Tag Archives: George M. Howe

Howe, George M.

Ambrotypes, Daguerreotypes, Photographs, , , ,

1850-1866       112 Middle Street, Portland, Maine.

1850 November 13.  Portland Daily Advertiser.  (Portland, Maine.)  November 13, 1850, Vol. XX, No. 270, P. 3.

Daguerreotype Notice.  The subscriber having disposed of his Stock and Stand to George M. Howe would respectfully recommend him to his friends and the public generally.  M. Ormsbee.

Notice Extra!  George M. Howe having purchased the Stock and taken the Stand of M. Ormsbee would inform the public that Daguerreotypes can be had at his place as well as at any other establishment in the city or country.  Having secured the services of Ormsbee’s best operators he cannot fail to satisfy his customers.

Miniatures taken in any kind of weather, from one dollar to ten and rendered satisfactory, or no charge, at No. 112 Middle street.

Advertisement ran from November 13 to 15, 1850.

1850 December 26.  Portland Daily Advertiser.  (Portland, Maine.)  December 26, 1850, Vol. XX, No. 306, P. 3.

Christmas And New Year Presents!  The most appropriate articles for a Christmas or New Year Present is a good Daguerreotype Likeness—such a one as can be obtained at the old Stand No. 112 Middle Street.

The public are invited to call and examine specimens of the art.  Rooms open at all hours of the day.  Miniatures rendered satisfactory or no charge.  Geo. M. Howe.  Dec. 24.

Advertisement ran from December 26 to 28, 1850.

1853 February 18.  Illustration in American Heritage Magazine.  September 1992, Vol. 43, No. 5, Frontispiece.

Daguerreotype possibly whole plate of the Portland, Maine’s Log Cabin and Hard Cider Club.  From the Maine Historical Society, Portland, Maine.

1851 February 18.  Portland Daily Advertiser.  (Portland, Maine.)  February 18, 1851, Vol. XXI, No. 40, P. 3.

The Public Are invited to call and examine Specimens of Daguerreotype! At The Old Stand, No. 112, Middle Street, Where they can also be waited upon with a picture taken in a style superior to any other establishment in the city.

Cases, Frames, Lockets & c., constantly on hand.

Rooms open at all hours of the day, George M. Howe.  Feb. 15.

Advertisement ran from February 18 to August 5, 1851.

1851 June 14  Portland Daily Advertiser.  (Portland, Maine.)  June 14, 1851, Vol. XXI, No. 138, P. 3.

A Splendid Assortment of Lockets, Can be found at very low prices by calling at No. 112 Middle Street.  The subscriber is still at work taking Daguerreotypes in a style unsurpassed by any other establishment in this country.

Pictures taken in any weather.

The public are invited to call at my rooms and examine specimens.  George M. Howe.

Advertisement ran from June 14 to August 5, 1851.

1851 November 4.  Portland Weekly Advertiser.  (Portland, Maine.)  November 4, 1851, Vol. LIII, No. 44, P. 1 & 2.

Cumberland County Agricultural And Horticultural Society.  Agreeably to notice, the Fair and Cattle Show commenced on Wednesday, October 15, 1851 in Portland.

The Cattle Show was held in the pasture, corner of Green and Portland streets, the exhibition of produce, Manufactured articles, &c., at the City Hall…

Daguerreotypes:—There were numerous specimens of Daguerreotypes, from Geo. M. Howe, Messrs. Stevens & Gerrish and Mr. Samuel Carlton.  The committee could see but slight difference between those of Howe, and Stevens & Gerrish, both were believed to be as near perfection, as the daguerreotype process will allow, but on the whole the evidence of artistical skill in those of Messrs. Stevens & Gerrish, inclined the committee to give theirs the preference, and they awarded them a premium, 2.00.  To those of Mr. Howe they awarded a diploma.

Mr. Carlton has many admirers in his line, and deservedly so.

1852 July 2.  Portland Daily Advertiser.  (Portland, Maine.)  July 2, 1852, Vol. XXII, No. 157, P. 4.

Howe’s Daguerrean Gallery Is still open to the Public at all hours of the day.

The subscriber respectfully solicits the attention of all persons interested in Daguerreotypes!  To the largest collection of Specimen Pictures in the State, (taken in a style unsurpassed by any in the country,) at his Rooms No. 112 Middle Street.

Lockets, Bracelets, Pins, Frames, Cases, &c., of every description, constantly on hand, at the lowest market prices.

Miniatures taken equally in fair and in cloudy weather.  George M. Howe.  my21.

1852 August 10.  Christian Mirror.  (Portland, Maine.)  August 10, 1852, Vol. XXXI, No. 2, Whole No. 1562, P. 3.

Geo. M. Howe, Daguerreotypist, 112 Middle Street, Portland, ME.

