Tag Archives: Boston Massachusetts

Davis, John J. P.

Daguerreotypes, , , ,

1845-1850       34 Tremont Row, Boston, Massachusetts.[1]                       

1850-1854       257 Washington Street, Boston, Massachusetts.1

1847 February 19.  The Daily Chronotype.  (Boston, Massachusetts.)  February 19, 1847, Vol. 2, No. 305, P. 2.

Prices Reduced.—Daguerreotype Miniatures, beautifully executed at No. 34 Tremont Row, for 1,25—also large assortment of Gold and Plated Lockets for sale cheap.

Advertisement ran from February 19 to May 1, 1847.

1847 March 16.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 16, 1847, N. P.

Daguerreotype Miniatures, beautifully executed at W. P. Davis’s Gallery, No. 31 Tremont Row, Boston [sic] (J. J. P. Davis’s Gallery, No. 34 Tremont Row, Boston) Large assortment of gold and plated Lockets constantly on hand.  All materials used in the art for sale, and instructions given.  Pictures taken in any weather

Advertisement ran on March 16, 1847.

1847 March 17.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 17, 1847, N. P.

Daguerreotype Miniatures, beautifully executed at (J. J. P. Davis’s Gallery, No. 34 Tremont Row, Boston) Large assortment of gold and plated Lockets constantly on hand.  All materials used in the art for sale, and instructions given.  Pictures taken in any weather.

Advertisement ran on March 16, 1847 to March 20, 1848.

1847 May 3.  The Daily Chronotype.  (Boston, Massachusetts.)  May 3, 1847, Vol. 3, No. 366, P. 2.

Prices Reduced.—Daguerreotype Miniatures, beautifully executed at John J. P. Davis’ Gallery, No. 34 Tremont Row,—Also a large assortment of Gold and Plated Lockets for sale cheap.

Advertisement ran from May 3 to May 31, 1847.

1848 August 26.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 26, 1848, N. P.

Notice.  Copartnership Dissolved.  Whereas William A. Perry, recently a partner in the firm of J. Davis & Co. has signified his intention of leaving the firm by word and act.  I hereby caution all persons from trusting said W. A. Perry on account of the firm, as no debts will be settled of his contracting, by me.  J. J, P. Davis, 34 Tremont Row. 

1849 November 5.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  November 5, 1849, N. P.

Removal.  J. J. P. Davis & Co. Have removed from No. 34 Tremont Row, to No. 257 Washington street.  They have a splendid suit of rooms, fitted up expressly for the Daguerreotype Business.  Their Pictures are not to be surpassed.  Those in want will do well to call before sitting elsewhere.      

Advertisement ran from November 5, 1849 to February 8, 1850.

1849 November 19.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  November 19,1849, N. P.  

Daguerreotypes.  Messrs. Davis & Co., who have recently removed from Tremont Row to 257 Washington street, have long enjoyed an excellent reputation in their line of business, and their new rooms give them much greater facilities than heretofore.

1849 December 21.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  December 21, 1849, N. P.

Christmas Presents…For Superior daguerreotypes to Whipple; to Southworth & Hawes; to Davis; to Jones; to Chase and some few others…

1850.  The Massachusetts State Record and Year Book of General Information.  (Boston, Massachusetts.)  Vol. IV, P. 8. 

J. J. P. Davis & Co. Daguerreotype Gallery, No. 257 Washington Street, Boston.

1850-1851.  Boston Directory.  (Boston, Massachusetts.)   P.43.  Published by George Adams, 1850.

J. J. P. Davis, Daguerreotype Gallery, 257 Washington Street, Boston

1851 The Massachusetts State Record and Year Book of General Information. Volume 4,Page 8.

J. J. P. Davis & Co. Daguerreotype Gallery, No. 247 Washington Street, Boston.

1852 March.  The Photographic Art Journal.  March 1852, Vol. 3, P. 195

Messrs. Davis & Perry have opened rooms at 257 Washington street, Boston, that are said to be truly magnificent.  We are well acquainted with Mr. Perry, and  know him to be one of the best Daguerreotypist in the United States.  He has a fine taste, excellent judgement in his art, and executes admirable pictures.  He will undoubtedly command a large share of the patronage of so critical a city as Boston.

1852 May 1.  Humphrey’s Daguerreian Journal.  (New York, New York.)  May 1, 1852, Vol. 1, No. P. 32.

Wm. Perry, has in connection with a Mr. Davis, opened rooms in the city of Boston.

1851-1852.  Boston Directory.  (Boston, Massachusetts.)  P. 27.  Published by George Adams, 1851.

J. J. P. Davis, Daguerreotype Gallery, 257 Washington Street, Boston

1851-1852.  Boston Directory.  (Boston, Massachusetts.)  P. 27.  Published by George Adams, 1851.

J. J. P. Davis, Daguerreotype Gallery, 257 Washington Street, Boston.

1852-1853.  Boston Directory.  (Boston, Massachusetts.)   P. 35.  Published by George Adams, 1852.

J. J. P. Davis, Daguerreotype Gallery, 257 Washington Street, Boston.

1852 March.  The Photographic Art Journal.  March 1852, P. 195

Messrs. Davis & Perry have opened rooms at 257 Washington street, Boston, that are said to be truly magnificent.  We are well acquainted with Mr. Perry, and  know him to be one of the best Daguerreotypist in the United States.  He has a fine taste, excellent judgement in his art, and executes admirable pictures.  He will undoubtedly command a large share of the patronage of so critical a city as Boston.

1852 May 1.  Humphrey’s Daguerreian Journal.  (New York, New York.)  May 1, 1852, P. 32.

Wm. Perry, has in connection with a Mr. Davis, opened rooms in the city of Boston.

1853, Boston Directory.  (Boston, Massachusetts.)  P. 33.  Published by George Adams, 1853.

J. J. P. Davis, Daguerreotype Gallery, 257 Washington Street, Boston.

Miniature copies from Paintings, Statuary, and every thing appertaining to the Daguerreotype Art, taken at this Establishment, on reasonable terms, and warranted not to be surpassed.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Davis, Ari

Daguerreian Stock and Materials, Lecturer, , ,

1839-1841       11 Cornhill, Boston, Massachusetts.[1]

1842                19 Court Sq., Boston, Massachusetts.1

1843                75 Court, Boston, Massachusetts.1

1844-1845       Business Address Unknown, Boston, Massachusetts.1  

1811 May 18.  Vital Records of Princeton, Massachusetts.

Born May 18, 1811 to Daniel & Lydia Davis.

1838-1845.  Boston City Directories.  Boston, Massachusetts.

Philosophical Instrument Maker.

1840 June 9.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  June 9, 1840, N. P.

Daguerreotype apparatus, of every variety, and of variety superior quality, for sale at the very low price of $25 a set, by A. Davis, No. 11 Cornhill.

Advertisement ran from June 9 to June 23, 1840

1841 April 2.  Lowell Advertiser.  (Lowell, Massachusetts.)  April 2, 1841, Vol. 5, No. 113, P. 2.

We would call attention to the Lecture advertised in another column, at the City Hall, by Mr. A. Davis, on the Daguerreotype, this evening.  Mr. Davis is the gentleman who lectured, a few evenings since, before the institute, on Electro-Magnestism, to the great satisfaction of the audience.  It may be presumed that the proposed Lecture will be exceedingly interesting, as the subject is one of universal interest; and may be expected to be properly handled.

