Tag Archives: Buffalo New York

Benton, Oliver Benton

1846                Eagle Tavern, Cooperstown, New York.

1846                Address Unknown, Norwich, New York.

1846                E. W. Yates’ Hotel, Louisville, New York.

1846                Address Unknown, Butternuts, New York.

1846                Address Unknown, Laurens, New York.

1846                Address Unknown, Otego, New York.

1847                Address Unknown, Buffalo, New York.

1847                Rooms at Mr. E. S. Edgerton’s residence, Franklin, New York

1847                Address Unknown, Delhi, New York.

1847                Address Unknown, Unadilla, New York.

1847                Address Unknown, Troy, New York.

1848                Room on Water Street, one door west of Hall’s Jewelry Store, Geneva, N. Y.

1848-1850       220 Main Street, Buffalo, New York.

1850                218 Main Street, Buffalo, New York.

1851-1853       214 Main Street, Townsend Hall, Buffalo, New York.

1851-1856       214 Main Street, Buffalo, New York.[1]

1852                Champion Buildings, nearly opposite the Eagle Tavern, Batavia, New York.

1856                Over Sackett’s Harbor Bank, Buffalo, New York.1

1857                over 214 & 216 Main Street, Buffalo, New York.1

1859                Erie Street, corner Main Street, Buffalo, New York.1

1846 January 17.  The Freeman’s Journal.  (Cooperstown, New York.)  January 17, 1846, Vol. XXXVIII, No. XXI, P. 3.

Premium Photographic Miniatures, At the Eagle Tavern, Cooperstown.  O. Benton Evans Would most respectfully solicit a call from the people of Cooperstown and vicinity, and have their miniatures executed by way of experiment, free of expense.  Those who have not seen the improved Photographs cannot form any conception of their present beauty.  For strength of relief, fineness of shading, and beauty of color, they now surpass any other method of portraying in miniature the human form.

By an improvement of the achromatic lens, Mr. E. can execute miniatures from half the size of sixpence to the largest miniature size, and in all weather, from 8 o’clock A. M. until 3 P. M., enveloped in frames, cases lockets or pins, in any attitude or costume the individual may please to assume.

At the late Fair of the Rensselaer Co. Agricultural Society, the subscriber had awarded to him the first premium and the highest honors for the best specimens ever seen by the committee, in competition with some of the best operators in this country; also for the best construction of apparatus.

Gentlemen and ladies can receive instruction in this art, and apparatus furnished at New York prices.  Immediate attention is absolutely necessary.

N. B.—A carriage will be furnished, free of expense, for the conveyance of any number of Ladies or Gentlemen, not less than six, by forwarding their address to the subscriber.

Advertisement ran from January 17 to April 11, 1846.

1846 April 11.  The Freeman’s Journal.  (Cooperstown, New York.)  April 11, 1846, Vol. XXXVIII, No. XXXIII, P. 3.

Daguerreotype.  By the most earnest solicitations, the subscriber has been persuaded to remain through the coming week, for he express purpose of Portraiting the Elderly People of this place and vicinity.

N. B.  Gentlemen studying professions, or wishing to travel, will find this the most respectable and lucrative business now extant.  O. B. Evans. 

1846 August 15.  The Freeman’s Journal.  (Cooperstown, New York.)  August 15, 1846, Vol. XXXVIII, No. LI, P. 3.

Photographic.  (Norwich, Chenango  County.)  O. B. Evans returns his most sincere thanks to his old friends and patrons in the principal cities and villages, wherein he has operated for the last four years with unparalleled success, and still solicits the patronage of all who wish to “see themselves as they are seen by others.”  And all who may wish instructions and apparatus will need apply immediately.  Mr. E. has made (in addition to his long experience in the art,) a new and valuable discovery Operators in the country, who find it difficult to operate in extreme temperatures of weather, can be instructed in a few days to operate with perfect certainty. 

1846 September 19.  The Freeman’s Journal.  (Cooperstown, New York.)  September 19, 1846, Vol. XXX, No. IV, P. 3.

O. B. Evans’ Daguerrian Gallery, (At E. W. Yates’ Hotel,) Louisville, Otsego Co., N. Y.

Advertisement ran from September 19 to 26, 1846.

1846 October 10.  The Freeman’s Journal.  (Cooperstown, New York.)  October 10, 1846, Vol. XXXIX, No. VII, P. 1.

Otsego County Cattle Show And Fair….Discretionary Premiums…..

Specimens of daguerreotype, O. B. Evans, Butt’s, 1.00

The Daguerreotype Miniatures and Pictures taken by Mr. O. B. Evans, recently of this village, and now of Butternuts, drew forth the praise of all, as almost every one readily recognized the familiar faces of many of our respected citizens.  Such efforts in the art can hardly be excelled in our cities.

1846 November 28.  The Freeman’s Journal.  (Cooperstown, New York.)  November 28, 1846, Vol. XXXIX, No. XIV, P. 3.

Daguerreotypes!  O. B. Evans’ Photographic Miniature Gallery at Laurens, Otsego county, and will also visit Otego, Unadilla and Delhi in a few days.  All who would desire these perfect and valuable Mementos of themselves and friends, must be ready on Mr. E.’s arrival.  Those who are acquainted with the celebrity of the above, will need no further comment.  November 20, 1846.

Advertisement ran on November 28 and December 5, 1846.

1847 January 13.  Delaware Gazette.  (Delhi, New York.)  January 13, 1847, Vol. XXVIII, No. 14, P. 2.

Photographic.—Mr. O. B. Evans, whose advertisement will be found in another column, is expected here in a few days, for the purpose of taking Miniatures by the Daguerreotype process.  From the specimens we have seen, we think it superior to anything of the kind ever before shown us.  Mr. Evans has testimonials from gentlemen of the highest respectability and standing, many of whom are known to our citizens.  Among those we have seen, is a highly complementary note from J. Fennimore Cooper, Esq., Rev. A. E. Campbell, Pastor of the Presbyterian Church, Cooperstown, and Hon. John H. Prentiss, editor of the Freeman’s Journal—Names that would not have been given to a person unworthy of public confidence.

1847 January 13.  Delaware Gazette.  (Delhi, New York.)  January 13, 1847, Vol. XXVIII, No. 14, P. 3.

Photographic.  O. Benton Evans, Celebrated Daguerrian, With his Gallery of Three Hundred Miniatures, will visit Delhi in a few days.  Persons who have not satisfactory pictures, taken by inferior and incompetent operators can be furnished with Miniatures executed by a different process, and entirely superior to any ever before taken in this County—not inferior to the most celebrated Oil Paintings.

Advertisement ran from January 13 to March 24, 1847.

1847 February 24.  Delaware Gazette.  (Delhi, New York.)  February 24, 1847, Vol. XXVIII, No. 20, P. 3.

O. B. Evans’ most grateful acknowledgments are due to the people of Franklin and vicinity, for the very liberal patronage which he has received in the last four weeks, and would also solicit a call from the people of Delhi and adjacent towns, who may wish Miniatures of themselves and friends, taken in all weather, from the size of a sixpence to the largest Miniature size, enveloped in frames, cases,, lockets, finger rings and bracelets, as the purchaser desires.

