1844-1847 96 Washington Street, Boston, Massachusetts.[1]
1847 Address Unknown, St. John, New Brunswick, Canada.[2]
1848-1849 257 Washington Street, Boston, Massachusetts.
1849 825, 826 & 27 Foots Block, Springfield, Massachusetts.
1850-1851 23 & 24 Phoenix Building, New Haven, Connecticut.
1851-1852 Exchange Place, Waterbury, Connecticut.
1852 189 & 349 Broadway, New York, New York.
1853 57 Maiden Lane, New York, New York.[3]
1853-1854 Waterbury, Connecticut.2
1854 26 & 27 Foots Block, Springfield, Massachusetts
1854-1855 Main Street, opposite Court Square, Springfield, Massachusetts.
N. D. Main Street, Norfolk, Virginia.
1855 49 Tremont Street, Boston, Massachusetts.
1856 49 Tremont Street, Boston, Massachusetts.1
1856-1857 77 Main Street, Richmond, Virginia.
1844 October 2. Daily Evening Transcript. (Boston, Massachusetts.) October 2, 1844, Vol. XV, No. 4352, P. 2,
Litch, Whipple & Co. Daguerreotype Miniature Rooms, 96 Washington Street, Boston.
Advertisement ran from October 2 to 8, 1844.
1845 January 24. Daily Evening Transcript. (Boston, Massachusetts.) January 24, 1845, N. P.
Litch & Whipple, Daguerreotype Miniature Rooms, 96 Washington Street. Miniatures taken on Plates six times the usual size; also in groups from two to ten on single large plates, either colored or uncolored.
Agents for the sale of Voigtlander’s German Cameras. Plates, Cases and Chemicals always on hand. The public are invited to call and examine specimens.
1845 February 11. Boston Daily Times. (Boston, Massachusetts.) February 11, 1845, Vol. XVI, No. 4813, P. 2.
Daguerreotype In Boston. Very Many of our citizens are improving the opportunity, offered by the experienced operators of this beautiful art in the city, to have their features mirrored forth upon the magic plate. The fame of the inventioned has reached all classes of our citizens, and we are pleased to notice that several of our most distinguished men have concluded to avail themselves of its advantages. We saw a most faithful representation, the other day, of Judge Hubbard, and we now learn that the remaining three Judges, Shaw, Wilde, and Dewey, have consented to sit for their likenesses.
The portrait of Judge Hubbard was made by Messrs. Litch & Whipple, No. 96 Washington street; and for accuracy of delineation, and for exquisite finish, we have never seen it surpassed. With out wishing to derogate at all from the merits of other artists, we must say that the productions of these gentlemen, whose industry is only equalled by their decided talent, would be creditable to the most elegant specime3ns of French ingenuity. As the daguerreotype process is the only faithful transcript of the natural face, we hope to see it more generally in use than it is even now.
1845 March 7. Barre Patriot. (Barre, Massachusetts.) March 7, 1845, Vol. 1, No. 33, P. 3.
Daguerreotype Miniatures. During our recent visit to the city, we were invited to visit the rooms of Messrs. Litch & Whipple, 96 Washington-street, where we were most highly entertained by an exhibition of the perfection to which this wonderful art has been brought by these young and enterprising artists. Among the numerous likenesses of many of our distinguished citizens to be seen there are those of the Governor and Lieut. Gov. of the Commonwealth, and upon one plate the four Judges of the Supreme Court—Shaw, Wild, Hubbard, and Dewey—seated upon the bench, and looking so very much like the originals, and so exactly to the life, that we almost felt ourselves in the actual presence of the “Honorable Court.” The indistinctness, rigidity of features, and death-like appearance, which have heretofore rendered Daguerreotype likenesses objectionable, have been obviated by Messrs. Litch & Whipple, who are enabled by the great improvements they have made in the art to present likenesses which, for distinctness and animation in features, suffer nothing in comparison with the richest and most beautiful engravings, and we advise those of our friends who may wish to leave behind a perfect representation of their good or ugly looks, to call at the rooms of Litch & Whipple, where they will meet with the most gentlemanly treatment and accommodation.
1845 April 12. New York Daily Tribune. (New York, New York.) April 12, 1845, Vol. IV, No. 316, Whole No. 1247, P. 3.
Daguerreotype.—Plates! Plates!! Plates!!!—To Daguerreotype Artists & Amateurs.—In consequence of repeated complaints from Artists of failures to obtain fine Portraits, from imperfections in the Plates, the subscriber begs leave to inform them that he is manufacturing Plates of a superior quality to any that have been hitherto been used in this country. These plates have been fairly tried, and tested by several of the most experienced and skillful operators and amateurs in the United States, from whom he has received certificates that they are superior to any Plates they ever before used. Signed By Paul B. Goddard, M. D.; Joseph E. Parker, and Wm. G. Mason, Amateurs. Messrs. W. & F Langenheim, Operators, Philad.; Messrs. Litch & Whipple, Operators, Boston.
Agents.—Messrs. W. & F. Langenheim, Exchange, and William G. Mason, 46 Chestnut street, Philadelphia, and Messrs. Litch & Whipple, 96 Washington street, Boston.
None genuine unless stamped “E. White, maker, N. Y.” manufactured and sold wholesale and retail by Edward White, 175 Broadway, N. York.
Advertisement ran from April 12 to September 19, 1845.
1845 May 30. The Age, (Augusta, Maine.) May 30, 1845, Vol. XIV, No. 20, P. 2.
Daguerreotype Likenesses. Happening in Boston we were attracted to the rooms of Messrs. Litch & Whipple, 96 Washington Street and Messrs. L. H. Hale & Co. 109 Washington Street, in each of which we saw some hundred specimens of Daguerreotyping, which show that the art has been curried by them to a very high degree of perfection. We advise those in want of good likenesses to visit the gentlemanly and scientific proprietors of these two excellent establishments.
1845 May 30. The Age, (Augusta, Maine.) May 30, 1845, Vol. XIV, No. 20, P. 3.
Litch & Whipple, Daguerreotype Miniature Rooms, 96 Washington Street—Boston. Miniatures colored and uncolored, taken in Groups, from Two to Ten, on a single plate.
Probably no establishment in the United States has so excellent an apparatus for Daguerreotyping as theirs. Their lenses are supposed to be the largest in use for this purpose—and their success in this beautiful art is believed to be unparalleled. Their rooms are continually thronged with visitors.
Persons passing through the city can be accommodated with miniatures without delay, as perfect likenesses, singly or in groups, can be obtained and finished in a very few moments.
Advertisement ran from May 30 to July 11, 1845.
1845 May 31. Receipt in Chris Steele’s Collection.
Bought of Litch & Whipple, 96 Washington Street.
Daguerreotype Portraits Taken During The Day, Equally Well in Cloudy Weather.
The Most approved Daguerreotype Apparatus, Plates, Cases. Chemicals, Polishing Materials, &c. constantly for sale.
Fires and Incendiaries At Boston.—There were seven or eight attempts made to fire the city of Boston on Friday night, but all fortunately discovered in time to be easily extinguished. The Evening Gazette office, and Chancy Place church, were among the buildings fired. They sustained but little damage, however. On Saturday morning, a spirit gas lamp exploded in a room occupied by Litch & Whipple, as a Daguerreotype gallery, in a building on Washington St. The whole establishment was much injured by fire and water. The lower floor was occupied by Dearing & Greenleaf, and J. Collamore, whose stock were slightly damaged by removal and water—insured. The second story was occupied by Geo. N. Nickels, tailor, insured for $2000; G. W. Wilson, tailor, insured $4000; and W. Dudley, barber, insured $400. Their stock were removed with little damage. The third story was occupied by Litch & Whipple, daguerreotype rooms, insured $1000; City Missionary Rooms, no insurance; and F. A. Huddleston, Barometer and Thermometer manufacturer, no insurance, whose respective stock were slightly damaged by removal.
