Tag Archives: New Orleans Louisiana

Johnson, Charles E.

c.1844-1845    251 Broadway, New York, New York.

1845                Chapman’s Block, Franklin Square, Norwich, Connecticut.

1845-1846       Corner Camp and Canal Streets, New Orleans, Louisiana.

1846                Rooms North Wing of the Clinton House, Ithaca, New York.

1846                Address Unknown, Saratoga, New York.

1847-1848       Rooms on Court Street, Over H. Lewis’ Store, Binghamton, New York.

1849-1851       Corner of Bank and Superior Street, Cleveland, Ohio.

1851                Address Unknown, Cleveland, Ohio.

1851-1854       Over Merchants’ Bank, opposite Weddell House, Cleveland, Ohio.

1852                corner of Superior and Seneca Streets, Sartwell’s Block, Cleveland, Ohio.

1853                Corner Clay and Montgomery Streets, San Francisco, California.

1854                163 Clay Street, San Francisco, California.

1845 September 17.  The Norwich Courier.  (Norwich, Connecticut.)  September 17, 1845, Vol. XXIV, No. 28, Whole No. 3236, P. 2.

Daguerreotype Likenesses.—If any of our friends in Norwich or its vicinity would like an absolutely perfect Daguerreotype likeness of themselves or friends, now is their time.  Mr. Johnson, the artist, has spent a number of years in Plumbe’s famous Daguerreotype Academy in New York, and is enabled to avail himself of all the latest discoveries and improvements in this wonderful mode of copying the “human face divine.”  A compared, or we should rather say contrasted, with any other Daguerreotype miniatures we have ever seen taken in Norwich, those taken by Mr. Johnson are to the others what an exquisite painting is to a mere daub.  But, “seeing is believing;” at least we do not hesitate to say that no one who sees a production, such as we saw last evening, of Mr. Johnson’s pencil of light, can hesitate to believe all, and more than all, we have said in his favor.  He visits Norwich, in compliance with an urgent invitation of gentlemen of this city, and his stay, we understand, is limited to a very few days.  Those who would avail themselves of a opportunity such as rarely occurs, had therefore, better be in a hurry.  Mr. Johnson’s rooms are at Chapman’s Block, Franklin Square.

1845 October 8.  The Norwich Courier.  (Norwich, Connecticut.)  October 8, 1845, Vol. XXIV, No. 31, Whole No. 3239, P. 1.

Daguerreotyping.—We invite attention, some day since, to the beautiful and highly finished specimens of miniature likenesses at the rooms of Mr. Johnson, in Chapman’s Block, Franklin Square.  During Mr. J.’s stay in Norwich, his rooms were constantly crowded with visitor’s, and his success in the practice of his art was the theme of general and admiring comment.  Mr. Johnson took his departure last week, and we supposed the skill and art which characterized his specimens had gone with him.  But we have just been shown a miniature likeness of a gentleman of this city, taken this morning by Mr. Allen, the young gentleman who constantly aided Mr. Johnson while here, that, so far as we can  judge, falls little, if at all below the best specimens produced by Mr. Johnson.  There are many, we know, who would have been glad to have availed themselves of Mt. J.’s visit to the city to obtain likenesses of themselves or friends, but who “could not come at him for the press.”  We advise such to call upon Mr. Allen.  They will find him occupying the same rooms as did Mr. J., and after looking at his “specimens” they will, we much incline to believe, leave facsimiles of their own “handsome looks” behind them.

1845 November 2.  The Daily Picayune.  (New Orleans, Louisiana.)  November 2, 1845, Vol. IX, No. 239, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Miniatures of every size taken, single or in group, with the natural colors, in a very superior manner.  The public are invited to call and examine our specimens.  No charge will be made for a Portrait unless satisfactory in every respect and equal to the specimens exhibited.  The Rooms are spacious and well arranged and with the enlarged window on Canal street, capable of admitting the proper degree of light on the sitters, the Portraits are clear and perfect, exhibiting

Every feature with great distinctness.

An examination of our specimens and mode of operating will be a better test of our skill and success in the art than anything we can say in an advertisement. 

Apparatus warranted the genuine Voigtlander, with the most recent improvements; also, Plates, Cases, Chemicals, &c. furnished to Daguerreotype Artists, and instructions given in the art.  Johnson & Jacobs.

Advertisement ran from November 2 to December 9, 1845.

1845 December 10.  The Daily Picayune.  (New Orleans, Louisiana.)  December 10, 1845, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Jacobs.

Advertisement ran from December 10, 1845 to January 22, 1846.

1846 January 10.  The New York Herald.  (New York, New York.)  January 10, 1846, Vol. XII, No. 9, Whole No. 4222, P. 3.

Daguerreotype Several Furnishing Establishments and Sole Agency for the sale of Voigtlander’s Apparatus. 

The genuine Voigtlaender Apparatus, also the best plates, Chemicals, Polishing Materials and Morocco Cases, &c., &c. may be procured at the subscribers’, wholesale and retail, by addressing (post paid) to W. & F. Langenheim, Exchange, Philadelphia, or Langenheim & Beckers, 201 Broadway, N. Y.

The following gentlemen have agreed to act as Agents for the sale of the genuine Voigtlaender Apparatus:–

Messrs. Litch & Whipple, Boston, Mass.

Mr. James L. Lyon, Richmond, Va.

Mr. S. Broadbent, Columbia, S. C.

Mr. James P. Perry, Charleston, S. C.

Mr. S. Noessel, New Orleans.

Messrs. Johnson & Jacobs, New Orleans.

W. & F. Langenheim, Exchange, Philadelphia.                                            

Advertisement ran from January 10 to February 19, 1846.

1846 January 12.  The Weekly Delta.  (New Orleans, Louisiana.)  January 12, 1846, Vol. 1, No. 13, P. 3.

Fair of the Agricultural And Mechanics’ Association of Louisiana.—The annual fair of this association was held in Baton Rouge on Monday and Tuesday last.  The specimens of agricultural improvements and mechanical skill exhibited were limited, still they showed the rapid progress of the one in our State, and the fast approaching towards perfection of the others…

There was an interesting display of Fine Arts.  Mr. James McGuire and Messrs. Johnson & Jacobs, of this city, exhibited a great variety of Daguerreotypes, which, for correctness and beauty of finish, could not be excelled.  Mr. McGuire received the first premium, and Johnson & Jacobs the second…

1846 January 23.  The Daily Picayune.  (New Orleans, Louisiana.)  January 23, 1846, Vol. IX, No. 271, P. 2.

Southern Daguerreotype Portrait Gallery, Corner of Camp and Canal streets, New Orleans.  Citizens and strangers are invited to examine our New Style of ne plus ultra Colored Miniatures, surpassing any ever executed in this city, in beauty, brilliancy and durability.  They are warranted imperishable, and taken without reversing the object.  We are better prepared to take family groups than any establishment in New Orleans.

We would call the attention of Daguerreotype Artists to our large stock, consisting of Cameras (genuine Voigtlander), Plates, Cases, Frames, Chemicals, and Apparatus of every description, all warranted the best quality.

Instructions for taking our superior style of Pictures given on moderate terms.  Johnson & Co.

1846 April 8.  Ithaca Journal & General Advertiser.  (Ithaca, New York.)  April 8, 1846, Vol. XXX, No. 40, Whole No. 1,495, P. 3.

Johnson’s Photographic Gallery Mr. Johnson, late of Plumbe’s Daguerrean Gallery, New York has the honor to announce to the Ladies and Gentlemen of Ithaca that his rooms are now open for the reception of visitors, in the north wing of the Clinton House—entrance one door south of A. Sherrill’s office.  Mr. J.’s pictures are universally admired, for their brilliancy, beauty of finish and life-like appearance, and he warrants them imperishable.

As his stay will be short, he respectfully desires his friends to call soon—if for nothing but to examine his pictures, of which he has a large collection.

Persons possessing inferior pictures can have them exchanged at a very moderate charge.

Pictures taken equally well in clear or cloudy weather.

Instructions in the art, with apparatus furnished on reasonable terms.

Rooms open from 8 A. M., to 5 P. M.  Ithaca, March 17, 1846.

Advertisement ran from April 8 to 29, 1846.

1846 July 18.  New York Daily Tribune.  (New York, New York.)  July 18, 1846, Vol. VI, No. 86, Whole No. 1,641, P. 3.

Saratoga—Art, Life, &c.  Correspondent of The Tribune.  Saratoga Springs, July 16, 1846….

While writing about works of art, I would mention Mr. Johnson, The daguerreotype artist, and Mons. Edouart, the Silhouetteist, who are well known to old visitants here, having been here for several seasons.  They are both great artists in their way, and attract many visitors to their rooms, and even those loiterers who just stroll into their rooms to pass an idle moment by viewing their pictures, are many of them induced to get their own likenesses taken….

1847 August 4.  Broome Republican.  (Binghamton, New York.)  August 4, 1847, Vol. XXVI, No. 1, Whole No. 1,251, P. 3.

Daguerreotype Miniatures.  Mr. Johnson, would respectfully announced to his friends, that he has taken the rooms over H. Lewis’s store, where he will be happy to wait upon all those who may wish correct Miniatures of Themselves, taken in the best style of the Art.  Rooms open from 8 A. M. to 5 P. M.  Binghamton, May 26, 1847.

Advertisement ran from August 4, 1847 to August 9, 1848.

1848 August 23.  Broome Republican.  (Binghamton, New York.)  August 23, 1848, Vol. XXVII, No. 4, Whole No. 1296, P. 2.

Important News—Removal of The “Lightning Line” From Johnson’s Rooms.  Revolution in Daguerreotype, and awful fall in the Price of Pictures.  Mr. Johnson has the pleasure of informing his friends that he has shaken hands and parted with the “lightning line,” and having entirely cleansed his rooms of the gasses arising from the batteries attached to the Telegraph, is now enabled to produce better specimens of the Daguerreotype Art than he has ever done before; and what is still more curious, has discovered the art of selling pictures at a marvelously cheap rate, compared with former prices.

From and after this date, until further notice, for cash on the delivery of the picture, his prices will be as follows:

Medium Plate Picture, in morocco Case        $1.50

Quarter     do       do                do                    $2.50

Half           do       do               do                    $4.00

Pictures set in lockets, bracelets or pins         $1.50

Which, considering the quality of the work, is lower than ever before offered by any other operator.

Mr. J. has a most excellent metallic mirror, for taking out-door views, by which the picture is not inverted.

Persons wishing to be “taken off” will do well to call soon, as this “unprecedented” state of things may be of very short duration.

Rooms open from 8 A. M. to 5 P. M. in all sorts of weather over the store of H. Lewis, Court-street.

N. B.—For sale, with or without instructions a first rate Medium Camera, with apparatus complete, on the most reasonable terms.

Advertisement ran from August 23 to October 4, 1848.

1849 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1849, Vol. XXXII, No. 10, Whole No. 1,912, P. 1.

Photographs. 

“Secure the shadow ere the substance fade,

Let Nature copy that which Nature made.”

We saw this morning a pair of miniature likenesses of our friend Briggs of the Democrat, and were struck with their rare accuracy and beauty.  We speak, of course, of beauty of execution—not meaning to flatter Col. B. on account of his good looks.  Indeed we cannot forget forget the philosophical remark of M. Daguerre, the inventor of the photographic process:  “You have handsome face, you shall have dem handsome picture; You had bad faces, you shall have dem bad pictures!”  These pictures were, one from the rooms of Mr. Johnson, the other from those of Mr. Clark, two very successful Daguerrean artists of our city.  We have seen several groups as well as single pictures, the work of Mr. Johnson, and we question whether for distinctness, accuracy of likeness or elegance, they could be surpassed in the galleries of Plumbe.  And the pictures of Mr. Clarkare the admiration of every one.

1849 August 10.  Geneva Daily Gazette.  (Geneva, New York.)  August 10, 1849, New Series-Whole No. 239, Vol. V, No. 32, P. 2.

The Cleveland Plain Dealer thus “does up” a notice of the new Bank building erected in that city:

To show that we are progressive people look at the elegantly constructed and arranged new State Bank building, on the corner of Bank and Superior street.  The architect was C. W. Heard and he deserves a bronzed statute on its colonnade.  It is a beauty, externally, and internally, and so was the inquisition in Spain that Bonaparte broke up.  Entire: in the basement is a barber.  Her the victim is first shaved!  The next floor is the Bank Department.  Here the substance is taken.  The next degree as you approach the skies, contains the Dentists.  They extract your grinders and leave you to sup sorrow with a spoon of grief, i. e., live on spoon victuals.  Then comes the Daguerreotype man, Johnson, who takes what then is left of you, even your shadow, and Brown the Writing Master, traces what you were in shape of a great goose.

