Tag Archives: Boston Massachusetts

Korrect, Oll

1841                Address Unknown, Boston, Massachusetts.

1841 November 27.  Daily Evening Transcript.  (Boston, Massachusetts.)  November 27, 1841, Vol. XII, No. 3479, P. 2.

O. K. not O. K.—A singular mistake occurred in this city on Tuesday last, which goes to prove that we should not always trust to outward appearances.  The ship Saracen, Capt. Oliver Keating, sailed from this port that day for Manilla and Canton.  When the ship was ready to start the Captain sent a cartman to the Pearl Street House, where he had been boarding, for his baggage.

The cartman accordingly went to Capt. K.’s room and took his things, which were all packed up, and in coming out of the room he saw in the entry, near the door, two boxes marked O. K. the initials of the Captain’s name, (Oliver Keating) and supposing they belonged to him, and that it was Oll Korrect, he took the boxes, carried them down and put them on board the ship with the Captain’s baggage, and the vessel immediately afterwards went to sea.  An hour or two after she had sailed, it was discovered that the boxes did not belong to the Captain, but to another gentleman who was stopping at the Pearl Street House, and that the contained a complete set of Daguerreotype apparatus which the owner was about to put in operation in this city.  It was, however, too late to correct the mistake, and the boxes Daguerreotype apparatus and all, are now on their way to Manilla

1841 December 1.  Norwich Courier.  (Norwich, Connecticut.)  December 1, 1841, Vol. XX, No. 88, Whole No. 2275, P. 3.

O. K. not O. K.—A singular mistake occurred in this city on Tuesday last, which goes to prove that we should not always trust to outward appearances.  The ship Saracen, Capt. Oliver Keating, sailed from this port that day for Manilla and Canton.  When the ship was ready to start the Captain sent a cartman to the Pearl street House, where he had been boarding, for his baggage.

The cartman accordingly went to Capt. K.’s room and took his things, which were all packed up, and in coming out of the room he saw in the entry, near the door, two boxes marked O. K. the initials of the Captain’s name, (Oliver Keating) and supposing they belonged to him, and that it was Oll Korrect, he took the boxes, carried them down and put them on board the ship with the Captain’s baggage, and the vessel immediately afterwards went to sea.  An hour or two after she had sailed, it was discovered that the boxes did not belong to the Captain, but to another gentleman who was stopping at the Pearl Street House, and that the contained a complete set of Daguerreotype apparatus which the owner was about to put in operation in this city.  It was, however, too late to correct the mistake, and the boxes Daguerreotype apparatus and all, are now on their way to Manilla.—Boston Transcript.

Knapp, Abiathar Hayden

1855-1857       123 Washington Street, Boston, Massachusetts.

1828 May 26.  Vital Records of Norton, Massachusetts.  P. 88.

Born Abiathar Hayden Knapp on May 26, 1826 to Sumner and Phebe Knapp.

1854 September 30.  Boston Cultivator.  (Boston, Massachusetts.)  September 30, 1854, Vol. XVI, No. 39, P. 7.

Married…In Newton Centre, 12th inst., A. Hayden Knapp, Esq., of Boston, to Mrs. Louisa Grover, of N.

1855.  Lady’s Almanac.  (Boston, Massachusetts.)  Vol. II,  P. 121.

Daguerreotype Miniatures.  A. H. Knapp, 123 Wash. st.  Good light and best materials.  Particular attention to likenesses of children.  Satisfaction guaranteed.

1856.  Lady’s Almanac.  (Boston, Massachusetts.)  Vol. 3, P. 121.

Daguerreotype Miniatures.  A. H. Knapp, 123 Wash. st.  Good light and best materials.  Particular attention to likenesses of children.  Satisfaction guaranteed.

1856.  Lynn Directory.  (Lynn, Massachusetts.)  P. 21. 

Boston Advertisements.  Washington Street Ambrotype Gallery.  Briggs & Knapp’s New Gallery for Patent Ambrotypes & Photographs, of every size and description.

Daguerreotypes copied, and if desired, to the full size of life, upon paper or canvas, retaining the perfect likeness, and painted by first class Artists, making a most beautiful and desirable style of portraits.  Daguerreotypes as usual.

Ambrotypes in Lockets and Pins, Cases and Frames, of all descriptions.

Rights for sale, and instructions given in Cutting’s Patent Ambrotype and Mezzograph process.

123 Washington Street, Boston.  J. Briggs, A. H. Knapp.

Card—The subscriber having purchased one-half of the proprietor’s entire Right for Cutting’s Patent Ambrotypes in the city of Boston, has associated himself with Mr. A. H. Knapp, a successful Artist, for the purpose of taking these beautiful and endearing pictures, In Glass.

The Ambrotype, being hermetically sealed between two plates of fine polished glass, (by a cement which not only secures, but gilds and beautifies the impression,) is proof against the action of water or acids, or the variations of climate in long sea voyages.  Hence they are named “Ambrotypes,” “immortal, imperishable.”  They can be taken from the size of full life to the smallest miniature, and in one-quarter of the time of the Daguerreotype.  They are not reversed, and can be seen in any light as plainly as an engraving; hence are very suitable for pins, Lockets, and large Frames, as well as Cases.

The extreme popularity of the Ambrotype has given rise to much imposition.  Counterfeits upon single glass, covered with black varnish, are often sold for Ambrotypes.  None are genuine without the patent stamp.  The public are invited to call and examine specimens.  J. Briggs.

1856 February 21.  The Boston Herald.  (Boston, Massachusetts.)  February 21, 1856, No. 10,173, P. 2.

Boston Business Directory…

Patent Ambrotype Gallery, Only One On The Street.  Briggs & Knapp, (Cutting’s Patent) 123 Washg’n.

Advertisement ran from February 21, 1856 to January 26, 1857.

1856 March 15.  Cape Anne Light and Gloucester Telegraph.  (Gloucester, Massachusetts.)  March 15, 1856, Vol XXX, No. 11, P. 3.

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from March 15 to April 12, 1856.

1856 March 20.  Dover Enquirer.  (Dover, New Hampshire.)  March 20, 1856, Vol. XXIX, No. 43, P. 3

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from March 20 to April 17, 1856.

1856 March 22.  New Hampshire Statesman.  (Concord, New Hampshire.)  March 22, 1856, Vol. XXXV, No.1815, P. 3.

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from March 22 to April 26, 1856.

1856 March 26.  The Middlebury Register.  (Middlebury, Vermont.)  March 26, 1856, Vol.  XX, No. 49, P. 3.

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from March 10 to June 14, 1856.

1856 March 27.  Rockland Gazette.  (Rockland, Maine.)  March 27, 1856, Vol. 11, No. 13, P. 3.

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from March 27 to April 17, 1856.

1856 May 10.  Vermont Phoenix.  (Brattleboro, Vermont.)  May 10, 1856, New Series—Vol.  2, No. 19, P. 4.

Cutting’s Patent Ambrotypes.  The only place in Washington Street where these unrivalled pictures can be obtained, is at Briggs & Knapp, 123.

Advertisement ran from May 10 to June 14, 1856.

1856 October 24.  Boston Morning Journal.  (Boston, Massachusetts.)  October 24, 1856, Vol. XXIV, No. 7302, P. 1.

Boston Business Directory.  Under Patent Ambrotype Gallery.  Only One On The Street.

Briggs & Knapp (Cutting’s Patent) ………..123 Washington Street.

1857 July 11.  The Boston Herald.  (Boston, Massachusetts.)  July 11, 1857, No. 10,592, P. 2.

For Sale, The Patent Rights For an Entirely New Light, which has the following characteristics:—

1st.  It cost less than one-fifth of any other practical artificial light.

2d.  It is a perfectly steady light, so that persons with dim or weak eyes can use it without unpleasant results.

3d.  It is capable of being adjusted to the nice lamps now in use.

4th.  It is never out of order.

5th.  There is nothing unpleasant about it.

6th.  It is perfectly safe.

All this is clear, palpable reality to the beholder; and believing that it must at once come into general use, and wishing to send it broadcast, we have adopted a simple plan and scale of disposing of the rights to the same by counties or States, in such a way that without risk all persons of fair capacity and industrious habits can be sure of replenishing their pockets, or of adding largely to an already ample treasury. 

The light may be seen in all its detail, at No. 1 Basement of Old State House.  A. H. Knapp & Co..

Jordan, William N.

