Tag Archives: Ambrotypist

Glen, Daniel L.

1850-1851       233 King Street, Charleston, South Carolina.

1851-1856       221 King Street, Charleston, South Carolina.

1856                215 King Street, Charleston, South Carolina.

1850 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1850, P. 1.

Glen’s Sky-Light Daguerrian Miniature Gallery, No. 233 King Street, Over J. S. Roberts’s Shoe

Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. N. (sic.) Glen.

Advertisement was recorded from November 28, 1850 to January 9, 1851.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Strangers and others who are desirous of having their likenesses Daguerreotypes in a superior manner, are referred to the advertisement of Mr. Glen, a Native Artist, in another column.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Glen’s Sky-Light Daguerrian Miniature Gallery.  No. 233 King street, over J. S. Robert’s Shoe Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. L. Glen

Advertisement was recorded from May 6 to 31, 1851.

1851 September 27.  The Charleston Mercury.  (Charleston, South Carolina.)  September 27, 1851, P. 3.

Palmento Daguerrean Gallery.  No. 221 King-st., over W. J. Jacobi & Son.  D. L. Glen Respectfully informs the citizens of his native State that he is prepared to take Pictures of all sizes, in a style that cannot be surpassed.  Having all the facilities of light to produce a good Picture, he pledges himself to give a perfect Likeness.  Mr. G. returns his thanks for past favors, and respectfully solicits a call at his rooms. 

Daguerrean Stock for sale.

Advertisement was recorded from September 27, 1851 to January 1, 1852.

1852 March 16.  The Charleston Mercury.  (Charleston, South Carolina.)  March 16, 1852, P. 4.

Mr. Glen’s Daguerreotypes.  The Daguerreotypist of Charleston are avowedly some of the first artists in the State.  Their galleries contain specimens of the success with which they have labored in their art, of the most pleasing and convincing nature.  Among these Artists, Mr. D. L. Glen, of King street, ranks deservedly high.  The improvements he has made of late are very important, one of which has enabled him to obtain such complete mastery of lights and shades, that he can effect as vivid a likeness in days of gloom as in days of sunshine.  In his Galler are to be found most striking portraits of many of our leading citizens, who though absent from the spot really seem to speak to their friends.  During the past week Mr. Glen has added to his fame by the production of two large-sized portraits, the one representing Signor Novelli, the eminent Barytone, and the other Signor Gambati, the famous Musician.  As works of arts these portraits are likely long to remain unsurpassed.

The Fair and Poultry Exhibition—Third Day… The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day.  In Oil Painting, Mr. S. N. Carvalho, of this city, presents several creditable offerings from his studio-conspicuous among which is a familiar Portrait readily recognized as the weather beaten but expressive countenance of “The Wandering Jew,” a venerable eccentric character well known down town, by his constant presence, and up the road, through the innumerable hieroglyphics traced along the fences, to an indefinite extent, by his hand.  These paintings add no little attraction to the Exhibition.

Messrs. Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…

1852 November 23.  The Camden Journal.  (Camden, South Carolina.)  November 23, 1852, Vol. 3, No. 94, P. 2.

The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day….Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…Charleston Courier, 19th Inst.

1852 November 25.  Charleston Courier.  (Charleston, South Carolina.)  November 25, 1852, Vol. L, No 15277, P. 2.

The Committee on Premiums, to whom was assigned the duty of selecting competent judges to decide on the respective merits of the various articles offered for exhibition at the Fair of the South-Carolina Institute for the present year, respectfully report the following list of awards…

S. N. Carvalho, for the Bust of a Beggar—a Silver Medal.

Osborn, for the best Composition Daguerreotypes—A Silver Medal. 

Glenn, for the best Daguerreotype heads—a Silver Medal.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

A Card.  That part of the community who are in the habit of reading advertisements, must be somewhat surprised to find two Daguerreotypist proclaiming that each had the first Premium awarded to him at the late Fair.  Now I ask no more than I have merited, and I leave the public to judge.  The Committee in awarding Premiums made the following public announcement:  “To J. M. Osborn, a Silver Medal, for the best composition Daguerreotypes; To D. L. Glenn, for the best Daguerreotype Heads.”  These were the precise words used in awarding the Premiums, and I make o hesitation in assuming as mine was the first Premium awarded by the committee, and that for a superior branch of Daguerreotyping, that it was intended, as I certainly think all must understand it, that the first Premium was awarded to me.  J. M. Osborn, 233 King-st.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

Daguerreotypes.  First Premium Awarded To Osborn, At The Late Fair.  Rooms 223 King-street, a few doors above the Bend.  Where may be had Daguerreotypes in every style of the Art, viz:  Ordinary Daguerreotypes, copying and enlarging Daguerreotypes to any size, Crayon Daguerreotypes, Illuminated Daguerreotype, Cameo Daguerreotypes, Golden Tint Daguerreotype.  Also a Reproduction of the Daguerreotype on Copper by Electro Galvanic process.  Backgrounds rendered non-reflecting and of any color.  Also, Talbotypes or pictures taken on paper by the Camera.

Pupils taken and instructions given in all the above branches if required.  Also, Daguerreian Chemistry taught.

Advertisement ran from November 30 to December 6, 1852.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

A Card.  At the request of Mr. Glen, we state that the committee appointed by the Directors of the South Carolina Institute for awarding premiums in the Department of Fine Arts—decided that the first prize should be given to Osborn, for the best Daguerreotype Composition piece—the one representing a colored boy and girl sitting near a stove.

Advertisement ran from December 2 to 6, 1852.

The first place for Heads, was awarded to Glen—they regarding his Daguerreotypes as the best in that department.  Committee—T. L. Hutchinson, Chairman of Committee.  Geo. W. Flagg.  Chas. D. Carr, Chairman Committee on Premiums So. Ca. Institute.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

Julia Dean Daguerreotype.  On Calling in to D. L. Glen’s Gallery, 221 King-street, I was shown there the finest production in the line of Daguerreotyping I ever saw.  Being an artist myself, and having seen others in the different Northern cities, I must, with pleasure say, that finer pictures are taken there, that in any city in the United States, or in the world.

It was the likeness of Miss Julia Dean, also, a group of Miss Julia and sister.  I find him assisted by S. Jenkins, from Richmond, Virginia, of Whitehurst’s Gallery.  He is acknowledged by the best Northern Artists to be ahead in his line.

Mr. Jenkins’ references are, Ex-Governor Floyd, Virginia; Caskie, Virginia; J. Plumbe; J. H. Whitehurst, Virginia; S. M. Root[1], Philadelphia; McClees & Germon, Philadelphia; Masney & Silsbee[2], Boston; Professor Ives[3], Boston; Dr. Cleveland, Charleston; Whiteford Smith, Charleston.

Elsewhere you will find that the prize awarded (being the highest for the best productions) is settled by the Committee, J. M. Osborn being noticed by them for a group of colored subjects only.  A. Citizen.

1852 December 9.  Charleston Courier.  (Charleston, South Carolina.)  December 9, 1852, Vol. L, No 15289, P. 2.

Grand Prize Concert.  The Infant Drummer.  Will give another Brilliant Entertanment (sic.) At Hibernian Hall.  This Afternoon And Evening, Dec. 9.  Assisted By Major J. Hammond, And Other Instrumental Talent.  Three Magnificent Daguerreotypes Of The Infant Drummer, taken by D. L. Glen, 221 King-street, of this city, will be distributed among the audience This Evening, and also This Afternoon among the children.  The Prizes will be distributed as follows:  Each person entering the Hall, will be presented with a number; a corresponding number will be deposited in a vase, from which the Infant Drummer will draw at the close of the entertainment.

The person having the number corresponding with the 5th number drawn, will be entitled to the first prize; and the person having the corresponding number with the next fifth number drawn, will be entitled to the second prize, and the same for the third…

1852 December 16.  Charleston Courier.  (Charleston, South Carolina.)  December 16, 1852, Vol. L, No 15295, P. 2.

Stranger, At Mr. Glen’s, 221 King-street, you can get the finest Likeness of yourself or friends.  Remember he obtained at the late fair, the highest premium for the best Daguerreotypes.  As good likeness or Picture in rainy as in fair weather, you can get there.  Solon.

Citizens Of Charleston And Strangers Visiting.  To You Greetings.  Please notice as you pass the fine Specimens of the Photographic Art, Exposed to view in the splendid Show Case, before the door of 221 King-street.  For softness of shade, Tone of Pictures and position, no Daguerreotypes in the world can Equal them—(Beautiful to Contemplate.)  The South ahead.

The Gallery is crowded with all Classes, to procure those life-like Miniatures, which are produced so Instantaneously and with perfection.  Mr. Glen, with such an Artist as S. Jenkins, from Virginia, assisting him, and Mr. J. Having the highest recommend from All the principal Artists in America, Who will delay procuring for themselves Or friends those Mementoes, regarded As the Best gift oneself can bestow Upon another.

1853 March 2.  Charleston Courier.  (Charleston, South Carolina.)  March 2, 1853, Vol. LI, No 16358, P. 2.

Gov. Manning called in to Mr. Glen’s Daguerrian Gallery, (Knowing Where To Go,) to procure for his lady, a true fac simile of himself; and Jenkins, Glen’s celebrated Artist, [I besides,] retained for the public, a fine likeness of his Excellency.  It can be seen at all times at the Gallery, 221 King-street.  It is considered a fine production.  Now, the public know where to go for a true Artistic Picture.

1853 March 9.  Charleston Courier.  (Charleston, South Carolina.)  March 9, 1853, Vol. LI, No 16364, P. 2.

Call Into Glen’s Daguerrean Gallery, 221 King-street.  He has the finest selection of Pictures out.  He has taken recently,

Governor Manning

The Mayor of Charleston

Miss Julia Dean

Miss Anna Cruise

Miss Graham

Mr. Neatie, the Tragedian.

Mr. G. got the medal at the late Fair, for the best Pictures.

Advertisement ran from March 9 to 29, 1853.

1853 April 25.  Charleston Courier.  (Charleston, South Carolina.)  April 25, 1853, Vol. LI, No 16403, P. 2.

The Daguerrian Gallery Of Our Friend Glen is continually crowded with the considerate, the fashionable and the gay, to see his splendid specimens of the Photographic Art, and but few leave the premises without taking with them a fac simile of themselves, in the shape of a fine Likeness.

Strangers secure the shadow ere the substance fades.  Nothing can surpass Glen’s Pictures.

1853 May 4.  Charleston Courier.  (Charleston, South Carolina.)  May 4, 1853, Vol. LI, No 16411, P. 2.

 Fife Dollars Reward.—Taken from the show case, in the entry at D. L. Glen’s Daguerrean Rooms, a Daguerreotype of a Lady—[it] was in a case which is made to hang up, and not closed up.  The eyes on the picture are looking up.  If returned the above reward will be paid and no questions asked.  The likeness is of a Boston Lady, and valuable to none but the proprietor.  D. L. Glen, 221 King st.

Advertisement ran on May 4 & 5, 1853.

1853 May 30.  Charleston Courier.  (Charleston, South Carolina.)  May 30, 1853, Vol. LI, No 16433, P. 2.

Friend Glen Is ahead in the Daguerrian Line.  To know this a certain truth, call in any time in business hours.  You will find the most fashionable sitting for their pictures and likenesses, an issue which cannot be excelled by any Artist in the Union.

You will always find our little friend Jenkins on hand, and if any one can arrange position and get the right expression, ‘tis he.

Advertisement ran from May 30 to June 1, 1853.

1853 October 12.  Charleston Courier.  (Charleston, South Carolina.)  October 12, 1853, Vol. LI, No 16547, P. 2.

Having occasion to look in lately at the First Premium Daguerrean Gallery of D. L. Glen at 221 King-street, we spent some time very agreeably in examining his large and varied collection of specimens.  We found numerous well known faces admirably and truthfully represented in all the best styles and with the latest and most improved effects of the face printing art.  Besides individual portraits we observed some groups in the execution of which the artist had been eminently successful.

1853 October 9.  Charleston Courier.  (Charleston, South Carolina.)  October 9, 1853, Vol. LI, No 16569, P. 2.

Glen’s First Premium Daguerreotypes, 221 King -Street, Opposite The Mammoth Boot.  Mr. G, is still making those beautiful Pictures, for which he received a Silver Medal at the last Fair of the South-Carolina Institute.  Every style produced by the art, taken at his rooms.  All persons who want a perfect Likeness, will do well to call, as no picture is allowed to go out the rooms, unless it gives perfect satisfaction.  Pictures copied at the shortest notice.

Advertisement was recorded fourteen times between November 9 to December 5, 1853.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 9, 1854, Vol. LI, No 16696, P. 1.

Daguerreotypes.  Calling lately at the establishment of Mr. D. L. Glen, 221 King-street, we found many new additions to his previously large and attractive stock of specimens.  He is evidently determined not to be outdone in excellence and to improve on himself to the utmost.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 10, 1854, Vol. LI, No 16696, P. 2.

Glen’s Superior Daguerreotypes If you want a perfect picture Call at Glen’s  First Premium Gallery, where may be seen some of the best specimens in the city.  The public are invited to call and see for themselves.  Pictures at the door are specimens of the kind taken up stairs.

Room, 221 King-street, opposite the Big Boot.

Advertisement was recorded from April 10 to 14, 1854.

1854 October 11.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 11, 1854, Vol. LII, No 16850, P. 2.

Marion Lodge No. 2, I. O. O. F.[4]—The Members of this Lodge, and the Brothers of the Order generally, are respectfully invited to attend the Funeral of Brother A. Krause, from his late residence, No. 5 Pain’s Court, at Nine o’clock This Morning.  Daniel L. Glen, N. G.[5]

A Day At The Fair.  The number of new contributors pouring in is still so great, that several tables examined by us on Thursday presented quite a strange aspect on Friday…

We are next attracted to some fine specimens of the Daguerrean art—an art in which our State has attained a deserved distinction from the degrees of excellence manifested by our leading operators.

The Gallery of D. L. Glen, 221 King-street, represented by a fine case, containing specimens of groups, portraits, and copies from prints.  Of the new and later additions to his collection, we noticed the portraits of Cr. Dewey, and Miss Eliza Logan.

J. T. Zealy of Columbia, one of the best, if not the very best of our Daguerrean artists, of the interior, has contributed some very fine specimens.  We readily recognize his Excellency Governor Adams, and Chancellor Wardlaw; the portrait of the latter, however, is marked “Chancellor Dargan”—a case of “individual misapprehension,” which shows a singular freak of optics, and would be unpardonable in a sheriff. 

Mr. Cohen sends a case from his Daguerrean rooms, corner of King and Liberty-sts.

Geo. S. Cook sends from his well known rooms a fine collection, in all styles of the art, including the new process of oil photographs on paper.

Fifth Annual Fair.  Catalogue Of The Articles On Exhibition At The Fair Of The South Carolina Institute, April 1855.

98.   Four Daguerreotypes; J. T. Zealy.

101.  One large Framed Daguerreotypes, seven single do; two Framed Photographs, one in oil and one plain; D. L. Glen.

102.  One Frame Daguerreotypes, one lot Photographic Paintings, one lot Plain Photographs; George S. Cook.

105.  One Frame Daguerreotypes; A. D. Cohen.

1855 April 21.  The Charleston Mercury.  (Charleston, South Carolina.)  April 21, 1855, P. 2.

The Catholic Fair…

En passant we may allude to the beautiful Portrait of the late lamented Bishop Reynolds, painted faithfully (from a Daguerre) by the merited artist, W. A. Ashe; a copy from another Portrait of Bishop England, faithfully executed by one of the Sisters of Mercy; and the Daguerreotypes of four eminent Priests, grouped in easy attitude, and almost perfect semblance of the distinguished originals, by D. L. Glen, Esq…

1855 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1855, Vol. LII, No 17014, P. 2.

D. L. Glen exhibits a new specimen of his skill in a daguerreotype from Mr. Galt’s admired and classical bust of “The Bacchante.”

List Of Premiums Awarded At The South-Carolina Institute Fair, Charleston, S. C., April 26, 1855.

D. L. Glen and Geo. S. Cook, Photographs and Daguerreotypes, equal in Merit—a Diploma to each.

Young American on Two Sticks.  Master Benson A. English, the young drum-major—or shall we say drum—minor—who beats anything of his size and shape, with two sticks on a sheepskin, will give a concert and entertainment this evening at the institute Hall.  It is sufficient to say that he visits our city in accordance with a letter of invitation signed by many leading and influential citizens, who remember the gratification experience from his performances here two years since.  On that occasion, which was his first public appearance, we believe in a Southern city, Master Benson was received with lively tokens of welcome, and honored by many demonstrations in the form of presents.  Among others we may note, a uniform from the Cadets of the Citadel, which the little major has worn with much gratification,—a goblet and salver from the Washington Light Infantry, a uniform from the Vigilant Fire Engine Company, a silver knife and fork from Capt. Berry, then in command of the steam ship Marion, now of the Nashville, and a silver trumpet from the German Fire Engine Company.  His Honor, the Mayor, and many citizens also testified their admiration in many forms, and on the same tour he was received with equal approval by Gov. Manning, and the citizens of our Capital generally.  This has been indeed his well deserved fortune in all cities where he has appeared.