Now, to complete the picture, it is no fancy one, the oldest auctioneer, Cutter, has got posted next door to sell your remnants, if you have any to the highest bidder.  Beware that corner!

1850 March 7.  The Cleveland Herald.  (Cleveland, Ohio.)  March 7, 1850, Vol. XXXIII, No. 17, Whole No. 1,959, P. 3.

Johnson’s Daguerreotype Rooms.  Mr. Johnson has the pleasure to inform his friends and the public that he has just returned from New York with a full assortment of materials of the best quality, calculated to suit the taste as well as the pockets of all who may please to favor him with a call.  He has also, at considerable expense, obtained a new, quick-working apparatus—of great importance where children or nervous persons re to have their miniatures taken.  Call and see, at his rooms in the Bank Building, at the corner of Bank and Superior streets.

1850 October 23.  The Cleveland Herald.  (Cleveland, Ohio.)  October 23, 1850, Vol. XXXIII, No. 41, Whole No. 1,985, P. 3.

California Gold Is not more valuable than one of Johnson’s Premium Daguerreotype Miniatures.  His rooms are over the Merchants Bank, opposite the Weddell House.

This well known establishment has just been fitted up in a style of elegance not surpassed in any of the eastern cities.  Mr. J. has arranged his rooms with every convenience for his business.  In addition to his immense Sky-Light he has two large side lights the largest in the State, and the best calculated for the execution of first rate pictures.  This fact he has proved by 11 years experience in the business; being now the oldest Practical Daguerrean Artist in the United States or the World.  Therefore he has no fear that his own pupils can equal their master, although they boast of being unequaled, after only a few weeks practice.

N. B. Prices the same as usual, therefore none need employ inexperienced artists on the score of economy.  Call and see.  Charles E. Johnson.

Advertisement ran from October 23 to November 6, 1850.

1851 April 9.  Plain Dealer.  (Cleveland, Ohio.)  April 9, 1851, Vol. 7, No. 8, P. 2.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artist.  Keep constantly on hand a full assortment of every variety of materials for Daguerreotypists’ Use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., Cc. all of which they test before offering for sale, and warrant genuine.  Having had long experience in the business they supply themselves with such stock, only, as Artists require.

Instruction in the art carefully given. 

Rooms on the corner of Bank and Superior-st. opposite the Wendell House, Clevenland, Ohio.  Chas. E. Johnson.  Parker Fellows

Advertisement ran from April 9 to  July 17, 1851.

1851 April 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 22, 1851, Vol. 7, No. 19, P. 3.

Daguerreotypes.—Messrs. Johnson & Fellows, Daguerreotypist, have recently procured the services of Mr. J. F. Ryder, late of New York—a very skilful operator.  We yesterday examined several specimens of his work, and we have rarely if ever seen their equals.  They are sufficiently distinct without being harsh in their outline, and excel particularly in life-like expressions.  Call at their rooms and look at their portrait gallery.

1851 July 21.  Portage Sentinel.  (Ravenna, Ohio.)  July 21, 1851, Vol. 7, No. 8, Whole No. 320, P. 3.

Read And Consider!  Matthews having made arrangements with Johnson & Fellows, of Cleveland, to enter their employment for a certain length of time, has disposed of his entire interest in the Daguerrian Business, To B. S. Morrill & Co., and according to an agreement with them will make no more Pictures in this County, and would most cheerfully recommend all those wanting Perfect Specimens of the Art to patronize them; fully knowing their knowledge of the business equal to any other artist in the east or west, your humble servant not excepted.        

Wm. B. Matthews.  Ravenna, July 14, 1851.

Advertisement ran from July 21 to August 4, 1851.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

Fire.  A fire was discovered Sunday at 10½ A. M., in the Rooms of Johnson & Fellows, Daguerreotypist, Merchants’ Bank Block.  It originated from the stove, burned through the floor, and rapidly spread between the floor and ceiling below, nearly the whole length of the building.  It was considerable time after the engines were on the ground that the precise location of the fire could be ascertained, owing to the dense smoke.  Nearly all the furniture and apparatus of Johnson & Fellows were more or less damaged by fire and water.  Precise loss not known.  The offices of C. Stetson, Esq., Dr. Bigelow and Dr. Robinson, were considerably injured by water.  Cutter & Taylor suffered quite a loss from the same cause.

We understand that Johnson & Fellows [are] insured for $1,200.

1851 December 22.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 22, 1851, Vol. 7, No. 225, P. 2.

We also return our sincere thanks to the Firemen and our friends, whose efficiency and care saved much of our property in yesterdays conflagration.  Prudence, care and judgement, characterized every movement on their part, and to them we owe every thing.  At present, we can only say that we are very grateful.  But at some future period, we will endeavor to express our thanks by deeds as well as words.

We would also state that we shall be fully prepared on Wednesday morning to take Miniatures as well and as rapidly as ever.  Our Rooms, by that time, will be in through repair, and we should be glade to see all who may feel inclined to give us their patronage.  Johnson & Fellows.

1851 December 23.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  December 23, 1851, Vol. 7, No. 225, P. 2.

Messrs. Johnson & Fellows are not to be burned or drowned out.  They will resume labors to-morrow.  Such pluck and enterprise deserves patronage.

1852 January 7.  Cleveland Leader.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson, over Merchant’s Bank, having had twelve years experience, is acknowledged by the public to be the most perfect Daguerreotype Artist in this city.  He is permanently located in Cleveland.  de. 13.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Johnson & Fellows, Premium Skylight Daguerreotype Rooms, Over Merchants’ Bank, opposite the Weddell House.  Also, Sartwell’s Block, corner of Superior and Seneca Streets.

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 3.

Cleveland Daguerreotype Stock Depot.  Johnson & Fellows, Daguerrean Artists, keep constantly on hand a full assortment of every variety of materials for Daguerreotypist use, which they are selling as low as can be bought in New York City.

The attention of Artists is respectfully invited to their elegant and large assortment of Cameras, Plates, Cases, Chemicals, &c., &c., all of which they tested before offering for sale, and warranted genuine.  Having had long experience in the business, they supply themselves with such stock only as Artists require.

Instructions in the art carefully given.  Charles E. Johnson, Parker Fellows

Rooms, Superior Street, opposite Weddell House, Cleveland, Ohio.  apr8.

Advertisement ran from January 7 to

1852 January 7.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 7, 1852, Vol. 6, No. 5, P. 4.

Premium Daguerreotypes.  Johnson & Fellows, at their Rooms corner Bank and Superior sts., opposite the Weddell House, are still taking miniatures in the highest style of the art.  Mr. Johnson is universally acknowledged one of the most eminent artists in the United States.  His pictures have for two successive years taken the first premiums at the American Institute, New York; Franklin do. Philadelphia; Mechanics’ do. Boston.

They are taking, in addition to the old style, the celebrated Illuminated Daguerreotypes, which are considered far superior to any others.  The Daguerrean Journal in speaking of them says “they somewhat resemble the Crayon, yet surpass them in beauty.”  They have the largest and finest operating Room with skylight in the State, and the best whole size Camera ever manufactured in the country.  Their Cameras were judged the best at the World’s Fair.  Every variety of Cases, Frames and Lockets can be found at their Rooms.  Dec. 22, 1851.

1852 January 21.  Morning Daily True Democrat.  (Cleveland, Ohio.)  January 21, 1852, Vol. 6, No. 16, P. 2.

$5 Reward—We will give the above reward to any one who will inform us of the person or persons who broke the shutters and large pain of glass in our showcase on the sidewalk, on Saturday or Sunday night last.  Johnson & Fellow.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 2.

Messrs. Johnson and Gurney daguerreotypist, have taken rooms at the Odd-Fellows’ building, for the purpose of “practicing the daguerrean art in all its minutiae.”  The specimens of their work, which may be seen at the entrance to their rooms, are highly finished and beautiful.  See their card in another column.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 3.

Mr. Johnson, The Oldest Daguerreotypist now living, and Mr. Gurney, of the firm Gibbs & Gurney, of Vicksburg and Natchez, Miss., have opened a room in the Odd-Fellows’ Hall, at Franklin, where they will remain a short time, for the purpose of practicing the Daguerrean Art in all its minutiae. 

Mr. Johnson is a pioneer in the business, has practiced the Art ever since its introduction into the United States, and is acknowledged by Root, Brady, Plumb and Hill, of New York, and Jacobs, Maguire and Moissenett, of New Orleans, to be the best artist now living in America, as almost all of the above artist have received their instructions direct from him.

We have a beautiful variety of Cases and Lockets of all descriptions, namely—Parodi Cases, Kossuth Cases, Jenny Lind Cases, Catharine Hayes, Eareka Cases, Bridal Cases, Breast Pins, &c. 

The Citizens of Franklin and its Vicinity are invited to call and examine our specimens .

Perfect satisfaction given, or no charge made.

N. B.—A rare chance is now offered for obtaining instructions in this beautiful Art, direct from Mr. Johnson.  Char les E. Johnson.  M. J. Gurney.                          

Advertisement ran from April 3 to 24, 1852.

1852 April 10.  The Planters’ Banner.  (Franklin, Louisiana.)  April 10, 1852, Vol. XVII, No. 13, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, are making admirable pictures at their rooms, in the Odd Fellows’ building.

1852 April 17.  The Planters’ Banner.  (Franklin, Louisiana.)  April 17, 1852, Vol. XVII, No. 14, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, will only remain at their rooms in the Odd Fellows’ building a few days longer.  Those needing pictures had better make an early call.

1852 May 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 20, 1852, Vol. VIII, No. 43, P. 3.

Daguerreotypes.  Only One Dollar Each!!  Now is the time to get a first class Miniature put up in good style for One Dollar.  We pledge ourselves to execute better work than can be obtained at any other place in this city for that price.  Perfect satisfaction warranted.  Let none hereafter employ inferior Artists from motives of economy.

Remember the old establishment, rooms over the Merchants Bank, opposite Weddell House, corner of Bank and Superior-sts.  Johnson & Fellows.

N. B.—We use both side and sky lights—the most perfect arrangement in this city.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 1.

The State Fair…Total Entries on Exhibition.

Horticultural………………………………………521

Mechanical and Fine Arts………………………..526

Machinery and Miscellaneous……………………398

Products of Farm & Dairy………………………..175

Agricultural Implements………………………….263

Fowls………………………………………………075

Sheep………………………………………………244

Horses……………………………………………..225

Cattle………………………………………………325

Hogs……………………………………………….034

Total……………………………………………….2823

Class H.

W. C. North, Cleveland, specimens daguerreotypes.

A. Bisbee, Dayton, specimens daguerreotypes.

A. C. Partridge, Wheeling, daguerreotypes.

Mrs. Short, Cleveland, specimens daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

McDonald & Co., Buffalo, daguerreotypes.

Root, S., New York, 14 daguerreotypes.

1852 September 22.  The Cleveland Herald.  (Cleveland, Ohio.)  September 22, 1852, Vol. XXXV, No. 36, Whole No. 1805, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as they probably will be in the multitudes assembled, it will not be for lack of giid intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures.  A portion of Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often shed sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland, consisting of six splendid views of Niagara Falls, the Plainesville Rail Road Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist, who took the first premium at last year’s State Fair, has foiled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realitics, [sic.] and his groups and single miniatures, many of them well known personages, attract much attention.  One feature, the Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a “home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label.  There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of “children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted.

Next to North’s is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York.  Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontierphrase, it is low “Root hog or die!” for premims. [sic.]

The Old Dominion is also in the field with pictures “ardent as a Southern sun can make them.”  Mr. Partridge, of Wheeling has a numerous and fine display of pictures and miniatures, ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, te most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plates, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large picture of Dayton Court House, the best edifice of the kind in Ohio, the Philips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

Our seconds are up, and you have one hasty daguerreotype of the Daguerreotypes.

1852 September 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 22, 1852, Vol. XI, No. 38, P. 3.

List of Entries At The State Fair…

Class H.—Domestic Manufactures…

A. C. Partridge, Wheeling, Va., daguerreotypes.

Mrs. Short, Cleveland, daguerreotypes.