Mr. E. has also lense for executing pictures larger and entirely superior to any ever offered to this community.  Persons with light eyes and hair, can have pictures with equal perspicuity as those of dark.

The most experienced and artistical skill will be given to position and equalizing the light and shade on the face so as to retain every minutia and life like expression and entirely obviate the cadaverous and mechanical appearance which is so universally common to Daguerreotypes taken by young, inexperienced and inefficient Daguerrians.

The subscriber is one of the oldest operators now in America, together with testimonials from distinguished individuals to substantiate all the above assertions; also a large Gallery of Pictures with different positions, complexions, dress &c., so that persons from analogy, can choose a position satisfactory to the most fastidious observer. 

Rooms at Mr. E. S. Edgerton’s residence.

1847 March 10.  Delaware Gazette.  (Delhi, New York.)  March 10, 1847, Vol. XXVIII, No. 22, P. 3.

The subscriber is under the necessity of giving notice to all who may wish unparalled miniatures of themselves and friends, to give notice two or three days in advance, to avoid coming in collision with others.

N. B.—Thee special attention of the people of this place and vicinity is called to an inspection of miniatures taken of R. Parker, esq., and others, which have not their equal this side of New York, and not surpassed in the world.

Persons from the country are also respectfully invited to call before purchasing elsewhere.  Entire satisfaction is guaranteed both in price and Miniatures.  O. B. Evans.

Advertisement ran from March 10 to April 14, 1847.

1847 March 24.  Delaware Gazette.  (Delhi, New York.)  March 24, 1847, Vol. XXVIII, No. 24, P. 3.

Premium Daguerreotypes.  The subscriber will remain only this week.  The like valuable opportunity will doubtless never be offered to the people of Delhi again.  O. B. Evans. 

Advertisement ran from March 24 to April 7, 1847.

1847 April 14.  Delaware Gazette.  (Delhi, New York.)  April 14, 1847, Vol. XXVIII, No. 27, P. 3.

The Last Notice to the People of Delhi and vicinity.  The subscriber will positively leave this place for Unadilla on Friday next.  All persons having unfinished pictures, are respectfully requested to attend to the same immediately.

The people of Unadilla must also be in readiness on his arrival, as his sojourn will be limited to one week only.  O. B. Evans.

Mr. E. returns his most grateful acknowledgements to the inhabitants of Delhi and adjacent towns, for the very liberal patronage and courtesy which he has received from all.

1847 December 29.  Geneva Courier.  (Geneva, New York.)  December 29, 1847, Vol. XVIII, No. 1, Whole No. 887, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, will visit Geneva in a few days with the most splendid variety of Frames, Cases, and Lockets, that has ever been imported into this country.  Pictures executed by an entirely new process.  All persons are respectfully solicited to wait and see for themselves.

Advertisement ran from December 29, 1847 to January 19, 1848.

1848 January 1.  Geneva Daily Gazette.  (Geneva, New York.)  January 1, 1848, New Series-Whole No. 157, Vol. IV, No. 1, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, will visit Geneva in a few days with the most splendid variety of Frames, Cases, and Lockets, that has ever been imported into this country.  Pictures executed by an entirely new process.  All persons are respectfully solicited to wait and see for themselves.

Advertisement ran from January 1 to February 19, 1848.

1848 February 5.  Geneva Daily Gazette.  (Geneva, New York.)  February 5, 1848, New Series-Whole No. 162, Vol. IV, No. 6, P. 3.

Photographic.  Prof. O. B. Evans, who is one of the oldest and most experienced Daguerrians now in America, has fitted up rooms in the second story of the building first door south of Hall’s Jewelry Store, Water Street, where he has the most splendid variety of Frames, Cases and Lockets, that has ever been imported into this country.—Pictures taken by an entirely new process.  All persons are respectfully solicited to call and see for themselves. 

Advertisement ran from February 5 to March 11, 1848.

1848 February 9.  Geneva Courier.  (Geneva, New York.)  February 9, 1848, Vol. XVIII, No. 1, Whole No. 887, P. 3.

Photographic Pictures.  Mr. O. B. Evans, Daguerreotypist, is in town, and has opened a room on Water St., one door west of Hall’s Jewelry Store.  He has 4 hundred specimens, and he invites all to call and examine them.  Geneva, Feb. 9, 1848.

Advertisement ran from February 9 to March1, 1848.

1848 March 11.  Geneva Daily Gazette.  (Geneva, New York.)  March 11, 1848, New Series-Whole No. 167, Vol. IV, No. 11, P. 2.

Reflection.—Portraits are like wills—they should be executed during the life of the testator.  Like the latter, they may also prove most valuable after death.  A third resemblance consists in the fact that they both witnesses after execution.  For the information of those who are desirous of obtaining a life-like likeness (and who should not be?)  we would refer them to the Daguerrean Rooms of our friend Prof. O. B. Evans, first door south of A. B. Hall’s silver-smith shop.

1848 March 15.  Geneva Courier.  (Geneva, New York.)  March 15, 1848, Vol. XVIII, No. 13, Whole No. 898, P. 2.

Photographic!  Prof. O. B. Evans is fast perpetuating the beauty of the present inhabitants of Geneva, for the eye of those who may come after them.—He has taken some of the best likenesses we have seen.  The Professor’s rooms are in Water street, a few doors north of the Franklin House.

Let those who are young and single, of both sexes, get their likenesses, that they may interchange—let those who are un-single be not backward, that when they have grown old together, their hearts may “fill with life’s young tides again,” as they gaze on themselves in days far gone by—let those who are middle-aged do likewise before they become wrinkled and gray—let those who are old, yet on account of a sweet disposition have preserved a mild and venerable countenance, also be taken, that their grand-children may take knowledge of their pleasant ways and imitate them.  And, finally, let those who are old, ill-tempered and ugly, have their faces taken, that their grand-children may see them, and thus avoid “barking up the wrong tree!”

N. B.  As this is leap year, single ladies, who are five and ——! Should tender their exact picture to bachelors, and bachelors vice versa.  See advertisement.

1848 March 15.  Geneva Courier.  (Geneva, New York.)  March 15, 1848, Vol. XVIII, No. 13, Whole No. 898, P. 3.

Photographic!  Prof. O. B. Evans, late of Troy, N. Y., who is the oldest practical Daguerrean now in America, is prepared at all hours from 8 A. M. until 4 P. M. to execute Miniatures by the Late London Process, entirely superior to any ever before exhibited in this part of the state.  By this process, it will be seen that picture possess a strength not inferior to the most celebrated Oil Paintings, yet preserving all the beauty of light and shade which can be found in finest mezzotint engraving.  These pictures are also made indelible by the patent gilding, which gives them that peculiar tone which is seen in none taken by the old process; in short,  their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscriber has a variety of Frames, Cases and Lockets, of the richest quality, not surpassed in the world—made only to his order!

A call from the people of Geneva and vicinity is respectfully solicited.  Persons visiting town should not neglect this rare opportunity.

Instruction given and apparatus furnished to all who may wish to embark in this respectable vocation.

