1859 283 & 285 Fulton Street, Brooklyn, New York.
1859 December 14. The New York Herald. (New York, New York.) December 14, 1859, Whole No. 8500, P. 6.
Photographer And Ambrotypist Wanted—immediately. Apply to A. W. Jacob, 283 and 285 Fulton, Brooklyn, N. Y.
1852-1856 283 Fulton Street, Brooklyn, New York.
1859 Eighth Ave, near West 28th Street, New York, New York.[1]
1852 June 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) June 15, 1852, Vol. 11, No. 140, P. 2.
Superior Daguerreotypes, At Harrison & Hill’s Gallery, Whitehouse Building, 283 Fulton St., Between Tillary and Johnson streets, Brooklyn.
The undersigned solicit your attention to the opening of their new Suite of Rooms, which have been constructed especially for Photographic purposes, and are fitted up with a degree of taste and splendor hitherto unappropriated to the beautiful Art. As regards quality of work, we are not of those who would sing their own praise, but would call your attention to the annexed testimonials from some of the first American Historical and Portrait Painters—men qualified in every respect to be the best of judges, and who would not give commendation to those in the world of Art who are not deserving.
[From Charles C. Ingham, Esq., Ex-Vice President of the National Academy of Design]
Gabriel Harrison—Dear Sir: You have requested me to give my opinion of your Daguerreotypes. I think it scarcely necessary, as all persons of taste who may look ipon them must at once perceive that there can be nothing finer in their way, and their having taken the Premium at the great exhibition, the Worlds’ Fair, proves that they are superior to everything of the kind in Europe.
Very truly, yours, Charles C. Ingham.
[From Charles L. Elliott, N. A.] New York, April 24th.
Mr. G. Harrison—Dear Sir: Having frequently compared the best specimens of Daguerreotypes, I cannot resist the desire to express my opinion, that those produced by yourself combine in the greatest degree all the excellencies of the Photographic Art, in clearness, tone and color; also, in the artistic arrangement of positions, accessories, &c., they stand pre-eminent in this country, and, “of course,” in any other.
Wishing your entire success,
I remain, yours truly, C. L. Elliott.
The Operating Room
Is fifty feet long, thirty feet wide, and frescoed in a quiet, subdued tint, which is of great importance to the producing of a first rate Daguerreotype, as thereby we have no reflected lights to destroy the quality, roundness and strength of shadows, also preserves the natural sharpness of the eyes, as but one light will be observed on the iris instead of half a dozen—as is the case in most daguerreotypes, from the fact of harsh white walls. &c., &c.
The Light,
Under which the sitters are placed to have their portraits taken, is the largest in the world, and contains over two hundred and fifty square feet of the best English white plate glass, faces about North-East, angle of thirty-five degrees—the best position for a light to prevent abrupt shadows under the eyes, nose, chin and has a tendency of producing miniatures of such softness and roundness of flesh that they must become at once the favorite style of pictures with all persons of refined and artistic taste.
The Ladies Dressing Room
Is contiguous to the operating Room; is fifteen feet square, and fitted up in the most chaste and beautiful style with salmon color and marble top furniture. Toilet always kept in order and of the first quality.
The Children
Have every attention paid to their wants, as will be found in the apartments a series of Cosmoramic Views, baby jumpers and the largest kaleidoscope ever invented for their amusement.
Engagements
Better be made the day previous by those who do not wish delay by taking rotation.
Groups
Of ladies and gentlemen, as large as 50 in number, can be taken with the greatest facility. Portraits miniatures, Paintings, Engravings copied, Gentlemen’s private residences, Public Buildings, Cottages, and Monuments, taken either Photograph, Oil or Water Colored Painting.
Gallery Opened Free from 8 A. M. , to 9 P. M. je. 15.
Advertisement ran from June 15 to July 16, 1852.
1852 July 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) July 13, 1852, Vol. 11, No. 164, P. 3.
Daguerreotypes.—Harrison & Hill’s establishment for taking perfect fac similes of the human face divine, is situated in Whitehouse’s building, 283 Fulton street. Our citizens are perhaps not aware that the above artists are second to none in this, or any other country under the sun, in their profession. So far as perfection can be attained, the merit is due them of having attained so desirable an end. Their rooms are fitted up with an elegance and neatness unsurpassed in this or any other city. In fact, the style in which they seek the patronage of the public must ensure to them a corresponding return in a pecuniary point of view. Their gallery is one containing more gems in the art Daguerreian, than we have ever seen congregated in one establishment. We do not mean more Daguerreotypes, but simply “more gems.”—Those wishing their likeness taken within a week, must enter their names at an early day.
1853 March 25. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 25, 1853, Vol. 12, No. 71, P. 2.
Brooklyn Dramatic Academy. The first theatrical performance of the Brooklyn Dramatic Academy took place at the Museum last night and was attended by an overflowing audience—every seat in the building being occupied. The stage and boxes were tastefully decorated for the occasion. In front of the stage hung down a most beautiful wreath of flowers surmounted by the American flags and having in the centre the words, “Our Country’s Drama,” in gilt letters.—At the front and placed on either side of the stage were columns containing the names of the most celebrated American and European dramatic actors, and in the recesses stood elegant bust of Washington and Shakespeare. The scenery, costumes of the actors, stage accompaniments, such as thunder, lighting, &c., were all admirably got up and added greatly to the effect of the pieces performed. The standard play of “William Tell” was the first piece presented, and its characters embraced all the principal members of the corps. Gesler was personified by Mr. J. B. Brown in a manner which evinced on the part of that gentleman the possession of dramatic talent of a very high order. There was a grace and dignity in his bearing and an entire absence of affectation in his manner which would do credit to a veteran actor. Mr. G. Harrison took the part of Tell, and we must do Mr. H. the credit to say that we never saw that difficult character better played than it was last night. He elicited repeated rounds of applause from the audience, and at the conclusion of the piece was called before the curtain where he made a few brief but eloquent remarks. The pretty character of Albert was performed very creditably by Master Cibber. Mr. Brown’s subsequent appearance in the character of Luke the Laborer confirmed the favorable opinion which he had previously created. The perplexities of Bobby Trot, as personified by Mr. Hill, were ludicrous in the extreme. He cut a very comical figure. Mr. J. North, in the character of Philip, exhibited the rollicking and rude chivalry of the sailor in a very excellent style, and overhauled the land-lubbers in a way that brought down the house with applause. Mr. N. looked extremely well as a Jack-Tar, and has an excellent voice for the stage. The character of Farmer Wakefield, by Mr. Kingsley, we have seen performed better. Old Mike, the Gipsey, was admirably portrayed by Mr. Harrison. The ladies of the corps looked remarkably pretty, and fully sustained the characters allotted to them.—The entire performance was undoubtedly beyond the reach of the most captious critic, and there was no evidence afforded by which a stranger could perceive whether the company was not a crack veteran corps instead of an amateur company. After the performances were over some two or three hundred ladies and gentlemen adjourned to the Daguerrian Rooms of Messrs. Harrison & Hill, where a splendid supper was served up by the members of the Academy to their particular friends and the Press of Brooklyn and New York. Success to the Brooklyn Dramatic Academy, say we!
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 1.
Brooklyn, March 17, 1853—Mr. Clover—Dear Sir:—A few days since we learned, by accident, that you are the chairman of the few remaining members of the Dartmoor Prison, with which frightful history we became acquainted from the perusal of your reminiscences of that place, published some years ago. The hard fate of those who passed through those horrid scenes will ever make Dartmoor disgusting to the civilized world. The object of our communication is to invite yourself and associates to sit for a large group picture, for as Americans, we feel that at least some little attention should be given to the aged patriots of our country, especially those who drank to the very dregs the thousands of detested Dartmoor. After obtaining the picture for our gallery, we shall take great pleasure in presenting to each of the group a copy of the same, earnestly hooping through a simple gift, it will prove a token to your time-seared selves of the deep sympathy of two American hearts for your past sufferings, and also, when you have passed to mother earth, he of inestimable value to your rising generations. With The highest respect yours, Harrison & Hill, 283 Fulton street, Brooklyn.
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 1.
New York, March 19, 1853.—Gentlemen—We have received your letter of the 17th inst., inviting us to sit in a group for a large Daguerreotype picture. For your very liberal offer to present to each member of our association who sit with a copy, you will be pleased to accept our warmest thanks. This mark of kindness on your part is acknowledged by us with deep feelings of emotion, as it is an evidence that those who, in days of yore, braved “the battle and the breeze” in defense of their country, are not totally forgotten by their fellow-citizens. Will you please to suit your own convenience in regard to the time you wish us to sit. Very respectfully yours, Lewis P. Clover, Theaf Hardenbroak, Theo. Thomas, Robert Concklin, B. Howard, and others. To Messrs. Harrison & Hill.
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 2.
The Dartmoor Prisoners.—We perceive that this body of “ancient mariners” are beginning to attract public attention. One of the Daguerreotype artists of Brooklyn has invited them to his rooms, in order to take their portraits, for the purpose of presentation to their families. This is all very well, as far as it goes. We hope it is only a beginning of something of a more tangible nature for their benefit. Many of these old men are infirm and in destitute circumstances. Why should not Congress grant them sufficient to smooth their down-hill path of life? It would certainly be more just than the Galphin, and the other claims of a like character, which have been granted.
1853 March 30. The New York Herald. (New York, New York.) March 30, 1853, Whole No. 7403, P. 4.
The World Challenged to find a Daguerreotype establishment which equals, in beauty of arrangement, that of Harrison & Hill’s, 283 Fulton street, Brooklyn. Here, the gallery, operating and auxiliary rooms, are all on the second floor, and each of them is peculiarly adapted to the photographic art. The operating room is of immense size, with walls of a subdued tint, and has the largest skylight in the world, under which pictures are daily produced even superior to those of Mr. Harrison’s which took the prize medal at the World’s Fair. Always on hand a large assortment of fancy cases, lockets, rings, seals, keys, &c., at the very lowest prices. Gallery open to visitors until 2 o’clock in the evening.
1853 August 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 19, 1853, Vol. 12, No. 196, P. 2.
Daguerreotypes.—There is a long communication in the Tribune of this morning, from Mr. Harrison, of the firm of Harrison & Hill, Daguerreotypists, Brooklyn. Mr. H. justly complains of an article that appeared in the Tribune of Yesterday, in which the writer condemns, in the most wholesale terms, the Daguerreotypes placed by Messrs. H. & H. in Crystal Palace, on exhibition, in New York, and gives the entire palm to a Mr. Lawrence, whose productions are also placed in the Crystal Palace, in New York. Mr. H. asserts, that Mr. Lawrence’s Daguerreotypes are the same which were exhibited at the London Crystal Palace, and took the first prize medal at the Royal Exhibition, and are in fact, not the productions of Mr. L., but were actually taken by Mr. G. Harrison himself, for that gentleman. Not much can therefore be said for the artistic acumen of the Tribune’s reporter, who has pronounced, that the productions of the same Artist, were the very best in London, and the very worst in New York.
1853 August 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 27, 1853, Vol. 12, No. 203, P. 2.
A Brooklyn Daguerreotypist and his Pictures at the Crystal Palace. Among the articles at the Crystal Palace Exhibition are many rich cases of the most beautiful Daguerreotype Pictures yet taken any where in the world. Some shallow critic may hop from one to the other, and announced his opinions with great clerity, putting this one very high and that one very low, and with a dismal stupidity, discussing fine chemical points about photographs, in a way that leaves Mrs. Partington entirely buried in the sand, like a pursued crab. But in these numerous pictures, various in degree as they are, any true pair of artist eyes will find something genuinely good in quite all of them. A large proportion of them from the New York daguerreotypist and Harrison & Hill, of Brooklyn, are superb to a perfection which ought to satisfy, and will satisfy any man that hath eyes to see, and will altogether astound European visitors. The work from the Brooklyn establishment just named, is thoroughly up to the best degree of merit, in any respect, of every thing in that department of the Exhibition.
The art of making good Daguerreotypes is not very common; although the rooms and operations can be found in almost every quarter of our cities, villages, and country towns. Indeed to do any work good, requires a vast deal more than people suppose; and we cheerfully welcome all good workmen in any thing. Nature alone is the perfect constructor and artist—never at fault for material or power of moulding it. Man experiments. Blunders, tries again, despairs, gets a partial success, and his fain to shut his own eyes to the numerous shortcomings, and be satisfied if he can only make it pay.
But we have seen a good deal of Gabriel Harrison’s work, in Daguerreotypes, where of we can say, without compliment, that there is no shortcoming; but the pictures are models of all that can be done by that process, directed by perfect mechanical knowledge and refined mind. There is a little picture we have seen of his, of a boy with his eyes raised upward, and his arm around a bust of Washington; there are pictures of women; some of children; one large portrait of Mrs. Clark, of this city; a group of three beautiful girls, daughters of Brooklyn, if we are not mistaken; and, indeed, a variety of miniatures, large and small, of all sizes, in all attitudes, and from all subjects, that establish this man’s reputation as an operator, among the very best in the world.
Harrison is quick, mercurial, seizes on the points of his subject like a flask, and is the farthest possible removed from a slow coach. His faith seems to be in inspiration. It is so with his taking of pictures. It is touch and go—of course this is all with due regard to the most elaborate and carefully prepared mechanical means beforehand; for he is to experienced an operator not to know that they form the foundation the stone wall, on which the house must be built.
