Tag Archives: New York City

Garbanati, Henry

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1856-1857       94 Duane Street, New York, New York.

1857-1859       424 Broadway, New York, New York.

1856 October 23.  The New York Herald.  (New York, New York.)  October 23, 1856, Whole No. 7359, P. 3.

$850 For An Old Established First Class daguerrean gallery, now doing a profitable business.  It is handsomely Furnished and perfectly adapted for a large business; this is a bargain.  Apply to H. Garbanoti, general photographic agent, 94 Duane street.

1856 November 29.  The New York Herald.  (New York, New York.)  November 29, 1856, Whole No. 7396, P. 7.

$700.—One Of The Oldest Established Daguerreotype gallery in the busiest part of the city, well furnished and stocked with large size apparatus, and now doing a good business; the rent is very low.  Apply to Seely & Garbanati, photographic chemists, &c., 94 Duane street.

1857 May 5.  The New York Herald.  (New York, New York.)  May 5, 1857, Whole No. 7552, P. 7.

Seely & Garbanati, Photographic Chemicals, &c., have removed to 424 Broadway.  Amateurs supplies in all their wants.

1857 September 19.  The New York Herald.  (New York, New York.)  September 19, 1857, Whole No. 7688, P. 6.

Ambrotype Gallery For Sale—At A Bargain. In a good location for business, will be sold at a sacrifice, as the present owner has other business.  Apply immediately to Seely & Garbinatti, photographic chemicals, 424 Broadway.

1857 December 11.  The New York Herald.  (New York, New York.)  December 11, 1857, Whole No. 7771, P. 5.

$200—For Sale, An Old Established Ambrotype and Photographic Gallery, Apply to Seely & Garbanati, 424 Broadway.

1858 January 22.  The New York Herald.  (New York, New York.)  January 22, 1858, Whole No. 7812, P. 7.

Daguerrean Gallery.—For Sale, The Lease of an old established daguerrean gallery, with instruments, furniture, and everything necessary for all branches of the business.  Inquire of Seely & Garbanati, Photographic Chemists, 424 Broadway.

1858 March 24.  The New York Herald.  (New York, New York.)  March 24, 1858, Whole No. 7873, P. 3.

Ambrotype Gallery For Sale—Price $70 cash.  The reason for selling is the owner is going into another business.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

1858 April 7.  The New York Herald.  (New York, New York.)  April 7, 1858, Whole No. 7887, P. 3.

Ambrotype And Photograph Gallery In Broadway.—Authenticated profits upwards of $75 per week.  Price $1,500; $1,000 down.  The above is well furnished and stocked, and is a rare bargain.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.  An lease on the gallery.

1858 May 22.  The New York Herald.  (New York, New York.)  May 22, 1858, Whole No. 7932, P. 3.

Ambrotype, Photograph And Daguerreotype Gallery.—For sale, the lease, stock and fixtures, and everything pertaining to the art, now doing a good business.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.

1858 June 2.  The New York Herald.  (New York, New York.)  June 2, 1858, Whole No. 7943, P. 3.

For Sale Cheap—A Broadway Daguerrean establishment, thoroughly fitted and furnished, and replete with every accessory for the art. The most satisfactory reason giving for selling.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

1858 August 17.  The New York Herald.  (New York, New York.)  August 17, 1858, Whole No. 8018, P. 3.

Ambrotypes For Sale—A Well Fitted Up gallery on Broadway, doing a good business, the owners being engaged in another establishment, will dispose of the above at the lowest price of $175.  Inquire of Seely & Garbanati, photographic chemists, 424 Broadway.

1858 August 25.  The New York Herald.  (New York, New York.)  August 25, 1858, Whole No. 8026, P. 5. 

Ambrotypes.—For Sale A Well Furnished ambrotype gallery on Broadway, doing an excellent business; the owner being engaged in another business, will sell the gallery for the low price of $175.  Inquire of Seely & Garbanati, photographic chemist, 424 Broadway, New York.

1858 September 2.  New York Daily Tribune.  (New York, New York.)  September 2, 1858, Vol. XVIII, No. 5418, P. 4 & 5.

The Telegraph Celebration.  Military and Civic Parade.  Speech of David Dudley Field.  Splendid Fireworks.  The City Illuminated.  Torchlight Procession.

The grand Telegraph Celebration of the First of September will be long remembered as the most enthusiastic and universal jubilee ever given in New York.  A splendid day gave full scope to the exuberant fancies of the people, and well did they improve their time.  We gave up enough of our space to our reporters to embody a mere outline of the observances.  To report all things fully would demand the whole of our forty-eight columns, with still enough to fill another Tribune left over…

At Gurney’s was exhibited a large transparency, on the left of which was represented the British lion grasping one end of the cable, and on the right the American eagle the other end.  American and English flags and emblems formed the center, and in the distance the parting of the Niagara and Agamemnon was visible.  Beneath were the words:

“Capt. Preedy.  Cyrus W. Field.  Capt. Hudson.  Agamemnon.  Daguerre and Morse.  Niagara.  The one harnessed the light, the other light-ning.  May the continuity of the cable be as perpetual as the ray of our sun.”

Brady also exhibited a large transparency representing Queen Victoria and Young America in conversation.  Beneath were representations of suns, and the letters “V.”  “B.;”  between which, Neptune, still holding his trident, was chained…

The Depot of Photographic Art Materials, No. 424 Broadway, was adorned with a transparency inscribed,

 “Morse, Field and Hudson—Three cable mates—

Have made all nations The United States.”

Seeley & Garbanati exhibited a colored photograph of Cyrus W. Field on a scale of over 28 feet for the full-length figure.  This is the first photograph ever attempted of a size larger than life.

1859 April 27.  The New York Herald.  (New York, New York.)  April 27, 1859, Whole No. 8270, P. 1.

To Photographists.—Wanted To Purchase, An interest in, or whole of a first class photographic gallery on Broadway, not above Union square.  Inquire of Seely & Garbanati, 424 Broadway.

1859 May 25.  The New York Herald.  (New York, New York.)  May 25, 1859, Whole No. 8270, P. 1

$1,000 To $50,000—A Valuable Patent, In demand everywhere, for sale by Seely & Garbanati, Photographic Chemists, 424 Broadway.

1859 June 29.  The New York Herald.  (New York, New York.)  June 29, 1859, Whole No. 8333, P. 2.

Daguerreotypes, Ambrotypes, Photographs, &c. copied, enlarged and colored in all styles of the art at moderate prices, by Seely & Garbanati, photographic chemists and publishers, 424 Broadway, Stereoscopic pictures wholesale.

1859 September 5.  The New York Herald.  (New York, New York.)  September 5, 1859, Whole No. 8400,  P. 3.

Photographic Engraving.—Patent Rights for sale, engraving done at moderate rates, by Seely & Garbanati, photographic chemists, 424 Broadway.  A complete set of apparatus, chemicals, &c., for taking pictures on glass and paper, for $30.  The American Journal of Photography, semi-monthly, $1.50 per annum; The Ambrotype, price 25 cents; Hardwick’s Photographic Chemistry, 50 cents; Sir David Brewster on the Stereoscope, $1, will soon be out.

Gaige, George Preserved

Daguerreotypes, Photographs, Stereoviews, , , , ,

1854-1856       369 Broadway, New York, New York.

1854 August.  The Photographic And Fine Art Journal.  (New York, New York.)  August 1854 Vol. 7, No. 8, P. 256.

Mr. Gaige has opened an elegant suite of photographic rooms at 369 Broadway N. Y.  This young artist is a regular graduate of the Daguerrean College, which has been for years under the Presidency of M. B. Brady, Esq., we all know has retained constantly the most skillful and learned professors in the art, and to say this, is to say sufficient to give confidence in his skill and taste as an artist; but we can say more; we have been personally acquainted with Mr. Gaige for some years, and we do him not more than justice in saying that as a gentleman and a daguerrean artist we place him in the front rank, and we are very much mistaken if, before the end of the year, he does not become captain.  He certainly is an artist of high promise, and we sincerely trust that his present enterprise may be as successful and permanent as his most sanguine expectations could desire.

1855 June 20.  The New York Herald.  (New York, New York.)  June 20, 1855, Whole No. 6872, P. 11.

To Daguerreotypist.—Wanted.—A Competent person who understands the above business in all its branches will hear of a permanent situation by applying to P. Gaige, 369 Broadway.

1855 July 27.  The New York Herald.  (New York, New York.)  July 27, 1855, Whole No. 6908, P. 5.

A Rare Chance—For Sale, The Well Known and long established photograph and daguerreotype establishment. No. 369 Broadway, next door to Taylor’s saloon.  This gallery, including all the specimens, fixtures, &c. is now offered for sale; is doing a good business, and is one of the best stands on Broadway.  For further particulars inquire of P. Gaige, 369 Broadway.

Advertisement ran from July 27 to 31, 1855.

1855 August 15.  The New York Herald.  (New York, New York.)  August 15, 1855, Whole No. 6927, P. 5.

Daguerreotypes, Photographs and Stereoscopes.—Marcus A. O’Brien, so long and favorably known as principal operator in one of the oldest galleries in the city, would respectfully inform his friends and the public that he has taken the first class establishment known as Gaige’s International Daguerrean Gallery, 369 Broadway, first door above Taylor’s saloon.  Photographs, from cabinet to life size, taken less than at any other establishment in the city.  Daguerreotypes, photographs and stereoscopes taken in all kinds of weather.

1855 September 17.  The New York Herald.  (New York, New York.)  September 17, 1855, Whole No. 6960, P. 7.

For Sale—The Long Established Daguerreotype and photographic gallery, 369 Broadway.  This is a rare chance for anyone wishing to engage in the above businesses, as it is one of the best locations in the city, being next door to Taylor’s saloon.  Inquire of P. Gaige, 369 Broadway.

Advertisement was recorded on September 17 & 25, 1855

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Gaige—Another artist, another excellent gallery. The ambrotypes are fair, but susceptible of improvement. We were much pleased with the daguerreotypes. The photographs lack depth of tone.

1856 April 11.  The New York Herald.  (New York, New York.)  April 11, 1856, Whole No. 7165, P. 7.

For Sale.—The Well Known Daguerrean gallery, 369 Broadway.  This is a rare chance for any one wishing to engage in the above business, as it is one of the best locations in the city.  Inquire of P. Gaige, 369 Broadway, next door to Taylor’s saloon.

1856 September 19.  The New York Herald.  (New York, New York.)  September 19, 1856, Whole No. 7325, P. 2.

List Of Letters remaining in the New York City Post Office.  Friday Sept. 19, 1856.

P. Gaige.

1856 November 1.  The New York Herald.  (New York, New York.)  November 1, 1856, Whole No. 7368, P. 6.

If Henry C. Hamilton Is In This City, He Will confer a favor by calling on P. Gaige, daguerreotypist, 369 Broadway.

Fowler, S. J.

Ambrotypes, Daguerreotypes, Hallotypes, Photographs, , , , , , , ,

1854-1855       Elmendorf’s Building, nearly opposite Yates County Bank, Penn-Yan, New York.

N. D.               Address Unknown, New York, New York.

1857                Washington Hall Block, Watertown, New York.

1858                Old Arcade Gallery, Watertown, New York.

1858-1859       Washington Hall Building, Watertown, New York.

1854 May 16.  Penn Yan Democrat.  (Penn-Yan, New York.)  May 16, 1854, Vol. XXXVII, No. 48, Whole No. 1887, P. 3.

The Very Best Yet!  A Good Daguerreotype And A Chance To Draw A Splendid Gold Watch! Worth $100. Or 4 of 6 Other Valuable Prizes, All for One Dollar.