1845 June 20. The Norfolk Democrat. (Dedham, Massachusetts.) June 20, 1845, Vol. VII, No. 21, Whole No. 333, P. 2.
The bursting of a spirit gas lamp set fire to the daguerreotype room 96 Washington street, on Saturday morning, but it was not allowed to do much damage, though many of the goods of the various occupants of the building were removed.
1845 June 21. Maine Cultivator and Hallowell Gazette. (Hallowell, Maine.) June 21, 1845, Vol. VI, No. 30, P. 2.
…On Saturday morning, at 9 o’clock, a fire broke out in the upper part of the granite building, No. 96 Washington street, owned by David Sears. The fire was found to be in the Daguerreotype Gallery of Messrs. Litch & Whipple, and was caused by the bursting of a spirit gas lamp, used in their preparation room. The upper part of the building was considerably damaged by fire, and the lower part by water. It was insured. Messrs. Litch & Whipple were insured for $1000, which more than covers their loss.—The third floor was also occupied for the City Missionary Rooms, and by F. A. Huddleston, Barometer and Thermometer manufacturer, whose respective stock were slightly damaged by removal.
1845 June 25. Daily Evening Transcript. (Boston, Massachusetts.) June 25, 1845, N. P.
National Fair. Gold Medal! Professor Plumbe!! (From the Philadelphia Ledger.)
With all due reference to a Professor even of Daguerreotype we beg to protest against the assertion in last Saturday’s Ledger, that Professor Plumbe was presented with a gold medal by the Committee of the National Fair at Washington, and the following letter makes me a stronger protestant than ever:
Committee Room, National Fair, Washington, 15 June 1846.
Dear Sirs: You are right in saying there is some mistake as to Mr Plumbe’s having a medal from the Committee of the National fair, for his pictures exhibited. There is no ground, for saying that, as no medal was granted at all, &c, &c. I am very respectfully, your obedient
To Mr. J. E. Mayall, D. A. Hall, Sec’y.
As we published yesterday a communication, announcing a Gold Medal to Mr Plumbe, in justice to other artist we insert the above at the request of Messrs. Litch & Whipple and Southworth & Hawes, of Boston
1845 December 23. Daily Evening Transcript. (Boston, Massachusetts.) December 23, 1845, Vol. XVI, No. 4717, P. 2.
Daguerreotype Gallery. There is no science that has made more rapid strides, within the past twelve months, than the art of Daguerreotyping. There are several artist in our city who have produced works highly creditable to the art and which have reflected high credit upon themselves for the untiring industry bestowed in overcoming difficulties. But none have made so rapid a progress as Messrs. Litch & Whipple, whose Gallery is established at no. 96 Washington street. They have just fitted up a new and spacious gallery, which is most admirably lighted, affording great facilities to the progress of their art. These gentlemen have just completed a [monster] instrument which has enabled them to take portraits 12 x 14 inches in dimensions, which is the size much used by French artists for Cabinet pictures. This instrument has been constructed
under their own supervision. The achromatic lenses were processed in Europe at a very heavy cost, and are the most perfect of their kind, upwards of four inches in diameter, and are capable of taking in over two feet of surfaced extent. Everything which science could require, or ingenuity suggest, has been applied in the construction of this monster machine.
We had the pleasure yesterday of inspecting some of the large pictures recently taken by this instrument, and can truly say we have never seen anything in this art to equal them. Enlarging the size adds greatly to the effect of the pictures. The perfection of the lenses brings the figure boldly out, and the gradations of light and shade perfect to nature. The work is soft and the tone mellow, resembling very closely the finest mezzotint Cabinet pictures can be copied by this instrument in a superior manner. In grouping tableaux, it is very important, as twelve or fifteen figures can be taken on a single plate thus presenting if desired, a whole family in a single picture. We would advise our readers to make a call at their gallery and witness for themselves works in this interesting art which reflects so much credit on the perseverance, industry and skill of Messrs. Litch & Whipple.
1845 December 23. Daily Evening Transcript. (Boston, Massachusetts.) January 2, 1845, Vol. XVI, No. 4717, P. 3.
Cabinet Pictures in Daguerreotype. Messrs. Litch & Whipple announce to their friends and the public that they have at a heavy expense succeeded in constructing a large instrument, by which they are now enabled to take Cabinet Pictures and Portraits, the size of 12 by 14 inches, in a perfect manner. The large lenses were obtained in Europe at a great expense and the most perfect ever made for this purpose. Miniatures taken at any time, with or without color, single or in groups, in their usual perfect manner from three to twelve dollars on a single plate, and cabinet pictures and large portraits from $25 to $30. Chemicals of the first quality always for sale. Their rooms have recently been refitted, and an additional gallery completed which is one of the finest in the city for this purpose. Our friends and the public are respectfully invited to call at 96 Washington Street, and examine a few of the first specimens taken by our large instrument.
Advertisement ran from December 23, 1845 to June 24, 1846.
1845 December 30. Portland Weekly Advertiser. (Portland, Maine.) December 30, 1845, Vol. XLVII, No. 52, P. 2.
Daguerreotype. The Boston Transcript gives an interesting account of improved instruments in this art:
“Messrs. Litch & Whipple, No. 96 Washington street, have just completed a monster instrument which has enabled them to take portraits 12 by 14 inches in dimension, which is the size much used by French artists for cabinet pictures. This instrument has been constructed under their own supervision. The achromatic lenses were procured in Europe at a very heavy cost, and are the most perfect of their kind, upwards of four inches in diameter, and are capable of taking in over two feet of surfaced extent. Every thing which science could require, or ingenuity suggest, has been applied in the construction of this monster machine.
We had the pleasure yesterday of inspecting some of the large pictures recently taken by this instrument, and can truly say we have never seen any thing in this art to equal them. Enlarging the size adds greatly to the effect of the picture. The perfection of the lenses brings the figure boldly out, and the gradations of light and shade perfect to nature. In grouping tableaux, it is very important, as twelve or fifteen figures can be taken on a single plate thus presenting, if desired, a whole family in a single picture.
1846. Illustration from a Music Sheet in Gary Ewer’s Collection.
Melodies of the Harmoneons Arranged for the Piano Forte. Published by C. Bradlee & Co. 184 Washington St. Boston, Lithograph by William Sharp & Co. From a Daguerreotype by Litch & Whipple.
The Daguerreotype. We noticed a few weeks since, the improvements in the style of photogenic drawings which have been effected by the artists, Litch & Whipple, in Washington Street. The Likenesses taken with their apparatus and under their direction are totally devoid of the dingy look which it is so common to observe in this style of sketching, and they posses the most perfect: brilliancy and clearness. We have been much gratified in the examination of a copy taken by these gentlemen, from Ball Hughes’s statue of the illustrious Bowditch, now in the gallery of the Athenæum. This new achievement well evinces the advancement made in the process of taking these limnings of light, and it gives the most satisfactory “counterfeit presentment” of the good and great departed.
1846 February 17. Portland Weekly Advertiser. (Portland, Maine.) February 17, 1846, Vol. XLVIII, No. 7, P. 2.
Daguerreotype.—A correspondent of the Worcester Spy, speaking of the daguerreotype pictures of Messrs. Litch & Whipple, of Boston, says:—
“Passing down Washington Street the other day, my attention was attracted to a crowd on the side walk, gathered around some objects, which they appeared to be observing with much interest. On approaching, I found that they were examining a splendid Daguerreotype picture of Leoplid de Meyer, a celebrated German musician, who was a short time since in this city, but is now, I believe in New York. It was from four to six times as large as the largest Daguerreotype I had ever seen before, being on a plate, as near as I can now judge, of about 12 by 14 or 16 inches. As a work of art, [is] altogether excelled any thing that I had supposed possible by this process. There was a softness, a delicacy, and a perfection about it, not only inimitable, but, I cannot but believe, unapproachable, by any other means. The finest and most delicate mezzotinto engravings of Sartint have the nearest resemblance to it of any thing I have seen.”
