Glen, Daniel L.

Ambrotypes, Daguerreotypes, Photographs, , , , ,

1850-1851       233 King Street, Charleston, South Carolina.

1851-1856       221 King Street, Charleston, South Carolina.

1856                215 King Street, Charleston, South Carolina.

1850 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1850, P. 1.

Glen’s Sky-Light Daguerrian Miniature Gallery, No. 233 King Street, Over J. S. Roberts’s Shoe

Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. N. (sic.) Glen.

Advertisement was recorded from November 28, 1850 to January 9, 1851.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Strangers and others who are desirous of having their likenesses Daguerreotypes in a superior manner, are referred to the advertisement of Mr. Glen, a Native Artist, in another column.

1851 May 6.  The Charleston Mercury.  (Charleston, South Carolina.)  May 6, 1851, P. 4.

Glen’s Sky-Light Daguerrian Miniature Gallery.  No. 233 King street, over J. S. Robert’s Shoe Store.  The Subscriber, a native of this City, being in possession of all the recent improvements,

would solicit attention to his beautiful style of Portraiture, and warrants those who favor him

with their patronage satisfactory Likenesses, which cannot be excelled in point of tone, position,

and finish, and all the qualities which constitute a fine Daguerreotype.  Pictures of all sizes,

single or in groups, taken in any weather, equal to any specimens of the Photographic art ever produced in this country.  A call is respectfully solicited.  D. L. Glen

Advertisement was recorded from May 6 to 31, 1851.

1851 September 27.  The Charleston Mercury.  (Charleston, South Carolina.)  September 27, 1851, P. 3.

Palmento Daguerrean Gallery.  No. 221 King-st., over W. J. Jacobi & Son.  D. L. Glen Respectfully informs the citizens of his native State that he is prepared to take Pictures of all sizes, in a style that cannot be surpassed.  Having all the facilities of light to produce a good Picture, he pledges himself to give a perfect Likeness.  Mr. G. returns his thanks for past favors, and respectfully solicits a call at his rooms. 

Daguerrean Stock for sale.

Advertisement was recorded from September 27, 1851 to January 1, 1852.

1852 March 16.  The Charleston Mercury.  (Charleston, South Carolina.)  March 16, 1852, P. 4.

Mr. Glen’s Daguerreotypes.  The Daguerreotypist of Charleston are avowedly some of the first artists in the State.  Their galleries contain specimens of the success with which they have labored in their art, of the most pleasing and convincing nature.  Among these Artists, Mr. D. L. Glen, of King street, ranks deservedly high.  The improvements he has made of late are very important, one of which has enabled him to obtain such complete mastery of lights and shades, that he can effect as vivid a likeness in days of gloom as in days of sunshine.  In his Galler are to be found most striking portraits of many of our leading citizens, who though absent from the spot really seem to speak to their friends.  During the past week Mr. Glen has added to his fame by the production of two large-sized portraits, the one representing Signor Novelli, the eminent Barytone, and the other Signor Gambati, the famous Musician.  As works of arts these portraits are likely long to remain unsurpassed.

1852 November 20.  The Charleston Courier.  (Tri-Weekly)  (Charleston, South Carolina.)  November 20, 1852, P. 1.

The Fair and Poultry Exhibition—Third Day… The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day.  In Oil Painting, Mr. S. N. Carvalho, of this city, presents several creditable offerings from his studio-conspicuous among which is a familiar Portrait readily recognized as the weather beaten but expressive countenance of “The Wandering Jew,” a venerable eccentric character well known down town, by his constant presence, and up the road, through the innumerable hieroglyphics traced along the fences, to an indefinite extent, by his hand.  These paintings add no little attraction to the Exhibition.

Messrs. Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…

1852 November 23.  The Camden Journal.  (Camden, South Carolina.)  November 23, 1852, Vol. 3, No. 94, P. 2.

The Fair and Poultry Exhibition…We have taken a few notes in the more delicate and fine arts to-day….Osborn, Cook & Glen, of this city an extensive Gallery of Daguerreotype Miniatures…Charleston Courier, 19th Inst.

1852 November 25.  Charleston Courier.  (Charleston, South Carolina.)  November 25, 1852, Vol. L, No 15277, P. 2.

The Committee on Premiums, to whom was assigned the duty of selecting competent judges to decide on the respective merits of the various articles offered for exhibition at the Fair of the South-Carolina Institute for the present year, respectfully report the following list of awards…

S. N. Carvalho, for the Bust of a Beggar—a Silver Medal.

Osborn, for the best Composition Daguerreotypes—A Silver Medal. 

Glenn, for the best Daguerreotype heads—a Silver Medal.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

A Card.  That part of the community who are in the habit of reading advertisements, must be somewhat surprised to find two Daguerreotypist proclaiming that each had the first Premium awarded to him at the late Fair.  Now I ask no more than I have merited, and I leave the public to judge.  The Committee in awarding Premiums made the following public announcement:  “To J. M. Osborn, a Silver Medal, for the best composition Daguerreotypes; To D. L. Glenn, for the best Daguerreotype Heads.”  These were the precise words used in awarding the Premiums, and I make o hesitation in assuming as mine was the first Premium awarded by the committee, and that for a superior branch of Daguerreotyping, that it was intended, as I certainly think all must understand it, that the first Premium was awarded to me.  J. M. Osborn, 233 King-st.

1852 November 30.  Charleston Courier.  (Charleston, South Carolina.)  November 30, 1852, Vol. L, No 15281, P. 2.

Daguerreotypes.  First Premium Awarded To Osborn, At The Late Fair.  Rooms 223 King-street, a few doors above the Bend.  Where may be had Daguerreotypes in every style of the Art, viz:  Ordinary Daguerreotypes, copying and enlarging Daguerreotypes to any size, Crayon Daguerreotypes, Illuminated Daguerreotype, Cameo Daguerreotypes, Golden Tint Daguerreotype.  Also a Reproduction of the Daguerreotype on Copper by Electro Galvanic process.  Backgrounds rendered non-reflecting and of any color.  Also, Talbotypes or pictures taken on paper by the Camera.

Pupils taken and instructions given in all the above branches if required.  Also, Daguerreian Chemistry taught.

Advertisement ran from November 30 to December 6, 1852.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

A Card.  At the request of Mr. Glen, we state that the committee appointed by the Directors of the South Carolina Institute for awarding premiums in the Department of Fine Arts—decided that the first prize should be given to Osborn, for the best Daguerreotype Composition piece—the one representing a colored boy and girl sitting near a stove.

Advertisement ran from December 2 to 6, 1852.

The first place for Heads, was awarded to Glen—they regarding his Daguerreotypes as the best in that department.  Committee—T. L. Hutchinson, Chairman of Committee.  Geo. W. Flagg.  Chas. D. Carr, Chairman Committee on Premiums So. Ca. Institute.

1852 December 2.  Charleston Courier.  (Charleston, South Carolina.)  December 2, 1852, Vol. L, No 15283, P. 2.

Julia Dean Daguerreotype.  On Calling in to D. L. Glen’s Gallery, 221 King-street, I was shown there the finest production in the line of Daguerreotyping I ever saw.  Being an artist myself, and having seen others in the different Northern cities, I must, with pleasure say, that finer pictures are taken there, that in any city in the United States, or in the world.

It was the likeness of Miss Julia Dean, also, a group of Miss Julia and sister.  I find him assisted by S. Jenkins, from Richmond, Virginia, of Whitehurst’s Gallery.  He is acknowledged by the best Northern Artists to be ahead in his line.

Mr. Jenkins’ references are, Ex-Governor Floyd, Virginia; Caskie, Virginia; J. Plumbe; J. H. Whitehurst, Virginia; S. M. Root[1], Philadelphia; McClees & Germon, Philadelphia; Masney & Silsbee[2], Boston; Professor Ives[3], Boston; Dr. Cleveland, Charleston; Whiteford Smith, Charleston.

Elsewhere you will find that the prize awarded (being the highest for the best productions) is settled by the Committee, J. M. Osborn being noticed by them for a group of colored subjects only.  A. Citizen.

1852 December 9.  Charleston Courier.  (Charleston, South Carolina.)  December 9, 1852, Vol. L, No 15289, P. 2.

Grand Prize Concert.  The Infant Drummer.  Will give another Brilliant Entertanment (sic.) At Hibernian Hall.  This Afternoon And Evening, Dec. 9.  Assisted By Major J. Hammond, And Other Instrumental Talent.  Three Magnificent Daguerreotypes Of The Infant Drummer, taken by D. L. Glen, 221 King-street, of this city, will be distributed among the audience This Evening, and also This Afternoon among the children.  The Prizes will be distributed as follows:  Each person entering the Hall, will be presented with a number; a corresponding number will be deposited in a vase, from which the Infant Drummer will draw at the close of the entertainment.

The person having the number corresponding with the 5th number drawn, will be entitled to the first prize; and the person having the corresponding number with the next fifth number drawn, will be entitled to the second prize, and the same for the third…

1852 December 16.  Charleston Courier.  (Charleston, South Carolina.)  December 16, 1852, Vol. L, No 15295, P. 2.

Stranger, At Mr. Glen’s, 221 King-street, you can get the finest Likeness of yourself or friends.  Remember he obtained at the late fair, the highest premium for the best Daguerreotypes.  As good likeness or Picture in rainy as in fair weather, you can get there.  Solon.

1853 January 25.  Charleston Courier.  (Charleston, South Carolina.)  January 25, 1853, Vol. LI, No 16327, P. 2.

Citizens Of Charleston And Strangers Visiting.  To You Greetings.  Please notice as you pass the fine Specimens of the Photographic Art, Exposed to view in the splendid Show Case, before the door of 221 King-street.  For softness of shade, Tone of Pictures and position, no Daguerreotypes in the world can Equal them—(Beautiful to Contemplate.)  The South ahead.

The Gallery is crowded with all Classes, to procure those life-like Miniatures, which are produced so Instantaneously and with perfection.  Mr. Glen, with such an Artist as S. Jenkins, from Virginia, assisting him, and Mr. J. Having the highest recommend from All the principal Artists in America, Who will delay procuring for themselves Or friends those Mementoes, regarded As the Best gift oneself can bestow Upon another.

1853 March 2.  Charleston Courier.  (Charleston, South Carolina.)  March 2, 1853, Vol. LI, No 16358, P. 2.

Gov. Manning called in to Mr. Glen’s Daguerrian Gallery, (Knowing Where To Go,) to procure for his lady, a true fac simile of himself; and Jenkins, Glen’s celebrated Artist, [I besides,] retained for the public, a fine likeness of his Excellency.  It can be seen at all times at the Gallery, 221 King-street.  It is considered a fine production.  Now, the public know where to go for a true Artistic Picture.

1853 March 9.  Charleston Courier.  (Charleston, South Carolina.)  March 9, 1853, Vol. LI, No 16364, P. 2.

Call Into Glen’s Daguerrean Gallery, 221 King-street.  He has the finest selection of Pictures out.  He has taken recently,

Governor Manning

The Mayor of Charleston

Miss Julia Dean

Miss Anna Cruise

Miss Graham

Mr. Neatie, the Tragedian.

Mr. G. got the medal at the late Fair, for the best Pictures.

Advertisement ran from March 9 to 29, 1853.

1853 April 25.  Charleston Courier.  (Charleston, South Carolina.)  April 25, 1853, Vol. LI, No 16403, P. 2.

The Daguerrian Gallery Of Our Friend Glen is continually crowded with the considerate, the fashionable and the gay, to see his splendid specimens of the Photographic Art, and but few leave the premises without taking with them a fac simile of themselves, in the shape of a fine Likeness.

Strangers secure the shadow ere the substance fades.  Nothing can surpass Glen’s Pictures.

1853 May 4.  Charleston Courier.  (Charleston, South Carolina.)  May 4, 1853, Vol. LI, No 16411, P. 2.

 Fife Dollars Reward.—Taken from the show case, in the entry at D. L. Glen’s Daguerrean Rooms, a Daguerreotype of a Lady—[it] was in a case which is made to hang up, and not closed up.  The eyes on the picture are looking up.  If returned the above reward will be paid and no questions asked.  The likeness is of a Boston Lady, and valuable to none but the proprietor.  D. L. Glen, 221 King st.

Advertisement ran on May 4 & 5, 1853.