Rooms on Water street, a few doors north of the Franklin House. 

Advertisement ran from March 15 to 29, 1848.

1848 March 18.  Geneva Daily Gazette.  (Geneva, New York.)  March 18, 1848, New Series-Whole No. 168, Vol. IV, No. 12, P. 3.

Photographic!  Prof. O. B. Evans, late of Troy, N. Y., who is the oldest practical Daguerrean now in America, is prepared at all hours from 8 A. M. until 4 P. M. to execute Miniatures by the Late London Process, entirely superior to any ever before exhibited in this part of the state.  By this process, it will be seen that picture possess a strength not inferior to the most celebrated Oil Paintings, yet preserving all the beauty of light and shade which can be found in finest mezzotint engraving.  These pictures are also made indelible by the patent gilding, which gives them that peculiar tone which is seen in none taken by the old process; in short,  their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscriber has a variety of Frames, Cases and Lockets, of the richest quality, not surpassed in the world—made only to his order!

A call from the people of Geneva and vicinity is respectfully solicited.  Persons visiting town should not neglect this rare opportunity.

Instruction given and apparatus furnished to all who may wish to embark in this respectable vocation.

Rooms on Water street, a few doors north of the Franklin House. 

Advertisement ran from March 18 to May 7, 1848.

1848 March 29.  Geneva Courier.  (Geneva, New York.)  March 29, 1848, Vol. XVIII, No. 15, Whole No. 900, P. 3.

Photography.  Through the gentlemanly courtesy of Mr. J. S. Lewis, (late of New Orleans,) Prof. O. B. Evans is enabled to show his patrons a correct daguerreotype of old “Rough And Ready.”

1848 April 5.  Geneva Courier.  (Geneva, New York.)  April 5, 1848, Vol. XVIII, No. 16, Whole No. 901, P. 3.

Photographic!  Prod. O. B. Evans would say that his sojourn is limited to a very few days.  All persons having unfinished pictures are respectfully solicited to attend to it immediately. 

Advertisement ran from April 5 to 26, 1848.

London Daguerrian Gallery.  Messrs. Evans & Powelson, most respectfully announce to the people of Buffalo and vicinity that they are now prepared to execute Daguerreotypes by the Late London Process, entirely superior to any ever before exhibited in this part of the State.  By this process it will be seen that Pictures possess a strength not [inferior] to the most celebrated Oil Paintings yet possessing all the beauty of light and shade that can be found in the finest [lineal] engravings.  These Pictures are also made indelible by the Patent Gilding which gives them that peculiar and beautiful tone which is [seen] in none taken by the old process in short, their beauty is past description—persons must examine them to be able to judge of their perfection.

The subscribers have also testimonials from the most distinguished [connoisseurs] in Europe and America and a variety of the richest Daguerrean stock made only to their order

Persons visiting Buffalo on business or pleasure should not neglect this rare opportunity to obtain for themselves and friends these [inestimable] mementoes.

Daguerrean Rooms No. 220 main street corner of West Swan over L. S. Reynolds Drug Store.  Don’t forget the place.

Advertisement ran from August 31 to November 6, 1848.

1848 November 6.  Buffalo Morning Express.  (Buffalo, New York.)  November 6, 1848, Vol. 3, No. 874, P. 3.

Dissolution.  The Copartnership of Evans & Powelson, is this day dissolved by mutual agreement—The Daguerrian business will be carried on hereafter by O. B. Evans, at the old stand No. 220 Main st.

1848 December 30.  Buffalo Morning Express.  (Buffalo, New York.)  December 30, 1848, Vol. 3, No. 919, P. 2.

Photographic.—The London Premium Daguerrian Gallery will be open for social calls on Monday next.  O. B. Evans.  December 30.

1849 March 7.  Buffalo Morning Express.  (Buffalo, New York.)  March 7, 1849, Vol. IV, No. 975, P. 2.

Daguerreotypes (inscription inside medal) New York State Agricultural Society 1848 Awarded to Evans & Powelson for best Daguerreotypes.

London First Premium Daguerrean Gallery, No. 220 Main, corner Swan street, Buffalo.

Awarded the subscribers, at the late Agricultural State Fair at Buffalo, two Diplomas and two Silver Medals, for the most elegant specimens of Daguerreotypes ever shown the Society.

This is the fifth premium the subscribers have received during the last nine years, in competition with the principal artist in this country.  Our pictures now stand unrivalled.  We challenge comparison with any executed in this country or Europe.

Persons visiting Buffalo, should not fail to call and examine for themselves.  We base our reputation only upon the opinion of those who are competent judges of Light and Shade.

To all Whom it May Concern.  This may certify, That I consider Prof. Evans pre-eminently the best Daguerrean Artist that I have ever become acquainted with, (and I have sat as many as seventy times to the best artists in many of the Eastern cities.)  I regard his pictures as a perfect study of artistical skill and beauty.  It is evident that it is not the difference in the Instrument or chemicals that gives his pictures such a splendid effect, but the superior knowledge of Light and Shade, which he possesses over all other Daguerreans.  My assertions are confirmed by the observations of all the able connoisseurs whose opinion I have heard expressed upon the subject.

Levi Tucker, Former Pastor Washington st. Bap. Church, Buffalo.  Buffalo, December 27, 1848.

Advertisement ran from March 7 to December 21, 1849.

1849 September 18.  Buffalo Morning Express.  (Buffalo, New York.)  September 18, 1849, Vol. IV, No. 975, P. 2.

Messrs. Evans & Powelson, of Buffalo, have exquisite pictures in their daguerreotypes—graceful and rich agreeable in coloring and faithful in portrait.  These artists really make their work so beautiful, and the language of eulogy is completely unfeigned.  The sweet picture of a group at chess is very much admired.  The quite, satisfied look of the winner, and the puzzled appearance of the loser, are inimitable.  How delightful it would have been if daguerreotyping such as this had been known in the days of Randolph and Jefferson, when they played their famous game at chess, the victory at which Mr. R. said, cost him the friendship of the illustrious man of Monticello.

The foregoing paragraph is extracted from a letter in the New York Courier and Enquirer, descriptive of the most prominent incident at the Syracuse Fair, written by the correspondent of that paper, Mr. Bogart, of Aurora, Cayuga county.  He is the author of the admirable letter in that paper written at different points on the President’s tour, descriptive of his reception and the chief incidents of his journey.  Bogart, it seems, has an eye for the beautiful in art as well as in nature.  We had been thinking, for some time, of inviting attention to the elgant pictures made by the above gentlemen—or Mr. Evans, rather, for the business is now conducted by him alone—but there is vary little to be added to the merited and discriminating encomium we have quoted.  It may be observed, however, that one great defect in daguerreotypes, and one which has struck almost everybody, has arisen from the want of artistic skill in arranging the accessories to the picture.  Those who have undertaken the work have been generally operators merely, not artists; and hence the stiffness and awkwardness of position, and the bad taste in grouping that impresses one so unpleasantly.  Mr. Evans is an artist, with a correct eye, cultivated taste, and a knowledge of all such matters as light and shade, color, prespective, and all the other elements employed to heighten the pleasing effect of a picture.  His productions show this, his groups being equal to anything of the kind we have ever seen.