1846 April 6. Daily Evening Transcript. (Boston, Massachusetts.) April 6, 1846,Vol. XXVII, No. 4814, P. 2.
The Daguerreotype. At a visit to the rooms of Messrs. Litch & Whipple some time since, we were surprised at the improvements in the Daguerreotype art. They had just completed some beautiful specimens of Daguerreotypes—Cabinet pictures, the largest that have yet ben taken in this country, or in Europe—which bore more resemblance to fine mezzotinto engravings, than to a common Daguerreotype, but now they have something different from anything of the kind that has been seen heretofore in this city—which is a new coloring process, patented by Langenheim of Philadelphia, from whom they have purchased the right, exclusively, for Boston. Portraits by this process are rendered opaque, so as to loose their glare, showing the portrait in bold relief, and making it prominently visible in all directions. Besides this gives the picture the appearance of a highly finished miniature painting. It is really a great curiosity, and will pay well for a visit to their rooms, 96 Washington Street, where they have a large collection of portraits of eminent men, single, and in groups.
1846 April 6. Daily Evening Transcript. (Boston, Massachusetts.) April 6, 1846, Vol. XVII, No. 4814, P. 3.
Daguerreotype Furnishing Establishment. To Daguerreotype Artists. Hitherto the greatest difficulty which presented itself to most operators, has been the polishing of the plates. The subscribers are happy to announce that they have constructed a polishing machine which performs this difficult operation, to the greatest satisfaction, saving time and avoiding all those failures which arise from imperfect polishing of the plates. The price of these machines is $75, including instructions and polishing powders, and the necessary plate holders.
For Sale—Plates and Chemicals of the first quality. We assure you that a long practice in the Daguerreotype Art has taught us to select only good articles, and only such will be sent to our customers. Our terms are cash, and all orders accompanied with remittances, shall be promptly attended to, by addressing, post paid, to Litch & Whipple, 96 Washington St.
Advertisement ran from April 6 to June 23, 1846
1846 April 6. Daily Evening Transcript. (Boston, Massachusetts.) April 6, 1846, Vol. XVII, No. 4814, P. 3.
Daguerreotype Patent Issued. Daguerreotype Artists are informed that the patent for the new coloring process. (patented by Langenheim.) has been issued, and applications for the Patent Rights for the States of Massachusetts, Maine, New Hampshire, Vermont, Rhode Island and Connecticut, may be addressed to the subscribers, the price of which will be $75, materials and instructions included. Infringements will be dealt with according to law. The subscribers are the sole Agents in New England for Voigtlander’s German Instruments. A new Price Current, embracing all articles used in the Daguerreotype art may also be had by addressing (post paid,)
Litch & Whipple, 96 Washington Street, Boston.
P. S. Persons interested will please observe that this is the only establishment in Boston where pictures embracing the above Patent can be obtained. Also groups taken from ten to fifty persons on a single plate.
Advertisement ran from April 6 to June 23, 1846.
1846 April 24. The Boston Daily Bee. (Boston, Massachusetts.) April 24, 1846, Vol. 8, No. 151, P. 2.
Photography.—We had no idea of the perfection that this art had arrived too, till the other day we visited the rooms of Messrs. Litch & Whipple, 96 Washington street. Their colored Daguerreotype miniatures look nearly if not quite as well as a picture on ivory of the first class. And such a variety of styles, too. Every conceivable position or attitude—every expression is their represented. And they have the “counterfeit presentment” of some beautiful ladies in their collection; in gazing on their finely moulded forms and expressive features, one would almost fancy himself in a gallery of angels! But their Cabinet pictures attract attention more than all the rest. Groups of whole families, Children, young men and maidens, and newly married couples—all in full length on large plates elegantly framed, forming most perfect picture, easily to be mistaken for an elaborate engraving.—Photographic Portraits the size of life, hitherto unattempted either in this country or Europe, are taken by Messrs. Litch & Whipple, and in a style resembling the most finished portrait.
1846 April 24. Daily Evening Transcript. (Boston, Massachusetts.) April 24, 1846, Vol. XVII, No. 4830, P. 3.
The Climax! Daguerreotype Pictures The Size Of Life. Messrs. Litch & Whipple, after much labor and expense, have at length succeeded in taking Photographic Portraits the Size Of Life! A thing never before done in this country or in Europe. It is destined to take the place of Crayon Drawings—resembling that style of portraiture to perfection. The public are most respectfully invited to call at their room, 96 Washington Street, and see for themselves.
Advertisement ran from April 26 to May 23, 1846.
1846 May 8. Daily Herald. (Newburyport, Massachusetts.) May 8, 1846, Vol. XIV, No. 265, P. 3.
Daguerreotype. William Snell Would respectfully inform his friends and the public, that he has recently made valuable improvements in the Daguerreotype art, and purchased a large German Camera, the best which can be had in the country, by which larger and more beautiful
impressions can be produced.
Having possessed myself with every new improvement which Messrs. Litch & Whipple (the best artists in Boston,) have, and using the same apparatus and the same materials which they use, and from long experience in the business, I hope to be able to produce as good likenesses as can be taken anywhere. Groups of from two to six can be well taken. Also, full length pictures of children.
Instruction given and apparatus furnished. W.S. acts as agent for Messrs. Litch & Whipple for the sale of German Cameras, or any kind of apparatus used in the art. Rooms No 3 Pleasant street, up stairs, where a large number of specimens may be seen.
Advertisement ran from May 8 to September
1846 May 30. Daily Evening Transcript. (Boston, Massachusetts.) May 30, 1846, Vol. XVII, No. 4861, P. 2.
Truman H. Safford Jr., The Young Vermont Mathematician. This wonderful child is now in this city, and can be seen by a visit to the City Hotel, at particular hours of the day. He has long been considered the great wonder of the world. Heis the son of Thurman H. and Louisa P. Stafford, of Rovalton, Vt. And was born the 6th day of January, A. D. 1836.
It is a singular fact, that while examining two splendid Daguerreotype likenesses taken by the artists, Messrs. Litch & Whipple, and speaking of their merits as perfect specimens of the highest order of art, the boy, with his father accompanied by another gentleman, came into their room, thus giving me an opportunity of comparing the pictures with the original. Each were correct—a perfect fac simile—so that any one by seeing these may be said to see him. At the same place may be seen a splendid and perfect lithographic likeness from Edward Bouve, 221 Washington street, painted by B. F. Mason. Copies of the same may be had at all the principal bookstores in the city; and also the Youth’s Almanac for 1846, calculated by this Infant Mathematician, at nine years of age! He calculated one for Bradford, Vt., 1845. He has now one in press for Boston, which we are told will be out soon. He is also calculating one for New York. Every person should be in possession of his likeness and his almanac, which are at all the principal bookstores. His fame is slight, and from his birth he has had a delicate constitution, and it was with difficulty that he was saved from an early grave. His limbs are small but active, light muscles, dark brown hair, keen and brilliant dark hazel eyes, countenance pale, but peculiarly expressive, which gives him an appearance of the deepest and highest interest. He is now 10years old, weighs 50 pounds; height four feet one inch. Temperament mostly of the nervous, with a little sanguine, and a slight tinge of the bilious. His intellectual faculties are uncommonly developed; and being almost purely of the mental temperament, renders him a child of very active thought. His father’s head is quite large; but the son’s is about the same, being 23 inches! We should like to give the examination made on the spot, but have not room. He performed problems and calculations in the presence of many gentlemen present which were truly astonishing.
1846 June 25. Daily Evening Transcript. (Boston, Massachusetts.) June 25, 1846, Vol. XVII, No. 4883, P. 2.
National Fair. Gold Medal! Professor Plumbe!! [From the Philadelphia Ledger.] With all due deference to a Professor even of Daguerreotype we beg to protest against the assertion in last Saturday’s Ledger, that Professor Plumbe was presented with a gold medal by the Committee of the National Fair at Washington, and the following letter makes me a stronger Protestant than ever:
Committee Room, National Fair, Washington, 15th June, 1846. Dear Sir: You are right in saying there is some mistake as to Mr. Plumbe’s having a medal from the Committee of the National Fair, for his pictures exhibited. There is no ground, for saying that, as no medal was granted at all, &c., &c. I am very respectfully, your very obedient To Mr. J. E. Mayall, D. A. Hall, Sec’y.