Many of the tokens and presents received by the little Major, including one from the widow of President Polk, and one from President Pierce, may now be seen at the store of James E. Spear, on King, opposite Haskell-street.  The prizes to be distributed after the first concert, are also on exhibition there.  Our well known daguerrean artists, Osborn of 233 King-street, and Glen of 221 King-street, have taken excellent daguerreotypes, which may be seen in their collections of specimens…

1855 May 21.  The Charleston Daily Courier.  (Charleston, South Carolina.)  May 21, 1855, Vol. LII, No 17086, P. 2.

The Ladies Fair…

Mr.  D. L. Glen has contributed in Daguerreotypes…

1855 August 28.  The Charleston Daily Courier.  (Charleston, South Carolina.)  August 28, 1855, Vol. LII, No 17024, P. 2.

D. L. Glen Has returned from the North posted up all the late Improvements In Daguerreotyping and Photography.  The public are respectfully invited to call at his Rooms, 221 King-street, where specimens may be seen.

Advertisement was recorded nine times between August 28 to September 18, 1855.

1856 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1856, Vol. LIV, No 17328, P. 2.

Colored Photographs.  We were much pleased yesterday with a colored photograph we had an opportunity of inspecting, which exhibits a new and most effected model of adding the advantages of color and hue to the photograph without destroying the peculiar delicacies of the original impression.  The coloring was executed by Mrs. E. M. Link, whose ingenious and highly meritorious skill in Grecian painting, leather work, and other branches of ornamental elegance we have had previous occasions to notice, and who occupies rooms at the S. E. corner of King and Hasell streets, (over the store of Calder, Browne & Co.) for the purpose of giving instruction in these arts.  The photograph in this case was taken by Glenn, in the usual excellent style of his gallery.

1856 October 13.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 13, 1856, Vol. LIV, No 17458, P. 2.[6]

Glen’s Photographs, Ambrotypes, And Daguerreotypes, 221 King-Street.  [ ? ] many a flower is born to blush unseen, and waste [ ? ] on the desert air,” but a Likeness of [ ? ] some dear friend, taken by Glen, could no [ ? ] the admiring eye, than could the sun at noon [ ? ] its radiance.

Pictures [Taken at] Glen’s Gallery have always been admitted [ ? ] to be of superior tone and finish.  Pictures [ ? ] size and price taken at the shortest notice.

[ ? ] sick and deceased persons taken.  Glen, Southern Artist, 221 King-street.

1856 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1856, Vol. XLVII, No. 9781, P. 2.

Ambrotypes For $1.00 At Glen’s Gallery of Art, 215 King-Street, Over Messrs. Duncan & Paxton’s Drug Store.

Mr. G. Having Made Arrangements To enable him to take Ambrotypes at a reasonable price, now offers the public,

Ambrotypes, from $1 upward.

Daguerreotypes, from $1 upwards.

Photographs, $4 to $40.

All who desire to get correct Pictures, will do well to call at his Rooms, where specimens may be seen in all the various branches of the Art.

Advertisement was recorded from November 28 to December 19, 1856.

1856 November 27.  The Charleston Daily Courier.  (Charleston, South Carolina.)  November 27, 1856, Vol. LIV, No 17496, P. 1.

The Gallery of Paintings at the Institute.

“All that imagination’s power could trace,

Breathed in the pencil’s imitative grace,

O’er all the canvas, form and soul and feeling

That wonderous art, infused with power of life,

Portrayed each pulse, each passion’s might revealing,

Sorrow and joy, life, hatred, fear, and strife.”

A walk around the extensive Gallery of Paintings at the Institute Hall, furnishes us with material for more that one day’s study and reflection.  We have, therefore, gathered up our notes from the point at which we left off yesterday, and continue to day our rambling sketches of this choice repository of the fine arts…

Daguerreotypes, Ambrotypes and Photographs, from the galleries of Messrs Glen and Wenderoth…


[1] Marcus Aurelius. Root or Samuel Root or Samuel & Marcus Root.

[2] Masury & Silsbee

[3] Loyal Moses Ives

[4] I. O. O. G. Independent Order of Odd Fellows.

[5] N. G. Nobel Grand.

[6] Whole left side of advertisement unreadable.

Gladden, John G.

1859-1859       Address Unknown, Columbia, South Carolina.

1859                Rooms over Messrs. Wilkinson & Co.’s. Jewelry Store, Charlotte, North Carolina.

1858 July 31.  Charleston Mercury.  (Charleston, South Carolina.)  July 31, 1858, Vol. LI, No. 10,299, P. 2.

Correspondence of the Mercury.  Eagle Fire Company in Columbia—Fire.  Columbia, July 30.—All day yesterday we spent a glorious June [in] parading [ ? ] city [ ? ] its well arranged gardens and public buildings.  We went to the Capitol building, now one of the finest works in this or perhaps in any other country.  It is progressing finely, and growing into attractive shape…From the Capitol-grounds we proceeded into line and joined the whole body of our Company parading up the Main street, when we were daguerreotyped on masse by a photographic and daguerrean artist of this city, Mr. Gladden…

1859 April 19.  The Western Democrat.  (Charlotte, North Carolina.)  April 19, 1859, Vol. 7, No. 357, P. 3.

Ambrotypes & Melainotypes, Finished on an Improved Style.  The subscriber, (recently from Wearn’s Premium Photograph Gallery, Columbia, S. C.,) respectfully announces to the citizens of Charlotte and vicinity that he has opened Rooms, for a short time, over Messrs. Wilkinson & Co.’s. Jewelry Store, where he will be happy to receive calls from those who desire fine pictures. 

Instruction given in the art, with success guarantied.   J. G. Gladden.        

Advertisement ran from April 19 to May 3, 1859.

Gilpatrics M. G.

1859                New Building, Over Jewelry Store and Clothing Store, Groton Junction, Massachusetts.

1859 September 29.  Railroad Mercury.  (Groton, Massachusetts.)  September 29, 1859, Vol. 1, No. III,  P. 2.

Everybody should visit Gilpatrics new Ambrotype Rooms and have one of his splendid Picturesput up in the best style and at almost any price.

1859 September 29.  Railroad Mercury.  (Groton, Massachusetts.)  September 29, 1859, Vol.1, No. III,  P. 3.

New Ambrotype Rooms, In the New Building, over the Jewelry Store and Clothing Store,opposite the Depots, Groton Junction, MS.  (sic.)  M. G. Gilpatrics.  Ambrotype And Meleoneotype (sic.) Rooms.

Particular attention paid to copying and taking likenesses of sick and deceased persons. Advertisement ran from September 29 to December  29, 1859.

1860 January 5.  Railroad Mercury.  (Groton, Massachusetts.)  January 5, 1860, Vol. 1, No. XVII,  P. 3.

Ambrotype Rooms, In Gerrishes’ Building, opposite the Depots, Groton Junction, Ms. (sic.)Particular attention paid to copying and taking likenesses of sick and deceased persons.  M. G. Gilpatrics.

Advertisement ran from January 5, 1860 to September 19, 1861.

Giers, Charles G.

ND                  Cedar Street, Nashville, Tennessee.

1855-1856       Corner of Deaderick Street and College streets, and the Square, Nashville,                              Tennessee.

1859-1863       Corner of Deaderick Street and the Square, Nashville, Tennessee.

1855 January 16.  Nashville Union and American.  (Nashville, Tennessee.)  January 16, 1855, Vol. XXVI, No. 116, P. 2.

Daguerreotypes!  Daguerreotypes!!  Charles C. Giers would respectfully inform his customers, and the ladies particularly, that he has removed from Cedar street to the corner of Deaderick and College streets, over Browne’s, where he will be glad to see all who are in want of fine and life like pictures.  He has gone to great expense in fitting up powerful side and sky lights, and his rooms are fitted up in elegant style.  He has engaged the services of experienced and polite operators, and is determined to make his Model Establishment of the South West, and feels assured that he will be able to give satisfaction.

He invites the public to call and examine his specimens, as also some fine Oil paintings, by the old masters, just received from Europe, which he offers for sale very low.

Call at the corner of Deaderick street and the Square.

N. B.—An experienced operator always ready for any out door work, such as taking buildings, deceased persons, &c.                                                                                               

Advertisement ran from January 16 to December 12, 1855.

1855 October 3.  Nashville Union and American.  (Nashville, Tennessee.)  October 3, 1855, Vol. XXVII, No. 112, P. 2.

Giers’ Side Sky-Light Daguerrean Gallery, Corner Of Deaderick Street And Square.  My Rooms are fitted up in a style inferior to none, with the best Side Sky-Light, in the city, fronting immediately on the Square.

Persons in want of a fine life-like and flesh colored Daguerreotype, will find it to their advantage to call and examine my Specimens, and I warrant to give satisfaction in every case or no charge made.  Call and judge for yourself.          Chas. C. Giers.                                   

Advertisement ran from October 3, 1855 to January 11, 1856.

1855 October 11.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 11, 1855, Vol. XIX, Whole No. 3466, P. 2.

The Mechanics Fair-Articles Exhibited, Premiums Awarded, &c.  The first Annual Fair of the Mechanics Institute closed on Saturday night, after having been the center of attraction to citizens and strangers for a week….

Of daguerreotypes, specimens were exhibited by Messrs. Hughes Bros. and C. C. Giers, and of photographs by the former gentlemen.  These were highly finished specimens, and such as may be procured at the establishments of the exhibitors….

1855 October 12.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 12, 1855, Vol. XIX, Whole No. 3467, P. 2.

Awards of the Premiums of the Mechanics Institute.  First Annual Exhibition—October 1855….Class No. 26—Daguerreotypes Photographs and Apparatus.

Hughes Bros., Daguerreotypes and Photographs, ……………………Diploma.

C. C. Giers, Daguerreotypes………………………………………….2nd Class Diploma.

R. McLain, Daguerreotypes………………………………………………Hon’l. Mention.

1859 April 9.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. XXIX, No. 357, P.3.

Tennessee Historical Society…Contributions, in the way of photographic pictures, were made by C. Giers, T. F. Saltzman and C. C. Hughes, of this city.

1859 December 4.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. 30, No. 214, P. 3.

Southern Photographic Temple Of Fine Arts.  Corner of Deaderick street and Public Square, over Browne’s.

If you want a fine and durable Ambrotype, a plain or colored Photograph, which are warranted not to fade, call at the Southern Photographic Temple of Fine Arts, corner of Deaderick street and the Square, over Browne’s.  The very best artists are employed in this Gallery, and being a permanent institution of this city, you will be sure of not being humbugged, as you certainly will be by those noisy and peddling picture makers.  Satisfaction given to every customer or no charge made.  Chas. C. Giers.                                              

Advertisement ran from December 4, 1859 to January 10, 1860.

1860 October 31.  Daily Union And American.  (Nashville, Tennessee.)  October 31, 1860, Vol. XXV, No. 172, P. 3.

Photographs Of Mr. Yancy.  The only true likeness of Mr. Yancy is on exhibition at Giers’ Gallery, being the only Gallery Mr. Yancy visited in this city.  Copies for sale.

Advertisement ran from October 31 to November 2, 1860.

1861 April 3.  Daily Nashville Patriot.  (Nashville, Tennessee.)  April 3, 1861, Vol. XXII, New Series No. 636, P. 2.

The Fine Arts Are about to assume a new attitude in this our goodly City of Rocks.  The Brass Jeweler and the Artist have doubled teams, and on the payment of a few paltry dollars the inexperienced individual, unto whom “ye elephant” is an entire stranger, is permitted to carry home to his anxious friends and family, not only a “magnificent” counterfeit presentiment of himself, but also a splendid set of—brass jewelry.  This is liberal, Cheap pictures amd brass jewelry. Alas, for the glory of the art.

It is a remarkable fact, that although Charley Giers is not making any presents of brass jewelry to his customers, his Gallery is nevertheless crowded daily with the beauty and fashion of the city; having made the fine arts his study, he has but little time left to attend to lottery humbuggery in order to increase his patronage, and is determined not to go into partnership with any Peter Funk’s establishment to try and break down those old respectable Jewelry Establishments in our city.  His pictures are executed in the highest style of the art, and at prices to suit the times.    

Upon the walls of his Gallery may be seen Photographs, Ambrotypes, &c., of many of the most distinguished men in Tennessee, and other States, to say nothing of innumerable beautiful and gifted women.  His establishment is the oldest in the city, and his pictures are second to none.

Call and see the many beautiful specimens on exhibition at corner Square and Deaderick street, over Browne’s.

Advertisement ran from April 3 to 18, 1861.

1863 October 7.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 7, 1863, Vol. II, No. 144, P. 3.

Military Gallery.  Our friend Mr. Giers, the skillful photographic artist of this city, has presented us with a collection of photographic cards of Generals in the Union army.  The pictures are faithful and very accurate.  Persons who desire to adorn their photographic Albums, with the faces of Grant, Meade, “Old Rosy,” Hooker and other chiefs, will do well to call on Mr. Giers.

1863 October 15.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 15, 1863, Vol. II, No. 151, P. 3.

Just received at Giers’ Gallery, corner of Union and College streets, a large lot of pictures for the Album, comprising most all our popular Generals, Statesmen, &c.  Call and see.

Ambrotype and Photograph material for sale cheap.

Advertisement ran from October 15 to 17, 1863.

1863 October 18.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 18, 1863, Vol. II, No. 154, P. 3.

Gallery of Fine Arts, Corner of Union And College Streets.  For fine life-like Ambrotypes, Photographs, from life size down to Carte de Visites, executed in the highest style of the art, either plain or colored, call at the above establishment, the largest and most extensive in the Southwest.  Albums, carte pictures of the Generals of both armies, in great variety, always on hand.  Call and see the finest and largest collection of pictures in the city.  Respectfully, T. F. Sallsman, Successor to C. C. Giers.

Gibbs, Peter E.

1847                Nearly opposite the Franklin Hotel, Lynchburg, Virginia.

1847                Address Unknown, Richmond, Virginia.

1847-1848       Main Street, opposite Dr. Early’s Office, Lynchburg, Virginia.

1851                Main Street, Lynchburg, Virginia.

1854                Address Unknown, Petersburg, Virginia.

1854-1855       Next Door to the Virginia Bank, Lynchburg, Virginia.

1855-1859       Rooms at Corinthian Hall, Richmond, Virginia.

1847 April 5.  Lynchburg Virginian.  (Lynchburg, Virginia.)  April 5, 1847, Vol. XXV, No. 71, P. 3.

Daguerreotype Likenesses.  The subscriber would respectfully inform the citizens of Lynchburg and surrounding country, that he has taken the rooms nearly opposite the Franklin Hotel, formerly occupied by Mr. W. A. Retzer, and recently by Mr. J. H. Fitzgibbons, where he is prepared to execute Miniature Likenesses with all the latest and most important improvements.

Miniatures taken in any kind of weather, and all pictures warranted a fac-simile of the original.

Ladies and Gentlemen are invited to call and examine specimens of this beautiful art.

N. B.—Instruction given in the art on moderate terms.  P. E. Gibbs. 

Advertisement ran from April 5 to August 5, 1847.

1847 November 15.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 15, 1847, Vol. 7, No. [ ? ], P. 4.

Daguerreotyping.  The subscriber having taken the rooms recently occupied by Mr. Gibbs as a Daguerrean Gallery, is prepared to take Photographic miniatures upon a plan embracing all the latest improvement in this beautiful art.  Miniatures taken in clear or cloudy weather, and warranted a fac-simile of the original.  Ladies and Gentlemen are respectfully invited to call and examine specimens.  He will keep constantly on hand a supply of celebrated [Quick], and all other materials used in the art, which he will furnish to those wanting, on liberal terms.  Instructions given at reduced prices.  J. Ward.  August 12.

1848 November 13.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 13, 1848, Vol. 9, No. 43, P. 3.

Electro Daguerreotyping.  The subscriber would respectfully inform the citizens of Lynchburg and vicinity, that he has Just returned from Richmond where [ ? ] some time in the gallery of Mr. J. H. Whitehurst [ ? ] whose merit as an artist is well known [ ? ] [alon,)] for the purpose of improving him [ ? ]  Daguerreotyping and that he is now in possession of [all the] improvements of the art.