Johnson & Fellows, Cleveland, daguerreotypes.

1852 September 22.  The Daily Ohio Statesman.  (Columbus, Ohio.)  September 22, 1852, Vol. II, No. 1460, New Series No. 1921, P. 2.

Third Annual Ohio State Fair.  We continue from the Cleveland Herald the following notices of the Ohio State Fair: 

Daguerreotypes.  The improvement in the display of specimens in this beautiful Art over previous State Fairs is striking both as to the number of competitors and elegance and perfectness of the pictures.  A portion of the Floral Hall has been fitted up expressly for this Art, and as constantly crowded with admiring visitors…

Next are the choice specimens of Messrs. Johnson & Fellows of Cleveland, consisting of six splendid views of Niagara Falls, the Painesville Railroad Bridge, and two miniatures, one that almost preaches right out, of Rev. Dr. Perry.  The views of Niagara are greatly admired, and finely illustrated the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect as to be recognized by acquaintances—Horse-shoe Falls from Canada landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance.  The series is very creditable to the skill of the old and well known artists…

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 1.

The State Fair…Class II—Domestic Manufacturers…

W. C. North, Cleveland, specimens Daguerreotypes.

A. Bisbee, Dayton, specimen daguerreotypes.

Class II.

Johnson & Fellow, Cleveland—Daguerreotypes.

McDonald & Co., Buffalo—Daguerreotypes.

A. C. Partridge, Wheeling—Daguerreotypes.

S. Root, New York—14 Daguerreotypes.

Mrs. Short, Cleveland—Specimens daguerreotypes.

1852 September 23.  Scott Soup Bowl.  (Cleveland, Ohio.)  September 23, 1852, Vol. 1, No. 12, P. 4.

Notes of the State Fair.  We shall make such specific notice of the articles exhibited at the State Fair as time and circumstances permit, and if any exhibitors are neglected, as probably will be in the multitudes assembled, if will not be for lack of good intention.  We should be glad to deal fairly by all.  We begin with…

Daguerreotypes.

The improvement in the display of specimens in this beautiful of specimens in this beautiful Art over previous State Fairs is striking both as to number of competitors and elegance and perfectness of the pictures A [portion of ] Floral Hall has been fitted up expressly for this Art, and is constantly crowded with admiring visitors.

Entering from the West, Mrs. Short, of Cleveland, has a pretty group of miniatures, two of them old settlers whose well-known countenances often [ ? ] sunshine on the poor and suffering…

Next are the choice specimens of Messrs. Johnson & Fellows, of Cleveland consisting of six splendid views of Niagara Falls, the Painesville Rail Road Bridge, and two miniatures, on that almost preaches right out, Rev. Dr. Perry.—The views of Niagara are greatly admired, and finely illustrate the perfection and instantaneousness of sun-painting.  The views consist of Table Rock—Clifton House from Prospect Point—view of both Falls with –private party on the brink—American Falls from Canada Ferry landing, with small boat crossing with passengers, the countenance of the boatman pulling at the oar so perfect [as] to be recognized by acquaintances—Horse Shoe Falls from Canada Landing—And the Bridge and Rapids from Canada Landing—and the Bridge and Rapids above the American Falls—the dashing waters so instantly transferred to the plate as to present a natural waving and curling appearance!  The series is very creditable to the skill of the old and well-known artists.

Mr. North, another Cleveland artist who took the first premium at last year’s State Fair, has filled a large space close at hand with his truly splendid pictures and life-like miniatures.  His views of the Weddell, Melodeon, new Jail, &c., are realities, and his groups and single miniatures, many of them well known personages, attract-much attention. One feature, The Editorial corps of the city, including a full length of Lippard in Brotherhood regalia, and Mrs. Gage, the story-teller and poetess, from a” home-picture” good looking of course.  The portraits are all perfect—would we could say as much of some of the originals!  Little “Zack,” to our eye the gem of North’s collection, is generally mistaken for the “Infant Drummer,” and quite naturally in the absence of a label. There is an air of ease and rest after a boyish rub-a-dub both in countenance and position, rarely obtained in daguerreotypes even of children of larger growth.”  North has good reason to be proud of his skill as well as of the Art to which he is devoted…

Next o North’s, is a collection of magnificent Daguerreotypes from Root’s Premium Gallery, New York. Three of the portraits are unusually large and fine.  Among the notables miniatured are Madame Alboni, Horace Greeley, Geo. M. Dallas, and P. T. Barnum, the picture no humbug at least.  Our Western Artists will have to look out for their laurels.  In a homely frontier phrase, it is now “Root hog or die!” for premiums.

The Old Dominion is also in the field with pictures “ardent as a Southern Sun can make them.”  Mr. Partridge, of Wheeling, has a numerous a fine display of pictures and miniatures; ranged by the side of New York.  He has beautiful views of Zane’s Island in the Ohio, and the Wheeling Suspension Bridge, the span 1010 feet.  It is a spider’s web in mid-air, the most delicate tracery being limned in beauty by the unerring light.  Rev. Dr. Campbell, Dr. Valentine, and a host of the lesser known are submitted to the admiration of thousands.  A group of a hundred or more little Misses on a single plate, all standing in compact order, is a sweet picture Old Sol must have been delighted in taking.

A. Bisbee, of Dayton, has filled nearly a whole side with his grand collection.  He has a fine, large size picture of Dayton Court House, the best edifice of the kind in Ohio, the Phillips House and other Dayton views.  His view of Cincinnati from Newport, is the great Daguerreotype picture of the exhibition.  It presents a plate richly framed, about 8 feet long by 10 or 12 inches wide, and gives a river view of the city and hills several miles in length!  The panorama is of course faithful to nature, and is a wonderful triumph of the Art.  Mr. B.’s miniatures, single and in groups, are very attractive.

Last, but not least, are a group of three ladies and two other miniatures of large size, by McDonnell & Co., of Buffalo.  It would be difficult to select three more pleasing or meritorious pictures from the entire collection.  Everybody stops to admire them, a sufficient meed of praise, unless it be the first approval of the committee.

1852 December 24.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 24, 1852, Vol. 6, No. 304, P. 3.

Johnson & Fellows.—These artist have now a fine suit of rooms at the corner of Bank and Superior streets, and are prepared to take the best of pictures.—They have a large and beautiful stock of cases for Christmas, and we advise those who wish to procure a good likeness either of themselves or others, to go to Johnson & Fellows.  The excellence of their work merits great praise, and the cheapness ought to ensure good success, which we heartily wish the above firm.

1853 June 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 7, 1853, Vol. IX, No. 56, P. 2.

Speaking of Daguerreotypes, we saw to-day in the possession of Johnson & Fellows, a crystal covered picture, the plate of which was not convex, but flat as in the common daguerreotype.  It appears in very particular a perfect portrait, and a good picture.  Mr. Fellows  informs us that this style of putting up daguerreotypes is no new thing, but has often be used in other places.  There seems to be a slight controversy on this subject between certain parties.  The convex plate vs the level plate.  Both make very good pictures, but we shall decide when daguerreotypist disagree!

1853 June 8.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 8, 1853, Vol. IX, No. 57, P. 2.

Daguerreotypes.  If you want a fine likeness, get one put up in Johnson & Fellows’ inimitable style.  If you want a paperweight, get one with your likeness in it.  Their Stereoscopes are the greatest wonder in the city.

1853 June 9.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 9, 1853, Vol. IX, No. 58, P. 2.

Dear Dealer:—I saw in your paper of Tuesday evening, a statement, (Mr. Fellows being your authority) that my Crystal Daguerreotypes setting is “no new thing, but has been used in other places” I deny the truth of the statement, and ask when and where?  If it is no “new thing” why did Mr. Fellows, after hearing that I had set a daguerreotype in this style, go to several stores in town to procure a glass, which he obtained on Monday of this week (several days after I had applied for a patent) and putting his likenesses in the same, spent most of the afternoon in visiting hotels, stores, and stopping his friends in the street, showing his picture thus set!  He acted as though he thought or that others would think, that it was “something new.”  As it regards the flat or convex plate I would state that the first picture that I set in this style was on a flat plate.  The convex plate is a decided improvement, making the picture more distinct and luminous.  I claim in my patent both the level and convex plate.  Since writing the above, I saw the following advertisement in the [Daily] Forest City of Tuesday morning, headed thus:  “‘A Novelty’.—Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.  Johnson & Fellows get them up in a beautiful style.”  To be consistent, he should have said “no new thing” I say, let every man manufacture his own “thunder.”  W. C. North.

1853 June 24.  San Francisco Evening Journal.  (San Francisco, California.)  June 24, 1853, Vol. II, No. 336, P. 2.

Re-Opened.  Star & Johnson’s “Excelsior Daguerrean Gallery.”  (Late Hamilton and Starr’s)  The above Gallery, having been closed for a fortnight past, is now re-opened, greatly enlarged and improved, no pains or expense having been spared to make this, as its name imports, The Excelsior Gallery of San Francisco.  The Show Rooms, Private Dressing Room for Ladies’, Laboratory, etc., are of the largest and most convenient plan.  The light is superior to any in the city, and equal to the most celebrated Galleries in the Atlantic cities.  Our Rooms are especially adapted for taking Family Groups, and so well ventilated that no unpleasantness is experienced even in the warmest weather, as is the case in smaller Galleries.  Mr. Johnson, the artist, from his experience of thirteen years’ successful practice as a Daguerreotypist in the cities of New York and New Orleans, Augusta, Ga., Cleveland, Ohio; and during four seasons at Saratoga and two at the White Sulphur Springs,—feels himself warranted in insuring perfect satisfaction to all our patrons.  No charge is made nor is any picture suffered to leave our possession, until the sitter is entirely satisfied.  Rabe’s Building, 163 Clay st.

1853 June 28.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  June 28, 1853, Vol. IX, No. 74, P. 2.

[For the Plain Dealer.]  Editors of Plain Dealer:  I have just returned from New York, and find that during my absence, my neighbor, Mr. Fellows, (Not Johnson & Fellows, as Mr. Johnson is in California, and can have no part in this matter,) has been given me some sage advice, wishing me not to “set such a belligerent example.”  He also begs of me to “fight” some one elce, and “not quite annihilate” him.  You and your readers will bear me witness that I have done nothing more than ward off the blows which his “belligerent” disposition led him to aim at me for my “annihilation.”  I told you in all truth and honesty that I had discovered a new setting for Daguerreotypes.  Mr. Fellows denied the truth of my statement, by saying, “that this style of putting up Daguerreotypes is no new thing, but has often be used in other places.”  Now, if Mr. Fellows had attended to his own business, and not denied what I know to be true, (and what he can’t prove to be false.)  I should not have said the first nor the “last word” in this controversy.  I would simply add that I expect to exhibit this new style of Daguerreotype at the World’s Fair in New York, and am prepared also to furnish then to my patrons, and invite all who wish to to call  and see them.  W. C. North.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

A Novelty.  Get a Paper Weight Daguerreotype of yourself or friend.  Just the thing for a writing desk.

Johnson & Fellows get them up in a beautiful style.  je7.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, Np. 95, P. 3.

Stereoscopes; Or Solid Daguerreotypes.  These Daguerreotypes are taken in fine style by Johnson & Fellows.  They have the appearance of Statuary—the greatest improvement in the Daguerreotype art.  je8.

1853 September 2.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  September 2, 1853, Vol. IX, No. 131, P. 2.

Home Again.  Mr. Fellows has just returned from New York with an entire new assortment of every thing new pertaining to the Daguerrean Art.  We  have a fine assortment of Lockets, which we offer upon reasonable terms.  Please call and see.

1853 October 11.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  October 11, 1853, Vol. IX, No. 164, P. 2.

Miniatures.  One of the best places in the west to secure a perfect likeness is at the well known Rooms of Johnson & Fellows, (over Merchant’s Bank.)  They now offer to the public a better assortment of Cases and Lockets than were ever before offered in this city.  Go and see them.

1853 November 10.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  November 10, 1853, Vol. IX, No. 190, P. 2.

Wanted to see a nice cottage, well arranged, every thing convenient.  House and grounds in the best order.  Enquire of Mr. Fellows, at Johnson & Fellows’ Daguerrean Rooms,

1853 December 22.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 22, 1853, Vol. IX, No. 226, P. 2.

Holiday Presents.  Nothing cab be more appropriate for a Holiday Present than one of Johnson & Fellows’ Daguerreotypes, done up in fine style.  They have a large assortment of fancy cases and elegant lockets.

