Tag Archives: New Orleans Louisiana

Lion, Jules

N. D.-1842      106 Royal Street, New Orleans, Louisiana.[1]

1842                44 Royal Street, New Orleans, Louisiana.1

N. D.  The New York Historical Society Dictionary Of Artist In American 1564-1860.  1957, (New Haven, Connecticut, London, England.)  P. 400.

Lion, Jules.  Portrait and miniature painter.  Lithographer, and first daguerreotypist artist of New Orleans.  He was a native of France, born about 1816, who can to New Orleans as early as 1837 and worked there till 1865.  According to the 1851 directory he was a “free man of color.”  He painted a portrait of John James Audubon.

Jules Lion

French, 1810–1866

Lion exhibited at the Salon in Paris between 1831 and 1836. He came to New Orleans, where he was considered a “Free Man of Color,” in late 1836 or early 1837. In 1839, Lion returned to Paris, where he learned the patented daguerreotype process from one of Jacques Louis Mandé Daguerre’s partners. On March 14, 1840, the New Orleans Bee announced a display of Lion’s daguerreotypes at the St. Charles Museum—the first documented exhibition of photographs in Louisiana.

Lion was active as a photographer until about 1843. His main focus, however, was lithographed portraits of prominent Louisianans created between 1837 and 1847. In 1860, he made an unsuccessful attempt to publish about 200 of his portraits in a book entitled Notabilités de la Louisiane. Lion also taught art with Dominique Canova (1800–1868) at the Louisiana College. Near the end of his life, he lithographed sheet music covers with Confederate themes.

1840 March 18.  The Daily Picayune.  (New Orleans, Louisiana.)  March 18, 1840, Vol. IV, No. 46, P. 2.

Daguerreotype.  The public is respectfully informed that the second exhibition of this highly interesting machine will take place on Thursday, the 19th inst., at the museum, opposite St. Charles Hotel, at 12 o’clock. M.

Tickets, $1.

N. B.  The ticket at the same time entitles the holder to draw for one of those splendid views made by the Daguerreotype—one view at every exhibition being invariably disposed of in this way by lottery.  J. Lion.

Advertisement ran on March 18 & 19, 1840.

1840 March 20.  The Daily Picayune.  (New Orleans, Louisiana.)  March 20, 1840, Vol. IV, No. 48, P. 2.

The Daguerreotype.—Clapp’s Church.—We yesterday witnessed the complete process of taking a representation of the Rev. Dr. Clapp’s church, by the new system invented by Daguerre.  Mr./ Lion, who performed the scientific operation, first dried very carefully with a solution of nitric acid a finely polished sheet of silver, plated on copper.  He than exposed the prepared surface to the action of vapor of iodine, after which the plate was fixed securely in the camera obscura, which was directed from the window of the Museum so as to return a reflection of the sacred edifice on the corner.  In about twenty minutes the plate was taken from the camera obscura again, and placed in a box at the bottom of which was a quantity of mercury; this was heated by a spirit lamp until the necessary temperature was obtained, and then the metallic sheet was drawn forth stamped with a most exquisite likeness in miniature of the church.

The operation is one of exceeding interest, and as we under stand Mr. Lion intends to take the St. Charles Exchange and other pictures, from the Museum, we would sincerely recommend all lovers of science to attend.  Mr. Lion is a young French gentleman, after saying which we need not add that he is pleasing, courteous and polite.

1840 March 22.  The Daily Picayune.  (New Orleans, Louisiana.)  March 22, 1840, Vol. IV, No. 50, P. 2.

Mr. Lion placed a bottle of the Lafayette mixture and a bottle of the Stilman preparation side by side, with a view of taking a Daguerreotype drawing of both; but lo! The Lafyette affair could not shine in the presence of 96.  The consequence was, that while he took off an excellent engraving of the latter, he could not transfer the former to his plate, “no how he could fix it.”—Let us not here another word from the Lafayette Gazette on the subject after this.  Be stil-man, or be Stilman’s man, or be silent.  Take either horn—a gin toddy or a bottle of the highly concentrated.

1840 March 28.  The Daily Picayune.  (New Orleans, Louisiana.)  March 28, 1840, Vol. IV, No. 55, P. 3.

The Daguerreotype.  Mr. Lion respectfully announces to the public that he will, on Sunday, the 29th inst., in the Orleans ball room, repeat the interesting operation of taking a Daguerreotype likeness of the old Cathedral.  The picture will be taken precisely at noonday.

1840 March 29.  The Daily Picayune.  (New Orleans, Louisiana.)  March 29, 1840, Vol. IV, No. 56, P. 2.

Daguerreotype.—At noon to-day, from the Orleans ball room, Mr. Lion will take a Daguerreotype picture of the old Cathedral.  The operation is one of great novelty and interest.

1840 April 4.  Gazette De Baton Rouge.  (Baton-Rouge, Louisiana.)  April 4, 1840, Vol. XXII, No. 8, P. 1.

Unreadable.

1840 March 29.  The Daily Picayune.  (New Orleans, Louisiana.)  March 29, 1840, Vol. IV, No. 56, P. 2.

1840 July 28.  The Daily Picayune.  (New Orleans, Louisiana.)  July 28, 1840, Vol. IV, No. 158, P. 3.

Daguerreotype.  The undersigned has the honor to inform the scribers to this rare apparatus that on Sunday, the 2d of August, public experiment will be made by Mr. Lion, at the subscriber’s residence, and that the drawing remitting therefrom shall be framed and delivered with the Daguerreotype and its accessories to the fortunate winner.

A few numbers remain unsold.  Theodore, Hair Dresser, Chartres st., Opposite the Orleans Hotel.

Advertisement ran from July 28 to August 2, 1840.

1842 June 15.  The Times-Picayune.  (New Orleans, Louisiana.)  June 15, 1842, Vol. VI, No. 122, P. 2.

Views of New Orleans.—J. Lion, the skilful artist in lithograph so well known in this city, has commenced a series of views of the public buildings, grounds, and picturesque places about the city and state.  He performed a like work by the daguerreotype not long since.  The first view, now complete, is of the old cathedral, and it is a most minute and finished performance.  There is not an object discernible from the point of sight of the artist but is transferred with life-like fidelity to the picture.  It is elegantly printed upon a handsome sheet by Manouvrier & Chavin.


[1] Craig’s Daguerreian Registry.

Leigh, John

1849                Mansion House, Augusta, Georgia.

1849                Address Unknown, New Orleans, Louisiana.

1849                Address Unknown, Abbeville, South Carolina.

1850                Spann’s Hotel, Edgefield, South Carolina.[1]

1850-1852       Metcalf’s New Building, Opposite Masonic Hall, Augusta, Georgia.

1851                Rooms at the Spann Hotel, Edgefield, South Carolina.

1853                Address Unknown, Edgefield, South Carolina.

1854-1855       Address Unknown, Edgefield, South Carolina.

1856                Public Square, Edgefield, South Carolina.

1856                Address Unknown, Augusta, Georgia.

1857                In front of the Odd Fellows & Masonic Building, Edgefield, South Carolina.

1857                Address Unknown, Edgefield, South Carolina.

1858                Address Unknown, Edgefield, South Carolina.

1858                Address Unknown, Abbeville, South Carolina.

1849 February 6.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  February 6, 1849, Vol. XIII, No. 32, P. 3.

Last Call.  Those Who Wish their lineaments portrayed in life-like colors, that will never fade,

We bid you come, and we will give the hue

Which future ages shall admiring view—

And all for two dollars.  Call soon at Leigh & Co.’s. Daguerrean Rooms, Mansion House, and secure the shadow, ere the substance fades.  Our stay will be limited to only a few days longer.  Come and come quick.  Leigh & Co.

Advertisement ran from February 6 to 17, 1849.

1849 July 21.  The Abbeville Banner.  (Abbeville, South Carolina.)  July 21, 1849, Vol. VI, No. 18, P. 3.

Leigh’s Beautiful; Daguerreotype.  Mr. Leigh (Late of New Orleans) respectfully announces to the ladies and gentlemen of Abbeville and vicinity that he is now ready for the reception of company and those wishing a fine likeness and a highly finished picture of themselves or friends would do well to embrace this opportunity, as another so favorable may not soon offer.

Mr. L.’s stay will be limited as other engagements will soon call him hence.

Ladies will find it would add much to their Pictures to dress in black or colored dresses.  July 6, 1849.

1850 December 21.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  December 21, 1850, Vol. XIV, No. 302, P. 2.

Premium Daguerreotypes.—Messrs Leigh & Tucker, grateful for patronage received the past season, beg leave to inform the Ladies and Gentlemen of Augusta and vicinity, that as soon as their new Daguerreotype rooms can be completed in the new building now being erected by Mr. Metcalf, opposite the Masonic Hall, they will be prepared (assisted by one of the first artists of New York) to wait upon all who may wish their Premium Sky-light Daguerreotypes.  Their Rooms are being arranged expressly for their business, and will afford superior facilities; and they flatter themselves that all will be pleased with the style, beauty, and finish of their pictures.

Advertisement ran from December 21, 1850 to January 17, 1851.

1851 February 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  February 6, 1851, Vol. XVI, No. 3, P. 2.

Daguerreotypes.  Those who wish an excellent thing of this sort, would do well to call at Mr. Leigh’s rooms in the Spann Hotel.  We direct attention to his advertisement.  He is a South Carolinian by birth, and, beyond doubt, calculated to come up to his promises.

1851 February 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  February 6, 1851, Vol. XVI, No. 3, P. 3.

Premium Daguerreotypes!  Mr. Leigh of the firm of Leigh & Tucker, Augusta, Ga., whose Pictures was awarded the first Premium at the State Fair of Georgia, would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity, that he has taken rooms at the Spann Hotel, and would be pleased to wait on all that may favor him with their patronage.

Advertisement ran from February 6 to May 15, 1851.

