All posts by pioneeramericanphotographers

George W. Schuyler

1849                42 Owego Street, Ithaca, New York.

George W. Schuyler was recorded in one advertisement that appeared on April 25, 1849 in the Ithaca Journal and Advertiser (Ithaca, New York).  Daguerrian,—A large assortment of Scovill’s and French Plates, of the best qualities, assorted cases, Preservers, Mattings, extra glass, quickstuff, chlorides of gold, and gold saucers, rough and prepared cotton, etc. etc. at New York retail prices.  G. W. Schuyler, No. 42 Owego-st., Ithaca.

George W. Schuyler is not listed in other photographic directories.  Craig’s Daguerreian Registry does record a Schuyler in the partnership of Johnson & Schuyler in Ithaca, New York in 1849.  In my opinion they are not the same person, nor are Johnson & Schuyler daguerreian artists.  See Johnson & Schuyler post.

A. Schuster

1853                494 Broadway, New York, New York.

A. Schuster was recorded in one advertisement on December 4, 1853 in The New York Herald  (New York, New York).  Portraits In Pastel And Miniature, After nature, and daguerreotypes executed, and perfect resemblances warranted, by A. Schuster, Portrait Painter, 494 Broadway, Specimens ready for show at his studio.

A. Schuster is not recorded in other photographic directories.  Arnauld Schuster or Shuster is listed in The New-York Historical Society’s Dictionary of Artist In America 1584-1860.  Portrait painter at NYC in 1852, formerly a student at the Munich Academy.

R. C. Schofield

1852                151 Main Street, Eagle Square, Richmond, Virginia.

R. C. Schofield was recorded in one advertisement that ran from October 12 to November 3, 1852 in The Daily Dispatch (Richmond, Virginia).  The Beautiful Daguerreotypes executed by M. P. Simons speak for Themselves, (though this is not wonderful as they are speaking Likenesses,) they speak for themselves in tone, finish, composition and truth; they are not surpassed by those of this or any other country, in Paris, London and Venice, they are preferred to the best French, English and Austrian production, and at Home their merits are universally acknowledged.  Instances might be given to prove the above statement which would till the entire columns of the dispatch, but this would be expensive.

Be convinced by calling, examining and comparing specimens.  M. P. Simons, 151 Main Street, Eagle Square.        R. C. Schofield, Assistant.       

R. C. Schofield is not recorded in other photographic directories.

A. B. Schermerhorn

1848                Carey’s Building, Brooklyn, New York.

A. B. Schermerhorn was recorded in one announcement in The Brooklyn Daily Eagle and Kings County Democrat (Brooklyn, New York).  The Doings Of A Night.  Awful conflagration—two hundred dwellings and stores destroyed—three churches burned—immense destruction of property.

The calamity which has fallen on our city is so sudden, so wide spread and so deeply afflicting that we know not how to begin the record of its fearful events.  On Saturday night our citizens retired to their beds without apprehension of danger, without a thought that the destroying angel had stretched forth his arm over our devoted city.  But when the sun arose on Sunday Morning he looked through the chambers of the east on such a scene of devastation as never spread itself open to his eyes in the annals of this young city.  In the brief space of six hours the devouring flame had swept over eight entire blocks in the densest portion of our city, consuming about two hundred buildings and turning into the streets, from their warm beds, probably not less than four hundred persons. As near as we are now able to arrive at the facts the amount of property destroyed may be worth nearly a million dollars……..

138 Fulton Street.  John C. Smith, Lawyer; Charles J. Lowry, Lawyer; Sam H. Cownwell, Copyist; William H. Franklin, Daguerreotypist; L. Hjousberry, piano fortes; John Rolf, lawyer and city surveyor; Cyrus P. Smith, lawyer.

Carey’s Buildings.  S. Adams, drugs; M. Nevin, books; Silas Ludlam, city survear; G. King, Architect; H. A. Moore, attorney; W. C. Halsey, portrait painter; McDevett, portrait painter; U O of Am. Mechanics; Brooklyn Freeman; Schermerhorn, daguerreotypes; Brooklyn Star.

An A. B. Schermerhorn is listed in Craig’s Daguerreian Registry without activity dates or address.

W. Schaus

1853                303 Broadway, New York, New York.