The public will please take due notice, and govern themselves accordingly.

1841 April 2.  Lowell Advertiser.  (Lowell, Massachusetts.)  April 2, 1841, Vol. 5, No. 113, P. 3.

Daguerreotype Apparatus.  The subscriber having been engaged for some time in constructing Daguerreotype Apparatus, as brought it to a high degree of perfection, and as those who have purchased his apparatus have been eminently successful in obtaining solar paintings, he offers it to the public with much confidence.  He has modified somewhat the apparatus, as described by Daguerre, and has rendered it more portable, lighter and more elegant, and as every part of it is put together with his patent dove-tailing machine, it insures strength and tightness in every portion of the apparatus, and effectually prevents all warping and cracking.  He also affords it cheaper than any other person can make it.

To those who have never seen solar painting, it may be proper to say, that no description can convey any idea of their beauty, accuracy, and wonderful minuteness.  It can be applied to every object on which the rays of light (sun-light is not necessary) can be made to fall; landscape, buildings, paintings, engravings, statuary, miniatures, &c. &c., may be copied in a few minutes, with an accuracy that no draughtsman could ever attain. 

The process is simple; it requires no acquaintance with Chemistry, and no knowledge of drawing, for the light engraves itself upon the prepared plate, and it may be performed by any one by following the process which is fully described in a pamphlet accompanying each set of apparatus.  As some have no idea of the case with which it may be done, it may be well to give a hasty sketch of it.

The drawings are made upon plates of copper silvered on one side.  The plate, previously polished, is first exposed to the action of iodine in the box marked A; in 3 or 4 minutes it is sufficiently coated.  It is than exposed, for a few minutes, to the image of whatever object we with to copy in the camera marked B.  It is next placed in the box C.  in the bottom of which is a small cup containing mercury is heated until the thermometer indicates the degree mentioned in the pamphlet, and rising in vapor covers the plate the plate wherever the light has faded off the iodine.  It is afterward washed with salt and water, and the process is complete.  The picture may be preserved an indefinite length of time without change.

For colleges or academies, and all public lectures, this forms one of the most interesting experiments that can be exhibited to an audience; the process requires but about 15 minutes in a bright day to complete it, and the result being o all so surprising and beautiful, that it never fails to excite the greatest interest.  The theory of it also is elegant and in the greatest interest.  The theory of it also is elegant and ingenious.

The price for a complete set is $25.00.  Orders from any part of the country, accompanied by the money, will be immediately executed.

Plates, polishing powder, & c. &c.. Always on hand.  Apply to A. Davis, No. 11 Cornhill, Boston, Mass.  Remember Mr. Davis’s Lecture on the daguerreotype this evening at the City Hall. 

1841 April 2.  Lowell Advertiser.  (Lowell, Massachusetts.) April 2, 1841, Vol. 5, No. 113, P. 3.

Lecture at City Hall, Thursday Evening, April 2, At 7½ O’clock.  By Mr. A. Davis, Of Boston.

On the Daguerreotype, at 7½ o’clock, when the principles of the Daguerreotype apparatus will be explained and the manner of using it clearly illustrated in taking likenesses of individuals, or any object in nature or art, it will be clearly shown, that by this operation exact imitations must necessarily be produced, the Daguerreotype having recently been essentially improved by Mr. Plumbe, making the production still more perfect; he, together with Mr. Davis feel additional confidence in their ability to satisfy the demands and expectations of the curious.

N. B. During the afternoon from 4 to 6 o’clock previous to the Lecture, a view or portrait will be taken at the City Hall, when those holding tickets of admission to the Lecture, will be afforded an opportunity of seeing the apparatus and the process of using it.

Gentlemen’s Tickets, 25 cents; Ladies’ Tickets, 12½ cts. May be had at the Bookstores, at Carletons’ and of the Librarian, at the Mechanics’ Hall, and at the door.  March 29, 1841.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Davis & Perry

Daguerreotypes, , , ,

1848                34 Tremont Row, Boston, Massachusetts.[1]

1852                257 Washington Street, Boston, Massachusetts.1

1848 August 26.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 26, 1848, N. P.  

Notice.  Copartnership Dissolved.  Whereas William A. Perry, recently a partner in the firm of J. Davis & Co. has signified his intention of leaving the firm by word and act.  I hereby caution all persons from trusting said W. A. Perry on account of the firm, as no debts will be settled of his contracting, by me.  J. J. P. Davis, 34 Tremont Row.  aug. 25

1852 March.  The Photographic Art Journal.  (New York, New York.)  March 1852, P. 195

Messrs. Davis & Perry have opened rooms at 257 Washington street, Boston, that are said to be truly magnificent.  We are well acquainted with Mr. Perry, and know him to be one of the best Daguerreotypist in the United States.  He has a fine taste, excellent judgment in his art, and executes admirable pictures.  He will undoubtedly command a large share of the patronage of so critical a city as Boston.

1852 May 1.  Humphrey’s Daguerreian Journal.  (New York, New York.)  May 1, 1852, P. 32.

Wm. Perry, has in connection with a Mr. Davis, opened rooms in the city of Boston.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Darling, T. H.

Daguerreotypes,

1841                62 Milk Street, Boston, Massachusetts.[1]

1841 July 2.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 2, 1841, P. 2.

Mr. Darling, the Daguerreotyper, has exhibited to us several miniatures, which were taken yesterday with his improved apparatus, which we consider the very best taken by this new process in this city.  Mr. D. has made certain improvements, which he says are very important in this art, to make a perfect picture.  He would be happy to exhibit them to all who may favor him with a call.  His rooms are at No. 62 Milk street.

1841 July 31.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.) 

July 31, 1841, Vol. LII, No. 31, P. 3.

Daguerreotype Studio!  No. 62 Milk Street, opposite Pearl Street House, Boston.  T. H. Darling, (Professor of Photography, and pupil of Prof. Morse,) Importer of No. 20 French Plates.

Miniatures taken in a style unequalled, 3 to $5.

Instructions in the Art $25,

Cameras, Cases, No. 20 French Plate, and every thing used in the business, furnished at the lowest prices.

Just received by the Steamer Caledonia, 400 packages of No. 20 French Plates.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications (post paid,) will receive prompt attention.

Advertisement ran from July 31 to September 4, 1841.

1841 June 22.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 22, 1841, P. 2.

“Honor to Daguerre, who first introduced Nature to us in her character as Painter.” [Prof. S. F. B. Morse of N. Y. 

Daguerreotype Studio.  No. 62 Milk st, Boston.  The subscriber, a pupil of Prof Morse, invites the attention of the public to some recent Daguerreotype Miniatures taken in his new glass Photogratory, built expressly for the purpose.  They are the most perfect specimens of the art ever produced by the radiant finger of light.  Cloudy or rainy weather is no obstacle, in the photogratory, to the production of a perfect portrait.  Groups taken when desired.

Pupils will be received and instructed in the art a la Morse, and furnished with every material used in Photography, including the apparatus which is manufactured expressly for the Daguerreotype Studio, and warranted superior to any other: indeed it is the only combination of lenses which can produce a perfect miniature because the spherical abberation is entirely overcome,—a desideratum never before attained.

Specimens may also be seen at Wm. D. Ticknor’s corner of School and Washington sts, and at Simpkins & Burge’s. No. 79 Court st, where may be found a full description of this wonderful process; price 25 cents.  T. H. Darling.

