Tag Archives: New York City

Harrington, Lewis L.

Daguerreotypes, , ,

1849                130 Broadway, New York, New York.

1850                323 Broadway, New York, New York.

1850                Corner of Hudson and Canal Streets, New York, New York.

1851                222 Canal Street, New York, New York.

1852-1854       413 Broadway, New York, New York.

1856                Address Unknown, New York, New York.

1850 April 20.  New London Democrat.  (New London, Connecticut.)  April 20, 1850, Vol. VI, No. 6, Whole No. 266, P. 3.

Broadway Daguerrean Gallery, 323 Broadway, New York, (Opposite The Broadway Theatre)  Likenesses for 50 Cents and upwards, with case.  Having fitted up these Rooms for the comfort and convenience of the public, all who wish a Good, Cheap and Durable Likenesses, will need no better guarantee than to know that we employ no halfway operators at this establishment, but give our personal attention to the making of Pictures, and use none but the best materials.

Having had several years’ experience in Daguerreotyping, we flatter ourselves that we can please the most fastidious.  If there are any so foolish as to assert that it is all Humbug to talk of making a Likeness For Fifty Cents, send them to us and we can convince them to the contrary.

N. B. Likenesses of Children make in from 3 to 12 seconds, Daguerreotypes inserted in Lockets, Rings, &c. at reasonable prices.

Remember the number, 323 Broadway, opposite the Broadway Theatre, and first room above the City Hospital.  L. L. Harrington, L. D. Buswell, Proprietors.

Instructions given in the Art.  Apparatus and Stock furnished at the Lowest Prices.

Advertisement was recorded nine times between April 20 to July 20, 1850.

1850 May 12.  New York Herald.  (New York, New York.)  May 12, 1850, Whole No. 5817, P. 2.

The Cuban Expedition, or one similar in number, may be seen every day moving up Broadway to the Broadway Daguerrean Gallery 323 Broadway, where every body goes to have their pictures made.  This is the best and cheapest place in the city to get a good likeness.  A good likeness in a case, as low as fifty cents.

1850 July 4.  The New York Herald.  (New York, New York.)  July 4, 1850, Whole No. 5869, P. 2.

Broadway Daguerrean Gallery, No. 323 Broadway, is the place where all who feel particularly good natured will call to-day, and have their likenesses made.  Harrington & Buswell are prepared to make some less than a thousand. A likeness in a case can be had as low as 50 cents.

1850 September 21.  New London Democrat.  (New London, Connecticut.)  September 21, 1850, Vol. VI, No. 28, Whole No. 288, P. 3.

Harrington & Bushnell, at No 323 Broadway, New York, furnish Daguerreotype Pictures at 50 cents, and which they warrant accurate to life.

Please call and examine specimens.  Aug. 24, 1850

Advertisement ran from September 21 to December 7, 1850.

1850 December 20.  The New York Herald.  (New York, New York.)  December 20, 1850, No. 6034, P. 4.

Daguerreotypes for the Holidays.—Harrington, who has made those superb Daguerreotypes in Broadway, has removed to the corner of Hudson and Canal, and has fitted up a new room with a large skylight, for the purpose of making those ever to be admired likenesses as holiday gifts.  We advise all who wish a cheap, durable and finished picture, to give him a call.

New York City Directories.  (New York, New York.)

1848  Not Listed.

1849  daguerreotypes, 130 Broadway.

1850  daguerreotypes, 323 Broadway. (Harrington & Buswell).

1851  daguerreotypes, 222 Canal, H-52 Sullivan.

1852  daguerreotypes, 413 Broadway, H-52 Sullivan.

1853  daguerreotypes, 413 Broadway, H-413 Broadway.

1854  daguerreotypes, 413 Broadway, H-413 Broadway.

1855  Not Listed.

1856  daguerreotypes, H-223 Chrystie.

1857  Not Listed

Hall, John Bishop

Hallotypes, Patent, , , , ,

1857                585 Broadway, New York, New York.

1857 January 21.  Evening Star.  (Washington, District of Columbia.)  January 21, 1857, Vol. IX, No. 1,252, P. 2.

Patents for the week ending January 20, 1857.  John Bishop Hall—For improved in treating photographic pictures.  No. 16,438.

1857 January 27.  The New York Herald.  (New York, New York.)  January 27, 1857, Whole No. 7454, P. 3.

New Patents Issued for the week ending January 20, 1857.  John Bishop Hall of N. Y., for improved in treating photographic pictures.  [No. 16,438]

1857 February 14.  The New York Herald.  (New York, New York.)  February 14, 1857, Whole No. 7472, P. 5.

Highly Important to the Pubic—Hallotypes patented.  The undersigned would respectfully announce that they will exhibit specimens of the “Hallotype” at their gallery.  No. 585 Broadway, on and after the 16th inst., and that they will commence taking them for the public on the 16th., and will deliver them on and after the 19th inst.  The hallotypes will be taken in this city by J. B. Hall the inventor and patentee, at the above gallery.  N. B.—No connection with any other establishment in the city.  John Bishop Hall, C. D. Fredricks.  585 Broadway, opposite Metropolitan Hotel.

Advertisement ran on the 14 & 16, 1857.

1857 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1857, Vol. XVI, No. 4938, P. 7.

Important caution To The Public And Photographic Artist.  Hallotypes.

It having been announced in the Photographic journals and the daily papers that specimens of the Hallotype would be exhibited at Nos. 585 and 349 Broadway on the 16th inst. the undersigned would state that justice to the public, to himself and to the art, of which he is the inventor and patentee, demands of him the following statement:

The specimens exhibited by J. Gurney at No. 349 Broadway will not give a correct idea of the merits of this new Art, as they were not executed in strict accordance with instructions given by the undersigned, and for this reason he will not exhibit at his Gallery, No. 585 Broadway, any of the specimens produced at No. 349 Broadway, which he had designed doing as during his absence from the city some of the most important parts of the manipulation were neglected.  All the specimens, therefore, which he will exhibit at No. 585 Broadway will be those produced since the 13th inst., at his own Gallery—he having also recently made some very important improvements.  The undersigned will not, therefore, be in any way responsible for the results produced at any other establishment, as the Hallotypes will only be made under his personal direction at No. 585 Broadway, opposite Metropolitan Hotel.    John Bishop Hall.

1857 February 21.  New York Daily Tribune.  (New York, New York.)  February 21, 1857, Vol. XVI, No. 4943, P. 7.

Hallotypes—These Beautiful Portraits are taken by J. B. Hall, the inventor and patentee, only at the Gallery of Hall & Fredricks, No. 585 Broadway, opposite the Metropolitan Hotel.

Advertisement ran every three to four days from February 21 to 28, 1857.

1857 February 26.  New York Daily Tribune.  (New York, New York.)  February 26, 1857, Vol. XVI, No. 4947, P. 7.

Hallotypes.  To Photographic Artists And The Public.  The following not from Mr. Hall requires a public reply:

Temple Of Art, No. 585 Broadway, Feb. 24. 1857.

J. Gurney, esq.—Dear Sir:  My attention has been called to your card of the 17th inst., published in the Tribune and Times, in reply to mine of the 16th, which appeared in the same papers.  My arrangements have been such that I have here huberto neglected to take any steps in the matter.  You understand better than the public possibly can the reasons which prompted me to pen my Card.  But you evidently misunderstood the some what ambiguous language which I emplied, or your high sense of honor, of propriety and justice, would not have allowed you to prefer against me so grave a charge as “repudiating legal obligations,” and masing statement [    ] were “false.”  If you understood me as denying your right to practice the Hallotype, and your ability to present it in an attractive form to the public, you could not do otherwise than to pronounce such statements false.  The peculiar circumstance of the case, in connection with the somewhat ambiguous style which I employed, has led you into an error.  But there was nothing in my Card which if properly understood, could have justified the conclusion at which you arrive, and by correcting the erroneous impressions which your Card is calculated to procure, you will do no honor to yourself, justice to the public and to the undersigned.  Wishing you every success in the practice of the Hallotype. I am Truly Yours, John Bishop Hall.

                                                                        Reply

Mr. John B. Hall—Dear Sir:  Your conclusion is correct, that the peculiar circumstances of the case, together with the somewhat ambiguous language which you employed. did lead me to misunderstand your meaning, and it affords me pleasure to be able to make the correction.  A discriminating public will award to you the honor of having invented the most brilliant improvement in the Photographic art, and which I am determined to present to the public in all its exquisite perfection and beauty.  Yours truly,  J. Gurney, Photographic Artist.  Palace of Art, No. 349 Broadway, Feb. 26, 1857.

We, the undersigned, copartners in the disposal of the patent rights throughout the United States and Europe for the new style of portraiture called Hallotypes, would inform Photographic artists and amateurs that we are now ready to dispose of said rights to suit purchasers.

John Bishop, J. Gurney

All business letters to be addressed to Gurney’s Palace of Art, No. 340 Broadway, corner of Leonard-st., New York.

Advertisement ran on February 26 & 28, 1857.

1857 February 27.  The New York Herald.  (New York, New York.)  February 27, 1857, Whole No. 7485, P. 8.

To Photographic Artists And The Public.  The following note from Mr. Hall requires a public reply:

Temple Of Art, No. 585 Broadway, Feb. 24. 1857.

J. Gurney, esq.—Dear Sir:  My attention has been called to your card of the 17th inst., published in the Tribune and Times, in reply to mine of the 16th, which appeared in the same papers.  My arrangements have been such that I have here hitherto neglected to take any steps in the matter.  You understand better than the public possibly can the reasons which prompted me to pen my card.  But you evidently misunderstood the somewhat ambiguous language which I employed, or your high sense of honor, of propriety and justice, would not have allowed you to prefer against me so grave a charge as “repudiating legal obligations,” and making statement which were “false.”  If you understood me as denying your right to practice the Hallotype, and your ability to present it in an attractive form to the public, you could not do otherwise than to pronounce such statements false.  The peculiar circumstance of the case, in connection with the somewhat ambiguous style which I employed, has led you into an error.  But there was nothing in my card which if properly understood, could have justified the conclusion at which you arrive, and by correcting the erroneous impressions which your card is calculated to produce, you will do no honor to yourself, justice to the public and to the undersigned.  Wishing you every success in the practice of the Hallotype. I am Truly Yours, John Bishop Hall.

                                                                        Reply

Mr. John B. Hall—Dear Sir:  Your conclusion is correct, that the peculiar circumstances of the case, together with the somewhat ambiguous language which you employed. did lead me to misunderstand your meaning, and it affords me pleasure to be able to make the correction.  A discriminating public will award to you the honor of having invented the most brilliant improvement in the photographic art, and which I am determined to present to the public in all its exquisite perfection and beauty.  Yours truly, J. Gurney, Photographic Artist.  Palace of Art, No. 349 Broadway, Feb. 26, 1857.

We, the undersigned, copartners in the disposal of the patent rights throughout the United States and Europe for the new style of portraiture called Hallotypes, would inform Photographic artists and amateurs that we are now ready to dispose of said rights to suit purchasers.

John Bishop Hall, J. Gurney.

All business letters to be addressed to Gurney’s Palace of Art, No. 340 Broadway, corner of Leonard street, New York.

1857 February 27.  The New York Herald.  (New York, New York.)  February 27, 1857, Whole No. 7485, P. 8.

Hallotypes.  Letters Patent Granted January 20, 1857.  A large collection of this new and beautiful style of portraiture is now on exhibition at J. Gurney’s well known photographic palace of art, No. 349 Broadway, N. Y.

The public are respectfully invited to call and judge for themselves of the superiority of these pictures over other styles; and although executed by the camera, they combine the truthfulness of the finest photographs, with the beauty and finish of the most delicate miniature in ivory.  To quote the expression of our celebrated miniature painters, “The stereoscopic effect is wonderful; our occupation is gone; these pictures surpass in every respect, our best endeavors.”  J. Gurney is now prepared to execute said pictures for the public.  Gallery open from 8 A. M. till 6 P. M.  J. Gurney, Photographic Artist, No. 349 Broadway, cor. Leonard st., N. Y.  N. B.—No connection with any other establishment.

1857 March 10.  New York Daily Tribune.  (New York, New York.)  March 10, 1857, Vol. XVI, No. 4957, P. 7.

Hallotypes.  J. B. Hall, the inventor and patentee of the Hallotypes, would respectfully inform the public that his Gallery of Pictures in the above style is at the Photographic establishment of Mr. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel, and he has no connection with any other establishment in this city.

Advertisement ran on March 10 & 13, 1857.

1857 March 11.  The New York Herald.  (New York, New York.)  March 11, 1857, Whole No. 7497, P. 5.

Hallotypes.—J. B. Hall, the inventor and patentee of the hallotypes, would respectfully inform the public that his Gallery of pictures in the above style is at the photographic establishment of Mr. Fredericks, No. 585 Broadway, opposite Metropolitan Hotel, and he has no connection with any other establishment in this city.

Advertisement ran on March 11 & 14, 1857.

1857 March 19.  New York Daily Tribune.  (New York, New York.)  March 19, 1857, Vol. XVI, No. 4965, P. 7.

John Bishop Hall’s Gallery Of Hallotypes, At Fredericks’s Temple Of Art, No. 585 Broadway, Opposite Metropolitan Hotel.

