Tag Archives: Auburn New York

Hulanicki, J.

Daguerreotypes, , ,

1845                99 Genesee St., Auburn, New York.

N. D.  Listed in The New York Historical Society’s Dictionary of Artists in America 1564-1860.  (New Haven, Connecticut & London, England.)  1957.

Hulanski, [sic.]___________, Polish refugee artist at Auburn (N. Y.) c. 1840 first instructor of John Chester Buttre.  Possibly same person.

1845 May 21.  Auburn Journal and Advertiser.  (Auburn, New York.)  May 21, 1845, Vol. 13, No. 3, P. 3.

Photography.—It has been noted as the characteristic of the most refined taste, that it “loves t linger on the magic face of human beauty,” and truly if we range the vast domains of nature in search of that which is most lovely to the eye, and also most interesting to the mind, it is certainly found in the light and shade of the human countenance.

How many have spent their lifetime in trying to portray it with the pencil, and how few have succeeded in giving that living expression to their works which the original possess.  But the recent great improvements in the art of Photography, in a few seconds of time have enabled the operator to catch them all.

Hulanicki & Morgan’s Daguerreotype Rooms, No. 99 Genesee-st., where they will wait on Ladies and gentlemen in all kinds of weather, from 8 A. M. to 5 P. M.

Instruction in taking Likenesses given, and apparatus furnished at N. Y. City prices.

N. B.—Lessons in French, Italian, Drawing, Painting, will be given every day, after 4 P. M. by J. Hulanicki.

Advertisement ran on May 21 & 28, 1845.

1845 June 4.  Auburn Journal and Advertiser.  (Auburn, New York.)  June 4, 1845, Vol. 13, No. 5, P. 2.

We know of no fift which one friend can make to another, which will be, at the same time so cheap and so appropriate, as a good Daguerreotype Likeness—and we know of no place at which (for one week more) or citizens can better supply themselves with these agreeable “remembrances,” than at the Rooms of Mr. Hulanicki, 90 Genesee-st.  See his advertisement, in our last paper.

Gavit, Daniel E.

Daguerreotypes, , , , , , ,

1845                15 Dow’s Building, Albany, New York.[1]

1845-1846       85 Genesee Street, Auburn, New York.

1848-1850       480 Broadway, Albany, New York.

1850-1852       247 Broadway, New York, New York.

1852                192 Broadway, corner John Street, New York, New York.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures.

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 2.

Gavit’s Daguerreotype Gallery.  Mr. Oliphant,—I last week visited the Daguerreotype Gallery of D. E. Gavit, late of Albany.  Although I Have had the pleasure of seeing many fine specimens of this beautiful art.  I never saw any, that for magnificence of execution, and faithfulness of representation would compare with those taken by Mr. Gavit.  His pictures unlike those taken by most other artist, present every feature as perfect as they exist in the person taken.  The eyes, the expression of the countenance, and the complexion, are all taken perfectly, which in my opinion render them equal, if not superior to the best Miniature Likenesses upon ivory.  And I sincerely hope Mr. Gavit may receive that patronage from the citizens of this village, which his talents and his superiority in his business deserve.  Auburn, Dec. 1, 1845.         G. L. F.

We insert the above with pleasure, conscious that by such course we are but doing an act of justice to Mr. G., whose beautiful specimens of the perfection to which this recently discovered art has been brought, deserve the highest praise.  The reader is referred also to his advertisement.

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 3.

Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

1845 December 10.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 10, 1845, Vol. 13, No. 32, P. 2.

Daguerreotype.—In consequence of the liberal patronage received from the citizens of Auburn, for which he begs leave to return his sincere thanks, and to accommodate those who wish to sit, the subscriber has determined to remain a few day longer.

Those who require his services are requested to call immediately, as he assures them his stay is limited.  D. E. Gavit, Galleries No. 85 Genesee-st., up stairs.

Advertisement ran from December 10, 1845 to January 7, 1846.

1845 December 24.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 24, 1845, Vol. 13, No. 34, P. 2.

Mr. Editor,—A correspondent in your last, in alluding to the Daguerreotype Gallery of Mr. Gavit, quotes the old saying, that a “new broom sweeps clean.”  I believe all who have seen Mr. G’s specimens in the art alluded to, up to the present time, will concur with me in the remark that his broom has so far the advantage of many others that have been known in this section, that it still retains its newness and freshness.

1848 September 11.  New York Herald.  (New York, New York.)  September 11, 1848, Whole No. 5213, P. 1.

Another Fire In Albany.  [From The Albany Atlas, September 9.]

About 2 o’clock this morning, a fire broke out in the the splendid block of buildings, Nos. 480 and 482 Broadway, a door or two north of the Mansion House, belonging to the estate of Samuel Fisk, Esq., and occupied by Mulford & Wendell, jewelers; R. W. Freeman, tailor; Samuel Stevens, law office; Mr. Delancey, and the Daguerrean room of Mr. D. Gavitt… 

1849 October.  Eighth Annual Report Of The American Institute, Of The City Of New York.  (Albany, New York.)  1850, P. 25 & 46.

List Of Premiums Awarded By The Managers Of The Twenty-Second Annual Fair Of The American Institute, October 1849…Daguerreotypes.

M. B. Brady, 205 Broadway, for the best daguerreotypes.  Gold Medal.

M. A. Root, Philadelphia, Penn., for the second best daguerreotypes.  Silver Medal.

D. E. Gavit, Albany, N. Y., for daguerreotypes.  Diploma.

1850 August 13.  New York Herald.  (New York, New York.)  August 13, 1850, Whole No. 5908, P. 5.

President Millard Fillmore.—Just published, an admirable portrait of the President of the United States, executed by Crehen, after a beautiful daguerreotype taken by Gavit.  Price of each copy $1.  Goupel, Vibert & Co., 289 Broadway.

Advertisement ran from August 13 to 16, 1850.

1850 September 13.  New York Semi-Weekly Tribune.  (New York, New York.)  September 13, 1850, Vol. IV, No. 32, Whole No. 344, P. 2.