Advertisement ran from June 22 to August 25, 1841.

1841 July 2.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  July 2, 1841, Vol. XII, No. 3354 P. 2.

Mr. Darling, the Daguerreotypist has exhibited to us several miniatures, which were taken yesterday, with his improved apparatus, which we consider the very best taken by this new process in the city.  Mr. D. has made certain improvements, which he says are very important in this art, to make a perfect picture.  He would be happy to exhibit them to all who may favor him with a call.  His rooms are at 62 Milk Street.

1841 August 2.   Boston Daily Evening Transcript.  (Boston, Massachusetts.)  n.p.

Daguerreotype Studio, No. 62 Milk st, opposite Pearl st. House.  T. H. Darling, (Professor of Photography, and pupil of Prof. Morse,) importer of No. 20, French Plate.

Miniatures taken in a style unequalled, at from $3 to $5. Instruction in the art $25.

Cameras, Cases, No. 20 French Plate, and everything used in the art, furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of the above plates.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications (post paid,) will receive prompt attention.

Any Editor who will give the above 6 insertions, shall be entitled to a perfect Daguerreotype Miniature.                     

Advertisement ran from August 2 to August 7, 1841.

1841 August 6.  The Republican.  (Concord, Massachusetts.)  August 6, 1841, Republican—Vol. 2, P. 3., Gazette—Whole No. 2086,

Daguerreotype Studio! No. 62, Milk Street, opposite Pearl Street House.  T. H. Darling, (Professor of Photography, and Pupil of Professor. Morse.)  Importer of No. 20, French Plate.

Miniatures taken in a style unequalled, at from $3 to $5. Instruction in the art $25.

Cameras, Cases, No. 20 French Plate, and everything used in the art, furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of No. 20 French Plate.

Beware of Imposition.  As several instances have occurred where Miniatures, taken at Professors Darling’s Studio, have been exhibited as the productions of others, all will be marked Daguerreotype Studio.”

Darling’s Patent Photometers for sale.  All communications, post paid, will receive prompt attention.

Advertisement ran from August 6 to December 3, 1841.

1841 August 20.  New Bedford Mercury.  (New Bedford, Massachusetts.)  August 20, 1841, Vol. XXXV, No. 7, P. 3. 

New Bedford Daguerreotype Rooms, No. 57 Union Street, (Over the Store of Maj. J. H. Collins) Mr. Bryant having availed himself of the tuition of the most celebrated Professor of Photography in New England in taking Miniatures, Views, &c. has the satisfaction of announcing to his fellow citizens that he is fully prepared to give beautiful specimens of this most wonderful art.  Specimens of the Daguerreotype can be seen at the rooms of Mr. B. that cannot be surpassed by any artist, except such as may have availed of the same opportunities and experience.  His instruments are of the most perfect kind, manufactured expressly for the celebrated Studio of Professor Darling, of Boston, with whom arrangements are made for the supply of every thing requisite in the art.  A perfect Daguerreotype portraiture is the only means of treasuring the semblance of Nature’s dearest objects and affections—and the fair sex is Nature’s choicest model of the beautiful—ladies, therefore are particularly invited to call and examine the beautiful results of this wonderful discovery.

Seamen also, who are about to depart on long voyages, cannot leave a more acceptable testimonial of affection to a dear friend than an exact transcript of their person, which can be produced in less than one minute at the rooms of Mr. B.

As this establishment is intended to be permanent, a few pupils can be instructed, where they may remain for a longer or shorter time—suiting their own convenience—by which means they can satisfy themselves of their competency in the art.  Terms moderate.  Also apparatus, and other articles necessary in the art, can be furnished on the same terms as at the Studio of Professor Darling, in Boston.

All communications—post paid—directed to P. Bryant, no. 57 Union Street, will be punctually attended to.                                                                                                  

Advertisement ran from August 20, 1841 to September 10, 1841.

1841 September 10.  The Republican.  (Concord, Massachusetts.)  September 10, 1841, Republican—Vol. 7, P. 3., Gazette—Whole No. 2091,

Daguerreotype Miniatures.—Reader, if you want an exact picture of your ugly mug, go to Mr. T. H. Darling, No. 62 Milk Street, and you can have one, for a small price.  His miniatures are taken by the Daguerreotype process, and are of course exact.  We called upon him the other day, and were furnished with a “counterfeit presentment” of ourself, which was wonderful to behold.  The likeness was perfect but if any one had told us we were son confounded homely, we shouldn’t have believed it.  We give in, however to Mr. Darling. 

1841 September 25.  Nantucket Inquirer.  (Nantucket, Massachusetts.)  September 25, 1841, Vol. XXI, No. LXXVII, P. 3. 

Shadows Made Tangible—Daguerreotype Studio!

No. 68 Milk Street, (opposite the Pearl street House) Boston.  T. H. Darling, Professor of Photography, and pupil of Prof. Morse of N. Y. invites the attention of the public to some specimens of Daguerreotype Miniatures, taken in twenty-five seconds if time, altogether surpassing any-thing of the kind ever before produced.

The apparatus with which these miniatures are taken, the process and manipulations differ entirely from those of all others, and are peculiar and known only to himself and his pupils.

Mr. Darling has recently made a new discovery in the Art, by means of which such splendid results are produced.  He has also, by a peculiar combination of the lenses, overcome the spherical aberration.

Plates, cases and every article required in business will be warranted superior in quality and at a less price than can be obtained elsewhere, as extensive arrangements have been made in New York for the manufacture of materials expressly and exclusively for the Daguerreotype Studio.

Beware of imposition as several instances have occurred where miniatures taken at the Studio have been exhibited as the production of others. To prevent this, each miniature will be marked.

Daguerreotype Studio

Miniatures taken in any weather, equally beautiful, from $3 to $5.

Family Groups of two or more $5 to $10.

Those interested in this wonderful discovery are invited to call and judge for themselves.  Written instructions will be communicated to those who cannot visit the Studio in person.

All communications will receive prompt attention, if post paid.

Advertisement ran from September 25, 1841 to October 16, 1841.

1841 November 4.  The Magnolia.  (Cambridge, Massachusetts.)  November 4, 1841, Vol. II, No. 54, P. 4.

Daguerreotype Studio!  No. 62 Milk Street, Opposite the Pearl Street House, Boston.

T. H. Darling, (Professor of Photography, and Pupil of Professor Morse,) Importer of No. 20 French Plate.

Miniatures taken in a style unequaled, 3 to $5.  Instruction in the Art, $25.

Cameras, Cases, No. 20 French Plates, and every thing used in the business furnished at the lowest prices.

Just received by the steamer Caledonia, 400 packages of No. 20 French Plates:

Beware of Imposition.  As several instances have occurred where Miniatures taken at Prof. Darling’s Studio, have been exhibited as the productions of others, all will be marked

“Daguerreotype Studio.”

Darling’s Patent Photometer for sale.

All communications (post paid) will receive prompt attention.

Any Editor who will give the above six insertions shall be entitled to a splendid Daguerreotype Miniature.  Oct. 28.

Advertisement ran from November 4 to December 9, 1841.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Danielson, F. M.

Daguerreotypes, , , , , , , , , , , , ,

C.1845-1848   Address Unknown, Boston, Massachusetts.

1846-1848       144 Middle Street, Portland, Maine.

1848                112 Middle Street, Portland, Maine.