Mr. G. feels confident in saying that he can produce likenesses superior to any taken or exhibited in this community.  All that he asks is a call from those that may want a splendid picture of themselves or friends.  He invites particular attention to the brilliancy and life-like appearance of the eyes of his pictures. (which make one feel they are looking at the original and not the shadow,) as well as his new process of enameling.

Ladies and gentlemen are respectively invited to call and examine specimens at his gallery, opposite Dr. Early’s office, Main Street.  P. E. Gibbs.  Nov. 9.

1851 January 16.  Lynchburg Republican.  (Lynchburg, Virginia.)  January 16, 1851, Vol. 11, No. 68, P. 1.

The Latest Improvement.  Whitehurst’s Celebrated Daguerreian Galleries.  Highest premiums awarded at the late Fair of Maryland Institute for the latest improvements.

Main Street, Lynchburg, Bank Square, 77 Main St., Richmond, Sycamore St., Petersburg, Main St., Norfolk, 207½ Baltimore St., Baltimore, Pennsylvania Avenue, Washington, D. C., Broadway, New York.

The subscriber would respectfully inform the public generally, that he has recently returned from the North, where he has spent several days in each of the above Galleries.  Also, in [his other leading] Galleries in New York, Philadelphia and Baltimore, for the purpose of getting all the latest improvements in Daguerreotyping, and now having his Skylight arranged on the most improved and scientific plan, he is better prepared than ever to take likenesses, (equal to any) in all the latest styles, and in any kind of weather.

Feeling grateful for the liberal patronage heretofore received, he pledges himself to use all proper means to merit its continuance.  P. E. Gibbs, Ag’t for J. H. Whitehurst.

N.B.  Likenesses of every description copied, a large assortment of Lockets and medallions of superior beauty for Daguerreotypes always on hand.  P. E. Gibbs, Agt. Nov 4.

Advertisement was recorded on January 16 to July 21, 1851. 

Free Exhibition.—The subscriber having obtained at considerable expense, from Mr. Whitehurst’s Washington Gallery, Daguerreotypes of the following distinguished characters, most respectfully invites the public to call and examine them, in connection with a large number of his own production, at the Whitehurst Gallery.

President Fillmore, Gen. Winfield Scott, Wm, A. Graham, Gen. Franklin Pierce, Wm. R. King, Gen. Lewis Cass, Judge Stephen A. Douglass.  P. E. Gibbs, Proprietor.

Advertisement ran from August 10, 1852 to March 21, 1853.

1852 November 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  November 16, 1852, Vol. 1, No. 85, P. 2.

Whitehurst Gallery.—Another Great Improvement—The subscriber being determined to keep pace with all the improvements in his business, has erected a new and powerful Sky-light, which is so constructed as to enable him to produce pictures in a few seconds, without the heavy shades and contracted features usually attending the common Daguerreotype thereby preserving the eye with all its beauty.  The light being soft, yet very strong, is beautifully adapted to taking groups and children.

Having spared neither pains nor expense in fitting up his Gallery, which is now elegantly furnished and beautifully arranged, it is one of the most attractive places in the city.

He respectfully ask a continuance of that patronage which has been so liberally bestowed upon him, for which he tenders his sincere thanks, and pledges himself to use all means in his power to please all that call on him, whether they want pictures or not.

Pictures taken in cloudy as well as clear weather, and perfect satisfaction guaranteed in all cases, or no charge.

Gallery next door to Virginia Bank.  P. E. Gibs, Proprietor.

N. B.—A fine assortment of Lockets and Pins always on hand, which will be filled with pictures very cheap.  P. E. G.

Advertisement ran from November 16 to December 24, 1852. 

1853 February 9.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 9, 1853, Vol. 1, No. 158, P. 3.

At a regular meeting of Virginia Encampment of Patriarchs, No. 8, I. O. O. F., held this evening Feb. 3, 1853, the following preamble and resolutions were unanimously adopted:

Whereas, in the death of our late brother E. H. Atkinson, our mystic circle has been deprived of a member, whose prospects for a long and useful life were apparently fairer than a majority of those with whom he was associated, therefore, by this and afflictive dispensation of providence, we are again forcibly reminded of the fact, “that in the midst of life we are in death.” And are solemnly admonished, to give heed to our way’s, that when the summons shall come to us, we also, may be ready.  In the death of Bro. Atkinson, our order has lost a firm and true friend, and a faithful and consistent member, therefore be it

Resolved, That we sincerely  sympathize with the widow and friends of our deceased brother, in their sad bereavement.  

Resolved, That as a token of respect for our deceased friend and brother, the emblems and furniture of this Encampment, be clothed in morning, for the space of thirty days.

Resolved, That the Scribe be directed to present the widow of our deceased brother, with the copy of the above preamble [ ? ? ? ?], and that he have them published in [ ? ? ?  ?] city.

[ ? ] E. H. Folkes, S. S.  P. E. Gibs, C. P.

1853 February 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 16, 1853, Vol. 1, No. 164, P. 3.

Lockets, Lockets, Pins &c.—The subscriber respectfully informs the public that he has just returned from the North with an unusually large stock of Daguerreotyping material, embracing Frames, Cases &c., of the latest styles and patterns.  Also a large stock of Lockets and Pins, some extra fine made to order, which will be filled with pictures in the best style of the art, at low prices, according to quality, at Whitehurst Gallery, next door to the Va. Bank.  P. E. Gibbs, Proprietor.

N. B.—Paintings and Pictures of all kinds accurately copied.

Stock furnished at the lowest cash prices.  P. E. G.

Advertisement ran from February 16 to August 1, 1853.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—We invite attention to the advertisement of Mr. Gibbs.  Mr. G. is a native Virginian, and as polite and gentlemanly in his attention to visitors, as he is skillful in the exercise of his pleasing and useful art.  His pictures are unsurpassed, we believe we may say unequalled, by any we have ever seen.  He has recently returned from the North with improved apparatus and materials and is now prepared not to satisfy merely, but to delight all who want a perfect and lifelike picture of themselves.  His rooms are in the immediate vicinity of the banks, and will be found open to all, and a pleasant place for whiling away an idle half-hour.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—The subscriber would respectfully say that he is now taking pictures of the same style and finish as those taken by Whitehurst, which took the premium at the late World’s Fair, London, and at the last several fairs of the Maryland Institute.  All wanting accurate Daguerreotypes of themselves or friends, can get them by calling at his gallery.  None of your doubtful shadows, but a living fac-simile of self.  P.E. Gibbs.  Gallery next the VA. Bank.

N. B.—Pictures of all kinds accurately copied.  A large supply of Lockets and Pins constantly on hand, which will be filled cheap.  P. E. G.

Compliment To Whitehurst The Daguerreotypist.—The President of the United States, Millard Fillmore, as Chairman of the Central Committee, has sent Mr. J. H. Whitehurst a communication, informing him of the award of a Medal, &c., for his beautiful Daguerreotypes, exhibited at the late World’s Fair at London.—The compliment is fully merited as we can testify by actual personal observation.  If you want to get a perfect life-like picture of yourself or your friends, go to Whitehurst, who will give them to you in such admirable style that you’ll hardly know yourself from the picture.—[Baltimore Argus.

1853 April 25.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  April 25, 1853, Vol. 1, No. 222, P. 2.

Stereoscopic or Solid Daguerreotypes.—The Public are respectfully invited to call and examine specimens of this new and beautiful style of Photography, together with a large collection of other specimens taken by “Gibbs.”

Truly a Southern Artist—a native Virginian.  Gallery next door to the Va. Bank.  Peter E. Gibbs, Proprietor. 

Advertisement ran from April 25to August 1, 1853.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

Advertisement was recorded sixteen times between February 4 and August 19, 1854.

1854 September 16.  Greenbrier Weekly Era.  (Lewisburg, Virginia.)  September 16, 1854, Vol. IV, No. [ ? ], P. 4.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

1854 October 26.  The Daily Dispatch.  (Richmond, Virginia.)  October 26, 1854, Vol. IV, No. 322, P. 4.

Petersburg Fair…Second Day…notes…P. E. Gibbes, Daguerreotypes from his establishments in both Petersburg and Lynchburg.

1854 October 28.  The Daily Dispatch.  (Richmond, Virginia.)  October 28, 1854, Vol. IV, No. 305, P. 3.

Petersburg Fair.  Fourth Day.  Petersburg, Oct. 27, 1854…List of Premiums Awarded at the Union Fair of Virginia and North Carolina…Discretionary Premiums.—….$2, to G. B. Jones & Co., Petersburg; for specimens of daguerreotyping, $5 each, To Messrs. P. E. Gibbes of Lynchburg and White of Petersburg;

1854 November 17.  The Daily Dispatch.  (Richmond, Virginia.)  November 17, 1854, Vol. IV, No. 322, P. 4.

List of Premiums Awarded At The Fair Of The Mechanics Institute.—Class No.  43—Daguerreotypes and Materials.

No. 4.  J. H. Whitehurst, for photographs and Stereoscopes:              silver medal.

No. 3.  M. P. Simons, for plain daguerreotypes:                                silver medal.

No. 2.  P. E. Gibbs, for lot of daguerreotypes:                                   1st class diploma.

1855 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1855, Vol. VIII, No. 90, P. 2.

To Mr. M. P. Simons—Sir: Unless you discontinue the use of the word Ambrotype to your card. [which is my property as applied to Glass Pictures.]  I shall proceed at once to require you to show cause why you infringe on my rights.  P. E. Gibbs.

A Card To The Public.—The Ambrotype is a patented picture, made by the use of two plates of glass hermetrically sealed together, sealed together, which patent belongs to the subscriber exclusively in this city, and can be made by no other person.  There will be [    ] on the public a picture on single glass in imitation the genuine, which is only necessary to compare to see its inferiority.

My Rooms, in Corinthian Hall, will be opened in a few days, where the genuine Ambrotype will be produced in its greatest perfection.  P. E. Gibbs.

We publish elsewhere the farewell card of Mr. P. E. Gibbs, who leaves this city for Richmond.  We can but express regret at the departure from us of so accomplished an artist and worthy citizen as Mr. G. [      ] congratulate the people of Richmond on his accession to that city.  As a daguerrean artist we regard Mr. Gibbs as without a superior anywhere.  He leaves the assurance that his place will be well filled in the person of his successor, Mr. Keagy.—Lynchburg Virginian, Oct. 12.                                                                                           

1855 October 29.  The Daily Dispatch.  (Richmond, Virginia.)  October 29, 1855, Vol. VIII, No. 102, P. 2.

Great Attraction At Corinthian Hall.—The subscriber respectfully informs the public at large, that he has fitted up rooms in the above Hall, for the purpose of conducting the Photographic Art in all its branches, and is now prepared to furnish pictures in every style of the art known in this country or Europe.  He calls especial attention to his new style Pictures, or Ambrotypes, on glass, far exceeding in beauty and durability any thing before made.  These Pictures are not reversed as Daguerreotypes are, and may be seen in any light.  They are imperishable, being hermetically sealed between glass plates, which sealing is secured by Letter’ Patent, in the United States and Europe, and owned in this place by Gibbs only.

These Ambrotypes are pronounced, by competent judges, to be the grandest achievement in the Photographic art, having a relief and clearness truly astonishing.  Made from the smallest to life size.

Ambrotype Stereoscopes must be seen to be appreciated, the relief being fully as perfect as life.

Also Mezographs or Pictures on Paper, from life.  These are equal to the finest engravings, and more accurate in detail.  Any number from a single sitting—from one to a thousand—either plain or colored, in water or oil.

Citizens and strangers are invited to call and examine specimens in the various branches, as they are assured of polite attention and superior Pictures.  P. E. Gibbs.

P. S.—In Ambrotypes the style of drapery or the color of the eye makes no difference, as all are equally well taken.  Daguerreotypes copied into Ambrotypes and made permanent.  P. E. G.   

Advertisement ran from October 29 to 30, 1855.

1855 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1855, Vol. VIII, No. 125, P. 2.

A Card.—The Subscriber respectfully informs the public that his Gallery is now open for visitors, in Corinthian Hall, where he is prepared to furnish the Ambrotype, Mezograph and Daguerreotypes in a style superior to anything of the kind yet offered in this place.

Having the exclusive right to make Ambrotypes in this city, I shall prosecute to the extent of the law all persons infringing the same.  P. E. Gibbs.      

Advertisement ran from November 24 to December 17, 1855.

1855 November 30.  The Daily Dispatch.  (Richmond, Virginia.)  November 30, 1855, Vol. VIII, No. 130, P. 1.

Infringing a Patent.—In the U. S. Circuit Court, for the eastern district of Virginia.  Judge Halyburton presiding, an application has been made by Mr. P. E. Gibbs for an injunction to restrain Mr. M. P. Simons from infringing a patent for making ambrotype pictures, of which Gibbs is assignee.—In consequence of the delay in receiving papers from the Patent Office in Washington, the case was adjourned until Thursday next, when it will be taken up and argued at length, by A. Judson Crane, Esq., for the complainant, and Messrs. August and Randolph for the respondent.

1855 December 7.  The Daily Dispatch.  (Richmond, Virginia.)  December 7, 1855, Vol. VIII, No. 136, P. 1.

U. S. Circuit Court, Judge Halburton presiding.  The case of Gibbs vs Simons, on an application for and injunction to prevent the respondent from making ambrotype pictures in violation of the plaintiff’s patent, and for a trial by jury to have the facts in the case decided upon, was argued yesterday by Mr. A. J. Crane for the plaintiff, and Messrs. August and Randolph for the defendant.  At the close of the argument the Judge took time to render his decision.

1855 December 12.  The Daily Dispatch.  (Richmond, Virginia.)  December 12, 1855, Vol. VIII, No. 140, P. 1.

In the U. S. Court, yesterday, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  Evening Star.  (Washington, District of Columbia.)  December 14, 1855, Vol. VI, No. 919, P. 2.

In the U. S. Court, at Richmond, on Tuesday last, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  The Daily Dispatch.  (Richmond, Virginia.)  December 14, 1855, Vol. VIII, No. 142, P. 2.

Strayed Or Stolen—From the subscriber’s door, in the last few days, several Ambrotypes, in fine gilt frames.  It is a fact worthy of remark, that Gibb’s Ambrotypes are perfect gems of art, but he had no idea that they were so much of life as to leave without his consent.  Any one apprehending and returning them to me, will be rewarded.

The public are invited to call at Gibbs’ Ambrotype Gallery (Corinthian Hall) and secure one of his inimical Pictures, which are receiving the highest encomiums from the multitudes that daily throng his rooms.  Remember that this is the only place at which the genuine Ambrotype can be obtained.  None genuine without the patent stamp.  P. E. Gibbs.        

Advertisement ran from December 14 to 17, 1854.

1855 December 21.  The Daily Dispatch.  (Richmond, Virginia.)  December 21, 1855, Vol. VIII, No. 148, P. 2.

A Humbug, Verily—One that pretends to have what he has not.  But not so with Gibbs and his Ambrotypes, as evidenced by the many beautiful specimens with which his Gallery abounds, and with which he is daily furnishing his customers.  He challenges comparison of his Ambrotypes with Flesh tint or any other types, produced in this or any city in the Union.  He guarantees entire satisfaction in every instance, or the money refunded even after the pictures are taken home.

P. E. Gibbs, Ambrotypist, Corinthian Hall, between 9th and 10th sts.

Advertisement ran from December 21 to 31, 1855.

1855 December 31.  The Daily Dispatch.  (Richmond, Virginia.)  December 31, 1855, Vol. VIII, No. 142, P. 2.

Stop!  Mr. M. P. Simons, not quite so fast, but wait until a jury of your peers shall decide (which will soon take place) whether you can continue making your imitation Ambrotypes, before you bragg so high.

The public are informed that the genuine Ambrotype can only be obtained at my Gallery, where I guarantee to furnish better Ambrotypes than he that boast so much, in every instance, or no charge made.

Gallery Corinthian Hall.  P. E. Gibbs, Ambrotypist.                                    

Advertisement ran from December 31, 1855 to January 11, 1856

1856 January 8.  The Daily Dispatch.  (Richmond, Virginia.)  January 8, 1856, Vol. IX, No. 7, P. 2.

Imitation Ambrotypes, as Mr. Gibbs calls them, are liked by all who see them much better than the genuine article.  Mr. Gibbs, however, is an exception to this rule.  He says that they are not so good.  We will now see whether he really believes what he says, by putting him to the test.  The test shall be a forfeit of $100, that he cannot make a superior Ambrotype of any subject that we can.  But we would like this to be understood, that if we beat him, he must not talk any more about infringements, but be satisfied with the opinion of the judge, that that there is no infringement.  To us it seems quite ridiculous in Mr. Gibbs to say that ours is only an imitation, and then to accuse us of an infringement.  M. P. Simons, Ambrotypist.                 

Advertisement ran from January 8 to 15, 1856.

