Tag Archives: New York City

Farrand, Camillus

Ambrotypes, Daguerreotypes, Photographs, , , ,

1852-1857       307 Broadway, New York, New York.

1854                807 Broadway, New York, New York.

1852 December 2.  The New York Herald.  (New York, New York.)  December 2, 1852, Whole No. 7336, P. 4.

The Most Convenient Daguerreotypes Gallery in New York is Farrand’s, 307 Broadway.  It is situated but one flight of stairs above the sidewalk, and has one of the best sky-lights in the Union, and his pictures are unsurpassed by any in the world.

1852 December 14.  The New York Herald.  (New York, New York.)  December 14, 1852, Whole No. 7348, P. 4.

Would you have a Perfect Picture without the fatigue of ascending hafe a dozen flights of stairs.  Call at Farrand’s first floor sky-light gallery, 307 Broadway, where everything in the art of Daguerreotyping is executed with the greatest skill.  Pictures taken daily in every style of the art, and entire satisfaction given or no charge made.

1852 December 20.  The New York Herald.  (New York, New York.)  December 20, 1852, Whole No. 7354, P. 6.

The most appropriate Holiday Present is a perfect daguerreotype, and the most convenient gallery is Farrand’s, 307 Broadway, first floor, up stairs, where everything in the art is executed with the greatest skill.  Pictures taken in the new discovery without reversing the picture.

1852 December 22.  The New York Herald.  (New York, New York.)  December 22, 1852, Whole No. 7356, P. 4.

Farrand’s Daguerreotypes for the Holidays, 307 Broadway, first floor, up stairs.  At this establishment you can get a perfect picture without the fatigue of accending half a dozen flights of stairs, and save half your money.  Pictures taken daily in every style of the art, and entire satisfaction given, or no charges made.         

1852 December 27.  New York Daily Tribune.  (New York, New York.)  December 27, 1852, Vol. XII, No. 3649, P. 2.

A Daguerreotype Likeness for only Twenty-Five Cents.—The subscriber would respectfully announce that having one of the best arranged skylight galleries in New-York, and a superior apparatus and machinery, he is prepared to furnish Daguerreotypes that cannot be surpassed by any in the world in quality, truthfulness, and durability.  A perfect picture for only twenty-five cents, that will not fade in any climate.  Call and decide for yourselves, at No. 307 Broadway, first floor, up-stairs.  C. Farrand.

1852 December 30.  New York Daily Tribune.  (New York, New York.)  December 30, 1852, Vol. XII, No. 3652, P. 2.

Daguerreotypes Only 25 Cents—At Farrand’s, first floor sky-light Gallery, No. 307 Broadway, where pictures are taken in every style, unsurpassed by any in quality, cheapness and durability.

Advertisement ran on December 30 to January 28, 1853.

1853 February 7.  New York Daily Tribune.  (New York, New York.)  February 7, 1853, Vol. XII, No. 3685, P. 2.

25 Cent Daguerreotypes.—Farrand, at No. 307 Broadway, having one of the most convenient galleries in New-York, superior apparatus machinery & c., is furnishing Daguerreotypes that cannot be surpassed by any in the world, in quality cheapness and durability.  His mammoth sky light is to be found within ten feet above the side walk.  And if any person in pursuit of Daguerreotypes finds him or herself at the top of a high building they may know that they are in the wrong shop to find Farrand’s inimitable and cheap pictures.

Advertisement ran from February 7 to March 7, 1853.

1853 March 31.  The New York Herald.  (New York, New York.)  March 31, 1853, Whole No. 7404, P. 4.

Farrand’s 25 Cent Daguerreotypes Cannot be excelled for truthfulness, beauty of finish, and durability.  His mammoth skylight is at 307 Broadway, on the first floor above the sidewalk, and his rooms are daily thronged by those who wish perfect pictures without the fatigue of ascending half a dozen flights of stairs.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 6489, P. 5.

Dar Sir:—According to promise, I am happy to inform you of the success in improving upon my original 25 cent daguerrean apparatus, and am now prepared to give you large, beautiful pictures for only $3, including case, (such as cost elsewhere $6 and $8,) and their superiority is known by the many thousands who, the past few months have sat before the best instrument in the world, at C. Farrand’s Daguerreotype Gallery, 807 Broadway. [307 Broadway.]

1854-1855?  New York City Directory.  (New York, New York.)  1854-1855, P. 50.

C. Farrand’s Daguerreotypes, 307 Broadway, N. Y. 

This Gallery has [ ? ] Sky-lights, but one flight above the side-walk [ ? ] in the Art  of Daguerreotyping is executed with the great [ ? ], and cheaper than any other Establishment in the world.

Pictures taken [ ? ] 25 Cents  Upwards In All Kinds Of Weather, And Warranted.

1855 February 7.  Auburn Weekly American.  (Auburn, New York.)  February 7, 1855, Vol. 1, No. 1, P. 3.

A few Certificates.  From Gentlemen Of The Highest standing in any favor of the World renowned Hurd’s Hair Restorer, which will produce a new growth of Hair on any bald head.

New York, Dec. 20, 1853.

W. C. Hurd:  Dear Sir—

Your Hair Restorer has produced a vigorous growth of hair on my head where it had been bald for five years.            C. Farrand, Daguerreotypist, 307 Broadway. New York, March 10, 1854.

Advertisement ran from February 7, 1855 to March 12, 1856.

1855 July 25.  The New York Herald.  (New York, New York.)  July 25, 1855, Whole No. 6906, P. 5.

Look, Look, Look.—Daguerreotypes In the shade.  A perfect likeness for 12½ cents, at No. 307 Broadway, by Farrand’s new process; something new and superior to daguerreotypes in every way.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.[1]

Farrand—The show case contains some very fine specimens.  The reception-room, however, is a vacuum, nothing to attract the eye, an indispensable consideration in daguerrean galleries.

1856 December 16.  The New York Herald.  (New York, New York.)  December 16, 1856, Whole No. 7413, P. 5.

Startling.—Four Perfect Photographs for the ridiculously low price of $1 at Farrand’s, 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 17.  The New York Herald.  (New York, New York.)  December 17, 1856, Whole No. 7414, P. 5.

The New Mystery.—F. T.  F. P.  F.  O.  D.—This means that Farrand takes four photographs for one dollar, at 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 18.  The New York Herald.  (New York, New York.)  December 18, 1856, Whole No. 7414, P. 5.

Death of 100 Persons by Lightning Would not create half so great an excitement as Farrand’s four perfect photographs for one dollar, at 307 Broadway.

1856 December 20.  The New York Herald.  (New York, New York.)  December 20, 1856, Whole No. 7417, P. 5.

Who Dares Acknowledge that he hasn’t a picture now, when Farrand, 307 Broadway, takes four photographs for $1.

1856 December 23.  The New York Herald.  (New York, New York.)  December 23, 1856, Whole No. 7420, P. 5.

A Live Whale in the Croton Reservoir would not create half the sensation of Farrand’s four splendid photographs for one dollar, at 307 Broadway.

1856 December 24.  The New York Herald.  (New York, New York.)  December 24, 1856, Whole No. 7421, P. 5.

A Daguerrean Artist Gone Mad.—Four photographs for a dollar.  That man Farrand, at No. 307 Broadway, is performing wonders.  Go and see his establishment.

1856 December 27.  The New York Herald.  (New York, New York.)  December 27, 1856, Whole No. 7424, P. 5.

Four Photographs for $1.  Farrand, 307 Broadway.

1857 June 23.  The New York Herald.  (New York, New York.)  June 23, 1857, Whole No. 7601, P. 5.

Wanted—A Young Lady In An Ambrotype and photograph gallery.  Apply to C. Farrand, 307 Broadway.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

Faris, Thomas

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , ,

1843-1844       Fifth Street, Cincinnati, Ohio.[1]

1846-1859       Fourth and Walnut Streets, Melodeon Building, Cincinnati, Ohio.

1856                26 West Fourth Street, Cincinnati, Ohio.

1856-1859       363 Broadway, corner Franklin Street, New York, New York.       

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

Plumbeotypes.  This is the name given by Plumbe, to paper Daguerreotypes, an invention by him, of a very recent date.  We are indebted to Mr. Thomas Faris, Plumbe National Gallery, corner of 4th and Walnut streets, in this city, for a number of specimens of this new and very interesting art, including Hon. Lewis Woodbury, Hon. Cave Johnson, Hon Sam Houston, Hon. J. C. Calhoun, D. M. Hoyt, &c., &c.  Each portrait is prib=nted from Daguerreotype likenesses, with a frame and the signature in writing.  It is a very interesting discovery.  One hundred copies of any person can be ordered for $10.  Call on Mr. Faris.

