Tag Archives: Daguerreotypist

Ham, Francis W.

Daguerreotypes, ,

1848                Congress Hall,—Congress Street, Portsmouth, New Hampshire.

1848                S. Ham’s Building, opposite Mansion House, Portsmouth, New Hampshire.

1849                23 Congress Street, Portsmouth, New Hampshire.

1848 March 4.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  March 4, 1848, Vol. LIX, No. 10, P. 3.

Ham’s Daguerrian Gallery of Beautiful Colored Photographs, At Congress Hall,—Congress street.  Francis W. Ham respectfully informs the ladies and gentlemen of Portsmouth and vicinity that he has taken rooms formerly occupied by J. P. Plumer, is prepared to take likenesses in a few seconds with the greatest ease and comfort to the sitter, retaining a perfect natural expression.

Pictures will in all cases be gilded and warranted to be durable.  They will not fade either by time or exposure.  Being put up securely, they may be sent to distant parts of the country or across the ocean, and will not be effected by the sea air.  The perfection which has been attained in this art enables the proprietor to produce perfect likenesses of childrenas well as adults in an exceedingly short space of time.

Miniatures taken separately or in groups of any number, and neatly set in frames, morocco cases, lockets, breast pins or rings, as may be desired.  Likenesses of deceased persons also taken.  Portraits and miniatures faithfully copied.  A good assortment of gold and plated Lockets constantly on hand.

Instructions, embracing all the recent improvements in the art, given, and apparatus furnished to pupils on the most favorable terms.

Advertisement ran from March 8 to May 20, 1848.

1848 May 24.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  May 24, 1848, Vol. LIX, No. Extra, P. 3.

Ham’s Daguerrian Gallery Of Beautiful Colored Photographs, At Congress Hall,—Congress street

Advertisement ran from May 24 to December 28, 1848.

1849 January 13.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  January 13, 1849, Vol. LX, No. 2, P. 3.

“Come, sit thee down!”  In F. W. Ham’s New Daguerreotype Room, No. 23 Congress Street, (directly opposite the Mansion House,) and be furnished with a perfect picture of yourself.  He can assure all who may favor him with their patronage that this Peculiar Process and Lights, (both North and South,) are fully equal to any other, and pronounced by good operators to be first rate.

One Dollar Only will be charged for the best pictures in silk cases.  Other prices according to the quality of the cases, locket or frame.

Pictures of Children or Invalids taken by a very quick process peculiar to this establishment.

All are respectfully invited to call and examine specimens after looking elsewhere.

N. B.  All the specimens exhibited at the above room were executed by the subscriber.  Francis W. Ham.  No. 23 Congress Street.

Advertisement ran from January 13 to 27, 1849.

1849 January 13.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  January 13, 1849, Vol. LX, No. 2, P. 3.

Ham’s Daguerrian Gallery, Removed from Congress Hall to S. Ham’s Building, opposite the Mansion House.

Please call and examine Specimens.

Advertisement ran from January 13 to July 7, 1849.

Hall, N. B.

Daguerreotypes, Stereoviews, , , ,

1853-1855       Over the Store of J. Tobey, Middletown, Connecticut.

1853 October 19.  The Constitution.  (Middletown, Connecticut.)  October 19, 1853, Vol. XVI, No. 825, P. 3.

New Sky Light Daguerreian Gallery.  The subscriber would respectfully inform the citizens of Middletown and vicinity, that he has fitted up a large Sky Light Daguerreian Gallery, over the store of Mr. J. Tobey, and is now prepared to execute Daguerreian pictures in the most approved style.  Having been engaged in the business a number of years, with some of the first Operators in New York and New Haven, I flatter myself that I shall be able to suit all who wish, with as good a picture of themselves, as can be obtained at any establishment, and at any reasonable rates.

Particular attention will be given to taking Family Groups, on large Plates.

Pictures neatly set in Lockets, Pins, &c.  Paintings and Daguerreotypes copied.  Persons wishing to procure Pictures of Invalids, or deceased friends, will be waited upon at their dwellings, at reasonable rates.—Full Instruction given in the Art.  N. B. Hall.

Advertisement ran on October19 to 26, 1853.

1854 December 13.  The Constitution.  (Middletown, Connecticut.)  December 13, 1854, Vol. XVIII, No. 885, P. 4.

Daguerreotypes.  Middletown Daguerrian Gallery, over J. Tobey’s Store.  Hall & Ventres, Proprietors The subscribers begs leave to inform his friends and the public that he has associated with him in the Daguerrian business, Mr. D. B. Ventres, Jr., from New Haven, well known as an experienced operator.  The business will be continued at the above named place, where Hall and Ventres will be found ready at all times to attend to the wishes of those who may favor them with a call.  Having had six years experience in this beautiful art, and being conversant with all the modern improvements, he flatters himself that with the assistance of Mr. Ventres he will be able to please the most fastidious.

He returns his sincere acknowledgements for the flattering and liberal patronage bestowed on him since opening his Sky Light Gallery, and hopes his endeavers to please will continue to meet the approbation of his patrons.

Pictures taken of sick or deceased persons in or out of town, at short notice.  Pictures inserted in Lockets, Rings, &c.  Daguerreotypes and Painting copied.

Citizens and strangers are invited to call and examine specimens.  May 23d, 1854.

Advertisement was recorded from December 13, 1854 to January 24, 1855.

1855 January 25.  The Constitution.  (Middletown, Connecticut.)  January 25, 1855, Vol. XVIII, No. 891, P. 3.

Middletown Daguerreian Rooms, Over J. Tobey’s Store Nearly opposite the Court House.  D. B. Ventres, would take this opportunity to inform his old vfriends and patrons, and the public generally, that he has taken the above named Rooms, formerly occupied by N. D. Hall, newly fitted them up, and has everything arranged for taking First Class Pictures.  He is now prepared to take all kinds of pictures, such as Crayon, Vignette, Cameo Heads, also Stereoscopes, which are a most wonderful production of the art, and have never before been taken in this place.

He pays particular attention to taking pictures of Children, also of sick or deceased persons at their residences.  Copying from old Pictures or paintings done in a superior manner.  Miniatures inserted in Pins and Lockets, from common size down to the smallest.

He has on hand a large assortment of Frames and Cases, both plain and Fancy, which will be sold at the lowest Cash prices.

Ladies and Gentlemen are invited to call and examine specimens, among which may be found Stereoscopes, and one or two new styles of Tinting. and Coloring.

Perfect satisfaction given, or no charge.

Hall, E. C.

Daguerreotypes, , ,

1847                19 Market Square, Portland, Maine.

1849                Water Street, Over D. Alden & Co’s Hat and Cap Store, Augusta, Maine.

1852                Address and Location Unknown.

1847 June 15.  Portland Weekly Advertiser.  (Portland, Maine.) June 15, 1847, Vol. XLIX, No. 23, P. 3.

Daguerreotype Miniatures.  Rooms are now open at No. 19, Market Square, opposite City Hall, where miniatures will be taken in the neatest manner, at any hour in the day from 8 A. M. to 5 P. M., without regard to weather.

Citizens or Strangers visiting our rooms, can have Miniatures taken in this unique style, and well set in Gold Lockets, Pins, Rings, Bracelets, Cases, Frames, &c. in a few moments.

All pains will be taken to finish Pictures in the highest perfection of the Art, and no persons will be expected to take them unless they are perfectly satisfactory to themselves and friends.

Instruction will be given in the Art: and the process explained from the first taking of the plate to the last finish of the picture.  E. C. Hall & Co.  Portland, April 27, 1847.

1849 May 31.  Maine Farmer.  (Augusta, Maine.)  May 31, 1849, Vol. XVII, No. 22, P. 3.

Daguerreotype Rooms, Over D. Alden & Co’s Hat and Cap Store, Water Street, Augusta, Maine.  The subscribers would respectfully inform the people of Augusta and vicinity, that they have had long experience in their business, and have within the last six months made a simple discovery and decided improvements, which is highly pleasing to the operator and subject.  By this new beautifier and accelerating chemical agent, with our top-light and large apparatus, miniatures will be executed in the surprising short space of from 3 to 15 seconds, bearing any tone, from deep, rich shade, to the freshness of life.  Those having poor and spotted Daguerreotypes, taken by the old process, can exchange them for finished ones, (warranted not to change,) for the very low price of $1.  Ladies and Gentlemen are invited to call and judge for themselves.  Rooms open from 7 A. M. to 6 P. M.

Instruction given in the Art, with all the late improvements.  Apparatus of all kinds for sale, and stock of the best quality.  E. C. Hall & Co.

Advertisement was recorded between May 31 to December 26, 1849.

1852 October 13.  The Granite Farmer.  (Manchester, New Hampshire.)  October 13, 1852, Vol. III, No. 41, P. 6 & 7.

Awards of Committees…

Fancy And Useful Articles…

S. B. Richardson, Nashua, Daguerreotypes, Medal.

F. A. Brown, Manchester, Daguerreotypes, Diploma.

E. C. Hall, [Unknown], Daguerreotypes, Diploma.

Hall, Alfred

Ambrotypes, Daguerreotypes, Melainotypes, Photographs, , , , , , ,

1851                2 Museum Building, Manchester, New Hampshire.[1]

1853-1856       Essex Street, 8 City Block, Lawrence, Massachusetts.1

1857-1861       142 Essex Street, Lawrence, Massachusetts.1

1862                142 Essex Street, Lawrence, Massachusetts.

1865                Address Unknown, Lawrence, Massachusetts.1

1851 September 23.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  September 23, 1851, Vol. 2, No. 283, P. 2.

Money Found.  On Sunday the 21st day of September.  The owner can have the same by calling on Alfred Hall, at Brown’s Daguerreotype Rooms—proving property, and paying for this notice.

Advertisement ran from September 23 to 26, 1851.

1859 December 17.  Lawrence American.  (Lawrence, Massachusetts.)  December 17, 1859, Vol. 5, No. 11, P. 4.

Hall’s Gallery of Art, 142 Essex street…Lawrence (Formerly 8, City Block.)

Photographs, Daguerreotypes, Ambrotypes, and all other styles of Pictures made in the most perfect manner Old pictures copied (even those that are quite imperfect) to a larger size, and colored in a style to render them the most life-like and pleasing.

Photographs of Clergymen, and Teachers, College and School Classes and in fact any person in want of a considerable number, will be furnished at extremely Low Prices.  The proprietor is prepared to go to any part of the country and take pictures of Classes, Military or Fire Companies, Views of Buildings &c.

Remember the place, Hall’s, 142, Essex street, Lawrence.

1861 July 6.  Lawrence American.  (Lawrence, Massachusetts.)  July 6, 1861, Vol. VI, No. 40, Whole No. 300, P. 3.

Get Your Photograph Taken.  Twenty-four for One Dollar!  Twenty-five cents for each subsequent Dozen!

Just the thing to send in letters, for visiting cards, or exchange with shop or schoolmates, &c. &c.

Hall, 142 Essex Street, Lawrence, Has an arrangement by which Photographs can be made with such rapidity, that he can furnish them at the above price.

Ambrotypes and Melainotypes taken very cheap.

Photographs of all kinds taken, and finished in India Ink, or colored in Water, Oil or Pastel, on the Most Reasonable terms.

A large assortment of French and American Frames, Oval and Square, Gilt and Black, constantly on hand, for sale cheaper than can be bought at any other place.

Halls, 142 Essex Street.  [292][2]

Advertisement was recorded thirty five times between July 6, 1861 to December 27, 1862.

[1] A Directory Of Massachusetts Photographers 1839-1900.

[2] Whole number for start of advertrisement.

Haas, Philip

Daguerreotypes, Engravers, Lithographs, Photographs, , , , , , ,

1843-1844       Pennsylvania Avenue, Washington, D. C.

1844-1845       561 Broadway, at the Lyceum, New York, New York.

1845-1852       289 Broadway corner of Reade Street, Lafarge Building, New York, New York.

1848                Jarvis Buildings, N.W. corner of Baltimore & North Streets, Baltimore, Maryland.

1852                73 Spring, New York, New York.

1852-1854       371 Broadway, New York, New York.

1855-1856       505 Broadway, New York, New York.

1857                546 Broadway, New York, New York,

1858                132 West 36th-st., New York, New York.

1859                Address Unknown, New York, New York.

N. D.  The New-York Historical Society’s Dictionary Of Artist In America 1864-1860.  (New Haven, Connecticut & London, England.  1957, P. 282.