1848                144 Middle Street, Portland, Maine.

1849                9 Brinley Hall, Worcester, Massachusetts.1

1849-1850       8½ Daniel Street, Portsmouth, New Hampshire.

1852                Ayer’s Block, Manchester, New Hampshire.

1854                New Block, Factory Island, Saco, Maine.

1848 July 12.  Portland Daily Advertiser.  (Portland, Maine.)  July 12, 1848, Vol. XVIII, No. 162, P. 1.

144.  F. M. Danielson Having taken a Room No. 144 Middle Street, wishing to solicit the favor of the citizens of Portland and vicinity, in sitting for their Daguerreotypes, he having been in the employ of Ormsbee & Silsbee for the past, and Ormsbee the two years preceding years, feels confident that he can satisfy his patrons with a Daguerreotype Miniature, equal if not better than any one who professes the art, and at the very low price of $1.50 put into Velvet lined, and $1.25 in silk lined cases.  May 9.  144 Middle Street.

Advertisement ran from July 12 to September 14, 1848.

1849 July 6.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 6, 1849, Vol. 5, No. 30, P. 3.

Yes, It is a fact that Dr. A. W. Van Alstin has gone to “California,” and also that F. M. Danielson having had charge of the operating during the past five months in the rooms formerly occupied by him, has purchased the stock and fixtures in the above named rooms, having had four years experience in the Daguerreotype business in Boston and other places is confident that in point of execution, his miniatures cannot be surpassed.  (during three years he was in one of the best rooms in the United States) the patronage of the citizens of Worcester and its vicinity is respectfully solicited.

Miniatures put into silk, $1,00 and into Velvet lined cases $1,50.

N. B. Stock constantly on hand and for sale at reasonable prices.  Worcester, July 3, 1849.

Advertisement ran from July 6 to September 12, 1849.

1849 July 23.  Worcester Daily Spy.  (Worcester, Massachusetts.)  Vol. 5, No. 41, P. 2.

To Daguerreotypists. 

500 French Plates of all sizes.

100 Gross of silk and Velvet Cases.

50 Gross of Preservers.

Bromine, Chloride of Iodine, rotten stone, Hypo Sulphite Soda, Rouge in any quantity, at Boston prices at No. 9 Brinley Hall.   F. M. Danielson.  Worcester, July 23

Advertisement ran from July 23 to July 27, 1849.

1849 July 28.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 28, 1849, Vol. 5, No. 47, P. 2.

No. I Will Not sell stock less than cost, or even at cost but I will sell at reasonable profit, my incillities are as great as any man’s in the United States for obtaining stock.  Bromine, Chloride of Iodine, polishing materials, cases and plates, &c., for sale at a reasonable advance from cost.  Miniatures taken without regard to weather, which for brilliancy of tone, are unsurpassed at No. 9 Brinley Hall.  July 28.  F. M. Danielson.  

Advertisement ran from July 28 to September 12, 1849.

1849 December 26.  New-Hampshire Gazette.  (Portsmouth, New Hampshire.)  December 26, 1849, Vol. XCV, No. 52, P. 3.

Daguerreotypes Executed by the aid of Sky-Light.  The subscriber having made some further improvements, also securing the assistance of Mr. F. M. Danielson, his operator for about four years, and the past year having obtained the premium for the best miniatures, feels assured in stating to the citizens of Portsmouth and vicinity, that they may obtain likenesses as much superior to any ever made by common process, as those would be when compared with pictures taken when in the infancy of the Daguerreotype art.  Ormsbee.  Rooms 8½ Daniel street.  dec. 18.

Advertisement ran from December 26, 1849 to June 18, 1850.

1852 November 3.  Manchester Daily Union.  (Manchester, New Hampshire.)  November 3, 1852, Vol. 14, No. 1, P. 4.

Eureka!  Eureka!  Eureka!  Was the exclamation of Archimedes, rushing through the streets of Syracuse, o his discovery of the great principle of Natural Philosophy.—

The world was no less surprised and delighted when Daguerre by the aid f sun-light transferred to the surface of polished silver, the dim picture of landscapes and the Human Face and Form.

But science and skill have now brought Daguerre’s discovery to such a wonderful state of perfection, that it is now left for Moulton to announce to the World that we may no longer search for the most Life-Like perfection in the Daguerreotype Art—For he has—Found It!!  and is now producing at the Picture Gallery, formerly occupied by Mr. Thompson –Ayer’s Building, First Rooms south of Merrimack street,—which he has taken and spendidly (sic.) furnished with large additions to his former stock,—the Truest and most Perfect specimens of his Art that can be Found In The Country!!

This is not a vain boast; and he pledges himself to satisfy the most skeptical on this point Who will Give Him a Trial!

In addition to the above, he would inform the public that he has secured, at great cost, the services of that gentlemanly operator, Frank M. Danielson, formerly from the celebrated Rooms of Masury & Silsbee, in Boston, whose pictures in point of brilliancy, of tone and excellency of finish, cannot be excelled here or elsewhere.

Mr. M. would also state that he is operating by a Sky Light!

An advantage possessed by no other operator in this vicinity, which gives that uniform shade to the face of his subjects so much admired by all artists and persons of taste.

N. B.  Pictures taken equally well in Foul and Fair Weather.

All are invited to call and examine specimens.  Do Not mistake the place,—Ayer’s Building,—(The first Rooms south of Merrimack street,) where you will find The Daguerreotype Rooms of Manchester.  H. D. W. Moulton. Manchester Oct. 30.

1854 October 3.  Portland Weekly Advertiser.  (Portland, Maine.)  October 3, 1854, Vol. 54, No. 40. P. 1.

The Fair…In Lancaster Hall.  Messrs. Smith & Morrison of this city, contribute a great variety of their superior Photographic likenesses and views.  This brabch of the art has been pushed to a wonderful degree of perfection and in the above named firm finds exceedingly skilfull followers.

Mr. S. L. Carlton, the well known daguerreotypist, has a fine show of miniatures, &c., among which are likenesses of many of our city worthies—and one of Lady Cusac Rooney.

Mr. Frank Danielson, successor to Stevens, has also a collection of choice specimens in the daguerreotype line, which will not suffer in comparison with any other in the apartment. 

1854 March 21.  Maine Democrat.  (Saco, Maine.)  March 21, 1854, Vol. XXV, No. 33, P. 3.

“Hail Columbia”  Who’s Afraid?  Cole has returned from a two month’s tour in the Country, where he has been to recruit his health, and has now returned sound in mind and body, and is now prepared to execute likenesses in his usual fine style, and with the assistance of his operator Frank M. Danielson, can take Pictures In any style that is desired by his Patrons.  Call early if you wish to secure a Good Picture.  In any style that is desired by his patrons.  Call early if you wish to secure a Good Picture.  

N. B.  A liberal discount made to clubs of three or more.  Don’t forget the place, in the New Block on Factory Island, opposite Rollin’s Apothecary store.

Advertisement ran from March 21 to July 25, 1854.

Cremer, James

Daguerreian Stock and Materials, Photographic Stock and Chemicals, Retailer, Stereoviews, , , , , , , , ,

1849                102 Williams Street, New York, New York.

1852                241 Essex Street, Salem, Massachusetts.

1852-1854       144 Washington Street, Boston, Massachusetts.[1]

1854-1855       Holmes, Booth & Hayden’s, New York, New York.

1857-1859       South West corner of Sixth & Chestnut, Philadelphia, Pennsylvania.