S. J. Fowler, in consideration of the liberal patronage that has been bestowed upon him, and the very flattering favor with which his pictures have been received, together with a desire to increase his customers, that all may have a chance to get a Good Likeness, has been induced to offer the following rare inducements:

I have issued 1000 Tickets at One Dollar each.  Each ticket is good for a Daguerreotype to be taken at my room, any time during the present year, and for one chance to draw one of the following Prizes.

One Splendid Gold Plated Lever Watch, worth…….$100

One Splendid Gold Plated Sporting Chain worth…..$ 40

One Splendid Gold Seal, with two Miniatures………$ 15

One Splendid Silver Detached Lever Watch………..$ 20

One Gold Watch Key…………………………………..$   8

Twelve Gold Pens at $1 each,…………………….… $ 12

Total……………………………………………………$205

The above is a fair cash valuation of the Property to be distributed among the holders of tickets, after giving them a fair equivalent for their money, as the Daguerreotype will be as good and as well put up as can be got for one dollar, anywhere in Western New York.  The Prizes will be distributed by a committee chosen by ticket holders, as they shall direct, as soon as the Tickets are all sold, which should be as soon as the first of June.  Any person enclosing to me one dollar, Post Paid, I will return them a Ticket with my Signature, and take their Daguerreotype whenever they call for it, if before the first of January 1854.

The above Prizes, together with a fine collection of Specimen Pictures, can be seen at any time, Daguerrean Rooms, In Elmendorf’s Building, Nearly Opposite The Yates County Bank.

My facilities for Daguerreotyping are not equaled by any one in this vicinity.  My rooms are newly and finely furnished, and I have the best arranged light to be found anywhere, which is a great consideration in Daguerreotypes.  Call and see and be Convinced.  Pictures taken equally well in clear or cloudy weather.

Instructions, with all the late improvements, at a fair rate.  Stock and Apparatus furnished at New York Prices.  Don’t forget the place.  Look for the Red Flag.  S. J. Flower.            Penn-Yan, May 2, 1854.

Advertisement ran on May 16 & 23, 1854.

1854 May 16.  Penn Yan Democrat.  (Penn-Yan, New York.)  May 16, 1854, Vol. XXXVII, No. 48, Whole No. 1887, P. 3.

Daguerreotypes!  “Secure the shadow ere the substance fades.”  S. J. Fowler would take this opportunity to say to his friends and the public generally, that inasmuch as his Pictures have been received with unusual admiration, it has induced him to locate in this place permanently, and he will forthwith enlarge his rooms and increase his facilities for supplying the demand of an approving public.  Pictures taken in all weather in his rooms in Elmendorf’s Building, nearly opposite the Yates County Bank.  Penn Yan, March 1854.

N. B.  Look for the sign of the Red Flag.

Advertisement ran from May 16, 1854 to September 26, 1855.

1855 January 10.  Penn Yan Democrat.  (Penn-Yan, New York.)  January 10, 1855, Vol. XXXVIII, No. 30, Whole No. 1921, P. 3.

Ticket Holders!  Look To Your Interest!  Do You Want Those Prizes?  If So, come on and get the balance of those Tickets in Fowler’s Gift Enterprise, or induce some one to do so before the first of January, as the time fixed for the scheme will run out.  It is your interest, not mine, that the Tickets should be sold; but in order to give entire satisfaction, I will extend the time for taking the Daguerreotypes, to suit your convenience.  All Tickets sold after this date will be good for a Daguerreotype whenever called for, and the prizes will be distributed on the first of January.  If the Tickets are all sold as soon as then.  Only 300 Tickets now remain to be sold, and if each ticket holder makes a little effort they can all be sold this week without any difficulty.

I have just received a new and complete assortment of Cases of all the Latest Styles, some very fine for Holiday Presents!

What would be a finer gift than your Daguerreotype put up in one of my Fancy Cases.  Remember for every Dollars’s worth taken at my room you get one chance at those Splendid Prizes.  Now is your time—quick or you lose it.

I would here return my thanks to the public for the very liberal patronage I have received since I have been here.  My success has been far beyond my expectation, which proves that Good Pictures are appreciated in Yates County.

I have lately been making great improvements in my chemical department, by which I am enabled to make much better pictures than ever before.  By this, together with strict attention to business and a determination to please all, I hope to merit a continuance of your favors.  S. J. Fowler.  Penn-Yan, Dec. 26, 1854.

1855 October 17.  Penn Yan Democrat.  (Penn-Yan, New York.)  October 17, 1855, Vol. XXXIX, No. 18, Whole No. 1961, P. 2.

But few are probably aware of the rapid progress that has been made in bringing the art of Daguerreotyping to perfection.  The latest, and we may say the greatest improvement that has yet been made in the art, is that of taking Ambrotypes and Photographs on glass.  The Ambrotypes are pictures taken on the back of plate glass, forming a picture that is seen in any light, and its natural position, not reversed as in Daguerreotypes.  The picture is covered with a gum that hardens and forms a secure protection from dampness or dust.  Indeed the picture can be destroyed only by breaking the glass.  It is seen through the glass, and is equally clear and distinct seen at any angle.  They are afforded at about the same rates as Daguerreotypes.

The Photographs are also taken on glass, and then by chemical process, the impression is transferred on to paper, presenting an appearance equal to the finest steel engraving, and any number of impressions can be taken from the same plate.  Bring on light paper you are enabled to present your distant friends with a beautiful and accurate picture of yourself, and that at a trifling expense.

Mr. Wilson, successor to Mr. Flower, at his rooms, opposite the Yates County Bank, is now prepared to furnish all who wish with either Daguerreotypes, Ambrotypes, or Photographs in the highest style of the art.

1857 May 6.  Northern New York Journal.  (Watertown, New York.)  May 6, 1857, Vol. 11, No. 49, P. 3.

Daguerrean Gallery.—Messrs. Rugg & Fowler have fitted up a fine Gallery in Washington Hall building, and are taking some excellent life-like likenesses, either Daguerreotype, Ambrotype, Melainotype, Ambrograph, or Photograph.  Indeed we have never seen better specimens of the art than from their Gallery.  Their advertisement will be found in another column of our paper.

1857 May 6.  Northern New York Journal.  (Watertown, New York.)  May 6, 1857, Vol. 11, No. 49, P. 4.

Removal!  New Daguerrean Gallery!  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card Board.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We, therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! And Coloring Them In Oil.  Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes Made in the best Style for those who prefer them.    Rugg & Fowler.  Watertown, March 7, 1857.

Advertisement ran from May 6 to August 12, 1857.

1857 May 7.  The New York Reformer.  (Watertown, New York.)  May 7, 1857, Vol. VII, No. 37, P. 2.

Daguerrean Artists.  The tendency towards perfection in no art has been more steady and rapid than that of taking likenesses on silver, glass and other prepared substances.  Pictures are now produced in such elegance of style, softness of tone, and exactness of likeness, on silver, glass, paper, paste-board, &c., as would astonish Daguerre himself could be revisit the earth and witness the progress the great art which bears his name has made within a few years past.  Nor is any city or village more fortunate in the possession of skillful artists in this line than Watertown.  The pictures now produced at Rugg & Fowler’s gallery in the Washington Hall block, evince a practical knowledge of the art in all its branches which marks a degree of perfection that may well be called complete.—Their rooms are very tastefully fitted up with new and elegant furniture for the express purpose of making an inviting retreat for all wishing to see their pictures or procure likenesses.

1857 May 7.  The New York Reformer.  (Watertown, New York.)  May 7, 1857, Vol. VII, No. 37, P. 3.

Removal!  New Daguerrean Gallery.  New Firm, New Styles of Pictures, &c. Such As Ambrotypes, or Pictures on Glass, Melainotypes, or Pictures on Iron. Ambrographs, or Pictures on Card B’d.  Photographs, &c., &c.

G. S. Rugg, The Well Known Daguerreotypist, has removed his Gallery to Washington Hall Building, and entered into co-partnership with S. J. Fowler, on New York, who has been engaged since the first introduction of the Collodeon Process in teaching and practicing the art of Ambrotyping and Photographing in the principal Galleries in the State.  We therefore, feel warranted in saying, that we are prepared to produce as good Pictures, as can be made in New York City, or elsewhere.  Our rooms are large, pleasantly located, finely furnished, and easy of access, and we shall spare no pains in endeavoring to please our customers—We have also something entirely New, which is a Patented apparatus for copying Daguerreotypes or Ambrotypes on Canvas to Life Size! Which are acknowledged the most Perfect Picture Made.

Persons having small Pictures of departed friends, can, by this process have a Perfect Portrait from them.  Please call and examine specimens, whether you want pictures or not.

Daguerreotypes made in the best style for those who prefer them.  Rugg & Fowler.  Watertown, May 1, 1857.

Advertisement ran from May 7 to August 13, 1857.

1857 August 13.  The New York Reformer.  (Watertown, New York.)  August 13, 1857, Vol. VII, No. 52, P. 3.

Dissolution.  The Copartnership heretofore existing under the name and firm of Rugg & Fowler, is this day dissolved by mutual consent.  The business will be carried on in all its branches by G. S. Rugg.  The debts against the firm will be paid by him, and all debts due the firm must be paid to him.     G. S. Rugg,     sic. O. S. Fowler.            Watertown, Aug. 10, 1857.

Daguerreotyping will be renewed for the benefit of those who still adhere to them, and at reduced prices.  S. G. Rugg.

Advertisement ran from August 20 to September 3, 1857.

1858 April 8.  The New York Reformer.  (Watertown, New York.)  April 8, 1858, Vol. VIII, No. 33, P. 2.

Beautiful Pictures.  At the gallery of Messrs. Hart & Hose, in the Arcade, Messrs. S. J. Fowler and hart are producing some of the best toned pictures we have ever seen.  They are making Daguerreotypes, Ambrotypes, Photographs and Hallotypes of the very finest tone and finish.  In the Photographs, Mr. Fowler possesses rare skill, and brings out a splendid picture.

The Hallotype is a new thing.  It is a combination of two photographs, one of which is transparent, and through which the other is seen.  This surpasses in softness of tone and in freshness of coloring, all the pictures we have seen produced by the Daguerrean art.—By turning to the Advertisement of Messrs. Hart & Fowler, the reader may see more in detail, the afforded at their gallery.

1858 April 8.  The New York Reformer.  (Watertown, New York.)  April 8, 1858, Vol. VIII, No. 33, P. 2.

Spring Arrangement.  Pictures For The Million!  The old Arcade Gallery still takes the lead.  Hart & Fowler Having Entered Into and arrangement for the purpose of making all kinds of Life-like Likenesses at the old stand of Hart & Hose, beg leave to say to all the good people hereabouts that they are now prepared to furnish all who may want them with Photographs, Ambrotypes or Daguerreotypes In the very best style of the art.  Mr. Fowler having lately been to the city, where he has spent three months with some of the best Photographers for the purpose of learning to make that much-admired style of Portraiture, and, in addition to three years experimenting heretofore, now feels confident that he can suit the most fastidious.

Mr. F. will devote his time to the making of Photographs, and Mr. Hart will attend to the Ambrotype and Daguerreotype Department, wherein his skill and taste stand unrivaled in Northern New York.  By this arrangement we shall be enabled to keep all branches up to perfection.

We are weekly receiving, direct from the manufacturer, all the latest styles of Cases, Frames, &c.

Call and see us before getting your work done elsewhere, as we are sure we can suit you as to quality or price.  Watertown, April 1858.

Advertisement ran from April 8 to June 10, 1858.

1858 November 28.  The New York Reformer.  (Watertown, New York.)  November 28, 1858, Vol. IX, No. 14, P. 3.

Now I ‘M Ready! Come And See Me & Bring Along Your Friends.  New Sky-Light Room Just Complete In Washington Hall Gallery, Which Is Now The Best Light In Town.