Haas, P. Lithographer, and publisher of Washington, (D, C.)between 1837 and 1845.  His work included technical prints, portraits and views of Washington and Mt. Vernon.

1843 May 27.  The Daily Madisonian.  (Washington,. D. C.)  May 27, 1843, Vol. II, No. 446, P. 2.

Daguerreotype Likenesses.  Mr. P. Haas, at the eastern end of Pennsylvania avenue, is taking, and has taken, many excellent Daguerreotype likenesses.  Mr. H. also possesses the art of coloring his likenesses, which, we believe, is a new addition to the process.  The faithful and perfect (not counterfeit) presentment of official dignitaries, Senators, M. C.’s, &c., which Mr. H. exhibits at his establishment, will convince the most sceptical [sic.] of his ability to make a genuine copy of the most beautiful as well as the most homely features.  

1843 June 1.  The New York Herald.  (New York, New York.)  June 1, 1843, Vol. IX, No. 149, Whole No. 3362, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, having procured the agency for the sale of Voigtander’s Daguerreotype Apparatus, constructed according to Professor Petzval’s calculation, have on hand a large assortment of these Apparatus, and artists as well as amateurs of their art, wishing to procure a good apparatus, will find it to their advantage to procure instruments of this construction.  They also have lately imported a large quantity of German and French plates, and all the chemicals used in their art, which they warrant in every respect, as they are made to their order.  Polishing substances, and morocco cases, and all necessary materials, are sold on the most reasonable terms.  The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.

P. Haas, Esq., Washington, D. C.

Dr. A. Caspari, Richmond, Va.

P. Laurens, Esq., Savannah, Ga.

William West, Esq., Cincinnati, Ohio. Added to advertisement on (June 22, 1843.)

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to W. & F. Langenheim, Exchange Building, Phila.

Advertisement ran from June 1 to September 5, 1843.

1843 August 23.  The New York Journal of Commerce.  (New York, New York.)  August 23, 1843, Vol. XXVIII, No. 5830, P. 2.

New Map Of Liberia:—A map of the West Coast of Africa, comprising Guinea and the British possessions at Sierra Leone, on the Gambia, the Gold Coast, the Liberia, together with the countries [within] the [coarsest] of the rivers Senegal, Gambia, and Kowarra, compiled mostly from the map of John Arrowsmith, has been lithographed by P. Haas, of Washington City.  The same sheet contains a separate map of Liberia on an enlarged scale.      

1843 October 17.  The New York Herald.  (New York, New York.)  October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.

Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.

The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.  P. Haas, Esq., Washington, D. C.  Dr. A. Caspari, Richmond, Va.  S. Broadbent, Esq., for the Southern States.  William West, Esq., Cincinnati, Ohio.          

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.

Advertisement ran from October 17, 1843 to January 26, 1844.

1844 January 21.  The Atlas.  (New York, New York.)  January 21, 1844, Vol. VI, No. 33, Whole No. 285, P. 3.

…By the way, we have one branch of art practiced here, in a way which must surely be perfection.—With you the daguerreotype has taken the place of portrait painting, but here Messrs. Haas & Clarke[1]—the former of some repute, and the latter a gentleman of great skill and attainments from the north—have given a tone to their pictures, a delicacy of coloring, and an exquisite finish, which has never been approached by any other artists.  They are evidently forming a gallery of eminent statesmen and jurists, and gentlemen distinguished in other pursuits, which would be worth a place in the National Gallery of Arts.

1844 February 27.  The Evening Post.  (New York, New York.)  February 27, 1844, Vol. XLII, P. 2.

Correspondence of the Evening Post. Washington, Feb. 25, 1844.

The weather during the past week has been most delightful.  It has been for several days past very much like Indian summer, the same genial air, blue, pleasant but chastened sun beams, and hazy atmosphere.  I am reminded of this latter circumstance, so unusual in the month of February, from having witnessed a somewhat singular effect resulting from it, in the art of taking impressions by the daguerreotype process.  The slight haze visible near the horizon, however cloudless the sky, has a greater influence in rendering the action of the light upon the prepared plate, feeble and ineffectual, than even a cloud which quite obscures the sun.

The vexation which this causes the several gentlemen who are engaged in that business, is the greater, for it is upon these very beautiful days that those whose faces they are most desirous to obtain perfect copies of, are most inclined graciously to afford them the opportunity of so doing.  The success of Mr. Haas, a German artist of this city, in the use of this wonderful discovery and improvement in portrait taking, elicits the admiration of every visitor to Washington.  His apparatus produces, with its natural aid, and under the direction of his acquired skill, the only perfectly true likeness of the human face divine that I have ever seen taken by this process.

There is no blur, no indistinctness of expression, or utter want of expression, as in most of them, the consequence probably of a defect in the instruments for the concentration of the light upon the surface of the plate.  The features are all traced, and the minutest delineation made, with infinitely greater clearness and force than by the most delicate graver.  To any one anxiously desirous of perpetuating his present appearance, countenance, figure, and tailorly embellishments, a journey to Washington and a visit to the premises of Mr. Haas, would be, if not the cheapest, certainly the only completely effectual means of attaining his object.

1844 March 19.  The Whig Standard.  (Washington, D. C.)  March 19, 1844, Vol. I, No. 114, P. 3.

Portrait Of The Late T. W. Gilmer.—We have received from the publisher, P. Haas, a fine lithograph likeness of the late Secretary of the Navy.  It was drawn by A. Gibert, from the daguerreotype by P. Haas, and is pronounced a good likeness of Mr. Gilmer.  Price 50 cents; to be had at the store of the publisher.

1844 March 20.  The Daily National Intelligencer.  (Washington, D. C.)  March 20, 1844, Vol. XXXII, No. 9699, P. 1.

The Late Mr. Gilmer’s Portrait.—Our townsman Mr. P. Haas, has just published an excellent and well executed portrait of the late Secretary of the Navy.  It was drawn by that talented artist. M. Gibert, from the daguerreotype of Mr. P. Haas.  This portrait of Mr. Gilmer is considered by all with whom we have conversed as a faithful likeness.

1844 March 21.  The Daily Madisonian.  (Washington, D. C.)  March 21, 1844, Vol. III, No. 697, P. 2.

Portrait of Gov. Gilmer.—We have been presented with a most accurate lithograph portrait of the lamented Gilmer.

It is published by P. Haas, Lithographer.  Drawn on stone by A. Gibert, from the Daguerreotype by Haas; 50 cents per copy.

1844 August 8.  National Intelligencer.  (Washington, D. C.)  August 8, 1844, Vol. XLV, No. 6496, P. 3.

Miniature Likeness Of Mr. Clay.  In the whole course of our observation of works of art we have never seen a more beautiful thing that the Miniature Daguerreotype of Mr. Clay, recently executed by Mr. P. Haas of this city, of a size to be set in one of the smallest sized breastpins.  The portrait is colored or tinted after nature, and is a very striking likeness.  Set in gold as a breastpin, we are informed that Mr. Haas will have them for sale at his establishment in this city at the low price of $5 each.

1844 August 17.  The Whig Standard.  (Washington, D. C.)  August 17, 1844, Vol. I, No. 243, P. 3.

Haas’s Medallion Likeness Of Henry Clay.  We have had the pleasure of examining a handsome breastpin, got up by Mr. Haas, of our city, containing a small but most accurate daguerreotype likenesses of Henry Clay.  The original picture from which the medallion is taken, was executed by Mr. Hass during Mr. Clay’s late visit to this city, and is as good a specimen of the art as can well be conceived.  No Whig, who can afford it, we feel satisfied, will fail to obtain a memento so valuable.  Mr. H. will take pleasure in exhibiting the original picture and the medallion to those who may desire to examine them.   

1844 December 16.  The New York Herald.  (New York, New York.)  December 16, 1844, Vol. X, No. 347, Whole No. 3947, P. 3

Beautiful Christmas And New Year’s Presents.  Photographic Miniatures of James K. Polk, by P. Haas. Set in a neat Gold Breast-pin, to be had at Haas’ Daguerreotype Rooms, 561 Broadway, at the Lyceum, nearly opposite Niblo’s—where the most splendid Daguerreotype Likenesses, of all sizes, as well as family groups are taken at all hours of the day. 

Advertisement ran from December 16, 1844 to January 4, 1845.

1845 January 10.  The Evening Post.  (New York, New York.)  January 10, 1845, Vol. XLIII, P. 2.

The Vice President elect, George M. Dallas, yesterday, accompanied by Mayor R. B. Boyd and Mr. Riell, visited the rooms of Professor Haas, in the Lyceum, 561 Broadway.  On his invitation, the professor executed a daguerreotype portrait of Mr. Dallas. Which for beauty of execution and fidelity of likeness has never been excelled.  Mr. Haas received his instruction in the art from the inventor in Paris, and is in every respect a perfect master of it.

1845 January 15.  The New York Herald.  (New York, New York.)  January 15, 1845, Vol. XI, No. 14, Whole No. 3976, P. 2.

Professor Haas.—We have seen a beautiful specimen of daguerreotype, executed by him at his rooms in New York Lyceum; it is a portrait of Mr. Dallas, the vice president elect, with a view of the capitol at Washington in the distance—as a work of art it is unsurpassed,  It is in the possession of Mr. H. E. Riell; duplicates can be obtained by application to the professor at his rooms 561 Broadway.      

1845 February 26.  True Sun.  (New York, New York.)  February 26, No. 605, P. 2.

We are indebted to Col. W. H. Maxwell for a Congressional document of no little value.—It is a statement of expenses charged to the contingent fund of the House of Representatives.  It is a rich exhibit of the economy of the “true, faithful, honest, and high minded friends of the people” in Congress.  We shall give the details of this account as we can find room.  Meantime the following is part of the summary.

Amount paid W. J. Stone for maps,   $3, 270.78.

P. Haas for do,                                    $3,789.50…

1845 February 27.  New York Journal of Commerce.  (New York, New York.)  February 27, Vol. XXXII, No. 6299, P. 3.

The amendment was put up and lost.  The resolution then coming up was adopted.  The singular part of the amendment, was that portion of it which confined the Clerk to Mr. Haas,—a German, I believe, who has never been naturalized,—to give him the job at some price.  If it would have passed, it would probably have put $10,000 dollars into Mr. Haas’ pocket! 

We believe, from past developments, it has been made to appear that this same Mr. Haas, by collision with some parties about the Capitol. Has made a large  sum of money.  He for a time, had a kind of “carte blanche,” to charge what he pleased.

It was in vain the most skillful and experienced American engraver and lithographer became applicants for work.  Jobs they would gladly have done at one half to one fourth the price, were denied, all were either thrown into the hands of Haas, or Mr. Stone, an English engraver.  It is supposed Haas had strong friends in high quarters, who had some interest in the direction things took.  Although this tergiversation has been publicly condemned, we again find a proposition put forth to-day, to give him probably $10,000 more!!

1845 October 16.  New York Commercial Advertiser.  (New York, New York.)  October 16, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute.  Ninth Day…

Of Daguerreotypes there is an endless variety.  One of the finest that we ever saw is the panoramic view of Niagara Falls, taken from the Clinton house, Canada side.  The very spray from the tumbling waters appears to be rising before you, and any one who has ever visited the falls will recognize the scenery at a glance.  This picture is the work of Mr. Langenheim of Philadelphia.  There are also some finely marked portraits and a view near the City Hall credited to Langenheim & Recker, [sic.] the work, we presume, of the same artist.  Plumbe of this city has some excellent portraits.  Among them is a frame containing likenesses of the present members and officers of the Common Council, which any one acquainted with the originals will recognize at once.  How life-like is “Old Hays”; you feel an involuntary inclination to ‘pull off your hat,” the moment it is seen.  The portraits of P. Haas, M. M. Lawrence, M. B. Brady, E. & G. H. Morand, and very finely finished.  In fact all or nearly all exhibited are pictures which furnish abundant evidence of the still continued improvement in the art.  The other exhibitors, so far as we could ascertain them through the crowd that always surrounds this portion of the exhibition, are Mr. Shankland, T. S. Walsh, Perry, Brothers & Co., J. P. Weston, A. F. Thompson, J. T. Tracy, S. Hart, Meade& Brothers, G. R. Spellman, and Walker & Garritt, (of Albany.)