1859                18 South Eighth Street, Philadelphia, Pennsylvania.

1849 March 13.  New York Herald.  (New York, New York.)  March 13, 1849, Whole No. 5394, P. 1.

Levi Chapman, No. 102 William street, New York, Manufacturer Of The  Celebrated Magic Razor Strop, of four sides; also Pocket Books, Wallets, Spectacle and Bankers’ Cases, in every variety, on the most extensive scale.

Daguerreotype Cases $144    

{Medium sizes, from $18 to $60 per gross.

{Quarter sizes, from size from $83 2 to $[30] to $84 per gross.

{Half sizes, from $82 to $144 per gross.

Mats and Preservers of all kinds.  Geo. Dabbs, Jas. Creamer, Agents.

1852 February 16.  Salem Register.  (Salem, Massachusetts.)  February 16, 1852, Vol. LIII, No. 14, P. 3.

Removal.  Daguerreotype Rooms D. W. Bowdoin Has removed from his Old Rooms opposite the Market, to No. 241 Essex Street, ( A few doors above Washington street), where he has built one of the best arranged Establishments in New England, for taking Likenesses and Pictures in every style of the Art.  — Also—

Has formed a Co-Partnership with James Cremer, for the sale of Daguerreotype Goods of every description.  Artists are respectfully invited to call and examine our select Stock of Goods .

Instruction Given in the Art.  Cremer & Bowdoin.

Advertisement ran from February 16 to May 31, 1852.

1852 June 14.  Salem Register.  (Salem, Massachusetts.)  June 14, 1852, Vol. LIII, No. 49, P. 3.

Dissolution of Copartnership.  The Copartnership heretofore existing under the firm of Cremer & Bowdoin is this day dissolved by mutual consent.  James Cremer, D. W. Bowdoin.  Salem, June 9, 1852.

James Cremer & Co.  Are authorized to settle all claims against, and receive all debts due the said firm of Cremer & Bowdoin, at 144 Washington Street, Boston, where they are now fitting up a sales room, and will open a large and select stock of Daguerreotype Goods of every description.  The attention of Artists is respectfully invited.  Orders promptly attended to.  James Cremer & Co.  June 14, 1852.

Advertisement ran from June 14 to July 12, 1852

1852 November 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  November 15, 1852, Vol. IV, P. 240.

Cremer, formerly of Salem, Mass., has now opened a large stock establishment in Boston, under the firm of Cremer & Co.—Cremer will do his share of trade, and no mistake.

1854 January 1.  Humphrey’s Journal.  (New York, New York.)  January 1, 1854, P. 287.

John Sawyer & Co., James Cremer & Co., and B. French, of Boston, Mass keep Daguerreotype stock for sale.

1854 August 15.  Humphrey’s Daguerreian Journal.  (New York, New York.)  August 15, 1854, P. 143.

James Cremer, formerly of the firm of James Cremer & Co., of Boston, has become a partner in the company of Holmes, Booth & Hayden’s, in this city.  Mr. C. has a numerous list of friends and no doubt will prove a valuable auxiliary to this establishment.

1855 February 1.  Humphrey’s Journal.  (New York, New York.)  February 1, 1855, P. 327.

James Cremer, now with Holmes, Booth & Hayden’s, is about opening an establishment in the city of Philadelphia, for the sale of Daguerreotypes stock

1857 March 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 25, 1857, Vol. XLIII, No. 2, P. 3.

Important To Daguerreotypist.—Great reduction in price of Melainotype Patent Rights, of from $20 to $3 each, for an individual right.  Authorized Agent James Cremer, S. W. corner of Sixth and Chestnut sts., Phila.

1857 December 18.  The Press.  (Philadelphia, Pennsylvania.)  December 18, 1857, Vol. 1, No. 119, P. 3.

Just Received and for Sale low, a large lot of imported Frames suitable for Photographs.  James Cremer, S. W. cor. Sixth and Chestnut St., up stairs.

N. B. Gold Lockets for Miniatures at Cost. 

1858 July 21.  Public Ledger.  (Philadelphia, Pennsylvania.)  July 21, 1858, Vol. XLV, No. 103, P. 4.

To Photographers.—Just Received, Hardwick’s fourth edition Photographic Chemistry Price 75 cents.  James Cremer, Photographic Stock Dealer.  S, W, corner Sixth and Chestnut sts.

1859 July 3.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  July 3, 1859, Vol. XII, No. 10, P. 1.

History of Chestnut Street.  McClees & Co., successors to James Cremer, daguerreotype and photograph stock depot.

1859 October 9.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 9, 1859, Vol. XII, No. 24, P. 2.

The First Premium for Stereoscopes, at the late State Fair, was awarded to James Cremer & Co., of 18 South Eighth street, who had a large variety of pictures upon exhibition.  Public buildings, natural scenes, life groups, are brought out with startling fidelity by this instrument.  Cremer & Co. furnish an instrument and a dozen pictures for $2.50.  The price is so cheap that the firm do a large business.

1859 October 14.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 14, 1859, Vol. XLVIII, No. 17, P. 2.

The Largest assortment of Stereoscopic Pictures ever offered for sale in this city, is at 18 South Eighth Street.  Cremer & Co.

A Stereoscope and one dozen Pictures, $2.50.

1859 October 16.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  October 16, 1859, Vol. XII, No. 25, P. 2.

Newly Imported splendid French views and groups, the finest ever imported, have just been received by the International Stereoscope Company, and are to be seen at the stereoscopic depot of James Cremer & Co., No. 18 South Eighth street.  They are beautiful indeed.  This enterprising firm now furnish a stereoscope and twelve pictures for a surprisingly low sum of $2.50.  They are doing well.

1859 October 18.  The Press.  (Philadelphia, Pennsylvania.)  October 18, 1859, Vol. 3, No. 66, P. 3.

The best and most instructive amusement is the Stereoscopic Groups and Views, found at the new Stereoscopic Emporium of J. Cremer & Co., 18 South Eighth street.

1859 October 25.  The Press.  (Philadelphia, Pennsylvania.)  October 25, 1859, Vol. 3, No. 72, P. 3.

Present Your Friends with a Stereoscope and Pictures, the handsomest gift you can offer.  To be found of superior quality and variety, at the new Stereoscope Emporium, 18 South Eighth street.  James Cremer & Co.

1859 October 27.  Public Ledger.  (Philadelphia, Pennsylvania.)  October 27, 1859, Vol. XLVIII, No. 28, P. 2.

Stereoscope And Pictures take the lead of all articles suitable for presents.  Found in greatest variety at 18 South Eighth street.  James Cremer & Co.

1859 November 15.  The Press.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. 3, No. 90, P. 2.

Just Received—A splendid assortment of French Groups and English Scenery, which are now offered for sale, at the New Emporium, 18 South Eighth street.  James Cremer & Co.

1859 November 15.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 15, 1859, Vol. XLVIII, No. 44, P. 2.

A Splendid Variety of French Groups and English Scenery, the finest ever imported, now offered for sale at the New Emporium.  18 South Eighth st.  Jas. Cremer & Co.,

1859 November 23.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 23, 1859, Vol. XLVIII, No. 51, P. 2.

Present Your Friends with a Stereoscope and Pictures.  You cannot please them better.  The largest assortment in the city at the New Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 November 27.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  November 27, 1859, Vol. XII, No. 31, P. 2.