1853 May 30.  Charleston Courier.  (Charleston, South Carolina.)  May 30, 1853, Vol. LI, No 16433, P. 2.

Friend Glen Is ahead in the Daguerrian Line.  To know this a certain truth, call in any time in business hours.  You will find the most fashionable sitting for their pictures and likenesses, an issue which cannot be excelled by any Artist in the Union.

You will always find our little friend Jenkins on hand, and if any one can arrange position and get the right expression, ‘tis he.

Advertisement ran from May 30 to June 1, 1853.

1853 October 12.  Charleston Courier.  (Charleston, South Carolina.)  October 12, 1853, Vol. LI, No 16547, P. 2.

Having occasion to look in lately at the First Premium Daguerrean Gallery of D. L. Glen at 221 King-street, we spent some time very agreeably in examining his large and varied collection of specimens.  We found numerous well known faces admirably and truthfully represented in all the best styles and with the latest and most improved effects of the face printing art.  Besides individual portraits we observed some groups in the execution of which the artist had been eminently successful.

1853 October 9.  Charleston Courier.  (Charleston, South Carolina.)  October 9, 1853, Vol. LI, No 16569, P. 2.

Glen’s First Premium Daguerreotypes, 221 King -Street, Opposite The Mammoth Boot.  Mr. G, is still making those beautiful Pictures, for which he received a Silver Medal at the last Fair of the South-Carolina Institute.  Every style produced by the art, taken at his rooms.  All persons who want a perfect Likeness, will do well to call, as no picture is allowed to go out the rooms, unless it gives perfect satisfaction.  Pictures copied at the shortest notice.

Advertisement was recorded fourteen times between November 9 to December 5, 1853.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 9, 1854, Vol. LI, No 16696, P. 1.

Daguerreotypes.  Calling lately at the establishment of Mr. D. L. Glen, 221 King-street, we found many new additions to his previously large and attractive stock of specimens.  He is evidently determined not to be outdone in excellence and to improve on himself to the utmost.

1854 April 10.  Charleston Courier.  (Charleston, South Carolina.)  April 10, 1854, Vol. LI, No 16696, P. 2.

Glen’s Superior Daguerreotypes If you want a perfect picture Call at Glen’s  First Premium Gallery, where may be seen some of the best specimens in the city.  The public are invited to call and see for themselves.  Pictures at the door are specimens of the kind taken up stairs.

Room, 221 King-street, opposite the Big Boot.

Advertisement was recorded from April 10 to 14, 1854.

1854 October 11.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 11, 1854, Vol. LII, No 16850, P. 2.

Marion Lodge No. 2, I. O. O. F.[4]—The Members of this Lodge, and the Brothers of the Order generally, are respectfully invited to attend the Funeral of Brother A. Krause, from his late residence, No. 5 Pain’s Court, at Nine o’clock This Morning.  Daniel L. Glen, N. G.[5]

1855 April 14.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 14, 1855, Vol. LII, No 17005, P. 1.

A Day At The Fair.  The number of new contributors pouring in is still so great, that several tables examined by us on Thursday presented quite a strange aspect on Friday…

We are next attracted to some fine specimens of the Daguerrean art—an art in which our State has attained a deserved distinction from the degrees of excellence manifested by our leading operators.

The Gallery of D. L. Glen, 221 King-street, represented by a fine case, containing specimens of groups, portraits, and copies from prints.  Of the new and later additions to his collection, we noticed the portraits of Cr. Dewey, and Miss Eliza Logan.

J. T. Zealy of Columbia, one of the best, if not the very best of our Daguerrean artists, of the interior, has contributed some very fine specimens.  We readily recognize his Excellency Governor Adams, and Chancellor Wardlaw; the portrait of the latter, however, is marked “Chancellor Dargan”—a case of “individual misapprehension,” which shows a singular freak of optics, and would be unpardonable in a sheriff. 

Mr. Cohen sends a case from his Daguerrean rooms, corner of King and Liberty-sts.

Geo. S. Cook sends from his well known rooms a fine collection, in all styles of the art, including the new process of oil photographs on paper.

1855 April 20.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 20, 1855, Vol. LII, No 17010, P. 1.

Fifth Annual Fair.  Catalogue Of The Articles On Exhibition At The Fair Of The South Carolina Institute, April 1855.

98.   Four Daguerreotypes; J. T. Zealy.

101.  One large Framed Daguerreotypes, seven single do; two Framed Photographs, one in oil and one plain; D. L. Glen.

102.  One Frame Daguerreotypes, one lot Photographic Paintings, one lot Plain Photographs; George S. Cook.

105.  One Frame Daguerreotypes; A. D. Cohen.

1855 April 21.  The Charleston Mercury.  (Charleston, South Carolina.)  April 21, 1855, P. 2.

The Catholic Fair…

En passant we may allude to the beautiful Portrait of the late lamented Bishop Reynolds, painted faithfully (from a Daguerre) by the merited artist, W. A. Ashe; a copy from another Portrait of Bishop England, faithfully executed by one of the Sisters of Mercy; and the Daguerreotypes of four eminent Priests, grouped in easy attitude, and almost perfect semblance of the distinguished originals, by D. L. Glen, Esq…

1855 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1855, Vol. LII, No 17014, P. 2.

D. L. Glen exhibits a new specimen of his skill in a daguerreotype from Mr. Galt’s admired and classical bust of “The Bacchante.”

1855 April 30.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 30, 1855, Vol. LII, No 17018, P. 1.

List Of Premiums Awarded At The South-Carolina Institute Fair, Charleston, S. C., April 26, 1855.

D. L. Glen and Geo. S. Cook, Photographs and Daguerreotypes, equal in Merit—a Diploma to each.

1855 May 7.  The Charleston Daily Courier.  (Charleston, South Carolina.)  May 7, 1855, Vol. LII, No 17024, P. 2.

Young American on Two Sticks.  Master Benson A. English, the young drum-major—or shall we say drum—minor—who beats anything of his size and shape, with two sticks on a sheepskin, will give a concert and entertainment this evening at the institute Hall.  It is sufficient to say that he visits our city in accordance with a letter of invitation signed by many leading and influential citizens, who remember the gratification experience from his performances here two years since.  On that occasion, which was his first public appearance, we believe in a Southern city, Master Benson was received with lively tokens of welcome, and honored by many demonstrations in the form of presents.  Among others we may note, a uniform from the Cadets of the Citadel, which the little major has worn with much gratification,—a goblet and salver from the Washington Light Infantry, a uniform from the Vigilant Fire Engine Company, a silver knife and fork from Capt. Berry, then in command of the steam ship Marion, now of the Nashville, and a silver trumpet from the German Fire Engine Company.  His Honor, the Mayor, and many citizens also testified their admiration in many forms, and on the same tour he was received with equal approval by Gov. Manning, and the citizens of our Capital generally.  This has been indeed his well deserved fortune in all cities where he has appeared.

Many of the tokens and presents received by the little Major, including one from the widow of President Polk, and one from President Pierce, may now be seen at the store of James E. Spear, on King, opposite Haskell-street.  The prizes to be distributed after the first concert, are also on exhibition there.  Our well known daguerrean artists, Osborn of 233 King-street, and Glen of 221 King-street, have taken excellent daguerreotypes, which may be seen in their collections of specimens…

1855 May 21.  The Charleston Daily Courier.  (Charleston, South Carolina.)  May 21, 1855, Vol. LII, No 17086, P. 2.

The Ladies Fair…

Mr.  D. L. Glen has contributed in Daguerreotypes…

1855 August 28.  The Charleston Daily Courier.  (Charleston, South Carolina.)  August 28, 1855, Vol. LII, No 17024, P. 2.

D. L. Glen Has returned from the North posted up all the late Improvements In Daguerreotyping and Photography.  The public are respectfully invited to call at his Rooms, 221 King-street, where specimens may be seen.

Advertisement was recorded nine times between August 28 to September 18, 1855.

1856 April 25.  The Charleston Daily Courier.  (Charleston, South Carolina.)  April 25, 1856, Vol. LIV, No 17328, P. 2.

Colored Photographs.  We were much pleased yesterday with a colored photograph we had an opportunity of inspecting, which exhibits a new and most effected model of adding the advantages of color and hue to the photograph without destroying the peculiar delicacies of the original impression.  The coloring was executed by Mrs. E. M. Link, whose ingenious and highly meritorious skill in Grecian painting, leather work, and other branches of ornamental elegance we have had previous occasions to notice, and who occupies rooms at the S. E. corner of King and Hasell streets, (over the store of Calder, Browne & Co.) for the purpose of giving instruction in these arts.  The photograph in this case was taken by Glenn, in the usual excellent style of his gallery.

1856 October 13.  The Charleston Daily Courier.  (Charleston, South Carolina.)  October 13, 1856, Vol. LIV, No 17458, P. 2.[6]

Glen’s Photographs, Ambrotypes, And Daguerreotypes, 221 King-Street.  [ ? ] many a flower is born to blush unseen, and waste [ ? ] on the desert air,” but a Likeness of [ ? ] some dear friend, taken by Glen, could no [ ? ] the admiring eye, than could the sun at noon [ ? ] its radiance.

Pictures [Taken at] Glen’s Gallery have always been admitted [ ? ] to be of superior tone and finish.  Pictures [ ? ] size and price taken at the shortest notice.

[ ? ] sick and deceased persons taken.  Glen, Southern Artist, 221 King-street.

1856 November 28.  The Charleston Mercury.  (Charleston, South Carolina.)  November 28, 1856, Vol. XLVII, No. 9781, P. 2.

Ambrotypes For $1.00 At Glen’s Gallery of Art, 215 King-Street, Over Messrs. Duncan & Paxton’s Drug Store.

Mr. G. Having Made Arrangements To enable him to take Ambrotypes at a reasonable price, now offers the public,

Ambrotypes, from $1 upward.

Daguerreotypes, from $1 upwards.

Photographs, $4 to $40.

All who desire to get correct Pictures, will do well to call at his Rooms, where specimens may be seen in all the various branches of the Art.

Advertisement was recorded from November 28 to December 19, 1856.

1856 November 27.  The Charleston Daily Courier.  (Charleston, South Carolina.)  November 27, 1856, Vol. LIV, No 17496, P. 1.

The Gallery of Paintings at the Institute.

“All that imagination’s power could trace,

Breathed in the pencil’s imitative grace,

O’er all the canvas, form and soul and feeling

That wonderous art, infused with power of life,

Portrayed each pulse, each passion’s might revealing,

Sorrow and joy, life, hatred, fear, and strife.”

A walk around the extensive Gallery of Paintings at the Institute Hall, furnishes us with material for more that one day’s study and reflection.  We have, therefore, gathered up our notes from the point at which we left off yesterday, and continue to day our rambling sketches of this choice repository of the fine arts…

Daguerreotypes, Ambrotypes and Photographs, from the galleries of Messrs Glen and Wenderoth…

[1] Marcus Aurelius. Root or Samuel Root or Samuel & Marcus Root.

[2] Masury & Silsbee

[3] Loyal Moses Ives

[4] I. O. O. G. Independent Order of Odd Fellows.

[5] N. G. Nobel Grand.

[6] Whole left side of advertisement unreadable.

Gleason, B. F.

Daguerreotypes, Photographs, , ,

1859                Address Unknown, Adams, New York.

1859 September 15.  The New York Reformer.  (Watertown, New York.)  September 15, 1859, Vol. X, No. 4, P. 2.

Fair of the Ellisburgh, Adams and Henderson Agricultural Society…Several cases of daguerreotypes and photographs, exhibited by B. F. Gleason, of Adams, attracted no little attention, and spoke highly of Mr. G. as an artist…

Gladden, John G.

Ambrotypes, Daguerreotypes, , , ,

1859-1859       Address Unknown, Columbia, South Carolina.

1859                Rooms over Messrs. Wilkinson & Co.’s. Jewelry Store, Charlotte, North Carolina.

1858 July 31.  Charleston Mercury.  (Charleston, South Carolina.)  July 31, 1858, Vol. LI, No. 10,299, P. 2.

Correspondence of the Mercury.  Eagle Fire Company in Columbia—Fire.  Columbia, July 30.—All day yesterday we spent a glorious June [in] parading [ ? ] city [ ? ] its well arranged gardens and public buildings.  We went to the Capitol building, now one of the finest works in this or perhaps in any other country.  It is progressing finely, and growing into attractive shape…From the Capitol-grounds we proceeded into line and joined the whole body of our Company parading up the Main street, when we were daguerreotyped on masse by a photographic and daguerrean artist of this city, Mr. Gladden…

1859 April 19.  The Western Democrat.  (Charlotte, North Carolina.)  April 19, 1859, Vol. 7, No. 357, P. 3.

Ambrotypes & Melainotypes, Finished on an Improved Style.  The subscriber, (recently from Wearn’s Premium Photograph Gallery, Columbia, S. C.,) respectfully announces to the citizens of Charlotte and vicinity that he has opened Rooms, for a short time, over Messrs. Wilkinson & Co.’s. Jewelry Store, where he will be happy to receive calls from those who desire fine pictures. 

