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Gay, Charles H.

Daguerreotypes, Stereoviews, , , , , , , , , , ,

1844-1845       Hall of the Tremont House, Claremont, New Hampshire.

1845                Rooms in Whitney’s Hotel, Woodstock, Vermont

1845                Rooms In Spalding Building, Montpelier, Vermont

1845                Room, over Bancroft & Riker’s Store, Montpelier, Vermont 

1845-1846       Rooms in the Masonic Hall, Rutland, Vermont.

ND                  192 Broadway, New York, New York.

1847                Younglove’s Hall, Union Village, New York.

1848                Cady’s Hall, East Bennington, Vermont.

1848                Court House, Centre Bennington, Vermont.

1848-1849       Stark House, East Bennington, Vermont.

1849                No’s. 10 & 12 Washington Place, Union Village, New York.

1849                Hobron’s Building, under Ledyard Hall, New London, Connecticut.

1851-1857       46 Bank Street, New London, Connecticut.

1844 November 29.  National Eagle.  (Claremont, New Hampshire.)  November 29, 1844, Vol. X, No. 7, P. 3

Colored Daguerreotype Miniatures.  Charles H. Gay, from New York, would respectfully inform the citizens of Claremont and vicinity, that he has taken the Hall of the Tremont House, where he is prepared to execute Daguerreotype Miniatures in a superior manner, possessing all the colors of life as well aa very perfect likenesses.  Having Superior German Apparatus, he will take Portraits and Miniatures from the smallest to the largest size ever taken in this Country.

Groups of from 2 to 15 on the same plate.  A faithful likeness is in all cases warranted, and no charge unless perfect satisfaction is given.

His prices are low, placing these miniatures within the reach of all.

The citizens are invited to call and examine specimens of the art.

Advertisement ran from November 29, 1844 to February 14, 1845.

1844 December 20.  National Eagle.  (Claremont, New Hampshire.)  December 20, 1844, Vol. X, No. 10, P. 3

Daguerreotype Miniatures.  Mr. Gay, who has been in town two or three weeks with his

Daguerreotype apparatus, will remain but a short time longer.  If you want a correct, distinct

likeness, give him a call.  Hose we have seen are perfect, little if any inferior to paintings.  See

his advertisement.

1845 February 21.  National Eagle.  (Claremont, New Hampshire.)  February 21, 1845, Vol. X, No. 19, P. 3

Charles H. Gay, Would inform the citizens of Claremont that he will remain in town but a few

days longer.  Those persons desirous of obtaining Daguerreotype Miniatures taken in a superior

manner will please call.

Advertisement ran from February 21 to March 21, 1845.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 2.

We would call the attention of our readers to Mr. Gay’s Daguerreotype notice on the next page. We have examined some of his work and have no hesitation in pronouncing it the best ever exhibited here.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 3.

Daguerreotype.  Charles H. Gay, of New York; would respectfully inform the Citizens of Woodstock and Vicinity that he will opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel on Saturday Sept. 6, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute Portraits and miniatures in a style not surpassed by any ever taken.

He will be prepared to execute Portraits and Miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.  No picture is allowed to leave his rooms unless proper satisfaction is given.

The citizens are invited to call and examine specimens of Art brought to its highest state of perfection.

Advertisement ran from September 5 to 19, 1845

1845 September 18.  Spirit of the Age.  (Woodstock, Vermont.)  September 18, 1845, Vol. VI, No. 278, P. 3.

Daguerreotype.  Cha’s H. Gay, Of New York; Would respectfully inform the citizens of Woodstock and vicinity that he has opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute portraits and miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.       

Rooms open from 8 a. m. 6 p. m.  Sept. 10, 1845.

Advertisement ran from September 11 to October 9, 1845.

1845 October 9.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 9, 1845, Vol. XXXIX, No. 48, Whole No. 2034, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 9 to 30, 1845.

1845 October 16.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 16, 1845, Vol. II, No. 42, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 16 to November 6, 1845.

1845 October 23.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 23, 1845, Vol. II, No. 43, P. 2.

Something Worth Seeing.—All who are friends of the fine arts, and would like to see Daguerreotype likenesses, superior to any ever taken in the State, will do well to call at Charles H. Gay’s room, over Bancroft & Riker’s store.  His apparatus is of a superior kind and none can look upon his likenesses without being disposed to patronize him.  Here is a rare chance for those who may wish to procure a beautiful and perfect likeness.

1845 October 23.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 23, 1845, Vol. XXXIX, No. 50, Whole No. 2036, P. 2.

Montpelier In Miniature.—Mr. Gay has produced a beautiful daguerreotype view of part of our village, including a portion of the river, and the hills east.  A more beautiful picture we have seldom seen.  It is now at our book-store for examination. 

1845 December 4.  Rutland Herald.  (Rutland, Vermont.)  December 4, 1845, Vol. 51, No. 49, P. 3.

Daguerreotype.  Charles H. Gay, of New York, Daguerrean Artist, would respectfully inform the citizens of Rutland, that he has opened his Room in the Masonic Hall, opposite A. Dyer’s, where he will remain for a short time and will be prepared to execute the various sizes from the smallest to the largest ever taken either in this country or in Europe, and in a style which cannot be surpassed.

Groups of from 2 to 15 taken on a single plate.

Rooms open from 8 A. M. to ½ past 4 P. M.  Operations without regard to weather from 9 A. M. to 4 P. M.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.  Rutland, Dec. 4, 1845.

Advertisement ran from December 4, 1845 to February 12, 1846.

1847 May 27.  Washington County Journal.  (Union Village, New York.)  May 27, 1847, New Series—Vol. V, No. 33, Whole No. 242, P. 3.

Daguerreotypes.  Chas. H. Gay, formerly from 192 Broadway, N. Y., would respectfully announce to the citizens of Union Village and vicinity, that his Daguerrian Gallery is now open at Younglove’s Hall, where it will remain for a short time, and would invite the attention of the citizens to his unrivalled specimens of the Photographic Art.

He is prepared to execute all the various sizes, from the smallest locket size to the largest Cabinet size ever taken either in this country or in Europe.  Groups of from 2 to 20 taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  These Pictures are taken with a Speculum, and will not be reversed.  The style and finish of these Pictures shall excel in beauty and faithfulness, and possess all the colors of life.

The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection.

Operations from 8 A. M., to 5 P. M., without regard to weather.

Rooms open from 8 A. M., to 7 P. M.  May 24, 1847.

Advertisement ran from May 27 to August 26, 1847.

1848 May 3.  Vermont Gazette.  (Bennington, Vermont.)  May 3, 1848, Vol. LXIX, No. 4339, New Series—Vol. 2, No. 16, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 3 to 22, 1848.

1848 May 8.  The State Banner.  (Bennington, Vermont.)  May 8, 1848, Vol. 8, No. 8, Whole No. 372, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to 24, 1848.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 2.

Mr. Gay, Daguerreotype Artist, is in this village.  See his advertisement.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to July 1, 1848.

1848 June 7.  Vermont Gazette.  (Bennington, Vermont.)  June 7, 1848, Vol. LXIX, No. 4344, New Series—Vol. 2, No. 21, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from June 7 to 28, 1848.

1848 June 10.  The State Banner.  (Bennington, Vermont.)  June 10, 1848, Vol. 8, No. 13, Whole No. 377, P. 2.

Looking the other day at some specimens of Daguerreotype pictures in Mr. Gay’s room, we were surprised as well as delighted at their lifelike fidelity.  Several of our townsmen we recognized among them, and so far as we were able to judge are the very highest perfection of the art.

We marvel that these cheap and excellent pictures are not even more common than they are.  It would seem that when a trifling sum will procure a capital portrait, there should hardly be a family without them.  Who so unloved that he has not at least on friend who would gladly procure a portrait of him at so trifling a cost?  What mother would not gladly retain a faithful image of each child in its season of innocence and trust?  We would advise all those who wish a fine portrait of themselves or friends to call upon Mr. Gay, as an opportunity seldom offers for procuring perfect pictures.

1848 June 14.  Vermont Gazette.  (Bennington, Vermont.)  June 14, 1848, Vol. LXIX, No. 4345, New Series—Vol. 2, No. 22, P. 3.

We can most conscientiously advise our friends who may be desirous of portraits of themselves or friends  to call at the rooms of Mr. Chas. H. Gay, in this village, and examine his specimens.  In our judgement they are decidedly of the very highest order of merit, and far superior to the generality of Daguerreotype portraits; in truth we have never seen them surpassed.  Mr. Gay’s engagements are such that he can remain but a short time.

1848 August 15.  Vermont Gazette.  (Bennington, Vermont.)  August 15, 1848, Vol. LXIX, No. 4356, New Series—Vol. 19, No. 33, P. 3.

Daguerreotype Atelier.  Charles H. Gay (Formerly from 192 Broadway, N. Y.)  Would respectfully inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from August 15 to September 12, 1848.

1848 August 19.  The State Banner.  (Bennington, Vermont.)  August 19, 1848, Vol. 8, No. 23, Whole No. 387, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has opened rooms at the Court House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from August 19 to October 28, 1848.

1848 September 19.  Vermont Gazette.  (Bennington, Vermont.)  September 19, 1848, Vol. LXIX, No. 4361, New Series—Vol. 19, No. 38, P. 3.

Charles H. Gay, Daguerreotype Atelier, is ow at the Court House where he is prepared to execute Daguerreotype Portraits and Miniatures I the highest style of the art.

His specimens are beautiful.  Give him a call.

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXVIII, No. 4362, New Series—Vol. 19, No. 39, P. 2.

Gay is doing a flourishing business at the Court House.  He must be one of the first masters to execute good likenesses of such groups of superlative beauties as we saw, one day last week, in his Daguerreotype Gallery.  As an honest heart and conscience at repose are highly favorable to fine impressions, we would suggest that those desirous of superior portraits should before sitting, become thoroughly imbued in the Democratic principles!

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXIX, No. 4362, New Series—Vol. 19, No. 39, P. 3.

Daguerreotype Atelier.  Charles H. Gay, (Formerly from 192 Broadway, N. Y.)  Would re-pectfully (sic.)  inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from September 26 to October 10, 1848.

1848 October 10.  Vermont Gazette.  (Bennington, Vermont.)  October 10, 1848, Vol. LXVIII, No. 4364, New Series—Vol. 19, No. 41, P. 2.

Something Rare.  Mr. Charles H. Gay, the celebrated Daguerreotype artist, has executed within the past week, upon one plate, the likenesses of six individuals of this town, whose united ages amount to four hundred and ninety years.  One, the last surviving here of the battle of Bennington, with his gun by his side; another, supposed to be the first born in the State of Vermont: all of them born here in, and residents of Bennington at the time of the battle, August 16th, 1777.  Upon the same plate is Col. Baum’s sword, also a sword taken from a hessian soldier in single combat, by the late Joseph Rudd, Esq., of this town.  Taken together it is one pof the most interesting pictures ever produced by the art.

1848 November 11.  The State Banner.  (Bennington, Vermont.)  November 11, 1848, Vol. 8, No. 35, Whole No. 399, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has taken rooms at the Stark House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from November 11, 1848 to January 6, 1849.

1849 April 21.  The State Banner.  (Bennington, Vermont.)  April 21, 1849, Vol. IX, No. 6, Whole No.422, P. 2.

Daguerreotypes.—C. H. Gay, the inimitable daguerreotype artist, is now in our village; but will remain for a few days only, after which time he will be with us no more, as he isto locate, permanently, in Connecticut.

1849 May 10.  Washington County Journal.  (Union Village, New York.)  May 10, 1849, New Series—Vol. Seventh, No. 31, Whole No. 344, P. 3.

Daguerreotype Atelier.  Charles H. Gay would respectfully inform the citizens of Union Village and vicinity, that he has returned, and has opened his Daguerrian Gallery at Rooms No. 10 & 12, Washington Place, where he will remain a short time, and is prepared to execute Daguerreotypes Portraits & Miniatures in a style that cannot be surpassed.  He is prepared to execute all the various sizes (embracing seven distinct ones,) from the largest to smallest ever taken, either in this country or in Europe.  Groups of from two to twenty taken on a single plate.

From the long experience of the proprietor in the business, the superiority of his instruments having both German and American, he flatters himself he will be able to give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.—Those having pictures taken by the old process, can have them retaken at a small expense.

The public are respectfully invited to call and examine specimens of the art brought to its highest state of perfection.

Rooms open from 8 A. M. to 5 P. M. May 10, 1849.

Advertisement ran from May 10 to 31, 1849.

1849 October 27.  New London Daily Chronicle.  (New London, Connecticut.)  October 27, 1849, Vol. II, No. 152, P. 4.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens.  oct. 25.

1849 October 21.  New London Democrat.  (New London, Connecticut.)  October 21, 1849, Vol. V, No. 33, Whole No. 241, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 21, 1849 to September 28, 1850.

1849 October 31.  New London Weekly Chronicle.  (New London, Connecticut.)  October 31, 1849, Vol. II, No. 79, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 31, 1849 to October 30, 1850.