Advertisement ran from August 10, 1852 to September 25, 1855.

1852 November 23.  Portland Weekly Advertiser.  (Portland, Maine.)  November 23, 1852, Vol. LIV No. 47. P. 4.

Official.  Cumberland County Agricultural and Horticultural Society.  (Concluded.)…Report Of The Committee On Fine Arts, &c…

Daguerreotypes from the rooms of Geo. M. Howe, Portland.  These, as a whole, are equal to any that have come under the inspection of your committee.  In the management of the drapery, in the softness and beauty of the shades, as well as in grace of position, they give evidence that old Sol has not done the work without important assistance from one possessing eminent artistical ability, on this terrestrial ball—awarded, 1st premium, $2.00.

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is susceptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1853 October 25.  Portland Weekly Advertiser.  (Portland, Maine.)  October 25, 1853, Vol. 53, No. 43. P. 2.

[Cumberland County Agricultural and Horticultural Society.]  The Cattle Show And Fair—Second Day.  Pictures…In the center of the hall was a case of photographic pictures, or daguerreotypes on paper, of familiar views, by Smith & Morrison & Co…

Of daguerreotypes, Carlton and Howe contributed two cases of very life-like and beautiful specimens.

1853 November 8.  Portland Weekly Advertiser.  (Portland, Maine.)  November 8, 1853, Vol. 53, No. 45. P. 2.

Second day in the Crystal Palace.  New York, Oct. 31, 1853…

And here we come to the; daguerreotypes, always surrounded by a crowd making out, if not making up, faces, as one would judge from the way they squint in order to counteract the effect of a bad light.  Among the pictures we noticed those contributed by our skillful townsman, G. M. Howe.  Though placed in much more modest cases that the majority, the marked excellence of the pivctures excited general attention.  And as a Portland man, I will say, I felt proud of the specimens of Portland beauty which Mr. Howe has brought to the exhibition, and of the faithful justice he has rendered to the originals.

1853 November 8.  Portland Weekly Advertiser.  (Portland, Maine.)  November 8, 1853, Vol. 53, No. 45. P. 4.

Cumberland County Agricultural and Horticultural Society.  Agreeable to notice , the Fair and Show commenced in Portland on Wednesday, Oct. 19, 1853.  The Cattle Show was held in the pasture, corner of Green and Portland Streets.  The Fair of produce and manufactured articles, at Lancaster Hall…

Premiums on Fine Arts, &c…

In regard to Daguerreotypes and Photographs, which perhaps may not be classed so properly under any other department as this.  Your committee particularly recommend notice to be made by you by a Diploma of the fine Crystalotypes (called Daguerreotypes on paper) exhibited by Smith & Morrison of Portland.  As most creditable beginnings of the introduction into our vicinity, so much to be hoped for, of the beautiful development of Photography.

Of the Daguerreotypes exhibited by Geo. W. Howe, as well as those by Mr. S. L. Carlton, they urge honorable mention as sustaining the reputation which the professors of that art have well earned, during many years for those executed here as being among the most beautiful in the world.

1854 September 26.  Portland Weekly Advertiser.  (Portland, Maine.)  September 26, 1854, Vol. 54, No. 39. P. 2.

The Fair…Passing from this apartment, over the bridge, to Lancaster Hall, a gorgeous display meets the eye, superior in point of richness to anything of the kind ever exhibited in this State, at least amidst which it is difficult to determine where to strike first.  But here the exquisite photographic miniatures of Messrs. Masury & Silsby (Sic.) of Boston draw the attention of all lovers of the fine arts, and excite wonder at the perfection to which this branch of art but a year or two old, has been carried.  In juxtaposition to these is the case of daguerreotypes from Mr. George M. Howe of this city, which won such encomiums at the Great Exhibition in New York.                                                                                                      

1856 December 4.  Maine Farmer.  (Augusta, Maine.)  December 4, 1856, Vol. XXIV, No. 50, P. 1.

Maine State AG. Society.  Awards Of Premiums…. Division IV.  Class VI—Miscellaneous And Incidentals…

G. M. Howe, Portland, daguerreotypes,…………Dip.

J. W. C. Morrison, Portland, photographs,………Dip.

R. Adams, Portland, ambrotypes,……………….Dp.

L. Wing[1], Waterville, do.,………………………2.00.

1857 February 17.  Christian Mirror.  (Portland, Maine.)  February 17, 1857, Vol. XXXV, No.29, Whole No. 1797, P. 2.

Hayden Association.—The following is the list of officers recently chosen:

Present, Francis Blake; Vice President, Albert P. Pennell; First Conductor, George A. Churchill; Second Conductor, Samuel Thurston; Secretary, Charles P. Carlton; Treasurer, Parmenio W. Neal; Librarian, Cyrus Staples; Investigating Committee, John L. Shaw, Arthur L. Ilsley, George M. Howe.