1851 April 18.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  April 18, 1851, Vol. XV, No. 9, P. 3.

Premium Daguerrean Gallery.  Messrs. Leigh, Tucker & Perkins would respectfully announce to the citizens of Augusta, and vicinity, that their new and splendid Picture Gallery is now open for the reception of visitors.  By the aid of our greatly improved Sky-Light, we can produce a style of Daguerreotypes, unequalled by any that have ever before been offered in this city.  We would call attention, particularly to the specimens of our style of fine, large head.  Those are numerous other specimens of the Art, the Ladies and Gentlemen are cordially invited to call and examine, at our Rooms in Metcalf’s new Iron Front Building, opposite the Masonic Hall.

Daguerreotype Stock and Instruments for sale at reduced prices.

Advertisement was recorded between April 18 to June 29, 1851.

1851 May 29.  Edgefield Advertiser.  (Edgefield, South Carolina.)  May 29, 1851, Vol. XVI, No. 19, P. 2.

Daguerreotype Car.  Mr. Leigh the Daguerreotypist, who has been for some time occupying rooms in the Spann Hotel at this place, has had a Daguerrean Car constructed at the carriage-manufactory of our enterprising townsman, Mr. Abner Bushnell.  It is indeed an admirably arranged and elegantly finished thing, reflecting credit upon those who devised as well as those who built it.  We doubt if a neater or more convenient specimen of the kind, has yet been made.   Its advantages for the business are manifest.  Having lights at the sides, and a sky light which can be regulated easily according to the judgment of the artist, the precise degree of light can be readily attained.  In travelling, pictures can be produced without the delay and trouble usually required to make the necessary arrangements.  Here is always an elegant little saloon, with velvet-cushioned seats, and silk curtains, ready fixed and exactly adapted to the purpose of operating speedily and successfully.  The establishment, although very large and commodious, can be easily drawn by four horses, over any ordinary road.  Its entire cost (with harness) is near $1000, and the whole affair is one of those daily increasing proofs, that “some things can be done well as others,” even in the back country of ours.

The front of the car is ornamented with a landscape view, and from the top arises a beautiful vari-colored stain banner, a fit ensign of the taste exhibited below.

We wish for Mr. Leigh, whose sojourn here has won for him the respect of our community, many a pleasant and profitable jaunt in his travelling gallery.  The present is Car, No. 2, of the firm of Leigh & Tucker.  In their No. 1, the pictures were taken, that bore off the premium at the Georgia exhibition.  In their No. 2, others may be taken, that will win the prize at the next annual fair of the South Carolina Institute.  We will see.

1852 January 1.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  January 1, 1851, Vol. XVI, No. 1, P. 1.

Leigh, Tucker & Perkins’ Improved Sky Light Daguerrean Gallery.—The Pictures now being taken at this establishment, by the aid of an entirely new Apparatus and Sky Light, arranged expressly for the purpose, are pronounced by all superior to any that have ever been offered in this city.

We have just received a new stock, consisting of every variety of plain and fancy cases, into which Pictures will be inserted in the neatest and most caring manner.

Particular care will be bestowed on the arrangementbof Family Groups, and to the attitudes of single Pictures.

A general assortment of Plates, Cases, Polishing Materials, &c., constantly on hand for sale.  o11.

Advertisement was recorded between January 1 to June 29, 1852.

1853 March 9.  Edgefield Advertiser.  (Edgefield, South Carolina.)  March 9, 1853, Vol. XVIII, No. 8, P. 2.

Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity that he is fitting up a New Car, and will be ready in a few days to offer to them a New and Superior Style of Pictures!  having an advantage of a recent improvement in the finish and polish of the Plate, he feels confident that he will be able to offer to them a very Superior Picture.

He has also made arrangements for an instrument, by which he will be enabled to take Pictures of Children in the short time of one second.  J. Leigh.         

Advertisement ran from March 9 to April 6, 1853.

1853 July 6.  Edgefield Advertiser.  (Edgefield, South Carolina.)  July 6, 1853, Vol. XVIII, No. 25, P. 1.

Leigh’s Beautiful Daguerreotypes, Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity, that he is now ready to serve all that may be desirous of obtaining one or more of his Unrivalled Daguerreotypes.

Mr. L. is prepared to take any of the different styles of Pictures the Art is capable of.

Ladies will find that black or dark dressing will add much to the beauty of the Picture.  May 1.

Advertisement ran from July 6, 1853 to February 1, 1854.

1854 November 16.  Edgefield Advertiser.  (Edgefield, South Carolina.)  November 16, 1854, Vol. XIX, No. 44, P. 3.

The Daguerrean Car, Mr. Leigh would respectfully announce to the Ladies and Gentlemen of Edgefield and vicinity that he will be ready by Monday the 20th inst., to furnish all that may favor him with a call, with a Correct Daguerreotype Likeness, in any of the different styles they may desire.                                                     

November 16, 1854 to January 24, 1855.

1856 October 9.  Daily Chronicle & Sentinel.  (Augusta, Georgia.)  October 9, 1856, Vol. XX, No. 241, P. 2.

Pictures!  Pictures!!—Run to the Chalmers Daguerrean Gallery, and get a first rate Ambrotype for one dollar.

Photographs taken in superior style.  Call and examine specimens.

All kinds of Ambrotype Goods for sale—Sensitive Collodeon [sic.]—a number one article manufactured by ourselves, always on hand fresh.  Leigh & Chalmers.

1856 November 12.  Edgefield Advertiser.  (Edgefield, South Carolina.)  November 12, 1856, Vol. XXI, No. 44, P. 2.

Leigh & Co.’s. Ambrotype Car.  This beautiful and most complete Car is now on our Public Square, under the management of Mr. A. T. Lyon, a skillful artist, and one well prepared to take Ambrotypes of every description in a style second to none.  We bespeak for Mr. Lyon an extensive patronage, first because he is a native of our Town, and secondly, because his specimens of Ambrotypes are highly creditable to any one.  See advertisement in another column.

1857 April 15.  Edgefield Advertiser.  (Edgefield, South Carolina.)  April 15, 1857, Vol. XXII, No. 14, P. 2.

Serious Loses By Fire.  On Sunday morning last, about day-break, Mr. John M. Whitt’s Machine and Cabinet Shop, in this place, was discovered to be in flames past all possibility of being saved.  The fire rapidly spread to his Steam-mill adjoining, and to the Coach Manufactory and Black-Smith shops of Mr. John Leigh; also on the other side, to a cottage building occupied by Mr. Stanmore B. Griffin.  All of these were entirely consumed, together with a large portion of their contents.  The loss in machinery and tools of all kinds was very severe Messrs. Leigh, Witt, Griffin, Riddell, Covar, Paul and Hurlbut being the sufferers.  Some of them lost their entire implements of trade.  The whole loss is estimated at about twenty-five thousand dollars, and no insurance.  Messrs. Leigh and Witt are the principle losers their damages being reckoned by them at a sum not short of twenty thousand dollars.  The fire company was out and all possible exertions made lessen the disaster, which came near at one time being much more extensive.  It is not known how the fire originated, but supposed to be the work of an incendiary.

1857 April 29.  Edgefield Advertiser.  (Edgefield, South Carolina.)  April 29, 1857, Vol. XXII, No. 16, P. 2.

Leigh’s Ambrotypes.  The Ambrotypes, now being taken by Mr. Leigh in his Car, are pronounced the very best that have yet been exhibited here.  Mr. Leigh, our readers know, suffered a heavy loss by the late fire.  We suggest that there is a way here to help him in his difficulties and get full value received for the kind act.  Sit for one of his very beautiful ambrotype likenesses.  It will be a favor to the worthy operator and a gratification to yourself.  The car stands in front of the Odd Fellows & Masonic Building.

1857 May 27.  Edgefield Advertiser.  (Edgefield, South Carolina.)  May 27, 1857, Vol. XXII, No. 20, P. 2.

Absent.  Mr. John Leigh requests us to state that he is necessarily compelled to be absent from the Village and his Ambrotype Car until Monday next.  All in want of fac simile Ambrotypes will therefore not call until next week when they can be accommodated “pretty briefly,” and in a satisfactory manner.

1857 July 8.  Edgefield Advertiser.  (Edgefield, South Carolina.)  July 8, 1857, Vol. XXII, No. 26, P. 3.

The Car Is Off!  The Subscriber respectfully informs his friends and all indebted to him for Ambrotypes, that he will positively leave Edgefield in a few days, and they are particularly requested to call and settle without delay.  John Leigh.                

1858 March 17.  Edgefield Advertiser.  (Edgefield, South Carolina.)  March 17, 1858, Vol. XXIII, No. 10, P. 2.

Mr. Leigh’s Daguerrean Car left yesterday and will be located for a short time at Mr. Carson Warren’s.  Thence it will proceed towards the Ridge.

1858 December 10.  The Independent Press.  (Abbeville, South Carolina.)  December 10, 1858, Vol. 6, No. 32, Whole No. 292, P. 2.

Ambrotypes.  We are requested by Mr. Leigh, the well known Ambrotypist, to say that he will be in our village in the course of 10 or 15 days, and will than give our citizens the opportunity of obtaining Ambrotype Likenesses finished on the highest Style of his art.

Mr. Leigh is an Artist of peculiar aptitude for his profession, and from his long experience has established a high character as a proficient in his art.


[1] Partners with the Sun South Carolina Photographers 1840-1940. P. 74.

Langlume, P.

1846                119 Charles Street, New Orleans, Louisiana.[1]

1847                Address Unknown, New Orleans, Louisiana.

1847                Address Unknown, Baton Rouge, Louisiana.

1847 January 9.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  January 9, 1847, Vol. XVII, No. 48, P. 2.

The State Fair.— The annual fair of the Louisiana Agricultural and Mechanics Association, commenced on Monday last….Daguerreotypes of rarest finish and beauty were exhibited by Messieurs P. Langlume, and J. Maguire, of New Orleans.  These were so well executed, that, to save our lives, we could not tell which excelled, and therefore have come to the conclusion, that they cannot be surpassed….   

1847 January 16.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  January 16, 1847, Vol. VI, No. 25, P. 2.

Extract from the report of the Committee on “Mechanical Inventions and Improvements,” of the “Agricultural and Mechanics Association of Louisiana,” at their last meeting…

Daguerreotypes of distinguished characters, (Heny Clay and Gen. La Vega, among others) were presented by Mr. J. Maguire, of New Orleans.  Others were offered by W. Hutchins, of N. O., and P. Langlume, of Baton Rouge, which had considerable merit, but Mr. Maguire’s were decidedly the most faithful and the most beautifully finished.  If the opinion of the Committee on Fine Arts was the same as ours, Maguire got the first premium.


