Tag Archives: Daguerreotypist

D. J. Kellogg

1851                Rooms in Champion’s Block, opposite the Court House, Batavia, New York.      1851                Rooms two doors east of J. H. Story’s Dry Goods Store, Cooperstown, New                                    York.                                                                                                                                              1851-1852     Rooms in Taggart’s Block, opposite Genesee House, Batavia, New York.

D. J. Kellogg was recorded in three advertisements and two announcements. The first advertisement ran from March 11 to April 15, 1851 The Spirit of the Times (Batavia, New York). Encourage the Arts.  D. J. Kellogg, Daguerreotypist And Portrait Painter, Offers his services in the line of his Arts to the Ladies and Gentlemen of Batavia, and adjacent country.  Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as clear.  The public are respectfully invited to call and examine his specimens.  Miniatures taken and put in fine cases for the small sum of 75 cents or $1.00.  Those wishing Daguerreotypes will do well to call soon, as Mr. K. will remain in town but a few days.

N. B. Lessons given in landscape Painting and Drawing. Rooms, in Champion’s Block, opposite the old Court House, till May 1.

The first announcement ran on August 23, 1851 in The Freeman’s Journal (Cooperstown, New York).  Daguerreotypes.—Mr. D. J. Kellogg is taking daguerreotypes at his rooms in the building adjoining our office.  He has some specimens which we have never seen surpassed.

The second advertisement ran on August 23 & 30, 1851 in The Freeman’s Journal (Cooperstown, New York).  Encourage the Arts.  D. J. Kellogg, Daguerreotypist And Portrait Painter, Offers his services in the line of his Arts to the Ladies and Gentlemen of Cooperstown and the adjacent country.  Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as clear.  The public are respectfully invited to call and examine his specimens.—Miniatures taken and put in fine cases for the small sum of 75 cents or one dollar.  Those wishing Daguerreotypes will do well to call soon, as Mr. K. will remain in town but a few days.

Rooms, two doors east of J. H. Story’s Dry Good Store.  August 20, 1851.

The second announcement appeared on August 30, 1851 in The Freeman’s Journal (Cooperstown, New York).  Daguerreotypes.—Mr. Kellogg’s pictures are beginning to be appreciated by our citizens, who have never had a better opportunity afforded them for procuring superior likenesses.—Mr. K. remains only a short time in the village.

The third advertisement ran from October 28, 1851 to January 20, 1852 in The Spirit of the Times (Batavia, New York).  D. J. Kellogg, Daguerreotypist And Portrait Painter,  Offers his services in the line of his arts to the Ladies and Gentlemen of Batavia, and the adjacent country.—Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as in clear.

The public are respectfully invited to call and examine his specimens.  Those wishing Daguerreotypes will do well to call soon, as Mr. K., will remain in town but a few days.

N.  B.—Lessons given in Landscape Painting and Drawing.                                                              Rooms in second story of Taggart’s Block, opposite Genesee House.

D. J. Kellogg is not listed in other photographic directories. In tomorrow’s post is a listing for Daniel J. Kellogg which is possibly the same person.

J. B. Keller

1850-1851       S. A. Bailey’s Building, Cooperstown, New York.                                                      1851                   Rooms over D. F. Olendorf’s Variety Store, Cooperstown, New York.

J. B. Keller was recorded in two advertisement in The Freeman’s Journal (Cooperstown, New York). The first advertisement ran from August 3, 1850 to February 15, 1851. Cooperstown Daguerrian Gallery.  L. B. Keeler Respectfully announces to the public, that he has permanently located himself in the Daguerreotype business in the village of Cooperstown, where he is prepared to take likenesses in a style not to be surpassed.  Having made himself acquainted with all the late and valuable improvements in the art, and also furnished himself with Apparatus, Stock, &c., of the first quality, he feels confident that he can suit even those who are the most difficult.  Being a member of the American Photographic Association, he is constantly receiving every new and important improvement in the art, thereby enabling him to give entire satisfaction.  Likenesses set in Lockets, Pins, Bracelets, or Rings.  Miniatures of the sick or dead, views of Buildings, Machinery, &c. taken in any part of the country.  Perfect satisfaction guaranteed.  Should any defective change take place in any picture taken in this Gallery, a new one will be given free of charge.  The public will at once see the advantage of patronizing a permanently located artist.  Ladies and Gentlemen are invited to call and examine Specimens.  Rooms one door west of J. Cockett’s Store in S. A. Bailey’s building, up stairs.