1849 December 22.  Buffalo Morning Express.  (Buffalo, New York.)  December 22, 1849, Vol. IV, No. 1221, P.3.

Skylight Daguerreotypes At The London First Premium Daguerrean Gallery, No. 220 Main, corner Swan street, Buffalo.  The above is a cut of a Silver Medal, awarded the subscriber at the New York State Agricultural Fair, at Buffalo, and the fifth Premium in the last nine years.  Also, the first prize at the late Fair at Syracuse, in competition with over three hundred pictures from some of the first galleries in the United States.  This Gallery has now become the Picture Emporium for the entire Western World, and the standard of imitation.  Our competitors involuntarily acknowledge their inferiority by following in our wake and apeing us in every particular, Except The Picture!

Therefore strangers visiting the city are respectfully solicited to compare our Pictures with those executed by others.  Also, all who have long been prepossessed in favor of other Daguerreans, and have pictures taken by them, are very urgently invited to call and have one executed at this establishment, that they may have an ocular demonstration of the vast difference in portraying the same individuals.

N. B.—the subscriber would most respectfully notify the public that no premiums or diplomas have ever been awarded by the New York State Agricultural Fair to any Daguerrean in Buffalo except to the subscriber.  O. B Evans, The oldest Practical Daguerrean in the U. S.

Advertisement ran from December 22, 1849 to March 28, 1850.

1849 December 24.  Buffalo Morning Express.  (Buffalo, New York.)  December 24, 1849, Vol. IV, No. 1222, P.2.

Daguerreotypes.—We have once before invited the attention of  our readers to the finished and elegant manner in which Mr Evans, on the corner of Main and Awan streets, execute miniatures with the daguerreotype.  He claims to be “the oldest practicing daguerrean in the United States”—and he is certainly one of the most accomplished in the art.  His productions, as has already been said, are of a superior order—many of them, remarkably so; and we have been led, in examining them, to wonder why Daguerreotypes are not, even in much greater demand than they are We regard the art of Daguerre as decidedly more valuable to mankind than that of Painting—we had almost said, than Painting and Sculpture combined.  Only the few can buy good pictures, but almost any one may have a good Daguerreotype of all those he loves dearly, which will be a blessing while they live and a solace when they have departed.  We believe the art has a moral value, and strongly tends to chasten and refine those who prize and cherish it products.  Wherefore, and on every account, let its faithful and cheap portraits of those we love be every where diffused and multiplied.  

1850 February 6.  Buffalo Morning Express.  (Buffalo, New York.)  February 6, 1850, Vol. V, No. 1258, P.2.

Destructive Conflagration!  Between 4 and 5 o’clock yesterday morning a fire was discovered in the upper story of the block of Stores, on the southwest corner of Main and Swan streets, which spread until four large stores were consumed…

Store No. 218 Main street was occupied by M. Compton as a dry goods establishment.  Loss estimated at $15,000.  Insured for $10,000.  The Lexington Company has $2,000 and the balance is divided among several other companies.  Mr. Evans’ Daguerrian gallery was in the second and third stories over this store.  Mr. Evans loss, we understand is something over $1,000—insured in the Genesee Mutual for $1,000.

1850 February 8.  New York Herald.  (New York, New York.)  February 8, 1850, Whole No. 5725, P. 4.

The Late Fire in Buffalo, N. Y.—The Buffalo Courier, of the 6th inst…Evans’ Daguerrean gallery occupied the second and third stories of this building.  Insured in the Genesee Mutual for $1,000, which will fall short of covering the loss….

1850 February 11.  Portage Sentinel.  (Ravenna, Ohio.)  February 11, 1850, Vol. 5, No. 37, Whole No. 246, P. 2.

Great Fire in Buffalo, February 5.  This city has once again been visited by quite an extensive fire.  About half past four o’clock this morning, a fire was discovered in the upper part of the store No. [216] main street, next adjoining Coleman’s Drug store, corner of main and Swan streets.—Four three story brick stores belonging to the heirs of George Coyt, and the heirs of the late Judge Townsend…No. 218 was occupied by M. Compton as a dry goods store, whose loss is total, amounting to about $15,000.  He is insured for about two thirds—$2,000 of which was insured in the Lexington Company; the second and third stories were occupied by Evans Daguerrean gallery, which was insured in the Genesee Mutual company for one thousand dollars which will not cover the loss….

1850 February 12.  The Spirit of the Times.  (Batavia, New York.)  February 12, 1850, Vol. 31, No. 35, P. 2.

Extensive Conflagration in Buffalo.  Our city has once again been visited with quite a disastrous conflagration.  About half past four o’clock this morning, a fire was discovered in the upper part of store 218 Main st. next adjoining Coleman’s Drug store, corner of Main and Swan streets.  Four three story brick stores were burned—owned by George Coit, and the heirs of the late Judge Townsend…no. 218…The second and third stories were occupied by Evans’ Daguerrian Gallery.  Insured in the Genesee Mutual for $1000—which will not cover the loss…

1850 July 12.  The Schenectady Reflector.  (Schenectady, New York.)  July 12, 1850, Vol. XVI, No. 28, P. 2.

Most Fortunate Escape.—Capt. G. A. Griffing, of the Canal boat James M. Gray, informs us that 120 Norwegian emigrants, whom he conveyed to Buffalo, had paid their fare to Wisconsin on the ill fated steamer Griffith[2], and were just about to embark when Mr. O. B. Evans, Daguerrean, persuaded them to stop until next day, that he might take a picture of the boat and singularly dressed foreigners, which was done, and the money paid being refunded, their gratitude and joy, on hearing shortly of the sad destruction of the steamer can better be imagined than described.—Herkimer Journal.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.         M. A. Root, daguerreotypes.

28.       W. & F. Langenheim, photographic slides.

31.       O. B. Evans, daguerreotypes.

35.       Meade & Brothers, daguerreotypes.

51.       D. E. Gavit, daguerreotypes.

63.       M. B. Brady, daguerreotypes.

77.       M. M. Lawrence, daguerreotypes.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.       M. A. Root, Philadelphia, Pa., daguerreotypes.

62.       W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.     O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.     Meade & Brothers, New York, daguerreotype.