1850 November 4.  New London Daily Chronicle.  (New London, Connecticut.)  November 4, 1850, Vol. III, No. 163, P. 2

The New Map of the City is in the main a very creditable work, and we really wish our citizens would manifest their favorable opinion of the labors of the compiler by taking off his hands any number of copies he may happen to have after furnishing his subscribers.  To say nothing of its convenience to every citizen, it is worth all that is asked for it as an ornament to his hall.  The border is adorned with the following engravings, and all of them accurate, and some of them very beautiful in design…all of these engravings are fac similes taken by Mr. Gay, the Daguerreotypist, and of course literal representations of the several objects.

1851 June 2.  New London Daily Chronicle.  (New London, Connecticut.)  June 2, 1851, Vol. IV, No. 32, P. 3.

Sky Light Daguerreotypes.  The Most Approved and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various sizes of Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory.  

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

1851 July 10.  The New London Weekly Chronicle.  (New London, Connecticut.)  July 10, 1851, Vol. IV, No. 12, Whole No. 167, P. 3.

Sky Light Daguerreotypes.  The Most Approved, and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory. 

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

Advertisement ran from July 10, 1851 to March 31, 1853.

1852 December 2.  The New London Daily Chronicle.  (New London, Connecticut.)  December 2, 1852, Vol. V, No. 33, Whole No. 240, P. 2.

Stereoscopic of Solid Daguerreotypes.  The attention of the citizens of New London are invited to this new and beautiful discovery in Daguerreotyping.

Specimens of the style now ready for exhibition.  The public are respectfully invited to call and examine  these new are beautiful specimens of Art at Chas. H. Gay’s Daguerrean Gallery, No. 46 Bank-street.

1853 February 3.  The New London Daily Chronicle.  (New London, Connecticut.)  February 3, 1853, Vol. V, No. 42, Whole No. 249, P. 3.

Daguerreotypes.  The Subscriber would inform his friends and patrons in New London and vicinity that he has made such additions tohis stock as his increased patronage requires, and that his Sky Light Daguerreotypes are still unsurpassed by any in the country.  The once popular but erroneous opinion that a Picture was good in proportion to its paleness and want of shadow, has given way to the light of experience, and there are now but few so ignorant as not to be aware that in these Types of the :human face divine,” it is the shadows that give force to the expression and make them true to nature.  Any one that has ever been at all conversant with paintings of the most celebrated artists, ancient as well as modern, must have been struck with the fact that the depth and force of shadows was in proportion to the eminence of the Artist.  It is because there is no other way on a flat surface to make objects stand out.  Such an effect is produced by sky light, when skilfully managed, to a greater degree than any other.  Charles H. Gay, 46 Bank-street. New London.

Advertisement ran from February 3, 1853 to January 5, 1854.

1857 June 18.  The New London Daily Chronicle.  (New London, Connecticut.)  June 18, 1857, Vol. IX, No. 50, Whole No. 485, P. 3.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

1857 June 19.  New London Daily Chronicle.  (New London, Connecticut.)  June 19, 1857, Vol. X, No. 50, P. 2.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

Gavit, Daniel E.

Daguerreotypes, , , , , , ,

1845                15 Dow’s Building, Albany, New York.[1]

1845-1846       85 Genesee Street, Auburn, New York.

1848-1850       480 Broadway, Albany, New York.

1850-1852       247 Broadway, New York, New York.

1852                192 Broadway, corner John Street, New York, New York.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures.

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 2.

Gavit’s Daguerreotype Gallery.  Mr. Oliphant,—I last week visited the Daguerreotype Gallery of D. E. Gavit, late of Albany.  Although I Have had the pleasure of seeing many fine specimens of this beautiful art.  I never saw any, that for magnificence of execution, and faithfulness of representation would compare with those taken by Mr. Gavit.  His pictures unlike those taken by most other artist, present every feature as perfect as they exist in the person taken.  The eyes, the expression of the countenance, and the complexion, are all taken perfectly, which in my opinion render them equal, if not superior to the best Miniature Likenesses upon ivory.  And I sincerely hope Mr. Gavit may receive that patronage from the citizens of this village, which his talents and his superiority in his business deserve.  Auburn, Dec. 1, 1845.         G. L. F.

We insert the above with pleasure, conscious that by such course we are but doing an act of justice to Mr. G., whose beautiful specimens of the perfection to which this recently discovered art has been brought, deserve the highest praise.  The reader is referred also to his advertisement.

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 3.

Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

1845 December 10.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 10, 1845, Vol. 13, No. 32, P. 2.

Daguerreotype.—In consequence of the liberal patronage received from the citizens of Auburn, for which he begs leave to return his sincere thanks, and to accommodate those who wish to sit, the subscriber has determined to remain a few day longer.

Those who require his services are requested to call immediately, as he assures them his stay is limited.  D. E. Gavit, Galleries No. 85 Genesee-st., up stairs.

Advertisement ran from December 10, 1845 to January 7, 1846.

1845 December 24.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 24, 1845, Vol. 13, No. 34, P. 2.

Mr. Editor,—A correspondent in your last, in alluding to the Daguerreotype Gallery of Mr. Gavit, quotes the old saying, that a “new broom sweeps clean.”  I believe all who have seen Mr. G’s specimens in the art alluded to, up to the present time, will concur with me in the remark that his broom has so far the advantage of many others that have been known in this section, that it still retains its newness and freshness.

1848 September 11.  New York Herald.  (New York, New York.)  September 11, 1848, Whole No. 5213, P. 1.

Another Fire In Albany.  [From The Albany Atlas, September 9.]

About 2 o’clock this morning, a fire broke out in the the splendid block of buildings, Nos. 480 and 482 Broadway, a door or two north of the Mansion House, belonging to the estate of Samuel Fisk, Esq., and occupied by Mulford & Wendell, jewelers; R. W. Freeman, tailor; Samuel Stevens, law office; Mr. Delancey, and the Daguerrean room of Mr. D. Gavitt… 

1849 October.  Eighth Annual Report Of The American Institute, Of The City Of New York.  (Albany, New York.)  1850, P. 25 & 46.

List Of Premiums Awarded By The Managers Of The Twenty-Second Annual Fair Of The American Institute, October 1849…Daguerreotypes.

M. B. Brady, 205 Broadway, for the best daguerreotypes.  Gold Medal.

M. A. Root, Philadelphia, Penn., for the second best daguerreotypes.  Silver Medal.

D. E. Gavit, Albany, N. Y., for daguerreotypes.  Diploma.

1850 August 13.  New York Herald.  (New York, New York.)  August 13, 1850, Whole No. 5908, P. 5.

President Millard Fillmore.—Just published, an admirable portrait of the President of the United States, executed by Crehen, after a beautiful daguerreotype taken by Gavit.  Price of each copy $1.  Goupel, Vibert & Co., 289 Broadway.

Advertisement ran from August 13 to 16, 1850.

1850 September 13.  New York Semi-Weekly Tribune.  (New York, New York.)  September 13, 1850, Vol. IV, No. 32, Whole No. 344, P. 2.

Another Fire In Albany.—The Evening Journal says, James Kidd’s beautiful building, Nos. 480 and 482 Broadway, was destroyed by fire on Saturday morning.  The upper part of the building was occupied in part by S. Stephens, Esq. as a law Office, Gavitt & Co. Daguerreotypists, and several persons.  Nearly all the property in the building was insured.…

1850 September 13.  New York Daily Tribune.  (New York, New York.)  September 13, 1850, Vol. X, No. 2885, P. 4.

A Daguerreotype.—We were shown yesterday an exquisite specimen of the excellence to which Daguerreotyping has been brought.  It was the portrait of a young girl, by Mr. D. E. Gavit, of Albany, to whom the first premium of a silver medal has just been awarded at the late State Fair in Albany.  The great merit of this Daguerreotype lies in the general softness and harmony of the shadows, the unconstrained ease of the attitude, and the life-like animation of the face.  It may be seen for a few days at Mr. Anthony’s, 205 Broadway.  Mr. Gavit, we learn, intends shortly establishing himself in this city.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 September 15.  The New York Herald.  (New York, New York.)  September 15, 1850, Whole No. 5941, P. 3.

The State Fair.—We were shown, yesterday, a specimen of daguerreotypes from the gallery of Mr. D. E. Gavit, of Albany, and the one which won the first prize of a silver medal, at the late State fair.  It was a perfect specimen of the art, and shows the great perfection to which that branch has been brought.  Mr. G. also received a diploma for the best selection of pictures, all of which he has left at the store of Mr. Anthony, in Broadway, for public inspection.

1850 October.  Transactions Of The American Institute Of The City Of New York 1850. P.21 & 41.

List Of Premiums Awarded By The Managers Of The Twenty-Third Annual Fair Of The American Institute, October 1850…

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway

Meade Brothers, 233 Broadway,

Harrison & Holmes, 289 Broadway,

D. E. Gavit, 247 Broadway,

C. M. Cary, 187 Broadway

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

*C. M. Cary, New York,             do           do.

*possibly Preston M. Cary.

1850 November 5.  The Granite Farmer.  (Manchester, New Hampshire.)  November 5, 1850, Vol. I, No. 34, P. 5.

Fair of the American Institute…

Daguerreotypes.

Considerable space in the gallery is devoted to the exhibition of Daguerreotype pictures, as usual.  We have generally paid attention to the quality of the specimens, and, without wishing to disparage our city artists, we feel compelled to give the preference to Messrs. Roots’, of Philadelphia, and Mr. Gavitt’s, of Albany.  We last year paid a high compliment to the [skill] of Messrs. Roots, and we are pleased to notice, by a card, that they have opened a splendid gallery in this city, at No. 363 Broadway, corner of Franklin.  If any of our friends desire a perfect cemblance (sic.) of themselves, and a picture finished in the highest style of the art, we can assure them that they can obtain it at the above place.  Scientific American.

1850 November 14.  The New York Daily Tribune.  (New York, New York.)  November 14, 1850, Vol. X, No. 2989, P. 4.

Gavit’s Premium Daguerreotype, at the National Miniature Gallery, 247 Broadway, corner Murray, over Ball, Thompkins & Black’s.—The proprietor is pleased to announce, that after repeated requests from his friends in New York, he is now permanently located as above, where all who wish can procure his superior Photographs, which he will warrant to be equal in finish and artistical skill to any yet produced in this wonderful art.  The Gallery (which is formerly owned by Anthony, Clarke & Co.) is the most extensive in the world, and contains over one thousand portraits of the most eminent men of the age who are celebrated as statesmen, warriors, poets, artists, divines, heroes, etc., and is well worth a visit from all.  The proprietor will use his utmost endeavors to please all who honor him with their patronage, and no charge will be made without the utmost satisfaction is given. 

D. E. Gavit, successor to Langenheim & Co.

Having sold our Daguerreotype Establishment to Daniel E. Gavit, we beg leave to recommend our successor to our customers, being satisfied that he deserves the public patronage in the fullest degree.  Langenheim & Co.

1850 November 21.  The New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 4.

Daniel Webster.—A superior Portrait of this great statesman can be seen at the National Miniature Gallery.  Also Portraits just added of Washington Hunt and Horatio Seymour, the late rival candidates for Governor.  Come and see them at Gavit’s, late Anthony, Clarke & Co. 247 Broadway, corner Murray.

1850 November 21.  The New York Herald.  (New York, New York.)  November 21, 1850, Whole No. 6007, P. 2.

Gavit, whose portraits were so extensively admired at the late fair of the American Institute, is now permanently located at the National Miniature Gallery, 247 Broadway, where those who wish can procure a perfect Daguerreotype, at all hours of the day.  The first prize, of a silver medal, was awarded those pictures, at the State Fair at Albany, and at the American Institute.  Late Anthony, Clark & Co., 247 Broadway, corner of Murray street.

1850 December 3.  New York Daily Tribune.  (New York, New York.)  December 3, 1850, Vol. X, No. 3005, P. 4.

Andrew Jackson, Gen. Taylor, Jas. K. Polk, Chancellor Kent, Silas Wright.—Portraits of the above, taken from life, can be seen at Gavit’s National Miniature Gallery, 247 Broadway, over Ball Thompson & Black.

1850 December 3.  The New York Herald.  (New York, New York.)  December 3, 1850, Whole No. 6019, P. 2.

The two highest medals for 1850, for the best Daguerreotype exhibited at the two last Fairs, held at Castle Garden and the State Fair at Albany, were awarded to D. E. Gavit, of the National Miniature Gallery, 247 Broadway—come and see them together with the largest and most elegant collection in the world.  Remember 247 Broadway, over Ball, Thompson & Black.

1850 December 4.  The New York Herald.  (New York, New York.)  December 4, 1850, Whole No. 6020, P. 2.

Gavit’s Daguerreotype.—Don’t be deceived or humbugged by those who profess to be Napoleons, Kings, Lyons, &c., but go and examine for yourselves, and give your patronage to that establishment where you are convinced you can get the utmost perfection of the art.  Be sure to call at the National Miniature Gallery, 247 Broadway.  No charge without the utmost satisfaction.