Another Fire In Albany.—The Evening Journal says, James Kidd’s beautiful building, Nos. 480 and 482 Broadway, was destroyed by fire on Saturday morning.  The upper part of the building was occupied in part by S. Stephens, Esq. as a law Office, Gavitt & Co. Daguerreotypists, and several persons.  Nearly all the property in the building was insured.…

1850 September 13.  New York Daily Tribune.  (New York, New York.)  September 13, 1850, Vol. X, No. 2885, P. 4.

A Daguerreotype.—We were shown yesterday an exquisite specimen of the excellence to which Daguerreotyping has been brought.  It was the portrait of a young girl, by Mr. D. E. Gavit, of Albany, to whom the first premium of a silver medal has just been awarded at the late State Fair in Albany.  The great merit of this Daguerreotype lies in the general softness and harmony of the shadows, the unconstrained ease of the attitude, and the life-like animation of the face.  It may be seen for a few days at Mr. Anthony’s, 205 Broadway.  Mr. Gavit, we learn, intends shortly establishing himself in this city.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 September 15.  The New York Herald.  (New York, New York.)  September 15, 1850, Whole No. 5941, P. 3.

The State Fair.—We were shown, yesterday, a specimen of daguerreotypes from the gallery of Mr. D. E. Gavit, of Albany, and the one which won the first prize of a silver medal, at the late State fair.  It was a perfect specimen of the art, and shows the great perfection to which that branch has been brought.  Mr. G. also received a diploma for the best selection of pictures, all of which he has left at the store of Mr. Anthony, in Broadway, for public inspection.

1850 October.  Transactions Of The American Institute Of The City Of New York 1850. P.21 & 41.

List Of Premiums Awarded By The Managers Of The Twenty-Third Annual Fair Of The American Institute, October 1850…

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway

Meade Brothers, 233 Broadway,

Harrison & Holmes, 289 Broadway,

D. E. Gavit, 247 Broadway,

C. M. Cary, 187 Broadway

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

*C. M. Cary, New York,             do           do.

*possibly Preston M. Cary.

1850 November 5.  The Granite Farmer.  (Manchester, New Hampshire.)  November 5, 1850, Vol. I, No. 34, P. 5.

Fair of the American Institute…

Daguerreotypes.

Considerable space in the gallery is devoted to the exhibition of Daguerreotype pictures, as usual.  We have generally paid attention to the quality of the specimens, and, without wishing to disparage our city artists, we feel compelled to give the preference to Messrs. Roots’, of Philadelphia, and Mr. Gavitt’s, of Albany.  We last year paid a high compliment to the [skill] of Messrs. Roots, and we are pleased to notice, by a card, that they have opened a splendid gallery in this city, at No. 363 Broadway, corner of Franklin.  If any of our friends desire a perfect cemblance (sic.) of themselves, and a picture finished in the highest style of the art, we can assure them that they can obtain it at the above place.  Scientific American.

1850 November 14.  The New York Daily Tribune.  (New York, New York.)  November 14, 1850, Vol. X, No. 2989, P. 4.

Gavit’s Premium Daguerreotype, at the National Miniature Gallery, 247 Broadway, corner Murray, over Ball, Thompkins & Black’s.—The proprietor is pleased to announce, that after repeated requests from his friends in New York, he is now permanently located as above, where all who wish can procure his superior Photographs, which he will warrant to be equal in finish and artistical skill to any yet produced in this wonderful art.  The Gallery (which is formerly owned by Anthony, Clarke & Co.) is the most extensive in the world, and contains over one thousand portraits of the most eminent men of the age who are celebrated as statesmen, warriors, poets, artists, divines, heroes, etc., and is well worth a visit from all.  The proprietor will use his utmost endeavors to please all who honor him with their patronage, and no charge will be made without the utmost satisfaction is given. 

D. E. Gavit, successor to Langenheim & Co.

Having sold our Daguerreotype Establishment to Daniel E. Gavit, we beg leave to recommend our successor to our customers, being satisfied that he deserves the public patronage in the fullest degree.  Langenheim & Co.

1850 November 21.  The New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 4.

Daniel Webster.—A superior Portrait of this great statesman can be seen at the National Miniature Gallery.  Also Portraits just added of Washington Hunt and Horatio Seymour, the late rival candidates for Governor.  Come and see them at Gavit’s, late Anthony, Clarke & Co. 247 Broadway, corner Murray.

1850 November 21.  The New York Herald.  (New York, New York.)  November 21, 1850, Whole No. 6007, P. 2.

Gavit, whose portraits were so extensively admired at the late fair of the American Institute, is now permanently located at the National Miniature Gallery, 247 Broadway, where those who wish can procure a perfect Daguerreotype, at all hours of the day.  The first prize, of a silver medal, was awarded those pictures, at the State Fair at Albany, and at the American Institute.  Late Anthony, Clark & Co., 247 Broadway, corner of Murray street.

1850 December 3.  New York Daily Tribune.  (New York, New York.)  December 3, 1850, Vol. X, No. 3005, P. 4.

Andrew Jackson, Gen. Taylor, Jas. K. Polk, Chancellor Kent, Silas Wright.—Portraits of the above, taken from life, can be seen at Gavit’s National Miniature Gallery, 247 Broadway, over Ball Thompson & Black.

1850 December 3.  The New York Herald.  (New York, New York.)  December 3, 1850, Whole No. 6019, P. 2.

The two highest medals for 1850, for the best Daguerreotype exhibited at the two last Fairs, held at Castle Garden and the State Fair at Albany, were awarded to D. E. Gavit, of the National Miniature Gallery, 247 Broadway—come and see them together with the largest and most elegant collection in the world.  Remember 247 Broadway, over Ball, Thompson & Black.

1850 December 4.  The New York Herald.  (New York, New York.)  December 4, 1850, Whole No. 6020, P. 2.

Gavit’s Daguerreotype.—Don’t be deceived or humbugged by those who profess to be Napoleons, Kings, Lyons, &c., but go and examine for yourselves, and give your patronage to that establishment where you are convinced you can get the utmost perfection of the art.  Be sure to call at the National Miniature Gallery, 247 Broadway.  No charge without the utmost satisfaction.