For the amusement of the home circle, or the delight of strangers, there is nothing better than a stereoscope.  It is an assistant to your knowledge of foreign lands, which brings the natural appearance of celebrated scenes directly before the eye.  The best place at which to buy stereoscopes is from James Cremer & Co., No. 18 South Eighth street.  They are specially engaged in the business, and have a large stock.

1859 December 3.  The Press.  (Philadelphia, Pennsylvania.)  December 3, 1859, Vol. 3, No. 105, P. 3.

Christmas Presents.—All who view the Stereoscopes and Pictures remark!  How beautiful appropriate for a Christmas Gift!  Emporium 18 South Eighth street.  Open evenings.  Jas. Cremer & Co.

1859 December 4.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  December 4, 1859, Vol. XII, No. 32, P. 2.

Home delights are what every one should cultivate.  Home joys are what every one will approve of.  Therefore we say, in the most distinct manner, that the possession of a stereoscope, and a collection of stereoscopic views, will compensate you for your outdoor allurements.  Messrs. James Cremer & Co., 18 South Eighth street, have a fine collection of these instruments, and an immense number of views and groups, &c.

1859 December 8.  The Press.  (Philadelphia, Pennsylvania.)  December 8, 1859, Vol. 3, No. 110, P. 3.

Holiday is Coming.—A Christmas gift of the Stereoscope and Pictures will afford more pleasure than anything you can offer.  The largest assortment in the city at the Emporium, 18 South Eighth street.  Jas. Cremer & Co.

1859 December 20.  The Press.  (Philadelphia, Pennsylvania.)  December 20, 1859, Vol. 3, No. 120, P. 2.

Christmas Presents.—Now ready for sale, the  largest and most beautiful assortment of Stereoscope, and Pictures, suitable for Christmas Gifts, at the Emporium, No. 18 South Eighth street.  Jas. Cremer & Co.

1859 December 29.  The Press.  (Philadelphia, Pennsylvania.)  December 29, 1859, Vol. 3, No. 127, P. 2.

Holiday Gifts—The Stereoscope and Pictures, truly a New Year’s present.  It will afford pleasure for the whole year.  Emporium, 18 South Eighth street, James Cremer & Co.

1893 January 27.  New York Herald.  (New York, New York.)  January 27, 1893, Vol. 27, P. 1.

Deaths…Cremer.—Suddenly, on Wednesday, January 25, James Cremer, aged 72 years.  

[1] A Directory Of Massachusetts Photographers 1839-1900.

Cooke, Joseph Parson

Calotypes, , ,

1842.               Amateur photographer made calotype in Boston and Cambridge, Massachusetts.[1]

From Harvard Magazine (Cambridge, Massachusetts) January-February 1981, Vol. 83, No. 3, p. 41.  At That Moment In Time.  Harvard’s photo archives, explored by Christopher S. Johnson, Fourteen in a series.

Josiah Parsons Cooke (1827-1894) Took these Calotype photographs of the Boston Museum on Tremont Street and part of city hall (or was it the old courthouse?) around 1842.

In 1842, Cooke was just fifteen.  No matter.  Photography itself was only three.  Daguerre’s silver-plate process (the daguerreotype) and William Fox Talbot’s paper-negative process (the calotype or talbotype) had been made public in 1839.  The daguerreotype, because of its subtle gradations of tone, its microscopic grain, and its awesomely high definition, became the popular favorite.  The calotype, in which a harsh granite like image emerged from a haze of paper weave, mottling, blotches, and even watermarks, would not be fully appreciated until Impressionism had accustomed critics to form that dissolved in a mist of texture.  By then both calotype and daguerreotype had long been obsolete.

The calotype was patented in England and the United States; the daguerreotype was patented only in England.  Calotype licenses came dear, and for the Americans the daguerreotype was free.  Commercial common sense made the American calotype a rarity.

Still, a calotype was more easily made than a daguerreotype.  Writing paper dipped in solutions of table salt and silver nitrate was less expensive (and less deadly) than a silver plate fumed with vapors of iodine and mercury.  A few American amateurs—well beneath the notice of the patentee—tried their hand at calotype.

The earliest were Samuel Longfellow (younger brother of the poet) and Edward Everett Hale (author of “The Man without a Country”), who,  in the spring of 1839—their senior year at Harvard—succeeded in calotyping Harvard Hall from the window of Hale’s room in Massachusetts Hall.  Hale was seventeen at the time.  In February of 1840, M. Carey Lea, then seventeen years old, exhibited forty of his calotypes to the American Philosophical Society in Philadelphia.  In 1842, the Boston inventor William F. Channing, at a relatively mature 22, published an account of his own simplified version of the calotype process.

Though last, Josiah Cooke, at fifteen, was the youngest of these young experimenters; and of them all, his images alone survive.  Photo historian Robert Taft, in Photography and the American Scene, concludes that “they are among the earliest American negatives still in existence.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Comsett, Moses W.

Daguerreotypes, Photographs, , , , ,

1855-1859       199 Hanover Street, Boston, Massachusetts.[1]          

Ca.1860-1865 22½ Winter Street, Boston, Massachusetts.1[2]

1864-1865       22½ Winter Street, Boston, Massachusetts.1

1866-1868       32 Winter Street Boston, Massachusetts.1

1857 January 9.  Daily Evening Traveler.  (Boston, Massachusetts.)  January 9, 1857, Vol. XII, No. 239, P. 3.

Dissolution Of Copartnership.  The copartnership heretofore existing under the firm of Rood & Comsett, was dissolved Dec. 1st, 1856, by mutual consent.  The business of the late firm will be settled by M. W. Comsett, who will continue the Daguerreotype business as heretofore, at 199 Hanover street.  E. H. Rood, M. W. Comsett.

Advertisement was recorded on January 9 & 10, 1857.

[1] A Directory of Massachusetts Photographers 1839-1900.

[2] Carte de Visite Comsett & Daily 22½ Winter Street, Boston, Massachusetts.

Collagan, Charles H.

Ambrotypes, , , ,

C1850-1856    142 Washington Street, Boston, Massachusetts.[1]

1857                142 Washington Street, Boston, Massachusetts.                                   

1858                142 Washington Street, Boston, Massachusetts.1

1860                North Street, Plymouth, Massachusetts.1

Ca. 1850-55.   Advertising Card in back of a Ninth Plate Daguerreotype.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars.  N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

1857 May 18.  The Boston Herald.  (Boston, Massachusetts.)   May 18, 1857, No. 10, 546, P. 4.

C. H. Collagan, Ambrotype and Daguerrean Artist, Respectfully informs his friends and the public that he may be found at his old quarters, 142 Washington Street, (at the Gallery formerly occupied by L. M. Ives,) where he will be most happy to meet all their requirements in his line, having every facility to Give Perfect Satisfaction to all wanting Ambrotypes or Daguerreotypes, at the lowest possible prices, in a range from Twenty-Five Cents to Twenty-Five Dollars.  To give good pictures, and Good Pictures Only, will be the moto of this establishment, and we shall therefore pay Particular Attention To Children’s Pictures, as well as to all branches of the business.  142 Washington street,  142.Advertisement ran from May 18 to 22, 1847.

Advertisement ran from May 18 to 22, 1857.

1857 June 9.  The Boston Herald.  (Boston, Massachusetts.)   June 9, 1857, No. 10, 564, P. 2.

The Truth will Prevail.  Collagan is the only Ambrotypist that gives perfect satisfaction on 25 cent pictures.  Room 142 Washington st.