1857 March 10.  Portland Weekly Advertiser.  (Portland, Maine.)  March 10, 1857, Vol. 57, No.11, P. 3.

Pictures!  It is well known that the Ambrotypes & Daguerreotypes, Taken at George M. Howe’s, Are equal to any taken in this country!

All those who desire to see or obtain a satisfactory Picture are respectfully invited to call at the Old Stand—No.112 Middle Street.

1857 March 31.  Christian Mirror.  (Portland, Maine.)  March 31, 1857, Vol. XXXV, No.35, Whole No. 1803, P. 3.

Pictures!  It is well known that the Ambrotypes & Daguerreotypes, Taken at George M. Howe’s, Are equal to any taken in this country.

All those who desire to see or obtain a Satisfactory Picture are respectfully invited to call at the Old Stand—No.112 Middle Street.

Advertisement ran from March 31, 1857 to January 3, 1860.

1857 April 7.  Christian Mirror.  (Portland, Maine.)  April 7, 1857, Vol. XXXV, No. 36, Whole No. 1804, P. 2.

Dr. Cummings.—The friends of the late Dr. Cummings may see an excellent likeness of him in Mr. Todd’s window, Middle St.  It was painted by Mr. J. P. Hardy of Bangor, to whose work we called the attention of our readers last week, and to whose advertisement in our columns we would again refer.  This portrait is prepared from an enlarged photograph, which was obtained from a daguerreotype of Mr. G. M. Howe, artist of this city.  The picture must therefore have the accuracy of a sun-light impression, with all the expression of oil colors.  Oil Painting in connection with the camera, seems to us the perfection of the art.

1859 January 1.  Daily Eastern Argus.  (Portland, Maine.)  January 1, 1859, Vol. XXVII, No. 1, P. 2.

Photographs!  George M. Howe, No. 112 Middle Street, Is Taking Splendid Photographs Go, and see for yourselves.  nov. 22, 1858.

Advertisement was recorded from January 1, 1859 to March 1, 1860.

1859 April 19.  Portland Weekly Advertiser.  (Portland, Maine.)  April 19, 1859, Vol. 59, No. 16, P. 3.

Photographs.  George M. Howe, No. 112 Middle Street….Is Taking….Splendid Photographs.  Go And See For Yourselves.

Advertisement ran five times between April 19 to July 12, 1859.

1859 July 16.  Portland Daily Advertiser.  (Portland, Maine.)  July 16, 1859, Vol. 29, No. 166, P. 4.

Photographs.  George M. Howe, No. 112 Middle Street….Is Taking….Splendid Photographs.  Go And See For Yourselves.

1865 January 10.  Christian Mirror.  (Portland, Maine.)  January 10, 1865, Vol. XLIII, No. 25, Whole No. 2212, P. 3.

George M. Howe, Photographer, No. 112 Middle Street, The finest collection of Pictures in the State may be seen at his Exhibition Rooms which is open to the public at all hours of the day.

Copies made in a superior manner.

Advertisement ran from January 10, 1865 to February 27, 1866.

[1] Probably Simon Wing.

Marcus Ormsbee

Daguerreian Stock and Materials, Daguerreotypes, , , , , , , , , ,

1842                62 Milk Street, Boston, Massachusetts.[1]

1843                75 Court Street, Boston, Massachusetts.

1843-1844       31 Middle Street, Over J. D. Kidder’s Store, Portland, Maine.

1845-1846       144 Middle Street, Portland, Maine.

1847-1851       112 Middle Street, Portland, Maine.

1848                Cataract Block, Saco, Maine

1849-1850       8½ Daniel Street, Portsmouth, New Hampshire.

1851-1862       203 Washington Street, Boston, Massachusetts.1

1855                777 Washington Street, Boston, Massachusetts.1

Marcus Ormsbee, this is a partial record of his activity before the partnership Ormsbee & Silsbee in Portland, Maine and Boston, Massachusetts (see yesterday’s post for partnership records).  He was recorded in eleven advertisements (three of which he was mentioned in) and one announcement in four different newspapers.  The first advertisement appeared on January 2, 1844 in the Portland Weekly Advertiser (Portland, Maine).  Ormsbee’s Daguerreotype Rooms, For Colored Miniatures, No. 31 Middle Street….Portland.  The Proprietor, who was the operator and Teacher at the Daguerreotype Studio, No. 62 Milk St., Boston, where the art flourished and superseded all other establishments of the kind, (the first year) has, since that time, been employed in the same capacity, at the well-known establishment, “Plumbe” Daguerrian Gallery, No. 75 Court Street; and in fact, has been Teacher of this beautiful and most desirable art ever since the application of the process to taking miniatures.