1856 January 12.  The Daily Dispatch.  (Richmond, Virginia.)  January 12, 1856, Vol. IX, No. 11, P. 2.

A Card.—P. E. Gibbs, Esq.—Dear Sir:  At your request, I state that no judge has decided that Mr. Simons is not infringing your Ambrotype patent.  So far from that being correct, the case is still pending at the instance of Judge Halyburton himself, in order to have the question tried by a jury the judge not being acquainted with that sort of business, as he could not be expected to be; and this is the familiar practice in such cases.

A. Judson Crane, Richmond, Jan. 11, 1856.

Mr. P. E. Gibbs—Dear Sir:  As Mr. M. P. Simons seems to doubt the truthfulness of your statement made in the Dispatch of the 9th instant, I hereby certify that I handle your note of the 8th inst. To Mr. M. P. Simons.  He declined your proposition by saying that you knew he was not prepared, but insisted on the forfeit of one hundred dollars.  My reply to him was, that you were not a betting man, but that I would take the forfeit for you; which he declined, by saying that it was not convenient for him to put up one hundred dollars at that time.  To which I proposed to him to make a note at from one to six months, which he also declined, thereby backing out from his own challenge.

Yours respectfully, John W. Davies.  January 11, 1856.                                               

Advertisement ran from January 12 to February 1, 1856.

1856 January 26.  The Daily Dispatch.  (Richmond, Virginia.)  January 26, 1856, Vol. IX, No. 23, P. 2.

The Patent-Right Man and his Pet Card.—Our attention has frequently been called to a pet card of this man, which has appeared and reappeared so often in the Dispatch; and although it purports to have been written by his friend, it is too much like his former productions, to be attributed to another.  Its style and language is so natural to him, that to find fault with him for it, would be equivalent to finding fault with a hog for grunting, or an ass for baying.  It is natural for them, and we have no idea of condemning them for it.  M. P. Simons.                         

Advertisement ran from January 26 to 29, 1856.

1856 January 30.  The Daily Dispatch.  (Richmond, Virginia.)  January 30, 1856, Vol. IX, No. 26, P. 2.

Unparalleled Humbugging.—In Sept., 1855, I commenced making Ambrotypes.  It was not long after this, before a man—who was verdant enough to pay for a right to use two glasses—came to the city, and seeing that my pictures were superior to his, became quite uneasy, and was at a loss for a plan to prevent me making them.  At last he hit upon one, as he thought, and the public were surprised with a blustering card, threatening me with prosecution for using the word Ambrotype—humbug the first.—This fruitless attempt of his to frighten me off led me to an investigation of Cutting’s patent, by which I found that he had no more right to the exclusive use of two glasses than he had to the word Ambrotype.  I accordingly used two glasses whenever it suited my purpose better than one.  This gave the patent man still greater uneasiness; and he attempted again to frighten me, by asking for an injunction, in which he failed—humbug the second.  After finding that he could not monopolize the art to himself, he came out again in a card; telling the public that I still infringe upon his patent; but before he gets through he contradicts himself, by saying that I only imitate the genuine; a strange anomaly—humbug the third.  For if mine only imitated, and are so inferior to his, why object to my making them?  And if genuine, and an infringement of the patent, why not have it decided at once—whether it is a patent right or a patent wrong?  But no, he is not satisfied with humbugging himself, but must get his counsel to help him; who says in a standing card, that “the question will be tried by a Jury, the Judge not being acquainted with that sort of business”—Who ever heard before that a jury was more competent to decide a question of law than a Judge?  M. P. Simons.             

Advertisement ran from January 31 to February 4, 1856.

1856 January 31.  The Daily Dispatch.  (Richmond, Virginia.)  January 31, 1856, Vol. IX, No. 27, P. 1.

Spoiling Pictures.—We understand that Messrs. Simons and Gibbs, picture makers, came in collision on Eagle Square yesterday morning, and made an effort to disfigure each others profiles, but were prevented from doing so by the interposition of bystanders, who separated them.  These gentlemen have been pitching into each other, through the newspapers, for several weeks.  Which of the two has had the best of that fight, the public can decide.

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Messrs. Editors—Please allow me a small space in your columns for the purpose of bringing more fully before your numerous readers the new and beautiful Ambrotypes produced by Mr. P. E. Gibbs, at his gallery in Corinthian Hall, which is now admitted by all who visit it to be one of the most attractive places in the city, being handsomely fitted up, and the walls already hung with many familiar faces, which look more like things of life than any style of Photographs it has ever been my good fortune to behold.  Unlike the ordinary Daguerreotypes which can only be seen in a certain position, the Ambrotypes can be seen in any light—nor does it reverse the face, but makes it natural; and being put up on scientific principles, there is no question but it is, as the name indicates, imperishable.  I am not, Messrs. Editors, in the habit of puffing, nor do I regard this as such, but am only speaking of facts; for where true merit and genius are that article (puffing) is not necessary, especially when that genius has grown and been educated among us.  Mr. Gibbs is a Virginian in every sense of the word—raised in our midst, and that he possesses true genius, no one that is acquainted with, or examines the productions of his skill, can for a moment doubt.  All therefore who wish to have a fac simile of themselves or friends handed down to future generations, will do well to give Mr. Gibbs a call and be assured of a polite reception from himself and assistants.  An Admirer Of Genius.                             

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Gibbs’ Gallery.—The gallery of Mr. Gibbs in Corinthian hall, is one of the neatest in the city, and decidedly one of the most attractive, from the splendid specimens of Ambrotypes, the new and beautiful improvement in the Daguerreotyping art, there exhibited.  His long experience and skill in his profession render him peculiarly worthy of encouragement; while the air of elegance which distinguishes his establishment makes it more than ordinarily inviting.  If you wish to procure a true likeness, or examine those of others, call upon Mr. Gibbs.                 

Advertisement ran February 2 & 4, 1856.

1856 February 16.  The Daily Dispatch.  (Richmond, Virginia.)  February 16, 1856, Vol. IX, No. 41, P. 2.

Gibbs’ Gallery for patent Ambrotypes and Photographs, of Every Size And Description.—Daguerreotypes copied into Ambrotypes and made permanent, or if desired, to life size on paper, retaining the perfect likeness, and painted by first-class artists, making a most beautiful and desirable style of portraits.

Ambrotypes in lockets, pins, cases, and frames of all descriptions.   

P. E. Gibbs, Corinthian Hall, Main street, below 9th, Richmond.                 

Advertisement ran from February 16 to October 14, 1856.

1856 June 1.  Photographic and fine Arts Journal.  (New York, New York.)  June 1, 1856, Vol. IX, No. 6, P. 217.

In an article entitled the Photographic Galleries of America.  Number Three, Richmond. The author visited 7 Galleries in Richmond.

Gibbs.—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward. I would recommend him to study Qulian on positions. How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.

1856 June 28.  The Daily Dispatch.  (Richmond, Virginia.)  June 28, 1856, Vol. IX, No. 150, P. 2.

There have been many improvements made in the wonderful invention of Daguerre, since that ingenious Frenchman first discovered the property of light in making pictures.  The most pleasing and remarkable of them all is the Ambrotype, by which glass is substituted for silver as the tablet for receiving the impression.  We looked in, a day or two ago, at the rooms of Mr. Gibbs, in Corinthian Hall, on Main street, and were much struck with the exceeding beauty and delicacy of his specimens of the ambrotype there on exhibition.  Many of our prominent citizens, including some of the most eminent clergymen and members of the bar, with his Honor the Mayor, may be found in Fac Simile at Mr. Gibbs’ gallery, which our country friends will find a pleasing place to visit when in Richmond.—Rich. Whig.

1856 July.  Photographic And Fine Art Journal.  (New York, New York.)  July 1856, Vol. IX, No. 7, P. 217.

The Photographic Galleries Of America III.  Richmond, July 1, 1856…

Gibbs—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward.  I would recommend him to study Qulian on positions.  How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.     

1856 August 26.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 26, 1856, Vol. 5, No. 21, P. 4.

A Card.—Having sold my interest in the Daguerrean Gallery, in this place. To Mr. James Keagy, I would respectfully recommend to the favorable attention of the public as a skillful Artist, and a gentleman on whom they may rely.  Come, then, and secure one of his inimitable Ambrotypes, which can only be procured of him in this city.

In taking my leave, I would return thanks for the liberal patronage and kind attention received from a generous public, during a residence if over eight years.  P. E. Gibbs.  oc 12.

1856 September 18.  The Daily Dispatch.  (Richmond, Virginia.)  September 18, 1856, Vol. X, No. 69, P. 2.

A Card.—We, the undersigned, members of the Richmond Instrumental Musical Club,…

P. E. Gibbs, Violoncello.

1856 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1856, Vol. X, No. 102, P. 2.

Notice to the Public.—Do not put too much confidence in the self-puffing so common with Daguerreotypist, but rest assured  that any real (not imaginary) improvement in the beautiful art of Photography will be introduced by Gibbs as soon as it makes its appearance; but for the present, he confidently asserts that there is nothing in this city comparable for beauty or durability with the Ambrotype, (or—“Balsom Picture.,” as called by some,) as made by Gibbs, which fact is the reason of so many professed improvements which have appeared in sundry cards of late.  We can furnish any style Picture in the art.  all we ask is a call, and examine specimens, to convince any one of the truth of our assertion.  Gallery, Corinthian Hall, between 9th and 10th sts.  P. E. Gibbs.                                                                                   

Advertisement ran from October 15 to December 2, 1856.

1856 November 11.  The Daily Dispatch.  (Richmond, Virginia.)  November 11, 1856, Vol. X, No. 125, P. 1.

Awards Of The Mechanics’ Institute.  Made November 8, 1856….Class No. XLIII—Ambrotypes, Photographs, Daguerreotypes and Materials.

Ambrotypes, by Peter E. Gibbs, a silver medal.

Photographs, by J. H. Whitehurst, first class diploma.

Photographs, by D. Bendann, second class diploma.

1856 November 29.  The Daily Dispatch.  (Richmond, Virginia.)  November 29, 1856, Vol. X, No. 141, P. 2.

Remember The Fact that Gibbs was awarded the highest premium (a silver medal) at the last exhibition of the Mechanics’ Institute, for superiority of his Ambrotypes over all sun pictures on exhibition; but a still higher reward he is receiving from a daily increase of his business, which proves that his efforts to establish a first class Gallery, has met with the approbation of a generous public.

He respectfully announces that, in order to meet the demands of his business, he has increased his force.  Having now in his employ a superior Artist, he is prepared to furnish Photographs, from small to life size, colored in oil, water or pastel, which he warrants for accuracy and beauty of finish, equal to the best paintings in the country.  The public are respectfully invited to call and examine specimens.

Gallery, Corinthian Hall, between 9th and 10th, Main street, Richmond.  P. E. Gibbs, Proprietor.

P. S.  These Photographs can be enlarged from small Miniatures, Daguerreotypes or ambrotypes, to life-size.  P. E. G.                           

Advertisement ran from November 29 to January 3, 1857.

1856 December 19.  The Daily Dispatch.  (Richmond, Virginia.)  December 19, 1856, Vol. X, No. 158, P. 2.

Gibbs’ Gallery.—We visited the establishment of Mr. P. E. Gibbs, on Main street, yesterday, and examined the various specimens of the daguerrean art which decorate his reception saloon.  We will be sustained by all who have seen these evidences of Mr. G.’s artistic skill, in saying that his ambrotypes and colored photographs are the ne plus ultra of excellence.  The former, for their superior delicacy and fidelity to nature, especially excited our admiration.  The coloring artist of the establishment is Mr. Amen, who, though quite a young man, evinces a degree of professional skill which warrants the belief that he will yet attain a conspicuous position in the world of art.  The portraits of Mr. and Mrs. Gibbs, suspended in the gallery, were executed by him, and will compare favorably in smoothness of coloring and accuracy of likeness with the productions of more distinguished artists.  In taking these portraits, the camera is brought into requisition for tracing the outlines upon canvass, and then the artist has to rely upon his skill for retaining the likenesses, and imparting the natural expression.  They are furnished cheaper than the portraits taken in the ordinary mode, and look equally as well.              

1857 September16.  The Daily Dispatch.  (Richmond, Virginia.)  September 16, 1857, Vol. XII, No. 67, P. 2.

Look at This.—If you want a genuine Ambrotype, just call at Gibb’s Gallery, where he is now furnishing his customers, with the genuine double glass Ambrotype, (Warranted for beauty and durability, superior to any made,) at cheaper rates than any house in the city.

Our work is two well known to require any puffing from us.

Gallery, Corinthian Hall, between 9th and 10th, Main street.            P. E. Gibbs

Advertisement ran September 16 to December 7, 1857.

1857 December 8.  The Daily Dispatch.  (Richmond, Virginia.)  December 8, 1857, Vol. XII, No. 137, P. 3.

Where Shall We Get Our Likeness Taken!—At Gibbs’, of course, where ever one that wants a decent picture, and not a caricature, always go.  Besides, we have never been deceived by him with humbug advertisements.  As these are sentiments daily expressed and carried out by scores of persons, we take pleasure in saying that in addition to our inimitable Ambrotype, we are now executing Photographs, of a superior character, both plain and colored, which, for beauty of finish and accuracy of likeness, are equaled by few and surpassed by none.  Pictures of all kinds accurately copied and warranted to please, at moderate prices.—Ambrotypes at one dollar and upwards at Gibbs’ Temple of Art, Corinthian hall, Main street, between 9th and 10th.  P. E. Gibbs. 

Advertisement ran from December 8, 1857 to June 16, 1858.                                    

1858 January 7.  The Daily Dispatch.  (Richmond, Virginia.)  January 7, 1858, Vol. XIII, No. 6, P. 2.

$5 Reward.—Stolen from the door of my Gallery, within the last few days, several frames, containing Ambrotypes and Photographs—among them an Ambrotype of Miss Maggie Mitchell and Photograph of Mr. J. G. Wade, recollected.  The above reward will be given for the detection of the thief.  P. E. Gibbs. Corinthian Hall.                                                             

Advertisement ran on January 7 & 8, 1858.

1858 June 18.  The Daily Dispatch.  (Richmond, Virginia.)  June 18, 1858, Vol. XIII, No. 144, P. 2.

Life Size Photographs.—The subscriber takes pleasure in announcing to his numerous patrons and the public at large, that he is now prepared to furnish Photographs from miniature to Full Life Size, either plain or colored, which, for accuracy and finish, he warrants equal, if not superior to any produced in this city, at less than the usual price.  Old Pictures copied and enlarged to any size.

Citizens and strangers are invited to call and examine specimens at Gibbs’ Temple of Art, Corinthian Hall, Main street, between 9th and 10th.  P. E. Gibbs.

P. S.—If you want a genuine Ambrotype, this is the lace to get it, where you will neither be humbugged in price or work, Also melainotypes, or any other Picture in the Photographic Art.

P. E. G.                                                                                                                      

Advertisement ran from June 18, 1857 to April 5, 1859.

1859 April 13.  The Daily Dispatch.  (Richmond, Virginia.)  April 13, 1859, Vol. XV, No. 88, P. 2.

Ambrotypes And Photographs.  Having purchased the Fine Art Gallery in Corinthian Hall. recently occupied by P. E. Gibbs, I respectfully solicit a call from all who wish to obtain a good Likeness of themselves or friends, before purchasing elsewhere.  Having employed one of the best artist in America, I deem it unnecessary to say more than guarantee satisfaction, or no charge.  Respectfully, J. Thos. Smith                                                                                     

Advertisement ran from April 13 to 16, 1859.

Getchell, William H.

1854-1864       299 ½ Washington Street, Boston, Massachusetts.

1864                163 & 173 Washington Streety, Boston, Massachusetts.

1866-1872       375 Washington Street, Boston, Massachusetts.

1874-1900       Address Unknown, Boston, Massachusetts.

1853 August 4.  The Boston Daily Mail.  (Boston, Massachusetts.)  August 4, 1853, Vol. XIII, No. 183, P. 2.

Arrivals At The Principal Hotels Yesterday…

Quincy House…W. H. Getchell, Ogdensburg, N. Y.

1854 March 10.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 10, 1854, P. 2.

Gas Explosion on Washington Street—Two Persons Badly Injured.  Last evening, about 8½ o’clock, a dangerous accident occurred in the daguerreotype establishment of Messrs. Masury & Silsbee, 299½ Washington street, in the following manner: While in the process of forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use suddenly exploded, with so violent a concussion that the two persons who were standing upon it were thrown several feet distant and severely injured, while the entire glass of the large skylight and seven windows of the room was broken out, together with the sashes, and a rent made in the partition wall near where the bag laid, besides some other slight damage to the operating apparatus and fixtures of the room.