1853-1854       142 Hanover Street, Boston, Massachusetts.[1]

1854 February 28.  Daily Evening Transcript.  (Boston, Massachusetts.)  February 28, 1854, Vol. XXV, No. 7257, P. 2.

Fires.  At 1½ o’clock last night fire broke out in the wooden building at the corner of Hanover and Union streets, occupied by Redding & Co., as a ten cent store, C. A. Roundy, shoe dealer, B. P. Bassett, hair dresser, A. B. Matthewson’s weather-strip manufacturer, and Wm. N. Jordan, daguerreotypist—the two latter premises being burned out, and the others badly damaged by water.   Messrs. Redding & Co.’s loss was the largest—probably about $500—their $1400 stock of teas being more or less “steeped” or smoked.  They are insured at the Manufacturers office.  Mr. Wilton has $300 insurance at the Chelsea Mutual, and Mr. Jordan $800 at the Mohawk Valley Farmers, which will cover their losses…


[1] A Directory Of Massachusetts Photographers 1839-1900. (1853 Jordan & Torsey.)

Jones, William B.

Ca. 1848-1852            96 Washington Street, Boston, Massachusetts.[1]

Information from Vital Records of Chelsea, Massachusetts, To The Year 1850. 

Chelsea Marriages.  1848 January 28.  William B. Jones, widr., of Boston, age 31, son of Abner and Phebe of Lynn, and Rachel Carney daughter of John & Sarah Carney, age 23.

Information from Vital Records of Roxbury, Massachusetts To The End Of The Year 1849.  Volume I.—Births.

Sarah Eveline Jones, daughter of William B. Jones, Daguerreotypist and Rachel, March 25, 1849.

1850 September 2.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 2, 1850,  Vol. XXI, No. 6179, P. 2.

A patent has been granted to John A. Whipple, the Daguerreotypist, and William B. Jones, of this city, as the original inventors of the process of taking Daguerreotypes or Photographic pictures on glass.

1850 September 2.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 2, 1850,  Vol. XXI, No. 6179, P. 3.

Notice.  Whereas Letters Patent have been granted to John A. Whipple and William B. Jones, of Boston, for the invention of taking photographic pictures or daguerreotypes on glass, all persons are cautioned against using the same, as any infringement will be dealt with according to the law made and provided.  Patent rights for sale on reasonable terms.

Apply to J. A. Whipple, 96 Washington street.

Advertisement ran from September 2 to November 12, 1850.

1850 September.  Massachusetts Charitable Mechanic Association. (Boston, Massachusetts)

warded a Silver Medal at the sixth exhibition of the Massachusetts Charitable Mechanic Association Fair for Improvements in Photography.

1850 September 4.  Daily Advertiser.  (Springfield, Massachusetts.)  September 4, 1850, Vol. 7, No. 210, P. 3.

—John A. Whipple and W. B. Jones of Boston have secured a patent for the process of Daguerreotyping on glass.

1850 September 4.  New York Daily Tribune.  (New York, New York.)  September 4, 1850, Vol. X, No. 2928, P. 1.

Daguerreotypes On Glass.—A Patent has been granted to John A. Whipple and Wm. B. Jones of Boston, as the original inventors of the process of taking Photographic pictures or Daguerreotypes on glass.

1850 September 4.  New York Daily Tribune.  (New York, New York.)  September 4, 1850, Vol. X, No. 2928, P. 5.

Notice.—Whereas letters patent have been granted to John A. Whipple and Wm. B. Jones of Boston for the invention of taking Photographic pictures or Daguerreotypes on glass, all persons are cautioned against using the same, as any infringement will be dealt with according to the law made and provided.  Patent rights for sale on reasonable [terms.]  John A Whipple, 96 Washington St. Boston.                                                           

Advertisement ran from September 4 to October 3, 1850.

1850 September 21.  New London Democrat.  (New London, Connecticut.)  September 21, 1850, Vol. VI, No. 28, Whole No. 288, P. 2.

New Process Of Daguerreotyping.—A patent has been granted to John A. Whipple the Daguerreotypist, and William B. Jones of this city, as the original inventors of the process of taking Daguerreotypes or Photographic Pictures on glass.

1850 October 27.  The Daily Chronotype.  (Boston, Massachusetts.)  October 27, 1850, Vol. 8, No. 102, P. 1.

Massachusetts Charitable Mechanics Association.  The committees of judges having all completed their reports, the Executive Committee are now enabled to publish the additional awards for articles at the Sixth Exhibition, September 1850…Silver Medal to Whipple & Jones, improvements in photographs.

1851 September 26.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 26, 1851, Vol. XXII, No. 6509, P. 3.

John A. Whipple wou’d respectfully inform his friends and the public that he gives his personal attention to Daguerreotyping at No. 96 Washington street, where he wou’d be happy to wait upon those who intend procuring Miniatures, assuring them such as shall be perfectly satisfactory to friends, or no charge.  His Dissolving Views, now exhibiting at Amory Hall, are in charge of Wm. B. Jones, Lessee and Manager.

Advertisement ran from September 26 to October 3, 1851.

1852 March 3.  Daily Republican.  (Springfield, Massachusetts.)  March 3, 1852, Vol. 9, No. 54, P. 2.

Whipple’s Original, Unrivalled and Mammoth Exhibition of Dissolving Views Will be exhibited at Hampden Hall, Springfield, on Thursday, Friday, Saturday and Monday, March 4, 5, 6 and 8, commencing at 7½.  That all may secure good seats, the doors will be open one hour previous.

Part I.

Views in Palestine or America.

Part II.

A powerful ox hydrogen microscope, magnifying many million times, showing the structure of plants and animals, many of which are visible to the naked eye—for instance, the eye of the House Fly, four or more feet in diameter, consisting of 8,000 small eyes.  In this part the laughable Panorama of the Darning Needle will be introduced, followed by the Microscope Menagerie, embracing a variety of Living Animals, inhabiting pure water, figs, raisins, and a variety of other substances, which are shown of a prodigious size, moving in all directions, creating immoderate laughter by their erratic movements.

Part III.

The Mountains and Valleys of the Moon, shown by a daguerreotype 12 feet in diameter, produced by the great Cambridge Telescope.  Scenes in England, Ireland, France, Spain, and Italy, in which will be shown the Snow Storm.

Part IV.

The Suicide’s Narrow Escapes; laughable predicaments and comical adventures of Obidiah Oldbuck in search of a wife.

The Exhibition will conclude with Pyramic Fires.

Notwithstanding the great attraction offered, the price of admission is only 12½ cents.

Positively no reduction for children.

Wm. B. Jones, Lessee and Manager.

Advertisement ran from March 3 to 6, 1852

1852 May 24.  Daily Republican.  (Springfield, Massachusetts.)  May 24, 1852, Vol. 9, No. 121, P. 2.

J. A. Whipple and W. B. Jones of Boston, have discovered a process by which the most perfect and beautiful daguerreotype picture can be taken on paper.  The picture are first taken on glass and then transferred to paper.  The number of copies on paper can be multiplied to any desired extent.  This is truly a great discovery.

1852 May 26.  Daily Evening Transcript.  (Boston, Massachusetts.)  May 26, 1852, Vol. XXIII, No. 6715, P. 2.

Daguerreotypes on Paper.  A valuable improvement in daguerreotyping has been made by Mr. J. A. Whipple of this city, in connection with Mr. W. B. Jones.  By a new and delicate process Daguerreotypes can be transferred in the most perfect manner to paper.  We have seen several specimens thus transferred and can testify to the extraordinary accuracy and beauty of the impressions.  The idea of daguerreotyping on paper was first carried out by Mr. Fox Talbot, an English gentleman of fortune, and his invention was called the Talbotype.  The greatest difficulty in his process was the uneven texture and fibrous character of the paper, upon which the images were taken.  Messrs. Whipple and Jones substituted films upon glass for the paper negative of Talbot, for which improvement they secured letters patent in the United States.  The same thing was discovered at about the same time, by

Nepice, a French scientific gentleman; but pictures taken in this manner upon glass still lacked the harmony of light and shade desirable.  Objects in the shade, as in many daguerreotypes, could not be distinguished.  Mr. Whipple has recently improved upon the process so as to obviate this difficulty, and to give to every object represented, the delicate shading of nature.  The pictures we have seen are in every respect equal to the original daguerreotypes in effect, and superior as objects for preservation and parlor ornament.  We commend the curious to an examination of Mr. Whipple’s specimens.

1852 May 27.  Maine Farmer.  (Augusta, Maine.)  May 27, 1852, Vol. XX, No. 22, P. 3.

Talbotypes—Or Daguerreotypes On Paper.  Mr. J. A. Whipple and Mr. W. B. Jones have perfected a process by which the most perfect and beautiful daguerreotype pictures can be taken on paper.  We have seen several pictures of public buildings in the city and other objects taken by this process, which possess the beauty and fine finish and perfect distinctness of engravings, while they have much of the softness of crayon drawings.  The pictures are first taken on glass, and thence transferred to paper; and one great advantage of this process is, that after the image is obtained on glass, the impressions can be multiplied on paper to an indefinite extent; the glass plate serving as a stereotype plate of the picture which is transferred to paper by an easy and simple process.  It is the greatest improvement in daguerreotyping which has yet been made, and we hope will fill the artists’ pockets with “material aid.”  [Traveller.  