[1] Photography In New Orleans The Early Years, 1840-1865. P, 162.

Kelly, James E.

1853                93 Camp Street, New Orleans, Louisiana.

1853 August 7.  The Daily Delta.  (New Orleans, Louisiana.)  August 7, 1853, Vol. VIII, No. 289, P. 5.

Death Of Mr. James E. Kelly.—We do not remember ever to have been more shocked than when in passing the Daguerrian gallery of Mr. Jacobs’, on Camp street, we saw upon the door the announcement of the death of Mr. Kelly, who had been for many, months Mr. Jacobs’ principal assistant, and into whose charge the latter gentleman left his business during his Northern visit.  On Thursday morning few could have believed that one so full of life and health, so gay in spirits, would, on Friday night have been numbered with the dead.  But so it is.  In little more than twenty-four hours, the fabric which appeared so strong lies disorganized and corrupted.  These are indeed fearful times, and well calculated to appal [sic.] the stoutest heart.  Mr. Kelly was a generous, kind-hearted young man, and never appeared better pleased than when rendering some service of kindness to his friends.  Peace to his manes.    

Johnson, Charles E.

c.1844-1845    251 Broadway, New York, New York.

1845                Chapman’s Block, Franklin Square, Norwich, Connecticut.

1845-1846       Corner Camp and Canal Streets, New Orleans, Louisiana.

1846                Rooms North Wing of the Clinton House, Ithaca, New York.

1846                Address Unknown, Saratoga, New York.

1847-1848       Rooms on Court Street, Over H. Lewis’ Store, Binghamton, New York.

1849-1851       Corner of Bank and Superior Street, Cleveland, Ohio.

1851                Address Unknown, Cleveland, Ohio.

1851-1854       Over Merchants’ Bank, opposite Weddell House, Cleveland, Ohio.

1852                corner of Superior and Seneca Streets, Sartwell’s Block, Cleveland, Ohio.

1853                Corner Clay and Montgomery Streets, San Francisco, California.

1854                163 Clay Street, San Francisco, California.

1845 September 17.  The Norwich Courier.  (Norwich, Connecticut.)  September 17, 1845, Vol. XXIV, No. 28, Whole No. 3236, P. 2.

Daguerreotype Likenesses.—If any of our friends in Norwich or its vicinity would like an absolutely perfect Daguerreotype likeness of themselves or friends, now is their time.  Mr. Johnson, the artist, has spent a number of years in Plumbe’s famous Daguerreotype Academy in New York, and is enabled to avail himself of all the latest discoveries and improvements in this wonderful mode of copying the “human face divine.”  A compared, or we should rather say contrasted, with any other Daguerreotype miniatures we have ever seen taken in Norwich, those taken by Mr. Johnson are to the others what an exquisite painting is to a mere daub.  But, “seeing is believing;” at least we do not hesitate to say that no one who sees a production, such as we saw last evening, of Mr. Johnson’s pencil of light, can hesitate to believe all, and more than all, we have said in his favor.  He visits Norwich, in compliance with an urgent invitation of gentlemen of this city, and his stay, we understand, is limited to a very few days.  Those who would avail themselves of a opportunity such as rarely occurs, had therefore, better be in a hurry.  Mr. Johnson’s rooms are at Chapman’s Block, Franklin Square.

1845 October 8.  The Norwich Courier.  (Norwich, Connecticut.)  October 8, 1845, Vol. XXIV, No. 31, Whole No. 3239, P. 1.

Daguerreotyping.—We invite attention, some day since, to the beautiful and highly finished specimens of miniature likenesses at the rooms of Mr. Johnson, in Chapman’s Block, Franklin Square.  During Mr. J.’s stay in Norwich, his rooms were constantly crowded with visitor’s, and his success in the practice of his art was the theme of general and admiring comment.  Mr. Johnson took his departure last week, and we supposed the skill and art which characterized his specimens had gone with him.  But we have just been shown a miniature likeness of a gentleman of this city, taken this morning by Mr. Allen, the young gentleman who constantly aided Mr. Johnson while here, that, so far as we can  judge, falls little, if at all below the best specimens produced by Mr. Johnson.  There are many, we know, who would have been glad to have availed themselves of Mt. J.’s visit to the city to obtain likenesses of themselves or friends, but who “could not come at him for the press.”  We advise such to call upon Mr. Allen.  They will find him occupying the same rooms as did Mr. J., and after looking at his “specimens” they will, we much incline to believe, leave facsimiles of their own “handsome looks” behind them.

1845 November 2.  The Daily Picayune.  (New Orleans, Louisiana.)  November 2, 1845, Vol. IX, No. 239, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Miniatures of every size taken, single or in group, with the natural colors, in a very superior manner.  The public are invited to call and examine our specimens.  No charge will be made for a Portrait unless satisfactory in every respect and equal to the specimens exhibited.  The Rooms are spacious and well arranged and with the enlarged window on Canal street, capable of admitting the proper degree of light on the sitters, the Portraits are clear and perfect, exhibiting

Every feature with great distinctness.

An examination of our specimens and mode of operating will be a better test of our skill and success in the art than anything we can say in an advertisement. 

Apparatus warranted the genuine Voigtlander, with the most recent improvements; also, Plates, Cases, Chemicals, &c. furnished to Daguerreotype Artists, and instructions given in the art.  Johnson & Jacobs.

Advertisement ran from November 2 to December 9, 1845.

1845 December 10.  The Daily Picayune.  (New Orleans, Louisiana.)  December 10, 1845, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Jacobs.

Advertisement ran from December 10, 1845 to January 22, 1846.

1846 January 10.  The New York Herald.  (New York, New York.)  January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.

Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlander’s Apparatus. 

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.

Mr. James L. Lyon, Richmond, Va.

Mr. S. Broadbent, Columbia, S. C.

Mr. James P. Perry, Charleston, S. C.

Mr. S. Noessel, New Orleans.

Messrs. Johnson & Jacobs, New Orleans.

W. & F. Langenheim, Exchange, Philadelphia.                                            

Advertisement ran from January 10 to February 19, 1846.

1846 January 12.  The Weekly Delta.  (New Orleans, Louisiana.)  January 12, 1846, Vol. 1, No. 13, P. 3.

Fair of the Agricultural And Mechanics’ Association of Louisiana.—The annual fair of this association was held in Baton Rouge on Monday and Tuesday last.  The specimens of agricultural improvements and mechanical skill exhibited were limited, still they showed the rapid progress of the one in our State, and the fast approaching towards perfection of the others…

There was an interesting display of Fine Arts.  Mr. James McGuire and Messrs. Johnson & Jacobs, of this city, exhibited a great variety of Daguerreotypes, which, for correctness and beauty of finish, could not be excelled.  Mr. McGuire received the first premium, and Johnson & Jacobs the second…

1846 January 23.  The Daily Picayune.  (New Orleans, Louisiana.)  January 23, 1846, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Co.

1846 April 8.  Ithaca Journal & General Advertiser.  (Ithaca, New York.)  April 8, 1846, Vol. XXX, No. 40, Whole No. 1,495, P. 3.

Johnson’s Photographic Gallery Mr. Johnson, late of Plumbe’s Daguerrean Gallery, New York has the honor to announce to the Ladies and Gentlemen of Ithaca that his rooms are now open for the reception of visitors, in the north wing of the Clinton House—entrance one door south of A. Sherrill’s office.  Mr. J.’s pictures are universally admired, for their brilliancy, beauty of finish and life-like appearance, and he warrants them imperishable.

As his stay will be short, he respectfully desires his friends to call soon—if for nothing but to examine his pictures, of which he has a large collection.

Persons possessing inferior pictures can have them exchanged at a very moderate charge.

Pictures taken equally well in clear or cloudy weather.

Instructions in the art, with apparatus furnished on reasonable terms.

Rooms open from 8 A. M., to 5 P. M.  Ithaca, March 17, 1846.

Advertisement ran from April 8 to 29, 1846.

1846 July 18.  New York Daily Tribune.  (New York, New York.)  July 18, 1846, Vol. VI, No. 86, Whole No. 1,641, P. 3.

Saratoga—Art, Life, &c.  Correspondent of The Tribune.  Saratoga Springs, July 16, 1846….

While writing about works of art, I would mention Mr. Johnson, The daguerreotype artist, and Mons. Edouart, the Silhouetteist, who are well known to old visitants here, having been here for several seasons.  They are both great artists in their way, and attract many visitors to their rooms, and even those loiterers who just stroll into their rooms to pass an idle moment by viewing their pictures, are many of them induced to get their own likenesses taken….

1847 August 4.  Broome Republican.  (Binghamton, New York.)  August 4, 1847, Vol. XXVI, No. 1, Whole No. 1,251, P. 3.

Daguerreotype Miniatures.  Mr. Johnson, would respectfully announced to his friends, that he has taken the rooms over H. Lewis’s store, where he will be happy to wait upon all those who may wish correct Miniatures of Themselves, taken in the best style of the Art.  Rooms open from 8 A. M. to 5 P. M.  Binghamton, May 26, 1847.

Advertisement ran from August 4, 1847 to August 9, 1848.

1848 August 23.  Broome Republican.  (Binghamton, New York.)  August 23, 1848, Vol. XXVII, No. 4, Whole No. 1296, P. 2.

Important News—Removal of The “Lightning Line” From Johnson’s Rooms.  Revolution in Daguerreotype, and awful fall in the Price of Pictures.  Mr. Johnson has the pleasure of informing his friends that he has shaken hands and parted with the “lightning line,” and having entirely cleansed his rooms of the gasses arising from the batteries attached to the Telegraph, is now enabled to produce better specimens of the Daguerreotype Art than he has ever done before; and what is still more curious, has discovered the art of selling pictures at a marvelously cheap rate, compared with former prices.