16 December 1850.  The Evening Post.  (New York, New York.)  December 16, 1850, Vol. XLIX, P. 2.

Gavit’s National Miniature Gallery, 247 Broadway, cor. Murray st. (Formerly Anthony, Clarke & Co.)

This establishment, the largest and most celebrated in the country, is now conducted by the subscriber, who pledges himself that its former enviable reputation shall be fully sustained, and that every picture will combine all the requisite perfection that the advancement of this elegant art is capable of producing.

This gallery contains over 1,000 portraits of the most distinguished men of the age, who are celebrated as statesmen, poets, authors, divines, heroes, orators, &c. and is well worthy a visit from all.

Those who patronize this establishment, are assured that pictures are as represented, and that we don’t depend on the usual gasconade and humbug of the day for business; and if the utmost satisfaction is not given to each patron, no charge is made.  Just received, a few elegant styles of cases, etc., for holiday presents.  D. E. Gavit, Proprietor.

Advertisement ran from December 16, 1850 to January 4, 1851.

23 December 1850.  The Evening Post.  (New York, New York.)  December 23, 1850, Vol. XLIX, P. 2.

Holiday Articles….—Among the many pleasing articles which may be presented as Gifts for the Holidays, we know of none more pleasing or appropriate than daguerreotype likenesses.  A reference to our advertising columns will give the names of some of the best daguerreotypist in New York, where accurate likenesses may be obtained at a little more than a minutes sitting, and at a moderate cost.  Among these we may mention the following names:  Holmes, 259 Broadway, who receives an extensive public patronage; Gavit’s daguerrean gallery, where may be seen the portraits of several of the notabilities of this and other countries.  Accurate portraits may also be obtained at the daguerrean rooms over J. J. Cox’s store, 349, where every convenience and requisite necessary for the taking of perfect likenesses may be found.  In addition to the daguerreotypists above named, we would recommend Mr. Gurney’s gallery, 189 Broadway, which is the oldest establishment of the kind in the city.  Color types on Ivory, glass and paper, are also taken here at a short sitting.  The gallery, No. 363 Broadway, is well worthy of a visit from those desiring a superior article.  Here may be seen several portraits of Jenny Lind, and other celebrities of the day.  Mr. Root exhibits no less than six medals, as testimonials of his services in the art.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And

Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.  M. A. Root, daguerreotypes.

28.  W. & F. Langenheim, photographic slides.

31.  O. B. Evans, daguerreotypes.

35.  Meade & Brothers, daguerreotypes.

51.  D. E. Gavit, daguerreotypes.

63.  M. B. Brady, daguerreotypes.

77.  M. M. Lawrence, daguerreotypes.

1851 January 22.   The New York Herald.  (New York, New York.)  January 22, 1851, Whole No. 6066, P. 6.

Gavit’s National Miniature Gallery 247 Broadway, corner Murray street.—This establishment contains the largest collection on of the portraits of distinguished individuals ever brought together, and those daily taken there are specimens of the highest perfection of art.  The public are invited to call.

1851 February 1.  New York Daily Tribune.  (New York, New York.)  February 1, 1851, Vol. XI, No. 3056, P. 5.

Mr. D. E. Gavit, late of Albany, has opened a handsome suite of Daguerreotype rooms at the corner of Broadway and Murray-st. as successor to Langenheim & Co.  His pictures have frequently received premiums, and merit examination.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.  M. A. Root, Philadelphia, Pa., daguerreotypes.

62.  W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.  O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.  Meade & Brothers, New York, daguerreotype.

125.  D. E. Gavit, New York, daguerreotypes.

137.  M. B. Brady, New York, daguerreotypes.

151.  M. M. Lawrence, New York, daguerreotypes.

396.  J. W. Whitehurst, Baltimore, daguerreotypes.

1851 February 19.  New York Daily Tribune.  (New York, New York.)  February 19, 1851, Vol. XI, No. 3071, P. 5.

The Daguerreotype Art.—In this age of in the useful arts and in cheap luxuries, none who possess the means of subsistence can make the costliness of family portraits an excuse for being without them.  The art of Daguerreotyping, in this country, has reached a point of great perfection, and the artists of New-York are among the foremost in excellence of workmanship, beauty of finish, and a quick apprehension and application of a new discoveries.  The establishment of Mr. D. E. Gavit, corner of Broadway and Murray-st., to which we alluded a few days since, is one of the most extensive in this country, and combines a number of advantages, which give it a peculiar claim upon public attention.—Probably a larger or better selected Portrait Gallery of distinguished personages could not be found.  His rooms are decked with the speaking likenesses of Presidents, Governors, Congressmen, eminent Divines, Jurists, and other more or less distinguished—the careful gleanings of many years.  Joining to a large experience that spirit of enterprise that never fails to succeed, Mr. Gavit has been enabled, by his discoveries on new chemical compounds and combinations, to impart to his pictures a finish of remarkable beauty, which gives general satisfaction, and insures him frequent premiums.  In Albany, where his principal establishment was, until recently, located, he achieved a name which is a sure guarantee of success among us.  We commend his establishment, No. 247 Broadway, to the attention of the reader.

1851 March 13.   The New York Herald.  (New York, New York.)  March 13, 1851, Whole No. 6716, P. 2.

The Daguerreotype In Perfection, at the National Miniature Gallery, 247 Broadway, corner Murray. Over Ball, Tompkins & Black.  Portraits of all sizes, in variety of settings.  Daguerreotypes copied, equal to the original.  Gavit’s, late Anthony Clark & Co.

1851 March 28.   The New York Herald.  (New York, New York.)  March 28, 1851, Whole No. 6731, P. 2.

Fine Arts.—Beautiful Daguerreotypes on ivory paper, in oil and water, finished in the most elaborate style.  The public generally are requested to call, and examine specimens of this superior process, at the National Miniature Gallery, 247 Broadway, corner of Murray.  Artists furnished with Talbotypes on reasonable terms.  D. G. Gavit.

1851 April 1.   The New York Herald.  (New York, New York.)  April 1, 1851, Whole No. 6735, P. 4

Talbotypes and Daguerreotypes.—Those beautiful pictures are acknowledged to be the “ne plus ultra” of art.  Those who wish to examine specimens (of which this gallery contains the largest collection in the world) are requested to call at the National Miniature Gallery, No. 247 Broadway.  D. E. Gavit.

1851 July 10.  The New York Herald.  (New York, New York.)  July 10, 1851, Whole No. 6833, P. 1.

Final Passage Of The Canal Bill, Large Number Of Bills Acted On.  Items from All Sections of the Country.  New York Legislature.  Special Session….Senate.  Albany, July 9, 1851.  Daguerreotype Likenesses of Senators.  A petition was presented by J. E. Gavet, asking the Senate to purchase the daguerreotype likenesses of the Senators.  It was referred to the Committee on Retrenchment.

1851 July 12.  The New York Herald.  (New York, New York.)  July 12, 1851, Whole No. 6835, P. 1.

New York Legislature.  Special Session…. Senate.  Albany, July 11, 1851….

Daguerreotype Likenesses.  The Senate refused to purchase the Daguerreotypes of the Senators of the previous Senate.

1852 February 15.  The New York Herald.  (New York, New York.)  February 15, 1852, Whole No. 7046, P. 2.

Fire.—Yesterday, evening about half past six o’clock, a fire broke out in the fourth story of the large brick building on the corner of Broadway and Murray street, occupied by D. E. Gavitt as the National Daguerreotype gallery; the occupants of the building are as follows:–The first floor is occupied by Ball, Black, & Co., jewelers, and the basement by W. O. Stout, card and steal engraver.  The second story by M. Lafever, B. T. Smith, architects, and Thomas Jones, keeper of bookkeeping; the third by D. W. C. Boutel, artist, W. W. Niles, and a P. Begley; attorneys; Henry Reiley, Taylor & Van Skelien, manufacturer of artificial flowers; the fourth floor by D. E. Gavitt, daguerreotype gallery, by S. Ellis & H. Noland, sculptors.  The fire originated in the mercury room of Gavitt’s daguerreotype gallery; but from what caused he could not tell.  The flames spread with such rapidity that before the firemen could get fairly at work the rooms were completely burned out, and in consequence of the impossibility of getting the hose to operate with anything like effect, caused by the bursting of several of them, fears were, at one time, entertained that the whole building would fall a prey to the devouring element.  When, however, several powerful streams were ultimately brought to play on the flames, they were soon subdued, but not before the greater part of the fourth story was demolished.  D. E. Gavitt lost every thing, amounting to about $3,000 which was not insured.  This is the second time that he has had the misfortune of being burned out—the first time in Albany, some three or four years ago, and also without being insured…

1852 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1852, Vol. XI, No. 3379, P. 4.

Fires.—About 7 o’clock Saturday evening a fire broke out in the large four story brick building No. 247 Broadway, extending back over 150 feet on Murray-st, occupied by the following persons; Basement floor by Wm. C. Stout, card and seal engraver; first and second floors by Ball, Black & Co., jewelry and silverware manufacturers; third floor by W. W. Niles and S. Bagley, lawyers, Mr. Von Skelline, artificial flower maker, Henry Riley, tailor, Thomas Jones, teacher of penmanship, and M. Lafever and B. Smith, architects; fourth floor by D. E. Gavit, daguerreotypist, D. W. C. Boutelle, artist, and Horace Noland, sculptor.  The fire originated in Mr. Gavit’s daguerreotype establishment, and when first discovered could have been easily extinguished with a few pails of water.  Mr. G. was near by when the fire broke out, and discovering that it was in his premises ran quickly to the room, and had nearly succeeded in smothering the flames with his overcoat, when he was compelled to desist, being nearly suffocated by the dense smoke which had already filled the apartment.

The promptness with which the bell ringer gave the alarm, soon brought a large body of firemen upon the ground, who made their immediate action, succeeded in a short time completely subduing the devouring elements, which at first threatened the destruction of considerable property.

The rear portion of the fourth story occupied by Mr. Gavit, Horace Noland, and Boutelle the Artist, was entirely destroyed by fire, together with the property of the occupants, which is not insured.  The property of the occupants of the second and third story was damaged by water to the amount of several thousand dollars.

Mr. Gavit estimates his loss at about $3,000.  This loss falls heavily upon him, as the property destroyed was all he possessed, and he is not insured a dollar.  Some time since he met with a similar misfortune; his establishment in Albany having been destroyed, but there he was insured.  Mr. G. had a great number of pictures, of which about 600 were of distinguished Americans.  These were all destroyed, and as many of the originals are dead, they can never be replaced.  He saved only about a dozen pictures in all, besides two medals which had been awarded to him—one by the State Agricultural Society, and the other by the American Institute.  We trust to see Mr. G. at work again soon, when all his old friends should give him a lift….

1852 February 16.  Richmond Whig.  (Richmond, Virginia.)  February 16, 1852, Vol. 29, No. 14, P. 2.

New York, Feb. 15.—A fire broke out last night on the corner of Broadway and Murray street in a large building occupied by Messrs. Ball, Black & Co., Jewellers.—The upper story only was burnt which was occupied by D. Garritt, daguerreotypist, and by S. Cuss, whose damage was about $3000.  Much injury was done to Messrs. Ball, Black & Co., and the other occupants, by water, there was a large insurance, more than covering the loss.

1852 February 17.  New York Daily Tribune.  (New York, New York.)  February 17, 1852, Vol. XI, No. 3380, P. 5.

Help Proposed.—We understand that the Daguerreotype Artists of this City contemplate raising a fund for the benefit of Mr. Gavit, Whose establishment was totally destroyed by fire on Saturday evening last.  We trust the craft will do something handsome for Mr. G., as the fire swept everything away, leaving him nothing but his naked hands with which to support a large family.  His policy of insurance expired a few days before the fire, and unfortunately he had neglected to renew it.  He is a good artist, and an energetic man, and with a little timely assistance, which shall enable him to recommence business, he will soon be on his feet again.

1852 February 21.  New London Democrat.  (New London, Connecticut.)  February 21, 1852, Vol. VII, No. 50, Whole No. 362, P. 3.

Fire In New York, &c.  New York, Geb. 15—9 P. M.  The building corner of Broadway and Murray street was discovered on fire in the fourte (sic.) story last evening, and that portion occupied as the National Daguerreotype Gallery, was almost consumed.  The first story was occupied by Messrs Ball, Black & Co., who sustained considerable damage to their stock which is valued at $250,000, and is fully insured.

1852 April.  The Photographic Art Journal.  (New York, New York.)  April 1852, Vol. III, No. IV, P. 257.

The photographic art has had to pass through a fiery ordeal since our last, no less than four galleries have been wholly or partially destroyed by the devouring element.

The first was D. E. Gavit, 247 Broadway, which occurred early in March, destroying his whole stock.  The daguerrean art and the whole country suffered an irreparable loss by this occurrence, as Mr. Gavit’s gallery contained the largest, best and most valuable collection of daguerreotypes in the world.  Splendid portraits of some of our most remarkable men, and which can never be replaced, were consumed.  Mr. Gavit’s loss was total, as his policy of insurance expired only a day or two previous.