1852 June 4.  Barre Patriot.  (Barre, Massachusetts.)  June 4, 1852, Vol. 8, No. 47, Whole No. 587, P. 2.

J. A. Whipple and W. B. Jones of Boston, have discovered a process by which the most perfect and beautiful daguerreotype picture can be taken on paper.  The picture are first taken on glass and then transferred to paper.  The number of copies on paper can be multiplied to any desired extent.  This is truly a great discovery.


[1] A Directory Of Massachusetts Photographers 1839-1900.

Jenkins, Jr., Solon

1848-1849       379½ Washington Street, Boston, Massachusetts.

1850                85 Main Street, Charlestown, Massachusetts.

1850-1851       290 Broadway, New York, New York.[1]

1850                4½ Pennsylvania Avenue, Washington, D. C.1, 2

C1851-1852    77 Main Street, Richmond, Virginia.[2]

1852                Address Unknown, New York, New York.[3]

1852-1853       221 King Street, Charleston, South Carolina.[4]

1854                Address Unknown, Columbia, South Carolina.

1854                Over Fisher and Agnew’s Store, Columbia, South Carolina.[5]

1850 April 27.  Norfolk County Journal.  (Roxbury, Massachusetts.)  April 27, 1850,  N. P. 

Roxbury Daguerrian Gallery At The Old Stand, In Lemist Building, 82 Washington St., Corner of Felton Place, Over Lemist and Kellogg’s Dry Goods Store.

Miniatures, single or in groups, taken in the best manner, without regard to weather, and warranted not to fade.  An idea has prevailed that, in time, pictures would fade, but this erroneous impression has been entirely removed by many eminent chemists, who give it as their opinion that a Daguerreotype Picture, coated with a solution of gold, will stand any length of time; and no respectable operator will send out a picture without this gilding.

Ladies are recommended to dress in figured or dark material, avoiding white or light blue.  Gentlemen, a black or figured vest, also figured scarf or cravat, so that the shirt bosom will not be too much exposed.  Children, plain and stripped, or figured dresses, avoiding white or light blue; red will take like a dark dress.  Children taken from 9, A. M., to 2, P. M.; others from 8, A. M. till 6, P. M., without regard to weather.  Lancey & Co.

N.B…Messrs. Lancey & Co. Having fitted up an extensive Daguerrian Establishment in the City of Charlestown, in connection with Mr. Jenkins, under the name of Jenkins & Co., and engaged the valuable services of Mr. Lougee to superintend the operating department, would recommend the citizens of Charlestown and vicinity if they wish to get an excellent Daguerreotype Likeness of themselves and friends, to give Mr. L. a call at the Daguerrian Gallery, 85 Main st., Charlestown.           

Advertisement ran from April 27 to June 29, 1850.

1850 June 29.  Norfolk County Journal.  (Roxbury, Massachusetts.) June 29, 1850, P. 3.  

Price Reduced.  Miniatures taken Lower than at any other Establishment and warranted not to fade. 

Roxbury Daguerrian Gallery At The Old Stand, In Lemist Building, 82 Washington St., Corner of Felton Place, Over Lemist and Kellogg’s Dry Goods Store.

Miniatures, single or in groups, taken in the best manner, without regard to weather, and warranted not to fade.  An idea has prevailed that, in time, pictures would fade, but this erroneous impression has been entirely removed by many eminent chemists, who give it as their opinion that a Daguerreotype Picture, coated with a solution of gold, will stand any length of time; and no respectable operator will send out a picture without this gilding.

Ladies are recommended to dress in figured or dark material, avoiding white or light blue.  Gentlemen, a black or figured vest, also figured scarf or cravat, so that the shirt bosom will not be too much exposed.  Children, plain and stripped, or figured dresses, avoiding white or light blue; red will take like a dark dress.  Children taken from 9, A. M., to 2, P. M.; others from 8, A. M. till 6, P. M., without regard to weather.  Lancey & Co.

N.B…Messrs. Lancey & Co. Having fitted up an extensive Daguerrian Establishment in the City of Charlestown, in connection with Mr. Jenkins, under the name of Jenkins & Co., and engaged the valuable services of Mr. Lougee to superintend the operating department, would recommend the citizens of Charlestown and vicinity if they wish to get an excellent Daguerreotype Likeness of themselves and friends, to give Mr. L. a call at the Daguerrian Gallery, 85 Main st., Charlestown. April 27th, 1850         

Advertisement ran from June 29 to November 9, 1850.

1852 May 13.  Charleston Courier.  (Charleston, South Carolina.)  May 13, 1852, Vol. L, No. 15112, P. 2.

Passengers…Per steamer Metamora, from Savannah—…S. Jenkins…

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

Julia Dean Daguerreotype.  On Calling in to D. L. Glen’s Gallery, 221 King-street, I was shown there the finest production in the line of Daguerreotyping I ever saw.  Being an artist myself, and having seen others in the different Northern cities, I must, with pleasure say, that finer pictures are taken there, that in any city in the United States, or in the world.

It was the likeness of Miss Julia Dean, also, a group of Miss Julia and sister.  I find him assisted by S. Jenkins, from Richmond, Virginia, of Whitehurst’s Gallery.  He is acknowledged by the best Northern Artists to be ahead in his line.

Mr. Jenkins’ references are, Ex-Governor Floyd, Virginia; Caskie, Virginia; J. Plumbe; J. H. Whitehurst, Virginia; S. M. Root[6], Philadelphia; McClees & Germon, Philadelphia; Masney [sic.] & Silsbee[7], Boston; Professor Ives[8], Boston; Dr. Cleveland, Charleston; Whiteford Smith, Charleston.

Elsewhere you will find that the prize awarded (being the highest for the best productions) is settled by the Committee, J. M. Osborn being noticed by them for a group of colored subjects only.  A. Citizen.

Citizens Of Charleston And Strangers Visiting.  To You Greetings.  Please notice as you pass the fine Specimens of the Photographic Art, Exposed to view in the splendid Show Case, before the door of 221 King-street.  For softness of shade, Tone of Pictures and position, no Daguerreotypes in the world can Equal them—(Beautiful to Contemplate.)  The South ahead.

The Gallery is crowded with all Classes, to procure those life-like Miniatures, which are produced so Instantaneously and with perfection.  Mr. Glen, with such an Artist as S. Jenkins, from Virginia, assisting him, and Mr. J. Having the highest recommend from All the principal Artists in America, Who will delay procuring for themselves Or friends those Mementoes, regarded As the Best gift oneself can bestow Upon another.

1853 January 25.  Charleston Courier.  (Charleston, South Carolina.)  January 25, 1853, Vol. LI, No 16327, P. 2.

For Sale, a very good Piano, for $40, in fine order.  Inquire of S. Jenkins, At Glen’s Daguerrian Gallery, 221 King-street.

1853 August 30.  Charleston Courier.  (Charleston, South Carolina.)  August 30, 1853, Vol. LI, No 16510, P. 2.

James Adger.  Another Quick Trip!!  The U. S. Mail steam ship James Adger, Capt. John Dickinson, arrived at her wharf in this city yesterday afternoon, about 5 o’clock, having made the passage from New-York in the very short time of forty-nine hours, from wharf to wharf,…

The following are the names of the passengers by the James Adger:…S. Jenkins…

1854 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1854, Vol. V, No. 328, P. 1.

Mr. Solon Jenkins, daguerrean artist, died in Columbia, S. C. on Sunday morning.

1854.  December.  Daguerreian Journal.  (New York. New York.)  December 1854, N.P.

Solon Jenkins, Jr., died at Columbia, S.C., on the 19th of November.  He contracted the Yellow Fever while at Charlestown, and died after a brief illness.  Mr. J.  Was engaged for sometime at Mr. Whitehurst’s Gallery at Richmond, Va., and afterwards had an establishment of his own in this city.  At the time of his demise, he was engaged for Mr. Tucker at his Gallery in Columbia.

New York City Directories.  (NewYork, New York.)

1850.  Not Listed.  Directory published by John Doggett, Jr.

1851.  Not Listed.  Directory published by Doggett & Rode.

1852.  daguerreotypes, h-77 Bowery.  Directory published by John Fowler Trow.

1853.  Not Listed.  Directory published by John Fowler Trow.


[1] Craig’s Daguerreian Registry

[2] Jesse Harrison Whitehurst Gallery address.

[3] New York City Directory.

[4] Daniel L. Glen’s Studio

[5] Partners with the Sun South Carolina Photographers 1840-1940, P. 69.