Instruction given in the art, with success guarantied.   J. G. Gladden.        

Advertisement ran from April 19 to May 3, 1859.

Ginter, D.

Daguerreotypes, , ,

1854                Room over Ammerman, Rosser & Co., Shamokin, Pennsylvania.

1854                Address Unknown, Trevorton, Pennsylvania.

1854 May 6.  Sunbury American.  (Sunbury, Pennsylvania.)  May 6, 1854, New Series—Vol. 7, No. 6, Old Series—Vol. 14, No. 32, P. 2.

Daguerreotypes.—Our friends of Shamokin have now an excellent opportunity to have their Daguerreotypes taken.  For further particulars see Mr. Ginter’s card in another column.

1854 May 6.  Sunbury American.  (Sunbury, Pennsylvania.)  May 6, 1854, New Series—Vol. 7, No. 6, Old Series—Vol. 14, No. 32, P. 2.

Daguerrean Gallery.  The undersigned would respectfully inform the ladies and gentlemen of Shamokin and vicinity that he has taken and fitted up a room above the store of Ammerman, Rosser & Co., where he will remain for a short time for the purpose of executing Daguerreotypes.  All who are desirous of having their likenesses taken in the latest style will find it to their interest to call soon.  Delay then no longer, to-morrow it may be to late.  No charges for pictures unless satisfaction is given to the customer.  D. Ginter.  Shamokin, May 6, 1854.

Advertisement ran from May 6 to June 3, 1854.

1854 June 10.  Sunbury American.  (Sunbury, Pennsylvania.)  June 10, 1854, New Series—Vol. 7, No. 11, Old Series—Vol. 14, No. 37, P. 2.

Daguerreotype.  The undersigned who has been operating at Shamokin for the last month intends to go to Trevorton on the 12th inst., where he will remain for one week.  D. Ginter.  Shamokin, June 10, 1854.—

Advertisement ran from June 10 to 24, 1854.

Gilpatrics M. G.

Ambrotypes, Melainotypes, , ,

1859                New Building, Over Jewelry Store and Clothing Store, Groton Junction, Massachusetts.

1859 September 29.  Railroad Mercury.  (Groton, Massachusetts.)  September 29, 1859, Vol. 1, No. III,  P. 2.

Everybody should visit Gilpatrics new Ambrotype Rooms and have one of his splendid Picturesput up in the best style and at almost any price.

1859 September 29.  Railroad Mercury.  (Groton, Massachusetts.)  September 29, 1859, Vol.1, No. III,  P. 3.

New Ambrotype Rooms, In the New Building, over the Jewelry Store and Clothing Store,opposite the Depots, Groton Junction, MS.  (sic.)  M. G. Gilpatrics.  Ambrotype And Meleoneotype (sic.) Rooms.

Particular attention paid to copying and taking likenesses of sick and deceased persons. Advertisement ran from September 29 to December  29, 1859.

1860 January 5.  Railroad Mercury.  (Groton, Massachusetts.)  January 5, 1860, Vol. 1, No. XVII,  P. 3.

Ambrotype Rooms, In Gerrishes’ Building, opposite the Depots, Groton Junction, Ms. (sic.)Particular attention paid to copying and taking likenesses of sick and deceased persons.  M. G. Gilpatrics.

Advertisement ran from January 5, 1860 to September 19, 1861.

Gilmore, William H.

Daguerreotypes, , , , , ,

1846                69 Arcade, Providence, Rhode Island.[1]

1849-1850       236 Main Street, Worcester, Massachusetts.

1851                Harrington Corner, Worcester, Massachusetts.

1852-1853       Rooms in Nichols’ Building, No. 7, Middlebury, Vermont.

1852-1853       Rooms over Barrett and Son’s Store, Rutland, Vermont.

1853                Rooms in Nichols’ Building, Nos. 6 and 7, Middlebury, Vermont.

1853                Address Unknown, Rutland, Vermont.

1854-1855       Rooms over Mr. R. L. Fullers Store, Middlebury, Vermont

1849 February 1.  Worcester Daily Spy.  (Worcester, Massachusetts.)  February 1, 1849, Vol. 4, No. 169, P. 3.

New Daguerreotype Gallery.  Gilmore & Albee, Having fitted up the large and commodious Room, 236 Main Street, (Paine’s Block,) over Horace Ayres’ Grocery Store, formerly occupied by Miss Allen as a School Room, would respectfully inform the public that they are prepared to take Daguerreotype Miniatures, of the different sizes, and of superior appearance, tone and finish on the most reasonable terms.  With German Instruments of the first quality, and very superior light, they warrant their Pictures to be equal, if not superior to any produced in this city or elsewhere; and having had extensive experience in the business, they are confident of giving satisfaction to those who may favor them with their patronage.

They wish it distinctly understood that no person is expected to take a Picture from their Room unless they are perfectly satisfied with its life-like appearance, as well as superior finish.            Wm. H. Gilmore, A. P. Albee.                                                                                   

Advertisement ran from February 1 to July 6, 1849.

1849 July 9.  Worcester Daily Spy.  (Worcester, Massachusetts.)  July 9, 1849, Vol. 5, No. 32, P. 3.

Copartnership Notice.  The copartnership hereto fore existing by the name of Gilmore & Albee is by Mutual consent, this day dissolved.  Wm. H. Gilmore, A. P. Albee, Worcester, June 19, 1849

N. B.   The Daguerreotype business will be continued at the old stand, 235 Main St., by the Subscriber.  Pictures taken at all times, without regard to weather.  Perfect satisfaction or no charge.  Please call and examine my Life Like, Pictures and Judge for yourselves.  Wm. H. Gilmore.  July 3.

Advertisement ran from July 9 to August 23, 1849.

1849 September 25.  Worcester Daily Spy.  (Worcester, Massachusetts.)  September 25, 1849, Vol. 5, No. 88, P. 3.

Daguerreotypes, The subscriber respectfully informs his old friends and customers, that he has returned to his old stand, 236 Main-street, where he would be pleased to wait upon all who may favor him with their patronage.  He invites all to call and examine his specimens, particularly those of the Hon. Judge Collamar, Post Master General to the United States, and Geo. Phelps, President of the Massachusetts Copper Mining Company, whose Daguerreotypes he has had the pleasure of taking during his visit to Vermont.

N. B. Pictures taken in less time and more life-like than any other room in the city.  Wm. H. Gilmore. Worcester.                                                                                    

Advertisement ran from September 25, 1849 to November 21, 1850.

1851 July 11.  Barre Patriot.  (Barree, Massachusetts.)  July 11, 1851, Vol. 7, No. 52, Whole No. 542, P. 3.

Great Daguerrian Palace In Worcester.  The citizens of Worcester and vicinity are respectfully informed that the City Daguerrian Company Have fitted up at great expense, one of the most magnificent Daguerrian Establishments in the United States.  A spacious and richly furnished Ante-Room will be open at all times for visitors who may desire to examine specimens, or who may wish Daguerreotypes, either for themselves, or their friends,  The establishment will be under the supervision of an Experienced And Skilful Artist who, in this branch of the Fine Arts, has no superior in the country.  One of the apartments is fitted with a glass roof which reflects a North Light, possessing, as every Artist knows, unrivalled advantages over every other description of light.  In the finishing of Daguerreotypes, and in other parts of the process of taking them, the proprietors have made improvements which are soon to be patented, and which are not in possession of any other establishment in the country.

Entire satisfaction will be guaranteed, and the patronage of the public is respectfully solicited.  Entrance to the Palace is on Harrington Corner.  W. H. Gilmore, Artist.

Advertisement ran from July 11 to November 14, 1851.

1852 January 7.  The Middlebury Register.  (Middlebury, Vermont.)  January 7, 1852, Vol. XVI, No. 37, P. 3.

Daguerreotypes.  Mr. W. H. Gilmore would respectfully inform the citizens of Middlebury and vicinity he has taken rooms in Nichols’ building (No. 7) where for a few days he will hold himself in readiness, at all hours, to furnish all who may so desire, with daguerreotypes of a style and finish not to be surpassed in the country.  Those who doubt the truth of this assurance are invited to call and try.  Perfect satisfaction warranted.

Advertisement ran from January 7 to March 3, 1852.

1852 March 10.  The Middlebury Register.  (Middlebury, Vermont.)  March 10, 1852, Vol. XVI, No. 46, P. 3.

Premium Daguerreotypes.  W. H. Gillmore Would respectfully announce to the public of Middlebury and vicinity, that he has taken Rooms in Nichols’ Building, west of the Bridge, which are to be fitted up permanently for his use, for the year to come.  His Daguerreotypes have been highly commended by the hundreds who have availed themselves of his services during his present visit to Middlebury, and he is determined that his work shall be Surpassed By No Other Artist.

Mr. G. will divide his time between this place and Rutland, spending six weeks alternately in each village.

Daguerreotypes will be put up in all styles, to suite customers, and on satisfactory terms.  The public are invited to call and examine specimens.         

Advertisement ran from March 10 to 17, 1852.

1852 May 12.  The Middlebury Register.  (Middlebury, Vermont.)  May 12, 1852, Vol. XVII, No. 3, P. 3.

Home Again.  Mr. W. H. Gillmore Would respectfully inform the citizens of Middlebury, that he will return to his old Rooms, No. 7, Nichols’ Building, on Monday May 17th, where he will spare neither pains nor skill in making Likenesses that are perfect representations of those who may call upon him at No. 7, Nichols’ Building, and in a style and finish unsurpassed by any traveling Daguerreotypist in the country, as hundreds in this town can and will testify.  Those who wish to procure a good natural likeness will do well to wait until he returns home, as he has been to the expense of fitting up his rooms in good style, for the comfort and convenience of his patrons.

P. S. I exhibit no pictures except those of my own taking, and am prepared to sell as good, or even better ones than I exhibit as specimens.  W. H. G.                               

Advertisement ran from May 10 to December 1, 1852.

1852 September 2.  The Rutland Herald.  (Rutland, Vermont.)  September 2, 1852, Vol. 59, No. 33, P. 3.

At Home Again!  Velutim Speculunm.  This valuable improvement in the Daguerreotype Art.  Commends itself to all wanting perfect and durable likenesses of themselves or friends.

The subscriber’s new method of taking beautiful crayon, Enameled Crayon, and colored miniatures must be admitted to be among the most remarkable of the recent discoveries in the optical science.

The subscribers has the pleasure to inform the Ladies and Gentleman of Rutland and vicinity that he has returned to his old room over Barrett and son’s Store, on West street where he will exhibit specimens of all the above named improvements in the Art and will execute for all who may desire durable miniatures of either variety with a degree of Perfection Satisfactory for the most critical examiner.  Call soon and improve the opportunity while there is a chance as he will remain in town but a few days.

Do not forget the place—Rooms over Barrett and Son’s Store.

P. S. Those wishing Likenesses will do well to examine my style of Pictures before procuring elsewhere and judge for yourselves of their style and finish.

Hours of operating from 8 o’clock to 5.  For children from ten to two.  Adults all hours.  Satisfaction given in all cases.  Pictures inserted in pins, rings lockets.  Wm. H. Gilmore.

Advertisement ran from September 2 to October 28, 1852.           

1852 October 13.  The Middlebury Register.  (Middlebury, Vermont.)  October 13, 1852, Vol. XVII, No. 25, P. 2.

Premiums Awarded at the Ninth Fair of the Addison County Agricultural Society, Oct. 6, 1852…

Daguerreotypes,

Wm. H. Gilmore, Middlebury and Rutland,  .50

1852 October 14.  The Rutland Herald.  (Rutland, Vermont.)  October 14, 1852, Vol. 59, No. 41, P. 2.

Premiums Awarded at the Seventh Annual Fair of the Rutland County Agricultural Society, Sept. 22d and 23d….

Fine Arts….

For the best Daguerreotype, a premium was awarded Mr. Gilmore of Rutland.