1853 December 23.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  December 23, 1853, Vol. IX, No. 227, P. 3.

Where to get Christmas Presents…

Johnson & Fellows, Mrs. Short, and North. Are all prepared to take daguerreotypes.  What prettier gift than semblance of a loved one?

1854 January 7.  Cleveland Weekly Plain Dealer.  (Cleveland, Ohio.)  January 7, 1854, Vol. IX, No. 240, P. 3.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Daguerreotypes.—Since the opening of our Rooms in this city, nearly six years since, there never has been a season in which we have met with such good success as we have in the year just closed,  For the steady increase in our business, we thank the citizens of Cleveland.  Having secured the assistance of good artists, we shall now be better prepared than ever to accommodate all who favor us with a call.  The quality of our work heretofore will be the guarantee of its continuance.  Johnson & Fellows.

Advertisement was recorded on January 25 & February 1, 1854.

Hutchings, William Henry

1844                8 Camp, New Orleans, Louisiana.

1847-1855       Rooms corner of Canal and Chartres Streets, New Orleans, Louisiana.

Miniature Cases Wanted.  Any person having a lot of good Miniature Cases to dispose of, will find a purchaser by applying at Maguire’s Daguerreotype rooms, No. 8 Camp street.  The undersigned has on hand and for sale, an extensive assortment of Plates, Instruments, Chemicals, &c., suitable for operators.  Wm. H. Hutchings, (Successor to Jas. Maguire.)

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

Card.—Wm. H. Hutchings takes this method of informing the citizens of New Orleans that he has been appointed successor to Mr. James Maguire, and that he represents him in every and all things connected with his business.—From an editorial published in the “Republican” of July 8, a different impression may have been created.

1844 July 10.  The Daily Picayune.  (New Orleans, Louisiana.)  July 10, 1844, Vol. VIII, No. 143, P. 2.

During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 10 to 14, 1844.

1844 July 16.  The Daily Picayune.  (New Orleans, Louisiana.)  July 16, 1844, Vol. VIII, No. 148, P. 2.

Maguire’s Daguerreotype.  During my absence in Europe this Summer and Fall, I desire to inform my friends and the public that my rooms, No. 8 Camp street, will not be closed.  I leave in charge of my business Mr. W. H. Hutchings, one of my ablest and most accomplished pupils, who for several months past aided me in my labors; and of whose skill some of my most beautiful specimens are the production.  I recommend him fully to my friends and the public, having unlimited confidence in his ability and disposition to serve them, by insuring them perfect life-like likenesses of themselves—equal to any in the world.

By every streamer it is my intention to transmit to Mr. H. all the most modern improvements in the Daguerreotype; together with any and all such instruments and materials from Paris, as may be found superior to those he now has.  James Maguire.

Advertisement ran from July 16 to August 24, 1844.

1844 November 6.  The Daily Picayune.  (New Orleans, Louisiana.)  November 6, 1844, Vol. VIII, No. 245, P. 2.

W. H. Hutchings, thankful for past favors, begs leave to inform the public that he has opened his Daguerreotype Rooms at the corner of Canal and Charles streets, entrance No. 3½ Charles street, where he is prepared to wait upon his friends and the public.  Having at great expense made new discoveries, and received from Europe and the Northern cities, all the recent improvements in instruments and chemicals, he is now prepared to take likenesses of families in groups or separately, in the shortest possible time, (only a few seconds.)  The public generally, and the ladies particularly, are invited to call and examine the specimens in his gallery, among which will be found the prominent men of the day.

Advertisement ran from November 6 to 17, 1844.

1844 November 6.  The Daily Picayune.  (New Orleans, Louisiana.)  November 6, 1844, Vol. VIII, No. 245, P. 2.

Daguerreotype Rooms.  W. H. Hutchings, thankful for past favors, begs leave to inform the public that he has opened his Daguerreotype Rooms at the corner of Canal and Charles streets, entrance No. 3½ Charles street, where he is prepared to wait upon his friends and the public.  Having at great expense made new discoveries, and received from Europe and the Northern cities, all the recent improvements in instruments and chemicals, he is now prepared to take likenesses of families in groups or separately, in the shortest possible time, (only a few seconds.)  The public generally, and the ladies particularly, are invited to call and examine the specimens in his gallery, among which will be found the prominent men of the day.

Advertisement ran from November 19, 1844 to May 10, 1845.

1844 December 28.  The Daily Picayune.  (New Orleans, Louisiana.)  December 28, 1844, Vol. VIII, No. 290, P. 2.

Valuable New Years Presents.  Hutchings & Whittemore have just received a new and beautiful assortment of Gold Breast Pins, Lockets and Miniature Cases, suitable for Daguerreotype pictures, which they are prepared to take in a few seconds and are warranted perfect.

They would add that a correct likeness would be an invaluable present.

Rooms corner of Canal and Chartres sts.

Advertisement was recorded on December 28 & 29, 1844.

1845 May 17.  Baton-Rouge Gazette.  (Baton-Rouge, Louisiana.)  May 17, 1845, Vol. XXXIV, No. 47, P. 4.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association.  This association held its annual meeting this day, May 13th 1845….Your committee of fine arts, would respectfully beg leave to make the following report.

The specimens of Daguerreotype awarded the first premium to Hutchings & Whittemore of New Orleans, the second premium is awarded to James McGuire.

1845 June 5.  The St. Landry Whig.  (Opelousas, Parish of St. Landry, Louisiana.)  June 5, 1845, Vol. 1, No. 40, P. 1.

Annual Meeting Of Louisiana Agricultural And Mechanic’s Association….Your Committee on Fine Arts, would respectfully beg leave to make the following report:

The specimens of Daguerreotype award the first premium to Hutchings & Whitemore, of New Orleans; the second premium is awarded to James McGuire[1].

1845 July 15.  The Daily Picayune.  (New Orleans, Louisiana.)  July 15, 1845, Vol. IX, No. 145, P. 2.

Posting.—Hutchings, the Daguerreotypist, corner of Canal and Chartres streets, yesterday had hanging up against an awning post the phiz of a chap with a good, round, open countenance, presenting the appearance of a “Jail bird” peeping through the iron grates of his cage.  This was effected by placing over the plate, horizontally and perpendicularly, small strips of black, so as to form squares, through which the features of the incarcerated might be seen with admirable effect.  Beneath the picture were these emphatic words:  “This Man swindled me out of Fifty Dollars!”

We would admonish persons to be cautious how they trifle with Mr. Hutchings, and at the same time admire his way of “showing up” a fellow.

Daguerreotype Likenesses.  Taken by Hutchings & Whittemore, who have been awarded the first premium for the best pictures, large and small.  We guaranty our work superior and satisfactory, or no charge.  Instructions given for taking this superior style of pictures, and Instruments, Plates, Cases, Chemicals, &c., &c., for sale lower than at any other establishment in the city.  Rooms corner Canal and Chartres street.

1845 September 19.  The Daily Picayune.  (New Orleans, Louisiana.)  September 19, 1845, Vol. IX, No. 201, P. 2.

To Rent—(From the 1st of October,) The rooms over the corner of Canal and Chartres street, at present occupied by Hutchings & Whittemore as a Daguerreotype Gallery—having a separate private entrance on Chartres street—well suited for the above purpose, for a light jobbing business, or millinery establishment.  For terms, apply at D’Arcy’s Hat Store, 3 Chartres street.

Advertisement ran from September 19 to 21, 1845.

1847 February 12.  The Daily Picayune.  (New Orleans, Louisiana.)  February 12, 1847, Vol. XI, No. 16, P. 2.

Our friend Hutchings, corner Canal and Chartres sts., has arrived at great perfection in the Daguerreotype Art.  His Portraits are of surpassing beauty. And his likenesses very striking.  For Grouping Children and Families he has no superior, from his peculiar arrangement of position and light.  He Gallery is worthy the attention of the public.  Entrance No. 3 Chartres street.

Advertisement ran on February 12 to 14, 1847.

1847 February 14.  The Daily Picayune.  (New Orleans, Louisiana.)  February 14, 1847, Vol. XI, No. 18, P. 3.

“To hold, as ‘t were, the mirror up to nature.”  The most beautiful specimens of Daguerreotype Portraits are now exhibited at the Rooms of Mr. Hutchings, corner Canal and Chartres streets.  His peculiar method of preparing the plate and arranging the light is sure to produce the most perfect picture in a single second.  His family groups are of the highest order4.  Mr. H. gives instruction for taking his style of pictures in a few days, and furnishes all the necessary instruments and materials at, we think, very moderate rates.  Strangers would do well to call on Mr. H. before leaving the city.

Advertisement ran from February 14 & 16, 1847.

1847 March 7.  The Daily Picayune.  (New Orleans, Louisiana.)  March 7, 1847, Vol. XI, No. 36, P. 2.

Likenesses Takin in One Second.  W. H. Hutchings has the honor of informing the public that he has discovered a chemical combination which will produce perfect portraits in the above time.  The advantage of this process are too numerous for the limits of an advertisement.  Some of them may, however, be gives, viz: the impression being taken instantaneously must give the precise expression—a smile can thus be caught and indeliably [sic.] fixed; groups of families, of children (heretofore this has been impractical if not impossible) can be taken with certainty and to the operator and satisfaction to the parent.  The public are respectfully invited to call and examine Mr. H.’s specimens, at the corner of Canal and Chartres street.  Entrance, No. 3 Charters street.

Advertisement ran from March 7 to April 8, 1847.

1847 April 18.  The Daily Picayune.  (New Orleans, Louisiana.)  April 18, 1847, Vol. XI, No. 72, P. 3.

Electro Magnetic Portraits.—Taken in 1 Second.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) he is enabled to produce perfect Portraits in one second.  The difficulty of taking Family Groups and Groups of Children has been entirely overcome, and all are assured of perfect results who call on W. H. Hutchings, cor. Canal and Chartres streets.  Entrance No. 3 Chartres st.

Advertisement ran from April 18 to September 27, 1847.

1847 April 26.  The Southerner.  (New Orleans, Louisiana.)  April 26, 1847, Vol. 1, No. 6, P. 2.

Electro Magnetic Portraits.—By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind, in a single second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  The subscriber intends applying for letters Patent for this discovery.  Rooms corner of Canal and Chartres streets.  Entrance No. 3 Chartres st.  W. H. Hutchings.

Advertisement was recorded from April 26 to October 2, 1847.

1847 May 29.  Evening Mercury.  (New Orleans, Louisiana.)  May 29, 1847, Vol. 1, No. 173, P. 2.

Perfect Likenesses In One Second.  W. H. Hutchings has the honor of informing the public that he has made the last and most important improvement in the Daguerreotype art, viz., that of producing perfect pictures in the above time, catching the precise expression instantaneously and fixing in indelibly upon the silver plate.  Specimens can be seen at Mr. H.’s room, corner  Canal and Chartres street, from 8 A.M. to 6 P. M.  Entrance No. 3 Chartres.

1847 September 1.  New-Orleans Commercial Times.  (New Orleans, Louisiana.)  September 1, 1847, Vol. II, No. 257, P. 2.

Electro Magnetic Portraits.—By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind, in a single second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  The subscriber intends applying for letters Patent for this discovery.  Rooms corner of Canal and Chartres streets.  Entrance No. 3 Chartres st.  W. H. Hutchings.

Advertisement was recorded from September 1 to December 31, 1847.

1848 March 16.  The Daily Crescent. (New Orleans, Louisiana.)  March 16, 1848, Vol. I, No. 11, P. 2.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.

Rooms corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  W. H. Hutchings.

Advertisement ran from March 16 to April 29, 1848.

1848 April 20.  The Daily Picayune.  (New Orleans, Louisiana.)  April 20, 1848, Vol. XII, No. 75, P. 3.

“To hold as ‘twere the mirror up to Nature.”  Those desirous of procuring Natural Life-like Portraits of themselves, their family, or friends, can by calling on the subscriber procure at a very reasonable price a Portrait of the most superor kind, which cannot be excelled if it can be equalled here or elsewhere, executed in one-tenth of the time required at a sitting by any other operator in the United States not in possession of the subscriber’s process.  W. H. Hutchings, 3 Chartres street corner of Canal.