W. Schaus was recorded in one advertisement that ran on November 29 & 30, 1853 in The New York Herald (New York, New York).  Daguerreotype Color Boxes—Just Received an invoice of the best French colors for daguerreotypes, in boxes, with brushes, pencil, and case.  For sale wholesale and retail, by W. Schaus, printseller and artists’ colorman, 303 Broadway, up stairs.

W. Schaus is not recorded in other photographic directories.

Mr. Sawyer

1847                Address Unknown, Cincinnati, Ohio.

Mr. Sawyer was recorded in one announcement in the Green-Mountain Freeman (Montpelier, Vermont) on February 18, 1847.  A Mr. Sawyer of Cincinnati has succeeded in taking a Daguerreotype of Driesbach wrestling with his tigers.  He was obliged to venture into the open cage.

Mr. Sawyer is not recorded in other photographic directories.

Abraham B. Sands

1844                273 Broadway, New York, New York.

Abraham B. Sands was recorded in two advertisements in the New York Daily Tribune (New York, New York).  The first advertisement appeared on July 15, 1844.  Daguerreotype Chemicals.—Johnson’s Prepared Bromine and Chloride of Gold, Hypo Sulph Soda, Chloride of Iodine, Bromine, Tripoli.  Chloride of Gold, and every Chemical required in the Daguerreotype art, of warranted purity and at reasonable prices.  For sale by A. B. Sands & Co. Druggist, 273 Broadway in the Granite Building, corner. Chamber st.

The second advertisement appeared on November 4, 1845.  Abraham B. Sands & Co.  Granite Building, 273 Broadway, Corner of Chambers-street.  Wholesale And Retail Chemicals and Apothecaries, and importer of Drugs, Chemicals, Perfumery, Fancy Articles, &c. … Chloride of Gold, Chloride of Iodine, Bromine, prepared Bromine for Daguerreotypes, Hypo Sulph Soda, Tripoli, &c., &c….

Abraham B. Sands is not recorded in other photographic directories.

F. Sancan

1853-1854       80 Camp Street, New Orleans, Louisiana.                                                                        1854                   Rooms over Badeaux & Bruff, corner Main & Focus Streets, Thibodaux,                                             Louisiana.

F. Sancan was recorded in two advertisement and one announcement in the Thibodaux Minerva.  (Thibodaux, Louisiana).  The first advertisement ran from June 11, 1853 to June 1, 1854. Sache & Sancan, Daguerreotype and Painting Gallery, No. 80 Camp St., New Orleans.  my14.

The announcement appeared on March 11, 1854.  Don’t forget to call on Mr. Sancan, and obtain one of his Daguerreotypes by an entire new process.  See his card.

The second advertisement ran from March 11 to July 22, 1854. Daguerreotype Saloon.  Mr. F. Sancan, has the honor to inform the citizens of Thibodaux and vicinity, that he has opened a Daguerrean Saloon, over the store of Messrs. Badeaux & Bruff, corner of Main and Focus streets, where he will be happy to wait upon those who may honor him with a call.

By an entire new process—one yet little known—he not only gives his pictures a true likeness in features, but also in complexion.  This process has also another advantage in doing away in a partial degree the looking-glass appearance of the ground work.

F. Sancan is not listed in other photographic directories.  See Sache & Sancan post.

John P. Sampson

1858                Corner Third and Mulberry Street, Unknown Town, North Carolina.

John P. Sampson was recorded in an article that appeared on July 24, 1858 in The New York Herald (New York, New York).  A Grand Union Celebration Of The Emancipation In The British West Indies.  The citizens of New York, Brooklyn and Williamsburg will celebrate the above event at Morris Grove, L. I., on Monday August 2.

The Following speakers are expected to be present and address the assembled people:—Hon. E. D. Culiver, Prof. W, J, Wilson, J. W. B. Smith, Wm. Goodell, of New York; Junius C. Morrell, Weeksville; Rev. J. A. Davis, New Haven; Rev. A. /n. Freeman, D. W. B. Ellis, of Brooklyn; Rev. H. H. Garnett, Rev. James Underdue, Wm. Lloyd Garrison, Boston, John P. Sampson, James M. Eddy, North Carolina.  All the colored military companies, Sunday schools, and all benevolent societies, are invited to participate.  A Band of music is engaged.  Cars will leave the corner of Atlantic and Smith street at 10 A. M. precisely, stopping at Weeksville.