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

The Popular Magazine.  We are indebted to Mr. Thomas Faris, Plumbe Nat. Gal., corner of 4th and Walnut streets, for Nos. 1 and 2 of the “Popular Magazine,” a journal of art and literature, by Augustine J. H. Duganne, published in Philadelphia.  It has in each number a Plumbeotype of some of the distinguished personage, and much valuable reading.  In one of the numbers received is an autograph and letter from President Monroe, dated 1892, and in the other, one from Dr. Franklin, dated 1764.  Very valuable, indeed, are such works of art.  Please examine.

1847 February 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 23, 1847, Vol. VII, No. 107, p. 2.

[From the Herald of yesterday.  The finest gallery of Daguerreotypes we ever saw may be seen, by any body at the rooms of Faris, in the Melodeon.  We observed many familiar faces, true to nature.  He has some likenesses of Dr. Chamberlain and Col. Mitchell, which we do not think can be excelled.  The finish of these portraits is decidedly superior to any other we have ever seen.  The rooms of Mr. Faris are the best, perhaps, in the city.  The one in which the likenesses are taken, on the corner of Fourth and Walnut, is exceedingly well lighted.  Mr. Faris has been assisted for some time by Mr. Charles Carter, who is now as good at the business as the best.  Mr. Faris is open for inspection at all hours of the day, where he will be happy to see all disposed to give him a call.  They will see many admirable likenesses of some of their friends of the city.  The cavalcade of Rockwell’s company was daguerreotyped here, and considering the circumstances, was well done.  It is a pleasant place to spend a half hour.

1847 June 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 18, 1847, Vol. VIII, No. 65, p. 2.

That picture of Col. Mitchell, mentioned a few days since in this paper as being in possession of some person who found it in the street, was stolen from Mrs. Jone’s, 4th street, and may be left at Faris’s Daguerreotype rooms, corner Walnut and Fourth.

1847 September 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 15, 1847, Vol. VIII, No. 140, p. 2.

$5 Reward.—Stolen from Faris’ Daguerrian Gallery, on the morning of the 14th inst., five Gold miniature Lockets, one octagon, and one oval with glass on both sides, the others were round with but one glass.  The above reward will be paid for the delivery of the articles.  Thos. Farris, Melodeon Building, cor, 4th and Walnut.

1848 June 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 15, 1848, Vol. X, No. 55, p. 2.

The daguerreotype miniature of Mr. E. Forrest, hanging at the door of Faris’ gallery, Melodeon building, is a complete triumph of the art.

1848 July 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 15, 1848, Vol. XI, No. 15, p. 3.

Melodeon Gallery Of Daguerreotype Portraits, And Family Groups, Corner of Fourth and Walnut streets, 2nd story, Cincinnati.  Likenesses by the improved process from the largest to the smallest sizes, and of the most delicate execution, may be obtained at the above Rooms.

Portraits taken at this establishment, warranted to give satisfaction.  Thomas Faris.

1848 October 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 18, 1848, Vol. XI, No. 15, p. 2.

Melodeon Gallery.  T. Faris, Daguerreotypist, Melodeon Building, Cor. 4th and Walnut.  Daguerreotype Portraits, either single or in groups, colored or without colors, taken in a superior style, regardless of the weather.

“Daguerreotype likenesses are taken at this establishment equal, we venture to say, to any other place in America; and, when compared with some other establishments of the kind, there is no comparison whatever.”—Ohio State Journal.

“One of the richest and most highly finished Daguerreotypes we have ever seen.”—Queen City.

“Successful in a high degree in divesting his pictures of that dull and lifeless hue which disfigures the Daguerreotypes of so many artists.”—Cist’s Adv.

“For faithfulness of delineation and exquisite coloring far transcends anything we deemed the art capable of producing.”—Signal.

“Crowded all the while with customers, his bold and truthful style of Daguerreotyping is becoming every day more and more popular.”—Dispatch.

Advertisement ran from October 18 to November 1, 1848.

1849 January 18.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  January 18, 1849, Vol. XLV, No. 2324, P. 1.

The Greek Slave is now exhibiting at Louisville.  During the exhibition of the statute in our city the receipts were over $3,000.  Mr. Broadwell, proprietor of the Apollo Building, made no charge for the use of the Hall in which the exhibition was had.  Those who were not privileged to see the substance can now look upon the shadow of this master-piece of Powers’ genius, by calling at the Daguerreotype rooms of either of Mr. Hawkin’s, Mr. Faris, or Mr. Fontayne, each of whom took several excellent views…

1849 February 26.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 26, 1849, Vol. XI, No. 125, p. 2.

Splendid Daguerreotypes may always be obtained at Faris’, Melodeon Gallery, corner of Fourth and Walnut sts.

By a late and important improvement, the time of sitting occupies but a few seconds, either in clear or cloudy weather.

Advertisement ran from February 26 to 28, 1849.

1849 March 2.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 2, 1849, Vol. XI, No. 129, p. 2.

Daguerreotypes.—Magnificent Daguerreotypes are taken every day, without regard to the weather, at Faris’ Melodeon Gallery, corner of Fourth and Walnut sts.  Call and see.  Free admission.

Advertisement ran from March 2 to 5, 1859.

1849 March 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 23, 1849, Vol. XI, No. 147, p. 2.

Daguerreotypes.—It is becoming better understood every day , that the Daguerreotypes mader by Faris at the Melodeon Gallery, exhibit a superiority seldom attained by those of other artists.  Positive excellence is the universal—and not the chance—characteristics of his work.  Having very lately added to his already superior facilities one of Voightlander & Son celebrated quick working Cameras, he is enabled to take groups and single Pictures of Children, in very much less time that they could be taken heretofore.

Rooms N. West corner of Fourth and Walnut streets, second story.

1849 October 4.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  October 4, 1849, Vol. 46, No. 2360, P. 2.

The Horticultural Exhibition.  This beautiful Autumn Festival closed on Saturday evening…

On the last day of the exhibition, a couple of daguerreotype views of the two avenues were taken by Mr. Faris, of the Melodeon, which preserve well the symmetrical proportions of the first and last, and give a fine view of the prominent thing in the Hall, and the general style of their disposal.  In one of these we recognize the towering form of our friend Mr. A. H. Ernst, and in the other the well known figure of our neighbor Mr. J. P. Foote.  For interior views, these pictures are highly creditable to the skill of Mr. Faris, who holds a first rank as a Daguerreotypist.  The tone of the coloring is superb… 

1849 October 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 11, 1849, Vol. XII, No. 163, p. 1.

Horticultural Society.  The meeting last Saturday was a monthly one, and one of more than usual interest, It being the first after the autumnal exhibition…

Daguerreotypes of the Hall during the exhibition by Mr. Faris, were exhibited.

1849 December 13.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 13, 1849, Vol. XII, No. 13, p. 2.

Prepare For The Holidays.  Great Excitement at Faris’ Melodeon Gallery.  The Subscriber would respectfully inform his friends and the public generally, that he is now receiving from the East, the finest assortment of Daguerreotype Cases and Frames ever offered in the West, intended expressly for Holiday Presents.  All who wish to make a presentation plate of themselves or friends should call at the Melodeon Gallery and examine this fine stock.

What can exceed the beauty and truthfulness of the Daguerreotype, when well executed, the impression being fixed upon a plate of pure silver, enameled by fine gilding, and warranted never to fade!  Few know the value of a likeness of a Parent, Brother, Sister or Friend, until they are departed, by death or absence, therefore, as delays are dangerous, call early, and “Secure the Shadow Ere the Substance fades.”  Thos. Faris, Melodeon Gallery, N. W. cor. 4th and Walnut sts.

1850 January 3.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 3, 1850, Vol. 46, No. 2373, P. 2.

Daguerreotyping.—Cincinnati in the art of Daguerreotype occupies a position equal in all respects to any city of the Union.  We have numerous artist in this line whose pictures are superior perhaps to those made at any other city, except Philadelphia, and they do not take second rank even to the Quaker City productions.  Among these artists, Faris, in the Melodeon Building, takes one of the first places.  His pictures are finished and beautiful in their effect, and he understands the advantages of position and attitude.  He has recently returned from the East with a variety of beautiful and appropriate styles of cases in which he will be happy to put up pictures for New Year’s presents.

His collection of portraits of eminent persons is rare and extensive.  Among the late additions to the gallery are portraits of Father Mathew, Geo. M. Dallas, and T. S. Arthur, taken from life.

1850 August 29.  Presbyterian Of The West.  (Cincinnati, Ohio.)  August 29, 1850, Vol. V,

No. 49, Whole No. 257, P. 3.

Melodeon Gallery of Daguerreotype Portraits & Family Groups.  The Subscriber invites special attention to the distinct, lively, and lifelike expression of the Eye in his Daguerreotype Miniatures; to the beauty and perfection of the drapery; to the rich warm tone and mellowness of the lights and shadows, yet depth, boldness, and rotundity, as well as highly artistic effect peculiar to the pictures taken at the Free Admission Gallery, Melodeon Building, corner of Fourth and Walnut sts.  Thos. Faris.  may16.