Advertisement ran from April 20 To June 28, 1848.

1848 May 3.  The Daily Crescent. (New Orleans, Louisiana.)  May 3, 1848, Vol. I, No. 52, P. 2.

Portraits.—It will be seen, by reference to our neighbor Hutchings’s advertisement, that he has a lighting process of taking one’s counterpart which can’t be beat by either Morse or O’Reilly lines.  Those who wish to present agreeable mementoes to their relatives, friends or “lady-loves,” would do well to give him a call.

1848 May 3.  The Daily Crescent. (New Orleans, Louisiana.)  May 3, 1848, Vol. I, No. 52, P. 2.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  Those who wish to retain in their families good Likenesses of relations or friends, can do so at a moderate price.  Rooms, corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  my3.  W. H. Hutchings.

Advertisement ran from May 3, 1848 to May 8, 1849.

 1848 June 16.  The Daily Crescent. (New Orleans, Louisiana.)  June 16, 1848, Vol. I, No. 90, P. 4.

Masonic Lodge…Alpha Lodge, No. 8—…Officers…W. H. Hutchings, S. W. (Senior Warden)…

1848 June 28.  The Daily Picayune.  (New Orleans, Louisiana.)  June 28, 1848, Vol. XII, No. 133, P. 3.

Twenty Dollars Reward.—Ran away during the month of June, my negro man Jackson, aged about 45 years, is about 6 feet 8 or 9 inches high, very robust, weighs about 200 lbs., of copper complexion, and his head entirely bold—was bought of Mr. Hatcher, negro trader, on the 3d of May.  All persons are forbid harboring said slave, especially on steamboats, as it is possible he is making his way to Kentucky.  W. H. Hutchings, corner Canal and Chartres st.

1848 August 18.  The Daily Delta. (New Orleans, Louisiana.)  August 18, 1848, Vol. III, No. 267, P. 1.

Electro-Magnetic Portraits.  By the application of the above mysterious agent to Daguerreotype, (a discovery of the subscriber’s) the undersigned is enabled to produce Portraits of the most superior kind in a Single Second—catching the precise expression instantly, and fixing it indelibly upon the silver plate.  Those who wish to retain in their families good Likenesses of relations or friends, can do so at a moderate price.  Rooms, corner of Canal and Chartres sts.  Entrance No. 3 Chartres St.  mye3.  W. H. Hutchings.

Advertisement Was recorded from August 18 to September 14.

1850 November 1.  The Daily Crescent. (New Orleans, Louisiana.)  November 1, 1850, Vol. III, No. 207, P. 2.

Removal—Hutchings’ Daguerreotype removed to the north-east corner of Canal and Chartres street—The finest Portraits in the World are taken at this establishment, at prices to suit the times.  Call and see Entrance No. 34 Canal street.

Advertisement ran from November 1, 1850 to February 3, 1851.

1852 April 20.  The Daily Delta. (New Orleans, Louisiana.)  April 20, 1852, Vol. VII, No. 164, P. 2.

Superior Daguerreotype Portraits, Executed in the best style of the art, At Hutchings’, corner Canal And Chartres streets, for Two dollars only, as low as is charged for disgusting abortions elsewhere.  ap20.

Advertisement ran from April 20 to May 20, 1852.

1852 April 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 20, 1852, Vol. V, No. 41, P. 2.

Sup’r Daguerreotype Portraits, Executed In The Best Style Of The Art, At Hutchings’, Corner Canal And Chartres Sts., For Two Dollars Only, as low as is charged for disgusting abortions elsewhere.  ap20.

Advertisement ran from April 20 to May 22, 1852.

1852 May 26.  The Daily Delta. (New Orleans, Louisiana.)  May 26, 1852, Vol. VII, No. 195, P. 2.

Thirty-three Babies in One Week Had Their Portraits Taken By Hutchings, in one second each—some crying, some laughing, and others kicking—at $2 per head.  Go try it.

Saloon, corner Canal and Chartres streets.

Advertisement ran from May 26 to June 20, 1852.

1852 May 26.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  May 26, 1852, Vol. V, No. 72, P. 2.

Going Away, Are You?  Go first to Hutchings’, let him take your Portrait, you will never regret it.  His Pictures can not be surpassed.  Price Two Dollars, Corner Canal and Chartres streets.

Advertisement ran from May 26 to June 28, 1852.

1852 July 8.  The Daily Delta. (New Orleans, Louisiana.)  July 8, 1852, Vol. VII, No. 232, P. 2.

The Rush of Babies To Hutchings’s to procure their Likenesses still continues.  A magnet engine, of one thousand horse power, wanted to keep them quite at Hutchings’s Daguerreotype, Corner Canal and Chartres streets.

Advertisement was recorded from July 8 to August 6, 1852.

1855 April 16.  The Daily Dispatch.  (Richmond, Virginia.)  April 16, 1855, Vol. VII, No. 90, P. 1.

Spiritual Daguerreotypes.—Mr. W. H. Hutchings, of N. O., has taken a daguerreotype of his infant daughter, which has on it the remarkable phenomena of a ray of light streaming across the picture.  As such a thing never occurred before in the art of daguerreotype taking, Mr. H. who is a Spiritualist, attributes it to the guardian spirit of his child, which was hovering over at the time.

1885 September 16.  The Daily Picayune.  (New Orleans, Louisiana.)  September 16, 1885, Vol. XLIX, No. 235, P. 4.

Died.  Hutchings—On Tuesday morning, Sept 15, 1885, at 10:30 o’clock, Capt. W. H. Hutchings, aged 80 years, a Native of New York and a resident of New Orleans for the past 50 years.

The friends and acquaintances of his family are respectfully invited to attend the funeral, which will take place from his late residence, No. 10 Palmyra street, at 8 o’clock P. M., This Wednesday, Sept. 16, 1885.

Philadelphia papers please copy.

Alpha Home Lodge No. 72, F. And A. M.—The officers and members of said lodge are notified to assemble at their lodgeroom, south wing Masonic Hall, at 8 P. M. sharp, Wednesday, 16th inst., for the purpose of paying the last tribute of respect to worshipful Brother William Henry Hutchings.

The officers and members of Orleans R. A. C. No. 1, Louisiana Council R. and S. M. No. 2, and all Master Masons and companions in good standing, and fraternally invited to attend.  Edward Bell, W. M.

Orleans Royal Arch. Chapter No. 1.—The officers and members of said chapter are notified to assemble at Grand Lodge Hall at 8 P. M. sharp, Wednesday, 16th inst., to assist in paying the last tribute of respect to our late companion, William Henry Hutchings.

Companions in good standing are fraternally invited.  J. William Davis, Excellent High Priest.    

1885 September 20.  The Daily Picayune.  (New Orleans, Louisiana.)  September 20, 1885, Vol. XLIX, No. 239, P. 4.

Hutchings—On Tuesday morning, Sept 15, 1885, at 10:30 o’clock, Capt.  W. H. Hutchings, aged 80 years, a native of New York[2] and a resident of New Orleans for the past 50 years.


[1] McGuire also spelled Maguire.

[2] Reported in Photography The Early Years 1840-1865. P. 160.  1850 Census, born 1807 in Louisiana.  Dies Sept.15, 1885.

Hedrick, F. S.

1856                26 Camp Street, New Orleans, Louisiana.

1856                Rooms at the Opelousas Varieties, Opelousas, Louisiana.

1856                11 Camp Street, New Orleans, Louisiana.

1857                94 Canal Street, New Orleans, Louisiana.

1856 March 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  March 28, 1856, Vol. 21, P. 2.

Daguerreotypes that will stand the most minute inspection and severe criticism, are at Hedrick’s extensive and popular establishment, No. 26 Camp Street, at remarkably low prices.  See advertisement.

1856 March 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  March 28, 1856, Vol. IX, 21, P. 3.

Daguerrean Rooms, No. 26 Camp Street.  Splendid Colored Daguerreotypes taken for One Dollar, with the largest Northern Sky-Light in the City.  Superior instruments enables the subscriber to produce perfect Likenesses—thus combining all the beauty of the Painting with the perfection of the Daguerreotype, and at such prices as to bring them within the reach of all.  F. S. Hedrick, No. 26 Camp, corner Common street.

1856 April 7.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 7, 1856, Vol. IX, No. 29, P. 4.

 Hendrick’s beautiful colored Daguerreotypes are being bought for with an avidity which stamp them the most beautiful pictures in the city.  We advise all who think of procuring likenesses of any kind, to call and look at them, at 26 Camp street.  They are unsurpassed in elegance, clearness and durability.

1856 September 6.  The Opelousas Courier.  (Opelousas, Louisiana.)  September 6, 1856, Vol. 4, No. 40, P. 2.

Ambrotypes.  New Style of Likenesses!  Daguerreotypes Superseded!!  Ambrotypes are far superior to the ordinary Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position, as the Daguerreotype does; they can be seen in any light; they are taken in a much shorter time, therefore the expression is more lifelike.

They can be made double, so as to show two pictures instead of one.  They are sealed between two Glasses, and will never fade!  There is a softness and a brilliancy in this new style of picture which has never been obtained in the old Daguerreotype process.

Persons wishing to see this new style of Picture are invited to call at the rooms of the undersigned at the Opelousas Varieties, where they will remain until the first of October.  Clark & Hedrick.       

Advertisement ran from September 6 to October 4, 1856.           

1856 September 6.  The Opelousas Patriot.  (Opelousas, Louisiana.)  September 6, 1856, Vol. II, No. 80, P. 2.

Ambrotypes.  New Style of Likenesses!  Daguerreotypes Superseded!!  Ambrotypes are far superior to the ordinary Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position, as the Daguerreotype does; they can be seen in any light; they are taken in a much shorter time, therefore the expression is more lifelike.

They can be made double, so as to show two pictures instead of one.  They are sealed between two Glasses, and Will Never Fade!  There is a softness and a brilliancy in this new style of picture which has never been obtained in the old Daguerreotype process.

Persons wishing to see this new style of Picture are invited to call at the rooms of Clark & Hedrick, Opelousas Varieties, where they will remain until the first of October.

1856 October 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 20, 1856, Vol. IX, No. 195, P. 2.

Ambrotypes.  A New Style Of Likenesses—Daguerreotypes Superseded.  This new style of Pictures far surpass all others for beauty, durability and truthfulness.  Ambrotypes are far superior to the Daguerreotype for many reasons, viz:  They are finer and more beautiful; they do not reverse the position; they may be seen in any view; they are taken in a much shorter time, therefore the expression is more life-like; they can be made double, so as to show two pictures instead of one, and will last for ages unchanged.

All persons are invited to call at Hedrick’s new Rooms, No. 11 Camp Street, and see specimens in this new and beautiful art.

Advertisement ran from October 20 to November 5, 1856.

1857 January 20.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  January 20, 1857, Vol. IX, No. 274, P. 2.

Photographs, finely finished, can be had at Clark & Hedrick’s Gallery, 94 Canal street, at half the usual prices.

Photographs and Ambrotypes copied and enlarged from old Daguerreotypes.

Gustafson, M.

1856                120 Canal Street, New Orleans, Louisiana.

1856 April 23.  Semi-Weekly Creole.  (New Orleans, Louisiana.)  April 23, 1856, Vol. III, No. 38, P. 4.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

1856 July 1.  New Orleans Daily Creole.  (New Orleans, Louisiana.)  July 1, 1856, Vol. I, No. 14, P. 3.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

Advertisement was recorded from July 1 to August 22, 1856.

Friedal, Charles

1853                11 St. Charles Street, New Orleans, Louisiana.

1853-1854       Rooms at the Bank, Jackson Street, Thibodaux, Louisiana.

1853                Address Unknown, Houma, Louisiana.

1855                Room at the Opelousas varieties, Opelousas, Louisiana.

1856                Room over the Episcopal Church, South side West Corner of The Public Square, Clinton, Louisiana.

1853 June 25.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  June 25, 1853, Vol. VIII, No. 29, P. 4.

Daguerreotype Likenesses!  Taken by C. Freidal, (late of No. 11, St. Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that having had long experience in the Art, and having procured all the late improvements, he feels assured of giving all who may favor him with a call satisfaction.  His Pictures are taken with life-like colors, and perfect fac similes of the originals.  Children and groups taken in superior style.  Rooms At The Bank.