The explosion made a loud report, which was heard for a considerable distance, and the effect upon the six persons in the room was completely stunning; and it is quite remarkable that no more were injured, and that the destruction of property was not far greater.

The gas-bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding 70 gallons of hydrogen, with which it was about half filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gasses, as no fire came in contact.

Mr. Samuel Masury, one of the firm, and Mr. William H. Getchell, an operative in the establishment, who were standing on the bag, were thrown with great force, the one upwards to the ceiling, and the other across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  He was taken to his residence and is under the care of Dr. Bigelow, who sewed up his wounds, Mr. M. manifesting the greatest fortitude during the operation.  Mr. Getchell’s left ankle was fractured, and his right foot badly crushed.  He is under the care of Dr. Cabot.

Mrs. Masury and Mr. Silsbee were among the persons present in the room who escaped injury.  We learn that the accident will not occasion any interruption to the business of the enterprising firm, as their establishment embraces several other rooms.

1854 March 11.  The Boston Daily Atlas.  (Boston, Massachusetts.)  March 11, 1854, Vol. XXII, No. 215, P. 2.

The Gas Explosion.—It appears that the accident on Thursday evening at Messrs. Masury & Silsbee’s rooms, was caused by the burning of a large bag containing eighty gallons of Hydrogen gas, from the heavy pressure of weights, and of two gentlemen standing on it.  The experiment was to take daguerreotypes by means of the Drummond light, and the escaped gas instantly taking fire, exploded.  There were six persons in the room at the time, including Mrs. Masury. Mr. Silsbee was not injured, as stated yesterday, But Mr. Masury had one of his eyes actually blown from his head, while Mr. W. H. Getchell had besides many severe bruises, one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes, and were yesterday as comfortable as could be expected.

1854 March 11.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  March 11, 1854, Vol. CI, No. 7620, P. 2.

Local Matters.  [Report for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

The Gas Explosion.  We have already mentioned that a serious gas explosion took place at the “daguerrean gallery” of Messrs. Masury & Silsbee, No. 299½ Washington street, on Thursday evening.  It was Mr. William H. Getchell, and not Mr. Silsbee, that sustained a broken leg.  Mr. Silsbee, through present, escaped injury.  The accident occurred in this wise: While in the process forming a “Drummond Light” for the purpose of illuminating pictures to be daguerreotyped, the gas bag which was in use exploded with so violent a concussion that the two persons who were standing upon it—Messrs. Masury and Getchell—were thrown several feet.  Mr. Masury was thrown against the ceiling, and Mr. Getchell across the room.  Mr. Masury lost his left eye, and his forehead and face were badly cut.  Mr. Getchell’s left leg was fractured and his right foot badly bruised.  There six other persons, including Mrs. Masury, in the room at the time of the accident, but they escaped.  The Transcript states that “the gas bag was made of three thicknesses of strong cotton cloth, thoroughly saturated with India-rubber.  It was capable of holding seventy gallons of Hydrogen, with which it was about filled when the accident occurred.  It is supposed that the evaporation of the India-rubber produced a sufficient amount of oxygen to cause the explosion by the union of the two gases, as no fire came in contact.”

1854 March 15.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  March 15, 1854, P. 2.

Recovering From Injuries.  Mr. Masury, the daguerreotype artist, is fast recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received severe bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

1854 March 15.  The Boston Herald.  (Boston, Massachusetts.)  March  15, 1854, No. 9572, P. 4.

Recovering From Injuries.  Mr. Masury, The daguerrean artist, is fact recovering from the injuries received a few days since by the gas explosion at his saloon on Washington street.  His assistant, Mr. Getchell, who was also seriously injured, is improving slowly.  He received several bruises, which he did not notice much for some days, but was not internally injured, as at first feared.

[Reported for the Boston Daily Advertiser.]  Accident.—About half-past eight o’clock on Thursday evening, as Messrs. Masury & Silsbee, 299 Washington street, were experimenting in their Daguerrian Gallery, with the new process of taking miniatures with the Drummond light, a bag containing eighty gallons of hydrogen gas, burst; the gas, taking fire, exploded, seriously wounding Mr. Masury, and Mr. William H. Getchell.  Mr. Masury received a severe gash on his forehead, extending into the inner corner of his left eye, which was entirely destroyed, and he was otherwise injured.  Mr. Getchell had one of his ankles fractured, and his foot badly crushed.  The wounded men were removed to their homes and surgical assistance obtained.  The violence of the explosion made a complete wreck of the furniture of the room, shattered several windows, and the skylight overhead.

1857 March 14..  The Flag Of Our Union.  (Boston, Massachusetts.)  March 14, 1857, Vol. XII, No. 11, P. 5.

Marriages…By Rev Dr. Stow, Mr. William H. Getchell to Miss Sarah Hartwell.

1857 November 12.  Boston Daily Ledger.  (Boston, Massachusetts.)  November 12, 1857, No. 269, P. 2.

Notice.—The copartnership heretofore existing under the firm name of Masury, Silsbee & Case, is by mutual consent this day dissolved.  The business of the firm will be settled at the usual place, 299½ Washington street, by Jno. G. Case, who has sole authority to do so.  Masury, Silsbee & Case.  Boston November 10, 1857.

Notice.—The undersigned have this day formed a copartnership to carry on the Photographic and Daguerreian business, which will hereafter be pursued under the firm, name and style of Silsbee, Case & Co.  Geo. M. Silsbee, Jno. G. Case, Wm. H. Getchell.  Boston November 10, 1857.

Advertisement was recorded on November 12 & 14, 1857.

1858 June 2.  Boston Daily Ledger.  (Boston, Massachusetts.)  June 2, 1858, No. 431, P. 2.

299½ Washington street, Boston, June 1, 1858.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are, as ever heretofore, ready to execute their orders in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.

Advertisement was recorded five times between June 2 to 11, 1858.

1858 July 1.  Boston City Directory.  (Boston, Massachusetts.)  July 1, 1858, P. 47.  Published by Adams, Sampson & Co. 1858.

Silsbee, Case & Co.,   The Attention of the Public is Called Particularly To A New Style of Portraits, which we are now taking, called Photographs, Which are Daguerreotypes on Paper, canvas, or Glass, and are taken of all sizes, from the smallest, to life size, and colored in Oil, Water, or India Ink, far excelling in point of likeness all other styles of portraiture.  We are also making beautiful Daguerreotypes, which for clearness, style and beauty of finish, cannot be excelled.  To this branch of our business we respectfully call your attention.   Another style of Miniature which is pleasing to many, and in some respects preferable, is the Hallotype, which we are always prepared to take; and in either of the above branches of our Art, we will always give satisfaction. 

Our Gallery Is At 299½ Washington Street, Boston, And Is Up But One Flight Of Stairs.

Wm. Getchell, John G. Chase , Geo. M. Silsbee.

1858 September 4.  Boston Shipping List.  (Boston, Massachusetts.)  September 4, 1858, Vol. XVII, No.2, P. 4.

Silsbee, Case & Co.  Photographs and Daguerreotypes.  Desiring to return our thanks to the public, which for many years has so liberally patronized us in our Photographic Gallery, And wishing to inform our patrons that we are as ever heretofore ready to execute their order in every branch of the Photographic Business, we beg leave to state that at the old stand, No. 299½ Washington street, We have increased, to the greatest possible extent, our facilities for the successful prosecution of our profession, and can furnish Pictures Taken In The Highest Perfection Of The Art, finished in Water Colors, Oil, India Ink, and Pastel, by our well known corps of Experienced and Talented Artists, Which remain the same as ever since the opening of our Rooms.  Mr. Silsbee still gives his personal attention to the coloring department and Mr. Getchell (having entered into our copartnership) being the principal Photographic artist, each assisted by the ablest assistants and the Most improved Of Modern Apparatus.

N. B. Our friends and the public are respectfully informed that we are the proprietors of all Photographic Negatives taken for the past seven years at this establishment, and that at our gallery only duplicate pictures may be obtained, where we shall be happy to receive all who desire any services in our branch of art.  Respectfully yours, &c. Silsbee, Case & Co.  je16. Advertisement was recorded six times between September 4 to October 2, 1858.

1860 April 27.  Manuscript Letter from William H. Getchell to Andrew Patch (Chris Steele’s Collection)

As a member of Silsbee, Case & Co. Photograph And Daguerreotype Artists, 299½ Washington Street, Boston wrote to Mr. Andrew Patch Harvard, Mass.  Dear Sir.  I will make duplicate photographs from any of those that I made for you for $1.00 with out frames or 2.00 with such frames as you had on those of yours for the Lodge at anytime that they may be wanted,

Respty yours, Wm. H. Getchell.

P. S. I have all the Negatives so they have just to send me the name of the ones they want.

1862 December 8.  Boston Morning Journal.  (Boston, Massachusetts.)  December 8, 1862, Vol. XXX, No. 9194, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

Advertisement ran from December 8 to 13, 1862.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Changes in Business in Boston.  Since our last we have the following changes in business, &c., to record:—

Silsbee, Case & Co., Photographers; dissolved; G. M. Silsbee retired; now—Case & Getchell.

1862 December 13.  The Commercial Bulletin.  (Boston, Massachusetts.)  December 13, 1862, Vol. IV, No. 206, P. 3.

Dissolution Of Copartnership.  The firm heretofore existing under the style of Silsbee, Case & Company is this day dissolved.

J. G. Case and W. H. Getchell are alone authorized to settle the affairs of the above firm.  G. M. Silsbee, J. G. Case, W. H. Getchell.  Boston Dec. 3, 1862.

The Business heretofore carried on by the above firm, will be continued by John G. Case and William H. Getchell, under the style and firm of Case & Getchell.

1863.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1863 January 2.  The Boston Herald.  (Boston, Massachusetts.)  January 2, 1863, P. 2.

The Lilliputian Queen of Beauty.  Cartes de Visite of Miss. Lavinia Warren, the lady in miniature, to whom Barnum offered $100 per week and was refused, taken only by Case & Getchell, 299½ Washington street.

Advertisement ran three times between January 2 to 5, 1863.

1863 January 3.  Boston Morning Journal.  (Boston, Massachusetts.)  January 3, 1863, Vol. XXX, No. 9216, P. 2.

Worth her Weight in Gold.  The only Cartes de Visite taken in Boston of the charming little beauty, Miss Warren, who caused such a sensation at the Parker House, were taken in all her various elegant costumes by Case & Getchell, 299½ Washington street.

1863 February 5.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 5, 1863, Vol. XXXV, No. 10,059, P. 2.

Elegant Photographs.  In passing through Washington street every person should notice a superb photograph, of Imperial size, of J. Wilkes Booth, now on exhibition in the window of Thompkins’ druggist store, at the corner of Winter street.  It is an elegant specimen of the art, being remarkably smooth and clear in outline and feature, and well worthy of examination.  The picture is from the studio of Messrs. Case & Getchell, (late Silsbee, Case & Co.) who have gained a well earned reputation for superior photographs and cartes de visites.

1863 February 12.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 12, 1863, Vol. XXXV, No. 10,065, P. 2.

Lilliputian Wedding.  Cartes De Visite of Mr. & Mrs. Gen’l Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington st.

Advertisement ran five times between February 12 to 17, 1863.

1863 February 12.  The Boston Herald.  (Boston, Massachusetts.)  February 12, 1863, P. 2.

Lilliputian Wedding.  Carte de Visites of Mr. and Mrs. Gen Tom Thumb, taken from life by Case & Getchell, and now for sale at 299½ Washington street.

Advertisement ran from February 12 to 16, 1863.

1863 April 4.  Boston Morning Journal.  (Boston, Massachusetts.)  April 4, 1863, Vol. XXX, No. 9293, P. 2.

Extensive Alterations.  The late fire, by which Messrs. Case & Getchell, the celebrated photographers at 299½ Washington street, were so seriously inconvenienced, is after all to be productive of considerable good.  With characteristic centerpiece those gentlemen have improved the opportunity to completely refit, somewhat enlarge, and make more attractive than ever their popular rooms.  For several years past they have done a very large business, and step by step were obliged to enlarge the sphere of their operations.  An additional room on the right of their reception gallery was first taken, then a large building at the rear was wholly occupied, and more recently another apartment, for the accommodation of a second operator, was opened.  These are the natural results of unusual capacity, as well as of marked loyalty to their own obligations and the wants and tastes of customers alike.  Their rooms, as they look now—enlarged, recarpeted, newly decorated, and richly embellished—could hardly be recognized by a person formerly frequenting them, and we think must be an object of considerable interest for some weeks to come.  If any one has a doubt of the remarkable popularity of this establishment, let him just step in at the first convenient moment and take a look at Messrs. Case & Getchelle’s “Engagement Book.”  

Buckley’s Serenaders.  New Minstrel Hall.  Corner of Summer and Chauncy streets.  Change of Time.  Evening at 7½; Saturday at 2¼ .

Laughing Song—Polka D’Afric—Lisping Song—The Happy Octogenarian—Gold vs. Postage Stamps—Billy Paterson—The Much Abused Trovatore.

Opera Week.  Case & Getchell.

Doors open at 6 in the evening; Saturday afternoon at 1.  Ticket office open from 10 A. M. to 1 P. M.  Tickets 25 cts.  Reserved Seats 50 cts.

1864.  Boston Directory.  (Boston, Massachusetts.)  n. p. 

Case & Getchell, Photographic and Daguerreotype Artists.  Photographs of All Sizes.  From Miniature to Life Size, and finished in India Ink, Oil, Water, and Pastile Colors.  Our rooms Are At 299½ Washington Street, …Boston, up one flight of stairs.  J. G. Chase,         W. H. Getchell

N.B.—Duplicate Photographs can be obtained at any time.  Also, we are paying particular attention to the very popular picture “Carte de Visite.”

1864 February 8.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 8, 1864, Vol. XXXVI, No. 10,368, P. 3.

Major General Burnside and McDowell have visited the Photographic Galleries of Messrs. Case & Getchell, and J. W. Black, the last week, where several fine portraits in cabinet and card size have been taken.  The cabinet size of both are excellent.  That taken by Mr. Black can be seen at the store of Messrs. J. E. Tilton & Co., and the other at Messrs. Case & Getchell’s.  The card pictures of both artists are also very fine.

1864 March 2.  Boston, Daily Advertiser.  (Boston, Massachusetts.)  March 2, 1864, Vol. 103, No. 52, Whole No. 15,450, P. 1.

Fire.—The alarm about 1 o’clock yesterday afternoon was caused by fire in the photograph rooms of Messrs. Case & Getchell, No. 299½ Washington street.  A bottle of collodion was accidentally dropped in the chemical room, and the fumes instantly ignited from the gas, filling the apartment at once with flame.  Messrs. W. H. Getchell, Asa B. Eaton and Edwin Gossam were burned in the hands and face, the first two quite seriously.  The damage to the establishment is slight.  

1864 March 2.  Boston Herald.  (Boston, Massachusetts.)  March 2, 1864, P. 4.

Explosion And Accident In A Photographic Saloon.  The alarm of fire at twenty-five minutes before one o’clock, this afternoon, proceeded from a slight fire in the photograph rooms of Case & Getchell, No. 299½ Washington street.  The fire was caused by an explosion of chemicals in the “dark room” of the establishment, and we regret to say that several persons were injured thereby.  Mr. A. B. Eaton, one of the operators was badly burned about the face and hands, being in the room at the time.  Mr. Wm. H. Getchell, of the firm of Case & Getchell, had his hands badly burned and his hair scorched, and a young m,an named Edwin Gossam also had his hands burned.  Several other persons, one of whom was Mr. R. Bishop Buckley, of Buckley’s Minstrels, who chanced to be in the operating rooms, narrowly escaped serious injury.  The fire was put out with a few buckets of water, and the damage to the building was comparatively small.

1864 March 2.  Boston Morning Journal.  (Boston, Massachusetts.)  March 2, 1864, No. 9577, P. 4.

Fire And Accident.  An alarm about half-past 12 o’clock yesterday afternoon, came from the photograph saloon of Messrs. Case & Getchell, 299½ Washington street, and was caused by the accidental ignition of some chemicals, in a room in which were several persons at the time.  The fire was extinguished with but little damage to the building or stock, but Messrs. Wm. H. Getchell, Asa B. Eaton and Edwin Gossin (sic.) were burned about their faces and hands, the two first named quite severely.   

1864 June 15.  Boston Herald.  (Boston, Massachusetts.)  June 15, 1864, P. 3.

Notice.  All persons having unsettled accounts with the firm of Case & Getchell, Photographers, 299½ Washington street, are requested to make immediate payment, as our business must be closed by July 1st, 1864, on account of the removal of the building.

Photographic Partnership.  It will be seen by reference to an advertisement in another column, that the firm of Case & Getchell has been dissolved and that a new copartnership has been formed between J. W. Black and J. G. Case, under the title of Black & Case.  The Combination, in one firm, of two such eminent photographers, cannot but have a marked effect in attracting business to their establishment.