Fare fifty cents; children under fourteen years half price.  Should the weather prove unfavorable the next fair day will be selected.  Tickets for sale by the following Committee of Arrangements;—P. P. Jenkins, Dr. Ellis, Peter Tucker, Samuel Thompson, Capt. Ferguson, David Morse, Brooklyn; Thomas Downing, Mr. Lawrence, New York.

In the list of orators the name John P. Sampson will be noted, and on that head we have received from him an autograph letter in the following words, verbatim et punctuatum et lliteratum:—

Having seen my name used in a circular yesterday as one of the speakers for the occasion of August 2nd I will say I a not only exempt from the natural character of its denomination as a public speaker, but that my name was used without my knowledge or consent.  John P. Sampson, N. C.

Mr. Sampson is a young gentleman from North Carolina, and follows his vocation—that of a daguerreotypist—near the banks of the classic stream known as Old Tar river.  Mr. Sampson is evidently a person of intelligence.  His features retain but slight traces of his Mongolian extraction, and his cuticle has the most delicate Southern tinge.  In fact, he is what would be called in the South a likely looking yellowman.”  We are not acquainted with Mr. Sampson’s views on the abstract question of slavery; but as he is a Southerner, doing business in a slave State, we presume that he holds the conservative opinions common to the people of the district in which he resides.  His style is somewhat Oriental, and it may puzzle an ordinary mind to know exactly what he means when he says he is “exempt from the natural character of its denomination; but from the tone of his card the inference is irresistible that he does not agree with his brethren who adhere to the Garrisonians.  His business card throws a little more light on the subject here it is:—

Sampson’s daguerreotypes, at his daguerrean gallery, corner of Third and Mulberry street, for fifty cents and upwards, are now speaking for themselves.  Copying and all that pertains to the art done at low prices.

The daguerreotypes of Mr. Sampson “speak for themselves,” and, therefore, he has no occasion to cultivate the graces of oratory.  He may believe that negro emancipation in the West Indies brought more sorrow than jubilee—more tears than smiles; and it is quite certain that with the aid of a camera, he has been able to take Mr. Garrison’s dimension as they are.  There is no flattery or palaver about the daguerreotype; and artists in that line are sharp enough to see through all the humbugs of the day, Garrison included.  Mr. Sampson is a daguerreotype artist, and not a politician of the Garrison order.  He repudiates the connection altogether, and prefers to work out his own salvation.

Finally, we may say that this wholesale appropriation of a man’s name, which is as much his property as his boots or his trousers, has become an intolerable nuisance, and it ought to be stopped.  By-and-by these politicians will be writing some other man’s name on a bank check—so strong is the force of habit and so facile the descent to crime.  Let Massa Garrison & Co. take heed in season.

John P. Sampson is not recorded in other photographic directories.

Samuel R. Sample

1858                Osman’s Post Office Building, Ottawa, Illinois.

Samuel R. Sample of the partnership of Robinson & Sample (Samuel T. Robinson and Samuel R. Sample) were recorded in one announcement and one advertisement in The Ottawa Free Trader (Ottawa, Illinois).  The announcement appeared on April 24, 1858.  Pictures!  Pictures!!—Messrs. Robinson & Sample have just fitted up, in the new post office block (third story) a handsome suit of daguerrean rooms, where they are now ready to make copies of the “human face divine” in a style up to the finest touches of nature.  They appear to be adapts in the whole range of the photographic art.  They take daguerreotypes, ambrotypes, spereotypes, metanotypes, hallotypes, and we don’t know how many other types; at prices ranging from about nothing upwards.  Whether you can afford to have your handsome countenance perpetuated or not, go at least and see their pictures, for they are worth looking at.

The advertisement ran from May 1 to June 5, 1858.  Photography In Ottawa!  Robinson & Sample Would respectfully announce to the citizens of Ottawa and surrounding country that they have just fitted up a suit of rooms in Osman’s Post Office Building, where they are prepared to put up Daguerreotypes, Ambrotypes, Melainotypes, Spereotypes, Stereoscopes, Photographs, Hallotypes, &c., in the highest style of the art.  The public are respectfully invited to call and examine for themselves.

Perfect satisfaction given or no charge made.  Lockets, Pins, and Rings of all sizes filled.    S. T. Robinson,  S. R. Sample.

Samuel R. Sample, Samuel Robinson and the partnership of Robinson & Sample is recorded in A Directory of Early Illinois Photographers Preliminary Investigations into Photography as Practiced in Illinois, Excluding Chicago; from circa 1846 to 1914.