Category Archives: Photographs

Fontayne, Charles

Daguerreotypes, Patent, Photographs, , , , , , ,

1844-1845       268 Baltimore Street, Baltimore, Maryland.

1846-1847       30 West Fourth Street, Cincinnati, Ohio.

1847-1852       30 & 32 West Fourth, Cincinnati, Ohio.

1853                6 West Fourth Street, Cincinnati, Ohio.[1]

1855                6 West Fourth Street, Cincinnati, Ohio.

1856-1857       Over Merchants’ Bank, Cleveland, Ohio

1857-1858       Address Unknown, New York, New York.1

1859                Address Unknown, Cincinnati, Ohio.

1843 November 13.  The Sun.  (Baltimore, Maryland.)  November 13, 1843, Vol. XIII, No. 147, P. 2.

Removal Of D. J. Fontayne’s Artificial Flower Manufactory to 268 Baltimore street, above Howard, opposite the Globe Inn—D. J. F. has on hand a handsome assortment of Flowers, of the latest fashions, which she will offer at the following low prices—Velvet Face Flowers, with eich shaded velvet leaves, orange or green, at 18½ cts. to 25 cents per pair, of every style; outside Bunches, with rich shaded velvet leaves, from 50 to 75 cents; face Flowers, of handsome styles from 12½ to 25 cts. per pair, &c.  Merchants and Milliners supplied by wholesale at the very lowest prices.  Persons wishing to purchase are invited to give her a call.

N. B.—Flower Makers can be supplied with Stamps, Leaves, &c., by Chas. Fontayne.

1844 April 29.  The Sun.  (Baltimore, Maryland.)  April 29, 1844, Vol. XIV, No. 137, P. 2.

It  has been noted as the characteristic of the most refined taste, that it “Love to linger on the magic face of human beauty;” and truly, if we range the vast domains of nature in search of that which is most lovely to the eye, as well as most interesting to the mind, it is certainly found in the light and shade of the human countenance.  How many have spent their lifetime in trying to portray it with the brush, and how few have succeeded in giving that living expression to their works which the original possess—But the recent great improvement in the art of Photography, in a few seconds of time has enabled the operator to catch them all.  Those familiar only with the earlier attempts in this art, will be astonished to find how that sickly and deathly hue has given place to that healthy and natural color which our late improvements possess.  Likenesses taken daily, in all kinds of weather (rain or sunshine) in from 5 to 30 seconds of time.  Stranger and citizens are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, (above Howard) opposite the Globe Hotel.

Advertisement ran from April 29 to May 1, 1844.

1844 May May.  The Sun.  (Baltimore, Maryland.)  May 4, 1844, Vol. XIV, No. 142, P. 2.

The Convention.—Great Perfection Of Our Art.—The citizens of Baltimore have now the opportunity of examining several Photographic Views of the Great Whig Convention passing down Baltimore street, presenting an appearance truly wonderful.  In the distance is to be seen the two Arches, Banners, &c., with many thousands of persons as they appeared in the street—ladies at the windows waving handkerchiefs, &c.

Colored Likenesses taken daily, rain or sunshine, in from 5 to 30 seconds of time.  The public are invited to call and examine specimens.  Fontayne & Porter, No. 268 Baltimore street, above Howard, opposite the Globe Inn.

1846 December 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 24, 1846, Vol. VII, No. 57, P. 2.

Christmas and New Year’s Oresents, At Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, No. 30 West Fourth Street, between Main and Walnut, opposite St. Paul’s Church.

These appropriate Presents for the season can be had after a few moments sitting, which, for strength of impressions and beauty of tone, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of Parents, to his facilities for taking Children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years, by the subscriber, and exposed to the bleaching effects of the sun, can be seen at the Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas Fontayne, Late of the firm of Fontayne & Porter, Baltimore, Md.

N. B.—Apparatus furnished, and the Art taught on the principles of Chemical Philosophy, and embracing all the very latest improvements of the East, upon the most reasonable terms.  The public are invited to call and examine specimens at his Gallery.

Advertisement ran from December 24, 1846 to January 15, 1847.

1847 January 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 16, 1847, Vol. VII, No. 75, P. 2.

J. C. Fontayne.  The gentleman whose name heads this article, has but recently come to our city from the East, and opened rooms for Daguerreotyping, on Fourth street, north side, near Walnut.  From specimens of his work which have come under our notice, he is, without doubt, well acquainted with the various branches of this style of Miniatures, and calculated, from this knowledge, to adapt his pictures to the taste of any and all who may favor him with a call.

1847 September 21.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 21, 1847, Vol. VIII, No. 145, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.

Advertisement was recorded from September 21 to October 15, 1847.

1848 February 25.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 25, 1848, Vol. IX, No. 125, P. 2.

Fontayne’s Gallery of Daguerreotype Portraits and Family Groups, Nos. 30 & 32West Fourth St., between Main and Walnut, opposite St. Paul’s Church.

Impressions can be had after a few moments’ sitting, which for strength of impression and beauty of time, have stood comparison with the works of the best operators of the East.  The subscriber invites the attention of all who may wish correct Portraits of themselves or friends, and particularly that of parents to his facilities for taking children.

These Portraits are warranted not to fade in any place or situation whatever.  Daguerreotypes taken over four years by the subscriber, and exposed to the bleaching effects of the sun, can be seen at his Rooms.

Where Post Mortem likenesses are desired, due notice must be given; and in this, as in all the departments of his business, he flatters himself, from the experience he has had, (having been practically engaged and proprietor for upwards of five years, in one of the principal establishments of the East,) that all who may favor him with a call, will be suited to their taste.

Chas. Fontayne.  nov3.

Advertisement was recorded one time on February 25, 1848.

1848 September.  Public Library of Cincinnati and Hamilton County Pamphlet.

Fontayne & Porter 8 Whole Plate Panorama Daguerreotype of Cincinnati partnership Ca. 1848-1854.

1848 October 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 20, 1848, Vol. XI, No. 17, P. 2.

Fontayne, daguerreotypist in this city, has completed a full daguerreotype panorama of Cincinnati!  A portion of it may be seen in front of his room on Fourth street.

1848 December 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 30, 1848, Vol. XI, No. 77, P. 2.

Holyday Presents.—In what manner can money be better spent than by presenting to a friend a faithful likeness of one’s self?  Many who bethought themselves during the holidays, a year ago, of this kind of present, little dreamed they were giving what is now invaluable, whether rendered so by death or absence.  Fontayne & Porter, No. 30 and 32 West Fourth street, Between Main and Walnut.

Advertisement was recorded on December 30, 1848 and January 1, 1849.

1849 January 3.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 3, 1849, Vol. XI, No. 79, P. 2.

The Greatest Gem of Modern Art, are the Daguerreotypes taken by Fontayne & Porter.  The exquisite finish of the picture, the warm, glowing depth of tone, the clear, brilliant expression of the eye, all command the admiration of hundreds who b=visit the gallery, all anxious to obtain a likeness of themselves or friends.

Gallery No. 30 & 32 West Fourth st., between Main and Walnut.

Advertisement ran from January 3 to 12, 1849.

1849 January 12.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 12, 1849, Vol. XI, No. 87, P. 2.

The Expression Of The Eye Perfected.—The immense Sky-Light used by Fontayne & Porter, Daguerreotypists, enables them to produce Portraits and Family Groups which are the admiration of all who have seen them, diffusing an even light over the sitter, giving to the drapery great force of shadow, and to the Eyea clear and brilliant expression, which cannot be obtained by the old method of the side window.  Miniatures taken daily, without regard to the state of the weather.

Advertisement ran from January 12 to 24, 1849.

1849 January 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 24, 1849, Vol. XI, No. 97, P. 2.

Fontayne & Porter’s Daguerreotype Gallery.—These beautifully furnished Rooms continue to attract crowds of visitors and strangers daily.  The many fine specimens of the Daguerrean Art which adorn the Gallery command general admiration.  No improvement which modern search has discovered but is immediately applied.  The various conveniences in all the chemical and operating departments enable them to produce, in the shortest possible time, Portraits and Family Groups unrivalled for brilliancy of impression and faithfulness of execution.  No state of the weather deters them from producing beautiful Miniatures.  Gallery Nos. 30 and 32 West 4th st., between Main and Walnut, Cin.

Advertisement ran from January 24 to February 7, 1849.

1849 February 8.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 8, 1849, Vol. XI, No. 110, P. 2.

Beautiful As Are The Productions of the Painter’s Art, still the Daguerreotype, for accuracy of detail and beauty of execution, will command the preference.  The associations connected with the Daguerreotype are preferred in the extreme, when we view the miniature of those we love; it is the impression of their own shadow, drawn by the faithful pencil of Nature.

Fontayne & Porter still are on the advance with improvements, and are daily giving their customers Pictures which give great satisfaction.  Gallery Nos. 30 and 32 West Fourth st.

Advertisement ran from February 12 to 27, 1849.

1849 February 28.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 28, 1849, Vol. XI, No. 127, P. 2.

California Has Not Turned The Heads of Fontayne & Porter, Daguerreotypists; but they are still as active as ever in making improvements.  The last one is the receipt of a very fine improvement of great Focal power and perfection, in which children and aged persons are taken almost in an instant of time.  Persons wishing Miniatures of their children, have now the opportunity of procuring a perfect Likeness.

Gallery Nos. 30 and 32 West Fourth st., between Main and Walnut, Cin.

Advertisement ran from February 28 to March 14, 1849.

1849 March 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 15, 1849, Vol. XI, No. 140, P. 2.

Never Behind The Times In Improvements.—The new quick working Camera of Voightlander & Sons, of Vienna—their latest improvement—is now in constant use at Fontayne & Porter’s.  Perfect pictures warranted, taken in all weathers, even in the darkest days, in a few seconds of time.  The groups of Children taken by this splendid instrument are not to be surpassed.

Gallery Nos. 30 & 32 West Fourth st., between Main and Walnut, Cincinnati.

Advertisement ran from March 15 to 30, 1849.

1849 March 31.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 31, 1849, Vol. XI, No. 154, P. 2.

It’s Painful To The Eye.   How often do we hear persons make this remark after they have been sitting for a Daguerreotype likeness.  This great evil has been overcome by Fontayne & Porter—their Pictures are taken by a north side and sky light. Which gives no pain to the sitter, thereby enabling them to make those beautiful Pictures which are so much admired for their beauty of tone, clear and expressive eyes; all of which is adding daily to the already high reputation of their establishment.

Strangers and citizens should call and examine the fine collection of Portraits in the Gallery, No. 30 and 32 West Fourth st., between Main and Walnut.  Admission free.

Advertisement ran from March 31 to April 9, 1849.

1849 April 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  April 10, 1849, Vol. XII, No. 6, P. 2.

Going To California.—Every man that is bound for the Gold Region has some dear friend or relation to leave behind: and what would be more pleasing to that father, brother, sister, or friend, than a good Daguerreotype Likeness of one’s-self?   Call at Fontayn & Porter’s, and get one of their gems. 

Gallery No. 30 and 32 West Fourth st., between Main and Walnut.  Likenesses taken in any weather.

Advertisement was recorded fifty-four times between April 10 and July 19, 1849.

1849 June 20.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 20, 1849, Vol. XII, No. 67, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West 4th st., bet Main and Walnut.  Fontayne & Porter, Proprietors.  This Establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our Pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran from June 20 to August 22, 1849.

1849 July 19.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 19, 1849, Vol. XII, No. 91, P. 2.

Bring It Back.  The person who stole the beautiful Daguerreotype view of the Philadelphia Exchange, from the door of Messrs. Fontayne & Porter, had better return it at once, as it has been seen and admired by thousands in this city, and would undoubtedly lead to the detection of the thief should he offer it for sale.  It is highly prized as a specimen by the owners, and we hope they may recover it.

1849 August 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 11, 1849, Vol. XII, No. 111, P. 1.

Passing along Fourth street a few days ago, my attention was arrested at the entrance to the Daguerrean rooms of Messrs. Fontayn & Porter, by a very perfect and beautiful picture of Girard College, at Philadelphia.  Being myself a sort of amateur operator, the superiority of this, together with other specimens exhibited at their door, I determined to embrace the earliest opportunity of paying said gallery a visit.  I this morning spent a couple of hours in examining and studying its contents, and, although I have visited all the best establishments of this kind in New York and Philadelphia, I am free to say that I have seen but few specimens to equal those which adorn this gallery.—The collection comprises a great variety of landscape views, family groups, &c., much superior to any I have seen elsewhere.  The taking of views and groups of persons, has always been considered the most difficult branch of the art, and it is a branch in which but few operators have been successful; but the efforts of these gentlemen, in this department of their profession, may be set down as the ne plus ultra of excellence.  I was highly pleased and interested in examining a very comprehensive view of your “Queen City of the West.”—This is indeed a beautiful picture, embracing the entire river line of the city—a distance of some six or seven miles!  So faithfully and distinctly are the various objects represented, that the name of the different steamboats lying at the wharves, are legibly brought out.  The sign on all the warehouses, stores, &c., fronting on the river, are likewise given with equal distinctness.  I also read the names of several firms, on large buildings, situated high up in the city.  This, so far as my knowledge extents, is the greatest feat ever performed in the art of Daguerreotyping.