Instructions given in the art on reasonable terms.      Cooperstown, August 1, 1850.

The second advertisement ran from February 8 to March 15, 1851.  Look Here!!  L. B. Keeler, Takes Daguerreotype Likenesses and puts them up with preservers in a good morocco case for One Dollar, guarantees entire satisfaction, warrants his pictures never to fade, and being permanently located. Pledges himself to make good any defective change that may take place with his pictures.

Persons consulting their own interest as well as his will give him their patronage.  Rooms over D. F. Olendorf’s Variety Store.              Cooperstown, February 7, 1851.

J. B. Keller is not recorded in other photographic directories.

Keene & Cannon

1841                Over J. S. Perkins & Co.’s, entrance 178 Essex Street, Salem, Massachusetts.

Keene & Cannon (Peter H. Keene & Marsena Cannon) were recorded in two advertisements and two announcements.  The first advertisement ran from July 29 to October 7, 1841.  In the Salem Register (Salem, Massachusetts).  Miniature Portraits By Daguerreotype, Over J. S. Perkins & Co.’s, entrance 178 Essex Street. Messrs. Keene & Cannon respectfully invite the attention of the citizens of Salem and vicinity, to their new Daguerreotype Establishment.  Having obtained all the improvements in the photographic process, and procured a Camera, manufactured expressly for themselves, directly from the studio of Professor Morse, of New York, they will guarantee Miniature Portraits, unsurpassed incorrectness and beauty by any like establishment in the Union.  And no person will be permitted to take pictures from their room unless perfectly satisfactory.—Their pictures are entirely free from that unnatural and distorted appearance which is so often seen in productions of the kind; nor is the subject detained with long and tedious sittings, but in a few moments after entering the room, he may gaze on a facsimile of himself, of Nature’s own pencilling, as perfect as when reflected on a mirror; and far surpassing in precision and minuteness of delineation, the pencil of the most accomplished artist.

In conclusion they would remark, that they esteem the good old proverb, “by their works shall ye know them,” and by it they are willing to be tried.  Call at their room, and at Mr. Whipple’s Bookstore, and examine specimens.

Miniatures set in cases, from $4 to $5.  Groups taken if required.  Instructions $25.  Apparatus and materials furnished to pupils of superior quality

The first announcement appeared on August 9, 1841 in the Salem Register (Salem, Massachusetts).  Daguerreotype Miniatures.  We would call the attention of or readers to the new Daguerreotype Establishment of Messrs. Keene & Cannon, in the chamber over the store of J. S. Perkins & Co., entrance No. 178 Essex street.  Their apparatus, manufactured expressly for themselves, in complete, and embraces all the improvements in the photographic process, recently introduced into this country.—The miniatures executed by them are wonderfully perfect, and surpass in correctness and beauty any that we have ever seen; they as far exceed those that have ever before come under our notice, as an exquisitely finished steel engraving does one coarsely and clumsily executed on wood.  Indeed, we can conceive of nothing which can be added to make these pictures more life-like, unless it be the colors and tints of nature itself.  In this respect only, if at all, can a painted portrait be preferred.  In all others, in accuracy and minuteness of delineation, in the striking correctness of the features, in the delicate alterternations of light and shade, the Daguerreotype Miniature is as much superior to a painting, as the veritable productions of Nature are to the pencillings of the most accomplished artist.—These superiorities, together with the ease with which the likenesses are taken, (requiring a sitting of only a minute or two) and the low price at which they can be obtained, must render them exceedingly popular.  If any one thinks our assertions overwrought, let them call at the studio of Messrs. Keene & Cannon, examine some of their specimens, and satisfy himself of the wonderful results of this process.  A picture comprising more than one individual can be taken, if required, and this fact will afford families a good opportunity to obtain interesting collections.—Several very beautiful representations of children in groups have been executed by the gentlemen of whose artistical efforts we have been speaking.