[6] Probably S. & M. Root

[7] Masury & Silsbee

[8] Loyal Moses Ives

Ives, Loyal Moses

Ca. 1844-1846            Address Unknown, Boston, Massachusetts.[1], [2], [3]

1847-1856                   142 Washington Street, Boston, Massachusetts.3

1851                            near the Old South [Church], Boston, Massachusetts.3

Ca. 1850-56.  Advertising Card in back of a Ninth Plate Daguerreotype.  Chris Steele’s collection.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars. 

N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

Information from The New York Historical Society’s Directory of Artists in America 1564-1860. (New Haven, Connecticut & London, England.)  P. 342.

Ives, Loyal Moss.  Portrait painter who worked in New Haven (Conn.) During the latter 1850’s and in NYC from about 1863 into the 1890’s

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut. Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 September.  Massachusetts Charitable Mechanic Association Report (Boston, Massachusetts.)  September 1850, N. P.

Exhibited daguerreotypes at the sixth exhibition of the Massachusetts Charitable Mechanic Association Fair.  A silver medal was awarded.

1850 September 19.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 19, 1850, Vol. XXI, No. 6194, P. 2.

 Massachusetts Charitable Mechanics Association— …The display of Daguerreotypes at both ends of the room attracts very general attention, and many of the pieces appear to be in the highest perfection of the art.

The specimens of Southworth & Hawes, Boston, are greatly admired for their peculiar delicacy of finish.  The likenesses of Judge Woodbury, Mr. Winthrop, Prof. Greenleaf, Justice Merrill, &c, &c, and a copy of the Greek Slave, are at once recognized as perfectly lifelike, and true to the original.

The family groups furnished by J. A. Whipple, Boston, excel in this line—among them we notice the family of Lieut Gov Reed.  There are also capital heads of Gov Briggs, Hon David Sears, Kah-ge-ga-ge-bowh, and a miniature full length portrait of Daniel Webster.

Other highly creditable specimens are contributed by Messrs. Chase, Ives, and Hale & Co., of this city, J. Starkweather, Roxbury, and W. A. Perry & Co., Lowell…

1850 October 16.  Railway Advertiser.  (Boston, Massachusetts.)  October 16, 1850, Vol. 2, No. 13, P. 1.

Ives Daguerreotype Rooms!  142 Washington Street, Boston.  (Opposite The Foot Of School Street.)  The Public are respectfully invited to call and examine specimens of daguerreotypes and for themselves.  jul 2.

Advertisement ran from Oct 16, 1850 to April 30, 1851.

1850 December 21.  Gazette Francaise.  (Boston, Massachusetts.)  December 21, 1850, Vol. 1, No. 15, P. 4.

Daguerreotypes!  L. M. Ives, A la derniere Exposition une Medaille avec Diploma a ete accordee specimens, et garantit une parfait resemblances a tous ceux qui voudront bien l’honorer de leur confiance.

Advertisement was recorded fourteen times between December 21, 1850 to July 19, 1851.

1851 March 1.  The Daguerreian Journal.  (New York, New York.) March 1, 1851, Vol. 1, No. 1, N. P.

Lister in the Daguerreian Artist Register (March 1 to April 15, 1851 as L. M. Joes, 142 Washington St., Boston) and as L. M. Ives from May 1 to Dec. 15, 1851 at 142 Washington St., Boston.

Advertisement ran from March 1 to December 15, 1851.

1851 May 15.  The Daguerreian Journal.  (New York, New York.)  May 15, 1851, Vol. 2, No. 1, P. 19.

L. M. Ives of Joston, [sic.] is, we understand, producing some exquisite specimens of Daguerreotypes. Success.

1851 June 1.  The Daguerreian Journal.  (New York, New York.)  June 1, 1851, Vol. 2, No. 2, P. 53.

L. M. Ives of Boston, will please pardon us (or rather or printer) for the mistake in the Journal in his name and locality.  Mr. I. being himselfa sure operator, will certainly pardon a failure in others.  We will endeavor to do better in future.

1851 July 1.  The Daguerreian Journal.  (New York, New York.)  July 1, 1851, Vol. 2, No. 4, P. 114-115.

Boston Daguerreotypists….Mr. Ives we found very busy with his customers, and after taking a hurried look through his collection of specimens, we were not in the least surprised to find so many waiting their turn.

1851 September 8.  Daily Evening Transcript.  (Boston, Massachusetts.)  September 8, 1851, Vol. XXII, No. 6494, P. 1.

A Family Picture…

Let me say to the young men of Boston, whose parental home is in the country, that if they would awaken the affection that lingers around the family hearth, next to that of their living presence—they should send home a fine daguerreotype—such as Ives, or Ormsby and Silsbee, of Washington street, can produce.  A picture where every feature and expression are so finely delineated, and the tone and color so well preserved, that it appears more the reflection from a mirror, than the result of a chemical process.  Such a present to a parent or sister, would be one of the most valuable that could be made, and should death take the original away, this truthful representation would be invaluable.  In this way, at a trifling expense, a whol;e family may leave a memorial which would be greatly prized by the living.  What amount of money, would purchase from a mother the daguerreotype of her dead son?  With this happy thought I close this family letter.  Yours very truly, G. Q. C.

1851 September 9.  Dover Enquirer.  (Dover, New Hampshire.)  September 9, 1851, Vol. XXV, No. 15, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 9 to October 7, 1851.

1851 September 11.  Green-Mountain Freeman.  (Montpelier, Vermont.)  September 11, 1851, Vol. VIII, No. 37, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 11 to October 9, 1851.

1851 September 13.  New Hampshire Statesman.  (Concord, New Hampshire.)  September 13, 1851, Vol. XXX, No. 1581, P. 3.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street.  Boston.

Advertisement ran from September 13 to October 11, 1851.

1851 October 1.  Cheshire Republican and Farmer.  (Keene, New Hampshire.)  October 1, 1845, Vol. 18, No. 8, Whole No. 1255, P. 4.

Premium Daguerreotypes.  Ives, Daguerrean Artist, 142 Washington Street, Boston.

Advertisement was recorded on October 1 & 8, 1851.

1851 November 15.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 1, No. 33, P. 4.

Daguerreotypes.—The pictures taken by Ives & Black, near the Old South, are unsurpassed for the beauty of their finish and the correctness of their portraiture.  It is almost inexcusable in any one to neglect securing pictures of relatives and friends, in view of the facilities now afforded for doing so.  Years ago, when a miniature was a work of great labor and expense, and then was often dependent upon the partiality of friends to decipher the resemblance it bore to those whom it was intended to represent, a picture of a loved object was not to be hoped for by a poor man—in his memory, alone, could the likeness be cherished, unless, perhaps, it was recalled dimly by some queer old black profile, that hung smoke dried on the wall, like that of “corporal Paul” in Mrs. Partington’s back sitting-room.  But now everyone has it in his power to save the semblance of friends in these exquisite pictures, which look out lovingly upon the living though Death may have claimed the originals years agone.  Messrs Ives & Black execute Talbotypes superbly, and specimens we examined recently, we found it difficult to distinguish from the finest lithographs.

1852.  Boston City Directory.  (Boston, Massachusetts.)  1852/1853, P. 35.  Published by George Adams, 1852.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1852 October 16.  The Carpet Bag.  (Boston, Massachusetts.)  Vol. 2, No. 29, P. 27.

To Pathfinders!—Among the numerous paths in the City of Notions, there is one leading to L. M. Ives’s Daguerrian Gallery, 142 Washington Street.

Strangers visiting the city are respectfully invited to call, and examine a large collection of Premium Daguerreotypes, and whoever wishes a picture may feel sure of perfect satisfaction being give.  jan 14

1852 December 4.  The Carpet-Bag.  (Boston, Massachusetts.) Vol. 2, No. 36, P. 6. 

Whipple’s Crysalotypes are charming specimens of this class of daguerreotypes.  All the softness and distinctness of lithography are preserved with the correctness and beauty of the daguerreotype.  The pictures of the President elect and the late R. Rantoul, Jr., may well be referred to in proof of what we say.  Those familiar with the features of these notables may see at a glance the life-likeness preserved in their pictures.  Mr. Whipple’s room abound with splendid specimens of daguerreotypes and crysalotypes, worthy the attention of all interested in art.  Mr. Black, formerly with Ives, presides over the crysalotype department, and the excellence of his productions is a lasting monument of his skill.

1853.  Boston City Directory.  (Boston, Massachusetts.)  P. 33.  Published by George Adams, 1853.

Premium Daguerreotypes, By L. M. Ives, 142 Washington Street, Boston.

The Public are Respectfully Invited To Call and Examine Specimens.  Customers can be sure of as good pictures as the specimens exhibited.  Perfect Satisfaction Guarantied.