S. J. Fowler has now the pleasure to inform his friends and the public generally, that he is on hand at the above place with greatly increased facilities for making Photographs, Ambrotypes, Melaneotype, &c., In the very best style.  Call and see my splendid collection of pictures.  All work warranted.  S. J. Fowler. 

Advertisement ran from November 25, 1858 to March 17, 1859.

1859 March 31.  The New York Reformer.  (Watertown, New York.)  March 31, 1859, Vol. IX, No. 32, P. 3.

Bought Out S. J. Fowler Having purchased T. N. Foster’s interest in the Washington Hall Daguerrean Gallery, Has the pleasure of informing his patrons and the public generally, that he will now “run the machine” on his “own hook.”

It is now two years since Mr. Fowler commenced making “sun pictures” in these rooms with Mr. Rugg, and having been connected with him nearly all the time since, in such a way as to have to divide the profits with some other parties, he has been obliged to charge more for the same work than he will, now that he has the whole profits himself.  Persons wishing Ambrotypes, Melainotypes; Photographs, will bear in mind that Mr. Fowler was the first to introduce and make these kind of pictures successfully in Watertown.

Having learned the business in New York City of the best Artists and Chemists, he has in the last four years taught the science to more than one hundred of the principal Daguerreotypist and others in this and the Western States and Canada.

Remember if you want pictures that are made in a scientific and artistic manner, and that will be Permanent, give Fowler a call in Washington Hall Building, Watertown, N. Y.  March 30, 1859.

Advertisement ran from March 31 to June 16, 1859.

1859 May 5.  The New York Reformer.  (Watertown, New York.)  May 5, 1859, Vol. IX, No. 37, P. 4.

—Fowler’s Gallery of Art.  Fowler, at the Washington Hall, Watertown is making some very fine photographs, ambrotypes, melainotypes, &c., &c.  His elegant rooms have undergone the Spring renovation so indicative of business prosperity, and no-where can more fashionable or pleasant reception parlors be found, than at his gallery.—Those who come to Watertown for pictures will get a first-class article, at the cheapest rate, by calling on Fowler.  A good picture, at a low price, is a desideratum now-a-days.

1859 October 13.  The New York Reformer.  (Watertown, New York.)  October 13, 1859, Vol. X, No. 8, P. 2.

—Another Photograph.  Our much-esteemed friend and fellow townsman has placed us under renewed favors by the very fine photograph taken of our junior. No finer pictures in the State are taken than those by Mr. Fowler, whose fine rooms, in Washington Hall building, are a pleasant place in which to spend a profitable hour in examining the heads of such of our townsmen and country residents as are there visible.  Call and get your picture—You will never regret it.

1859 October 13.  The New York Reformer.  (Watertown, New York.)  October 13, 1859, Vol. X, No. 8, P. 4.

Do You Want A Perfect representation of yourself or friend, in the shape of an Ambrotype, Photograph, or Melainotype, Then Go To The Washingt’n Hall Gallery And Let Flower Take your Likeness in his Inimitable Style.

Please Bear In Mind that I am permanently located in Watertown, and shall turn out such work as will recommend me to the most fastidious.—Thankful for the very liberal patronage I have received for the past two years in this place, I would say that it shall be my endeavor to please all who may favor me with a call, in the hope that I may have a continuance of their patronage.

Pictures in any of the above Styles, made and put up in every variety of Frames or Cases, of which I shall keep a large assortment, At very Low Prices.

Pictures Set in Lockets, Pins or Rings, with neatness and Despatch.

Stereoscopic Pictures of Persons, or Views of Dwellings, Taken In A Scientific Manner.

Old Daguerreotypes Enlarged To any size, and Photographed In The Best Style Of The Art, Plain, or in Oil or Water Colors.

My Rooms Are Large, pleasantly located, and easy of access.  Open at all hours of the day for Business, and in the evening for inspection.  Please call and examine Specimens, of which I have the largest assortment in Northern New York.

Don’t Wait for Clear Weather, As I prefer Cloudy Weather for making Fine Pictures, excepting for children.  Bring them on bright days and in the morning.

Remember I Am Not To Be Outdone, Either In Quality Of Work, Or Prices.  S. J. Fowler, Artist. Watertown, October, 1859.

Advertisement ran from October 13 to December 29, 1859.

1859 December 8.  The New York Reformer.  (Watertown, New York.)  December 8, 1859, Vol. X, No. 16, P. 3.

Proclamation!  Whereas it is my determination to please everybody the coming Holidays, therefore every good and loyal subject of my Kingdom (which is universal) is hereby commanded to go to the Washington Hall Daguerrean Gallery, and let Fowler take their Likenesses, and have them set in those Lovely Holiday Cases, that I may please their friends on Christmas by leaving them in their stockings.

Given under my hand and Seal this, the seventh day of December, 1859.         Santa-Claus.

Advertisement ran from December 8 to 29, 1859.

1859 December 15.  The New York Reformer.  (Watertown, New York.)  December 15, 1859, Vol. X, No. 17, P. 2.

—A Genuine Likeness Of John Brown may be seen by calling at Hart’s Gallery in the Arcade, or at Fowler’s Rooms, in Washington Hall Building.  They are from a photograph taken of Brown at Winsted, Conn., in 1857, and may be relied on as genuine.

Foulley, Anthony

Daguerreian Stock and Materials, , , ,

1855                2 Mercer Street, New York, New York.

1856-1858       337 Broadway, New York, New York.

1855 October 31.  The New York Herald.  (New York, New York.)  October 31, 1855, Whole No. 7003, P. 7.

Mr. A. Foulley, From Paris, Manufacturer of passe-partouts for photographs, daguerreotypes, engravings, drawings, water colors, pastels, &c., has an assortment of them constantly on hand at the lowest prices, and will execute all orders at the shortest notice, at No. 2 Mercer street. Depot at Mr. Hamilton’s, 371 Broadway.

1856 August 24.  The New York Herald.  (New York, New York.)  August 24, 1856, Whole No. 7299, P. 3.

To Artists and Travelers.—Mr. A. Foulley, from Paris, decorated with bronze and silver medals, has just opened a manufactory for fancy frames (pass-partout) for the framing of photographs, daguerreotypes, engravings, and fancy works of any kind.  He has on hand , ready for sale, a style of pictures, entirely new and cheap, that can afford a benefit of several hundred per cent to any traveler going to South America, Australia, Mexico, or the English or Spanish colonies.  For particulars apply at 337 Broadway, Foulley’s Gallery.

1857 September 2.  The New York Herald.  (New York, New York.)  September 2, 1857, Whole No. 7671, P. 3.

Photographic Album Of American Views—published under the superintendence of G. Cousin, French artist.  Weekly subscription, $1.  Four views. 9 inches long and 7 inches wide, every week.  For particulars apply to Foulley & St. James, 337 Broadway.  N. B.—Orders received for views of every description.  Reproduction of engravings and engines.

1857 October 16.  The New York Herald.  (New York, New York.)  October 16, 1857, Whole No. 7715, P. 6.

Mr. A. Foulley Respectfully Informs His friends, the customers of the late partnership and the public generally, that he will continue the business at the old stand, where will be found a complete assortment of the articles which compose a photographic stock, especially pass-partout and fancy frames in every style.  Please call at 337 Broadway, N. Y.  A Foulley.

1857 November 7.  The New York Herald.  (New York, New York.)  November 7, 1857, Whole No. 7737, P. 7.

To Photographers.—Great Reduction In prices.—Mr. Foulley, manufacturer of passe partouts, and importer of French chemicals, 337 Broadway, begs leave to inform his customers that he has reduced his prices on passe partouts 25 [a] per cent.  Those of 4-4, formerly sold at $7 75 per dozen, can now be obtained at $5 50 and $60- per gross.  Mr. Foulley has also reduced the prices of his celebrated collodions, gun cotton, negative varnish and other chemicals imported by him.

New York City Directories.  (New York, New York.)  Published by John Fowler Trow.

1854  (1854-1855) Not Listed.

1855 (1855-1856) Foulley, Anthony, Painter, 2 Mercer.

1556 (1856-1857) Foulley, A., Franes, 337 Broadway.

1857 (1857-1858) Foulley, Anthony, Photograph Stock, 337 Broadway.

1858  (1858-1859) Foulley, Anthony, Passepartouts, 337 Broadway.

1859 (1859-1860) Not Listed.

Fontayne, Charles

Daguerreotypes, Patent, Photographs, , , , , , ,

1844-1845       268 Baltimore Street, Baltimore, Maryland.

1846-1847       30 West Fourth Street, Cincinnati, Ohio.

1847-1852       30 & 32 West Fourth, Cincinnati, Ohio.

1853                6 West Fourth Street, Cincinnati, Ohio.[1]

1855                6 West Fourth Street, Cincinnati, Ohio.

1856-1857       Over Merchants’ Bank, Cleveland, Ohio

1857-1858       Address Unknown, New York, New York.1

1859                Address Unknown, Cincinnati, Ohio.

1843 November 13.  The Sun.  (Baltimore, Maryland.)  November 13, 1843, Vol. XIII, No. 147, P. 2.

Removal Of D. J. Fontayne’s Artificial Flower Manufactory to 268 Baltimore street, above Howard, opposite the Globe Inn—D. J. F. has on hand a handsome assortment of Flowers, of the latest fashions, which she will offer at the following low prices—Velvet Face Flowers, with eich shaded velvet leaves, orange or green, at 18½ cts. to 25 cents per pair, of every style; outside Bunches, with rich shaded velvet leaves, from 50 to 75 cents; face Flowers, of handsome styles from 12½ to 25 cts. per pair, &c.  Merchants and Milliners supplied by wholesale at the very lowest prices.  Persons wishing to purchase are invited to give her a call.

N. B.—Flower Makers can be supplied with Stamps, Leaves, &c., by Chas. Fontayne.

1844 April 29.  The Sun.  (Baltimore, Maryland.)  April 29, 1844, Vol. XIV, No. 137, P. 2.

It  has been noted as the characteristic of the most refined taste, that it “Love to linger on the magic face of human beauty;” and truly, if we range the vast domains of nature in search of that which is most lovely to the eye, as well as most interesting to the mind, it is certainly found in the light and shade of the human countenance.  How many have spent their lifetime in trying to portray it with the brush, and how few have succeeded in giving that living expression to their works which the original possess—But the recent great improvement in the art of Photography, in a few seconds of time has enabled the operator to catch them all.  Those familiar only with the earlier attempts in this art, will be astonished to find how that sickly and deathly hue has given place to that healthy and natural color which our late improvements possess.  Likenesses taken daily, in all kinds of weather (rain or sunshine) in from 5 to 30 seconds of time.  Stranger and citizens are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, (above Howard) opposite the Globe Hotel.

Advertisement ran from April 29 to May 1, 1844.

1844 May May.  The Sun.  (Baltimore, Maryland.)  May 4, 1844, Vol. XIV, No. 142, P. 2.

The Convention.—Great Perfection Of Our Art.—The citizens of Baltimore have now the opportunity of examining several Photographic Views of the Great Whig Convention passing down Baltimore street, presenting an appearance truly wonderful.  In the distance is to be seen the two Arches, Banners, &c., with many thousands of persons as they appeared in the street—ladies at the windows waving handkerchiefs, &c.

Colored Likenesses taken daily, rain or sunshine, in from 5 to 30 seconds of time.  The public are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, above Howard, opposite the Globe Inn.

1846 December 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 24, 1846, Vol. VII, No. 57, P. 2.

Christmas and New Year’s Oresents, At Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, No. 30 West Fourth Street, between Main and Walnut, opposite St. Paul’s Church.

These appropriate Presents for the season can be had after a few moments sitting, which, for strength of impressions and beauty of tone, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of Parents, to his facilities for taking Children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years, by the subscriber, and exposed to the bleaching effects of the sun, can be seen at the Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas Fontayne, Late of the firm of Fontayne & Porter, Baltimore, Md.