1845 October 25.  New York Commercial Advertiser.  (New York, New York.)  October 25, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute The eighteenth annual Fair of the American Institute…

Silver Medals…

M. B. Brady and P. Haas, for best Daguerreotypes.  Silver Medal; each.

1845 October 27.  The New York Herald.  (New York, New York.)  October 27, 1845, Vol. XI, No. 276, Whole No. 4158, P. 3.

First Premium Daguerreotypes.  P. Haas, Daguerrean Artist, 289 Broadway, corner of Reade Street, Lafarge Building.

Mr. H. has received the Medal at the late Fair of the American Institute, for Pictures executed by himself, and not purchased nor done by hired operators; the public, therefore, can at all times depend upon obtaining the same style of Portraits, from the smallest to the largest sizes, which cannot be surpassed for beauty or accuracy.

Instruction given in the Art on reasonable terms.                             

Advertisement ran from October 27 to December 14, 1845.

1845 November 1.  New York Weekly Tribune.  (New York, New York.)  November 1, 1845, Vol. V, No. 8, Whole No. 216, P. 4.

Gen. Tallmadge Address at the close of the Fair…

So of the wonderful improvements in Daguerreotyping; a few years since, and we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French daguerreotypes.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1846 October 16.  New York Daily Tribune.  (New York, New York.)  October 16, 1846, Vol. VI, No. 163, Whole No. 1718, P. 2.

Haas, in the Lafarge Building, corner of Broadway and Reade st. produces a softness of shading, a depth of expression and a perfectness of finish in his Daguerreotypes which render them true works of art, rather than mere shadows caught by the hair and transfixed upon the plate.  He has also so thoroughly studied the art of coloring as to impart to his pictures all the exquisitely blended effects of a miniature united with all that truthfulness and identity of likeness for which the heart, bowing before the ivory semblance of dear features, yearns in vain.

1847 February 10.  New York Morning Express.  (New York, New York.)  February 10, 1847, Vol. II, P. 1.

Herr Alexander, so well known as a gentleman, in private, as well as most amusing performer, in his way, is now in this city.  He has accepted a most flattering invitation from the commander of a United States man-of-war, (the Scourge) to be his guest to Havana.  Mr. Davignon has just finished a capital likeness of Alexander from a daguerreotype of Haas, a copy of   which we have seen.

1847 February 14.  The Atlas.  (New York, New York.)  February 14, 1847, Vol. IX, No. 37, Whole No. 445, P. 2.

in literary circles.—One day during the week, we received a speaking likeness, by Davignon, fro a daguerreotype of Haas, of Herr Alexander, the prince of the magic; together with an intimation that he was about accompanying the commander of the Scourage, [sic.] an American armed vessel, on a trip to Havana, the Secretary of the Navy…

1847 March 3.  The New York Herald.  (New York, New York.)  March 3, 1847, Vol. XIII, No. 61, Whole No. 4658, P. 2L.

Nagel has published a beautiful lithographic portrait of Sig. Beneventano, of the Italian opera, drawn on stone by F. Davignon, from a Daguerreotype by Haas.—The likeness is perfect, and the execution admirable.

1847 March 6.  Merchants’ Ledger.  (New York, New York.)  March 6, 1847, Vol. 1, No. 1,  P. 10.

First Premium Daguerreotypes.  P. Haas, Daguerrian Artist, 289 Broadway, 289 Corner of Reade Street—Lafarge Building.

1847 March 21.  The Atlas.  (New York, New York.)  March 21, 1847, Vol. IX, No. 42, Whole No. 450, P. 2.

Our Portrait.—We gave this week a portrait of the fascinating Barili, the new prima donna of the Opera.  The portrait is drawn by an eminent artist in this city, from a capital daguerreotype likeness taken by Haas, of Broadway.  It will be more readily recognized by those who have seen the charming singer in private than only on stage.  It is therefore the more life-like.

1848 April 16.  The Atlas.  (New York, New York.)  April 16, 1848, Vol. X, No. 46, Whole No. 505, P. 3.

Card.—Philip Haas, Daguerrian Artist, 289 Broadway, cor. of Reade street.

Advertisement was recorded three times between April 16 to 30, 1848.

1848 August 9.  The New York Herald.  (New York, New York.)  August 9, 1848, No. 5178, P. 3.

To Daguerreotypist.—I Would Caution Operators in this city, and throughout the country, against a man who peddles a chemical purporting to be the same as I use in producing pictures.  It is a false imitation; an abortive attempt at copying; the work of a country boy who was formerly in my employ, but never as an operator.  The genuine chemical is only to be had at my establishment, 289 Broadway.  I suffer no one to peddle it. 

1848 October 4.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  October 4, 1848, Vol. 72, No. 75, Whole No. 10,941, P. 2.

Haas’ Celebrated New York and Philadelphia Daguerreotypes.  The Understand takes pleasure in informing the Ladies and Gentlemen of Baltimore that he has recently arrived in this city and taken Rooms in Jarvis’ Buildings, north-west corner of Baltimore and North sts., entrance 1st door in North street, 2nd floor.

Mr. Haas’ Daguerreotypes are well known throughout the country, they are of the best order and taken with all the late improvements of the art and entirely on a new principle.  Ladies and Gentlemen are invited to visit the rooms, whether they wish pictures or not, their visits will always be welcome.

Gentlemen Residences, Churches and all other buildings correctly taken.

Deceased and sick persons at their residences taken.

Portraits, Landscapes and Drawings of all description also copied.

Persons who are in possession of pictures badly taken by other operators, the undersigned is willing (for accommodation sake) to exchange them for superior ones taken by his new process embracing all the improvements of the art for a moderate price.

Mr. Haas will guarantee good pictures as they will all be taken by himself.

Advertisement ran from October 4 to December 13, 1848.

1848 November 5.  The Atlas.  (New York, New York.)  November 5, 1848, Vol. XI, No. 23, Whole No. 534, P. 2.

…The portraits are all from daguerreotypes—that of Mr. Anderson, by Plumbe; that of Mr. Hart, by Haas; and that of Mr. Arcularius, by Gurney, 189 Broadway—and were all engraved by Mr. Roberts, “in haste.”  When Roberts has time, he can’t be beat, in cutting heads; but, when he has to cut four, in three days, we cannot expect perfection.

1848 November 12.  The Atlas.  (New York, New York.)  November 12, 1848, Vol. XI, No. 24, Whole No. 535, P. 2.

On the outside page of our paper to-day, will be found a portrait of Mr. S. Cornelius Bogardus, the naval officer of the port of New York, and who was translated to that office by Mr. President Polk, some six weeks since, on the death of Mr. Michael Hoffman.  The portrait, which is an admirable one, is from a daguerreotype of Hass, and was engraved by Roberts…

1848 November 29.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  November 29, 1848, Vol. 121, No. 75, Whole No. 10,9768 [sic.], P. 2.

We have received from Mr. Haas, Jarvis Building, agent for their sale in Baltimore, an engraving of Gen. Taylor.  It is printed and published by Michelin, N. York, and for a colored plate, is among the best issued.  The General is in undress uniform, put on with Characteristic neglige; and as to the likeness, faithful or not as it may, those strongly marked features, with their determined cast, are not to be mistaken, distinguishing in any guise or garb “the noblest Roman of them all.”

1849 April 12.   The New York Herald.  (New York, New York.)  April 12, 1849, Whole No. 5424, P. 2.

Haas Daguerreotypes.—Among the most wonderful specimens of this branch of art, we do not think that any others may be compared with the admirable daguerreotypes made by Mr. Haas, the famed artist, who dwells in Lafarge Building.  This gentleman may be considered as the Raphael of his profession, and the portraits which are issued from his studio are the ne ultra plus of discovery and chemistry.  We have visited the gallery of M. Haas, which contains, the most curious collection of portraits, not only of the celebrated men of this country, but also of the prettiest ladies who grace the parlors and the streets of New York.  On this subject we may add, that, by a particular process M. Haas has discovered the means to make visible not only the lines of the face, but also the loveliness and beauty of the ladies, as well as the colors of the skin.  A daguerreotype of M. Haas is as fine as a beautiful painting or the French painters, Ingres, Court, or Winterhalter.

1850 November 20.   The New York Herald.  (New York, New York.)  November 20, 1850, Whole No. 6006, P. 2.

…We have already advised this interesting class of our city visitors where the best bonnets, shoes, shawls, dry goods, and dancing masters are to be had; and if they should desire a daguerreotype to send home in the new fashions, we should say that Haas, one of the most experienced in the art on Broadway, or Brady, who has a fine collection, would do it in style….

1852 May 11.  New York Daily Tribune.  (New York, New York.)  May 11, 1852, Vol. XII, No. 3452, P. 3.

Removal.—Haas’s Daguerreotypes from 289 to 371 Broadway, Between White and Franklin-sts., where he respectfully invites his friends and customers to give him a call.

1852 October 13.  The New York Herald.  (New York, New York.)  October 13, 1852, Whole No. 7286, P. 4.

371 Broadway.—Stereoscopes and Stereoscopic Daguerreotypes, in a superior stype, at Haas’ Daguerrean gallery, 371 Broadway; also, his new and much admired style of vignette Daguerreotypes, which are considered the most artistical specimens of the art.

Advertisement ran on October 13, 17 & 27.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Vox Populi Gold Medal.—Haas’ Daguerreotypes, 371 Broadway, have received the gold medal vox populi, the greatest proof of their superiority.  Stereoscopic pictures are done in this establishment to great perfection. As well as Haas’ new and original vignette daguerreotypes.

1853 February 21.  The New York Herald.  (New York, New York.)  February 21, 1853, Whole No. 7366, P. 5.

A Droll Illustration of the Difficulties of the English language occurred to an artist friend of ours a day or two since.  A French gentleman inquired of him:”Sare, you shall tell a me who has se best daguerre in se Broadway.”  “Well,” said our friend, “I should say Haas.”  “Yes sair, is what I ask a you, who has?”  “Why Haas has the”—“Dable! Is what I ask a-you; who has?”  “I tell you Mr. Haas has, of 371 Broadway.”  “O, ah! Now I comprehend.  Mr. Haas, (nom proper) has, ah! By gar is a [noner] beauty of se English language.  Ah! Ah!  I am fort oblige, I shall go immediatement.”  By the way, a notice of Mr. Haas, contained in a letter to Humphrey’s Journal, dated London, December 30th, speaking of Mr. Kilburn’s colored daguerreotypes, says:  “With the single exception of Mr. Haas, of your city, I do not remember of ever seeing any thing bearing even an approximation to competition in this department on the western side of the Atlantic.”

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 4.

Paul Julien.—We have received a lithographic portrait of this great artist, drawn upon stone by F. Davignon, from a daguerreotype by P. Haas.  The artists have done their work well, and we have rarely seen a more [objective] and spirited likeness.  As our lady readers are well aware, Master Julien has a fine face  and handsome person in addition to his wonderful talent.  In consequence, we have no doubt that all his admirers will possess themselves of this “counterfeit presentment.”  Our copy is endorsed “Souvenir de haute effect offert a M. James Gordon, par Paul Julien.”  New York, May 27, 1854.

1855 March 14.  The New York Herald.  (New York, New York.)  March 14, 1855, Whole No. 6774, P. 6.

The Late William Poole.—The Late William Poole.—The Best Daguerreotype or photograph of Wm. Poole can be procured at Haas’s new daguerrean gallery, 505 Broadway, next door to the St. Nicholas Hotel.

1855 March 15.  The New York Herald.  (New York, New York.)  March 15, 1855, Whole No. 6775, P. 4.

William Poole’s Portrait, executed in artistic style, can be found in the Police Gazette, now ready.  It is taken from a large daguerreotype, for which he sat a few days prior to receiving his death wound.

1855 December 8.  The New York Herald.  (New York, New York.)  December 8, 1855, Whole No. 7041, P. 6.

Hass’ Photographs, Ambrotypes And Daguerreotypes, with all the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

1855 December 19.  The New York Herald.  (New York, New York.)  December 19, 1855, Whole No. 7052, P. 4.

P. Hass, 505 Broadway.—Daguerreotypes, ambrotypes and photographs in the latest style.

Advertisement ran on December 19 & 21, 1855.

1855 December 27.  The New York Herald.  (New York, New York.)  December 27, 1855, Whole No. 7060, P. 4.

Hass’ Photographs, Ambrotypes and Daguerreotypes, with the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

Advertisement ran from December 27 to 29, 1855.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Haas—The photographs by this artist are in the first style of the art, as is I believe all that he undertakes. Most of them general in being portraits.