In compliance with numerous and urgent invitations from the inhabitants of Portland and vicinity, he has opened Rooms, (as above) where can be examined specimens of his work, some of which are taken of public men well known to most persons, and he does not hesitate in saying, would be recognized from their miniatures as readily as they could be, were their faces reflected in a mirror.—He is as will be observed, (having been long time familiar with every department,) well qualified to instruct, or execute, in the very best manner, Miniatures taken from life, copies of Portraits, Bust, Pictures, &c. &c., and color them equal to the finest and most delicately finished painting, with every variety of color in the dress.

His prices being the same, with settings and case, as heretofore charged without—the advantage to his Glass House, so easy of access, (being but one flight of the stairs from the ground)—also affording a light that will admit of producing equal results in any weather—he hopes from these inducements to receive an early call from those who are wanting miniatures taken by his process, which he warrants to produce a copy that cannot be mistaken by the youngest acquaintance.  He will further say, that should the miniatures after being taken and put into cases, not suit, the persons are under no obligation to take them.

N. B.  Instructions in the art given, and every article appertaining to the business furnished, warranted of the best quality, and at the very lowest prices.

Terms.—A single Miniature, with setting and case, $3.  Cases and Lockets furnished, (of superior quality,) from $5 to $15.

All communications (post paid) will receive prompt attention.  Dec. 27.

The second advertisement ran on June 4 & October 29, 1844 and on February 18, & April 15, 1845 in the Portland Weekly Advertiser.  The Art At Last Perfected!  By recent improvements, Ormsbee has brought the Daguerreotype Art of taking Miniatures to a perfection heretofore unparalleled, and he can now warrant, in every instance, a Perfect Likeness, colored or plain, and as strongly brought out as the finest painting or engraving.  Satisfactory proofs of this fact, may be seen at his Rooms, over the Store of J. D. Kidder, Middle Street, in the Miniatures of many well-known citizens, taken by him.  In no case will a sitter be obliged to pay for a Miniature unless it is perfectly satisfactory.

The process is not wearing to the most debilitated invalids; and such applicants as are confined at home he will wait upon at their houses, either in or out of the city.

A Single Miniature with handsome case $3.—Gold, Plated, and Gilt Lockets furnished cheaper than can be had here, or elsewhere.

Apparatus, with his late combination Lenses furnished, and instructions given at the lowest prices.  Portland May 29, 1844.

The third advertisement ran on December 3 to 24, 1844 in the Portland Weekly Advertiser.  Now.  Thanksgiving, Christmas and New-Year are approaching.  Those who wish to confer presents, on ‘Cousins,’ parents, brothers or sisters, could not select a more appropriate gift than a Beautiful Miniature, colored and correct to the minutest particular—such a one may be obtained for only $3, at Ormsbee’s Daguerreotype Rooms, (over J. D. Kidder’s ) Middle st.—Now Is The Time.  nov. 29.

The fourth advertisement appeared on April 15, 1845 in the Portland Weekly Advertiser.  Yes! It is rumored that Ormsbee is about leaving Portland—but notwithstanding his numerous invitations to go to Boston, Philadelphia, Washington and elsewhere, he is yet to be found at his old stand, “One Gross,” (143) Middle street, where he is now exhibiting Daguerreotype Miniatures taken by his very late improvement, by which they are taken much larger, more distinct, and in about one-fourth the time—the process now being but from 9 to 15 seconds sitting.  He is able to obtain Miniatures of groups of children much younger then heretofore, and to the same degree of perfection as of adults.

A single Miniature, with handsome case, $3—Gold, Plated, and Gilt Lockets furnished cheaper than can be had in any other place.

N. B.  Persons wishing to acquire the Art can be furnished with Apparatus of his recent improvements and be warranted with satisfactory instructions, with a few days’ practice, in the new process.

All communications, post paid, will be immediately answered.

The fifth advertisement appeared on December 16, 1845 in the Portland Weekly Advertiser. 

Thanks.  Giving, Christmas, and New Year’s.  If those in want of Presents for either of those days, would just reflect for a moment, will readily perceive the Great advantage that a Daguerreotype Miniature has over any other selection that would cost twenty times the amount.  Portland, Dec 2. 1845.