125.     D. E. Gavit, New York, daguerreotypes.

137.     M. B. Brady, New York, daguerreotypes.

151.     M. M. Lawrence, New York, daguerreotypes.

396.     J. W. Whitehurst, Baltimore, daguerreotypes.

1851 October 9.  New York Daily Tribune.  (New York, New York.)  October 9, 1851, Vol. XI, No. 3269, P. 5.

The Daguerreotypes At The Fair.—Among the most attractive articles in the present Fair of the American Institute at Castle Garden, the Daguerreotypes by our City artists hold, and worthily hold, we think, a very high place.  The improvements in the photographic art within a few years have certainly been extraordinary; and notwithstanding the art itself originated in France, the World’s Fair in London completely settled the question, that in this country it had already received a finish and perfection known to no other part of the earth.  And yet, in the World’s Fair were to be found only some of our most inferior specimens; the display in Castle Garden at this moment, far surpassing in point of excellence in the Daguerreotypie Art, that presented by the celebrated Crystal Palace.  Castle Garden, however, even to the most careless eye, exhibits, by no means, a monotonous uniformity of perfection in this particular branch of our national skill, taste and industry; for, although many of the specimens of the Daguerreotype are very good indeed, and many strikingly better, the collection in the upper, north gallery, by Messrs. M. A. & S. Root, of this City, is one that cannot fail to meet the entire approval of every one.  We look on those exceedingly large likenesses as beyond anything of the kind we have yet seen either in this country or in Europe.  In addition to their size, while it brings them up almost to the magnitude of portraits, increases immeasurably the difficulty of their correct production, there is a sharpness in the outline, a distinctness in the impression, a depth and clearness of expression, a fullness of character about them, as well as an absence of the cloudy dimness and mercurial flatness which so generally characterize and mar the limnings of the daguerreotype, that they at once arrest the attention and extort from all exclamations of admiration.  The likeness of Mr. Hite, the miniature painter, is exquisite.  The Messrs. Root also exhibit a very beautiful series of daguerreotypie illustrations of the sentiment of the song of “The Old Arm Chair.”  The picture are eminently artistic, appropriate and poetic, natural and full of taste.  If no other evidence were at hand, if the medals won by the Messrs. Root from various exhibitions in this and other States counted for nothing, if the gigantic pictures they have produced, so next to life itself in all their characteristics were set aside, this graphic illustration of so popular a song would place them in the foremost rank among the daguerreotypists of the world.

1851 October 10.  New York Daily Tribune.  (New York, New York.)  October 10, 1851, Vol. XI, No. 3270, P. 5.

To the Editors of the N. Y. Tribune:

Gentlemen:  I cannot let the article in your paper of this morning, headed “ The Daguerreotypes at the Fair,” pass without a reply.  Although appearing as editorial, I cannot for a moment believe that it was written by either of the Editors of The Tribune.  It is to partial, and so far from the truth, that no one at all acquainted with the facts of the case, can believe that it emanated from any other than the gentlemen who are so highly extolled.  It certainly is a sort of left-handed compliment to the exhibitors at the London Exhibition to say, that they have carried off the palm from the whole world, and yet, have done so, with the “most inferior specimens.”  Why did not the gentleman send some of those specimens “that arrest attention, and extort from all, exclamations of admiration?”  His name appears on the list of competitors at the Crystal Palace, yet, his pictures have never arrived there.  Why? Was he afraid to compete with “inferior specimens?”  Will any one suppose, That Mr. Whipple of Boston, Mr. Evans of Buffalo, Mr. Brady and Meades of New York, or your humble servant, sent nothing but “most inferior specimens?”  Fair competition, and honest rivalry I most heartily approve of.  It is that which has placed the art in its present high position in this country.  But for one to endeavor to elevate himself, by depreciating the productions of others that are equally meritorious, is neither fair, honorable nor honest.

M. M. Lawrence, No. 203 Broadway.  New York, Oct. 9, 1851.

1851 October 11.  New York Daily Tribune.  (New York, New York.)  October 10, 1851, Vol. XI, No. 3271, P. 5.

To the Editors of the N. Y. Tribune:

Gentlemen:  In The Tribune of this morning, I find an article signed “M. M. Laurence,” reflecting ungenerously upon Messrs. M. A. & S. Root, of this City, on account of an editorial that previously appeared in your columns, justly eulogizing the Daguerreotypes exhibited by the Messrs. Root, at the Fair, at Castle Garden.

With the personal feeling evinced by Mr. L. in his communication against the Messrs. R., I can have nothing to do, although, upon the principle “let the galled jade wince,” Mr. L. has placed himself, by his lamentation over the success of a rival, in a very undignified position before the public; and, as “one of the public,” I might have a right to amuse myself by taking advantage of it.

But, gentlemen, when Mr. L. taxes you with either injustice or ignorance, in your remarks relative to the Daguerreotypic specimens from this country, in the Crystal Palace, in London, and the very superior specimens of the art displayed by the Messrs. Root at Castle Garden, I cannot remain silent.

I attended the Great World’s Fair in Hyde Park.  And examined their contents, every day, for weeks.  And yet, with the highest possible respect for the abilities of “Mr. Whipple, of Boston, Mr. Evans, of Buffalo, Messrs. Brady and Meade, of New York.” as well as of Mr. L., I assert that the Crystal Palace does contain, or did in May, June and July last, the “most inferior specimens” of the progress of the Daguerreotypic art in this country.  I would not insult any of those gentlemen by supposing that they sent their best pictures, for I have seen better at their doors; and I was going to say, they had more meritorious ones now on exhibition at Castle Garden.  But I discover that not one of them has felt disposed to enter into the contest for the medal, with the Messrs. Root, on this occasion.  “Discretion,” Falstaff remarks, “is the better part of Valor.”

As for Mr. L.’s anxiety to charge upon the Messrs. Root the disposition to “blow their own trumpet,” I have only to say, in the language of Lacon, “They most accuse who oftenest sin themselves.”  I know that the Messrs. Root did not write the article that has so wounded Mr. L.; and as to the merits of the Messrs. Root’s pictures at Castle Garden, they may be safely left to speak for themselves.  If they do not “arrest attention and extort from all exclamations of admiration, “then am I, certainly, no Judge Of Facts.  New-York, 10th Oct., 1851.

1851 October 14.  The Spirit of the Times.  (Batavia, New York.)  October 14, 1851, Vol. 33, No. 18, P. 3.

Photographic.  O. B. Evans, Proprietor of the London Premium Daguerrean Gallery, Buffalo, will open rooms for a few days at Mr. C. A. Johnson’s new sky-light Gallery, in Batavia.  Mr. E. trusts his reputation is too well established to require any comment.  All persons wishing pictures taken by him, must be ready as soon as his rooms are ready for business.

Specimens can be seen at Mr. Johnson’s Rooms.

The above is a cut of a Silver Medal awarded by the late State Fair, at Rochester, and the sixth premium in the last ten years.

Advertisement ran from October 14 to December 30, 1851.

1851 December 25.  Buffalo Morning Express.  (Buffalo, New York.)  December 25, 1851, Vol. V, No. 1841, P.3.

Photographic.  O. B. Evans most respectfully begs leave to tender to the Ladies and Gentlemen of Buffalo and the public in general, his most sincere and ardent thanks for the very liberal patronage which he has received during the last three years in the city.  Our extensive patronage is, of course, only the result of merit.—This assertion is fully sustained by the Premiums awarded us at the State Fair, and other societies of a more distant date.  With our present likits we only refer to the following:  First—a Silver Medal and a Diploma by the New York State Agricultural Society, at the Buffalo meeting in 1848, For The Best Daguerreotypes; the First Prize at the Syracuse meeting in 1849; also a Silver Medal for best Picture at Rchester, in 1851; and a Diploma for the best Daguerreotype of a domestic animal—thus showing more First Class Premiums than any other Artist in the country.