The collection also embraces views of Fairmount water-works, scenes on the banks of the Schuylkill river, and many of the finest residences and public buildings in Philadelphia—all of them perfect, even under the test of a strong magnifying glass—throughout, their softness, evenness and beauty of finish, is remarkable.  I was informed, upon inquiry, that some of these splendid sketches might be purchased at a fair price, and it is matter of surprise with me, that they have not ere this been transferred to the dwellings of some of your wealthy citizens. Certainly, nothing more beautiful or interesting could adorn the walls of a private parlor.

Among the many portraits of distinguished persons, is a very accurate and life-like one of “Amelie,” of Kentucky.  Having frequently seen this gifted lady, I am able to judge as to the merits of her picture.  Here, also, may be seen a likeness of the brave and noble-hearted sailor, Frederick Jerome, who, at the imminent risk of his own, saved so many lives from the burning of the steamship “Ocean Monarch.”  He is taken in the same clothes he wore at the time this awful scene occurred.  The actions of this obscure sailor, on this occasion, were sublime, and shed around him in his humble station a moral grandeur and exaltation of character, to which but few in any sphere of life may lay claim; and far more ennobling than the rank and title of a king!  The “counterfeit presentment” of many distinguished statesmen , poets and divines, may likewise be seen and studied here.  Clay, Van Buren, Dallas, Clayton, Buchanan, Webster, Irving, Cooper, Bryant and John Quincy Adams, are among the number—all of them accurate, distinct and life like.  I was shown also several likenesses taken in death, by these accomplished operators.  The partially closed, expressionless eyes, the pale, fixed features, and even the cold sweat upon the brow, are rendered with an effect so startling and truthful as I had thought never could be attained in a type of the departed.

Messrs. Fontayne & Porter are worthy of all praise and encouragement, for what, with energy and talent they have done to develop and perfectionate their profession in the west.

With your permission, Mr. Editor, I may offer, before my departure from amongst you, a few remarks concerning matters and things in general in your city—her peculiarities, business, present condition, and future prospects—impressions and fore-shadowings of a         Sojourner.

1849 August 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  August 23, 1849, Vol. XII, No. 121, P. 2.

Daguerreotype Portrait Gallery.  No. 30 West Fourth St., Bet Main and Walnut.  Fontayne & Porter, Proprietors.—This establishment contains the largest and best collection of Portraits, and Family Groups, of any other in the West.  The Franklin Institute, at their last exhibition in Philadelphia, awarded to F. & P. a Silver Medal, the highest premium, for the best Daguerreotypes exhibited.  This alone proves the superiority of our pictures.—We invite all to pay us a visit and examine for themselves.

The art of Daguerreotyping taught on scientific principles.  We have added to our already extensive establishment, a large room expressly for the use of those who may wish a knowledge of the art.  Here they are taught all branches connected with Daguerreotyping, together with all the late improvements.

Likenesses and Family Groups taken in any weather.—We have lately received one of the latest improved Cameras from Germany, which enables us to take children and infants in two and three seconds sitting.  Frames, Cases, and Gold Lockets, of various patterns for sale.  Alsom German and American Cameras.

N. B.  The best hour for taking children is from 11 A. M. to 4 P. M.

No. 30 West 4th street, between Main and Walnut.  Fontayne & Porter.

Advertisement ran sixty-two times between August 23 to November 20, 1849.

1849 December 10.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 10, 1849, Vol. XII, No. 214, P. 2.

Daguerreotyping.  We were shown yesterday the likeness of twins, two years old, taken by Fontayne & Porter, No. 30 West Fourth street, which elicited general admiration.  The perfection to which this art has been brough is truly astonishing.

1850 March 16.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 16, 1850, Vol. XII, No. 294, P. 2.

The Washington Euterpeans.  Fontayne & Porter on Fourth street near Walnut, have just completed a beautiful Daguerreotype of those justly popular singers.  It is a group of them all, six in number, and can be seen at their gallery No. 32, west Fourth street.

1850 October 24.  Daily Ohio Statesman.  (Columbus, Ohio.)  October 24, 1850, Vol II, New Series—No. 979, No 880.

Ohio State Agriculture Fail.  Discretionary Premiums…

Fontayne & Porter, Cincinnati, for superior daguerreotypes.

1850 October 24.  Liberty Hall And Cincinnati Weekly Gazette.  (Cincinnati, Ohio.)  October 24, 1850, Vol. 51, No. 2415, P. 2.

Ohio State Board of Agriculture.  The following is a list of premiums awarded by the several committees, also the discretionary premiums recommended and amended by the Executive Committee…

Paintings And Drawings, Open To All…

Best specimen of Architecture, Fontayne & Porter, Cincinnati,      Dip.

Best collection of Portraits, Thomas Faris, Cincinnati,                        Dip.

Best specimen of single face, E. C. Hawkins, Cincinnati,                        Dip.

Best specimen of Talbotypes, E. C. Hawkins, Cincinnati,                        Dip.

1851 September.  The Photographic Art Journal.  (New York, New York.)  September 1851, Vol. II, Vo. 3, P. 153-154.

From La Lumiere.  The Worlds’ Fair.  Translated from the French by J. Russell Snelling, M. D.  To Monsieur Montfort:  Sir:—Intrusted by you with the honorable and delicate mission of describing to the readers of La Lumiere, in a series of critical letters, the contributions of the photographers of different nations to the Worlds’ Fair at London, I cannot wholly conceal from myself for a single moment the many and various difficulties which this task imposes upon me.   I have likewise, hesitated a long time as to the manner which it would be the most expedient and useful for me to begin the subject.  A single word from one of those men whom it gives me pleasure to call my perception in the art, terminated my perplexities and decided my irresolute mind.  In a visit of several days—made quite recently to Paris.  I related my troubles to Mr. Ziegler, who thus said to me:  “Why give yourself so much trouble to arrive less expeditiously at that point which you could reach very easily by marching straight before you?  The chief wish of our photographers is, to know what their brethren of foreign countries are sending to London.  Commence by making out a catalogue, than you will render an account of the woks.”

The advise was good, and I have followed it.  In the indication of the name of the artists, I have adopted the alphabetical order.  Before the name I inscribe the number of the order in which each member is found in the list; after the name, I write the number which is devoted to him in the official catalogue; then I indicate the number of frames, with those proofs which they contain, designate those which are upon paper, upon plate, and upon glass; and afterwards, I copy the excellent remarks accompanying the works which the authors have judged apropos.  As to a classification of nations, it was very natural that I should have followed the same order which has been adopted in the Crystal Palace.  To commence with the United States, the department of which is situated at the eastern extremity of the Hyde Park edifice, and to finish our description with England and its dependencies, which are placed at the western extremity, and passing along through the intervening nations, appears to me the most rational method.

United States of America:—

1.  Mr. Brady, of New York.  137, has exhibited 35 portraits upon plates.

2.  Mr. Evans, Buffalo, U. S., 105; Three frames, each containing six portraits upon plates.

3.  Messrs. Fontayne & Porter, (bearing the number 550 which does not yet exist in the U. S. catalogue):  view of Cincinnati, composed of eight plates united in the same frame, and where the points of junction are concealed by perpendicular fillets, in such a way that the spectator appears to see the city through a gallery of columns.

4.  Mr. Harrison, 225, Five portraits upon plates, and several camera obsecura.

5. Messrs. W. & F. Langenheim: Panorama of Philadelphia and a view of Fairmont, near Philadelphia.  In both, several proofs upon paper, are brought together so as to form a panorama.  Talbotype.

6.  Mr. Lawrence, 151, Twenty-six portraits, among which six are representations of three persons from nature.

7.  Mr. J. G. Mayall, Philadelphia, 491; Seventy-two plates, among which is found Notre Dame, from M. Le Baron Gross.

8.  Messrs. Meade Brothers, N. Y., 109; Twenty-four frames containing nearly all single portraits upon plates, together with some groups.

9.  Mr. W. A. Pratt, Richmond, Va., 264; Three frames enclosing jointly twenty-six portraits upon plates.

10.  Mr. Jno. A. Whipple, Boston; 451: Five single portraits; three family groups, one of which has seven figures, another nine, and the last six, the whole upon plates.  A daguerreotype of the moon taken by means of the large telescope at the Cambridge observatory.

10.  Mr. J. H. Whitehurst, Norfolk, Va., 377: Twelve views upon plates, of the Niagara Falls, taken from nature, in Sept. 1850.

1852 January 6.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 6, 1852, Vol. XV, No. 72, P. 2.

Daguerreotypes by the mammoth sky-light.—Fontayn & Porter, No. 30 West Fourth street, between Main & Walnut,—are always fully prepared (rain or sunshine) to accommodate you with a Miniature in their unsurpassed style.

1855.  Cincinnati City Directory.  (Cincinnati, Ohio.)  Advertisements P. 76.

Fontaine’s Gallery Of Daguerreotype Portraits, And Family Groups, No. 6 West Fourth Street, Between Main and Walnut.

1855 January 20.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  January 20, 1855, Vol. X, No. 226, P. 2.

Now Look Out.  The following communication from Dr. Buchanan, of Cincinnati, to the New York Tribune, discloses the fact that the whole Rag Money system is in danger of being blown sky high by the magic power of Photography.—Counterfeiters will not be slow in availing themselves of the discovery, and then they will be able to deceive the very elect among the money changers.  Dr. Buchanan says:—

I have just witnessed some illustrations of the art of Photographic Counterfeiting, which I deem highly important, not only to bank officers, but to the public at large.  Mr. Fontayne, of this city, one of the best daguerreotypists in the world, has recently made several photographic copies of bank notes, which far surpass, in the perfection of their details, anything which has ever been done in the old way of counterfeiting.  When these photographs are carefully taken on proper bank note paper, they defy detection either by the naked eye or by microscopic inspection…

1855 January 31.  The Ashland Union.  (Ashland, Ohio.)  January 31, 1855, Vol. IX, No. 36, Whole No. 1202, P. 1.

Same article.

1855 January 31.  Cadiz Democratic Sentinel.  (Cadiz, Ohio.)  January 31, 1855, Vol. 21, No. 39, P. 2.

Bankers, Look Out.  Same article.

1855 February 8.  Carroll Free Press.  (Carrollton, Ohio.)  February 8, 1855, Vol. 23, No. 6, P. 1

Photography in Counterfeiting.  Correspondence of the N. Y. Tribune.  Same article, expanded.

1856 May 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 29, 1856Vol. 10, No. 49, P. 1.

Ryder’s Photographs.—We called in at Ryder’s daguerrian rooms yesterday, when the first objects that caught our attention were four most admirable executed photographs, two of life size and two cabinet size.  They are certainly as fine specimens of the art as were ever exhibited in this city.  They were taken by Mr. Chas. Fontague, (sic.) whose services Mr. Ryder has lately secured.  Mr. F. is from Cincinnati, where his pictures have attracted general admiration.  He showed us a large collection of valuable photographs, among which were many portraits of distinguished personages, which have a very life-like appearance.  Among the rest were some beautiful scenes from nature, but the most remarkable of all was a collection of pictures taken from the ruins of Carthage, Thebes and Memphis, and other Egyptian and African ruins; besides these scenes from around Athens and Rome that are highly entertaining.  These should be framed and hung around the rooms for the benefit of the visitors, as they are not only well worth seeing but instructive.  Mr. Ryder has done well in thus associating with him in his business Mr. Fontague, (sic.)  and we feel confident that they cannot but be highly successful.  Their intention is to take photographs of all sizes.  We understand the smaller ones will be put at very reasonable prices and within the means of any one desirous of having a good picture taken.

1856 March 31.  Cleveland Morning Leader.  (Cleveland, Ohio.)  March 31, 1856, Vol. 10, No. 50, P. 1.

The name of the gentleman associated with Mr. Ryder in the Photograph business is Chas. Fontayne, instead of Fonyague, as we printed it on Saturday.  Mr. F. is the same person who photographed the bills of several of the Cincinnati banks so exactly that the officers of the banks could not distinguish between the imitations and the genuine ones.  We would again say that his pictures are highly worthy the attention of all interested in such matters.

1856 April 28.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  April 28, 1856, Vol XII, No. 102, P. 3.

Ryder is taking a great number of Ambrotypes in the very best style.  The Photographs of Mr. Fontayne now being taken at these rooms have not been surpassed in the West.  They compare favorably with the best now taken in New York, and colored or not, are beautiful representations of the human face.

1856 May 1.  Cleveland Morning Leader.  (Cleveland, Ohio.)  May 1, 1856, Vol. 10, No. 78, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to September 30, 1856.

1856 May 2.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 2, 1856, Vol. XII, No. 106, P. 2.

Photographs, of Every Style and Size, from Lockets to Life Size, Plain and Colored, at Ryder’s, over Merchants’ Bank.

Prof. Fontayne, late of the well known form of Fontayne & Porter, Cincinnati, and the Pioneer Of The Photographic Art in that City, has charge of the Photographic Department.

His portraits are unequalled in this country.  Daguerreotypes Copied to any size, and Finished, in Oil or Water Colors, equal to the Finest Painting.