1851 January 30.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 30, 1851, Vol. 51, No. 2429, P. 1.

Faris’ Daguerreotypes.  T. B. Read, in a recent letter from Dusseldorf, Germany, to the Cincinnati Commercial, makes the following statement of the value placed at that distant point, on the work of our Cincinnati Artists:

On of my first inquiries was for Whitridge, the landscape painter, whom I had known years ago in Cincinnati.  The idea of meeting with any one whom you have known before, is one of the most agreeable sensations which can be experienced in a land of strangers.  But unfortunately for us, he had gone up the Rhine on a sketching tour, and would be absent for a week or more.  I had the pleasure, however, of finding Mr. McConkey, another landscape painter from the Queen City, at his studio, and saw some fine pictures on his easel, which have, I presume, by this time, reached America.  I do not intend to take up  much of your space with comments upon artists and their works, for I fear that your readers do not all feel the same interest in the subject which I do.  But when I can meet men such as Leutze and Powers, and especially the artist from your own city, you shall hear about them and their productions.  My only fear is that I shall find such subjects but too seldom.  Speaking of this, I am reminded of what I should have mentioned before.  Previous to leaving Cincinnati, I possessed myself of a few daguerreotypes, which were taken by Faris and Hawkins, and wherever they have been seen by artists and others in England, Germany and Italy, they have been pronounced to be the finest specimens ever beheld in these countries.  One, a large plate by Mr, Faris, has attracted so much attention and admiration, that it is continually lent out and passed around as a curiosity, showing how far the new world has beaten the old, even at her own inventions.  A friend of mine yesterday exhibited this one to a French daguerreotypist in Florence, who stared over it with eyes like saucers, and shrugged his shoulders up to his ears and exclaimed, “Vive Amerique!” recognizing at a glance that it was not European.  He acknowledged without hesitation, that he had never seen anything in his line of art to compare with it.  To be convinced of the truth of this, one has only to look at the specimens which adorn the show cases here; they remind me of those “half-dollar” establishments to be met with so frequently in our eastern cities.  I cannot understand why in this old world of art, daguerreotyping should be so far inferior to what it is in America; nor have I heard any satisfactory explanation.  The operators, when they pretend to give any reason, lay the blame upon the weather.  In London this might be a good and sufficient reason, but in Italy, especially, the atmosphere can scarcely be the sole cause for so much difference.  I am inclined to think that good chemist in this country have not, as in ours, turned their attention to the subject.

1854 March 2.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  March 2, 1854, Vol. 62, No. 2, P. 3.

The Committee From Boston And The Stem Fire Engine.—As we have before announced, the Committee from Boston arrived in our city Saturday night, and on Sunday they visited many of our churches and the suburbs of our city…

Since writing the above we learn that the great daguerrean artist, Faris, has taken a number of daguerreotypes of the steam fire engine, and each member of the Boston delegation has been furnished with a copy to take home, that the citizens may have an is=dea of the appearance of the machine.—Copies have also been sent to New York, New Orleans and other cities.

1855 March 8.  Dollar Weekly Times.  (Cincinnati, Ohio.)  March 8, 1855, Vol. XII, No. 33, P. 7.

The Times Office On The 22d.  On the first page we present our readers with a spirited view of the Walnut Street front of the Dollar Weekly Times Office Building on the 22d Feb’y, the anniversary of Washington’s Birthday.  The engraving is from a daguerreotype taken about noon, by Faris, from the third-story of a building diagionally opposite our office… 

1855 September 27.  Belmont Chronicle.  (St. Clairsville, Ohio.)  September 27, 1855, New Series Vol. VII, No. 51, Whole No. 966, P. 2.

The State Fair…West of this on the brow of the ridge stood the “Hall for Fine Arts,” a gothic frame structure, in which a large number of excellent works of art were on exhibition.  It would of course be impossible for us to enumerate everything, but we cannot pass this hall without alluding to the display of pictures on exhibition from the gallery of our fellow citizens Thomas Faris.  His colored Photographs are perfect.  A colored likeness, life size, seemed to be breathing, and stands out from the plate as if it were really a living being, instead of an inanimate image.  Mr. Faris has brought his art to the greatest perfection, and reflects honor on the city of his residence, (Cincinnati,) where, ever his pictures are seen.

1855 December 29.  Star In The West.  (Cincinnati, Ohio.)  December 29, 1855, Vol. XVIII, No. 40, P. 3.

City Artists.  A New Kind Of Picture.—There is a new kind of picture lately introduced, called the Ambrotype, which will probably take the place of the Daguerreotype.  It is thus described by a writer for one of our city papers:—…

This method of taking pictures is patented and the art is practiced by but one artist in our city, viz:  Thomas Faris who in located in the Melodeon Building at the corner of Fourth and Walnut streets.  He is one of our oldest and best daguerrean artists.  Those of our readers who may desire a durable, excellent picture, and no humbug, would do well, to call on Mr. Faris.  We say this, not because we have been requested to do so, but from a desire that true merit should be rewarded, and the public not deceived.

1856.  Pencil and the Camera by Marcus A. Root, P. 366.

Samuel sold gallery to [Thomas] Faris in 1856.

1856 October 9.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 9, 1856, Vol. XVII, No. [ ? ], P. 2.

Remember

Faris’ Ambrotypes are surprisingly beautiful.

Faris’ Ambrotypes are life-like.

Faris’ Ambrotypes are entirely durable.

Faris’ Ambrotypes for richness of tone, are wonderful.

Faris’ Stereoscopes are miracles of art.

Faris’ Daguerreotypes are perfect gems.

Faris’ Heliographs are pronounced by Artists “Perfection.

Faris’ Gallery is in the Melodeon, corner Fourth and Walnut, Cincinnati, and No. 28 West Fourth street.

Remember Faris is the only Artist [it] in the city who makes the real Ambrotype.

1857 April 11.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 11, 1857, Vol. III, No. 70, P. 15.

Diaphaneotypes, Photographs, Daguerreotypes, at the Root Photographic and Fine Art Gallery, 363 Broadway, corner Franklin street.  Faris & Erwin, Proprietors.

Advertisement ran from April 11 to September 19, 1857.

1858 January 11.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 11, 1858, Vol. XVIII, No. 267, P. 2.

Photographs, Heliographs, &c., At Greatly Reduced Prices, Melodeon Gallery.—As the Photographic business is very dull during the month of January , February and March and in view of the present financial crisis, anticipating an unusually dull business that time, in order to retain the services of all our artists, and keep them employed, we will for the next three months furnish our customers with the same quality of Photographic pictures, for which the Gallery is renowned, at Greatly Reduced Prices!

As this reduction will be temporary, we advise all who wish to have good pictures to call at once—examine our prices and pictures.  We will furnish a better picture than can be obtained at any other establishment at our price.

We would call particular attention to the Heliograph, the new and popular style of picture for which a patent has been granted to E. C. Hawkins, the inventor.  They are made only at this Gallery.  Farris & Mullen, Melodeon Gallery, N. W. corner of Fourth and Walnut.

Advertisement was recorded on January 11 & 12, 1858.

1858 July 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 24, 1856, Vol. XIX, No. 122, P. 2.

Faris & Stillman, Melodeon Gallery, Corner Fourth and Walnut Streets.  Photographs, Melainotypes, Ambrotypes and Heliographs at greatly reduced prices.

N. B.—Life size Photographs colored in oil by first class artists.

Advertisement ran from July 24 to 27, 1858.

1858 August 28.  New York Daily Tribune.  (New York, New York.)  August 28, 1858, Vol. XVIII, No. 5414, P. 1

For Finely Finished Photographs, Go to Faris’s, (Late Root’s), No. 363 Broadway, Corner Franklin-st.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

The Diaphaneotype.  This, the most beautiful and truthful style of oil colored Photograph yet produced, was originally introduced, and is made in all its exquisite perfection at the Root Gallery Only.

Specimens made at this Establishment on exhibition.  Gallery No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

Highly Complimentary To The Root Gallery.—The fact of a rival establishment placing on exhibition Pictures made at our Gallery is an evidence that our efforts to perfect the beautiful art of Photography is duly appreciated.

The Diaphaneotype introduced and made only at the Root Gallery, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1859 October 8.  New York Daily Tribune.  (New York, New York.)  October 8, 1859, Vol. XIX, No. 5760, P. 3.

Root Photographic Gallery.  T. Faris, Proprietor.  No. 363 Broadway, corner of Franklin-st.  Photographs in every style.  Daguerreotypes, Ivorytypes, &c.

Advertisement ran on October 8 to 14 & October 18 to 29, 1859.

1859 November 12.  New York Daily Tribune.  (New York, New York.)  November 12, 1859, Vol. XIX, No. 5790, P. 7.

The Root Gallery of Photographic Art, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

Photographs in every style, Daguerreotypes, Ivorytypes, &c.