16 December 1850.  The Evening Post.  (New York, New York.)  December 16, 1850, Vol. XLIX, P. 2.

Gavit’s National Miniature Gallery, 247 Broadway, cor. Murray st. (Formerly Anthony, Clarke & Co.)

This establishment, the largest and most celebrated in the country, is now conducted by the subscriber, who pledges himself that its former enviable reputation shall be fully sustained, and that every picture will combine all the requisite perfection that the advancement of this elegant art is capable of producing.

This gallery contains over 1,000 portraits of the most distinguished men of the age, who are celebrated as statesmen, poets, authors, divines, heroes, orators, &c. and is well worthy a visit from all.

Those who patronize this establishment, are assured that pictures are as represented, and that we don’t depend on the usual gasconade and humbug of the day for business; and if the utmost satisfaction is not given to each patron, no charge is made.  Just received, a few elegant styles of cases, etc., for holiday presents.  D. E. Gavit, Proprietor.

Advertisement ran from December 16, 1850 to January 4, 1851.

23 December 1850.  The Evening Post.  (New York, New York.)  December 23, 1850, Vol. XLIX, P. 2.

Holiday Articles….—Among the many pleasing articles which may be presented as Gifts for the Holidays, we know of none more pleasing or appropriate than daguerreotype likenesses.  A reference to our advertising columns will give the names of some of the best daguerreotypist in New York, where accurate likenesses may be obtained at a little more than a minutes sitting, and at a moderate cost.  Among these we may mention the following names:  Holmes, 259 Broadway, who receives an extensive public patronage; Gavit’s daguerrean gallery, where may be seen the portraits of several of the notabilities of this and other countries.  Accurate portraits may also be obtained at the daguerrean rooms over J. J. Cox’s store, 349, where every convenience and requisite necessary for the taking of perfect likenesses may be found.  In addition to the daguerreotypists above named, we would recommend Mr. Gurney’s gallery, 189 Broadway, which is the oldest establishment of the kind in the city.  Color types on Ivory, glass and paper, are also taken here at a short sitting.  The gallery, No. 363 Broadway, is well worthy of a visit from those desiring a superior article.  Here may be seen several portraits of Jenny Lind, and other celebrities of the day.  Mr. Root exhibits no less than six medals, as testimonials of his services in the art.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And

Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.  M. A. Root, daguerreotypes.

28.  W. & F. Langenheim, photographic slides.

31.  O. B. Evans, daguerreotypes.

35.  Meade & Brothers, daguerreotypes.

51.  D. E. Gavit, daguerreotypes.

63.  M. B. Brady, daguerreotypes.

77.  M. M. Lawrence, daguerreotypes.

1851 January 22.   The New York Herald.  (New York, New York.)  January 22, 1851, Whole No. 6066, P. 6.

Gavit’s National Miniature Gallery 247 Broadway, corner Murray street.—This establishment contains the largest collection on of the portraits of distinguished individuals ever brought together, and those daily taken there are specimens of the highest perfection of art.  The public are invited to call.

1851 February 1.  New York Daily Tribune.  (New York, New York.)  February 1, 1851, Vol. XI, No. 3056, P. 5.

Mr. D. E. Gavit, late of Albany, has opened a handsome suite of Daguerreotype rooms at the corner of Broadway and Murray-st. as successor to Langenheim & Co.  His pictures have frequently received premiums, and merit examination.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.  M. A. Root, Philadelphia, Pa., daguerreotypes.

62.  W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.  O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.  Meade & Brothers, New York, daguerreotype.

125.  D. E. Gavit, New York, daguerreotypes.

137.  M. B. Brady, New York, daguerreotypes.

151.  M. M. Lawrence, New York, daguerreotypes.

396.  J. W. Whitehurst, Baltimore, daguerreotypes.

1851 February 19.  New York Daily Tribune.  (New York, New York.)  February 19, 1851, Vol. XI, No. 3071, P. 5.

The Daguerreotype Art.—In this age of in the useful arts and in cheap luxuries, none who possess the means of subsistence can make the costliness of family portraits an excuse for being without them.  The art of Daguerreotyping, in this country, has reached a point of great perfection, and the artists of New-York are among the foremost in excellence of workmanship, beauty of finish, and a quick apprehension and application of a new discoveries.  The establishment of Mr. D. E. Gavit, corner of Broadway and Murray-st., to which we alluded a few days since, is one of the most extensive in this country, and combines a number of advantages, which give it a peculiar claim upon public attention.—Probably a larger or better selected Portrait Gallery of distinguished personages could not be found.  His rooms are decked with the speaking likenesses of Presidents, Governors, Congressmen, eminent Divines, Jurists, and other more or less distinguished—the careful gleanings of many years.  Joining to a large experience that spirit of enterprise that never fails to succeed, Mr. Gavit has been enabled, by his discoveries on new chemical compounds and combinations, to impart to his pictures a finish of remarkable beauty, which gives general satisfaction, and insures him frequent premiums.  In Albany, where his principal establishment was, until recently, located, he achieved a name which is a sure guarantee of success among us.  We commend his establishment, No. 247 Broadway, to the attention of the reader.

1851 March 13.   The New York Herald.  (New York, New York.)  March 13, 1851, Whole No. 6716, P. 2.

The Daguerreotype In Perfection, at the National Miniature Gallery, 247 Broadway, corner Murray. Over Ball, Tompkins & Black.  Portraits of all sizes, in variety of settings.  Daguerreotypes copied, equal to the original.  Gavit’s, late Anthony Clark & Co.

1851 March 28.   The New York Herald.  (New York, New York.)  March 28, 1851, Whole No. 6731, P. 2.

Fine Arts.—Beautiful Daguerreotypes on ivory paper, in oil and water, finished in the most elaborate style.  The public generally are requested to call, and examine specimens of this superior process, at the National Miniature Gallery, 247 Broadway, corner of Murray.  Artists furnished with Talbotypes on reasonable terms.  D. G. Gavit.