N. B.—Apparatus furnished, and the Art taught on the principles of Chemical Philosophy, and embracing all the very latest improvements of the East, upon the most reasonable terms.  The public are invited to call and examine specimens at his Gallery.

Advertisement ran from December 24, 1846 to January 15, 1847.

1847 January 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 16, 1847, Vol. VII, No. 75, P. 2.

J. C. Fontayne.  The gentleman whose name heads this article, has but recently come to our city from the East, and opened rooms for Daguerreotyping, on Fourth street, north side, near Walnut.  From specimens of his work which have come under our notice, he is, without doubt, well acquainted with the various branches of this style of Miniatures, and calculated, from this knowledge, to adapt his pictures to the taste of any and all who may favor him with a call.

1847 September 21.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 21, 1847, Vol. VIII, No. 145, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.

Advertisement was recorded from September 21 to October 15, 1847.

1848 February 25.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 25, 1848, Vol. IX, No. 125, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.  nov3.

Advertisement was recorded one time on February 25, 1848.

1848 September.  Public Library of Cincinnati and Hamilton County Pamphlet.

Fontayne & Porter 8 Whole Plate Panorama Daguerreotype of Cincinnati partnership Ca. 1848-1854.

1848 October 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 20, 1848, Vol. XI, No. 17, P. 2.

Fontayne, daguerreotypist in this city, has completed a full daguerreotype panorama of Cincinnati!  A portion of it may be seen in front of his room on Fourth street.

1848 December 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 30, 1848, Vol. XI, No. 77, P. 2.

Holyday Presents.—In what manner can money be better spent than by presenting to a friend a faithful likeness of one’s self?  Many who bethought themselves during the holidays, a year ago, of this kind of present, little dreamed they were giving what is now invaluable, whether rendered so by death or absence.  Fontayne & Porter, No. 30 and 32 West Fourth street, Between Main and Walnut.

Advertisement was recorded on December 30, 1848 and January 1, 1849.

1849 January 3.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 3, 1849, Vol. XI, No. 79, P. 2.

The Greatest Gem of Modern Art, are the Daguerreotypes taken by Fontayne & Porter.  The exquisite finish of the picture, the warm, glowing depth of tone, the clear, brilliant expression of the eye, all command the admiration of hundreds who b=visit the gallery, all anxious to obtain a likeness of themselves or friends.

Gallery No. 30 & 32 West Fourth st., between Main and Walnut.

Advertisement ran from January 3 to 12, 1849.

1849 January 12.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 12, 1849, Vol. XI, No. 87, P. 2.

The Expression Of The Eye Perfected.—The immense Sky-Light used by Fontayne & Porter, Daguerreotypists, enables them to produce Portraits and Family Groups which are the admiration of all who have seen them, diffusing an even light over the sitter, giving to the drapery great force of shadow, and to the Eyea clear and brilliant expression, which cannot be obtained by the old method of the side window.  Miniatures taken daily, without regard to the state of the weather.

Advertisement ran from January 12 to 24, 1849.

1849 January 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 24, 1849, Vol. XI, No. 97, P. 2.

Fontayne & Porter’s Daguerreotype Gallery.—These beautifully furnished Rooms continue to attract crowds of visitors and strangers daily.  The many fine specimens of the Daguerrean Art which adorn the Gallery command general admiration.  No improvement which modern search has discovered but is immediately applied.  The various conveniences in all the chemical and operating departments enable them to produce, in the shortest possible time, Portraits and Family Groups unrivalled for brilliancy of impression and faithfulness of execution.  No state of the weather deters them from producing beautiful Miniatures.  Gallery Nos. 30 and 32 West 4th st., between Main and Walnut, Cin.

Advertisement ran from January 24 to February 7, 1849.

1849 February 8.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 8, 1849, Vol. XI, No. 110, P. 2.

Beautiful As Are The Productions of the Painter’s Art, still the Daguerreotype, for accuracy of detail and beauty of execution, will command the preference.  The associations connected with the Daguerreotype are preferred in the extreme, when we view the miniature of those we love; it is the impression of their own shadow, drawn by the faithful pencil of Nature.

Fontayne & Porter still are on the advance with improvements, and are daily giving their customers Pictures which give great satisfaction.  Gallery Nos. 30 and 32 West Fourth st.

Advertisement ran from February 12 to 27, 1849.

1849 February 28.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 28, 1849, Vol. XI, No. 127, P. 2.

California Has Not Turned The Heads of Fontayne & Porter, Daguerreotypists; but they are still as active as ever in making improvements.  The last one is the receipt of a very fine improvement of great Focal power and perfection, in which children and aged persons are taken almost in an instant of time.  Persons wishing Miniatures of their children, have now the opportunity of procuring a perfect Likeness.

Gallery Nos. 30 and 32 West Fourth st., between Main and Walnut, Cin.

Advertisement ran from February 28 to March 14, 1849.

1849 March 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 15, 1849, Vol. XI, No. 140, P. 2.

Never Behind The Times In Improvements.—The new quick working Camera of Voightlander & Sons, of Vienna—their latest improvement—is now in constant use at Fontayne & Porter’s.  Perfect pictures warranted, taken in all weathers, even in the darkest days, in a few seconds of time.  The groups of Children taken by this splendid instrument are not to be surpassed.

Gallery Nos. 30 & 32 West Fourth st., between Main and Walnut, Cincinnati.

Advertisement ran from March 15 to 30, 1849.

1849 March 31.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 31, 1849, Vol. XI, No. 154, P. 2.

It’s Painful To The Eye.   How often do we hear persons make this remark after they have been sitting for a Daguerreotype likeness.  This great evil has been overcome by Fontayne & Porter—their Pictures are taken by a north side and sky light. Which gives no pain to the sitter, thereby enabling them to make those beautiful Pictures which are so much admired for their beauty of tone, clear and expressive eyes; all of which is adding daily to the already high reputation of their establishment.

Strangers and citizens should call and examine the fine collection of Portraits in the Gallery, No. 30 and 32 West Fourth st., between Main and Walnut.  Admission free.

Advertisement ran from March 31 to April 9, 1849.

1849 April 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  April 10, 1849, Vol. XII, No. 6, P. 2.

Going To California.—Every man that is bound for the Gold Region has some dear friend or relation to leave behind: and what would be more pleasing to that father, brother, sister, or friend, than a good Daguerreotype Likeness of one’s-self?   Call at Fontayn & Porter’s, and get one of their gems. 

Gallery No. 30 and 32 West Fourth st., between Main and Walnut.  Likenesses taken in any weather.

Advertisement was recorded fifty-four times between April 10 and July 19, 1849.

1849 June 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 20, 1849, Vol. XII, No. 67, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West 4th st., bet Main and Walnut.  Fontayne & Porter, Proprietors.  This Establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our Pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran from June 20 to August 22, 1849.

1849 July 19.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 19, 1849, Vol. XII, No. 91, P. 2.

Bring It Back.  The person who stole the beautiful Daguerreotype view of the Philadelphia Exchange, from the door of Messrs. Fontayne & Porter, had better return it at once, as it has been seen and admired by thousands in this city, and would undoubtedly lead to the detection of the thief should he offer it for sale.  It is highly prized as a specimen by the owners, and we hope they may recover it.

1849 August 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 11, 1849, Vol. XII, No. 111, P. 1.

Passing along Fourth street a few days ago, my attention was arrested at the entrance to the Daguerrean rooms of Messrs. Fontayn & Porter, by a very perfect and beautiful picture of Girard College, at Philadelphia.  Being myself a sort of amateur operator, the superiority of this, together with other specimens exhibited at their door, I determined to embrace the earliest opportunity of paying said gallery a visit.  I this morning spent a couple of hours in examining and studying its contents, and, although I have visited all the best establishments of this kind in New York and Philadelphia, I am free to say that I have seen but few specimens to equal those which adorn this gallery.—The collection comprises a great variety of landscape views, family groups, &c., much superior to any I have seen elsewhere.  The taking of views and groups of persons, has always been considered the most difficult branch of the art, and it is a branch in which but few operators have been successful; but the efforts of these gentlemen, in this department of their profession, may be set down as the ne plus ultra of excellence.  I was highly pleased and interested in examining a very comprehensive view of your “Queen City of the West.”—This is indeed a beautiful picture, embracing the entire river line of the city—a distance of some six or seven miles!  So faithfully and distinctly are the various objects represented, that the name of the different steamboats lying at the wharves, are legibly brought out.  The sign on all the warehouses, stores, &c., fronting on the river, are likewise given with equal distinctness.  I also read the names of several firms, on large buildings, situated high up in the city.  This, so far as my knowledge extents, is the greatest feat ever performed in the art of Daguerreotyping.

The collection also embraces views of Fairmount water-works, scenes on the banks of the Schuylkill river, and many of the finest residences and public buildings in Philadelphia—all of them perfect, even under the test of a strong magnifying glass—throughout, their softness, evenness and beauty of finish, is remarkable.  I was informed, upon inquiry, that some of these splendid sketches might be purchased at a fair price, and it is matter of surprise with me, that they have not ere this been transferred to the dwellings of some of your wealthy citizens. Certainly, nothing more beautiful or interesting could adorn the walls of a private parlor.

Among the many portraits of distinguished persons, is a very accurate and life-like one of “Amelie,” of Kentucky.  Having frequently seen this gifted lady, I am able to judge as to the merits of her picture.  Here, also, may be seen a likeness of the brave and noble-hearted sailor, Frederick Jerome, who, at the imminent risk of his own, saved so many lives from the burning of the steamship “Ocean Monarch.”  He is taken in the same clothes he wore at the time this awful scene occurred.  The actions of this obscure sailor, on this occasion, were sublime, and shed around him in his humble station a moral grandeur and exaltation of character, to which but few in any sphere of life may lay claim; and far more ennobling than the rank and title of a king!  The “counterfeit presentment” of many distinguished statesmen , poets and divines, may likewise be seen and studied here.  Clay, Van Buren, Dallas, Clayton, Buchanan, Webster, Irving, Cooper, Bryant and John Quincy Adams, are among the number—all of them accurate, distinct and life like.  I was shown also several likenesses taken in death, by these accomplished operators.  The partially closed, expressionless eyes, the pale, fixed features, and even the cold sweat upon the brow, are rendered with an effect so startling and truthful as I had thought never could be attained in a type of the departed.

Messrs. Fontayne & Porter are worthy of all praise and encouragement, for what, with energy and talent they have done to develop and perfectionate their profession in the west.

With your permission, Mr. Editor, I may offer, before my departure from amongst you, a few remarks concerning matters and things in general in your city—her peculiarities, business, present condition, and future prospects—impressions and fore-shadowings of a         Sojourner.

1849 August 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 23, 1849, Vol. XII, No. 121, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West Fourth St., Bet Main and Walnut.  Fontayne & Porter, Proprietors.—This establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran sixty-two times between August 23 to November 20, 1849.

1849 December 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 10, 1849, Vol. XII, No. 214, P. 2.

Daguerreotyping.  We were shown yesterday the likeness of twins, two years old, taken by Fontayne & Porter, No. 30 West Fourth street, which elicited general admiration.  The perfection to which this art has been brough is truly astonishing.

1850 March 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 16, 1850, Vol. XII, No. 294, P. 2.

The Washington Euterpeans.  Fontayne & Porter on Fourth street near Walnut, have just completed a beautiful Daguerreotype of those justly popular singers.  It is a group of them all, six in number, and can be seen at their gallery No. 32, west Fourth street.

1850 October 24.  Daily Ohio Statesman.  (Columbus, Ohio.)  October 24, 1850, Vol II, New Series—No. 979, No 880.

Ohio State Agriculture Fail.  Discretionary Premiums…

Fontayne & Porter, Cincinnati, for superior daguerreotypes.