What new wonders may be in store for us from further improvements, we know not.  Daguerre, the originator of the process, is constantly making important improvements, and the able Paris correspondent of the National Intelligencer writes that he has nearly perfected his invaluable discovery, in obtaining instantaneous impressions by means of electricity.  A slight haze, however, is left on the impression, which he wishes to correct before he exhibits the results of his new process.  Daguerre’s friends boast that he has now rendered it easy to copy the largest assembly of persons, with their momentary countenances and most animated gestures!

The second announcement was recorded from the Massachusetts Charitable Mechanic Association records, September 20, 1841.  Exhibited daguerreotypes at the third exhibition of the Massachusetts Charitable Mechanic Association Fair.  No award was given.

The second advertisement ran from October 7 to October 25, 1841 in the Salem Register (Salem, Massachusetts).  Daguerreotype Miniatures, By M. Cannon, Over J. S. Perkins & Co.’s, entrance 178 Essex Street.

Miniatures taken in any weather, fair or foul, from 9 o’clock A. M. till three P. M.  Instruction given on reasonable terms, and Apparatus and Materials of superior quality furnished and warranted good.

Miniatures from three to five dollars, including a good morocco case, or they will be set in Lockets or Breast Pins.  Groups taken if desired.  Those who have been waiting on Keene & Cannon, for Miniatures, will call on the subscriber, who is authorized to settle all the affairs of the firm.  Marsena Cannon.

Keene & Cannon are not recorded in A Directory of Massachusetts Photographers 1839-1900.  Both Peter H. Keene and Marsena Cannon are recorded in other photographic directories.  Craig’s Daguerreian Registry does reference the partnership under Peter H. Keene, but does not identify Marsena Cannon as the partner.

Robert N. Keely

1856                332 North Second, Philadelphia, Pennsylvania.[1]

Robert N. Keely appeared on April 1, 1856 in the Photographic and fine Arts Journal (New York, New York).  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Keely. — Pretty fair daguerreotypes, clear and sharp. Seems to be a working gallery.

Robert N. Keely is recorded in other photographic directories, but is included here because of the first-hand account of his work.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

J. D. Keeler

1845                  Rooms at Mrs. Mellons, over the Bank, Yazoo City, Mississippi.

J. D. Keeler was recorded in an announcement and an advertisement in The Yazoo City Whig (Yazoo City, Mississippi). The announcement appeared on March 7, 1845.  Photographic Likenesses.  It will be seen by reference to our advertising columns, that Mr. J. D. Keeler is now in this place, and prepared to take Photographic Likenesses by the Daguerreotype Process.  That Mr. Keeler is a perfect master of the art, we have not a doubt, as we see his likenesses, wherever he has been, spoken of in the highest terms of commendation.  Indeed, Mr. Keeler brought us letters from gentlemen of the first respectability, testifying to the fact.  Those who wish their likenesses taken, will do well to give him a trial.  We would advise some young men in this place, to have their likenesses taken, and present them to their lady-love.  Will you do it?

The advertisement ran from March 7 to 14, 1845.  Photographic Likenesses, By The Daguerreotype Process.  Mr. J. D. Keeler, would respectfully announce to the citizens of Yazoo City, and vicinity, that he has opened his room at Mrs. Mellons, over the Bank, for a very short time only.  Those who wish likenesses by this inimitable process, and in the most perfect style of the art, will do well to improve the present opportunity.  Likenesses taken in only a few seconds sitting, and in every case, entire satisfaction guaranteed.  March 6th, 1845.