The sixth advertisement (the first he was mentioned in ) appeared on October 6, 1846 in the Portland Weekly Advertiser.  Commercial Academy.  Messrs. Keene & Drake Have opened a Room at 144 Middle Street, same entrance as to Ormsbee’s Daguerreotype Rooms, for the purpose of teaching Writing and Book Keeping…

The seventh advertisement ran on January 26 & February 2, 1847 in the Portland Weekly Advertiser.  Of Course!!  Although some have thought that Ormsbee would “of course” raise his prices for Daguerreotypes, because his competitors have left the city—he is yet happy to inform them that this opinion is incorrect.  All have still and opportunity of obtaining the most perfect Miniature, set in a good Morocco Case, for the same low price as heretofore–$1.50.  No. 112 Middle, opposite the [bot.] of temple St.

Then let those who are desirous of making the most acceptable Christmas or New Year’s Present, call on the subscriber and obtain a miniature of unrivalled finish.  See a new and splendid case of miniatures at the door.  Ormsbee.  Portland, Dec. 22, 1846.

The first announcement appeared on January 18, 1848 in the Maine Democrat (Saco, Maine).

Likeness of Gov. Fairfield.—Mr. Omsby (Sic.) has, at his Daguerreotype Room, an excellent likeness of the late Hon. John Fairfield, taken just before he left home for the last time,  From this he has taken several copies for some of our townsmen, and can take any number more.  The copies are life-like.  There are also likenesses from the plate engraved for the Democratic Review, but the expression is not so natural.  Mr. John Dennett has taken some very good Daguerreotype copies of this engraving.

Mr. Omsby’s room is in the Cataract Block, where all who wish may see this remembrancer of our late friend—and get a copy of their own features if they choose.

The eighth advertisement ran from April 11 to June 13, 1848 in the Maine Democrat.  Drowning.  “Drowning Men,”  the old adage says “will catch at straws.”  This I believe to be the case with my neighbor, and I would say competitor, had he ever produced one miniature that would bear the least comparison with the most ordinary of even the subscriber’s pupils.  The gent, of course a scholar, being a preacher and doctor, has called the public attention by his advertisement, which I presume he thinks is somewhat peppered with wit.  The troubled man says to the public, not to be duped by persons boasting of their superiority.  In reply to this, I will say that the gent fired without effect, as the daily increase of my customers induce me to believe that his reference to two or three group specimens, which were taken when in practice as a pupil , will not change public opinion in any degree, as relates to his, the ‘Elder’s great Humbug.’  Truly wonderful discoveries!  Hillographic Drawings, not the old dark, rough Daguerreotype, as he is pleased to call it.  I will further state to the public, that I practice the Daguerreotype process, and keep pace with the improvements in the art, having been favored with business enough to keep my whole time employed.  I shall not be obliged to attend two or three other kinds of professions, therefore can give my customers the best miniatures the art affords.  Ormsbee.  Saco, April 3, 1848.

The ninth advertisement (second that he was mentioned in) ran from July 12 to September 14, 1848 in the Portsmouth Daily Advertiser (Portland, Maine). 144 F. M. Danielson Having taken a Room No. 144 Middle Street, wishing to solicit the favor of the citizens of Portland and vicinity, in sitting for their Daguerreotypes, having been in the employ of Ormsbee & Silsbee for the past, and Ormsbee the two years preceding years, feels confident that he can satisfy his patrons with a Daguerreotype Miniature, equal if not better than any one who professes the art, and at the very low price of $1.50 put into Velvet lined, and $1.25 in silk lined cases. May 9. 144 Middle Street.

The tenth advertisement ran from December 26, 1849 to July 18, 1850 in the New-Hampshire Gazette (Portsmouth, New Hampshire).  Daguerreotypes Executed by the aid of Sky-Light.  The subscriber having made some further improvements, also securing the assistance of Mr. F. M. Danielson, his operator for about four years, and the past year having obtained the premium for the best miniatures, feels assured in stating to the citizens of Portsmouth and vicinity, that they may obtain likenesses as much superior to any ever made by common process, as those would be when compared with pictures taken when in the infancy of the Daguerreotype art.  Ormsbee.  Rooms 8½ Daniel street.  dec. 18.

The eleventh advertisement (third that he was mentioned in ) ran from November 13 to 15, 1850 in the Portland Daily Advertiser (Portland, Maine).  Daguerreotype Notice.  The subscriber having disposed of his Stock and Stand to George M. Howe would respectfully recommend him to his friends and the public generally.  M. Ormsbee.

Notice Extra!  George M. Howe having purchased the Stock and taken the Stand of M. Ormsbee would inform the public that Daguerreotypes can be had at his place as well as at any other establishment in the city or country.  Having secured the services of Ormsbee’s best operators he cannot fail to satisfy his customers.