1853 February 9.  The Middlebury Register.  (Middlebury, Vermont.)  February 9, 1853, Vol. XVII, No. 42, P. 3.

Premium Daguerreotypes.  Mr. William H. Gillmore would respectfully announced to the people of Middlebury, that he can be found at his Old Rooms, No. 7 Nichols’ Building, ready to execute Daguerreotype Likenesses, in all the modern styles and improvements in the art.

All those that want a perfect Daguerreotype Likeness, will please call at No. 7, Nichols’ Building, and get one of Gillmore’s best.

P. S.  To those who think that I did not locate myself here permanently one year last December, I will just say, that such was the fact, and I intend to continue so if all creation of operators come and put in Sky-lights in every other house in town.  I have as good a light as I could wish, and up only one flight of stairs, and easy of access.  In short, I have a very pleasant suit of Rooms and well adapted to the Daguerrean business.  Those who contemplate sitting will avail themselves of the opportunity soon, as I have two other Rooms which I must visit soon.

W. H. Gillmore, Rutland, Brandon & Middlebury Daguerreotypist.                    

Advertisement ran from February 9 to 23, 1853.

1853 March 2.  The Middlebury Register.  (Middlebury, Vermont.)  March 2, 1853, Vol. XVII, No. 45, P. 3.

Improvement In Taking Daguerreotypes!  I would respectfully announce to the people of Middlebury and vicinity, that I have a new mode of preparing the Daguerreotype Plate, which surpasses all others now in use.  I can make double the number of pictures in the same length of time, that I could by the old way, and with a brilliancy of tone and finish unsurpassed by any other process.  I shall have it ready for operation by Monday next, March 7th.  Call and see, and know the wonders of science and art even in your own town, at Nos. 6 and 7 Nichol’s Building.

W. H. Gillmore.                     

Advertisement ran from March 2 to September 7, 1853.

1854 May 3.  The Middlebury Register.  (Middlebury, Vermont.)  May 3, 1854, Vol. XIX, No. 2, P. 3.

Premium Daguerreotypes.  W. H. Gillmore would respectfully inform the people of Middlebury and vicinity, that he has returned again to make a professional stop for a short time.  My place of business at present is over the Store of Mr. Fuller, in the room formerly occupied as a Daguerrean Room, and well adapted to the business.  All who have not availed themselves of previous opportunities, will do well to call soon and get one of my best pictures, and such as never were taken before in this town.  Having had many years experience in the business, I feel confident of giving perfect satisfaction to all who may favor me with their patronage.

N. B.  Feeling truly grateful for past patronage, I solicit a continuance of the same.  I can be found in my rooms at all hours of the day, ready and willing.  Do not forget the place—the brick building near the Railroad Bridge.  W. H. Gilmore, Daguerrean Artist.

Advertisement ran from May 3 to December 6, 1854.

1854 May 31.  The Middlebury Register.  (Middlebury, Vermont.)  May 31, 1854, Vol. XIX, No. 6, P. 2.

Daguerreotype of the Eclipse.—a daguerreotype of the great eclipse was taken by Mr. Gillmore, at the Addison House, showing the ring in its perfection, and accurately representing the surrounding sky and clouds.  Call at his rooms (in Stewart’s Building) and see it.

1854 October 11.  The Middlebury Register.  (Middlebury, Vermont.)  October 11, 1854, Vol. XIX, No. 25, P. 2.

The County Fair.  Our County Fair, on Wednesday and Thursday of last week,…

1st Premium on Daguerreotypes, W. W. Ormsbee.  Middlebury,                2.00

2nd Premium on Daguerreotypes, W. H. Gillmore.  do                                    1.00

1854 October 25.  The Middlebury Register.  (Middlebury, Vermont.)  October 25, 1854, Vol. XIX, No. 27, P. 3.

The Best Daguerreotypes.  At the late Fair at Middlebury, the committee on Paintings, &c., Mr. Battell, chairman, (the celebrated portrait painted, Mr. Mason, by invitation, advising) made the following Awards:

1st best Daguerreotypes, W. W. Ormsbee, $2

2d best (being but two exhibitors) Gillmore, 1.

The pictures exhibited by Ormsbee were his 2d best, as they were duplicates; persons sitting having taken their choice.  Several were likenesses of the last graduating class.  This class were at great pains to obtain the best, as they were to be multiplied and perpetuated by lithograph copies.  The reputation of Tapley attracted them to Brandon; but not quite satisfied, some of them set to Gilmore, but after full trial a majority sent to New York for lithographing were of those taken by Ormsbee, the rest were by Tapley.

Five only of the sixteen exhibited were taken with any reference to the Fair.  To judge of pictures, the difference in the eyes of Ormsbee’s and Gillmore picture could not fail to attract attention.  Ormsbee’s present a clear, well defined eye, Gillmore’s owing probably to his instrument, doubly refractory quality, besides giving an eye imperfectly defined, produces one or more extra white spots apparent in all the pictures on exhibition by Gillmore with one exception.

Ormsbee’s rooms are at the dwelling of Doct. Brockway, Dentist.

N. B.  Ormsbee’s Camera is one of the most modern and perfect furnished by the Present market.

Advertisement ran from October 25, 1854 to January 31, 1855.

1855 January 10.  The Middlebury Register.  (Middlebury, Vermont.)  January 10, 1855, Vol. XIX, No. 38, P. 3.

Premium Daguerreotypes William H. Gillmore, Would respectfully inform the people of Middlebury and vicinity, that he has newly fitted up his Rooms, in a neat and commodious style, both for convenience and comfort of his customers.  With many years’ practice in the Daguerrean Art, I feel quite competent to excel in all of its various branches, having made many improvements in the Art, and some of them of the greatest utility, both to the likeness and general outline of features, which is truly essential to a perfect likeness.  In many instances I have the decided advantage over all competitors.  In the first place I have a German camera, which is far superior to any homemade camera and cost three times as much; and then I have a wheel for polishing plates, which is far superior to the old method of polishing, not only for superiority of polish, but quickness—also, I can prepare four to one and with a surface ten times better than those of other folks.  To any one who may see fit to give me a call, I will prove to entire satisfaction all of the above statements.—And now,

Ye who would spare the burning tear

And leave a fond memento of a form beloved

Sacred to memory and affection dear

To parting friends in sadness proved,

Or would to others times transmit the look

That charmed a world and bid the eye

Of admiration kindle bright,

Trust to the sunbeam’s line of light.

A camera true will draw the picture right.

Hours of operation from * A. M. until 4 P. M.  Children from 11 until 2 in pleasant weather.  Adults without regard to weather.

Truly thankful for past favors, I solicit a continuance of the same.  Office over R. L. Fuller’s Store.  Wm. H. Gillmore, Dag Artist.

Advertisement ran from January 10 to February 14, 1855.

[1] Craig’s Daguerreian Registry.

Gilchrest, George C.

Daguerreotypes, Photographs, , , , ,

1845-1846       35 Merrimack Street, Lowell, Massachusetts.

1847                82 Merrimack Street, Lowell, Massachusetts.[1]

1849                92 Merrimack Street, Lowell, Massachusetts.1

1851                82 Merrimack Street, Lowell, Massachusetts.1

1852                92 Merrimack Street, Lowell, Massachusetts.

1853-1887       92 Merrimack Street, Lowell, Massachusetts.1

1857-1858       Address and location unknown, Maine.

1888                Address Unknown, Lowell, Massachusetts.1

1845 August 30.  Star of Bethlehem.  (Lowell, Massachusetts.)  August 30, 1845, Vol. V, No. 17, P. 3.

George C. Gilchrist, Portrait And Miniature Painter No. 35 Merrimac street, under Concert Hall, House, Belvidere.  Also Daguerreotype Miniatures colored and finished in the best manner.

Having procured a German instrument, C. G. can now take as correct likenesses can be taken in Boston, or elsewhere.

Prices from $2.50 to $3.00 in cases Lockets.  Please call and satisfy yourselves.

Advertisement ran from August 30, 1845 to May 2, 1846

1852 September 24.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  September 24, 1852, Vol. XVIII, No. 3880, P. 3.

Daguerreotypes.  No Connection With Any Other Rooms In The City.  Gilchrest’s New Daguerrean Rooms are now open for visitors, at No. 92 Merrimack street, where all his former patrons and the public generally are invited to call and examine the improvement in his Pictures taken under his new Sky-light.  Having had ten years’ practical experience in the art, he is confident that, with his new arrangement of light, he can make a better, more brilliant and pleasing Picture than he ever has at either of his old establishments—which, by the way, he [has] left, and positively has no connection with. 

The public will please remember that the only place in Lowell to get Miniatures executed by Gilchrest, is at No. 92 Merrimack street.

Particular attention paid to taking Likenesses of small children, sick and deceased persons. 

1853 April 19.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  April 19, 1853, Vol. XVIII, No. 4043, P. 2.

Stolen.  Gilchrest’s Daguerrean Rooms, No. 92 Merrimack street, were entered last night, by means of false keys, and robbed of about $100 worth of gold lockets and cases.  Gilchrest would like to take the rogue’s daguerreotype for hanging.

1857 February 28.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  February 28, 1857, Vol. VI, No. 259, P. 2.

Caution To The Public!  Whereas certain persons who are peddling Daguerreotype Cases in this City, are misrepresenting our prices for making Daguerreotypes to enhance the value of their Cases, we the undersigned, in order to expose the cheat and enlighten the public in regard to our prices, hereby affix our scale of prices for the Cases they are selling.

            Sise.                Filled.              Unfilled.

For      1-16                 $1.00               $1.19½

 “         1-9                   $1.00               $1.25

 “         1-6                   $1.25               $1.50

 “         1-4                   $1.75               $2.00

 “         1-2                   $2.50               $3.00

G. C. Gilchrest,  Chas. Wilkins,  A. J. Simpson,  E. J. Hastings,  G. K. Warren, A. J. Page,  M. Balley,  S. Shattuck. 

Advertisement was recorded from February 28 to March 7, 1857.

1857 February 28.  Lowell Daily Journal and Courier.  (Lowell, Massachusetts.)  February 28, 1857, Vol. XXII, No. 5216, P. 3.

Caution To The Public!  Whereas certain persons who are peddling Daguerreotype Cases in this City, are misrepresenting our prices for making Daguerreotypes to enhance the value of their Cases, we the undersigned, in order to expose the cheat and enlighten the public in regard to our prices, hereby affix our scale of prices for the Cases they are selling.

            Sise.                Filled.              Unfilled.

For      1-16                 $1.00               $1.19½

 “         1-9                   $1.00               $1.25

 “         1-6                   $1.25               $1.50

 “         1-4                   $1.75               $2.00

 “         1-2                   $2.50               $3.00

G. C. Gilchrest,  Chas. Wilkins,  A. J. Simpson,  E. J. Hastings,  G. K. Warren, A. J. Page,  M. Balley,  S. Shattuck. 

Advertisement was recorded from February 28 to May 8, 1857.

1857 December 29.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  December 29, 1857, Vol. VII, No. 512, P. 2.

Only $3.00 for large photograph likenesses, at Gilchrest’s, 92 Merrimack street—warranted as good as can be had in Lowell.  Also, large photographs copied from Daguerreotypes.

Advertisement ran from December 29, 1857 to February 1, 1858.

1858 January 16.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  January 16, 1858, Vol. VII, No. 528, P. 2.

At Home Again.  Gilchrest’s capital Daguerreotype operator, who has been spending some three months in the Pine Tree State, has returned to the city, and may be found at the Gallery No. 92 Merrimack street, ready to wait on his friends and customers who are in want of pictures.

Advertisement ran from January 16 to 20, 1858.

1860 April 19.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 19, 1860, Vol. IX, No. 1219, P. 2.

Alarm Of Fire.  Yesterday afternoon, about 2 o’clock, fire was discovered in the attic over S. Towle’s daguerreotype saloon, No. 88 Merrimack street, occupied by Mr. Gilchrest.  Its timely discovery prevented a serious conflagration.  It took in a lot of straw and empty boxes, it is supposed, from spontaneous combustion.  Damage trifling.  No general alarm was given, though most of the fire department were there.

1860 May 10.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  May 10, 1860, Vol. X, No. 1237, P. 2.

Photographs.  The Engineers of our fire department for last year are having their photographs taken.  They will be neatly framed, and placed in the engineers’ room.  Gilchrest, 98 Merrimack street, is taking the pictures.