1857 June 11.  The Boston Herald.  (Boston, Massachusetts.)   June 11, 1857, No. 10, 566, P. 4.

Terrible Results Of Carelessness.  The foolish citizens who go anywhere but to Collagan’s, No. 142 Washington street, to get 25 cent Ambrotypes, find they are “sold” when it is too late.

1857 June 15.  The Boston Herald.  (Boston, Massachusetts.)   June 15, 1857, No. 10, 569, P. 4.

It will save thousands from disappointment if they will avoid “blowing establishments,” and go to Collagan’s, 142 Washington street, to get their 25 cent Ambrotypes.

1857 June 18.  The Boston Herald.  (Boston, Massachusetts.)   June 18, 1857, No. 10, 572, P. 2.

Collagan’s 25 cent Ambrotype Rooms, 142 Washington street.

1857 June 24.  The Boston Herald.  (Boston, Massachusetts.)   June 24, 1857, No. 10, 577, P. 2.

A Happy Lot Of People.  Every one feels perfectly happy after visiting Collagan’s Ambrotype Rooms, 142 Washington street.  It is the only place in Boston where people are allowed to satisfy themselves on 25 cent pictures.

1857 July 2.  The Boston Herald.  (Boston, Massachusetts.)   July 2, 1857, No. 10, 584, P. 4.

A Free Banquet On The Fourth.  In order to make up for the loss of the City Regatta, there will be a sumptuous feast spread at Collagan’s Gallery, 142 Washington street, where all may freely feast their eyes on the 25 cent ambrotypes taken by that artist.

1857 July 3.  The Boston Herald.  (Boston, Massachusetts.)   July 3, 1857, No. 10, 585, P. 4.

The City Procession will halt in front of the Ambrotype Gallery of C. H. Collagan, 142 Washington street, while the people pay tribute to the artist who takes pictures until sitters are perfectly satisfied.

1857 July 9.  The Boston Herald.  (Boston, Massachusetts.)   July 9, 1857, No. 10, 590, P. 4.

Collagan’s Ambrotypes are perfect gems, and any one doubting it can be confirmed by calling at his old rooms, 142 Washington street.

1857 October 28.  The Boston Herald.  (Boston, Massachusetts.)   October 28, 1857, No. 10, 685, P. 4.

Ambrotypes for 6 cents, taken by Collagan, at 142 Washington street.  A liberal discount made to Artists.  The poor considered.

1857 October 29.  The Boston Herald.  (Boston, Massachusetts.)   October 29, 1857, No. 10, 686, P. 2. 

Hold Your Horses!  Collagan takes splendid ambrotypes for only 6 cents.  Children only 10 cents.  Rooms 142 Washington street.

1857 October 31.  The Boston Herald.  (Boston, Massachusetts.)   October 31, 1857, No. 10, 688, P. 4.

Six Cent Ambrotypes!  Not genuine, unless taken by Collagan, at his original six cent rooms, 142 Washington street.

1857 November 2.  The Boston Herald.  (Boston, Massachusetts.)   November 2, 1857, No. 10, 689, P. 4.

The Cheapest Yet.  Six cent pictures, warranted perfect, at Collagan’s, 142 Washington street.  Every picture well varnished for the above price.

1857 November 4.  The Boston Herald.  (Boston, Massachusetts.)   November 4, 1857, No. 10, 691, P. 2.

As High As A Kite.  Collagan, of No. 142 Washington street, knocks his competitors “as high as a kite.”  He takes ambrotypes for six cents!

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 2.

Reader, do you want a large sized Ambrotype in a case?  The same as you have been paying $1.50 for?  If so, Collagan of 142 Washington street, will take you one for 25 cents.

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 4.

Pictures Given To The Poor, During the entire day next Saturday, Collagan, at 142 Washington street, will take pictures of the poor free of any expense.  Come children and all on that day.

Advertisement ran from November 5 to 7, 1857.

1857 November 6.  The Boston Herald.  (Boston, Massachusetts.)   November 6, 1857, No. 10, 693, P. 2.

A Sight For Six Cents.  It is worth six cents to see Collagan, the originator of the six cent ambrotypes; and by going to No 142 Washington street, you can see him and get a picture for six cents.

1857 November 9.  The Boston Herald.  (Boston, Massachusetts.)   November 9, 1857, No. 10, 695, P. 2.

As Good Pictures as ever were taken in Summer Street, if not better, taken for six cents, at No. 142 Washington street, at Collagan’s Gallery.

1857 November 10.  The Boston Herald.  (Boston, Massachusetts.)   November 10, 1857, No. 10, 696, P. 2.

Look You Here!  For six cents Collagan gives you an ambrotype the size of the original 25 cent ones, and for 25 cents a larger size, neatly put in case or frame, as you may desire.—Rooms 142 Washington street.

1857 November 11.  The Boston Herald.  (Boston, Massachusetts.)   November 11, 1857, No. 10, 697, P. 4.

Four Hundred pictures of the poor were given away at Collagan’s 142 Washington st., on Saturday last, and he continues to take the best ambrotypes for six cents.

1857 November 16.  The Boston Herald.  (Boston, Massachusetts.)   November 16, 1857, No. 10, 701, P. 4.

The Man For The People.  Collagan of 142 Washington street, will give you two large loaves of bread and a perfect Ambrotype, all for the small sum of 25 cents.

1857 November 19.  The Boston Herald.  (Boston, Massachusetts.)   November 19, 1857, No. 10, 704, P. 2.

Collagan’s Advice to the Community.  If any of you have $1.25 to pay for an Ambrotype instead of patronizing some stupid blockhead, who mistakes his calling, you had better give $1 of it to some poor person, and for the remaining 25 cents, Collagan will give you a large sized picture, in a case.

Advertisement ran on November 19 & 20, 1857.

Everything on a Level.  Large size Ambrotypes taken perfect, and put in good cases for 25 cents each, at Collagan’s Gallery, 142 Washington street.  Fancy Cases at one third the usual price.

1857 November 25.  The Boston Herald.  (Boston, Massachusetts.)   November 25, 1857, No. 10, 709, P. 4.

Have you Heard the News!  To-morrow Is Thanksgiving Day, and Collagan, 142 Washington St., will take Ambrotypes all day, at astonishingly low prices.  Fancy Cases, suitable for presents, at one third the usual price.  Come one and all, and come early!

1857 December 3.  The Boston Herald.  (Boston, Massachusetts.)   December 3, 1857, No. 10, 715, P. 2.

A Magnificent Charity!  It beats the Soup House excitement to see the people rushing to Collagan’s, No. 142 Washington street, to get those beautiful large Ambrotypes, for 25 cents, and to receive, in addition, Two Loaves Of Bread For Nothing!

1857 December 5.  The Boston Herald.  (Boston, Massachusetts.)   December 5, 1857, No. 10, 717, P. 4.

Don’t throw your Money Away Buying miserable Ambrotypes of poor operators, but takes 6 cents and go to Collagan’s. where you can get suited.  Recollect the number, 142 Washington st.

1857 December 14.  The Boston Herald.  (Boston, Massachusetts.)   December 14, 1857, No. 10, 724, P. 4.

Lose another Dollar, And by that time you will learn a lesson worth knowing Collagan is the People’s Artist, and can be found at his old quarters, 142 Washington Street.