1851 April 1.   The New York Herald.  (New York, New York.)  April 1, 1851, Whole No. 6735, P. 4

Talbotypes and Daguerreotypes.—Those beautiful pictures are acknowledged to be the “ne plus ultra” of art.  Those who wish to examine specimens (of which this gallery contains the largest collection in the world) are requested to call at the National Miniature Gallery, No. 247 Broadway.  D. E. Gavit.

1851 July 10.  The New York Herald.  (New York, New York.)  July 10, 1851, Whole No. 6833, P. 1.

Final Passage Of The Canal Bill, Large Number Of Bills Acted On.  Items from All Sections of the Country.  New York Legislature.  Special Session….Senate.  Albany, July 9, 1851.  Daguerreotype Likenesses of Senators.  A petition was presented by J. E. Gavet, asking the Senate to purchase the daguerreotype likenesses of the Senators.  It was referred to the Committee on Retrenchment.

1851 July 12.  The New York Herald.  (New York, New York.)  July 12, 1851, Whole No. 6835, P. 1.

New York Legislature.  Special Session…. Senate.  Albany, July 11, 1851….

Daguerreotype Likenesses.  The Senate refused to purchase the Daguerreotypes of the Senators of the previous Senate.

1852 February 15.  The New York Herald.  (New York, New York.)  February 15, 1852, Whole No. 7046, P. 2.

Fire.—Yesterday, evening about half past six o’clock, a fire broke out in the fourth story of the large brick building on the corner of Broadway and Murray street, occupied by D. E. Gavitt as the National Daguerreotype gallery; the occupants of the building are as follows:–The first floor is occupied by Ball, Black, & Co., jewelers, and the basement by W. O. Stout, card and steal engraver.  The second story by M. Lafever, B. T. Smith, architects, and Thomas Jones, keeper of bookkeeping; the third by D. W. C. Boutel, artist, W. W. Niles, and a P. Begley; attorneys; Henry Reiley, Taylor & Van Skelien, manufacturer of artificial flowers; the fourth floor by D. E. Gavitt, daguerreotype gallery, by S. Ellis & H. Noland, sculptors.  The fire originated in the mercury room of Gavitt’s daguerreotype gallery; but from what caused he could not tell.  The flames spread with such rapidity that before the firemen could get fairly at work the rooms were completely burned out, and in consequence of the impossibility of getting the hose to operate with anything like effect, caused by the bursting of several of them, fears were, at one time, entertained that the whole building would fall a prey to the devouring element.  When, however, several powerful streams were ultimately brought to play on the flames, they were soon subdued, but not before the greater part of the fourth story was demolished.  D. E. Gavitt lost every thing, amounting to about $3,000 which was not insured.  This is the second time that he has had the misfortune of being burned out—the first time in Albany, some three or four years ago, and also without being insured…

1852 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1852, Vol. XI, No. 3379, P. 4.

Fires.—About 7 o’clock Saturday evening a fire broke out in the large four story brick building No. 247 Broadway, extending back over 150 feet on Murray-st, occupied by the following persons; Basement floor by Wm. C. Stout, card and seal engraver; first and second floors by Ball, Black & Co., jewelry and silverware manufacturers; third floor by W. W. Niles and S. Bagley, lawyers, Mr. Von Skelline, artificial flower maker, Henry Riley, tailor, Thomas Jones, teacher of penmanship, and M. Lafever and B. Smith, architects; fourth floor by D. E. Gavit, daguerreotypist, D. W. C. Boutelle, artist, and Horace Noland, sculptor.  The fire originated in Mr. Gavit’s daguerreotype establishment, and when first discovered could have been easily extinguished with a few pails of water.  Mr. G. was near by when the fire broke out, and discovering that it was in his premises ran quickly to the room, and had nearly succeeded in smothering the flames with his overcoat, when he was compelled to desist, being nearly suffocated by the dense smoke which had already filled the apartment.

The promptness with which the bell ringer gave the alarm, soon brought a large body of firemen upon the ground, who made their immediate action, succeeded in a short time completely subduing the devouring elements, which at first threatened the destruction of considerable property.

The rear portion of the fourth story occupied by Mr. Gavit, Horace Noland, and Boutelle the Artist, was entirely destroyed by fire, together with the property of the occupants, which is not insured.  The property of the occupants of the second and third story was damaged by water to the amount of several thousand dollars.

Mr. Gavit estimates his loss at about $3,000.  This loss falls heavily upon him, as the property destroyed was all he possessed, and he is not insured a dollar.  Some time since he met with a similar misfortune; his establishment in Albany having been destroyed, but there he was insured.  Mr. G. had a great number of pictures, of which about 600 were of distinguished Americans.  These were all destroyed, and as many of the originals are dead, they can never be replaced.  He saved only about a dozen pictures in all, besides two medals which had been awarded to him—one by the State Agricultural Society, and the other by the American Institute.  We trust to see Mr. G. at work again soon, when all his old friends should give him a lift….

1852 February 16.  Richmond Whig.  (Richmond, Virginia.)  February 16, 1852, Vol. 29, No. 14, P. 2.

New York, Feb. 15.—A fire broke out last night on the corner of Broadway and Murray street in a large building occupied by Messrs. Ball, Black & Co., Jewellers.—The upper story only was burnt which was occupied by D. Garritt, daguerreotypist, and by S. Cuss, whose damage was about $3000.  Much injury was done to Messrs. Ball, Black & Co., and the other occupants, by water, there was a large insurance, more than covering the loss.