Advertisement ran from November 12 to 22, 1859.

1859 December 13.  New York Daily Tribune.  (New York, New York.)  December 13, 1859, Vol. XIX, No. 5816, P. 7.

Ivorytypes!  Ivorytypes!!  This most beautiful, durable and appropriate picture for Holiday Presents is made in superior style at the Root Gallery, No. 363 Broadway, corner of Franklin-st., T. Faris, proprietor.

Although we were the first to present this style of picture to the public of New-York, we have not the extreme modesty to claim that they are made only at our gallery, as do some others.

What has become of the Hallotype?

[1] Recorded in Ohio Photographers 1839-1900.

Fabreguettes Fils, Eugene

Daguerreian Stock and Materials, Retailer, , , ,

1840-1847       61 Maiden Lane, Up Stairs, New York, New York.

1848-1852       73 William Street, Up Stairs, New York, New York.

1850 July 3.  The Evening Post.  (New York, New York.)  July 3, 1850, Vol. XLVII, P. 2.

French Fancy Articles.  E. Fabreguettes Fils & Morra, 73 William Street (Up Stairs.)  Would call the particular attention of buyers of Fancy Goods at wholesale, to their large and well selected stock; in it may be found a complete assortment of Purses, Suspenders, Guard Chains, Percussion Caps, Tooth Brushes, Bags, Studs, Brooches, Finger Rings, Agate Buttons, Twist and Dressing Combs, Game Bags, Power and Liquor Flasks, Daguerreotype Plates[1], Steel Beads, Tassels, Buckles and Slides, Oiled Silks, Fans, Gold Scales and Accordeons, of their own superior quality and make, each one of which is guaranteed to purchasers in perfect tone and finish.  Also constantly on hand, Paris Calf Skins of all the manufacturers, in entire cases only. 

Orders solicited for any description of Paris fancy goods and executed by their house in Paris, Rue Faubourg, St. Denis 23.

Advertisement ran from July 3 to September 3, 1850.

1852 July 20.  The Evening Post.  (New York, New York.)  July 20, 1852, Vol. LI, P. 2.

French Fancy Goods Adapted to the Fall Trade.  Hughes, Dupuy & Crehange, Successors to E. Fabreguettes Fils & Morra…

1840.  New York City Directory. (New York, New York.)  1840/1841, Published  by Thomas Longworth.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-55 Laight.

1841.  New York City Directory. (New York, New York.)  1841/1842, Published  by Thomas Longworth.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-55 Laight.

1842.  New York City Directory. (New York, New York.)  1842/1843, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1843.  New York City Directory. (New York, New York.)  1843/1844, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1844.  New York City Directory. (New York, New York.)  1844/1845, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1845.  New York City Directory. (New York, New York.)  1845/1846, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1846.  New York City Directory. (New York, New York.)  1846/1847, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-36 Walker.

1847.  New York City Directory. (New York, New York.)  1847/1848, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—61 Maiden Lane—h-47 Walker.

1848.  New York City Directory. (New York, New York.)  1848/1849, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-52 Walker.

1849.  New York City Directory. (New York, New York.)  1849/1850, Published  by John Doggett.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-23d Ave 8 & 9.

1850.  New York City Directory. (New York, New York.)  1850/1851, Published  by John Doggett.

Fabreguettes, Eugene—Fancy Goods—(Fabreguettes, Eudene)—73 William—h-86 w 23d.

1851.  New York City Directory. (New York, New York.)  1851/1852, Published  by Doggett & Rode.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-227 w 23d.

1852.  New York City Directory. (New York, New York.)  1852/1853, Published  by John Fowler Trow.

Fabreguettes, Eugene—Importers—(Fabreguettes & Morra)—73 William—h-227 w 23d.

1853.  New York City Directory. (New York, New York.)  1853/1854, Published  by John Fowler Trow.

Not Listed.

[1] This is the only advertisement that mentions Daguerreotype plates.  First advertisement appear on December 28, 1841.  

Evans, Thomas C.

Photographs, , ,

1857                359 Broadway, New York, New York.

1858                327 Broadway, New York, New York.[1]

1856.  New York City Directory.  (New York, New York.)  1856/1857, Publish by John Fowler Trow. Not listed

1857.  New York City Directory.  (New York, New York.)  1857/1858, Publish by John Fowler Trow.

Clerk, H-359 Broadway.

1858.  New York City Directory.  (New York, New York.)  1858/1859, Publish by John Fowler Trow.

Photographer, 327 Broadway, H-Brooklyn.

1859.  New York City Directory.  (New York, New York.)  1859/1860, Publish by John Fowler Trow.

Not Listed.

1857 October 2.  Evening Star.  (Washington, District of Columbia.)  October 2, 1857, Vol. X, No. 1,468, P. 1.

Life-size Photographs.—The art of Photography is advancing rapidly and steadily towards perfection.  The imperial photograph has been generally deemed the finest achievement in the department thus far; but Messrs. Brady & Evans have gone a step further, and have produced full-length photographic portraits the size of life.  These are the first of the kind ever made in the world, and are well worthy of examination, not simply as curiosities, but as works of art.  Two of them are groups of three figures each, and the other is a splendid full-length likeness of the popular prima donna Frezzolini.  The pictures are in size about seven feet by four, and are as accurate likenesses as any of the smaller photographs in the gallery.  By some means or other, moreover, the artists have overcome the leading defect of this art, which consists in exaggerating the size of that portion of the object which happens to be in the foreground.  These pictures are not taken directly from life, but from smaller ones upon glass, magnified.  We understand two of them will probably be sent to the Crystal Palace for exhibition.  They are certainly very remarkable productions.—New York Times.

1857 October 3.  The Evansville Daily Journal.  (Evansville, Indiana.)  October 3, 1857, Vol. IX, No. 248, P.2.

Brady & Evans of New York City are producing photographic portraits of full life size, but are first taken in miniature and then enlarged.

[1] New York City Directory 1858-1859, photographer, 327 Broadway. H-Brooklyn.

Eddy, Lewis

Daguerreotypes, , ,

1848-1849       182 Seventh, New York, New York[1]

1850-1852       218 Seventh, New York, New York.1

1853                Address Unknown, New York, New York1

1854-1857       21 Avenue D, New York, New York.1

1857 April 3.  The New York Herald.  (New York, New York.)  April 3, 1857, Whole No. 7520, P. 5.

20 Cent Ambrotypes, Splendidly Colored, at Eddy’s gallery, 21 avenue D, three doors above third street.

1857 April 7.  The New York Herald.  (New York, New York.)  April 7, 1857, Whole No. 7524, P. 5.

20 Cent Ambrotypes, with Case, beautifully colored, at Eddy’s gallery, 21 avenue D, three doors above third street.

Advertisement ran on April 7 & 9, 1857

1857 April 14.  The New York Herald.  (New York, New York.)  April 14, 1857, Whole No. 7531, P. 5.

20 Cent, 20 Cent, 20 Cent, 20 Cent, 20 Cent ambrotypes, with Case, at Eddy’s celebrated gallery, 21 avenue D.

1857 April 14.  The New York Herald.  (New York, New York.)  April 14, 1857, Whole No. 7531, P. 5.

21 avenue D.—Great Rush at Eddy’s Gallery for those beautifully colored twenty cent ambrotypes.

1857 April 16.  The New York Herald.  (New York, New York.)  April 16, 1857, Whole No. 7533, P. 5.

21 avenue D.—Great Rush at Eddy’s Gallery for those beautifully colored twenty cent ambrotypes, including case.

1857 April 18.  The New York Herald.  (New York, New York.)  April 18, 1857, Whole No. 7535, P. 5.

20 Cent Ambrotypes, with Case, Beautifully colored—gems of art—at Eddy’s celebrated gallery,  21 avenue D.

1857 June 23.  The New York Herald.  (New York, New York.)  June 23, 1857, Whole No. 7601, P. 5.

20 Cent Ambrotypes, with Case, Beautifully colored—finest in the world—at Eddy’s, 21 avenue D.

1857 June 25.  The New York Herald.  (New York, New York.)  June 25, 1857, Whole No. 7603, P. 5.

The Best 20 Cent Ambrotypes in the World are taken at Eddy’s Gallery, No. 21 avenue D, three doors above Third street.

Advertisement ran on June 25 & 27, 1857.

1857 June 30.  The New York Herald.  (New York, New York.)  June 30, 1857, Whole No. 7608, P. 5.

20 Cents for the Elegant Pearl Ambrotype in colors, taken only at Eddy’s gallery, 21 avenue D, three doors above Third street.

1857 October 7.  The New York Herald.  (New York, New York.)  October 7, 1857, Whole No. 7706, P. 5.

20 Cent Ambrotypes and Dollar Photographs, the best in the world at Eddy’s gallery, 21 avenue D, three doors above Third street.