Mr. Gurney was the next to suffer—but we are happy to say received very little damage—and following close upon his disaster was that of Mr. Whitehurst, whose beautiful gallery in New York was nearly ruined by fire and water on Sunday morning March 28th.

The fourth and last case was that of Mr. Clark of Ithica, N. Y., who while in this city purchasing his spring stock received a telegraphic dispatch on the 29th ult. That his gallery had been burnt out.  The amount of this young but deserving artist’s loss we have not learned.

1852 April 18.  The New York Herald.  (New York, New York.)  April 18, 1852, Whole No. 7109, P. 2.

Daguerreotype.—Gavit’s National Miniature Gallery is re-opened at 192 Broadway, corner of John street, where the proprietor hopes to receive the patronage of his friends and the public generally.

1852 September 27.  New York Daily Tribune.  (New York, New York.)  September 27, 1852, Vol. XII, No. 3571, P. 1.

The Campaign Scott and Graham Songster—Second edition, enlarged and improved.  The largest, most beautiful, and best edition of spirited Whig Song extant.  Every section of the country should be supplied.  Committees and Booksellers’ orders, with cash, promptly supplied at $4 per 100 by the publisher, D. E. Gavit, No. 192 Broadway, N. Y.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Prize Medal Daguerreotypes.—The first medal ever awarded for Daguerreotypes in this country was given to D. E. Gavit, 192 Broadway, corner of John street, the excellence of whose pictures is universally acknowledged, and whose prices are lower than any other good artist’s in the city.  This utmost satisfaction given in all cases.

1856 December 25.  New York Daily Tribune.  (New York, New York.)  December 25, 1856, Vol. XVI, No. 4894, P. 3.

Republican General Committees For 1857.  Delegates to the Republican Central Committee and a Young Men’s Committee were chosen on Tuesday night by various Ward Associations.  In most of the wards only one ticket was got up.  Where there were more we have given the names said to be elected….Ward XX. Young Men’s Committee…D. E. Gavit.

[1] Address from Craig’s Daguerreian Registry.

Gardner, Robert G.

Daguerreotypes, ,

1854                138 Canal Street, opposite Laight, New York, New York.

1854 April 4.  The New York Herald.  (New York, New York.)  April 4, 1854, Whole No. 6432, P. 6.

Wanted, $275.—A Partner or Purchaser For a grand dioramic exhibition Conflagration  Moscow.  A fortune can easily be realized in a short time.  Responsible reference given.  For further particulars inquire for two days of R. G. Gardner, daguerrean gallery, 138 Canal street, opposite Laight.

Gardner, John B.

Ambrotypes, Daguerreotypes, Photographs, , , ,

1847                Corner of Read Street and Broadway, New York, New York.

1847-1852       293 Broadway, New York, New York.[1]

1853-1861       183 Eighth Avenue, New York, New York.1

1862                Address Unknown, New York, New York.1

1863-1874       305 Sixth Avenue, New York, New York.1

1875                Address Unknown, New York, New York.1

1847 December 24.  The New York Herald.  (New York, New York.)  December 24, 1847, Whole No. 4960, P. 2.

A Bold Theft.—Some bold thief entered the daguerreotype rooms of Mr. J. B. Gardner, corner of Read street and Broadway, yesterday morning, and in the temporary absence of Mr. Gardner the reseal unscrewed the plate from the end of the instrument, valued at $70, which he carried off without detection.

1854 March 4.  American Artisan.  (New York, New York.)  March 4, 1854, Vol. VII, No. 25, Whole No. 337, P. 8.

Business Directory—Daguerreotypes.

Aug. Morand……….65 Chatham st.

Business Directory—Daguerreotypist—Bleecker street.

A. G. Demarest…….326 Bleecker, corner of Amos.

P. Welling………….Corner of Bleeker and Carmine.

Business Directory—Daguerreotypes—Bowery and Third ave.

A. Eddy……………..107 Bowery.

H. V. Harris…………132 Bowery.

Business Directory—Daguerreotypes—Eighth ave.

J. B. Gardner………..183 Eighth avenue.

A. D. Hopper………..109 Eighth avenue.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

J. B. Gardner—Very fair specimens, much superior to ordinary galleries.

[1] New York City Directories.

Garbanati, Henry

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1856-1857       94 Duane Street, New York, New York.

1857-1859       424 Broadway, New York, New York.

1856 October 23.  The New York Herald.  (New York, New York.)  October 23, 1856, Whole No. 7359, P. 3.

$850 For An Old Established First Class daguerrean gallery, now doing a profitable business.  It is handsomely Furnished and perfectly adapted for a large business; this is a bargain.  Apply to H. Garbanoti, general photographic agent, 94 Duane street.

1856 November 29.  The New York Herald.  (New York, New York.)  November 29, 1856, Whole No. 7396, P. 7.

$700.—One Of The Oldest Established Daguerreotype gallery in the busiest part of the city, well furnished and stocked with large size apparatus, and now doing a good business; the rent is very low.  Apply to Seely & Garbanati, photographic chemists, &c., 94 Duane street.

1857 May 5.  The New York Herald.  (New York, New York.)  May 5, 1857, Whole No. 7552, P. 7.

Seely & Garbanati, Photographic Chemicals, &c., have removed to 424 Broadway.  Amateurs supplies in all their wants.

1857 September 19.  The New York Herald.  (New York, New York.)  September 19, 1857, Whole No. 7688, P. 6.

Ambrotype Gallery For Sale—At A Bargain. In a good location for business, will be sold at a sacrifice, as the present owner has other business.  Apply immediately to Seely & Garbinatti, photographic chemicals, 424 Broadway.

1857 December 11.  The New York Herald.  (New York, New York.)  December 11, 1857, Whole No. 7771, P. 5.

$200—For Sale, An Old Established Ambrotype and Photographic Gallery, Apply to Seely & Garbanati, 424 Broadway.

1858 January 22.  The New York Herald.  (New York, New York.)  January 22, 1858, Whole No. 7812, P. 7.

Daguerrean Gallery.—For Sale, The Lease of an old established daguerrean gallery, with instruments, furniture, and everything necessary for all branches of the business.  Inquire of Seely & Garbanati, Photographic Chemists, 424 Broadway.

1858 March 24.  The New York Herald.  (New York, New York.)  March 24, 1858, Whole No. 7873, P. 3.

Ambrotype Gallery For Sale—Price $70 cash.  The reason for selling is the owner is going into another business.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

1858 April 7.  The New York Herald.  (New York, New York.)  April 7, 1858, Whole No. 7887, P. 3.

Ambrotype And Photograph Gallery In Broadway.—Authenticated profits upwards of $75 per week.  Price $1,500; $1,000 down.  The above is well furnished and stocked, and is a rare bargain.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.  An lease on the gallery.

1858 May 22.  The New York Herald.  (New York, New York.)  May 22, 1858, Whole No. 7932, P. 3.

Ambrotype, Photograph And Daguerreotype Gallery.—For sale, the lease, stock and fixtures, and everything pertaining to the art, now doing a good business.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.

1858 June 2.  The New York Herald.  (New York, New York.)  June 2, 1858, Whole No. 7943, P. 3.

For Sale Cheap—A Broadway Daguerrean establishment, thoroughly fitted and furnished, and replete with every accessory for the art. The most satisfactory reason giving for selling.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

1858 August 17.  The New York Herald.  (New York, New York.)  August 17, 1858, Whole No. 8018, P. 3.

Ambrotypes For Sale—A Well Fitted Up gallery on Broadway, doing a good business, the owners being engaged in another establishment, will dispose of the above at the lowest price of $175.  Inquire of Seely & Garbanati, photographic chemists, 424 Broadway.

1858 August 25.  The New York Herald.  (New York, New York.)  August 25, 1858, Whole No. 8026, P. 5. 

Ambrotypes.—For Sale A Well Furnished ambrotype gallery on Broadway, doing an excellent business; the owner being engaged in another business, will sell the gallery for the low price of $175.  Inquire of Seely & Garbanati, photographic chemist, 424 Broadway, New York.

1858 September 2.  New York Daily Tribune.  (New York, New York.)  September 2, 1858, Vol. XVIII, No. 5418, P. 4 & 5.

The Telegraph Celebration.  Military and Civic Parade.  Speech of David Dudley Field.  Splendid Fireworks.  The City Illuminated.  Torchlight Procession.

The grand Telegraph Celebration of the First of September will be long remembered as the most enthusiastic and universal jubilee ever given in New York.  A splendid day gave full scope to the exuberant fancies of the people, and well did they improve their time.  We gave up enough of our space to our reporters to embody a mere outline of the observances.  To report all things fully would demand the whole of our forty-eight columns, with still enough to fill another Tribune left over…

At Gurney’s was exhibited a large transparency, on the left of which was represented the British lion grasping one end of the cable, and on the right the American eagle the other end.  American and English flags and emblems formed the center, and in the distance the parting of the Niagara and Agamemnon was visible.  Beneath were the words:

“Capt. Preedy.  Cyrus W. Field.  Capt. Hudson.  Agamemnon.  Daguerre and Morse.  Niagara.  The one harnessed the light, the other light-ning.  May the continuity of the cable be as perpetual as the ray of our sun.”

Brady also exhibited a large transparency representing Queen Victoria and Young America in conversation.  Beneath were representations of suns, and the letters “V.”  “B.;”  between which, Neptune, still holding his trident, was chained…

The Depot of Photographic Art Materials, No. 424 Broadway, was adorned with a transparency inscribed,

 “Morse, Field and Hudson—Three cable mates—

Have made all nations The United States.”

Seeley & Garbanati exhibited a colored photograph of Cyrus W. Field on a scale of over 28 feet for the full-length figure.  This is the first photograph ever attempted of a size larger than life.

1859 April 27.  The New York Herald.  (New York, New York.)  April 27, 1859, Whole No. 8270, P. 1.

To Photographists.—Wanted To Purchase, An interest in, or whole of a first class photographic gallery on Broadway, not above Union square.  Inquire of Seely & Garbanati, 424 Broadway.

1859 May 25.  The New York Herald.  (New York, New York.)  May 25, 1859, Whole No. 8270, P. 1

$1,000 To $50,000—A Valuable Patent, In demand everywhere, for sale by Seely & Garbanati, Photographic Chemists, 424 Broadway.

1859 June 29.  The New York Herald.  (New York, New York.)  June 29, 1859, Whole No. 8333, P. 2.

Daguerreotypes, Ambrotypes, Photographs, &c. copied, enlarged and colored in all styles of the art at moderate prices, by Seely & Garbanati, photographic chemists and publishers, 424 Broadway, Stereoscopic pictures wholesale.

1859 September 5.  The New York Herald.  (New York, New York.)  September 5, 1859, Whole No. 8400,  P. 3.

Photographic Engraving.—Patent Rights for sale, engraving done at moderate rates, by Seely & Garbanati, photographic chemists, 424 Broadway.  A complete set of apparatus, chemicals, &c., for taking pictures on glass and paper, for $30.  The American Journal of Photography, semi-monthly, $1.50 per annum; The Ambrotype, price 25 cents; Hardwick’s Photographic Chemistry, 50 cents; Sir David Brewster on the Stereoscope, $1, will soon be out.

Gaige, George Preserved

Daguerreotypes, Photographs, Stereoviews, , , , ,

1854-1856       369 Broadway, New York, New York.

1854 August.  The Photographic And Fine Art Journal.  (New York, New York.)  August 1854 Vol. 7, No. 8, P. 256.

Mr. Gaige has opened an elegant suite of photographic rooms at 369 Broadway N. Y.  This young artist is a regular graduate of the Daguerrean College, which has been for years under the Presidency of M. B. Brady, Esq., we all know has retained constantly the most skillful and learned professors in the art, and to say this, is to say sufficient to give confidence in his skill and taste as an artist; but we can say more; we have been personally acquainted with Mr. Gaige for some years, and we do him not more than justice in saying that as a gentleman and a daguerrean artist we place him in the front rank, and we are very much mistaken if, before the end of the year, he does not become captain.  He certainly is an artist of high promise, and we sincerely trust that his present enterprise may be as successful and permanent as his most sanguine expectations could desire.

1855 June 20.  The New York Herald.  (New York, New York.)  June 20, 1855, Whole No. 6872, P. 11.

To Daguerreotypist.—Wanted.—A Competent person who understands the above business in all its branches will hear of a permanent situation by applying to P. Gaige, 369 Broadway.

1855 July 27.  The New York Herald.  (New York, New York.)  July 27, 1855, Whole No. 6908, P. 5.

A Rare Chance—For Sale, The Well Known and long established photograph and daguerreotype establishment. No. 369 Broadway, next door to Taylor’s saloon.  This gallery, including all the specimens, fixtures, &c. is now offered for sale; is doing a good business, and is one of the best stands on Broadway.  For further particulars inquire of P. Gaige, 369 Broadway.

Advertisement ran from July 27 to 31, 1855.

