Tag Archives: Boston Massachusetts

Davis & Perry

1848                34 Tremont Row, Boston, Massachusetts.[1]

1852                257 Washington Street, Boston, Massachusetts.1

1848 August 26.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 26, 1848, N. P.  

Notice.  Copartnership Dissolved.  Whereas William A. Perry, recently a partner in the firm of J. Davis & Co. has signified his intention of leaving the firm by word and act.  I hereby caution all persons from trusting said W. A. Perry on account of the firm, as no debts will be settled of his contracting, by me.  J. J. P. Davis, 34 Tremont Row.  aug. 25

1852 March.  The Photographic Art Journal.  (New York, New York.)  March 1852, P. 195

Messrs. Davis & Perry have opened rooms at 257 Washington street, Boston, that are said to be truly magnificent.  We are well acquainted with Mr. Perry, and know him to be one of the best Daguerreotypist in the United States.  He has a fine taste, excellent judgment in his art, and executes admirable pictures.  He will undoubtedly command a large share of the patronage of so critical a city as Boston.

1852 May 1.  Humphrey’s Daguerreian Journal.  (New York, New York.)  May 1, 1852, P. 32.

Wm. Perry, has in connection with a Mr. Davis, opened rooms in the city of Boston.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Darling, T. H.

1841                62 Milk Street, Boston, Massachusetts.[1]

1841 July 2.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 2, 1841, P. 2.

Mr. Darling, the Daguerreotyper, has exhibited to us several miniatures, which were taken yesterday with his improved apparatus, which we consider the very best taken by this new process in this city.  Mr. D. has made certain improvements, which he says are very important in this art, to make a perfect picture.  He would be happy to exhibit them to all who may favor him with a call.  His rooms are at No. 62 Milk street.

1841 July 31.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.) 

July 31, 1841, Vol. LII, No. 31, P. 3.

Daguerreotype Studio!  No. 62 Milk Street, opposite Pearl Street House, Boston.  T. H. Darling, (Professor of Photography, and pupil of Prof. Morse,) Importer of No. 20 French Plates.

Miniatures taken in a style unequalled, 3 to $5.

Instructions in the Art $25,

Cameras, Cases, No. 20 French Plate, and every thing used in the business, furnished at the lowest prices.

Just received by the Steamer Caledonia, 400 packages of No. 20 French Plates.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications (post paid,) will receive prompt attention.

Advertisement ran from July 31 to September 4, 1841.

1841 June 22.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 22, 1841, P. 2.

“Honor to Daguerre, who first introduced Nature to us in her character as Painter.” [Prof. S. F. B. Morse of N. Y. 

Daguerreotype Studio.  No. 62 Milk st, Boston.  The subscriber, a pupil of Prof Morse, invites the attention of the public to some recent Daguerreotype Miniatures taken in his new glass Photogratory, built expressly for the purpose.  They are the most perfect specimens of the art ever produced by the radiant finger of light.  Cloudy or rainy weather is no obstacle, in the photogratory, to the production of a perfect portrait.  Groups taken when desired.

Pupils will be received and instructed in the art a la Morse, and furnished with every material used in Photography, including the apparatus which is manufactured expressly for the Daguerreotype Studio, and warranted superior to any other: indeed it is the only combination of lenses which can produce a perfect miniature because the spherical abberation is entirely overcome,—a desideratum never before attained.

Specimens may also be seen at Wm. D. Ticknor’s corner of School and Washington sts, and at Simpkins & Burge’s. No. 79 Court st, where may be found a full description of this wonderful process; price 25 cents.  T. H. Darling.

Advertisement ran from June 22 to August 25, 1841.

1841 July 2.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 2, 1841, Vol. XII, No. 3354 P. 2.

Mr. Darling, the Daguerreotypist has exhibited to us several miniatures, which were taken yesterday, with his improved apparatus, which we consider the very best taken by this new process in the city.  Mr. D. has made certain improvements, which he says are very important in this art, to make a perfect picture.  He would be happy to exhibit them to all who may favor him with a call.  His rooms are at 62 Milk Street.

1841 August 2.   Boston Daily Evening Transcript.  (Boston, Massachusetts.)  n.p.

Daguerreotype Studio, No. 62 Milk st, opposite Pearl st. House.  T. H. Darling, (Professor of Photography, and pupil of Prof. Morse,) importer of No. 20, French Plate.

Miniatures taken in a style unequalled, at from $3 to $5. Instruction in the art $25.

Cameras, Cases, No. 20 French Plate, and everything used in the art, furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of the above plates.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications (post paid,) will receive prompt attention.

Any Editor who will give the above 6 insertions, shall be entitled to a perfect Daguerreotype Miniature.                     

Advertisement ran from August 2 to August 7, 1841.

1841 August 6.  The Republican.  (Concord, Massachusetts.)  August 6, 1841, Republican—Vol. 2, P. 3., Gazette—Whole No. 2086,

Daguerreotype Studio! No. 62, Milk Street, opposite Pearl Street House.  T. H. Darling, (Professor of Photography, and Pupil of Professor. Morse.)  Importer of No. 20, French Plate.

Miniatures taken in a style unequalled, at from $3 to $5. Instruction in the art $25.

Cameras, Cases, No. 20 French Plate, and everything used in the art, furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of No. 20 French Plate.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications, post paid, will receive prompt attention.

Advertisement ran from August 6 to December 3, 1841.

1841 August 20.  New Bedford Mercury.  (New Bedford, Massachusetts.)  August 20, 1841, Vol. XXXV, No. 7, P. 3. 

New Bedford Daguerreotype Rooms, No. 57 Union Street, (Over the Store of Maj. J. H. Collins) Mr. Bryant having availed himself of the tuition of the most celebrated Professor of Photography in New England in taking Miniatures, Views, &c. has the satisfaction of announcing to his fellow citizens that he is fully prepared to give beautiful specimens of this most wonderful art.  Specimens of the Daguerreotype can be seen at the rooms of Mr. B. that cannot be surpassed by any artist, except such as may have availed of the same opportunities and experience.  His instruments are of the most perfect kind, manufactured expressly for the celebrated Studio of Professor Darling, of Boston, with whom arrangements are made for the supply of every thing requisite in the art.  A perfect Daguerreotype portraiture is the only means of treasuring the semblance of Nature’s dearest objects and affections—and the fair sex is Nature’s choicest model of the beautiful—ladies, therefore are particularly invited to call and examine the beautiful results of this wonderful discovery.

Seamen also, who are about to depart on long voyages, cannot leave a more acceptable testimonial of affection to a dear friend than an exact transcript of their person, which can be produced in less than one minute at the rooms of Mr. B.

As this establishment is intended to be permanent, a few pupils can be instructed, where they may remain for a longer or shorter time—suiting their own convenience—by which means they can satisfy themselves of their competency in the art.  Terms moderate.  Also apparatus, and other articles necessary in the art, can be furnished on the same terms as at the Studio of Professor Darling, in Boston.

All communications—post paid—directed to P. Bryant, no. 57 Union Street, will be punctually attended to.                                                                                                  

Advertisement ran from August 20, 1841 to September 10, 1841.

1841 September 10.  The Republican.  (Concord, Massachusetts.)  September 10, 1841, Republican—Vol. 7, P. 3., Gazette—Whole No. 2091,

Daguerreotype Miniatures.—Reader, if you want an exact picture of your ugly mug, go to Mr. T. H. Darling, No. 62 Milk Street, and you can have one, for a small price.  His miniatures are taken by the Daguerreotype process, and are of course exact.  We called upon him the other day, and were furnished with a “counterfeit presentment” of ourself, which was wonderful to behold.  The likeness was perfect but if any one had told us we were son confounded homely, we shouldn’t have believed it.  We give in, however to Mr. Darling. 

1841 September 25.  Nantucket Inquirer.  (Nantucket, Massachusetts.)  September 25, 1841, Vol. XXI, No. LXXVII, P. 3. 

Shadows Made Tangible—Daguerreotype Studio!

No. 68 Milk Street, (opposite the Pearl street House) Boston.  T. H. Darling, Professor of Photography, and pupil of Prof. Morse of N. Y. invites the attention of the public to some specimens of Daguerreotype Miniatures, taken in twenty-five seconds if time, altogether surpassing any-thing of the kind ever before produced.

The apparatus with which these miniatures are taken, the process and manipulations differ entirely from those of all others, and are peculiar and known only to himself and his pupils.

Mr. Darling has recently made a new discovery in the Art, by means of which such splendid results are produced.  He has also, by a peculiar combination of the lenses, overcome the spherical aberration.

Plates, cases and every article required in business will be warranted superior in quality and at a less price than can be obtained elsewhere, as extensive arrangements have been made in New York for the manufacture of materials expressly and exclusively for the Daguerreotype Studio.