1853 July 12.  Daily Evening Transcript.  (Boston, Massachusetts.)  July 12, 1853, Vol. XXIV, No. 7061, P. 3. 

New Daguerreotype Rooms.  140 Washington Street, Seaver & Butler, having recently purchased these rooms, and neatly fitted and newly furnished them throughout, till they are surpassed in convenience and elegance by none in the city, are now prepared to take Likenesses with promptness, in the very best style of the art, and in every size and mode of finish.  The public are respectfully invited to give them a call.  Entire satisfaction guaranteed.

Mr. Seaver having been employed as Operator at Ives’s Establishment, for over a year past, would be pleased to see his numerous friends and acquaintances at his new place of business, where they will meet with entire satisfaction, as heretofore.

Advertisement ran from July 12 to 25, 1853.

1854 June 3.  Boston Evening Transcript.  (Boston, Massachusetts.)  June 3, 1854, Vol. XXV, No. 7338, P. 3.

25 Cents Daguerreotypes.  Good Daguerreotypes are taken at Ives’s, 142 Washington st., for 25 cents.

Advertisement ran from June 3 to 9, 1854.

1854 December 13.  Boston Evening Transcript.  (Boston, Massachusetts.)  December 13, 1854, Vol. XXV, No. 7501, P. 2.

A splendid Portrait.  Mr. Charles H. Brainard has this day published a very accurate and striking likeness of the Rev. Theodore Parker, drawn by Grozelier, from a daguerreotype by L. M. Ives, and printed by L. H. Bradford & Co….

1855 August.  The Photographic And Fine Arts Journal.  (New York, New York.)  August 1855, New Series Vol. II, Old Series VIII, No. 8. P. 247.

A Trip to Boston.—Boston Artist…

…Of Mr. Ives and Mr. Chase, both also located in Washington street, and both devoting their attention to daguerreotypes exclusively, I can speak in terms of high commendation.  By their many beautiful productions they have shown themselves able proficients in their art, while by their character and manners they do honor to their profession.

M. A. R., Philadelphia, cor. Chestnut and Fifth sts.


[1] The American Daguerreotype P. 397.  Partnership of Chase & Ives.

[2] The Camera and the Pencil Or, The Heliographic Art, P. 361.

[3] A Directory Of Massachusetts Photographers 1839-1900.

Huddleston, John S. F.

1841                123 Washington Street, Boston, Massachusetts.

Boston Directory, residence section.

1839-1841       Barometer & Thermometer Maker, 185 Washington Street, Boston

1842-1843       Barometer & Thermometer Maker, 96 Washington Street, Boston

1844-1845       Barometer Maker, 96 Washington Street, Boston

1841 July 20.  Daily Evening Transcript.  (Boston, Massachusetts.)  July 20, 1841, Vol. XII, No. 3368, P. 3 

Photographic Miniature Rooms, No. 123 Washington Street, over Lows, Ball and Company.  The subscribers beg leave to call the attention of the public to specimens of Daguerreotype Miniature Portraits executed by them.  They have recently made some highly successful experiments, by which the time required in sitting is materially lessened, while the distinctness and legibility of the portrait is increased.  The fidelity to the original which mark these miniatures, and the ease and rapidity with which they are taken, render them superior to all other portraits.

Persons desirous of making themselves acquainted with the Photographic process, may receive such instructions as will enable them to take portraits, drawings, &c. in a very brief space of time.  J. S. F. Huddleston

Advertisement ran from July 20 to August 28, 1841.

1841 July 24.  Boston Daily Times.  (Boston, Massachusetts.)  July 24, 1841, Vol. X, No. 1561, P. 3.

Daguerreotype Miniature Portrait Rooms, No. 123 Washington Street, over Lows, Ball & Company’s.  The subscribers having successfully complete some important experiments in taking Photographic Miniature Portraits, whereby the length of time usually employed is materially diminished—a few Seconds Only being necessary to produce a perfect transcript of the original—would respectfully invite the attention of the public to specimens executed by them.  To those unacquainted with the Daguerreotype, it is only necessary to add, that portraits taken by this process will at once be recognized as perfect likenesses.  The great objection to miniatures formerly taken by this process was their indistinctness.  Recent discoveries have completely removed this, and the Portraits now taken by the subscribers are as clear and legible as paintings in oil.

Instruction given and Apparatus furnished, (warranted to give satisfaction, or exchanged,) carefully packed, and sent to any part of the country.  J. S. F. Huddleston & Co.

Advertisement was recorded ten times between July 24 to August 28, 1841.

1841 September 2. Daily Evening Transcript.  (Boston, Massachusetts.)  September 2, 1841, Vol. XII, No. 3406, P. 3.

Daguerreotype Miniature Rooms, No. 123 Washington street, over Lows, Ball and Company.  The subscriber begs leave to call the attention to the public to specimens of Daguerreotype Miniature Portraits executed by him.  He has recently made some highly successful experiments, by which the time required in sitting is materially lessened, while the distinctness and legibility of the portrait is increased.  The fidelity to the original which mark these miniatures and the ease and rapidity with which they are taken, render them superior to all other portraits.

Persons desirous of making themselves acquainted with the Photographic process, may receive such instructions as will enable them to take portraits, drawings, & c. in very brief space of time.

H. I. Able & Co.  Successors to J. S. F. Huddleston & Co.                        

1841 September 6.  Boston Daily Times.  (Boston, Massachusetts.)  September 6, 1841, Vol. X, No. 1604, P. 4.

Daguerreotype Miniature Portrait Rooms, No. 123 Washington Street, over Lows, Ball & Company’s.  The subscribers having successfully complete some important experiments in taking Photographic Miniature Portraits, whereby the length of time usually employed is materially diminished—a few Seconds Only being necessary to produce a perfect transcript of the original—would respectfully invite the attention of the public to specimens executed by them.  To those unacquainted with the Daguerreotype, it is only necessary to add, that portraits taken by this process will at once be recognized as perfect likenesses.  The great objection to miniatures formerly taken by this process was their indistinctness.  Recent discoveries have completely removed this, and the Portraits now taken by the subscribers are as clear and legible as paintings in oil.

Instruction given and Apparatus furnished, (warranted to give satisfaction, or exchanged,) carefully packed, and sent to any part of the country.  H. I. Abel & Co., Successors to J. S. F. Huddleston.

1841 September 20.  Massachusetts Charitable Mechanic Association.

Exhibited daguerreotypes at the third exhibition of the Massachusetts Charitable Mechanic Association.  No award was given.

1841 October 14. Daily Evening Transcript.  (Boston, Massachusetts.)  October 14, 1841, Vol. XII, No. 3442, P. 3.

Notice.  The Barometer, Thermometer, and Glass Blowing Manufactory.  Formerly conducted by J. S. F. Huddleston is removed from 123 to 128 Washington street, over J. Francis’s Bookstore, corner of Washington street.

The subscriber respectfully inform the trade and the public in general, that they are prepared to execute all orders sent to them with promptness and punctuality, and at prices which they trust will merit their approbation.  Every description of repairs in the above branches finished in the neatest manner and at the shortest notice.  Slade & Keast, Successor to J. S. F. Huddleston.

Hopkins, Freedom D.

1856-1857       85 Elm Street, Merchants’ Exchange Building, Manchester, New Hampshire.

1859                335 Washington Street, Boston, Massachusetts.

1859                Address Unknown, Lowell, Massachusetts.

1860                Carleton Block, Merrimack Street, Lowell, Massachusetts.

1856 July 21.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  July 21, 1856, Vol. X, No. 132, P. 3.

New Ambrotype Firm.  The Best Pictures!  At No. 85 Elm Street, Merchants’ Exchange Building, Directly over John A. Perry’s Mammoth Drug Store. 

Hopkins & Elwell Artists in Ambrotype, Produces better Pictures, with less delay than any other establishment in the State.  This statement they are prepared to prove to any one who is disposed to test their skill in picture making.  They know what they now say, and they can and will do what they advertise to do. They do not wish to speak disparagingly of other artists in Ambrotype, for many of them make good pictures, but, we do know that we can and do produce the best Ambrotype Pictures ever exhibited in New Hampshire, and as compared with these, Daguerreotypes are worthless.

The public are respectfully invited to examine specimens at the place above named.

F. D. Hopkins, C. K. Ellwell.

Advertisement ran from July 21 to August 13, 1856.

1856 July 24.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  July 24, 1856, Vol. X, No. 135, P. 2.

New Ambrotype Rooms—Hopkins and Elwell, two enterprising and studious artists, are fitting up a splendid Picture Gallery in the south part of Merchants’ Exchange. Directly over the Drug Store of J. A. Perry, for taking a lasting likenesses of the “human face divine” in ambrotype.  For light and convenience we know not where a better locality could be found.  Their pictures in the show case at the entry-way and in their rooms, show what they can do.  From what we have seen, and we have examined their pictures closely, we think they take an excellent ambrotype, well-toned, life-like and clear.  We commend their advertisement in another column to particular notice.