Lovers of Art are invited to call and examine specimens. 

Advertisement ran from May 1 to 26, 1856.

1856 May 15.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  May 15, 1856, Vol XII, No. 117, P. 3.

Ryder’s Ambrotypes.—The rooms of Mr. Ryder, the Daguerreotypist, over Merchants’ Bank, are becoming a resort for the beauty and fashion of the city.  As an artist, his success in securing good pictures has rarely been surpassed in this country.  The comparatively recent introduction of photography has not become familiar to the people, but those who have visited the exhibition of Mr. Fontayne’s photographs, will cheerfully testify to their admirable perfection and beauty.

1856 August 14.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 14, 1856, Vol. 11, No. 195, P. 3.

A beautiful photograph, from a splendid steel engraving, has just been taken by Mr. Fontayn, at Ryder’s Daguerrean Gallery, of “Evangeline,” one of the sweetest of all poetic creations.  The countenance of “Evangeline” is angelic in its simplicity and innocence, and perfectly charming in its beauty.  Mr. Fontayne has several of these pictures for sale; those who love the beautiful will not require an invitation to purchase after seeing the picture.

1856 August 27.  Cleveland Daily Plain Dealer.  (Cleveland, Ohio.)  August 27, 1856, Vol XII, No. 204, P. 3.

Miniature City Map.—Pierce & Co. have just published on a little sheet a very neat map engraved by Tibbitts, of this city.  We understand that a photograph was taken at Ryder’s by Prof. Fontayne, engraved and electrotyped and is furnished at five cents a sheet, or 75 cents the quire,  It will be found convenient for business  men and others, to inform their correspondents particularly as to the location of a residence or office.  It gives the names of the streets, designates the wards and shows the different lines of the railroads meeting in the city.

1857 August 29.  Cleveland Morning Leader.  (Cleveland, Ohio.)  August 29, 1857, Vol. 11, No. 208, P. 3.

Mr. Fontayne, with Mr. Ryder, has taken several “star” pictures of residences about town—among them, that of Mr. Price, on Euclid street.  It is a splendid picture; and is an excellent method, for those who feel disposed, to secure pleasant remembrances of the “homestead.”

1859 July 28.  Railroad Record and Journal of Commerce, Banking, Manufactures and Statist..  (Cincinnati, Ohio.)  July 28, 1859, P. 270.

Fontayne’s Telesmatic Photograph.  In the short notice which we gave of this “magical light-writer” last week, we had only time and space to say that it would print from 3.000 to 4,000 perfect photographs in an hour.  This, we then thought, was sufficiently marvelous to be believed by only a few of the most credulous.  Since then we have become better acquainted with the capacities of the inventor and his machine, and we have no hestitation in saying that it can be made to far surpass even these marvelous figures.

Photographers have been able, for some years, to make paper exceedingly sensitive to the influence of reflected light; and one great difficulty with many of them, has been to so retard this sensitiveness, as that they could admit the rays of light, and instantly shut them out, without spoiling their paper.

This waste of paper, too, has been another serious objection, and has kept the price of photographs ranging at high rates.

These difficulties Mr. Fontayne has been facing for years, earnestly working against them, and such has been his success, that his pictures have stood first wherever they have been presented.

Being cast upon what many supposed his death-bed, about the first of this year, he had time sufficient to classify his experiments, to theoretically meet his difficulties, and discuss them as they seemed to be presented.

The results wa have already given, and, in reviewing the subject, we find that he makes the paper, upon which the picture is to be produced, exceedingly sensitive.  This he dries, and places upon a cylinder in a dark case, having apparatus on the exterior by which the cylinder can be rotated.  In the top of this case is an orifice through which the light can be admitted; and underneath this is the negative, so adjusted that it can be made to touch the paper, and leave it similar to the fly in a printing machine.  Over this orifice and negative, is mounted a large condensing lens, of such power that a most intense light can be projected through the negative upon the paper beneath.  But to prevent any action of the light, except as wanted, this orifice is closed by a slide which is adjusted in a frame, and so operated by coil springs, that his motion is instantaneous, and the orifice is opened and closed as instantaneously as the contraction of a coil spring can produce action.  By means of connecting levers and cams, one operator can rotate the cylinder, cause the slides to move together in such a manner, that with one negative, one hundred flashes of light may be admitted per minute, and thus over 6,000 pictures may be given in one hour.  But the same machine will admit as many as ten small negative , all operated at the same time, and only requiring more paper.

His improvements also extend to the manner of toneing (sic.) up these impressions afterward; for the paper, on being removed from the cylinder, is as white as when rolled upon it; but the governor of the light is not mistaken.  The invention is truly a remarkable one, and will introduce some new flashes in photography.—Scientific Artisan.

1859 September 10.  The Penny Press.  (Cincinnati, Ohio.)  September 10, 1859, Vol. 2, No. 18, P. 3.

If any one wishes to run his face, Cincinnati furnishes as progressive Photographers as can be found anywhere.  The walls of the room devoted to the fine arts prove that.  We do not see, however, specimens of the recent wonderful discovery of Fontayne, of this city, by which he can print fifteen thousand impressions of a picture in an hour.  Fontayne’s Telesmatic Photographs make eastern artists say, “That Queen City is a great place.” 

1859 September 22.  Evening Star.  (Washington, D. C.)  September 22, 1859, Vol. XIV, No. 2,069, P. 1.

Patents week ending September 20, 1859.  Chas. Fontayne, of Cincinnati, O.—For photographic printing machine No. 25, 540.

1859 September 28.  The Penny Press.  (Cincinnati, Ohio.)  September 28, 1859, Vol. 2, No. 33, P. 1.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

1859 September 30.  Dayton Daily Empire.  (Dayton, Ohio.)  September 30, 1859, Vol. 10, 10 217, P. 2.

Patens To Ohio Inventors.  The following is the list of patents issued to Ohio inventors, from the United States Patent-office, for the week ending September 20, 1859, each bearing that date…

Charles Fontayne, of Cincinnati, Ohio—For Photographic printing machine.  [No. 25, 540]

[1] Craig’s Daguerreian Registry.

Fischer & Brother

Daguerreotypes, Photographs, , ,

1859                103 Baltimore Street, Baltimore, Maryland.

1859 July 30.  The Daily Exchange.  (Baltimore, Maryland.)  July 30, 1859, Vol. III, No. 445, P.1.

A specimen of Photography.—We have received, from Messrs. Fisher & Bro., daguerrean artist, No. 103 Baltimore street, a very excellent photograph of the N. E. Corner of Baltimore and North Streets, as seen from the point of view commanded by their gallery.  The office of the Daily Exchange is the focal point, and, in addition to the objects usually grouped about that interesting edifice, we have the new city railroad car standing in front, with the horses attached, but by no means such a crowd as have generally been staring at that wonderful machine.  Nothing but the interposition of the car prevents the reading of the telegrams on the bulletin board.  The artists will please receive our thanks for their attention.  

Fields, William

Ambrotypes, Daguerreotypes, Photographs, , , , , , ,

1854-1856       3d and Jefferson streets, Burlington, Iowa.

1854 September 19.  Burlington Tri-Weekly Hawk-Eye.  (Burlington, Iowa.)  September 19, 1854, Vol. 1, No. 129, P. 3.

Daguerreotypes.  The undersign would respectfully inform the citizens of Burlington and surrounding country, that he has fitted up a large and Magnificent Room, at his old stand, over Swan’s Store, opposite the Barret House, where he is prepared to execute Daguerreotyping in the finest artistic style.  And as he intends remaining here permanently, you can always depend upon having a fine and correct likeness; and as his facilities for taking likenesses are much better than heretofore he offers to give As Good And Cheaper Pictures than ever before put up in the city of Burlington.

No picture will be allowed to leave my rooms unless perfect satisfaction is given.

Instructions given in the Art with all the late improvements.

Entrance to Rooms on Third street,  William Fields.  Feb28 ’54.

Advertisement was recorded twenty three times between September 19 to December 2, 1854.

1855 June 4.  Burlington Tri-Weekly Hawke-eye.  (Burlington, Iowa.)  June 4, 1855, Third Year—Vol. 1, No. 89, P. 3.

“Now by Saint Paul the work goes bravely on,

The times call for action.”

And Fields responds by respectfully informing the citizens of Burlington and surrounding country, that he has just received a large assortment of plain and fancy Daguerreotype Cases, at his rooms, corner of 3d and Jefferson streets, opposite the Barret House, where all those wishing a fine and correct Likeness of Themselves or friends will do well to give him a call.

Pictures taken the Low!! Price of $1.50 to $15 apiece.  Satisfaction given or no charges made.

Stock for sale at very low prices and apparatus furnished.  All orders promptly attended to.  Wm. Fields.

Advertisement was recorded four times between June 4 to 25, 1855.

1855 July 4.  Weekly Hawke-Eye and Telegraph.  (Burlington, Iowa.)  July 4, 1855, Sixteenth Year—Vol. 1, No. 31, P. 3.

“Now by Saint Paul the work goes bravely on,

The times call for action.”

And Fields responds by respectfully informing the citizens of Burlington and surrounding country, that he has just received a large assortment of plain and fancy Daguerreotype Cases, at his rooms, corner of 3d and Jefferson streets, opposite the Barret House, where all those wishing a fine and correct Likeness of Themselves or friends will do well to give him a call.

Pictures taken the Low!! Price of $1.50 to $15 apiece.  Satisfaction given or no charges made.

Stock for sale at very low prices and apparatus furnished.  All orders promptly attended to.  Wm. Fields.

Advertisement was recorded fourteen times between July 4 to October 24, 1855.

1855 September 12.  Hawk-Eye and Iowa Patriot.  (Burlington, Iowa.)  September 12, 1855, 16th Year, Vol. 1, No. 44, P. 3.

“Now by Saint Paul the work goes bravely on,

The times call for action.”

And Fields responds by respectfully informing the citizens of Burlington and surrounding country, that he has just received a large assortment of plain and fancy Daguerreotype Cases, at his rooms, corner of 3d and Jefferson streets, opposite the Barret House, where all those wishing a fine and correct Likeness of Themselves or friends will do well to give him a call.

Pictures taken the Low!! Price of $1.50 to $15 apiece.  Satisfaction given or no charges made.

Stock for sale at very low prices and apparatus furnished.  All orders promptly attended to.  June 4, 1855.  Wm. Fields.

1855 October 31.  Weekly Hawke-Eye and Telegraph.  (Burlington, Iowa.)  October 31, 1855, Sixteenth Year—Vol. 1, No. 51, P. 1.

Something New.—We have seen some very fine pictures, taken by Mr. Bowers, at the Daguerrean room of Mr. Fields, by a new process which we believe has been patented.  They far exceed in beauty, and life like expression, any exhibition of the daguerrean art we ever saw.  Those who are fond of seeing fine pictures will find themselves repayed by inspecting Mr. Bowers pictures. 

1855 October 31.  Weekly Hawke-Eye and Telegraph.  (Burlington, Iowa.)  October 31, 1855, Sixteenth Year—Vol. 1, No. 51, P. 3.

Something New.  Ambrotypes or Daguerreotypes in Glass.  The subscriber would respectfully announce to the citizens of Burlington that he will remain for a few weeks at the Daguerrean Rooms of Mr. Fields, opposite the Barret House, for the purpose of taking the above new and beautiful style of pictures.

The term Ambrotype, by which these pictures are designated is derived from the Greek word Ambrotos, signifying durability, everlasting, &c.  The picture is taken upon plate glass, over which is placed a corresponding glass, the two being united by an indestructible gum, enabling the picture to retain its brilliancy for ages.  It will not corrode at sea nor change in any climate, is beautiful in tone, bold and clear in its effect, and may be seen in any light.

The Ambrotype is patented in the United States, Great Britain and France, by James A. Cutting, of Boston.

The subscriber owns the exclusive right for the sale of these pictures in the State of Iowa, and is prepared to sell for towns and counties, and learn the art to those who buy rights.

He will remain only a few week, therefore now is the time to obtain one of these fine pictures.

The public are invited to call and see specimens.  W. T. Bowers.

Advertisement ran from October 31 to November 21, 1855.

1855 November 28.  Weekly Hawke-Eye and Telegraph.  (Burlington, Iowa.)  November 28, 1855, Seventeenth Year—Vol. 2, No. 2, P. 3.

A Card.—Having sold the exclusive right for making Ambrotypes in the city of Burlington to Mr. Fields, I take pleasure in recommending him to the patronage of the public.  Ambrotypes are by far, the finest pictures made at present time, and as Mr. Fields, has the exclusive right for making them in this city, they cannot be obtained of any other person.  Mr. Fields now has a very fine light, and every facility for making fine pictures.  His rooms are on Jefferson, between third and fourth streets.  W. T. Brown. (sic.) 

1856 June 25.  Weekly Hawke-Eye and Telegraph.  (Burlington, Iowa.)  June 25, 1856, Seventeenth Year—Vol. 2, No. 33, P. 3.

