stock of Gifts in the Company, and our guaranty that each will get his money’s worth.

Two Dollars will entitle one to a $2 Daguerreotype and to two Gifts, and those wishing Daguerreotypes of greater value will receive the same in Gifts, proportioned in number to the price of them.

The Metropolitan Daguerrean Gift Company has made arrangements with Capt. George Clark, Jr., well known to the public as one of the most skilful Daguerreotype Artists in the country, to superintend their operations.  All orders relative to the business of the Company must be addressed to him at his old place of business, No. 59 Court street, Boston.

An excellent opportunity in thus offered for such persons to receive at the sametime an equivalent in an excellent picture for the money paid, with a certainty of obtaining at least a valuable present.                     

That the affair will be conducted in good faith towards all parties interested, is guaranteed by the high standing in the community of the gentleman to whom the chief management has been entrusted.

A Card.—The undersigned having made arrangements with the above name Company to conduct their business, hereby announces, that affairs shall be managed in a fair and honorable manner.  George Clark, Jr., General Agent M. G. D. Company.

N. B.  Artists in all parts of the country desiring to become Agents in all parts of the country desiring to become Agents will forward their application as above.

N.B.  Eleven Daguerreotype Gift Tickets for Ten Dollars. nov.10.                                                           

Advertisement was recorded on December 5, 14, 21, 1855; February 4, 1856; March 8 & 21, 1856.

[1] A Directory Of Massachusetts Photographers 1839-1900..

Clark Brothers & B. L. Higgins

Daguerreotypes, , , , , , , ,

1850-1851       Tremont Row, Boston, Massachusetts.[1]

1850-1851       Franklin Building, Syracuse, New York.

1850-1851       128 Genesse Street, Utica, New York.

1850-1851       551 Broadway, New York, New York.

1848 May 1.  Springfield Daily Republican (Springfield, Massachusetts) Vol. 5, No. 102. P. 2.

…A brick building in Syracuse, N. Y., owned and occupied by Ehle, Borden & Co., dry goods merchants, was destroyed by fire on the 27th.  D. McDougall & Co., shoe dealers, Clark & Co. daguerreotypers, Misses Ruggles, Milliners, also lost heavily.

1850 November 1.  Daguerreian Journal.  Vol. 1, No. 1, p. 27.

Clark Brothers, & B. L. Higgins.  Daguerreian Gallery, over the “Regulator,” Franklin Buildings, Syracuse N. Y., No. 128 Genesse St., Utica, Tremont Row, Boston, and 551 Broadway, New York.

Advertisement ran November 1 & 15 Vol. 1, No. 1 & 2.

1850 November 15.  Daguerreian Journal.  Vol. 1, No. 2, P. 51.

Clarks of Boston, Utica and Syracuse, have opened fine Daguerreotype Rooms in New York, in connection with those already established in the former cities.

1850 December 2.  Daguerreian Journal.  Vol. 1, No. 3, n. p.

Clark Brothers, & B. L. Higgins.  Daguerreian Gallery, over the “Regulator,” Franklin Buildings, Syracuse N. Y., No. 128 Genesse St., Utica, Tremont Row, Boston, and 551 Broadway, New York.

Likenesses by the improved Daguerreotype of various sizes, and of the most delicate executions may be obtained at the above rooms during the day, from 8 A. M., to 5 P. M.

Chemicals, Plates, Cases, Cameras, Apparatus, and other materials, connected with the art, constantly on hand, and for sale at New York prices.

All articles are selected with great care and warranted to give the best satisfaction.

Advertisement ran from November 15, 1850 To November 1, 1851.

1851 December 1.  Daguerreian Journal.  Vol. 3, No. 2, n. p.

We regret to learn that Mr. B. L. Higgins of Syracuse, has met with a severe loss by fire; the amount of property destroyed, consisting of Daguerreotype goods, apparatus, &c., is estimated at $1,800.  There is an insurance of $1,000.  This establishment was for some time carried on by Clark & Brothers.  This is now the second time it has been destroyed by fire.

[1] A Directory of Massachusetts Photographers 1839-1900.

Chase, Ezra B.