Family groups of from 3 to 10, companies, Societies, Classes of Schools, numbering from 10 to 20 or over, are taken in superior style.  Pictures copied, miniatures or lockets magnified on larger daguerreotype plates, or larger daguerreotypes copied in small sizes for lockets or rings.  All of which will be done satisfactorily, or no pay.             

Advertisement ran from June 25 to July 9, 1853.

1853 July 2.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 2, 1853, Vol. VIII, No. 30, P. 2.

Daguerreotyping.  Dear White—I take great pleasure in recommending to the public, through your valuable journal, Mr. Freidal, the Daguerrian, now located for an indefinite period at the old Bank on Jackson street.

Mr. F.’s. pictures are superior to any hitherto taken in this place.  He has had ten years experience in the business, and his apparatus are extraordinary for excellence of finish and powers of concentration.  Mr. F. comes highly endorsed by persons in New Orleans.  A young lady whose opinion I highly appreciate, while I no less appreciate the young lady herself, says, “Mr. Freidal’s pictures are more beautiful than the originals.” (*) Who will gainsay her opinion?  Now, Mr. White, do go and have your beautiful face made still more beautiful, that you may seem to be where you “are not.”  Edwin.

*We should think that impossible in the case of “Edwin”!—ED. Min.

1853 July 9.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 9, 1853, Vol. VIII, No. 31, P. 2.

A Flattering Picture.—A defeated candidate for the presidency of the “Ugly Club,” who was perfectly furious because his claims were so slighted, has been to Mr. Freidal’s Daguerrian Rooms at the old Bank on Jackson st., and had his shadow struck on to a metallic plate.  Now he not only admits that he ought not to have had the office, but declares his intention of withdrawing altogether from the Order, he has so “grown in favor with himself,” by frequently contemplating the flattering picture; and he no more considers himself entitled to rank as a member of that ancient and highly honorable but much persecuted fraternity.  Go It, George!

1853 July 16.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 16, 1853, Vol. VIII, No. 32, P. 2.

Houma.—Mr. Freidal, daguerrian artist, has left our city for a short season, and located himself in our thriving sister city, Houma, in order to accommodate the Terrebonnians in the way of giving them an opportunity of testing his merits as a photographer, by sitting for their likenesses.  Mr. F. has taken some exquisitely perfect and life-like pictures during his stay here, and we know of no impediment or obstacle in the surrounding atmosphere of Houma, which will prevent his accomplishing like results in Terrebonne.  Mr. F. will again return here in a short time, and remain until the first of August.

1853 July 30.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 30, 1853, Vol. VIII, No. 34, P. 2.

We call attention to the terms of Mr. Freidal, daguerrian artist, which will be found in his card in our advertising department.

1853 July 30.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  July 30, 1853, Vol. VIII, No. 34, P. 2.

Daguerreotype Likenesses!  Taken By C. Freidal, (Late of No 11 St Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that having had long experience in the Art, and having procured all the late improvements, he feels assured of giving all who may favor him with a call satisfaction.  His Pictures are taken with life-like colors, and perfect fac similes of the originals.  Children and groups taken in superior style.  Rooms At The Bank.

Family groups of from 3 to 10, companies, Societies, Classes of Schools, numbering from 10 to 20 or over, are taken in superior style.  Pictures copied, miniatures or lockets magnified on larger daguerreotype plates, or larger daguerreotypes copied in small sizes for lockets or rings.  All of which will be done satisfactorily, or no pay. 

In order to conform to the rules of the country, and in consequence of the difficulty of obtaining money at this season of the year, Mr. F. informs the public that he will, when it is desired, extend the usual credit, till the 1st March, to responsible persons who patronize him to the amount of five dollars or upwards.

Advertisement ran from July 30 to October 29, 1853.

1853 November 5.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 5, 1853, Vol. VIII, No. 46, P. 2.

Mr. Freidal, The Daguerrian.—This gentleman has “become one of us.”  He has fixed himself in Thibodaux, as a permanent citizen and is now residing in, and has his Daguerrian Rooms at the Bank, on Jackson street.  Mr. Freidal has just recovered from a most severe and protracted spell of yellow fever, but is now “Richard himself” once more, and ask for nothing else than the unrestricted privilege of giving men metallic faces.  We would respectfully suggest that brass faces don’t die, and when we have one on hand, we may defy yellow or any other kind of fever, for if it takes us, it is sure to leave the brass.  Who will dare to say aught against one leaving plenty of brass in his face?

1853 November 5.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 5, 1853, Vol. VIII, No. 46, P. 2.

Daguerreotype Likenesses!  Taken By C. Freidal.  (Late of No. 11, St. Charles street, New Orleans.)  The advertiser respectfully announces to the citizens of Thibodaux and the surrounding country, that he has opened again his Daguerrean Room at his old stand at the Bank, and that he feels assured of giving full satisfaction to all who may favor him with a call for their pictures, which are taken with lifelike colors and perfect fac simile of the original.  Charles Freidal.

Advertisement ran from November 5, 1853 to March 20, 1854.

1853 November 26.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  November 26, 1853, Vol. VIII, No. 49, P. 2.

Daguerreotypes.—Mr. Freidal continues to take likenesses at the old Bank.  His pictures are superb and cheap.

1854 January 21.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 21, 1854, Vol. IX, No. 5, P. 2. 

Daguerreotypes.—Our ancient friend Freidal still continues to hold forth at his gallery, in the old Bank, on Jackson street.  We have lately examined some of the specimens of his proficiency in this beautiful art, and cannot but say they are equal to any we have ever seen.  Our town can well afford to support a Gallery of this sort, and we know of no one more deserving of patronage than friend Freidal.

1854 January 28.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 28, 1854, Vol. IX, No. 6, P. 2. 

The Ugly Club.—The President of this time-honored and numerous brotherhood, has had a metallic impression of himself taken, to adorn our picture gallery.  Freidal was the happy man who did the deed, and we can assure the public that his “ugliness” has not been flattered in the slightest particular.

1854 April 8.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  April 8, 1854, Vol. IX, No. 16, P. 2. 

Persons wishing daguerreotypes of themselves would do well to call soon, as our friend Freidal, who has been exercising his beautiful art among us for the last year, contemplates on leaving in two weeks from this date.

1854 April 8.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  April 8, 1854, Vol. IX, No. 16, P. 2. 

Sons of Temperance.—The following are the officers of Magnolia Division, No. 63, Sons of Temperance, for the present term, …Charles Freidal,…

1855 April 14.  The Opelousas Patriot.  (Opelousas, Louisiana.)  April 14, 1855, Vol. I, No. 10, P. 1.

Daguerreotypes.—Mr. Chas. Freidal respectfully informs the citizens of Opelousas and vicinity that he has opened a Daguerrean Room at Opelousas Varieties, where ladies and Gentlemen desiring to have their portraits taken can be accommodated.

Pictures warranted perfect, or no pay demanded.

Advertisement ran from April 14 to May 26, 1855.

1856 January 26.  The Feliciana Democrat.  (Clinton, Louisiana.)  January 26, 1856, [No Volume or issue number recorded on Masthead.]

Daguerrean Likenesses.  Chas. Freidal, respectfully informs the citizens of Clinton, and its vicinity, that he has taken the large room over the Episcopal church, south west corner of the Public square, where he is prepared to take Daguerreian likenesses in a superior style.  Give a call and examine his specimens.

Advertisement ran from September 26 to April 5, 1856.

1856 February 2.  The Feliciana Democrat.  (Clinton, Louisiana.)  February 2, 1856, Vol. 1, No. 41, P. 2.

Lessons in Embroidery.—Madame Freidal will give lessons in embroidery, in all of its various branches.  For terms, &c. apply at the Daguerrean Saloon of Mr. Charles Freidal.

1856 April 19.  The Feliciana Democrat.  (Clinton, Louisiana.)  April 19, 1856, Vol. 1, No. 52, P. 4.

Daguerreian Notice.  Mr. Freidal’s professional engagements elsewhere, will prevent

his remaining more than two weeks longer in Clinton.  Those who may desire perfect pictures executed in the best style of the art, are requested to call during that period.  March 15.

Advertisement ran from April 19 to July 5, 1856.

Duperly, Adolphe

1856                Address Unknown, New Orleans, Louisiana.

N. D.  Wikipedia.

He established Adolphe Duperly and Sons, which became the most successful photography business in Jamaica. The company was continued after his death by his son, Armond, and grandson Théophile.[2] The companies original premises was destroyed by fire in 1907. From 1909 their studio was 85 King Street, Kingston.[3]

1856 November 5.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  November 5, 1856, Vol. IX, No. 209, P. 2.

We take pleasure in announcing the arrival of Mr. Adolphe Duperly in this city from the West Indies.  Mr. Duperly is an artist of great talent, who obtained the prize medal of the exhibition of Paris in 1856, for his lithographic and photographic portraits, as well as his miniatures and oil paintings.  We understand Mr. D. intends sojourning in New Orleans, if sufficient aid is rendered him.


[1]  RCS Photographers Index. Cambridge University Library. Retrieved 6 January 2016.

Dobyns, Thomas Jefferson

1845                Across from Commercial Hotel, [Memphis, Tennessee.][1]

1846                Front Street, Memphis, Tennessee.1

1847-1850       Over 477 Main Street, Louisville, Kentucky.1

1848                24 Fifth Street, Cincinnati, Ohio.

1848                Jefferson Street, Memphis, Tennessee.

1851-1852       Water Street, Over the Insurance Office, Evansville, Indiana.

1851-1854       489 Main Street, Louisville, Kentucky.

1851-1855       1 Fowlkes’ Row, Memphis, Tennessee.

1852                Over Craig’s, Holly Springs, [Mississippi.][2]

1853-1854       59 College Street, Nashville, Tennessee.

1851-1854       6 & 23 (28) Camp Street, New Orleans, Louisiana.

1851-1854       Corner 4th and Chestnut Streets, St. Louis, Missouri

1854                Olive & Fourth, St. Louis, Missouri.

1853-1854       303 Broadway, New York, New York.


1848 May 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 18, 1848, Vol. X, No. 31, P. 2.

Daguerrean Galleries.—Dobyns & Co., Proprietors.

Cincinnati, O., No. 24 5th st., between Main and Walnut.

Louisville, Ky., North side of Market st., between 5th and 6th.

Memphis, Tenn., on Jefferson st.

At any of the above places can be had likenesses of all sizes.  In regard to the tone and finish they have nothing to say.  Their pictures show for themselves.

Pictures of deceased persons taken in any part of the city.

Always on hand and for sale—Stock, Chemicals, Instruments, and every thing appertaining to the art.

Instruction imparted to pupils at either of the above rooms.

Advertisement was recorded from May 18 to December 7, 1848.

1848 May 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 20, 1848, Vol. X, No. 33, P. 2.

Daguerreotyping.  Dobyns & Co. have fitted up a new Daguerrian Gallery on Fifth street, between Main and Walnut, over the store of J. H. Walker.  The room is large and handsomely arranged, and a sky-light window has been made, rendering every thing in perfect order for the reception of visitors.  The Queen City Daguerreotypist have established an enviable reputation for the perfection of their pictures, and from the long experience of Mr. Dobyns, and his great taste in such matters, he will fully sustain, if nor increase that reputation.  The pictures already taken by Messrs. D. & Co., of some of our citizens, must be recognized by all who know the person as most perfect and finished likenesses.

1848 July 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 18, 1848, Vol. X, No. 81, P. 2.

When will wonders cease?  Dobyns & Co., on Fifth street, over J. H. Walker’s store, have an instrument that will take a perfect Daguerrian Likeness of a child in one second.  Now is your time, for those who have the original, to “secure the shadow ere the substance fades.”

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished daguerrean artist in America, who has taken the extensive establishment, No. 6 Camp street, lately occupied by McGuire & Harrington.  The former patrons of that establishment will find that it has lost nothing by the change; and that is saying a great deal.  We have known Col. Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage.  He is one of those rare men we occasionally meet with, and only occasionally, who, from their strong intellectual endowments, and force of character, will place themselves, in despite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to its highest degree of perfection, and we wish him the success to which his high merits entitle him.  