Gaige & Fields.  Photograph, Ambrotype and Daguerreotype Gallery, over Cristvell & Hillhouse Store, Jefferson Street, Burlington.  Mr. Fields has the pleasure of announcing that he has associated with him, Mr. Gaige, for six years an operator in Brady’s celebrated Gallery, New York.  He therefore ventures to promise his customers Photographs, Ambrotypes and Daguerreotypes, in the highest style of the art, with all recent improvements which have brought the art so near a state of perfection.

He is confident the specimens on exhibition at his rooms—and all are cordially invited to examine them—will bear a comparison with the finest pictures from the best New York Galleries, or from any other point, no matter where.  And as he does not wish the public to take this on trust, he hopes they will come and see.

Daguerreotypes of deceased persons copied to any desired size and colored to equal the finest oil paintings.  Likenesses of deceased persons also taken.

Remember the place, Jefferson st., between Third and Fourth, opposite Barret House.

Advertisement was recorded nineteen times between June 25 to November 5, 1856.

Ferre, J. Clifford

Ambrotypes, Daguerreotypes, Photographs, , , ,

1856                281 Main Street, Hartford, Connecticut.

1859                281 Main Street, Hartford, Connecticut.

1856 June 7.  The Connecticut Courant.  (Hartford, Connecticut.)  June 7, 1856, Vol. XCIII, No. 4768, P. 3.

Ferre’s Daguerreian Rooms—281 (late 156½)  Main Street, Corner of Pearl.—Daguerreotypes, Photographs or Ambrotypes; Improved Ambrotypes, colored or plain; Lampratypes, Stereoscopes, and Crayon Likenesses.  Also, Pearl Ambrotypes, designed for taking Children, only one second of time required; this is the only Gallery where they can be procured.  These are the oldest Rooms in the place, and only up two flights of stairs.  The Light used at this Saloon is a most beautiful North and Sky-light combined, and there is only one other of the kind in the State.  The superiority of this over any other light ever erected for the business, is conceded by all artists who have seen it.  This Light is especially designed for taking large Family Groups, as also Miniatures for Lockets, Pins, Rings, &c.  Prices are low as any other first class Gallery.  Perfect satisfaction given or no charge.  N. B.—None but the most experienced workmen employed.  Your patronage is respectfully solicited.  J. Clifford Ferre.

Advertisement ran from June 7 to July 5, 1856.

1859 March 26.  The Connecticut Courant.  (Hartford, Connecticut.)  March 26, 1859, Vol. XCVI, No. 4914, P. 3.

“Of those for whom we fond emotions cherish,

Secure the shadow ere the substance perish.”

Ferre’s Photograph, Ambrotype And Daguerreotype Rooms. 281 Main st., corner of Pearl, is the only first class Gallery where good pictures can be obtained at a moderate price.

Please call , examine specimens, compare prices and you will be convinced of the truth of our statement.  J. Clifford Ferre.

P. S.—Rooms closed on the Sabbath.

Advertisement ran from March 26 to April 16, 1859.

Feiger, Ernest F.

Ambrotypes, Daguerreotypes, Melainotypes, Photographs, , , , , ,

1858-1860       Court Street, over Swallow’s Store, Pomeroy, Ohio.

1860                Corner Court and Front Streets, Cartwright’s new building, Pomeroy, Ohio.

1865-1866       Court Street, two doors above Post Office, Pomeroy, Ohio.

1858 October 26.  Meigs County Telegraph.  (Pomeroy, Ohio.)  October 26, 1858, New Series Vol. 1, No. 43, Whole No. 554, P. 3.

Mr. E. Feiger has bought out the Daguerrean Gallery in Swallow’s building, on Court street, and proposes taking pictures of all kinds as cheap and good as has before been taken in this place.  See advertisement.

1858 October 26.  Meigs County Telegraph.  (Pomeroy, Ohio.)  October 26, 1858, New Series Vol. 1, No. 43, Whole No. 554, P. 2.

Fine Pictures.  I am now prepared to take all kinds of Pictures, in as good style as have been taken before in this place.  All styles of Ambrotypes, Melanotypes, and Daguerreotypes from 50 cts. up.  Also, Leather pictures for sending in letters.  Pictures inserted in Breast Pins and Lockets.  Room over Swallow’s Store, entrance on Court street, one door below O. Branch’s Store.  I warrant all my Pictures.  Give me a call and see for yourselves.  I shal remain here but a short time.  Ernest Feiger.

Advertisement ran from October 26 to November 9, 1858.

1859 March 1.  Meigs County Telegraph.  (Pomeroy, Ohio.)  March 1, 1859, New Series Vol. 2, No. 9, Whole No. 860, P. 3.

Mr. Ernest Feiger is about to leave Pomeroy for some time, and as he is the only artist we have in town, it is necessary that you supply yourself soon with whatever you desire in his line.  See Card.

1859 March 1.  Meigs County Telegraph.  (Pomeroy, Ohio.)  March 1, 1859, New Series Vol. 2, No. 9, Whole No. 860, P. 2.

The Last Chance To obtain a Picture is now at hand.  The undersigned is soon to take a tour through the country, and will not return for some time.  Therefore, this being the only gallery in town and my Pictures being of as good execution as can be gotten up, it is to every one’s interest to call soon who need anything in my line Remember the place—in Swallow’s Building, on Court Street, one door from O. Branch & Co.’s. Store, Pomeroy, Ohio.  Ernest Feiger.

Advertisement ran from March 1 to 15, 1859.

1859 December 13.  Meigs County Telegraph.  (Pomeroy, Ohio.)  December 13, 1859, New Series Vol. 2, No. 50, Whole No. 901, P. 3.

Call at the “Art Gallery” of Mr. E. Feiger, on Court St., and procure some of his nice Photographs for holiday presents.  See advertisement.

1859 December 13.  Meigs County Telegraph.  (Pomeroy, Ohio.)  December 13, 1859, New Series Vol. 2, No. 50, Whole No. 901, P. 2.

Gifts For The Holidays!  In looking around for some memento to present to friends, consider that there is none so lasting and acceptable as a nice Photograph or Ambrotype.  This notice is to remind all that the Art Gallery of E. F. Feiger in Swallow’s Building—entrance on Court street—is still open, where pictures of any kind can be procured, at reasonable prices.

Advertisement ran from December 13 to 27, 1859.  

1860 July 31, 1860.  Pomeroy Weekly Telegraph.  (Pomeroy, Ohio.)  July 31, 1860, Vol. III, No. 30, P. 2.

Removal.  Having removed to Cartwright’s new Building, up stairs, corner of Court and Front streets, opposite Swallow’d Store, I am prepared to accommodate all who wish to procure good Pictures cheap.

My Gallery, being furnished with a good Skylight, affords better facilities for taking good Pictures than ever before exhibited in this place.  E. F. Feiger.

Advertisement ran from July 31 to August 14, 1860.

1865 December 21, 1865.  Pomeroy Weekly Telegraph.  (Pomeroy, Ohio.)  December 25, 1860, Vol. VIII, No. 51, P. 2.

Pomeroy Art Gallery, Feiger & Platts, Court Street, Pomeroy, Ohio, Would respectfully call the attention of the citizens of Pomeroy and vicinity to the superior advantages possessed by them for taking pictures in Every Style Of The Art.  Having added many of the late improvements  in the art, we are prepared to please all in Style, Quality and Price.  We would call especial attention to our New Solar Camera for enlarging pictures, which in copying will give Any Size Required. For copying pictures of Deceased persons it is unequalled and will give general satisfaction.

Call and examine our specimens of Photographs, Frames, Albums, Cases, &c.

Pictures colored in superior style, in Ink, Water or Oil Colors, if desired.

Remember the place—Two Doors above the Post Office, on Court Street—Up Stairs.  Feiger & Platts.

Advertisement was recorded form December 21, 1865 to February 22, 1856.

Fassett, Samuel Montague

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , ,

1855-1859       131 Lake Street, Chicago, Illinois.

1859-1865       122 and 124 Clark Street, Chicago, Illinois.

1859-1860       Address Unknown, Savannah, Georgia.

1865                114 and 116 Clark Street, Chicago, Illinois.

1856 February 1.  The Daily Democratic Press.  (Chicago, Illinois.)  February 1, 1856, Vol. IV, No. 105, P. 2 & 3.

Review of the Manufacturers of Chicago for 1855.  In presenting our readers with the fourth Annual Review of the Manufactures of Chicago, we are happy to say , that this important arm of our prosperity continues to keep pace with the general growth of the city and country…

Daguerreotypes, Photographs, Ambrotypes, &c.  The Daguerrean business is not strickly speaking a manufacturing branch of industry, yet as there is in this city a large amount of capital invested in establishments of this kind, we have thought it  but proper to include them.  During the past two years Daguerrean rooms have increased very rapidly; and we are happy to record the fact, that Chicago has some of the best operators in the United States.

A. Hesler, Daguerrean and Photographer, Metropolitan Block, Lasalle street.

This is the largest Daguerrean establishment in the United States.  It consists of 12 large rooms, most appropriately fitted up.  The show rooms are luxuriously furnished.

Mr. Hesler’s Daguerreotype likenesses have taken the premium at the World’s Fair, New York, and at several of the State Fairs throughout the United States.  He was formerly situated at Galena, in this State, and moved to this city in December, 1854.

The following is a statement of his business during 1855.

Capital Investment…………$22,000

Va. Of Pictures, &c.………..$38,000

Material used……….………$18,000

Wages used………………….$6,500

No. of operators employed….10.

Root, Cook & Fassett, Daguerreotypist and Ambrotypist, 131 Lake street.

This establishment was only commenced las September, since which time they have acquired a good reputation as Daguerreans.  Some of their pictures have taken premiums at State Fairs and Industrial exhibitions.

The Following is a statement of their operation from Sept. 1st to Dec. 31st, 1855.

Capital Invested……….$3,000

600 pictures……………$2,000

Raw material used……..$400

H. W. Williams, Daguerrean Artist, 58 West Randolph street.

The amount of business turned out in this establishment during the past year, is as follows:

Capital Invested……$500.

Value of pictures……$1,500.

No. of operators…….2.

Taylor & Lenox, Ambrotypist and Daguerreans, 75 Lake street.

This firm commenced business in September last.  They are the proprietors of the patent right of Cutting’s process of Ambrotyping, for this State and Wisconsin.  The figures during the few months they have been in business, we did not receive.

C. H. Lillibridge, Photographer, 77 Lake st….No report.

C. C. Kelsey, Daguerrean, 96 Lake st………..Blanks not returned.

G. E. Gordan, Daguerrean, 44 Dearborn st…..No returns.

E. G. Stiles, Daguerrean, 139 Lake st…………Blanks not returned.

P. Von Schneidau, Daguerrean, 142 Lake st….Blanks not returned.

1856 March 22.  The Daily Democratic Press.  (Chicago, Illinois.)  March 22, 1856, Vol. IV, No. 148, P. 3.

Art Matters…Pictures and paintings are more talked of among us than ever before…

Hesler’s gallery contains some new gems in daguerreotypes and photographs.  The crayon photographs on white paper are still “the rage” here.  Mr. Marck, the artist in oil colors at Hesler’s has completed two photograph portraits of the late Edwin Shermanwhich will be exhibited next week and attract the attention of the numerous friends of the deceased.  They were photographed from daguerreotypes.

At Fassett’s, some of the most perfect groups have been taken during the last week.  In a short time Mt. Root of Philadelphia, Mr. Fassett’s partner, will be here to take photographs.  Some of his specimens are already shown in the gallery.  In some of them the effect is wonderfully heightened by deepening the darker portions by skilfully touching them with India ink.  Some of these are valued as high as fifty dollars each.

1856 April 5.  The Daily Democratic Press.  (Chicago, Illinois.)  April 5, 1856, Vol. IV, No. 160, P. 3.

Art Matters…From Hesler’s the artists are never gone.  He is always there, a whole host in himself, and others are ever and anon coming to work with him.  The pictures colored by Winters the last week have been better than his “specimens,” and are greatly admired.  Marck has just finished a life size photograph on oil colors, of a child of a citizen of Kenosha, which is the best thing at Hesler’s this week.  He is improving his pictures by lending a warmer tone of color.  Hesler has commenced something which promises to be very fine; a photograph panoramic view of Chicago; it will be taken from the top of the new grain elevator at the Illinois Central depot, which is on the lake shore and 105 feet high.  The view is complete from this stand point and if the work when finished equals our expectations, we shall have ,more to say of it hereafter.

Fassett’s Gallery has been rather surrendered to the carpenters, the painters and the upholsterers the past week, and will be found vastly improved in consequence, while several new and beautiful daguerreotypes show what is constantly being done by the artists there.

1856 June 19.  The Daily Democratic Press.  (Chicago, Illinois.)  June 19, 1856, Vol. IV, No. 224, P. 3.

Improvements In Ambrotyping.—Ambrotyping is a branch of the fine arts, which has attracted the attention of daguerreans and others all over the United States.  It consists in taking the picture on glass by a chemical preparation, instead of on a plate, as in Daguerreotypes, and as a general thing the expressions have been much clearer than in the latter.  One difficulty however has always presented itself to operators—the pictures have been cold and dead-like, while it has been almost impossible to color them successfully.  From two pictures which we had the pleasure of examining yesterday, however, in the store windows of D. B. Cooke & Co. and S. C. Griggs & Co., taken by S. M. Fassett, 133 Lake street. we are inclined to believe that perfection has been nearly approached in this branch.  In those portraits the folds of the dresses are most naturally portrayed—each overlying the other, while the colors are faithfully and skillfully represented.  There is besides in them a warmness of expression—every lineament and feature as if glowing with life—which is very beautiful.  Altogether they are well worthy the inspection of the public.