As we published yesterday a communication, announcing a Gold Medal to Mr. Plumbe, in justice to other artists we insert the above at the request of Messrs. Litch & Whipple and Southworth & Hawes, of Boston.
1846 July 13. Dailey Evening Transcript. (Boston, Massachusetts.) July 13, 1846, Vol. XVII, No. 4897, P. 3
Notice. The copartnership which has existed between the subscribers, under the firm of Litch & Whipple, is by mutual consent this day dissolved. All persons indebted to them are requested to make payment Albert Litch, who is authorized to settle the same, and use the name of the firm in liquidation; and all persons to whom they are indebted will call upon him for payment. A. Litch. John A. Whipple. Boston, July 11th, 1846.
Advertisement ran from July 13 to July 18, 1846
1846 July 29. Daily Evening Transcript. (Boston, Massachusetts.) July 29, 1846, Vol. XVII, No. 4911, P. 2.
Accident. An accident of a painful character occurred yesterday, at the Daguerreotype Establishment of Messrs. Litch & Whipple, Washington Street, by the senior partner of that concern nearly lost his life.
Mr. Litch in arranging some articles in one of the apartments overturned an ounce bottle filled with Bromine, and in an instant his head and face were completely covered with that corrosive poison. For several seconds he was wholly bewildered from the intensity of the pain and the inhalation of the stifling vapor, but soon recovering a most extraordinary collectedness of mind, he called out loudly as he was able, for some “Hyposulphite of Soda,” a substance which at once neutralized the action of the liquid with which he was covered, and which, fortunately, was at hand. Dr. Bumstead, a retired Physician, happening to be in the building, promptly tendered valuable aid, and to his watchful care and the remarkable self possession of the unhappy sufferer, may be attributed an escape from a terrible death. We are happy to state that Mr. L. although much distressed, breathes a little easier this morning. It is now confidently hoped that his sight, which was thought in imminent danger will be preserved.
1846 July 31. New York Daily Tribune. (New York, New York.) July 31, 1846, Vol. VI, No. 97, Whole No. 1652, P. 2.
Accident. An accident of a painful character occurred yesterday, at the Daguerreotype Establishment of Messrs. Litch & Whipple, Washington Street, by the senior partner of that concern nearly lost his life. Mr. Litch in arranging some articles in one of the apartments overturned an ounce bottle filled with Bromine, and in an instant his head and face were completely covered with that corrosive poison. For several seconds he was wholly bewildered from the intensity of the pain and the inhalation of the stifling vapor, but soon recovering a most extraordinary collectedness of mind, he called out loudly as he was able, for some “Hydosulphite of Soda,” a substance which at once neutralized the action of the liquid with which he was covered, and which, fortunately, was at hand. Dr. Brumstead, a retired physician, happening to be in the building, promptly tendered valuable aid, and to his watchful care and the remarkable self-possession of the unhappy sufferer, may be attributed an escape from a terrible death. We are happy to state that Mr. L. although much distressed, breathes a little easier this morning. It is now confidently hoped that his sight, which was thought in imminent danger will be preserved.
[Boston Post.
1846/1847. Boston City Directory. (Boston, Massachusetts.) n.p.
Litch & Whipple, Daguerreotype Miniature Rooms, No. 96 Washington Street. They take the largest Portraits in the United States, The Size Of Life. Groups from two to fifty on a single plate.
1846 August 1. Daily Evening Transcript. (Boston, Massachusetts.) August 1, 1846, N. P.
Daguerreotype Miniature Portraits Taken At A Sitting Of A Single Second! The subscriber respectfully informs his friends and the public that, in consequence of the great difficulty in preserving the same expression of features in children for many consecutive seconds, he has been induced to procure a powerful apparatus, by which, with the aid of sensitive chemical preparations, he is enabled to produce a perfect Daguerreotype Likeness at a sitting of a single second!
Persons desirous of obtaining a perfect semblance of themselves or children are respectfully invited to call at 96 Washington St. where no pains will be spared to obtain results which may be both pleasing and satisfactory. Albert Litch, Late Litch & Whipple
Advertisement ran from August 1 to 28, 1846.
1846 August 1. Daily Republican. (Springfield, Massachusetts.) August 1, 1846, Vol. 3, No. 107, P. 2.
Painful Accident.—We learn from the Boston Transcript that Mr. Litch, of the firm of Litch & Whipple, met with a serious accident a few days since, occasioned by upsetting an ounce bottle of bromine, a corrosive poison, used in obtaining daguerreotype likenesses. The effects of the poison were such as to endanger Mr. L.’s life; but by the immediate application of counteracting remedies, it is thought the sufferer may be saved.
1846 August 7. Barre Patriot. (Barre, Massachusetts.) August 7, 1846, Vol. 3, No. 3, P. 3.
Accident. An accident of a painful character occurred yesterday, at the Daguerreotype Establishment of Messrs. Litch & Whipple, Washington Street, by the senior partner of that concern nearly lost his life. Mr. Litch in arranging some articles in one of the apartments overturned an ounce bottle filled with Bromine, and in an instant his head and face were completely covered with that corrosive poison. For several seconds he was wholly bewildered from the intensity of the pain and the inhalation of the stifling vapor, but soon recovering a most extraordinary collectedness of mind, he called out loudly as he was able, for some “Hydosulphite of Soda,” a substance which at once neutralized the action of the liquid with which he was covered, and which, fortunately, was at hand. Dr. Brumstead, a retired physician, happening to be in the building, promptly tendered valuable aid, and to his watchful care and the remarkable self-possession of the unhappy sufferer, may be attributed an escape from a terrible death. We are happy to state that Mr. L. although much distressed, breathes a little easier this morning. It is now confidently hoped that his sight, which was thought in imminent danger will be preserved.
1846 August 29. Daily Evening Transcript. (Boston, Massachusetts.) August 29, 1846, N. P.
Litch’s Daguerreotype Rooms. The subscriber begs leave to call the attention of the public to specimens of Daguerreotype Miniature Portraits executed by him. He has recently made some highly successful experiments, by which, with the aid of a superior instrument and sensitive chemicals preparations, the time required in sitting is materially shortened, while the picture retains the same character with those which have received the commendation of the patrons of this establishment. By the rapidity with which he is enabled to operate, the difficulty that many experience (especially children) in preserving such a fixed position of body and features as will afford a perfect and pleasing picture, is to a great extent obviated.
Ladies and gentlemen impelled either by curiosity or a desire to obtain a perfect semblance of themselves, are respectfully invited to call and view a collection of specimens of the art, at Room 96 Washington St., (up stairs.) A. Litch, (Late Litch & Whipple.)
Advertisement ran from August 29, 1846 to January 4, 1847.
1846 October 7. Worcester Daily Spy. (Worcester, Massachusetts.) October 7, 1846, Vol. 2, No. 66, P. 4.
Litch’s Daguerreotype Rooms. The subscriber begs leave to call the attention of the public to specimens of Daguerreotype Miniature Portraits executed by him. He has recently made some highly successful experiments, by which, with the aid of a superior instrument and sensitive chemicals preparations, the time required in sitting is materially shortened, while the picture retains the same character with those which have received the commendation of the patrons of this establishment. By the rapidity with which he is enabled to operate, the difficulty that many experience (especially children) in preserving such a fixed position of body and features as will afford a perfect and pleasing picture, is to a great extent obviated.
Ladies and gentlemen impelled either by curiosity or a desire to obtain a perfect semblance of themselves, are respectfully invited to call and view a collection of specimens of the art, at Room 96 Washington St., (up stairs.) A. Litch, (Late Litch & Whipple.)