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

Daguerreotyping—Maguire’s old stand, No. 6 Camp street.—The subscriber, having leased this well known and celebrated establishment, and secured the services of Dr. W. H. Harrington, partner of J. Maguire for the last four years, will continue the business at No. 6 Camp street; where he is prepared to furnish Likenesses, of all sizes, equal to any in the United States.  From long experience and strict attention, he trusts fully to sustain the reputation of this long established Gallery.

Gallery, No. 28 Camp street, will at all times be open for the reception of visitors and stock dealers.  T. J. Dobyns.

Dr. Harrington avails himself of this opportunity to return his thanks to his friends and the public for the liberal patronage heretofore received, and respectfully solicits a continuance of the same, at the above Gallery.         

Advertisement ran from January 13 to 25, 1851.

 Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 August 23.  Daily Missouri Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished Daguerrean artists in America who has taken the extensive establishment, No. 6 Camp street lately occupied by Maguire and Harrington.  The former patrons of that establishment will find that it has lost nothing by the changes, and that is saying a great deal.  We have known Col Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage. He is one of those rare men we occasionally meet with, and only occasionally , who, from their strong intellectual endowment and force of character, will please themselves in spite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to the highest degree of perfection, and we wish him the success to which his high merits entitle him.—[New Orleans Cresent.        

1851 August 23.  Daily Morning Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 3.

Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. 2, No. 3, P. 189.

–We have had among us, during the last month, quite a number of western and southern Daguerreans, who have come for the purpose of purchase their winter’s supplies of materials; among them…Dobyns of New Orleans…

1851 October.  The Photographic Art Journal.  (New York, New York.)  October 1851, Vol. 2, No. 4, P. 255.

At a meeting of the Daguerreotypist of the city of St. Louis, held at Fitzgibbon’s Gallery on Tuesday evening, Oct 7th.

J. H. Fitzgibbon was called to the Chair, and S. L. Meachan appointed Secretary.

The object of the meeting being stated by the Chairman, the following gentlemen were appointed a committee to draft resolutions for the action of the meeting:

C. Burritt, M. Wright, T. J. Dobyns,  C. A. Rand, W. A. West, J. McKee, which committee made the following report:

Whereas, It hast pleased the Almighty to call from among us one of our brethrn, (sic.) therefor, be it—

Resolved, That we, the Daguerreotypists of the City of St. Louis, deeply regret the loss of our brother H. H. Long, whose uprightness of character and perseverance in the Daguerreotype art, hath promoted its welfare and elevated its standing.

Resolved, That the Daguerrean Art has lost by the death of Mr. Long, one of its brightest ornaments and best artists.

Resolved, That we deeply sympathise with the widow and friends of the deceased, for the severe loss they have sustained.

Resolved, That the Chgairman and Secretary of this meeting be requested to address a letter of condolence to the widow of our deceased brother.

Resolved, That these proceedings be published in the daily papers of the city of St. Louis—the Daguerrean Journal, and Photographic-Art Journal of New York.  J. H. Fitzgibbon, Chairman.  S. L. Meachan, Sec’y.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 2.

St. Louis Business Directory…Daguerrean Artist.—Fitzgibbon, No 1 Fourth and Market streets; Dobyn & Co., Corner Fourth and Chestnut streets; Rand 57 Fourth street, opposite Planter’s House.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 3.

Dobyn’s & Co.’S Daguerreotype Galleries, No. 489 Main st., Louisville, Ky.; No 1 Fowlks Row, Memphis, Tenn.; No. 6 & 28 Camp st., New Orleans, La., and corner Forth and Chestnut, St. Louis, Mo.  oc9.

Advertisement ran from October 9, 1851 to January 15, 1852.

1851 November 8.  The Evansville Daily Journal.  (Evansville, Indiana.)  November 8, 1851, Vol. IV, No. 170, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

N. B.—All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale.  The above rooms are now furnished and open.  All are invited to call and examine for themselves.  nov. 5.

Advertisement ran from November 8, 1851 to June 15, 1852.

1852 January 1.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 1, 1852.  Vol. I, No. 17, P. 1.

Removal Daguerreotype Gallery and Furnishing Depot.  We have removed to No. 1 Fowlkes’ Row, corner Main and Adams street, where Yearout will continue to furnish those fine tone life-like Pictures.  For comfort and elegance our new rooms are unsurpassed.  [jly9]  Dobyns & Co.

1852 January 6.  New Orleans Daily Crescent  (New Orleans, Louisiana.)  January 6, 1852, Vol. IV, No. 261, P. 2.

Dobyn’s & Harrington’s Daguerreotype And Stock Depot, No. 6 Camp street.—This well known establishment having been thoroughly repaired, enlarged and improved, the proprietors invite the attention of the public to their Picture Gallery, where Portraits are furnished of all sizes, in the most superior style and finish.

N. B.—Operators fitted out with complete Apparatus at the lowest cash prices.  Voightlander, French, Harrison’s, Lewis & Helb’s half size Tubes, with Box and extra Tablets, for twenty-five dollars.  Quick working Tubes, Plates, (American and French,) Cases, Frames, Stands, Boxes, Baths, Chemicals, together with every article used in the Daguerreotype Business, constantly on hand, and for sale wholesale and retail.

Advertisement ran from January 6, 1852 to January 7, 1853.

1852 May 24.  The Evansville Daily Journal.  (Evansville, Indiana.)  May 24, 1852, Vol. V, No. 27, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale. 

The above rooms are now furnished and open.  All are invited to call and examine for themselves.  my12.

Advertisement was recorded three times between May 24 and June 15, 1852.

1852 October 19.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 19, 1852.  Vol. I7, No. 263, P. 2.

Something New in the way of a Likeness.  Dobyne & Yearout hold the Patent Right for the State of Tennessee, for taking the delicate and beautiful miniature known as the Crayon Daguerreotype, and are now prepared to furnish a very superior Likeness.  We also have another style of Likeness—they are worth a visit, call and judge for yourself.  We have a large lot of stock and can furnish operators with any and all articles used by the art at Memphis, New Orleans, St. Louis, Louisville and Holly Springs, at very low rates. 

Our old friend Dobyns, the extensive Daguerreotypist, has just returned from New York, bringing with him many late and valuable improvements in the Daguerrean Art.  He can be seen for a few days only, at his rooms, over S. Fowlkes & Co’s store, as he intends leaving this week for New Orleans, where we learn he is doing a splendid business in his line.  We understand that Col. Yearout, who has for some time past been associated with Mr. Dobyns, is now in Philadelphia, with the great Daguerreotypist, Root, but is daily expected to return with other new improvements, and then between Dobyns, Yearout and Lipman, at the firm of Dobyns & Yearout, in this city—The very best likenesses of the “human face divine,” can be procured.

See advertisement in another column.

1852 October 31.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 31, 1852, Vol. I7, No. 265, P. 3.

Daguerreotype Establishments.

Dobyns & Yearout, Memphis, Tenn., over Fowlkes & Co.

Dobyns & Yearout, Nashville, Tenn., over Stevenson’s.

Dobyns & Yearout, Holly Springs[2], over Craig’s.

Dobyns & Harrington, New Orleans, La., corner Camp and Canal sts.

Dobyns & Spaulding, St. Louis, Mo., corner 4th and Olive sts.

Dobyns & Co., St. Louis, Mo. Corner 4th and Chestnut sts.

Dobyns & Co., Louisville, Ky., Stanclift’s old gallery.

Dobyns & Hall, Louisville, Ky., 47 Main st.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  T. J. Dobyns.

1852 November 23.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  November 23, 1852, Vol. I7, No. 290, P. 3.

Dobyns’ & Co.—So far as we have had an opportunity of observing, we do not hesitate to pronounce the Daguerrean establishment of Messrs. Dobyn’s & Co., the finest and most extensive in this city.  Mr. Lipman, a very polite and accommodating young gentleman, is the artist, who now has the management of the establishment; Messrs. Dobyns and Yearout, both being absent the former at New Orleans, and the latter at Nashville.  A few days since we were shown by Mr. Lipman some fine specimens of pictures, executed by him.  They were indeed superior to any we have seen in a long time.  Those would see them selves as they are seen by others, have only to call for a few minutes on Messrs. Dobyns & Co.,—corner of Main & Adams streets.

1852 November 27.  The Louisville Daily Democrat.  (Louisville, Kentucky.)  November 27, 1852, Vol. IX, No. 115, P. 4.

Dobyns’ Daguerrean Galleries. 

No. 489 Main street, over Kitts’s Jewelry Store, Louisville, Ky.

No. 1 Fowlkes’ Row, Memphis, Tenn.

No. 28 Camp street, New Orleans, La.

Corner Camp and Canal streets, (Maguire’s old corner,) New Orleans, La.

Corner Fourth and Chestnut streets, St. Louis, Mo.

By calling at either of the above establishments you can procure such Pictures as must please.  We respectfully solicit a call.  Dobyns & Co.

1853 March 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  March 20, 1853, Vol. I8, No. 67, P. 3.

Dobyns & Yearout, Daguerrean Artists, Corner Main and Adams Streets, Over Fowlkers’ Row. 

Likenesses taken in all kinds of weather.

Daguerreotype stock, and everything pertaining to the trade, for sale.

1853 May.  The Photographic Art Journal.  (New York, New York.)  May 1853, Vol. 5, No. 5, P. 320.

–Messrs. Dobyns & Harrington of New Orleans, in connection with Mr. V. L. Richardson, have opened a gallery in New York city, at the corner of Broadwayand Duane street,  The well known reputation of these gentlemen will ensure them a liberal share of patronage.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 7465, P. 4.

New Daguerrean Gallery.—The Undersigned respectfully inform their friends, and the public in general, that their new gallery is open for the reception of visitors.  Portraits taken in every style of the art.  Dobyns, Richardson & Co., 303 Broadway.

1853 June 12.  Sunday Dispatch.  (New York, New York.)  June 12, 1853, Vol. 8, No. 29, P. 3.

The Principal Daguerrean Gallery in this metropolis, is that which is located at 303 Broadway, and is under the direction of Messrs. Dobyns, Richardson & Moissenet, who have branch establishments in successful operation at New Orleans, Louisville, St. Louis, Memphis and Nashville, and in each of which cities, as well as in New York, do they enjoy the reputation of taking by means of a skylight, constructed upon an entire new plan, and approved apparatus, under the direction of the most skilful artists, the best portraits and pictures that have been taken by the daguerreotype process.  Citizens and strangers should remember this fact, and call at No. 303 Broadway.

Advertisement was recorded eleven times from June 12 to October 2, 1853.

1853 June 15.  The New York Herald.  (New York, New York.)  June 15, 1853, Whole No. 7480, P. 4.

“A Thing of Beauty is a Joy Forever—Its loveliness increases;” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 16.  New York Daily Tribune.  (New York, New York.)  June 16, 1853, Vol. XIII, No. 3796, P. 4.

“A thing of Beauty is a joy forever—its loveliness increases!” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 27.  New York Daily Tribune.  (New York, New York.)  June 27, 1853, Vol. XIII, No. 3805, P. 4.

“So sweet a language from so fair a mouth, ah, “to what efforts would it not persuade!”  Such mouths are to be seen only in the matchless daguerreotypes of Dobyns, Richardson & Moissenet.  So expressive are they that “sweet language” seems to flow from them.  The eyes, too, are those that “speak language in a “look.”  These superb pictures may be had at No. 303 Broadway.

1853 July 9.  Daily Missouri Republican.  (St. Louis, Missouri.)  July 9, 1853, Vol. XXXI, No. 162, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Harrington, New Orleans, La.

Dobyns & Co., Memphis, Tenn.

Dobyns & Yearout, Nashville, Tenn.

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Moessint, 303 Broadway, New York.

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 1.

Dobyns & Hall’s Celebrated Daguerrean Gallery, No. 489 Main street, Louisville, Ky., importers and Dealers in every description of Daguerreotype materials.  For sale cheap.

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 3.

Persons desirous of seeing the Crystal Palace can do so by calling at our Daguerrean Rooms, No. 489 Main street, Louisville, Kentucky, over Kitts’s Jewelry Store, where they will always find us prepared to take pictures in the most improved style, at the same time pledging ourselves to give satisfaction.  We are constantly receiving shipments from the East, which enable us to accommodate our customers with the latest style of cases.

Operators wishing Daguerrean Material will find it to their advantage to give us a call, as our assortment is always complete/  Dobyns & Hall.