1857 March 21.  The New York Herald.  (New York, New York.)  March 21, 1857, Whole No. 7507, P. 5.

John Bishop Hall’s Gallery of Hallotypes.  At Frederick’s Temple of Art, No. 586 Broadway, Opposite Metropolitan Hotel.

Advertisement ran on March 21, 25, 28; April 1, 1857.

1857 March 26.  New York Daily Tribune.  (New York, New York.)  March 26, 1857, Vol. XVI, No. 4971, P. 7.

John Bishop Hall’s Gallery Of Hallotypes, At Fredericks’s Temple Of Art, No. 585 Broadway, Opposite Metropolitan Hotel.

Advertisement ran from March 26 to April 2, 1857.

1857 April 3.  The New York Herald.  (New York, New York.)  April 3, 1857, Whole No. 7520, P. 5.

Hallotypes!—$1,000 Reward.—The Undersigned will give the above reward for the first conviction of any person or persons infringing the patent granted by the United States government to John Bishop Hall, of New York city, on the 20th day of January, 1857, for producing pictures known as “hallotypes”  Hall & Gurney.  New York, March 7, 1857.

Advertisement ran From April 3 to 10, 1857.

1857 April 11.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 11, 1857, Vol. III, No. 70, P. 15.

Frederick’s Temple of Art—Hallotypes, Photographs, Daguerreotypes, Ambrotypes.  585 Broadway, opposite Metropolitan Hotel.

John Bishop Hall, The Inventor and Patentee of the Hallotype, would respectfully inform the Public that his gallery is at Frederick’s Temple Of Art, 585 Broadway, and that he has no connection with any other establishment.

Haas, Philip

Daguerreotypes, Engravers, Lithographs, Photographs, , , , , , ,

1843-1844       Pennsylvania Avenue, Washington, D. C.

1844-1845       561 Broadway, at the Lyceum, New York, New York.

1845-1852       289 Broadway corner of Reade Street, Lafarge Building, New York, New York.

1848                Jarvis Buildings, N.W. corner of Baltimore & North Streets, Baltimore, Maryland.

1852                73 Spring, New York, New York.

1852-1854       371 Broadway, New York, New York.

1855-1856       505 Broadway, New York, New York.

1857                546 Broadway, New York, New York,

1858                132 West 36th-st., New York, New York.

1859                Address Unknown, New York, New York.

N. D.  The New-York Historical Society’s Dictionary Of Artist In America 1864-1860.  (New Haven, Connecticut & London, England.  1957, P. 282.

Haas, P. Lithographer, and publisher of Washington, (D, C.)between 1837 and 1845.  His work included technical prints, portraits and views of Washington and Mt. Vernon.

1843 May 27.  The Daily Madisonian.  (Washington,. D. C.)  May 27, 1843, Vol. II, No. 446, P. 2.

Daguerreotype Likenesses.  Mr. P. Haas, at the eastern end of Pennsylvania avenue, is taking, and has taken, many excellent Daguerreotype likenesses.  Mr. H. also possesses the art of coloring his likenesses, which, we believe, is a new addition to the process.  The faithful and perfect (not counterfeit) presentment of official dignitaries, Senators, M. C.’s, &c., which Mr. H. exhibits at his establishment, will convince the most sceptical [sic.] of his ability to make a genuine copy of the most beautiful as well as the most homely features.  

1843 June 1.  The New York Herald.  (New York, New York.)  June 1, 1843, Vol. IX, No. 149, Whole No. 3362, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, having procured the agency for the sale of Voigtander’s Daguerreotype Apparatus, constructed according to Professor Petzval’s calculation, have on hand a large assortment of these Apparatus, and artists as well as amateurs of their art, wishing to procure a good apparatus, will find it to their advantage to procure instruments of this construction.  They also have lately imported a large quantity of German and French plates, and all the chemicals used in their art, which they warrant in every respect, as they are made to their order.  Polishing substances, and morocco cases, and all necessary materials, are sold on the most reasonable terms.  The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.

P. Haas, Esq., Washington, D. C.

Dr. A. Caspari, Richmond, Va.

P. Laurens, Esq., Savannah, Ga.

William West, Esq., Cincinnati, Ohio. Added to advertisement on (June 22, 1843.)

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to W. & F. Langenheim, Exchange Building, Phila.

Advertisement ran from June 1 to September 5, 1843.

1843 August 23.  The New York Journal of Commerce.  (New York, New York.)  August 23, 1843, Vol. XXVIII, No. 5830, P. 2.

New Map Of Liberia:—A map of the West Coast of Africa, comprising Guinea and the British possessions at Sierra Leone, on the Gambia, the Gold Coast, the Liberia, together with the countries [within] the [coarsest] of the rivers Senegal, Gambia, and Kowarra, compiled mostly from the map of John Arrowsmith, has been lithographed by P. Haas, of Washington City.  The same sheet contains a separate map of Liberia on an enlarged scale.      

1843 October 17.  The New York Herald.  (New York, New York.)  October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.

Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.

The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.  P. Haas, Esq., Washington, D. C.  Dr. A. Caspari, Richmond, Va.  S. Broadbent, Esq., for the Southern States.  William West, Esq., Cincinnati, Ohio.          

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.

Advertisement ran from October 17, 1843 to January 26, 1844.

1844 January 21.  The Atlas.  (New York, New York.)  January 21, 1844, Vol. VI, No. 33, Whole No. 285, P. 3.

…By the way, we have one branch of art practiced here, in a way which must surely be perfection.—With you the daguerreotype has taken the place of portrait painting, but here Messrs. Haas & Clarke[1]—the former of some repute, and the latter a gentleman of great skill and attainments from the north—have given a tone to their pictures, a delicacy of coloring, and an exquisite finish, which has never been approached by any other artists.  They are evidently forming a gallery of eminent statesmen and jurists, and gentlemen distinguished in other pursuits, which would be worth a place in the National Gallery of Arts.

1844 February 27.  The Evening Post.  (New York, New York.)  February 27, 1844, Vol. XLII, P. 2.

Correspondence of the Evening Post. Washington, Feb. 25, 1844.

The weather during the past week has been most delightful.  It has been for several days past very much like Indian summer, the same genial air, blue, pleasant but chastened sun beams, and hazy atmosphere.  I am reminded of this latter circumstance, so unusual in the month of February, from having witnessed a somewhat singular effect resulting from it, in the art of taking impressions by the daguerreotype process.  The slight haze visible near the horizon, however cloudless the sky, has a greater influence in rendering the action of the light upon the prepared plate, feeble and ineffectual, than even a cloud which quite obscures the sun.

The vexation which this causes the several gentlemen who are engaged in that business, is the greater, for it is upon these very beautiful days that those whose faces they are most desirous to obtain perfect copies of, are most inclined graciously to afford them the opportunity of so doing.  The success of Mr. Haas, a German artist of this city, in the use of this wonderful discovery and improvement in portrait taking, elicits the admiration of every visitor to Washington.  His apparatus produces, with its natural aid, and under the direction of his acquired skill, the only perfectly true likeness of the human face divine that I have ever seen taken by this process.

There is no blur, no indistinctness of expression, or utter want of expression, as in most of them, the consequence probably of a defect in the instruments for the concentration of the light upon the surface of the plate.  The features are all traced, and the minutest delineation made, with infinitely greater clearness and force than by the most delicate graver.  To any one anxiously desirous of perpetuating his present appearance, countenance, figure, and tailorly embellishments, a journey to Washington and a visit to the premises of Mr. Haas, would be, if not the cheapest, certainly the only completely effectual means of attaining his object.

1844 March 19.  The Whig Standard.  (Washington, D. C.)  March 19, 1844, Vol. I, No. 114, P. 3.

Portrait Of The Late T. W. Gilmer.—We have received from the publisher, P. Haas, a fine lithograph likeness of the late Secretary of the Navy.  It was drawn by A. Gibert, from the daguerreotype by P. Haas, and is pronounced a good likeness of Mr. Gilmer.  Price 50 cents; to be had at the store of the publisher.

1844 March 20.  The Daily National Intelligencer.  (Washington, D. C.)  March 20, 1844, Vol. XXXII, No. 9699, P. 1.

The Late Mr. Gilmer’s Portrait.—Our townsman Mr. P. Haas, has just published an excellent and well executed portrait of the late Secretary of the Navy.  It was drawn by that talented artist. M. Gibert, from the daguerreotype of Mr. P. Haas.  This portrait of Mr. Gilmer is considered by all with whom we have conversed as a faithful likeness.

1844 March 21.  The Daily Madisonian.  (Washington, D. C.)  March 21, 1844, Vol. III, No. 697, P. 2.

Portrait of Gov. Gilmer.—We have been presented with a most accurate lithograph portrait of the lamented Gilmer.

It is published by P. Haas, Lithographer.  Drawn on stone by A. Gibert, from the Daguerreotype by Haas; 50 cents per copy.

1844 August 8.  National Intelligencer.  (Washington, D. C.)  August 8, 1844, Vol. XLV, No. 6496, P. 3.

Miniature Likeness Of Mr. Clay.  In the whole course of our observation of works of art we have never seen a more beautiful thing that the Miniature Daguerreotype of Mr. Clay, recently executed by Mr. P. Haas of this city, of a size to be set in one of the smallest sized breastpins.  The portrait is colored or tinted after nature, and is a very striking likeness.  Set in gold as a breastpin, we are informed that Mr. Haas will have them for sale at his establishment in this city at the low price of $5 each.

1844 August 17.  The Whig Standard.  (Washington, D. C.)  August 17, 1844, Vol. I, No. 243, P. 3.

Haas’s Medallion Likeness Of Henry Clay.  We have had the pleasure of examining a handsome breastpin, got up by Mr. Haas, of our city, containing a small but most accurate daguerreotype likenesses of Henry Clay.  The original picture from which the medallion is taken, was executed by Mr. Hass during Mr. Clay’s late visit to this city, and is as good a specimen of the art as can well be conceived.  No Whig, who can afford it, we feel satisfied, will fail to obtain a memento so valuable.  Mr. H. will take pleasure in exhibiting the original picture and the medallion to those who may desire to examine them.   

1844 December 16.  The New York Herald.  (New York, New York.)  December 16, 1844, Vol. X, No. 347, Whole No. 3947, P. 3

Beautiful Christmas And New Year’s Presents.  Photographic Miniatures of James K. Polk, by P. Haas. Set in a neat Gold Breast-pin, to be had at Haas’ Daguerreotype Rooms, 561 Broadway, at the Lyceum, nearly opposite Niblo’s—where the most splendid Daguerreotype Likenesses, of all sizes, as well as family groups are taken at all hours of the day. 

Advertisement ran from December 16, 1844 to January 4, 1845.

1845 January 10.  The Evening Post.  (New York, New York.)  January 10, 1845, Vol. XLIII, P. 2.

The Vice President elect, George M. Dallas, yesterday, accompanied by Mayor R. B. Boyd and Mr. Riell, visited the rooms of Professor Haas, in the Lyceum, 561 Broadway.  On his invitation, the professor executed a daguerreotype portrait of Mr. Dallas. Which for beauty of execution and fidelity of likeness has never been excelled.  Mr. Haas received his instruction in the art from the inventor in Paris, and is in every respect a perfect master of it.

1845 January 15.  The New York Herald.  (New York, New York.)  January 15, 1845, Vol. XI, No. 14, Whole No. 3976, P. 2.

Professor Haas.—We have seen a beautiful specimen of daguerreotype, executed by him at his rooms in New York Lyceum; it is a portrait of Mr. Dallas, the vice president elect, with a view of the capitol at Washington in the distance—as a work of art it is unsurpassed,  It is in the possession of Mr. H. E. Riell; duplicates can be obtained by application to the professor at his rooms 561 Broadway.      

1845 February 26.  True Sun.  (New York, New York.)  February 26, No. 605, P. 2.

We are indebted to Col. W. H. Maxwell for a Congressional document of no little value.—It is a statement of expenses charged to the contingent fund of the House of Representatives.  It is a rich exhibit of the economy of the “true, faithful, honest, and high minded friends of the people” in Congress.  We shall give the details of this account as we can find room.  Meantime the following is part of the summary.

Amount paid W. J. Stone for maps,   $3, 270.78.

P. Haas for do,                                    $3,789.50…

1845 February 27.  New York Journal of Commerce.  (New York, New York.)  February 27, Vol. XXXII, No. 6299, P. 3.

The amendment was put up and lost.  The resolution then coming up was adopted.  The singular part of the amendment, was that portion of it which confined the Clerk to Mr. Haas,—a German, I believe, who has never been naturalized,—to give him the job at some price.  If it would have passed, it would probably have put $10,000 dollars into Mr. Haas’ pocket! 

We believe, from past developments, it has been made to appear that this same Mr. Haas, by collision with some parties about the Capitol. Has made a large  sum of money.  He for a time, had a kind of “carte blanche,” to charge what he pleased.

It was in vain the most skillful and experienced American engraver and lithographer became applicants for work.  Jobs they would gladly have done at one half to one fourth the price, were denied, all were either thrown into the hands of Haas, or Mr. Stone, an English engraver.  It is supposed Haas had strong friends in high quarters, who had some interest in the direction things took.  Although this tergiversation has been publicly condemned, we again find a proposition put forth to-day, to give him probably $10,000 more!!