1852 February 17.  New York Daily Tribune.  (New York, New York.)  February 17, 1852, Vol. XI, No. 3380, P. 5.

Help Proposed.—We understand that the Daguerreotype Artists of this City contemplate raising a fund for the benefit of Mr. Gavit, Whose establishment was totally destroyed by fire on Saturday evening last.  We trust the craft will do something handsome for Mr. G., as the fire swept everything away, leaving him nothing but his naked hands with which to support a large family.  His policy of insurance expired a few days before the fire, and unfortunately he had neglected to renew it.  He is a good artist, and an energetic man, and with a little timely assistance, which shall enable him to recommence business, he will soon be on his feet again.

1852 February 21.  New London Democrat.  (New London, Connecticut.)  February 21, 1852, Vol. VII, No. 50, Whole No. 362, P. 3.

Fire In New York, &c.  New York, Geb. 15—9 P. M.  The building corner of Broadway and Murray street was discovered on fire in the fourte (sic.) story last evening, and that portion occupied as the National Daguerreotype Gallery, was almost consumed.  The first story was occupied by Messrs Ball, Black & Co., who sustained considerable damage to their stock which is valued at $250,000, and is fully insured.

1852 April.  The Photographic Art Journal.  (New York, New York.)  April 1852, Vol. III, No. IV, P. 257.

The photographic art has had to pass through a fiery ordeal since our last, no less than four galleries have been wholly or partially destroyed by the devouring element.

The first was D. E. Gavit, 247 Broadway, which occurred early in March, destroying his whole stock.  The daguerrean art and the whole country suffered an irreparable loss by this occurrence, as Mr. Gavit’s gallery contained the largest, best and most valuable collection of daguerreotypes in the world.  Splendid portraits of some of our most remarkable men, and which can never be replaced, were consumed.  Mr. Gavit’s loss was total, as his policy of insurance expired only a day or two previous.

Mr. Gurney was the next to suffer—but we are happy to say received very little damage—and following close upon his disaster was that of Mr. Whitehurst, whose beautiful gallery in New York was nearly ruined by fire and water on Sunday morning March 28th.

The fourth and last case was that of Mr. Clark of Ithica, N. Y., who while in this city purchasing his spring stock received a telegraphic dispatch on the 29th ult. That his gallery had been burnt out.  The amount of this young but deserving artist’s loss we have not learned.

1852 April 18.  The New York Herald.  (New York, New York.)  April 18, 1852, Whole No. 7109, P. 2.

Daguerreotype.—Gavit’s National Miniature Gallery is re-opened at 192 Broadway, corner of John street, where the proprietor hopes to receive the patronage of his friends and the public generally.

1852 September 27.  New York Daily Tribune.  (New York, New York.)  September 27, 1852, Vol. XII, No. 3571, P. 1.

The Campaign Scott and Graham Songster—Second edition, enlarged and improved.  The largest, most beautiful, and best edition of spirited Whig Song extant.  Every section of the country should be supplied.  Committees and Booksellers’ orders, with cash, promptly supplied at $4 per 100 by the publisher, D. E. Gavit, No. 192 Broadway, N. Y.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Prize Medal Daguerreotypes.—The first medal ever awarded for Daguerreotypes in this country was given to D. E. Gavit, 192 Broadway, corner of John street, the excellence of whose pictures is universally acknowledged, and whose prices are lower than any other good artist’s in the city.  This utmost satisfaction given in all cases.

1856 December 25.  New York Daily Tribune.  (New York, New York.)  December 25, 1856, Vol. XVI, No. 4894, P. 3.

Republican General Committees For 1857.  Delegates to the Republican Central Committee and a Young Men’s Committee were chosen on Tuesday night by various Ward Associations.  In most of the wards only one ticket was got up.  Where there were more we have given the names said to be elected….Ward XX. Young Men’s Committee…D. E. Gavit.

[1] Address from Craig’s Daguerreian Registry.

Bartholomew, Charles G.

Ambrotypes, Daguerreotypes, Photographs, , , , , , , ,

1849                Aurora Street, over Mr. Frost’s Saddle and Harness Emporium, Ithaca, New York.

1850-1853       96 Owego Street, Ithaca, New York.

1855-1856       99 Genesee Street, opposite the Western Exchange, Auburn, New York.

1857                Genesee Street, Auburn, New York.

1858-1859       Address Unknown, Auburn, New York.

1849 April 11.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  April 11, 1849, Vol. XXXIII, No. 44, Whole No. 1,651, P. 3.

Don’t Read This.  Mr. Bartholomew would respectfully announce to the citizens of Ithaca, that he has taken the room formerly occupied by Johnson & Schuyler, on Aurora St., for taking Daguerreotype Likenesses, Single or in groups up to 12 upon the latest Paris and London improvements, which does away with that blue, dark, inanimate, fading appearance to pictures; like ivory painting, with a Light, Soft, Florid Tone as in nature.  He finishes all his miniatures with the Electro Gilding, (and the enameled back ground if desired) which will last for ages without fading; and put them up in the most beautiful and splendid French style, never before introduced in this village.

Mr. B. would merely say to Parents and others that a guarantee of the life of friends and children has never been given, therefore secure these unfading likeness and your own when and how you can.  He invites all the ladies and gentlemen to call and see him, whether they desire to sit for portraits or not and judge for themselves if his rooms is not.

The Place to obtain true life like Miniatures.  Cloudy or rainy weather does not affect Mr. B.’s taking pictures, for he Has the control of the light according to its strength from sun rise to sun set.

Strangers can have their likenesses taken and put up in 15 to 20 minutes. Stock furnished to Operators.  Ithaca, April 7, 1849.

Advertisement ran from April 11 to May 2, 1849.

1849 December 5.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  December 5, 1849, Vol. XXXIV, No. 32, Whole No. 1,684, P. 3.

The Sky-Light!  A New Daguerrean Arrangement!  Mr. Bartholtrmew announces to the citizens of Ithaca and Tompkins co. that he has fitted up a set of Rooms expressly for Daguerreotyping, in a superior Style over Mr. Frost’s Saddle and Harness Emporium on Aurora-street, with a large Sky-Light—the only one within a 100 miles—the best ever constructed, being a combined liget from above and side, so arranged that perfect likenesses are taken rain or shine, in from 2 to 5 seconds, with a large German Quick Instrument, (a new invention) of superior power, producing a rich toned picture surpassing fine Mezzotint Engravings—not possible to be equaled when taken in the ordinary way by a side light only, and a common slow Camera.  Also a new constructed copying Instrument that will copy the smallest pictures to a half size, and the largest paintings, Engravings, &c., to the size of the smallest pea.  The preparation of the plates on which the Likeness is taken, is entirely done by machinery, producing a fine finish and Miniature, incomparably better than by the ordinary method.