1855 August 15.  The New York Herald.  (New York, New York.)  August 15, 1855, Whole No. 6927, P. 5.

Daguerreotypes, Photographs and Stereoscopes.—Marcus A. O’Brien, so long and favorably known as principal operator in one of the oldest galleries in the city, would respectfully inform his friends and the public that he has taken the first class establishment known as Gaige’s International Daguerrean Gallery, 369 Broadway, first door above Taylor’s saloon.  Photographs, from cabinet to life size, taken less than at any other establishment in the city.  Daguerreotypes, photographs and stereoscopes taken in all kinds of weather.

1855 September 17.  The New York Herald.  (New York, New York.)  September 17, 1855, Whole No. 6960, P. 7.

For Sale—The Long Established Daguerreotype and photographic gallery, 369 Broadway.  This is a rare chance for anyone wishing to engage in the above businesses, as it is one of the best locations in the city, being next door to Taylor’s saloon.  Inquire of P. Gaige, 369 Broadway.

Advertisement was recorded on September 17 & 25, 1855

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Gaige—Another artist, another excellent gallery. The ambrotypes are fair, but susceptible of improvement. We were much pleased with the daguerreotypes. The photographs lack depth of tone.

1856 April 11.  The New York Herald.  (New York, New York.)  April 11, 1856, Whole No. 7165, P. 7.

For Sale.—The Well Known Daguerrean gallery, 369 Broadway.  This is a rare chance for any one wishing to engage in the above business, as it is one of the best locations in the city.  Inquire of P. Gaige, 369 Broadway, next door to Taylor’s saloon.

1856 September 19.  The New York Herald.  (New York, New York.)  September 19, 1856, Whole No. 7325, P. 2.

List Of Letters remaining in the New York City Post Office.  Friday Sept. 19, 1856.

P. Gaige.

1856 November 1.  The New York Herald.  (New York, New York.)  November 1, 1856, Whole No. 7368, P. 6.

If Henry C. Hamilton Is In This City, He Will confer a favor by calling on P. Gaige, daguerreotypist, 369 Broadway.

Fowler, S. J.

Ambrotypes, Daguerreotypes, Hallotypes, Photographs, , , , , , , ,

1854-1855       Elmendorf’s Building, nearly opposite Yates County Bank, Penn-Yan, New York.

N. D.               Address Unknown, New York, New York.

1857                Washington Hall Block, Watertown, New York.

1858                Old Arcade Gallery, Watertown, New York.

1858-1859       Washington Hall Building, Watertown, New York.

1854 May 16.  Penn Yan Democrat.  (Penn-Yan, New York.)  May 16, 1854, Vol. XXXVII, No. 48, Whole No. 1887, P. 3.

The Very Best Yet!  A Good Daguerreotype And A Chance To Draw A Splendid Gold Watch! Worth $100. Or 4 of 6 Other Valuable Prizes, All for One Dollar.

S. J. Fowler, in consideration of the liberal patronage that has been bestowed upon him, and the very flattering favor with which his pictures have been received, together with a desire to increase his customers, that all may have a chance to get a Good Likeness, has been induced to offer the following rare inducements:

I have issued 1000 Tickets at One Dollar each.  Each ticket is good for a Daguerreotype to be taken at my room, any time during the present year, and for one chance to draw one of the following Prizes.

One Splendid Gold Plated Lever Watch, worth…….$100

One Splendid Gold Plated Sporting Chain worth…..$ 40

One Splendid Gold Seal, with two Miniatures………$ 15

One Splendid Silver Detached Lever Watch………..$ 20

One Gold Watch Key…………………………………..$   8

Twelve Gold Pens at $1 each,…………………….… $ 12

Total……………………………………………………$205

The above is a fair cash valuation of the Property to be distributed among the holders of tickets, after giving them a fair equivalent for their money, as the Daguerreotype will be as good and as well put up as can be got for one dollar, anywhere in Western New York.  The Prizes will be distributed by a committee chosen by ticket holders, as they shall direct, as soon as the Tickets are all sold, which should be as soon as the first of June.  Any person enclosing to me one dollar, Post Paid, I will return them a Ticket with my Signature, and take their Daguerreotype whenever they call for it, if before the first of January 1854.

The above Prizes, together with a fine collection of Specimen Pictures, can be seen at any time, Daguerrean Rooms, In Elmendorf’s Building, Nearly Opposite The Yates County Bank.

My facilities for Daguerreotyping are not equaled by any one in this vicinity.  My rooms are newly and finely furnished, and I have the best arranged light to be found anywhere, which is a great consideration in Daguerreotypes.  Call and see and be Convinced.  Pictures taken equally well in clear or cloudy weather.

Instructions, with all the late improvements, at a fair rate.  Stock and Apparatus furnished at New York Prices.  Don’t forget the place.  Look for the Red Flag.  S. J. Flower.            Penn-Yan, May 2, 1854.

Advertisement ran on May 16 & 23, 1854.

1854 May 16.  Penn Yan Democrat.  (Penn-Yan, New York.)  May 16, 1854, Vol. XXXVII, No. 48, Whole No. 1887, P. 3.

Daguerreotypes!  “Secure the shadow ere the substance fades.”  S. J. Fowler would take this opportunity to say to his friends and the public generally, that inasmuch as his Pictures have been received with unusual admiration, it has induced him to locate in this place permanently, and he will forthwith enlarge his rooms and increase his facilities for supplying the demand of an approving public.  Pictures taken in all weather in his rooms in Elmendorf’s Building, nearly opposite the Yates County Bank.  Penn Yan, March 1854.

N. B.  Look for the sign of the Red Flag.

Advertisement ran from May 16, 1854 to September 26, 1855.

1855 January 10.  Penn Yan Democrat.  (Penn-Yan, New York.)  January 10, 1855, Vol. XXXVIII, No. 30, Whole No. 1921, P. 3.

Ticket Holders!  Look To Your Interest!  Do You Want Those Prizes?  If So, come on and get the balance of those Tickets in Fowler’s Gift Enterprise, or induce some one to do so before the first of January, as the time fixed for the scheme will run out.  It is your interest, not mine, that the Tickets should be sold; but in order to give entire satisfaction, I will extend the time for taking the Daguerreotypes, to suit your convenience.  All Tickets sold after this date will be good for a Daguerreotype whenever called for, and the prizes will be distributed on the first of January.  If the Tickets are all sold as soon as then.  Only 300 Tickets now remain to be sold, and if each ticket holder makes a little effort they can all be sold this week without any difficulty.

I have just received a new and complete assortment of Cases of all the Latest Styles, some very fine for Holiday Presents!

What would be a finer gift than your Daguerreotype put up in one of my Fancy Cases.  Remember for every Dollars’s worth taken at my room you get one chance at those Splendid Prizes.  Now is your time—quick or you lose it.

I would here return my thanks to the public for the very liberal patronage I have received since I have been here.  My success has been far beyond my expectation, which proves that Good Pictures are appreciated in Yates County.

I have lately been making great improvements in my chemical department, by which I am enabled to make much better pictures than ever before.  By this, together with strict attention to business and a determination to please all, I hope to merit a continuance of your favors.  S. J. Fowler.  Penn-Yan, Dec. 26, 1854.

1855 October 17.  Penn Yan Democrat.  (Penn-Yan, New York.)  October 17, 1855, Vol. XXXIX, No. 18, Whole No. 1961, P. 2.

But few are probably aware of the rapid progress that has been made in bringing the art of Daguerreotyping to perfection.  The latest, and we may say the greatest improvement that has yet been made in the art, is that of taking Ambrotypes and Photographs on glass.  The Ambrotypes are pictures taken on the back of plate glass, forming a picture that is seen in any light, and its natural position, not reversed as in Daguerreotypes.  The picture is covered with a gum that hardens and forms a secure protection from dampness or dust.  Indeed the picture can be destroyed only by breaking the glass.  It is seen through the glass, and is equally clear and distinct seen at any angle.  They are afforded at about the same rates as Daguerreotypes.

The Photographs are also taken on glass, and then by chemical process, the impression is transferred on to paper, presenting an appearance equal to the finest steel engraving, and any number of impressions can be taken from the same plate.  Bring on light paper you are enabled to present your distant friends with a beautiful and accurate picture of yourself, and that at a trifling expense.

Mr. Wilson, successor to Mr. Flower, at his rooms, opposite the Yates County Bank, is now prepared to furnish all who wish with either Daguerreotypes, Ambrotypes, or Photographs in the highest style of the art.

1857 May 6.  Northern New York Journal.  (Watertown, New York.)  May 6, 1857, Vol. 11, No. 49, P. 3.

Daguerrean Gallery.—Messrs. Rugg & Fowler have fitted up a fine Gallery in Washington Hall building, and are taking some excellent life-like likenesses, either Daguerreotype, Ambrotype, Melainotype, Ambrograph, or Photograph.  Indeed we have never seen better specimens of the art than from their Gallery.  Their advertisement will be found in another column of our paper.

1857 May 6.  Northern New York Journal.  (Watertown, New York.)  May 6, 1857, Vol. 11, No. 49, P. 4.

Removal!  New Daguerrean Gallery!  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card Board.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We, therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! And Coloring Them In Oil.  Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes Made in the best Style for those who prefer them.    Rugg & Fowler.  Watertown, March 7, 1857.

Advertisement ran from May 6 to August 12, 1857.

1857 May 7.  The New York Reformer.  (Watertown, New York.)  May 7, 1857, Vol. VII, No. 37, P. 2.

Daguerrean Artists.  The tendency towards perfection in no art has been more steady and rapid than that of taking likenesses on silver, glass and other prepared substances.  Pictures are now produced in such elegance of style, softness of tone, and exactness of likeness, on silver, glass, paper, paste-board, &c., as would astonish Daguerre himself could be revisit the earth and witness the progress the great art which bears his name has made within a few years past.  Nor is any city or village more fortunate in the possession of skillful artists in this line than Watertown.  The pictures now produced at Rugg & Fowler’s gallery in the Washington Hall block, evince a practical knowledge of the art in all its branches which marks a degree of perfection that may well be called complete.—Their rooms are very tastefully fitted up with new and elegant furniture for the express purpose of making an inviting retreat for all wishing to see their pictures or procure likenesses.

1857 May 7.  The New York Reformer.  (Watertown, New York.)  May 7, 1857, Vol. VII, No. 37, P. 3.

Removal!  New Daguerrean Gallery.  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card B’d.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes made in the best style for those who prefer them.  Rugg & Fowler.  Watertown, May 1, 1857.

Advertisement ran from May 7 to August 13, 1857.

1857 August 13.  The New York Reformer.  (Watertown, New York.)  August 13, 1857, Vol. VII, No. 52, P. 3.

Dissolution.  The Copartnership heretofore existing under the name and firm of Rugg & Fowler, is this day dissolved by mutual consent.  The business will be carried on in all its branches by G. S. Rugg.  The debts against the firm will be paid by him, and all debts due the firm must be paid to him.     G. S. Rugg,     sic. O. S. Fowler.            Watertown, Aug. 10, 1857.

Daguerreotyping will be renewed for the benefit of those who still adhere to them, and at reduced prices.  S. G. Rugg.

Advertisement ran from August 20 to September 3, 1857.

1858 April 8.  The New York Reformer.  (Watertown, New York.)  April 8, 1858, Vol. VIII, No. 33, P. 2.

Beautiful Pictures.  At the gallery of Messrs. Hart & Hose, in the Arcade, Messrs. S. J. Fowler and hart are producing some of the best toned pictures we have ever seen.  They are making Daguerreotypes, Ambrotypes, Photographs and Hallotypes of the very finest tone and finish.  In the Photographs, Mr. Fowler possesses rare skill, and brings out a splendid picture.

The Hallotype is a new thing.  It is a combination of two photographs, one of which is transparent, and through which the other is seen.  This surpasses in softness of tone and in freshness of coloring, all the pictures we have seen produced by the Daguerrean art.—By turning to the Advertisement of Messrs. Hart & Fowler, the reader may see more in detail, the afforded at their gallery.

1858 April 8.  The New York Reformer.  (Watertown, New York.)  April 8, 1858, Vol. VIII, No. 33, P. 2.

Spring Arrangement.  Pictures For The Million!  The old Arcade Gallery still takes the lead.  Hart & Fowler Having Entered Into and arrangement for the purpose of making all kinds of Life-like Likenesses at the old stand of Hart & Hose, beg leave to say to all the good people hereabouts that they are now prepared to furnish all who may want them with Photographs, Ambrotypes or Daguerreotypes In the very best style of the art.  Mr. Fowler having lately been to the city, where he has spent three months with some of the best Photographers for the purpose of learning to make that much-admired style of Portraiture, and, in addition to three years experimenting heretofore, now feels confident that he can suit the most fastidious.

Mr. F. will devote his time to the making of Photographs, and Mr. Hart will attend to the Ambrotype and Daguerreotype Department, wherein his skill and taste stand unrivaled in Northern New York.  By this arrangement we shall be enabled to keep all branches up to perfection.