1858 February 12.  New York Daily Tribune.  (New York, New York.)  February 12, 1858, Vol. XVII, No. 5246, P. 1.

Photographic Visits—A Specialty.—Mr. P. Haas devotes special attention to Photographic and Daguerrian Portraits of the old, the sick, the infirm or dead, and is prepared to take such portraits upon the shortest notice, at the subjects residence in New-York or vicinity.  he will also devote particular attention to the copying of old Daguerreotypes to any desired size.  His long established artistic reputation continues a guaranty for the correctness and excellence of his pictures.  Orders received and promptly attended to at Wm. Hall & Son’s, No. 239 Broadway; S. M. Peyser, No. 487 Broadway; Sidney Kopman, Clinton Place Hotel, and at Mr. Haas’s residence, No. 132 West 39th-st.

Advertisement ran from February 12 to March 3, 1858.

1870 June 11.  Alexandria Gazette.  (Alexandria, Virginia.)  June 11, 1870, Vol. LXXI, No. 139, P. 3.

Mr. David Haas, an old and respected citizen of this place, came to this country from Hamburg in 1841, and went immediately to his brother in Washington, Philip Haas, who was a lithographer there, and subsequently removed to New York.  David Haas settled in Alexandria in 1853, and as since carried on his business in a daguerrean gallery, and was successful as an artist.  In 1857 he was called to Hamburg at the death of his mother, and returned to this country in August or September, 1857, brining with him from Hamburg his sisters’ children—a nephew named Joseph Hertz and a niece Bertha Hertz—[father’s] name Philip Joseph Hertz.  He has not heard anything of them since, and would be glad of ascertaining their whereabouts; also of his brother and brother’s Children.  Philip Haas, who lived in Washington, afterwards went to New York; New York; has five children—four daughters and one son; Berta, Mathilda, Annette and America Haas, and a son Leonard Hass.  It is added to this card by a friend that David Haas suffered much loss by the war, and is now in infirm health, and deserves the sympathy and kindness of our citizens as well as of his relations.

1871 September 12.  Alexandria Gazette.  (Alexandria, Virginia.)  September 12, 1871, Vol. LXXII, No. 216, P. 2.

Philip Haas, who died a few days ago in Chicago, was the first man who took a successful picture with a camera in this city.  On his arrival in this country from Amsterdam, where he was born, he was appointed lithographer for the United States Government, and was allowed a room in the Capitol, in which to experiment with a camera.  He subsequently removed to New York city.

[Was he not an uncle or near relative of the late Mr. Haas, a very worthy and respectable citizen of this place, and who was him self an artist in the same line?]

New York City Directories. (New York, New York.)

1844.  Not listed.

1845.  daguerreotype—289 Broadway, h-23 Mercer.

1846.  daguerreotype—289 Broadway, h-44 Hudson.

1847.  daguerreotype—289 Broadway, h-40 Hudson.

1848.  daguerreotype—289 Broadway, h-20 West Broadway Place.

1849.  daguerreotype—289 Broadway, h-Broadway, n. 21st.

1850.  daguerreotype—289 Broadway, h-914 Broadway.

1851.  daguerreotype—289 Broadway, h-73 Spring.

1852.  daguerreotype—73 Spring, h-43 Spring.

1853.  daguerreotype—371 Broadway, h-89 W. 26th.

1854.  daguerreotypes—371 Broadway, h-13 Prince.

1855.  daguerrean—505 Broadway, h-13 Prince.

1856.  daguerreotypes—505 Broadway, h-13 Prince.

1857.  daguerreotypes—546 Broadway, h-132 W. 36th.

1858.  Not Listed.

1859.  daguerrean—h-364 Eighth Ave.

1860.  Not Listed.

1861.  Not Listed.

1861-1863.  Nineteenth Century Photography An Annotated Bibliography 1830-1879.

By William S. Johnson, 1990.  (Boston, Massachusetts.) P. 278.

…When the Civil War broke out Hass enlisted in Company A, 1st. N. Y. Engineers, where he was promoted to lieutenant.  His company spent part of 1863 among the forces involved in the blockade of the Confederacy.  Haas, with a partner Peale, photographed the activities of these troops patrolling the string of islands off the coast of South Carolina.

[1] James R. Clark variant spelling

Haas, David

Ambrotypes, Daguerreotypes, Photographs, , , , ,

1853-1862       3 Exchange Block, King Street, Alexandria, Virginia.

1863                Address Unknown, Alexandria, Virginia.

1864                11 North Royal and 148 King Street, Alexandria, Virginia.

1865-1867       Corner King and St. Asaph streets, Alexandria, Virginia.

1853 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1853, Vol. LIV, No. 195, P. 3.

The Alexandria Daguerrean Gallery, Exchange Block, changed hands.—D. Haas having bought out Mr. E. L. Brockett, has made an addition of new apparatus, with all the recent improvements in the art, procured new stock, in fact, having rendered it a first class Daguerrean Room, respectfully solicits a share of public patronage.—Miniatures taken all sizes, and in any weather.  Please take notice of this fact.  No miniature is to be taken from the Room, unless entire satisfaction is given.

N. B.  Cases, Frames, Lockets, Breast Pins, and Rings for Miniatures, always on hand.  No charge for engraving on Miniatures.

Advertisement ran from August 18 to December 26, 1853.

1853 August 18.  Daily Evening Star.  (Washington, District of Columbia.)  August 18, 1853, Vol. II, No. 201, P. 2.

Alexandria Daguerrean Gallery Exchange Block, changed hands.  D. Haas having bought out the entire interest of E. L. Brockett in the above Gallery, and replenished his stock with a beautiful variety of new Plain and Fancy Cases, Lockets, Rings, Pins, and Ornamental Frames, is prepared to take Pictures with every improvement in the Art. 

Pictures taken in any weather and warranted to give entire satisfaction.  He will not permit any Pictures to leave the Gallery that are not perfect. 

Miniatures for lockets, Rings, and other Ornaments taken in the best possible manner an on the most reasonable terms.

The Public are requested to call and examine for themselves.

Remember the place—the only Daguerrean Gallery in Alexandria, No. 3 Exchange Block, King street, Alexandria, Va.                                                                                              

Advertisement ran from August 18 to November 25, 1853.

1853 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1853, Vol. LIV, No. 195, P. 3.

The Alexandria Daguerrean Gallery, Exchange Block, changed hands.—D. Haas, having bought out E. L. Brockett, has made an addition of new apparatus, with all the recent improvements min the art, procured new stock, in fact, having rendered it a first class Daguerrean Room, respectfully solicits a share of public patronage.—Miniatures taken in all sizes, and in any weather.  Please take notice of this fact.  No miniature is to be taken from the Room, unless entire satisfaction is given.

N. B.  Cases, Frames, Lockets, Breast Pins, and Rings for Miniatures, always on hand.  No charge for Engraving on Miniatures. 

1853 December 24.  Alexandria Gazette.  (Alexandria, Virginia.)  December 24, 1853, Vol. LIV, No. 304, P. 2.

Haas’ Unrivalled Sky Light Daguerrean Rooms, Exchange Block, King street, between Royal and Pitt, Alexandria, Va.—The proprietor of the above establishment, returns his sincere thanks to the ladies and gentlemen of Alexandria and surrounding country, for the liberal patronage extended since his residence among them, and respectfully solicits a continuance of the same.  He has just returned from the North a fine assortment of superb Cases, and magnificent Jewelry, suitable for miniatures, to which he respectfully invites attention.  It embraces Pearl inlaid, Papier Mache, and Sontag Cages, in variety; fancy Morocco and plain Cases of all shapes and sizes—Gold Lockets, Breast Pins, Clasps, Watch Keys, Seals, Ear Rings, &c., &c.

Long experience in the constant practice of [the], art he has never failed to give general satisfaction, and the most complete arrangements for the reception of light, authorizes him to warrant perfect Likeness of those who may favor him with a call; and under no circumstances will he permit a Daguerreotype to leave his Gallery, unless perfect satisfaction has been given.  Possessed of an elevated situation, and a splendid Sky Light, so constructed as to furnish the best light possible for the art, he is enabled to take perfect Likenesses as well in cloudy weather as in clear bright sunshine.  This Gallery is open at all hours, and the public are respectfully invited to call and examine specimens of the art on exhibition.

There is no charge for looking, so don’t forget to call on Haas, No. 3, Exchange Block.  Entrance between Mr. James M./ Stewart’s Dry Goods Store, and Mr. W. B. Richards’ the fancy man.

Advertisement ran from December 24, 1853 to January 14, 1854.

1853 December 29.  Alexandria Gazette.  (Alexandria, Virginia.)  December 29, 1853, Vol. LIV, No. 307, P. 2.

Stolen from Mr. Haas’ Daguerrean Gallery, on Tuesday, a picture of Reuben Johnston—which was hanging at the door.  Also, stolen, within a short time, some other pictures from the gallery—amongst them one of Mrs. M. M. Johnson.

Advertisement ran from December 29 to 31, 1853.

1854 April 14.  Alexandria Gazette.  (Alexandria, Virginia.)  April 14, 1854, Vol. LV, No. 88, P. 3.

A Card.—Having understood that certain persons in the city have been circulating reports calculated to injury my business, I consider it due both to myself and the public, to correct mis-statements.  The assertion that I possessed neither the proper light nor suitable instruments for giving a correct expression to the eye in my pictures.  I pronounce a base and unqualified slander.  I have given sufficient proof of my ability in this respect to all who have honored me with their patronage, so that such statements can have no effect except upon those who have never examined my specimens.  I do not profess to use the identical Cameras used by the great Daguerre himself; they, I fear, would be found rather antiquated in the present improved state of the art.  My Cameras were made by Voigtlander & Son, Vienna, who are considered by all Daguerrean artist, the best makers in the world, and whose instruments are in almost universal request.

I have been practicing the Daguerrean art for many years, quite long enough to make any one an eminent artist.  It is not necessary to boast of the precise length of time I have been engaged in the business; let my works speak for me.  I am no humbug, I do not seek to delude the public by praising my own pictures, and running down those taken by others.  I simply assert that I can take as good likenesses as any other artist in the country, and at rates quite as reasonable.  If any person have Daguerreotypes taken by me with which they are not satisfied, I will retake them without charge; and I caution such not to be induced to habd over their pictures to designing persons, to be taken over again, as such persons underrate my work, not only for the purpose of injuring me, but also in order to replenish their pockets with dollars they hope to obtain by the operation.  I consider my light the most superior in the city.  D. Haas, Daguerrean Artist.

1854 May 10.  Alexandria Gazette.  (Alexandria, Virginia.)  May 10, 1854, Vol. LV, No. 110, P. 3.

On Monday night, Mr. Haas, occupying one of the rooms in the third story of the Exchange Block, King Street, as a Daguerreotype Saloon, was awakened by a sense of suffocation, and found the room filled with smoke.  He called the watch to his assistance, and it was ascertained that the floor had accidentally taken fire from a stove.  The watchmen and Mr. Haas extinguished the fire, without raising a general alarm.  A few minutes more and the building would have been in flames.

1855 July 3.  Alexandria Gazette.  (Alexandria, Virginia.)  July 3, 1855, Vol. LVI, No. 157, P. 3.

4th Of July.—Haas’ Daguerrean Gallery, will be open all day on the 4th of July, for the reception of visitors.

Gallery on King street, opposite the Marshall House, between the stores of Messrs. James M. Stewart and Richards.

Advertisement ran on July 3 & 4, 1855.

1855 July 3.  Alexandria Gazette.  (Alexandria, Virginia.)  July 3, 1855, Vol. LVI, No. 157, P. 3.

Lost—A small Memorandum Book.  A liberal reward will be given to the finder, on returning the same to D. Haas’ Daguerrean Gallery, King street.

Advertisement ran from July 3 to 7, 1855.

1855 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1855, Vol. LVI, No. 196, P. 2.

Haas’ 50 Cent Daguerreotypes.—Daguerreotype Likenesses Greatly Reduced!!—Haas’ Daguerreotypes are now the cheapest in the country—they are taken in the very best style, with all the latest improvements, and warranted not to fade.  The rooms are still at the old stand.  Exchange Block, between the stores of Messrs. James M. Stewart and Wm. B. Richards, opposite the Marshall House, King street.

Advertisement ran from August 18 to October 31, 1855.