Derogatory as it may appear. In the Art of Daguerreotyping, we have in all of the above Exhibitions shown our Pictures in competition with McDonell, of Buffalo, who never received a premium in this or any Society;—though this embarrassment has been very much relieved by flooding other Pictures on exhibition of the very highest order and executed at the first Galleries in the country, while many others, perhaps, have shown their good taste, by withdrawing their productions after finding that our Pictures were entered for the Prize.

Persons visiting Buffalo are most respectfully solicited to make us a call, and take a look at the most costly and magnificent Daguerrean Gallery in the world, and accept the thanks of the proprietor.  O. B. Evans, The oldest Practical Daguerrean in the U. S., 214 Main st., Townsend Hall.

Advertisement was recorded from December 25, 1851 to  January 15, 1853.

1852 January 6.  The Spirit of the Times.  (Batavia, New York.)  January 6, 1852, Vol. 33, No. 30, P. 3.

Photographic.  O. B. Evans would most respectfully announce to the Ladies and Gentlemen of Batavia and vicinity, that he is now prepared to wait upon all who may please favor him with a call.  His sojourn will be limited to one week.  Rooms at Mr. Johnson’s Gallery.

1856 January 1.  Buffalo Morning Express and Daily Democracy.  (Buffalo, New York.)  January 1, 1856, Vol. XI, No. 3083, P.3.

Photographic And Stereoscopic Likenesses.  O. B. Evans would most respectfully give notice that he will be fully prepared to execute all varieties pf paper and glass pictures in a few days.  Persons are most cordially solicited to take a look at his pictures before purchasing elsewhere.

Stereoscopic, as well as Photographic pictures, the subscriber would wish to see compared with other competitors.  jy17.


[1] Craig’s Daguerreian Registry.

Boisseau, Alfred

1845-1847       Address Unknown, New Orleans, Louisiana.

1848-1852       396 Broadway, New York, New York.

1852-1854       111 Superior Street, Williams’ Block, Cleveland, Ohio.

1855-1857       111 & 113 Superior Cleveland, Ohio.[1]

1859                243 Superior, Cleveland, Ohio.1

1860-1888       Address Unknown, Montreal, Canada.[2],[3]

1888-1901       Address Unknown, Buffalo, New York.3

1889                Address Unknown, Manitoba, Canada.3

The first mention of Alfred Boisseau practicing photography was on April 15 1854 while in Cleveland, Ohio, in addition to portrait and landscape painting. He also practiced photography while in Montreal Canada, in addition to portrait and landscape painting, he is also known for his painting of Indigenous peoples.

N. D.  The New York Historical Society’s Dictionary Of American Artists 1564-1860.  (New Haven, Connecticut.)  P. 62.

Boisseau, Alfred (1823-?)  Portrait and genre painter, drawing and painting teacher, and art dealer.  Boisseau was born in 1823 in Paris and exhibited at the Salon in 1842.  He was in New Orleans in 1845 and 1846, and in NYC in 1849 and 1852 , when he exhibited at the National Academy and American Art-Union, respectively.  He apparently moved to Cleveland (Ohio) late 1852, advertising there in December 1852 and January 1853 as a portrait and landscape painter, teacher of drawing and painting, and art dealer.  He was in Cleveland as late as 1859.

1848 November 2.  The Evening Post.  (New York, New York.)  November 2, 1848, Vol. XLVI, P. 2.

Alfred Boisseau, a pupil of Delaroche, and a painter of great merit, has just opened a gallery of portraits and other paintings, at No. 396 Broadway, corner of Walker street.  Mr. Boisseau is one of those men of talent whom the waves of the agitated ocean of European politics have just cast upon our shores, where we hope he will find an hospitable asylum.  Some of his pictures have been exhibited with great success at the Louvre, among others a scene of Creole Life, which is now in his gallery.  We counsel our connoisseurs to look at Mr. Boisseau’s collection.

1848 November 27.  The Evening Post.  (New York, New York.)  November 27, 1848, Vol. XLVI, P. 2.

Exhibition of Paintings.  Admission Free.  Mr. Alfred Boisseau, Portrait and Historical Painter, lately arrived from Paris, wishing to have his work appreciated by amateurs, will open to the public for a few weeks his private gallery of paintings, portraits, drawings, &c., daily.  Sunday excepted from 12 till 5 P. M.  396 Broadway, corner of Walker street, 1st floor.

Mr. Alfred Boisseau will receive a few pupils in his studio.

1848 November 29.  The Evening Post.  (New York, New York.)  November 29, 1848, Vol. XLVI, P. 2.

Mr. Boisseau’s Gallery.—We refer our readers to the advertisement of Mr. Boisseau, an able French artist, of whom we have already spoken.  His gallery of paintings is now open gratuitously to all who choose to visit it, at No. 396 Broadway.  We counsel our friends to look at them.

1848 December 8.  The Evening Post.  (New York, New York.)  December 8, 1848, Vol. XLVI, P. 3.

Boisseau’s Academy Of Drawing and Painting, No. 396 Broadway.  Mr. Alfred Boisseau, pupil of Paul Delaroche, will open a morning class for Ladies, and an evening one for Gentlemen, in which he will teach the different styles of drawing and painting portraits, figures and landscapes.  The pupils will be received in Mr. Boisseau Gallery of Paintings, at hours when visitors are not admitted.  This location is such that Ladies may attend with perfect propriety For particulars apply at Mr. Boisseau’s Gallery of Paintings 396 Broadway.

Mr. Boisseau can refer to the following gentlemen:

Major Poussin, Minister of France to U. S.; Mr. Simounet, Counsul General of France, N. Y.

Charles King, Esq.  N. Y.; W. C. Bryant, Esq.  N. Y.; N. P. Willis, Esq.  N. Y.

Regis de Trobriand, Esq.  N. Y.; R. Gignoux, Esq.  N. Y.; Charles de la Forest, Esq.  N. Y.

Comte de Dioin,  N. Y.; Charles Canda,   N. Y.; L. & H. Peugnet, Esq.  N. Y.; Paul Arpin, Esq.  N. Y.

E, Didier, Esq.  N. Y.; F. G. Berteau, Esq.  Brooklyn.

1848 December 9.  The Evening Post.  (New York, New York.)  December 9, 1848, Vol. XLVI, P. 2.

Instruction in Painting.—We refer our readers to the advertisement of Mr. Boisseau, who offers to give instructions in the art of drawing and painting in oil colors.  Mr. Boisseau is himself an artist of high merit, whose works have already won for his a reputation in the land of his birth.  The French painters are well grounded in the elements and principals of their art, and expert in the habit of reducing them to exact practice.  This qualifies them for the through instruction of pupils.

1849 April 14.  The Albion, or British, Colonial, and Foreign Weekly Gazette.  (New York, New York.)  April 14, New Series–Vol. 8, No. 15, P. 9.

National Academy of Design…

161.  Scenery of Creole Life.  A. Boisseau.—A picture singularly brilliant in colouring, reminding us in its exaggerated tone of the effect of coloured crayons.  A handsome Creole, an infant, and a negress are painted in dolce far niente attitudes.  We cannot praise the drawing, and were the lady’s lower limbs are bestowed it would be difficult to comprehend.  The form, size, style, and gay colouring will attract notice, and perhaps find admirers.  The picture is circular, and very handsomely framed; but from the peculiarity in the arrangement of the figures it somewhat reminds us of a target, with the bull’s eye distinctly marked.  Attentive observers will see what we mean.