1850 October 24.  Liberty Hall And Cincinnati Weekly Gazette.  (Cincinnati, Ohio.)  October 24, 1850, Vol. 51, No. 2415, P. 2.

Ohio State Board of Agriculture.  The following is a list of premiums awarded by the several committees, also the discretionary premiums recommended and amended by the Executive Committee…

Paintings And Drawings, Open To All…

Best specimen of Architecture, Fontayne & Porter, Cincinnati,      Dip.

Best collection of Portraits, Thomas Faris, Cincinnati,                        Dip.

Best specimen of single face, E. C. Hawkins, Cincinnati,                        Dip.

Best specimen of Talbotypes, E. C. Hawkins, Cincinnati,                        Dip.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. II, Vo. 3, P. 153-154.

From La Lumiere.  The Worlds’ Fair.  Translated from the French by J. Russell Snelling, M. D.  To Monsieur Montfort:  Sir:—Intrusted by you with the honorable and delicate mission of describing to the readers of La Lumiere, in a series of critical letters, the contributions of the photographers of different nations to the Worlds’ Fair at London, I cannot wholly conceal from myself for a single moment the many and various difficulties which this task imposes upon me.   I have likewise, hesitated a long time as to the manner which it would be the most expedient and useful for me to begin the subject.  A single word from one of those men whom it gives me pleasure to call my perception in the art, terminated my perplexities and decided my irresolute mind.  In a visit of several days—made quite recently to Paris.  I related my troubles to Mr. Ziegler, who thus said to me:  “Why give yourself so much trouble to arrive less expeditiously at that point which you could reach very easily by marching straight before you?  The chief wish of our photographers is, to know what their brethren of foreign countries are sending to London.  Commence by making out a catalogue, than you will render an account of the woks.”

The advise was good, and I have followed it.  In the indication of the name of the artists, I have adopted the alphabetical order.  Before the name I inscribe the number of the order in which each member is found in the list; after the name, I write the number which is devoted to him in the official catalogue; then I indicate the number of frames, with those proofs which they contain, designate those which are upon paper, upon plate, and upon glass; and afterwards, I copy the excellent remarks accompanying the works which the authors have judged apropos.  As to a classification of nations, it was very natural that I should have followed the same order which has been adopted in the Crystal Palace.  To commence with the United States, the department of which is situated at the eastern extremity of the Hyde Park edifice, and to finish our description with England and its dependencies, which are placed at the western extremity, and passing along through the intervening nations, appears to me the most rational method.

United States of America:—

1.  Mr. Brady, of New York.  137, has exhibited 35 portraits upon plates.

2.  Mr. Evans, Buffalo, U. S., 105; Three frames, each containing six portraits upon plates.

3.  Messrs. Fontayne & Porter, (bearing the number 550 which does not yet exist in the U. S. catalogue):  view of Cincinnati, composed of eight plates united in the same frame, and where the points of junction are concealed by perpendicular fillets, in such a way that the spectator appears to see the city through a gallery of columns.

4.  Mr. Harrison, 225, Five portraits upon plates, and several camera obsecura.

5. Messrs. W. & F. Langenheim: Panorama of Philadelphia and a view of Fairmont, near Philadelphia.  In both, several proofs upon paper, are brought together so as to form a panorama.  Talbotype.

6.  Mr. Lawrence, 151, Twenty-six portraits, among which six are representations of three persons from nature.

7.  Mr. J. G. Mayall, Philadelphia, 491; Seventy-two plates, among which is found Notre Dame, from M. Le Baron Gross.

8.  Messrs. Meade Brothers, N. Y., 109; Twenty-four frames containing nearly all single portraits upon plates, together with some groups.

9.  Mr. W. A. Pratt, Richmond, Va., 264; Three frames enclosing jointly twenty-six portraits upon plates.

10.  Mr. Jno. A. Whipple, Boston; 451: Five single portraits; three family groups, one of which has seven figures, another nine, and the last six, the whole upon plates.  A daguerreotype of the moon taken by means of the large telescope at the Cambridge observatory.

10.  Mr. J. H. Whitehurst, Norfolk, Va., 377: Twelve views upon plates, of the Niagara Falls, taken from nature, in Sept. 1850.

1852 January 6.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 6, 1852, Vol. XV, No. 72, P. 2.

Daguerreotypes by the mammoth sky-light.—Fontayn & Porter, No. 30 West Fourth street, between Main & Walnut,—are always fully prepared (rain or sunshine) to accommodate you with a Miniature in their unsurpassed style.

1855.  Cincinnati City Directory.  (Cincinnati, Ohio.)  Advertisements P. 76.

Fontaine’s Gallery Of Daguerreotype Portraits, And Family Groups, No. 6 West Fourth Street, Between Main and Walnut.

1855 January 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  January 20, 1855, Vol. X, No. 226, P. 2.

Now Look Out.  The following communication from Dr. Buchanan, of Cincinnati, to the New York Tribune, discloses the fact that the whole Rag Money system is in danger of being blown sky high by the magic power of Photography.—Counterfeiters will not be slow in availing themselves of the discovery, and then they will be able to deceive the very elect among the money changers.  Dr. Buchanan says:—

I have just witnessed some illustrations of the art of Photographic Counterfeiting, which I deem highly important, not only to bank officers, but to the public at large.  Mr. Fontayne, of this city, one of the best daguerreotypists in the world, has recently made several photographic copies of bank notes, which far surpass, in the perfection of their details, anything which has ever been done in the old way of counterfeiting.  When these photographs are carefully taken on proper bank note paper, they defy detection either by the naked eye or by microscopic inspection…

1855 January 31.  The Ashland Union.  (Ashland, Ohio.)  January 31, 1855, Vol. IX, No. 36, Whole No. 1202, P. 1.

Same article.

1855 January 31.  Cadiz Democratic Sentinel.  (Cadiz, Ohio.)  January 31, 1855, Vol. 21, No. 39, P. 2.

Bankers, Look Out.  Same article.

1855 February 8.  Carroll Free Press.  (Carrollton, Ohio.)  February 8, 1855, Vol. 23, No. 6, P. 1

Photography in Counterfeiting.  Correspondence of the N. Y. Tribune.  Same article, expanded.

1856 May 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 29, 1856Vol. 10, No. 49, P. 1.

Ryder’s Photographs.—We called in at Ryder’s daguerrian rooms yesterday, when the first objects that caught our attention were four most admirable executed photographs, two of life size and two cabinet size.  They are certainly as fine specimens of the art as were ever exhibited in this city.  They were taken by Mr. Chas. Fontague, (sic.) whose services Mr. Ryder has lately secured.  Mr. F. is from Cincinnati, where his pictures have attracted general admiration.  He showed us a large collection of valuable photographs, among which were many portraits of distinguished personages, which have a very life-like appearance.  Among the rest were some beautiful scenes from nature, but the most remarkable of all was a collection of pictures taken from the ruins of Carthage, Thebes and Memphis, and other Egyptian and African ruins; besides these scenes from around Athens and Rome that are highly entertaining.  These should be framed and hung around the rooms for the benefit of the visitors, as they are not only well worth seeing but instructive.  Mr. Ryder has done well in thus associating with him in his business Mr. Fontague, (sic.)  and we feel confident that they cannot but be highly successful.  Their intention is to take photographs of all sizes.  We understand the smaller ones will be put at very reasonable prices and within the means of any one desirous of having a good picture taken.

1856 March 31.  Cleveland Morning Leader.  (Cleveland, Ohio.)  March 31, 1856, Vol. 10, No. 50, P. 1.

The name of the gentleman associated with Mr. Ryder in the Photograph business is Chas. Fontayne, instead of Fonyague, as we printed it on Saturday.  Mr. F. is the same person who photographed the bills of several of the Cincinnati banks so exactly that the officers of the banks could not distinguish between the imitations and the genuine ones.  We would again say that his pictures are highly worthy the attention of all interested in such matters.

1856 April 28.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 28, 1856, Vol XII, No. 102, P. 3.

Ryder is taking a great number of Ambrotypes in the very best style.  The Photographs of Mr. Fontayne now being taken at these rooms have not been surpassed in the West.  They compare favorably with the best now taken in New York, and colored or not, are beautiful representations of the human face.

1856 May 1.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 1, 1856, Vol. 10, No. 78, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to September 30, 1856.

1856 May 2.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 2, 1856, Vol. XII, No. 106, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to 26, 1856.

1856 May 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 15, 1856, Vol XII, No. 117, P. 3.

Ryder’s Ambrotypes.—The rooms of Mr. Ryder, the Daguerreotypist, over Merchants’ Bank, are becoming a resort for the beauty and fashion of the city.  As an artist, his success in securing good pictures has rarely been surpassed in this country.  The comparatively recent introduction of photography has not become familiar to the people, but those who have visited the exhibition of Mr. Fontayne’s photographs, will cheerfully testify to their admirable perfection and beauty.

1856 August 14.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 14, 1856, Vol. 11, No. 195, P. 3.

A beautiful photograph, from a splendid steel engraving, has just been taken by Mr. Fontayn, at Ryder’s Daguerrean Gallery, of “Evangeline,” one of the sweetest of all poetic creations.  The countenance of “Evangeline” is angelic in its simplicity and innocence, and perfectly charming in its beauty.  Mr. Fontayne has several of these pictures for sale; those who love the beautiful will not require an invitation to purchase after seeing the picture.

1856 August 27.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  August 27, 1856, Vol XII, No. 204, P. 3.

Miniature City Map.—Pierce & Co. have just published on a little sheet a very neat map engraved by Tibbitts, of this city.  We understand that a photograph was taken at Ryder’s by Prof. Fontayne, engraved and electrotyped and is furnished at five cents a sheet, or 75 cents the quire,  It will be found convenient for business  men and others, to inform their correspondents particularly as to the location of a residence or office.  It gives the names of the streets, designates the wards and shows the different lines of the railroads meeting in the city.

1857 August 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 29, 1857, Vol. 11, No. 208, P. 3.

Mr. Fontayne, with Mr. Ryder, has taken several “star” pictures of residences about town—among them, that of Mr. Price, on Euclid street.  It is a splendid picture; and is an excellent method, for those who feel disposed, to secure pleasant remembrances of the “homestead.”

1859 July 28.  Railroad Record and Journal of Commerce, Banking, Manufactures and Statist..  (Cincinnati, Ohio.)  July 28, 1859, P. 270.

Fontayne’s Telesmatic Photograph.  In the short notice which we gave of this “magical light-writer” last week, we had only time and space to say that it would print from 3.000 to 4,000 perfect photographs in an hour.  This, we then thought, was sufficiently marvelous to be believed by only a few of the most credulous.  Since then we have become better acquainted with the capacities of the inventor and his machine, and we have no hestitation in saying that it can be made to far surpass even these marvelous figures.

Photographers have been able, for some years, to make paper exceedingly sensitive to the influence of reflected light; and one great difficulty with many of them, has been to so retard this sensitiveness, as that they could admit the rays of light, and instantly shut them out, without spoiling their paper.

This waste of paper, too, has been another serious objection, and has kept the price of photographs ranging at high rates.

These difficulties Mr. Fontayne has been facing for years, earnestly working against them, and such has been his success, that his pictures have stood first wherever they have been presented.

Being cast upon what many supposed his death-bed, about the first of this year, he had time sufficient to classify his experiments, to theoretically meet his difficulties, and discuss them as they seemed to be presented.