Daguerreotypes, Photographs, , , , , , , , , , ,

1841                76 Court Street, Boston, Massachusetts.

1841-1846       75 Court Street, Boston, Massachusetts.[1]

1841                Granite House, Exeter, New Hampshire.

1841                Folsom Building, Exeter, New Hampshire.

1848-1849       247 Washington Street, Boston, Massachusetts.1

1851                128 Merrimack Street, Lowell, Massachusetts.1

1855                11 Merchants Row, Lawrence, Massachusetts.1

1856                Address Unknown, Lawrence, Massachusetts.1

1857                197 Essex Street, Lawrence, Massachusetts.1

1865                12 Tremont Street, Boston, Massachusetts.1

1865-1867       75 Court Street, Boston, Massachusetts.1

1868                Address Unknown, Newburyport, Massachusetts.1

1869-1874       4 Pleasant Street, Newburyport, Massachusetts.1

1874                34½ Main Street, Opposite Hotel, Amesbury, Massachusetts.1

1875                Address Unknown, Newburyport, Massachusetts.1

1876                4 Pleasant Street, Newburyport, Massachusetts.1

1876-1878       39 State Street, Newburyport, Massachusetts.1

1879-1881       14 State Street, Newburyport, Massachusetts.1

1882-1884       53 State Street, Newburyport, Massachusetts.1

1883-1887       14 State Street, Newburyport, Massachusetts.1

1885                Address Unknown, Newburyport, Massachusetts.1

1888                53 State Street, Newburyport, Massachusetts.1

1841 July 27.  Exeter News-Letter And Rockingham Advertiser.  (Exeter, New Hampshire.)  July 27, 1841, Vol. XI, No. 14, P. 3.

Daguerreotype Miniatures, At the Building formerly known as the Granite House, Exeter, N. H. Mr. Plumbe, Professor of Photography, having at length succeeded in so far improving his Apparatus, as to enabled to produce a Perfect Photographic Miniature, in any weather, and consequently without using the direct rays of the sun, proposes to instruct a limited number of Ladies and gentlemen in this beautiful and valuable art, who will be furnished with complete set of the Improved Paten Apparatus, by means of which any one may be enabled to take a Likeness in an ordinary room, without requiring any peculiar adjustments of the light.  Hitherto, it has been generally supposed that sunshine was indistinguishable to the production of Daguerreotype Miniatures; but the important improvement just perfected, proves that this is a mistake.  The new Apparatus costs only about one half the price of the old, and furnishes the ability to its possessor of securing an independence, in a profession as honorable, interesting and agreeable as any other, by the expenditure of a mere trifle and a few days of application.  Can any other pursuit in life present the same advantages in supplying the means of genteel support, not to say fortune?  This Apparatus is warranted never to get out of order, and consequently, cannot require any repair; and ordinally, occupies a space of less than a cubic foot.—Those who have ever enjoyed the opportunity of seeing a specimen of Photography, can hardly form an adequate idea of the extreme perfection, beauty, and wonderful minuteness, of a Daguerreotype Picture.  It is the work of Nature, not of Art—and far surpasses the production of the pencil, as all Nature’s efforts do those of Man.  In the creation of these pictures, the light of Heaven, alone, constitutes the pencil, and Nature the artist!  The Daguerreotype, or “Pencil of Nature,” can be applied to every object on which the rays of light can be made to fall; the human face and figure, landscapes, buildings, paintings, engravings, statuary, machinery, &c., &c., may be copied in a few minutes, and with a accuracy that no draughtsman could ever attain.  The process is simple; it requires no acquaintance with Chemistry, and no knowledge of Drawing or Painting, for the light engraves itself upon the prepared plate and it may be performed by ay one, by following the process which is fully and clearly described in the instructions accompanying each set of Apparatuses.  For Colleges, Academies, and the public Lectures, this Apparatus is particularly desirable, as the results produced by it are of the most interesting that can be exhibited to an audience—the process requiring but a few seconds in favorable weather to complete a picture—and the results being, to all, so surprising and beautiful, that it never fails to excite the greatest wonder and astonishment in the mind of every beholder: whilst to the Traveller, it must ever be one of the most invaluable accompaniment.  It is only necessary to add, for the information of those who are unacquainted with the details of the Photogenic Art, that it is capable of yielding an incomparably greater return, for the amount of time and money invested in it, than any other business—say 400 per cent, on the cost of all materials—Those who cannot conveniently visite the Institute, in person, will soon be enabled to acquire a knowledge of the profession by attending to the written instructions.  Apparatus, Plates, Miniature Cases, and every other article of Photography always on hand, and will be forwarded to any part of the world at the shortest notice.