Our opinion as here expressed is no puff or sudden judgment either. We have known Gabriel Harrison for many years. We known what a warm, sensitive, sympathetic heart he has; what a large and liberal disposition; what a fine artist soul, wild and unpruned as nature itself; leading him over the line at times, but held in check by any organically correct eye for purity in form, color, and the symmetry of things. And we know too, that his daguerreotypes, the point in which the public is most interested, whether we judge of his case of pictures in the Crystal Palace or the work he accomplishes every day at his place in Fulton Street, will hold its own and not fail from a comparison with the best photographic portrait from Broadway or any other establishments in the world.
Brooklyn we consider is somewhat interested in this thing. A great palatial saloon, sumptuously furnished, dressing rooms, the largest operating room, and the best arranged light—are these not worth a little attention from our people, where there is hardly a family that has not, and does not want, one or two daguerreotypes?
Mr. Hill, the other partner, we know from a good acquaintance, too; a gentleman and noble heart is he.
Then long live Harrison and Hill’s Daguerreotype Establishment say we, with young Mr. Tarr, too, whose operating is capital, and his pictures likewise. As to any flippant criticisms from some New York press, the writer whereof gives up about a quarter of a minute to look at the object criticized, and lets out the decision just as accident or interest turns it, why, the same critic, talking by word of mouth in an assembly of intelligent people, wouldn’t be thought worth any further answer than a pretty broad smile.—Why, old friend, Elizabeth, whose polite and honest face greets us so smilingly at your door, and into whose lap the children, we fancy, are always willing to sit quiet—she may have a far better eye for a good picture than even a Crystal Palace critic has.
1853 September 16. The Evening Post. (New York, New York.) September 16, 1853, Vol. LII, P. 2.
The Industrial Exhibition At The Crystal Palace.—…
Among the Daguerreotypes, on the lower floor, we notice a great display by Messrs. Harrison & Hill, of Brooklyn, who have a reputation for producing correct and beautiful pictures. The likeness of Mr. Harrison, taken by Mr. Hill, is as true as life, as is likewise a portrait of Rev. Dr. Schroeder, of St. Thomas’s church, Brooklyn. Harrison & Hill also exhibit a number of other pictures in a large gilt frame, which attract the attention of the visitor.
1853 October 17. The Evening Post. (New York, New York.) October 17, 1853, Vol. LII, P. 2.
The daguerreotypes of Messrs. Harrison & Hill, of Brooklyn, exhibited on the left of the west entrance to the palace, have been highly praised by several members of the National Academy of Design, as possessing all the elegance of the photographic art, in clearness, tone and color, and in the artistic arrangement of positions, accessories, etc., being pre-eminent in this country. Their collection consists of twenty-three pictures, in an ornamental frame, among which are: The Father of his Country, a group, large size; and Trinity of our Country, another group; a large portrait of Franklin; the Dartmoor prisoners, a large group; the graduating class of the Brooklyn Female Academy for 1853, etc.
1853 December 15. The New York Herald. (New York, New York.) December 15, 1853, Whole No. 6324, P. 4.
Daguerreotypes vs. The Holidays.—The holidays are speedily coming, but more rapidly are daguerreotypes going from Harrison & Hill’s gallery, 283 Fulton street, Brooklyn, who challenge the world to claim greater facilities for their art, or produce better pictures than theirs.
1853-1854. Hearnes’ Brooklyn City Directory For 1853-1854. (Brooklyn, New York.) Appendix P. 74.
Harrison & Hill’s Daguerreian Palace, 283 Fulton St., Brooklyn, The finest suit of Rooms in the World, with the largest and best light ever put up for Photographic purposes.
Gallery furnished with carved rosewood furniture of crimson plush, consisting of Sofas, Divans, Ottomans, Piano, &c., &c. As regards quality of work, it should be sufficient to state that Mr. Gabriel Harrison took the pictures for Mr. Lawrence of Broadway, New York, which received the Prize Medal at the Great World’s Fair.
Always on hand, at manufacturers’ prices, a large and beautiful assortment of Lockets, Rings, Keys, Seals, &c., For Daguerreotyping.
1854 June 4. The New York Herald. (New York, New York.) June 4, 1854, Whole No. 6493, P. 4.
Brooklyn Museum.—Thespian Association.—Opening night.—Monday June 5, will be presented Othello and Boots At The Swan. Complimentary tickets may be had of any of the members, and at Harrison & Hill’s daguerreotype rooms, Fulton street. Gentlemen unaccompanied by ladies not admitted.
1856 February 5. Long Island Farmer, and Queens County Advertiser. (Jamaica, New York.) February 5, 1856, Vol. XXIII, No. 46, P. 3.
New-York Daguerreans Beaten! Harrison & Hill Triumphat!! And Brooklyn Victorious!!!
If you desire a perfect Likeness, that cannot be surpassed for brilliancy of tone and softness of flesh, call at our Gallery, where can be seen Daguerreotypes, for which we have received at the World’s Fair, in Europe and America, Bronze Medals, the highest award ever given to any one man in the profession.
The Most Splendid Gallery In The World Is Situated At 283 Fulton Street, Second Floor, between Johnson and Tillery Streets, Brooklyn.
Advertisement ran from February 5 to November 4, 1856.
[1] 1859. New York City Directory, 1859-1860 published by John Fowler Trow.
c. 1841-1844 Address Unknown, Washington, D. C.[1]
1844 Address Unknown, Newport, Rhode Island.[2]
1845 201 Elm, New York, New York.[3]
1846 154 Ave. 4, New York, New York.
1848 411 Broadway, New York, New York.
1849 203 Broadway, New York, New York.
c. 1849-1852 203 Broadway, New York, New York.[4]
1852-1858 283 Fulton Street, Brooklyn, New York.
1859 953 Broadway, New York, New York.[5]
N. D. The New York Historical Society’s Dictionary Of Artists In America, 1564 – 1860. (New
Haven, Connecticut & London, England.) 1957, P. 294.
Harrison, Gabriel (1818-1902). Landscape and portrait painter; born March 25, 1818, in Philadelphia, a son of Charles P. and grandson of William Harrison, Sr. Growing up in NYC, Gabriel became stage-struck and made his professional debut in Washington (D.C.) in 1938. He was at the Park Theater in NYC in 1845. After moving to Brooklyn (NY) in 1948, he became prominent in dramatic, literary, and artistic circles there. An early experimenter with the daguerreotype, he also painted landscapes and some portraits, including one of Edwin Forrest. He died in Brooklyn, December 15, 1902.
1851 March. The Photographic Art Journal. (New York, New York.) March 1851, Vol. 1, No. 3, P. 138.
The Daguerrean Art—Its Origin And Present State…
With Martin M. Lawrence, No. 203 Broadway, is an excellent young artist by the name of Gaberiel Harrison, who is the principal operator in the establishment, and whose pictures are highly prized. We have seen some of his portraits of our female friends which are superb.
1851 March. The Photographic Art Journal. (New York, New York.) March 1851, Vol. 1, No. 3, P. 169-177.
…Gabriel Harrison was born in Philadelphia on the 25th of March 1817. His father moved to New York in July 1822…
[summer 1844] Mr. Harrison was at Newport, [Rhode Island] taking daguerreotypes…
[paraphrase]—Gabriel Harrison as a young boy of thirteen befriended an old man who he later discovered to be Colonel Aaron Burr who taught him to read…
The same year (1844)[6] …he made application to Mr. John Plumbe, who was at that time at the head of the profession. After being but two weeks in Mr. Plumbe’s establishment, Mr. Butler, Mr. Plumbe’s head man, very kindly gave him permanent employment. Here he remained over three years, where he soon became a favorite with Mr. Plumbe’s customers, and contributed as much towards his fame, as any one in his employment.
In 1845, when at the Washington Fair, D. C., Mr. Harrison’s picture of Martin Van Buren, and one of a boy clinging around the bust of Washington, which was placed on a pedestal, were highly extolled in numerous papers, and took the first premium…
Mr. Harrison is likewise the first operator who has, to any degree been successful in taking what is called “double whole plate pictures;” that is—pictures three times the size of any heretofore taken. This single fact speaks volumes for his untiring energy and consummate skill…
1852 June 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) June 15, 1852, Vol. 11, No. 140, P. 2.
Superior Daguerreotypes, At Harrison & Hill’s Gallery, Whitehouse Building, 283 Fulton St., Between Tillary and Johnson streets, Brooklyn.
The undersigned solicit your attention to the opening of their new Suite of Rooms, which have been constructed especially for Photographic purposes, and are fitted up with a degree of taste and splendor hitherto unappropriated to the beautiful Art. As regards quality of work, we are not of those who would sing their own praise, but would call your attention to the annexed testimonials from some of the first American Historical and Portrait Painters—men qualified in every respect to be the best of judges, and who would not give commendation to those in the world of Art who are not deserving.
[From Charles C. Ingham, Esq., Ex-Vice President of the National Academy of Design]
Gabriel Harrison—Dear Sir: You have requested me to give my opinion of your Daguerreotypes. I think it scarcely necessary, as all persons of taste who may look ipon them must at once perceive that there can be nothing finer in their way, and their having taken the Premium at the great exhibition, the Worlds’ Fair, proves that they are superior to everything of the kind in Europe.
Very truly, yours, Charles C. Ingham.
[From Charles L. Elliott, N. A.] New York, April 24th.
Mr. G. Harrison—Dear Sir: Having frequently compared the best specimens of Daguerreotypes, I cannot resist the desire to express my opinion, that those produced by yourself combine in the greatest degree all the excellencies of the Photographic Art, in clearness, tone and color; also, in the artistic arrangement of positions, accessories, &c., they stand pre-eminent in this country, and, “of course,” in any other.
Wishing your entire success,
I remain, yours truly, C. L. Elliott.
The Operating Room.
Is fifty feet long, thirty feet wide, and frescoed in a quiet, subdued tint, which is of great importance to the producing of a first rate Daguerreotype, as thereby we have no reflected lights to destroy the quality, roundness and strength of shadows, also preserves the natural sharpness of the eyes, as but one light will be observed on the iris instead of half a dozen—as is the case in most daguerreotypes, from the fact of harsh white walls. &c., &c.
The Light.
Under which the sitters are placed to have their portraits taken, is the largest in the world, and contains over two hundred and fifty square feet of the best English white plate glass, faces about North-East, angle of thirty-five degrees—the best position for a light to prevent abrupt shadows under the eyes, nose, chin and has a tendency of producing miniatures of such softness and roundness of flesh that they must become at once the favorite style of pictures with all persons of refined and artistic taste.
The Ladies Dressing Room.
Is contiguous to the operating Room; is fifteen feet square, and fitted up in the most chaste and beautiful style with salmon color and marble top furniture. Toilet always kept in order and of the first quality.
The Children.
Have every attention paid to their wants, as will be found in the apartments a series of Cosmoramic Views, baby jumpers and the largest kaleidoscope ever invented for their amusement.
Engagements.
Better be made the day previous by those who do not wish delay by taking rotation.
Groups.
Of ladies and gentlemen, as large as 50 in number, can be taken with the greatest facility. Portraits miniatures, Paintings, Engravings copied, Gentlemen’s private residences, Public Buildings, Cottages, and Monuments, taken either Photograph, Oil or Water Colored Painting.
Gallery Opened Free from 8 A. M. , to 9 P. M. Advertisement ran from June 15 to July 16, 1852.
1852 July 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) July 13, 1852, Vol. 11, No. 164, P. 3.
Daguerreotypes.—Harrison & Hill’s establishment for taking perfect fac similes of the human face divine, is situated in Whitehouse’s building, 283 Fulton street. Our citizens are perhaps not aware that the above artists are second to none in this, or any other country under the sun, in their profession. So far as perfection can be attained, the merit is due them of having attained so desirable an end. Their rooms are fitted up with an elegance and neatness unsurpassed in this or any other city. In fact, the style in which they seek the patronage of the public must ensure to them a corresponding return in a pecuniary point of view. Their gallery is one containing more gems in the art Daguerreian, than we have ever seen congregated in one establishment. We do not mean more Daguerreotypes, but simply “more gems.”—Those wishing their likeness taken within a week, must enter their names at an early day.
1853 March 25. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 25, 1853, Vol. 12, No. 71, P. 2.
Brooklyn Dramatic Academy. The first theatrical performance of the Brooklyn Dramatic Academy took place at the Museum last night and was attended by an overflowing audience—every seat in the building being occupied. The stage and boxes were tastefully decorated for the occasion. In front of the stage hung down a most beautiful wreath of flowers surmounted by the American flags and having in the centre the words, “Our Country’s Drama,” in gilt letters.—At the front and placed on either side of the stage were columns containing the names of the most celebrated American and European dramatic actors, and in the recesses stood elegant bust of Washington and Shakespeare. The scenery, costumes of the actors, stage accompaniments, such as thunder, lighting, &c., were all admirably got up and added greatly to the effect of the pieces performed. The standard play of “William Tell” was the first piece presented, and its characters embraced all the principal members of the corps. Gesler was personified by Mr. J. B. Brown in a manner which evinced on the part of that gentleman the possession of dramatic talent of a very high order. There was a grace and dignity in his bearing and an entire absence of affectation in his manner which would do credit to a veteran actor. Mr. G. Harrison took the part of Tell, and we must do Mr. H. the credit to say that we never saw that difficult character better played than it was last night. He elicited repeated rounds of applause from the audience, and at the conclusion of the piece was called before the curtain where he made a few brief but eloquent remarks. The pretty character of Albert was performed very creditably by Master Cibber. Mr. Brown’s subsequent appearance in the character of Luke the Laborer confirmed the favorable opinion which he had previously created. The perplexities of Bobby Trot, as personified by Mr. Hill, were ludicrous in the extreme. He cut a very comical figure. Mr. J. North, in the character of Philip, exhibited the rollicking and rude chivalry of the sailor in a very excellent style, and overhauled the land-lubbers in a way that brought down the house with applause. Mr. N. looked extremely well as a Jack-Tar, and has an excellent voice for the stage. The character of Farmer Wakefield, by Mr. Kingsley, we have seen performed better. Old Mike, the Gipsey, was admirably portrayed by Mr. Harrison. The ladies of the corps looked remarkably pretty, and fully sustained the characters allotted to them.—The entire performance was undoubtedly beyond the reach of the most captious critic, and there was no evidence afforded by which a stranger could perceive whether the company was not a crack veteran corps instead of an amateur company. After the performances were over some two or three hundred ladies and gentlemen adjourned to the Daguerrian Rooms of Messrs. Harrison & Hill, where a splendid supper was served up by the members of the Academy to their particular friends and the Press of Brooklyn and New York. Success to the Brooklyn Dramatic Academy, say we!