From and after this date, until further notice, for cash on the delivery of the picture, his prices will be as follows:

Medium Plate Picture, in morocco Case        $1.50

Quarter     do       do                do                    $2.50

Half           do       do               do                    $4.00

Pictures set in lockets, bracelets or pins         $1.50

Which, considering the quality of the work, is lower than ever before offered by any other operator.

Mr. J. has a most excellent metallic mirror, for taking out-door views, by which the picture is not inverted.

Persons wishing to be “taken off” will do well to call soon, as this “unprecedented” state of things may be of very short duration.

Rooms open from 8 A. M. to 5 P. M. in all sorts of weather over the store of H. Lewis, Court-street.

N. B.—For sale, with or without instructions a first rate Medium Camera, with apparatus complete, on the most reasonable terms.

Advertisement ran from August 23 to October 4, 1848.

1849 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1849, Vol. XXXII, No. 10, Whole No. 1,912, P. 1.

Photographs. 

“Secure the shadow ere the substance fade,

Let Nature copy that which Nature made.”

We saw this morning a pair of miniature likenesses of our friend Briggs of the Democrat, and were struck with their rare accuracy and beauty.  We speak, of course, of beauty of execution—not meaning to flatter Col. B. on account of his good looks.  Indeed we cannot forget forget the philosophical remark of M. Daguerre, the inventor of the photographic process:  “You have handsome face, you shall have dem handsome picture; You had bad faces, you shall have dem bad pictures!”  These pictures were, one from the rooms of Mr. Johnson, the other from those of Mr. Clark, two very successful Daguerrean artists of our city.  We have seen several groups as well as single pictures, the work of Mr. Johnson, and we question whether for distinctness, accuracy of likeness or elegance, they could be surpassed in the galleries of Plumbe.  And the pictures of Mr. Clarkare the admiration of every one.

1849 August 10.  Geneva Daily Gazette.  (Geneva, New York.)  August 10, 1849, New Series-Whole No. 239, Vol. V, No. 32, P. 2.

The Cleveland Plain Dealer thus “does up” a notice of the new Bank building erected in that city:

To show that we are progressive people look at the elegantly constructed and arranged new State Bank building, on the corner of Bank and Superior street.  The architect was C. W. Heard and he deserves a bronzed statute on its colonnade.  It is a beauty, externally, and internally, and so was the inquisition in Spain that Bonaparte broke up.  Entire: in the basement is a barber.  Her the victim is first shaved!  The next floor is the Bank Department.  Here the substance is taken.  The next degree as you approach the skies, contains the Dentists.  They extract your grinders and leave you to sup sorrow with a spoon of grief, i. e., live on spoon victuals.  Then comes the Daguerreotype man, Johnson, who takes what then is left of you, even your shadow, and Brown the Writing Master, traces what you were in shape of a great goose.

Now, to complete the picture, it is no fancy one, the oldest auctioneer, Cutter, has got posted next door to sell your remnants, if you have any to the highest bidder.  Beware that corner!

1850 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1850, Vol. XXXIII, No. 17, Whole No. 1,959, P. 3.

Johnson’s Daguerreotype Rooms.  Mr. Johnson has the pleasure to inform his friends and the public that he has just returned from New York with a full assortment of materials of the best quality, calculated to suit the taste as well as the pockets of all who may please to favor him with a call.  He has also, at considerable expense, obtained a new, quick-working apparatus—of great importance where children or nervous persons re to have their miniatures taken.  Call and see, at his rooms in the Bank Building, at the corner of Bank and Superior streets.

1850 October 23.  The Cleveland Herald.  (Cleveland, Ohio.)  October 23, 1850, Vol. XXXIII, No. 41, Whole No. 1,985, P. 3.

California Gold Is not more valuable than one of Johnson’s Premium Daguerreotype Miniatures.  His rooms are over the Merchants Bank, opposite the Weddell House.

This well known establishment has just been fitted up in a style of elegance not surpassed in any of the eastern cities.  Mr. J. has arranged his rooms with every convenience for his business.  In addition to his immense Sky-Light he has two large side lights the largest in the State, and the best calculated for the execution of first rate pictures.  This fact he has proved by 11 years experience in the business; being now the oldest Practical Daguerrean Artist in the United States or the World.  Therefore he has no fear that his own pupils can equal their master, although they boast of being unequaled, after only a few weeks practice.

N. B. Prices the same as usual, therefore none need employ inexperienced artists on the score of economy.  Call and see.  Charles E. Johnson.

Advertisement ran from October 23 to November 6, 1850.

1851 April 9.  Plain Dealer.  (Cleveland, Ohio.)  April 9, 1851, Vol. 7, No. 8, P. 2.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artist.  Keep constantly on hand a full assortment of every variety of materials for Daguerreotypists’ Use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., Cc. all of which they test before offering for sale, and warrant genuine.  Having had long experience in the business they supply themselves with such stock, only, as Artists require.

Instruction in the art carefully given. 

Rooms on the corner of Bank and Superior-st. opposite the Wendell House, Clevenland, Ohio.  Chas. E. Johnson.  Parker Fellows

Advertisement ran from April 9 to  July 17, 1851.

1851 April 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 22, 1851, Vol. 7, No. 19, P. 3.

Daguerreotypes.—Messrs. Johnson & Fellows, Daguerreotypist, have recently procured the services of Mr. J. F. Ryder, late of New York—a very skilful operator.  We yesterday examined several specimens of his work, and we have rarely if ever seen their equals.  They are sufficiently distinct without being harsh in their outline, and excel particularly in life-like expressions.  Call at their rooms and look at their portrait gallery.

1851 July 21.  Portage Sentinel.  (Ravenna, Ohio.)  July 21, 1851, Vol. 7, No. 8, Whole No. 320, P. 3.

Read And Consider!  Matthews having made arrangements with Johnson & Fellows, of Cleveland, to enter their employment for a certain length of time, has disposed of his entire interest in the Daguerrian Business, To B. S. Morrill & Co., and according to an agreement with them will make no more Pictures in this County, and would most cheerfully recommend all those wanting Perfect Specimens of the Art to patronize them; fully knowing their knowledge of the business equal to any other artist in the east or west, your humble servant not excepted.        

Wm. B. Matthews.  Ravenna, July 14, 1851.

Advertisement ran from July 21 to August 4, 1851.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

Fire.  A fire was discovered Sunday at 10½ A. M., in the Rooms of Johnson & Fellows, Daguerreotypist, Merchants’ Bank Block.  It originated from the stove, burned through the floor, and rapidly spread between the floor and ceiling below, nearly the whole length of the building.  It was considerable time after the engines were on the ground that the precise location of the fire could be ascertained, owing to the dense smoke.  Nearly all the furniture and apparatus of Johnson & Fellows were more or less damaged by fire and water.  Precise loss not known.  The offices of C. Stetson, Esq., Dr. Bigelow and Dr. Robinson, were considerably injured by water.  Cutter & Taylor suffered quite a loss from the same cause.

We understand that Johnson & Fellows [are] insured for $1,200.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

We also return our sincere thanks to the Firemen and our friends, whose efficiency and care saved much of our property in yesterdays conflagration.  Prudence, care and judgement, characterized every movement on their part, and to them we owe every thing.  At present, we can only say that we are very grateful.  But at some future period, we will endeavor to express our thanks by deeds as well as words.

We would also state that we shall be fully prepared on Wednesday morning to take Miniatures as well and as rapidly as ever.  Our Rooms, by that time, will be in through repair, and we should be glade to see all who may feel inclined to give us their patronage.  Johnson & Fellows.

1851 December 23.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 23, 1851, Vol. 7, No. 225, P. 2.

Messrs. Johnson & Fellows are not to be burned or drowned out.  They will resume labors to-morrow.  Such pluck and enterprise deserves patronage.

1852 January 7.  Cleveland Leader.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson, over Merchant’s Bank, having had twelve years experience, is acknowledged by the public to be the most perfect Daguerreotype Artist in this city.  He is permanently located in Cleveland.  de. 13.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson & Fellows, Premium Skylight Daguerreotype Rooms, Over Merchants’ Bank, opposite the Weddell House.  Also, Sartwell’s Block, corner of Superior and Seneca Streets.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artists, keep constantly on hand a full assortment of every variety of materials for Daguerreotypist use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., &c., all of which they tested before offering for sale, and warranted genuine.  Having had long experience in the business, they supply themselves with such stock only as Artists require.

Instructions in the art carefully given.  Charles E. Johnson, Parker Fellows

Rooms, Superior Street, opposite Weddell House, Cleveland, Ohio.  apr8.

Advertisement ran from January 7 to

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 4.

Premium Daguerreotypes.  Johnson & Fellows, at their Rooms corner Bank and Superior sts., opposite the Weddell House, are still taking miniatures in the highest style of the art.  Mr. Johnson is universally acknowledged one of the most eminent artists in the United States.  His pictures have for two successive years taken the first premiums at the American Institute, New York; Franklin do. Philadelphia; Mechanics’ do. Boston.

They are taking, in addition to the old style, the celebrated Illuminated Daguerreotypes, which are considered far superior to any others.  The Daguerrean Journal in speaking of them says “they somewhat resemble the Crayon, yet surpass them in beauty.”  They have the largest and finest operating Room with skylight in the State, and the best whole size Camera ever manufactured in the country.  Their Cameras were judged the best at the World’s Fair.  Every variety of Cases, Frames and Lockets can be found at their Rooms.  Dec. 22, 1851.

1852 January 21.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 21, 1852, Vol. 6, No. 16, P. 2.

$5 Reward—We will give the above reward to any one who will inform us of the person or persons who broke the shutters and large pain of glass in our showcase on the sidewalk, on Saturday or Sunday night last.  Johnson & Fellow.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 2.

Messrs. Johnson and Gurney daguerreotypist, have taken rooms at the Odd-Fellows’ building, for the purpose of “practicing the daguerrean art in all its minutiae.”  The specimens of their work, which may be seen at the entrance to their rooms, are highly finished and beautiful.  See their card in another column.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 3.

Mr. Johnson, The Oldest Daguerreotypist now living, and Mr. Gurney, of the firm Gibbs & Gurney, of Vicksburg and Natchez, Miss., have opened a room in the Odd-Fellows’ Hall, at Franklin, where they will remain a short time, for the purpose of practicing the Daguerrean Art in all its minutiae. 