Miniatures taken in any kind of weather, from one dollar to ten and rendered satisfactory, or no charge, at No. 112 Middle street.

Marcus Ormsbee is known and appears in several photographic directories, histories and journals.  The first advertisement we learn that in 1843 he was working for John Plumbe, Jr. in Boston.  A closer look is needed with his activity during and after 1848.  According to Craig’s Daguerreian Registry the partnership (Ormsbee & Silsbee) ended in 1848.  That is verified in the announcement that appeared on January 18, 1848 in the Maine Democrat (Saco, Maine), and the following advertisement that ran from April 11 to June 13, 1848 in the Maine Democrat.   In the advertisement that ran from December 26, 1849 to July 18, 1850 in the New-Hampshire Gazette we learn that he is operating in Portsmouth, New Hampshire.  That makes the advertisement that ran from June 1, 1858 to February 20, 1851 in the Christian Mirror (Portland, Maine). Question that assessment.  Daguerreotypes can be obtained at the rooms of Ormsbee & Silsbee, 112 Middle St. from the size fitting the Smallest Ring, Bracelet or Pin, to that of the plate measuring 55½ square inches.

Also—apparatus and stock of every kind appertaining to the business, furnished at prices Low as Can be purchased elsewhere.

N. B.  Instructions given in their Peculiar mode of operating.

Except for the eleventh advertisement above, where he sold the gallery and supplies to George M. Howe on November 13, 1850.  

[1] A Directory Of Massachusetts Photographers 1839-1900.

J. W. C. Morrison 

Ambrotypes, Daguerreotypes, Photographic Stock and Chemicals, Photographs, , , , , , , , , , , , , , , ,

1846-1847       Address Unknown, Bath, Maine.

1847-1848       Front Street, Bath, Maine.

1853-1855       Address Unknow, Portland. Maine.

1856-1858       130 Middle Street, Portland, Maine.

1858-1859       130, 134 and 136 Middle Street, Portland, Maine.

1860                139 Middle Street Portland, Maine.[1]

1861                26 Market Square, Portland, Maine.

J. W. C. Morrison was recorded in thirteen advertisements (four of which he was mentioned in) and seven announcements in seven different newspapers.  Morrison was in the partnership of Silsbee & Morrison; Smith & Morrison and Albert M. McKenney who worked for/with.  The first announcement appeared on January 2, 1847 in the Maine Cultivator and Hallowell Gazette (Hallowell, Maine).  Smart Day’s Work.—Twenty Daguerreotype likenesses were taken, finished and delivered yesterday by Silsby & Morrison.—Bath Tribune.

The first advertisement ran from April 27, 1847 to May 13, 1848 in The Northern Tribune (Bath, Mine).  J. W. C. Morrison, Daguerrean Gallery, Front Street, Bath, Me.  Four Doors North of the Eliot House.

The second advertisement ran from November 6, 1847 to May 13, 1848 in The Northern Tribune.  City Daguerrian Gallery.  J. W. C. Morrison, At his Old rooms, four doors North of the Eliot House, Front St., continues to furnish pictures in the best style of the art, and unsurpassed by any in the country.

Mr. Morrison would invite the public to call and examine specimens of his work, among which may be found many familiar faces, depicted with the utmost truthfulness and beauty.

Pictures taken of the sick and deceased persons by leaving orders at his rooms.

Views of Buildings and Landscapes taken, without being reversed.  Bath, August 21, 1847.

The third advertisement ran from December 13, 1847 to January 26 1848 in The Northern Tribune.  For Holiday Presents or Gifts Of Affection, Daguerreotype Miniatures are acknowledged by universal custom to be the most proper.

They can be procured at all hours, at Morrison’s City Gallery and set in a few minutes in Frames, Cases, Lockets, &c., a large assortment of which in constantly on hand.”

The second announcement appeared on December 27, 1847 in The Northern Tribune.  Presents.  There is nothing more appropriate for a present than a Daguerreotype Miniature.—They can be had in this city in the highest state of perfection.  For further particulars see Daguerrian advertisements.  Bath Daguerrian can’t be beat.

The fourth advertisement (first he was mentioned in) ran from July 18 to September 26, 1850 in the Eastern Times (Bath, Maine).  Daguerreotype Rooms.  B. F. Upton respectfully announces to the ladies and gentlemen of Bath and vicinity, that he has taken the rooms formerly occupied by Mr. J. W. C. Morrison, where he will be happy to supply any in want with superior Daguerreotype Miniatures.

All are invited to call and examine specimens.