1864 April 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  April 11, 1864, Vol. XIV, No. 2436, P. 2.

A. Card.  G. C. Gilchrest, the well known Photographist, having thoroughly refitted his suite of rooms, at No. 92 Merrimack street, has just re=opened the same and is fully prepared to give all who may visit him ample proof that he is able to produce as good a picture, in every respect, as can be made by the art.  The public are respectfully invited to call.

Advertisement ran from April 11 to 13, 1864.

1866 July 27.  Vox Populi.  (Lowell, Massachusetts.)  July 27, 1864, Vol. XXVI, No. 39, P. 4.

Incomes Of Lowell Men For 1865.  We give below the income of the citizens of Lowell for 1865, as returned to the United States Internal Revenue Assessors.  These incomes are clear of $600, which is by law exempt.  The income tax from the salaries of United States officials is deducted at Washington, and therefore the amount published against the names of such is from their private income.  The number of the names appearing in the list is 1159—a very large increase over that of last year.  It will be seen that during the last year the manufacturing of medicine has been the most profitable business in Lowell, the manufacturing of chemicals and dye-stuffs coming second, and the lumber business being third…

Gilchrest G. C.  $200.

1867 October 18.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  October 18, 1867, Vol. XVII, No. 3512, P. 2.

Premioms (sic.) At The Fair.  The publication of the list of premiums at the Mechanic Fair is concluded below… 

Class O.

Paintings, Statuary, Drawings, Engravings, Lithographs, Daguerreotypes, Photographs, &c…

Nathaniel C. Sanborn, Lowell, photographs, bronze medal.

Asa B. Eaton, Lowell, Photographs, bronze medal.

George C. Gilchrest, Lowell, photographs, bronze medal.

Andrew J. Simpson, Lowell, photographs, bronze medal.

Augustus Marshall, Boston, photographs, bronze medal.

J. S. Notman & Co., Boston, photographs, bronze medal.

1868 August 24.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  August 24, 1868, Vol. XVIII, No. 3773, P. 2.

List of Lowell Taxpayers.  We are under obligations to the board os Assessors for the following list of persons and corporations paying a tax of $100,or over, in this city, the present year.  The rate of taxation this year is $14.10 upon $1000. Last year’s rate was $14.80.

Gilchrest, George C.  103.09.

1869 August 18.  Vox Populi.  (Lowell, Massachusetts.)  August 18, 1869, Vol. 29, No. 47, P. 2.

Tax Payers in Lowell.  Below we give a list of the resident, non-resident, and corporation tax payers in Lowell, the present year, whose tax amounts to $100 and over.  The rate of taxation, as previously stated, is $16.80 upon $1000.  The whole number of polls, this year, is 3, 445, an increase of 293 over last year…

Gilchrest, George C.  126.32.

1870 March 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  March 11, 1870, Vol. XX, No. 4250, P. 2.

A Pleasant Time.  By invitation, a company of a hundred or more came together last evening at the rooms of George C. Gilchrest, 92 Merrimack street, when an enjoyable time was had…

1870 March 11.  Lowell Daily Citizen and News.  (Lowell, Massachusetts.)  March 11, 1870, Vol. XX, No. 4250, P. 2.

The Dramatic Entertainment by the “N. N. Associates,” assisted by several young ladies, is to be given this evening in the photograph rooms of Messrs Gilchrest & Towle, 92 Merrimack street.  The drama entitled “The Last Loaf,” is to be presented.

1888 January 14.  Lowell Weekly Sun.  (Lowell, Massachusetts.)  January 14, 1888, Vol. X, No. 24, P. 8.

Mr. G. C. Gilchrist, one of the oldest photographers in Lowell, died Thursday at his home 170 Westford street, after a protracted illness.  His age was 76 years.  He was a native of Knox Me., but came to Lowell from Newmarket, N. H., 42 years ago.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Giers, Charles G.

Ambrotypes, Daguerreotypes, Photographs, , , ,

ND                  Cedar Street, Nashville, Tennessee.

1855-1856       Corner of Deaderick Street and College streets, and the Square, Nashville,                              Tennessee.

1859-1863       Corner of Deaderick Street and the Square, Nashville, Tennessee.

1855 January 16.  Nashville Union and American.  (Nashville, Tennessee.)  January 16, 1855, Vol. XXVI, No. 116, P. 2.

Daguerreotypes!  Daguerreotypes!!  Charles C. Giers would respectfully inform his customers, and the ladies particularly, that he has removed from Cedar street to the corner of Deaderick and College streets, over Browne’s, where he will be glad to see all who are in want of fine and life like pictures.  He has gone to great expense in fitting up powerful side and sky lights, and his rooms are fitted up in elegant style.  He has engaged the services of experienced and polite operators, and is determined to make his Model Establishment of the South West, and feels assured that he will be able to give satisfaction.

He invites the public to call and examine his specimens, as also some fine Oil paintings, by the old masters, just received from Europe, which he offers for sale very low.

Call at the corner of Deaderick street and the Square.

N. B.—An experienced operator always ready for any out door work, such as taking buildings, deceased persons, &c.                                                                                               

Advertisement ran from January 16 to December 12, 1855.

1855 October 3.  Nashville Union and American.  (Nashville, Tennessee.)  October 3, 1855, Vol. XXVII, No. 112, P. 2.

Giers’ Side Sky-Light Daguerrean Gallery, Corner Of Deaderick Street And Square.  My Rooms are fitted up in a style inferior to none, with the best Side Sky-Light, in the city, fronting immediately on the Square.

Persons in want of a fine life-like and flesh colored Daguerreotype, will find it to their advantage to call and examine my Specimens, and I warrant to give satisfaction in every case or no charge made.  Call and judge for yourself.          Chas. C. Giers.                                   

Advertisement ran from October 3, 1855 to January 11, 1856.

1855 October 11.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 11, 1855, Vol. XIX, Whole No. 3466, P. 2.

The Mechanics Fair-Articles Exhibited, Premiums Awarded, &c.  The first Annual Fair of the Mechanics Institute closed on Saturday night, after having been the center of attraction to citizens and strangers for a week….

Of daguerreotypes, specimens were exhibited by Messrs. Hughes Bros. and C. C. Giers, and of photographs by the former gentlemen.  These were highly finished specimens, and such as may be procured at the establishments of the exhibitors….

1855 October 12.  The Daily Nashville True Whig.  (Nashville, Tennessee.)  October 12, 1855, Vol. XIX, Whole No. 3467, P. 2.

Awards of the Premiums of the Mechanics Institute.  First Annual Exhibition—October 1855….Class No. 26—Daguerreotypes Photographs and Apparatus.

Hughes Bros., Daguerreotypes and Photographs, ……………………Diploma.

C. C. Giers, Daguerreotypes………………………………………….2nd Class Diploma.

R. McLain, Daguerreotypes………………………………………………Hon’l. Mention.

1859 April 9.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. XXIX, No. 357, P.3.

Tennessee Historical Society…Contributions, in the way of photographic pictures, were made by C. Giers, T. F. Saltzman and C. C. Hughes, of this city.

1859 December 4.  Nashville Union and American.  (Nashville, Tennessee.)  April 9, 1859, Vol. 30, No. 214, P. 3.

Southern Photographic Temple Of Fine Arts.  Corner of Deaderick street and Public Square, over Browne’s.

If you want a fine and durable Ambrotype, a plain or colored Photograph, which are warranted not to fade, call at the Southern Photographic Temple of Fine Arts, corner of Deaderick street and the Square, over Browne’s.  The very best artists are employed in this Gallery, and being a permanent institution of this city, you will be sure of not being humbugged, as you certainly will be by those noisy and peddling picture makers.  Satisfaction given to every customer or no charge made.  Chas. C. Giers.                                              

Advertisement ran from December 4, 1859 to January 10, 1860.

1860 October 31.  Daily Union And American.  (Nashville, Tennessee.)  October 31, 1860, Vol. XXV, No. 172, P. 3.

Photographs Of Mr. Yancy.  The only true likeness of Mr. Yancy is on exhibition at Giers’ Gallery, being the only Gallery Mr. Yancy visited in this city.  Copies for sale.

Advertisement ran from October 31 to November 2, 1860.

1861 April 3.  Daily Nashville Patriot.  (Nashville, Tennessee.)  April 3, 1861, Vol. XXII, New Series No. 636, P. 2.

The Fine Arts Are about to assume a new attitude in this our goodly City of Rocks.  The Brass Jeweler and the Artist have doubled teams, and on the payment of a few paltry dollars the inexperienced individual, unto whom “ye elephant” is an entire stranger, is permitted to carry home to his anxious friends and family, not only a “magnificent” counterfeit presentiment of himself, but also a splendid set of—brass jewelry.  This is liberal, Cheap pictures amd brass jewelry. Alas, for the glory of the art.

It is a remarkable fact, that although Charley Giers is not making any presents of brass jewelry to his customers, his Gallery is nevertheless crowded daily with the beauty and fashion of the city; having made the fine arts his study, he has but little time left to attend to lottery humbuggery in order to increase his patronage, and is determined not to go into partnership with any Peter Funk’s establishment to try and break down those old respectable Jewelry Establishments in our city.  His pictures are executed in the highest style of the art, and at prices to suit the times.    

Upon the walls of his Gallery may be seen Photographs, Ambrotypes, &c., of many of the most distinguished men in Tennessee, and other States, to say nothing of innumerable beautiful and gifted women.  His establishment is the oldest in the city, and his pictures are second to none.

Call and see the many beautiful specimens on exhibition at corner Square and Deaderick street, over Browne’s.

Advertisement ran from April 3 to 18, 1861.

1863 October 7.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 7, 1863, Vol. II, No. 144, P. 3.

Military Gallery.  Our friend Mr. Giers, the skillful photographic artist of this city, has presented us with a collection of photographic cards of Generals in the Union army.  The pictures are faithful and very accurate.  Persons who desire to adorn their photographic Albums, with the faces of Grant, Meade, “Old Rosy,” Hooker and other chiefs, will do well to call on Mr. Giers.

1863 October 15.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 15, 1863, Vol. II, No. 151, P. 3.

Just received at Giers’ Gallery, corner of Union and College streets, a large lot of pictures for the Album, comprising most all our popular Generals, Statesmen, &c.  Call and see.

Ambrotype and Photograph material for sale cheap.

Advertisement ran from October 15 to 17, 1863.

1863 October 18.  The Nashville Daily Union.  (Nashville, Tennessee.)  October 18, 1863, Vol. II, No. 154, P. 3.

Gallery of Fine Arts, Corner of Union And College Streets.  For fine life-like Ambrotypes, Photographs, from life size down to Carte de Visites, executed in the highest style of the art, either plain or colored, call at the above establishment, the largest and most extensive in the Southwest.  Albums, carte pictures of the Generals of both armies, in great variety, always on hand.  Call and see the finest and largest collection of pictures in the city.  Respectfully, T. F. Sallsman, Successor to C. C. Giers.

Gibbs, William

Daguerreotypes, ,

1851                Address Unknown, Syracuse, New York.[1]

1852                33 Hanover Arcade, Bastable Block, Syracuse, New York.

1853                98 Montgomery Street, Syracuse, New York.1

1852 August 5.  Religious Recorder.  (Syracuse, New York.)  August 5, 1852, Vol. IX, No. 14, Whole No. 431, P. 3.

Gibbs’, Daguerrean Gallery, No. 33, Hanover Arcade, Bastable Block.  Likenesses For 50 CTS.  May 13, 1852.

[1] Craig’s Daguerreian Registry.

Gibbs, Peter E.

Ambrotypes, Daguerreotypes, Photographs, Stereotypes, , , , , , , , , , ,

1847                Nearly opposite the Franklin Hotel, Lynchburg, Virginia.

1847                Address Unknown, Richmond, Virginia.

1847-1848       Main Street, opposite Dr. Early’s Office, Lynchburg, Virginia.

1851                Main Street, Lynchburg, Virginia.

1854                Address Unknown, Petersburg, Virginia.

1854-1855       Next Door to the Virginia Bank, Lynchburg, Virginia.

1855-1859       Rooms at Corinthian Hall, Richmond, Virginia.

1847 April 5.  Lynchburg Virginian.  (Lynchburg, Virginia.)  April 5, 1847, Vol. XXV, No. 71, P. 3.

Daguerreotype Likenesses.  The subscriber would respectfully inform the citizens of Lynchburg and surrounding country, that he has taken the rooms nearly opposite the Franklin Hotel, formerly occupied by Mr. W. A. Retzer, and recently by Mr. J. H. Fitzgibbons, where he is prepared to execute Miniature Likenesses with all the latest and most important improvements.