1855 December 15.  Evening Star.  (Washington, District of Columbia.)  December 15, 1855, Vol. VI, No. 920, P. 3.

Alexandria Correspondence.  Alexandria, Dec. 15, 1855…The Ladies Fair at Sarepta Hall continues to be the centre of evening gayety…

Among the principal objects of public interest here is the memorial prepared by Mr. Haas, at his daguerrean gallery, to the victims of the recent calamity by the fire.  I[t] consists of a unique frame, enclosing admirable likenesses of the fallen firemen around a circle, in which is daguerreotyped the inscription, “The victims of the fire on King street, November 17, 1855:  Their memory is enshrined in the hearts of their fellow citizens.”  The tout ensemble is really beautiful, and Mr. H. deserves equal praise for his skill as for his public spirit.

1857 December 29.  Alexandria Gazette.  (Alexandria, Virginia.)  December 29, 1857, Vol. LVIII, No. 307, P. 3.

Presented.—Mr. D. Haas presented to the Free Masons of Washington Lodge, No. 22, of this city, at their last meeting, an accurate and elegantly finished Ambrotype of Mr. John Shakes, the venerable Tyler of the Lodge.

1858 August 21.  Alexandria Gazette.  (Alexandria, Virginia.)  August 21, 1858, Vol. LIX, No. 199, P. 3.

Mount Vernon.—Our fellow citizen, Mr. David Haas, has, we observe, prepared some elegant photographic views of Mount Vernon, for the use of visitors.  The first is a front view of the vault; the sarcophagus being seen within and the inscription over the gate being perfect; the very planks which form the walk to the tomb, and the trees and shrubbery around, are given with striking fidelity to nature.  The second, which is in our judgement the best, is a side and front view of the tomb, the sarcophagus of Mrs. Washington being visible; in this, the very pointing and replacement of [single] bricks which has been recently done, strikes the beholder, and shows him how accurate an idea of the sacred spot he may obtain from a picture.  The third view is of the front of the mansion, executed in a style in no way inferior to the others.  To these, which are on Bristol boards, 17 by 14 inches, Mr. Haas has added a photograph of the bust of Washington from which Clark Mills is modelling his great equestrian statue, also on Bristol board, 10 by 10 inches.

These photographs though suited for framing are contained in a neat portfolio, with a handsome dedication to the Mount Vernon Ladies’ Association printed in silver on the cover, and will doubtless prove to pilgrims an acceptable memento of their visit to the “Mecca of freedom.”

The execution of these photographs reflects the highest credit upon the skill of Mr. Haas, as an artist, and he will doubtless find a handsome pecuniary recompense for his labor in the demand for its product.

1858 November 16.  Alexandria Gazette.  (Alexandria, Virginia.)  November 16, 1858, Vol. LIX, No. 273, P. 3.

Bust of Washington, and Views At Mount Vernon—We have been presented by Mr. David Haas, Daguerrean Artist, Exchange Block, with a photograph of the Bust of Washington, from which Clark Mills is designing his Equestrian statue of the pater patriӕ, and also with some beautiful executed photographic views of Mount Vernon, consisting of a view of the Mansion, and front and side views of the Tomb.  These photographs are mounted of fine Bristol board, and sold by Mr. Haas at the low price of $5 for the set.  They are dedicated to the “Ladies ‘ Mount Vernon Association.” At an additional cost of $1 these truly fine photographic views are furnished in a handsome portfolio in which they can be sent or carried any distance.  Mr. Haas deserves great credit for the skill displayed in the execution of these pictures, and we hope he will meet with a deserved success in disposing of them.—There are few persons who would not like to posses an accurate view of Mount Vernon and the Tomb of Washington, and an opportunity is now presented to secure them.

1860 March 15.  Alexandria Gazette.  (Alexandria, Virginia.)  March 15, 1860, Vol. LXI, No. 64, P. 3.

Fire.—Yesterday morning, about seven and a half o’clock, smoke was seen issuing from the windows of the Daguerrean saloon in the third story of Exchange Block.—The saloon was occupied by Mr. David Haas.  A fire had been kindled in the stove, and the occupant left the room for a short time.—During his absence the heat of the stove, set fire to a lounge near by, and gave rise to the alarm.

The firemen were soon at their posts, but without their aid the flames were extinguished, not, however, until the saloon was considerably damaged, and some of it contents destroyed.  Mr. Haas loses about $75, a number of fine views of Mount Vernon having been destroyed by the flames.

1860 May 3.  Alexandria Gazette.  (Alexandria, Virginia.)  May 3, 1860, Vol. LXI, No. 106, P. 3.

Photograph.—We were yesterday shown by Mr. D. Haas, a very fine photographic likeness of Rev. J. E. Blox, formerly pastor of St. Mary’s Church, in this city.  The picture shows great perfection in the art.

1862 March 13.  Alexandria Gazette.  (Alexandria, Virginia.)  March 13, 1862, Vol. LXIII, No. 123, P. 4.

March 9.—A large fire broke out about mid-night of the 8th, at the three-story brick store on King street, between Sarepta Hall and Exchange Block.  The flames made great headway, and, before the progress of the fire was stayed, Sarepta Hall and Exchange Block were destroyed.  The establishments of Messrs. Henry Cook, Cole & Ramsay, Corse & Co., James Entwisle & Son, Jas. M. Stewart, D. Haas and others were embraced in the conflagration, the total loss being estimated in the neighborhood of $150,000—the largest destruction of property by fire in Alexandria since the great fire of 1827.

1864.  Boyd’s Washington and Georgetown Directory contains also Business Directory of Washington, Georgetown and Alexandria.  (Washington, D. C.)  1864.

Photographers, Daguerreotypist, &c.

Haas & Mahler, 11 N. Royal and 148 King, Alexandria.

1865 December 27.  Alexandria Gazette.  (Alexandria, Virginia.)  December 27, 1865, Vol. LXVI, No. 254, P. 3.

An Excellent Likeness.—One of the most striking portraits we remember to have seen for some time, is of the late Capt. J. W. Prestman, now exhibited at Haas’ Saloon, on the corner of King and St. Asaph street.  Although it was reproduced from a small carte visite it presents the lineaments of the lamented deceased as clearly and perfectly as the most finished oil portrait.  It is admired by all comers and is well worth looking at.  Mr. Haas deserves great credit for his skill in thus producing from a blurred card a picture in which the massiveness of the oil painting seems combined with the delicacy of a steel plate engraving.

1866 February 27.  Alexandria Gazette.  (Alexandria, Virginia.)  February 27, 1866, Vol. LXVI, No. 236, P. 3.

We were shown on Saturday last by Mr. Haas the most perfect photographic picture we ever saw.  It was a likeness of the venerable Bishop Early, of the Virginia Conference of the M. E. Church South, who presided over the deliberations of the late session of the Baltimore Conference of that Church, in this city.  In the picture every lineament in the face, every times make about the corners of the mouth and eyes, is exactly and perfectly portrayed, and the likeness is really remarkably vivid.  There is also on exhibition at Mr. Haas gallery, a large ambrotype picture of the same eminent Divine, which him numerous admirers in this city should call and see.

1866 October 25.  Alexandria Gazette.  (Alexandria, Virginia.)  October 25, 1866, Vol. LXVII, No. 122, P. 2.

Died.  On Saturday evening last.  Celestial Veronica, wife of David Haas, and daughter of the late John Shakes.

1867 March 28.  Alexandria Gazette.  (Alexandria, Virginia.)  March 28, 1867, Vol. LXVIII, No. 75, P. 3.

Excellent Photographs.—Prof. D. Haas has executed at his gallery, corner of King and St. Asaph streets, excellent and life like likenesses of Bishop Early and the Rev. W. E. Munsey, of the Methodist Episcopal Church South.

1867 April 25.  Alexandria Gazette.  (Alexandria, Virginia.)  April 25, 1867, Vol. LXVIII, No. 99, P. 3.

Haas’ Gallery Reopened.  (Old Stand) Corner King and St. Asaph streets, Opp. Alex., Wash & Georgetown R. R. Depot.

Something new again at Haas’ Gallery.  Haas’ Gems For Albums, equal to the best Ambrotypes, Large size, one 25 cents; three for 50 cents; seven for one dollar.  Extra large size taken at the same rate.

The above have never yet before offered in Alexandria at such low prices.

Photographs, Carte De Visite, &c., taken in the very best style.

Copies taken from all sorts of picture, to any size, in the most exquisite style at Haas’ Gallery.

Advertisement ran from April 25 to June 3, 1867.

1867 April 26.  Alexandria Gazette.  (Alexandria, Virginia.)  April 26, 1867, Vol. LXVIII, No. 100, P. 3.

Mr. Haas’s Gallery has refitted his Daguerrean Gallery, and has opened it with new attractions.

1867 November 4.  Alexandria Gazette.  (Alexandria, Virginia.)  November 4, 1867, Vol. LXVIII, No. 256, P. 2.

Look Here!!!

Boys And Girls, All of Ye.

There is a chance for ye now at Haas’!

Have you ever read his new handbill?

He takes pictures now very cheap, half for nothing, and good too.

Only 25 cents for a large Album Gem.

Only 50 cents for three do. Gems.

Large Photographs 4-4 size, 3 for $2.

Carte de visite $2 per dozen.

1-9 size Album Gems 10 for $1.

That we call, prices reduced!

Go To Haas’ Gallery, and give him a call.

Corner of King and St. Asaph streets,

Opposite the W. A. & G. R. R., Depot, Alexandria, Virginia.

1868 January 2.  Alexandria Gazette.  (Alexandria, Virginia.)  January 2, 1868, Vol. LXIX, No. 2, P. 3.

For Rent.  Second-Floor Rooms, at S. W. corner of King and St. Asaph streets, recently occupied by D. Haas, as a Daguerrean Gallery…

1868 January 7.  Alexandria Gazette.  (Alexandria, Virginia.)  January 7, 1868, Vol. LXIX, No. 6, P. 4.

County Court—Monday.—The Attorney for the Commonwealth filed information against the following parties…

David Haas, acting as a daguerrean artist without license;…

1869 December 10.  Alexandria Gazette.  (Alexandria, Virginia.)  December 10, 1869, Vol. LXX, No. 294, P. 3.

Police Report—Mayor’s Office…

A colored boy named David Lannon, on complaint of Mr. Hass, the photographist, for insulting the complainant by calling him names, was discharged with a reprimand, upon the payment of costs.

1870 February 5.  Alexandria Gazette.  (Alexandria, Virginia.)  February 5, 1870, Vol. LXXI, No. 32, P. 3.

Stolen—Stolen from the subscriber, a gilt frame Show Case, with gem pictures.—it is of no value to any one except the owner.  Davis Haas.

Advertisement ran from February 5 to 11, 1870.

1870 June 11.  Alexandria Gazette.  (Alexandria, Virginia.)  June 11, 1870, Vol. LXXI, No. 139, P. 3.

Mr. David Haas, an old and respected citizen of this place, came to this country from Hamburg in 1841, and went immediately to his brother in Washington, Philip Haas, who was a lithographer there, and subsequently removed to New York.  David Haas settled in Alexandria in 1853, and as since carried on his business in a daguerrean gallery, and was successful as an artist.  In 1857 he was called to Hamburg at the death of his mother, and returned to this country in August or September, 1857, brining with him from Hamburg his sisters’ children—a nephew named Joseph Hertz and a niece Bertha Hertz—[father’s] name Philip Joseph Hertz.  He has not heard anything of them since, and would be glad of ascertaining their whereabouts; also of his brother and brother’s Children.  Philip Haas, who lived in Washington, afterwards went to New York; New York; has five children—four daughters and one son; Berta, Mathilda, Annette and America Haas, and a son Leonard Hass.  It is added to this card by a friend that David Haas suffered much loss by the war, and is now in infirm health, and deserves the sympathy and kindness of our citizens as well as of his relations.

1871 January 7.  Alexandria Gazette.  (Alexandria, Virginia.)  January 7, 1871, Vol. LXXII, No. 6, P. 3.

Sudden And Mysterious Death.—Mr. David Haas, photographer, retired to his room at the Marshall House at 6 o’clock last evening.  As he had not reappeared at 3 o’clock this evening, his room door at that house was forced open, and he was found lying dead upon his bed.

Gustafson, M.

Daguerreotypes, Photographs, , ,

1856                120 Canal Street, New Orleans, Louisiana.

1856 April 23.  Semi-Weekly Creole.  (New Orleans, Louisiana.)  April 23, 1856, Vol. III, No. 38, P. 4.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

1856 July 1.  New Orleans Daily Creole.  (New Orleans, Louisiana.)  July 1, 1856, Vol. I, No. 14, P. 3.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

Advertisement was recorded from July 1 to August 22, 1856.