1849 April 17.  The New York Herald.  (New York, New York.)  April 17, 1849, No. 5429, P. 1.

John Keese Auctioneer…Thursday Evening—April 19.  Oil Paintings—Valuable and splendid Oil Paintings at the studio of Mr. Boisseau, at No. 396 Broadway, corner of Walker street, (over Stoppani’s Baths)—A valuable collection of ancient and modern Oil Paintings by celebrated masters, exquisite drawings, &c., all of which are now ready for examination.  The sale will be positive, and offers to the lovers of art he public generally, and opportunity seldom met to furnish their galleries with pleasing works of art.  Mr. Boisseau, celebrated as an artist, being about to travel through the United States, renders it important to him to close this concern, and to which public attention is respectfully invited.  

1849 April 9.  The Evening Post.  (New York, New York.)  April 19, 1849, Vol. XLVII, P. 2.

Oil Paintings.—The entire lot of paintings and frames, from the studio of A. Boisseau, is to be sold at auction this evening, at No. 396 Broadway, by Cooley & Keese.  The pictures are nearly all from the easel of Bosseau, (sic.) consisting of originals and copies from old masters.  It affords an excellent opportunity to any person who may desire to purchase pictures, as many of them are very fine, and have been visited by great numbers of persons while on exhibition in this city.

1851 December 15.  The Evening Post.  (New York, New York.)  December 15, 1851, Vol. LI, P. 2.

American Art-Union.  Catalogue Of Works Of Art to be distributed among the members at Tripler Hall, on Friday Evening, Dec. 19.  The present collection contains more works of high cost and superior merit than that of any previous year, and will be increased in proportion to the amount of subscription received…

Subject of Pictures………Names of Artists

154*  Flower Girl……….A. Boisseau.

*The pictures marked with an asterisk were purchased by the Art Union of the National Academy of Design, having been contributed by the Academicians for the benefit of the Academy.

1852 December 25.  Morning Daily True Democrat.  (Cleveland, Ohio.)  December 25, 1852, Vol. 6, No. 305, P. 2.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block.

1853 August 13.  Daily Forest City.  (Cleveland, Ohio.)  August 13, 1853, Vol. 2, No. 95, P. 3.

Alfred Boisseau, Portrait And Landscape Painter, Keeps constantly on hand a fine collection of Landscape and Fancy Paintings, ready for sale.  Pictures cleaned, repaired, and varnished.

Instruction in Drawing and Painting carefully given.  Rooms No. 111 Superior street, Williams Block. dec. 30.

1853 September 14.  Daily Forest City.  (Cleveland, Ohio.)  September 13, 1853, Vol. 2, No. 122, P. 2.

Academy of Drawing and Painting.  111 Superior st., Williams’ Block.  In answer to earnest solicitations, Mr. A. Boisseau, of Paris, and latterly of New York, has opened classes for ladies and gentlemen, in which he will teach the different styles of Drawing and Painting Portraits, Figures and Landscapes. 

Drawing and Painting from Examples, Plaster Figures, and Living Models, will form principal features in the course of instruction thereby leading to that knowledge of form and power of delineating Nature so much desired by the Artists.

The instruction will be given in Mr. Boisseau’s studio, and under his immediate attention and personal instruction.

A choice and complete assortment of Artist’s Materials will always be found at A. Boisseau’s rooms, to be sold at New York prices.

1854 February 6.  Daily Forest City Democrat.  (Cleveland, Ohio.)  February 6, 1854, Vol. 8, No. 2470, P. 5.

The amateurs of the fine arts are invited to step into Holbrook & Long’s Music Store and examine four paintings, executed by A. Boisseau.  Two of them are portraits, which will be recognized at sight.  The other pair are landscape paintings—one a view of the Cuyahoga valley, between Cleveland and Ohio City—which is pronounced fine.

1854 February 14.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  February 14, Vol. IX, No. 272, P. 2.

Amateurs of Fine Arts are respectfully invited to go and examine the two attractive Oil Paintings now on exhibition and for sale at Holbrook & Long’s Music Store.  A. Boisseau.

1854 April 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 15, Vol. X, No. 13, P. 2.

Boisseau’s New Daguerrean Room, 111 Superior Street, Williams Block, Opposite Forest City House, Cleveland, O.  Mr. A. Boisseau having secured the services of Mt. T. Magher, one of the best operators of the city of New York, now opens a new Room for Daguerreotyping, in common with his Painting room.  The Room is nicely fitted up, and being constantly supplied with a fine collection of Oil Paintings, will be quite a rendezvous for the friends of the fine arts.  Mr. B. has put to profit his long experience in Portrait Painting to procure the kind of light just calculated to produce the handsomest Pictures; and intending to follow Daguerreotyping as an Art, he has spared neither time nor money to gather up the best instruments and materials necessary to practice successfully.

Me B. is prepared as before to execute Portraits in Oil, Landscapes and Fancy Paintings, and would inform his pupils in Drawing and Painting, that the Daguerreotyping business will not interfere with their Lessons,, as he will continue to devote to them part of his time.

Advertisement ran from April 15 to 21, 1854.

1854 June 20.  Cleveland Leader.  (Cleveland, Ohio.)  June 20, 1854, Vol. X, No. 69, P. 3.

Boisseau’s Daguerreotypes, are every day gaining popularity among our citizens.  As a portrait painter and daguerreotypist.  Mr. Boisseau ranks with the best.  Call at his rooms. 111 Superior street, Williams’ Block.  May 12.

1856 September 24.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  September 24, 1856, Vol. XII, No. 22, P. 3.

State Fair…At the Fine Art Hall the exhibition is charming.  By the skillful arrangements of the Superintendent, Allen Smith, Jr.,…

Boisseau’s portrait of Mr. Williams is excellent; his landscapes are indifferent in both subject and execution.

Ryder’s Photographs form a gallery of beauties, and cannot be surpassed for faithfulness and skill in coloring.

North Exhibits some very excellent photographs among the best of which are those of Mr. A. P. Winslow, Mr. and Mrs. Stevens.

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

1856 October 11.  The Ohio Farmer.  (Cleveland, Ohio.)  October 11, 1856, Vol. 5, No. 41, P. 1.

Fine Arts Fair…Photographs And Ambrotypes.  North, of Cleveland, stands without rival in this department of art.  Some of his ambrotypes, are most exquisitely executed.  Ryder, Boisseau, Bisbee, Mrs. Short, and Stimpson, were without merit; some were superior.  Some of these pictures had a peculiar appearance, standing out, as it were, from the glass.

Photographs In Oil, (Life Size.) In this department, there were several competitors.  Among these, North, Pease, Ryder, Boisseau, and Smith, stand prominent.  The rivalship in coloring these photographs in oil, stands chiefly between Smith, Pease, and Boisseau, each of whom has a peculiar style.  The general expression seemed to be in favor of those by Smith, though many preferred those by Pease—others, those by Boisseau.