1845 October 16.  New York Commercial Advertiser.  (New York, New York.)  October 16, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute.  Ninth Day…

Of Daguerreotypes there is an endless variety.  One of the finest that we ever saw is the panoramic view of Niagara Falls, taken from the Clinton house, Canada side.  The very spray from the tumbling waters appears to be rising before you, and any one who has ever visited the falls will recognize the scenery at a glance.  This picture is the work of Mr. Langenheim of Philadelphia.  There are also some finely marked portraits and a view near the City Hall credited to Langenheim & Recker, [sic.] the work, we presume, of the same artist.  Plumbe of this city has some excellent portraits.  Among them is a frame containing likenesses of the present members and officers of the Common Council, which any one acquainted with the originals will recognize at once.  How life-like is “Old Hays”; you feel an involuntary inclination to ‘pull off your hat,” the moment it is seen.  The portraits of P. Haas, M. M. Lawrence, M. B. Brady, E. & G. H. Morand, and very finely finished.  In fact all or nearly all exhibited are pictures which furnish abundant evidence of the still continued improvement in the art.  The other exhibitors, so far as we could ascertain them through the crowd that always surrounds this portion of the exhibition, are Mr. Shankland, T. S. Walsh, Perry, Brothers & Co., J. P. Weston, A. F. Thompson, J. T. Tracy, S. Hart, Meade& Brothers, G. R. Spellman, and Walker & Garritt, (of Albany.)

1845 October 25.  New York Commercial Advertiser.  (New York, New York.)  October 25, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute The eighteenth annual Fair of the American Institute…

Silver Medals…

M. B. Brady and P. Haas, for best Daguerreotypes.  Silver Medal; each.

1845 October 27.  The New York Herald.  (New York, New York.)  October 27, 1845, Vol. XI, No. 276, Whole No. 4158, P. 3.

First Premium Daguerreotypes.  P. Haas, Daguerrean Artist, 289 Broadway, corner of Reade Street, Lafarge Building.

Mr. H. has received the Medal at the late Fair of the American Institute, for Pictures executed by himself, and not purchased nor done by hired operators; the public, therefore, can at all times depend upon obtaining the same style of Portraits, from the smallest to the largest sizes, which cannot be surpassed for beauty or accuracy.

Instruction given in the Art on reasonable terms.                             

Advertisement ran from October 27 to December 14, 1845.

1845 November 1.  New York Weekly Tribune.  (New York, New York.)  November 1, 1845, Vol. V, No. 8, Whole No. 216, P. 4.

Gen. Tallmadge Address at the close of the Fair…

So of the wonderful improvements in Daguerreotyping; a few years since, and we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French daguerreotypes.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1846 October 16.  New York Daily Tribune.  (New York, New York.)  October 16, 1846, Vol. VI, No. 163, Whole No. 1718, P. 2.

Haas, in the Lafarge Building, corner of Broadway and Reade st. produces a softness of shading, a depth of expression and a perfectness of finish in his Daguerreotypes which render them true works of art, rather than mere shadows caught by the hair and transfixed upon the plate.  He has also so thoroughly studied the art of coloring as to impart to his pictures all the exquisitely blended effects of a miniature united with all that truthfulness and identity of likeness for which the heart, bowing before the ivory semblance of dear features, yearns in vain.

1847 February 10.  New York Morning Express.  (New York, New York.)  February 10, 1847, Vol. II, P. 1.

Herr Alexander, so well known as a gentleman, in private, as well as most amusing performer, in his way, is now in this city.  He has accepted a most flattering invitation from the commander of a United States man-of-war, (the Scourge) to be his guest to Havana.  Mr. Davignon has just finished a capital likeness of Alexander from a daguerreotype of Haas, a copy of   which we have seen.

1847 February 14.  The Atlas.  (New York, New York.)  February 14, 1847, Vol. IX, No. 37, Whole No. 445, P. 2.

in literary circles.—One day during the week, we received a speaking likeness, by Davignon, fro a daguerreotype of Haas, of Herr Alexander, the prince of the magic; together with an intimation that he was about accompanying the commander of the Scourage, [sic.] an American armed vessel, on a trip to Havana, the Secretary of the Navy…

1847 March 3.  The New York Herald.  (New York, New York.)  March 3, 1847, Vol. XIII, No. 61, Whole No. 4658, P. 2L.

Nagel has published a beautiful lithographic portrait of Sig. Beneventano, of the Italian opera, drawn on stone by F. Davignon, from a Daguerreotype by Haas.—The likeness is perfect, and the execution admirable.

1847 March 6.  Merchants’ Ledger.  (New York, New York.)  March 6, 1847, Vol. 1, No. 1,  P. 10.

First Premium Daguerreotypes.  P. Haas, Daguerrian Artist, 289 Broadway, 289 Corner of Reade Street—Lafarge Building.

1847 March 21.  The Atlas.  (New York, New York.)  March 21, 1847, Vol. IX, No. 42, Whole No. 450, P. 2.

Our Portrait.—We gave this week a portrait of the fascinating Barili, the new prima donna of the Opera.  The portrait is drawn by an eminent artist in this city, from a capital daguerreotype likeness taken by Haas, of Broadway.  It will be more readily recognized by those who have seen the charming singer in private than only on stage.  It is therefore the more life-like.

1848 April 16.  The Atlas.  (New York, New York.)  April 16, 1848, Vol. X, No. 46, Whole No. 505, P. 3.

Card.—Philip Haas, Daguerrian Artist, 289 Broadway, cor. of Reade street.

Advertisement was recorded three times between April 16 to 30, 1848.

1848 August 9.  The New York Herald.  (New York, New York.)  August 9, 1848, No. 5178, P. 3.

To Daguerreotypist.—I Would Caution Operators in this city, and throughout the country, against a man who peddles a chemical purporting to be the same as I use in producing pictures.  It is a false imitation; an abortive attempt at copying; the work of a country boy who was formerly in my employ, but never as an operator.  The genuine chemical is only to be had at my establishment, 289 Broadway.  I suffer no one to peddle it. 

1848 October 4.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  October 4, 1848, Vol. 72, No. 75, Whole No. 10,941, P. 2.

Haas’ Celebrated New York and Philadelphia Daguerreotypes.  The Understand takes pleasure in informing the Ladies and Gentlemen of Baltimore that he has recently arrived in this city and taken Rooms in Jarvis’ Buildings, north-west corner of Baltimore and North sts., entrance 1st door in North street, 2nd floor.

Mr. Haas’ Daguerreotypes are well known throughout the country, they are of the best order and taken with all the late improvements of the art and entirely on a new principle.  Ladies and Gentlemen are invited to visit the rooms, whether they wish pictures or not, their visits will always be welcome.

Gentlemen Residences, Churches and all other buildings correctly taken.

Deceased and sick persons at their residences taken.

Portraits, Landscapes and Drawings of all description also copied.

Persons who are in possession of pictures badly taken by other operators, the undersigned is willing (for accommodation sake) to exchange them for superior ones taken by his new process embracing all the improvements of the art for a moderate price.

Mr. Haas will guarantee good pictures as they will all be taken by himself.

Advertisement ran from October 4 to December 13, 1848.

1848 November 5.  The Atlas.  (New York, New York.)  November 5, 1848, Vol. XI, No. 23, Whole No. 534, P. 2.

…The portraits are all from daguerreotypes—that of Mr. Anderson, by Plumbe; that of Mr. Hart, by Haas; and that of Mr. Arcularius, by Gurney, 189 Broadway—and were all engraved by Mr. Roberts, “in haste.”  When Roberts has time, he can’t be beat, in cutting heads; but, when he has to cut four, in three days, we cannot expect perfection.

1848 November 12.  The Atlas.  (New York, New York.)  November 12, 1848, Vol. XI, No. 24, Whole No. 535, P. 2.

On the outside page of our paper to-day, will be found a portrait of Mr. S. Cornelius Bogardus, the naval officer of the port of New York, and who was translated to that office by Mr. President Polk, some six weeks since, on the death of Mr. Michael Hoffman.  The portrait, which is an admirable one, is from a daguerreotype of Hass, and was engraved by Roberts…

1848 November 29.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  November 29, 1848, Vol. 121, No. 75, Whole No. 10,9768 [sic.], P. 2.

We have received from Mr. Haas, Jarvis Building, agent for their sale in Baltimore, an engraving of Gen. Taylor.  It is printed and published by Michelin, N. York, and for a colored plate, is among the best issued.  The General is in undress uniform, put on with Characteristic neglige; and as to the likeness, faithful or not as it may, those strongly marked features, with their determined cast, are not to be mistaken, distinguishing in any guise or garb “the noblest Roman of them all.”

1849 April 12.   The New York Herald.  (New York, New York.)  April 12, 1849, Whole No. 5424, P. 2.

Haas Daguerreotypes.—Among the most wonderful specimens of this branch of art, we do not think that any others may be compared with the admirable daguerreotypes made by Mr. Haas, the famed artist, who dwells in Lafarge Building.  This gentleman may be considered as the Raphael of his profession, and the portraits which are issued from his studio are the ne ultra plus of discovery and chemistry.  We have visited the gallery of M. Haas, which contains, the most curious collection of portraits, not only of the celebrated men of this country, but also of the prettiest ladies who grace the parlors and the streets of New York.  On this subject we may add, that, by a particular process M. Haas has discovered the means to make visible not only the lines of the face, but also the loveliness and beauty of the ladies, as well as the colors of the skin.  A daguerreotype of M. Haas is as fine as a beautiful painting or the French painters, Ingres, Court, or Winterhalter.

1850 November 20.   The New York Herald.  (New York, New York.)  November 20, 1850, Whole No. 6006, P. 2.

…We have already advised this interesting class of our city visitors where the best bonnets, shoes, shawls, dry goods, and dancing masters are to be had; and if they should desire a daguerreotype to send home in the new fashions, we should say that Haas, one of the most experienced in the art on Broadway, or Brady, who has a fine collection, would do it in style….

1852 May 11.  New York Daily Tribune.  (New York, New York.)  May 11, 1852, Vol. XII, No. 3452, P. 3.

Removal.—Haas’s Daguerreotypes from 289 to 371 Broadway, Between White and Franklin-sts., where he respectfully invites his friends and customers to give him a call.

1852 October 13.  The New York Herald.  (New York, New York.)  October 13, 1852, Whole No. 7286, P. 4.

371 Broadway.—Stereoscopes and Stereoscopic Daguerreotypes, in a superior stype, at Haas’ Daguerrean gallery, 371 Broadway; also, his new and much admired style of vignette Daguerreotypes, which are considered the most artistical specimens of the art.

Advertisement ran on October 13, 17 & 27.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Vox Populi Gold Medal.—Haas’ Daguerreotypes, 371 Broadway, have received the gold medal vox populi, the greatest proof of their superiority.  Stereoscopic pictures are done in this establishment to great perfection. As well as Haas’ new and original vignette daguerreotypes.

1853 February 21.  The New York Herald.  (New York, New York.)  February 21, 1853, Whole No. 7366, P. 5.

A Droll Illustration of the Difficulties of the English language occurred to an artist friend of ours a day or two since.  A French gentleman inquired of him:”Sare, you shall tell a me who has se best daguerre in se Broadway.”  “Well,” said our friend, “I should say Haas.”  “Yes sair, is what I ask a you, who has?”  “Why Haas has the”—“Dable! Is what I ask a-you; who has?”  “I tell you Mr. Haas has, of 371 Broadway.”  “O, ah! Now I comprehend.  Mr. Haas, (nom proper) has, ah! By gar is a [noner] beauty of se English language.  Ah! Ah!  I am fort oblige, I shall go immediatement.”  By the way, a notice of Mr. Haas, contained in a letter to Humphrey’s Journal, dated London, December 30th, speaking of Mr. Kilburn’s colored daguerreotypes, says:  “With the single exception of Mr. Haas, of your city, I do not remember of ever seeing any thing bearing even an approximation to competition in this department on the western side of the Atlantic.”

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 4.

Paul Julien.—We have received a lithographic portrait of this great artist, drawn upon stone by F. Davignon, from a daguerreotype by P. Haas.  The artists have done their work well, and we have rarely seen a more [objective] and spirited likeness.  As our lady readers are well aware, Master Julien has a fine face  and handsome person in addition to his wonderful talent.  In consequence, we have no doubt that all his admirers will possess themselves of this “counterfeit presentment.”  Our copy is endorsed “Souvenir de haute effect offert a M. James Gordon, par Paul Julien.”  New York, May 27, 1854.

1855 March 14.  The New York Herald.  (New York, New York.)  March 14, 1855, Whole No. 6774, P. 6.

The Late William Poole.—The Late William Poole.—The Best Daguerreotype or photograph of Wm. Poole can be procured at Haas’s new daguerrean gallery, 505 Broadway, next door to the St. Nicholas Hotel.

1855 March 15.  The New York Herald.  (New York, New York.)  March 15, 1855, Whole No. 6775, P. 4.

William Poole’s Portrait, executed in artistic style, can be found in the Police Gazette, now ready.  It is taken from a large daguerreotype, for which he sat a few days prior to receiving his death wound.

1855 December 8.  The New York Herald.  (New York, New York.)  December 8, 1855, Whole No. 7041, P. 6.

Hass’ Photographs, Ambrotypes And Daguerreotypes, with all the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

1855 December 19.  The New York Herald.  (New York, New York.)  December 19, 1855, Whole No. 7052, P. 4.

P. Hass, 505 Broadway.—Daguerreotypes, ambrotypes and photographs in the latest style.

Advertisement ran on December 19 & 21, 1855.