Advertisement ran on October 7 & 9, 1857.

[1] New York City Directory.

Durang, William H.

Daguerreotypes,

1847-1851       303 Broadway, New York, New York.

1847.  New York City Directory. (New York, New York.)  1847/1848, Published by John Doggett, Jr.

Not Listed.

1847.  New York City Directory. (New York, New York.)  1847/1848, Published by John Doggett, Jr.

Durang, William H.  Daguerreotypist, 303 Broadway.  H-325 Broadway.

1848.  New York City Directory. (New York, New York.)  1848/1849, Published by John Doggett, Jr.

Durang, William H.  Daguerreotypist, 303 Broadway.  H-325 Broadway.

1849.  New York City Directory. (New York, New York.)  1849/1850, Published by John Doggett, Jr.

Durang, William H.  Daguerreotypist, 303 Broadway. 

Durang, William H.  Daguerreotypist, 303 Broadway.  H-325 Broadway.

1850.  New York City Directory. (New York, New York.)  1850/1851, Published by John Doggett, Jr.

Durang, William H.  Daguerreotypist, 303 Broadway. 

1851.  New York City Directory.  (New York, New York.)  1851/1852, Published by Doggett & Rhodes.

Not listed.

1849 July 12.  The New York Herald.  (New York, New York.)  July 12, 1849, Whole No. 5514, P. 3.

A Superior Daguerreotype Likeness of The late Colonel Duncan, may be seen at Durang’s Daguerrian Gallery, No. 303 Broadway.

1851 January 28.   The New York Herald.  (New York, New York.)  January 28, 1851, Whole No. 6072, P. 2.

Captain Rynders and Daguerreotypes.—The friends of Captain Rynders will be pleased to know that one of the best Daguerreotypes ever taken of the above named gentleman, can be seen at the Daguerrean Gallery of W. H. Durang, 303 Broadway, corner of Duane street.

1851 February 27.   The New York Herald.  (New York, New York.)  February 27, 1851, Whole No. 6702, P. 5.

The Hon. Sam Houston and Daguerreotypes.—A very superior Daguerreotype of General Houston was taken yesterday afternoon, at Durang’s Daguerreotype Rooms, 303 Broadway, corner Duane street.  Call and see the hero of San Jacinto.

1851 March 3.   The New York Herald.  (New York, New York.)  March 3, 1851, Whole No. 6706, P. 5.

The Hon. Sam Houston and Daguerreotypes.—A very superior Daguerreotype was taken of General Houston during his recent visit in New York.  Call at Durang Daguerrian Rooms, 303 Broadway, corner of Duane street, and see the hero of San Jacinto.

Duffy, James G.

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1854-1856       229 Bowery, New York, New York.[1]

1859                492 Grand Street, New York, New York.

1860                492 Grand Street, New York, New York.1

1861                52 Chatham, New York, New York.1

1862                58 Chatham, New York, New York.1

1859 March 28.  The New York Herald.  (New York, New York.)  March 28, 1859, Whole No. 8240, P. 6.

Wanted—A Young Lady Of Pleasing Address to attend Young’s gallery, 418 Grand st.  One who can finish ambrotypes preferred.  Also one at Duffy’s, Thalian Hall, 492 Grand st.

[1] New York City Directories, 1855 recorded as Ross & Duffy.  Not listed in the 1857 & 1858 NYC Directories.  1859 recorded as a daguerreotypes, business address not recorded, h-499 Grand.  1860 recorded as ambrotypes.  1861 & 1862 recorded as photographs.

Drummond, Alonzo J.

Daguerreotypes, ,

1853                Address Unknown, New York, New York.[1]

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond[2], eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

Internet search for Alonzo J. Drummond.  Note that William Lewis Sr. had two other sons in addition to William H. Lewis. Richard A. Lewis was a prominent daguerreotypist and another son, H. J. Lewis also worked for the firm. A daughter, Jennie, married Alonzo J. Drummond, another Daguerrian photographer. Other family members of William Lewis also participated in the business. Grandsons William H. Lewis, II and Frank S. Lewis, and indent-in-law, Bradford Johnson continued various parts of the business beyond 1900.

[1] Information from The American Daguerreotype (Floyd & Marion Rinhart) & Craig’s Daguerreian Registry. 

Possible daguerrean and photoengraver, presumably from New York City.  Drummond appears in the write up but not in the official catalogue of exhibitors.  Drummond does not appear in the New York Historical Society Dictionary Of Artist In America 1504-1860.

[2] Internet search for Alonzo J. Drummond, 1850’s.  Note that William Lewis Sr. had two other sons in addition to William H. Lewis. Richard A. Lewis was a prominent daguerreotypist and another son, H. J. Lewis also worked for the firm. A daughter, Jennie, married Alonzo J. Drummond, another Daguerrian photographer. Other family members of William Lewis also participated in the business. Grandsons William H. Lewis, II and Frank S. Lewis, and indent-in-law, Bradford Johnson continued various parts of the business beyond 1900.

Dobyns, Thomas Jefferson

Daguerreotypes, , , , , , , , , , , , , , , , , , , , ,

1845                Across from Commercial Hotel, [Memphis, Tennessee.][1]

1846                Front Street, Memphis, Tennessee.1

1847-1850       Over 477 Main Street, Louisville, Kentucky.1

1848                24 Fifth Street, Cincinnati, Ohio.

1848                Jefferson Street, Memphis, Tennessee.

1851-1852       Water Street, Over the Insurance Office, Evansville, Indiana.

1851-1854       489 Main Street, Louisville, Kentucky.

1851-1855       1 Fowlkes’ Row, Memphis, Tennessee.

1852                Over Craig’s, Holly Springs, [Mississippi.][2]

1853-1854       59 College Street, Nashville, Tennessee.

1851-1854       6 & 23 (28) Camp Street, New Orleans, Louisiana.

1851-1854       Corner 4th and Chestnut Streets, St. Louis, Missouri

1854                Olive & Fourth, St. Louis, Missouri.

1853-1854       303 Broadway, New York, New York.

1848 May 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 18, 1848, Vol. X, No. 31, P. 2.

Daguerrean Galleries.—Dobyns & Co., Proprietors.

Cincinnati, O., No. 24 5th st., between Main and Walnut.

Louisville, Ky., North side of Market st., between 5th and 6th.

Memphis, Tenn., on Jefferson st.

At any of the above places can be had likenesses of all sizes.  In regard to the tone and finish they have nothing to say.  Their pictures show for themselves.

Pictures of deceased persons taken in any part of the city.

Always on hand and for sale—Stock, Chemicals, Instruments, and every thing appertaining to the art.

Instruction imparted to pupils at either of the above rooms.

Advertisement was recorded from May 18 to December 7, 1848.

1848 May 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  May 20, 1848, Vol. X, No. 33, P. 2.

Daguerreotyping.  Dobyns & Co. have fitted up a new Daguerrian Gallery on Fifth street, between Main and Walnut, over the store of J. H. Walker.  The room is large and handsomely arranged, and a sky-light window has been made, rendering every thing in perfect order for the reception of visitors.  The Queen City Daguerreotypist have established an enviable reputation for the perfection of their pictures, and from the long experience of Mr. Dobyns, and his great taste in such matters, he will fully sustain, if nor increase that reputation.  The pictures already taken by Messrs. D. & Co., of some of our citizens, must be recognized by all who know the person as most perfect and finished likenesses.

1848 July 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 18, 1848, Vol. X, No. 81, P. 2.

When will wonders cease?  Dobyns & Co., on Fifth street, over J. H. Walker’s store, have an instrument that will take a perfect Daguerrian Likeness of a child in one second.  Now is your time, for those who have the original, to “secure the shadow ere the substance fades.”

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished daguerrean artist in America, who has taken the extensive establishment, No. 6 Camp street, lately occupied by McGuire & Harrington.  The former patrons of that establishment will find that it has lost nothing by the change; and that is saying a great deal.  We have known Col. Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage.  He is one of those rare men we occasionally meet with, and only occasionally, who, from their strong intellectual endowments, and force of character, will place themselves, in despite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to its highest degree of perfection, and we wish him the success to which his high merits entitle him.  

1851 January 14.  The Daily Crescent. (New Orleans, Louisiana.)  January 14, 1851, Vol. III, No. 270, P. 2.

Daguerreotyping—Maguire’s old stand, No. 6 Camp street.—The subscriber, having leased this well known and celebrated establishment, and secured the services of Dr. W. H. Harrington, partner of J. Maguire for the last four years, will continue the business at No. 6 Camp street; where he is prepared to furnish Likenesses, of all sizes, equal to any in the United States.  From long experience and strict attention, he trusts fully to sustain the reputation of this long established Gallery.

Gallery, No. 28 Camp street, will at all times be open for the reception of visitors and stock dealers.  T. J. Dobyns.