The results wa have already given, and, in reviewing the subject, we find that he makes the paper, upon which the picture is to be produced, exceedingly sensitive.  This he dries, and places upon a cylinder in a dark case, having apparatus on the exterior by which the cylinder can be rotated.  In the top of this case is an orifice through which the light can be admitted; and underneath this is the negative, so adjusted that it can be made to touch the paper, and leave it similar to the fly in a printing machine.  Over this orifice and negative, is mounted a large condensing lens, of such power that a most intense light can be projected through the negative upon the paper beneath.  But to prevent any action of the light, except as wanted, this orifice is closed by a slide which is adjusted in a frame, and so operated by coil springs, that his motion is instantaneous, and the orifice is opened and closed as instantaneously as the contraction of a coil spring can produce action.  By means of connecting levers and cams, one operator can rotate the cylinder, cause the slides to move together in such a manner, that with one negative, one hundred flashes of light may be admitted per minute, and thus over 6,000 pictures may be given in one hour.  But the same machine will admit as many as ten small negative , all operated at the same time, and only requiring more paper.

His improvements also extend to the manner of toneing (sic.) up these impressions afterward; for the paper, on being removed from the cylinder, is as white as when rolled upon it; but the governor of the light is not mistaken.  The invention is truly a remarkable one, and will introduce some new flashes in photography.—Scientific Artisan.

1859 September 10.  The Penny Press.  (Cincinnati, Ohio.)  September 10, 1859, Vol. 2, No. 18, P. 3.

If any one wishes to run his face, Cincinnati furnishes as progressive Photographers as can be found anywhere.  The walls of the room devoted to the fine arts prove that.  We do not see, however, specimens of the recent wonderful discovery of Fontayne, of this city, by which he can print fifteen thousand impressions of a picture in an hour.  Fontayne’s Telesmatic Photographs make eastern artists say, “That Queen City is a great place.” 

1859 September 22.  Evening Star.  (Washington, D. C.)  September 22, 1859, Vol. XIV, No. 2,069, P. 1.

Patents week ending September 20, 1859.  Chas. Fontayne, of Cincinnati, O.—For photographic printing machine No. 25, 540.

1859 September 28.  The Penny Press.  (Cincinnati, Ohio.)  September 28, 1859, Vol. 2, No. 33, P. 1.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

1859 September 30.  Dayton Daily Empire.  (Dayton, Ohio.)  September 30, 1859, Vol. 10, 10 217, P. 2.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

[1] Craig’s Daguerreian Registry.

Fields, James B.

Ambrotypes, Daguerreotypes, Melainotypes, , , , , ,

1856-1857       477 Broadway, New York, New York.

1856 October 31.  The New York Herald.  (New York, New York.)  October 31, 1856, Whole No. 7367, P. 5.

Knapp’s Colored Improved Durable Ambrotypes and daguerreotypes, 50 cents, including case, twice the size others give for the money, at the only Knapp’s gallery in the city, 477 Broadway, near Wallack’s theatre.  Everybody gets them.  Knapp & Fields.

1856 December 13.  The New York Herald.  (New York, New York.)  December 13, 1856, Whole No. 7410, P. 5.

Knapp’s only Gallery of Ambrotypes, Daguerreotypes and Melainotypes, 477 Broadway.  J. B. Fields, Proprietor.

1857.  New York City Directory.  (New York, New York.)  1857-1858, Published by John Fowler Trow.[1]

Daguerreotypes, 477 Broadway, h—J. C.  (Jersey City, New Jersey.)

[1] Not listed in the 1855, 1856 or 1858 direcories.

Farrand, Camillus

Ambrotypes, Daguerreotypes, Photographs, , , ,

1852-1857       307 Broadway, New York, New York.

1854                807 Broadway, New York, New York.

1852 December 2.  The New York Herald.  (New York, New York.)  December 2, 1852, Whole No. 7336, P. 4.

The Most Convenient Daguerreotypes Gallery in New York is Farrand’s, 307 Broadway.  It is situated but one flight of stairs above the sidewalk, and has one of the best sky-lights in the Union, and his pictures are unsurpassed by any in the world.

1852 December 14.  The New York Herald.  (New York, New York.)  December 14, 1852, Whole No. 7348, P. 4.

Would you have a Perfect Picture without the fatigue of ascending hafe a dozen flights of stairs.  Call at Farrand’s first floor sky-light gallery, 307 Broadway, where everything in the art of Daguerreotyping is executed with the greatest skill.  Pictures taken daily in every style of the art, and entire satisfaction given or no charge made.

1852 December 20.  The New York Herald.  (New York, New York.)  December 20, 1852, Whole No. 7354, P. 6.

The most appropriate Holiday Present is a perfect daguerreotype, and the most convenient gallery is Farrand’s, 307 Broadway, first floor, up stairs, where everything in the art is executed with the greatest skill.  Pictures taken in the new discovery without reversing the picture.

1852 December 22.  The New York Herald.  (New York, New York.)  December 22, 1852, Whole No. 7356, P. 4.

Farrand’s Daguerreotypes for the Holidays, 307 Broadway, first floor, up stairs.  At this establishment you can get a perfect picture without the fatigue of accending half a dozen flights of stairs, and save half your money.  Pictures taken daily in every style of the art, and entire satisfaction given, or no charges made.         

1852 December 27.  New York Daily Tribune.  (New York, New York.)  December 27, 1852, Vol. XII, No. 3649, P. 2.

A Daguerreotype Likeness for only Twenty-Five Cents.—The subscriber would respectfully announce that having one of the best arranged skylight galleries in New-York, and a superior apparatus and machinery, he is prepared to furnish Daguerreotypes that cannot be surpassed by any in the world in quality, truthfulness, and durability.  A perfect picture for only twenty-five cents, that will not fade in any climate.  Call and decide for yourselves, at No. 307 Broadway, first floor, up-stairs.  C. Farrand.

1852 December 30.  New York Daily Tribune.  (New York, New York.)  December 30, 1852, Vol. XII, No. 3652, P. 2.

Daguerreotypes Only 25 Cents—At Farrand’s, first floor sky-light Gallery, No. 307 Broadway, where pictures are taken in every style, unsurpassed by any in quality, cheapness and durability.

Advertisement ran on December 30 to January 28, 1853.

1853 February 7.  New York Daily Tribune.  (New York, New York.)  February 7, 1853, Vol. XII, No. 3685, P. 2.

25 Cent Daguerreotypes.—Farrand, at No. 307 Broadway, having one of the most convenient galleries in New-York, superior apparatus machinery & c., is furnishing Daguerreotypes that cannot be surpassed by any in the world, in quality cheapness and durability.  His mammoth sky light is to be found within ten feet above the side walk.  And if any person in pursuit of Daguerreotypes finds him or herself at the top of a high building they may know that they are in the wrong shop to find Farrand’s inimitable and cheap pictures.

Advertisement ran from February 7 to March 7, 1853.

1853 March 31.  The New York Herald.  (New York, New York.)  March 31, 1853, Whole No. 7404, P. 4.

Farrand’s 25 Cent Daguerreotypes Cannot be excelled for truthfulness, beauty of finish, and durability.  His mammoth skylight is at 307 Broadway, on the first floor above the sidewalk, and his rooms are daily thronged by those who wish perfect pictures without the fatigue of ascending half a dozen flights of stairs.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 6489, P. 5.

Dar Sir:—According to promise, I am happy to inform you of the success in improving upon my original 25 cent daguerrean apparatus, and am now prepared to give you large, beautiful pictures for only $3, including case, (such as cost elsewhere $6 and $8,) and their superiority is known by the many thousands who, the past few months have sat before the best instrument in the world, at C. Farrand’s Daguerreotype Gallery, 807 Broadway. [307 Broadway.]

1854-1855?  New York City Directory.  (New York, New York.)  1854-1855, P. 50.

C. Farrand’s Daguerreotypes, 307 Broadway, N. Y. 

This Gallery has [ ? ] Sky-lights, but one flight above the side-walk [ ? ] in the Art  of Daguerreotyping is executed with the great [ ? ], and cheaper than any other Establishment in the world.

Pictures taken [ ? ] 25 Cents  Upwards In All Kinds Of Weather, And Warranted.

1855 February 7.  Auburn Weekly American.  (Auburn, New York.)  February 7, 1855, Vol. 1, No. 1, P. 3.

A few Certificates.  From Gentlemen Of The Highest standing in any favor of the World renowned Hurd’s Hair Restorer, which will produce a new growth of Hair on any bald head.

New York, Dec. 20, 1853.

W. C. Hurd:  Dear Sir—

Your Hair Restorer has produced a vigorous growth of hair on my head where it had been bald for five years.            C. Farrand, Daguerreotypist, 307 Broadway. New York, March 10, 1854.

Advertisement ran from February 7, 1855 to March 12, 1856.

1855 July 25.  The New York Herald.  (New York, New York.)  July 25, 1855, Whole No. 6906, P. 5.

Look, Look, Look.—Daguerreotypes In the shade.  A perfect likeness for 12½ cents, at No. 307 Broadway, by Farrand’s new process; something new and superior to daguerreotypes in every way.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.[1]

Farrand—The show case contains some very fine specimens.  The reception-room, however, is a vacuum, nothing to attract the eye, an indispensable consideration in daguerrean galleries.

1856 December 16.  The New York Herald.  (New York, New York.)  December 16, 1856, Whole No. 7413, P. 5.

Startling.—Four Perfect Photographs for the ridiculously low price of $1 at Farrand’s, 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 17.  The New York Herald.  (New York, New York.)  December 17, 1856, Whole No. 7414, P. 5.

The New Mystery.—F. T.  F. P.  F.  O.  D.—This means that Farrand takes four photographs for one dollar, at 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 18.  The New York Herald.  (New York, New York.)  December 18, 1856, Whole No. 7414, P. 5.

Death of 100 Persons by Lightning Would not create half so great an excitement as Farrand’s four perfect photographs for one dollar, at 307 Broadway.

1856 December 20.  The New York Herald.  (New York, New York.)  December 20, 1856, Whole No. 7417, P. 5.

Who Dares Acknowledge that he hasn’t a picture now, when Farrand, 307 Broadway, takes four photographs for $1.

1856 December 23.  The New York Herald.  (New York, New York.)  December 23, 1856, Whole No. 7420, P. 5.

A Live Whale in the Croton Reservoir would not create half the sensation of Farrand’s four splendid photographs for one dollar, at 307 Broadway.

1856 December 24.  The New York Herald.  (New York, New York.)  December 24, 1856, Whole No. 7421, P. 5.

A Daguerrean Artist Gone Mad.—Four photographs for a dollar.  That man Farrand, at No. 307 Broadway, is performing wonders.  Go and see his establishment.

1856 December 27.  The New York Herald.  (New York, New York.)  December 27, 1856, Whole No. 7424, P. 5.

Four Photographs for $1.  Farrand, 307 Broadway.

1857 June 23.  The New York Herald.  (New York, New York.)  June 23, 1857, Whole No. 7601, P. 5.

Wanted—A Young Lady In An Ambrotype and photograph gallery.  Apply to C. Farrand, 307 Broadway.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

Faris, Thomas

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , ,

1843-1844       Fifth Street, Cincinnati, Ohio.[1]

1846-1859       Fourth and Walnut Streets, Melodeon Building, Cincinnati, Ohio.

1856                26 West Fourth Street, Cincinnati, Ohio.

1856-1859       363 Broadway, corner Franklin Street, New York, New York.       

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

Plumbeotypes.  This is the name given by Plumbe, to paper Daguerreotypes, an invention by him, of a very recent date.  We are indebted to Mr. Thomas Faris, Plumbe National Gallery, corner of 4th and Walnut streets, in this city, for a number of specimens of this new and very interesting art, including Hon. Lewis Woodbury, Hon. Cave Johnson, Hon Sam Houston, Hon. J. C. Calhoun, D. M. Hoyt, &c., &c.  Each portrait is prib=nted from Daguerreotype likenesses, with a frame and the signature in writing.  It is a very interesting discovery.  One hundred copies of any person can be ordered for $10.  Call on Mr. Faris.