Beware of imposition as several instances have occurred where miniatures taken at the Studio have been exhibited as the production of others. To prevent this, each miniature will be marked.

Daguerreotype Studio

Miniatures taken in any weather, equally beautiful, from $3 to $5.

Family Groups of two or more $5 to $10.

Those interested in this wonderful discovery are invited to call and judge for themselves.  Written instructions will be communicated to those who cannot visit the Studio in person.

All communications will receive prompt attention, if post paid.

Advertisement ran from September 25, 1841 to October 16, 1841.

1841 November 4.  The Magnolia.  (Cambridge, Massachusetts.)  November 4, 1841, Vol. II, No. 54, P. 4.

Daguerreotype Studio!  No. 62 Milk Street, Opposite the Pearl Street House, Boston.

T. H. Darling, (Professor of Photography, and Pupil of Professor Morse,) Importer of No. 20 French Plate.

Miniatures taken in a style unequaled, 3 to $5.  Instruction in the Art, $25.

Cameras, Cases, No. 20 French Plates, and every thing used in the business furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of No. 20 French Plates:

Beware of Imposition.  As several instances have occurred where Miniatures taken at Prof. Darling’s Studio, have been exhibited as the productions of others, all will be marked

“Daguerreotype Studio.”

Darling’s Patent Photometer for sale.

All communications (post paid) will receive prompt attention.

Any Editor who will give the above six insertions shall be entitled to a splendid Daguerreotype Miniature.  Oct. 28.

Advertisement ran from November 4 to December 9, 1841.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Danielson, F. M.

C.1845-1848   Address Unknown, Boston, Massachusetts.

1846-1848       144 Middle Street, Portland, Maine.

1848                112 Middle Street, Portland, Maine.

1848                144 Middle Street, Portland, Maine.

1849                9 Brinley Hall, Worcester, Massachusetts.1

1849-1850       8½ Daniel Street, Portsmouth, New Hampshire.

1852                Ayer’s Block, Manchester, New Hampshire.

1854                New Block, Factory Island, Saco, Maine.

144.  F. M. Danielson Having taken a Room No. 144 Middle Street, wishing to solicit the favor of the citizens of Portland and vicinity, in sitting for their Daguerreotypes, he having been in the employ of Ormsbee & Silsbee for the past, and Ormsbee the two years preceding years, feels confident that he can satisfy his patrons with a Daguerreotype Miniature, equal if not better than any one who professes the art, and at the very low price of $1.50 put into Velvet lined, and $1.25 in silk lined cases.  May 9.  144 Middle Street.

Advertisement ran from July 12 to September 14, 1848.

1849 July 6.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 6, 1849, Vol. 5, No. 30, P. 3.

Yes, It is a fact that Dr. A. W. Van Alstin has gone to “California,” and also that F. M. Danielson having had charge of the operating during the past five months in the rooms formerly occupied by him, has purchased the stock and fixtures in the above named rooms, having had four years experience in the Daguerreotype business in Boston and other places is confident that in point of execution, his miniatures cannot be surpassed.  (during three years he was in one of the best rooms in the United States) the patronage of the citizens of Worcester and its vicinity is respectfully solicited.

Miniatures put into silk, $1,00 and into Velvet lined cases $1,50.

N. B. Stock constantly on hand and for sale at reasonable prices.  Worcester, July 3, 1849.

Advertisement ran from July 6 to September 12, 1849.

1849 July 23.  Worcester Daily Spy.  (Worcester, Massachusetts.)  Vol. 5, No. 41, P. 2.

To Daguerreotypists. 

500 French Plates of all sizes.

100 Gross of silk and Velvet Cases.

50 Gross of Preservers.

Bromine, Chloride of Iodine, rotten stone, Hypo Sulphite Soda, Rouge in any quantity, at Boston prices at No. 9 Brinley Hall.   F. M. Danielson.  Worcester, July 23

Advertisement ran from July 23 to July 27, 1849.

1849 July 28.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 28, 1849, Vol. 5, No. 47, P. 2.

No. I Will Not sell stock less than cost, or even at cost but I will sell at reasonable profit, my incillities are as great as any man’s in the United States for obtaining stock.  Bromine, Chloride of Iodine, polishing materials, cases and plates, &c., for sale at a reasonable advance from cost.  Miniatures taken without regard to weather, which for brilliancy of tone, are unsurpassed at No. 9 Brinley Hall.  July 28.  F. M. Danielson.  

Advertisement ran from July 28 to September 12, 1849.

Daguerreotypes Executed by the aid of Sky-Light.  The subscriber having made some further improvements, also securing the assistance of Mr. F. M. Danielson, his operator for about four years, and the past year having obtained the premium for the best miniatures, feels assured in stating to the citizens of Portsmouth and vicinity, that they may obtain likenesses as much superior to any ever made by common process, as those would be when compared with pictures taken when in the infancy of the Daguerreotype art.  Ormsbee.  Rooms 8½ Daniel street.  dec. 18.

Advertisement ran from December 26, 1849 to June 18, 1850.

1852 November 3.  Manchester Daily Union.  (Manchester, New Hampshire.)  November 3, 1852, Vol. 14, No. 1, P. 4.

Eureka!  Eureka!  Eureka!  Was the exclamation of Archimedes, rushing through the streets of Syracuse, o his discovery of the great principle of Natural Philosophy.—

The world was no less surprised and delighted when Daguerre by the aid f sun-light transferred to the surface of polished silver, the dim picture of landscapes and the Human Face and Form.

But science and skill have now brought Daguerre’s discovery to such a wonderful state of perfection, that it is now left for Moulton to announce to the World that we may no longer search for the most Life-Like perfection in the Daguerreotype Art—For he has—Found It!!  and is now producing at the Picture Gallery, formerly occupied by Mr. Thompson –Ayer’s Building, First Rooms south of Merrimack street,—which he has taken and spendidly (sic.) furnished with large additions to his former stock,—the Truest and most Perfect specimens of his Art that can be Found In The Country!!

This is not a vain boast; and he pledges himself to satisfy the most skeptical on this point Who will Give Him a Trial!

In addition to the above, he would inform the public that he has secured, at great cost, the services of that gentlemanly operator, Frank M. Danielson, formerly from the celebrated Rooms of Masury & Silsbee, in Boston, whose pictures in point of brilliancy, of tone and excellency of finish, cannot be excelled here or elsewhere.

Mr. M. would also state that he is operating by a Sky Light!

An advantage possessed by no other operator in this vicinity, which gives that uniform shade to the face of his subjects so much admired by all artists and persons of taste.

N. B.  Pictures taken equally well in Foul and Fair Weather.

All are invited to call and examine specimens.  Do Not mistake the place,—Ayer’s Building,—(The first Rooms south of Merrimack street,) where you will find The Daguerreotype Rooms of Manchester.  H. D. W. Moulton. Manchester Oct. 30.

1854 October 3.  Portland Weekly Advertiser.  (Portland, Maine.)  October 3, 1854, Vol. 54, No. 40. P. 1.

The Fair…In Lancaster Hall.  Messrs. Smith & Morrison of this city, contribute a great variety of their superior Photographic likenesses and views.  This brabch of the art has been pushed to a wonderful degree of perfection and in the above named firm finds exceedingly skilfull followers.

Mr. S. L. Carlton, the well known daguerreotypist, has a fine show of miniatures, &c., among which are likenesses of many of our city worthies—and one of Lady Cusac Rooney.

Mr. Frank Danielson, successor to Stevens, has also a collection of choice specimens in the daguerreotype line, which will not suffer in comparison with any other in the apartment. 

1854 March 21.  Maine Democrat.  (Saco, Maine.)  March 21, 1854, Vol. XXV, No. 33, P. 3.

“Hail Columbia”  Who’s Afraid?  Cole has returned from a two month’s tour in the Country, where he has been to recruit his health, and has now returned sound in mind and body, and is now prepared to execute likenesses in his usual fine style, and with the assistance of his operator Frank M. Danielson, can take Pictures In any style that is desired by his Patrons.  Call early if you wish to secure a Good Picture.  In any style that is desired by his patrons.  Call early if you wish to secure a Good Picture.  

N. B.  A liberal discount made to clubs of three or more.  Don’t forget the place, in the New Block on Factory Island, opposite Rollin’s Apothecary store.

Advertisement ran from March 21 to July 25, 1854.

Cremer, James

1849                102 Williams Street, New York, New York.

1852                241 Essex Street, Salem, Massachusetts.

1852-1854       144 Washington Street, Boston, Massachusetts.[1]

1854-1855       Holmes, Booth & Hayden’s, New York, New York.