Miniatures taken in any kind of weather, and all pictures warranted a fac-simile of the original.

Ladies and Gentlemen are invited to call and examine specimens of this beautiful art.

N. B.—Instruction given in the art on moderate terms.  P. E. Gibbs. 

Advertisement ran from April 5 to August 5, 1847.

1847 November 15.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 15, 1847, Vol. 7, No. [ ? ], P. 4.

Daguerreotyping.  The subscriber having taken the rooms recently occupied by Mr. Gibbs as a Daguerrean Gallery, is prepared to take Photographic miniatures upon a plan embracing all the latest improvement in this beautiful art.  Miniatures taken in clear or cloudy weather, and warranted a fac-simile of the original.  Ladies and Gentlemen are respectfully invited to call and examine specimens.  He will keep constantly on hand a supply of celebrated [Quick], and all other materials used in the art, which he will furnish to those wanting, on liberal terms.  Instructions given at reduced prices.  J. Ward.  August 12.

1848 November 13.  Lynchburg Republican.  (Lynchburg, Virginia.)  November 13, 1848, Vol. 9, No. 43, P. 3.

Electro Daguerreotyping.  The subscriber would respectfully inform the citizens of Lynchburg and vicinity, that he has Just returned from Richmond where [ ? ] some time in the gallery of Mr. J. H. Whitehurst [ ? ] whose merit as an artist is well known [ ? ] [alon,)] for the purpose of improving him [ ? ]  Daguerreotyping and that he is now in possession of [all the] improvements of the art.

Mr. G. feels confident in saying that he can produce likenesses superior to any taken or exhibited in this community.  All that he asks is a call from those that may want a splendid picture of themselves or friends.  He invites particular attention to the brilliancy and life-like appearance of the eyes of his pictures. (which make one feel they are looking at the original and not the shadow,) as well as his new process of enameling.

Ladies and gentlemen are respectively invited to call and examine specimens at his gallery, opposite Dr. Early’s office, Main Street.  P. E. Gibbs.  Nov. 9.

1851 January 16.  Lynchburg Republican.  (Lynchburg, Virginia.)  January 16, 1851, Vol. 11, No. 68, P. 1.

The Latest Improvement.  Whitehurst’s Celebrated Daguerreian Galleries.  Highest premiums awarded at the late Fair of Maryland Institute for the latest improvements.

Main Street, Lynchburg, Bank Square, 77 Main St., Richmond, Sycamore St., Petersburg, Main St., Norfolk, 207½ Baltimore St., Baltimore, Pennsylvania Avenue, Washington, D. C., Broadway, New York.

The subscriber would respectfully inform the public generally, that he has recently returned from the North, where he has spent several days in each of the above Galleries.  Also, in [his other leading] Galleries in New York, Philadelphia and Baltimore, for the purpose of getting all the latest improvements in Daguerreotyping, and now having his Skylight arranged on the most improved and scientific plan, he is better prepared than ever to take likenesses, (equal to any) in all the latest styles, and in any kind of weather.

Feeling grateful for the liberal patronage heretofore received, he pledges himself to use all proper means to merit its continuance.  P. E. Gibbs, Ag’t for J. H. Whitehurst.

N.B.  Likenesses of every description copied, a large assortment of Lockets and medallions of superior beauty for Daguerreotypes always on hand.  P. E. Gibbs, Agt. Nov 4.

Advertisement was recorded on January 16 to July 21, 1851. 

1852 August 10.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 10, 1852, Vol. 1, No. 1, P. 1.

Free Exhibition.—The subscriber having obtained at considerable expense, from Mr. Whitehurst’s Washington Gallery, Daguerreotypes of the following distinguished characters, most respectfully invites the public to call and examine them, in connection with a large number of his own production, at the Whitehurst Gallery.

President Fillmore, Gen. Winfield Scott, Wm, A. Graham, Gen. Franklin Pierce, Wm. R. King, Gen. Lewis Cass, Judge Stephen A. Douglass.  P. E. Gibbs, Proprietor.

Advertisement ran from August 10, 1852 to March 21, 1853.

1852 November 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  November 16, 1852, Vol. 1, No. 85, P. 2.

Whitehurst Gallery.—Another Great Improvement—The subscriber being determined to keep pace with all the improvements in his business, has erected a new and powerful Sky-light, which is so constructed as to enable him to produce pictures in a few seconds, without the heavy shades and contracted features usually attending the common Daguerreotype thereby preserving the eye with all its beauty.  The light being soft, yet very strong, is beautifully adapted to taking groups and children.

Having spared neither pains nor expense in fitting up his Gallery, which is now elegantly furnished and beautifully arranged, it is one of the most attractive places in the city.

He respectfully ask a continuance of that patronage which has been so liberally bestowed upon him, for which he tenders his sincere thanks, and pledges himself to use all means in his power to please all that call on him, whether they want pictures or not.

Pictures taken in cloudy as well as clear weather, and perfect satisfaction guaranteed in all cases, or no charge.

Gallery next door to Virginia Bank.  P. E. Gibs, Proprietor.

N. B.—A fine assortment of Lockets and Pins always on hand, which will be filled with pictures very cheap.  P. E. G.

Advertisement ran from November 16 to December 24, 1852. 

1853 February 9.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 9, 1853, Vol. 1, No. 158, P. 3.

At a regular meeting of Virginia Encampment of Patriarchs, No. 8, I. O. O. F., held this evening Feb. 3, 1853, the following preamble and resolutions were unanimously adopted:

Whereas, in the death of our late brother E. H. Atkinson, our mystic circle has been deprived of a member, whose prospects for a long and useful life were apparently fairer than a majority of those with whom he was associated, therefore, by this and afflictive dispensation of providence, we are again forcibly reminded of the fact, “that in the midst of life we are in death.” And are solemnly admonished, to give heed to our way’s, that when the summons shall come to us, we also, may be ready.  In the death of Bro. Atkinson, our order has lost a firm and true friend, and a faithful and consistent member, therefore be it

Resolved, That we sincerely  sympathize with the widow and friends of our deceased brother, in their sad bereavement.  

Resolved, That as a token of respect for our deceased friend and brother, the emblems and furniture of this Encampment, be clothed in morning, for the space of thirty days.

Resolved, That the Scribe be directed to present the widow of our deceased brother, with the copy of the above preamble [ ? ? ? ?], and that he have them published in [ ? ? ?  ?] city.

[ ? ] E. H. Folkes, S. S.  P. E. Gibs, C. P.

1853 February 16.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  February 16, 1853, Vol. 1, No. 164, P. 3.

Lockets, Lockets, Pins &c.—The subscriber respectfully informs the public that he has just returned from the North with an unusually large stock of Daguerreotyping material, embracing Frames, Cases &c., of the latest styles and patterns.  Also a large stock of Lockets and Pins, some extra fine made to order, which will be filled with pictures in the best style of the art, at low prices, according to quality, at Whitehurst Gallery, next door to the Va. Bank.  P. E. Gibbs, Proprietor.

N. B.—Paintings and Pictures of all kinds accurately copied.

Stock furnished at the lowest cash prices.  P. E. G.

Advertisement ran from February 16 to August 1, 1853.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—We invite attention to the advertisement of Mr. Gibbs.  Mr. G. is a native Virginian, and as polite and gentlemanly in his attention to visitors, as he is skillful in the exercise of his pleasing and useful art.  His pictures are unsurpassed, we believe we may say unequalled, by any we have ever seen.  He has recently returned from the North with improved apparatus and materials and is now prepared not to satisfy merely, but to delight all who want a perfect and lifelike picture of themselves.  His rooms are in the immediate vicinity of the banks, and will be found open to all, and a pleasant place for whiling away an idle half-hour.

1853 March 12.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  March 12, 1853, Vol. 1, No. 185, P. 2.

Daguerreotypes.—The subscriber would respectfully say that he is now taking pictures of the same style and finish as those taken by Whitehurst, which took the premium at the late World’s Fair, London, and at the last several fairs of the Maryland Institute.  All wanting accurate Daguerreotypes of themselves or friends, can get them by calling at his gallery.  None of your doubtful shadows, but a living fac-simile of self.  P.E. Gibbs.  Gallery next the VA. Bank.

N. B.—Pictures of all kinds accurately copied.  A large supply of Lockets and Pins constantly on hand, which will be filled cheap.  P. E. G.

Compliment To Whitehurst The Daguerreotypist.—The President of the United States, Millard Fillmore, as Chairman of the Central Committee, has sent Mr. J. H. Whitehurst a communication, informing him of the award of a Medal, &c., for his beautiful Daguerreotypes, exhibited at the late World’s Fair at London.—The compliment is fully merited as we can testify by actual personal observation.  If you want to get a perfect life-like picture of yourself or your friends, go to Whitehurst, who will give them to you in such admirable style that you’ll hardly know yourself from the picture.—[Baltimore Argus.

1853 April 25.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  April 25, 1853, Vol. 1, No. 222, P. 2.

Stereoscopic or Solid Daguerreotypes.—The Public are respectfully invited to call and examine specimens of this new and beautiful style of Photography, together with a large collection of other specimens taken by “Gibbs.”

Truly a Southern Artist—a native Virginian.  Gallery next door to the Va. Bank.  Peter E. Gibbs, Proprietor. 

Advertisement ran from April 25to August 1, 1853.

1854 February 4.  The Greenbrier Era.  (Lewisburg, Virginia.)  February 4, 1854, Vol. 3, No. 24, P. 3.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

Advertisement was recorded sixteen times between February 4 and August 19, 1854.

1854 September 16.  Greenbrier Weekly Era.  (Lewisburg, Virginia.)  September 16, 1854, Vol. IV, No. [ ? ], P. 4.

The Whitehurst Gallery, Lynchburg, Va.  Established 1847.  The subscriber returns his acknowledgements to the public generally for the very liberal patronage bestowed on him since his location in this place, (now nearly seven years,) and would respectfully inform them that he is still on hand, to serve them with increased facilities, having a good artist as an assistant, and two operating rooms, with large lights, so arranged, as to combine all advantages of the Sky and Side Lights, by which he is enabled to produce (as he has done for several years past) those beautiful miniatures from the size of a half dime (or less) to a good size portrait, which have been, and are now, daily pronounced by visitors to be among the best specimens of art yet exhibited in this country, by preserving the eyes, (the most expressive of all the features,) and a beautiful blending of the light and shade, (without which there can be no picture, or a flat one,) and a graceful posture, making them indeed a thing to be desired by parents and children, friends and lovers.  None of your doubtful shadows, but a living, almost speaking fac simile of self.

The Stereoscopic or Solid Daguerreotype, so much admired by some, taken in all their perfection, specimens of which have been exhibited by him for the last six months.

Having constantly, without regard to expense, (as his Gallery will show,) kept pace with all the improvements yet discovered, either in machinery or the art, and having his rooms fitted up with elegance and comfort, making them a desirable place to while away an idle hour, he invites all to visit him, whether they want pictures or not.

Daguerreotypes and Paintings accurately copied.  Invalid and [post] mortem cases always attended to when desired.

Landscape views and private residences accurately taken, specimens of which can be seen at his Gallery, next door to the Virginia Bank, Lynchburg.—Open all hours of the day.  P. E. Gibbs, Proprietor.  Lynchburg, Jan. 21, 1854.

N. B.—A large lot of Lockets and Pins just received (some extra fine) and constantly on hand, which will be filled at a low price and warranted to be what they are sold for.  Jan. 21, 1854.   P. E. G.

1854 October 26.  The Daily Dispatch.  (Richmond, Virginia.)  October 26, 1854, Vol. IV, No. 322, P. 4.

Petersburg Fair…Second Day…notes…P. E. Gibbes, Daguerreotypes from his establishments in both Petersburg and Lynchburg.

1854 October 28.  The Daily Dispatch.  (Richmond, Virginia.)  October 28, 1854, Vol. IV, No. 305, P. 3.

Petersburg Fair.  Fourth Day.  Petersburg, Oct. 27, 1854…List of Premiums Awarded at the Union Fair of Virginia and North Carolina…Discretionary Premiums.—….$2, to G. B. Jones & Co., Petersburg; for specimens of daguerreotyping, $5 each, To Messrs. P. E. Gibbes of Lynchburg and White of Petersburg;

1854 November 17.  The Daily Dispatch.  (Richmond, Virginia.)  November 17, 1854, Vol. IV, No. 322, P. 4.

List of Premiums Awarded At The Fair Of The Mechanics Institute.—Class No.  43—Daguerreotypes and Materials.