The third announcement appeared on October 25, 1853 in the Portland Weekly Advertiser  (Portland, Maine).  [Cumberland County Agricultural and Horticultural Society.]  The Cattle Show And Fair—Second Day.  Pictures…In the center of the hall was a case of photographic pictures, or daguerreotypes on paper, of familiar views, by Smith & Morrison & Co…

Of daguerreotypes, Carlton and Howe contributed two cases of very life-like and beautiful specimens.

The fourth announcement appeared on November 8, 1843 in the Portland Weekly Advertiser.  Cumberland County Agricultural and Horticultural Society.  Agreeable to notice , the Fair and Show commenced in Portland on Wednesday, Oct. 19, 1853.  The Cattle Show was held in the pasture, corner of Green and Portland Streets.  The Fair of produce and manufactured articles, at Lancaster Hall…

Premiums on Fine Arts, &c…

In regard to Daguerreotypes and Photographs, which perhaps may not be classed so properly under any other department as this.  Your committee particularly recommend notice to be made by you by a Diploma of the fine Crystalotypes (called Daguerreotypes on paper) exhibited by Smith & Morrison of Portland.  As most creditable beginnings of the introduction into our vicinity, so much to be hoped for, of the beautiful development of Photography.

Of the Daguerreotypes exhibited by Geo. W. Howe, as well as those by Mr. S. L. Carlton, they urge honorable mention as sustaining the reputation which the professors of that art have well earned, during many years for those executed here as being among the most beautiful in the world.

The fifth announcement appeared on October 3, 1854 in the Portland Weekly Advertiser.  The Fair…In Lancaster Hall.  Messrs. Smith & Morrison of this city, contribute a great variety of their superior Photographic likenesses and views.  This branch of the art has been pushed to a wonderful degree of perfection and in the above named firm finds exceedingly skilfull followers.

Mr. S. L. Carlton, the well known daguerreotypist, has a fine show of miniatures, &c., among which are likenesses of many of our city worthies—and one of Lady Cusac Rooney.

Mr. Frank Danielson, successor to Stevens, has also a collection of choice specimens in the daguerreotype line, which will not suffer in comparison with any other in the apartment. 

The fifth advertisement ran from September 30, 1856 to November 24, 1857 in the Christian Mirror (Portland, Maine).  Ambrotype, Photographic, And Daguerreotype Materials, Of the best quality, for sale at Morrison’s Photographic & Daguerreotype Rooms 130 Middle Street, Portland, Me.

The sixth advertisement ran from September 30, 1856 to November 17, 1857 in the Christian Mirror.  Pictures Taken On Glass, by an instantaneous process, differing from the Ambrotype, not being subject to blister or stain, susceptible of any degree of coloring, and their durability placed beyond a question, are now executed daily, at Morrison’s Photographic Daguerreotype Rooms 130 Middle Street.

Those desirous of securing likenesses of Infants, will find this process (by experienced hands) never fails, requiring but one or two seconds sitting, and the results the most satisfactory and reliable of anything yet produced by the Photographic art.  J. W. C. Morrison.

The seventh advertisement ran from September 30, 1856 to October 21, 1856 in the Christian Mirror.  Notice Photographic.  Having secured the services of that old campaigner in the Daguerreotype business, and oldest Ambrotypist in the State, A. M. McKenney, Esq., I am now able to give more of my personal attention to the production of first rate Photographs Pictures from Life, or Copies of Daguerreotypes, executed at short notice.  J. W. C. Morrison, 130 Middle Street.

The eighth advertisement ran from September 30 to October 21, 1856 in the Portland Weekly Advertiser.  Pictures Taken On Glass, by an instantaneous process, differing from the Ambrotype, not being subject to blister or stain, susceptible of any degree of coloring, and their durability placed beyond a question, are now executed daily, at Morrison’s Photographic Daguerreotype Rooms 130 Middle Street.

Those desirous of securing likenesses of Infants, will find this process (by experienced hands) never fails, requiring but one or two seconds sitting, and the results the most satisfactory and reliable of anything yet produced by the Photographic art.  J. W. C. Morrison.

The ninth advertisement ran from September 30 to October 21, 1856 in the Portland Weekly Advertiser.  Ambrotype, Photographic, And Daguerreotype Materials, Of the best quality, for sale at Morrison’s Photographic & Daguerreotype Rooms 130 Middle Street, Portland.

The sixth announcement appeared on December 4, 1856 in the Maine Farmer (Augusta, Maine). Maine State AG. Society.  Awards Of Premiums…. Division IV.  Class VI—Miscellaneous And Incidentals…

G. M. Howe, Portland, daguerreotypes,…………Dip.

J. W. C. Morrison, Portland, photographs,………Dip.

R. Adams, Portland, ambrotypes,……………….Dp.

L. Wing[2], Waterville, do.,………………………2.00.

The tenth advertisement (the second one he was mentioned in) appeared on September 28, 1858 in the Christian Mirror. Photographs and Ambrotypes, Stearns & McGlaughlin, (successor to J. W, C. Morrison.) At their chambers, 130, 134 and 136 Middle St., Are producing these pictures in all the various styles of the art and equal to any in the country; from the Life Size Head down to the tinniest Locket picture. Satisfaction Warranted in all cases.