1855 December 27.  The New York Herald.  (New York, New York.)  December 27, 1855, Whole No. 7060, P. 4.

Hass’ Photographs, Ambrotypes and Daguerreotypes, with the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

Advertisement ran from December 27 to 29, 1855.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Haas—The photographs by this artist are in the first style of the art, as is I believe all that he undertakes. Most of them general in being portraits.

1858 February 12.  New York Daily Tribune.  (New York, New York.)  February 12, 1858, Vol. XVII, No. 5246, P. 1.

Photographic Visits—A Specialty.—Mr. P. Haas devotes special attention to Photographic and Daguerrian Portraits of the old, the sick, the infirm or dead, and is prepared to take such portraits upon the shortest notice, at the subjects residence in New-York or vicinity.  he will also devote particular attention to the copying of old Daguerreotypes to any desired size.  His long established artistic reputation continues a guaranty for the correctness and excellence of his pictures.  Orders received and promptly attended to at Wm. Hall & Son’s, No. 239 Broadway; S. M. Peyser, No. 487 Broadway; Sidney Kopman, Clinton Place Hotel, and at Mr. Haas’s residence, No. 132 West 39th-st.

Advertisement ran from February 12 to March 3, 1858.

1870 June 11.  Alexandria Gazette.  (Alexandria, Virginia.)  June 11, 1870, Vol. LXXI, No. 139, P. 3.

Mr. David Haas, an old and respected citizen of this place, came to this country from Hamburg in 1841, and went immediately to his brother in Washington, Philip Haas, who was a lithographer there, and subsequently removed to New York.  David Haas settled in Alexandria in 1853, and as since carried on his business in a daguerrean gallery, and was successful as an artist.  In 1857 he was called to Hamburg at the death of his mother, and returned to this country in August or September, 1857, brining with him from Hamburg his sisters’ children—a nephew named Joseph Hertz and a niece Bertha Hertz—[father’s] name Philip Joseph Hertz.  He has not heard anything of them since, and would be glad of ascertaining their whereabouts; also of his brother and brother’s Children.  Philip Haas, who lived in Washington, afterwards went to New York; New York; has five children—four daughters and one son; Berta, Mathilda, Annette and America Haas, and a son Leonard Hass.  It is added to this card by a friend that David Haas suffered much loss by the war, and is now in infirm health, and deserves the sympathy and kindness of our citizens as well as of his relations.

1871 September 12.  Alexandria Gazette.  (Alexandria, Virginia.)  September 12, 1871, Vol. LXXII, No. 216, P. 2.

Philip Haas, who died a few days ago in Chicago, was the first man who took a successful picture with a camera in this city.  On his arrival in this country from Amsterdam, where he was born, he was appointed lithographer for the United States Government, and was allowed a room in the Capitol, in which to experiment with a camera.  He subsequently removed to New York city.

[Was he not an uncle or near relative of the late Mr. Haas, a very worthy and respectable citizen of this place, and who was him self an artist in the same line?]

New York City Directories. (New York, New York.)

1844.  Not listed.

1845.  daguerreotype—289 Broadway, h-23 Mercer.

1846.  daguerreotype—289 Broadway, h-44 Hudson.

1847.  daguerreotype—289 Broadway, h-40 Hudson.

1848.  daguerreotype—289 Broadway, h-20 West Broadway Place.

1849.  daguerreotype—289 Broadway, h-Broadway, n. 21st.

1850.  daguerreotype—289 Broadway, h-914 Broadway.

1851.  daguerreotype—289 Broadway, h-73 Spring.

1852.  daguerreotype—73 Spring, h-43 Spring.

1853.  daguerreotype—371 Broadway, h-89 W. 26th.

1854.  daguerreotypes—371 Broadway, h-13 Prince.

1855.  daguerrean—505 Broadway, h-13 Prince.

1856.  daguerreotypes—505 Broadway, h-13 Prince.

1857.  daguerreotypes—546 Broadway, h-132 W. 36th.

1858.  Not Listed.

1859.  daguerrean—h-364 Eighth Ave.

1860.  Not Listed.

1861.  Not Listed.

1861-1863.  Nineteenth Century Photography An Annotated Bibliography 1830-1879.

By William S. Johnson, 1990.  (Boston, Massachusetts.) P. 278.

…When the Civil War broke out Hass enlisted in Company A, 1st. N. Y. Engineers, where he was promoted to lieutenant.  His company spent part of 1863 among the forces involved in the blockade of the Confederacy.  Haas, with a partner Peale, photographed the activities of these troops patrolling the string of islands off the coast of South Carolina.

[1] James R. Clark variant spelling

Grant, A. G.

Ambrotypes, Photographs, , , ,

1857                483 Broadway, New York, New York.

1857.  New York City Directory.  (New York, New York.)  1857-1858, advertisement N. P.

Grant & Alcooke’s Improved Skylight Gallery, Photographic and Ambrotype Emporium, On the First Floor, No. 483 Broadway, Adjoining Wallack’s Theatre, New York.

Colored or Plain, Single Or Double, Dense Or Transparent, done instantaneously, and without fail.  Daguerreotypes Renovated and Copied in every style, at the shortest possible notice, and at a moderate price.

1857 May 7.  The New York Herald.  (New York, New York.)  May 7, 1857, Whole No. 7554, P. 7.

Grant & Alcooke’s First Class Ambrotypes and photographs, 483 Broadway, next door to Wallack’s theatre, first floor.

1857 May 8.  The New York Herald.  (New York, New York.)  May 8, 1857, Whole No. 7555, P. 7.

Grant & Alcooke’s Improved Light, First floor, 483 Broadway.—Photographs colored or plain vitae portraits and ambrotypes, stereoscopic, [transparent] or plain.

1857 May 21.  The New York Herald.  (New York, New York.)  May 21, 1857, Whole No. 7568, P. 5.

Unequalled are the Ambrotypes and Photographs taken at Grant & Alcooke’s improved light, first floor, 483 Broadway, adjoining Wallack’s theatre.

Advertisement ran on May 21 & 22, 1857.

1857 September 9.  The New York Herald.  (New York, New York.)  September 9, 1857, Whole No. 7678, P. 5.

Ambrotypes, Photographs and Vitae Portraits at Grant & Alcooke’s, first floor, 483 Broadway, are all the rage.

1857 December 2.  The New York Herald.  (New York, New York.)  December 2, 1857, Whole No. 7762, P. 6.

Ambrotypes and Photographs, Cheap and perfect, taken at Grant & Alcooke’s, 483 Broadway, adjoining Wallack’s theatre.

1858 January 3.  The New York Herald.  (New York, New York.)  January 3, 1858, Whole No. 7793, P. 5.

Ambrotypes, Heliographs, Melainotypes, photographs and oil portraits, taken at Grant & Alcooke’s gallery, 483 Broadway, every day, until their departure for Europe.

1858 January 6.  The New York Herald.  (New York, New York.)  January 6, 1858, Whole No. 7796, P. 5.

Ambrotypes, Heliographs, Photographs and oil portraits, taken at Grant & Alcooke’s gallery, 483 Broadway, daily until their departure for Europe.

1858 January 7.  The New York Herald.  (New York, New York.)  January 7, 1858, Whole No. 7797, P. 5.

Ambrotypes, Niellographs, Photographs and oil portraits, taken at Grant & Alcooke’s, 483 Broadway, daily, until their departure for Europe.

1858 February 19.  The New York Herald.  (New York, New York.)  February 19, 1858, Whole No. 7840, P. 5.

To Photographic Artists.—For Sale, after March 1st., Grant & Alcooke’s improved Gallery, first floor, 483 Broadway,

1858 March 5.  The New York Herald.  (New York, New York.)  March 5, 1858, Whole No. 7854, P. 5.

To Photographers.—For Sale, the Beautiful gallery 483 Broadway, now doing a large business, as Messrs. Grant & Alcooke’s are about leaving for Europe.

1858 April 15.  The New York Herald.  (New York, New York.)  April 15, 1858, Whole No. 7895, P. 7.

Grant & Alcooke’s Ambrotypes and Photographs, Niellographs, ton send in letters.  First floor, 483 Broadway.

1858 April 26.  The New York Herald.  (New York, New York.)  April 26, 1858, Whole No. 7906, P. 5.

Niellographs, Niellographs, Niellographs.  Ambrotypes and Photographs by Grant & Alcooke, 483 Broadway.  Last week in America.

Glosser, Henry

Daguerreotypes, Photographs, , ,

1858                363 Broadway, New York, New York.

1858                765 Broadway, New York, New York.

1859                Address Unknown, New York, New York.[1]

1857 December 19.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  December 19, 1857, Vol. V, No. 107, P. 11.

Masonic Celebration…

List of the officers of St. John’s Lodge No. 1, for 1857…H. Glosser, Church Steward…

1858 June 17.  New York Daily Tribune.  (New York, New York.)  June 17, 1858, Vol. XVIII, No. 5353, P. 6.

Diaphaneotypes, Photographs and Daguerreotypes made at Glosser’s Gallery (late. Booth’s[2]), (sic.) No. 765 Broadway, between 8th and 9th-sts.  Daguerreotypes copied and enlarged.

Advertisement ran from June 17 to 19, 1858.

[1] New York City Directory 1859/1860.

[2] Samuel Root

Gerrish, Horatio N.

Daguerreotypes, , , , ,

1853                Street’s Building, 155 Chapel Street, New Haven, Connecticut.

1854                243 Grand, New York, New York.

1855                144 Chapel Street, New Haven, Connecticut.

1853 June 28.  Morning Journal and Courier.  (New Haven, Connecticut.)  June 28, 1853, Vol. VIII, No. 151, P. 2.

A Card.  I hope the gentleman who wrote poetry on those splendid Views, will be careful the next time and not make a mistake as to the place at which he saw them.  H. N. Gerrish.

Executor of Views, Houses, Landscapes, &c.  Office, Street’s Building, 155 Chapel st. next door below Skinner & Sperry’s.

Advertisement ran on June 28 & 29, 1853.

1854.  New York City Directory.  (New York, New York.) 1854/1855, Published by John Fowler Trow.

Daguerreian 243 Grand, h-108 Bowery.[1]

1855 January 15.  Columbian Register.  (New Haven, Connecticut.)  January 15, 1855, Vol. X, P. 2.

Jackass For Sale!  Will be sold at public auction, on the 31st day of February next, precisely at 12 o’clock, a bill due H. N. Gerrish, for sundry articles, against an individual  know as H. J. Rodgers.  Said bill against said Rodgers will be sold to the highest bidder, from the spout of the Town Pump, on said day, and previous notice of the sale will be given by Booth’s crier, who will pass through the streets braying like a Jackass.  No cash is expected of the bidder of said bill, until the time said Rogers pays all bills.  And as the day of judgement by law will be a busy day with him, it is not expected that he will pay said bill until the day after.  The public are invited to call and see said bill at Gerrish and Jones Daguerreotype Gallery, 144 Chapel st. next door below Gerrish’s old stand.

1855 January 16.  Columbian Register.  (New Haven, Connecticut.)  January 16, 1855, Vol. X, P. 2.

We noticed considerable in circulation in our city concerning Mr. Hopper’s instantaneous process for Daguerreotyping Children, which process consists of nothing more than in applying a little sweet oil to the plate previous to the chemical process—as this process was first introduced into this city by Mr. Gerrish who showed Mr. H. the process, not thinking it a secret worth keeping, as pictures cannot stand taken this way, as the oil on the plate, mingled with the coating, will soon cause it to corrode.  But he has another process, by which Daguerreotypes can be taken as instantaneous, with better finish and durability—which process he is now ready to practice, at his new establishment, 144 Chapel st. next door below his old stand.  Take notice—Mothers wishing good and durable Daguerreotypes of their little children, will do well to call and examine daguerreotypes taken by this process, previous to procuring them elsewhere.  Perfect satisfaction will be given, or no charge, at Gerrish & Jones’ Daguerrean Gallery, 144 Chapel st.  formerly occupied by W. A. Judson.

Advertisement was recorded nineteen times between January 16 to February 15, 1855.

[1] Not listed in the 1853 or 1855 city directories.

Gay, Charles H.

Daguerreotypes, Stereoviews, , , , , , , , , , ,

1844-1845       Hall of the Tremont House, Claremont, New Hampshire.

1845                Rooms in Whitney’s Hotel, Woodstock, Vermont

1845                Rooms In Spalding Building, Montpelier, Vermont

1845                Room, over Bancroft & Riker’s Store, Montpelier, Vermont 

1845-1846       Rooms in the Masonic Hall, Rutland, Vermont.

ND                  192 Broadway, New York, New York.

1847                Younglove’s Hall, Union Village, New York.

1848                Cady’s Hall, East Bennington, Vermont.

1848                Court House, Centre Bennington, Vermont.

1848-1849       Stark House, East Bennington, Vermont.

1849                No’s. 10 & 12 Washington Place, Union Village, New York.

1849                Hobron’s Building, under Ledyard Hall, New London, Connecticut.

1851-1857       46 Bank Street, New London, Connecticut.

1844 November 29.  National Eagle.  (Claremont, New Hampshire.)  November 29, 1844, Vol. X, No. 7, P. 3

Colored Daguerreotype Miniatures.  Charles H. Gay, from New York, would respectfully inform the citizens of Claremont and vicinity, that he has taken the Hall of the Tremont House, where he is prepared to execute Daguerreotype Miniatures in a superior manner, possessing all the colors of life as well aa very perfect likenesses.  Having Superior German Apparatus, he will take Portraits and Miniatures from the smallest to the largest size ever taken in this Country.