Mr. E. B. Chase, at the Daguerreotype Room, in the building, formerly known as the Granite House, Exeter, N. H. will be ready and happy at all times to wait upon the people of Exeter, who may favor him with a call, either to give them a perfect fac simile of themselves, or show them the curious and wonderful process by which these valuable pictures are produced.  Mr. Chase is connected with Prof. Plumbe of United States Photographic Institute, Boston and is prepared to give instructions and furnish pupils with complete set of his patent improved Apparatus for taking both Views and Miniatures, in most beautiful style including all the materials required, (excepting only the Plates.)

Terms Fifty Dollars, and upwards.  All communications, (post paid)  will be promptly attended to.

“Daguerreotype Likenesses, Mr. Plumbe has in operation, an Improved Apparatus for taking Daguerreotype Likenesses.  The convenience to the sitter, and the rapidity of the work, are unexcelled.  Of the fidelity of the resemblance there is no need to speak.—That comes of course, as it is unavoidable.  With this invention, posterity will be at no loss to ascertain what manner of men were any of their predecessors, who are worth remembering.  The terms are very reasonable, and we advise our readers to drop in, and get their features, be they handsome or ugly, transferred upon the plate that will decay but with eternity.”  Boston Daily Herald.

“Plumbe’s Photographic Institute, is one of the most fashionable places of public resort in the city.  So great is the desire to obtain his Beautiful Daguerreotype Portraits, that he has bee obliged to open a register, for the insertion of names of applicants for Miniatures, in order that all may have their turn.  His apparatus is the most perfect and portable that has ever been used, ad we cordially recommend it to all who desire to avail themselves of the advantages of a most lucrative business, by the expenditure of a mere trifle.”  Boston Daily Times, May 26.

“Daguerreotype.  Prof. Plumbe is now giving instruction in taking Views and Miniatures, in this new and most Beautiful Art.  We had the privilege, a few days since, of calling at Mechanics’ Hall, and examining his Apparatus; and many fine specimens of the productions of this mystery in nature.

The miniatures are taken upon Silver Plate, and resemble Fine Steel engravings, though far more delicate.  They are taken by the rays of light, without paint, pencil, or brush; and are true to nature, as it is nature’s own work assisted by the hand of Art.”—Zion Ban.

Advertisement ran from July 27 to August 17, 1841.