Dr. Harrington avails himself of this opportunity to return his thanks to his friends and the public for the liberal patronage heretofore received, and respectfully solicits a continuance of the same, at the above Gallery.         

Advertisement ran from January 13 to 25, 1851.

1851 August 22.  Daily Missouri Republican.  (St. Louis, Missouri.)  August 22, 1851, Vol. XXX, No. 197, P. 2.

 Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 August 23.  Daily Missouri Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 2.

The Daguerreotype Art.—We refer our readers to the advertisement of Col. T. J. Dobyns, one of the most distinguished Daguerrean artists in America who has taken the extensive establishment, No. 6 Camp street lately occupied by Maguire and Harrington.  The former patrons of that establishment will find that it has lost nothing by the changes, and that is saying a great deal.  We have known Col Dobyns for many years, and we speak advisedly when we say he has the highest possible claims to the public confidence and patronage. He is one of those rare men we occasionally meet with, and only occasionally , who, from their strong intellectual endowment and force of character, will please themselves in spite of all obstacles, at the head of whatever profession they engage in.  He has carried this art to the highest degree of perfection, and we wish him the success to which his high merits entitle him.—[New Orleans Cresent.        

1851 August 23.  Daily Morning Republican.  (St. Louis, Missouri.)  August 23, 1851, Vol. XXX, No. 198, P. 3.

Dobyns’ Daguerreotype Galleries.

Corner Fourth and Chestnut sts, St. Louis, Mo.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

No. 23 Camp Street, New Orleans.

Having permanently established a Gallery at the well known corner of Fourth and Chestnut streets, St. Louis, at reduced prices, and secured the services of that well known and popular Daguerreotypist Mr. M. Wright, we hope to furnish as fine likenesses that can be had at other establishments in the world.  All we ask, is to try us.  Full satisfaction given or no charge.  Children sick or deceased persons taken any part of the city.  Instructions given, with all improvements.  T. J. Dobyns.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. 2, No. 3, P. 189.

–We have had among us, during the last month, quite a number of western and southern Daguerreans, who have come for the purpose of purchase their winter’s supplies of materials; among them…Dobyns of New Orleans…

1851 October.  The Photographic Art Journal.  (New York, New York.)  October 1851, Vol. 2, No. 4, P. 255.

At a meeting of the Daguerreotypist of the city of St. Louis, held at Fitzgibbon’s Gallery on Tuesday evening, Oct 7th.

J. H. Fitzgibbon was called to the Chair, and S. L. Meachan appointed Secretary.

The object of the meeting being stated by the Chairman, the following gentlemen were appointed a committee to draft resolutions for the action of the meeting:

C. Burritt, M. Wright, T. J. Dobyns,  C. A. Rand, W. A. West, J. McKee, which committee made the following report:

Whereas, It hast pleased the Almighty to call from among us one of our brethrn, (sic.) therefor, be it—

Resolved, That we, the Daguerreotypists of the City of St. Louis, deeply regret the loss of our brother H. H. Long, whose uprightness of character and perseverance in the Daguerreotype art, hath promoted its welfare and elevated its standing.

Resolved, That the Daguerrean Art has lost by the death of Mr. Long, one of its brightest ornaments and best artists.

Resolved, That we deeply sympathise with the widow and friends of the deceased, for the severe loss they have sustained.

Resolved, That the Chgairman and Secretary of this meeting be requested to address a letter of condolence to the widow of our deceased brother.

Resolved, That these proceedings be published in the daily papers of the city of St. Louis—the Daguerrean Journal, and Photographic-Art Journal of New York.  J. H. Fitzgibbon, Chairman.  S. L. Meachan, Sec’y.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 2.

St. Louis Business Directory…Daguerrean Artist.—Fitzgibbon, No 1 Fourth and Market streets; Dobyn & Co., Corner Fourth and Chestnut streets; Rand 57 Fourth street, opposite Planter’s House.

1851 October 9.  Hannibal Journal and Western Union.  (Hannibal, Missouri.)  October 9, 1851, Vol. 2, No. 6, P. 3.

Dobyn’s & Co.’S Daguerreotype Galleries, No. 489 Main st., Louisville, Ky.; No 1 Fowlks Row, Memphis, Tenn.; No. 6 & 28 Camp st., New Orleans, La., and corner Forth and Chestnut, St. Louis, Mo.  oc9.

Advertisement ran from October 9, 1851 to January 15, 1852.

1851 November 8.  The Evansville Daily Journal.  (Evansville, Indiana.)  November 8, 1851, Vol. IV, No. 170, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

N. B.—All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale.  The above rooms are now furnished and open.  All are invited to call and examine for themselves.  nov. 5.

Advertisement ran from November 8, 1851 to June 15, 1852.

1852 January 1.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 1, 1852.  Vol. I, No. 17, P. 1.

Removal Daguerreotype Gallery and Furnishing Depot.  We have removed to No. 1 Fowlkes’ Row, corner Main and Adams street, where Yearout will continue to furnish those fine tone life-like Pictures.  For comfort and elegance our new rooms are unsurpassed.  [jly9]  Dobyns & Co.

1852 January 6.  New Orleans Daily Crescent  (New Orleans, Louisiana.)  January 6, 1852, Vol. IV, No. 261, P. 2.

Dobyn’s & Harrington’s Daguerreotype And Stock Depot, No. 6 Camp street.—This well known establishment having been thoroughly repaired, enlarged and improved, the proprietors invite the attention of the public to their Picture Gallery, where Portraits are furnished of all sizes, in the most superior style and finish.

N. B.—Operators fitted out with complete Apparatus at the lowest cash prices.  Voightlander, French, Harrison’s, Lewis & Helb’s half size Tubes, with Box and extra Tablets, for twenty-five dollars.  Quick working Tubes, Plates, (American and French,) Cases, Frames, Stands, Boxes, Baths, Chemicals, together with every article used in the Daguerreotype Business, constantly on hand, and for sale wholesale and retail.

Advertisement ran from January 6, 1852 to January 7, 1853.

1852 May 24.  The Evansville Daily Journal.  (Evansville, Indiana.)  May 24, 1852, Vol. V, No. 27, P.3.

Dobyns & Co.’s Daguerreotype Galleries.

No. 489 Main Street, Louisville, Ky.

No. 1 Fowlke’s Row, Memphis, Tenn.

Nos. 6 & 23 Camp Street, New Orleans.

Corner 4th and Chestnut sts, St. Louis, Mo.

J. T. Yearout & L. S. Lipman, of the above firm would respectfully inform the Ladies and Gentlemen of Evansville and the public generally, that they have taken Rooms on Water st., over Insurance office, and that they are permanently located at Evansville, in the Daguerrean Rooms formerly occupied by Gove & Widney, where one of them may be found at all hours of the day, ready and prepared to take Likenesses of all sizes and descriptions, to exhibit specimens of their work, sell stock, give instruction in the art and wait upon all who may favor them with a call.

All work done by them will be warranted to give perfect satisfaction or no charge made.

Constantly on hand a full supply of Daguerreotype Stock for sale. 

The above rooms are now furnished and open.  All are invited to call and examine for themselves.  my12.

Advertisement was recorded three times between May 24 and June 15, 1852.

1852 October 19.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 19, 1852.  Vol. I7, No. 263, P. 2.

Something New in the way of a Likeness.  Dobyne & Yearout hold the Patent Right for the State of Tennessee, for taking the delicate and beautiful miniature known as the Crayon Daguerreotype, and are now prepared to furnish a very superior Likeness.  We also have another style of Likeness—they are worth a visit, call and judge for yourself.  We have a large lot of stock and can furnish operators with any and all articles used by the art at Memphis, New Orleans, St. Louis, Louisville and Holly Springs, at very low rates. 

1852 October 21.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 21, 1852, Vol. I7, No. 265, P. 3.

Our old friend Dobyns, the extensive Daguerreotypist, has just returned from New York, bringing with him many late and valuable improvements in the Daguerrean Art.  He can be seen for a few days only, at his rooms, over S. Fowlkes & Co’s store, as he intends leaving this week for New Orleans, where we learn he is doing a splendid business in his line.  We understand that Col. Yearout, who has for some time past been associated with Mr. Dobyns, is now in Philadelphia, with the great Daguerreotypist, Root, but is daily expected to return with other new improvements, and then between Dobyns, Yearout and Lipman, at the firm of Dobyns & Yearout, in this city—The very best likenesses of the “human face divine,” can be procured.

See advertisement in another column.

1852 October 31.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 31, 1852, Vol. I7, No. 265, P. 3.

Daguerreotype Establishments.

Dobyns & Yearout, Memphis, Tenn., over Fowlkes & Co.

Dobyns & Yearout, Nashville, Tenn., over Stevenson’s.

Dobyns & Yearout, Holly Springs[2], over Craig’s.

Dobyns & Harrington, New Orleans, La., corner Camp and Canal sts.

Dobyns & Spaulding, St. Louis, Mo., corner 4th and Olive sts.