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 1.
Brooklyn, March 17, 1853—Mr. Clover—Dear Sir:—A few days since we learned, by accident, that you are the chairman of the few remaining members of the Dartmoor Prison, with which frightful history we became acquainted from the perusal of your reminiscences of that place, published some years ago. The hard fate of those who passed through those horrid scenes will ever make Dartmoor disgusting to the civilized world. The object of our communication is to invite yourself and associates to sit for a large group picture, for as Americans, we feel that at least some little attention should be given to the aged patriots of our country, especially those who drank to the very dregs the thousands of detested Dartmoor. After obtaining the picture for our gallery, we shall take great pleasure in presenting to each of the group a copy of the same, earnestly hooping through a simple gift, it will prove a token to your time-seared selves of the deep sympathy of two American hearts for your past sufferings, and also, when you have passed to mother earth, he of inestimable value to your rising generations. With The highest respect yours, Harrison & Hill, 283 Fulton street, Brooklyn.
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 1.
New York, March 19, 1853.—Gentlemen—We have received your letter of the 17th inst., inviting us to sit in a group for a large Daguerreotype picture. For your very liberal offer to present to each member of our association who sit with a copy, you will be pleased to accept our warmest thanks. This mark of kindness on your part is acknowledged by us with deep feelings of emotion, as it is an evidence that those who, in days of yore, braved “the battle and the breeze” in defense of their country, are not totally forgotten by their fellow-citizens. Will you please to suit your own convenience in regard to the time you wish us to sit. Very respectfully yours, Lewis P. Clover, Theaf Hardenbroak, Theo. Thomas, Robert Concklin, B. Howard, and others. To Messrs. Harrison & Hill.
1853 March 25. The New York Herald. (New York, New York.) March 25, 1853, Whole No. 7398, P. 2.
The Dartmoor Prisoners.—We perceive that this body of “ancient mariners” are beginning to attract public attention. One of the Daguerreotype artists of Brooklyn has invited them to his rooms, in order to take their portraits, for the purpose of presentation to their families. This is all very well, as far as it goes. We hope it is only a beginning of something of a more tangible nature for their benefit. Many of these old men are infirm and in destitute circumstances. Why should not Congress grant them sufficient to smooth their down-hill path of life? It would certainly be more just than the Galphin, and the other claims of a like character, which have been granted.
1853 March 30. The New York Herald. (New York, New York.) March 30, 1853, Whole No. 7403, P. 4.
The World Challenged to find a Daguerreotype establishment which equals, in beauty of arrangement, that of Harrison & Hill’s, 283 Fulton street, Brooklyn. Here, the gallery, operating and auxiliary rooms, are all on the second floor, and each of them is peculiarly adapted to the photographic art. The operating room is of immense size, with walls of a subdued tint, and has the largest skylight in the world, under which pictures are daily produced even superior to those of Mr. Harrison’s which took the prize medal at the World’s Fair. Always on hand a large assortment of fancy cases, lockets, rings, seals, keys, &c., at the very lowest prices. Gallery open to visitors until 2 o’clock in the evening.
1853 May. The Photographic Art Journal. (New York, New York,) May 1853, Vol. 3, No. 5, P. 320.
Mr. Gabriel Harrison has opened an elegant gallery on Fulton Street Brooklyn. These rooms are decorated and furnished in a style superior to any other we have seen, and the well known ability of Mr. Harrison as an artist, both as painter and daguerreotyper will undoubtedly secure to him a most liberal share of the public favor. Mr. Harrison’s rooms will bear description, and we insert the following for the benefit of those who wish to follow his tasteful and artist like example.
The Whitehouse Buildings, just finished are said to be the finest ever erected in Brooklyn. The entrance is ten feet wide, with the Gallery and Operating Room all on the second floor; doors of brilliant stained glass; size of the Exhibition Room, forty-five feet long, twenty-five feet wide, and fourteen feet high, octagon in form, and elegantly painted in fresco, with Crocus Martis tint, white and gold, Elizabethien in design, and the whole lighted with a large oblong skylight of ground glass, thereby producing a light of such softness that Daguerreotypes, and other works of Arts, can be looked at with a degree of pleasure hitherto not afforded in like establishments.
The Operating Room.—Is fifty feet long, thirty feet wide, and frescoed in a quite subdued tint, which is of great importance to the producing of a first rate Daguerreotype, as thereby we have no reflected lights to destroy the quality, roundness, and strength of shadows, it also preserves the natural sharpness of the eyes, as but one light will be observed on the iris, instead of half a dozen—as is the case in most daguerreotypes, from the effect of harsh white walls, &c., &c.
The Light.—Under which the sitters are placed to have the portraits taken, is the largest in the world, and contains over two hundred and fifty square feet of the best English white plate glass, faces about North-East, angle of thirty-five degrees—the best position for a light to prevent abrupt shadows under the eyes, nose and chin, and has a tendency to produce miniatures of such softness and roundness of flesh that they must become at once the favorites with all persons of refined and artistic taste.
The Ladies Dressing-Room.—In contiguous to the Operating Room; is fifteen feet square, and fitted up in the most chaste and beautiful style with salmon color and marble top furniture. Toilet always kept in order, and of the first quality.
1853 August 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 19, 1853, Vol. 12, No. 196, P. 2.
Daguerreotypes.—There is a long communication in the Tribune of this morning, from Mr. Harrison, of the firm of Harrison & Hill, Daguerreotypists, Brooklyn. Mr. H. justly complains of an article that appeared in the Tribune of Yesterday, in which the writer condemns, in the most wholesale terms, the Daguerreotypes placed by Messrs. H. & H. in Crystal Palace, on exhibition, in New York, and gives the entire palm to a Mr. Lawrence, whose productions are also placed in the Crystal Palace, in New York. Mr. H. asserts, that Mr. Lawrence’s Daguerreotypes are the same which were exhibited at the London Crystal Palace, and took the first prize medal at the Royal Exhibition, and are in fact, not the productions of Mr. L., but were actually taken by Mr. G. Harrison himself, for that gentleman. Not much can therefore be said for the artistic acumen of the Tribune’s reporter, who has pronounced, that the productions of the same Artist, were the very best in London, and the very worst in New York.
1853 August 22. The Evening Post. (New York, New York.) August 22, 1853, Vol. LII, P. 2
Daguerreotypes.—Gabriel Harrison, whose taste and skill as an artist we have long known and appreciated, states, in a communication to a morning paper, that the daguerreotypes exhibited by Mr. Lawrence, at the London World’s Fair, and which took the first prize medal, were all taken by him, and that “every process, from the polishing of the plates to the finishing of each separate picture, was performed by him alone.” Harrison has some superb pictures in the New York Exhibition, and it is in reply to a careless or a less excusable criticism upon them in the Tribune, that he makes this statement. There is no doubt that Harrison is one of the best daguerreotypists in the country, and we are sorry that there should be any disposition in any quarter to contest the fact.
1853 August 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 27, 1853, Vol. 12, No. 203, P. 2.
A Brooklyn Daguerreotypist and his Pictures at the Crystal Palace. Among the articles at the Crystal Palace Exhibition are many rich cases of the most beautiful Daguerreotype Pictures yet taken any where in the world. Some shallow critic may hop from one to the other, and announced his opinions with great clerity, putting this one very high and that one very low, and with a dismal stupidity, discussing fine chemical points about photographs, in a way that leaves Mrs. Partington entirely buried in the sand, like a pursued crab. But in these numerous pictures, various in degree as they are, any true pair of artist eyes will find something genuinely good in quite all of them. A large proportion of them from the New York daguerreotypist and Harrison & Hill, of Brooklyn, are superb to a perfection which ought to satisfy, and will satisfy any man that hath eyes to see, and will altogether astound European visitors. The work from the Brooklyn establishment just named, is thoroughly up to the best degree of merit, in any respect, of every thing in that department of the Exhibition.
The art of making good Daguerreotypes is not very common; although the rooms and operations can be found in almost every quarter of our cities, villages, and country towns. Indeed to do any work good, requires a vast deal more than people suppose; and we cheerfully welcome all good workmen in any thing. Nature alone is the perfect constructor and artist—never at fault for material or power of moulding it. Man experiments. Blunders, tries again, despairs, gets a partial success, and his fain to shut his own eyes to the numerous shortcomings, and be satisfied if he can only make it pay.
But we have seen a good deal of Gabriel Harrison’s work, in Daguerreotypes, where of we can say, without compliment, that there is no shortcoming; but the pictures are models of all that can be done by that process, directed by perfect mechanical knowledge and refined mind. There is a little picture we have seen of his, of a boy with his eyes raised upward, and his arm around a bust of Washington; there are pictures of women; some of children; one large portrait of Mrs. Clark, of this city; a group of three beautiful girls, daughters of Brooklyn, if we are not mistaken; and, indeed, a variety of miniatures, large and small, of all sizes, in all attitudes, and from all subjects, that establish this man’s reputation as an operator, among the very best in the world.
Harrison is quick, mercurial, seizes on the points of his subject like a flask, and is the farthest possible removed from a slow coach. His faith seems to be in inspiration. It is so with his taking of pictures. It is touch and go—of course this is all with due regard to the most elaborate and carefully prepared mechanical means beforehand; for he is to experienced an operator not to know that they form the foundation the stone wall, on which the house must be built.
Our opinion as here expressed is no puff or sudden judgment either. We have known Gabriel Harrison for many years. We known what a warm, sensitive, sympathetic heart he has; what a large and liberal disposition; what a fine artist soul, wild and unpruned as nature itself; leading him over the line at times, but held in check by any organically correct eye for purity in form, color, and the symmetry of things. And we know too, that his daguerreotypes, the point in which the public is most interested, whether we judge of his case of pictures in the Crystal Palace or the work he accomplishes every day at his place in Fulton Street, will hold its own and not fail from a comparison with the best photographic portrait from Broadway or any other establishments in the world.
Brooklyn we consider is somewhat interested in this thing. A great palatial saloon, sumptuously furnished, dressing rooms, the largest operating room, and the best arranged light—are these not worth a little attention from our people, where there is hardly a family that has not, and does not want, one or two daguerreotypes?
Mr. Hill, the other partner, we know from a good acquaintance, too; a gentleman and noble heart is he.
Then long live Harrison and Hill’s Daguerreotype Establishment say we, with young Mr. Tarr, too, whose operating is capital, and his pictures likewise. As to any flippant criticisms from some New York press, the writer whereof gives up about a quarter of a minute to look at the object criticized, and lets out the decision just as accident or interest turns it, why, the same critic, talking by word of mouth in an assembly of intelligent people, wouldn’t be thought worth any further answer than a pretty broad smile.—Why, old friend, Elizabeth, whose polite and honest face greets us so smilingly at your door, and into whose lap the children, we fancy, are always willing to sit quiet—she may have a far better eye for a good picture than even a Crystal Palace critic has.
1853 September 16. The Evening Post. (New York, New York.) September 16, 1853, Vol. LII, P. 2.
The Industrial Exhibition At The Crystal Palace.—…
Among the Daguerreotypes, on the lower floor, we notice a great display by Messrs. Harrison & Hill, of Brooklyn, who have a reputation for producing correct and beautiful pictures. The likeness of Mr. Harrison, taken by Mr. Hill, is as true as life, as is likewise a portrait of Rev. Dr. Schroeder, of St. Thomas’s church, Brooklyn. Harrison & Hill also exhibit a number of other pictures in a large gilt frame, which attract the attention of the visitor.
1853 October 17. The Evening Post. (New York, New York.) October 17, 1853, Vol. LII, P. 2.
The daguerreotypes of Messrs. Harrison & Hill, of Brooklyn, exhibited on the left of the west entrance to the palace, have been highly praised by several members of the National Academy of Design, as possessing all the elegance of the photographic art, in clearness, tone and color, and in the artistic arrangement of positions, accessories, etc., being pre-eminent in this country. Their collection consists of twenty-three pictures, in an ornamental frame, among which are: The Father of his Country, a group, large size; and Trinity of our Country, another group; a large portrait of Franklin; the Dartmoor prisoners, a large group; the graduating class of the Brooklyn Female Academy for 1853, etc.
1853 December 15. The New York Herald. (New York, New York.) December 15, 1853, Whole No. 6324, P. 4.
Daguerreotypes vs. The Holidays.—The holidays are speedily coming, but more rapidly are daguerreotypes going from Harrison & Hill’s gallery, 283 Fulton street, Brooklyn, who challenge the world to claim greater facilities for their art, or produce better pictures than theirs.
1853-1854. Hearnes’ Brooklyn City Directory For 1853-1854. (Brooklyn, New York.) Appendix P. 74.