1841 August 5.  Christian Journal.  (Exeter, New Hampshire.)  August 5, 1841, Vol. VII, No. 19, P. 3.

Daguerreotype Miniatures, At the Building formerly known as the Granite House, Exeter, N. H. Mr. Plumbe, Professor of Photography, having at length succeeded in so far improving his Apparatus, as to enabled to produce a Perfect Photographic Miniature, in any weather, and [consequently] without using the direct rays of the sun, [proposes] to instruct a limited number of ladies and gentlemen in this beautiful and valuable art, who will be furnished with complete set of the Improved Paten Apparatus, by means of which any one may be enabled to take a Likeness in an ordinary room, without requiring any peculiar adjustments of the light.  Hitherto, it has been generally supposed that sunshine was indistinguishable to the production of Daguerreotype Miniatures; but the important improvement just perfected, proves that this is a mistake.  The new Apparatus costs only about one half the price of the old, and [furnishes] the ability to its [ ? ], of securing an independence, in a profession as [honorable], interesting and agreeable as ay other, by the [expenditure] of a mere trifle and a few days of [application].  Can any other [pursuit] in life present the same advantages in supplying the means of genteel [support], not to say fortune.  This Apparatus is warranted never to get out of order, and consequently, cannot require any repair; and ordinally, occupies a space of less than a cubic foot.  Those who have ever enjoyed the opportunity of seeing a specimen of Photography, can hardly [form] an adequate idea of the extreme perfection, beauty, and wonderful minuteness, of a Daguerreotype Picture.  It is the work of Nature, not of Art—and far surpasses the production of the pencil, as well as all Nature’s efforts does those of Man.  In the creation of these pictures, the book of Heaven, alone, [constitutes] the pencil, and Nature the artist!  The Daguerreotype, or “Pencil of Nature,” can be supplied to every object on which [the] rays of light can be made to fall; the human face and figure, landscapes, buildings, paintings, engravings, statuary, machinery, &c., &c., may be copied in a few minutes, and with a accuracy that no draughtsman could ever attain.  The process as simple; it requires no acquaintance with Chemistry, and [no] knowledge of Drawing or Painting, for the light engraves itself upon the prepared plate and it may be performed by ay one, by following the process which is fully and clearly described in the [instructions] accompanying each set of Apparatuses.  For colleges, Academies, and the public [Lectures], the Apparatus is particularly desirable, as the results produced by it are of the most interesting that can be exhibited to an audience—the process requiring but a few seconds in favorable weather to complete a picture—and the results being to all [so] surprising and beautiful, that it never fails to excite the [greater] wonder and astonishment in the mind of every beholder whilst to the Traveller, it must ever be one of the most invaluable accompaniment.  It is only necessary to add, for the information of those who are unacquainted with the details of the Photogenic Art, that it is capable of yielding an incomparably greater return, for the amount of time and money invested in it than any other business:  Say 400 per cent, on the cost of all materials—Those who cannot conveniently visite the Institute, in person, will soon be enabled to acquire a knowledge of the Profession by attending to the written instructions.  Apparatus, Plates, Miniature Cases, and every other article of Photography always on hand, and will be forwarded to any part of the world at the shortest notice.

Mr. E. B. Chase, will be ready and happy at all times to wait upon the People of Exeter, who may favor him with a call, either to give them a perfect fac simile of their face, or show them the curious and wonderful process by which these valuable pictures are produced.  Mr. Chase is connected with Prof. Plumbe of United States Photographic Institute, Boston and is prepared to give instructions and furnish pupils with complete set of his patent improved Apparatus for taking both Views and Miniatures, in most beautiful style including all the materials required—Terms $50.00 and upwards.  All (post paid) communications will be promptly attended to.

1841 August 19.  Christian Journal.  (Exeter, New Hampshire.)  August 19, 1841, Vol. VII, No. 21, P. 3.

It will be seen by an advertisement in another column that E. B. Chase is now giving instruction and taking Daguerreotype likenesses in this village.  I have had the privilege of examining his Apparatus and several specimens of this beautiful art.  The likenesses are taken on silver plate, and resemble fine steel engravings, though much more delicate and more correct.  The person sits about two minutes with the eye fixed upon a single object.  The miniatures are taken by the sun’s rays without paint, pencil, or brush.  Persons may expect perfect resemblance, if there is no deficiency in the apparatus, or the position of the person at the time it is taken, as it is all nature’s own work, assisted by the hand of Art.  Those who wish to preserve their own Likeness will do well to call and examine for themselves.

1841 August 19.  Christian Journal.  (Exeter, New Hampshire.)  August 19, 1841, Vol. VII, No. 21, P. 3.

Daguerreotype Miniatures.  Mr. E. B. Chase will be ready and happy at all times to wait upon the People of Exeter, who may favor him with a call, either to give them a perfect fac simile of their face, or show them the curious and wonderful process by which these valuable pictures are produced.  Mr. Chase is connected with Prof. Plumbe of United States Photographic Institute, Boston and is prepared to give instructions and furnish pupils with complete set of his patent improved Apparatus for taking both Views and Miniatures, in most beautiful style including all the materials required.

Terms $50.00 and upwards.  All (post paid) communications will be promptly attended to. Exeter, Aug. 12, 1841.

Advertisement ran from August 19 & 26, 1841.

1841 August 24.  Exeter News-Letter And Rockingham Advertiser.  (Exeter, New Hampshire.)  August 24, 1841, Vol. XI, No. 18, P. 3.