Dobyns & Co., St. Louis, Mo. Corner 4th and Chestnut sts.

Dobyns & Co., Louisville, Ky., Stanclift’s old gallery.

Dobyns & Hall, Louisville, Ky., 47 Main st.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  T. J. Dobyns.

1852 November 23.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  November 23, 1852, Vol. I7, No. 290, P. 3.

Dobyns’ & Co.—So far as we have had an opportunity of observing, we do not hesitate to pronounce the Daguerrean establishment of Messrs. Dobyn’s & Co., the finest and most extensive in this city.  Mr. Lipman, a very polite and accommodating young gentleman, is the artist, who now has the management of the establishment; Messrs. Dobyns and Yearout, both being absent the former at New Orleans, and the latter at Nashville.  A few days since we were shown by Mr. Lipman some fine specimens of pictures, executed by him.  They were indeed superior to any we have seen in a long time.  Those would see them selves as they are seen by others, have only to call for a few minutes on Messrs. Dobyns & Co.,—corner of Main & Adams streets.

1852 November 27.  The Louisville Daily Democrat.  (Louisville, Kentucky.)  November 27, 1852, Vol. IX, No. 115, P. 4.

Dobyns’ Daguerrean Galleries. 

No. 489 Main street, over Kitts’s Jewelry Store, Louisville, Ky.

No. 1 Fowlkes’ Row, Memphis, Tenn.

No. 28 Camp street, New Orleans, La.

Corner Camp and Canal streets, (Maguire’s old corner,) New Orleans, La.

Corner Fourth and Chestnut streets, St. Louis, Mo.

By calling at either of the above establishments you can procure such Pictures as must please.  We respectfully solicit a call.  Dobyns & Co.

1853 March 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  March 20, 1853, Vol. I8, No. 67, P. 3.

Dobyns & Yearout, Daguerrean Artists, Corner Main and Adams Streets, Over Fowlkers’ Row. 

Likenesses taken in all kinds of weather.

Daguerreotype stock, and everything pertaining to the trade, for sale.

1853 May.  The Photographic Art Journal.  (New York, New York.)  May 1853, Vol. 5, No. 5, P. 320.

–Messrs. Dobyns & Harrington of New Orleans, in connection with Mr. V. L. Richardson, have opened a gallery in New York city, at the corner of Broadwayand Duane street,  The well known reputation of these gentlemen will ensure them a liberal share of patronage.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 7465, P. 4.

New Daguerrean Gallery.—The Undersigned respectfully inform their friends, and the public in general, that their new gallery is open for the reception of visitors.  Portraits taken in every style of the art.  Dobyns, Richardson & Co., 303 Broadway.

1853 June 12.  Sunday Dispatch.  (New York, New York.)  June 12, 1853, Vol. 8, No. 29, P. 3.

The Principal Daguerrean Gallery in this metropolis, is that which is located at 303 Broadway, and is under the direction of Messrs. Dobyns, Richardson & Moissenet, who have branch establishments in successful operation at New Orleans, Louisville, St. Louis, Memphis and Nashville, and in each of which cities, as well as in New York, do they enjoy the reputation of taking by means of a skylight, constructed upon an entire new plan, and approved apparatus, under the direction of the most skilful artists, the best portraits and pictures that have been taken by the daguerreotype process.  Citizens and strangers should remember this fact, and call at No. 303 Broadway.

Advertisement was recorded eleven times from June 12 to October 2, 1853.

1853 June 15.  The New York Herald.  (New York, New York.)  June 15, 1853, Whole No. 7480, P. 4.

“A Thing of Beauty is a Joy Forever—Its loveliness increases;” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 16.  New York Daily Tribune.  (New York, New York.)  June 16, 1853, Vol. XIII, No. 3796, P. 4.

“A thing of Beauty is a joy forever—its loveliness increases!” and so with the reputation of the far-famed Daguerreotype Pictures of Dobyns, Richardson & Moissenet.  They are indeed “things of beauty,” and their loveliness of light and shade, producing exquisite portraits, has never been surpassed.  Call at No. 303 Broadway.  The gallery is free, and visitors receive every courtesy whether they wish pictures or not.

1853 June 27.  New York Daily Tribune.  (New York, New York.)  June 27, 1853, Vol. XIII, No. 3805, P. 4.

“So sweet a language from so fair a mouth, ah, “to what efforts would it not persuade!”  Such mouths are to be seen only in the matchless daguerreotypes of Dobyns, Richardson & Moissenet.  So expressive are they that “sweet language” seems to flow from them.  The eyes, too, are those that “speak language in a “look.”  These superb pictures may be had at No. 303 Broadway.

1853 July 9.  Daily Missouri Republican.  (St. Louis, Missouri.)  July 9, 1853, Vol. XXXI, No. 162, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Harrington, New Orleans, La.

Dobyns & Co., Memphis, Tenn.

Dobyns & Yearout, Nashville, Tenn.

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Moessint, 303 Broadway, New York.

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 1.

Dobyns & Hall’s Celebrated Daguerrean Gallery, No. 489 Main street, Louisville, Ky., importers and Dealers in every description of Daguerreotype materials.  For sale cheap.

1853 August 17.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 17, 1853, Vol. XXIII, No. 37, P. 3.

Persons desirous of seeing the Crystal Palace can do so by calling at our Daguerrean Rooms, No. 489 Main street, Louisville, Kentucky, over Kitts’s Jewelry Store, where they will always find us prepared to take pictures in the most improved style, at the same time pledging ourselves to give satisfaction.  We are constantly receiving shipments from the East, which enable us to accommodate our customers with the latest style of cases.

Operators wishing Daguerrean Material will find it to their advantage to give us a call, as our assortment is always complete/  Dobyns & Hall.

1853 August 17.  Nashville Union and American.  (Nashville, Tennessee.)  August 17, 1853, Vol. XXIV, No. 75, P. 2.

Daguerrean Stock And Picture Establishment.

Dobyns & Yearout, Nashville, Tennessee, College Street

Dobyns & Hall, Louisville, Ky.

Dobyns & Richardson, Morssewet, New York

Dobyns & Spaulding, St. Louis, Mo.

Dobyns & Yearout, Memphis, Tenn.

Dobyns & Harrington, New Orleans

At any of the above establishments, you can procure as fine Pictures as can be had in any city, of any desired style or fin9ish, as we have every improvement, and expect to keep up with any and all improvements.  We are prepared in either city to furnish artists with every article used in the art.  Our arrangements are such, we can furnish stock on the most reasonable terms.  Dobyns & Co.  N. B.—Pictures taken in any kind of Weather.           D. & Co. 

Advertisement ran from August 17, 1853 to January 15, 1854.

1853 August 18.  The Louisville Daily Journal.  (Louisville, Kentucky.)  August 18, 1853, Vol. XXII, No. 225, P. 3.

Daguerreotyping.—Messrs. Dobyns & Hall, whose gallery is over Kitts’s Jewelry establishment, have a system of daguerreotyping, which we strongly advise our friends to call and examine.  We have not time to describe it to our readers, but we can assure them that it will surprise, astonish, and delight them.

1853 October 16.  Nashville Union and American.  (Nashville, Tennessee.)  October 16, 1853, Vol. XXIV, No. 117, P. 3.

Col. Dobyns, the extensive Daguerreotypist of Dobyns & Yearout, 59 College Street, who has just returned from his New York establishment, has several improvements which will be introduced id a few days.  We understand that the celebrated artists E. Church, so long and favorably known as one of the best in the city of New York, came out with the Col. For the purpose of remaining permanently in that gallery.  If he surpasses Yearout’s pictures, we should say Nashville will have something to be proud of.  We shall see what we shall see.

1853 October 17.  New Orleans Daily Crescent.  (New Orleans, Louisiana.)  October 17, 1853, Vol. VI, No. 191, P. 2.

Daguerreotypes.—The Daguerreotyping Saloon of Messrs. Dobbyns & Harrington, on the corner of Camp and Canal streets, are now in active operation under the superintendence of Mr. McClure, the acting Operator.  These rooms contain a large and well selected stock of materials for taking likenesses according to the most approve method, and the pictures taken give general satisfaction.  The operation is almost instantaneous, and the results in all cases a true type of the features, even to the slightest shades of expression.  The specimens exhibited at these rooms are of such a various character that a visit to them is equivalent to a stroll through an extensive picture gallery.  The operator, Mr. McClure, has brought the art of coloring the pictures to the nicest perfection, imparting a tint to the complexion exceedingly life-like, and in a manner always true to the reality.  Persons having relations and friends at a distance, or who wish to preserve the likenesses of those in whom they are interested, may here find a ready means for engraving their features on lasting materials, which are unchangeable, and which will not deteriorate through time.  Plates of every description may be obtained here, and on the most accommodating terms.  Strangers in the city should not fail to gratify their curiosity by paying these rooms a visit.