Groups of from 2 to 15 on the same plate.  A faithful likeness is in all cases warranted, and no charge unless perfect satisfaction is given.

His prices are low, placing these miniatures within the reach of all.

The citizens are invited to call and examine specimens of the art.

Advertisement ran from November 29, 1844 to February 14, 1845.

1844 December 20.  National Eagle.  (Claremont, New Hampshire.)  December 20, 1844, Vol. X, No. 10, P. 3

Daguerreotype Miniatures.  Mr. Gay, who has been in town two or three weeks with his

Daguerreotype apparatus, will remain but a short time longer.  If you want a correct, distinct

likeness, give him a call.  Hose we have seen are perfect, little if any inferior to paintings.  See

his advertisement.

1845 February 21.  National Eagle.  (Claremont, New Hampshire.)  February 21, 1845, Vol. X, No. 19, P. 3

Charles H. Gay, Would inform the citizens of Claremont that he will remain in town but a few

days longer.  Those persons desirous of obtaining Daguerreotype Miniatures taken in a superior

manner will please call.

Advertisement ran from February 21 to March 21, 1845.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 2.

We would call the attention of our readers to Mr. Gay’s Daguerreotype notice on the next page. We have examined some of his work and have no hesitation in pronouncing it the best ever exhibited here.

1845 September 5.  Vermont Mercury.  (Woodstock, Vermont.)  September 5, 1845, Vol. IX, No. 24, P. 3.

Daguerreotype.  Charles H. Gay, of New York; would respectfully inform the Citizens of Woodstock and Vicinity that he will opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel on Saturday Sept. 6, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute Portraits and miniatures in a style not surpassed by any ever taken.

He will be prepared to execute Portraits and Miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.  No picture is allowed to leave his rooms unless proper satisfaction is given.

The citizens are invited to call and examine specimens of Art brought to its highest state of perfection.

Advertisement ran from September 5 to 19, 1845

1845 September 18.  Spirit of the Age.  (Woodstock, Vermont.)  September 18, 1845, Vol. VI, No. 278, P. 3.

Daguerreotype.  Cha’s H. Gay, Of New York; Would respectfully inform the citizens of Woodstock and vicinity that he has opened his Gallery of Daguerreotype Portraits, at Whitney’s Hotel, where he will remain, for a short time, and is prepared to execute Portraits and Miniatures in a style not surpassed by any ever taken.  He is prepared to execute portraits and miniatures from the smallest to the largest size ever taken either in this country or in Europe

Groups of from 2 to 15 taken on a single plate.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.       

Rooms open from 8 a. m. 6 p. m.  Sept. 10, 1845.

Advertisement ran from September 11 to October 9, 1845.

1845 October 9.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 9, 1845, Vol. XXXIX, No. 48, Whole No. 2034, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 9 to 30, 1845.

1845 October 16.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 16, 1845, Vol. II, No. 42, P. 3.

Daguerreotype!  Charles H. Gay, of New York, Would respectfully inform the citizens of Montpelier, that that he has opened his Daguerreian Rooms in Spalding Building, over the store of Bancroft & Riker, where he would invite the attention of the citizens, and members of the Legislature, to his splendid specimens of Daguerreotype Portraits and Miniatures.  He is prepared to execute the various sizes from the smallest to the largest ever taken in this country or in Europe, and in a style which cannot fail to please.  Groups of from 2 to 15 taken on a single plate.  Landscape views taken in superior style.  The public generally are invited to call.  Rooms open from 8 A. M. to 6 P. M.

Advertisement ran from October 16 to November 6, 1845.

1845 October 23.  Green-Mountain Freeman.  (Montpelier, Vermont.)  October 23, 1845, Vol. II, No. 43, P. 2.

Something Worth Seeing.—All who are friends of the fine arts, and would like to see Daguerreotype likenesses, superior to any ever taken in the State, will do well to call at Charles H. Gay’s room, over Bancroft & Riker’s store.  His apparatus is of a superior kind and none can look upon his likenesses without being disposed to patronize him.  Here is a rare chance for those who may wish to procure a beautiful and perfect likeness.

1845 October 23.  Vermont Watchman and State Journal.  (Montpelier, Vermont.)  October 23, 1845, Vol. XXXIX, No. 50, Whole No. 2036, P. 2.

Montpelier In Miniature.—Mr. Gay has produced a beautiful daguerreotype view of part of our village, including a portion of the river, and the hills east.  A more beautiful picture we have seldom seen.  It is now at our book-store for examination. 

1845 December 4.  Rutland Herald.  (Rutland, Vermont.)  December 4, 1845, Vol. 51, No. 49, P. 3.

Daguerreotype.  Charles H. Gay, of New York, Daguerrean Artist, would respectfully inform the citizens of Rutland, that he has opened his Room in the Masonic Hall, opposite A. Dyer’s, where he will remain for a short time and will be prepared to execute the various sizes from the smallest to the largest ever taken either in this country or in Europe, and in a style which cannot be surpassed.

Groups of from 2 to 15 taken on a single plate.

Rooms open from 8 A. M. to ½ past 4 P. M.  Operations without regard to weather from 9 A. M. to 4 P. M.

The citizens are invited to call and examine specimens of the art brought to its highest state of perfection.  Rutland, Dec. 4, 1845.

Advertisement ran from December 4, 1845 to February 12, 1846.

1847 May 27.  Washington County Journal.  (Union Village, New York.)  May 27, 1847, New Series—Vol. V, No. 33, Whole No. 242, P. 3.

Daguerreotypes.  Chas. H. Gay, formerly from 192 Broadway, N. Y., would respectfully announce to the citizens of Union Village and vicinity, that his Daguerrian Gallery is now open at Younglove’s Hall, where it will remain for a short time, and would invite the attention of the citizens to his unrivalled specimens of the Photographic Art.

He is prepared to execute all the various sizes, from the smallest locket size to the largest Cabinet size ever taken either in this country or in Europe.  Groups of from 2 to 20 taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  These Pictures are taken with a Speculum, and will not be reversed.  The style and finish of these Pictures shall excel in beauty and faithfulness, and possess all the colors of life.

The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection.

Operations from 8 A. M., to 5 P. M., without regard to weather.

Rooms open from 8 A. M., to 7 P. M.  May 24, 1847.

Advertisement ran from May 27 to August 26, 1847.

1848 May 3.  Vermont Gazette.  (Bennington, Vermont.)  May 3, 1848, Vol. LXIX, No. 4339, New Series—Vol. 2, No. 16, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 3 to 22, 1848.

1848 May 8.  The State Banner.  (Bennington, Vermont.)  May 8, 1848, Vol. 8, No. 8, Whole No. 372, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he will open rooms in the above village, about the 15th of May, and will be prepared to execute Daguerreotypes Portraits and Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to 24, 1848.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 2.

Mr. Gay, Daguerreotype Artist, is in this village.  See his advertisement.

1848 May 27.  The State Banner.  (Bennington, Vermont.)  May 27, 1848, Vol. 8, No. 11, Whole No. 375, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from May 8 to July 1, 1848.

1848 June 7.  Vermont Gazette.  (Bennington, Vermont.)  June 7, 1848, Vol. LXIX, No. 4344, New Series—Vol. 2, No. 21, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of East Bennington and vicinity, that he has opened rooms at Cady’s Hall, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from June 7 to 28, 1848.

1848 June 10.  The State Banner.  (Bennington, Vermont.)  June 10, 1848, Vol. 8, No. 13, Whole No. 377, P. 2.

Looking the other day at some specimens of Daguerreotype pictures in Mr. Gay’s room, we were surprised as well as delighted at their lifelike fidelity.  Several of our townsmen we recognized among them, and so far as we were able to judge are the very highest perfection of the art.

We marvel that these cheap and excellent pictures are not even more common than they are.  It would seem that when a trifling sum will procure a capital portrait, there should hardly be a family without them.  Who so unloved that he has not at least on friend who would gladly procure a portrait of him at so trifling a cost?  What mother would not gladly retain a faithful image of each child in its season of innocence and trust?  We would advise all those who wish a fine portrait of themselves or friends to call upon Mr. Gay, as an opportunity seldom offers for procuring perfect pictures.

1848 June 14.  Vermont Gazette.  (Bennington, Vermont.)  June 14, 1848, Vol. LXIX, No. 4345, New Series—Vol. 2, No. 22, P. 3.

We can most conscientiously advise our friends who may be desirous of portraits of themselves or friends  to call at the rooms of Mr. Chas. H. Gay, in this village, and examine his specimens.  In our judgement they are decidedly of the very highest order of merit, and far superior to the generality of Daguerreotype portraits; in truth we have never seen them surpassed.  Mr. Gay’s engagements are such that he can remain but a short time.

1848 August 15.  Vermont Gazette.  (Bennington, Vermont.)  August 15, 1848, Vol. LXIX, No. 4356, New Series—Vol. 19, No. 33, P. 3.

Daguerreotype Atelier.  Charles H. Gay (Formerly from 192 Broadway, N. Y.)  Would respectfully inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from August 15 to September 12, 1848.

1848 August 19.  The State Banner.  (Bennington, Vermont.)  August 19, 1848, Vol. 8, No. 23, Whole No. 387, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has opened rooms at the Court House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from August 19 to October 28, 1848.

1848 September 19.  Vermont Gazette.  (Bennington, Vermont.)  September 19, 1848, Vol. LXIX, No. 4361, New Series—Vol. 19, No. 38, P. 3.

Charles H. Gay, Daguerreotype Atelier, is ow at the Court House where he is prepared to execute Daguerreotype Portraits and Miniatures I the highest style of the art.

His specimens are beautiful.  Give him a call.

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXVIII, No. 4362, New Series—Vol. 19, No. 39, P. 2.

Gay is doing a flourishing business at the Court House.  He must be one of the first masters to execute good likenesses of such groups of superlative beauties as we saw, one day last week, in his Daguerreotype Gallery.  As an honest heart and conscience at repose are highly favorable to fine impressions, we would suggest that those desirous of superior portraits should before sitting, become thoroughly imbued in the Democratic principles!

1848 September 26.  Vermont Gazette.  (Bennington, Vermont.)  September 26, 1848, Vol. LXIX, No. 4362, New Series—Vol. 19, No. 39, P. 3.

Daguerreotype Atelier.  Charles H. Gay, (Formerly from 192 Broadway, N. Y.)  Would re-pectfully (sic.)  inform the citizens of Bennington and vicinity, that he will open his Daguerrian Gallery at the Court House, on Sept 1st. where he will remain a short time and is prepared to execute Daguerreotypes Portraits and Miniatures, in a style which cannot be surpassed.  He is prepared to execute all the various sizes, (embracing seven distinct ones,) from the smallest size to the largest ever taken either in this country or in Europe. 

Groups of from two to twenty taken on a single plate.  Landscape Views, Views of Private Residences, Copies of Paintings, Statuary, &c., executed in an unrivalled manner.  The Pictures will be made with a Speculum and will not be reversed.

As many doubts are expressed with regard to the durability of Pictures taken by the Daguerreotype process, Mr. G. would here say that pictures properly taken, will last as long, and preserve all their brilliancy, as the best Oil Paintings.  The most incredulous can be perfectly satisfied on this matter by calling at his rooms.

From the long experience of the proprietor I the business, the superiority of his instruments, having both German and American, he flatters himself  that he can give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.  Those having pictures taken by the old process can have them retaken at a small expense.

Advertisement ran from September 26 to October 10, 1848.

1848 October 10.  Vermont Gazette.  (Bennington, Vermont.)  October 10, 1848, Vol. LXVIII, No. 4364, New Series—Vol. 19, No. 41, P. 2.

Something Rare.  Mr. Charles H. Gay, the celebrated Daguerreotype artist, has executed within the past week, upon one plate, the likenesses of six individuals of this town, whose united ages amount to four hundred and ninety years.  One, the last surviving here of the battle of Bennington, with his gun by his side; another, supposed to be the first born in the State of Vermont: all of them born here in, and residents of Bennington at the time of the battle, August 16th, 1777.  Upon the same plate is Col. Baum’s sword, also a sword taken from a hessian soldier in single combat, by the late Joseph Rudd, Esq., of this town.  Taken together it is one pof the most interesting pictures ever produced by the art.

1848 November 11.  The State Banner.  (Bennington, Vermont.)  November 11, 1848, Vol. 8, No. 35, Whole No. 399, P. 3.

Daguerreotype Atelier.  Charles H. Gay Formerly from 192 Broadway, New York, would respectfully Announce to the citizens of Centre Bennington and vicinity, that he has taken rooms at the Stark House, and is prepared to execute Daguerreotypes Portraits & Miniatures, in the very highest style of the art.  He will execute all the various sizes—(embracing seven distinct ones,) from the smallest Locket size to the largest Cabinet size Picture, ever taken either in this country or in Europe. 

Groups of from 2 to 20 taken on a single plate—Landscape views—views of private residences—copies of Paintings, Statuary, &c., in an unrivalled manner.  These pictures will be made with a Speculum and will not be reversed.

From the long experience of the proprietor—the superiority of his instruments, having both German and American, he flatters himself  that he can give the most entire satisfaction.