Gurney, Marsh J.

Ambrotypes, Daguerreian Stock and Materials, Daguerreotypes, Photographs, , , , , , , , , , , , , ,

1850                Rooms in the Melodeon, Xenia, Ohio.

1851-1857       Main & Commerce Streets, over Leahy’s China Store, Natchez, Mississippi.

1851-1852       Opposite the Post Office, over Brown & Johnston, Vicksburg, Mississippi.

1852                Rooms in the Odd Fellows’ Hall, Franklin, Louisiana.

1853                Address unknown, Pattersonville, Louisiana.

1853                Main Street near Jackson, Thibodaux, Louisiana.

1854-1855       Main Street near Jackson, Thibodaux, Louisiana.

1856                Rooms in the Odd Fellows Hall, Yazoo City, Mississippi.

1850 August 15.  Xenia Torch-Light.  (Xenia, Ohio.)  August 15, 1850, Vol. 13, No. 9, Whole No. 633, P. 3.

Now Or Never!  Bisbee & Gurney, of Columbus, have opened Daguerreotype Rooms in this place, where they will remain a few days.  Persons who would have likenesses taken in their unique style, will please call at the earliest opportunity.  All Likenesses taken at their rooms are warranted to be at least fifty per cent finer than any heretofore taken in this place, and not inferior to any taken in America.

Rooms in the Melodeon—Entrance at Bar’s Book Store.  Ladies and Gentlemen are requested to call and examine specimens.

1850 September 26.  Xenia Torch-Light.  (Xenia, Ohio.)  September 26, 1850, Vol. 15, No. 9, Whole No. 639, P. 3.

The Partnership Between M. J. Gurney & A. Bisbee, was by mutual consent, dissolved on the 1st of September, 1850.  A. Bisbee.  M. J. Gurney.

1851 January 1.  The Natchez Weekly Courier.  (Natchez, Mississippi.) January 1, 1851, Vol. XXII, No. 21, P. 1.

We would call attention to the new Daguerrean Gallery, recently established in this city by the Messrs. Gibbs & Gurneys.  These gentlemen have come to this place with no small reputation for skill as artists, a reputation we doubt not they will fully maintain.

We shall take a further occasion to allude to their gallery.

1851 January 8.  Vicksburg Weekly Whig.  (Vicksburg, Mississippi.)  January 8, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Skylight Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

1851 February 19.  The Natchez Weekly Courier.  (Natchez, Mississippi.) February 19, 1851, Vol. XXII, No. 9, P. 2.

The public will not forget the [Daguerreotype] Gallery of Messrs Gibbs & Gurney.  [They] have been greatly enlarged , and [ ? ] substitution of a sky-light for the [purpose of] taking pictures. We have never seen [specimens] of the art than are exhibited [ ? ] tables.  We are glad to learn That [ ? ] has already been bestowed to [ ? ] to make theirs a permanent Gallery in [ ? ][1]

1851 February 19.  The Natchez Weekly Courier.  (Natchez, Mississippi.) February 19, 1851, Vol. XXII, No. 9, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Mr. Gibbs has just returned from New Orleans with the largest and finest assortment of Frames, Cases, &c., of the latest styles; also, a fine assortment of Gold Lockets and Breast Pins for miniatures, which we guarantee to be of the finest quality, having purchased them from the agent by whom they were manufactured.

We can sell them cheaper than they have ever been sold in this country.  We have just received a full size Camera, also one of Voy’s Landers best, and are now preparer to take Pictures of every size, having three of the best instruments in use.  We have also succeeded in getting all the rooms of Leahy’s China Store for one year, and have built a Sky-Light room expressly for operating, and fitted up a new reception room in the neatest style.   We are now prepared to make good Pictures—and respectfully solicit the citizens of Natchez and surrounding country to call and see our new establishment and the fine pictures we are now taking, which we guarantee to give entire satisfaction, or no charge will be made.

Daguerreotype Likenesses of Children of any age taken correctly:  Paintings and Daguerreotypes Copied the same size of the original.

Rooms over Leahy’s China Store, corner of Main and Commerce sts.

1851 March 5.  Mississippi Free Trader.  (Natchez, Mississippi.)  March 5, 1851, Vol. XVI, No. 29, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Mr. Gibbs has just returned from New Orleans with the largest and finest assortment of Frames, Cases, &c., of the latest styles; also, a fine assortment of Gold Lockets and Breast Pins for miniatures, which we guarantee to be of the finest quality, having purchased them from the agent by whom they were manufactured. We can sell them cheaper than they have ever been sold in this country.  We have just received a full size Camera, also one of Voy’s Landers best, and are now preparer to take Pictures of every size, having three of the best instruments in use.  We have also succeeded in getting all the rooms of Leahy’s China Store for one year, and have built a Sky-Light room expressly for operating, and fitted up a new reception room in the neatest style.   We are now prepared to make good Pictures—and respectfully solicit the citizens of Natchez and surrounding country to call and see our new establishment and the fine pictures we are now taking, which we guarantee to give entire satisfaction, or no charge will be made.

Daguerreotype Likenesses of Children of any age taken correctly:  Paintings and Daguerreotypes Copied the same size of the original.

Rooms over Leahy’s China Store, corner of Main and Commerce sts.

1851 March 8.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  March 8, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

P. S.—Mr. Gibbs will be absent for a short time, but he assures the public that his partner Mr. Gurney, can do ample justice to the Gallery. mar. 1.

Advertisement ran fourteen times between March 8 to May 6, 1851.

1851 March 12.  Mississippi Free Trader.  (Natchez, Mississippi.) March 12, 1851, Vol. XVI, No. 30, P. 3.

Gibb’s & Gurney’s Sky-Light Picture Gallery.  Messrs Gibbs & Gurney have added to their gallery three new rooms, and fitted them up in a style that cannot fail to secure the comfort and ease of those visiting their Gallery.

They have also enlarged their operating room, and increased their sky-light to double its former size, is a sky-light gives a natural eye softness of light and shade, beauty and strength to pictures. 

We have on hand five of Voigtlander & Sohn’s best German instruments of  all sizes, which are so far superior to any American instrument, that they command double the force.

We are constantly receiving from New Orleans and Cincinnati, the finest assortment of frames, cases, lockets. breastpins, and all kinds of Turkey morocco and fancy pearl cases, which we offer at prices that cannot fail to give entire satisfaction. 

Likenesses of children taken to perfection.  Pictures and Paintings of all kinds copied satisfactorily, or no charge made.

We have permanently located ourselves in Natchez, and all pictures taken at our gallery that do not give entire satisfaction, will be cheerfully taken over at any time free of charge.

Rooms on the corner of Main and Commerce streets—entrance on Commerce streets.

1851 March 12.  The Natchez Weekly Courier.  (Natchez, Mississippi.) March 12, 1851, Vol. XXII, No. 12, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney have added to their gallery three new rooms, and fitted them up in a style that cannot fail to secure the comfort and ease of those visiting their Gallery.

They have also enlarged their operating room, and increased their sky-light to double its former size, as a sky-light gives a natural softness of light and shade, beauty and strength of tone to pictures.  We have on hand five of Voigtlander & Sohn’s best German instruments of  all sizes, which are so far superior to any American instrument, that they command double the price.

We are constantly receiving from New Orleans and Cincinnati, the finest assortment of frames, Cases, lockets. Breastpins, and all kinds of Turkey morocco and fancy pearl cases, which we offer at prices that cannot fail to give entire satisfaction. 

Likenesses of children taken to perfection.  Pictures and Paintings of all kinds copied satisfactorily, or no charge made.

We have permanently located ourselves in Natchez, and all pictures taken at our gallery that do not give entire satisfaction, will be cheerfully taken over at any time free of charge.

Rooms on the corner of Main and Commerce streets—entrance on commerce street.

Advertisement was recorded five times between March 12 to April 16, 1851.

1851 March 19.  Vicksburg Weekly Sentinel.  (Vicksburg, Mississippi.)  March 19, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

P. S.—Mr. Gibbs will be absent for a short time, but he assures the public that his partner Mr. Gurney, can do ample justice to the Gallery. mar. 1

1851 March 26.  The Natchez Weekly Courier.  (Natchez, Mississippi.) March 26, 1851, Vol. XXII, No. 14, P. 2.

Powers’ Greek Slave.  This splendid specimen of American genius will remain for exhibition in this city to-day and to-morrow.  No one should lose the opportunity of seeing it.  We understand this Statue belongs to The Artist himself, and is exhibited for his benefit.  It can be seen at Messrs. Gibbs & Gurney’s Daguerrean Gallery.

1851 April 5.  Concordia Intelligencer.  (Vidalia, Louisiana.)  April 5, 1851, Vol. X, No. 37, P. 3.

Gibb’s & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on April 5 to July 5, 1851.

1851 April 5.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  April 5, 1851, Vol. XIV, No. 32, P. 2.

Daguerreotyping.—Messrs. Gibbs & Gurney have fifed up their Daguerreian Gallery, over Brown & Johnston’s, in superb style, and perfected their sky-light. They are masters of all the late improvements, and are taking the most accurate and beautiful pictures we have ever seen.  Give them a call.

1851 April 9.  Vicksburg Weekly Whig.  (Vicksburg, Mississippi.)  April 9, 1851, Vol. XIII, No. 15, Whole No. 640, P. 3.

Skylight Daguerrean Saloon.  Gibbs & Gurney having enlarged their sky-light to double its former size, are now prepared to take Daguerreotypes in a style superior to any ever taken in this country.

They have just received from New Orleans and New York, a large assortment of frames and cases of a different style and superior to any ever offered to the citizens of Vicksburg heretofore.  Also, just received, a fine assortment of plain and enamelled lockets of a superior quality, which can be sold with miniatures inserted cheaper than the lockets can be bought elsewhere.

We have several copies of the “Greek Slave,” taken full length, which are pronounced by the owner of the Slave the best copies that have ever been taken.  Persons wishing copies will please call and select them, as we have a great many enlarged.  Perfect satisfaction given. Or no charges made.

Rooms over Messrs. Brown & Johnston’s, opposite the Post Office.  apr.3.

Advertisement was recorded eight times between April 9 to July 1, 1851.    

1851 April 30.  Mississippi Free Trader.  (Natchez, Mississippi.) April 30, 1851, Vol. XVI, No. 37, P. 3.

Gibb’s & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on April 30 & May 7, 1851.

1851 April 30.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 30, 1851, Vol. XXII, No. 19, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded five times between April 30 to June 18, 1851.

1851 May 7.  Mississippi Free Trader.  (Natchez, Mississippi.) May 7, 1851, Vol. XVI, No. 37, P. 3.

Gibbs & Gurney.—We beg to draw attention [to] the advertisement of the above named gentlemen, whose Daguerrean rooms are situated on the corner of Main and Commerce streets, over the China store of Mr. P. Leahy.  Their portraits are of an excellent character, and the extensive patronage conferred is the best proof of public appreciation of their skill.

1851 June 4.  Mississippi Free Trader.  (Natchez, Mississippi.) June 4, 1851,

Vol. XVI, No. 42, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave.  Also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia cannot avail themselves of a better opportunity, as they have the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and commerce streets, over Leahy’s China Store.  Entrance on Commerce street.

1851 June 5.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  June 5, 1851, Vol. XIV, No. 105, P. 2.

Skylight Daguerrean Saloon.  Gibbs & Gurney having enlarged their sky-light to double its former size, are now prepared to take Daguerreotypes in a style superior to any ever taken in this country.

They have just received from New Orleans and New York, a large assortment of Frames and cases of a different style and superior to any ever offered to the citizens of Vicksburg heretofore.  Also, just received, a fine assortment of plain and enamelled lockets of a superior quality, which can be sold with miniatures inserted cheaper than the lockets can be bought elsewhere.

We have several copies of the “Greek Slave,” taken full length, which are pronounced by the owner of the Slave the best copies that have ever been taken.  Persons wishing copies will please call and select them, as we have a great many engaged.  Perfect satisfaction given , or no charges made.

Rooms over Messrs. Brown & Johnston’s, opposite the Post Office.

Advertisement was recorded 10 times between June 5 to July 10, 1851.

1851 June 25.  The Natchez Weekly Courier.  (Natchez, Mississippi.) June 25, 1851, Vol. XXII, No. 27, P. 3.

Dissolution.  The copartnership heretofore existing in the Daguerreotype business, in Vicksburg, and in Natches, under the firm of Gibbs & Gurney, has been dissolved by mutual consent.