1857-1859       South West corner of Sixth & Chestnut, Philadelphia, Pennsylvania.

1859                18 South Eighth Street, Philadelphia, Pennsylvania.

1849 March 13.  New York Herald.  (New York, New York.)  March 13, 1849, Whole No. 5394, P. 1.

Levi Chapman, No. 102 William street, New York, Manufacturer Of The  Celebrated Magic Razor Strop, of four sides; also Pocket Books, Wallets, Spectacle and Bankers’ Cases, in every variety, on the most extensive scale.

Daguerreotype Cases $144    

{Medium sizes, from $18 to $60 per gross.

{Quarter sizes, from size from $83 2 to $[30] to $84 per gross.

{Half sizes, from $82 to $144 per gross.

Mats and Preservers of all kinds.  Geo. Dabbs, Jas. Creamer, Agents.

1852 February 16.  Salem Register.  (Salem, Massachusetts.)  February 16, 1852, Vol. LIII, No. 14, P. 3.

Removal.  Daguerreotype Rooms D. W. Bowdoin Has removed from his Old Rooms opposite the Market, to No. 241 Essex Street, ( A few doors above Washington street), where he has built one of the best arranged Establishments in New England, for taking Likenesses and Pictures in every style of the Art.  — Also—

Has formed a Co-Partnership with James Cremer, for the sale of Daguerreotype Goods of every description.  Artists are respectfully invited to call and examine our select Stock of Goods .

Instruction Given in the Art.  Cremer & Bowdoin.

Advertisement ran from February 16 to May 31, 1852.

1852 June 14.  Salem Register.  (Salem, Massachusetts.)  June 14, 1852, Vol. LIII, No. 49, P. 3.

Dissolution of Copartnership.  The Copartnership heretofore existing under the firm of Cremer & Bowdoin is this day dissolved by mutual consent.  James Cremer, D. W. Bowdoin.  Salem, June 9, 1852.

James Cremer & Co.  Are authorized to settle all claims against, and receive all debts due the said firm of Cremer & Bowdoin, at 144 Washington Street, Boston, where they are now fitting up a sales room, and will open a large and select stock of Daguerreotype Goods of every description.  The attention of Artists is respectfully invited.  Orders promptly attended to.  James Cremer & Co.  June 14, 1852.

Advertisement ran from June 14 to July 12, 1852

1852 November 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  November 15, 1852, Vol. IV, P. 240.

Cremer, formerly of Salem, Mass., has now opened a large stock establishment in Boston, under the firm of Cremer & Co.—Cremer will do his share of trade, and no mistake.

1854 January 1.  Humphrey’s Journal.  (New York, New York.)  January 1, 1854, P. 287.

John Sawyer & Co., James Cremer & Co., and B. French, of Boston, Mass keep Daguerreotype stock for sale.

1854 August 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  August 15, 1854, P. 143.

James Cremer, formerly of the firm of James Cremer & Co., of Boston, has become a partner in the company of Holmes, Booth & Hayden’s, in this city.  Mr. C. has a numerous list of friends and no doubt will prove a valuable auxiliary to this establishment.

1855 February 1.  Humphrey’s Journal.  (New York, New York.)  February 1, 1855, P. 327.

James Cremer, now with Holmes, Booth & Hayden’s, is about opening an establishment in the city of Philadelphia, for the sale of Daguerreotypes stock

1857 March 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 25, 1857, Vol. XLIII, No. 2, P. 3.

Important To Daguerreotypist.—Great reduction in price of Melainotype Patent Rights, of from $20 to $3 each, for an individual right.  Authorized Agent James Cremer, S. W. corner of Sixth and Chestnut sts., Phila.

1857 December 18.  The Press.  (Philadelphia, Pennsylvania.)  December 18, 1857, Vol. 1, No. 119, P. 3.

Just Received and for Sale low, a large lot of imported Frames suitable for Photographs.  James Cremer, S. W. cor. Sixth and Chestnut St., up stairs.

N. B. Gold Lockets for Miniatures at Cost. 

1858 July 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 21, 1858, Vol. XLV, No. 103, P. 4.

To Photographers.—Just Received, Hardwick’s fourth edition Photographic Chemistry Price 75 cents.  James Cremer, Photographic Stock Dealer.  S, W, corner Sixth and Chestnut sts.

1859 July 3.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 3, 1859, Vol. XII, No. 10, P. 1.

History of Chestnut Street.  McClees & Co., successors to James Cremer, daguerreotype and photograph stock depot.

1859 October 9.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 9, 1859, Vol. XII, No. 24, P. 2.

The First Premium for Stereoscopes, at the late State Fair, was awarded to James Cremer & Co., of 18 South Eighth street, who had a large variety of pictures upon exhibition.  Public buildings, natural scenes, life groups, are brought out with startling fidelity by this instrument.  Cremer & Co. furnish an instrument and a dozen pictures for $2.50.  The price is so cheap that the firm do a large business.

1859 October 14.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 14, 1859, Vol. XLVIII, No. 17, P. 2.

The Largest assortment of Stereoscopic Pictures ever offered for sale in this city, is at 18 South Eighth Street.  Cremer & Co.

A Stereoscope and one dozen Pictures, $2.50.

1859 October 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 16, 1859, Vol. XII, No. 25, P. 2.

Newly Imported splendid French views and groups, the finest ever imported, have just been received by the International Stereoscope Company, and are to be seen at the stereoscopic depot of James Cremer & Co., No. 18 South Eighth street.  They are beautiful indeed.  This enterprising firm now furnish a stereoscope and twelve pictures for a surprisingly low sum of $2.50.  They are doing well.

1859 October 18.  The Press.  (Philadelphia, Pennsylvania.)  October 18, 1859, Vol. 3, No. 66, P. 3.

The best and most instructive amusement is the Stereoscopic Groups and Views, found at the new Stereoscopic Emporium of J. Cremer & Co., 18 South Eighth street.

1859 October 25.  The Press.  (Philadelphia, Pennsylvania.)  October 25, 1859, Vol. 3, No. 72, P. 3.

Present Your Friends with a Stereoscope and Pictures, the handsomest gift you can offer.  To be found of superior quality and variety, at the new Stereoscope Emporium, 18 South Eighth street.  James Cremer & Co.

1859 October 27.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 27, 1859, Vol. XLVIII, No. 28, P. 2.

Stereoscope And Pictures take the lead of all articles suitable for presents.  Found in greatest variety at 18 South Eighth street.  James Cremer & Co.

1859 November 15.  The Press.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. 3, No. 90, P. 2.

Just Received—A splendid assortment of French Groups and English Scenery, which are now offered for sale, at the New Emporium, 18 South Eighth street.  James Cremer & Co.

1859 November 15.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. XLVIII, No. 44, P. 2.

A Splendid Variety of French Groups and English Scenery, the finest ever imported, now offered for sale at the New Emporium.  18 South Eighth st.  Jas. Cremer & Co.,

1859 November 23.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 23, 1859, Vol. XLVIII, No. 51, P. 2.

Present Your Friends with a Stereoscope and Pictures.  You cannot please them better.  The largest assortment in the city at the New Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 November 27.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  November 27, 1859, Vol. XII, No. 31, P. 2.

For the amusement of the home circle, or the delight of strangers, there is nothing better than a stereoscope.  It is an assistant to your knowledge of foreign lands, which brings the natural appearance of celebrated scenes directly before the eye.  The best place at which to buy stereoscopes is from James Cremer & Co., No. 18 South Eighth street.  They are specially engaged in the business, and have a large stock.

1859 December 3.  The Press.  (Philadelphia, Pennsylvania.)  December 3, 1859, Vol. 3, No. 105, P. 3.

Christmas Presents.—All who view the Stereoscopes and Pictures remark!  How beautiful appropriate for a Christmas Gift!  Emporium 18 South Eighth street.  Open evenings.  Jas. Cremer & Co.

1859 December 4.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  December 4, 1859, Vol. XII, No. 32, P. 2.

Home delights are what every one should cultivate.  Home joys are what every one will approve of.  Therefore we say, in the most distinct manner, that the possession of a stereoscope, and a collection of stereoscopic views, will compensate you for your outdoor allurements.  Messrs. James Cremer & Co., 18 South Eighth street, have a fine collection of these instruments, and an immense number of views and groups, &c.

1859 December 8.  The Press.  (Philadelphia, Pennsylvania.)  December 8, 1859, Vol. 3, No. 110, P. 3.

Holiday is Coming.—A Christmas gift of the Stereoscope and Pictures will afford more pleasure than anything you can offer.  The largest assortment in the city at the Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 December 20.  The Press.  (Philadelphia, Pennsylvania.)  December 20, 1859, Vol. 3, No. 120, P. 2.