Daguerreotype Miniatures.  At the Building formerly known as the Granite House, Exeter, N. H. Mr. E. B. Chase will be ready and happy at all times to wait upon the People of Exeter, who may favor him with a call, either to give them a perfect fac simile of their face, or show them the curious and wonderful process by which these valuable pictures are produced.  Mr. Chase is connected with Prof. Plumbe of United States Photographic Institute, Boston and is prepared to give instructions and furnish pupils with complete set of his patent improved Apparatus for taking both Views and Miniatures, in most beautiful style including all the materials required. Terms Miniatures in frames, from $3 to $5.  Apparatus, &c., $50.00 and upwards. 

All (post paid) Communications will be promptly attended to.

Advertisement ran from August 24 to September 21, 1841.

1841 September 2.  Christian Journal.  (Exeter, New Hampshire.)  September 2, 1841, Vol. VII, No. 23, P. 3.

Daguerreotype Miniatures.  Mr. E. B. Chase at his Rooms in Folsom’s Buildings, will be ready and happy at all times to wait upon the People of Exeter, who may favor him with a call, either to give them a perfect fac simile of their face, or show them the curious and wonderful process by which these valuable pictures are produced.  Mr. Chase is connected with Prof. Plumbe of united States Photographic Institute, Boston and is prepared to give instructions and furnish pupils with complete set of his patent improved Apparatus for taking both Views and Miniatures, in most beautiful style including all the materials required.

Terms $50.00 and upwards.  All (post paid) communications will be promptly attended to. Exeter, Aug. 12, 1841.

Advertisement ran from September 2 & 16, 1841.

1841 September 9.  Christian Journal.  (Exeter, New Hampshire.)  September 9, 1841, Vol. VII, No. 24, P. 2.

Daguerreotype Miniatures.  Mr. E. B. Chase has just received an improvement to his apparatus for taking Miniatures, by the use of which a person need not sit over thirty seconds in order to obtain a perfect likeness.  Those who wish their likeness to, preserve, will do well to call on Mr. Chase.

1848.  Boston Directory.  (Boston, Massachusetts.)  1848-1849, P. 27.  Published by James French & Charles Stimpson, 1848.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston. We have executed 40,000 likenesses, and possessing every facility, are taking from one to fifty pictures on the same plate, unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase.  Call and see.  E. B. Chase

1848 September 11.  The Daily Chronotype.  (Boston, Massachusetts.)  September 11, 1848, Vol6, No. 1, P. 3. 

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston. We have executed 40,000 likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.  Perfect satisfaction given or no charge.  Call and see.

L. G. Chase.  E. B. Chase

Advertisement ran from September 11 to December 15, 1848.

1848 September 19.  Norwich Evening Courier.  (Norwich, Connecticut.)  September 19, 1848, Vol. VII, No. 87, Whole No. 487, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston. We have executed 40,000 likenesses, and possessing every facility, are taking from one to fifty pictures on the same plate, unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase.            Call and see.  E. B. Chase.

1848 September 21.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  September 21, 1848, Vol. XLII, No. 45, Whole No. 2188, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given or no charge, Call and see.  L. G. Chase.  E. B. Chase.

Advertisement ran from September 21 to October 19, 1848.

1848 September 26.  Maine Democrat.  (Saco, Maine.)  September 26, 1848, Vol. XX, No. 7, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given, or no charge.  L. G. Chase.  Call and See.  E. B. Chase.

Advertisement ran five times between September 26 to November 21, 1848.

1848 September 29.  Vermont Journal.  (Windsor, Vermont.)  September 29, 1848, Vol. V, No. 15, Whole No. 224, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given, or no charge.  L. G. Chase.  Call and See.  E. B. Chase.

Advertisement ran five times between September 29 to October 27, 1848.

1848 October 19.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 19, 1848, Vol. XIV, No. 47, P. 3.

Chase’s Daguerrean Rooms, 247 Washington Street, Boston. We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase. Call and see.  E. B. Chase.

[1] A Directory of Massachusetts Photographers 1839-1900.

Chase, Ezra B. & Lorenzo G.