Mr. Johnson is a pioneer in the business, has practiced the Art ever since its introduction into the United States, and is acknowledged by Root, Brady, Plumb and Hill, of New York, and Jacobs, Maguire and Moissenett, of New Orleans, to be the best artist now living in America, as almost all of the above artist have received their instructions direct from him.

We have a beautiful variety of Cases and Lockets of all descriptions, namely—Parodi Cases, Kossuth Cases, Jenny Lind Cases, Catharine Hayes, Eareka Cases, Bridal Cases, Breast Pins, &c. 

The Citizens of Franklin and its Vicinity are invited to call and examine our specimens .

Perfect satisfaction given, or no charge made.

N. B.—A rare chance is now offered for obtaining instructions in this beautiful Art, direct from Mr. Johnson.  Char les E. Johnson.  M. J. Gurney.                          

Advertisement ran from April 3 to 24, 1852.

1852 April 10.  The Planters’ Banner.  (Franklin, Louisiana.)  April 10, 1852, Vol. XVII, No. 13, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, are making admirable pictures at their rooms, in the Odd Fellows’ building.

1852 April 17.  The Planters’ Banner.  (Franklin, Louisiana.)  April 17, 1852, Vol. XVII, No. 14, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, will only remain at their rooms in the Odd Fellows’ building a few days longer.  Those needing pictures had better make an early call.

1852 May 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 20, 1852, Vol. VIII, No. 43, P. 3.

Daguerreotypes.  Only One Dollar Each!!  Now is the time to get a first class Miniature put up in good style for One Dollar.  We pledge ourselves to execute better work than can be obtained at any other place in this city for that price.  Perfect satisfaction warranted.  Let none hereafter employ inferior Artists from motives of economy.

Remember the old establishment, rooms over the Merchants Bank, opposite Weddell House, corner of Bank and Superior-sts.  Johnson & Fellows.

N. B.—We use both side and sky lights—the most perfect arrangement in this city.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 22, 1852, Vol. XI, No. 38, P. 3.

List of Entries At The State Fair…

Class H.—Domestic Manufactures…

A. C. Partridge, Wheeling, Va., daguerreotypes.

Mrs. Short, Cleveland, daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Next are the choice specimens of Messrs. Johnson & Fellows of Cleveland, consisting of six splendid views of Niagara Falls, the Painesville Railroad Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.  The views of Niagara are greatly admired, and finely illustrated the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance.  The series is very creditable to the skill of the old and well known artists…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next o North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 December 24.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 24, 1852, Vol. 6, No. 304, P. 3.

Johnson & Fellows.—These artist have now a fine suit of rooms at the corner of Bank and Superior streets, and are prepared to take the best of pictures.—They have a large and beautiful stock of cases for Christmas, and we advise those who wish to procure a good likeness either of themselves or others, to go to Johnson & Fellows.  The excellence of their work merits great praise, and the cheapness ought to ensure good success, which we heartily wish the above firm.

1853 June 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 7, 1853, Vol. IX, No. 56, P. 2.

Speaking of Daguerreotypes, we saw to-day in the possession of Johnson & Fellows, a crystal covered picture, the plate of which was not convex, but flat as in the common daguerreotype.  It appears in very particular a perfect portrait, and a good picture.  Mr. Fellows  informs us that this style of putting up daguerreotypes is no new thing, but has often be used in other places.  There seems to be a slight controversy on this subject between certain parties.  The convex plate vs the level plate.  Both make very good pictures, but we shall decide when daguerreotypist disagree!

1853 June 8.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 8, 1853, Vol. IX, No. 57, P. 2.

Daguerreotypes.  If you want a fine likeness, get one put up in Johnson & Fellows’ inimitable style.  If you want a paperweight, get one with your likeness in it.  Their Stereoscopes are the greatest wonder in the city.

1853 June 9.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 9, 1853, Vol. IX, No. 58, P. 2.

Dear Dealer:—I saw in your paper of Tuesday evening, a statement, (Mr. Fellows being your authority) that my Crystal Daguerreotypes setting is “no new thing, but has been used in other places” I deny the truth of the statement, and ask when and where?  If it is no “new thing” why did Mr. Fellows, after hearing that I had set a daguerreotype in this style, go to several stores in town to procure a glass, which he obtained on Monday of this week (several days after I had applied for a patent) and putting his likenesses in the same, spent most of the afternoon in visiting hotels, stores, and stopping his friends in the street, showing his picture thus set!  He acted as though he thought or that others would think, that it was “something new.”  As it regards the flat or convex plate I would state that the first picture that I set in this style was on a flat plate.  The convex plate is a decided improvement, making the picture more distinct and luminous.  I claim in my patent both the level and convex plate.  Since writing the above, I saw the following advertisement in the [Daily] Forest City of Tuesday morning, headed thus:  “‘A Novelty’.—Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.  Johnson & Fellows get them up in a beautiful style.”  To be consistent, he should have said “no new thing” I say, let every man manufacture his own “thunder.”  W. C. North.

1853 June 24.  San Francisco Evening Journal.  (San Francisco, California.)  June 24, 1853, Vol. II, No. 336, P. 2.

Re-Opened.  Star & Johnson’s “Excelsior Daguerrean Gallery.”  (Late Hamilton and Starr’s)  The above Gallery, having been closed for a fortnight past, is now re-opened, greatly enlarged and improved, no pains or expense having been spared to make this, as its name imports, The Excelsior Gallery of San Francisco.  The Show Rooms, Private Dressing Room for Ladies’, Laboratory, etc., are of the largest and most convenient plan.  The light is superior to any in the city, and equal to the most celebrated Galleries in the Atlantic cities.  Our Rooms are especially adapted for taking Family Groups, and so well ventilated that no unpleasantness is experienced even in the warmest weather, as is the case in smaller Galleries.  Mr. Johnson, the artist, from his experience of thirteen years’ successful practice as a Daguerreotypist in the cities of New York and New Orleans, Augusta, Ga., Cleveland, Ohio; and during four seasons at Saratoga and two at the White Sulphur Springs,—feels himself warranted in insuring perfect satisfaction to all our patrons.  No charge is made nor is any picture suffered to leave our possession, until the sitter is entirely satisfied.  Rabe’s Building, 163 Clay st.

1853 June 28.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 28, 1853, Vol. IX, No. 74, P. 2.

[For the Plain Dealer.]  Editors of Plain Dealer:  I have just returned from New York, and find that during my absence, my neighbor, Mr. Fellows, (Not Johnson & Fellows, as Mr. Johnson is in California, and can have no part in this matter,) has been given me some sage advice, wishing me not to “set such a belligerent example.”  He also begs of me to “fight” some one elce, and “not quite annihilate” him.  You and your readers will bear me witness that I have done nothing more than ward off the blows which his “belligerent” disposition led him to aim at me for my “annihilation.”  I told you in all truth and honesty that I had discovered a new setting for Daguerreotypes.  Mr. Fellows denied the truth of my statement, by saying, “that this style of putting up Daguerreotypes is no new thing, but has often be used in other places.”  Now, if Mr. Fellows had attended to his own business, and not denied what I know to be true, (and what he can’t prove to be false.)  I should not have said the first nor the “last word” in this controversy.  I would simply add that I expect to exhibit this new style of Daguerreotype at the World’s Fair in New York, and am prepared also to furnish then to my patrons, and invite all who wish to to call  and see them.  W. C. North.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

A Novelty.  Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.

Johnson & Fellows get them up in a beautiful style.  je7.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

Stereoscopes; Or Solid Daguerreotypes.  These Daguerreotypes are taken in fine style by Johnson & Fellows.  They have the appearance of Statuary—the greatest improvement in the Daguerreotype art.  je8.

1853 September 2.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 2, 1853, Vol. IX, No. 131, P. 2.

Home Again.  Mr. Fellows has just returned from New York with an entire new assortment of every thing new pertaining to the Daguerrean Art.  We  have a fine assortment of Lockets, which we offer upon reasonable terms.  Please call and see.

1853 October 11.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  October 11, 1853, Vol. IX, No. 164, P. 2.

Miniatures.  One of the best places in the west to secure a perfect likeness is at the well known Rooms of Johnson & Fellows, (over Merchant’s Bank.)  They now offer to the public a better assortment of Cases and Lockets than were ever before offered in this city.  Go and see them.

1853 November 10.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  November 10, 1853, Vol. IX, No. 190, P. 2.

Wanted to see a nice cottage, well arranged, every thing convenient.  House and grounds in the best order.  Enquire of Mr. Fellows, at Johnson & Fellows’ Daguerrean Rooms,

1853 December 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 22, 1853, Vol. IX, No. 226, P. 2.

Holiday Presents.  Nothing cab be more appropriate for a Holiday Present than one of Johnson & Fellows’ Daguerreotypes, done up in fine style.  They have a large assortment of fancy cases and elegant lockets.

1853 December 23.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 23, 1853, Vol. IX, No. 227, P. 3.

Where to get Christmas Presents…

Johnson & Fellows, Mrs. Short, and North. Are all prepared to take daguerreotypes.  What prettier gift than semblance of a loved one?

1854 January 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  January 7, 1854, Vol. IX, No. 240, P. 3.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Advertisement was recorded on January 25 & February 1, 1854.

Hutchings, William Henry

1844                8 Camp, New Orleans, Louisiana.

1847-1855       Rooms corner of Canal and Chartres Streets, New Orleans, Louisiana.

Miniature Cases Wanted.  Any person having a lot of good Miniature Cases to dispose of, will find a purchaser by applying at Maguire’s Daguerreotype rooms, No. 8 Camp street.  The undersigned has on hand and for sale, an extensive assortment of Plates, Instruments, Chemicals, &c., suitable for operators.  Wm. H. Hutchings, (Successor to Jas. Maguire.)

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

Card.—Wm. H. Hutchings takes this method of informing the citizens of New Orleans that he has been appointed successor to Mr. James Maguire, and that he represents him in every and all things connected with his business.—From an editorial published in the “Republican” of July 8, a different impression may have been created.