Christmas Presents.—Now ready for sale, the  largest and most beautiful assortment of Stereoscope, and Pictures, suitable for Christmas Gifts, at the Emporium, No. 18 South Eighth street.  Jas. Cremer & Co.

1859 December 29.  The Press.  (Philadelphia, Pennsylvania.)  December 29, 1859, Vol. 3, No. 127, P. 2.

Holiday Gifts—The Stereoscope and Pictures, truly a New Year’s present.  It will afford pleasure for the whole year.  Emporium, 18 South Eighth street, James Cremer & Co.

1893 January 27.  New York Herald.  (New York, New York.)  January 27, 1893, Vol. 27, P. 1.

Deaths…Cremer.—Suddenly, on Wednesday, January 25, James Cremer, aged 72 years.  


[1] A Directory Of Massachusetts Photographers 1839-1900.

Cooke, Joseph Parson

1842.               Amateur photographer made calotype in Boston and Cambridge, Massachusetts.[1]

From Harvard Magazine (Cambridge, Massachusetts) January-February 1981, Vol. 83, No. 3, p. 41.  At That Moment In Time.  Harvard’s photo archives, explored by Christopher S. Johnson, Fourteen in a series.

Josiah Parsons Cooke (1827-1894) Took these Calotype photographs of the Boston Museum on Tremont Street and part of city hall (or was it the old courthouse?) around 1842.

In 1842, Cooke was just fifteen.  No matter.  Photography itself was only three.  Daguerre’s silver-plate process (the daguerreotype) and William Fox Talbot’s paper-negative process (the calotype or talbotype) had been made public in 1839.  The daguerreotype, because of its subtle gradations of tone, its microscopic grain, and its awesomely high definition, became the popular favorite.  The calotype, in which a harsh granite like image emerged from a haze of paper weave, mottling, blotches, and even watermarks, would not be fully appreciated until Impressionism had accustomed critics to form that dissolved in a mist of texture.  By then both calotype and daguerreotype had long been obsolete.

The calotype was patented in England and the United States; the daguerreotype was patented only in England.  Calotype licenses came dear, and for the Americans the daguerreotype was free.  Commercial common sense made the American calotype a rarity.

Still, a calotype was more easily made than a daguerreotype.  Writing paper dipped in solutions of table salt and silver nitrate was less expensive (and less deadly) than a silver plate fumed with vapors of iodine and mercury.  A few American amateurs—well beneath the notice of the patentee—tried their hand at calotype.

The earliest were Samuel Longfellow (younger brother of the poet) and Edward Everett Hale (author of “The Man without a Country”), who,  in the spring of 1839—their senior year at Harvard—succeeded in calotyping Harvard Hall from the window of Hale’s room in Massachusetts Hall.  Hale was seventeen at the time.  In February of 1840, M. Carey Lea, then seventeen years old, exhibited forty of his calotypes to the American Philosophical Society in Philadelphia.  In 1842, the Boston inventor William F. Channing, at a relatively mature 22, published an account of his own simplified version of the calotype process.

Though last, Josiah Cooke, at fifteen, was the youngest of these young experimenters; and of them all, his images alone survive.  Photo historian Robert Taft, in Photography and the American Scene, concludes that “they are among the earliest American negatives still in existence.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Comsett, Moses W.

1855-1859       199 Hanover Street, Boston, Massachusetts.[1]          

Ca.1860-1865 22½ Winter Street, Boston, Massachusetts.1[2]

1864-1865       22½ Winter Street, Boston, Massachusetts.1

1866-1868       32 Winter Street Boston, Massachusetts.1

1857 January 9.  Daily Evening Traveler.  (Boston, Massachusetts.)  January 9, 1857, Vol. XII, No. 239, P. 3.

Dissolution Of Copartnership.  The copartnership heretofore existing under the firm of Rood & Comsett, was dissolved Dec. 1st, 1856, by mutual consent.  The business of the late firm will be settled by M. W. Comsett, who will continue the Daguerreotype business as heretofore, at 199 Hanover street.  E. H. Rood, M. W. Comsett.

Advertisement was recorded on January 9 & 10, 1857.


[1] A Directory of Massachusetts Photographers 1839-1900.

[2] Carte de Visite Comsett & Daily 22½ Winter Street, Boston, Massachusetts.

Collagan, Charles H.

C1850-1856    142 Washington Street, Boston, Massachusetts.[1]

1857                142 Washington Street, Boston, Massachusetts.                                   

1858                142 Washington Street, Boston, Massachusetts.1

1860                North Street, Plymouth, Massachusetts.1

Ca. 1850-55.   Advertising Card in back of a Ninth Plate Daguerreotype.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars.  N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

1857 May 18.  The Boston Herald.  (Boston, Massachusetts.)   May 18, 1857, No. 10, 546, P. 4.

C. H. Collagan, Ambrotype and Daguerrean Artist, Respectfully informs his friends and the public that he may be found at his old quarters, 142 Washington Street, (at the Gallery formerly occupied by L. M. Ives,) where he will be most happy to meet all their requirements in his line, having every facility to Give Perfect Satisfaction to all wanting Ambrotypes or Daguerreotypes, at the lowest possible prices, in a range from Twenty-Five Cents to Twenty-Five Dollars.  To give good pictures, and Good Pictures Only, will be the moto of this establishment, and we shall therefore pay Particular Attention To Children’s Pictures, as well as to all branches of the business.  142 Washington street,  142.Advertisement ran from May 18 to 22, 1847.

Advertisement ran from May 18 to 22, 1857.

1857 June 9.  The Boston Herald.  (Boston, Massachusetts.)   June 9, 1857, No. 10, 564, P. 2.

The Truth will Prevail.  Collagan is the only Ambrotypist that gives perfect satisfaction on 25 cent pictures.  Room 142 Washington st.

1857 June 11.  The Boston Herald.  (Boston, Massachusetts.)   June 11, 1857, No. 10, 566, P. 4.

Terrible Results Of Carelessness.  The foolish citizens who go anywhere but to Collagan’s, No. 142 Washington street, to get 25 cent Ambrotypes, find they are “sold” when it is too late.

1857 June 15.  The Boston Herald.  (Boston, Massachusetts.)   June 15, 1857, No. 10, 569, P. 4.

It will save thousands from disappointment if they will avoid “blowing establishments,” and go to Collagan’s, 142 Washington street, to get their 25 cent Ambrotypes.

1857 June 18.  The Boston Herald.  (Boston, Massachusetts.)   June 18, 1857, No. 10, 572, P. 2.

Collagan’s 25 cent Ambrotype Rooms, 142 Washington street.

1857 June 24.  The Boston Herald.  (Boston, Massachusetts.)   June 24, 1857, No. 10, 577, P. 2.

A Happy Lot Of People.  Every one feels perfectly happy after visiting Collagan’s Ambrotype Rooms, 142 Washington street.  It is the only place in Boston where people are allowed to satisfy themselves on 25 cent pictures.

1857 July 2.  The Boston Herald.  (Boston, Massachusetts.)   July 2, 1857, No. 10, 584, P. 4.

A Free Banquet On The Fourth.  In order to make up for the loss of the City Regatta, there will be a sumptuous feast spread at Collagan’s Gallery, 142 Washington street, where all may freely feast their eyes on the 25 cent ambrotypes taken by that artist.

1857 July 3.  The Boston Herald.  (Boston, Massachusetts.)   July 3, 1857, No. 10, 585, P. 4.

The City Procession will halt in front of the Ambrotype Gallery of C. H. Collagan, 142 Washington street, while the people pay tribute to the artist who takes pictures until sitters are perfectly satisfied.

1857 July 9.  The Boston Herald.  (Boston, Massachusetts.)   July 9, 1857, No. 10, 590, P. 4.

Collagan’s Ambrotypes are perfect gems, and any one doubting it can be confirmed by calling at his old rooms, 142 Washington street.

1857 October 28.  The Boston Herald.  (Boston, Massachusetts.)   October 28, 1857, No. 10, 685, P. 4.

Ambrotypes for 6 cents, taken by Collagan, at 142 Washington street.  A liberal discount made to Artists.  The poor considered.

1857 October 29.  The Boston Herald.  (Boston, Massachusetts.)   October 29, 1857, No. 10, 686, P. 2. 

Hold Your Horses!  Collagan takes splendid ambrotypes for only 6 cents.  Children only 10 cents.  Rooms 142 Washington street.

1857 October 31.  The Boston Herald.  (Boston, Massachusetts.)   October 31, 1857, No. 10, 688, P. 4.

Six Cent Ambrotypes!  Not genuine, unless taken by Collagan, at his original six cent rooms, 142 Washington street.