Advertisement ran from November 11, 1848 to January 6, 1849.

1849 April 21.  The State Banner.  (Bennington, Vermont.)  April 21, 1849, Vol. IX, No. 6, Whole No.422, P. 2.

Daguerreotypes.—C. H. Gay, the inimitable daguerreotype artist, is now in our village; but will remain for a few days only, after which time he will be with us no more, as he isto locate, permanently, in Connecticut.

1849 May 10.  Washington County Journal.  (Union Village, New York.)  May 10, 1849, New Series—Vol. Seventh, No. 31, Whole No. 344, P. 3.

Daguerreotype Atelier.  Charles H. Gay would respectfully inform the citizens of Union Village and vicinity, that he has returned, and has opened his Daguerrian Gallery at Rooms No. 10 & 12, Washington Place, where he will remain a short time, and is prepared to execute Daguerreotypes Portraits & Miniatures in a style that cannot be surpassed.  He is prepared to execute all the various sizes (embracing seven distinct ones,) from the largest to smallest ever taken, either in this country or in Europe.  Groups of from two to twenty taken on a single plate.

From the long experience of the proprietor in the business, the superiority of his instruments having both German and American, he flatters himself he will be able to give the most perfect satisfaction.

Pictures taken equally well in cloudy as clear weather.

N. B.—Those having pictures taken by the old process, can have them retaken at a small expense.

The public are respectfully invited to call and examine specimens of the art brought to its highest state of perfection.

Rooms open from 8 A. M. to 5 P. M. May 10, 1849.

Advertisement ran from May 10 to 31, 1849.

1849 October 27.  New London Daily Chronicle.  (New London, Connecticut.)  October 27, 1849, Vol. II, No. 152, P. 4.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens.  oct. 25.

1849 October 21.  New London Democrat.  (New London, Connecticut.)  October 21, 1849, Vol. V, No. 33, Whole No. 241, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 21, 1849 to September 28, 1850.

1849 October 31.  New London Weekly Chronicle.  (New London, Connecticut.)  October 31, 1849, Vol. II, No. 79, P. 3.

Photographic Gallery.  C. H. Gay would respectfully announcement to the citizens of New London and vicinity, that he has opened a Photographic Gallery in Hobron’s Building under Ledyard Hall.

Mr. G. would invite particular attention to his new style of picture recently introduced, combining the artistical arrangement of light and shade so much admired in paintings, with the richness of tone and natural expression of the Daguerreotype.

Having a full size instrument which makes all the various sizes from the largest to the smallest, he is prepared to group any number on a single plate.

Landscapes, views of private residences, copies of stationary, paintings, &c. executed in an unrivaled manner.  These pictures will not be reversed.

From long experience combined with superior instruments and all the modern improvements in the art, he would respectfully solicit a share of patronage.

The public are respectfully invited to call and examine specimens. 

Advertisement was recorded seventeen times between October 31, 1849 to October 30, 1850.

1850 November 4.  New London Daily Chronicle.  (New London, Connecticut.)  November 4, 1850, Vol. III, No. 163, P. 2

The New Map of the City is in the main a very creditable work, and we really wish our citizens would manifest their favorable opinion of the labors of the compiler by taking off his hands any number of copies he may happen to have after furnishing his subscribers.  To say nothing of its convenience to every citizen, it is worth all that is asked for it as an ornament to his hall.  The border is adorned with the following engravings, and all of them accurate, and some of them very beautiful in design…all of these engravings are fac similes taken by Mr. Gay, the Daguerreotypist, and of course literal representations of the several objects.

1851 June 2.  New London Daily Chronicle.  (New London, Connecticut.)  June 2, 1851, Vol. IV, No. 32, P. 3.

Sky Light Daguerreotypes.  The Most Approved and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various sizes of Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory.  

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

1851 July 10.  The New London Weekly Chronicle.  (New London, Connecticut.)  July 10, 1851, Vol. IV, No. 12, Whole No. 167, P. 3.

Sky Light Daguerreotypes.  The Most Approved, and only Correct way of Operating.  Charles H. Gay, would respectfully announce to the citizens of New London and vicinity, that his Daguerreotype Rooms are again open upon an enlarged and extended plan in the building occupied by Frink, Chew & Co., No. 46 Bank st., a few doors below the Steamboat Hotel, on the opposite side, and adjoining Lawrence’s Exchange, where he is prepared to execute all the various Daguerreotypes in an unequalled style.

Having the most spacious Sky Light in the State, arranged upon strictly scientific principles, he is prepared to execute all of the various sizes of Daguerreotypes in splendid style.

Particular attention will be paid to Grouping, Families desirous of having groups taken, and who have hitherto experienced difficulty in having perfect pictures in consequence of the contracted nature of side lights, will please notice that they can now have Groups taken of from two to Twenty persons in the most perfect manner.  Pictures of Children taken in One Second, which will insure to parents Pictures of their little ones.

Copies of Daguerreotypes, Paintings and Statuary; likewise Landscape Views, and views of private residences executed in an unrivalled manner.—Those persons having pictures taken by the old process, or poor and indifferent pictures, can have them retaken at a small expense.

Mr. G. would say, that the public will please bear in mind that no difference will be made with regard to cloudy or clear weather.  With the spacious sky light he has constructed, pictures will be made equally well in cloudy as clear weather, and in some instances better in cloudy weather.  No Picture expected to be taken unless it is perfectly satisfactory. 

No charge will be made in any instance; unless the person sitting is perfectly satisfied.

Hours of operation from 8 A. M. to 7 P. M.  46 Bank st.  Chas. H. Gay.  June 2.

Advertisement ran from July 10, 1851 to March 31, 1853.

1852 December 2.  The New London Daily Chronicle.  (New London, Connecticut.)  December 2, 1852, Vol. V, No. 33, Whole No. 240, P. 2.

Stereoscopic of Solid Daguerreotypes.  The attention of the citizens of New London are invited to this new and beautiful discovery in Daguerreotyping.

Specimens of the style now ready for exhibition.  The public are respectfully invited to call and examine  these new are beautiful specimens of Art at Chas. H. Gay’s Daguerrean Gallery, No. 46 Bank-street.

1853 February 3.  The New London Daily Chronicle.  (New London, Connecticut.)  February 3, 1853, Vol. V, No. 42, Whole No. 249, P. 3.

Daguerreotypes.  The Subscriber would inform his friends and patrons in New London and vicinity that he has made such additions tohis stock as his increased patronage requires, and that his Sky Light Daguerreotypes are still unsurpassed by any in the country.  The once popular but erroneous opinion that a Picture was good in proportion to its paleness and want of shadow, has given way to the light of experience, and there are now but few so ignorant as not to be aware that in these Types of the :human face divine,” it is the shadows that give force to the expression and make them true to nature.  Any one that has ever been at all conversant with paintings of the most celebrated artists, ancient as well as modern, must have been struck with the fact that the depth and force of shadows was in proportion to the eminence of the Artist.  It is because there is no other way on a flat surface to make objects stand out.  Such an effect is produced by sky light, when skilfully managed, to a greater degree than any other.  Charles H. Gay, 46 Bank-street. New London.

Advertisement ran from February 3, 1853 to January 5, 1854.

1857 June 18.  The New London Daily Chronicle.  (New London, Connecticut.)  June 18, 1857, Vol. IX, No. 50, Whole No. 485, P. 3.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

1857 June 19.  New London Daily Chronicle.  (New London, Connecticut.)  June 19, 1857, Vol. X, No. 50, P. 2.

To Let.  The Daguerreotype Rooms in Brick building, No. 46 Bank Street, with spacious sky light and fixtures thereto pertaining; formerly occupied by C. H. Gay, Daguerreotypist.  Apply to Adam Frink, Office as above.  House 18, Bank St.  jne17.

Gavit, Daniel E.

Daguerreotypes, , , , , , ,

1845                15 Dow’s Building, Albany, New York.[1]

1845-1846       85 Genesee Street, Auburn, New York.

1848-1850       480 Broadway, Albany, New York.

1850-1852       247 Broadway, New York, New York.

1852                192 Broadway, corner John Street, New York, New York.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures.

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 2.

Gavit’s Daguerreotype Gallery.  Mr. Oliphant,—I last week visited the Daguerreotype Gallery of D. E. Gavit, late of Albany.  Although I Have had the pleasure of seeing many fine specimens of this beautiful art.  I never saw any, that for magnificence of execution, and faithfulness of representation would compare with those taken by Mr. Gavit.  His pictures unlike those taken by most other artist, present every feature as perfect as they exist in the person taken.  The eyes, the expression of the countenance, and the complexion, are all taken perfectly, which in my opinion render them equal, if not superior to the best Miniature Likenesses upon ivory.  And I sincerely hope Mr. Gavit may receive that patronage from the citizens of this village, which his talents and his superiority in his business deserve.  Auburn, Dec. 1, 1845.         G. L. F.

We insert the above with pleasure, conscious that by such course we are but doing an act of justice to Mr. G., whose beautiful specimens of the perfection to which this recently discovered art has been brought, deserve the highest praise.  The reader is referred also to his advertisement.

1845 December 3.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 3, 1845, Vol. 13, No. 31, P. 3.

Daguerreotype.  Daniel E. Gavit, Premium Photographist, late of the firm of Walker & Gavit, Albany, respectfully informs the citizens of Auburn, that he has opened his Gallery at No. 85 Genesee street, up stairs, for a limited term of Ten Days, and will be happy to wait on those who require his services and will favor him with their patronage.

The Gallery contains perhaps, the largest and most unique variety of specimens ever exhibited in Western New York; containing many of our most eminent statesmen and others, all taken from life, viz: Hon. Henry Clay, Hon. Martin Van Buren, Hon. John Quincy Adams, Hon. Theodore Frelinghuysen, Hon. John C. Spencer, Hon. John C. Spencer, Hon. Silas Wright, Hon. Wm. H. Steward, Hon. Wm. L. Marcy, Hon. Wm. C. Bouck, Hon. C. Morgan, Gov. Briggs of Mass., Judge Miller, Judge Bacon, Nathaniel S. Benton, A. C. Flagg, Hugh Halsey, Gen McNeil, Edwin Croswell, Horace Greeley, Henry Phillips the Vocalist, Bishop Heding, Clark Robinson, and a great number of Ladies and others too numerous to mention in an advertisement.

Copies taken from any of the above for those who wish it at a reasonable charge.

He will add that his pictures have received the Highest Honors wherever they have been exhibited, and at the late Fair of the American Institute, in New York, they were pronounced Superior To All Others, by 20,000 visitors.  A visit to the establishment is respectfully solicited from All.

Every article used in the business, for sale on the most reasonable terms.  Instructions thoroughly given, and Pupils advanced as fast as practicable.

Views of Buildings, Cattle, Horses, and most any thing taken correctly.

Portraits of sick or deceased Persons, taken at their residences when required.  From a list of recommendations from the Press and others, please call at the Galleries.  Auburn, Dec. 3, 1845.

1845 December 10.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 10, 1845, Vol. 13, No. 32, P. 2.

Daguerreotype.—In consequence of the liberal patronage received from the citizens of Auburn, for which he begs leave to return his sincere thanks, and to accommodate those who wish to sit, the subscriber has determined to remain a few day longer.

Those who require his services are requested to call immediately, as he assures them his stay is limited.  D. E. Gavit, Galleries No. 85 Genesee-st., up stairs.

Advertisement ran from December 10, 1845 to January 7, 1846.

1845 December 24.  Auburn Journal and Advertiser.  (Auburn, New York.)  December 24, 1845, Vol. 13, No. 34, P. 2.

Mr. Editor,—A correspondent in your last, in alluding to the Daguerreotype Gallery of Mr. Gavit, quotes the old saying, that a “new broom sweeps clean.”  I believe all who have seen Mr. G’s specimens in the art alluded to, up to the present time, will concur with me in the remark that his broom has so far the advantage of many others that have been known in this section, that it still retains its newness and freshness.

1848 September 11.  New York Herald.  (New York, New York.)  September 11, 1848, Whole No. 5213, P. 1.

Another Fire In Albany.  [From The Albany Atlas, September 9.]

About 2 o’clock this morning, a fire broke out in the the splendid block of buildings, Nos. 480 and 482 Broadway, a door or two north of the Mansion House, belonging to the estate of Samuel Fisk, Esq., and occupied by Mulford & Wendell, jewelers; R. W. Freeman, tailor; Samuel Stevens, law office; Mr. Delancey, and the Daguerrean room of Mr. D. Gavitt… 

1849 October.  Eighth Annual Report Of The American Institute, Of The City Of New York.  (Albany, New York.)  1850, P. 25 & 46.

List Of Premiums Awarded By The Managers Of The Twenty-Second Annual Fair Of The American Institute, October 1849…Daguerreotypes.

M. B. Brady, 205 Broadway, for the best daguerreotypes.  Gold Medal.

M. A. Root, Philadelphia, Penn., for the second best daguerreotypes.  Silver Medal.

D. E. Gavit, Albany, N. Y., for daguerreotypes.  Diploma.

1850 August 13.  New York Herald.  (New York, New York.)  August 13, 1850, Whole No. 5908, P. 5.

President Millard Fillmore.—Just published, an admirable portrait of the President of the United States, executed by Crehen, after a beautiful daguerreotype taken by Gavit.  Price of each copy $1.  Goupel, Vibert & Co., 289 Broadway.