All outstanding business of the old firm will be settled by the Messrs. Gurney, and by whom all

Debts due it will be received.  M. R. Gibbs; M. J. Gurney; H. D. Gurney.  Vicksburg, June 28, 1851.

Notice.—The Daguerrean Gallery in Natchez, will be hereafter conducted by the undersigned, under the firm of M. J. & H. D. Gurney.  A continuance of the favor heretofore shown to the old establishment is respectfully requested.  M. J. Gurney, H. D. Gurney.

1851 July 1.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  July 1, 1851, Vol. XIV, No. 119, P. 2.

Vicksburg Daguerrean Gallery.  Mr. Gibbs, has returned to Vicksburg, and having dissolved partnership with Messrs. Gurneys, will remain here where he can always be found at his gallery over Brown & Johnston’s and having the finest skylight operating room that can be produced in this county, he pledges himself to give entire satisfaction to all who may favor him with a call.  He has just received fron New York, a fine assortment of the latest styles cases, and frames which will be sold on more reasonable terms than ever offered before in Vicksburg, call before the last of July, as his gallery will be closed for several months.

Advertisement was recorded nine times between July 1 to August 6, 1851.

1851 July 2.  The Natchez Weekly Courier.  (Natchez, Mississippi.) July 2, 1851,

Vol. XXII, No. 28, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave; also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded thirteen times between July 2 to November 19, 1851.

1851 July 12.  Concordia Intelligencer.  (Vidalia, Louisiana.)  July 12, 1851, Vol. X, No. 51, P. 3.

Dissolution.  The copartnership heretofore existing in the Daguerreotype business, in Vicksburg, and in Natches, under the firm of Gibbs & Gurney, has been dissolved by mutual consent.

All outstanding business of the old firm will be settled by the Messrs. Gurney, and by whom all

Debts due it will be received.  M. R. Gibbs; M. J. Gurney; H. D. Gurney.  Vicksburg, June 28, 1851.

Notice.—The Daguerrean Gallery in Natchez, will be hereafter conducted by the undersigned, under the firm of M. J. & H. D. Gurney.  A continuance of the favor heretofore shown to the old establishment is respectfully requested.  M. J. Gurney, H. D. Gurney.

Advertisement ran from July 12 to August 16, 1851.

1851 September 6.  Concordia Intelligencer.  (Vidalia, Louisiana.)  September 6, 1851, Vol. XI, No. 7, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave; also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement ran from September 6, 1851 to September 4, 1852.

1851 December 24.  The Natchez Weekly Courier.  (Natchez, Mississippi.) December 24, 1851, Vol. XXIII, No. 1, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Gallery.  Messrs. M. J. & H. D. Gurney, are now taking finer daguerreotypes than have ever been heretofore produced in this section of country.  By late improvements they are enabled to produce pictures of the most beautiful tone and brilliancy.

They have just received from New York, a fine assortment of Daguerreotype materials, embracing Gold Lockets, Breast Pins, Signet Rings, all of the finest quality, which they offer on the most reasonable terms.

The pictures now taken needs no praise; they exhibit to the life the true original.  Pictures of all sizes executed in the neatest manner.  Ladies and gentlemen are invited to call and examine their late specimens.

Instruction given to pupils, with the latest improvements in the art.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on December 21, 1851 and April 21, 1852.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 2.

Messrs. Johnson and Gurney daguerreotypist, have taken rooms at the Odd-Fellows’ building, for the purpose of “practicing the daguerrean art in all its minutiae.”  The specimens of their work, which may be seen at the entrance to their rooms, are highly finished and beautiful.  See their card in another column.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 3.

Mr. Johnson, The Oldest Daguerreotypist now living, and Mr. Gurney, of the firm Gibbs & Gurney, of Vicksburg and Natchez, Miss., have opened a room in the Odd-Fellows’ Hall, at Franklin, where they will remain a short time, for the purpose of practicing the Daguerrean Art in all its minutiae. 

Mr. Johnson is a pioneer in the business, has practiced the Art ever since its introduction into the United States, and is acknowledged by Root, Brady, Plumb and Hill, of New York, and Jacobs, Maguire and Moissenett, of New Orleans, to be the best artist now living in America, as almost all of the above artist have received their instructions direct from him.

We have a beautiful variety of Cases and Lockets of all descriptions, namely—Parodi Cases, Kossuth Cases, Jenny Lind Cases, Catharine Hayes, Eareka Cases, Bridal Cases, Breast Pins, &c. 

The Citizens of Franklin and its Vicinity are invited to call and examine our specimens .

Perfect satisfaction given, or no charge made.

N. B.—A rare chance is now offered for obtaining instructions in this beautiful Art, direct from Mr. Johnson.            Charles E. Johnson.  M. J. Gurney.  Franklin, April 3, 1852.

Advertisement ran from April 3 to 24, 1852.

1852 April 10.  The Planters’ Banner.  (Franklin, Louisiana.)  April 10, 1852, Vol. XVII, No. 13, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, are making admirable pictures at their rooms, in the Odd Fellows’ building.

1852 April 17.  The Planters’ Banner.  (Franklin, Louisiana.)  April 17, 1852, Vol. XVII, No. 14, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, will only remain at their rooms in the Odd Fellows’ building a few days longer.  Those needing pictures had better make an early call.

1852 May 1.  The Planters’ Banner.  (Franklin, Louisiana.)  May 1, 1852, Vol. XVII, No. 16, P. 2.

The Daguerrean Art.

“In framing artists, Art hath thus decreed,

To make some good, but others to succeed.”

Whoever will give themselves the pleasure to visit Mr. Gurney’s Daguerrean Gallery, in the Odd-Fellows’ Hall, will see there some most beautiful specimens of that surprising art which so perfectly realizes those lines of Burns, so often quoted—

“O wad some power the giftie gie us

To see oursels as others see us!”

And it may be doubted, if they make the visit, whether they will be found sufficiently indifferent to those charms which are

“More than painting can express.

Or Youthful poets fancy when they love!”

but which can only be transcribed by the nimble pencil of the sun, as to be able to withdraw before challenging the combined efforts of nature and art, to sketch their own dear portraiture!  Try the experiment, fair reader—or you, ye ruder swains: and if you do not seat yourself before Mr. Gurney’s camera ere you leave the gallery it will be because you have never been able to look into your mirror with any degree of satisfaction; but if you once do sit, depends upon it you will form a better estimate of your own beauty than you have ever been able to derive from the flattering compliments of your most partial admirers.  You had better call soon, for Mr. Gurney intends to take his departure from our town next week, sure!

1852 May 8.  The Planters’ Banner.  (Franklin, Louisiana.)  May 8, 1852, Vol. XVII, No. 17, P. 2.

This week we have witnessed some beautiful specimens of the Daguerrean Art, emanating from the hands of Mr. Gurney, of Union Hall, among which not the least beautiful of his pictures is that of our humble self!  Start not, gentle reader!—we mean the plate, which in truth far surpasses the original, and that is saying a good deal.  Call and see it, and you will admit that Mr. Gurney has obtained complete mastery of the art; for his good-nature not only dispels all traces of anxiety and care, but lights up the countenance and throws a thousand little fascinations into “the human face divine” during the operation.  There is more in this than many persons are aware of, for the countenance should then wear its most pleasing aspect, and the want of such expression in the picture is too often visited in the artist, when the fault is not his, but our own.

1852 September 1.  The Natchez Weekly Courier.  (Natchez, Mississippi.) September 1, 1852, Vol. XXIII, No. 37, P. 1.

Messrs. Gurney & Co. Would take this opportunity to inform the public, that owing to the very liberal patronage they have received from the citizens of Natches, and the increasing demand for their new style of Daguerreotypes, their gallery will be kept open during the summer months, and will be attended by one of the firm.

Their assortment of stock is complete, comprising everything in their line of business.

They have lately introduced a new style of finishing pictures, which is universally admired.

Our motto has been “perfect satisfaction or no charges;” we extend the same, and solicit in return a continuation of the same liberal patronage heretofore extended to us.

1852 September 4.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  September 4, 1852, Vol. XII, No. 7, P.2.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South.  They have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, etc.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

Full size copies of Powers’ Greek Slave; also copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China store—entrance on Commerce street.

Advertisement ran from September 4, 1852 to April 16, 1853.

1852 October 6.  Mississippi Free Trader.  (Natchez, Mississippi.) October 6, 1852, Vol. XVIII, No. 7, P. 2.

Gurney’s Daguerrean Gallery.—The Messrs. Gurney, as will be seen by their card, have just returned from the North with a large stock, and are prepared to execute miniatures in the highest style of the art.  The “golden halo” is certainly a most beautiful improvement.

1852 October 6.  Mississippi Free Trader.  (Natchez, Mississippi.) October 6, 1852, Vol. XVIII, No. 7, P. 3.

Gurney’s Picture Gallery, Corner of Main and Commerce streets.—Messrs. Gurney, have just returned from the North with a large stock, and are now prepared to execute Miniatures on the most improved principles in a style second to none in the country.

The Pictures taken at their Gallery were pronounced by such Artists as Hawkins, Fontwyne, [sic.] and Porter, of Cincinnati, (which place is the emporium of Daguerreotyping in the United States,) to be superior to any [taken] in that city; and their new style of Golden Halo Daguerreotypes were spoken of in the city papers, as the very acme of Daguerreotyping.

They have brought down a large instruments of the best brand that is made, and are prepared to take them almost as large as life.

Persons dissatisfied with pictures will not be compelled to take them—in which case no charge will be made.

Any pictures taken from the Gallery will be considered as sold, and will not be retaken, unless

for an additional charge, as it wastes the silver plate with no remuneration.

All cash orders for stock, filled with dispatch.  Instruction given in the Art, and all the necessary apparatus furnished for $200.

P. S. They have brought down a Reflector, for taking Views and Residences natural, and they would be happy to execute any orders in that line.

Advertisement was recorded twice on October 6 & 13, 1852.

1852 October 20.  The Natchez Weekly Courier.  (Natchez, Mississippi.) October 20, 1852, Vol. XXIII, No. 44, P. 3.

Gurney’s Picture Gallery, Corner of Main and Commerce streets.—Messrs. Gurney, have just returned from the North with a large stock, and are now prepared to execute Miniatures on the most improved principal, in a style second to none in the country.

The Pictures taken at their Gallery were pronounced by such Artists as Hawkins, Fontwyne, [sic.] and Porter, of Cincinnati, (which place is the emporium of Daguerreotyping in the United States,) to be superior to any taken in that city; and their new style of Golden Halo Daguerreotypes were spoken of in the city papers, as the very acme of Daguerreotyping.

They have brought down a large instruments of the best brand that is made, and are prepared to take them almost as large as life.

Persons dissatisfied with pictures will not be compelled to take them—in which case no charge will be made.

Any pictures taken from the Gallery will be considered as sold, and will not be retaken, unless for an additional charge, as it wastes the silver plate with no remuneration.

All cash orders for stock, filled with dispatch.  Instruction given in the Art, and all the necessary apparatus furnished for $200.

P. S. They have brought down a Reflector, for taking Views and Residences natural, and they would be happy to execute any orders in that line.

Advertisement was recorded eight times between October 20, 1852 to June 22, 1853.

1852 January 12.  Mississippi Free Trader.  (Natchez, Mississippi.) January 12, 1852, Vol. XVIII, No. 21, P. 3.

To all whom it may concern.  Persons knowing themselves to be indebted to Messrs. Gurney for Daguerreotypes, will confer a favor by calling at their Gallery and settling their bills.  M. J. & H. D. Gurney.

1853 January 12.  The Natchez Weekly Courier.  (Natchez, Mississippi.) January 12, 1853, Vol. XXIV, No. 4, P. 3.

To all whom it may concern.  Persons knowing themselves to be indebted to Messrs. Gurney for Daguerreotypes, will confer a favor by calling at their Gallery and settling their bills.  M. J. & H. D. Gurney.

1853 February 16.  Mississippi Free Trader.  (Natchez, Mississippi.) February 16, 1853, Vol. XVIII, No. 26, P. 1.

Gurney’s.—We spent a pleasant hour a few days since at Gurney’s Daguerrean Rooms, on Commerce street, looking over his specimens.

Mr. Gurney’s pictures are not surpassed by any [we] have ever seen for fidelity of resemblance, or [beauty] and style of finish.  He is an accomplished [artist] who thoroughly and scientifically understands his art, and takes a just professional pride [of] executing every picture in the very highest [and] most perfect and beautiful style.