Particular attention paid to taking pictures of Sick Or Deceased Persons, in the city, or at a distance. 

Also we have extra facilities for taking-views of Residences, Churches, Public buildings,  Natural scenery &c. &c. in the city or elsewhere. 

Copying done in the neatest manner.

The public are invited to visit our Rooms and examine our large collection of specimens.

Don’t forget the Nos.  130, 134 and 136 Middle St. Portland, ME.

The eleventh advertisement (third he was mentioned in) appeared on October 1, 1858 in the  Zion’s Advocate (Portland, Maine).  Photographs and Ambrotypes, Stearns & McLaughlin, Successors to J. W. C. Morrison.  At Their Chambers, 130, 134 and 136 Middle Street, Are producing these pictures in all the various Styles of the art and equal to any in the Country, from the life size head down to the tinniest Locket picture.  Satisfaction warranted in all cases.

Particular attention paid to taking pictures of sick or deceased, in the city, or at a distance—also we have extra facilities for taking-views of Residences, Churches, Public Buildings or Natural Scenery in the city or elsewhere.  Copying done in the neatest manner.

The public are invited to visit our Rooms and examine our large collection of specimens.

Don’t forget the No. 130, 134 and 136 Middle Street.

The twelfth advertisement (fourth he was mentioned in appeared on January 18, 1859 in the Portland Weekly Advertiser.  Isaac H. Dupee, Photographer and Ambrotypist, Would Inform the citizens of Portland and vicinity, that he has taken the well known rooms of J. W. C. Morrison, for the purpose of making a permanent business of the art.  having had ten years experience in the business, he flatters himself that he can satisfy all who may want a good Likeness, and permanent pictures of themselves, or friends.

Every kind of work done at these rooms, usually done in our line of business.  We will [do our] best endeavors to please.

Particular attention paid to [ ? ], Also, to making Pictures of Sick or Deceased persons—and all work entrusted to his care will be done in the Best Manner, and at reasonable rates.

I keep constantly on hand a good assortment of Gold Lockets, Cases, Frames, &c. &c.—all of which will be sold very low.

The seventh announcement appeared on June 18, 1861 in the Christian Mirror.  Picture Frames.—From the advertisement of Mr. Morrison, in this paper, it will be seen that he has removed to larger and more commodious rooms, 26 Market Square.  He has a large stock of plain and ornamental, gilt, black-walnut and rose-wood mouldings—together with a complete assortment of Photographic materials.

The thirteenth advertisement appeared on June 18, 1861 in the Christian Mirror.  (Removal!  J. W. C. Morrison, & Co., Manufactures and dealers in Picture Portrait and Looking Glass Frames, have removed to No. 26 Market Square, opposite Doering Hall, where may be found Gilt prepared, and Ornamental Mouldings of every style and finish, Looking Glass Frames, &c.

Also an ample stock of Photographic Goods including every article needed by the Photographic Artist.

J. W. C. Morrison is recorded in Craig’s Daguerreian Registry but the above provides more information, earlier dates and unknown partnerships.

[1] Craig’s Daguerreian Registry.

[2] Probably Simon Wing.

Gerrish

Daguerreotypes, , , , ,

1851                Address and Location Unknown, Maine.

Gerrish of the partnership Stevens & Gerrish was recorded in one announcement in November 4, 1851 in the Portland Weekly Advertiser (Portland, Maine).  Cumberland County Agricultural And Horticultural Society.  Agreeably to notice, the Fair and Cattle Show commenced on Wednesday, October 15, 1851 in Portland.

The Cattle Show was held in the pasture, corner of Green and Portland streets, the exhibition of produce, Manufactured articles, &c., at the City Hall…

Daguerreotypes:—There were numerous specimens of Daguerreotypes, from Geo. M. Howe, Messrs. Stevens & Gerrish and Mr. Samuel Carlton.  The committee could see but slight difference between those of Howe, and Stevens & Gerrish, both were believed to be as near perfection, as the daguerreotype process will allow, but on the whole the evidence of artistical skill in those of Messrs. Stevens & Gerrish, inclined the committee to give theirs the preference, and they awarded them a premium, 2.00.  To those of Mr. Howe they awarded a diploma.

Mr. Carlton has many admirers in his line, and deservedly so.

Gerrish is not recorded in other photographic directories.