Harrison & Hill’s Daguerreian Palace, 283 Fulton St., Brooklyn, The finest suit of Rooms in the World, with the largest and best light ever put up for Photographic purposes.
Gallery furnished with carved rosewood furniture of crimson plush, consisting of Sofas, Divans, Ottomans, Piano, &c., &c. As regards quality of work, it should be sufficient to state that Mr. Gabriel Harrison took the pictures for Mr. Lawrence of Broadway, New York, which received the Prize Medal at the Great World’s Fair.
Always on hand, at manufacturers’ prices, a large and beautiful assortment of Lockets, Rings, Keys, Seals, &c., For Daguerreotyping.
1854 June 4. The New York Herald. (New York, New York.) June 4, 1854, Whole No. 6493, P. 4.
Brooklyn Museum.—Thespian Association.—Opening night.—Monday June 5, will be presented Othello and Boots At The Swan. Complimentary tickets may be had of any of the members, and at Harrison & Hill’s daguerreotype rooms, Fulton street. Gentlemen unaccompanied by ladies not admitted.
1855 November 26. The New York Herald. (New York, New York.) November 26, 1855, Whole No. 7029, P. 5.
Harrison’s Daguerreotypes and Photographs.—If you desire a perfect likeness, that cannot be surpassed for brilliancy of tone and softness of flesh, call at 283 Fulton street, Brooklyn.
Advertisement ran from November 26 to 28, 1855.
1855 November 30. The New York Herald. (New York, New York.) November 30, 1855, Whole No. 7033, P. 5.
Daguerreotypes and Photographs, (Copied from the New York Sunday Courier). Brooklyn points with pride to Harrison’s gallery as one of her distinguishing features. It is at No. 283 Fulton street, and from it are obtained the best portraits, either daguerreotypes, photographs or ambrotypes, which are to be found in this country. If the reader thinks this is too emphatic, let him test the matter by a personal examination, which will suffice.
1856 February 5. Long Island Farmer, and Queens County Advertiser. (Jamaica, New York.) February 5, 1856, Vol. XXIII, No. 46, P. 3.
New-York Daguerreans Beaten! Harrison & Hill Triumphat!! And Brooklyn Victorious!!!
If you desire a perfect Likeness, that cannot be surpassed for brilliancy of tone and softness of flesh, call at our Gallery, where can be seen Daguerreotypes, for which we have received at the World’s Fair, in Europe and America, Bronze Medals, the highest award ever given to any one man in the profession.
The Most Splendid Gallery In The World Is Situated At 283 Fulton Street, Second Floor, between Johnson and Tillery Streets, Brooklyn.
Advertisement ran from February 5 to November 4, 1856.
1856 April 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 19, 1856, Vol. 15, No. 97, P. 3.
Painting.—A new and beautiful art. Classes are now being formed at Mr. Harrison’s Daguerrean Saloon, 283 Fulton Street. Remember, Mr. Shaver’s stay in this city is short…
1856 November 11. The New York Herald. (New York, New York.) November 11, 1856, Whole No. 7378, P. 3.
Fine Arts.—To Daguerreans And Others.—Instructions given in every branch of the Photographic art. Price only $25. Apply G. Harrison, 283 Fulton street, Brooklyn.
1857 April 13. The New York Herald. (New York, New York.) April 13, 1857, Whole No. 7530, P. 6.
To Daguerreans.—Wanted, A Young Man To learn the photographic art, also a first rate daguerreotype plate cleaner. Inquire of G. Harrison, 283 Fulton st., Brooklyn.
1857 April 18. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 18, 1857, Vol. 16, No. 90, P. 2.
The great Independent Volunteer parade and review in New York on the 20th inst., promises to be a very grand affair. In addition to the thousands enrolled in New York city, it is expected that several fine companies from neighboring cities and towns will be on hand, including Philadelphia, Albany, Baltimore, &c., which will swell the multitude beyond parallel.
The “Union Ferry Guard,” under the command of Captain James Boyd,, are making extensive preparations for the occasion, and it is conceded that they will return home in the evening bearing the prize of public opinion for superiority. They are composed entirely of ferrymen and will be led by nineteen pioneers, their regular compliment, and the rank and file will number over a hundred able men. They have a beautiful full armory at the South Ferry, and possess every thing necessary for any parade. Before starting they will be presented with a rich pair of silk and gilt camp colors, and a ferry boat, like those now in use, bearing the beautiful name, “Union,” which they will carry on the occasion, and there is no doubt that Brooklyn will produce in the Union Ferry Guard the banner company, as it is [t]he determination of every man to try. The Guard will start from the South Ferry and proceed to the City Hall park, where Professor Harrison will take the Daguerreotype likeness of the entire company.
1857 April 23. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 23, 1857, Vol. 16, No. 94, P. 2.
The Parade Of The Military.—The general parade of target companies in New York, postponed on account of the weather, came off today. The martial glory of Brooklyn was ably represented by the Union Ferry Guards, and the Forty Acre Guards. The Union Ferry Guards under the command of Captain James Boyd, made a handsome appearance in their neat uniform, and they were accompanied by Turl’s Brass Band. Before starting the company was daguerreotyped in the City Hall Park by Mr. Harrison, daguerrean artist….
1858 March 16. The New York Herald. (New York, New York.) March 16, 1858, Whole No. 7865, P. 5.
Daguerreotypes and Photographs, Perfect in [finish and] likeness, taken at Harrison gallery, 283 Fulton street, Brooklyn.
1858 March 22. The New York Herald. (New York, New York.) March 22, 1858, Whole No. 7871, P. 5.
Harrison, the Daguerrean, of 283 Fulton street, Brooklyn, is producing a most exquisite style of miniature, called the vignette. Wanted a first class water colorist, to color phot5ographs.
1858 March 24. The New York Herald. (New York, New York.) March 24, 1858, Whole No. 7873, P. 5.
The Daguerreotypes and Photographs taken by Harrison, 283 Fulton street, Brooklyn, are exquisite for their touch and finish.
1858 March 25. The New York Herald. (New York, New York.) March 25, 1858, Whole No. 7874, P. 5.
Brooklyn and the Fine Arts.—The Time was when this city had not a celebrated artist; now it has two young Coleman, the landscape painter and Harrison, the daguerrean and photographer, of 283 Fulton street. These young men are producing works of which the citizens of Brooklyn may well be proud. Call and be convinced.
1858 March 29. The New York Herald. (New York, New York.) March 29, 1858, Whole No. 7878, P. 5.
Harrison’s Photographs and Daguerreotypes, taken at 283 Fulton street, Brooklyn, are worthy of all the high approbation they receive.
1858 April 5. The New York Herald. (New York, New York.) April 5, 1858, Whole No. 7885, P. 5.
Harrison and the Brooklyn Ladies.—This artist’s cameo, crayon and vignette daguerreotypes are gems. Only $1. Taken at 283 Fulton street.
1858 May 10. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 10, 1858, Vol. 17, No. 110, P. 3.
The Police Parade.—The Brooklyn Police under the command of Capt. Joel Smith, proceeded about noon to-day to the South Ferry, to receive the men of the 8th Precinct, Captain Turnbull, New York. The route of the march was published on Saturday. A platform has been erected on the steps of the City Hall, from which the Mayor will review them, which is expected to be about 2 o’clock to-day. After the review, they will dine at Gothic Hall. The officers had their daguerreotypes taken by Harrison this morning.
1858 May 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 11, 1858, Vol. 17, No. 111, P. 5.
The Police Parade.—The Eighth Ward Police, New York, under command of captain Turnbull, visited this city yesterday. Under the old system they formerly took a yearly excursion to the country but on this occasion they concluded to enjoy themselves among their brethren of the club in Brooklyn. Detachments of the First Precinct Police, under Inspector Smith (commanding), Second Precinct, Inspector King; Third Precinct, Inspector Shaurman, proceeded to the South ferry about noon, accompanied by Shelton’s band and escorted the visitors.
Previous to marching to the ferry the officers of the Brooklyn Division proceeded to Harrison’s daguerreotype establishment and photographs of the following were taken, a copy of which is to be presented to each man: Inspector Smith, 1st Precinct, commanding; Inspector King 2d Precinct, 1st Lieutenant; Inspector Shaurman, 3d Precinct, 2d Lieutenant; Serg’t. Port, 2d Precinct, 1st Sergeant; Serg’t. Holbrook, 3d Precinct, 2d Sergeant; Serg’t. Mathews, 1st. Precinct, 3d Sergeant; Serg’t. Preston, 3d Precinct, 4th Sergeant.
1902 December 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 15, 1902, Vol. 62, No. 346, P. 20.
Gabriel Harrison Dead; Long Dean Of The Stage Artist, Playwright, First Manager of Park Theater, Boy Pet of Aaron Burr. First Man to Dramatize “The Scarlet Letter”—Career That was Full of Interest.
Gabriel Harrison, Artist, dramatist, actor and the first manager of the Park Theater of Brooklyn, died at the home of his daughter , Mrs. Hart, 835 Sterling place, this morning.
Gabriel Harrison was born in Philadelphia, March 25, 1818. His father Charles P. GHarrison, a man of education and a skilled bank-note engraver, moved to New York when Gabriel was 6 years old. His house was a resort for the literary men and artist of that time, among them George P. Morris, N. P. Willis, McDonald Clarke (the “mad poet”). M. M. Noah, Col Trumbull, John Howard Payne, James Audubon, Bishop Hughes and the Spanish philosopher, Father Varela. When Malibran was here in 1825 she spent much of her time at the Harrisons’.
The house of the Harrisons was on Reade street near Broadway, close to where A. T. Stewart’s store was afterward, and near where Aaron Burr lived, Gabriel remembered seeing him as a boy. He was invited to the house by him and an intimacy sprang up between them. Burr taught young Harrison how to read and developed the taste for elocution which afterward was Harrison’s beloved art.
Gabriel Harrison was moved to study for the stage after seeing Edwin Forrest, whom he saw with his father and John Howard Payne as Damon in “Damon and Pythias.” He immediately joined the American Histrionic Society, in which he achieved great success in spite of his youth. Mr. Wallack of the National Theater brought him out in 1838, when he appeared as Othello to Wallack’s lago and Emma Wheatley’s Desdamona.
Prior to this time and after his appearance on the stage Gabriel’s occupations were varied. At one time he kept a grocery store on Broadway, to which was attached, as was common in those days, a bar. The latter was frequented by Edgar A. Poe, Fitz Green Hallack and other litterateurs of a clique, and Harrison, who nourished a profound admiration for them, was so pleased with their presence that he forgot to collect their bills, to the disaster of his business.
A subsequent appearance in Brooklyn pleased him so well that he removed here, and in 1851 organized the Brooklyn Academy of Art for the encouragement of local dramatic spirit.
In addition to this he cultivated his taste for landscape painting and produced some excellent examples. He was one of the first to produce pictures after the process of Daguerre and won prizes at the Crystal Palace in London and the world’s fair in New York.
He was the chief mover in building the monument to Commodore Lawrence in the Trinity church yard. His purpose was to have the monument built by popular subscription , but the Trinity corporation, placed it there at their own cost.
Young Gabriel Harrison was president of the White Eagle Club of New York and did much to aid the election of Polk and Dallace in 1844. He joined the Free Soilers in 1844 and was a state delegate to nominate “Prince” John Van Buren for the Presidency.
During the Civil War he was active for the Union and made frequent speeches in New York and Brooklyn. After his appearance with Wallack he was in demand as leading man and was for years with the old Park Theater Company of New York, supporting Charles Kean in a round of characters. He subsequently managed theaters in Paterson and Troy. In 1848 he appeared at the Brooklyn Garden on the present site of the County Court House in a round of leading characters.
In September, 1863 he opened the Park Theater, Brooklyn, opening in the comedy of “Married Life,” but was induced to abandon the drama, which was remunerative, for English opera, for which the public was not ready. He introduced Messrs. Castle and Campbell in “The Bohemian Girl,” with Theodore Thomas as conductor. The enterprise was a financial failure, but an artistic success. He lost his own money, refusing all offered loans.
His efforts were appreciated by some, and a benefit was afterward given him at the Academy of Music in 1864. He was broken in health and it was appropriate. The play chosen was “Twelfth Night” and it was given on the 300 anniversary of Shakspeare’s [sic.] birth. On several occasions thereafter Gabriel Harrison was a lessee of the Academy of Music and introduced Matilda Heron, William Florence, Charles Dillon and Mrs. Waller to a Brooklyn audience. Miss Kate Bateman also appeared then under his direction and netted hi $2, 938 as his share.
He was elected a member of the Brooklyn Academy of Design in 1867, and afterward its secretary. He got up a benefit for its continuance for two years from 1869.
When the Long Island Historical Society was organized, in 1864, Mr. Harrison presented it with a dramatic library over over a thousand volumes, together with some rare manuscripts. He gave it also Poe’s wedding ring, which had been given him by the poet’s mother in return for a water color portrait of Poe.
In 1872 he aided in organizing the Faust Club, a company of literary and artistic people with Bohemian instincts. Then he read the paper on John Howard Payne, which resulted in a bronze bust for Payne at the instance of the Faust Club, which was unveiled in Prospect Park in 1873. As a consequence of this he wrote a life of John Howard Payne. In 1878 he dramatized and daughter appeared in “The Scarlet Letter,” which was a success.
Gabriel Harrison was a firm friend of Edwin Forrest and one of the first to whom the latter talked about the famous Forrest Home.
In addition to his dramatic work and skill as a painter Gabriel Harrison was an author of many books, pamphlets and verses, which have made him a reputation which will last long after his death. His last days were spent in comparative quite, devoting himself to teaching the art of elocution at intervals with success.