1856 October 7.  The Daily Democratic Press.  (Chicago, Illinois.)  October 7, 1856, Vol. V, No. 17, P. 3.

The Fair Of The American Institute.—We paid a short visit yesterday to the buildings for the Fair of the American Institute at the corner supposed to be spacious enough when planned, of Clark and Adams street.  The buildings were but they are now enlarging them, although the space already enclosed is nearly twice as large as South Market Hall.

The great mass of artistes yesterday were in too much confusion to admit of a fair examination, but it is evident that the display will be very attractive and varied.  Just as the daylight was dying away, we caught a glimpse of Fassett & Root’s collection of pictures as they were being hung.  They are to occupy the centre of the space devoted to pictures, directly under a stained glass window; they will be the chief attraction at that end of the hall, for they are the finest specimens of plain and colored photographs we have ever seen, for distinctness, force, naturalness and beauty of finish.  They show that Messrs Fassett & Root have secured the services of the best artists in the country.  The photographs of John C. Fremont and other citizens finished in India ink, have a strength of expression that cannot be excelled, while the photographs and ambrotypes of ladies, colored to the life with all their accessories of dress and surroundings, are miracles of beauty.

1856 November 20.  The Daily Democratic Press.  (Chicago, Illinois.)  November 20, 1856, Vol. V, No. 54, P. 3.

A Master-Stroke—Yesterday we had the pleasure of inspecting one of the finest specimens of photography we have ever seen.  It was a picture (large size) of our well known friend “Tom Church.”  There was “Tom,” just as natural and life-like as we have seem him for the past dozen years—every feature and twitch of his countenance as familiar to us as if he was standing by our side with the “roll book” under his arm.

The artist who deserves the credit of the picture is Mr. Fassett, of the firm of Fassett & Cook, 131 Lake street.  The photograph is colored with India ink, and is finished in a style and on a principle entirely his own.  Our readers will probably recollect that Mr. Fassett took the first premium at the Mechanics Fair, which was held recently in this city.  Chicago has much reason, indeed, to be proud of her artists.

Those desirous of a living and a lasting likeness could not do better than visit Mr. Fassett’s gallery.  His pictures are all good; but his photographs have a beauty of finish that cannot fail to be specially attractive to the public.

1857 April 2.  The Daily Democratic Press.  (Chicago, Illinois.)  April 2, 1857, Vol. V, No. 165, P. 3.

Beautiful Photographs.—Yesterday we had the pleasure of examining in the rooms of Mr. Fassett, on lake street, several beautiful Photographs (cabinet size) of some well known faces, among whom may be mentioned Harry Johnson and Mr. Bates, of this city, and W. W. Chandler, now of Cleveland.  As specimens of the art, they are perhaps the most perfect we have ever seen, being at the same time most faithful likenesses and handsome pictures.  Mr. Fassett’s process of finishing photographs is entirely new, and, we may add, highly successful, as any one may judge, by the beautiful pictures which he sends forth to the world.

There is one significant feature in the above photographs which places them above those generally produced by artists.  It is this: they have a smoothness of appearance, which is seldom exhibited in photographs, and which has sometimes rendered them so objectionable.

1858 November 6.  Ashtabula Weekly Telegraph.  (Ashtabula, Ohio.)  November 6, 1858, Vol. IX, No. XXXXVII, Whole No. 463, P. 1 & 2.

A train on the Chicago & Milwaukee R….Not least the matters of interest, was the Photographic Gallery, of Mr. Fassett.  His collection is numerous, and the specimens which compose it, in the highest attainment of the art.  Brady’s Galleries in New York and Washington, are the only ones we have visited which compare in tone and finish with his pictures.  They are taken of the ordinary sizes, and “thrown up” to any desired size even to full life, and colored to nature, giving them all the freshness, vigor of tone, and fidelity of the living subject.  The coloring is executed by Mrs. F.  We bid adieu to Chicago with a feeling of deference and respect, such as takes possession of us in the contemplation of triumphant development and greatness.

1859 April 4.  The Press and Tribune.  (Chicago, Illinois.)  April 4, 1859, Vol. XII, No. 234, P. 1.

Art Matters.—Messrs. Fassett & Cook, Daguerrean and Photographists, will open on the first of May, their new rooms in Larmon’s Block, Nos. 122 and 124 Clark street, West Side, where all the lovers of art will delight to linger.  Mr. Fassett will leave for New York this week, to procure the most elegant furniture and adornments that can be found to fit up his rooms in the most superb style.  They have been arranged to order for Mr. Fassett, and nothing will be wanting to make them one of the most attractive resorts in the city.  The reputation of Messrs. Fassett & Cook, as artists of the highest character, is too well established to need commendation at our hands.  Specimens of their superior taste and artistic skill adorn the homes of hundreds of our citizens.

Their present rooms on Lake street, will be continued as usual.  Due notice will be given when their new hall will be opened on Clark street.  Their friends will wait impatiently the announcement of their first announcement.

1859 June 11.  The Press and Tribune.  (Chicago, Illinois.)  June 11, 1859, Vol. XII, No. 291, P. 1.

The “Orchestrian.”—We made an incidental allusion yesterday to this wonderful musical instrument which will be on exhibition to-day and this evening at the rooms of Messrs. Fassett & Cook, 122 and 124 Clark street.  It is an automatic orchestra, or orchestral organ, built by Schaepperle at Neustadt, Germany, at a cost of &6,000.  There are only four of these instruments in the United States of which this is the largest and most perfect.  It is capable of rendering between one and two hundred of the finest pieces of classical music, in full orchestra melody.

By the way, we may in this connection remind our readers that they may hear this instrument at the formal opening of the rooms of Messrs. F. & C., any time up to 10 o’clock this evening.  

1859 June 13.  The Press and Tribune.  (Chicago, Illinois.)  June 13, 1859, Vol. XII, No. 292, P. 1.

Grand Opening.—On Saturday morning, in company with other members of the press and gentlemen of this city, we attended the opening of Messre, Fassett & Cook’s new Daguerrean Gallery, and although this is a mere business enterprise on the part of energetic men, we cannot let the occasion pass without referring to it as a matter of public interest.  For here are palatial apartments devoted to the Photographic art, which like the Ambrotype and Daguerreotype, should be dear to every American, seeing that it is essentially our peculiar field of art, and when reception halls and operating rooms can be fitted up like these of Messrs. F. & C., it shows the progress of that pursuit; particularly when we compare it with our first daguerreotype taken in a smoky garret of foul odor, or in a villainous car similar to that which Mrs. Jarley devoted to her wax-work exhibition, and Van Amburg to his beasts of prey, we at once see without reference even to the works of the artist themselves, what material progress has been made.

But the pictures are gems of art work, and altho’ for a long time we could not associate the efforts of Mr. Daguerre, or Talbot with the title of artist, we certainly must say, now, that to take a picture such as we saw adorning—not singly, but in numbers,—the walls of the new rooms, 122 and 124 South Clark street, it demands a high appreciation of the beautiful in art, that delicate execution, which are the real results of a mind education in the artistic steed.

It was the pictures executed by Mr. Fassett and repainted and retouched by his lady, that so recently astonished the editors of the N. Y. Tribune, and which they pronounced without Metropolitan prejudice, equal, if not superior to anything ever turned out by Gurney, Brady, or Fredericks.  Mrs. F. is the artist of the concern, who does the coloring and touching, and her flesh tint coloring and drapery painting would have won the admiration of a Reynolds or an Eddy.  She is indeed an artist, in the fullest sense of the term.

At the reception yesterday, we saw many of the elite of our city.  The rooms, the music, (by that wonderful instrument—the orchestrian) and the artistic adornments, delighted every one.  In the operating room we noticed that splendid window, which has been built with the building expressly for its purpose, it gives a Northern light of great power, but the intensity which sitters feel in other rooms, is neutralized by the admirable tinting of the walls and the light blue of the painting.  It is far from painful to sit in this light, and have one’s features “typified.”  The proprietors intend to give daily Free Matiness, and we assure our friends, both male and female, that an hour may be well spent in this way, listening to the orchestrian, and examining the specimens which adorn the walls of this splendid gallery of art.

1859 June 25.  The Press and Tribune.  (Chicago, Illinois.)  June 25, 1859, Vol. XII, No. 303, P. 1.

On Thursday evening last the reception of Messrs. Fassett & Cook took place at the daguerrean palace, 126 Clark street.  The rooms were crowded with our best citizens, who expressed themselves pleased with what they saw and heard from the Orchestrian.  They are to have another of these delightful reunions this afternoon from 1 to 6 o’clock.

1859 July 1.  The Press and Tribune.  (Chicago, Illinois.)  July 1, 1859, Vol. XII, No. 309, P. 1.

We are requested to announce that Messrs. Fassett & Cook will have their new Gallery, at 126 Clark street, opened during the Fourth for the reception of visitors, when the Orchestrian will be played for their entertainment.

1859 July 16.  The Press and Tribune.  (Chicago, Illinois.)  July 16, 1859, Vol. XIII, No. 13, P. 1.

Reception At Fassett & Cook’s.—The public are invited to call and spend an hour in this establishment of art, which has proved such a triumph of success, notwithstanding the hard times.

1859 September 12.  The Press and Tribune.  (Chicago, Illinois.)  September 12, 1859, Vol. XIII, No. 62, P. 1.

Fassett & Cook, 122 and 124 South Clark street, Photographic Rooms.

Advertisement ran from September 12 to 14, 1859.

1859 September 21.  The Press and Tribune.  (Chicago, Illinois.)  September 21, 1859, Vol. XIII, No. 70, P. 1.

Photographs.—Persons wishing to see those beautiful Photographs exhibited by Fassett & Cook at the late U. S. Fair, are respectfully invited to call at their Rooms on Thursday evening, September 22d.

1859 September 23.  The Press and Tribune.  (Chicago, Illinois.)  September 23, 1859, Vol. XIII, No. 71, P. 4.

List of Premiums Awarded at the U. S. Agricultural Fair…

Class 118—Daguerreotypes And Photographs,

Best photographs in water color, Fassett & Cook, Chicago, silver medal.

Plain photographs, O. T. Wallace[1], Chicago, silver medal.

Certificates were awarded to A. Hesler for stereoscopic and microscopic photographs; Fassett & Cook colored ambrotypes.

Photographs in India Ink, Mrs. Fassett, Chicago, silver medal.

Photograph in Waster colors, Fassett & Cook, Chicago, silver medal.

Photographs plain, O. J. Wallace1, Chicago, silver medal.

Photograph Miniatures, Fassett & Cook, Chicago, diploma.

Photograph plain, A. Hesler, Chicago, diploma.

Photographs in oil, A. Hesler, Chicago, diploma.

Stereoscopic photographs, A. Hesler, Chicago, certificate.

Colored Ambrotypes, Fassett & Cook, Chicago, certificate.

Microscopic photographs, A. Hesler, Chicago, certificate.

1859 October 5.  The Press and Tribune.  (Chicago, Illinois.)  October 5, 1859, Vol. XIII, No. 82, P. 1.

An Hour Among The Pictures.—One of the most delightful halls to visit in the city is Fassett & Cook’s Art Gallery on Clark street, in the marble block south of the Court House square.  The exquisite taste with which Mr. Fassett’s pictures are finished command the warmest admiration of all who see them.  Mr. Olcott, the correspondent of the New York Tribune, in his letter to the journal spoke of Mr. Fassett’s pictures in the following complimentary manner: 

In the Fine Arts Hall, the windows in the roof are whitewashed to tomne down the light to suit the pictures  and objects displayed.  Messrs. Fassett & Cook of Chicago show some of the finest specimens of colored photography I ever saw.  In particular, a family group of five figures should be noticed.  The artist is a lady, the wife of Mr. Fassett, and a former pupil of Wandesford, the water colorist.  The same parties exhibit a colored likeness of Col. Capron, the Superintendent of the show, and other fine specimens.  None of the exhibitors show the beautiful coloring of Mrs. Fassett’s pictures, which are really pretty enough to grace the walls of our Academy of Design.

The family group here spoken of is a picture of D. B. Cooke, Esq., and his family, and well does it deserve the compliment it received from Mr. Olcott.  It can be seen in the gallery of Mr. Fassett.  There are many other elegant pictures there which will well repay half an hour’s study. 