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

The Popular Magazine.  We are indebted to Mr. Thomas Faris, Plumbe Nat. Gal., corner of 4th and Walnut streets, for Nos. 1 and 2 of the “Popular Magazine,” a journal of art and literature, by Augustine J. H. Duganne, published in Philadelphia.  It has in each number a Plumbeotype of some of the distinguished personage, and much valuable reading.  In one of the numbers received is an autograph and letter from President Monroe, dated 1892, and in the other, one from Dr. Franklin, dated 1764.  Very valuable, indeed, are such works of art.  Please examine.

1847 February 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 23, 1847, Vol. VII, No. 107, p. 2.

[From the Herald of yesterday.  The finest gallery of Daguerreotypes we ever saw may be seen, by any body at the rooms of Faris, in the Melodeon.  We observed many familiar faces, true to nature.  He has some likenesses of Dr. Chamberlain and Col. Mitchell, which we do not think can be excelled.  The finish of these portraits is decidedly superior to any other we have ever seen.  The rooms of Mr. Faris are the best, perhaps, in the city.  The one in which the likenesses are taken, on the corner of Fourth and Walnut, is exceedingly well lighted.  Mr. Faris has been assisted for some time by Mr. Charles Carter, who is now as good at the business as the best.  Mr. Faris is open for inspection at all hours of the day, where he will be happy to see all disposed to give him a call.  They will see many admirable likenesses of some of their friends of the city.  The cavalcade of Rockwell’s company was daguerreotyped here, and considering the circumstances, was well done.  It is a pleasant place to spend a half hour.

1847 June 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 18, 1847, Vol. VIII, No. 65, p. 2.

That picture of Col. Mitchell, mentioned a few days since in this paper as being in possession of some person who found it in the street, was stolen from Mrs. Jone’s, 4th street, and may be left at Faris’s Daguerreotype rooms, corner Walnut and Fourth.

1847 September 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 15, 1847, Vol. VIII, No. 140, p. 2.

$5 Reward.—Stolen from Faris’ Daguerrian Gallery, on the morning of the 14th inst., five Gold miniature Lockets, one octagon, and one oval with glass on both sides, the others were round with but one glass.  The above reward will be paid for the delivery of the articles.  Thos. Farris, Melodeon Building, cor, 4th and Walnut.

1848 June 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 15, 1848, Vol. X, No. 55, p. 2.

The daguerreotype miniature of Mr. E. Forrest, hanging at the door of Faris’ gallery, Melodeon building, is a complete triumph of the art.

1848 July 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 15, 1848, Vol. XI, No. 15, p. 3.

Melodeon Gallery Of Daguerreotype Portraits, And Family Groups, Corner of Fourth and Walnut streets, 2nd story, Cincinnati.  Likenesses by the improved process from the largest to the smallest sizes, and of the most delicate execution, may be obtained at the above Rooms.

Portraits taken at this establishment, warranted to give satisfaction.  Thomas Faris.

1848 October 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 18, 1848, Vol. XI, No. 15, p. 2.

Melodeon Gallery.  T. Faris, Daguerreotypist, Melodeon Building, Cor. 4th and Walnut.  Daguerreotype Portraits, either single or in groups, colored or without colors, taken in a superior style, regardless of the weather.

“Daguerreotype likenesses are taken at this establishment equal, we venture to say, to any other place in America; and, when compared with some other establishments of the kind, there is no comparison whatever.”—Ohio State Journal.

“One of the richest and most highly finished Daguerreotypes we have ever seen.”—Queen City.

“Successful in a high degree in divesting his pictures of that dull and lifeless hue which disfigures the Daguerreotypes of so many artists.”—Cist’s Adv.

“For faithfulness of delineation and exquisite coloring far transcends anything we deemed the art capable of producing.”—Signal.

“Crowded all the while with customers, his bold and truthful style of Daguerreotyping is becoming every day more and more popular.”—Dispatch.

Advertisement ran from October 18 to November 1, 1848.

1849 January 18.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  January 18, 1849, Vol. XLV, No. 2324, P. 1.

The Greek Slave is now exhibiting at Louisville.  During the exhibition of the statute in our city the receipts were over $3,000.  Mr. Broadwell, proprietor of the Apollo Building, made no charge for the use of the Hall in which the exhibition was had.  Those who were not privileged to see the substance can now look upon the shadow of this master-piece of Powers’ genius, by calling at the Daguerreotype rooms of either of Mr. Hawkin’s, Mr. Faris, or Mr. Fontayne, each of whom took several excellent views…

1849 February 26.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 26, 1849, Vol. XI, No. 125, p. 2.

Splendid Daguerreotypes may always be obtained at Faris’, Melodeon Gallery, corner of Fourth and Walnut sts.

By a late and important improvement, the time of sitting occupies but a few seconds, either in clear or cloudy weather.

Advertisement ran from February 26 to 28, 1849.

1849 March 2.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 2, 1849, Vol. XI, No. 129, p. 2.

Daguerreotypes.—Magnificent Daguerreotypes are taken every day, without regard to the weather, at Faris’ Melodeon Gallery, corner of Fourth and Walnut sts.  Call and see.  Free admission.

Advertisement ran from March 2 to 5, 1859.

1849 March 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 23, 1849, Vol. XI, No. 147, p. 2.

Daguerreotypes.—It is becoming better understood every day , that the Daguerreotypes mader by Faris at the Melodeon Gallery, exhibit a superiority seldom attained by those of other artists.  Positive excellence is the universal—and not the chance—characteristics of his work.  Having very lately added to his already superior facilities one of Voightlander & Son celebrated quick working Cameras, he is enabled to take groups and single Pictures of Children, in very much less time that they could be taken heretofore.

Rooms N. West corner of Fourth and Walnut streets, second story.

1849 October 4.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  October 4, 1849, Vol. 46, No. 2360, P. 2.

The Horticultural Exhibition.  This beautiful Autumn Festival closed on Saturday evening…

On the last day of the exhibition, a couple of daguerreotype views of the two avenues were taken by Mr. Faris, of the Melodeon, which preserve well the symmetrical proportions of the first and last, and give a fine view of the prominent thing in the Hall, and the general style of their disposal.  In one of these we recognize the towering form of our friend Mr. A. H. Ernst, and in the other the well known figure of our neighbor Mr. J. P. Foote.  For interior views, these pictures are highly creditable to the skill of Mr. Faris, who holds a first rank as a Daguerreotypist.  The tone of the coloring is superb… 

1849 October 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 11, 1849, Vol. XII, No. 163, p. 1.

Horticultural Society.  The meeting last Saturday was a monthly one, and one of more than usual interest, It being the first after the autumnal exhibition…

Daguerreotypes of the Hall during the exhibition by Mr. Faris, were exhibited.

1849 December 13.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 13, 1849, Vol. XII, No. 13, p. 2.

Prepare For The Holidays.  Great Excitement at Faris’ Melodeon Gallery.  The Subscriber would respectfully inform his friends and the public generally, that he is now receiving from the East, the finest assortment of Daguerreotype Cases and Frames ever offered in the West, intended expressly for Holiday Presents.  All who wish to make a presentation plate of themselves or friends should call at the Melodeon Gallery and examine this fine stock.

What can exceed the beauty and truthfulness of the Daguerreotype, when well executed, the impression being fixed upon a plate of pure silver, enameled by fine gilding, and warranted never to fade!  Few know the value of a likeness of a Parent, Brother, Sister or Friend, until they are departed, by death or absence, therefore, as delays are dangerous, call early, and “Secure the Shadow Ere the Substance fades.”  Thos. Faris, Melodeon Gallery, N. W. cor. 4th and Walnut sts.

1850 January 3.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 3, 1850, Vol. 46, No. 2373, P. 2.

Daguerreotyping.—Cincinnati in the art of Daguerreotype occupies a position equal in all respects to any city of the Union.  We have numerous artist in this line whose pictures are superior perhaps to those made at any other city, except Philadelphia, and they do not take second rank even to the Quaker City productions.  Among these artists, Faris, in the Melodeon Building, takes one of the first places.  His pictures are finished and beautiful in their effect, and he understands the advantages of position and attitude.  He has recently returned from the East with a variety of beautiful and appropriate styles of cases in which he will be happy to put up pictures for New Year’s presents.

His collection of portraits of eminent persons is rare and extensive.  Among the late additions to the gallery are portraits of Father Mathew, Geo. M. Dallas, and T. S. Arthur, taken from life.

1850 August 29.  Presbyterian Of The West.  (Cincinnati, Ohio.)  August 29, 1850, Vol. V,

No. 49, Whole No. 257, P. 3.

Melodeon Gallery of Daguerreotype Portraits & Family Groups.  The Subscriber invites special attention to the distinct, lively, and lifelike expression of the Eye in his Daguerreotype Miniatures; to the beauty and perfection of the drapery; to the rich warm tone and mellowness of the lights and shadows, yet depth, boldness, and rotundity, as well as highly artistic effect peculiar to the pictures taken at the Free Admission Gallery, Melodeon Building, corner of Fourth and Walnut sts.  Thos. Faris.  may16.

1851 January 30.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 30, 1851, Vol. 51, No. 2429, P. 1.

Faris’ Daguerreotypes.  T. B. Read, in a recent letter from Dusseldorf, Germany, to the Cincinnati Commercial, makes the following statement of the value placed at that distant point, on the work of our Cincinnati Artists:

On of my first inquiries was for Whitridge, the landscape painter, whom I had known years ago in Cincinnati.  The idea of meeting with any one whom you have known before, is one of the most agreeable sensations which can be experienced in a land of strangers.  But unfortunately for us, he had gone up the Rhine on a sketching tour, and would be absent for a week or more.  I had the pleasure, however, of finding Mr. McConkey, another landscape painter from the Queen City, at his studio, and saw some fine pictures on his easel, which have, I presume, by this time, reached America.  I do not intend to take up  much of your space with comments upon artists and their works, for I fear that your readers do not all feel the same interest in the subject which I do.  But when I can meet men such as Leutze and Powers, and especially the artist from your own city, you shall hear about them and their productions.  My only fear is that I shall find such subjects but too seldom.  Speaking of this, I am reminded of what I should have mentioned before.  Previous to leaving Cincinnati, I possessed myself of a few daguerreotypes, which were taken by Faris and Hawkins, and wherever they have been seen by artists and others in England, Germany and Italy, they have been pronounced to be the finest specimens ever beheld in these countries.  One, a large plate by Mr, Faris, has attracted so much attention and admiration, that it is continually lent out and passed around as a curiosity, showing how far the new world has beaten the old, even at her own inventions.  A friend of mine yesterday exhibited this one to a French daguerreotypist in Florence, who stared over it with eyes like saucers, and shrugged his shoulders up to his ears and exclaimed, “Vive Amerique!” recognizing at a glance that it was not European.  He acknowledged without hesitation, that he had never seen anything in his line of art to compare with it.  To be convinced of the truth of this, one has only to look at the specimens which adorn the show cases here; they remind me of those “half-dollar” establishments to be met with so frequently in our eastern cities.  I cannot understand why in this old world of art, daguerreotyping should be so far inferior to what it is in America; nor have I heard any satisfactory explanation.  The operators, when they pretend to give any reason, lay the blame upon the weather.  In London this might be a good and sufficient reason, but in Italy, especially, the atmosphere can scarcely be the sole cause for so much difference.  I am inclined to think that good chemist in this country have not, as in ours, turned their attention to the subject.

1854 March 2.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  March 2, 1854, Vol. 62, No. 2, P. 3.

The Committee From Boston And The Stem Fire Engine.—As we have before announced, the Committee from Boston arrived in our city Saturday night, and on Sunday they visited many of our churches and the suburbs of our city…

Since writing the above we learn that the great daguerrean artist, Faris, has taken a number of daguerreotypes of the steam fire engine, and each member of the Boston delegation has been furnished with a copy to take home, that the citizens may have an is=dea of the appearance of the machine.—Copies have also been sent to New York, New Orleans and other cities.