His death was a result of old age, aggravated by stomach trouble. His daughter, Mrs. Beatrice Harrison Hart, with whom he lived, was his faithful nurse. The funeral arrangements have not yet been made.
New York City Directories. (New York, New York.)
1839-1843. Not Listed
1844. grocer, 568 Broadway, h-497 Broome
1845. daguerreotype, 201 Elm.
1846. daguerreotype, 154 Av. 4.
1847. Not Listed.
1848. daguerrian, 411 Broadway, h-191 Elm.
1849. daguerrian, 203 Broadway, h-377 B’me. (Broome)
1850-1852. Not Listed.
[1] Information from Craig’s Daguerreian Registry, possibly an error he may have worked for Plumbe in New York, at 251 Broadway.
[2] The Photographic Art Journal.
[3] New York City Directories.
[4] Photography in America: The Formative Years 1839-1900.
[5] Craig’s Daguerreian Registry.
[6] Date possibly 1841-1844.
1847 Columbia Street, Near Pacific Street, Brooklyn, New York.[1]
1847 October 30. New York Semi-Weekly Tribune. (New York, New York.) October 30, 1847, Vol. III, No. 45, Whole No. 253, P. 3.
Great American Fair. List of Awarded Premiums Continued. (Collated expressly for The Tribune.) Silver Medals…
Philosophical Instruments.
S. S. Graham, Brooklyn, Camera Obscura.
Fine Arts.
M. A. Root, Philadelphia, best Daguerreotypes.
[1] Address from Craig’s Daguerreian Registry.
1852 Vanderbilt and Charlton avenue, Brooklyn, New York.
1852 December 16. The New York Herald. (New York, New York.) December 16, 1852, Whole No. 7350, P. 1.
Pacific Chemical Laboratory, Pacific street, between Vanderbilt and Charlton avenue,
Brooklyn.—Office No. 11 Wall street, third floor, room No. 16.—A. Fanicke & Kraft, manufacturers of pure chemicals. Reagents daguerreotype apparatus, acids, ethers, ammonia, metallic oxides, and other fine chemicals, &c….
1858-1859 345 Fulton Street, Brooklyn, New York.
1858 September 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 15, 1858, Vol. 17, No. 219, P. 3.
Brooklyn—Ambrotypes, beautifully colored, including case, can be had at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 September 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 16, 1858, Vol. 17, No. 220, P. 3.
Those splendid Ambrotypes, beautifully colored and including case, for twenty-five cents, go off with a rush at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 September 17. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 17, 1858, Vol. 17, No. 221, P. 3.
Only Twenty-five cents for a splendid Ambrotypes, colored, including a neat Morocco case, can be had at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 September 20. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 20, 1858, Vol. 17, No. 223, P. 3.
Only Twenty-five cents for a splendid Ambrotypes, colored, including a neat Morocco case, can be had at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 September 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 27, 1858, Vol. 17, No. 229, P. 3.
Brooklyn Truth—A beautiful Ambrotype, colored, and including case, can be had at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 September 28. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 28, 1858, Vol. 17, No. 230, P. 3.
Brooklyn Truth—Twenty-five cents only for an Ambrotype beautifully colored, including case, go off with a rush at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 September 29. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 29, 1858, Vol. 17, No. 231, P. 3.
Brooklyn Truth—The only place to get your Ambrotype taken true to life, including a neat Morocco case, is at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 September 30. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 30, 1858, Vol. 17, No. 232, P. 3.
Brooklyn Truth—The most charming Ambrotype of the age are those taken by E. M. Douglass, 345 Fulton street, opposite Montague Hall, three doors from the Post Office, and they are only twenty-five cents, including case. Old Daguerreotypes and Ambrotypes copied.
1858 October 1. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 1, 1858, Vol. 17, No. 233, P. 3.
Brooklyn Truth—“The cry is still they come.” for those splendid Ambrotype—only twenty-five cents, case included—E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 2. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 2, 1858, Vol. 17, No. 234, P. 3.
Brooklyn Truth—Twenty five cents only for a splendid Ambrotype, beautifully colored, including a neat morocco case at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 4. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 4, 1858, Vol. 17, No. 235, P. 3.
Brooklyn Truth—Twenty five cents only for a splendid Ambrotype, beautifully colored, including a neat morocco case at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. The poor and indistinct Cameotypes copied into a perfect Ambrotype.
1858 October 5. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 5, 1858, Vol. 17, No. 236, P. 3.
Brooklyn Truth—A splendid Ambrotype, beautifully colored, case included, for twenty- five cents only, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 6. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 6, 1858, Vol. 17, No. 237, P. 3.
Brooklyn Truth—Those splendid Ambrotype for twenty- five cents only, beautifully colored, including a neat morocco, case, go off with a rush at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 7, 1858, Vol. 17, No. 238, P. 3.
Brooklyn Truth—Those splendid Ambrotype, beautifully colored, including a neat morocco case, for twenty- five cents only at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 8. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 8, 1858, Vol. 17, No. 239, P. 3.
Brooklyn Truth—Ambrotype for twenty- five cents, colored, including a neat morocco case, All other styles and prices to suit customers, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on October 8 & 9, 1858.
1858 October 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 11, 1858, Vol. 17, No. 241, P. 3.
Brooklyn Truth—Twenty- five cents only for a splendid Ambrotype likeness, including a neat morocco case, at E. M. Douglass’ Gallery, No. 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 12, 1858, Vol. 17, No. 242, P. 3.
Brooklyn Truth—The cry is still they come for those splendid Ambrotype, beautifully colored, including a neat morocco case, at E. M. Douglas’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 13, 1858, Vol. 17, No. 243, P. 3.
Brooklyn Truth—A splendid Ambrotype, beautifully colored, including a neat morocco case, for 25 cents only, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 14. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 14, 1858, Vol. 17, No. 244, P. 3.
Brooklyn Truth—The finest Ambrotype of the age are those taken by E. M. Douglass, for 25 cents beautifully colored, including a neat morocco case, No. 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 15, 1858, Vol. 17, No. 245, P. 3.
Brooklyn Truth—Twenty- five cents for a splendid Ambrotype, including a neat morocco case at E. M. Douglass’ gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 16, 1858, Vol. 17, No. 246, P. 3.
Brooklyn Truth—A splendid Ambrotype, beautifully closed case included, for 25 cents, at E. M. Douglass’ gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 18. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 18, 1858, Vol. 17, No. 247, P. 3.
Brooklyn Truth.—The cry is still they come for those splendid Ambrotype, beautifully colored, including a neat morocco case, for twenty-five cents, at E. M. Douglas’ gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Brooklyn Truth Again.—The charming Cameotypes taken at E. M. Douglass, for one dollar, at 345 Fulton street, opposite City Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 19, 1858, Vol. 17, No. 248, P. 3.
Brooklyn Truth—Twenty- five cents Ambrotype, beautifully colored, including case, Cameotypes $1. E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 20. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 20, 1858, Vol. 17, No. 249, P. 3.
Brooklyn Truth—Ambrotype, beautifully colored, including case, for twenty-five cents. Cameo-types $1.00, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 21. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 21, 1858, Vol. 17, No. 250, P. 3.
Brooklyn Truth.—The splendid Cameotypes for $1.00 only, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Brooklyn Truth Again—The charming Ambrotype, beautifully colored, including a neat morocco case, for twenty-five cents, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 October 22. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 22, 1858, Vol. 17, No. 251, P. 3.
E. M. Douglass’ The splendid Cameo-Types $1.00 only.— Ambrotypes, colored, including case, for twenty-five cents. Family groups taken at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 23. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 23, 1858, Vol. 17, No. 252, P. 3.
Get your Ambrotype Taken True To Life for twenty five cents, beautifully colored, case included. Cameotypes, $1.00, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 25. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 25, 1858, Vol. 17, No. 253, P. 3.
E. M. Douglass’ Splendid Ambrotype, beautifully colored, including a neat morocco case, for 25 cents—Cameo-Types $1.—at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 October 26. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 26, 1858, Vol. 17, No. 254, P. 3.
Get your Ambrotype Taken True To Life for twenty five cents, beautifully colored, including case, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 27, 1858, Vol. 17, No. 255, P. 3.
Brooklyn Truth Again.—Twenty-five cents only for a splendid Ambrotype, beautifully colored, including a neat morocco case, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 October 28. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 28, 1858, Vol. 17, No. 256, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art. Ambrotypes, beautifully colored, including a neat morocco case, for 25 cents—Cameo-Types $1—at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 October 29. The Brooklyn Daily Eagle. (Brooklyn, New York.) October 29, 1858, Vol. 17, No. 257, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art. Ambrotypes, beautifully colored, including case, for 25 cents at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on October 29 & 30, 1858.
1858 November 1. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 1, 1858, Vol. 17, No. 259, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art. Ambrotypes, beautifully colored, including a neat morocco case, for 25 cents at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on October 29 to November 9, 1858.
1858 November 10. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 10, 1858, Vol. 17, No. 266, P. 3.
Twenty-five cents only for a splendid Ambrotype likeness beautifully colored, including a neat Morocco case, at E. M. Douglass’ Gallery, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran from November 10 to 12, 1858.
1858 November 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 12, 1858, Vol. 17, No. 269, P. 3.
Brooklyn Truth.—The cry is still they come for those splendid Ambrotype likenesses, for twenty-five cents, beautifully colored, including case, at E. M. Douglass’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 November 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 13, 1858, Vol. 17, No. 270, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art.—Ambrotypes Likenesses beautifully colored, including case, for 25 cents at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on November 13 & 15, 1858.
1858 November 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 16, 1858, Vol. 17, No. 272, P. 3.
Now is the time to get those splendid Ambrotype likenesses, beautiful colored, case included, for twenty-five cents, at E. M. Douglass’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 November 20. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 20, 1858, Vol. 17, No. 275, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art.—is the place to get a perfect Likenesses for twenty-five cents, beautifully colored, case included, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on November 13 & 15, 1858.
1858 November 22. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 22, 1858, Vol. 17, No. 276, P. 3.
Ambrotype Temple Of Art.—E. M. Douglass still continues to take those splendid Likenesses for 25 cents, beautifully colored, case included, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on November 22 & 23, 1858.
1858 November 24. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 24, 1858, Vol. 17, No. 278, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art is the place to get a perfect Likenesses true to life, for 25 cents, beautifully colored, case included, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 November 26. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 26, 1858, Vol. 17, No. 280, P. 3.
Still They Come In Crowds To E. M. Douglas Temple of Art to get those splendid Likenesses, beautifully colored, case included, for 25 cents, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 November 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 27, 1858, Vol. 17, No. 281, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art Ambrotypes, beautifully colored, including a neat morocco case, for twenty-five cents, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 November 29. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 29, 1858, Vol. 17, No. 282, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art—Likenesses, beautifully colored, including a neat morocco case, for twenty-five cents, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
1858 November 30. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 30, 1858, Vol. 17, No. 282, P. 3.
E. M. Douglass’ Ambrotype Temple Of Art—Likenesses, beautifully colored, including case, for twenty-five cents, Neillograph Likenesses to send by mail without extra postage. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 December 2. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 2, 1858, Vol. 17, No. 285, P. 3.
Now Is The Time To Get Your Likeness Taken true to life, for twenty-five cents, including case. Neillograph Likenesses to send in letters to your friends. Cameotypes $1, including case, at E. M. Douglass’ Ambrotype Temple Of Art, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied
1858 December 6. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 6, 1858, Vol. 17, No. 288, P. 3.
A Few More Left For Holiday Presents—Of those splendid Likenesses, beautifully colored, including case, for twenty-five cents, at E. M. Douglass’ Temple Of Art, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied
1858 December 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 11, 1858, Vol. 17, No. 293, P. 3.
Ladies, If You Want Your Likeness Taken to perfection, go to E. M. Douglass’ Temple Of Art, and get one for twenty-five cents, case included. Neillograph Likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 December 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 13, 1858, Vol. 17, No. 294, P. 3.
Ladies, Now is Your Time To Get Splendid Likenesses for twenty-five cents, including case for holiday presents, at E. M. Douglass’ Temple Of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Neillograph Likenesses to send in letters to parents and friends. Old Daguerreotypes and Ambrotypes copied.
1858 December 14. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 14, 1858, Vol. 17, No. 295, P. 3.
Ladies, If You Want Your Likeness Taken to perfection, go to E. M. Douglass’ Temple Of Art, and get one for twenty-five cents, case included. Neillograph Likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 December 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 15, 1858, Vol. 17, No. 296, P. 3.
Still They Come For Those Exquisite Ne Plus Ultra Miniature for twenty-five cents, case included, at E. M. Douglas Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Neillograph Likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied.
1858 December 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 16, 1858, Vol. 17, No. 297, P. 3.
Remember E. M. Douglas Temple of Art, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Likenesses for twenty-five cents, case included, Neillograph likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on December 16 & 17, 1858.
1858 December 18. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 18, 1858, Vol. 17, No. 299, P. 3.
Still They Come In Crowds After Those splendid Likenesses, for twenty-five cents, including case.—Neillograph Likenesses to send in letters to parents and friends at E. M. Douglas Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1858 December 20. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 20, 1858, Vol. 17, No. 300, P. 3.
Ladies, Remember those Splendid Likenesses for twenty-five cents, case included, at the Temple Of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Neillograph Likenesses to send in letters—Old Daguerreotypes and Ambrotypes copied
1858 December 21. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 21, 1858, Vol. 17, No. 301, P. 3.
Still They Come For Those Exquisite Ne Plus Ultra Miniatures for twenty-five cents, case included, at E. M. Douglas Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Neillograph Likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran on December 21 & 22, 1858.