Advertisement ran from October 7, 1846 to April 27, 1847.
1846 October 28. Daily Evening Transcript. (Boston, Massachusetts.) October 28, 1846, Vol. XVII, No. 4988, P. 2,
A Daguerreotype, which we consider the most perfect we have ever seen, was shown to us yesterday. It is the family of the Hon William Jackson, of Newton—father, mother, and fourteen children—done by John A. Whipple of the late firm of Litch & Whipple, 113 Washington street. [Atlas]
1846/1847. Boston City Directory. (Boston, Massachusetts.) N. P.
Litch & Whipple, Daguerreotype Miniature Rooms, No. 96 Washington Street. They take the largest Portraits in the United States, The Size Of Life. Groups from two to fifty on a single plate
1847. Boston Almanac. (Boston, Massachusetts.) P. 177.
Litch’s Daguerreotype Rooms 96 Washington st. Boston.
1847 January 8. The Age. (Augusta, Maine.) January 8, 1847, Vol. XVII, No. 1, P. 4.
Litch’s Daguerreotype Rooms, No. 96 Washington-street, Boston.
Advertisement ran from January 8, 1847 to
1847 January 9. The Daily Chronotype. (Boston, Massachusetts.) January 9, 1847, Vol. 1, No. 270, P. 1.
Daguerreotypes.—In these days when every body preserves his or her likeness in a daguerreotype and when every village has its “professor” of the art, it is worth while to know where a good picture can be had. To make such a picture two or three things are especially necessary on the part of the operator,—a delicate judgement, a skillful hand, and good taste in arranging the position of the sitter. All these requisites are possessed by Litch; at No. 96 Washington St., whose pictures, as every one knows that has tried him, cannot be surpassed, if they can be equalled. We have had some experience in daguerreotypes and certainly we never saw more exact, pleasing and legible ones. But go and try for yourselves and we will agree that you will be satisfied of this in the most conclusive way.
1847 Summer. Information from Graham Garrett research.
“American daguerreotypist who operated a gallery in Boston under the name of Litch, Whipple & Co. 1844-46. Spent the summer of 1847 in St. John, New Brunswick, apparently for health reasons after an explosion of gas at his studio in Boston. Arrived in St. John on April 17, and was associated with the gallery of Vining & Reed, who referred to him as one of the most distinguished artists living.”
1848 December 6. Daily Evening Transcript. (Boston, Massachusetts.) December 6, 1848, N. P.
Litch’s Sky-Light Daguerreotype Rooms. Arranged expressly for taking Family Groups—No. 257 Washington Street, 7 doors north of Winter St.
We have the Best Light in the city, and our extensive facilities enable us to execute likenesses, and especially Family Groups, in a style unsurpassed in the world. Mr. L. (Formerly of the firm of Litch & Whipple), who has been engaged in the art from its commencement in the United States, attended personally to the operating department.
Perfect satisfaction given, or no charge.
Instruction given in the art, and stock and apparatus furnished.
Isaac Gale, Jr., Proprietor. Albert Litch, Agent
Advertisement ran from December 6, 1848 to January 6, 1849.
1849 January 25. Daily Chronotype. (Boston, Massachusetts.) January 25, 1849, Vol. 6, No. 115, P. 3.
Litch’s Sky-Light Daguerreotype Rooms. Arranged expressly for taking Family Groups—No. 257 Washington Street, 7 doors north of Winter St.
We have the Best Light in the city, and our extensive facilities enable us to execute likenesses, and especially Family Groups, in a style unsurpassed in the world. Mr. L. (Formerly of the firm of Litch & Whipple), who has been engaged in the art from its commencement in the United States, attended personally to the operating department.
Perfect satisfaction given, or no charge.
Instruction given in the art, and stock and apparatus furnished.
Isaac Gale, Jr., Proprietor. Albert Litch, Agent
Advertisement ran from January 25 to March 10, 1849
1849 May 5. Daily Republican. (Springfield, Massachusetts.) May 5, 1849, Vol. 6, No. 106, P. 2.
Mr. Cooley showed us, the other day, quite the finest specimens of the Daguerreotype art, that we ever saw. They were taken by his new operator, Mr. Litch, whom he introduces to the public in an advertisement.
1849 May 5. Daily Republican. (Springfield, Massachusetts.) May 5, 1849, Vol. 6, No. 106, P. 3.
Daguerreotypes, That are Daguerreotypes. It is an acknowledged fact, that Cooley’s Daguerrian Gallery is a little ahead of all others in this country, and it is so admitted by Artists and the traveling public. No pains or expense have been spared in fitting-up this establishment, and the arrangement of rooms, sky-light and extensive apparatus cannot be improved. The sky-light was built expressly for the business after a design by one of the best Architects in the country, and pictures taken under this light cannot be surpassed for the fine and beautiful effect of light and shade, and the life-like expression of the eyes.
O. H. Cooley & Co. Have the honor of announcing to the public, that they have secured the services of Mr. A. Litch, formerly of the firm of Litch & Whipple, Boston, one of the oldest, most experienced, and successful operators in this country, and they are now prepared to give their patrons pictures that cannot be excelled in this place, or any of the larger cities in those qualities that make a good Daguerreotype. Mr. L. has operated at some of the best establishments in Boston, New York and Philadelphia, and we can commend him to the public for his gentlemanly demeanor as well as for his qualities as a scientific Artist.
O. H. C. & Co. Have obtained in addition to their other apparatus a new instrument expressly for taking Children’s pictures, which requires only a sitting of a few seconds.
They would return thanks for the liberal patronage which has been bestowed upon their establishment, and hope, by unceasing endeavors to please, to merit a continuance of the patronage of a generous public.
Just received, a new lot of Daguerreotype materials, among which we have White’s Scovill’s and the “Star” and Phenix” brands of French Plates, and all other kinds in use. New and beautiful patterns of Cases, Lockets of all kinds and every variety of Settings, and in fact everything used in the Art can be found at our Sales Room where Prof Atwater will be in attendance.
…N. B.—Mr. Litch being a practical Chemist, would inform those who wish to use his Chemical preparations that they can be obtained at the Sales Room of O. H. C. & CO.
Advertisement ran from May 5 to July 12, 1849.
1849 August 15. Daily Republican. (Springfield, Massachusetts.) August 15, 1849, Vol. 6, No. 191, P. 2.
Cooley’s Gallery was visited one day last week by Mr. Collamer, Postmaster General, and an admirable likeness of him was taken by Mr. Litch, which will add to the attractions already presented of Cooley’s large collection of portraits of distinguished men. It takes Professor Atwater to induce public men to visit Cooley’s magnificent rooms, who, if not known long to the public, his short acquaintance is very pleasing to the ladies and professional men.—Com.
1850-51: Craig’s Daguerreian Registry.
23 & 24 Phoenix Building, New Haven, Connecticut in partnership with Moulthrop (M.) & Litch.
1850 March 22. Morning Journal and Courier. (New Haven, Connecticut.) March 22, 1850, Vol. V, No. 66, P. 4.
Moulthrop & Litch’s Daguerreotype Rooms! Nos. 23 & 24 Phoenix Building. Messrs. Moulthrop & Litch, would Respectfully announce to the public that they are now prepared to execute pictures of single portraits or large Family Groups, in a style unequaled. Mr. Moulthrop having been engaged in the study of the fine arts twenty years, is sufficient guarantee that he is master of his business. Mr. Litch, formerly of the firm of Litch & Whipple, of Boston, is too well known to the public as an artist, to need commendation.—Such a combination of talent, with the aid of the most artistic arranged sky light in this country, after the plan of Sir Thomas Lawrence, and the largest and best instruments, we guarantee to those that patronize us as good pictures as can be made in the United States. A want of artistical skill and experience, and a well managed sky light, being indispensable to success, is perhaps the reason why so many poor pictures are turned off upon the public, at many of the cheap establishments. March 6, 1850.
Advertisement was recorded three times between March 22 to 27, 1850.