No. 4.  J. H. Whitehurst, for photographs and Stereoscopes:              silver medal.

No. 3.  M. P. Simons, for plain daguerreotypes:                                silver medal.

No. 2.  P. E. Gibbs, for lot of daguerreotypes:                                   1st class diploma.

1855 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1855, Vol. VIII, No. 90, P. 2.

To Mr. M. P. Simons—Sir: Unless you discontinue the use of the word Ambrotype to your card. [which is my property as applied to Glass Pictures.]  I shall proceed at once to require you to show cause why you infringe on my rights.  P. E. Gibbs.

A Card To The Public.—The Ambrotype is a patented picture, made by the use of two plates of glass hermetrically sealed together, sealed together, which patent belongs to the subscriber exclusively in this city, and can be made by no other person.  There will be [    ] on the public a picture on single glass in imitation the genuine, which is only necessary to compare to see its inferiority.

My Rooms, in Corinthian Hall, will be opened in a few days, where the genuine Ambrotype will be produced in its greatest perfection.  P. E. Gibbs.

We publish elsewhere the farewell card of Mr. P. E. Gibbs, who leaves this city for Richmond.  We can but express regret at the departure from us of so accomplished an artist and worthy citizen as Mr. G. [      ] congratulate the people of Richmond on his accession to that city.  As a daguerrean artist we regard Mr. Gibbs as without a superior anywhere.  He leaves the assurance that his place will be well filled in the person of his successor, Mr. Keagy.—Lynchburg Virginian, Oct. 12.                                                                                           

1855 October 29.  The Daily Dispatch.  (Richmond, Virginia.)  October 29, 1855, Vol. VIII, No. 102, P. 2.

Great Attraction At Corinthian Hall.—The subscriber respectfully informs the public at large, that he has fitted up rooms in the above Hall, for the purpose of conducting the Photographic Art in all its branches, and is now prepared to furnish pictures in every style of the art known in this country or Europe.  He calls especial attention to his new style Pictures, or Ambrotypes, on glass, far exceeding in beauty and durability any thing before made.  These Pictures are not reversed as Daguerreotypes are, and may be seen in any light.  They are imperishable, being hermetically sealed between glass plates, which sealing is secured by Letter’ Patent, in the United States and Europe, and owned in this place by Gibbs only.

These Ambrotypes are pronounced, by competent judges, to be the grandest achievement in the Photographic art, having a relief and clearness truly astonishing.  Made from the smallest to life size.

Ambrotype Stereoscopes must be seen to be appreciated, the relief being fully as perfect as life.

Also Mezographs or Pictures on Paper, from life.  These are equal to the finest engravings, and more accurate in detail.  Any number from a single sitting—from one to a thousand—either plain or colored, in water or oil.

Citizens and strangers are invited to call and examine specimens in the various branches, as they are assured of polite attention and superior Pictures.  P. E. Gibbs.

P. S.—In Ambrotypes the style of drapery or the color of the eye makes no difference, as all are equally well taken.  Daguerreotypes copied into Ambrotypes and made permanent.  P. E. G.   

Advertisement ran from October 29 to 30, 1855.

1855 November 24.  The Daily Dispatch.  (Richmond, Virginia.)  November 24, 1855, Vol. VIII, No. 125, P. 2.

A Card.—The Subscriber respectfully informs the public that his Gallery is now open for visitors, in Corinthian Hall, where he is prepared to furnish the Ambrotype, Mezograph and Daguerreotypes in a style superior to anything of the kind yet offered in this place.

Having the exclusive right to make Ambrotypes in this city, I shall prosecute to the extent of the law all persons infringing the same.  P. E. Gibbs.      

Advertisement ran from November 24 to December 17, 1855.

1855 November 30.  The Daily Dispatch.  (Richmond, Virginia.)  November 30, 1855, Vol. VIII, No. 130, P. 1.

Infringing a Patent.—In the U. S. Circuit Court, for the eastern district of Virginia.  Judge Halyburton presiding, an application has been made by Mr. P. E. Gibbs for an injunction to restrain Mr. M. P. Simons from infringing a patent for making ambrotype pictures, of which Gibbs is assignee.—In consequence of the delay in receiving papers from the Patent Office in Washington, the case was adjourned until Thursday next, when it will be taken up and argued at length, by A. Judson Crane, Esq., for the complainant, and Messrs. August and Randolph for the respondent.

1855 December 7.  The Daily Dispatch.  (Richmond, Virginia.)  December 7, 1855, Vol. VIII, No. 136, P. 1.

U. S. Circuit Court, Judge Halburton presiding.  The case of Gibbs vs Simons, on an application for and injunction to prevent the respondent from making ambrotype pictures in violation of the plaintiff’s patent, and for a trial by jury to have the facts in the case decided upon, was argued yesterday by Mr. A. J. Crane for the plaintiff, and Messrs. August and Randolph for the defendant.  At the close of the argument the Judge took time to render his decision.

1855 December 12.  The Daily Dispatch.  (Richmond, Virginia.)  December 12, 1855, Vol. VIII, No. 140, P. 1.

In the U. S. Court, yesterday, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  Evening Star.  (Washington, District of Columbia.)  December 14, 1855, Vol. VI, No. 919, P. 2.

In the U. S. Court, at Richmond, on Tuesday last, Judge Halyburton refused to grant the injunction asked for by P. E. Gibbs, against M. P. Simons, to prevent S. from using G.’s Ambrotype patent; but the court reserved the bill until the case is finally determined by suit at common law, when a jury will decide upon the facts.

1855 December 14.  The Daily Dispatch.  (Richmond, Virginia.)  December 14, 1855, Vol. VIII, No. 142, P. 2.

Strayed Or Stolen—From the subscriber’s door, in the last few days, several Ambrotypes, in fine gilt frames.  It is a fact worthy of remark, that Gibb’s Ambrotypes are perfect gems of art, but he had no idea that they were so much of life as to leave without his consent.  Any one apprehending and returning them to me, will be rewarded.

The public are invited to call at Gibbs’ Ambrotype Gallery (Corinthian Hall) and secure one of his inimical Pictures, which are receiving the highest encomiums from the multitudes that daily throng his rooms.  Remember that this is the only place at which the genuine Ambrotype can be obtained.  None genuine without the patent stamp.  P. E. Gibbs.        

Advertisement ran from December 14 to 17, 1854.

1855 December 21.  The Daily Dispatch.  (Richmond, Virginia.)  December 21, 1855, Vol. VIII, No. 148, P. 2.

A Humbug, Verily—One that pretends to have what he has not.  But not so with Gibbs and his Ambrotypes, as evidenced by the many beautiful specimens with which his Gallery abounds, and with which he is daily furnishing his customers.  He challenges comparison of his Ambrotypes with Flesh tint or any other types, produced in this or any city in the Union.  He guarantees entire satisfaction in every instance, or the money refunded even after the pictures are taken home.

P. E. Gibbs, Ambrotypist, Corinthian Hall, between 9th and 10th sts.

Advertisement ran from December 21 to 31, 1855.

1855 December 31.  The Daily Dispatch.  (Richmond, Virginia.)  December 31, 1855, Vol. VIII, No. 142, P. 2.

Stop!  Mr. M. P. Simons, not quite so fast, but wait until a jury of your peers shall decide (which will soon take place) whether you can continue making your imitation Ambrotypes, before you bragg so high.

The public are informed that the genuine Ambrotype can only be obtained at my Gallery, where I guarantee to furnish better Ambrotypes than he that boast so much, in every instance, or no charge made.

Gallery Corinthian Hall.  P. E. Gibbs, Ambrotypist.                                    

Advertisement ran from December 31, 1855 to January 11, 1856

1856 January 8.  The Daily Dispatch.  (Richmond, Virginia.)  January 8, 1856, Vol. IX, No. 7, P. 2.

Imitation Ambrotypes, as Mr. Gibbs calls them, are liked by all who see them much better than the genuine article.  Mr. Gibbs, however, is an exception to this rule.  He says that they are not so good.  We will now see whether he really believes what he says, by putting him to the test.  The test shall be a forfeit of $100, that he cannot make a superior Ambrotype of any subject that we can.  But we would like this to be understood, that if we beat him, he must not talk any more about infringements, but be satisfied with the opinion of the judge, that that there is no infringement.  To us it seems quite ridiculous in Mr. Gibbs to say that ours is only an imitation, and then to accuse us of an infringement.  M. P. Simons, Ambrotypist.                 

Advertisement ran from January 8 to 15, 1856.

1856 January 12.  The Daily Dispatch.  (Richmond, Virginia.)  January 12, 1856, Vol. IX, No. 11, P. 2.

A Card.—P. E. Gibbs, Esq.—Dear Sir:  At your request, I state that no judge has decided that Mr. Simons is not infringing your Ambrotype patent.  So far from that being correct, the case is still pending at the instance of Judge Halyburton himself, in order to have the question tried by a jury the judge not being acquainted with that sort of business, as he could not be expected to be; and this is the familiar practice in such cases.

A. Judson Crane, Richmond, Jan. 11, 1856.

Mr. P. E. Gibbs—Dear Sir:  As Mr. M. P. Simons seems to doubt the truthfulness of your statement made in the Dispatch of the 9th instant, I hereby certify that I handle your note of the 8th inst. To Mr. M. P. Simons.  He declined your proposition by saying that you knew he was not prepared, but insisted on the forfeit of one hundred dollars.  My reply to him was, that you were not a betting man, but that I would take the forfeit for you; which he declined, by saying that it was not convenient for him to put up one hundred dollars at that time.  To which I proposed to him to make a note at from one to six months, which he also declined, thereby backing out from his own challenge.

Yours respectfully, John W. Davies.  January 11, 1856.                                               

Advertisement ran from January 12 to February 1, 1856.

1856 January 26.  The Daily Dispatch.  (Richmond, Virginia.)  January 26, 1856, Vol. IX, No. 23, P. 2.

The Patent-Right Man and his Pet Card.—Our attention has frequently been called to a pet card of this man, which has appeared and reappeared so often in the Dispatch; and although it purports to have been written by his friend, it is too much like his former productions, to be attributed to another.  Its style and language is so natural to him, that to find fault with him for it, would be equivalent to finding fault with a hog for grunting, or an ass for baying.  It is natural for them, and we have no idea of condemning them for it.  M. P. Simons.                         

Advertisement ran from January 26 to 29, 1856.

1856 January 30.  The Daily Dispatch.  (Richmond, Virginia.)  January 30, 1856, Vol. IX, No. 26, P. 2.

Unparalleled Humbugging.—In Sept., 1855, I commenced making Ambrotypes.  It was not long after this, before a man—who was verdant enough to pay for a right to use two glasses—came to the city, and seeing that my pictures were superior to his, became quite uneasy, and was at a loss for a plan to prevent me making them.  At last he hit upon one, as he thought, and the public were surprised with a blustering card, threatening me with prosecution for using the word Ambrotype—humbug the first.—This fruitless attempt of his to frighten me off led me to an investigation of Cutting’s patent, by which I found that he had no more right to the exclusive use of two glasses than he had to the word Ambrotype.  I accordingly used two glasses whenever it suited my purpose better than one.  This gave the patent man still greater uneasiness; and he attempted again to frighten me, by asking for an injunction, in which he failed—humbug the second.  After finding that he could not monopolize the art to himself, he came out again in a card; telling the public that I still infringe upon his patent; but before he gets through he contradicts himself, by saying that I only imitate the genuine; a strange anomaly—humbug the third.  For if mine only imitated, and are so inferior to his, why object to my making them?  And if genuine, and an infringement of the patent, why not have it decided at once—whether it is a patent right or a patent wrong?  But no, he is not satisfied with humbugging himself, but must get his counsel to help him; who says in a standing card, that “the question will be tried by a Jury, the Judge not being acquainted with that sort of business”—Who ever heard before that a jury was more competent to decide a question of law than a Judge?  M. P. Simons.             

Advertisement ran from January 31 to February 4, 1856.