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 10 to 14, 1844.

1844 July 16.  The Daily Picayune.  (New Orleans, Louisiana.)  July 16, 1844, Vol. VIII, No. 148, P. 2.

Maguire’s Daguerreotype.  During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 16 to August 24, 1844.

1844 November 6.  The Daily Picayune.  (New Orleans, Louisiana.)  November 6, 1844, Vol. VIII, No. 245, P. 2.

W. H. Hutchings, thankful for past favors, begs leave to inform the public that he has opened his Daguerreotype Rooms at the corner of Canal and Charles streets, entrance No. 3½ Charles street, where he is prepared to wait upon his friends and the public.  Having at great expense made new discoveries, and received from Europe and the Northern cities, all the recent improvements in instruments and chemicals, he is now prepared to take likenesses of families in groups or separately, in the shortest possible time, (only a few seconds.)  The public generally, and the ladies particularly, are invited to call and examine the specimens in his gallery, among which will be found the prominent men of the day.

Advertisement ran from November 6 to 17, 1844.

1844 November 6.  The Daily Picayune.  (New Orleans, Louisiana.)  November 6, 1844, Vol. VIII, No. 245, P. 2.

Daguerreotype Rooms.  W. H. Hutchings, thankful for past favors, begs leave to inform the public that he has opened his Daguerreotype Rooms at the corner of Canal and Charles streets, entrance No. 3½ Charles street, where he is prepared to wait upon his friends and the public.  Having at great expense made new discoveries, and received from Europe and the Northern cities, all the recent improvements in instruments and chemicals, he is now prepared to take likenesses of families in groups or separately, in the shortest possible time, (only a few seconds.)  The public generally, and the ladies particularly, are invited to call and examine the specimens in his gallery, among which will be found the prominent men of the day.

Advertisement ran from November 19, 1844 to May 10, 1845.

1844 December 28.  The Daily Picayune.  (New Orleans, Louisiana.)  December 28, 1844, Vol. VIII, No. 290, P. 2.

Valuable New Years Presents.  Hutchings & Whittemore have just received a new and beautiful assortment of Gold Breast Pins, Lockets and Miniature Cases, suitable for Daguerreotype pictures, which they are prepared to take in a few seconds and are warranted perfect.

They would add that a correct likeness would be an invaluable present.

Rooms corner of Canal and Chartres sts.

Advertisement was recorded on December 28 & 29, 1844.

1845 May 17.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  May 17, 1845, Vol. XXXIV, No. 47, P. 4.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association.  This association held its annual meeting this day, May 13th 1845….Your committee of fine arts, would respectfully beg leave to make the following report.

The specimens of Daguerreotype awarded the first premium to Hutchings & Whittemore of New Orleans, the second premium is awarded to James McGuire.

1845 June 5.  The St. Landry Whig.  (Opelousas, Parish of St. Landry, Louisiana.)  June 5, 1845, Vol. 1, No. 40, P. 1.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association….Your Committee on Fine Arts, would respectfully beg leave to make the following report:

The specimens of Daguerreotype award the first premium to Hutchings & Whitemore, of New Orleans; the second premium is awarded to James McGuire[1].

1845 July 15.  The Daily Picayune.  (New Orleans, Louisiana.)  July 15, 1845, Vol. IX, No. 145, P. 2.

Posting.—Hutchings, the Daguerreotypist, corner of Canal and Chartres streets, yesterday had hanging up against an awning post the phiz of a chap with a good, round, open countenance, presenting the appearance of a “Jail bird” peeping through the iron grates of his cage.  This was effected by placing over the plate, horizontally and perpendicularly, small strips of black, so as to form squares, through which the features of the incarcerated might be seen with admirable effect.  Beneath the picture were these emphatic words:  “This Man swindled me out of Fifty Dollars!”

We would admonish persons to be cautious how they trifle with Mr. Hutchings, and at the same time admire his way of “showing up” a fellow.

Daguerreotype Likenesses.  Taken by Hutchings & Whittemore, who have been awarded the first premium for the best pictures, large and small.  We guaranty our work superior and satisfactory, or no charge.  Instructions given for taking this superior style of pictures, and Instruments, Plates, Cases, Chemicals, &c., &c., for sale lower than at any other establishment in the city.  Rooms corner Canal and Chartres street.

1845 September 19.  The Daily Picayune.  (New Orleans, Louisiana.)  September 19, 1845, Vol. IX, No. 201, P. 2.

To Rent—(From the 1st of October,) The rooms over the corner of Canal and Chartres street, at present occupied by Hutchings & Whittemore as a Daguerreotype Gallery—having a separate private entrance on Chartres street—well suited for the above purpose, for a light jobbing business, or millinery establishment.  For terms, apply at D’Arcy’s Hat Store, 3 Chartres street.

Advertisement ran from September 19 to 21, 1845.

1847 February 12.  The Daily Picayune.  (New Orleans, Louisiana.)  February 12, 1847, Vol. XI, No. 16, P. 2.

Our friend Hutchings, corner Canal and Chartres sts., has arrived at great perfection in the Daguerreotype Art.  His Portraits are of surpassing beauty. And his likenesses very striking.  For Grouping Children and Families he has no superior, from his peculiar arrangement of position and light.  He Gallery is worthy the attention of the public.  Entrance No. 3 Chartres street.

Advertisement ran on February 12 to 14, 1847.

1847 February 14.  The Daily Picayune.  (New Orleans, Louisiana.)  February 14, 1847, Vol. XI, No. 18, P. 3.

“To hold, as ‘t were, the mirror up to nature.”  The most beautiful specimens of Daguerreotype Portraits are now exhibited at the Rooms of Mr. Hutchings, corner Canal and Chartres streets.  His peculiar method of preparing the plate and arranging the light is sure to produce the most perfect picture in a single second.  His family groups are of the highest order4.  Mr. H. gives instruction for taking his style of pictures in a few days, and furnishes all the necessary instruments and materials at, we think, very moderate rates.  Strangers would do well to call on Mr. H. before leaving the city.

Advertisement ran from February 14 & 16, 1847.

1847 March 7.  The Daily Picayune.  (New Orleans, Louisiana.)  March 7, 1847, Vol. XI, No. 36, P. 2.

Likenesses Takin in One Second.  W. H. Hutchings has the honor of informing the public that he has discovered a chemical combination which will produce perfect portraits in the above time.  The advantage of this process are too numerous for the limits of an advertisement.  Some of them may, however, be gives, viz: the impression being taken instantaneously must give the precise expression—a smile can thus be caught and indeliably [sic.] fixed; groups of families, of children (heretofore this has been impractical if not impossible) can be taken with certainty and to the operator and satisfaction to the parent.  The public are respectfully invited to call and examine Mr. H.’s specimens, at the corner of Canal and Chartres street.  Entrance, No. 3 Charters street.

Advertisement ran from March 7 to April 8, 1847.

1847 April 18.  The Daily Picayune.  (New Orleans, Louisiana.)  April 18, 1847, Vol. XI, No. 72, P. 3.

Electro Magnetic Portraits.—Taken in 1 Second.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) he is enabled to produce perfect Portraits in one second.  The difficulty of taking Family Groups and Groups of Children has been entirely overcome, and all are assured of perfect results who call on W. H. Hutchings, cor. Canal and Chartres streets.  Entrance No. 3 Chartres st.

Advertisement ran from April 18 to September 27, 1847.

1847 April 26.  The Southerner.  (New Orleans, Louisiana.)  April 26, 1847, Vol. 1, No. 6, P. 2.

Electro Magnetic Portraits.—By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind, in a single second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  The subscriber intends applying for letters Patent for this discovery.  Rooms corner of Canal and Chartres streets.  Entrance No. 3 Chartres st.  W. H. Hutchings.

Advertisement was recorded from April 26 to October 2, 1847.

1847 May 29.  Evening Mercury.  (New Orleans, Louisiana.)  May 29, 1847, Vol. 1, No. 173, P. 2.

Perfect Likenesses In One Second.  W. H. Hutchings has the honor of informing the public that he has made the last and most important improvement in the Daguerreotype art, viz., that of producing perfect pictures in the above time, catching the precise expression instantaneously and fixing in indelibly upon the silver plate.  Specimens can be seen at Mr. H.’s room, corner  Canal and Chartres street, from 8 A.M. to 6 P. M.  Entrance No. 3 Chartres.

1847 September 1.  New-Orleans Commercial Times.  (New Orleans, Louisiana.)  September 1, 1847, Vol. II, No. 257, P. 2.

Electro Magnetic Portraits.—By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind, in a single second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  The subscriber intends applying for letters Patent for this discovery.  Rooms corner of Canal and Chartres streets.  Entrance No. 3 Chartres st.  W. H. Hutchings.

Advertisement was recorded from September 1 to December 31, 1847.

1848 March 16.  The Daily Crescent. (New Orleans, Louisiana.)  March 16, 1848, Vol. I, No. 11, P. 2.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.

Rooms corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  W. H. Hutchings.

Advertisement ran from March 16 to April 29, 1848.

1848 April 20.  The Daily Picayune.  (New Orleans, Louisiana.)  April 20, 1848, Vol. XII, No. 75, P. 3.

“To hold as ‘twere the mirror up to Nature.”  Those desirous of procuring Natural Life-like Portraits of themselves, their family, or friends, can by calling on the subscriber procure at a very reasonable price a Portrait of the most superor kind, which cannot be excelled if it can be equalled here or elsewhere, executed in one-tenth of the time required at a sitting by any other operator in the United States not in possession of the subscriber’s process.  W. H. Hutchings, 3 Chartres street corner of Canal.

Advertisement ran from April 20 To June 28, 1848.

1848 May 3.  The Daily Crescent. (New Orleans, Louisiana.)  May 3, 1848, Vol. I, No. 52, P. 2.

Portraits.—It will be seen, by reference to our neighbor Hutchings’s advertisement, that he has a lighting process of taking one’s counterpart which can’t be beat by either Morse or O’Reilly lines.  Those who wish to present agreeable mementoes to their relatives, friends or “lady-loves,” would do well to give him a call.