1857 November 2.  The Boston Herald.  (Boston, Massachusetts.)   November 2, 1857, No. 10, 689, P. 4.

The Cheapest Yet.  Six cent pictures, warranted perfect, at Collagan’s, 142 Washington street.  Every picture well varnished for the above price.

1857 November 4.  The Boston Herald.  (Boston, Massachusetts.)   November 4, 1857, No. 10, 691, P. 2.

As High As A Kite.  Collagan, of No. 142 Washington street, knocks his competitors “as high as a kite.”  He takes ambrotypes for six cents!

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 2.

Reader, do you want a large sized Ambrotype in a case?  The same as you have been paying $1.50 for?  If so, Collagan of 142 Washington street, will take you one for 25 cents.

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 4.

Pictures Given To The Poor, During the entire day next Saturday, Collagan, at 142 Washington street, will take pictures of the poor free of any expense.  Come children and all on that day.

Advertisement ran from November 5 to 7, 1857.

1857 November 6.  The Boston Herald.  (Boston, Massachusetts.)   November 6, 1857, No. 10, 693, P. 2.

A Sight For Six Cents.  It is worth six cents to see Collagan, the originator of the six cent ambrotypes; and by going to No 142 Washington street, you can see him and get a picture for six cents.

1857 November 9.  The Boston Herald.  (Boston, Massachusetts.)   November 9, 1857, No. 10, 695, P. 2.

As Good Pictures as ever were taken in Summer Street, if not better, taken for six cents, at No. 142 Washington street, at Collagan’s Gallery.

1857 November 10.  The Boston Herald.  (Boston, Massachusetts.)   November 10, 1857, No. 10, 696, P. 2.

Look You Here!  For six cents Collagan gives you an ambrotype the size of the original 25 cent ones, and for 25 cents a larger size, neatly put in case or frame, as you may desire.—Rooms 142 Washington street.

1857 November 11.  The Boston Herald.  (Boston, Massachusetts.)   November 11, 1857, No. 10, 697, P. 4.

Four Hundred pictures of the poor were given away at Collagan’s 142 Washington st., on Saturday last, and he continues to take the best ambrotypes for six cents.

1857 November 16.  The Boston Herald.  (Boston, Massachusetts.)   November 16, 1857, No. 10, 701, P. 4.

The Man For The People.  Collagan of 142 Washington street, will give you two large loaves of bread and a perfect Ambrotype, all for the small sum of 25 cents.

1857 November 19.  The Boston Herald.  (Boston, Massachusetts.)   November 19, 1857, No. 10, 704, P. 2.

Collagan’s Advice to the Community.  If any of you have $1.25 to pay for an Ambrotype instead of patronizing some stupid blockhead, who mistakes his calling, you had better give $1 of it to some poor person, and for the remaining 25 cents, Collagan will give you a large sized picture, in a case.

Advertisement ran on November 19 & 20, 1857.

Everything on a Level.  Large size Ambrotypes taken perfect, and put in good cases for 25 cents each, at Collagan’s Gallery, 142 Washington street.  Fancy Cases at one third the usual price.

1857 November 25.  The Boston Herald.  (Boston, Massachusetts.)   November 25, 1857, No. 10, 709, P. 4.

Have you Heard the News!  To-morrow Is Thanksgiving Day, and Collagan, 142 Washington St., will take Ambrotypes all day, at astonishingly low prices.  Fancy Cases, suitable for presents, at one third the usual price.  Come one and all, and come early!

1857 December 3.  The Boston Herald.  (Boston, Massachusetts.)   December 3, 1857, No. 10, 715, P. 2.

A Magnificent Charity!  It beats the Soup House excitement to see the people rushing to Collagan’s, No. 142 Washington street, to get those beautiful large Ambrotypes, for 25 cents, and to receive, in addition, Two Loaves Of Bread For Nothing!

1857 December 5.  The Boston Herald.  (Boston, Massachusetts.)   December 5, 1857, No. 10, 717, P. 4.

Don’t throw your Money Away Buying miserable Ambrotypes of poor operators, but takes 6 cents and go to Collagan’s. where you can get suited.  Recollect the number, 142 Washington st.

1857 December 14.  The Boston Herald.  (Boston, Massachusetts.)   December 14, 1857, No. 10, 724, P. 4.

Lose another Dollar, And by that time you will learn a lesson worth knowing Collagan is the People’s Artist, and can be found at his old quarters, 142 Washington Street.

1857 December 23.  The Boston Herald.  (Boston, Massachusetts.)   December 23, 1857, No. 10, 732, P. 2.

A Hint.  Those would-be Ambrotype artists, who visit the Rooms of Mr. Collagan, 142 Washington street, and behave in such a very gentlemanly manner, are reminded that should wish to repeat their visit, they will find the proprietor more ready to appreciate their civilities than the ladies attached to the establishment.

1857 December 25.  The Boston Herald.  (Boston, Massachusetts.)   December 25, 1857, No. 10, 734, P. 2.

Closing the Daguerrian Galleries.  It matters to the people if all other places are closed to-day (Christmas,) so long as it is known that Collagan, of No. 142 Washington street, will keep open, and take Ambrotypes as usual.

Advertisement ran on December 25 & 26, 1857.

1858 January 30.  The Boston Herald.  (Boston, Massachusetts.)   January 30, 1858, No. 10, 764, P. 4.

Charles H. Collagan Would be happy to see an Old Schoolmate, formerly of Baldwin, Me., at his Ambrotype Rooms, 142 Washington street.

Advertisement ran on January 30 & February 1, 1858.

1858 February 9.  The Boston Herald.  (Boston, Massachusetts.)   February 9, 1858, No. 10, 772, P. 2.

Curiosities of Literature:  The puffs, written by sundry verdant youths, of a so called Ambrotype Saloon in the neighborhood of Summer street.  The “puffs” and the “pictures” are of the same school, and the wise will not be deceived by them.  Those who wish a true, artistic picture, should visit the rooms of Collagan, 142 Washington street, where they can procure a better picture for 12½ cents, and the balance can be expended in some work of charity.

1858 February 16.  The Boston Herald.  (Boston, Massachusetts.)   February 16, 1858, No. 10, 778, P. 2.

Where are you Going?  To Collagan’s, 142 Washington street, to get one of his Six Cent Ambrotypes.  This beats the world.  Collagan is ahead, and everybody else is—Nowhere!

1858 February 27.  The Boston Herald.  (Boston, Massachusetts.)   February 27, 1858, No. 10, 788, P. 4.

True Artists.  Thos who would have their Pictures taken by True Artists should visit Collagan’s extensive Ambrotype Gallery, at 142 Washington Street.

1858 March 4.  The Boston Herald.  (Boston, Massachusetts.)   March 4, 1858, No. 10, 792, P. 4.

Military Orders……Attention! 

Come, from the hill-side, and up thro’ the valley,

Over the river, the lake and the sea,—

Leave in the furrow the ploughshare, and rally,

Lithe as an army whose banners are free!

All ye who prize the familiar dear faces,

Gentle and faithful, tender and true;

Attention! march! The best Ambrotype place is

Number on Washington street, one forty-two.

Given at Headquarters, 142 Washington St., over the propeller Printing Rooms.

Sol, (familiarly called “Ols Sol,” Lieutenant General.  C. H. Collagan, Private Secretary.

1858 March 8.  The Boston Herald.  (Boston, Massachusetts.)   March 8, 1858, No. 10, 795, P. 4.

The World in Arms! 

Crinoline’s the rage, and Caroline is pretty,

Over the water they sport the jupon rogue;

Little girls are queens, and the little kingdom, “Britty,”

Laughingly points us its streamer, grand and huge.

All this we Yankees can wink at and whistle—

Go it! we cry to our cousins o’er the blue;

All through the realms of rose, shamrock and thistle,

No one such Ambrotypes as Collagan can do!

‘Seek him in Washington street, one forty-two.

See!  See!  See!  The Best Ambrotypes are taken by I. Bent, Artist, No. 142 Washington street, a few doors below the Old South Church, formerly Collagan’s.  Everybody gets pleased there.

1858 December 25.  American Traveller.  (Boston, Massachusetts.)  December 25, 1858, Vol. XX, No. 52, P. 2.

An Alleged Spiritual Exposure.—Mr. C. H. Collagan, of West Newton, has written a long letter to the Courier, in which he makes certain statements in regard to J. V. Mansfield, a well known “spirit Medium” of this city.  Mr. Mansfield has carried on quite an extensive business in selling portraits of the departed, which purported to have been painted by spirits, but which, in reality, were painted by Mr. Collagan, under the direction of Mr. M., either from a daguerreotype likeness or from Mr. M.’s descriptions.  Mr. Collagan relates several instances of this nature, and is desirous of corresponding with any person who may have received such portraits from Mansfield.  One of the last picture she drew for Mansfield was what purported to be the spirit-bride of a clergyman of Portsmouth, N. H.  Mansfield said there had been a great wedding, at which the clergyman had been wedded to a spirit, but afterwards owned up to the humbug of the affair.