Mr. B. respectfully solicits a call from every Lady and Gentleman in the county, whether they desire to sit for a portrait or not.

Strangers at any distance would be four-fold compensated by coming to Ithaca to Mr. B.’s rooms to have their likenesses taken, single or with their families in groups to any number.  He warrants all the miniatures he takes never to fade—his facilities for doing the best of work is not surpassed in this or any other country, from the fact that he has the best and only Sky and side light combined, the only Quick Instrument in the country (for taking Babies of any age) a fine copying, a full size and medium Camera.

Likenesses of the sick or dead taken at Private Residences if desired.

Young men desirous of making the most of their time, study human nature, make money in travelling, can be well and ably qualified in the art, and with it be able to accomplish their desires.  Ithaca, Nov. 27, 1849.

Advertisement ran from December 5, 1849 to February 20, 1850.

1850 July 12.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  July 12, 1850, Vol. XXXIV, No. 48, Whole No. 1,711, P. 3.

Found!  At 96 Owego-St., At Mr. Bartholomew’s Daguerrean Rooms!  The Great Sky Light, and the largest camera in Western N. Y., a German Quick Instrument, that takes Likenesses in from 2 to 5 seconds, the only one in the county; and superior Copying Camera, the only one in Ithaca, a medium and half size, four instruments of the latest Improvements.

Also found, a very large assortment of splendid Stock, such as the Chinese and Mache (large and small) cases, inlaid with Gold, and pure Pearl, Rose and other Flowers most beautiful.  A fine assortment of French and other cases, frames, &c., some rare Paintings, a splendid room, with every attention requisite, and doing a first rate business.  Please pop in and see for yourselves, 96 Owego-Street.

Advertisement ran from June 12 to August 14, 1850.

1850 August 28.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  August 28, 1850, Vol. XXXV, No. 9, Whole No. 1,722, P. 3.

Lost Money! For a poor Miniature taken at —————; or might as well have lost it—by not going to Mr. Bartholomew’s Daguerrean Rooms! At 96 Owego-St., for my miniature.  He has the great Sky Light and works upon the new and beautiful improvement and has the largest Camera in Western New York.

Also found, a very large assortment of splendid Stock, such as the Chinese and Mache (large and small) cases, inlaid with Gold, and pure Pearl, Rose and other Flowers most beautiful.  A fine assortment of French and other cases, frames, &c., some rare Paintings, a splendid room, with every attention requisite, and doing a first rate business.  Please pop in and see for yourselves, 96 Owego-Street.

Advertisement ran from August 28, 1850 to August 17, 1853

1853 February 16.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  February 16, 1853, Vol. XXXVII, No. 33, Whole No. 1,850, P. 3.

To Daguerreotypist.  Mr. Bartholomew has just returned from the City with the largest amount, the best assortment, the latest patterns (all new) of cases, frames, lockets, and Daguerreotype Jewelry, that was ever in this market, at such prices that will induce all those who want Stock or Likenesses, to call at his Rooms opposite the New Brick Block on Owego street, next to Mr.  Greenly’s Store in Ithaca, and furnish themselves with less money than they ever have done before.

Cheap, Cheaper, Cheapest.

Advertisement ran from February 16 to September 21, 1853.

1853 August 31.  Ithaca Journal and Advertiser.  (Ithaca, New York.)  August 31, 1853, Vol. XXXVIII, No. 9, Whole No. 1,878, P. 3.

G. Bartholomew’s Great Sky and Side Light Daguerrean Rooms, No. 96 Owego, opposite the new brick block.  This is the oldest and Largest Establishment in this county, and a single flight of stairs (not 2 or 3) of gentle ascent and only 10 feet rise lands you in his rooms—4 in number—1 expressly for ladies—which for size and convenience are well calculated for taking Superior Pictures of all Sizes.

A few things to be remembered by those wishing to have a Good Life-like Likenesses!  One that will never fade.  It is conceded by those acquainted with Mr. B.’s Daguerreotyping, that he is at the head of the profession in this region, having stood the test of competition of other operators for the last 4 years in the village of Ithaca, 15 having left for business in other places, and in the same time has taken from 6000 to 7000 Miniatures.

Such a practice is of itself a sufficient guarantee to a discriminating public, that his Rooms is the place to get good Likenesses.  But there are other reasons than those above:

1st—He galvanizes or re-silvers every plate on which the likeness in=s taken, before using it.

2d—The preparing of the same is done by machinery, producing a finer and making a finer miniature—incomparably better than the ordinary way.  Mr. B. is a member of the American Daguerrean Association, and is in possession of the New and Recent Improvements in that Association.  In addition to what we call the Daguerreotype proper, there are other processes that Mr. B. is prepared to execute, viz:  Gurney’s new process of coloring likenesses.  They are fine.  The Crystalotype—this is a beautiful style of Daguerreotype.  The Crayon, the Cameotype, and the enameled Back grounds and circles of a variety of colors, &c. and fancy and tasty acquisitions to the Art, and is very much admired.  He has one full sized Instrument, acromatic Lens, in goodness not surpassed—1½ size quick working Instrument for taking likenesses of babies, children & nervous people in from 2 to 5 seconds, the only one in this county—1 copying Instrument that copies all sized pictures perfectly—1 1-9 instrument expressly for taking Locket Pictures, a new thing—1 full size Sceptrum for taking views of Buildings and Landscapes at any distance within 2 miles, without reversing the object in the Picture taken.  Mr. B. respectfully informs Daguerrean Artist that he keeps on hand and for sale wholesale and Retail a complete assortment of Daguerreotype Goods, bought exclusively for cash, at the lowest New York Prices, and from a knowledge of the wants of the Artist, he is confident he can give good satisfaction in quality and price to all who may purchase of him.  All goods are warranted as represented, and advice on the practical part of Daguerreotyping, cheerfully given.