1858 December 23. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 23, 1858, Vol. 17, No. 303, P. 3.
Likenesses for twenty-five cents, included a neat morocco case. Neillograph Likenesses to send in letters. Old Daguerreotypes and Ambrotypes copied, at E. M. Douglas’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran on December 23 & 24, 1858.
1858 December 24. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 24, 1858, Vol. 17, No. 304, P. 3.
An ambrotype is a pretty couvenir, that will suit the taste of many, and for perfection in the artistic finish and make up, get your likenesses at—
E. M. Douglas’ 345 Fulton st.
Williamson & Bros., 249 Fulton st.
Longking’s, 190 Fulton st.
1858 December 27. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 27, 1858, Vol. 17, No. 305, P. 3.
Twenty-five cents for a splendid Likenesses, case included. Neillograph Likenesses to send in letters at E. M. Douglass’ Temple Of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office. Old Daguerreotypes and Ambrotypes copied.
Advertisement ran from December 27 to 29, 1858.
1858 December 31. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 31, 1858, Vol. 17, No. 305, P. 3.
The Temple Of Art Will Be Open On New Year’s Day, from 8 A. M. to 4 P. M. Likenesses for 25 cents, including case; all other styles and prices to suit customers— E. M. Douglass’, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1859 January 3. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 3, 1859, Vol. 18, No. 1, P. 3.
Twenty-five cents for a beautiful Likeness, including case. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at E. M. Douglas’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran on January 3 & 4, 1859.
1859 January 5. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 5, 1859, Vol. 18, No. 3, P. 3.
E. M. Douglass’ Temple of Art—Likenesses for 25 cents, including case. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at E. M. Douglas’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran on January 5 & 6, 1859.
1859 January 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 7, 1859, Vol. 18, No. 5, P. 3.
The Temple of Art Likenesses for 25 cents, including a neat morocco case. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.—E. M. Douglass.
Advertisement ran on January 7 to 11, 1859.
1859 January 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 12, 1859, Vol. 18, No. 9, P. 3.
The Temple of Art is the place where you can get your Likeness taken true to life for 25 cents, including case. Neillograph Likenesses to send in letters, 50 cents, at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.—E. M. Douglass.
Advertisement ran on January 12 & 14, 1859.
1859 January 17. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 17, 1859, Vol. 18, No. 13, P. 3.
Ladies, please bear in mind that the Temple Of Art is the place to get a perfect Likeness for 25 cents, case included. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.— E. M. Douglass.
Advertisement ran on January 17 & 18, 1859.
1859 January 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 19, 1859, Vol. 18, No. 15, P. 3.
E. M. Douglass’ Temple of Art—Likenesses for 25 cents, including case. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran on January 19 to 24, 1859.
1859 January 26. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 26, 1859, Vol. 18, No. 21, P. 3.
Ladies, Now is Your Time To Get Those Ne Plus Ultra Miniatures of the Age for 25 cents, case included. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied at E. M. Douglass’ Temple Of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran on January 26 & 27, 1859.
1859 January 28. The Brooklyn Daily Eagle. (Brooklyn, New York.) January 28, 1859, Vol. 18, No. 23, P. 3.
Twenty-five cents Only For A Splendid Likeness, including case. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at E. M. Douglass’ Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
Advertisement ran from January 28 to February 1, 1859.
1859 February 2. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 2, 1859, Vol. 18, No. 27, P. 3.
The Temple of Art is the place where Likeness are taken true to life for 25 cents, case included. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.—E. M. Douglass.
Advertisement ran on February 2 & 3, 1859.
1859 February 4. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 4, 1859, Vol. 18, No. 29, P. 3.
Ladies, Now is Your Time To Get A perfect Likeness for 25 cents, case included. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.— E. M. Douglass.
Advertisement ran on February 4 & 5, 1859.
1859 February 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 7, 1859, Vol. 18, No. 31, P. 3.
Daguerreotypes.—We have omitted too long to speak of the excellent and life-like Daguerreotypes, Neillographs, and Ambrotypes, taken by Mr. E. M. Douglas, of 345 Fulton street, opposite Montague Hall, three doors from the Post Office. The price charged by Mr. D. cannot be remunerating, as in our opinion the materials used must of necessity cost more than twenty-five cents. But that is his look out, and not that of the public. That he is deserving of the patronage he receives we are conscientiously willing to testify.
1859 February 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 7, 1859, Vol. 18, No. 31, P. 3.
Ladies, Now is Your Time To Get A perfect Likeness for twenty-five cents, case included, Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.— E. M. Douglass.
Advertisement ran on February 7 & 8, 1859.
1859 February 9. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 9, 1859, Vol. 18, No. 32, P. 3.
Ladies, Do Not Despair—We take Those Ne Plus Ultra Likenesses for twenty-five cents, case included, in cloudy weather equally as good as in clear weather. Likenesses of Infants one dollar, at the Temple of Art, 345 Fulton street, opposite Montague Hall, three doors from the Post Office.
1859 February 10. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 10, 1859, Vol. 18, No. 34, P. 3.
The Temple of Art is the place where Likeness are taken true to life, for 25 cents, case included, Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall, three doors from the Post Office.—E. M. Douglass.
1859 February 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 11, 1859, Vol. 18, No. 35, P. 3.
Still They Come For Those Perfect Gems—Likenesses for twenty-five cents, case included. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at the Temple of Art, 345 Fulton street, opposite Montague Hall.—E. M. Douglass.
1859 February 14. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 14, 1859, Vol. 18, No. 37, P. 3.
Still They Come For Those Perfect Gems—Likenesses for twenty-five cents, case included. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at the Temple of Art, 345 Fulton street, opposite Montague Hall.—E. M. Douglass.
Advertisement ran on February 14 & 15, 1859.
1859 February 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 16, 1859, Vol. 18, No. 39, P. 3.
The Ne Plus Ultra Likenesses For 25 Cents, case included, still continue to draw crowds of people at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes.—E. M. Douglass.
1859 February 18. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 18, 1859, Vol. 18, No. 41, P. 3.
Great Excitement At The Temple Of Art—Twenty-five cents for a perfect Likeness, case included. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall. —E. M. Douglass.
Advertisement ran on February 18 & 19, 1859.
1859 February 22. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 22, 1859, Vol. 18, No. 44, P. 3.
Who Is Your Artists?—E. M. Douglass—Likenesses for Twenty-five cents, including case. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall. Advertisement ran on February 22 & 23, 1859.
1859 February 24. The Brooklyn Daily Eagle. (Brooklyn, New York.) February 24, 1859, Vol. 18, No. 46, P. 3.
Still They Come For Those Exquisite Miniatures for twenty-five cents, case included, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants one dollar.
Advertisement ran from February 24 to 26, 1859.
1859 March 1. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 1, 1859, Vol. 18, No. 50, P. 3.
E. M. Douglass Still Continues To take those beautiful miniatures for twenty-five cents, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied.
1859 March 2. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 2, 1859, Vol. 18, No. 51, P. 3.
Ladies, 25 Cents Will Get A Perfect Likeness including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
1859 March 3. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 3, 1859, Vol. 18, No. 52, P. 3.
E. M. Douglass Still Continues To take those beautiful miniatures for Twenty-five cents, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied.
1859 March 4. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 4, 1859, Vol. 18, No. 53, P. 3.
Ladies, 25 Cents Will Get A Perfect Likeness including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
Advertisement ran on March 4 & 5, 1859.
1859 March 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 7, 1859, Vol. 18, No. 55, P. 3.
Just as the rising sun spread forth its Moravian light, crowds of people came forth to get their miniature taken for 25 cents, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants one dollar. Neillograph Likenesses to send in letters, fifty cents, E. M. Douglass.
1859 March 8. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 8, 1859, Vol. 18, No. 56, P. 3.
Ladies, 25 Cents Will Get A Perfect Likeness including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
Advertisement ran from March 8 to 11, 1859.
1859 March 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 12, 1859, Vol. 18, No. 60, P. 3.
Neillograph Likenesses—Miniatures in this beautiful style are taken by E. M. Douglass, to send in letters to any part of the world without extra postage. Likenesses including a neat morocco case, only 25 cents, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Old Daguerreotypes and Ambrotypes copied.
1859 March 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 15, 1859, Vol. 18, No. 62, P. 3.
Ladies, 25 Cents Will Get A Perfect Likeness including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
1859 March 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 16, 1859, Vol. 18, No. 63, P. 3.
Neillograph Likenesses—Miniatures in this beautiful style are taken by E. M. Douglass, to send in letters to any part of the world without extra postage. Likenesses including a neat morocco case, only 25 cents, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Old Daguerreotypes and Ambrotypes copied.
1859 March 17. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 17, 1859, Vol. 18, No. 64, P. 3.
“Still They Come!” for those perfect gems Miniatures for 25 cents, including case; Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants $1. At the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglass.
Advertisement ran from March 17 to 19, 1859.
1859 March 22. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 22, 1859, Vol. 18, No. 68, P. 3.
Ladies, 25 Cents Will Get A Perfect Likeness including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
Advertisement ran on March 22 & 24, 1859.
1859 March 25. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 25, 1859, Vol. 18, No. 71, P. 3.
25 Cents for a perfect likeness, including case. All other styles and prices to suit customers. Likenesses of Infants one dollar. Neillograph Likenesses to send in letters, fifty cents, at the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglas.
1859 March 28. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 28, 1859, Vol. 18, No. 73, P. 3.
Still they come for those perfect gems. Likenesses including case only 25 cents; Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants $1.—Old Daguerreotypes and Ambrotypes copied, at the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglass.
Advertisement ran on March 28 & 30, 1859.
1859 March 31. The Brooklyn Daily Eagle. (Brooklyn, New York.) March 31, 1859, Vol. 18, No. 76, P. 3.
Who Is Your Artists?—E. M. Douglass—A splendid Likenesses including case only 25cents. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied at 345 Fulton street, opposite Montague Hall. Advertisement ran on March 31 & April 1, 1859.
1859 April 4. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 4, 1859, Vol. 18, No. 79, P. 3.
Ladies, if you want your miniature taken true to life, for 25 cents, including case, go to the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, fifty cents. E. M. Douglas.
Advertisement ran on April 4 & 5, 1859.
1859 April 6. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 6, 1859, Vol. 18, No. 81, P. 3.
Still They Come For Those Perfect Gems—Miniatures only 25 cents, including case. Neillograph Likenesses to send in letters, fifty cents. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants $1, at 345 Fulton street, opposite Montague Hall. E. M. Douglass.
1859 April 7. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 7, 1859, Vol. 18, No. 82, P. 3.
Who Is Your Artists?—E. M. Douglass—Get your miniature taken for 25cents, including case, at the Temple of Art, 345 Fulton st., opposite Montague Hall. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, fifty cents.
Advertisement ran on April 7 & 9, 1859.
1859 April 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 11, 1859, Vol. 18, No. 85, P. 11.
Ladies, if you want your miniature taken true to life, for 22 cents, including case, go to the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, fifty cents. E. M. Douglas.
1859 April 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 12, 1859, Vol. 18, No. 86, P. 3.
25 Cents Will Get A Perfect Likeness, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. E. M. Douglas.
1859 April 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 13, 1859, Vol. 18, No. 87, P. 7.
Ladies, now is your time to get your miniature taken true to life for 25 cents, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied Neillograph Likenesses to send in letters, 50 cents. E. M. Douglass.
1859 April 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 15, 1859, Vol. 18, No. 87, P. 3.
Ladies, 25 cents will get a perfect likeness, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, fifty cents. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants one dollar. E. M. Douglas.
Advertisement ran on April 15 & 16, 1859.
1859 April 18. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 18, 1859, Vol. 18, No. 91, P. 11.
Who Is Your Artists?—E. M. Douglass—A splendid likeness, including case, only 25 cents. Neillograph Likenesses to send in letters, fifty cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied, at the Temple of Art, 345 Fulton st., opposite Montague Hall. E. M. Douglass.
1859 April 19. The Brooklyn Daily Eagle. (Brooklyn, New York.) April 19, 1859, Vol. 18, No. 92, P. 3.
Who Is Your Artists?—E. M. Douglass—A splendid likeness, including case, only 25 cents. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied, at the Temple of Art, 345 Fulton st., opposite Montague Hall. E. M. Douglass.
Advertisement ran from April 19 & 29, 1859.
1859 May 2. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 2, 1859, Vol. 18, No. 103, P. 11.
Still they come for those perfect gems, miniatures only 25 cents, including case, at the Temple of Art, 345 Fulton st., opposite Montague Hall. Likenesses of Infants, $1. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, 50 cents. E. M. Douglass.
Advertisement ran from May 2 to 5, 1859.
1859 May 6. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 6, 1859, Vol. 18, No. 107, P. 11.
Who Is Your Artists?—E. M. Douglass—A splendid likeness, including case, only 25 cents. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied, at the Temple of Art, 345 Fulton st., opposite Montague Hall. E. M. Douglass.
Advertisement ran from May 6 to 10, 1859.
1859 May 11. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 11, 1859, Vol. 18, No. 111, P. 3.
E. M. Douglass’ Temple of Art—Likenesses including case, only 25 cents. Neillograph Likenesses to send in letters 50 cents. Likenesses of Infants $1.00. Old Daguerreotypes and Ambrotypes copied—345 Fulton st., opposite Montague Hall.
Advertisement ran on May 11 to 13, 1859.