1857 December 23.  The Boston Herald.  (Boston, Massachusetts.)   December 23, 1857, No. 10, 732, P. 2.

A Hint.  Those would-be Ambrotype artists, who visit the Rooms of Mr. Collagan, 142 Washington street, and behave in such a very gentlemanly manner, are reminded that should wish to repeat their visit, they will find the proprietor more ready to appreciate their civilities than the ladies attached to the establishment.

1857 December 25.  The Boston Herald.  (Boston, Massachusetts.)   December 25, 1857, No. 10, 734, P. 2.

Closing the Daguerrian Galleries.  It matters to the people if all other places are closed to-day (Christmas,) so long as it is known that Collagan, of No. 142 Washington street, will keep open, and take Ambrotypes as usual.

Advertisement ran on December 25 & 26, 1857.

1858 January 30.  The Boston Herald.  (Boston, Massachusetts.)   January 30, 1858, No. 10, 764, P. 4.

Charles H. Collagan Would be happy to see an Old Schoolmate, formerly of Baldwin, Me., at his Ambrotype Rooms, 142 Washington street.

Advertisement ran on January 30 & February 1, 1858.

1858 February 9.  The Boston Herald.  (Boston, Massachusetts.)   February 9, 1858, No. 10, 772, P. 2.

Curiosities of Literature:  The puffs, written by sundry verdant youths, of a so called Ambrotype Saloon in the neighborhood of Summer street.  The “puffs” and the “pictures” are of the same school, and the wise will not be deceived by them.  Those who wish a true, artistic picture, should visit the rooms of Collagan, 142 Washington street, where they can procure a better picture for 12½ cents, and the balance can be expended in some work of charity.

1858 February 16.  The Boston Herald.  (Boston, Massachusetts.)   February 16, 1858, No. 10, 778, P. 2.

Where are you Going?  To Collagan’s, 142 Washington street, to get one of his Six Cent Ambrotypes.  This beats the world.  Collagan is ahead, and everybody else is—Nowhere!

1858 February 27.  The Boston Herald.  (Boston, Massachusetts.)   February 27, 1858, No. 10, 788, P. 4.

True Artists.  Thos who would have their Pictures taken by True Artists should visit Collagan’s extensive Ambrotype Gallery, at 142 Washington Street.

1858 March 4.  The Boston Herald.  (Boston, Massachusetts.)   March 4, 1858, No. 10, 792, P. 4.

Military Orders……Attention! 

Come, from the hill-side, and up thro’ the valley,

Over the river, the lake and the sea,—

Leave in the furrow the ploughshare, and rally,

Lithe as an army whose banners are free!

All ye who prize the familiar dear faces,

Gentle and faithful, tender and true;

Attention! march! The best Ambrotype place is

Number on Washington street, one forty-two.

Given at Headquarters, 142 Washington St., over the propeller Printing Rooms.

Sol, (familiarly called “Ols Sol,” Lieutenant General.  C. H. Collagan, Private Secretary.

1858 March 8.  The Boston Herald.  (Boston, Massachusetts.)   March 8, 1858, No. 10, 795, P. 4.

The World in Arms! 

Crinoline’s the rage, and Caroline is pretty,

Over the water they sport the jupon rogue;

Little girls are queens, and the little kingdom, “Britty,”

Laughingly points us its streamer, grand and huge.

All this we Yankees can wink at and whistle—

Go it! we cry to our cousins o’er the blue;

All through the realms of rose, shamrock and thistle,

No one such Ambrotypes as Collagan can do!

‘Seek him in Washington street, one forty-two.

1858 April 12.  The Boston Herald.  (Boston, Massachusetts.)   April 12, 1858, No. 10,825, P. 2.

See!  See!  See!  The Best Ambrotypes are taken by I. Bent, Artist, No. 142 Washington street, a few doors below the Old South Church, formerly Collagan’s.  Everybody gets pleased there.

1858 December 25.  American Traveller.  (Boston, Massachusetts.)  December 25, 1858, Vol. XX, No. 52, P. 2.

An Alleged Spiritual Exposure.—Mr. C. H. Collagan, of West Newton, has written a long letter to the Courier, in which he makes certain statements in regard to J. V. Mansfield, a well known “spirit Medium” of this city.  Mr. Mansfield has carried on quite an extensive business in selling portraits of the departed, which purported to have been painted by spirits, but which, in reality, were painted by Mr. Collagan, under the direction of Mr. M., either from a daguerreotype likeness or from Mr. M.’s descriptions.  Mr. Collagan relates several instances of this nature, and is desirous of corresponding with any person who may have received such portraits from Mansfield.  One of the last picture she drew for Mansfield was what purported to be the spirit-bride of a clergyman of Portsmouth, N. H.  Mansfield said there had been a great wedding, at which the clergyman had been wedded to a spirit, but afterwards owned up to the humbug of the affair.

He requested Mr. Collagan to draw the picture, saying it was not so material as to the style of face, so long as it was very beautiful.  It was drawn in muslin robes, and a rose was placed in the bride’s hand because the minister was found of flowers.  Mansfield said the clergyman paid $10 for the picture, and it was to be hung up in his church in Portsmouth.

Mr. C. was next asked to draw a picture of the clergyman’s deceased mother, and commenced the work, but threw up the business before finishing.  Mansfield would sometimes say when he gave an order that it was for a believer, and that Mr. C. need not be very particular about it, as they were easy to please.

Mr. Collagan first formed the acquaintance of this “Medium” two years ago.  He had several sittings with him, and received through him several communications which purported to have emanated from the spirit world.

In conclusion, he says: “I have expended a great deal of money in investigating Spiritualism, and, whatever may be my opinion as regards the phenomena I have witnessed, I am fully satisfied that there never has been a portrait drawn through spirit influence, and that all the so-called spirit-artists are imposters, and that their disgraceful attempts are lacking in talent, taste, and education in art.”  Mr. Collagan has been led to make these disclosures on account of Mansfield’s failure to pay him for his labor, the account having once been placed in a lawyer’s hands for collection.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Coffin, Alonzo K.

Daguerreotypes, , , ,

1851                Address Unknown, Fredericton, New Brunswick, Canada.

1851                Address Unknown, Woodstock, New Brunswick, Canada.

1851-1854       Address Unknown, New Brunswick, Canada.

1855                28 Hanover Street, Boston, Massachusetts.[1]

1855-1856       365 Washington Street, Boston, Massachusetts.1

Information from Graham Garrett

American itinerant who advertised “Coffin’s Traveling Daguerrian Saloon” in Fredericton and Woodstock, New Brunswick, Canada, 1851.  Claimed in August 1852 that the saloon “had been to nearly all towns and villages of New Brunswick.”  Sold his saloon to John P. Curran (q.v.) In 1854.  Opened gallery in Boston 1855.

1856.  History of Boston, From 1630 to 1856 (Boston, Massachusetts) p. 47.

Drew & Coffin, Photograph Publishers, Office No. 270 Washington Street, 3d Door so. Of Avon Place.  George H. Drew.  Rooms No. 365 Washington Street, 3d Door No. Of Adams House.  A. K. Coffin.

Photographs, Plain or Colored.  Daguerreotypes on Plate or Glass, taken in the best manner.  Particular attention given to copying Photographs, Daguerreotypes, Engravings, and Paintings.

[1] A Directory Of Massachusetts Photographers 1839-1900.