1859 November 3.  The Press and Tribune.  (Chicago, Illinois.)  November 3, 1859, Vol. XIII, No. 107, P. 1.

To Be Closed For The Winter.—Our citizens will learn with regret that Fassett & Cook’s Art Gallery on Clark street, will be closed for the winter after the first of December.  Mr. Fassett has made arrangements to spend the winter at Savannah, Georgia.  We need scarcely speak of the splendid daguerreotypes, and the elegant photographs, for which this establishment has become so justly distinguished.  For delicacy and beauty of coloring, for accuracy and life-like resemblance, the pictures of Mr. Fassett have, in our humble judgement, no superior.  Many of our citizens will remember the exquisite picture of our fellow citizen, D. B. Cooke, Esq., which was on exhibition at the U. S. Fair.  Doubtless many of our citizens then determined to have a family picture, but have since been deferring the matter from week to week.  We hope that such and all others who wish to have photographs of themselves and friends will call immediately.  Only four weeks remain before Mr. Fassett’s rooms will be closed, and let each one who wants a picture call the first pleasant day.  We have no doubt that Mr. Fassett and his accomplished lady, to whose pencil he is indebted for much of his success, will have a most successful wither at Savannah.  Their eminent ability as artist justly entitles them to it.  

1862 December 4.  Chicago Evening Journal.  (Chicago, Illinois.)  December 4, 1862, Vol. 21, No. 281, P. 1.

Chancery Notice.—State of Illinois, County of Cook, ss. Superior Court of Chicago, January Term, 1863.

Samuel M. Fassett vs George S. Cook. In Chancery.

Affidavit of the non-residence of George S. Cook, defendant above named, having been filed in the office of the clerk of said Superior Court of Chicago, notice is hereby given to the said George S. Cook that the complainant filed his bill of Complaint in said Court, on the Chancery, side thereof, on the 3d day of December, 1862, and that a summons thereupon issued out of said Court against said defendant, returnable on the first Monday of January next, 1863, as is by law required.

Now, unless you, the said George S. Cook, shall personally be and appear before said Superior Court of Chicago, of Cook County, on the first day of the next term thereof, to be holden at Chicago, in said county, on the first Monday of January, 1863, and  plead, answer or demur to the said complainant’s bill of complaint, the same and the matters and things therein charged and stated will be taken as confessed, and a decree entered against you according to the prayer of said bill.  Thomas B. Carter, Clerk.  Burgess & Root, Complainant’s Sol’rs.

1910 August 4.  Washington Post.  (Washington, D.C.)  August 4, 1910, No. 12,474, P. 10.

Samuel M. Fassett Dead.  Former Government Photographer Succumbs at Daughter’s Home.

Samuel Montague Fassett, a relative of Representative J. Sloat Fassett, of New York, one-time photographer to the supervising architect of the Treasury Department, and a resident of Washington for about 35 years, died at the home of his daughter, Mrs. W. W. Delano, 1763 Newton street, Tuesday morning. Mr. Fassett had been ill only several days, and his death was a shock to his relatives. Senile debility was the cause of death.

Funeral services will be held at the daughter’s residence this afternoon at 2:30 o’clock. Interment will be in Creek Cemetery. Born In Chicago in 1825, at one time Mr. Fassett was one of the prominent photographers of that city. He resided there up to the time he came to Washington in 1875 to accept the position at the Treasury Department. His wife, Mrs. C. Adele Fassett, who died in 1898, was a well-known painter. Her picture in the Senate wing of the Capital, the “Electoral Committee of President Hayes,” was her most famous work, it contains more than 200 portraits.

Mr. Fassett left six children. They are Mrs. Myron A. Pearce, of San Antonio, Tex.; Mrs. Arthur Cristadoro, of New York city, Mrs. W. W. Delano and Mrs. Flora F. Hodge, of this city; Montague Fassett, of New York, and Raphael Fassett of Chicago.

[1] Possibly O. J. Wallis.

Farrand, Camillus

Ambrotypes, Daguerreotypes, Photographs, , , ,

1852-1857       307 Broadway, New York, New York.

1854                807 Broadway, New York, New York.

1852 December 2.  The New York Herald.  (New York, New York.)  December 2, 1852, Whole No. 7336, P. 4.

The Most Convenient Daguerreotypes Gallery in New York is Farrand’s, 307 Broadway.  It is situated but one flight of stairs above the sidewalk, and has one of the best sky-lights in the Union, and his pictures are unsurpassed by any in the world.

1852 December 14.  The New York Herald.  (New York, New York.)  December 14, 1852, Whole No. 7348, P. 4.

Would you have a Perfect Picture without the fatigue of ascending hafe a dozen flights of stairs.  Call at Farrand’s first floor sky-light gallery, 307 Broadway, where everything in the art of Daguerreotyping is executed with the greatest skill.  Pictures taken daily in every style of the art, and entire satisfaction given or no charge made.

1852 December 20.  The New York Herald.  (New York, New York.)  December 20, 1852, Whole No. 7354, P. 6.

The most appropriate Holiday Present is a perfect daguerreotype, and the most convenient gallery is Farrand’s, 307 Broadway, first floor, up stairs, where everything in the art is executed with the greatest skill.  Pictures taken in the new discovery without reversing the picture.

1852 December 22.  The New York Herald.  (New York, New York.)  December 22, 1852, Whole No. 7356, P. 4.

Farrand’s Daguerreotypes for the Holidays, 307 Broadway, first floor, up stairs.  At this establishment you can get a perfect picture without the fatigue of accending half a dozen flights of stairs, and save half your money.  Pictures taken daily in every style of the art, and entire satisfaction given, or no charges made.         

1852 December 27.  New York Daily Tribune.  (New York, New York.)  December 27, 1852, Vol. XII, No. 3649, P. 2.

A Daguerreotype Likeness for only Twenty-Five Cents.—The subscriber would respectfully announce that having one of the best arranged skylight galleries in New-York, and a superior apparatus and machinery, he is prepared to furnish Daguerreotypes that cannot be surpassed by any in the world in quality, truthfulness, and durability.  A perfect picture for only twenty-five cents, that will not fade in any climate.  Call and decide for yourselves, at No. 307 Broadway, first floor, up-stairs.  C. Farrand.

1852 December 30.  New York Daily Tribune.  (New York, New York.)  December 30, 1852, Vol. XII, No. 3652, P. 2.

Daguerreotypes Only 25 Cents—At Farrand’s, first floor sky-light Gallery, No. 307 Broadway, where pictures are taken in every style, unsurpassed by any in quality, cheapness and durability.

Advertisement ran on December 30 to January 28, 1853.

1853 February 7.  New York Daily Tribune.  (New York, New York.)  February 7, 1853, Vol. XII, No. 3685, P. 2.

25 Cent Daguerreotypes.—Farrand, at No. 307 Broadway, having one of the most convenient galleries in New-York, superior apparatus machinery & c., is furnishing Daguerreotypes that cannot be surpassed by any in the world, in quality cheapness and durability.  His mammoth sky light is to be found within ten feet above the side walk.  And if any person in pursuit of Daguerreotypes finds him or herself at the top of a high building they may know that they are in the wrong shop to find Farrand’s inimitable and cheap pictures.

Advertisement ran from February 7 to March 7, 1853.

1853 March 31.  The New York Herald.  (New York, New York.)  March 31, 1853, Whole No. 7404, P. 4.

Farrand’s 25 Cent Daguerreotypes Cannot be excelled for truthfulness, beauty of finish, and durability.  His mammoth skylight is at 307 Broadway, on the first floor above the sidewalk, and his rooms are daily thronged by those who wish perfect pictures without the fatigue of ascending half a dozen flights of stairs.

1853 May 31.  The New York Herald.  (New York, New York.)  May 31, 1853, Whole No. 6489, P. 5.

Dar Sir:—According to promise, I am happy to inform you of the success in improving upon my original 25 cent daguerrean apparatus, and am now prepared to give you large, beautiful pictures for only $3, including case, (such as cost elsewhere $6 and $8,) and their superiority is known by the many thousands who, the past few months have sat before the best instrument in the world, at C. Farrand’s Daguerreotype Gallery, 807 Broadway. [307 Broadway.]

1854-1855?  New York City Directory.  (New York, New York.)  1854-1855, P. 50.

C. Farrand’s Daguerreotypes, 307 Broadway, N. Y. 

This Gallery has [ ? ] Sky-lights, but one flight above the side-walk [ ? ] in the Art  of Daguerreotyping is executed with the great [ ? ], and cheaper than any other Establishment in the world.

Pictures taken [ ? ] 25 Cents  Upwards In All Kinds Of Weather, And Warranted.

1855 February 7.  Auburn Weekly American.  (Auburn, New York.)  February 7, 1855, Vol. 1, No. 1, P. 3.

A few Certificates.  From Gentlemen Of The Highest standing in any favor of the World renowned Hurd’s Hair Restorer, which will produce a new growth of Hair on any bald head.

New York, Dec. 20, 1853.

W. C. Hurd:  Dear Sir—

Your Hair Restorer has produced a vigorous growth of hair on my head where it had been bald for five years.            C. Farrand, Daguerreotypist, 307 Broadway. New York, March 10, 1854.

Advertisement ran from February 7, 1855 to March 12, 1856.

1855 July 25.  The New York Herald.  (New York, New York.)  July 25, 1855, Whole No. 6906, P. 5.

Look, Look, Look.—Daguerreotypes In the shade.  A perfect likeness for 12½ cents, at No. 307 Broadway, by Farrand’s new process; something new and superior to daguerreotypes in every way.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.[1]

Farrand—The show case contains some very fine specimens.  The reception-room, however, is a vacuum, nothing to attract the eye, an indispensable consideration in daguerrean galleries.

1856 December 16.  The New York Herald.  (New York, New York.)  December 16, 1856, Whole No. 7413, P. 5.

Startling.—Four Perfect Photographs for the ridiculously low price of $1 at Farrand’s, 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 17.  The New York Herald.  (New York, New York.)  December 17, 1856, Whole No. 7414, P. 5.

The New Mystery.—F. T.  F. P.  F.  O.  D.—This means that Farrand takes four photographs for one dollar, at 307 Broadway, equal to those that cost $5 each elsewhere.

1856 December 18.  The New York Herald.  (New York, New York.)  December 18, 1856, Whole No. 7414, P. 5.

Death of 100 Persons by Lightning Would not create half so great an excitement as Farrand’s four perfect photographs for one dollar, at 307 Broadway.

1856 December 20.  The New York Herald.  (New York, New York.)  December 20, 1856, Whole No. 7417, P. 5.

Who Dares Acknowledge that he hasn’t a picture now, when Farrand, 307 Broadway, takes four photographs for $1.

1856 December 23.  The New York Herald.  (New York, New York.)  December 23, 1856, Whole No. 7420, P. 5.

A Live Whale in the Croton Reservoir would not create half the sensation of Farrand’s four splendid photographs for one dollar, at 307 Broadway.

1856 December 24.  The New York Herald.  (New York, New York.)  December 24, 1856, Whole No. 7421, P. 5.

A Daguerrean Artist Gone Mad.—Four photographs for a dollar.  That man Farrand, at No. 307 Broadway, is performing wonders.  Go and see his establishment.

1856 December 27.  The New York Herald.  (New York, New York.)  December 27, 1856, Whole No. 7424, P. 5.

Four Photographs for $1.  Farrand, 307 Broadway.

1857 June 23.  The New York Herald.  (New York, New York.)  June 23, 1857, Whole No. 7601, P. 5.

Wanted—A Young Lady In An Ambrotype and photograph gallery.  Apply to C. Farrand, 307 Broadway.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

Faris, Thomas

Ambrotypes, Daguerreotypes, Photographs, , , , , , , , , ,

1843-1844       Fifth Street, Cincinnati, Ohio.[1]

1846-1859       Fourth and Walnut Streets, Melodeon Building, Cincinnati, Ohio.

1856                26 West Fourth Street, Cincinnati, Ohio.

1856-1859       363 Broadway, corner Franklin Street, New York, New York.       

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

Plumbeotypes.  This is the name given by Plumbe, to paper Daguerreotypes, an invention by him, of a very recent date.  We are indebted to Mr. Thomas Faris, Plumbe National Gallery, corner of 4th and Walnut streets, in this city, for a number of specimens of this new and very interesting art, including Hon. Lewis Woodbury, Hon. Cave Johnson, Hon Sam Houston, Hon. J. C. Calhoun, D. M. Hoyt, &c., &c.  Each portrait is prib=nted from Daguerreotype likenesses, with a frame and the signature in writing.  It is a very interesting discovery.  One hundred copies of any person can be ordered for $10.  Call on Mr. Faris.

1846 November 30.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  November 30, 1846, Vol. VII, No. 36, p. 2.

The Popular Magazine.  We are indebted to Mr. Thomas Faris, Plumbe Nat. Gal., corner of 4th and Walnut streets, for Nos. 1 and 2 of the “Popular Magazine,” a journal of art and literature, by Augustine J. H. Duganne, published in Philadelphia.  It has in each number a Plumbeotype of some of the distinguished personage, and much valuable reading.  In one of the numbers received is an autograph and letter from President Monroe, dated 1892, and in the other, one from Dr. Franklin, dated 1764.  Very valuable, indeed, are such works of art.  Please examine.