1855 March 8.  Dollar Weekly Times.  (Cincinnati, Ohio.)  March 8, 1855, Vol. XII, No. 33, P. 7.

The Times Office On The 22d.  On the first page we present our readers with a spirited view of the Walnut Street front of the Dollar Weekly Times Office Building on the 22d Feb’y, the anniversary of Washington’s Birthday.  The engraving is from a daguerreotype taken about noon, by Faris, from the third-story of a building diagionally opposite our office… 

1855 September 27.  Belmont Chronicle.  (St. Clairsville, Ohio.)  September 27, 1855, New Series Vol. VII, No. 51, Whole No. 966, P. 2.

The State Fair…West of this on the brow of the ridge stood the “Hall for Fine Arts,” a gothic frame structure, in which a large number of excellent works of art were on exhibition.  It would of course be impossible for us to enumerate everything, but we cannot pass this hall without alluding to the display of pictures on exhibition from the gallery of our fellow citizens Thomas Faris.  His colored Photographs are perfect.  A colored likeness, life size, seemed to be breathing, and stands out from the plate as if it were really a living being, instead of an inanimate image.  Mr. Faris has brought his art to the greatest perfection, and reflects honor on the city of his residence, (Cincinnati,) where, ever his pictures are seen.

1855 December 29.  Star In The West.  (Cincinnati, Ohio.)  December 29, 1855, Vol. XVIII, No. 40, P. 3.

City Artists.  A New Kind Of Picture.—There is a new kind of picture lately introduced, called the Ambrotype, which will probably take the place of the Daguerreotype.  It is thus described by a writer for one of our city papers:—…

This method of taking pictures is patented and the art is practiced by but one artist in our city, viz:  Thomas Faris who in located in the Melodeon Building at the corner of Fourth and Walnut streets.  He is one of our oldest and best daguerrean artists.  Those of our readers who may desire a durable, excellent picture, and no humbug, would do well, to call on Mr. Faris.  We say this, not because we have been requested to do so, but from a desire that true merit should be rewarded, and the public not deceived.

1856.  Pencil and the Camera by Marcus A. Root, P. 366.

Samuel sold gallery to [Thomas] Faris in 1856.

1856 October 9.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 9, 1856, Vol. XVII, No. [ ? ], P. 2.

Remember

Faris’ Ambrotypes are surprisingly beautiful.

Faris’ Ambrotypes are life-like.

Faris’ Ambrotypes are entirely durable.

Faris’ Ambrotypes for richness of tone, are wonderful.

Faris’ Stereoscopes are miracles of art.

Faris’ Daguerreotypes are perfect gems.

Faris’ Heliographs are pronounced by Artists “Perfection.

Faris’ Gallery is in the Melodeon, corner Fourth and Walnut, Cincinnati, and No. 28 West Fourth street.

Remember Faris is the only Artist [it] in the city who makes the real Ambrotype.

1857 April 11.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 11, 1857, Vol. III, No. 70, P. 15.

Diaphaneotypes, Photographs, Daguerreotypes, at the Root Photographic and Fine Art Gallery, 363 Broadway, corner Franklin street.  Faris & Erwin, Proprietors.

Advertisement ran from April 11 to September 19, 1857.

1858 January 11.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 11, 1858, Vol. XVIII, No. 267, P. 2.

Photographs, Heliographs, &c., At Greatly Reduced Prices, Melodeon Gallery.—As the Photographic business is very dull during the month of January , February and March and in view of the present financial crisis, anticipating an unusually dull business that time, in order to retain the services of all our artists, and keep them employed, we will for the next three months furnish our customers with the same quality of Photographic pictures, for which the Gallery is renowned, at Greatly Reduced Prices!

As this reduction will be temporary, we advise all who wish to have good pictures to call at once—examine our prices and pictures.  We will furnish a better picture than can be obtained at any other establishment at our price.

We would call particular attention to the Heliograph, the new and popular style of picture for which a patent has been granted to E. C. Hawkins, the inventor.  They are made only at this Gallery.  Farris & Mullen, Melodeon Gallery, N. W. corner of Fourth and Walnut.

Advertisement was recorded on January 11 & 12, 1858.

1858 July 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 24, 1856, Vol. XIX, No. 122, P. 2.

Faris & Stillman, Melodeon Gallery, Corner Fourth and Walnut Streets.  Photographs, Melainotypes, Ambrotypes and Heliographs at greatly reduced prices.

N. B.—Life size Photographs colored in oil by first class artists.

Advertisement ran from July 24 to 27, 1858.

1858 August 28.  New York Daily Tribune.  (New York, New York.)  August 28, 1858, Vol. XVIII, No. 5414, P. 1

For Finely Finished Photographs, Go to Faris’s, (Late Root’s), No. 363 Broadway, Corner Franklin-st.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

The Diaphaneotype.  This, the most beautiful and truthful style of oil colored Photograph yet produced, was originally introduced, and is made in all its exquisite perfection at the Root Gallery Only.

Specimens made at this Establishment on exhibition.  Gallery No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

Highly Complimentary To The Root Gallery.—The fact of a rival establishment placing on exhibition Pictures made at our Gallery is an evidence that our efforts to perfect the beautiful art of Photography is duly appreciated.

The Diaphaneotype introduced and made only at the Root Gallery, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1859 October 8.  New York Daily Tribune.  (New York, New York.)  October 8, 1859, Vol. XIX, No. 5760, P. 3.

Root Photographic Gallery.  T. Faris, Proprietor.  No. 363 Broadway, corner of Franklin-st.  Photographs in every style.  Daguerreotypes, Ivorytypes, &c.

Advertisement ran on October 8 to 14 & October 18 to 29, 1859.

1859 November 12.  New York Daily Tribune.  (New York, New York.)  November 12, 1859, Vol. XIX, No. 5790, P. 7.

The Root Gallery of Photographic Art, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

Photographs in every style, Daguerreotypes, Ivorytypes, &c.

Advertisement ran from November 12 to 22, 1859.

1859 December 13.  New York Daily Tribune.  (New York, New York.)  December 13, 1859, Vol. XIX, No. 5816, P. 7.

Ivorytypes!  Ivorytypes!!  This most beautiful, durable and appropriate picture for Holiday Presents is made in superior style at the Root Gallery, No. 363 Broadway, corner of Franklin-st., T. Faris, proprietor.

Although we were the first to present this style of picture to the public of New-York, we have not the extreme modesty to claim that they are made only at our gallery, as do some others.

What has become of the Hallotype?

[1] Recorded in Ohio Photographers 1839-1900.

Fabreguettes Fils, Eugene

Daguerreian Stock and Materials, Retailer, , , ,

1840-1847       61 Maiden Lane, Up Stairs, New York, New York.

1848-1852       73 William Street, Up Stairs, New York, New York.

1850 July 3.  The Evening Post.  (New York, New York.)  July 3, 1850, Vol. XLVII, P. 2.

French Fancy Articles.  E. Fabreguettes Fils & Morra, 73 William Street (Up Stairs.)  Would call the particular attention of buyers of Fancy Goods at wholesale, to their large and well selected stock; in it may be found a complete assortment of Purses, Suspenders, Guard Chains, Percussion Caps, Tooth Brushes, Bags, Studs, Brooches, Finger Rings, Agate Buttons, Twist and Dressing Combs, Game Bags, Power and Liquor Flasks, Daguerreotype Plates[1], Steel Beads, Tassels, Buckles and Slides, Oiled Silks, Fans, Gold Scales and Accordeons, of their own superior quality and make, each one of which is guaranteed to purchasers in perfect tone and finish.  Also constantly on hand, Paris Calf Skins of all the manufacturers, in entire cases only. 

Orders solicited for any description of Paris fancy goods and executed by their house in Paris, Rue Faubourg, St. Denis 23.

Advertisement ran from July 3 to September 3, 1850.

1852 July 20.  The Evening Post.  (New York, New York.)  July 20, 1852, Vol. LI, P. 2.

French Fancy Goods Adapted to the Fall Trade.  Hughes, Dupuy & Crehange, Successors to E. Fabreguettes Fils & Morra…

1840.  New York City Directory. (New York, New York.)  1840/1841, Published  by Thomas Longworth.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-55 Laight.

1841.  New York City Directory. (New York, New York.)  1841/1842, Published  by Thomas Longworth.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-55 Laight.

1842.  New York City Directory. (New York, New York.)  1842/1843, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1843.  New York City Directory. (New York, New York.)  1843/1844, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1844.  New York City Directory. (New York, New York.)  1844/1845, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1845.  New York City Directory. (New York, New York.)  1845/1846, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1846.  New York City Directory. (New York, New York.)  1846/1847, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1847.  New York City Directory. (New York, New York.)  1847/1848, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-47 Walker.

1848.  New York City Directory. (New York, New York.)  1848/1849, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-52 Walker.

1849.  New York City Directory. (New York, New York.)  1849/1850, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-23d Ave 8 & 9.

1850.  New York City Directory. (New York, New York.)  1850/1851, Published  by John Doggett.

Fabreguettes, Eugene—Fancy Goods—(Fabreguettes, Eudene)—73 William—h-86 w 23d.

1851.  New York City Directory. (New York, New York.)  1851/1852, Published  by Doggett & Rode.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-227 w 23d.

1852.  New York City Directory. (New York, New York.)  1852/1853, Published  by John Fowler Trow.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-227 w 23d.

1853.  New York City Directory. (New York, New York.)  1853/1854, Published  by John Fowler Trow.

Not Listed.

[1] This is the only advertisement that mentions Daguerreotype plates.  First advertisement appear on December 28, 1841.  

Evans, Thomas C.

Photographs, , ,

1857                359 Broadway, New York, New York.

1858                327 Broadway, New York, New York.[1]

1856.  New York City Directory.  (New York, New York.)  1856/1857, Publish by John Fowler Trow. Not listed

1857.  New York City Directory.  (New York, New York.)  1857/1858, Publish by John Fowler Trow.

Clerk, H-359 Broadway.

1858.  New York City Directory.  (New York, New York.)  1858/1859, Publish by John Fowler Trow.

Photographer, 327 Broadway, H-Brooklyn.

1859.  New York City Directory.  (New York, New York.)  1859/1860, Publish by John Fowler Trow.

Not Listed.

1857 October 2.  Evening Star.  (Washington, District of Columbia.)  October 2, 1857, Vol. X, No. 1,468, P. 1.

Life-size Photographs.—The art of Photography is advancing rapidly and steadily towards perfection.  The imperial photograph has been generally deemed the finest achievement in the department thus far; but Messrs. Brady & Evans have gone a step further, and have produced full-length photographic portraits the size of life.  These are the first of the kind ever made in the world, and are well worthy of examination, not simply as curiosities, but as works of art.  Two of them are groups of three figures each, and the other is a splendid full-length likeness of the popular prima donna Frezzolini.  The pictures are in size about seven feet by four, and are as accurate likenesses as any of the smaller photographs in the gallery.  By some means or other, moreover, the artists have overcome the leading defect of this art, which consists in exaggerating the size of that portion of the object which happens to be in the foreground.  These pictures are not taken directly from life, but from smaller ones upon glass, magnified.  We understand two of them will probably be sent to the Crystal Palace for exhibition.  They are certainly very remarkable productions.—New York Times.

1857 October 3.  The Evansville Daily Journal.  (Evansville, Indiana.)  October 3, 1857, Vol. IX, No. 248, P.2.

Brady & Evans of New York City are producing photographic portraits of full life size, but are first taken in miniature and then enlarged.

[1] New York City Directory 1858-1859, photographer, 327 Broadway. H-Brooklyn.