Likenesses of the Sick or Dead taken at their residences.  Remember the great Sky and Side light rooms No. 96 Owego street, Ithaca, where they take likenesses rain or shine, as low if not lower than at any other place.

Advertisement ran from August 31 to December 28, 1854.  *Newspapers from 1854 were not included in database.

1855 February 14.  Auburn Weekly American.  (Auburn, New York.)  February 14, 1855, Vol. 1, No. 2, P. 3.

Bartholomews’s Sky And Side Light Daguerrean Rooms.  No. 99 Genesee Street, opposite the Western Exchange.  Pictures of all sizes taken and inserted in Frames, Cases, Lockets, Pins, Rings, or Bracelets.—All sized pictures copied perfect, enlarged or made smaller.  He has a large assortment of cases, of every pattern, size and style.  Also, a new large Quick Instrument, for taking pictures of Children, in from 2 to 4 seconds, the only one in this place or county.

Also an apparatus for taking buildings or views with out reversing them.  Daguerreotypes of sick or deceased persons taken at their residences.  Pictures taken as well in cloudy as clear weather, as he has the instrument to do it with.

Remember, 99 Genesee street.  It is the only sky and side light Daguerrean Rooms in this place.

Advertisement ran from February 14, 1855 to February 6, 1856.

1855 April 11.  Auburn Weekly American.  (Auburn, New York.)  April 11, 1855, Vol. 1, No. 10, P. 4.

A good likeness is a good thing, and when we get a good thing, we ought to get it.  Bartholomew possesses every facility for taking life-like pictures.  Give him a call.

1856 September 3.  Auburn Weekly American.  (Auburn, New York.)  September 3, 1856, Vol. II, No. 31, P. 3.

Auburn Fillmore & Donelson Club.  The undersigned propose to form a Fillmore & Donelson Club…C. G. Bartholomew…

1856 November 12.  Auburn Weekly American.  (Auburn, New York.)  November 12, 1856, Vol. II, No. 41, P. 3.

Daguerreotypes And Ambrotypes Made As Usual At Bartholomew’s Daguerrean Rooms, 99 Genesee street, up-stairs.  A good assortment of cases of all styles and frames.  Pictures made of children in two or three seconds, with a quick instrument, the only one in this place or county.  All size pictures copied perfect, enlarged or made smaller.  Pictures single or in groups.  A few of those small Gold Lockets at very low prices.

N. B. No six shillings turpentine Ambrotypes made at his Rooms.

1857 December 30.  Auburn Weekly American.  (Auburn, New York.)  December 30, 1857, Vol. III, No. 48, P. 1.

Our Holiday Directory.  1857-8. Head-Quarters Of Santa Claus….Daguerrean Artists. 

What more appropriate present than a perfect photograph, elegantly framed or encased?  Anybody can procure them of

E. P. Senter,  Genesee St.

 C. G. Bartholomew,  Genesee St.

 J. B. Swift,  Genesee St.

1858 December 29.  Auburn Weekly American.  (Auburn, New York.)  December 29, 1858, Vol. IV, No. 48, P. 3.

Our Holiday Directory.  Presents And Where To Get Them….Ambrotypes, & C.

The perfection to which this art has been brought during the last few years, renders its products extremely desirable, as well as very appropriate for presents.  The cost, when taking into account the real worth of a photograph, ambrotype or a daguerreotype, is comparatively trifling.  We advise our friends to “sit” at either Senter’s,  or Bartholomew’s,                                     

1859 January 5.  Auburn Weekly American.  (Auburn, New York.)  January 5, 1859, Vol. IV, No. 49, P. 3.

High Wind—Alarm Of Fire—Accidents and Incidents.—A very severe westerly wind storm rose last evening, and prevailed without abatement until about 10½ o’clock this morning….Bartholomew’s handsome ambrotype and daguerreotype show case was prostrated, breaking the glass, and damaging the pictures considerably…. 

Randolph Palmer

Daguerreotypes, Portrait Painter, , ,

1841                Studio east corner of the Exchange Building, over Mr. Haight’s Jewelry Store,                               Auburn, New York.

Randolph Palmer was recorded in three advertisements and two announcement in the Auburn Journal and Advertiser (Auburn, New York).  The first advertisement was recorded on January 6, 1841.  Portrait Painting.  R. Palmer would say to the Ladies and Gentlemen of Auburn and its vicinity, that he would be happy to wait upon them in the line of his profession, at his room, Chedell’s Buildings.

As to his ability as an artist, he would leave it with connoisseurs to decide.  His portraits are always ready for inspection: let them speak for themselves.  Call and examine them.  Auburn, February 18, 1840.

The first announcement appeared on January 20, 1841.  The Daguerreotype.  By reference to the advertisement of Mr. R. Palmer in other columns, our readers will notice that he has recently fitted up his establishment so as to enable him to take likenesses, by the new and curious system of Daguerreotype.  It was our intention to have given at this time a sort of bird’s eye view of the course adopted in carrying out the rules of this new discovery;—but we shall be compelled to defer it till our next. Such of our citizens as desire a perfect miniature, will do well to give Mr. P. a call at his “glass house,” east end of Exchange Buildings—and those who desire a Portrait, will there see specimens of his skill with the pencil and brush, as large, as natural, and apparently as animated as life itself.

The second advertisement ran from January 20 to March 24, 1841.  Portraits, Miniatures, And Photographic Likenesses in the Daguerreotype Process R. Palmer, has removed his studio to the east corner of Exchange Buildings, (directly over Mr. Haight’s Jewelry Store,) within the Glass House, where he will always be found ready, and happy, to wait upon all who may desire to hand down to posterity their Phiz upon canvass, Ivory, or Silver

He is perfectly willing to be criticized upon his own productions, but thinks it unfair for critics to find fault with the Pictures which Nature paints.