Litch & Graniss, Sky-Light Gallery Daguerreotypes, At Exchange Place, Waterbury. The subscriber would respectfully inform the public that they have had a Building erected expressly for taking Daguerreotype Pictures,—the only one that we have ever heard of that has been built expressly for this purpose. We do not wish to claim any thing more than id Due ourselves as operators, but at the same time, it is proper that the public should know that no firm of this kind has the advantages of us in experience in the United States; Mr. Litch having been in business 11 years. The public are respectfully invited to call and examine specimens.
Advertisement was recorded twenty times between March 29 to March 6, 1852.
1851: Craig’s Daguerreian Registry.
A salesman at Scovill’s store, New York City.
1851 April 9. The New York Herald. (New York, New York.) April 9, 1851, Whole No. 6743, P. 2.
“Harrison’s Camera.”—The attention of all those who are about purchasing Daguerreotype Instruments, is directed to the following recommendation from one of the oldest operators in the country, and one who has been “tried in the furnace of experience. C. C. Harrison, No. 293 Broadway. Waterbury, April 1, 1851. Dear Sir. It affords me much pleasure, after giving the instrument I purchased of you last week, a fair trial, and having had eleven years experience as an operator, to be enabled to bear testimony to the superiority of your Camera over all others, not excepting those made by “Voigtlander & Sons,” for the sale of which I was some time agent, at Boston. Yours, respectfully, Albert Litch, formerly of the firm of Litch & Whipple, Boston, Mass.
1851 July 15. The Daguerreian Journal, Reprinted in, The Daguerrian Annual 1992, P. 53.
A. Litch was present at the first meeting of the American Heliographic Association later renamed to the American Daguerre Association and appointed to the committee along with S. D. Humphrey, H. E. Insley and J. Gurney to draft a Preamble and Constitution. At the next meeting Litch was appointed to the Discretionary Committee.
1852 May 27. Morning Journal and Courier. (New Haven, Connecticut.) May 27, 1852, Vol. VII, No. 126, P. 4.
Daguerrean Gallery. The subscribers having fitted up the Room No. 97 Chapel street, known as Peck’s Old Stand, would respectfully invite the patronage of the public. The junior member of the firm has, for a number of years past, been connected with the Gallery of Major Moulthrop, Esq. where he was for some time under the instruction of Mr. Litch—undoubtedly the best artist who has ever taken pictures in this city. We are confident of our ability to please all who are desirous of obtaining well defined, rich-toned pictures; and haop by courteous treatment and a disposition to give ample satisfaction to those who favor us with a sitting, to gain the good wishes of the community. Art has dipped her pencil in sunbeams to preserve the face of loved ones—so that we may still have something to remind us of our friends when they are far away, or no more among the living.
“There is a reaper, whose name is Death,
And with his sickle keen,
He reaps the bearded grain at a breath,
And the flower that grows between.”
Andrews & Frink. m4.
Gold Medal.—The First Premium, a Gold Medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “ They are the best Daguerreotypes that have been exhibited, and show, by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the Daguerreian art has arrived in this country. The stereoscopic pictures are also very fine.” These specimens, together with a large collection of portraits of distinguished persons, can be seen at his new and magnificent gallery, 349 Broadway. also a large collection of views of California, embracing all the principal cities, towns, bays, rivers, gold regions, &c., &c., &c. Admission free.
N. B.—Chemicals of a superior quality, Made by Gurney & Leitch for artist’s use. For sale by Gurney.
Advertisement ran from November 20 to December 1, 1852.
1852 November 20. The New York Herald. (New York, New York.) November 20, 1852, Whole No. 7324, P. 4.
Gold Medal.—The Highest Premium, a gold medal was awarded to J. Gurney, for his superior daguerreotypes, at the late Fair of the American Institute. The report of the premium committee on these daguerreotypes thus:—”They are the best specimens that have ever been exhibited, and show by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the daguerrean art has arrived in this country. His stereoscopic pictures are also very fine.” These specimens, together with a large collection of portraits of distinguished persons, can be seen at Gurney’s new and magnificent gallery, 349 Broadway. Also a large collection of views of California, embracing all the principal cities, towns, bays, rivers, gold regions, &c., &c., &c. Admission free. N. B. Chemicals of a superior quality, prepared by Gurney & Leitch, for artists’ use, for sale by Gurney.
Advertisement ran from November 20 to 30, 1852.
1852 November 20. New York Daily Tribune. (New York, New York.) November 20, 1852, Vol. XII, No. 3618, P. 4.
Gold Medal.—The first premium, a Gold Medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “ They are the best specimens that have ever been exhibited, and show, by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the daguerreian art has arrived in this country. The Stereoscopic Pictures are also very fine.” These specimens, together with a large collection of Portraits of distinguished persons, can be seen at his new and magnificent Gallery, No. 349 Broadway. Also a large collection of Views of California, embracing all the principal Cities, Towns, Rivers, Bays, Gold Regions, &c. &c. Admission free.
N. B.—Chemicals of a superior quality, Made by Gurney & Leitch for artist’s use. For sale by Gurney.
1852 November 23. New York Daily Tribune. (New York, New York.) November 23, 1852, Vol. XII, No. 3620, P. 4.
Gold Medal.—The first premium, a Gold Medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “They are the best specimens that have ever been exhibited, and show, by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the daguerreian art has arrived in this country. The Stereoscopic Pictures are also very fine.” These specimens, together with a large collection of Portraits of distinguished persons, can be seen at his new and magnificent Gallery, No. 349 Broadway. Also a large collection of Views of California, embracing all the principal Cities, Towns, Rivers, Bays, Gold Regions, &c. &c. Admission free.
N. B.—Chemicals of a superior quality, for artists use, prepared by Gurney & Litch. None genuine without the written signatures of J. Gurney & A. Litch. For sale by Gurney, 349 Broadway.
Advertisement ran from November 23 to December 4 , 1852.
1852 December 4. The Evening Post. (New York, New York,) December 4, 1852, Vol. LI, P. 2.
Gold Medal.—The First Premium, a gold medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “ They are the best specimens that have ever been exhibited, and show, by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the daguerreian art has arrived in this country. The Stereoscopic Pictures are also very fine.” These specimens, together with a large collection of Portraits of distinguished persons, can be seen at his new and magnificent Gallery, No. 349 Broadway. Also a large collection of Views of California, embracing all the principal Cities, Towns, Rivers, Bays, Gold Regions, &c. &c. Admission free.
Chemicals of a superior quality, for artists use, prepared by Gurney & Litch. None genuine without the written signatures of J. Gurney & A. Litch. For sale by Gurney, 349 Broadway.
Advertisement ran on December 4 to 31, 1852.
1852 December 4. New York Daily Tribune. (New York, New York.) December 4, 1852, Vol. XII, No. 3630, P. 4.
Gold Medal.—The first premium, a Gold Medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “ They are the best specimens that have ever been exhibited, and show, by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the daguerreian art has arrived in this country. The Stereoscopic Pictures are also very fine.” These specimens, together with a large collection of Portraits of distinguished persons, can be seen at his new and magnificent Gallery, No. 349 Broadway. Also a large collection of Views of California, embracing all the principal Cities, Towns, Rivers, Bays, Gold Regions, &c. &c. Admission free.
N. B.—Chemicals of a superior quality, for artists use, prepared by Gurney & Litch. None genuine without the written signatures of J. Gurney & A. Litch. For sale by Gurney, 349 Broadway.
1852 December 15. Humphrey’s Daguerreian Journal. (New York, New York.) P. 272.
Gurney & Litch are now engaged in the manufactory of chemicals for the Daguerreotype. Mr. L. was formerly of Boston.