Advertisement ran from August 13 to 16, 1850.

1850 September 13.  New York Semi-Weekly Tribune.  (New York, New York.)  September 13, 1850, Vol. IV, No. 32, Whole No. 344, P. 2.

Another Fire In Albany.—The Evening Journal says, James Kidd’s beautiful building, Nos. 480 and 482 Broadway, was destroyed by fire on Saturday morning.  The upper part of the building was occupied in part by S. Stephens, Esq. as a law Office, Gavitt & Co. Daguerreotypists, and several persons.  Nearly all the property in the building was insured.…

1850 September 13.  New York Daily Tribune.  (New York, New York.)  September 13, 1850, Vol. X, No. 2885, P. 4.

A Daguerreotype.—We were shown yesterday an exquisite specimen of the excellence to which Daguerreotyping has been brought.  It was the portrait of a young girl, by Mr. D. E. Gavit, of Albany, to whom the first premium of a silver medal has just been awarded at the late State Fair in Albany.  The great merit of this Daguerreotype lies in the general softness and harmony of the shadows, the unconstrained ease of the attitude, and the life-like animation of the face.  It may be seen for a few days at Mr. Anthony’s, 205 Broadway.  Mr. Gavit, we learn, intends shortly establishing himself in this city.

1850 September 13.  Jamestown Journal.  (Jamestown, New York.)  September 13, 1850, Vol. XXV, No. 17, Whole No. 1,265, P. 2.

From the State Register.  The State Fair…Manufacturing Hall…

The daguerreotype business ought to be flourishing, by the handsome displays made by its practitioners.  In addition to Mr. D. E. Gavit’s mentioned yesterday, Messrs. Mead and Clark of this city, have both handsome collections of portraits.  Mr. D. D. T. Davis, of Utica, also exhibits a collection of Daguerreotypes, comprising some excellent likenesses of very distinguished persons and some beautiful portraits, [con] considered as works of art, of which the originals are unknown here.

1850 September 15.  The New York Herald.  (New York, New York.)  September 15, 1850, Whole No. 5941, P. 3.

The State Fair.—We were shown, yesterday, a specimen of daguerreotypes from the gallery of Mr. D. E. Gavit, of Albany, and the one which won the first prize of a silver medal, at the late State fair.  It was a perfect specimen of the art, and shows the great perfection to which that branch has been brought.  Mr. G. also received a diploma for the best selection of pictures, all of which he has left at the store of Mr. Anthony, in Broadway, for public inspection.

1850 October.  Transactions Of The American Institute Of The City Of New York 1850. P.21 & 41.

List Of Premiums Awarded By The Managers Of The Twenty-Third Annual Fair Of The American Institute, October 1850…

Daguerreotypes. 

M. A. & S. Root, 363 Broadway, for the best daguerreotypes.  Silver medal.

J. Gurney, 189 Broadway

Meade Brothers, 233 Broadway,

Harrison & Holmes, 289 Broadway,

D. E. Gavit, 247 Broadway,

C. M. Cary, 187 Broadway

For excellent daguerreotypes, no difference being perceptible to the Judges.  Silver medal to each.

Meade Brothers, 239 Broadway, for superior chemically colored daguerreotypes.  Diploma.

Minors’ Work.

Thomas B. Atkins, 219 Fulton-street, Brooklyn, for daguerreotypes.  $5 and a certificate.

1850 October 25.  The New York Herald.  (New York, New York.)  October 25, 1850, Whole No. 5980, P. 1.

Premiums Awarded at the Fair of the American Institute.  We give to-day a continuation of the list of premiums, of which we had not space for insertion yesterday.  To-morrow, we shall conclude it entire and make what comments we judge proper on the whole affair. 

Silver Medals:

Langenheim & Co., New York, best Talbotypes.

M. A. & S. Root, New York, Best daguerreotypes.

J. Gurney, New York, second best daguerreotypes.

Meade & Brothers, New York,  do           do.

Harrison & Holmes, New York, do           do.

D. E. Gavit, Albany, N. Y.,         do           do.

*C. M. Cary, New York,             do           do.

*possibly Preston M. Cary.

1850 November 5.  The Granite Farmer.  (Manchester, New Hampshire.)  November 5, 1850, Vol. I, No. 34, P. 5.

Fair of the American Institute…

Daguerreotypes.

Considerable space in the gallery is devoted to the exhibition of Daguerreotype pictures, as usual.  We have generally paid attention to the quality of the specimens, and, without wishing to disparage our city artists, we feel compelled to give the preference to Messrs. Roots’, of Philadelphia, and Mr. Gavitt’s, of Albany.  We last year paid a high compliment to the [skill] of Messrs. Roots, and we are pleased to notice, by a card, that they have opened a splendid gallery in this city, at No. 363 Broadway, corner of Franklin.  If any of our friends desire a perfect cemblance (sic.) of themselves, and a picture finished in the highest style of the art, we can assure them that they can obtain it at the above place.  Scientific American.

1850 November 14.  The New York Daily Tribune.  (New York, New York.)  November 14, 1850, Vol. X, No. 2989, P. 4.

Gavit’s Premium Daguerreotype, at the National Miniature Gallery, 247 Broadway, corner Murray, over Ball, Thompkins & Black’s.—The proprietor is pleased to announce, that after repeated requests from his friends in New York, he is now permanently located as above, where all who wish can procure his superior Photographs, which he will warrant to be equal in finish and artistical skill to any yet produced in this wonderful art.  The Gallery (which is formerly owned by Anthony, Clarke & Co.) is the most extensive in the world, and contains over one thousand portraits of the most eminent men of the age who are celebrated as statesmen, warriors, poets, artists, divines, heroes, etc., and is well worth a visit from all.  The proprietor will use his utmost endeavors to please all who honor him with their patronage, and no charge will be made without the utmost satisfaction is given. 

D. E. Gavit, successor to Langenheim & Co.

Having sold our Daguerreotype Establishment to Daniel E. Gavit, we beg leave to recommend our successor to our customers, being satisfied that he deserves the public patronage in the fullest degree.  Langenheim & Co.

1850 November 21.  The New York Daily Tribune.  (New York, New York.)  November 21, 1850, Vol. X, No. 2995, P. 4.

Daniel Webster.—A superior Portrait of this great statesman can be seen at the National Miniature Gallery.  Also Portraits just added of Washington Hunt and Horatio Seymour, the late rival candidates for Governor.  Come and see them at Gavit’s, late Anthony, Clarke & Co. 247 Broadway, corner Murray.

1850 November 21.  The New York Herald.  (New York, New York.)  November 21, 1850, Whole No. 6007, P. 2.

Gavit, whose portraits were so extensively admired at the late fair of the American Institute, is now permanently located at the National Miniature Gallery, 247 Broadway, where those who wish can procure a perfect Daguerreotype, at all hours of the day.  The first prize, of a silver medal, was awarded those pictures, at the State Fair at Albany, and at the American Institute.  Late Anthony, Clark & Co., 247 Broadway, corner of Murray street.

1850 December 3.  New York Daily Tribune.  (New York, New York.)  December 3, 1850, Vol. X, No. 3005, P. 4.

Andrew Jackson, Gen. Taylor, Jas. K. Polk, Chancellor Kent, Silas Wright.—Portraits of the above, taken from life, can be seen at Gavit’s National Miniature Gallery, 247 Broadway, over Ball Thompson & Black.

1850 December 3.  The New York Herald.  (New York, New York.)  December 3, 1850, Whole No. 6019, P. 2.

The two highest medals for 1850, for the best Daguerreotype exhibited at the two last Fairs, held at Castle Garden and the State Fair at Albany, were awarded to D. E. Gavit, of the National Miniature Gallery, 247 Broadway—come and see them together with the largest and most elegant collection in the world.  Remember 247 Broadway, over Ball, Thompson & Black.

1850 December 4.  The New York Herald.  (New York, New York.)  December 4, 1850, Whole No. 6020, P. 2.

Gavit’s Daguerreotype.—Don’t be deceived or humbugged by those who profess to be Napoleons, Kings, Lyons, &c., but go and examine for yourselves, and give your patronage to that establishment where you are convinced you can get the utmost perfection of the art.  Be sure to call at the National Miniature Gallery, 247 Broadway.  No charge without the utmost satisfaction.

16 December 1850.  The Evening Post.  (New York, New York.)  December 16, 1850, Vol. XLIX, P. 2.

Gavit’s National Miniature Gallery, 247 Broadway, cor. Murray st. (Formerly Anthony, Clarke & Co.)

This establishment, the largest and most celebrated in the country, is now conducted by the subscriber, who pledges himself that its former enviable reputation shall be fully sustained, and that every picture will combine all the requisite perfection that the advancement of this elegant art is capable of producing.

This gallery contains over 1,000 portraits of the most distinguished men of the age, who are celebrated as statesmen, poets, authors, divines, heroes, orators, &c. and is well worthy a visit from all.

Those who patronize this establishment, are assured that pictures are as represented, and that we don’t depend on the usual gasconade and humbug of the day for business; and if the utmost satisfaction is not given to each patron, no charge is made.  Just received, a few elegant styles of cases, etc., for holiday presents.  D. E. Gavit, Proprietor.

Advertisement ran from December 16, 1850 to January 4, 1851.

23 December 1850.  The Evening Post.  (New York, New York.)  December 23, 1850, Vol. XLIX, P. 2.

Holiday Articles….—Among the many pleasing articles which may be presented as Gifts for the Holidays, we know of none more pleasing or appropriate than daguerreotype likenesses.  A reference to our advertising columns will give the names of some of the best daguerreotypist in New York, where accurate likenesses may be obtained at a little more than a minutes sitting, and at a moderate cost.  Among these we may mention the following names:  Holmes, 259 Broadway, who receives an extensive public patronage; Gavit’s daguerrean gallery, where may be seen the portraits of several of the notabilities of this and other countries.  Accurate portraits may also be obtained at the daguerrean rooms over J. J. Cox’s store, 349, where every convenience and requisite necessary for the taking of perfect likenesses may be found.  In addition to the daguerreotypists above named, we would recommend Mr. Gurney’s gallery, 189 Broadway, which is the oldest establishment of the kind in the city.  Color types on Ivory, glass and paper, are also taken here at a short sitting.  The gallery, No. 363 Broadway, is well worthy of a visit from those desiring a superior article.  Here may be seen several portraits of Jenny Lind, and other celebrities of the day.  Mr. Root exhibits no less than six medals, as testimonials of his services in the art.

1850 December 31.   The New York Herald.  (New York, New York.)  December 31, 1850, Whole No. 6045, P. 1.

American Industry in a Crystal Palace.  World’s Fair, London, 1851.

Articles Approved By The Local Committee Of The State Of New York, With Name And

Residence Of Exhibitor.

O. B. Evans, Buffalo, Daguerreotypes.

Meade & Brothers, New York, Daguerreotypes.

D. E. Gavit, New York, Daguerreotypes.

M. B. Brady, New York, Daguerreotypes.

W. M. Lawrence, New York, Daguerreotypes.

1851 January 8.  The New York Herald.  (New York, New York.)  January 8, 1851, No. 6752, P. 3.

Industrial Exhibition—London—1851.  Our Washington Correspondence.  Washington, Jan. 4, 1851.  The following is a list of articles received up to this date, by the Centeral Committee, for exhibition at the Great London Fair.—

6.  M. A. Root, daguerreotypes.

28.  W. & F. Langenheim, photographic slides.

31.  O. B. Evans, daguerreotypes.

35.  Meade & Brothers, daguerreotypes.

51.  D. E. Gavit, daguerreotypes.

63.  M. B. Brady, daguerreotypes.

77.  M. M. Lawrence, daguerreotypes.

1851 January 22.   The New York Herald.  (New York, New York.)  January 22, 1851, Whole No. 6066, P. 6.

Gavit’s National Miniature Gallery 247 Broadway, corner Murray street.—This establishment contains the largest collection on of the portraits of distinguished individuals ever brought together, and those daily taken there are specimens of the highest perfection of art.  The public are invited to call.

1851 February 1.  New York Daily Tribune.  (New York, New York.)  February 1, 1851, Vol. XI, No. 3056, P. 5.

Mr. D. E. Gavit, late of Albany, has opened a handsome suite of Daguerreotype rooms at the corner of Broadway and Murray-st. as successor to Langenheim & Co.  His pictures have frequently received premiums, and merit examination.

1851 February 13.  The New York Herald.  (New York, New York.)  February 13, 1851, No. 6088 P. 4.

The World’s Fair.  The Works and Inventions of the American Sovereigns, for the Crystal Palace.  Yankee Cabinet of Curiosities, &c., &c., &c.