The Daguerreotype paints along with the colors which the sun produces, by reflecting light upon the sitter,—the sitting for the Daguerreotype vary from 3 to 8 minutes, according to light.  The best time for taking likenesses is in a clear day from 8 A. M., to 3 P. M.—It is not necessary to have the sun shine upon the sitter.

The second announcement appeared on February 10, 1841.  Daguerreotypes.  Likenesses of this description are now taken with the greatest accuracy by Mr. Palmer, at his “glass house” at the east end of the Exchange Buildings.

“The pictures as pictures (says the N. Y. Courier, in speaking of Daguerreotypes) are superior to any other specimens of the art that we have seen, and as likenesses of the originals, there is no sort of mistake.  No one who would be flattered need sit, but the man or woman who seek a similitude of their own face and features, as exact as it is in the mirror into which they look, had better apply here.  It is not a resemblance but an absolute identity of look and appearance, that is the result.”

Mr. P. has also recently succeeded in taking by the above power some beautiful landscape views.

The third advertisement appeared on March 31, 1841.  Portrait Painting.  R. Palmer has removed his room to 89 (Beach’s Block) Genesee st., where he will be happy to attend to all business in the line of his profession.—As to his ability as an artist, he would leave it with connoisseurs to decide.  His portraits are always ready for inspection: let them speak for themselves.

The Ladies and Gentlemen of Auburn and vicinity are respectfully invited to give him a call. Auburn, March, 1841.

Randolph Palmer is not recorded in other photographic directories.  He is recorded in The New-York Historical Society’s Dictionary Of Artists In America 1584-1860 as a portrait painter working in Auburn, New York from 1839 to 1843 and also working in Albany and Seneca Falls.

Charles Morris

Ambrotypes, Daguerreotypes, , , ,

1856                Address Unknown, Auburn, New York.                                                                            1856                Address Unknown, Penn Yan, New York.[1]

Charles Morris was recorded in two announcements in the Penn Yan Democrat (Penn-Yan, New York).  The first appeared on April 2, 1856.  Hung.—John Fitzgerald, the youth recently sentenced by Judge Welles, at Auburn, was hung in the Jail at this place at 5 minutes past 3 P. M., on Friday Last…Mr. Charles Morris, of this place took several Ambrotypes of the condemned boy on the morning of his execution, one or two of which he now has in his possession.  He is a remarkably good looking fellow; the countenance, as seen in the picture, evince no sign of the murderous and reckless disposition that his deed and actions showed him possessed of.  We shall probably give a short account of his execution next week.

The second announcement appeared on April 9, 1856.  From the Auburn Daily Advertiser, of March 28th.  Execution of John Fitzgerald—A Hardened Criminal….Yesterday he sat for his Daguerreotype….The Daguerreotype was taken by Charles Morris, of Penn Yan….

Charles Morris is possibly listed in Craig’s Daguerreian Registry as Charles Y. Morris active in Auburn from 1856-1860.

[1] Unknown address and location.  First article states that he is from Auburn, second article states he is from Penn Yan.  John Craig Craig’s Daguerrean Registry records him as being from Auburn.

J. M. Green

Photographs, , ,

N. D.               Address Unknown, Auburn, New York.                                                                                    1858               Address Unknown, Geneva, New York.

J. M. Green was recorded in an announcement on March 5, 1858 in the Geneva Daily Gazette  (Geneva, New York).  The students of Hobart College lately conceived the idea of securing photograph likenesses of their eminent and revered Professors and fellow classmates.  To that end they have employed Mr. J. M. Green recently of Auburn, a gentleman highly skilled in the Photographic Art.  This will give him abundant occupation for a time, for the engagement, we understand, is to execute some 500 likenesses.  While Mr. Green is with us, many of our fellow citizens will doubtless avail themselves of the opportunity to secure pictures in the best style of the art.

J. M. Green is not recorded in other photographic directories.

Zenas Gage, Jr.

Daguerreotypes, , , ,

ND                       75 Court Street, Boston, Massachusetts.                                                              1842                    74½ Exchange Building, Auburn, New York.

Zenas Gage, Jr. was recorded in an advertisement that ran from August 17 to 31, 1842 in the Auburn Journal and Advertiser (Auburn, New York).  Photography.  Mr. Zenas Gage, Jr., Pupil of John Plumbe, Prof. Photography, in the U. S. Photographic Institute, Boston, respectfully announces to the ladies and gentlemen of Auburn, that he has taken rooms in Exchange Buildings over No. 74½, where he will furnish those who feel desirous, with beautiful and correct Daguerreotype Likenesses, taken with a costly and perfect instrument, at an ordinary window in about 30 seconds, without the direct rays of the sun.

He will also teach others the art, and furnish them with apparatus as cheap as they can buy in Boston, New York, or elsewhere.  All are cordially invited to call and examine specimens.

Zenas Gage, Jr. is not recorded in other photographic directories.

Mr. Becker

Daguerreotypes, , ,

Mr. Becker is recorded twice in the Auburn Journal and Advertiser (Auburn, New York) first on September 3, 1845.

We are requested to say that Mr. Becker, of New York, is prepared to take Daguerreotypes likenesses, on an improved plan, and superior to anything yet seen in this section, at Doct. Munson’s Dentist Rooms, directly opposite Western Exchange.

He is recorded a second time in an advertisement for E. P. Senter on December 17, 1845,

…Mr. Becker, so favorably known for the correctness and beauty of his likenesses of many of our townsmen, taken during a short sojourn here a few weeks since, has returned and associated himself with Mr. Senter: and the two combined offer advantages which should be appreciated by our citizens.

Mr. Becker does not appear in other photographic directories as being in Auburn.  Craig’s Daguerreian Registry list an J. F. Becker as being in Syracuse in 1845.  The distance between Syracuse and Auburn, New York is about 25 to 35 miles.  It is possible that they are the same person but at this time no proof has been established.