1847 February 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 23, 1847, Vol. VII, No. 107, p. 2.

[From the Herald of yesterday.  The finest gallery of Daguerreotypes we ever saw may be seen, by any body at the rooms of Faris, in the Melodeon.  We observed many familiar faces, true to nature.  He has some likenesses of Dr. Chamberlain and Col. Mitchell, which we do not think can be excelled.  The finish of these portraits is decidedly superior to any other we have ever seen.  The rooms of Mr. Faris are the best, perhaps, in the city.  The one in which the likenesses are taken, on the corner of Fourth and Walnut, is exceedingly well lighted.  Mr. Faris has been assisted for some time by Mr. Charles Carter, who is now as good at the business as the best.  Mr. Faris is open for inspection at all hours of the day, where he will be happy to see all disposed to give him a call.  They will see many admirable likenesses of some of their friends of the city.  The cavalcade of Rockwell’s company was daguerreotyped here, and considering the circumstances, was well done.  It is a pleasant place to spend a half hour.

1847 June 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 18, 1847, Vol. VIII, No. 65, p. 2.

That picture of Col. Mitchell, mentioned a few days since in this paper as being in possession of some person who found it in the street, was stolen from Mrs. Jone’s, 4th street, and may be left at Faris’s Daguerreotype rooms, corner Walnut and Fourth.

1847 September 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  September 15, 1847, Vol. VIII, No. 140, p. 2.

$5 Reward.—Stolen from Faris’ Daguerrian Gallery, on the morning of the 14th inst., five Gold miniature Lockets, one octagon, and one oval with glass on both sides, the others were round with but one glass.  The above reward will be paid for the delivery of the articles.  Thos. Farris, Melodeon Building, cor, 4th and Walnut.

1848 June 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  June 15, 1848, Vol. X, No. 55, p. 2.

The daguerreotype miniature of Mr. E. Forrest, hanging at the door of Faris’ gallery, Melodeon building, is a complete triumph of the art.

1848 July 15.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 15, 1848, Vol. XI, No. 15, p. 3.

Melodeon Gallery Of Daguerreotype Portraits, And Family Groups, Corner of Fourth and Walnut streets, 2nd story, Cincinnati.  Likenesses by the improved process from the largest to the smallest sizes, and of the most delicate execution, may be obtained at the above Rooms.

Portraits taken at this establishment, warranted to give satisfaction.  Thomas Faris.

1848 October 18.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 18, 1848, Vol. XI, No. 15, p. 2.

Melodeon Gallery.  T. Faris, Daguerreotypist, Melodeon Building, Cor. 4th and Walnut.  Daguerreotype Portraits, either single or in groups, colored or without colors, taken in a superior style, regardless of the weather.

“Daguerreotype likenesses are taken at this establishment equal, we venture to say, to any other place in America; and, when compared with some other establishments of the kind, there is no comparison whatever.”—Ohio State Journal.

“One of the richest and most highly finished Daguerreotypes we have ever seen.”—Queen City.

“Successful in a high degree in divesting his pictures of that dull and lifeless hue which disfigures the Daguerreotypes of so many artists.”—Cist’s Adv.

“For faithfulness of delineation and exquisite coloring far transcends anything we deemed the art capable of producing.”—Signal.

“Crowded all the while with customers, his bold and truthful style of Daguerreotyping is becoming every day more and more popular.”—Dispatch.

Advertisement ran from October 18 to November 1, 1848.

1849 January 18.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  January 18, 1849, Vol. XLV, No. 2324, P. 1.

The Greek Slave is now exhibiting at Louisville.  During the exhibition of the statute in our city the receipts were over $3,000.  Mr. Broadwell, proprietor of the Apollo Building, made no charge for the use of the Hall in which the exhibition was had.  Those who were not privileged to see the substance can now look upon the shadow of this master-piece of Powers’ genius, by calling at the Daguerreotype rooms of either of Mr. Hawkin’s, Mr. Faris, or Mr. Fontayne, each of whom took several excellent views…

1849 February 26.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  February 26, 1849, Vol. XI, No. 125, p. 2.

Splendid Daguerreotypes may always be obtained at Faris’, Melodeon Gallery, corner of Fourth and Walnut sts.

By a late and important improvement, the time of sitting occupies but a few seconds, either in clear or cloudy weather.

Advertisement ran from February 26 to 28, 1849.

1849 March 2.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 2, 1849, Vol. XI, No. 129, p. 2.

Daguerreotypes.—Magnificent Daguerreotypes are taken every day, without regard to the weather, at Faris’ Melodeon Gallery, corner of Fourth and Walnut sts.  Call and see.  Free admission.

Advertisement ran from March 2 to 5, 1859.

1849 March 23.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  March 23, 1849, Vol. XI, No. 147, p. 2.

Daguerreotypes.—It is becoming better understood every day , that the Daguerreotypes mader by Faris at the Melodeon Gallery, exhibit a superiority seldom attained by those of other artists.  Positive excellence is the universal—and not the chance—characteristics of his work.  Having very lately added to his already superior facilities one of Voightlander & Son celebrated quick working Cameras, he is enabled to take groups and single Pictures of Children, in very much less time that they could be taken heretofore.

Rooms N. West corner of Fourth and Walnut streets, second story.

1849 October 4.  Liberty Hall And Cincinnati Gazette.  (Cincinnati, Ohio.)  October 4, 1849, Vol. 46, No. 2360, P. 2.

The Horticultural Exhibition.  This beautiful Autumn Festival closed on Saturday evening…

On the last day of the exhibition, a couple of daguerreotype views of the two avenues were taken by Mr. Faris, of the Melodeon, which preserve well the symmetrical proportions of the first and last, and give a fine view of the prominent thing in the Hall, and the general style of their disposal.  In one of these we recognize the towering form of our friend Mr. A. H. Ernst, and in the other the well known figure of our neighbor Mr. J. P. Foote.  For interior views, these pictures are highly creditable to the skill of Mr. Faris, who holds a first rank as a Daguerreotypist.  The tone of the coloring is superb… 

1849 October 11.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 11, 1849, Vol. XII, No. 163, p. 1.

Horticultural Society.  The meeting last Saturday was a monthly one, and one of more than usual interest, It being the first after the autumnal exhibition…

Daguerreotypes of the Hall during the exhibition by Mr. Faris, were exhibited.

1849 December 13.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  December 13, 1849, Vol. XII, No. 13, p. 2.

Prepare For The Holidays.  Great Excitement at Faris’ Melodeon Gallery.  The Subscriber would respectfully inform his friends and the public generally, that he is now receiving from the East, the finest assortment of Daguerreotype Cases and Frames ever offered in the West, intended expressly for Holiday Presents.  All who wish to make a presentation plate of themselves or friends should call at the Melodeon Gallery and examine this fine stock.

What can exceed the beauty and truthfulness of the Daguerreotype, when well executed, the impression being fixed upon a plate of pure silver, enameled by fine gilding, and warranted never to fade!  Few know the value of a likeness of a Parent, Brother, Sister or Friend, until they are departed, by death or absence, therefore, as delays are dangerous, call early, and “Secure the Shadow Ere the Substance fades.”  Thos. Faris, Melodeon Gallery, N. W. cor. 4th and Walnut sts.

1850 January 3.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 3, 1850, Vol. 46, No. 2373, P. 2.

Daguerreotyping.—Cincinnati in the art of Daguerreotype occupies a position equal in all respects to any city of the Union.  We have numerous artist in this line whose pictures are superior perhaps to those made at any other city, except Philadelphia, and they do not take second rank even to the Quaker City productions.  Among these artists, Faris, in the Melodeon Building, takes one of the first places.  His pictures are finished and beautiful in their effect, and he understands the advantages of position and attitude.  He has recently returned from the East with a variety of beautiful and appropriate styles of cases in which he will be happy to put up pictures for New Year’s presents.

His collection of portraits of eminent persons is rare and extensive.  Among the late additions to the gallery are portraits of Father Mathew, Geo. M. Dallas, and T. S. Arthur, taken from life.

1850 August 29.  Presbyterian Of The West.  (Cincinnati, Ohio.)  August 29, 1850, Vol. V,

No. 49, Whole No. 257, P. 3.

Melodeon Gallery of Daguerreotype Portraits & Family Groups.  The Subscriber invites special attention to the distinct, lively, and lifelike expression of the Eye in his Daguerreotype Miniatures; to the beauty and perfection of the drapery; to the rich warm tone and mellowness of the lights and shadows, yet depth, boldness, and rotundity, as well as highly artistic effect peculiar to the pictures taken at the Free Admission Gallery, Melodeon Building, corner of Fourth and Walnut sts.  Thos. Faris.  may16.

1851 January 30.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  January 30, 1851, Vol. 51, No. 2429, P. 1.

Faris’ Daguerreotypes.  T. B. Read, in a recent letter from Dusseldorf, Germany, to the Cincinnati Commercial, makes the following statement of the value placed at that distant point, on the work of our Cincinnati Artists:

On of my first inquiries was for Whitridge, the landscape painter, whom I had known years ago in Cincinnati.  The idea of meeting with any one whom you have known before, is one of the most agreeable sensations which can be experienced in a land of strangers.  But unfortunately for us, he had gone up the Rhine on a sketching tour, and would be absent for a week or more.  I had the pleasure, however, of finding Mr. McConkey, another landscape painter from the Queen City, at his studio, and saw some fine pictures on his easel, which have, I presume, by this time, reached America.  I do not intend to take up  much of your space with comments upon artists and their works, for I fear that your readers do not all feel the same interest in the subject which I do.  But when I can meet men such as Leutze and Powers, and especially the artist from your own city, you shall hear about them and their productions.  My only fear is that I shall find such subjects but too seldom.  Speaking of this, I am reminded of what I should have mentioned before.  Previous to leaving Cincinnati, I possessed myself of a few daguerreotypes, which were taken by Faris and Hawkins, and wherever they have been seen by artists and others in England, Germany and Italy, they have been pronounced to be the finest specimens ever beheld in these countries.  One, a large plate by Mr, Faris, has attracted so much attention and admiration, that it is continually lent out and passed around as a curiosity, showing how far the new world has beaten the old, even at her own inventions.  A friend of mine yesterday exhibited this one to a French daguerreotypist in Florence, who stared over it with eyes like saucers, and shrugged his shoulders up to his ears and exclaimed, “Vive Amerique!” recognizing at a glance that it was not European.  He acknowledged without hesitation, that he had never seen anything in his line of art to compare with it.  To be convinced of the truth of this, one has only to look at the specimens which adorn the show cases here; they remind me of those “half-dollar” establishments to be met with so frequently in our eastern cities.  I cannot understand why in this old world of art, daguerreotyping should be so far inferior to what it is in America; nor have I heard any satisfactory explanation.  The operators, when they pretend to give any reason, lay the blame upon the weather.  In London this might be a good and sufficient reason, but in Italy, especially, the atmosphere can scarcely be the sole cause for so much difference.  I am inclined to think that good chemist in this country have not, as in ours, turned their attention to the subject.

1854 March 2.  Liberty Hall And Weekly Cincinnati Gazette.  (Cincinnati, Ohio.)  March 2, 1854, Vol. 62, No. 2, P. 3.

The Committee From Boston And The Stem Fire Engine.—As we have before announced, the Committee from Boston arrived in our city Saturday night, and on Sunday they visited many of our churches and the suburbs of our city…

Since writing the above we learn that the great daguerrean artist, Faris, has taken a number of daguerreotypes of the steam fire engine, and each member of the Boston delegation has been furnished with a copy to take home, that the citizens may have an is=dea of the appearance of the machine.—Copies have also been sent to New York, New Orleans and other cities.

1855 March 8.  Dollar Weekly Times.  (Cincinnati, Ohio.)  March 8, 1855, Vol. XII, No. 33, P. 7.

The Times Office On The 22d.  On the first page we present our readers with a spirited view of the Walnut Street front of the Dollar Weekly Times Office Building on the 22d Feb’y, the anniversary of Washington’s Birthday.  The engraving is from a daguerreotype taken about noon, by Faris, from the third-story of a building diagionally opposite our office… 

1855 September 27.  Belmont Chronicle.  (St. Clairsville, Ohio.)  September 27, 1855, New Series Vol. VII, No. 51, Whole No. 966, P. 2.

The State Fair…West of this on the brow of the ridge stood the “Hall for Fine Arts,” a gothic frame structure, in which a large number of excellent works of art were on exhibition.  It would of course be impossible for us to enumerate everything, but we cannot pass this hall without alluding to the display of pictures on exhibition from the gallery of our fellow citizens Thomas Faris.  His colored Photographs are perfect.  A colored likeness, life size, seemed to be breathing, and stands out from the plate as if it were really a living being, instead of an inanimate image.  Mr. Faris has brought his art to the greatest perfection, and reflects honor on the city of his residence, (Cincinnati,) where, ever his pictures are seen.

1855 December 29.  Star In The West.  (Cincinnati, Ohio.)  December 29, 1855, Vol. XVIII, No. 40, P. 3.

City Artists.  A New Kind Of Picture.—There is a new kind of picture lately introduced, called the Ambrotype, which will probably take the place of the Daguerreotype.  It is thus described by a writer for one of our city papers:—…

This method of taking pictures is patented and the art is practiced by but one artist in our city, viz:  Thomas Faris who in located in the Melodeon Building at the corner of Fourth and Walnut streets.  He is one of our oldest and best daguerrean artists.  Those of our readers who may desire a durable, excellent picture, and no humbug, would do well, to call on Mr. Faris.  We say this, not because we have been requested to do so, but from a desire that true merit should be rewarded, and the public not deceived.