Daguerreotypes, , , , ,

1848-1849       247 Washington Street, Boston, Massachusetts. [1]

1848.  Boston Directory.  (Boston, Massachusetts.)  1848-1849, P. 27.  Published by James French & Charles Stimpson, 1848.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.

We have executed 40,000 likenesses, and possessing every facility, are taking from one to fifty pictures on the same plate, unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase. Call and see.  E. B. Chase

1848 September 11.  The Daily Chronotype.  (Boston, Massachusetts.) September 11, 1848, Vol. 6, No. 1, P. 3. 

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.

We have executed 40,000 likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.  Perfect satisfaction given or no charge.  Call and see.

L. G. Chase.  E. B. Chase

Advertisement ran from September 11 to December 15, 1848.

1848 September 19.  Norwich Evening Courier.  (Norwich, Connecticut.)  September 19, 1848, Vol. VII, No. 87, Wolle No. 487, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.

We have executed 40,000 likenesses, and possessing every facility, are taking from one to fifty pictures on the same plate, unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase.            Call and see.  E. B. Chase.

1848 September 21.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  September 21, 1848, Vol. XLII, No. 45, Whole No. 2188, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given or no charge, Call and see.  L. G. Chase.  E. B. Chase.

Advertisement ran from September 21 to October 19, 1848.

1848 September 26.  Maine Democrat.  (Saco, Maine.)  September 26, 1848, Vol. XX, No. 7, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given, or no charge.  L. G. Chase.  Call and See.  E. B. Chase.

Advertisement ran five times between September 26 to November 21, 1848.

1848 September 29.  Vermont Journal.  (Windsor, Vermont.)  September 29, 1848, Vol. V, No. 15, Whole No. 224, P. 3.

Chase’s Daguerreotype Rooms, 247 Washington Street, Boston.  We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.

Perfect satisfaction given, or no charge.  L. G. Chase.  Call and See.  E. B. Chase.

Advertisement ran five times between September 29 to October 27, 1848.

1848 October 19.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 19, 1848, Vol. XIV, No. 47, P. 3.

Chase’s Daguerrean Rooms, 247 Washington Street, Boston.

We have executed 40,000 Likenesses, and possessing every facility, are taking single copies and groups unsurpassed by any in the world.  Perfect satisfaction given or no charge.  L. G. Chase. Call and see.  E. B. Chase.

[1] A Directory of Massachusetts Photographers 1839-1900.

Charter, Miss S. R.

Daguerreotypes, ,

1845-1849       8 Tremont Temple, Boston, Massachusetts.[1]

1846 January 21.  The Emancipator.  (Boston, Massachusetts.)  January 21, 1846, Vol. X, No. 39, Whole No. 507, P. 3.

Daguerreotypes By A Lady.  One of the most perfect Daguerreotype miniatures we have ever examined, is that of a lady, taken by Miss Charter, 8 Tremont Temple.  The face is quite life-like, and free from the dismal aspect which renders these portraits so frequently disagreeable objects for friends to look at.  The back-ground, shading, &c., are all perfect, and show the care of a thorough artist.  Miss C.’s card will be seen in our advertising columns, and promises nothing she cannot perform.  Those who wish for a miniature expressing the emotions of the heart and revealing the internal image in the open countenance to perfect life, may give her a call.

1846 January 21.  The Emancipator.  (Boston, Massachusetts.)  January 21, 1846, Vol. X, No. 39, Whole No. 507, P. 3.

Daguerreotype Miniature Rooms:  No. 8, Tremont Temple, First Story, Opposite The Tremont House, Boston.  Miss Charter, Feeling grateful for patronage she has received, begs leave to inform her friends and the public, that she is enabled to present to their inspection as beautiful specimens of the Daguerreotype Art as can be found in the city.  Those desirous of obtaining Miniature Likenesses of themselves, or copies of Portraits, Engravings, Statuary, &c., are respectfully invited to call and judge for themselves of the merit of her productions.   Entire satisfaction or no charge.  The best of Apparatus, Cases, Lockets, Frames, Chemicals, &c. for sale.  Instruction given in the Art.

Hours from 7 A. M. to 4 P. M.

Advertisement ran from January 21, 1846 to February 17, 1847.

[1] A Directory of Massachusetts Photographers 1839-1900.