He requested Mr. Collagan to draw the picture, saying it was not so material as to the style of face, so long as it was very beautiful.  It was drawn in muslin robes, and a rose was placed in the bride’s hand because the minister was found of flowers.  Mansfield said the clergyman paid $10 for the picture, and it was to be hung up in his church in Portsmouth.

Mr. C. was next asked to draw a picture of the clergyman’s deceased mother, and commenced the work, but threw up the business before finishing.  Mansfield would sometimes say when he gave an order that it was for a believer, and that Mr. C. need not be very particular about it, as they were easy to please.

Mr. Collagan first formed the acquaintance of this “Medium” two years ago.  He had several sittings with him, and received through him several communications which purported to have emanated from the spirit world.

In conclusion, he says: “I have expended a great deal of money in investigating Spiritualism, and, whatever may be my opinion as regards the phenomena I have witnessed, I am fully satisfied that there never has been a portrait drawn through spirit influence, and that all the so-called spirit-artists are imposters, and that their disgraceful attempts are lacking in talent, taste, and education in art.”  Mr. Collagan has been led to make these disclosures on account of Mansfield’s failure to pay him for his labor, the account having once been placed in a lawyer’s hands for collection.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Coffin, Alonzo K.

1851                Address Unknown, Fredericton, New Brunswick, Canada.

1851                Address Unknown, Woodstock, New Brunswick, Canada.

1851-1854       Address Unknown, New Brunswick, Canada.

1855                28 Hanover Street, Boston, Massachusetts.[1]

1855-1856       365 Washington Street, Boston, Massachusetts.1

Information from Graham Garrett

American itinerant who advertised “Coffin’s Traveling Daguerrian Saloon” in Fredericton and Woodstock, New Brunswick, Canada, 1851.  Claimed in August 1852 that the saloon “had been to nearly all towns and villages of New Brunswick.”  Sold his saloon to John P. Curran (q.v.) In 1854.  Opened gallery in Boston 1855.

1856.  History of Boston, From 1630 to 1856 (Boston, Massachusetts) p. 47.

Drew & Coffin, Photograph Publishers, Office No. 270 Washington Street, 3d Door so. Of Avon Place.  George H. Drew.  Rooms No. 365 Washington Street, 3d Door No. Of Adams House.  A. K. Coffin.

Photographs, Plain or Colored.  Daguerreotypes on Plate or Glass, taken in the best manner.  Particular attention given to copying Photographs, Daguerreotypes, Engravings, and Paintings.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Clifford, Daniel A.

1855-1857       241 Essex Street, Salem, Massachusetts.[1]                       

1859-1860       49 Tremont Street, Boston, Massachusetts.1                       

1860                335 Washington Street. Boston, Massachusetts.1

1861-1863       31 Winter Street, Boston, Massachusetts.1

1864-1865       18½ Winter Street, Boston, Massachusetts.1

1866                Address Unknown, Boston, Massachusetts.1

1867-1868       22 Winter Street, Boston, Massachusetts.1

1871-1887       Corner Main Street and Eastern Avenue, St. Johnsbury, Vermont  

1878-1879       Walton Block, State Street, Montpelier, Vermont         

1852 November 27.  The Caledonian.  (St. Johnsbury, Vermont.)  November 27, 1852, Vol. 16, No. 20, P. 2.

Singing School.—Mr. Clifford of Lebanon, N. H., advertises in our columns that he will open a singing school in this village next week.  See his notice.

1852 November 27.  The Caledonian.  (St. Johnsbury, Vermont.)  November 27, 1852, Vol. 16, No. 20, P. 3.

Singing School.  The subscriber will open a Singing School in this place on Tuesday evening November 30th, at which time he will be pleased to see all who are interested in the art of singing.  Place, to be hereafter noticed by Post Bill.  D. A. Clifford.  Nov. 22, 1852.

1855 April 30.  Salem Register.  (Salem, Massachusetts.)  April 30, 1855, Vol. LVI, No. 35, P. 3. 

Ambrotype and Mezzograph Pictures!  D. A. Clifford would respectfully inform the people of Salem and vicinity, that he has taken the Daguerreotype Rooms formerly occupied by Mr. D. W. Bowdoin, No. 241 Essex st., and is prepared to take the above pictures.

The following explanation will convince all of the superiority of the Pictures:—Explanation.

The term Ambrotypes, by which the pictures are designated is derived from the Greek word ambrotos, signifying durability, over lasting, &c.  The picture is taken upon plate glass, over which is placed a corresponding glass, the two being united by an indestructible gum enabling the picture to retain its brilliancy for ages.  It will not corrode at sea, or change in any climate; is beautiful in tone, bold and clear in its effect, and may be seen in any light.

Mezzograph is an improvement on the Crystalotype process, taking the picture from real life, instead of copying from a Daguerreotype, and in less time, greatly improving the tone, and all the finer details of the picture.

The Ambrotype is patented in the United States, Great Britain and France by Mr. James A. Cutting, of Boston.

The public are invited to call and examine specimens, at my Gallery, 241 Essex street, Salem.

N. B.—The Ambrotype process is particularly adapted to taking children, as the sitting is less than one quarter the time in the usual way.  Particular attention given to copying Pictures.                   

Advertisement ran from April 30 to October 25, 1855

1855 July 12.  Salem Register.  (Salem, Massachusetts.)  July 12, 1855, Vol. LVI, No. 56, P. 2.

Ambrotypes.  We would call the attention of those who wish to procure a good likeness and never changing picture, to the Ambrotype made by Mr. D. A. Clifford, at No. 241 Essex street, (formerly Mr. D. B. Bowdoin’s rooms.)  These pictures have become exceedingly popular, from the fact that they are the only pictures that will not fade or change in any climate or at sea, being taken upon plate glass, over which is placed a corresponding glass, (experiments having proved that pictures put up on a single glass are worthless,) the two surfaces being united by an indestructible gum, virtually making the picture in one solid plate of glass.  Besides, the picture is not reversed, and can be seen in any light.

1855 August 20.  Salem Register.  (Salem, Massachusetts.)  August 20, 1855, Vol. LVI, No. 67, P. 3.

Caution.  Ambrotype Pictures.  The immense success and popularity of the Ambrotype Pictures has induced those who have not been able to obtain the right to work said process to offer a Worthless Imitation of these Pictures.

The fact that Ambrotypes are made upon glass leads many to suppose that all pictures on glass are Ambrotypes, but this is not so.  The Ambrotypes are put with two glasses, the picture being between, and the surfaces cemented together with an indestructible gum, thereby securing the picture from injury or change as though it were in solid glass.

I would also inform the public that the process for making Ambrotype Pictures is patented, and I have the exclusive right for Essex county; therefore no other artist has a right to make them, without a deed of right from me.

D. A. Clifford, Artist, In Ambrotype, Mezzograph & Daguerreotype Pictures, 241 Essex street, Salem.                            

Advertisement ran from August 20 to October 29, 1855.

1855 November 1.  Salem Register.  (Salem, Massachusetts.)  November 1, 1855, Vol. LVI, No. 88, P. 3.

Ambrotype Pictures, The Greatest Discovery In The Photographic Art.  Patented In The United States, Great Britain and France.

D. A. Clifford would thank the people of Salem and vicinity for their very liberal patronage since his introduction of the above named Photographs to their notice, and would inform them that he is making them with so much success, that they have entirely superseded the Daguerreotype, to those wishing to preserve a lasting likeness of their family and friends.

Some of its peculiar advantages over other pictures are, that it never changes in time or climate—making it the most desirable to carry to sea—is not reversed in position—can be seen in any light as well as a painting or engraving, (and possessing a lite-like expression not attained in either) more bold, clear. And beautiful than anything before produced by the Photographic Art—all of which are gained by the picture bing made on fine white plate glass, and permanently secured between two plates of glass, being in effect as though in solid glass.  Put up in all the desirable system.

I have made recent additions of new instruments, of the best makers in the world, and my establishment is now furnished with apparatus equal to the best in the state.  My rooms are easy of access, (up only one flight of stairs) and my patrons are assured that no pains will be spared to produce as good Likenesses and Elegant Pictures as any other establishment in the country.

Caution.—the public are cautioned in purchasing pictures taken on glass, as Ambrotypes, which do not bear the patent stamp.  Pictures made on a single glass, and covered with black paint, are not ambrotypes.