1848 May 3.  The Daily Crescent. (New Orleans, Louisiana.)  May 3, 1848, Vol. I, No. 52, P. 2.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  Those who wish to retain in their families good Likenesses of relations or friends, can do so at a moderate price.  Rooms, corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  my3.  W. H. Hutchings.

Advertisement ran from May 3, 1848 to May 8, 1849.

 1848 June 16.  The Daily Crescent. (New Orleans, Louisiana.)  June 16, 1848, Vol. I, No. 90, P. 4.

Masonic Lodge…Alpha Lodge, No. 8—…Officers…W. H. Hutchings, S. W. (Senior Warden)…

1848 June 28.  The Daily Picayune.  (New Orleans, Louisiana.)  June 28, 1848, Vol. XII, No. 133, P. 3.

Twenty Dollars Reward.—Ran away during the month of June, my negro man Jackson, aged about 45 years, is about 6 feet 8 or 9 inches high, very robust, weighs about 200 lbs., of copper complexion, and his head entirely bold—was bought of Mr. Hatcher, negro trader, on the 3d of May.  All persons are forbid harboring said slave, especially on steamboats, as it is possible he is making his way to Kentucky.  W. H. Hutchings, corner Canal and Chartres st.

1848 August 18.  The Daily Delta. (New Orleans, Louisiana.)  August 18, 1848, Vol. III, No. 267, P. 1.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  Those who wish to retain in their families good Likenesses of relations or friends, can do so at a moderate price.  Rooms, corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  mye3.  W. H. Hutchings.

Advertisement Was recorded from August 18 to September 14.

1850 November 1.  The Daily Crescent. (New Orleans, Louisiana.)  November 1, 1850, Vol. III, No. 207, P. 2.

Removal—Hutchings’ Daguerreotype removed to the north-east corner of Canal and Chartres street—The finest Portraits in the World are taken at this establishment, at prices to suit the times.  Call and see Entrance No. 34 Canal street.

Advertisement ran from November 1, 1850 to February 3, 1851.

1852 April 20.  The Daily Delta. (New Orleans, Louisiana.)  April 20, 1852, Vol. VII, No. 164, P. 2.

Superior Daguerreotype Portraits, Executed in the best style of the art, At Hutchings’, corner Canal And Chartres streets, for Two dollars only, as low as is charged for disgusting abortions elsewhere.  ap20.

Advertisement ran from April 20 to May 20, 1852.

1852 April 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 20, 1852, Vol. V, No. 41, P. 2.

Sup’r Daguerreotype Portraits, Executed In The Best Style Of The Art, At Hutchings’, Corner Canal And Chartres Sts., For Two Dollars Only, as low as is charged for disgusting abortions elsewhere.  ap20.

Advertisement ran from April 20 to May 22, 1852.

1852 May 26.  The Daily Delta. (New Orleans, Louisiana.)  May 26, 1852, Vol. VII, No. 195, P. 2.

Thirty-three Babies in One Week Had Their Portraits Taken By Hutchings, in one second each—some crying, some laughing, and others kicking—at $2 per head.  Go try it.

Saloon, corner Canal and Chartres streets.

Advertisement ran from May 26 to June 20, 1852.

1852 May 26.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  May 26, 1852, Vol. V, No. 72, P. 2.

Going Away, Are You?  Go first to Hutchings’, let him take your Portrait, you will never regret it.  His Pictures can not be surpassed.  Price Two Dollars, Corner Canal and Chartres streets.

Advertisement ran from May 26 to June 28, 1852.

1852 July 8.  The Daily Delta. (New Orleans, Louisiana.)  July 8, 1852, Vol. VII, No. 232, P. 2.

The Rush of Babies To Hutchings’s to procure their Likenesses still continues.  A magnet engine, of one thousand horse power, wanted to keep them quite at Hutchings’s Daguerreotype, Corner Canal and Chartres streets.

Advertisement was recorded from July 8 to August 6, 1852.

1855 April 16.  The Daily Dispatch.  (Richmond, Virginia.)  April 16, 1855, Vol. VII, No. 90, P. 1.

Spiritual Daguerreotypes.—Mr. W. H. Hutchings, of N. O., has taken a daguerreotype of his infant daughter, which has on it the remarkable phenomena of a ray of light streaming across the picture.  As such a thing never occurred before in the art of daguerreotype taking, Mr. H. who is a Spiritualist, attributes it to the guardian spirit of his child, which was hovering over at the time.

1885 September 16.  The Daily Picayune.  (New Orleans, Louisiana.)  September 16, 1885, Vol. XLIX, No. 235, P. 4.

Died.  Hutchings—On Tuesday morning, Sept 15, 1885, at 10:30 o’clock, Capt. W. H. Hutchings, aged 80 years, a Native of New York and a resident of New Orleans for the past 50 years.

The friends and acquaintances of his family are respectfully invited to attend the funeral, which will take place from his late residence, No. 10 Palmyra street, at 8 o’clock P. M., This Wednesday, Sept. 16, 1885.

Philadelphia papers please copy.

Alpha Home Lodge No. 72, F. And A. M.—The officers and members of said lodge are notified to assemble at their lodgeroom, south wing Masonic Hall, at 8 P. M. sharp, Wednesday, 16th inst., for the purpose of paying the last tribute of respect to worshipful Brother William Henry Hutchings.

The officers and members of Orleans R. A. C. No. 1, Louisiana Council R. and S. M. No. 2, and all Master Masons and companions in good standing, and fraternally invited to attend.  Edward Bell, W. M.

Orleans Royal Arch. Chapter No. 1.—The officers and members of said chapter are notified to assemble at Grand Lodge Hall at 8 P. M. sharp, Wednesday, 16th inst., to assist in paying the last tribute of respect to our late companion, William Henry Hutchings.

Companions in good standing are fraternally invited.  J. William Davis, Excellent High Priest.    

1885 September 20.  The Daily Picayune.  (New Orleans, Louisiana.)  September 20, 1885, Vol. XLIX, No. 239, P. 4.

Hutchings—On Tuesday morning, Sept 15, 1885, at 10:30 o’clock, Capt.  W. H. Hutchings, aged 80 years, a native of New York[2] and a resident of New Orleans for the past 50 years.


[1] McGuire also spelled Maguire.

[2] Reported in Photography The Early Years 1840-1865. P. 160.  1850 Census, born 1807 in Louisiana.  Dies Sept.15, 1885.

Hedrick, F. S.

1856                26 Camp Street, New Orleans, Louisiana.

1856                Rooms at the Opelousas Varieties, Opelousas, Louisiana.

1856                11 Camp Street, New Orleans, Louisiana.

1857                94 Canal Street, New Orleans, Louisiana.

1856 March 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  March 28, 1856, Vol. 21, P. 2.

Daguerreotypes that will stand the most minute inspection and severe criticism, are at Hedrick’s extensive and popular establishment, No. 26 Camp Street, at remarkably low prices.  See advertisement.

1856 March 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  March 28, 1856, Vol. IX, 21, P. 3.

Daguerrean Rooms, No. 26 Camp Street.  Splendid Colored Daguerreotypes taken for One Dollar, with the largest Northern Sky-Light in the City.  Superior instruments enables the subscriber to produce perfect Likenesses—thus combining all the beauty of the Painting with the perfection of the Daguerreotype, and at such prices as to bring them within the reach of all.  F. S. Hedrick, No. 26 Camp, corner Common street.

1856 April 7.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 7, 1856, Vol. IX, No. 29, P. 4.

 Hendrick’s beautiful colored Daguerreotypes are being bought for with an avidity which stamp them the most beautiful pictures in the city.  We advise all who think of procuring likenesses of any kind, to call and look at them, at 26 Camp street.  They are unsurpassed in elegance, clearness and durability.

1856 September 6.  The Opelousas Courier.  (Opelousas, Louisiana.)  September 6, 1856, Vol. 4, No. 40, P. 2.

Ambrotypes.  New Style of Likenesses!  Daguerreotypes Superseded!!  Ambrotypes are far superior to the ordinary Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position, as the Daguerreotype does; they can be seen in any light; they are taken in a much shorter time, therefore the expression is more lifelike.

They can be made double, so as to show two pictures instead of one.  They are sealed between two Glasses, and will never fade!  There is a softness and a brilliancy in this new style of picture which has never been obtained in the old Daguerreotype process.

Persons wishing to see this new style of Picture are invited to call at the rooms of the undersigned at the Opelousas Varieties, where they will remain until the first of October.  Clark & Hedrick.       

Advertisement ran from September 6 to October 4, 1856.           

1856 September 6.  The Opelousas Patriot.  (Opelousas, Louisiana.)  September 6, 1856, Vol. II, No. 80, P. 2.

Ambrotypes.  New Style of Likenesses!  Daguerreotypes Superseded!!  Ambrotypes are far superior to the ordinary Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position, as the Daguerreotype does; they can be seen in any light; they are taken in a much shorter time, therefore the expression is more lifelike.

They can be made double, so as to show two pictures instead of one.  They are sealed between two Glasses, and Will Never Fade!  There is a softness and a brilliancy in this new style of picture which has never been obtained in the old Daguerreotype process.

Persons wishing to see this new style of Picture are invited to call at the rooms of Clark & Hedrick, Opelousas Varieties, where they will remain until the first of October.

1856 October 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 20, 1856, Vol. IX, No. 195, P. 2.

Ambrotypes.  A New Style Of Likenesses—Daguerreotypes Superseded.  This new style of Pictures far surpass all others for beauty, durability and truthfulness.  Ambrotypes are far superior to the Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position; they may be seen in any view; they are taken in a much shorter time, therefore the expression is more life-like; they can be made double, so as to show two pictures instead of one, and will last for ages unchanged.

All persons are invited to call at Hedrick’s new Rooms, No. 11 Camp Street, and see specimens in this new and beautiful art.

Advertisement ran from October 20 to November 5, 1856.

1857 January 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  January 20, 1857, Vol. IX, No. 274, P. 2.

Photographs, finely finished, can be had at Clark & Hedrick’s Gallery, 94 Canal street, at half the usual prices.

Photographs and Ambrotypes copied and enlarged from old Daguerreotypes.

Gustafson, M.

1856                120 Canal Street, New Orleans, Louisiana.