1853 November 26.  Mississippi Free Trader.  (Natchez, Mississippi.)  November 26, 1853, Vol. XIX, No. 11, P. 3.

Dobyn’s Daguerreotype Establishments.  At New Orleans, Memphis, Holly Springs, Nashville, Louisville and St. Louis, are now complete in every particular and have full supplies of every article used in the art.

Dobyns & Harrington, at the corner of Camp and Canal streets, New Orleans, (Maguire’s old stand,) have remodeled and arranged one of the best Saloons in the United States.  Our Pictures speak for themselves.

The largest assortment of Stock ever in New Orleans, and at such prices as must please.

We own the patent for the State of Louisiana for taking those new Vignette Pictures, never surpassed in beauty.  Our Col. Dobyns is the agent for selling rights in the State of Texas, Arkansas, Mississippi, Georgia, Alabama and Florida. 

Advertisement ran from November 26, 1853 to

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 1.

Dobyns & Yearout, Memphis, Tenn.;

Dobyns & Yearout, Nashville, Tenn.;

Dobyns & Harrington, N. Orleans, La.;

Dobyns & Spaulding, St. Louis, Mo.;

Dobyns & Dobyns & Hall, Louisville, Ky.;

[Dobyns] Kite &  Co., Louisville, Ky.;

Dobyns & Richardson & Co., 303 Broadway, New York.

At either of the above Galleries you can procure the best Pictures, as we have all the late improvements.  Artists supplies at either city with any article used in the art.  Dobyns & Yearout having purchased the right of the State of Tennessee for taking those beautiful, delicate and popular Miniatures, known at the Crayon or Vignett Daguerreotypes, so popular in the Northern cities, will sell the right for any county in the State—reserving Shelby and Davidson.  I own the Patent of Louisiana, and the Agent for disposing of rights in the States, or part of the States, of Texas, Arkansas, Mississippi, Alabama, Georgia, and Florida,—can be seen, or address me at New Orleans, La.  [Je25, 53]  T. J. Dobyns. 

1854 January 3.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  January 3, 1854, Vol. 18, No. 347, P. 2.

To the Lovers of the Marvelous.  Dobyns & Yearout are now prepared to execute those wonderful productions termed Stereoscopic Pictures.  The chief beauty of these Pictures consist in the beautiful and life-like appearance, obtained by the use of perspective or convex glasses.

Ladies and Gentlemen are invited to call and examine specimens, No. 1 Fowlkes’ Row.  [sep23]

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 5.

Daguerreotypes—The Daguerrean Rooms, formerly occupied by Dobyns, Richardson & Co., 303 Broadway, corner of Duane street, are reopened and ready for the reception of visitors.  V. L. Richardson operator.  Yearout & Richardson.

1854 September 3.  Nashville Union and American.  (Nashville, Tennessee.)  September 3, 1854, Vol. XXV, No. 372, P. 2.

Notice.—The Copartnership heretofore existing under the firm of Dobyns & Church and Dobyns & Co., is dissolved.  No one is authorized to collect debts of the concern but Mr. J. T. Yearout.  T. J. Dobyns.        Sep. 3.

Advertisement ran from September 3 to December 30, 1854.

1854.  Illinois And Missouri State Directory for 1854-1855.  (St. Louis, Missouri.)  1854, P. 141-142.

Dobyns & Spaulding  north west corner Olive and Fourth, St. Louis, Missouri.

1854 September 16.  Nashville Union and American.  (Nashville, Tennessee.)  September 16, 1854, Vol. XXV, No. 383, P. 3.

The Fine Arts.  Amongst the numerous enterprises that are being pushed forward in our city, we notice the Daguerreian Establishment of Messrs. Dobbins [sic.] & Yearout, 59 College Street, over the dry goods store of Messrs. Stevenson & White.  We visited their galleries yesterday and found them fitting up their rooms and instruments.  One or both of these gentlemen have been absent from our city a considerable portion of the summer, visiting a number of the principal cities of the United States, where they also have similar establishments.  We are informed that they have secured the services of the celebrated artist, Mr. Mallory, who has been operating heretofore in the larger cities, North and West, and we have no doubt he will sustain here the high reputation that he has acquired in other places.  Here is what the St. Louis Herald says of him:

‘Look On This Picture.’—The other day we were shown some of the finest specimens of the Daguerrean art ever seen in this city.  These pictures were life-like, mellow and beautiful.  They were taken by Mr. Mallory.  It may not be generally known, but there is as much difference in daguerreotypes as between cheese and chalk.—Some operators take pictures which others would be ashamed of.  Those who want a first-rate picture should call and get Mallory to ‘point his machine at them’ for about half a minute, and we will agree to treat if he doesn’t produce a ‘counterfeit presentment’ which will give satisfaction.”

We are also informed by the proprietors of this establishment that in addition to furnishing daguerreotype likenesses of the very first order, at very moderate prices, they import directly from Europe and the Eastern cities every description of stock used in their line, which they can and will sell to traveling operators as low as they can buy in New York, or elsewhere in the United States.  Such enterprise deserves encouragement.

1854 October 31.  Nashville Union and American.  (Nashville, Tennessee.)  October 31, 1854, Vol. XXV, No. 420, P. 2.

Hughes Brothers, Daguerrean Artists And Daguerreotype Stock Dealers.

C. C. Hughes, Union Street, over Streetch & Orr’s

F. N Hughes, 59 College Street, late Dobyns & Co.

The subscribers have the honor to inform their numerous friends, that owing to an increase of business they have purchased the Rooms lately occupied by Dobyns & Co.; our galleries are fitted up in neat style, with powerful Sky-Lights, the only ones in the city, which is well adopted for taking large Family Groups without the dark shades so generally seen and objected to.  In the Union Street Gallery we have a beautiful Piano for he use of the Ladies, and every other facility to produce First Class Pictures—no others are allowed to leave the rooms.  We attend to our patrons personally, so that our patrons may rely on polite attention, and Pictures equal to any, no matter by whom taken.

Citizens and Strangers are politely invited to visit our Rooms, whether they need Pictures or not.   

1855 March 17.  The Leader.  (St. Louis, Missouri.)  March 17, 1855, Vol. 1, No. 2, P. 1.

A Mialaret, Daguerrean, (Successor to Dobyns & Spaulding,) N. W. corner of Fourth and

Olive streets, over Porter & White’s store.

Pictures taken in all kinds of weather, with any desired tone or shade, equal to the best.  Children, of any age taken in from one to five seconds.  Prices range from one to twenty-five dollars.

1855 October 20.  Memphis Daily Eagle and Enquirer.  (Memphis, Tennessee.)  October 20, 1855, Vol. XX, No. 242, P. 4.

Daguerreotypes for $1.00.  I take pleasure in saying to my old friends that I have purchased the Daguerrean Gallery of Col. J. T. Dobyns, and am now prepared to make better pictures than heretofore, at One Dollar.  Particular attention paid to children.  A fine assortment of finer Cases, Gold Lockets and Breast Pins for Daguerreotypes.  Rooms opposite United States Hotel.  Call and see me.  Respectfully, J. T. Yearout. 

1857 Januaru 16. The Daily Picayune. (New Orleans, Louisiana.) January 16, 1857, Vol. XX, No. 304, P. 4.

“Americans use an American Pen,” is the moto of the American Steel Pen Manufacturing Company. Their agents, Messrs. Dobyns & Harrington, 6 Camp street, have presented us with a box of the “Washington Medallion Pen.” We have tried this pen, and find it an excellent article, and can [ ? ] recommend it to the public.

[1] Craig’s Daguerreian Registry.

[2] Possibly Holly Springs, Mississippi.

De Guinon & Stever

Daguerreotypes, Photographs, , , , ,

1855                303 Broadway, New York, New York.

1855.  New York City Directory.  (New York, New York.)  1855/1856, Published by John Fowler Trow.

DeGuinon & Stever, Daguerreotypes, 303 Brooklyn.

1855 June 13.  The New York Herald.  (New York, New York.)  June 13, 1855, Whole No. 6865, P. 7.

A Rare Chance Is Now Offered To An Enterprising person with small capital, to purchase very low, a first class photograph and daguerreotype gallery, now doing a splendid business, and one of the best locations in the city; the parties now interested are going to Europe.  Inquire De Guinon & Steven, (sic.) 303 Broadway, corner of Duane street.

1855 June 21.  The New York Herald.  (New York, New York.)  June 21, 1855, Whole No. 6873, P. 6.

A Rare Chance—For Sale, Or A Partner taken.—One of the partners of the photograph and daguerreotype establishment, No. 303 Broadway, is about going to Europe, and a rare chance is offered to a person with small capital, to buy out the establishment, or to join the remaining partner in conducting the business.  A knowledge of the business not requisite, as the remaining party is an old daguerreotypist.  Inquire De Guinon & Steven, (sic.) 303 Broadway.