1856.  Pencil and the Camera by Marcus A. Root, P. 366.

Samuel sold gallery to [Thomas] Faris in 1856.

1856 October 9.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  October 9, 1856, Vol. XVII, No. [ ? ], P. 2.

Remember

Faris’ Ambrotypes are surprisingly beautiful.

Faris’ Ambrotypes are life-like.

Faris’ Ambrotypes are entirely durable.

Faris’ Ambrotypes for richness of tone, are wonderful.

Faris’ Stereoscopes are miracles of art.

Faris’ Daguerreotypes are perfect gems.

Faris’ Heliographs are pronounced by Artists “Perfection.

Faris’ Gallery is in the Melodeon, corner Fourth and Walnut, Cincinnati, and No. 28 West Fourth street.

Remember Faris is the only Artist [it] in the city who makes the real Ambrotype.

1857 April 11.  Frank Leslie’s Illustrated Newspaper.  (New York, New York.)  April 11, 1857, Vol. III, No. 70, P. 15.

Diaphaneotypes, Photographs, Daguerreotypes, at the Root Photographic and Fine Art Gallery, 363 Broadway, corner Franklin street.  Faris & Erwin, Proprietors.

Advertisement ran from April 11 to September 19, 1857.

1858 January 11.  The Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  January 11, 1858, Vol. XVIII, No. 267, P. 2.

Photographs, Heliographs, &c., At Greatly Reduced Prices, Melodeon Gallery.—As the Photographic business is very dull during the month of January , February and March and in view of the present financial crisis, anticipating an unusually dull business that time, in order to retain the services of all our artists, and keep them employed, we will for the next three months furnish our customers with the same quality of Photographic pictures, for which the Gallery is renowned, at Greatly Reduced Prices!

As this reduction will be temporary, we advise all who wish to have good pictures to call at once—examine our prices and pictures.  We will furnish a better picture than can be obtained at any other establishment at our price.

We would call particular attention to the Heliograph, the new and popular style of picture for which a patent has been granted to E. C. Hawkins, the inventor.  They are made only at this Gallery.  Farris & Mullen, Melodeon Gallery, N. W. corner of Fourth and Walnut.

Advertisement was recorded on January 11 & 12, 1858.

1858 July 24.  Daily Cincinnati Commercial.  (Cincinnati, Ohio.)  July 24, 1856, Vol. XIX, No. 122, P. 2.

Faris & Stillman, Melodeon Gallery, Corner Fourth and Walnut Streets.  Photographs, Melainotypes, Ambrotypes and Heliographs at greatly reduced prices.

N. B.—Life size Photographs colored in oil by first class artists.

Advertisement ran from July 24 to 27, 1858.

1858 August 28.  New York Daily Tribune.  (New York, New York.)  August 28, 1858, Vol. XVIII, No. 5414, P. 1

For Finely Finished Photographs, Go to Faris’s, (Late Root’s), No. 363 Broadway, Corner Franklin-st.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

The Diaphaneotype.  This, the most beautiful and truthful style of oil colored Photograph yet produced, was originally introduced, and is made in all its exquisite perfection at the Root Gallery Only.

Specimens made at this Establishment on exhibition.  Gallery No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1858 October 21.  New York Daily Tribune.  (New York, New York.)  October 21, 1858, Vol. XVIII, No. 5460, P. 7.

Highly Complimentary To The Root Gallery.—The fact of a rival establishment placing on exhibition Pictures made at our Gallery is an evidence that our efforts to perfect the beautiful art of Photography is duly appreciated.

The Diaphaneotype introduced and made only at the Root Gallery, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

1859 October 8.  New York Daily Tribune.  (New York, New York.)  October 8, 1859, Vol. XIX, No. 5760, P. 3.

Root Photographic Gallery.  T. Faris, Proprietor.  No. 363 Broadway, corner of Franklin-st.  Photographs in every style.  Daguerreotypes, Ivorytypes, &c.

Advertisement ran on October 8 to 14 & October 18 to 29, 1859.

1859 November 12.  New York Daily Tribune.  (New York, New York.)  November 12, 1859, Vol. XIX, No. 5790, P. 7.

The Root Gallery of Photographic Art, No. 363 Broadway, corner of Franklin-st.  T. Faris, Proprietor.

Photographs in every style, Daguerreotypes, Ivorytypes, &c.

Advertisement ran from November 12 to 22, 1859.

1859 December 13.  New York Daily Tribune.  (New York, New York.)  December 13, 1859, Vol. XIX, No. 5816, P. 7.

Ivorytypes!  Ivorytypes!!  This most beautiful, durable and appropriate picture for Holiday Presents is made in superior style at the Root Gallery, No. 363 Broadway, corner of Franklin-st., T. Faris, proprietor.

Although we were the first to present this style of picture to the public of New-York, we have not the extreme modesty to claim that they are made only at our gallery, as do some others.

What has become of the Hallotype?

[1] Recorded in Ohio Photographers 1839-1900.

Fales, Charles

Daguerreotypes, Photographs, , ,

1848                22 Cheapside, New Bedford, Massachusetts.

1849                22 Cheapside, New Bedford, Massachusetts.[1]

1852                62 Purchase, New Bedford, Massachusetts.1

1853-1855       62 Purchase Street, New Bedford, Massachusetts.

1856                62 Purchase, New Bedford, Massachusetts.1

1859                Purchase & Elm, New Bedford, Massachusetts.1

1861-1862       62 Purchase Street, New Bedford, Massachusetts.

1864                64 Purchase Street, New Bedford, Massachusetts.

1865                64 Purchase, New Bedford, Massachusetts.1

1867                Purchase, New Bedford, Massachusetts.1

1848 May 19.  The New Bedford Mercury.  (New Bedford, Massachusetts.)  May 19, 1848, Vol. XLI, Whole No. 2121, P. 3.

Daguerreotype Miniatures, Only One Dollar!  Mr. Fales respectfully gives notice that he has fitted up a suit of rooms in elegant style, and is prepared to take Daguerreotype Likenesses, not to be surpassed by any in this part of the country, (no excepting those having a “Miniature Steam Engine,” Mr. F. invites an examination and comparison of his Pictures with those of any other establishment.

Thankful for the very liberal patronage he has heretofore received, he hopes by strict attention to business to merit approbation of the public.  Charles Fales, No. 22 Cheapside, opposite City Hall.

N. B.  All descriptions of Lockets and Cases always on hand, at low prices.

Advertisement ran from May 19 to June 16, 1848.

1848 October 20.  The New Bedford Mercury.  (New Bedford, Massachusetts.)  October 20, 1848, Vol. XLI, Whole No. 2143, P. 3.

Daguerreotype Likenesses For One Dollar.  The subscriber respectfully informs his friends and the public that he has procured one of the most powerful and complete Instruments for taking Likenesses to be found in any establishment in this part of the country.—His Rooms have been fitted with all the improvements necessary for taking Correct and Beautiful Pictures.  Every article made use of in the business, such as Plates, Cases, Frames, Chemicals, &c. constantly on hand, at very low prices.  Charles Fales, No. 23 Cheapside, Opposite City Hall. 

1853 February 22.  Whaleman’s Shipping List and Merchants Transcript.  (New Bedford, Massachusetts.)  February 22, 1853, Vol. XI, No. 51, P. 2.

Charles Fales’ Daguerrian Gallery at 62 Purchase street, is as good a place as any in the city for securing a life-like miniature.  Captains, mates, boatsteerers and seamen who would like to leave their memory behind them, should visit Mr. Fales, who will see to it that they are remembered in their absence.

1853 February 22.  Whaleman’s Shipping List and Merchants Transcript.  (New Bedford, Massachusetts.)  February 22, 1853, Vol. XI, No. 51, P. 3.

Charles Fales, Daguerrian Gallery, No. 62 Purchase St., New Bedford, Mass.  The Subscriber having one of the most convenient Galleries in New Bedford furnished with Superior Apparatus, Machinery &c., is furnishing Daguerreotypes that Cannot Be Surpassed By any in the world, in Quality, Cheapness, and Durability.

Portraits taken of any size required, and at prices varying from $1 to $10, each.

Persons about going to sea, who wish a faithful and durable picture of themselves or friends, are invited to call at 62 Purchase street.  Charles Fales.

Advertisement ran from February 22, 1853 to February 20, 1855.

1853 November 1.  The Daily Evening Standard.  (New Bedford, Massachusetts.)  Novemberv 1, 1853, Vol. IV, No. 221, P. 2.

Robbery.—The Daguerreotype establishment of Mr. Charles Fales, in Chase’s Block, 62 Purchase street, was broken into, last night, and robbed of lockets and other articles to the amount of $75.  There is good reason to believe that there is an organized gang of burglars among us.  They should be ferreted out.

1861 November 19.  The Daily Evening Standard.  (New Bedford, Massachusetts.)  November 19, 1861, Vol. XII, No. 235, P. 3.

Photographic Art Gallery.  Call and examine the fine specimens in Photography which are now being produced at the rooms of Charles Fales, No. 62 Purchase street.  They are Pictures which speak for themselves without any of the unnecessary puffing now in vogue with many artists.

1862 April 4.  The Daily Evening Standard.  (New Bedford, Massachusetts.)  April 4, 1862, Vol. XIII, No. 41, P. 2.

Fire On Purchase Street.—The alarm of fire about half past four o’clock yesterday morning was caused by fire being discovered in the three story wooden building corner of Purchase and Elm streets,  The Hall in the third story is occupied as an armory of the Home Guard organization, and it being used for drill the evening before it is supposed the fire must have caught from cigar stumps being thrown into a spit-box filled with saw-dust.  The fire burnt through the floor into a room occupied by Miss. Raymond, dress maker, whose apartment ware badly damaged both by fire and water.  The firemen were promptly on the spot, and floods of water were poured into the building, more damage being done by water than fire.  The second floor was occupied by Dr. Spencer, and Charles Fales, ambrotypist…

1862 December 24.  Daily Evening Standard.  (New Bedford, Massachusetts.)  December 24, 1862, Vol. XIII, No. 265, P. 2.

Charles Fales, of this city, who enlisted in the jones Guards, has returned, having been discharged for disability.

1864 August 27.  Daily Evening Standard.  (New Bedford, Massachusetts.)  August 27, 1864, Vol. XV, No. 165, P. 2.

No Deception.  Photographs!  Photographs!  1 doz. Carte de Visite Pictures for the low price of $2—half doz. For $1, taken at 64 Purchase st., and warranted to be equal to any taken in the city.  Clubs of 25 can have eight pictures for $1.

Now is the chance for persons wanting pictures to get them at a low price, for the next sixty days.  Chas. Fales.

1864 October 26.  Daily Evening Standard.  (New Bedford, Massachusetts.)  October 26, 1864, Vol. XV, No. 219, P. 2.

Photographs!  Photographs!  No Rise in the Price of Carte de Visite Pictures.  I will warrant as good Pictures for $2 per dozen as an taken in the city at higher prices.  $1 for six; $2 per dozen.  Charles Fales, 64 Purchase.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Evans, Thomas C.

Photographs, , ,

1857                359 Broadway, New York, New York.

1858                327 Broadway, New York, New York.[1]

1856.  New York City Directory.  (New York, New York.)  1856/1857, Publish by John Fowler Trow. Not listed

1857.  New York City Directory.  (New York, New York.)  1857/1858, Publish by John Fowler Trow.

Clerk, H-359 Broadway.

1858.  New York City Directory.  (New York, New York.)  1858/1859, Publish by John Fowler Trow.

Photographer, 327 Broadway, H-Brooklyn.

1859.  New York City Directory.  (New York, New York.)  1859/1860, Publish by John Fowler Trow.

Not Listed.

1857 October 2.  Evening Star.  (Washington, District of Columbia.)  October 2, 1857, Vol. X, No. 1,468, P. 1.

Life-size Photographs.—The art of Photography is advancing rapidly and steadily towards perfection.  The imperial photograph has been generally deemed the finest achievement in the department thus far; but Messrs. Brady & Evans have gone a step further, and have produced full-length photographic portraits the size of life.  These are the first of the kind ever made in the world, and are well worthy of examination, not simply as curiosities, but as works of art.  Two of them are groups of three figures each, and the other is a splendid full-length likeness of the popular prima donna Frezzolini.  The pictures are in size about seven feet by four, and are as accurate likenesses as any of the smaller photographs in the gallery.  By some means or other, moreover, the artists have overcome the leading defect of this art, which consists in exaggerating the size of that portion of the object which happens to be in the foreground.  These pictures are not taken directly from life, but from smaller ones upon glass, magnified.  We understand two of them will probably be sent to the Crystal Palace for exhibition.  They are certainly very remarkable productions.—New York Times.

1857 October 3.  The Evansville Daily Journal.  (Evansville, Indiana.)  October 3, 1857, Vol. IX, No. 248, P.2.

Brady & Evans of New York City are producing photographic portraits of full life size, but are first taken in miniature and then enlarged.

[1] New York City Directory 1858-1859, photographer, 327 Broadway. H-Brooklyn.