We are weekly receiving, direct from the manufacturer, all the latest styles of Cases, Frames, &c.

Call and see us before getting your work done elsewhere, as we are sure we can suit you as to quality or price.  Watertown, April 1858.

Advertisement ran from April 8 to June 10, 1858.

1858 November 28.  The New York Reformer.  (Watertown, New York.)  November 28, 1858, Vol. IX, No. 14, P. 3.

Now I ‘M Ready! Come And See Me & Bring Along Your Friends.  New Sky-Light Room Just Complete In Washington Hall Gallery, Which Is Now The Best Light In Town.

S. J. Fowler has now the pleasure to inform his friends and the public generally, that he is on hand at the above place with greatly increased facilities for making Photographs, Ambrotypes, Melaneotype, &c., In the very best style.  Call and see my splendid collection of pictures.  All work warranted.  S. J. Fowler. 

Advertisement ran from November 25, 1858 to March 17, 1859.

1859 March 31.  The New York Reformer.  (Watertown, New York.)  March 31, 1859, Vol. IX, No. 32, P. 3.

Bought Out S. J. Fowler Having purchased T. N. Foster’s interest in the Washington Hall Daguerrean Gallery, Has the pleasure of informing his patrons and the public generally, that he will now “run the machine” on his “own hook.”

It is now two years since Mr. Fowler commenced making “sun pictures” in these rooms with Mr. Rugg, and having been connected with him nearly all the time since, in such a way as to have to divide the profits with some other parties, he has been obliged to charge more for the same work than he will, now that he has the whole profits himself.  Persons wishing Ambrotypes, Melainotypes; Photographs, will bear in mind that Mr. Fowler was the first to introduce and make these kind of pictures successfully in Watertown.

Having learned the business in New York City of the best Artists and Chemists, he has in the last four years taught the science to more than one hundred of the principal Daguerreotypist and others in this and the Western States and Canada.

Remember if you want pictures that are made in a scientific and artistic manner, and that will be Permanent, give Fowler a call in Washington Hall Building, Watertown, N. Y.  March 30, 1859.

Advertisement ran from March 31 to June 16, 1859.

1859 May 5.  The New York Reformer.  (Watertown, New York.)  May 5, 1859, Vol. IX, No. 37, P. 4.

—Fowler’s Gallery of Art.  Fowler, at the Washington Hall, Watertown is making some very fine photographs, ambrotypes, melainotypes, &c., &c.  His elegant rooms have undergone the Spring renovation so indicative of business prosperity, and no-where can more fashionable or pleasant reception parlors be found, than at his gallery.—Those who come to Watertown for pictures will get a first-class article, at the cheapest rate, by calling on Fowler.  A good picture, at a low price, is a desideratum now-a-days.

1859 October 13.  The New York Reformer.  (Watertown, New York.)  October 13, 1859, Vol. X, No. 8, P. 2.

—Another Photograph.  Our much-esteemed friend and fellow townsman has placed us under renewed favors by the very fine photograph taken of our junior. No finer pictures in the State are taken than those by Mr. Fowler, whose fine rooms, in Washington Hall building, are a pleasant place in which to spend a profitable hour in examining the heads of such of our townsmen and country residents as are there visible.  Call and get your picture—You will never regret it.

1859 October 13.  The New York Reformer.  (Watertown, New York.)  October 13, 1859, Vol. X, No. 8, P. 4.

Do You Want A Perfect representation of yourself or friend, in the shape of an Ambrotype, Photograph, or Melainotype, Then Go To The Washingt’n Hall Gallery And Let Flower Take your Likeness in his Inimitable Style.

Please Bear In Mind that I am permanently located in Watertown, and shall turn out such work as will recommend me to the most fastidious.—Thankful for the very liberal patronage I have received for the past two years in this place, I would say that it shall be my endeavor to please all who may favor me with a call, in the hope that I may have a continuance of their patronage.

Pictures in any of the above Styles, made and put up in every variety of Frames or Cases, of which I shall keep a large assortment, At very Low Prices.

Pictures Set in Lockets, Pins or Rings, with neatness and Despatch.

Stereoscopic Pictures of Persons, or Views of Dwellings, Taken In A Scientific Manner.

Old Daguerreotypes Enlarged To any size, and Photographed In The Best Style Of The Art, Plain, or in Oil or Water Colors.

My Rooms Are Large, pleasantly located, and easy of access.  Open at all hours of the day for Business, and in the evening for inspection.  Please call and examine Specimens, of which I have the largest assortment in Northern New York.

Don’t Wait for Clear Weather, As I prefer Cloudy Weather for making Fine Pictures, excepting for children.  Bring them on bright days and in the morning.

Remember I Am Not To Be Outdone, Either In Quality Of Work, Or Prices.  S. J. Fowler, Artist. Watertown, October, 1859.

Advertisement ran from October 13 to December 29, 1859.

1859 December 8.  The New York Reformer.  (Watertown, New York.)  December 8, 1859, Vol. X, No. 16, P. 3.

Proclamation!  Whereas it is my determination to please everybody the coming Holidays, therefore every good and loyal subject of my Kingdom (which is universal) is hereby commanded to go to the Washington Hall Daguerrean Gallery, and let Fowler take their Likenesses, and have them set in those Lovely Holiday Cases, that I may please their friends on Christmas by leaving them in their stockings.

Given under my hand and Seal this, the seventh day of December, 1859.         Santa-Claus.

Advertisement ran from December 8 to 29, 1859.

1859 December 15.  The New York Reformer.  (Watertown, New York.)  December 15, 1859, Vol. X, No. 17, P. 2.

—A Genuine Likeness Of John Brown may be seen by calling at Hart’s Gallery in the Arcade, or at Fowler’s Rooms, in Washington Hall Building.  They are from a photograph taken of Brown at Winsted, Conn., in 1857, and may be relied on as genuine.

Foulley, Anthony

Daguerreian Stock and Materials, , , ,

1855                2 Mercer Street, New York, New York.

1856-1858       337 Broadway, New York, New York.

1855 October 31.  The New York Herald.  (New York, New York.)  October 31, 1855, Whole No. 7003, P. 7.

Mr. A. Foulley, From Paris, Manufacturer of passe-partouts for photographs, daguerreotypes, engravings, drawings, water colors, pastels, &c., has an assortment of them constantly on hand at the lowest prices, and will execute all orders at the shortest notice, at No. 2 Mercer street. Depot at Mr. Hamilton’s, 371 Broadway.

1856 August 24.  The New York Herald.  (New York, New York.)  August 24, 1856, Whole No. 7299, P. 3.

To Artists and Travelers.—Mr. A. Foulley, from Paris, decorated with bronze and silver medals, has just opened a manufactory for fancy frames (pass-partout) for the framing of photographs, daguerreotypes, engravings, and fancy works of any kind.  He has on hand , ready for sale, a style of pictures, entirely new and cheap, that can afford a benefit of several hundred per cent to any traveler going to South America, Australia, Mexico, or the English or Spanish colonies.  For particulars apply at 337 Broadway, Foulley’s Gallery.

1857 September 2.  The New York Herald.  (New York, New York.)  September 2, 1857, Whole No. 7671, P. 3.

Photographic Album Of American Views—published under the superintendence of G. Cousin, French artist.  Weekly subscription, $1.  Four views. 9 inches long and 7 inches wide, every week.  For particulars apply to Foulley & St. James, 337 Broadway.  N. B.—Orders received for views of every description.  Reproduction of engravings and engines.

1857 October 16.  The New York Herald.  (New York, New York.)  October 16, 1857, Whole No. 7715, P. 6.

Mr. A. Foulley Respectfully Informs His friends, the customers of the late partnership and the public generally, that he will continue the business at the old stand, where will be found a complete assortment of the articles which compose a photographic stock, especially pass-partout and fancy frames in every style.  Please call at 337 Broadway, N. Y.  A Foulley.

1857 November 7.  The New York Herald.  (New York, New York.)  November 7, 1857, Whole No. 7737, P. 7.

To Photographers.—Great Reduction In prices.—Mr. Foulley, manufacturer of passe partouts, and importer of French chemicals, 337 Broadway, begs leave to inform his customers that he has reduced his prices on passe partouts 25 [a] per cent.  Those of 4-4, formerly sold at $7 75 per dozen, can now be obtained at $5 50 and $60- per gross.  Mr. Foulley has also reduced the prices of his celebrated collodions, gun cotton, negative varnish and other chemicals imported by him.

New York City Directories.  (New York, New York.)  Published by John Fowler Trow.

1854  (1854-1855) Not Listed.

1855 (1855-1856) Foulley, Anthony, Painter, 2 Mercer.

1556 (1856-1857) Foulley, A., Franes, 337 Broadway.

1857 (1857-1858) Foulley, Anthony, Photograph Stock, 337 Broadway.

1858  (1858-1859) Foulley, Anthony, Passepartouts, 337 Broadway.

1859 (1859-1860) Not Listed.

Fontayne, Charles

Daguerreotypes, Patent, Photographs, , , , , , ,

1844-1845       268 Baltimore Street, Baltimore, Maryland.

1846-1847       30 West Fourth Street, Cincinnati, Ohio.

1847-1852       30 & 32 West Fourth, Cincinnati, Ohio.

1853                6 West Fourth Street, Cincinnati, Ohio.[1]

1855                6 West Fourth Street, Cincinnati, Ohio.

1856-1857       Over Merchants’ Bank, Cleveland, Ohio

1857-1858       Address Unknown, New York, New York.1

1859                Address Unknown, Cincinnati, Ohio.

1843 November 13.  The Sun.  (Baltimore, Maryland.)  November 13, 1843, Vol. XIII, No. 147, P. 2.

Removal Of D. J. Fontayne’s Artificial Flower Manufactory to 268 Baltimore street, above Howard, opposite the Globe Inn—D. J. F. has on hand a handsome assortment of Flowers, of the latest fashions, which she will offer at the following low prices—Velvet Face Flowers, with eich shaded velvet leaves, orange or green, at 18½ cts. to 25 cents per pair, of every style; outside Bunches, with rich shaded velvet leaves, from 50 to 75 cents; face Flowers, of handsome styles from 12½ to 25 cts. per pair, &c.  Merchants and Milliners supplied by wholesale at the very lowest prices.  Persons wishing to purchase are invited to give her a call.

N. B.—Flower Makers can be supplied with Stamps, Leaves, &c., by Chas. Fontayne.

1844 April 29.  The Sun.  (Baltimore, Maryland.)  April 29, 1844, Vol. XIV, No. 137, P. 2.

It  has been noted as the characteristic of the most refined taste, that it “Love to linger on the magic face of human beauty;” and truly, if we range the vast domains of nature in search of that which is most lovely to the eye, as well as most interesting to the mind, it is certainly found in the light and shade of the human countenance.  How many have spent their lifetime in trying to portray it with the brush, and how few have succeeded in giving that living expression to their works which the original possess—But the recent great improvement in the art of Photography, in a few seconds of time has enabled the operator to catch them all.  Those familiar only with the earlier attempts in this art, will be astonished to find how that sickly and deathly hue has given place to that healthy and natural color which our late improvements possess.  Likenesses taken daily, in all kinds of weather (rain or sunshine) in from 5 to 30 seconds of time.  Stranger and citizens are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, (above Howard) opposite the Globe Hotel.

Advertisement ran from April 29 to May 1, 1844.

1844 May May.  The Sun.  (Baltimore, Maryland.)  May 4, 1844, Vol. XIV, No. 142, P. 2.

The Convention.—Great Perfection Of Our Art.—The citizens of Baltimore have now the opportunity of examining several Photographic Views of the Great Whig Convention passing down Baltimore street, presenting an appearance truly wonderful.  In the distance is to be seen the two Arches, Banners, &c., with many thousands of persons as they appeared in the street—ladies at the windows waving handkerchiefs, &c.

Colored Likenesses taken daily, rain or sunshine, in from 5 to 30 seconds of time.  The public are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, above Howard, opposite the Globe Inn.

1846 December 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 24, 1846, Vol. VII, No. 57, P. 2.

Christmas and New Year’s Oresents, At Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, No. 30 West Fourth Street, between Main and Walnut, opposite St. Paul’s Church.

These appropriate Presents for the season can be had after a few moments sitting, which, for strength of impressions and beauty of tone, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of Parents, to his facilities for taking Children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years, by the subscriber, and exposed to the bleaching effects of the sun, can be seen at the Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas Fontayne, Late of the firm of Fontayne & Porter, Baltimore, Md.

N. B.—Apparatus furnished, and the Art taught on the principles of Chemical Philosophy, and embracing all the very latest improvements of the East, upon the most reasonable terms.  The public are invited to call and examine specimens at his Gallery.

Advertisement ran from December 24, 1846 to January 15, 1847.

1847 January 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 16, 1847, Vol. VII, No. 75, P. 2.

J. C. Fontayne.  The gentleman whose name heads this article, has but recently come to our city from the East, and opened rooms for Daguerreotyping, on Fourth street, north side, near Walnut.  From specimens of his work which have come under our notice, he is, without doubt, well acquainted with the various branches of this style of Miniatures, and calculated, from this knowledge, to adapt his pictures to the taste of any and all who may favor him with a call.