J. D. Keeler does not appear in other photographic directories.

J. Keagy

1850                Rooms at the Court House, Charles Town, Virginia.

J. Keagy was recorded in two announcements. A third announcement is recorded but it is only speculation on my part that they are the same person. The first announcement appeared on April 16, 1850 in the Spirit of Jefferson (Charles Town, Virginia).  Daguerreotypes.  Mr. Keagy, a daguerrean Artist of considerable merit, is now sojourning in our town, and has his rooms at the Court House.  He has already taken some among the finest likenesses we have ever seen, and is prepared to do any work pertaining to the Daguerrean art.

The second announcement appeared on April 16, 1850 in the Spirit of Jefferson (Charles Town, Virginia).  Daguerreotype Miniatures Taken In The Best Style By J. Keagy, Daguerrian Artist.  Rooms at the Court-House, where he will remain but a short time, for the purpose of taking Miniatures by the improved Daguerrian process.

The Ladies and Gentlemen of Charlestown and Jefferson and cordially invited to call and examine Specimens which the subscriber feels confident will commend him to the patronage of all who wish good Daguerreotype Portraits.

N. B. These Miniatures are taken in all kinds of weather. Miniatures set in Lockets, Rings, etc. in the best style.

The third announcement appeared on October 15, 1855 in The Daily Dispatch (Richmond, Virginia).  … We publish elsewhere the farewell card of Mr. P. E. Gibbs, who leaves this city for Richmond.  We can but express regret at the departure from us of so accomplished an artist and worthy citizen as Mr. G. [  ?  ] congratulate the people of Richmond on his accession to that city.  As a daguerrean artist we regard Mr. Gibbs as without a superior anywhere.  He leaves the assurance that his place will be well filled in the person of his successor, Mr. Keagy.—Lynchburg Virginian, Oct. 12.

J. Keagy is not recorded in other photographic directories as being active in Charlestown Virginia or Lynchburg, Virginia. Craig’s Daguerreian Registry does list a John Keagy as being active in Chambersburg, Pennsylvania in 1860. Its unknown if they are the same person.

M. F. Kayser

1854                College Street, over Myers & McGill’s new store, Nashville, Tennessee.

M. F. Kayser was recorded in an advertisement that ran from March 10 to April 7, 1854 in the Nashville Union and American (Nashville, Tennessee). Daguerreotype Miniatures.—The undersigned would respectfully announce to the citizens of Nashville and the public generally that he has taken rooms over Myers & McGill’s new Store, S. W. corner of the Square, for the purpose of taking Daguerreotype Miniatures.  He respectfully asks for a share of public patronage, and hopes by close attention to business to please all.  He may be found at his rooms at all hours of the day.  Entrance on College street, 1st door from the Square.  M. F. Kayser, Artist.

M. F. Kayser is not recorded in other photographic directories.

Myron E. Judd

1851                   Address Unknown, Albany, New York.                                                                          1852-1854       41 South Pearl Street, Albany, New York.                                                                        1853-1856       3 Hathaway Building, Lansingburgh, New York.

Myron E. Judd was recorded in four announcements and one advertisement in Lansingburgh Democrat (Lansingburgh, New York).  The first announcement appeared on December 1, 1853.  It is currently reported that a new Daguerrean Saloon is to be opened in a few days in Hathaway’s building.  Judd of Albany is to be the artist.

The second announcement appeared on September 21, 1854.  The Country Fair…In the Daguerrian Gallery of Mr. Judd, we recognized many familiar faces, which gave the Fair quite a “home” aspect.