Dissolution Of Copartnership.  The Copartnership heretofore existing between the subscribers, under the the style of Case & Getchell, is this day dissolved by mutual consent.

Either party is authorized to settle the partnership business and may be found at 163 and 173 Washington street, at the establishment of Black & Case.

All persons indebted to said late firm of Case & Getchell are requested to make immediate payment as above.  J. G. Case, W. H. Getchell.

Business Changes,  In Boston…

Case & Getchell, Photographists, dissolved.  J. W. Black and J. G. Case for a new firm under the style of Black & Case.

Important Notice.  We beg to announce that we have purchased the entire Stock of Photographs published by the late firm of Case & Getchell, and we have also completed arrangements with the well known and justly celebrated Artists, Black & Case, (J. W. Black)  (Case & Getchell) for the Exclusive Sale of their large collection of Photographs.  In addition to our already Extensive Catalogue, this will make the Largest Photograph List In The United States.  Trade and Agents supplied at lowest market prices.  John H. Bufford & Sons, Printsellers, Publishers & Lithographers, [213] Washington st., Boston, Ma.

–The interests of two of the largest and most popular firms engaged in the photograph business in Boston, have recently been united.  The form of Case & Getchell having been dissolved and a new firm formed by Mr. John G. Case and J. W. Black, under the style of Black and Case, Mr. Getchell assuming superintendence of an important speciality (sic.) in the new firm.  Both of these parties have attained a high reputation in the photographic art, and a stronger combination of skill, latest improvements and experience cannot be imagined.  All negatives, &c, of Case & Getchell, can be found at the establishment of the new firm, No. 000 Washington street.

1865 September 16.  Commercial Bulletin.  (Boston, Massachusetts.)  September 16, 1865, VII, No. 349, P. 2.

Changes In Business In Boston…

Getchell & Brownell, Photographers; new firm—W. B. Getchell & A. C. Brownell.

Brownell & Cahill, Photographers; dissolved.

1865 September 20.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 20, 1865, Vol. XXXVII, No. 10,864, P. 2.

Opening Of The Mechanic Fair.  This exhibition of the mechanic arts begun at noon today, with every indication of its being a thorough success.,,

Six tables have been placed on the floor of the hall, the sides of which have been divided into twelve alcoves.  Alcove 8 to 12 inclusive, on the north side, are devoted to specimens of the skill of our photographic artists, as follows:

No. 8—Messrs. Black & Case;

No. 9—Augustus Marshall;

No. 10—E. L. Allen;

No. 11—J. A. Whipple;

No. 12—Getchell & Brownell.

1865 September 23.  Boston Semi-Weekly Advertiser.  (Boston, Massachusetts.)  September 23, 1865, Vol. 125, No. 8824, P. 1.

Mechanics’ Fair Tenth Exhibition of the Massachusetts Charitable Mechanic Association…

Section Two…

The entire east side of the hall is occupied by the exhibition of photographs, embracing five (sic.) collections from Black & Case, Fuller & Smith, A. Sonrel, T. R. Burnham, E. S. Allen, J. A. Whipple, Getchell & Brownell, S. Masury, and John P. Soule.

1865 September 27.  Boston Evening Transcript.  (Boston, Massachusetts.)  September 27, 1865, Vol. XXXVII, No. 10,870, P. 5.

Tenth Exhibition Of American Manufactures, New Inventions & Work Of Art, Under The Direction Of The Massachusetts Charitable Mechanics Association, At Faneuil And Quincy Halls…

Alcove No. Twelve.  Samuel Masury has several beautiful specimens of Painting on Porcelain which are worthy attention.  Messrs. Getchell & Brownell display Photographs of excellent finish—amongst them, views of the Old Mill at Newport, Niagara Falls, and Suspension Bridge; also a case of Card Photographs, one of which represents an open book,—the execution of the picture being so clear that the page can be read without the aid of glasses.  The book has a book-mark in it with the motto “Firm and True;” underneath are the Square, the Rule, and the Compass.

1866.  Boston Directory.  (Boston, Massachusetts.)  P. 634. 

W. H. Getchell, (Late firm Case & Getchell), Photographic Artist, 375 Washington Street, Boston, Next Door South Of Adams House.

Special attention given to taking pictures of Children, without extra charge.  Daguerreotypes and Ambrotypes copied and enlarged to any desirable size.

1866 January 25.  Boston Evening Transcript.  (Boston, Massachusetts.)  January 25, 1866, Vol. XXXVIII, No. 10,970, P. 3.

The Copartnership heretofore existing between W. H. Getchell and A. C. Brownell, Photographers, is this day dissolved by mutual consent.  All business of the late firm will be settled by W. H. Getchell, at his rooms, No. 375 Washington st.

1866 February 24.  Boston Evening Transcript.  (Boston, Massachusetts.)  February 24, 1866, Vol. XXXVIII, No. 10,996, P. 3.

W. H. Getchell.  375 Washington Street.  Pictures taken in all styles of Photographic Art.  Photographs, Porcelainotypes, Cartes De Visites or Pictures In Imperial And Life Size. 

The best Artists employed in finishing Photographs.  Satisfaction guaranteed to all customers.

1868 May 12.  Boston Herald.  (Boston, Massachusetts.)  May 12, 1868, P. 4.

Affairs About Home.  Report of the Grand Jury for Suffolk County reported this morning 75 bills of indictment…

John Dillon, larceny of photographic pictures, the property of Edward L. Allen, Wm. H. Getchell and John A. Whipple; also a watch and chain and banknotes belonging to Sarah B. Thayer.

1869 August 26.  Boston Evening Transcript.  (Boston, Massachusetts.)  August 26, 1869, Vol. XLII, No. 12,078, P. 2.

Crawford’s Beethoven In Music Hall is regarded as one of the very finest works of modern art.  Thousands have studied it, as it stands, representing the thoughtful majesty of the great composer.  A remarkably excellent photograph of this statue has been taken by W. H. Getchell, 375 Washington street.  It is printed with clearness and makes a beautiful picture.  Copies are for sale by Mr. Alfred P. Peck, the owner of the copyright, at the ticket office of the hall.

1872 July 30.  Boston Herald.  (Boston, Massachusetts.)  July 30, 1872, P.1.

By Albert Howe, Auctioneer.  Fixtures and Furniture of a Photograph Room at Auction, 375 Washington st.  Will be sold at public auction This Day, July 30, 1872, at 10 o’clock A. M., all the articles contained in the photograph rooms of Wm. H. Getchell, consisting of Brussels carpet, 2 sofas, easy and other chairs, 1 bookcase, 1 counter, 1 silver show case, 1 centre table, lot drawers and shelves, lot of picture frames, 500 lights of glass, lot of painted carpet, curtains, lot iron stair treads, 1 large Magee stove and funnel, 1 desk.  All to be sold and taken away on the day of the sale.

1910 August 16.  Boston Daily Evening Transcript.  (Boston, Massachusetts.)  August 16, 1910, Vol. 81, No. 190, P. 3.

Recent Deaths: Boston Oldest Photographer.  Old-time maker of daguerreotypes took earliest pictures of Charles Sumner and Adelina Patti.

William H. Getchell, considered as Boston’s oldest photographer, died at his home, 19 Nixon Street, Dorchester, yesterday afternoon aged eighty-one years.  In the Getchell home is a remarkable collection of pictures of Boston’s most famous citizens and visitors of more then fifty years ago.  Among the pictures is the first photograph ever taken of Charles Sumner as well as the first of Adelina Patti.

Born in Hallowell, ME. And reared in Bangor, ME. Getchell was left an orphan at an early age and was adopted by a family which moved to Washington, Ill. At the age of eleven Mr. Getchell came to Boston and learned the trade of daguerreotype-making from Masury & Silsbee, whom he later succeeded as a member of the firm of Case & Getchell.  His studio was located at what was then on Washington Street, at a point where Temple Place later was extended to that Street.  Mr. Getchell always declared that the old-fashioned daguerreotype was the only faithful reproduction of the human features ever devised other forms of photography he contened, excelled in concealment of expression.

Gates, P. Tenney

1850                3 Bridge Street, corner Margaret Street, Plattsburgh, New York.

1850-1859       M. K. Platt’s Block, Bridge Street, corner of Margaret, Plattsburgh, New York.

1859                Address Unknown, Champlain, New York

1860-1861       Address Unknown, Plattsburgh, New York.

1850 July 13.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 13, 1850, Vol. 41, No. 1, P. 3.

Prof. T. P. Gates, Daguerrean, No. 3, Bridge St., cor., of Margaret, Plattsburgh, N. Y. Would most cordially invite his friends , and the public generally, to call and examine his large collection of specimens, new style of cases, gold and plated lockets, gilt, Chinese, enameled and fancy, clasp books, of all sizes.  Also china, stone, stucco, gilt, and venered frames in which pictures will be inserted at reduced prices.  Having been at great expense in procuring an entire set of the best German Cameras, of all sizes, and all other instruments of the best quality, together with a new patent polishing apparatus, the only one in use in the State, which mares the plates finer and more sensitive, and thus give a clearer and more life-like expression to the miniature, than by the hand polishing of country operators.  In style of execution and picturesque effect, in boldness of character and beauty of expression, in variety of size, and delicacy of light and shadows, he will aim at the highest perfection possible.  Perfect likenesses taken of children When Awake.

His arrangements are such, that he takes miniatures of sick and deceased persons, at his rooms or elsewhere.  He makes great pains to have such pictures agreeable and satisfactory, please examine specimens of deceased persons in his collection.

Copies taken from portraits, miniatures, paintings and engravings, without reversing.  Instructions given in the art, and everything appertaining to the business, furnished at reasonable prices.  Pictures Taken Equally As Well In Cloudy And Stormy Weather.  Please Read.

The superiority of his likenesses is the result of much care in the arrangement throughout, and particularly in the attitude, lights and shade, he thus obtains a mild, delicate, pleasing eye, instead of a white blotch nearly or wholly covering the pupil, either giving it a wild unnatural glare, or destroying its lively appearance.  His pictures of children, being instantly taken, are invariably satisfactory, and generally pleasing.

P. S.  Prof. G. has the exclusive right of taking all the Improved Patent Daguerreotypes of the day.

His rooms will be open from 8 A. M. till 6 P. M.                 

Advertisement ran from July 13 to 27, 1850.

1850 August 3.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 3, 1850, Vol. 41, No. 4, P. 3.

Gates’ Patent Daguerrean Gallery, No. 3 Bridge Street, Plattsburgh, N. Y.  Is furnished with all the improved instruments and other apparatus suitable for taking small children and family groups superior to any in New York or elsewhere.

Also a large number of Clasp Books and Fancy cases, in which pictures will be inserted as cheap as the same quality can be obtained elsewhere.

New and splendid discovery! The Patent “Magic Back Ground.”  By this process the Back Ground is made to take all the most brilliant colors, giving great beauty to the picture and leaving the likeness in full bold relief.  The celebrated Crayon Daguerreotypes are more than equalled by this process.

Gates is prepared to take all the patent Daguerreotypes of the day, viz: “Magic Back Ground,” Crayons of five shades, Quinch process for taking children with or without the “Magic Back Ground,” or Crayons, in a style that cannot be excelled.  Other pictures taken a superior style, and warranted not to fade or corrode, as he uses A NO. 1 stock and chemicals.

Pictures Taken Equally As Well In Cloudy And Stormy Weather.

Instruction given in the Art on reasonable terms.  Rooms open from 8 A. M. till 6 P. M.

Advertisement ran from August 3 to October 5, 1850.

1850 August 3.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 3, 1850, Vol. 41, No. 4, P. 3.

This is to certify that I, C. J. Anthony, having given Prof. P. T. Gates the sole and exclusive right to use my new process in Daguerreotyping, in the town of Plattsburgh, State of New York, called my patent process, or “Magic back Ground,”  Any person or persons using said process in said town, (except in said Gates’ rooms) will lay themselves liable to the penalty of the law.    Dated July, 25, 1850.           C. J. Anthony, per F. W. Anthony, Agent.

Advertisement ran from August 3 to 24, 1850.

1850 October 12.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 12, 1850, Vol. 41, No. 11, P. 3.

Prof. Gates’ Daguerrean Gallery, No. 3 Bridge Street will be closed on Saturday, October 12th—all persons in want of pictures before the first of December must call immediately.  This is No Humbug.

1850 December 14.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 14, 1850, Vol. 41, No. 23, P. 3.

Gates’ Premium Sky-Light Daguerrean Gallery, (M. K. Platt’s Block, Bridge-st., cor. of Margaret,) Is now completed and in full operation.  This Gallery is one of the largest and best arranged in the United States, and has facilities for taking pictures that cannot be excelled, as it is furnished with a large sky-light and instruments of a superior quality, which enables the proprietor to complete with any thing; as he can take Groups even as many as twenty heads on the same plate with accuracy and dispatch.  Also by the same process he takes pictures equally as good in cloudy and stormy weather.  Having the experience of over six years, he can warrant every picture to be a perfect fac simile, and not to fade, or the plate to corrode, as good chemicals are used in all cases.

A large assortment of Book, Pearl, & Fancy Cases, suitable for Christmas and New Years’ Presents. 

Gallery open from 9 o’clock, A. M. till 4 P. M.

Calls are respectfully solicited by P. Tenny Gates, Artist and Proprietor.

Advertisement ran from December 21, 1850 to September 13, 1851.

1851 September 13.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 13, 1851, Vol. 42, No. 10, P. 3.

Going Off!!  Gates’ Daguerrean Gallery will be closed on the 20th; all persons in want of pictures will have to call immediately, as he has made arrangements to be absent until about the first of November.

Just received a choice assortment of Silk Velvet Books, Pearl Cases and fancy Frames of all sizes, which will be sold at Reduced Prices until the above time.  Ladies and Gents are solicited to call and examine.  P. Tenney Gates, Artist. 

1851 November 8.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 8, 1851, Vol. 42, No. 18, P. 3.

Re-Opened, Gates’ Premium Sky-Light Daguerrean Gallery, (M. K. Platt’s Block, Bridge-st., cor. of Margaret,) Has been re-fitted and is now open for the reception of visitors.  This Gallery is one of the largest and best arranged in the United States, and it is the intention of the proprietor to render in every part of his business, that attention which the public are entitled to for the liberal patronage he has received.  For Over Seven Years he has taken groups, copies, and pictures of all styles and sizes to the number of over 30,000 and that he is sure that he can suit even the most fastidious.

His arrangements are such that he takes pictures of Sick and Deceased persons at his Gallery or at private residences; also takes great pains to have such pictures agreeable and satisfactory and are often so natural as to seem even to artist, in a quiet and pleasant sleep.  Please examine specimens of deceased persons in his collection.

Particular attention paid to taking large pictures, family groups and children of all ages.

Instructions given in the art and stock and apparatus furnished at reasonable prices.

Pictures taken equally as well a in cloudy and stormy weather (except of children.)

No pictures re-taken after once declared satisfactory, without extra charge.

A large assortment of new style of Cases just received, which will be sold cheap.

Ladies and groups are respectfully solicited to call and examine for themselves.  Gallery open 9 A. M. till 4 P. M.   P. Tenney Gates, Artist & Proprietor.                       

Advertisement ran from November 8, 1851 to July 31, 1852.

1852 July 31.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 31, 1852, Vol. 43, No. 4, P. 3.

Closing Up!  Gates’ Gallery will be closed on the 20th of August.  All persons in want of some of his superb Daguerreotypes must call immediately, as my Gallery may not be open until January 1853.

Hours of operating, from 8½ A. M. till 5½ P. M.

N. B.  The daguerreotype of both the nominees for the next Presidency still remain on exhibition.

Calls respectfully solicited by P. Tenney Gates, Artist and Proprietor.      

Advertisement ran from July 31 to August 14, 1852.

1852 September 4.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 4, 1852, Vol. 43, No. 9, P. 3.

Daguerreotypes For $1.  Gates’ Gallery Not Closed Yet Having a large quantity of Stock on hand, I am determined use it up before closing.  Therefore I have reduced my price to $1.00 for one month only.  After which time my Gallery will positively be closed until the first of January, 1853.  Every picture taken at my Gallery is warranted not to fade or the plate corrode; for I use nothing but No. 1 chemicals, and harden all my pictures with pure Gold.

Now is your time to secure those mementos of Life, which, in the trying hour of the separation of friends, no price can purchase.

Pictures taken of invalids or deceased persons at private residences, either in the village or out of town.  I always take particular pains to have such pictures agreeable and satisfactory.

Particular attention paid to taking large pictures, Family Groups, and children of all ages, “when awake.”

Pictures taken equally in cloudy and stormy weather (except of small children.)