1856 April 23.  Semi-Weekly Creole.  (New Orleans, Louisiana.)  April 23, 1856, Vol. III, No. 38, P. 4.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

1856 July 1.  New Orleans Daily Creole.  (New Orleans, Louisiana.)  July 1, 1856, Vol. I, No. 14, P. 3.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

Advertisement was recorded from July 1 to August 22, 1856.

Friedal, Charles

1853                11 St. Charles Street, New Orleans, Louisiana.

1853-1854       Rooms at the Bank, Jackson Street, Thibodaux, Louisiana.

1853                Address Unknown, Houma, Louisiana.

1855                Room at the Opelousas varieties, Opelousas, Louisiana.

1856                Room over the Episcopal Church, South side West Corner of The Public Square, Clinton, Louisiana.

1853 June 25.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  June 25, 1853, Vol. VIII, No. 29, P. 4.

Daguerreotype Likenesses!  Taken by C. Freidal, (late of No. 11, St. Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that having had long experience in the Art, and having procured all the late improvements, he feels assured of giving all who may favor him with a call satisfaction.  His Pictures are taken with life-like colors, and perfect fac similes of the originals.  Children and groups taken in superior style.  Rooms At The Bank.

Family groups of from 3 to 10, companies, Societies, Classes of Schools, numbering from 10 to 20 or over, are taken in superior style.  Pictures copied, miniatures or lockets magnified on larger daguerreotype plates, or larger daguerreotypes copied in small sizes for lockets or rings.  All of which will be done satisfactorily, or no pay.             

Advertisement ran from June 25 to July 9, 1853.

1853 July 2.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 2, 1853, Vol. VIII, No. 30, P. 2.

Daguerreotyping.  Dear White—I take great pleasure in recommending to the public, through your valuable journal, Mr. Freidal, the Daguerrian, now located for an indefinite period at the old Bank on Jackson street.

Mr. F.’s. pictures are superior to any hitherto taken in this place.  He has had ten years experience in the business, and his apparatus are extraordinary for excellence of finish and powers of concentration.  Mr. F. comes highly endorsed by persons in New Orleans.  A young lady whose opinion I highly appreciate, while I no less appreciate the young lady herself, says, “Mr. Freidal’s pictures are more beautiful than the originals.” (*) Who will gainsay her opinion?  Now, Mr. White, do go and have your beautiful face made still more beautiful, that you may seem to be where you “are not.”  Edwin.

*We should think that impossible in the case of “Edwin”!—ED. Min.

1853 July 9.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 9, 1853, Vol. VIII, No. 31, P. 2.

A Flattering Picture.—A defeated candidate for the presidency of the “Ugly Club,” who was perfectly furious because his claims were so slighted, has been to Mr. Freidal’s Daguerrian Rooms at the old Bank on Jackson st., and had his shadow struck on to a metallic plate.  Now he not only admits that he ought not to have had the office, but declares his intention of withdrawing altogether from the Order, he has so “grown in favor with himself,” by frequently contemplating the flattering picture; and he no more considers himself entitled to rank as a member of that ancient and highly honorable but much persecuted fraternity.  Go It, George!

1853 July 16.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 16, 1853, Vol. VIII, No. 32, P. 2.

Houma.—Mr. Freidal, daguerrian artist, has left our city for a short season, and located himself in our thriving sister city, Houma, in order to accommodate the Terrebonnians in the way of giving them an opportunity of testing his merits as a photographer, by sitting for their likenesses.  Mr. F. has taken some exquisitely perfect and life-like pictures during his stay here, and we know of no impediment or obstacle in the surrounding atmosphere of Houma, which will prevent his accomplishing like results in Terrebonne.  Mr. F. will again return here in a short time, and remain until the first of August.

1853 July 30.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 30, 1853, Vol. VIII, No. 34, P. 2.

We call attention to the terms of Mr. Freidal, daguerrian artist, which will be found in his card in our advertising department.

1853 July 30.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 30, 1853, Vol. VIII, No. 34, P. 2.

Daguerreotype Likenesses!  Taken By C. Freidal, (Late of No 11 St Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that having had long experience in the Art, and having procured all the late improvements, he feels assured of giving all who may favor him with a call satisfaction.  His Pictures are taken with life-like colors, and perfect fac similes of the originals.  Children and groups taken in superior style.  Rooms At The Bank.

Family groups of from 3 to 10, companies, Societies, Classes of Schools, numbering from 10 to 20 or over, are taken in superior style.  Pictures copied, miniatures or lockets magnified on larger daguerreotype plates, or larger daguerreotypes copied in small sizes for lockets or rings.  All of which will be done satisfactorily, or no pay. 

In order to conform to the rules of the country, and in consequence of the difficulty of obtaining money at this season of the year, Mr. F. informs the public that he will, when it is desired, extend the usual credit, till the 1st March, to responsible persons who patronize him to the amount of five dollars or upwards.

Advertisement ran from July 30 to October 29, 1853.

1853 November 5.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 5, 1853, Vol. VIII, No. 46, P. 2.

Mr. Freidal, The Daguerrian.—This gentleman has “become one of us.”  He has fixed himself in Thibodaux, as a permanent citizen and is now residing in, and has his Daguerrian Rooms at the Bank, on Jackson street.  Mr. Freidal has just recovered from a most severe and protracted spell of yellow fever, but is now “Richard himself” once more, and ask for nothing else than the unrestricted privilege of giving men metallic faces.  We would respectfully suggest that brass faces don’t die, and when we have one on hand, we may defy yellow or any other kind of fever, for if it takes us, it is sure to leave the brass.  Who will dare to say aught against one leaving plenty of brass in his face?

1853 November 5.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 5, 1853, Vol. VIII, No. 46, P. 2.

Daguerreotype Likenesses!  Taken By C. Freidal.  (Late of No. 11, St. Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that he has opened again his Daguerrean Room at his old stand at the Bank, and that he feels assured of giving full satisfaction to all who may favor him with a call for their pictures, which are taken with lifelike colors and perfect fac simile of the original.  Charles Freidal.

Advertisement ran from November 5, 1853 to March 20, 1854.

1853 November 26.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 26, 1853, Vol. VIII, No. 49, P. 2.

Daguerreotypes.—Mr. Freidal continues to take likenesses at the old Bank.  His pictures are superb and cheap.

1854 January 21.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 21, 1854, Vol. IX, No. 5, P. 2. 

Daguerreotypes.—Our ancient friend Freidal still continues to hold forth at his gallery, in the old Bank, on Jackson street.  We have lately examined some of the specimens of his proficiency in this beautiful art, and cannot but say they are equal to any we have ever seen.  Our town can well afford to support a Gallery of this sort, and we know of no one more deserving of patronage than friend Freidal.

1854 January 28.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 28, 1854, Vol. IX, No. 6, P. 2. 

The Ugly Club.—The President of this time-honored and numerous brotherhood, has had a metallic impression of himself taken, to adorn our picture gallery.  Freidal was the happy man who did the deed, and we can assure the public that his “ugliness” has not been flattered in the slightest particular.

1854 April 8.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  April 8, 1854, Vol. IX, No. 16, P. 2. 

Persons wishing daguerreotypes of themselves would do well to call soon, as our friend Freidal, who has been exercising his beautiful art among us for the last year, contemplates on leaving in two weeks from this date.

1854 April 8.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  April 8, 1854, Vol. IX, No. 16, P. 2. 

Sons of Temperance.—The following are the officers of Magnolia Division, No. 63, Sons of Temperance, for the present term, …Charles Freidal,…

1855 April 14.  The Opelousas Patriot.  (Opelousas, Louisiana.)  April 14, 1855, Vol. I, No. 10, P. 1.

Daguerreotypes.—Mr. Chas. Freidal respectfully informs the citizens of Opelousas and vicinity that he has opened a Daguerrean Room at Opelousas Varieties, where ladies and Gentlemen desiring to have their portraits taken can be accommodated.

Pictures warranted perfect, or no pay demanded.

Advertisement ran from April 14 to May 26, 1855.

1856 January 26.  The Feliciana Democrat.  (Clinton, Louisiana.)  January 26, 1856, [No Volume or issue number recorded on Masthead.]

Daguerrean Likenesses.  Chas. Freidal, respectfully informs the citizens of Clinton, and its vicinity, that he has taken the large room over the Episcopal church, south west corner of the Public square, where he is prepared to take Daguerreian likenesses in a superior style.  Give a call and examine his specimens.

Advertisement ran from September 26 to April 5, 1856.

1856 February 2.  The Feliciana Democrat.  (Clinton, Louisiana.)  February 2, 1856, Vol. 1, No. 41, P. 2.

Lessons in Embroidery.—Madame Freidal will give lessons in embroidery, in all of its various branches.  For terms, &c. apply at the Daguerrean Saloon of Mr. Charles Freidal.

1856 April 19.  The Feliciana Democrat.  (Clinton, Louisiana.)  April 19, 1856, Vol. 1, No. 52, P. 4.

Daguerreian Notice.  Mr. Freidal’s professional engagements elsewhere, will prevent

his remaining more than two weeks longer in Clinton.  Those who may desire perfect pictures executed in the best style of the art, are requested to call during that period.  March 15.

Advertisement ran from April 19 to July 5, 1856.

Duperly, Adolphe

1856                Address Unknown, New Orleans, Louisiana.

N. D.  Wikipedia.

He established Adolphe Duperly and Sons, which became the most successful photography business in Jamaica. The company was continued after his death by his son, Armond, and grandson Théophile.[2] The companies original premises was destroyed by fire in 1907. From 1909 their studio was 85 King Street, Kingston.[3]

1856 November 5.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 5, 1856, Vol. IX, No. 209, P. 2.

We take pleasure in announcing the arrival of Mr. Adolphe Duperly in this city from the West Indies.  Mr. Duperly is an artist of great talent, who obtained the prize medal of the exhibition of Paris in 1856, for his lithographic and photographic portraits, as well as his miniatures and oil paintings.  We understand Mr. D. intends sojourning in New Orleans, if sufficient aid is rendered him.


[1]  RCS Photographers Index. Cambridge University Library. Retrieved 6 January 2016.