I shall receive in a few days, some Fine Gold Lockets, for Ambrotypes, made expressly to my order, and which cannot be found at any other establishment in the country.

Daguerreotypes, Portraits, and all other Pictures copied in Ambrotype, at short notice.  **Daguerreotypes Taken for those who wish them.             Adults taken equally as well in cloudy as in fair weather.  Rooms 241 Essex Street, near Washington street.

Advertisement ran from November 1 to December 31, 1855.

1856 March 20.  Salem Register.  (Salem, Massachusetts.)  March 20, 1856, Vol. LVII, No. 23, P. 3.

Superior Photographs!  D. A. Clifford Would invite the attention of his friends and the public, to the Photographs, on Paper or Canvas, (variously called Crystalotypes, etc.,) made by him.

Having employed, permanently, the services of eminent artists to color them, I trust the pictures made at my establishment will not be found inferior to those made by the best artists.

Pictures of all sizes and styles.

Good pictures made from a daguerreotype, or other good pictures.

Views taken, when desired.

Patent Ambrotype.  This style of Photograph has become so well known, that it requires no special attention; and we would only say, that we spare no pains or expense in producing it in its greatest perfection.

N. B.  We would say, for the information of those purchasing Ambrotypes, that all pictures taken on glass are not genuine Ambrotypes.  The difference can be easily distinguished, by the Patent Stamp which is required by law—and none others are genuine.

Ambrotypes, Photographs, And Daguerreotypes, at the Lowest Prices.—Don’t forget the number—Rooms No. 241 Essex Street, next to Kinsman’s new Building.

1856 June 30.  Salem Register.  (Salem, Massachusetts.)  June 30, 1856, Vol. LVII, No. 52, P. 3.

Patent Ambrotypes.  The often repeated efforts of Mr. Snell to inform the public that the Patent Ambrotype is a great humbug, and that they are “imposed upon” by exorbitant prices, etc, etc (with a large amount of boasting of his own skill and facilities, there being no other place in Salem where “finished” pictures can be obtained), induce me to state to those that may be led to suppose that such statements are true, that the average prices charged for the Patent Ambrotype are no highrer than charged by Mr. S. for Daguerreotypes or spurious Ambrotypes.

Neither are there any improvements in the method of securing these pictures.  As to the value of the Patent Ambrotype over the single glass picture, or Daguerreotype, it is very plain to be understood —as common sense teaches any person that a picture with a glass on either side, and the two cemented together, is more surely secured from injury than any other way in which it can be done.  Besides, two glasses are stronger than one.  (The principle for making the Patent Ambrotype is patented in England and France, as well as in the United States.)

Also, I would inform those getting Pictures, that those made at my establishment are what they are represented to be, and put up in the most thorough and careful manner, and am confident that the Patent Ambrotype will continue as it now is, the most popular and desirable of all other Pictures.  In part proof of which statement, reference need only be made to the spurious imitation made by artist who have not been able to secure the patent right to make the genuine.

I would thank the people of Salem and vicinity for their very liberal patronage the past year, and no pains or expense shall be spared to merit a continuance of the same.

Rooms free to visitors—No. 241 Essex Street, next door to Kinsman’s New Building—where may be found at all times a large assortment of frames, Cases, Gold Lockets and Pins for Ambrotypes and daguerreotypes.  D. A. Clifford.

Advertisement ran from June 30 to

1857 January 1.  Salem Register.  (Salem, Massachusetts.)  January 1, 1857, Vol. LVIII, No. 1, P. 2.

Painted Photographic Portraits.  We have recently had an opportunity to examine some very fine photographs, taken by Mr. Dan A. Clifford, painted in oil colors by Miss Mary Derby, a well known artist of this city.  This style of portraits is likely to be very popular.  The daguerreotypist secures an accurate likeness, and the painter gives the natural colors of person and dress, while the style is the same as that of portrait painting, and the picture is of course as durable, with the advantage of costing less.  The painted photograph does not require to be protected by glass, any more than canvas does, and, if desired, it can be done on cloth.  Miss. Derby has had considerable experience in this department, having painted a number of photographs for Boston as well as Salem daguerreotypist.  For children’s portraits, this style of picture is especially desirable, as those who have seen specimens of Miss Derby’s skill will promptly acknowledge.

1865 December 16.  Massachusetts Ploughman.  (Boston, Massachusetts.)  December 16, 1865, Vol. XXV, No. 11, Whole No. 1261, P. 3.

Clifford & Shapleigh, Photographist, No. 18½ Winter St., opposite Music Hall, Boston.  D. A. Clifford.  T. W. Shapleigh.

We make it a special branch of our business to copy Daguerreotypes or other Pictures, of any size or style, retouching them in India Ink or Colors. oct14.

Advertisement was recorded on December 16, 1865 and January 6, 1866.

1866 January 2.  Boston Daily Journal.  (Boston, Massachusetts.)  January 2, 1866, Vol. XXXIII, No. 10149, P. 3.

The Copartnership heretofore existing under the firm name of Clifford & Shapleigh, Photographist has been dissolved by consent of parties Thomas W. Shapleigh settles the business of the firm at the rooms, No. 18½ Winter street.  Dan A. Clifford.  Thomas W. Shapleigh.  Boston, January 1, 1866.

1866 January 13.  Massachusetts Ploughman.  (Boston, Massachusetts.)  January 13, 1866, Vol. XXV, No. 15, Whole No. 1265, P. 2.

Photographs.—The establishment of Messrs. Clifford & Shapleigh is located at No. 18½ Winter Street.  We took occasion to call at their rroms a few days since, and were pleased to see the degree of neatness which pervades their establishment.  They have the reputation of giving satisfaction to all their patrons.

1866 March 2.  Boston Traveler.  (Boston, Massachusetts.)  March 2, 1866, Vol. XXI, No. 282, P. 4. 

Arrivals At Boston Hotels March 2, 1866…

Parker House…D. A. Clifford…

1871 May 19.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  May 19, 1871, Vol. 34, No. 1764, P. 3.

—Mr. Clifford has finished and furnished his photograph rooms, in Caledonian Block, in a through and neat manner and is now prepared to do work.  Mr. C. enjoys the reputation of being a first class artist, and we have no doubt he will receive a liberal patronage from the citizens of St. Johnsbury.

1871 June 9.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  June 9, 1871, Vol. 34, No. 1767, P. 3.

Mr. D. A. Clifford, would announce to the people of St. Johnsbury and surrounding towns that his New Photograph Rooms are completed, and he is now prepared to execute all the various kinds of Pictures in the highest style of the Photographic Art; among which are the beautiful and much admired Porcelain, Carte de Visite, Cabinet, and all the various sizes, to life size, plain or retouched in Indian Ink, Crayon, or painted in Oil or Water colors.

Special care taken in copying small pictures of whatever kind to any size.  Also views of Buildings, Machinery, Artist’s Drawing sculpture and Works of Art.

Publishes Lake Memphremagog and other Views.

A large assortment of fine Black Walnut and Gilt Frames, Cord, &c.  Frames made to order from the Best Finished Mouldings:

This establishment has been fitted up at much expense, has a perfect light, instruments of the very best kinds made, and the appointments are not excelled, if equalled, in the state.

After fifteen years experience in the city of Boston D. A. C. feels confident he will be able to please those who desire a fine class of work at reasonable prices.  Patronage respectfully solicited.

1871 August 4.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  August 4, 1871, Vol. 34, No. 1775, P. 3.

Read the following notice from the Boston Transcript:  The Perfection of Photography seems to be reached in the picture produced by Mr. D, A. Clifford, 22 Winter Street, In the great majority of photographs of human subjects, the most casual observer cannot fail to perceive that the most prominent lineaments of face or form are ludicrously exaggerated, so that hands are made to appear quite bloated, noses decidedly swelled, ears enlarged, shoulders shrugged, &c.  All these monstrosities, (not to mention others,) are voided by Mr. Clifford, whose artistic excellence is specially noticeable in the admirable drawing of his pictures, wherein the relative proportions of limbs and features are preserved, and all the effects of a painting secured.  He is equally successful with landscapes, as his charming views of the scenery around Lake Winnipiseogee, (sic.) &c. abundantly attest.  Mr. C. has all the improved facilities known to his profession and executes at short notice fine colored photographs of all styles and sizes, porcelain pictures, stereoscopic pictures from life, &c.  His rooms are well worth a visit.

1871 September 15.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  September 15, 1871, Vol. 35, No. 1781, P. 3.

–Mr. D. A. Clifford, artist over the Caledonian office, has procured a quantity of views fror the stereoscope, taken on Mt. Washington last winter.  Call and see them.