1853 August 17.  Nashville Union and American.  (Nashville, Tennessee.)  August 17, 1853, Vol. XXIV, No. 75, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Yearout, Nashville, Tennessee, College Street

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Morssewet, New York

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Yearout, Memphis, Tenn.

Dobyns & Harrington, New Orleans

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

Advertisement ran from August 17, 1853 to January 15, 1854.

1853 August 18.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 18, 1853, Vol. XXII, No. 225, P. 3.

Daguerreotyping.—Messrs. Dobyns & Hall, whose gallery is over Kitts’s Jewelry establishment, have a system of daguerreotyping, which we strongly advise our friends to call and examine.  We have not time to describe it to our readers, but we can assure them that it will surprise, astonish, and delight them.

1853 October 16.  Nashville Union and American.  (Nashville, Tennessee.)  October 16, 1853, Vol. XXIV, No. 117, P. 3.

Col. Dobyns, the extensive Daguerreotypist of Dobyns & Yearout, 59 College Street, who has just returned from his New York establishment, has several improvements which will be introduced id a few days.  We understand that the celebrated artists E. Church, so long and favorably known as one of the best in the city of New York, came out with the Col. For the purpose of remaining permanently in that gallery.  If he surpasses Yearout’s pictures, we should say Nashville will have something to be proud of.  We shall see what we shall see.

1853 October 17.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 17, 1853, Vol. VI, No. 191, P. 2.

Daguerreotypes.—The Daguerreotyping Saloon of Messrs. Dobbyns & Harrington, on the corner of Camp and Canal streets, are now in active operation under the superintendence of Mr. McClure, the acting Operator.  These rooms contain a large and well selected stock of materials for taking likenesses according to the most approve method, and the pictures taken give general satisfaction.  The operation is almost instantaneous, and the results in all cases a true type of the features, even to the slightest shades of expression.  The specimens exhibited at these rooms are of such a various character that a visit to them is equivalent to a stroll through an extensive picture gallery.  The operator, Mr. McClure, has brought the art of coloring the pictures to the nicest perfection, imparting a tint to the complexion exceedingly life-like, and in a manner always true to the reality.  Persons having relations and friends at a distance, or who wish to preserve the likenesses of those in whom they are interested, may here find a ready means for engraving their features on lasting materials, which are unchangeable, and which will not deteriorate through time.  Plates of every description may be obtained here, and on the most accommodating terms.  Strangers in the city should not fail to gratify their curiosity by paying these rooms a visit.

1853 November 26.  Mississippi Free Trader.  (Natchez, Mississippi.)  November 26, 1853, Vol. XIX, No. 11, P. 3.

Dobyn’s Daguerreotype Establishments.  At New Orleans, Memphis, Holly Springs, Nashville, Louisville and St. Louis, are now complete in every particular and have full supplies of every article used in the art.

Dobyns & Harrington, at the corner of Camp and Canal streets, New Orleans, (Maguire’s old stand,) have remodeled and arranged one of the best Saloons in the United States.  Our Pictures speak for themselves.

The largest assortment of Stock ever in New Orleans, and at such prices as must please.

We own the patent for the State of Louisiana for taking those new Vignette Pictures, never surpassed in beauty.  Our Col. Dobyns is the agent for selling rights in the State of Texas, Arkansas, Mississippi, Georgia, Alabama and Florida. 

Advertisement ran from November 26, 1853 to

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 1.

Dobyns & Yearout, Memphis, Tenn.;

Dobyns & Yearout, Nashville, Tenn.;

Dobyns & Harrington, N. Orleans, La.;

Dobyns & Spaulding, St. Louis, Mo.;

Dobyns & Dobyns & Hall, Louisville, Ky.;

[Dobyns] Kite &  Co., Louisville, Ky.;

Dobyns & Richardson & Co., 303 Broadway, New York.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  [Je25, 53]  T. J. Dobyns. 

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 2.

To the Lovers of the Marvelous.  Dobyns & Yearout are now prepared to execute those wonderful productions termed Stereoscopic Pictures.  The chief beauty of these Pictures consist in the beautiful and life-like appearance, obtained by the use of perspective or convex glasses.

Ladies and Gentlemen are invited to call and examine specimens, No. 1 Fowlkes’ Row.  [sep23]

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 5.

Daguerreotypes—The Daguerrean Rooms, formerly occupied by Dobyns, Richardson & Co., 303 Broadway, corner of Duane street, are reopened and ready for the reception of visitors.  V. L. Richardson operator.  Yearout & Richardson.

1854 September 3.  Nashville Union and American.  (Nashville, Tennessee.)  September 3, 1854, Vol. XXV, No. 372, P. 2.

Notice.—The Copartnership heretofore existing under the firm of Dobyns & Church and Dobyns & Co., is dissolved.  No one is authorized to collect debts of the concern but Mr. J. T. Yearout.  T. J. Dobyns.        Sep. 3.

Advertisement ran from September 3 to December 30, 1854.

1854.  Illinois And Missouri State Directory for 1854-1855.  (St. Louis, Missouri.)  1854, P. 141-142.

Dobyns & Spaulding  north west corner Olive and Fourth, St. Louis, Missouri.

1854 September 16.  Nashville Union and American.  (Nashville, Tennessee.)  September 16, 1854, Vol. XXV, No. 383, P. 3.

The Fine Arts.  Amongst the numerous enterprises that are being pushed forward in our city, we notice the Daguerreian Establishment of Messrs. Dobbins [sic.] & Yearout, 59 College Street, over the dry goods store of Messrs. Stevenson & White.  We visited their galleries yesterday and found them fitting up their rooms and instruments.  One or both of these gentlemen have been absent from our city a considerable portion of the summer, visiting a number of the principal cities of the United States, where they also have similar establishments.  We are informed that they have secured the services of the celebrated artist, Mr. Mallory, who has been operating heretofore in the larger cities, North and West, and we have no doubt he will sustain here the high reputation that he has acquired in other places.  Here is what the St. Louis Herald says of him:

‘Look On This Picture.’—The other day we were shown some of the finest specimens of the Daguerrean art ever seen in this city.  These pictures were life-like, mellow and beautiful.  They were taken by Mr. Mallory.  It may not be generally known, but there is as much difference in daguerreotypes as between cheese and chalk.—Some operators take pictures which others would be ashamed of.  Those who want a first-rate picture should call and get Mallory to ‘point his machine at them’ for about half a minute, and we will agree to treat if he doesn’t produce a ‘counterfeit presentment’ which will give satisfaction.”

We are also informed by the proprietors of this establishment that in addition to furnishing daguerreotype likenesses of the very first order, at very moderate prices, they import directly from Europe and the Eastern cities every description of stock used in their line, which they can and will sell to traveling operators as low as they can buy in New York, or elsewhere in the United States.  Such enterprise deserves encouragement.

1854 October 31.  Nashville Union and American.  (Nashville, Tennessee.)  October 31, 1854, Vol. XXV, No. 420, P. 2.

Hughes Brothers, Daguerrean Artists And Daguerreotype Stock Dealers.

C. C. Hughes, Union Street, over Streetch & Orr’s

F. N Hughes, 59 College Street, late Dobyns & Co.

The subscribers have the honor to inform their numerous friends, that owing to an increase of business they have purchased the Rooms lately occupied by Dobyns & Co.; our galleries are fitted up in neat style, with powerful Sky-Lights, the only ones in the city, which is well adopted for taking large Family Groups without the dark shades so generally seen and objected to.  In the Union Street Gallery we have a beautiful Piano for he use of the Ladies, and every other facility to produce First Class Pictures—no others are allowed to leave the rooms.  We attend to our patrons personally, so that our patrons may rely on polite attention, and Pictures equal to any, no matter by whom taken.

Citizens and Strangers are politely invited to visit our Rooms, whether they need Pictures or not.   

1855 March 17.  The Leader.  (St. Louis, Missouri.)  March 17, 1855, Vol. 1, No. 2, P. 1.

A Mialaret, Daguerrean, (Successor to Dobyns & Spaulding,) N. W. corner of Fourth and

Olive streets, over Porter & White’s store.

Pictures taken in all kinds of weather, with any desired tone or shade, equal to the best.  Children, of any age taken in from one to five seconds.  Prices range from one to twenty-five dollars.

1855 October 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 20, 1855, Vol. XX, No. 242, P. 4.

Daguerreotypes for $1.00.  I take pleasure in saying to my old friends that I have purchased the Daguerrean Gallery of Col. J. T. Dobyns, and am now prepared to make better pictures than heretofore, at One Dollar.  Particular attention paid to children.  A fine assortment of finer Cases, Gold Lockets and Breast Pins for Daguerreotypes.  Rooms opposite United States Hotel.  Call and see me.  Respectfully, J. T. Yearout. 

1857 Januaru 16. The Daily Picayune. (New Orleans, Louisiana.) January 16, 1857, Vol. XX, No. 304, P. 4.

“Americans use an American Pen,” is the moto of the American Steel Pen Manufacturing Company. Their agents, Messrs. Dobyns & Harrington, 6 Camp street, have presented us with a box of the “Washington Medallion Pen.” We have tried this pen, and find it an excellent article, and can [ ? ] recommend it to the public.


[1] Craig’s Daguerreian Registry.

[2] Possibly Holly Springs, Mississippi.

Curtright, N. B.

1850                28 Camp Street, New Orleans, Louisiana.

1850                over J. W. Quiggins’ Shoe Store, Lafayette Street, Baton Rouge, Louisiana.

1852                46 Camp Street, New Orleans, Louisiana.

1852-1853       80 Camp Street, corner Natches Street, New Orleans, Louisiana.

1850 September 14.  Baton-Rouge Gazette.  (Baton Rouge, Louisiana.)  September 14, 1850, Vol. XXXII, No. 32, P. 3.

Curtright’s Gold-Enamelled Daguerreotypes.  Mezzotint or Colored.  N. B. Curtright, from 82 Camp Street, New Orleans, respectfully informs the citizens of East Baton Rouge, and vicinity, that he has fitted up rooms over Mr. J. W. Quiggins’ Shoe Store, on Lafayette street, where he would be happy to wait on all who are desirous of obtaining a correct likeness.  Single or in Groups and put in the best city style, of Shell, Pearl, or Morocco, Book Cases, Frames, Gold Lockets, Medallions, Breastpins, Rings, &c.

All are invited to call and examine specimens which are respectfully submitted to the citizens of Baton Rouge, as a proof of his artistic skill.

Advertisement ran from September 14 to 21, 1850.

1852 April 12.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  April 21, 1852, Vol. V, No. 34, P. 2.

Daguerreotypes for $1.50.—Daguerreotypes, equal to any taken in this city, for one half the usual city prices, by N. B. Curtwright, 46 Camp street. 

Advertisement ran from April 12 to May 17, 1852.

80 Camp Street.  N. B. Curtright…J. B. Bradford.  We have taken the room over Geo. W. Hynson, corner of Natches and Camp street, for the prosecution of the Daguerreotype Business, and our changes—being half the usual prices—induce us to hope for a liberal patronage.

Hours of operation from 8 A. M. to 6 P. M.  Curtwright & Bradford, Artists. 

Advertisement ran from June 18 to September 18, 1852.

1852 September 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  September 28, 1852, Vol. V, No. 179, P. 2.

N. B. Curtright.  J. B. Bradford.  Curtright & Bradford, Daguerrean Artists, No. 80 Camp street, corner of Natchez. 

Advertisement ran from September 28, 1852 to February 11, 1853.

Curtright & Bradford

1852-1853       80 Camp Street corner Natchez Street, New Orleans, Louisiana.

1852 June 18.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  June 18, 1852, Vol. V, No. 92, P. 2.

80 Camp Street.  N. B. Curtright…J. B. Bradford.  We have taken the room over Geo. W. Hynson, corner of Natches and Camp street, for the prosecution of the Daguerreotype Business, and our changes—being half the usual prices—induce us to hope for a liberal patronage.

Hours of operation from 8 A. M. to 6 P. M.  Curtwright & Bradford, Artists.  je18.

Advertisement ran from June 18 to September 18, 1852.

1852 September 28.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  September 28, 1852, Vol. V, No. 179, P. 2.

N. B. Curtright.  J. W. Bradford.  Curtright & Bradford, Daguerrean Artists, No. 80 Camp street, corner Natchez.  sept 28.

Advertisement ran from September 28 1852 to February 11, 1853.

Boisseau, Alfred

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Biography


[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.