1859 May 16. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 16, 1859, Vol. 18, No. 115, P. 11.
Ladies, now is your time to get a perfect likeness, including case, for 25 cents, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants one dollar. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, fifty cents. E. M. Douglas.
Advertisement ran from May 16 to 25, 1859.
1859 May 26. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 26, 1859, Vol. 18, No. 124, P. 3.
The cry is “Still they Come,” for those splendid Likenesses, including case, only 25 cents. Neillograph Likenesses to send in letters, 50 cents. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants, $1. 345 Fulton st., opposite Montague Hall. E. M. Douglass.
Advertisement ran from May 26 to June 11, 1859.
1859 June 13. The Brooklyn Daily Eagle. (Brooklyn, New York.) June 13, 1859, Vol. 18, No. 139, P. 3.
E. M. Douglass still continues to take those splendid Ambrotypes, including case, for 25 cts. Neillograph Likenesses to send in letters, 50 cts. Old Daguerreotypes and Ambrotypes copied. Likenesses of Infants $1. At 345 Fulton street, opposite Montague Hall.
Advertisement ran from June 13 to August 9. 1859.
1859 July 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) July 12, 1859, Vol. 18, No. 163, P. 3.
Ladies, 25 cents will get a perfect Likeness, including case, at the Temple of Art, 345 Fulton street, opposite Montague Hall. Likenesses of Infants $1.00. Old Daguerreotypes and Ambrotypes copied. Neillograph Likenesses to send in letters, 50cents. E. M. Douglas.
Advertisement ran from July 12 to August 8, 1859.
1859 August 10. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 10, 1859, Vol. 18, No. 188, P. 3.
Niellograph Likenesses.—Those beautiful Miniatures are taken true to life at E. M. Douglass’ Temple of Art, 345 Fulton street, opposite Montague Hall; can be sent to any part of the world in letters, without extra postage.
Advertisement ran from August 10 to 22, 1859.
1859 August 24. The Brooklyn Daily Eagle. (Brooklyn, New York.) August 24, 1859, Vol. 18, No. 201, P. 3.
The great attraction at the Temple of Art for those beautiful Miniatures only 25 cts. each, still continues to draw crowds of ladies. Likenesses of Infants, $1.00 E. M. Douglass, 345 Fulton st., opposite Montague Hall.
Advertisement ran from August 24 to September 10, 1859.
1859 September 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) September 12, 1859, Vol. 18, No. 217, P. 3.
Miniatures, from 25 cents to $10, are taken at the Temple of Art, 345 Fulton street, opposite Montague Hall. Neillograph Likenesses to send in letters, 50 cents. Likenesses of Infants $1.00. E. M. Douglas.
Advertisement ran from September 12 to November 11, 1859.
1859 November 15. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 15, 1859, Vol. 18, No. 272, P. 3.
Photographs For $1; Ambrotypes, including case, 25 cents’ Daguerreotypes and Ambrotypes enlarged in Photographs, at the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglass.
Advertisement ran from November 15 to 25, 1859.
1859 November 28. The Brooklyn Daily Eagle. (Brooklyn, New York.) November 28, 1859, Vol. 18, No. 282, P. 3.
Ladies now is your time to get a splendid Photograph, 25 cents; Ambrotypes, Niellograph Likenesses to send in letters, 50 cents; Daguerreotypes and Ambrotypes enlarged in Photographs, at the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglass.
Advertisement ran from November 28 to December 2, 1859.
1859 December 3. The Brooklyn Daily Eagle. (Brooklyn, New York.) December 3, 1859, Vol. 18, No. 287, P. 3.
One dollar Photograph, 25 cents; Ambrotypes, Niellograph Likenesses to send in letters, 50 cents; Daguerreotypes and Ambrotypes copied in Photographs, at the Temple of Art, 345 Fulton street, opposite Montague Hall. E. M. Douglass.
Advertisement ran from December 3 to 31, 1859.
1859 December 13. Long Island Farmer, and Queens County Advertiser. (Jamaica, New York.) December 13, 1859, Vol. XXVII, No. 39, P. 3.
The Temple Of Art, 345 Fulton Street, (Opposite The City Hall,) Brooklyn, Long Island.
Photographs, large size, $1.00,
Neillographs, likenesses to send in letters, 50 cents,
Ambrotypes, including case and colored, 25 cents,
Daguerreotypes and Ambrotypes copied into Photographs. E. M. Douglass.
Advertisement ran from December 12 to 27, 1849.
1846-1849 63 Fulton Street, Brooklyn, New York
1846 June 8. The Brooklyn Daily Eagle and Kings County Democrat. (Brooklyn, New York.) June 8, 1846, Vol. 5, No. 139, P. 2.
Crowell’s Brooklyn Daguerreian Gallery, No. 63 Fulton street. Likenesses taken in all weather, from 7 o’clock in the morning until sunset. Sick or deceased persons taken at their residences.
Advertisement ran from June 8, 1846 to February 17, 1849.
1847 December 24. The Brooklyn Daily Eagle and Kings County Democrat. (Brooklyn, New York.) December 24, 1847, Vol. 6, No. 304, P. 2.
Local Intelligence: &c. Places Where You Can Buy Good Articles.—….Daguerreotypes.
Leathers, 101 Fulton.
Crowell’s, 63 Fulton.
Stanbury, Corner Fulton and Front.
1857 Franklin street, Green Point, Brooklyn, New York.
1857 September 9. The New York Herald. (New York, New York.) September 9, 1857, Whole No. 7678, P. 2.
$250 Will Buy A First Class Ambrotype and Daguerreotype gallery, now doing a good business. Inquire at the gallery of Mr. Coxell, Franklin street, Green Point, Brooklyn, E. D., between the hours of 10 and 3 o’clock. Satisfactory reasons will be given for selling out. $250 cash.
1851 155 Atlantic Street, Brooklyn, New York.
1851 May 12. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 12, 1851, Vol. 10, No. 112, P. 2.
Brooklyn Not To Be Outdone.—Byron & Bent, of 155 Atlantic Street, Brooklyn, whose artistic skill as Daguerreotypist, is rapidly gaining for them a distinguished celebrity, determined to keep pace with the New York artists, have, with a laudable enterprise, fitted up a Daguerrian gallery that will vie with any in the modern Gotham. In point of accuracy of delineation, distinctness of execution and style, the likenesses by Byron & Bent, are as perfect as any we have seen, and superior to many, by artists who have had a longer experience, and hold a high rank in their profession. We command Messrs. B. & B. to the patronage of their fellow citizens. Their charges are moderate, and the portraits are permanent, which is not the case with very many of the low priced artists—we mean those who charge 50 cts. Pay them a visit, and give them a trial; you will be sure to call again!
1851 May 17. The Brooklyn Daily Eagle. (Brooklyn, New York.) May 17, 1851, Vol. 10, No. 117, P. 2.
Daguerrian Gallery, (From Meade Brothers,) 155 Atlantic street, Brooklyn.
The great want of a good Daguerrian Gallery, in South Brooklyn, has long been felt, and the subscribers have been induced to fit up the first floor over the splendid store of G. D. Sweetzer, at 155 Atlantic street, as one of the first class; and they can say, without fear of contradiction, that in point of convenience and general capabilities, it is surpassed by none in the States.
The Proprietors will always be on the spot, and guarantee that none but Superior Pictures shall be issued from their establishment.
Ladies and elderly persons will find a great convenience in the gallery and operating room being on the first floor. Children’s Portraits taken in a few seconds. Portraits taken at private residences.
A choice assortment of Lockets & c.
Portraits (colored), from $1.00 upwards,
Portraits with Locket included, $2.50.
Byron & Bent.
Advertisement ran from May 17 to August 22, 1851.
1843-1844 192 Broadway, New York, New York.
1845 233 Broadway, New York, New York.
1845 4 Fountain Row, Over R. Shurtleff’s Auction Store, Springfield, Massachusetts.[1]
1846 5 Dey Street, New York, New York.[2]
1847-1848 181 Broadway, New York, New York.2
1849-1851 187 Broadway, New York, New York.2
1851 North Main Street, Springfield, Massachusetts.1
1853-1858 293 Broadway, New York, New York.2
1859 663 Broadway, New York, New York.2
1861 453 Broadway, Ner York, New York.2
1864-1866 407 Broadway, New York, New York.2
1866 190 Fulton, Brooklyn, New York.2
1843-1866. New York City Directories. (New York, New York.) 1843-1866, John Fowler Trow, Publisher.
1843. 1843/1844, P. 56. Burgess, Nathan G.—daguerreotypes, 192 Broadway. H.-65 Murray.
1844. 1844/1845, P. 58. Burgess, Nathan G.—daguerreotypes, 192 Broadway.
1845. 1845/1846, not listed.
1846. 1846/1847, P. 63. Burgess, N. G.—daguerreotype, 5 Dey. H.-5 Dey.
1847. 1847/1848, P. 71. Burgess, N. G.—daguerreotypes, 181 Broadway.
1848. 1848/1849, P. 72. Burgess, N. G.—daguerreotypes, 181 Broadway.
1849. 1849/1850, P. 74. Burgess, N. G.—daguerreotypes, 187 Broadway.
1850. 1850/1851, P. 81. Burgess, N. G.—daguerreotypes, 187 Broadway.
1851. 1851/1852, P. 86. Burgess, N. G.—daguerreotypes, 187 Broadway.
1852. 1852/1853. Not listed
1853. 1853/1854, P. 103. Burgess, Nathan G.—daguerreotypes, 293 Broadway.
1854. 1853/1854, P. 103. Burgess, Nathan G.—daguerreotypes, 293 Broadway.
1855. 1855/1856, P. 122. Burgess, Nathan G.—daguerreotypes, 293 Broadway. H.-108 E. 14th St.
1856. 1856/1857, P. 118. Burgess, Nathan G.—artist, 293 Broadway.
1857. 1857/1858, P. 120. Burgess, Nathan G.—photographs, 293 Broadway. H-38 Willow, Brooklyn.
1858. 1858/1859, P. 118. Burgess, Nathan G.—photographs, 293 Broadway. H-49 Cranberry, Brooklyn.
1859. 1859/1860, P. 123. Burgess, Nathan G.—photographs, 663 Broadway. H-49 Cranberry, Brooklyn.
1860. 1860/1861. Not listed
1861. 1861/1862, P. 123. Burgess, Nathan G.—photographs, 453 Broadway. H-49 Cranberry, Brooklyn.
1862. 1862/1863. Not listed.
1863. 1863/1864. Burgess, Nathan G.—Clerk , 56 Broadway. H-119 Henry, Brooklyn.
1864. 1864/1865, P. 128. Burgess, Nathan G.—photographs, 407 Broadway. H-119 Henry, Brooklyn.
1865. 1865/1866, P. 137. Burgess, Nathan G.—photographs, 407 Broadway. H-Brooklyn.
1866. 1866/1867, P. 137. Burgess, Nathan G.—photographs, 407 Broadway & 190 Fulton, Brooklyn.
1867-1870 not listed.
1843 September 19. New York Daily Tribune. (New York, New York.) September 19, 1843, Vol. III, No. 139, Whole No. 760, P. 3.
Fair at the American Museum.—The problem of opening a new and spacious Saloon at the American Museum, as a Perpetual Fair or Bazaar for the Exhibition and Sale of Goods, Wares, Merchandize, &c has proved highly successful. It is now one of the most attractive Halls in the Establishment, and is undoubtedly the cheapest Advertising Medium in the world. The name, location and business of all depositors are advertised in 100,000 small bills per annum—also in the principal city papers. The following persons have already made deposites in this Fair, and as nearly all the articles are For Sale, Merchants and others will find it to their interest to make their purchases through this medium. It is obvious that no articles but those of the best quality are deposited here. Persons desirous of depositing specimens of Goods or Cards of Business in the perpetual Fair, can do so on reasonable terms. Circulars of prices, & c. can be obtained at the Office of the Museum.
Daguerreotype Miniatures…..N. G. Burgess, 192 Broadway
Daguerreotype Miniatures…..J. Gurney, 189 Broadway
Daguerreotype Miniatures…..J. Plumbe, Jr., 251 Broadway
Daguerreotype Miniatures…..Fanshaw, Young & Cunningham, 235 Broadway
1843 September 20. Connecticut Courant. (Hartford, Connecticut.) September 30, 1843, Vol. LXXIX, No. 4100, P. 2.
Exhibition and Fair. We shall not be thought to give the subject an undue importance, by again reminding our citizens of the Fair now in progress at the City Hall. The list of articles (to the publication of which we give up a large space in our paper this week) shows that the Farmers, Mechanics, Manufacturers and artist of this county, have not forgotten the annual returm of this interesting occasion…
169. Daguerreotype miniatures; N. G. Burgess, Hartford.
1843 October 7. Connecticut Courant. (Hartford, Connecticut.) October 7, 1843, Vol. LXXIX, No. 4107, P. 3.
Hartford County Agricultural Society. List of Premiums. The several committees have awarded the following premiums…
Fine Arts and Arts…
N. G. Burgess, New York, best specimen of Daguerreotype likenesses, silver medal.
1843 October 14. The Hartford Times. (Hartford, Connecticut.) October 14, 1843, Vol. XXVII, No. 1399, P. 1.
Hartford County Agricultural Society. List of Premiums. The several committees have awarded the following premiums…
Fine Arts and Arts…
N. G. Burgess, New York, best specimen of Daguerreotype likenesses, silver medal.
1844 December 27. New York Daily Tribune. (New York, New York.) December 27, 1844, Vol. IV, No. 227, Whole No. 1158, P. 3.