1871 December 15.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  December 15, 1871, Vol. 35, No. 1794, P. 2.

Clifford’s Gallery Is the place to have Pictures made of whatever kind.  Clifford’s Photographs are not excelled.  Clifford’s Porcelain Pictures are admired and praised by all who behold them.  Clifford’s Life Size Portraits are always a success, whether Copied From Small Pictures, or sittings from life.  Bring your small pictures to be Copied To Any Size or Style.

Come yourselves and bring your children.  Gilt and Black Walnut Frames on hand, and made to order.  Also Stereoscopes And Views.

Satisfaction Guaranteed, and Prices Low.  Caledonian Block, (Corner Main St., and Eastern Avenue,) St. Johnsbury, Vt.

1872 January 12.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  January 12, 1872, Vol. 35, No. 1798, P. 1.

Photographers.

F. B. Gage, Brown’s Block, Main Street.

G. H. Aldrich, Burnham’s Building, Main Street.

D. A. Clifford, Caledonian Block, Main Street.

1886 December 20.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  December 20, 1887, Vol. 50, No. 2579, P. 2.

D. A. Clifford, Photographic Artist, Caledonian Bl’k, Main St. St. Johnsbury.

1887 June 9.  St. Johnsbury Caledonian.  (St. Johnsbury, Vermont.)  June 9, 1887, Vol. 50, No. 2602, P. 1.

Recent Deaths.  Clifford.—The sudden death of D. A. Clifford removes a man of mark in his profession, a citizen whose artistic productions have widely extended the reputation of St. Johnsbury.  He was a man of native gifts,  Before his 8th year he could read music accurately, and at 17 he began teaching singing with such success that after a time Dr. Lowell Mason sent him, and for some years retained him as conductor of musical conventions, and agent for his publications.  But Mr. Clifford’s life work was in artistic photography, for which he had enthusiasm amounting to a passion.  He began with the introduction of the daguerreotype, about 45 years ago, and made himself master of every new process, to the time of his death.   He spared neither pains nor expense to reach idea perfection in his art, and was intolerant of anything inferior.  In this respect he believed in himself, and in his work, and he lived to gain a national reputation among artists.  Among 167 exhibitors, English and American, who entered their pictures at the exposition given by Lambert, inventor of the carbon process, at New York, in 1878, the first prize for large carbon work was awarded to Mr. Clifford, and two of his pictures were kept by Mr. Lambert to be exhibited in England as specimens of American photography.  At the time of his death, and for several years previous. Mr. Clifford was Vice President of the American Photographers Association, (for his enthusiasm at the meetings, he was familiarly known among the members as the “Old War Horse”).  His landscape pictures have been admired everywhere and have added much to the popular fame of Vermont scenery.  Not infrequently, persons appreciating nice work, have come from cities to be photographed by our St. Johnsbury artist.

Mr. Clifford was a man of strong, outspoken opinions, his speech was often seasoned with severity, his equanimity was disturbed by ill-health and repeated disappointments, but those who knew him intimately learned to appreciate his wide intelligence and sincerity of soul.  He felt his infirmities deeply, and valued above all things the mercies of his Redeemer.  Re died of heart-disease aged 61 years.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Clark, Jr., George

1853-1861       59 Court Street, Boston, Massachusetts.[1]

1854 October 18.  The Union Democrat.  (Manchester, New Hampshire.)  October 18, 1854, Vol. 4, No. 196, P. 3.

Know Nothings, Read!!  Our 250,000 readers, whether they severally reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.

Advertisement ran from October 18 to December 6, 1854.

1854 October 19.  Independent Democrat.  (Concord, New Hampshire.)  October 19, 1854, Vol. X, No. 25, P. 3.

Know Nothings, Read!!  Our 250,000 readers, whether they severally reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.

Advertisement ran from October 19 to November 16, 1854.

1854 October 20.  Barre Patriot.  (Barre, Massachusetts.)  October 20, 1854, Vol. XI, No. 15, P. 3.

Boston Directory.  Know Nothings, Read!!  Our 250,000 readers, whether they severely reside here or there, are informed that when they want just as good a daguerreotype picture as skill and art can produce, and at a price that shall please should go to Clark’s well known Saloon, 59 Court street, Boston, where the article will be furnished without mistake.  Mr. Clark has made his business a study, and like a good student, renders his work a study and admiration for others.  All of which is suggestive of a call and a picture.  Let everybody make amen.—Know Nothing and Am. Crusader.

We of the Dispatch know something about Capt. Clark’s capability as a Daguerreotypist, and cheerfully the compliment paid him by our know Nothing friends.  There are hundreds of places in this city where cheap pictures can be obtained at cheap prices,—but bear it in mind, you get cheap pictures, nothing else.  Not so with the artist of whom we write.  Those we patronize him will be sure of getting the best productions of the Daguerreotype art, and at prices lower than at any other establishment in the city.  We quote “Let everybody remember 59 Court street, Boston.—Sunday Dispatch.  

Advertisement was recorded four time between October 20 to December 8, 1854.

1855 December 5.  Boston Daily Mail.  (Boston, Massachusetts.)  December 5, 1855, Vol. XV, No. 288, P. 3.

Metropolitan Daguerrean Gift Company No. 59 Court Street Boston.  A Fortune To Be Made.

The Following are among the Gifts of the Company.

1 Brick House in Boston, 3 stories…………………………………………..$12,000.

1 House and Farm 150 acres in Northfield, Vt…………………………………5,000.

2 Houses and Land in the vicinity of Boston, (2,500 each,)………………….5,000.

1 Two and one-half story Wooden House nearly new in Worcester………..4,500.

1 Lot of Land at Wellington Hill, Watertown, Mass………………………………900.

2 Lots of Land at Wellington Hill, Watertown, Mass…..$500…………….…..1,000.

6 House Lots, at Wellington Hill, Watertown, Mass……600…………………3,600.

1 cash Gift…………………………………………………………………………5,000.

5     do……………………………………………………1,000……………….…5,000.

5     do………………………………………………………500…………….……2,500.

20   do……………………………………………………..100…………………..2,000.

50   do……………………………………………………….10…………………….500.

2 Rosewood Pianos………………………………………500………………….1,000.

5   do   do……………………………………………………..300………………….1,500.

1 pair of Matched Horses…………………………………………………………..500.

1 Carriage…………………………………………………………………………1,000.

1 set of Jewelry……………………………………………………………………..150.

3 sets of  do………………………………………………..100…………………….300.

100 sets Ear-Drops……………………………………………5………………..….500.

2 Gold Watches, double case ind 2d……………………..50……………………..300.

10         do                         do…………………………………..100………………….1,000.

10         do…………………………………………………….75……………………750.

100      do………………………………………………….…50……………….…5,000.

100 Silver Watches…………………………………………25…………….……2,500.

10 lots Carpeting, 50 yards each….…………………….1.25………………….2,500.            

10 Melodeons. ……………………………………………..50……………………500.

200 Gold Pencils………………………………………….….5……………..…..1,000.

200     do Breast Pins…………………………………………5………………….1,000.

1,000  do Pencils……………………………………………..3…………………3,000.

12,000 Miscellaneous Gifts…………………………………..1………………..12,000.

83,000 Engravings………………………………………………………….…..19,000.           

                                                                                                                         $100,000

One Dollar will entitle each patron to a Daguerreotype and one of the Gifts from the foregoing stock of Gifts in the Company, and our guaranty that each will get his money’s worth.

Two Dollars will entitle one to a $2 Daguerreotype and to two Gifts, and those wishing Daguerreotypes of greater value will receive the same in Gifts, proportioned in number to the price of them.

The Metropolitan Daguerrean Gift Company has made arrangements with Capt. George Clark, Jr., well known to the public as one of the most skilful Daguerreotype Artists in the country, to superintend their operations.  All orders relative to the business of the Company must be addressed to him at his old place of business, No. 59 Court street, Boston.

An excellent opportunity in thus offered for such persons to receive at the sametime an equivalent in an excellent picture for the money paid, with a certainty of obtaining at least a valuable present.                     

That the affair will be conducted in good faith towards all parties interested, is guaranteed by the high standing in the community of the gentleman to whom the chief management has been entrusted.

A Card.—The undersigned having made arrangements with the above name Company to conduct their business, hereby announces, that affairs shall be managed in a fair and honorable manner.  George Clark, Jr., General Agent M. G. D. Company.

N. B.  Artists in all parts of the country desiring to become Agents in all parts of the country desiring to become Agents will forward their application as above.

N.B.  Eleven Daguerreotype Gift Tickets for Ten Dollars. nov.10.                                                           

Advertisement was recorded on December 5, 14, 21, 1855; February 4, 1856; March 8 & 21, 1856.


[1] A Directory Of Massachusetts Photographers 1839-1900..