1852 December 16. The Evening Mirror. (New York, New York.) December 16, 1852, Vol. XVII, No. 64, P. 2.
Gold Medal.—The first premium, a Gold Medal, was awarded to J. Gurney, of No. 189 & 349 Broadway, for his superior Daguerreotypes, at the late Fair of the American Institute. The report of the Premium Committee on these Daguerreotypes reads thus: “ They are the best Daguerreotypes that have ever been exhibited, and show by their distinct outline, clearness of light and shadow, rotundity and relief, with artistic arrangement, the perfect state to which the Daguerreian art has arrived in this country. His stereoscopic pictures are also very fine.” These specimens, together with a large collection of portraits of distinguished persons, can be seen at his new and magnificent Gallery, No. 349 Broadway. Also a large collection of views of California, embracing all the principal cities, towns, bays, rivers, gold regions, &c. &c. Admission free. Chemicals of a superior quality for artist’ use, prepared by Gurney & Litch. None genuine without the written signature of J. Gurney and A. Litch. For sale by Gurney, at 349 Broadway.
1853 April 1. Humphrey’s Daguerreian Journal. (New York, New York.) P. 383.
Mr. Litch who until lately has operated for Gurney is about to open a room in connection with Mr. Terry, in one of the English cities, Liverpool or London, the latter gentleman is well known in South America.
1853 July 1. Humphrey’s Journal. (New York, New York.) P. 89.
A. Terry has returned from Europe, and left for his old quarters Lima, Peru. Mr. Litch who accompanied Mr. T. has thought it best to give it a trial, and is now operating in Scotland.
1853 July 15. Humphrey’s Journal. (New York, New York.) Vol. 5, No. 7, P. 111.
Mr. Litch has returned from Europe.
1853 November 15. Humphrey’s Journal. (New York, New York.) P. 239.
A. Litch, formerly of the firm of Litch & Whipple of Boston, and more recently in the establishment of Scovill Manufacturing Co., has engaged with Holmes, Booth & Hayden’s. This will be welcome news to the Daguerreotypist, to feel that they can have their orders meet the personal attention of one who’s reputation as an operator, has won for him a position of the first standing in the profession.
1854 February 1. Humphrey’s Journal. (New York, New York.) P. 320.
A. Litch is now making cameras. We have seen several that, so far as the exterior appears, bid fair to compete with any in market. This, (the looks) however, is not what the operator wants; it is the lenses that will produce a fine, clear field, with a depth and breadth of focus. We will refer to Mr. L’s. Camera again, after they have been thoroughly tried.
1854 October 15. Humphrey’s Journal. (New York, New York.) P. 208
A. Litch has left Holmes, Booth & Haydens’, and consequently his name does not, as formerly, appear on the cameras made by the above firm.
1854 November 2. Springfield Daily Republican. (Springfield, Massachusetts.) November 2, 1854, Vol. 11, No. 259, Whole No. 3253, P. 3.
Cooley’s Hampden Gallery.—We have the pleasure of announcing to the friends and patrons of this Gallery, that we have again engaged the services of Mr. Albert Litch, who is acknowledged to be the most scientific and successful operator in this country. Since our former engagement Mr. Litch has been engaged in New York, Philadelphia and visited Europe, and obtained all of the most valuable improvements made in the Photographic Art. Those who wich to obtain the finest specimens of the art ever produced in this city, will not fail to give us a call. We have on hand and are constantly receiving Lockets, Cases, and every style of setting to suit the tasre of every customer. O. H. Cooley.
Advertisement ran from November 2 to 20, 1854.
1854 December 11. Springfield Daily Republican. (Springfield, Massachusetts.) December 11, 1854, Vol. 11, No. 291, Whole No. 3285, P. 3.
50 Cents.—The Sun Beam Shadow that will not fade. Christmas and New Year’s Presents—Cameo Daguerreotypes, which are invaluable are furnished at Ward & Litch’s, over Bigelow’s Drug Store, Main street, opposite Court Square.
Advertisement ran from December 11, 1854 to January 8, 1855.
1854 December 11. Springfield Daily Republican. (Springfield, Massachusetts.) December 11, 1854, Vol. 11, No. 291, Whole No. 3285, P. 3.
Ward & Litch’s 50 Cent Sun Beam Daguerreotype Establishment. (Over E. Bigelow & Co.’s Drug Store, up 1 flight of Stairs,) opposite Court Square, Main street.
Stereoscope, Camero Crayon, and Collored [sic.] Pictures. Warranted to give satisfaction.
Owing to the unprecedented demands for miniatures, and in order to place them within reach of all. I have taken into Partnership, Mr. Albert Litch, formerly of Boston, more recently from Europe; acknowledged to be one of the best operators in the world. We do our own work and are always to be found at our Post. This with our other facilities enable us to make good pictures, colored, with case all complete, at the low price of 50 Cents. Warranted to be equal, if not better than any other establishment in the country.
We have an apparatus expressly arranged for taking sick or deceased persons when required. C. Ward.
Advertisement ran from December 11, 1854 to January 8, 1855.
1854 December 11. Springfield Daily Republican. (Springfield, Massachusetts.) December 11, 1854, Vol. 11, No. 291, Whole No. 3285, P. 3.
The Sun Beam 50 Cent Daguerrean Rooms, oner Bigelow’s Drug Store, Main street. Daguerreotype miniature, warranted equal to any taken in this country, for 50 Cents. Ward & Litch.
Advertisement ran from December 11, 1854 to January 2, 1855.
1854 December 11. Springfield Daily Republican. (Springfield, Massachusetts.) December 11, 1854, Vol. 11, No. 291, Whole No. 3285, P. 3.
Sun Beam 50 Cent Daguerrean Rooms—Stereoscope, Crayon, Cameo, Colored and Plain Daguerreotype—from 50 cents to $25. Opposite Court Square, up only one flight stairs. Ward & Litch.
Advertisement ran from December 11, 1854 to January 6 1855.
1854 December 11. Springfield Daily Republican. (Springfield, Massachusetts.) December 11, 1854, Vol. 11, No. 291, Whole No. 3285, P. 3.
The Holidays.—The Sun Beam Daguerrian Rooms is the place to obtain an invaluable Daguerreotype for the low price of 50 cents. Opposite Court Square, over Bigelow’s. Ward & Litch.
Advertisement ran from December 11, 1854 to January 6, 1855.
1855 January 1. Humphrey’s Journal. (New York, New York.) P. 295.
Daguerreotype Movements. A. Litch is engaged with Mr. Cooley, at Springfield, Mass.
1855 January 8. Springfield Daily Republican. (Springfield, Massachusetts.) January 8, 1855, Vol. 11, No. 315, Whole No. 3308, P. 3.
Ward & Litch’s 50 Cent Sun Beam Daguerreotype Rooms over E. Bigelow’s drug store, opposite Court Square, Main street. I have I have taken into partnership Mr. Albert Litch, formerly of the firm of Litch & Whipple of Boston. Our Stereoscopes, Cameo, Crayon and Colored Pictures are acknowledged to be equal, if not better than can be obtained at any other establishment in the country. Our rooms are up only one flight of stairs. Call at the Sun Beam and satisfy yourselves. C. Ward.
Advertisement ran from January 8 to May 15, 1855.
1855 October 18. The Puritan Recorder. (Boston, Massachusetts.) October 18, 1855, Vol. XL, No. 42, P. 3.
Bowdoin & Litch, Artists in Patent Ambrotype And Photographic Pictures, No. 49 Tremont Street, Boston, (Nearly opposite the Museum.) The Ambrotype originated at this establishment, and is patented in the United States, Great Britain, and France. The picture is taken on fine plate glass, and permanently secured between two plates of glass; in bold, clear, and distinct,—not reversed,—and will not change in any climate. Taken life-size and in miniature.
The public are cautioned in purchasing Pictures taken on glass, as Ambrotypes, that do not bear Cutting’s patent stamp; as some worthless imitations are made. D. W. Bowdoin, Proprietor. Albert Litch.
Advertisement ran from October 18 to December 6, 1855.
1856: Boston City Directory. (Boston, Massachusetts.)
List a Bowdoin & Litch, Ambrotypist at 49 Tremont Street, Boston, Mass.