1847 September 21.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 21, 1847, Vol. VIII, No. 145, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.

Advertisement was recorded from September 21 to October 15, 1847.

1848 February 25.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 25, 1848, Vol. IX, No. 125, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.  nov3.

Advertisement was recorded one time on February 25, 1848.

1848 September.  Public Library of Cincinnati and Hamilton County Pamphlet.

Fontayne & Porter 8 Whole Plate Panorama Daguerreotype of Cincinnati partnership Ca. 1848-1854.

1848 October 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 20, 1848, Vol. XI, No. 17, P. 2.

Fontayne, daguerreotypist in this city, has completed a full daguerreotype panorama of Cincinnati!  A portion of it may be seen in front of his room on Fourth street.

1848 December 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 30, 1848, Vol. XI, No. 77, P. 2.

Holyday Presents.—In what manner can money be better spent than by presenting to a friend a faithful likeness of one’s self?  Many who bethought themselves during the holidays, a year ago, of this kind of present, little dreamed they were giving what is now invaluable, whether rendered so by death or absence.  Fontayne & Porter, No. 30 and 32 West Fourth street, Between Main and Walnut.

Advertisement was recorded on December 30, 1848 and January 1, 1849.

1849 January 3.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 3, 1849, Vol. XI, No. 79, P. 2.

The Greatest Gem of Modern Art, are the Daguerreotypes taken by Fontayne & Porter.  The exquisite finish of the picture, the warm, glowing depth of tone, the clear, brilliant expression of the eye, all command the admiration of hundreds who b=visit the gallery, all anxious to obtain a likeness of themselves or friends.

Gallery No. 30 & 32 West Fourth st., between Main and Walnut.

Advertisement ran from January 3 to 12, 1849.

1849 January 12.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 12, 1849, Vol. XI, No. 87, P. 2.

The Expression Of The Eye Perfected.—The immense Sky-Light used by Fontayne & Porter, Daguerreotypists, enables them to produce Portraits and Family Groups which are the admiration of all who have seen them, diffusing an even light over the sitter, giving to the drapery great force of shadow, and to the Eyea clear and brilliant expression, which cannot be obtained by the old method of the side window.  Miniatures taken daily, without regard to the state of the weather.

Advertisement ran from January 12 to 24, 1849.

1849 January 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 24, 1849, Vol. XI, No. 97, P. 2.

Fontayne & Porter’s Daguerreotype Gallery.—These beautifully furnished Rooms continue to attract crowds of visitors and strangers daily.  The many fine specimens of the Daguerrean Art which adorn the Gallery command general admiration.  No improvement which modern search has discovered but is immediately applied.  The various conveniences in all the chemical and operating departments enable them to produce, in the shortest possible time, Portraits and Family Groups unrivalled for brilliancy of impression and faithfulness of execution.  No state of the weather deters them from producing beautiful Miniatures.  Gallery Nos. 30 and 32 West 4th st., between Main and Walnut, Cin.

Advertisement ran from January 24 to February 7, 1849.

1849 February 8.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 8, 1849, Vol. XI, No. 110, P. 2.

Beautiful As Are The Productions of the Painter’s Art, still the Daguerreotype, for accuracy of detail and beauty of execution, will command the preference.  The associations connected with the Daguerreotype are preferred in the extreme, when we view the miniature of those we love; it is the impression of their own shadow, drawn by the faithful pencil of Nature.

Fontayne & Porter still are on the advance with improvements, and are daily giving their customers Pictures which give great satisfaction.  Gallery Nos. 30 and 32 West Fourth st.

Advertisement ran from February 12 to 27, 1849.

1849 February 28.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 28, 1849, Vol. XI, No. 127, P. 2.

California Has Not Turned The Heads of Fontayne & Porter, Daguerreotypists; but they are still as active as ever in making improvements.  The last one is the receipt of a very fine improvement of great Focal power and perfection, in which children and aged persons are taken almost in an instant of time.  Persons wishing Miniatures of their children, have now the opportunity of procuring a perfect Likeness.

Gallery Nos. 30 and 32 West Fourth st., between Main and Walnut, Cin.

Advertisement ran from February 28 to March 14, 1849.

1849 March 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 15, 1849, Vol. XI, No. 140, P. 2.

Never Behind The Times In Improvements.—The new quick working Camera of Voightlander & Sons, of Vienna—their latest improvement—is now in constant use at Fontayne & Porter’s.  Perfect pictures warranted, taken in all weathers, even in the darkest days, in a few seconds of time.  The groups of Children taken by this splendid instrument are not to be surpassed.

Gallery Nos. 30 & 32 West Fourth st., between Main and Walnut, Cincinnati.

Advertisement ran from March 15 to 30, 1849.

1849 March 31.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 31, 1849, Vol. XI, No. 154, P. 2.

It’s Painful To The Eye.   How often do we hear persons make this remark after they have been sitting for a Daguerreotype likeness.  This great evil has been overcome by Fontayne & Porter—their Pictures are taken by a north side and sky light. Which gives no pain to the sitter, thereby enabling them to make those beautiful Pictures which are so much admired for their beauty of tone, clear and expressive eyes; all of which is adding daily to the already high reputation of their establishment.

Strangers and citizens should call and examine the fine collection of Portraits in the Gallery, No. 30 and 32 West Fourth st., between Main and Walnut.  Admission free.

Advertisement ran from March 31 to April 9, 1849.

1849 April 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  April 10, 1849, Vol. XII, No. 6, P. 2.

Going To California.—Every man that is bound for the Gold Region has some dear friend or relation to leave behind: and what would be more pleasing to that father, brother, sister, or friend, than a good Daguerreotype Likeness of one’s-self?   Call at Fontayn & Porter’s, and get one of their gems. 

Gallery No. 30 and 32 West Fourth st., between Main and Walnut.  Likenesses taken in any weather.

Advertisement was recorded fifty-four times between April 10 and July 19, 1849.

1849 June 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 20, 1849, Vol. XII, No. 67, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West 4th st., bet Main and Walnut.  Fontayne & Porter, Proprietors.  This Establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our Pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran from June 20 to August 22, 1849.

1849 July 19.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 19, 1849, Vol. XII, No. 91, P. 2.

Bring It Back.  The person who stole the beautiful Daguerreotype view of the Philadelphia Exchange, from the door of Messrs. Fontayne & Porter, had better return it at once, as it has been seen and admired by thousands in this city, and would undoubtedly lead to the detection of the thief should he offer it for sale.  It is highly prized as a specimen by the owners, and we hope they may recover it.

1849 August 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 11, 1849, Vol. XII, No. 111, P. 1.

Passing along Fourth street a few days ago, my attention was arrested at the entrance to the Daguerrean rooms of Messrs. Fontayn & Porter, by a very perfect and beautiful picture of Girard College, at Philadelphia.  Being myself a sort of amateur operator, the superiority of this, together with other specimens exhibited at their door, I determined to embrace the earliest opportunity of paying said gallery a visit.  I this morning spent a couple of hours in examining and studying its contents, and, although I have visited all the best establishments of this kind in New York and Philadelphia, I am free to say that I have seen but few specimens to equal those which adorn this gallery.—The collection comprises a great variety of landscape views, family groups, &c., much superior to any I have seen elsewhere.  The taking of views and groups of persons, has always been considered the most difficult branch of the art, and it is a branch in which but few operators have been successful; but the efforts of these gentlemen, in this department of their profession, may be set down as the ne plus ultra of excellence.  I was highly pleased and interested in examining a very comprehensive view of your “Queen City of the West.”—This is indeed a beautiful picture, embracing the entire river line of the city—a distance of some six or seven miles!  So faithfully and distinctly are the various objects represented, that the name of the different steamboats lying at the wharves, are legibly brought out.  The sign on all the warehouses, stores, &c., fronting on the river, are likewise given with equal distinctness.  I also read the names of several firms, on large buildings, situated high up in the city.  This, so far as my knowledge extents, is the greatest feat ever performed in the art of Daguerreotyping.

The collection also embraces views of Fairmount water-works, scenes on the banks of the Schuylkill river, and many of the finest residences and public buildings in Philadelphia—all of them perfect, even under the test of a strong magnifying glass—throughout, their softness, evenness and beauty of finish, is remarkable.  I was informed, upon inquiry, that some of these splendid sketches might be purchased at a fair price, and it is matter of surprise with me, that they have not ere this been transferred to the dwellings of some of your wealthy citizens. Certainly, nothing more beautiful or interesting could adorn the walls of a private parlor.

Among the many portraits of distinguished persons, is a very accurate and life-like one of “Amelie,” of Kentucky.  Having frequently seen this gifted lady, I am able to judge as to the merits of her picture.  Here, also, may be seen a likeness of the brave and noble-hearted sailor, Frederick Jerome, who, at the imminent risk of his own, saved so many lives from the burning of the steamship “Ocean Monarch.”  He is taken in the same clothes he wore at the time this awful scene occurred.  The actions of this obscure sailor, on this occasion, were sublime, and shed around him in his humble station a moral grandeur and exaltation of character, to which but few in any sphere of life may lay claim; and far more ennobling than the rank and title of a king!  The “counterfeit presentment” of many distinguished statesmen , poets and divines, may likewise be seen and studied here.  Clay, Van Buren, Dallas, Clayton, Buchanan, Webster, Irving, Cooper, Bryant and John Quincy Adams, are among the number—all of them accurate, distinct and life like.  I was shown also several likenesses taken in death, by these accomplished operators.  The partially closed, expressionless eyes, the pale, fixed features, and even the cold sweat upon the brow, are rendered with an effect so startling and truthful as I had thought never could be attained in a type of the departed.

Messrs. Fontayne & Porter are worthy of all praise and encouragement, for what, with energy and talent they have done to develop and perfectionate their profession in the west.

With your permission, Mr. Editor, I may offer, before my departure from amongst you, a few remarks concerning matters and things in general in your city—her peculiarities, business, present condition, and future prospects—impressions and fore-shadowings of a         Sojourner.

1849 August 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 23, 1849, Vol. XII, No. 121, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West Fourth St., Bet Main and Walnut.  Fontayne & Porter, Proprietors.—This establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran sixty-two times between August 23 to November 20, 1849.

1849 December 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 10, 1849, Vol. XII, No. 214, P. 2.

Daguerreotyping.  We were shown yesterday the likeness of twins, two years old, taken by Fontayne & Porter, No. 30 West Fourth street, which elicited general admiration.  The perfection to which this art has been brough is truly astonishing.

1850 March 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 16, 1850, Vol. XII, No. 294, P. 2.

The Washington Euterpeans.  Fontayne & Porter on Fourth street near Walnut, have just completed a beautiful Daguerreotype of those justly popular singers.  It is a group of them all, six in number, and can be seen at their gallery No. 32, west Fourth street.

1850 October 24.  Daily Ohio Statesman.  (Columbus, Ohio.)  October 24, 1850, Vol II, New Series—No. 979, No 880.

Ohio State Agriculture Fail.  Discretionary Premiums…

Fontayne & Porter, Cincinnati, for superior daguerreotypes.

1850 October 24.  Liberty Hall And Cincinnati Weekly Gazette.  (Cincinnati, Ohio.)  October 24, 1850, Vol. 51, No. 2415, P. 2.

Ohio State Board of Agriculture.  The following is a list of premiums awarded by the several committees, also the discretionary premiums recommended and amended by the Executive Committee…

Paintings And Drawings, Open To All…

Best specimen of Architecture, Fontayne & Porter, Cincinnati,      Dip.

Best collection of Portraits, Thomas Faris, Cincinnati,                        Dip.

Best specimen of single face, E. C. Hawkins, Cincinnati,                        Dip.

Best specimen of Talbotypes, E. C. Hawkins, Cincinnati,                        Dip.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. II, Vo. 3, P. 153-154.

From La Lumiere.  The Worlds’ Fair.  Translated from the French by J. Russell Snelling, M. D.  To Monsieur Montfort:  Sir:—Intrusted by you with the honorable and delicate mission of describing to the readers of La Lumiere, in a series of critical letters, the contributions of the photographers of different nations to the Worlds’ Fair at London, I cannot wholly conceal from myself for a single moment the many and various difficulties which this task imposes upon me.   I have likewise, hesitated a long time as to the manner which it would be the most expedient and useful for me to begin the subject.  A single word from one of those men whom it gives me pleasure to call my perception in the art, terminated my perplexities and decided my irresolute mind.  In a visit of several days—made quite recently to Paris.  I related my troubles to Mr. Ziegler, who thus said to me:  “Why give yourself so much trouble to arrive less expeditiously at that point which you could reach very easily by marching straight before you?  The chief wish of our photographers is, to know what their brethren of foreign countries are sending to London.  Commence by making out a catalogue, than you will render an account of the woks.”