The advertisement ran from March 29, 1855 to March 6, 1856.  Daguerreotypes.  All persons Wishing To Secure good Daguerreotypes are again reminded that Mr. Judd takes the very best of Pictures in all kinds of weather.  He keeps constantly on hand a good assortment of plain and Fancy Cases, and his prices are strictly in accordance with the times—at the lowest rates.  It is needless to say, only to such as are not acquainted, that Mr. Judd takes the utmost pains to please.  Remember that life ins uncertain.  Secure the shadow ere the substance perish.  Put it not off until tomorrow, or you may regret it when too late.

The little laughing, loving child, in life so sweet                                                                                      Father, Mother, sister and brother, in a loving group do meet;                                                          But suppose that either or any by nature is taken away—                                                                        Quick! Then, be up, go over to Judd’s, and get their shadows to-day.

Yes and how dear is one of those daguerreotypes when any of our friends are suddenly taken away;—perhaps a father—perchance a mother.  How dear is the smile retained in a shadow when you see the originals no more.—Those persons wishing Good Likenesses of their Children should not wait until Saturday the most hurrying day of all the week.  Put by all, school not excepted.  Come when the light is good, to give the artist a good chance, and in return you will have a good picture.  Dress at all times in something dark.  Avoid as much as possible all light colors.  Wear brown, green, red, check or black.

Judd’s Rooms, No. 3 Hathaway’s Block, are as pleasantly located as could be desired.—Independent entrance, only one flight of stairs, easy of access to old people.  Mr. Judd is truly thankful for the liberal patronage bestowed upon him by the citizens of Lansingburgh and vicinity.  With increasing confidence in his ability to please, he would again invite all to his rooms, and solicit a continuance of the patronage so liberally bestowed upon him for the past year.  Myron E. Judd.   Lansingburgh, March 29, 1855.

The third announced appeared on April 19, 1855.  The more we examine the daguerreotypes taken by Mr. Judd, the more we are convinced that he has no superior as an Artist in this section of the State.  We have in our private daguerrean gallery perhaps forty specimens, taken by different artists, some here, some in Troy, New-York, and the far West, and we venture to say that no judge of a good picture would fail of arriving at the conclusion that Judd’s are clearly entitled to the premium.  His rooms are very tastefully fitted up, and he has every accommodation for visitors.  Another advantage in dealing with him is that he never lets a poor picture leave his hands—a person, therefore, who is no judge, stands an equal chance with those who are connoisseurs in the art.  One more fact we must mention—his charges will be found to be very moderate.

The fourth announcement appeared on November 15, 1855.  The Daguerrian Saloon formerly occupied by Mr. Judd, has passed into the possession of Mr. Clark, who is ready at all times to secure “the shadow, ere the substance perish,” for all those who wish it.—We noticed an Ambrotype of one of our active citizens hanging at his door a few days since—and if we can form an opinion from that, we judge that Prof. Judd’s mantle has fallen upon no unworthy successor.

Myron E. Judd is recorded in Craig’s Daguerreian Registry from 1851 to 1854 while in Albany, New York.

C. A. Jourdan

1853                King and Averell Block, Ford Street, Ogdensburgh, New York.

C. A. Jourdan was recorded in an advertisement that ran from January 18 to May 24, 1853 in the St. Lawrence Republican (Ogdensburgh, New York). Daguerreotype Gallery, King and Averell Block, Ford St. Daguerreotypes taken daily, from 9 A. M. until 4 P. M,, in cloudy as well as clear weather.

On Dress.  Figured or dark dresses of any material excepting velvet, are preferable for Ladies, and for Children light or figured dresses.  For Children, about mid-day is the best time to sit.  Pictures all times accurately copied.  Sick or deceased persons taken at their residences, if required.  C. A. Jourdan, Operator.

C. A. Jourdan is not recorded in other photographic directories.

Thomas Joslin

1856                Second and Christian, Philadelphia, Pennsylvania.[1]

Thomas Joslin was recorded in the Photographic and fine Arts Journal (New York, New York) on April 1, 1856.  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Joslin. — Pretty fair specimens of daguerreotyping.

Thomas Joslin is recorded in other photographic directories, but is included here because of the first-hand account of his work.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.