Just received from New York, a large assortment of elegant New Styles Cases, which will be sold at reduced prices.

All would do well to avail themselves of this opportunity, as the price is extremely low, and you little know what changes a few months may bring about.

Calls respectfully solicited, by P. Tenny Gates, Artist and Proprietor.  Plattsburgh, Sept. 1, 1852.

N. B.  My Gallery would have been closed on the 20th August if there had not been so much unfavorable weather.                                                                                              

Advertisement ran from September 4 to 25, 1852.

1852 October 16.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 16, 1852, Vol. 43, No. 15, P. 2.

The line of telegraph from Troy to Montreal, on the west side of Lake Champlain is going on rapidly.  There is already communication between Troy and Warrensburgh; and the wires from this village to Ausable Forks, via Keeseville, are already up.  We shall be in communication with our Troy neighbor before “lection.”  The post are all distributed on the line of our railroad, from here to Canghnawaga, where, we understand, the St. Lawrence is to be passed by a submarine telegraph, and thence to the city of Montreal.  P. T. Gates is operator in this village—office in his daguerrean gallery.

1852 December 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 11, 1852, Vol. 43, No. 23, P. 3.

Daguerreotypes For $1.  Re-Opened, Gates’ Premium Sky-Light Daguerrean Gallery Is now open for the reception of the public, and is supplied with a large and splendid assortment of new style Cases, suitable for Christmas and New Year’s presents, which will be sold cheap.  I am now taking a new and beautiful style of Crayon Daguerreotypes, of several shades, which for softness of tone and beauty of lights and shades, no other style can equal.

It will be seen, (as above stated,) that I have fixed prices as low as $1 for perfect pictures in good style cases.

Every picture taken at my Gallery is warranted not to fade or the plate corrode, for I harden all my pictures with pure gold.

Pictures taken of invalids or deceased persons at private residences, either in the village or out of town.  I always take particular pains to have such pictures agreeable and satisfactory.

Particular attention paid to taking large pictures, family groups, and children of all ages.  Pictures taken equally in cloudy and stormy weather (except of small children.)

No picture Re-taken after once declared satisfactory, without extra charge.

Instruction given in every branch of the business on the most reasonable terms.

Every one visiting my Gallery will have the pleasure of examining the Electro-Chemical Telegraph, as the office is in connection.

Ladies and gentlemen are cordially solicited to call and examine for themselves.

Operating hours from 9 A. M. till 4 P. M.

A Card.  I would like to take this opportunity to return my most sincere thanks to the citizens of Plattsburgh and the public generally, for the unlimited share of patronage I have received.  It is now over two years since my Gallery was open to the public, and I am happy to say that I think my many efforts have been duly appreciated; and I hope that by strict attention to business to merit a continuance of the same.  Respectfully Yours, P. Tenney Gates, Artist and Proprietor.           

Advertisement ran from December 11 to July 30, 1853.

1853 August 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 20, 1853, Vol. 44, No. 7, P. 3.

Daguerreotyping.  P. Tenney Gates, Proprietor of the Premium Sky-Light Daguerreian Gallery, Returns his most sincere thanks to the Ladies and his patrons generally, for the unlimited patronage they have bestowed upon him since he opened his Daguerreian Establishment, and I hope that by strict attention to this beautiful art, that he may retain all of his old patrons and add scores of new.  It is his intention to keep up with all the improvements of the day, so no one can have the privilege of saying “He is behind the times.”  But everything will be “O. K.”  Every one having work done at his establishment can rely upon its being satisfactory.  He will in no case resort to any of the cheap kind of materials.  Everything will be of the best quality, and all my Pictures Warranted Not To Fade, as all are taken on Pure Silver Plates, and hardened with Pure Gold.

There are many Daguerreotypes taken at the present day by transient Pretended Daguerreian, that are impositions on the public.  They are taken on the poorest quality of Plates, and (if hardened at all) hardened with some cheap Compound that will last until they get out of town, providing that their stay is very limited, and warranted by some to last thousands of years.  Such Artists are not uncommon now-a-days.—What is the warrantee of such Artists worth?—The Fifty Cents that they put into their pockets is all they think of.  Look Out For Such Impostors!  And have your Daguerreotyping done by skillful and experienced Stationary Artists, that can be referred to any future time.  Pictures taken equally as well in cloudy and stormy weather, except of children.

Hours For Taking Children & Groups, From 10 a. m. until 3 p. m.  Operating hours from 8 A. M. until 5 P. M.

Copying done in a scientific manner with chemicals made expressly for the purpose.

All are cordially solicited to call and examine whether in want of pictures or not.  Prices as low as the same quality can be obtained at any other Respectable Establishment.

Advertisement ran from August 20, 1853 to April 28, 1855.

1855 August 18.  Plattsburgh Republican.  (Plattsburgh, New York.)  August 18, 1855, Vol. 46, No. 7, P. 3.

Daguerreotyping.  P. Tenney Gates, Proprietor of the Premium Sky-Light Daguerreian Gallery, Returns his most sincere and cordial thanks to the Ladies and his patrons generally, for the unlimited patronage they have bestowed upon him since he opened his Daguerreian Establishment, and hopes that by strict attention to his beautiful Art, that he may retain all of his old patrons and add scores of new.  It is his intention to keep up with all the improvements of the day, and every one having work done at his establishment can rely upon its being done in a satisfactory manner.  His materials are of the best kind and all his pictures warranted not to fade, as all are taken on pure Silver Plates, and hardened with Pure Gold.

Pictures taken equally as well in cloudy and stormy weather, except of children.

Hours for taking Children & Groups, From 10 A. M. until 3 P. M.  Operating hours from 8 A. M. until 5 P. M.

Copying done in a scientific manner with chemicals made expressly for the purpose.

All are cordially solicited to call and examine whether in want of pictures or not.  Prices as low as the same quality can be obtained at any other Respectable Establishment.

Advertisement ran from August 18, to October 13, 1855.

1855 December 22.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 22, 1855, Vol. 46, No. 25, P. 3.

P. Tenney Gates Has the pleasure, at this early period, to offer to the public A New Style Of Picture, that far exceeds in Beauty and Durability, any thing ever before made.  The exceeding fineness, depth of light and shadows, richness of tone, boldness of character and beauty of expression, is wonderful.

They do not reverse the Subject, light that of a Daguerreotype, but represent everything in its true position: consequently Appear Perfectly Natural!

They are without the glare of a Daguerreotype, and hence may be seen in any view.  They will last for Ages Unchanged, and possess the same quality of Imperishability,

Being taken on plate glass, over which is placed a corresponding glass, the two being hermetically sealed together with an indestructible cement which soon hardens and the two glasses become in effect one, with the picture in the centre, as durable as glass itself.  This art is particularly adapted to every style of face and Complexion.

These pictures are pronounced by competent Judges to be the greatest achievements in the Photographic Art, having a Clearness and Relief that is Truly Astonishing.

The proprietor, by his improved facilities is enabled to produce Ambrotypes from the Smallest To Full Size with all the truth of nature, and the Permanency Of The Finest Plate Glass.

The long sought for end in Photographic Portraiture.  The Transparent Ambrotype must be seen to be appreciated.  The relief being full as perfect as life.

These picture offer inducements to those wishing to send them abroad as they are proof against the action of water, acids, climate or atmosphere, and may be laid in water for months, with perfect safety.

The public will please note, that the proprietor is thoroughly acquainted with the Art in all its branches.

Portraits, Miniatures, Daguerreotypes, &c., copied into Ambrotypes, and Rendered Permanent.  Small Children and Groups taken in a superior style.  The time required for taking the impression is from one to four seconds.  Prices about the same as of a good Daguerreotypes.

This beautiful Art is the production of a long series of chemical experiments by Prof. James A. Cutting, of Boston, by whom it is patented in the United States, Great Britain, and France.

P. Tenny Gates, is the exclusive proprietor of the patent and only maker of the pictures in Clinton and Essex Counties, N. Y. and Grand Isle Co., Vt.

Daguerreotyping still continued in all its branches, from the smallest locket to the full size.

The public are cordially invited to call and examine specimens.

Operating hours from 9 A. M., till 4 P. M.                            

Advertisement ran from December 22, 1855 to August 29, 1857 And October 6, 1857 to May 15, 1858.

1856 September 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 20, 1856, Vol. 47, No. 12, P. 2 & 3.

List of Premiums Awarded At The Fourteenth Annual Fair Of The Clinton Co. Agricultural Society Held at the U. S. Barracks, in Plattsburgh, September 16th and 17th, 1856…

Miscellaneous Manufacturers… Best Daguerreotypes and Ambrotypes,

P. T. Gates, Plattsburgh,                                 2.

1856 December 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 20, 1856, Vol. 47, No. 25, P. 2.

A suitable and very acceptable holiday gift for a friend, is an ambrotype.  Magnificent ones may be had at Gates’ Gallery in this village.  He has also for sale a variety of rich frames and cases to suit the taste of the purchasers.

1857 November 21.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 21, 1857, Vol. 48, No. 21, P. 2.

P. T. Gates makes thousands of Photographs and Ambrotypes that are greatly esteemed here.  His rooms are over Moore’s drug store—3d story.

1858 May 22.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 22, 1858, Vol. 48, No. 47, P. 3.

Improvements.  Pictures!!  Pictures!!  P. Tenny Gates, Has just returned from the Manufacturers with an entire new set of instruments and chemical apparatus, made expressly to his order, by the aid of which he is enabled to execute Large Groups, Life Size Portraits, and other styles of pictures at Reduced Prices.

He now has on hand a very large and splendid assortment of Gilt and Fancy Frames, and more than thirty different varieties of Cases—in which he will insert Ambrotypes, Photographs, Melaineotypes, Sphereotypes, Phototypes, and every other style of picture extant.  Phototypes are a new style particularly adapted for sending by mail, they weigh less than half an ounce.

Copying of all styles executed in the best manner with instruments expressly for the purpose.

All work executed equally as well in cloudy weather, (except of small children.)

Prices varying from 50 cents, to $50.00.

Operating hours from 9 A. M., till 6 P. M.                            

Advertisement ran from May 22 to July 24, 1858

1858 July 10.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 10, 1858, Vol. 49, No. 2, P. 2.

….O, hasten! While you have to-day, to Gates’s—suffer no delay; secure by Gate’ skill portrayed, a ‘shadow’ ere the substance fade!  Remember at Gates’ daguerrean gallery, over Wm. P. Mooers’ drug store, Plattsburgh……

1858 July 24.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 24, 1858, Vol. 49, No. 4, P. 3.

Pictures!  Pictures!!  New Arrangements!  Pictures to suit the Times!  Ambrotypes for 50 Cents For 60 Days At Gates’ Sky-Light Photographic Galleries.  Having a very large quantity of stock on hand, I am determined to reduce the same and therefore offer such flattering inducements.

Now is the time to get Perfect Likenesses at Low Prices!

Pictures taken and finished in ten minutes!

By the aid of my new improved instrument & Chemical apparatus, among which is an Instantaneous Working Camera which will take together with my Sky-Lights and other necessary arrangements, which are indispensable for the successful execution of good Likenesses or nice artistic pictures.

I now execute with perfect accuracy at a moments notice, Ambrotypes, Phototypes, Hillotypes, Sphereotypes, Micatypes, and every other style picture extant.  The Photographs are colored by an experienced Artist and done in style that cannot be surpassed, and put them up in Frames, Cases, Lockets, Bracelets, Pins, Rings, Envelopes for sending by mail, and every other desirable style.

Copying executed in a superior style.  Old Daguerreotypes or other Likenesses enlarged to life size Photographs with instruments made expressly for that purpose.  Having the experience of 13 years constant practice, feel confident that I can supply the public with as nice specimens of art as can be produced.

To Parents.  Now is the time for Children’s Pictures.  My Instantaneous Camera is particularly adapted to that purpose.  None but good pictures sold.—All work warranted not to fade.  Likenesses taken equally as well in cloudy weather, except of Small Children and Large Groups.

Come One Come All and judge for yourselves.

Operating hours from 8 A. M. until 6 P. M.                          

Yours most respectfully, P. Tenny Gates, Artist and Proprietor.

Dated Gates’ Photographic Gallery.

Advertisement ran from July 24 to November 6, 1858.

1858 September 18.  Plattsburgh Republican.  (Plattsburgh, New York.)  September 18, 1858, Vol. 49, No. 12, P. 2 & 3.

List of Premiums Awarded at the Sixteenth Annual Fair of the Clinton County Agricultural Society Held at the U. S. barracks, in Plattsburgh, September 9th 10th & 11th, 1858.

…Best Colored Crayon Drawing:  1st Prize, Mrs. W. P. Malloy, Plattsburgh,   2.

…Best Pencil Sketch:  Mrs. W. P. Malloy, Discretionary.  This was very fine and worthy of especial notice.

Ambrotypes:               1st Prize, P. Tenny Gates, Plattsburgh,                 2.

Photographs:               1st prize, P. Tenny Gates, Plattsburgh,                 2.

Daguerreotypes:          1st prize, P. Tenny Gates, Plattsburgh,                 2.

Professor Gates did himself great credit, and exhibited his usual taste.

1858 October 16.  Plattsburgh Republican.  (Plattsburgh, New York.)  October 16, 1858, Vol. 49, No. 16, P. 3.

Plattsburgh Piano-Forte Agency.  P. Tenney gates Has now on hand the largest and best selected assortment of Piano Fortes ever offered for sale in Northern New York, which will be sold, for cash, or approved credit on Time, as may suit purchasers, at prices that defy all competition.  Old instruments taken in exchange at fair prices.  His arrangements are such that he will furnish Pianos from the following celebrated manufacturers:

Boston—Chickering & Sons, Albert Ladd, A. W. Bailey & Co.’s., Lemuel Gilbert, T. Gilbert & Co., George Hews, C. A. Vinton.

Dunham & Co., New York, Boardman, Gray, & Co., Albany.

All instruments will be set up by an experienced pianist and kept in perfect tune for one year free of charge.

Every Piano Forte warranted to give satisfaction to the purchaser.  For further particulars please call and examine for yourselves at P. Tenney Gates, Photographic Palace of Art.  Plattsburgh, Sept. 25, 1858.

1858 November 20.  Plattsburgh Republican.  (Plattsburgh, New York.)  November 20, 1858, Vol. 49, No. 21, P. 3.

Ambrotypes For 25 Cts. At Gates Palace of Art!  Until Nov. 28th.

Advertisement ran from November 20 to December 4, 1858.

1858 December 11.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 11, 1858, Vol. 49, No. 24, P. 3.

Excelsior!!!  5,892 Likenesses Sold Since the Reduction in Price!  Ambrotypes For 25 Cts.  Splendid Presents For The Holidays At gates Palace of Art!

Gates will take Ambrotypes For 25 Cts.  Until After The Holidays.

Holiday Gifts Gates has a splendid lot of Oval Gilt Frames which he will fill with Ambrotypes At Very Low Prices.

At Gates’ Palace of Art Just received a fine lot of those Splendid Union Cases At Very Low Prices.

If You Have Any Old Pictures Of Deceased Friends Take them at once to Gates Palace of Art, And have them Copied in a style that will not Fade.

Gates Will Have A Large Assortment Of Gold Lockets, Pins Seals, &c., For the Holidays, which he will sell at Manufacturer’s Prices.

If you want any style of Portrait, or Picture Frames, either Oval, Square or any other shape, you will find a large assortment of styles of frames and moulding at Gates’ Palace Of Art. 

Frames of all Styles made to order at low rates.  Call and Examine.

Gates Will Sell Piano-Fortes Cheaper and warrant them to be A Better Article Than can be bought in Northern New York of any other parties.  He is agent for the most celebrated Manufacturers in America.

Advertisement ran from December 11, 21858 to January 22, 1859.

1858 December 25.  Plattsburgh Republican.  (Plattsburgh, New York.)  December 25, 1858, Vol. 49, No. 26, P. 2.

Ambrotypes and Photographs are among the most appropriate articles for presents.  They may be had at Gates’ Gallery or at Mrs. Molloy’s rooms, over the Republican Office.

1859 May 7.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 7, 1859, Vol. 49, No. 45, P. 2.

Call in at Gates’ Daguerrean Gallery, over Wm. P. Mooers’ and examine the numerous specimens of true artistic skill with which his rooms are decorated.  For accuracy of likeness and elegance of finish, they cannot be beat.  Copying executed in the very best manner.

1859 May 21.  Plattsburgh Republican.  (Plattsburgh, New York.)  May 21, 1859, Vol. 49, No. 47, P. 3.

May 19TH Re-Opened!  Gates’ Photographic Palace Of Art.  Plattsburgh, N. Y.  Has undergone through repairs and Is Again Open For The Reception of Visitors.  And is doing business on the Low Price System!