1856 October 17. The Daily Dispatch. (Richmond, Virginia.) October 17, 1856, Vol. X, No. 104, P. 2.
Unparalleled.—The subscriber being determined that his Gallery shall retain the reputation it has long enjoyed in producing works of art, he begs to announce to his patrons and the public that he has engaged the valuable services of Mr. Albert Litch, an Artist of merit, formerly one of the managers of the Gurney Gallery, Norfolk, but now just returned from Europe, where he has been traveling for the purpose of collecting late improvements and facilities in the art. His Photographs are not surpassed in Europe or America. He is now prepared to furnish the people of Richmond, and its visitors with Photographs, Ambrotypes and Daguerreotypes. We earnestly beg a trial from those who desire a work of art, at prices in the reach of all. Photographs made on canvass, life size or smaller from old Daguerreotypes, painted in oil colors. Every satisfaction, or no charge. Gallery 77 Main street, Richmond, Virginia. J. H. Whitehurst. Albert Litch, Manager.
Advertisement ran from October 17 to 23, 1856.
1856 October 25. The Daily Dispatch. (Richmond, Virginia.) October 25, 1856, Vol. X, No. 111, P. 2.
Whitehurst’s Gallery of Photographs And Ambrotypes.—The present manager has been engaged in the business 15 years. His pictures are on exhibition at the Mechanics Fair, and at 77 Main street. The public are cordially invited to call are judge for themselves.
Albert Litch, Manager.
Photographs copied from Daguerreotypes, any size desired.
Advertisement ran from October 25 to 31, 1856.
1856 November 4. The Daily Dispatch. (Richmond, Virginia.) November 4, 1856, Vol. X, No. 119, P. 2.
Whitehurst’s Gallery of Photographs And Ambrotypes.—The present manager has been engaged in the business 15 years. His pictures are on exhibition at the Mechanics Fair, and at 77 Main street. The public are cordially invited to call are judge for themselves.
Photographs copied from Daguerreotypes, any size desired. Albert Litch, Manager.
Advertisement ran from November 4 to December 8, 1856.
1856 November 11. The Daily Dispatch. (Richmond, Virginia.) November 11, 1856, Vol. X, No. 125, P. 1.
Awards Of The Mechanics’ Institute. Made November 8, 1856
….Class No. XLIII—Ambrotypes, Photographs, Daguerreotypes and Materials.
Ambrotypes, by Peter E. Gibbs, a silver medal.
Photographs, by J. H. Whitehurst, first class diploma.
Photographs, by D. Bendann, second class diploma.
1856 December 12. The Daily Dispatch. (Richmond, Virginia.) December 12, 1856, Vol. X, No. 152, P. 2.
Litch’s Premium Photographs. First Class Diploma 1856. Whitehurst Gallery, 77 Main street. Advertisement ran from December 12, 1856 to January 12, 1857.
1856 December 12. The Daily Dispatch. (Richmond, Virginia.) December 12, 1856, Vol. X, No. 152, P. 2.
A Novelty. One Dollar Ambrotypes. Cuttings Patent A. Litch, Whitehurst Gallery,
Advertisement ran from December 12, 1856 to January 12, 1857.
1857 January 9. The Daily Dispatch. (Richmond, Virginia.) January 9, 1857, Vol. XI, No. 8, P. 2.
Whitehurst’s Gallery, No. 77 Main Street—Photographs And Ambrotypes.—Determined to establish a reputation for good Pictures, and secure the patronage once extended to this Gallery. I have made preparation for taking Photographs in a style not surpassed in any city in the Union. Having operated extensively in Europe, as well as in the largest establishments in this country, I feel that I can give ample satisfaction to the most fastidious taste. Having engaged the services of an artist, I design introducing Photographs, colored in oil and water colors.—Pictures will be sold at this Gallery, as cheap as they can be produced in any Northern city. Ambrotypes taken in the finest style, from one dollar up Call and see. Albert Litch, Manager.
Advertisement ran from January 9 to February 10, 1857.
1857 April 4. The Daily Dispatch. (Richmond, Virginia.) April 4, 1857, Vol. XI, No. 81, P. 2.
Whitehurst’s Gallery.—Litch Photographs Reduced In Price—Determined to adapt my prices to what seem to be a desideratum in Richmond, I have concluded to reduce the prices of my beautiful Photographs, taken on paper, to a standard that I am sure ought to warrant the most extensive sale of any class of pictures ever introduced in this city. Though but a short time since they have been introduced here, as taken by myself, they have elicited the highest encomiums from the best critics, and pronounced the greatest improvement yet discovered in the art. Infinitely superior to the old style of Daguerreotype, which must fade in the course of a few years, and not subject to the accidents that may befall Ambrotypes—the fact that they have almost entirely supplanted all other pictures in the first class galleries, both in Europe and America, is warrant enough for my believing they will here also.
I will furnish one of these pictures for $3, or three of them for $6, and so on lower, according to the number taken. I can furnish the same picture, painted in oil or water colors, a beautiful effect, at very moderate charges.
Ambrotypes taken in the finest style, on accommodating terms. A. Litch, manager.
Advertisement ran April 4 & 6, 1857.
1857 May 28. The Daily Dispatch. (Richmond, Virginia.) May 28, 1857, Vol. XI, No. 128, P. 2.
Four Rooms To Let over Whitehurst’s Gallery, No 77 Main street, very cheap. Apply to A. Litch, in the Gallery.
1857 October 20. The Daily Dispatch. (Richmond, Virginia.) October 20, 1857, Vol. XII, No. 95, P. 2.
Genuine Double Glass Ambrotypes for 50 Cents, at the old Whitehurst Gallery, 77 Main street, large size. Photographs $2.50. Duplicates $1.00, by Albert Litch.
Advertisement ran from October 20 to 26, 1857.
1857 October 22. The Daily Dispatch. (Richmond, Virginia.) October 22, 1857, Vol. XII, No. 97, P. 2.
Remember the place—the old Whitehurst Gallery—where you can get the genuine Double Glass Ambrotype, large size, for 50 cents, and Photographs for $2.50, by Albert Litch, 77 Main street.
Advertisement ran from October 22 to 27, 1857.
1857 October 22. The Daily Dispatch. (Richmond, Virginia.) October 22, 1857, Vol. XII, No. 97, P. 2.
Ambrotypes for 50 cents, large size; Photographs for $2.50, at the Old Whitehurst Gallery, 77 Main street, by Albert Litch.
Advertisement ran from October 22to 26, 1857.
1857 November 7. The Daily Dispatch. (Richmond, Virginia.) November 7, 1857, Vol. XII, No. 111, P. 1.
List of Premiums Awarded At The Fair Of The Va. Mechanics’ Institute, November 5th, 1857…Class 26.—Photographs, Daguerreotypes, and Ambrotypes.
Albert Litch, for color photographs, a silver medal.
Tyler & Co., for daguerreotypes, a silver medal.
Sanxay & Chalmers, for ambrotypes, a silver medal.
E. Powers, for ambrotypes and photographs, first class diploma.
1857 December 8. The Daily Dispatch. (Richmond, Virginia.) December 8, 1857, Vol. XII, No. 137, P. 3.
Removal.—Watson & Son have bought out the old Whitehurst Gallery lately occupied by Mr. Leitch, which they will open on Monday December 7, and are now prepared to take Pictures from 25 to 37½ cents with cases; and extra large for 50 cents with case, which are not to be equaled in the city, and which is regularly charged $1. Medallions, Cameos, Melanotypes, and panotypes, which can be sent in a letter to any part of the world. His Ambrotypes are warranted not to fade.
Remember the old Whitehurst Gallery, 77 main street, Call and see for yourselves, his specimens, and where Photographs of all the United States Senators can be seen.
Advertisement ran from December 8 to 10, 1857.
[1] Directory of Massachusetts Photographers 1839-1900. (1844-1846)
[2] Information from Graham Garrett’s research.
[3] Craig’s Daguerreian Registry.
Pioneer American Photographers, 1839 - 1860 