The advise was good, and I have followed it.  In the indication of the name of the artists, I have adopted the alphabetical order.  Before the name I inscribe the number of the order in which each member is found in the list; after the name, I write the number which is devoted to him in the official catalogue; then I indicate the number of frames, with those proofs which they contain, designate those which are upon paper, upon plate, and upon glass; and afterwards, I copy the excellent remarks accompanying the works which the authors have judged apropos.  As to a classification of nations, it was very natural that I should have followed the same order which has been adopted in the Crystal Palace.  To commence with the United States, the department of which is situated at the eastern extremity of the Hyde Park edifice, and to finish our description with England and its dependencies, which are placed at the western extremity, and passing along through the intervening nations, appears to me the most rational method.

United States of America:—

1.  Mr. Brady, of New York.  137, has exhibited 35 portraits upon plates.

2.  Mr. Evans, Buffalo, U. S., 105; Three frames, each containing six portraits upon plates.

3.  Messrs. Fontayne & Porter, (bearing the number 550 which does not yet exist in the U. S. catalogue):  view of Cincinnati, composed of eight plates united in the same frame, and where the points of junction are concealed by perpendicular fillets, in such a way that the spectator appears to see the city through a gallery of columns.

4.  Mr. Harrison, 225, Five portraits upon plates, and several camera obsecura.

5. Messrs. W. & F. Langenheim: Panorama of Philadelphia and a view of Fairmont, near Philadelphia.  In both, several proofs upon paper, are brought together so as to form a panorama.  Talbotype.

6.  Mr. Lawrence, 151, Twenty-six portraits, among which six are representations of three persons from nature.

7.  Mr. J. G. Mayall, Philadelphia, 491; Seventy-two plates, among which is found Notre Dame, from M. Le Baron Gross.

8.  Messrs. Meade Brothers, N. Y., 109; Twenty-four frames containing nearly all single portraits upon plates, together with some groups.

9.  Mr. W. A. Pratt, Richmond, Va., 264; Three frames enclosing jointly twenty-six portraits upon plates.

10.  Mr. Jno. A. Whipple, Boston; 451: Five single portraits; three family groups, one of which has seven figures, another nine, and the last six, the whole upon plates.  A daguerreotype of the moon taken by means of the large telescope at the Cambridge observatory.

10.  Mr. J. H. Whitehurst, Norfolk, Va., 377: Twelve views upon plates, of the Niagara Falls, taken from nature, in Sept. 1850.

1852 January 6.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 6, 1852, Vol. XV, No. 72, P. 2.

Daguerreotypes by the mammoth sky-light.—Fontayn & Porter, No. 30 West Fourth street, between Main & Walnut,—are always fully prepared (rain or sunshine) to accommodate you with a Miniature in their unsurpassed style.

1855.  Cincinnati City Directory.  (Cincinnati, Ohio.)  Advertisements P. 76.

Fontaine’s Gallery Of Daguerreotype Portraits, And Family Groups, No. 6 West Fourth Street, Between Main and Walnut.

1855 January 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  January 20, 1855, Vol. X, No. 226, P. 2.

Now Look Out.  The following communication from Dr. Buchanan, of Cincinnati, to the New York Tribune, discloses the fact that the whole Rag Money system is in danger of being blown sky high by the magic power of Photography.—Counterfeiters will not be slow in availing themselves of the discovery, and then they will be able to deceive the very elect among the money changers.  Dr. Buchanan says:—

I have just witnessed some illustrations of the art of Photographic Counterfeiting, which I deem highly important, not only to bank officers, but to the public at large.  Mr. Fontayne, of this city, one of the best daguerreotypists in the world, has recently made several photographic copies of bank notes, which far surpass, in the perfection of their details, anything which has ever been done in the old way of counterfeiting.  When these photographs are carefully taken on proper bank note paper, they defy detection either by the naked eye or by microscopic inspection…

1855 January 31.  The Ashland Union.  (Ashland, Ohio.)  January 31, 1855, Vol. IX, No. 36, Whole No. 1202, P. 1.

Same article.

1855 January 31.  Cadiz Democratic Sentinel.  (Cadiz, Ohio.)  January 31, 1855, Vol. 21, No. 39, P. 2.

Bankers, Look Out.  Same article.

1855 February 8.  Carroll Free Press.  (Carrollton, Ohio.)  February 8, 1855, Vol. 23, No. 6, P. 1

Photography in Counterfeiting.  Correspondence of the N. Y. Tribune.  Same article, expanded.

1856 May 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 29, 1856Vol. 10, No. 49, P. 1.

Ryder’s Photographs.—We called in at Ryder’s daguerrian rooms yesterday, when the first objects that caught our attention were four most admirable executed photographs, two of life size and two cabinet size.  They are certainly as fine specimens of the art as were ever exhibited in this city.  They were taken by Mr. Chas. Fontague, (sic.) whose services Mr. Ryder has lately secured.  Mr. F. is from Cincinnati, where his pictures have attracted general admiration.  He showed us a large collection of valuable photographs, among which were many portraits of distinguished personages, which have a very life-like appearance.  Among the rest were some beautiful scenes from nature, but the most remarkable of all was a collection of pictures taken from the ruins of Carthage, Thebes and Memphis, and other Egyptian and African ruins; besides these scenes from around Athens and Rome that are highly entertaining.  These should be framed and hung around the rooms for the benefit of the visitors, as they are not only well worth seeing but instructive.  Mr. Ryder has done well in thus associating with him in his business Mr. Fontague, (sic.)  and we feel confident that they cannot but be highly successful.  Their intention is to take photographs of all sizes.  We understand the smaller ones will be put at very reasonable prices and within the means of any one desirous of having a good picture taken.

1856 March 31.  Cleveland Morning Leader.  (Cleveland, Ohio.)  March 31, 1856, Vol. 10, No. 50, P. 1.

The name of the gentleman associated with Mr. Ryder in the Photograph business is Chas. Fontayne, instead of Fonyague, as we printed it on Saturday.  Mr. F. is the same person who photographed the bills of several of the Cincinnati banks so exactly that the officers of the banks could not distinguish between the imitations and the genuine ones.  We would again say that his pictures are highly worthy the attention of all interested in such matters.

1856 April 28.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 28, 1856, Vol XII, No. 102, P. 3.

Ryder is taking a great number of Ambrotypes in the very best style.  The Photographs of Mr. Fontayne now being taken at these rooms have not been surpassed in the West.  They compare favorably with the best now taken in New York, and colored or not, are beautiful representations of the human face.

1856 May 1.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 1, 1856, Vol. 10, No. 78, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to September 30, 1856.

1856 May 2.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 2, 1856, Vol. XII, No. 106, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to 26, 1856.

1856 May 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 15, 1856, Vol XII, No. 117, P. 3.

Ryder’s Ambrotypes.—The rooms of Mr. Ryder, the Daguerreotypist, over Merchants’ Bank, are becoming a resort for the beauty and fashion of the city.  As an artist, his success in securing good pictures has rarely been surpassed in this country.  The comparatively recent introduction of photography has not become familiar to the people, but those who have visited the exhibition of Mr. Fontayne’s photographs, will cheerfully testify to their admirable perfection and beauty.

1856 August 14.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 14, 1856, Vol. 11, No. 195, P. 3.

A beautiful photograph, from a splendid steel engraving, has just been taken by Mr. Fontayn, at Ryder’s Daguerrean Gallery, of “Evangeline,” one of the sweetest of all poetic creations.  The countenance of “Evangeline” is angelic in its simplicity and innocence, and perfectly charming in its beauty.  Mr. Fontayne has several of these pictures for sale; those who love the beautiful will not require an invitation to purchase after seeing the picture.

1856 August 27.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  August 27, 1856, Vol XII, No. 204, P. 3.

Miniature City Map.—Pierce & Co. have just published on a little sheet a very neat map engraved by Tibbitts, of this city.  We understand that a photograph was taken at Ryder’s by Prof. Fontayne, engraved and electrotyped and is furnished at five cents a sheet, or 75 cents the quire,  It will be found convenient for business  men and others, to inform their correspondents particularly as to the location of a residence or office.  It gives the names of the streets, designates the wards and shows the different lines of the railroads meeting in the city.

1857 August 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 29, 1857, Vol. 11, No. 208, P. 3.

Mr. Fontayne, with Mr. Ryder, has taken several “star” pictures of residences about town—among them, that of Mr. Price, on Euclid street.  It is a splendid picture; and is an excellent method, for those who feel disposed, to secure pleasant remembrances of the “homestead.”

1859 July 28.  Railroad Record and Journal of Commerce, Banking, Manufactures and Statist..  (Cincinnati, Ohio.)  July 28, 1859, P. 270.

Fontayne’s Telesmatic Photograph.  In the short notice which we gave of this “magical light-writer” last week, we had only time and space to say that it would print from 3.000 to 4,000 perfect photographs in an hour.  This, we then thought, was sufficiently marvelous to be believed by only a few of the most credulous.  Since then we have become better acquainted with the capacities of the inventor and his machine, and we have no hestitation in saying that it can be made to far surpass even these marvelous figures.

Photographers have been able, for some years, to make paper exceedingly sensitive to the influence of reflected light; and one great difficulty with many of them, has been to so retard this sensitiveness, as that they could admit the rays of light, and instantly shut them out, without spoiling their paper.

This waste of paper, too, has been another serious objection, and has kept the price of photographs ranging at high rates.

These difficulties Mr. Fontayne has been facing for years, earnestly working against them, and such has been his success, that his pictures have stood first wherever they have been presented.

Being cast upon what many supposed his death-bed, about the first of this year, he had time sufficient to classify his experiments, to theoretically meet his difficulties, and discuss them as they seemed to be presented.

The results wa have already given, and, in reviewing the subject, we find that he makes the paper, upon which the picture is to be produced, exceedingly sensitive.  This he dries, and places upon a cylinder in a dark case, having apparatus on the exterior by which the cylinder can be rotated.  In the top of this case is an orifice through which the light can be admitted; and underneath this is the negative, so adjusted that it can be made to touch the paper, and leave it similar to the fly in a printing machine.  Over this orifice and negative, is mounted a large condensing lens, of such power that a most intense light can be projected through the negative upon the paper beneath.  But to prevent any action of the light, except as wanted, this orifice is closed by a slide which is adjusted in a frame, and so operated by coil springs, that his motion is instantaneous, and the orifice is opened and closed as instantaneously as the contraction of a coil spring can produce action.  By means of connecting levers and cams, one operator can rotate the cylinder, cause the slides to move together in such a manner, that with one negative, one hundred flashes of light may be admitted per minute, and thus over 6,000 pictures may be given in one hour.  But the same machine will admit as many as ten small negative , all operated at the same time, and only requiring more paper.

His improvements also extend to the manner of toneing (sic.) up these impressions afterward; for the paper, on being removed from the cylinder, is as white as when rolled upon it; but the governor of the light is not mistaken.  The invention is truly a remarkable one, and will introduce some new flashes in photography.—Scientific Artisan.

1859 September 10.  The Penny Press.  (Cincinnati, Ohio.)  September 10, 1859, Vol. 2, No. 18, P. 3.

If any one wishes to run his face, Cincinnati furnishes as progressive Photographers as can be found anywhere.  The walls of the room devoted to the fine arts prove that.  We do not see, however, specimens of the recent wonderful discovery of Fontayne, of this city, by which he can print fifteen thousand impressions of a picture in an hour.  Fontayne’s Telesmatic Photographs make eastern artists say, “That Queen City is a great place.” 

1859 September 22.  Evening Star.  (Washington, D. C.)  September 22, 1859, Vol. XIV, No. 2,069, P. 1.

Patents week ending September 20, 1859.  Chas. Fontayne, of Cincinnati, O.—For photographic printing machine No. 25, 540.

1859 September 28.  The Penny Press.  (Cincinnati, Ohio.)  September 28, 1859, Vol. 2, No. 33, P. 1.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

1859 September 30.  Dayton Daily Empire.  (Dayton, Ohio.)  September 30, 1859, Vol. 10, 10 217, P. 2.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

[1] Craig’s Daguerreian Registry.

Fields, James B.

Ambrotypes, Daguerreotypes, Melainotypes, , , , , ,

1856-1857       477 Broadway, New York, New York.

1856 October 31.  The New York Herald.  (New York, New York.)  October 31, 1856, Whole No. 7367, P. 5.

Knapp’s Colored Improved Durable Ambrotypes and daguerreotypes, 50 cents, including case, twice the size others give for the money, at the only Knapp’s gallery in the city, 477 Broadway, near Wallack’s theatre.  Everybody gets them.  Knapp & Fields.

1856 December 13.  The New York Herald.  (New York, New York.)  December 13, 1856, Whole No. 7410, P. 5.

Knapp’s only Gallery of Ambrotypes, Daguerreotypes and Melainotypes, 477 Broadway.  J. B. Fields, Proprietor.

1857.  New York City Directory.  (New York, New York.)  1857-1858, Published by John Fowler Trow.[1]

Daguerreotypes, 477 Broadway, h—J. C.  (Jersey City, New Jersey.)

[1] Not listed in the 1855, 1856 or 1858 direcories.