The Proprietor has been to great expense and spared no pains in refurnishing with the best and Latest Improved Instruments, and apparatus of the day among which is a Double Camera.  (which takes two pictures at the same Instant!) also a Mammoth Camera.  (The only one that will be found out of the Large Cities,) which executes Life-Sized Portraits.

Portraits made in Oil Colors!

Portraits made in India Ink!

Portraits made in Water Colors!

Portraits made on Glass

Portraits made on Iron!

Portraits made on Paper!  and

Portraits made in all other Styles!

Operating hours from 8 A. M. till 6 P. M.

Work executed equally well in cloudy Weather (except Children.)

Calls Respectfully Solicited.  P. Tenney Gates, Proprietor.

Advertisement ran from May 21 to July 23, 1859.

1859 July 30.  Plattsburgh Republican.  (Plattsburgh, New York.)  July 30, 1859, Vol. 50, No. 5, P. 3.

Attention!  Attention!  Attention!  Attention.  Gates Champlain Sky-Light Photographic Gallery will be opened Aug. 10 for 20 days.

P. Tenney Gates is now fitting up a Sky-Light Photographic Gallery, at Champlain, N. Y.

For the purpose of accommodating the citizens of that place and vicinity with the best of pictures of all the modern styles.

P articular attention will be given to taking Large Groups, Photographs, Ambrotypes, &c. &c.

No pains will be spared to make this one of the Best Operated Galleries.

It will be opened August 10TH, 1859, for 20 Days.

Operating hours from 8 A. M., till 5 P. M.  Work executed equally well in Cloudy Weather, except of very small children.  Come One, Come All.

Advertisement ran from July 30 to September 17, 1859.

1859 August 27.  The Plattsburgh Republican.  (Plattsburgh, New York.)  August 27, 1859, Vol. 50, No. 9, P. 1.

Re-Opened!  Gates’ Photographic Palace Of Art.  Plattsburgh, N. Y.  Has undergone through repairs and Is Again Open For The Reception of Visitors.  And is doing business on the Low Price System!

The Proprietor has been to great expense and spared no pains in refurnishing with the best and Latest Improved Instruments, and apparatus of the day among which is a Double Camera.  (which takes two pictures at the same Instant!) also a Mammoth Camera.  (The only one that will be found out of the Large Cities,) which executes Life-Sized Portraits.

Portraits made in Oil Colors!

Portraits made in India Ink!

Portraits made in Water Colors!

Portraits made on Glass

Portraits made on Iron!

Portraits made on Paper!  and

Portraits made in all other Styles!

Operating hours from 8 A. M. till 6 P. M.

Work executed equally well in cloudy Weather (except Children.)

Calls Respectfully Solicited.  P. Tenney Gates, Proprietor.

Advertisement ran from August 27, 1859 to July 7, 1860.

1859 December 10.  The Plattsburgh Republican.  (Plattsburgh, New York.)  December 10, 1859, Vol. 50, No. 24, P. 3.

Christmas And New Year’s Gifts.  Gates’ Sky-Light Photographic Gallery! Champlain.

Will be open on the 15th of December, and continue during the Holidays! Stocked with a splendid lot of Goods particularly adapted for Holiday Gifts!

Ambrotypes Put up in Cases for 50 Cents.  Be sure and not forget the time.  Operating hours from 8 a. m. till 4 p. m.  Call early in the day!

N. B.  This Gallery will not be open again until February 14th, 1860.

Advertisement ran from December 10 to 31, 1859.

1860 June 30.  The Plattsburgh Republican.  (Plattsburgh, New York.)  June 30, 1860, Vol. 51, No. 1, P. 3.

Gates is “at home” as usual, and crowds are visiting his gallery daily.  An unprecedented number were promptly served with likenesses on St. Johns Day, notwithstanding the interruotion of slight showers.  Go to the legitimate establishment for photographs, &c., instead of tinkering with catch-penny affairs.

1860 July 14.  The Plattsburgh Republican.  (Plattsburgh, New York.)  July 14, 1860, Vol. 51, No. 3, P. 3.

July 14th!  Splendid Decorated Ambrotypes!  Put Up In Frames For 25 Cts. At Gates’ Sky-Light Palace of Art Plattsburgh, N. Y. The greatest inducements ever offered in this vicinity are now open to the public.  Altho’ prices are extremely low, every picture will be of the best quality, and furnished equally as well as if sold for a higher price.  The Reputation of a stationary establishment stands alone on the merit of selling none but good and Never Fading Pictures.

All pictures warranted not to fade, and as my stay in town is not limited, I shall continue to take better pictures at the above rate that can be obtained of any other parties.

My Decorated Back-Ground is a splendid addition to the picture which gives it one and softness that cannot be otherwise obtained, for which there is no Extra Charge.  I have just received a large assortment of Cases and Frames which will be sold at proportionately low Prices.

Copying done in superior style with Instruments made expressly for the purpose.  Work executed equally as well in stormy weather.  Call early in the day.  Select your Cases on entering the reception room, and receive your number so as to avoid confusion.  Operating hours from 8 A. M. till 6 P. M.  The public will please call and examine specimens and prices before sitting for a picture elsewhere.  I shall myself, personally attend to the Operating Department, and having had constant experience in the art for many years I think I can suit all that are in want of Good Likenesses and Artistic Pictures.

Yours Respectfully, P. Tenney Gates.

Advertisement was recorded ten times between July 14 to October 29, 1860.   

1860 October 20.  The Plattsburgh Republican.  (Plattsburgh, New York.)  October 20, 1860, Vol. 51, No. 17, P. 4.

July 14th!  Splendid Decorated Ambrotypes!  At Gates’ Sky-Light Palace of Art Plattsburgh, N. Y. The greatest inducements ever offered in this vicinity are now open to the public.  Altho’ prices are extremely low, every picture will be of the best quality, and furnished equally as well as if sold for a higher price.  The Reputation of a stationary establishment stands alone on the merit of selling none but good and Never Fading Pictures.

All pictures warranted not to fade, and as my stay in town is not limited, I shall continue to take better pictures at the above rate that can be obtained of any other parties.

My Decorated Back-Ground is a splendid addition to the picture which gives it one and softness that cannot be otherwise obtained, for which there is no Extra Charge.  I have just received a large assortment of Cases and Frames which will be sold at proportionately low Prices.

Copying done in superior style with Instruments made expressly for the purpose.  Work executed equally as well in stormy weather.  Call early in the day.  Select your Cases on entering the reception room, and receive your number so as to avoid confusion.  Operating hours from 8 A. M. till 5 P. M.  The public will please call and examine specimens and prices before sitting for a picture elsewhere.  I shall myself, personally attend to the Operating Department, and having had constant experience in the art for many years I think I can suit all that are in want of Good Likenesses and Artistic Pictures.

Yours Respectfully, P. Tenney Gates.

Advertisement was recorded twenty six times between October 20, 1860 to June 22, 1861.  

1861 April 6.  The Plattsburgh Republican.  (Plattsburgh, New York.)  April 6, 1861, Vol. 51, No. 41, P. 2.

Gate’s is putting his Daguerrean Gallery in fine condition for business, by enlarging, “altering and amending,” re-painting, papering, &c…

Garrett, Ellwood

1850-1857       66 Market Street, Wilmington, Delaware.[1]

1859-1867       218 Market Street, Wilmington, Delaware.1

1856 November 27.  Delaware Weekly Republican.  (Wilmington, Delaware.)  November 27, 1856, Vol. XIX, No. 12, Whole No. 995, P. 1.

Daguerreotype Portraits.  E. Garrett’ sky Light Rooms, No. 66 Market St., Wilmington, 2nd Story, Over G. D. Armstrongs’ store.  Pictures taken equally well in dull weather, and warranted to give satisfaction.

Advertisement ran from November 27, 1856 to December 31, 1857.

1857 August 28.  Delaware State Journal and Statesman.  (Wilmington, Delaware.)  August 28, 1857, Vol. XXV, No. 70, P. 4.

E. Garrett, Daguerreotypist, No. 66 Market Street, Wilmington, Del.

1865 August 28.  Delaware State Journal and Statesman.  (Wilmington, Delaware.)  August 28, 1865, Vol. XXXIII, No. 52, P. 1.

E. Garrett, Daguerreotypist, No. 218 Market Street, Wilmington,


[1] A Directory Of Delaware Photographers 1839-1900 And Beyond.

Gardner, John B.

1847                Corner of Read Street and Broadway, New York, New York.

1847-1852       293 Broadway, New York, New York.[1]

1853-1861       183 Eighth Avenue, New York, New York.1

1862                Address Unknown, New York, New York.1

1863-1874       305 Sixth Avenue, New York, New York.1

1875                Address Unknown, New York, New York.1

1847 December 24.  The New York Herald.  (New York, New York.)  December 24, 1847, Whole No. 4960, P. 2.

A Bold Theft.—Some bold thief entered the daguerreotype rooms of Mr. J. B. Gardner, corner of Read street and Broadway, yesterday morning, and in the temporary absence of Mr. Gardner the reseal unscrewed the plate from the end of the instrument, valued at $70, which he carried off without detection.

1854 March 4.  American Artisan.  (New York, New York.)  March 4, 1854, Vol. VII, No. 25, Whole No. 337, P. 8.

Business Directory—Daguerreotypes.

Aug. Morand……….65 Chatham st.

Business Directory—Daguerreotypist—Bleecker street.

A. G. Demarest…….326 Bleecker, corner of Amos.

P. Welling………….Corner of Bleeker and Carmine.

Business Directory—Daguerreotypes—Bowery and Third ave.

A. Eddy……………..107 Bowery.

H. V. Harris…………132 Bowery.

Business Directory—Daguerreotypes—Eighth ave.

J. B. Gardner………..183 Eighth avenue.

A. D. Hopper………..109 Eighth avenue.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

J. B. Gardner—Very fair specimens, much superior to ordinary galleries.


[1] New York City Directories.

Garbanati, Henry

1856-1857       94 Duane Street, New York, New York.

1857-1859       424 Broadway, New York, New York.

1856 October 23.  The New York Herald.  (New York, New York.)  October 23, 1856, Whole No. 7359, P. 3.

$850 For An Old Established First Class daguerrean gallery, now doing a profitable business.  It is handsomely Furnished and perfectly adapted for a large business; this is a bargain.  Apply to H. Garbanoti, general photographic agent, 94 Duane street.

1856 November 29.  The New York Herald.  (New York, New York.)  November 29, 1856, Whole No. 7396, P. 7.

$700.—One Of The Oldest Established Daguerreotype gallery in the busiest part of the city, well furnished and stocked with large size apparatus, and now doing a good business; the rent is very low.  Apply to Seely & Garbanati, photographic chemists, &c., 94 Duane street.

1857 May 5.  The New York Herald.  (New York, New York.)  May 5, 1857, Whole No. 7552, P. 7.

Seely & Garbanati, Photographic Chemicals, &c., have removed to 424 Broadway.  Amateurs supplies in all their wants.

1857 September 19.  The New York Herald.  (New York, New York.)  September 19, 1857, Whole No. 7688, P. 6.

Ambrotype Gallery For Sale—At A Bargain. In a good location for business, will be sold at a sacrifice, as the present owner has other business.  Apply immediately to Seely & Garbinatti, photographic chemicals, 424 Broadway.

1857 December 11.  The New York Herald.  (New York, New York.)  December 11, 1857, Whole No. 7771, P. 5.

$200—For Sale, An Old Established Ambrotype and Photographic Gallery, Apply to Seely & Garbanati, 424 Broadway.

1858 January 22.  The New York Herald.  (New York, New York.)  January 22, 1858, Whole No. 7812, P. 7.

Daguerrean Gallery.—For Sale, The Lease of an old established daguerrean gallery, with instruments, furniture, and everything necessary for all branches of the business.  Inquire of Seely & Garbanati, Photographic Chemists, 424 Broadway.

1858 March 24.  The New York Herald.  (New York, New York.)  March 24, 1858, Whole No. 7873, P. 3.

Ambrotype Gallery For Sale—Price $70 cash.  The reason for selling is the owner is going into another business.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

1858 April 7.  The New York Herald.  (New York, New York.)  April 7, 1858, Whole No. 7887, P. 3.

Ambrotype And Photograph Gallery In Broadway.—Authenticated profits upwards of $75 per week.  Price $1,500; $1,000 down.  The above is well furnished and stocked, and is a rare bargain.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.  An lease on the gallery.

Ambrotype, Photograph And Daguerreotype Gallery.—For sale, the lease, stock and fixtures, and everything pertaining to the art, now doing a good business.  Apply to Seely & Garbanati, photographic chemists, 424 Broadway.

1858 June 2.  The New York Herald.  (New York, New York.)  June 2, 1858, Whole No. 7943, P. 3.

For Sale Cheap—A Broadway Daguerrean establishment, thoroughly fitted and furnished, and replete with every accessory for the art. The most satisfactory reason giving for selling.  Apply to Seely & Garbanati, photographic chemist, 424 Broadway.

Ambrotypes For Sale—A Well Fitted Up gallery on Broadway, doing a good business, the owners being engaged in another establishment, will dispose of the above at the lowest price of $175.  Inquire of Seely & Garbanati, photographic chemists, 424 Broadway.

1858 August 25.  The New York Herald.  (New York, New York.)  August 25, 1858, Whole No. 8026, P. 5. 

Ambrotypes.—For Sale A Well Furnished ambrotype gallery on Broadway, doing an excellent business; the owner being engaged in another business, will sell the gallery for the low price of $175.  Inquire of Seely & Garbanati, photographic chemist, 424 Broadway, New York.

1858 September 2.  New York Daily Tribune.  (New York, New York.)  September 2, 1858, Vol. XVIII, No. 5418, P. 4 & 5.

The Telegraph Celebration.  Military and Civic Parade.  Speech of David Dudley Field.  Splendid Fireworks.  The City Illuminated.  Torchlight Procession.

The grand Telegraph Celebration of the First of September will be long remembered as the most enthusiastic and universal jubilee ever given in New York.  A splendid day gave full scope to the exuberant fancies of the people, and well did they improve their time.  We gave up enough of our space to our reporters to embody a mere outline of the observances.  To report all things fully would demand the whole of our forty-eight columns, with still enough to fill another Tribune left over…

At Gurney’s was exhibited a large transparency, on the left of which was represented the British lion grasping one end of the cable, and on the right the American eagle the other end.  American and English flags and emblems formed the center, and in the distance the parting of the Niagara and Agamemnon was visible.  Beneath were the words:

“Capt. Preedy.  Cyrus W. Field.  Capt. Hudson.  Agamemnon.  Daguerre and Morse.  Niagara.  The one harnessed the light, the other light-ning.  May the continuity of the cable be as perpetual as the ray of our sun.”

Brady also exhibited a large transparency representing Queen Victoria and Young America in conversation.  Beneath were representations of suns, and the letters “V.”  “B.;”  between which, Neptune, still holding his trident, was chained…

The Depot of Photographic Art Materials, No. 424 Broadway, was adorned with a transparency inscribed,

 “Morse, Field and Hudson—Three cable mates—

Have made all nations The United States.”

Seeley & Garbanati exhibited a colored photograph of Cyrus W. Field on a scale of over 28 feet for the full-length figure.  This is the first photograph ever attempted of a size larger than life.

1859 April 27.  The New York Herald.  (New York, New York.)  April 27, 1859, Whole No. 8270, P. 1.

To Photographists.—Wanted To Purchase, An interest in, or whole of a first class photographic gallery on Broadway, not above Union square.  Inquire of Seely & Garbanati, 424 Broadway.

1859 May 25.  The New York Herald.  (New York, New York.)  May 25, 1859, Whole No. 8270, P. 1

$1,000 To $50,000—A Valuable Patent, In demand everywhere, for sale by Seely & Garbanati, Photographic Chemists, 424 Broadway.

1859 June 29.  The New York Herald.  (New York, New York.)  June 29, 1859, Whole No. 8333, P. 2.

Daguerreotypes, Ambrotypes, Photographs, &c. copied, enlarged and colored in all styles of the art at moderate prices, by Seely & Garbanati, photographic chemists and publishers, 424 Broadway, Stereoscopic pictures wholesale.

1859 September 5.  The New York Herald.  (New York, New York.)  September 5, 1859, Whole No. 8400,  P. 3.

Photographic Engraving.—Patent Rights for sale, engraving done at moderate rates, by Seely & Garbanati, photographic chemists, 424 Broadway.  A complete set of apparatus, chemicals, &c., for taking pictures on glass and paper, for $30.  The American Journal of Photography, semi-monthly, $1.50 per annum; The Ambrotype, price 25 cents; Hardwick’s Photographic Chemistry, 50 cents; Sir David Brewster on the Stereoscope, $1, will soon be out.