1856 January 31.  The Daily Dispatch.  (Richmond, Virginia.)  January 31, 1856, Vol. IX, No. 27, P. 1.

Spoiling Pictures.—We understand that Messrs. Simons and Gibbs, picture makers, came in collision on Eagle Square yesterday morning, and made an effort to disfigure each others profiles, but were prevented from doing so by the interposition of bystanders, who separated them.  These gentlemen have been pitching into each other, through the newspapers, for several weeks.  Which of the two has had the best of that fight, the public can decide.

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Messrs. Editors—Please allow me a small space in your columns for the purpose of bringing more fully before your numerous readers the new and beautiful Ambrotypes produced by Mr. P. E. Gibbs, at his gallery in Corinthian Hall, which is now admitted by all who visit it to be one of the most attractive places in the city, being handsomely fitted up, and the walls already hung with many familiar faces, which look more like things of life than any style of Photographs it has ever been my good fortune to behold.  Unlike the ordinary Daguerreotypes which can only be seen in a certain position, the Ambrotypes can be seen in any light—nor does it reverse the face, but makes it natural; and being put up on scientific principles, there is no question but it is, as the name indicates, imperishable.  I am not, Messrs. Editors, in the habit of puffing, nor do I regard this as such, but am only speaking of facts; for where true merit and genius are that article (puffing) is not necessary, especially when that genius has grown and been educated among us.  Mr. Gibbs is a Virginian in every sense of the word—raised in our midst, and that he possesses true genius, no one that is acquainted with, or examines the productions of his skill, can for a moment doubt.  All therefore who wish to have a fac simile of themselves or friends handed down to future generations, will do well to give Mr. Gibbs a call and be assured of a polite reception from himself and assistants.  An Admirer Of Genius.                             

1856 February 2.  The Daily Dispatch.  (Richmond, Virginia.)  February 2, 1856, Vol. IX, No. 29, P. 2.

Gibbs’ Gallery.—The gallery of Mr. Gibbs in Corinthian hall, is one of the neatest in the city, and decidedly one of the most attractive, from the splendid specimens of Ambrotypes, the new and beautiful improvement in the Daguerreotyping art, there exhibited.  His long experience and skill in his profession render him peculiarly worthy of encouragement; while the air of elegance which distinguishes his establishment makes it more than ordinarily inviting.  If you wish to procure a true likeness, or examine those of others, call upon Mr. Gibbs.                 

Advertisement ran February 2 & 4, 1856.

1856 February 16.  The Daily Dispatch.  (Richmond, Virginia.)  February 16, 1856, Vol. IX, No. 41, P. 2.

Gibbs’ Gallery for patent Ambrotypes and Photographs, of Every Size And Description.—Daguerreotypes copied into Ambrotypes and made permanent, or if desired, to life size on paper, retaining the perfect likeness, and painted by first-class artists, making a most beautiful and desirable style of portraits.

Ambrotypes in lockets, pins, cases, and frames of all descriptions.   

P. E. Gibbs, Corinthian Hall, Main street, below 9th, Richmond.                 

Advertisement ran from February 16 to October 14, 1856.

1856 June 1.  Photographic and fine Arts Journal.  (New York, New York.)  June 1, 1856, Vol. IX, No. 6, P. 217.

In an article entitled the Photographic Galleries of America.  Number Three, Richmond. The author visited 7 Galleries in Richmond.

Gibbs.—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward. I would recommend him to study Qulian on positions. How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.

1856 June 28.  The Daily Dispatch.  (Richmond, Virginia.)  June 28, 1856, Vol. IX, No. 150, P. 2.

There have been many improvements made in the wonderful invention of Daguerre, since that ingenious Frenchman first discovered the property of light in making pictures.  The most pleasing and remarkable of them all is the Ambrotype, by which glass is substituted for silver as the tablet for receiving the impression.  We looked in, a day or two ago, at the rooms of Mr. Gibbs, in Corinthian Hall, on Main street, and were much struck with the exceeding beauty and delicacy of his specimens of the ambrotype there on exhibition.  Many of our prominent citizens, including some of the most eminent clergymen and members of the bar, with his Honor the Mayor, may be found in Fac Simile at Mr. Gibbs’ gallery, which our country friends will find a pleasing place to visit when in Richmond.—Rich. Whig.

1856 July.  Photographic And Fine Art Journal.  (New York, New York.)  July 1856, Vol. IX, No. 7, P. 217.

The Photographic Galleries Of America III.  Richmond, July 1, 1856…

Gibbs—His specimens are exclusively ambrotypes—some of them are pretty good, with the exception of the positions, which are mostly stiff and awkward.  I would recommend him to study Qulian on positions.  How sadly mistaken many are to suppose that artistical pictures can be made without the slightest taste or knowledge of drawing; hence it is we have so many indifferent picture makers scattered all over the country.     

1856 August 26.  Lynchburg Daily Virginian.  (Lynchburg, Virginia.)  August 26, 1856, Vol. 5, No. 21, P. 4.

A Card.—Having sold my interest in the Daguerrean Gallery, in this place. To Mr. James Keagy, I would respectfully recommend to the favorable attention of the public as a skillful Artist, and a gentleman on whom they may rely.  Come, then, and secure one of his inimitable Ambrotypes, which can only be procured of him in this city.

In taking my leave, I would return thanks for the liberal patronage and kind attention received from a generous public, during a residence if over eight years.  P. E. Gibbs.  oc 12.

1856 September 18.  The Daily Dispatch.  (Richmond, Virginia.)  September 18, 1856, Vol. X, No. 69, P. 2.

A Card.—We, the undersigned, members of the Richmond Instrumental Musical Club,…

P. E. Gibbs, Violoncello.

1856 October 15.  The Daily Dispatch.  (Richmond, Virginia.)  October 15, 1856, Vol. X, No. 102, P. 2.

Notice to the Public.—Do not put too much confidence in the self-puffing so common with Daguerreotypist, but rest assured  that any real (not imaginary) improvement in the beautiful art of Photography will be introduced by Gibbs as soon as it makes its appearance; but for the present, he confidently asserts that there is nothing in this city comparable for beauty or durability with the Ambrotype, (or—“Balsom Picture.,” as called by some,) as made by Gibbs, which fact is the reason of so many professed improvements which have appeared in sundry cards of late.  We can furnish any style Picture in the art.  all we ask is a call, and examine specimens, to convince any one of the truth of our assertion.  Gallery, Corinthian Hall, between 9th and 10th sts.  P. E. Gibbs.                                                                                   

Advertisement ran from October 15 to December 2, 1856.

1856 November 11.  The Daily Dispatch.  (Richmond, Virginia.)  November 11, 1856, Vol. X, No. 125, P. 1.

Awards Of The Mechanics’ Institute.  Made November 8, 1856….Class No. XLIII—Ambrotypes, Photographs, Daguerreotypes and Materials.

Ambrotypes, by Peter E. Gibbs, a silver medal.

Photographs, by J. H. Whitehurst, first class diploma.

Photographs, by D. Bendann, second class diploma.

1856 November 29.  The Daily Dispatch.  (Richmond, Virginia.)  November 29, 1856, Vol. X, No. 141, P. 2.

Remember The Fact that Gibbs was awarded the highest premium (a silver medal) at the last exhibition of the Mechanics’ Institute, for superiority of his Ambrotypes over all sun pictures on exhibition; but a still higher reward he is receiving from a daily increase of his business, which proves that his efforts to establish a first class Gallery, has met with the approbation of a generous public.

He respectfully announces that, in order to meet the demands of his business, he has increased his force.  Having now in his employ a superior Artist, he is prepared to furnish Photographs, from small to life size, colored in oil, water or pastel, which he warrants for accuracy and beauty of finish, equal to the best paintings in the country.  The public are respectfully invited to call and examine specimens.

Gallery, Corinthian Hall, between 9th and 10th, Main street, Richmond.  P. E. Gibbs, Proprietor.

P. S.  These Photographs can be enlarged from small Miniatures, Daguerreotypes or ambrotypes, to life-size.  P. E. G.                           

Advertisement ran from November 29 to January 3, 1857.

1856 December 19.  The Daily Dispatch.  (Richmond, Virginia.)  December 19, 1856, Vol. X, No. 158, P. 2.

Gibbs’ Gallery.—We visited the establishment of Mr. P. E. Gibbs, on Main street, yesterday, and examined the various specimens of the daguerrean art which decorate his reception saloon.  We will be sustained by all who have seen these evidences of Mr. G.’s artistic skill, in saying that his ambrotypes and colored photographs are the ne plus ultra of excellence.  The former, for their superior delicacy and fidelity to nature, especially excited our admiration.  The coloring artist of the establishment is Mr. Amen, who, though quite a young man, evinces a degree of professional skill which warrants the belief that he will yet attain a conspicuous position in the world of art.  The portraits of Mr. and Mrs. Gibbs, suspended in the gallery, were executed by him, and will compare favorably in smoothness of coloring and accuracy of likeness with the productions of more distinguished artists.  In taking these portraits, the camera is brought into requisition for tracing the outlines upon canvass, and then the artist has to rely upon his skill for retaining the likenesses, and imparting the natural expression.  They are furnished cheaper than the portraits taken in the ordinary mode, and look equally as well.              

1857 September16.  The Daily Dispatch.  (Richmond, Virginia.)  September 16, 1857, Vol. XII, No. 67, P. 2.

Look at This.—If you want a genuine Ambrotype, just call at Gibb’s Gallery, where he is now furnishing his customers, with the genuine double glass Ambrotype, (Warranted for beauty and durability, superior to any made,) at cheaper rates than any house in the city.

Our work is two well known to require any puffing from us.

Gallery, Corinthian Hall, between 9th and 10th, Main street.            P. E. Gibbs

Advertisement ran September 16 to December 7, 1857.

1857 December 8.  The Daily Dispatch.  (Richmond, Virginia.)  December 8, 1857, Vol. XII, No. 137, P. 3.

Where Shall We Get Our Likeness Taken!—At Gibbs’, of course, where ever one that wants a decent picture, and not a caricature, always go.  Besides, we have never been deceived by him with humbug advertisements.  As these are sentiments daily expressed and carried out by scores of persons, we take pleasure in saying that in addition to our inimitable Ambrotype, we are now executing Photographs, of a superior character, both plain and colored, which, for beauty of finish and accuracy of likeness, are equaled by few and surpassed by none.  Pictures of all kinds accurately copied and warranted to please, at moderate prices.—Ambrotypes at one dollar and upwards at Gibbs’ Temple of Art, Corinthian hall, Main street, between 9th and 10th.  P. E. Gibbs. 

Advertisement ran from December 8, 1857 to June 16, 1858.                                    

1858 January 7.  The Daily Dispatch.  (Richmond, Virginia.)  January 7, 1858, Vol. XIII, No. 6, P. 2.

$5 Reward.—Stolen from the door of my Gallery, within the last few days, several frames, containing Ambrotypes and Photographs—among them an Ambrotype of Miss Maggie Mitchell and Photograph of Mr. J. G. Wade, recollected.  The above reward will be given for the detection of the thief.  P. E. Gibbs. Corinthian Hall.                                                             

Advertisement ran on January 7 & 8, 1858.

1858 June 18.  The Daily Dispatch.  (Richmond, Virginia.)  June 18, 1858, Vol. XIII, No. 144, P. 2.

Life Size Photographs.—The subscriber takes pleasure in announcing to his numerous patrons and the public at large, that he is now prepared to furnish Photographs from miniature to Full Life Size, either plain or colored, which, for accuracy and finish, he warrants equal, if not superior to any produced in this city, at less than the usual price.  Old Pictures copied and enlarged to any size.

Citizens and strangers are invited to call and examine specimens at Gibbs’ Temple of Art, Corinthian Hall, Main street, between 9th and 10th.  P. E. Gibbs.

P. S.—If you want a genuine Ambrotype, this is the lace to get it, where you will neither be humbugged in price or work, Also melainotypes, or any other Picture in the Photographic Art.

P. E. G.                                                                                                                      

Advertisement ran from June 18, 1857 to April 5, 1859.

1859 April 13.  The Daily Dispatch.  (Richmond, Virginia.)  April 13, 1859, Vol. XV, No. 88, P. 2.

Ambrotypes And Photographs.  Having purchased the Fine Art Gallery in Corinthian Hall. recently occupied by P. E. Gibbs, I respectfully solicit a call from all who wish to obtain a good Likeness of themselves or friends, before purchasing elsewhere.  Having employed one of the best artist in America, I deem it unnecessary to say more than guarantee satisfaction, or no charge.  Respectfully, J. Thos. Smith                                                                                     

Advertisement ran from April 13 to 16, 1859.