1856 September 20.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  September 20, 1856, Vol. XI, No. 34, P. 3.

Ambrotypes!   The Best Pictures!!  F. D. Hopkins. No. 85 Elm Street, South End Merchants’ Exchange, Will furnish his customers with a better picture, either Ambrotype, Daguerreotype, or Photograph, Than can be procured at any other establishment in the State.

He would call particular attention to his Specimens of Ambrotype!  Which for boldness and truthfulness of delineation, softness of tone and beauty of finish, Cannot Be Excelled!!

Having had long and successful experience in all branches of the Art, he flatters himself that he can Defy Competition. 

Ambrotypes Set In Lockets, Pins, Rings, &c. And Warranted to give Entire Satisfaction. 

No charge made for trial where a good picture is not obtained.

For further particulars please call at his Gallery. No. 85 Merchants’ Exchange.  F. D. Hopkins.

Advertisement ran from August 27 to  October 17, 1856.

1856 October 15.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  October 15, 1856, Vol. XI, No. 52, P. 2 & 3.

New Hampshire State Fair, Premiums Awarded…

Pictures, Hair Work, &c.

N. Brow, Concord, Daguerreotypes and Ambrotypes, Dip.

F. D. Hopkins, Manchester, Improved Daguerreotype, Trans.

F. A. Brown, [Manchester], for Improved Ambrotypes, Med.

1856 November 19.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  November 19, 1856, Vol. XI, No. 82, P. 3.

To the Ladies and Gentlemen! –Of—Manchester.  Having for the past three or four months listened to, and read in silence, the one thousand and one windy advertisements, and paid Editorial puffs, published and circulated by Daguerreotypists of the city—who have made numberless statements calculated to mislead those unacquainted with business, ad which they cannot prove, I deem it a duty due to myself and the public, to say a few words in regard to the subject in question.

The above named gentlemen (who dislike everything new because they find it difficult to keep up with the improvements of the time,) state that which they do not know to be a fact, that Ambrotypes are worthless, that they will “crack, spot, fade, peel off,” &c.

For the benefit of these ‘would be’ advisers and monopolists, I would say that I will, in presence of witnesses, subject any Ambrotype, made and finished by myself, to tests that will utterly spoil any Daguerreotype, and all without injuring the picture.  And furthermore, I will challenge any operator in the city, whether resident or imported for the occasion, whether a “finished workman” or unfinished, to produce a better picture, either as regards the fineness of chemical effect, delicacy of light and shade, or beauty of finish.

And now, Ladies and Gentlemen, since it has become the fashion, allow me to add my “one word of advice.” Never allow yourselves to be humbugged by Old Fogies; but let your own good sense be your guide both in the selection of pictures and artists.  I would further advise you to call at our gallery and examine our specimens of improved Ambrotypes, put them to any reasonable test, and then decide for yourselves.

I shall continue to devote myself exclusively to the Art.  Pictures executed in any desired, either Ambrotype, Daguerreotype, or Photograph, from the smallest miniature to the full plate, and warranted not to “Spot, fade, peel off,” or spoil in any way.  With ten thousand thanks for the very liberal patronage you have heretofore bestowed up on me, and many hopes for the continuance of the same, I will take my leave, hoping soon to have the pleasure of a personal interview.  Yours Truly, F. D. Hopkins.  85Elm Street, South End Merchants’ Exchange.

Advertisement ran from November 19 to 28, 1856.

1856 November 25.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  November 25, 1856, Vol. XI, No. 87, P. 2.

It seems by the daily papers that Mr. Brown ad Mr. Hopkins are obliged to discuss the durability of their pictures—say nothing of merits, and Mr. French & Co. seem determined to patent the Greek language, but I would inform the public that at Goddard’s rooms, Smyth’s Block, they can get a picture either Ambrotype or Daguerreotype, that will speak for itself.  Call and see his 50c cases.

Advertisement ran from November 25 to December 5, 1856.

1857 January 20.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  January 20, 1857, Vol. IX, No. 135, P. 3.

I am In Favor Of A Well Organized Military Companies Throughout The United States.  I shall ride Esq. Hutchings, Elevated Charger, dressed in a Field Officers Regimentals, at 12 O’clock, A. M., to-morrow, thro’ some of the Principal streets of Manchester.  On the occation (sic.) Mr. F. D. Hopkins, will take my Daguerreotype, one for the Hon. John B. Clarke, Editor of the Mirror, and one for the Hon. Joseph C. Abbott, Editor of the American, one for the Artist and one for myself.

This will give the citizens of Manchester, a double chance to see the man who is nominated for President on Horse back, and to call at the different offices and view the pictures.  Daniel Pratt, Jr. the Great American Traveller.

1857 March 14.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  March 14, 1857, Vol. XII, No. 24, P. 2.

Take Notice.  The undersigned, Daguerreotypers of Manchester, will for the future charge from one to three dollars, according to size, for putting pictures in cases bought of Pedlers, so that they will cost at least twenty-five cents more than the same cases and pictures bought at any rooms in the City.  F. A. Brown, F. D. Hopkins, J. U. French & Co., R. A. Miller, A. H. Snow, J. Goddard.

Advertisement ran from March 14 to 17, 1857.

1850 May 7.    Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 7, 1860, Vol. X, No. 1234, P. 2.

Fire Yesterday Noon.  About 1 o’clock, yesterday noon, smoke was seen issuing from an upper window in the rear of Carleton Block, on Merrimack street, and the alarm bell soon brought the fire department to the spot.  It took in a small room occupied by Mr. F. D. Hopkins, daguerreotypist, and contained his apparatus.  It is supposed to have been caused by the heat of the sun thrown by means of a powerful glass upon a quantity of saturated cotton.  It was extinguished with a few buckets of water.  The damage to Mr. Hopkins will not exceed $100.  The building was damaged by the burning of the window casing, &c., to the amount of $40 or $50.  Had the building got well on fire, our citizens would have seen the necessity of keeping the water pipes filled all the time.  The canals were drawn off, as they generally are on Sunday, and no water could be had excepting through the pipes.  Luckliy none was needed.

1850 May 11.   Vox Populi.  (Lowell, Massachusetts.)  May 11, 1860, Vol. XX, No. 27, P. 2.

A Slight Fire.  About 1 o’clock, P. M., on Sunday, fire was discovered in the fourth story of Carleton Block, issuing from the window in a room occupied by Mr. F. D. Hopkins for a laboratory, which is a part of his photograph and ambrotype establishment.  The alarm was given, and in a few moments the Fire Department was fully represented around the building, but its services were not required, as a few buckets of water extinguished the flames.  The supposition is that the fire was set by the rays of the sun operating, through the window glass and a mirror, upon a curtain.  Mr. Hopkins’ loss was about $100; the proprietors of Carleton Block do not lose more than $40 or $50 from the damages. 

Mr. Hopkings is a young artist of decided merit, and we regret that he met with this unpleasant draw-back.  His rooms, however, are now open, and he will be happy to receive the calls of those wanting photographs.

1850 June 1.   Vox Populi.  (Lowell, Massachusetts.)  June 1, 1860, Vol. XX, No. 30, P. 2.

It is an easy matter to send by mail a “counterfeit presentment” of one’s features; Hopkins in Carleton Block, makes a speaking likeness no larger than a letter-stamp…

Higgins, Benjamin L.

1850-1851       Tremont Row, Boston, Massachusetts.

1850-1851       Over the Regulator, Franklin Building, Syracuse, New York.

1850-1851       128 Genesse St., Utica, New York.

1850-1851       551 Broadway, New York, New York.

1850 November 1.  Daguerreian Journal.  (New York, New York.) Vol. 1, No. 1, p. 27.

Clark Brothers, & B. L. Higgins.  Daguerreian Gallery, over the “Regulator,” Franklin Buildings, Syracuse N. Y., No. 128 Genesse St., Utica, Tremont Row, Boston, and 551 Broadway, New York.

Advertisement ran November 1 & 15 Vol. 1, No. 1 & 2.

1850 November 15.  Daguerreian Journal.  (New York, New York.)  November 15, 1850, Vol. 1, No. 2, P. 51.

Clarks of Boston, Utica and Syracuse, have opened fine Daguerreotype Rooms in New York, in connection with those already established in the former cities.

1850 December 2.  Daguerreian Journal.  (New York, New York.)  December 2, 1850, Vol. 1, No. 3, n.p.

Clark Brothers, & B. L. Higgins.  Daguerreian Gallery, over the “Regulator,” Franklin Buildings, Syracuse N. Y., No. 128 Genesse St., Utica, Tremont Row, Boston, and 551 Broadway, New York.

Likenesses by the improved Daguerreotype of various sizes, and of the most delicate executions may be obtained at the above rooms during the day, from 8 A. M., to 5 P. M.