Daguerreotypes. Burgess’ Gallery Of Colored Daguerreotypes, 192 Broadway. N. Y. N. G. Burgess, Principal Operator.
Advertisement ran from December 27, 1844 to March 1, 1845.
1845 April 14. The New York Herald. (New York, New York.) April 14, 1845, Vol. XI, No. 103, Whole No. 4065, P. 2.
The daguerreotype—We had thought that the perfection of this art had been attained, but we find there are still improvements. Among those we have seen recently were some specimens at Mr. Tracy’s rooms, No. 233 Broadway. He has taken some portraits which, for life-like beauty and effect, cannot be excelled. He has, likewise, engaged the services of Mr. Burgess, who formerly occupied rooms at the corner of John and Broadway, and those who wish a picture in his style, which is acknowledged to be superior, will please call soon, as Mr. B. leaves the city in a few days.
1845 April 14. The New York Herald. (New York, New York.) April 14, 1845, Vol. XI, No. 103, Whole No. 4065, P. 3.
Daguerreotype Portraits. J. F. Tracy has taken Rooms at No. 233 Broadway, up stairs, second floor, where he is executing some of the most beautiful specimens of the Daguerrian Art in this city. The prices are according to the style and finish, from One To Three Dollars.
Those in want of perfect Pictures are requested to call and examine his specimens. Mr. T. is happy to announce that he has engaged the professional services of N. G. Bingers [sic.], for a short time, and those who wish Pictures in his peculiar beautiful style would do well to call soon.
Plates, Cases, Chemicals, &c., always on hand, and instructions given in the Art on moderate terms.
Advertisement ran from April 14 to May 27, 1845.
1845 June 18. Springfield Gazette. (Springfield, Massachusetts.) June 18, 1845, Vol. 14, No. 25, P. 2.
Daguerreotypes.—We have pleasure in referring to the card of Mr. Burgess, in another column, who will be in town for a few days, to answer the calls of our citizens who may wish to obtain a perfect and durable impression of their living features by means of the daguerreotype. Mr. B. exhibits some of the best specimens of the perfection of the art that we have ever seen
1845 June 17. Springfield Daily Republican. (Springfield, Massachusetts.) June 17, 1845, Vol. 2, No. 374, P. 3.
Daguerreotypes. N. G. Burgess, of New York, has opened his Gallery of Colored Daguerreotypes, for a few days only, at No. 4 Fountain Row, Over R. Shurtleff’s Auction Store.
Mr. B. has been induced to open his rooms in Springfield for a short time, and he is prepared to execute Likenesses in a style sure to please and greatly superior to any before offered in this town.
Miniatures and Portraits taken in all the various sizes, from the smallest breast-pin size to that of the cabinet Portrait.
These pictures are warranted durable colors, and will retain their clearness and distinctness as long as the painted portrait.
The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection. Operations from 8 A. M. until 4 P. M. without regard to weather.
Springfield, June 17, 1845.
Advertisement ran from June 17 to June 30, 1845.
1845 June 18. Springfield Gazette. (Springfield, Massachusetts.) June 18, 1845, Vol. 14, No. 25, P. 3.
Daguerreotypes. N. G. Burgess, From New York, Has Opened His Gallery of Colored Daguerreotypes, for a few days only, at No. 4 Fountain Row, Over R. Shurtleff’s Auction Store.
Mr. B. has been induced to open his rooms in Springfield for a short time, and he is prepared to execute likenesses in a style sure to please and greatly superior to any before offered in this town.
Miniatures and Portraits taken in all the various sizes, from the smallest breast-pin size to that of the Cabinet Portrait. These pictures are warranted durable colors, and will retain their clearness and distinctness as long as the painted portrait.
The citizens are respectfully invited to call and examine specimens of the Art brought to its highest state of perfection. Operations from 8 A. M. until 4 P. M. without regard to weather.
Springfield, June 17, 1845.
Advertisement ran from June 18 to July 2, 1845.
1845 June 27. Springfield Daily Republican. (Springfield, Massachusetts.) June 27, 1845, Vol. 2, No. 383, P. 2.
Mr. Burgess, the Daguerreotype artist, is to remain in town but two or three day longer, and those who wish to secure their exact pictures by this peculiar and interesting mode must call immediately. We have seen a number of pictures taken by Mr. B., and readily pronounce them far superior to any we ever saw of the kind, before.
1854 June 3. The New York Herald. (New York, New York.) June 3, 1854, Whole No. 6492, P. 4.
Burgess, Daguerrean Artist, 293 Broadway, the oldest and most practical in the city, would inform his friends and former patrons, that he has resumed the profession of this beautiful art, in all its branches. Pictures taken in all the various styles. French, German, Italian, &c., spoken.
1854 November 3. The New York Herald. (New York, New York.) November 3, 1854, Whole No. 6644, P. 4.
To Daguerreans.—Wanted, A Daguerreotype Operator, at Burgess’ daguerrean rooms, 293 Broadway.
1855 June. The Photographic and Fine Art Journal. Vol. 8, No. 6 p. 190
For the Photographic and Fine Art Journal. Amusing Incidents In The Life Of A Daguerrean Artist. By N. G. Burgess.
The experience of all those who follow the Daguerrean Art, as a profession, will show many amusing and laughable incidents which have been noted down from time to time. For the benefit of the readers of the Journal I will transcribe a few, which may amuse at least if not instruct them.
Persons who sat for pictures, in the early stage of the Art, were of course ignorant of the modus operandi, and they not unfrequently moved during the sitting, although the Artist may have given full directions to the contrary.
An elderly lady was once seated in front of the camera, and was informed that for two minutes she must be in a perfectly passive mood and watch the glasses of the camera. On returning to the camera, the Artist was surprised to find her standing by the window viewing the
passers‑by in Broadway. She remarked that while she was waiting for the picture to come out of the box, she thought, there would be no harm in looking out of the window, as she expected her son to call for her about that time and she was wondering why he did not come.
Another Artist, was called upon to take the likeness of a lady dressed in deep mourning, who when seated in the chair, and the focus of the camera drawn accurately upon the ground glass, and just as he was about to place the plate‑holder in the Box, she called upon him to wait a moment, for her to request him to represent her in the picture, as holding in her lap a dear little child whom she had but a few days before laid in the cold grave.
But a most amusing and laughable anecdote is related of an Artist who was called upon by a volunteer in the late Mexican War. He was just starting for the battle‑fields of glory, when, he bethought himself of his Daguerreotype, that he would leave with his lady‑love. He had imprudently, imbibed too much of those strong drinks repudiated by the Prohibitory Law, and the day being rather cloudy, it required at least three or four minutes sitting. When the time expired, our hero the volunteer, was found to be a sleeper at his post. The Artist however did not disturb him, but quietly removing the plate, he proceeded to bring it out over the mercury bath, when it was found to be very dark, and withal, rather sleepy in appearance: The light was not sufficiently strong for another picture, and it was finished, and the sleeper awakened to receive his image on silver which was deemed rather dark and misty. But the Artist assured him, when the weather became clear and his head also the picture would assume a clearness not then discernable, which fully satisfied the soldier, and he departed for Mexico.
A traveling artist was quite amused by a call from a young man in a country town, late in the afternoon, just as the sun was sinking behind the western hills; when it was too late to produce any impression on the plate. The young man was rather verdant; nor had he seen the wonderful process of Daguerre, much less any paraphernalia of a Daguerrean artist. He was very anxious to obtain his portrait that very evening, as he was just starting for the west. The Artist assured him it was too late to produce a good one, as his labors ceased at dusk. But the youth was incredulous, and insisted on his likeness being then taken. He would be satisfied with anything, if not so good a likeness. The Artist was reluctant to comply, but he bethought himself of some old specimens in his plate‑box, that might answer for a likeness and he requested the young man to be seated, in front of the camera, when he drew the focus and required him to remain still until he returned which would be at least five or ten minutes. He repaired to his plate box, and found a picture that bore the only resemblance to the young man, in the fact that it was taken for another young man in the city of New York. The likeness was sealed up and put into a case—and then carefully laid in the Camera‑box—when five minutes had expired the artist, withdrew the picture from the box, and immediately opened it to the astonished gaze of the sitter. There were several of the artists friends and acquaintances in the room during the occurrence, all anxiously watching the scene, and of course highly amused at the wonder expressed by the subject of the levity. He was quite surprised to learn that he made so good a likeness, and still more so that the artist had given him such a fine suit of clothes; remarking that the coat had more buttons than his, and in fact was a very much better picture than he thought he would make. The artist very complacently informed him that he knew it would please him the more to show his likeness in an improved dress and he accordingly added a few more buttons, and withal put on an entire new suite throughout as he sadly needed one. The youth was much obliged to him, he took the picture and paid his dollar and left for the west.
It may be questioned here whether the conduct of the Artist, on this occasion was strictly correct. But many pictures are delivered daily that do not bear so strong a likeness to the one intended, as this one in question, being executed by those who have no skill or knowledge of
any of the rules of Art.
An instance of forgetfulness was mentioned as occurring many years ago, when it required five or ten minutes sitting. A sitter was requested to await the return of the artist who thoughtlessly went to his dinner, and actually forgot that he had a sitter in his chair. When at least half an hour had expired the sitter’s patience became exhausted, he left the seat, and sought in vain, for the Artist and it was several minutes before he returned when he humbly demanded pardon, for his forgetfulness, and proceeded to take another, which he presented him gratis; for his long forbearance and forgiving disposition. Reprinted from DagNews.
1855 August 25. The New York Herald. (New York, New York.) August 25, 1855, Whole No. 6937, P. 5.
Boy Wanted—At Burgess’ Photographic rooms, 293 Broadway, up stairs. Apply between 9 and 10 o’clock A. M.
1855 October 30. The New York Herald. (New York, New York.) October 30, 1855, Whole No. 7002, P. 6.
To Daguerreotypists—Wanted—An Operator, who fully understands the business. Apply, between 9 and 11 o’clock A. M., at Burgess’ Photographic rooms, 293 Broadway.
1855 November 20. The New York Herald. (New York, New York.) November 20, 1855, Whole No. 7023, P. 4.
Improved Ambrotypes.—Burgess, No. 293 Broadway, is now taking superior pictures by this new process, which rivals all sun portraits heretofore produced. Call and examin specimens. German, French, and Italian spoken.
1856 January 1. Photographic and fine Arts Journal. (New York, New York.) January 1, 1856, Vol. IX, No. 1, P. 19.
In an article entitled the Photographic Galleries of America. Number One, New York. The author visited 69 Galleries in New York City.
N. G. Burgess—Here again we have a first-rate Ambrotyper; one who is theoretically and practically acquainted with this process and seems determined not to be excelled. I believe he has a patent for a peculiar style of picture. A very fine specimen of the process is a portrait of a fair child leaning on a table; it is perfectly life-like.
1856 April 16. The New York Herald. (New York, New York.) April 16, 1856, Whole No. 7170, P. 6.
To Artists.—Wanted. An Artist, Who Understands the art of painting photographs, to go to a Southern city, to whom a liberal price will be paid. Apply immediately at Burgess & Beniczky’s photographic gallery. 293 Broadway, up stairs.
1856 May 6. The New York Herald. (New York, New York.) May 6, 1856, Whole No. 7190, P. 5.
Pearl Ambrotypes.—A New Discovery in ambrotypes.—Pearl ambrotypes, which possess all the brilliancy and whiteness of a daguerreotype, are taken only at 293 Broadway, by Burgess & Beniczky. Pupils taught this new art. Photographs taken for $1; colored, for $5, by A. Cosmas, artist, from Paris.
1856 June 17. The New York Herald. (New York, New York.) June 17, 1856, Whole No. 7237, P. 7.
For Sale—A Splendid Uniform Belonging to an officer of the 69th Regiment N. Y. S. M., consisting of cap, coat, epaulettes, sword, belt, pants, &c. To be sold low, on immediate application at Burgresss and Beniczky’s photographic rooms, 293 Broadway.
1856 October 27. The New York Herald. (New York, New York.) October 27, 1856, Whole No. 7363, P. 5.
Fremont, Filmore and Buchanan.—Ambrotype portraits of Presidential candidates for sale, wholesale and retail, by Burgess & Beniczky, No. 293 Broadway. Agents wanted.
1858 January 26. The Evening Post. (New York, New York.) January 26, 1858, Vol. LVII, P. 2.
Wiley & Halsted Published This Day: The Photograph And Ambrotype Manual, A Practical Treatise on the Art of Taking Positive and Negative Photographs on Paper and Glass, By N. Burgess. Fourth Edition.
From Contents:
I History and Progress of Photographic Art, &c.
II Theory and Practice of Photographic Process.
III Photographic Printing, &c.
IV Copy Daguerreotypes and other Pictures into Photographs.
V On Ambrotype Process, &c.
1 Volume, 249 pages. $1.00.
1858 March 15. The Evening Post. (New York, New York.) March 15, 1858, Vol. LVII, P. 3.
The Photograph And Ambrotype Manual; A Practical Treatise on the Art of Taking Positive and Negative Photographs on Paper and Glass, commonly known as Photography, in all its Branches.
Containing all the Various Recipes Practiced by the Most Successful Operators in the United States. By N. G. Burgess [Brugers.] Fourth Edition. New York: Wiley & Halsted.
The wonders of the photographic art have not ceased. It will be applied to many now and important uses, and itself will increase in perfection and power. This little manual is one of the best of its kind, and will help to make the discoveries of Daguerre, Talbot, and Sir John Herschel more widely known and useful.
[1] A Directory Of Massachusetts Photographers 1839-1900.
[2] New York City Directory.
Pioneer American Photographers, 1839 - 1860 