1891 February 12.  Buffalo Evening News.  (Buffalo, New York.)  February 12, 1891, Vol. XXI, No. 103, P. 2.

Portraits Prof. Boisseau and J. Theo Chabot, Artist.  Oil, Pastel and Crayon Studio—20 Court St.

Advertisement was recorded from February 12 to March 10, 1891.

Buffalo City Directories.  Published by The Courier Company, Buffalo, New York.

1891.

Boisseau, Alfred—Not Listed.

Boisseau, Leon—Artist—75 Delaware Place.

1892.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

1893.

Boisseau, A.—Professional Artist—17 West Eagle—b—606 Main

Boisseau, Leon—Not Listed.

Additional directories not available on line.

Wikipedia:

Biography


[1] Craig’s Daguerreian Registry.

[2] Wikipeadia.

[3] Early Painters and Engravers in Canada by J. Russell Harper.

Aaron Bean

1848-1851       290 Main Street, Buffalo, New York.[1]

1852                Address Unknown, Buffalo, New York.

Aaron Bean was recorded in two announcements.  The first appeared in The Freeman’s Journal  (Cooperstown, New York) on January 23, 1852.  Destructive Fire and Loss of Life.  Buffalo, Jan. 18.—At 2 o’clock this morning a fire broke out in the brick block on the corner of Main and Eagle Streets, originating in the saloon kept by Daniel Dix, in the basement of the corner building under the drug store of P. G. Vonght & Co….

Two mournful accidents occurred.  Aaron Bean, Daguerrean artist, who was sitting up in an upper chamber with the corpse of his child, was smothered to death before assistance could be rendered.  It is supposed he fell asleep and from the rapid spread of the fire, his room filled with smoke before he awoke.  His wife and daughter, in another chamber, were rescued….

The second appeared in the Jamestown Journal (Jamestown, New York) on January 23, 1852.

…The upper story was occupied by families.  Mr. Bean residing with his family over his daguerrean room.  We record with pain the death of Mr. Bean, who was infirm, and in saving the life of his wife, was suffocated in the smoke.  When taken out, he had ceased to breath, and every effort to resuscitate him proved unavailing.  Mr. Bean had just lost a child whose corpse was in the house at the time of the fire, but was taken out…

Arron Bean is recorded in other photographic directories.


[1] Craig’s Daguerreian Registry.

Philo Allen

1847-1848       164 Main Street, Buffalo, New York.

Philo Allen was recorded in two announcements in the Morning Express (Buffalo, New York).  The first advertisement ran from November 11, 1847 to January 8, 1848.  Daguerreotype Apparatus.  Philo Allen, 164 Main street, Buffalo, respectfully calls the attention of Daguerrian Artists to his large assortment of articles for their use.  Having for a number of years past been dealing in these articles he feels confident he has a better assortment of genuine materials than can usually be found away from the metropolitan cities, and the large amount of his sales enable him to offer them at as low prices [as] the same quality of materials can be found in the Union. Among his assortment may be found—

Scovill’s medium, quarter and half size plates, No. 1 and 2. E. White’s do do., Cases, of all sizes, styles and quality, including silk, velvet and satin lined, extra gilt, &c., &c. Thermometer Tubes, Prepared Buckskin, Colors and Brushers, Color Boxes, Calcined Rotten-stone, Distilled Mercury, Hyper-sulphate of Soda, [ ? ] of Potassium Bromine, German and American, Warranted pure, Iodine, Chloride of Iodine, Roche’s Quick Stuff, Chloride of Gold, Rogue, Black Polish, &c., &c. Mattings and Preservers, different sizes, Plate Glass, all sizes, Black Walnut and Rosewood Frames, Also—Voigtlander’s and Langenheim’s celebrated Cameras, and other apparatus furnished at New York prices.  Every article warranted genuine.

Artist and others wishing any thing in this line are invited to call and take prices.  Philo Allen, 164 Main st. 

The second advertisement ran from August 31 to after September 9, 1848.  Daguerreotype Materials…Unreadable…Poor film quality, out of focus, low resolution and over exposed.

Philo Allen is recorded in Craig’s Daguerreian Registry as being active in Buffalo, New York prior to April 1854 without a business address.

Walker & Benton

1847-1848       266 Main Street, Buffalo, New York.

Walker & Benton (George G. Walker & Russell O. Benton) were recorded in an advertisement in the 1847-1848 Buffalo City Directory (Buffalo, New York) and one advertisement in The Republic (Buffalo, New York).  The city directory advertisement reads:  Walker & Benton’s Daguerrian and Manufacturing Rooms,  Formerly Geo. G. Walker, No. 266 Main Street, Where Miniatures are taken equally well in clear or cloudy weather from 3 to 15 seconds.  Also, on hand and for sale a general assortment of German and American Cameras-Plates, Cases and Chemicals, And every thing pertaining to Daguerreotype business.

All Orders Directed To Walker  Benton With Remittance, Shall Be Filled With Dispatch.

N. B.—Instructions in the art thoroughly and carefully given.

The advertisement ran from July 2, 1847 to April 28, 1848 in The Republic(Buffalo, New York).  Walker & Benton, Daguerrian Rooms, 266 Main street, Buffalo.

Price of Miniatures from $1 to $10.  Apparatus. Plates, cases, chemicals &c., for sale.  All instruction in the art carefully and faithfully given.                                             

Walker & Benson are both recorded in Craig’s Daguerreian Registry, but Walker is misidentified as George R. Walker not George G. this has been verified in the above advertisements and the residence section of the 1847-1848 Buffalo City Directory.

Henry Shaft

1855                Address Unknown, Buffalo, New York.

Henry Shaft was recorded in one advertisement that appeared on June 20, 1855 in The New York Herald (New York, New York).  To Photographers.—Wanted, A Person Who thoroughly understands the photographing and daguerrean arts, to go to a large Western city.  To a competent man, a permanent situation, with good salary, will be given.  Address Henry Shaft, box 2410 Buffalo Post Office, with specimens of work.

Henry Shaft is not recorded in other photographic directories.  It is possible that Henry Shaft was an agent or contact person and not a photographer.  

Further research uncovered in the 1855 Buffalo City Directory residency listing Henry Shaft is listed as a book-keeper at R. J. Compton.  Richard J. Compton is recorded in the residence listing as an Engraver and Lithographer, 209 Main Street. In an advertisement P. 81 Compton’s Lithographing & Engraving Establishment, 209 Main Street, Buffalo, R. J. Compton, Proprietor, Having purchased the entire interest of my Co-partners, and having the most extensive establishment of the kind in the west, I am prepared to fill contracts for the largest kind of work with punctuality and in the best style.

William C. Mayhew

1847                274 Main Street, Buffalo, New York.

William C. Mayhew was recorded in an advertisement that ran from June 30 to August 28, 1847 in The Republic (Buffalo, New York).  Daguerrian Gallery.—Cameo Likenesses taken by Mr. Wm. C. Mayhew.  Copies of the antique cut in Cameo from designs.  Daguerrian likenesses taken in all weather, with or without color.  Rooms No. 274 Main st.

William C. Mayhew is not recorded in other photographic directories.