42.  M. A. Root, Philadelphia, Pa., daguerreotypes.

62.  W. & F. Langenheim, Philadelphia, Pa., photographic magic lantern specimens.

105.  O. B. Evans, Buffalo, N. Y., daguerreotypes.

109.  Meade & Brothers, New York, daguerreotype.

125.  D. E. Gavit, New York, daguerreotypes.

137.  M. B. Brady, New York, daguerreotypes.

151.  M. M. Lawrence, New York, daguerreotypes.

396.  J. W. Whitehurst, Baltimore, daguerreotypes.

1851 February 19.  New York Daily Tribune.  (New York, New York.)  February 19, 1851, Vol. XI, No. 3071, P. 5.

The Daguerreotype Art.—In this age of in the useful arts and in cheap luxuries, none who possess the means of subsistence can make the costliness of family portraits an excuse for being without them.  The art of Daguerreotyping, in this country, has reached a point of great perfection, and the artists of New-York are among the foremost in excellence of workmanship, beauty of finish, and a quick apprehension and application of a new discoveries.  The establishment of Mr. D. E. Gavit, corner of Broadway and Murray-st., to which we alluded a few days since, is one of the most extensive in this country, and combines a number of advantages, which give it a peculiar claim upon public attention.—Probably a larger or better selected Portrait Gallery of distinguished personages could not be found.  His rooms are decked with the speaking likenesses of Presidents, Governors, Congressmen, eminent Divines, Jurists, and other more or less distinguished—the careful gleanings of many years.  Joining to a large experience that spirit of enterprise that never fails to succeed, Mr. Gavit has been enabled, by his discoveries on new chemical compounds and combinations, to impart to his pictures a finish of remarkable beauty, which gives general satisfaction, and insures him frequent premiums.  In Albany, where his principal establishment was, until recently, located, he achieved a name which is a sure guarantee of success among us.  We commend his establishment, No. 247 Broadway, to the attention of the reader.

1851 March 13.   The New York Herald.  (New York, New York.)  March 13, 1851, Whole No. 6716, P. 2.

The Daguerreotype In Perfection, at the National Miniature Gallery, 247 Broadway, corner Murray. Over Ball, Tompkins & Black.  Portraits of all sizes, in variety of settings.  Daguerreotypes copied, equal to the original.  Gavit’s, late Anthony Clark & Co.

1851 March 28.   The New York Herald.  (New York, New York.)  March 28, 1851, Whole No. 6731, P. 2.

Fine Arts.—Beautiful Daguerreotypes on ivory paper, in oil and water, finished in the most elaborate style.  The public generally are requested to call, and examine specimens of this superior process, at the National Miniature Gallery, 247 Broadway, corner of Murray.  Artists furnished with Talbotypes on reasonable terms.  D. G. Gavit.

1851 April 1.   The New York Herald.  (New York, New York.)  April 1, 1851, Whole No. 6735, P. 4

Talbotypes and Daguerreotypes.—Those beautiful pictures are acknowledged to be the “ne plus ultra” of art.  Those who wish to examine specimens (of which this gallery contains the largest collection in the world) are requested to call at the National Miniature Gallery, No. 247 Broadway.  D. E. Gavit.

1851 July 10.  The New York Herald.  (New York, New York.)  July 10, 1851, Whole No. 6833, P. 1.

Final Passage Of The Canal Bill, Large Number Of Bills Acted On.  Items from All Sections of the Country.  New York Legislature.  Special Session….Senate.  Albany, July 9, 1851.  Daguerreotype Likenesses of Senators.  A petition was presented by J. E. Gavet, asking the Senate to purchase the daguerreotype likenesses of the Senators.  It was referred to the Committee on Retrenchment.

1851 July 12.  The New York Herald.  (New York, New York.)  July 12, 1851, Whole No. 6835, P. 1.

New York Legislature.  Special Session…. Senate.  Albany, July 11, 1851….

Daguerreotype Likenesses.  The Senate refused to purchase the Daguerreotypes of the Senators of the previous Senate.

1852 February 15.  The New York Herald.  (New York, New York.)  February 15, 1852, Whole No. 7046, P. 2.

Fire.—Yesterday, evening about half past six o’clock, a fire broke out in the fourth story of the large brick building on the corner of Broadway and Murray street, occupied by D. E. Gavitt as the National Daguerreotype gallery; the occupants of the building are as follows:–The first floor is occupied by Ball, Black, & Co., jewelers, and the basement by W. O. Stout, card and steal engraver.  The second story by M. Lafever, B. T. Smith, architects, and Thomas Jones, keeper of bookkeeping; the third by D. W. C. Boutel, artist, W. W. Niles, and a P. Begley; attorneys; Henry Reiley, Taylor & Van Skelien, manufacturer of artificial flowers; the fourth floor by D. E. Gavitt, daguerreotype gallery, by S. Ellis & H. Noland, sculptors.  The fire originated in the mercury room of Gavitt’s daguerreotype gallery; but from what caused he could not tell.  The flames spread with such rapidity that before the firemen could get fairly at work the rooms were completely burned out, and in consequence of the impossibility of getting the hose to operate with anything like effect, caused by the bursting of several of them, fears were, at one time, entertained that the whole building would fall a prey to the devouring element.  When, however, several powerful streams were ultimately brought to play on the flames, they were soon subdued, but not before the greater part of the fourth story was demolished.  D. E. Gavitt lost every thing, amounting to about $3,000 which was not insured.  This is the second time that he has had the misfortune of being burned out—the first time in Albany, some three or four years ago, and also without being insured…

1852 February 16.  New York Daily Tribune.  (New York, New York.)  February 16, 1852, Vol. XI, No. 3379, P. 4.

Fires.—About 7 o’clock Saturday evening a fire broke out in the large four story brick building No. 247 Broadway, extending back over 150 feet on Murray-st, occupied by the following persons; Basement floor by Wm. C. Stout, card and seal engraver; first and second floors by Ball, Black & Co., jewelry and silverware manufacturers; third floor by W. W. Niles and S. Bagley, lawyers, Mr. Von Skelline, artificial flower maker, Henry Riley, tailor, Thomas Jones, teacher of penmanship, and M. Lafever and B. Smith, architects; fourth floor by D. E. Gavit, daguerreotypist, D. W. C. Boutelle, artist, and Horace Noland, sculptor.  The fire originated in Mr. Gavit’s daguerreotype establishment, and when first discovered could have been easily extinguished with a few pails of water.  Mr. G. was near by when the fire broke out, and discovering that it was in his premises ran quickly to the room, and had nearly succeeded in smothering the flames with his overcoat, when he was compelled to desist, being nearly suffocated by the dense smoke which had already filled the apartment.

The promptness with which the bell ringer gave the alarm, soon brought a large body of firemen upon the ground, who made their immediate action, succeeded in a short time completely subduing the devouring elements, which at first threatened the destruction of considerable property.

The rear portion of the fourth story occupied by Mr. Gavit, Horace Noland, and Boutelle the Artist, was entirely destroyed by fire, together with the property of the occupants, which is not insured.  The property of the occupants of the second and third story was damaged by water to the amount of several thousand dollars.

Mr. Gavit estimates his loss at about $3,000.  This loss falls heavily upon him, as the property destroyed was all he possessed, and he is not insured a dollar.  Some time since he met with a similar misfortune; his establishment in Albany having been destroyed, but there he was insured.  Mr. G. had a great number of pictures, of which about 600 were of distinguished Americans.  These were all destroyed, and as many of the originals are dead, they can never be replaced.  He saved only about a dozen pictures in all, besides two medals which had been awarded to him—one by the State Agricultural Society, and the other by the American Institute.  We trust to see Mr. G. at work again soon, when all his old friends should give him a lift….

1852 February 16.  Richmond Whig.  (Richmond, Virginia.)  February 16, 1852, Vol. 29, No. 14, P. 2.

New York, Feb. 15.—A fire broke out last night on the corner of Broadway and Murray street in a large building occupied by Messrs. Ball, Black & Co., Jewellers.—The upper story only was burnt which was occupied by D. Garritt, daguerreotypist, and by S. Cuss, whose damage was about $3000.  Much injury was done to Messrs. Ball, Black & Co., and the other occupants, by water, there was a large insurance, more than covering the loss.

1852 February 17.  New York Daily Tribune.  (New York, New York.)  February 17, 1852, Vol. XI, No. 3380, P. 5.

Help Proposed.—We understand that the Daguerreotype Artists of this City contemplate raising a fund for the benefit of Mr. Gavit, Whose establishment was totally destroyed by fire on Saturday evening last.  We trust the craft will do something handsome for Mr. G., as the fire swept everything away, leaving him nothing but his naked hands with which to support a large family.  His policy of insurance expired a few days before the fire, and unfortunately he had neglected to renew it.  He is a good artist, and an energetic man, and with a little timely assistance, which shall enable him to recommence business, he will soon be on his feet again.

1852 February 21.  New London Democrat.  (New London, Connecticut.)  February 21, 1852, Vol. VII, No. 50, Whole No. 362, P. 3.

Fire In New York, &c.  New York, Geb. 15—9 P. M.  The building corner of Broadway and Murray street was discovered on fire in the fourte (sic.) story last evening, and that portion occupied as the National Daguerreotype Gallery, was almost consumed.  The first story was occupied by Messrs Ball, Black & Co., who sustained considerable damage to their stock which is valued at $250,000, and is fully insured.

1852 April.  The Photographic Art Journal.  (New York, New York.)  April 1852, Vol. III, No. IV, P. 257.

The photographic art has had to pass through a fiery ordeal since our last, no less than four galleries have been wholly or partially destroyed by the devouring element.

The first was D. E. Gavit, 247 Broadway, which occurred early in March, destroying his whole stock.  The daguerrean art and the whole country suffered an irreparable loss by this occurrence, as Mr. Gavit’s gallery contained the largest, best and most valuable collection of daguerreotypes in the world.  Splendid portraits of some of our most remarkable men, and which can never be replaced, were consumed.  Mr. Gavit’s loss was total, as his policy of insurance expired only a day or two previous.

Mr. Gurney was the next to suffer—but we are happy to say received very little damage—and following close upon his disaster was that of Mr. Whitehurst, whose beautiful gallery in New York was nearly ruined by fire and water on Sunday morning March 28th.

The fourth and last case was that of Mr. Clark of Ithica, N. Y., who while in this city purchasing his spring stock received a telegraphic dispatch on the 29th ult. That his gallery had been burnt out.  The amount of this young but deserving artist’s loss we have not learned.

1852 April 18.  The New York Herald.  (New York, New York.)  April 18, 1852, Whole No. 7109, P. 2.

Daguerreotype.—Gavit’s National Miniature Gallery is re-opened at 192 Broadway, corner of John street, where the proprietor hopes to receive the patronage of his friends and the public generally.

1852 September 27.  New York Daily Tribune.  (New York, New York.)  September 27, 1852, Vol. XII, No. 3571, P. 1.

The Campaign Scott and Graham Songster—Second edition, enlarged and improved.  The largest, most beautiful, and best edition of spirited Whig Song extant.  Every section of the country should be supplied.  Committees and Booksellers’ orders, with cash, promptly supplied at $4 per 100 by the publisher, D. E. Gavit, No. 192 Broadway, N. Y.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Prize Medal Daguerreotypes.—The first medal ever awarded for Daguerreotypes in this country was given to D. E. Gavit, 192 Broadway, corner of John street, the excellence of whose pictures is universally acknowledged, and whose prices are lower than any other good artist’s in the city.  This utmost satisfaction given in all cases.

1856 December 25.  New York Daily Tribune.  (New York, New York.)  December 25, 1856, Vol. XVI, No. 4894, P. 3.

Republican General Committees For 1857.  Delegates to the Republican Central Committee and a Young Men’s Committee were chosen on Tuesday night by various Ward Associations.  In most of the wards only one ticket was got up.  Where there were more we have given the names said to be elected….Ward XX. Young Men’s Committee…D. E. Gavit.

[1] Address from Craig’s Daguerreian Registry.

Gardner, Robert G.

Daguerreotypes, ,

1854                138 Canal Street, opposite Laight, New York, New York.

1854 April 4.  The New York Herald.  (New York, New York.)  April 4, 1854, Whole No. 6432, P. 6.

Wanted, $275.—A Partner or Purchaser For a grand dioramic exhibition Conflagration  Moscow.  A fortune can easily be realized in a short time.  Responsible reference given.  For further particulars inquire for two days of R. G. Gardner, daguerrean gallery, 138 Canal street, opposite Laight.

Gardner, John B.

Ambrotypes, Daguerreotypes, Photographs, , , ,

1847                Corner of Read Street and Broadway, New York, New York.

1847-1852       293 Broadway, New York, New York.[1]

1853-1861       183 Eighth Avenue, New York, New York.1

1862                Address Unknown, New York, New York.1

1863-1874       305 Sixth Avenue, New York, New York.1

1875                Address Unknown, New York, New York.1

1847 December 24.  The New York Herald.  (New York, New York.)  December 24, 1847, Whole No. 4960, P. 2.

A Bold Theft.—Some bold thief entered the daguerreotype rooms of Mr. J. B. Gardner, corner of Read street and Broadway, yesterday morning, and in the temporary absence of Mr. Gardner the reseal unscrewed the plate from the end of the instrument, valued at $70, which he carried off without detection.

1854 March 4.  American Artisan.  (New York, New York.)  March 4, 1854, Vol. VII, No. 25, Whole No. 337, P. 8.

Business Directory—Daguerreotypes.

Aug. Morand……….65 Chatham st.

Business Directory—Daguerreotypist—Bleecker street.

A. G. Demarest…….326 Bleecker, corner of Amos.

P. Welling………….Corner of Bleeker and Carmine.

Business Directory—Daguerreotypes—Bowery and Third ave.

A. Eddy……………..107 Bowery.

H. V. Harris…………132 Bowery.

Business Directory—Daguerreotypes—Eighth ave.

J. B. Gardner………..183 Eighth avenue.

A. D. Hopper………..109 Eighth avenue.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

J. B. Gardner—Very fair specimens, much superior to ordinary galleries.

[1] New York City Directories.