Chemicals, Plates, Cases, Cameras, Apparatus, and other materials, connected with the art, constantly on hand, and for sale at New York prices.

All articles are selected with great care and warranted to give the best satisfaction.

Advertisement ran from November 15, 1850 to November 1, 1851.

1851 December 1.  Daguerreian Journal.  (New York, New York.)  December 1, 1850, Vol. 3, No. 2, n.p.

We regret to learn that Mr. B. L. Higgins of Syracuse, has met with a severe loss by fire; the amount of property destroyed, consisting of Daguerreotype goods, apparatus, &c., is estimated at $1,800.  There is an insurance of $1,000.  This establishment was for some time carried on by Clark & Brothers.  This is now the second time it has been destroyed by fire.

1851 December 2.  The New York Herald.  (New York, New York.)  December 2, 1851, Whole No. 6977, P. 1.

Fire at Syracuse.  Syracuse, December 1, 1851.  A fire broke out this morning, about two o’clock, in the daguerreotype rooms of Mr. B. L. Higgins, in the Franklin Building.  Mr. Higgins’s loss is about $1,800.  Insured for $1,000 in the Long Island Company….

1853 January 28.  The New York Herald.  (New York, New York.)  January 28, 1853, Whole No. 7342, P. 8.

The Jury Rescue Trials.  The People of New York vs. Enoch Reed.  U. S. Circuit Court—Special Term.  Before Hon. N. K. Hall, U. S. Circuit Judge.  Albany, Jan. 27, 1853….

Benjamin L. Higgins…

Cross examined.—Was in the daguerreotype business at that time; have not resided in Syracuse for five or six weeks; reside in New York; am in the daguerreotype business; did not pursue the business till I left Syracuse;…

Heywood, John D.

1855-1862       228 Washington Street, Boston, Massachusetts.[1]

1857-1859       103 Court Street, Boston, Massachusetts.1

1858                3 Summer Street, Boston, Massachusetts.

1862                145 Hanover Street, Boston, Massachusetts.1

N.D.                89 Washington Street opposite Adams Express Office, Boston, Massachusetts.1

N. D.   9th Plate Daguerreotype advertising card—Larry Gottheim’s Collection

Heywood’s New England Mammoth Daguerreotype and Photographic Rooms, No. 228 Washington, Corner of Summer Street, Boston.  Ambrotypes or Photographs on Glass, Cheaper than any other place in Boston.  Daguerreotypes by Machinery and by our New Double Camera, for 25 cts.

And upwards.

N. D.   9th Plate Ambrotype advertising card—Larry Gottheim’s Collection

From The Old Original Heywood’s Photograph and Ambrotype Gallery, No. 228 Washington Street, and No. 3 Summer Street, Boston.  Ambrotypes and Photographs taken cheaper than at any other place in Boston.

1855 September 27.  The Boston Herald.  (Boston. Massachusetts.)  September 27, 1855, No. 10, 048, P. 2.

The reason that Fish & Heywood are enabled to take such beautiful Daguerreotypes for the small sum of 25 cents is, that they manufacture a large part of their materials, and they also take pictures by machinery, which enables them to procure more and better pictures than by the old fogy system of hand work.  Rooms 228 Washington, corner of Summer st.

Advertisement was recorded between September 27 to November 14, 1855.

1855 October 24.  The Middlebury Register.  (Middlebury, Vermont.)  October 24, 1855, Vol. XXI, No. 27, P. 3.

Fish & Heywood’s Mammoth Daguerrean Rooms, 228 Washington Street, Corner of Summer Street,……….Boston.

Pictures taken for twenty-five cents and upwards, warranted as good as any in Boston.

Advertisement ran from October 24 to November 21, 1855.

1855 October 25.  Eastern Times.  (Bath, Maine.)  October 25, 1855, Vol. X, No. 19, P. 3.

Fish And Heywood’s Mammoth Daguerrean Rooms, 228 Washington Street, corner of Summer Street, Boston.

Pictures taken for twenty-five cents and upwards, warranted as good as any in Boston.

Advertisement ran from October 25 to November 22, 1855.

1855 October 26.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 26, 1855, Vol. XLIX, No. 48, Whole No. 2558, P. 3.

Fish & Heywood’s Mammoth Daguerrean Rooms.  228 Washington Street, Corner of Summer Street., Boston.

Pictures taken for 25 cents and upwards, warranted as good as any in Boston.

Advertisement ran from October 26 to November 30, 1855.

1855 October 27  New Hampshire Statesman.  (Concord, New Hampshire.)  October 27, 1855, Vol. XXXV, No. 1795, P. 3.

Fish & Heywood’s Mammoth Daguerrean Rooms.  228 Washington Street, Corner of Summer Street., Boston.

Pictures taken for twenty-five cents and upwards, warranted as good as any in Boston.

Advertisement ran from October 27 to November 24, 1855.

Fish & Heywood’s Mammoth Daguerrean Rooms.  228 Washington Street, corner of Summer St., Boston.

Pictures taken for twenty-five cents and upwards, warranted as good as any in Boston.

Advertisement ran from November 20 to November 23, 1855.

1855 November 14.  The Boston Herald.  (Boston. Massachusetts.)  November 14, 1855, No. 10, 089, P. 2.

Important to the Public.—It is now a fixed fact that better pictures are produced for the low price of 25 cents at the Mammoth Daguerrean Rooms of Fish & Heywood, corner of Washington and Sumner streets, than at any other room in the city.  It is also well known that they take more pains to please, and give better treatment to customers, than at any other room in Boston.

A word to the wise is sufficient.  Remember the number—228 Washington, corner Summer street, Boston.

Advertisement was recorded between November 14 to December 20, 1855.

1855 December 21.  The Boston Herald.  (Boston. Massachusetts.)  December 21, 1855, No. 10, 121, P. 2.

Christmas and New Years’ Presents.—Fish & Heywood, proprietors of the Mammoth Daguerrean and Photograph Gallery, 228 Washington street, corner of Summer street, are now ready to supply their friends and the public in general with splendid Christmas and New Years’s Presents in the shape of a beautiful Daguerreotype or Ambrotype, or Daguerreotype on glass, the latter of which are not surpassed by any in the Daguerrean or Photograph line for their brilliancy and life-like tone.  They far surpass the common Daguerreotype, and in a short time will take the place of them.  They are manufactured by Fish & Heywood, in a style exceeding those taken by any other artist in Boston.  Their prices are very reasonable and perfect satisfaction guaranteed in all cases.  Daguerreotypes taken as usual for 25 cents and upwards, by their new double Camera.

A splendid assortment of nice fancy and durable Cases, constantly on hand.  Lockets, Pins, Rings, &c.

Remember the Number, 228 Washington, corner of Summer street, Boston.

Advertisement was recorded from December 21, 1855 to January 2, 1856.

1856 March 13.  National Eagle.  (Claremont, New Hampshire.)  March 13, 1856, Vol. XXII, No. 22, P. 3.

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 13 to April 10, 1856.

1856 March 14.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  March 14, 1856, Vol. L, No. 16, Whole No. 2578, P. 3.

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 14 to April 11, 1856.

1856 March 20.  Eastern Times.  (Bath, Maine.)  March 20, 1856, Vol. X, No. 40, P. 3.

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 20 to April 17, 1856.

1856 March 20.  Independent Democrat.  (Concord, New Hampshire.)  March 20, 1856, Vol.

XI, No. 47, P. 3. 

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 20 to April 17, 1856.

1856 March 20.  St. Albans Messenger.  (St. Albans, Vermont.)  March 20, 1856, Vol. XIX, No. 954, P. 3.

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 20 to April 17, 1856.

1856 March 21.  Vermont Journal.  (Windsor, Vermont.)  March 21, 1856, Vol. XII, No. 40, Whole No. 602, P. 3.

Heywood’s New England Mammoth Daguerreotype & Photographic Rooms, No. 228 Washington, corner Summer Street, Boston. 

Ambrotypes, or Pictures on Glass, cheaper than any other place in Boston.  Daguerreotypes by machinery, and by our New Double Camera, for 25 cents and upwards.

Advertisement ran from March 21 to April 18, 1856.

1857 March 24.  The Boston Herald.  (Boston. Massachusetts.)  March 24, 1857, No. 10, 499, P. 2.

Lord Dexter was a droll genius.  So is Heywood, 103 Court street.  The former could sell Warming Pans, but Heywood can take Ambrotypes for 25 cents which can’t be beat.

1857 March 27.  The Boston Herald.  (Boston. Massachusetts.)  March 27, 1857, No. 10, 502, P. 2.

Cutting’s Patent Ambrotype.  Mr. John D. Heywood respectfully informs his friends and the public that the Genuine Patent Ambrotypes are now made at both of his popul;ar galleries in a style unsurpassed by any other Rooms in the United States.

Rooms, No. 228 Washington street, corner of Summer, (over Jones, Ball & Co.’s store,)and at No. 103 Court street, 2 doors west of Hanover.

1857 April 3.  The Boston Herald.  (Boston. Massachusetts.)  April 3, 1857, No. 10, 508, P. 2.

Twenty-Five cent Patent Ambrotypes are made at Heywood’s, corner Washington and Summer streets, at No. 228, in a style unsurpassed by any other Room in the world.

1857 April 13.  The Boston Herald.  (Boston. Massachusetts.)  April 13, 1857, No. 10, 516, P. 2.

Sustained By The Public.  Who is?  Why, Heywood.  Five hired scribblers may answer for a certain one horse Ambrotype gallery, who resort to such means to gull the public out of their money, but Heywood has no need of such help.

His places of business are No. 228 Washington corner Summer street, and No. 103 Court st.,

Where you can get the genuine Patent Ambrotype for 25 cents and upwards.

1857 April 15.  The Boston Herald.  (Boston. Massachusetts.)  April 15, 1857, No. 10, 518, P. 2.

Hit Him Again, He Has No Friends.  A certain one-horse Ambrotype concern, that occupies an old leaky garret that drowns out his customers in a storm, growls at the tremendous rush of customers of his neighbor Heywood.  But it is no go, he is 40 years behind the times.  Heywood, with a large number of assistants, will be on hand bright and early of Fast Day, and supply the public with more and better 25 cent Patent Ambrotypes than any other rooms in the city.  Remember the number—228 Washington street, corner of Summer, and 103 Court street, 3 doors west of Hanover street.

1857 May 16.  The Boston Herald.  (Boston. Massachusetts.)  May 16, 1857, No. 10, 545, P. 2.

25 Cent Patent Ambrotypes.  These beautiful pictures are made at Heywood’s Ambrotype Gallery, No. 228 Washington street, corner of Summer, in a style unsurpassed by any other room in the city.

1857 May 26.  The Boston Herald.  (Boston. Massachusetts.)  May 26, 1857, No. 10, 553, P. 2.

Clergymen and strangers visiting the city during the coming week, would do well to procure one or more of these 25 cent Patent Ambrotypes at Heywood’s, which for brilliancy of tone and life-like expression, cannot be excelled in this city.  Rooms No. 228 Washington street, corner of Summer and No. 103 Court street.

1857 May 29.  The Boston Herald.  (Boston. Massachusetts.)  May 29, 1857, No. 10, 566, P. 4.

Ambrotypes taken in the highest perfection of the art at Heywood’s, corner of Washington and Summer streets, over Jones, Ball & Co.’s establishment.

1857 June 15.  The Boston Herald.  (Boston. Massachusetts.)  June 15, 1857, No. 10, 569, P. 2.

Glorious Seventeenth Of June.  Heywood, the Excelsior of Ambrotypes, will be prepared to take the whole population of Boston and its visitors, and supply them with the best Ambrotypes that are taken in Boston.  Rooms 228 Washington street, corner Summer street.

1857 June 16.  The Boston Herald.  (Boston. Massachusetts.)  June 16, 1857, No. 10, 570, P. 2.

Ambrotypes!  Ambrotypes!  Persons visiting the city the coming 17th of June, are notified that the best place to get Ambrotypes taken is at Heywood’s, 103 Court.

1857 August 17.  The Boston Herald.  (Boston. Massachusetts.)  August 17, 1857, No. 10, 623, P. 2.

Patent Ambrotypes are made by Heywood, 103 Court, for 25 cents, to suit the public.

1857 August 22.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 22, 1857, Vol. XXVIII, No. 8379, P. 2.

An artistically Executed Picture.  The attention of promenaders down Washington street is sure to be directed to the splendid photograph of the Orpheus Glee Club, by Lay & Heywood.  Its flue tone, life-like expression and tasteful adornment are acknowledged by all.  We think it the best arranged group of large size that ever came under our cognizance.  A large number of persons may at any time be seen gazing at the picture in the window of Wade’s music store where it is now placed.

1858 February 12.  The Boston Herald.  (Boston. Massachusetts.)  February 12, 1858, No. 10, 775, P. 4.

The Sons Of Malta, And all other “sons,” should bear in mind that Heywood & Co., (over Jones, Shreve & Brown’s) corner of Washington and Summer streets, and No. 103 Court street, are determined to render ample justice to all who may favor them with a call, either for a 25 cent Ambrotype or a Dollar Photograph. 

1858 February 15.  Boston Daily Ledger.  (Boston, Massachusetts.)  February 15, 1858, No. 341, P. 2.

The Sons Of Malta, And all other “sons,” should bear in mind that Heywood & Co., (over Jones, Shreve & Brown’s) corner of Washington and Summer streets, and No. 103 Court street, are determined to render ample justice to all who may favor them with a call, either for a 25 cent Ambrotype or a Dollar Photograph. 

1858 February 20.  The Boston Herald.  (Boston. Massachusetts.)  February 20, 1858, No. 10, 781, P. 2.

The Fool And His Money Soon Parted!  Yet if he had gone to Heywood & Co.’s, (over Jones, Shreve & Brown’s,) corner of Washington and Summer streets, he would have had something to show for it, in the shape of a well executed Ambrotype or Photograph.

1858 February 20.  Boston Daily Ledger.  (Boston, Massachusetts.)  February 20, 1858, No. 346, P. 2.

The Fool And His Money Soon Parted!  Yet if he had gone to Heywood & Co.’s, (over Jones, Shreve & Brown’s,) corner of Washington and Summer streets, he would have had something to show for it, in the shape of a well executed Ambrotype or Photograph.

1858 March 19.  The Boston Herald.  (Boston. Massachusetts.)  March 19, 1858, No. 10, 805, P. 4.

Your Duty Is Ours!  That’s a fact—especially in search of an Ambrotype or Photograph.  Heywood & Co., (over Jones, Shreve & Brown’s,) corner Washington and Summer streets, are extensively known as first class Operators, and always insure you Satisfaction.  Try Them!

1858 April 14.  The Boston Herald.  (Boston. Massachusetts.)  April 14, 1858, No. 10, 827, P. 4.

Heywood, The Excelsior of Ambrotypists, will be up bright and early Fast Day, and, together with a large number of assistants, will take more and better Ambrotypes than any other establishment in the city, Rooms, 228 Washington street, corner of Summer street, and 103 Court street, 2d door West of Hanover street.

1858 April 16.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  April 16, 1858, Vol. XIV, No. 51, P. 2.

Dead Body Found in the Massabesic.  Yesterday afternoon, some person out with a boat found the dead body of a man, on the east shore of the Massabesic Pond, nearly a quarter of a mile above the island Pond House, 4 miles from the city.  This morning the Mayor and Coroner Rowell, of this city were notified of the fact, and went over.

His pockets were all examined by Corner Rowell in presence of the crowd.  In them nothing was found but two fish-lines, a buckskin mitten and a daguerreotype of a lady; not a copper in money.  The daguerreotype was taken by J. D. Haywood, No. 228 Washington st., Boston; so the plate said.  This may lead to the discovery of the name of the person.  No one present could identify him.

1858 April 17.  The Boston Herald.  (Boston. Massachusetts.)  April 17, 1858, No. 10, 829, P. 4.

Dead Body Found.  We learn from the Manchester N. H. Mirror that the body of an unknown man apparently 40 years old, was found on Thursday afternoon in Massabesic Pond, near Manchester.  The deceased had apparently fallen through the ice while fishing upon the pond.  A daguerreotype, of a lady, taken by J. D. Heywood, Boston, two fishing lines and a leather mitten were found in the pockets.  He was dressed in grey clothes.

1858 April 20.  The Boston Herald.  (Boston. Massachusetts.)  April 20, 1858, No. 10, 831, P. 4.

Dead Body Found!  The dead body mentioned in the Herald of yesterday, of a man that was drowned, in the Massabesic pond, near Manchester, had one of Heywoods-25 Cent Ambrotypes, in his pocket, it being in perfect state of preservation—it is supposed to have been in the pond some two months, showing the superiority of his pictures for durability over all others taken in Boston.  Rooms 228 Washington, No. 3 Summer, and 103 Court, three doors west of Hanover street.

1858 May 11.  The Boston Herald.  (Boston. Massachusetts.)  May 11, 1858, No. 10, 849, P. 2.

A Thing of Life is Joy Forever.  Yet nothing can compare with the true and life-like tone of Heywood’s splendid Photographs and Ambrotypes.  They almost seem to speak, and tell you to go to Heywood’s Gallery, (over Jones, Shreve & Brown’s,) corner of Washington and Summer streets.


[1] A Directory of Massachusetts Photographers 1839-1900.