1853 February 23.  Mississippi Free Trader.  (Natchez, Mississippi.) February 23, 1853, Vol. XVIII, No. 27, P. 2.

Washington’s Birth-Day.—A military and civic soiree, we learn, will be given on Tuesday evening at the City Hall.  We have no doubt it will be a delightful affair.

We are requested to state that tickets can be procured on application to S. F. Power, M. J. Gurney, Jno. Abbott and at Warner’s Book Store.

1853 April 6.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 6, 1853,

Vol. XXIV, No. 16, P. 1.

Daguerrean Gallery.  Mr. Hillyer—Dear Sir:  I have been in your city but a short time, and am, of course, much pleased.  Among other objects to please the senses, I may mention the Daguerrean rooms of Messrs. Gurney, opposite the agricultural Bank.  They are certainly fitted up in fine style—indeed, unsurpassed by any I have seen in the South.  They have all the latestimprovements of the art.  Never before to-day, did I think myself handsome.  Happening in the Gallery, I could not well resist the temptation to have my face transferred to plat, which was done in ten seconds in splendid style.  The first picture was life-like; but the second—Oh! the second! That was the one that capped the climax.  The artist found some fault with the first, and insisted on taking the second; which was really nonpareil.  After the fine parlor, with its pianos and melodeon, as well as some fine specimens of art, and been scrutinized, your scribbler was ushered into the transferring room, where a queer looking wheclish (sic.) concern prepared the plate.  After this operation, the vapor of the hydrargum was administered; then the rubbing and the powering, and penciling had to be done, and then was done in a trice, your scribbler.

As I am not a citizen of your beautiful town, it might be that my word will not have that weightthat a citizen’s would; but I would say to all, follow the example of.  Scribbler.

P. S.  The artist know not of this composition.

1853 April 23.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  April 23, 1853, Vol. XII, No. 40, P.2.

The Adams Light Guard.  This fine soldierly corps, under command of Capt. Robert Clark, with forty-six rank and file, celebrated their anniversary on Monday, the 18th inst., with unusual eclat and military bearing.  Among their invited guests were Messrs. Thomas Meagher, the exiled Irish patriot, and his associate fellow sufferer in Ireland, Joseph Brennan, Esq.  The first consented, at the request of the company, to deliver the prizes, which he did gracefully, accompanied by a speech. 

The company target was a “used up man,” having within its face ninety-nine musket-balls out of 136 shots.

The dinner was taken by the various messes and their guests in the tents.  That splendid Daguerrean artist, Gurney, was present with his powerful apparatus, and took many views of the full company under arms, in column, in platoon, in line and en echelon.

The following gentlemen of the Light Guard took the target prizes:

1.  John M. Ault, a Silver Cup.

2.  J. Frantz, a company Daguerreotype.

3.  Henry Mingee, a silver Cup.

1853 May 5.  The Planters’ Banner.  (Franklin, Louisiana.)  May 5, 1853, Vol. XVIII, No. 17, P. 2.

Mr. Gurney, the Daguerrean Artist, is making a professional visit to Pattersonville, which will necessarily be short, as his time is limited; those therefore, who need his services should not procrastinate.

1853 June 11.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  June 11, 1853, Vol. IX, No. 27, P. 4.

Now Is The Time!  Mr. Gurney, of Natchez, Miss., would respectfully announce to the Ladies and Gentlemen of Thibodaux and vicinity that he has opened a Gallery, over the Store of Messrs. Badeaux & Bruff,—Main street near Jackson—for the purpose of practicing the beautiful Art of Daguerreotyping.

His pictures are pronounced by distinguished savans to be superior to any taken in the Southern country, and his Golden Halo Daguerreotypes were pronounced by such artist as Fontayne & Porter, Farris and Hawkins, of Cincinnati, to be superior to any taken in that city, and were spoken of in the Cincinnati Nonpareil and the Daily Citizen as the very Acme of Daguerreotyping!

He respectfully solicits the Ladies and Gentlemen of this community to call and give him a sitting, free of charge, and test his merits as an artist.  His variety of stock is complete, embracing everything in the line.

Likenesses of Children taken to perfection.  Perfect satisfaction given or no charge made.

Mr. Gurney’s stay in town will be limited to a week or ten days, and those who wish to secure a good and life-like likeness of themselves, will confer a favor by calling soon.

Advertisement ran from June 11 to 25, 1853.

1854 April 26.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 26, 1854, Vol.

XXV, No. 19, P. 1.

The parade at the Adams’ Light Guard anniversary was everything that good have been

expected; the day delightful, and the target-shooting good.  The first prize was won by M. J.

Gurney for the best three shots, and the second prize by Mr. H. J. Stier, for the best single shot.

1854 October 18.  The Natchez Weekly Courier.  (Natchez, Mississippi.) October 18, 1854, Vol.

XXV, No. 44, P. 3.

Our friend Gurney called us into his splendid Daguerrean Gallery yesterday, and showed us a

portrait he had just taken of our distinguished fellow citizen, Col. Adam L. Bingaman, and we

must say it was one of the most perfect likenesses we ever saw.  We observed, also, portraits of

Gen, Quitman, and John S. Thrasher, Esq., lately taken.  Gurney is a “trump,” and as an artist, is not to be surpassed.  If, on visiting his Gallery, you don’t sit down and have your countenance transferred to a “plate,” and encased, why, then,—–we’re mistaken.

1854 December 8.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  December 8, 1854, Vol. XIV, No. 19, P.2.

M. & J. Gurney’s Daguerrean Gallery, Corner of Main and Commerce sts., (Entrance on Main st.,) Natchez, Miss.  The Messrs. Gurney, being determined not to be surpassed in their profession by any artist either North or South, have fitted up their Gallery in a style second to none in the country.

One of the firm has just returned from New York with all the latest improvements in the art, together with a large and most choice selection of Daguerreotype Material which cannot fail to please the most fastidious taste.

Those wishing Pictures and those not wishing Pictures; the fair, the handsome, the ugly, (all can be suited,) and particularly the ladies, are respectfully requested to call and examine their unique style of Pictures, Cases, Gold Lockets, &c.  Stock of all kinds furnished to the trade.

Instructions given in the art, with apparatus, for $200.

Rooms open from 8 o’clock, A. M. till 5 o’clock, P. M.  Terms Cash.

Advertisement was recorded five times between December 8, 1854 to October 26, 1855.

1854 December 23.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  December 23, 1854, Vol. X, No. 1, P. 2.

Photographers.—Gurney, that excellent Daguerreotypist who visited us about eighteen months ago, is again in town.  His rooms are over the store of Badeaux & Bruff, Main street.  Crafts is also here, and has taken rooms over the Postoffice, on Market Street

1855 January 6.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 6, 1855, Vol. X, No. 3, P. 2.

Shadows.—If there be any among our patrons and readers who are admires of themselves, we would urge them to call on Gurney and obtain one of his exquisite daguerreotypes—which cannot be excelled.  Just pop in and admire that life-like stereoscope of R. G. Darden which resembles him more than he resembles himself.  It should be seen to be appreciated and admired.  Don’t forget his rooms over the store of Badeaux & Bruff, corner of Main and Focus Streets.  Our Terrebonne friends can be accommodated nearer home, as Mr. Richardson, Gurney’s partner, has opened a saloon in Houma, where he will be happy to supply those who may favor him with a call, at a trifling expense.

1855 January 13.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 13, 1855, Vol. X, No. 4, P. 2.

Gurney wishes us to signify to our readers, especially those who may wish a good likeness of themselves, that he will close his gallery on Saturday next, the 20th inst. So “Come along, come along, make no delay.”

1856  February 1.  Natchez Daily Courier.  (Natchez, Mississippi.)  February 1, 1856, Vol. IV, No. 88, P. 1.

Great Attraction at Gurney’s Gallery, Corner of Main and Commerce streets, Natchez.  Messrs. Gurney are now making a new style of Picture called The Ambrotype.

These Pictures are taken on polished glass, and possess great advantages over the best Daguerreotypes, viz: They can be seen in any light; the delineations are much finer and more distinct, are not reversed, as a Daguerreotype, and will never fade.

They have engaged Mr. Charles H. Erwin, from the best Photographic establishment in the North, who will attend to that branch of their business, and they invite the public to examine their specimens and judge for themselves.  Persons having Daguerreotypes of deceased friends can have them enlarged to any size they wish and colored in oil or water colors, as they may wish.  The advantage of a permanent Gallery over an itinerant one, is obvious to every one.

Our arrangements are complete for furnishing Likenesses of all sizes, and colored by the first master of the art, and in any style desired, at New York prices.

Likenesses of Children can be taken by the Ambrotype process almost instantaneously.  dec5.

Advertisement was recorded four times between February 1 to 12, 1856.

1856 May 16.  American Banner.  (Yazoo City, Mississippi.)  May 16, 1856, Vol. 1, No. 52, P. 3.

Ambrotypes.—Mr. Gurney, the accomplished Ambrotype artist, has arrived in our city as will be seen by reference to our advertising columns.  We have seen some specimens of his work and the are beautiful, beautiful.  This new art will eclipse the Daguerrean altogether.  Call and see Mr. Gurney and his pictures at his rooms.

1856 May 16.  American Banner.  (Yazoo City, Mississippi.)  May 16, 1856, Vol. 1, No. 52, P. 3.

Ambrotypes.  Read!  Read!!  Read!!!  Those wishing one of Gurney’s world renowned pictures will call at the earliest opportunity, as his stay in Yazoo City, is only limited to two weeks.

With his Mammoth Instrument impressions are obtained that astonish even the initiated in the Photographic art.  

Gurney has no rival in taking the immortal never fading Ambrotype.

Pictures taken in all kinds of weather from one to ten seconds.  Ladies and Gentlemen are respectfully invited to call and examine his work.

Instruction given in the art.

Rooms in the Odd Fellows Hall, over Mr. Wilson Jewelry store.

1856 May 23.  American Banner.  (Yazoo City, Mississippi.)  May 23, 1856, Vol. 2, No. 1, P. 3.

Ambrotypes.  Gurney will remain a Few Days Longer Only in Yazoo City by special request, to give those from the country an opportunity to secure one oh his inimitable, unapproachable, never fading ambrotype pictures.

Pressing engagements must hasten his departure.

Rooms in the old Odd Fellows Hall, over Mr. Wilson’s Jewelry store.

Advertisement ran from May 23 to June 6, 1856.

1856 May 23.  The Weekly American Banner.  (Yazoo City, Mississippi.)  May 23, 1856, Vol. 2, No. 1, P. 3.

Ambrotypes.  Gurney will remain Eight Days Longer Only in Yazoo City to give those from the country an opportunity to secure one of his inimitable, unapproachable, never fading ambrotype Pictures.

Pressing engagements must hasten his departure.

Rooms in the Odd Fellows Hall, over Mr. Wilson’s Jewelry store.  Yazoo City May 21, 1856.

Advertisement ran from May 23 to 30, 1856.

1857  November 3.  Natchez Daily Courier.  (Natchez, Mississippi.)  November 3, 1857, Vol. VI, No. 26, P. 2.

Gurney Has Just Returned From The North after an absence of four months, with the largest and finest stock of Photographic material ever brought to a Southern market.  He had a large mammoth Camera made expressly for himself—the largest in America—and a perfect gem in optics; its capacity is sufficient to take a natural size head, and perfectly sharp in every detail.  His rooms have been fitted up anew this summer without regard to expense, making it now the finest furnished Gallery in America, and the universal expression of all of our citizens traveling North the past summer, has been that the best pictures found in New York, did not begin to compare with Gurney’s of Natchez; and some of his Ambrotypes that were taken to Europe this past summer were pronounced by such artists as Claudet and Kilburn, the great photographers of Europe, to far surpass anything made on that continent, where the immortal Daguerre first proclaimed to the world that a crystalized bromoidodized (sic.) silver plate, exposed to the fumes of hydrurgum, (sic.) would develop a duplicate of the original, in all its ramifications.

He is about to introduce a new style of colored pictures called Chromograph, it is colored in oil is finer in texture than an ivory miniature; it is impossible to lose a shade of the likeness: is as durable as an oil painting can be, and will come much cheaper than the regular oil colored Photograph.

All kinds of stock furnished to the trade. 

Advertisement was recorded on November 3 to 19, 1857.

1857  November 10.  The Natchez Weekly Courier.  (Natchez, Mississippi.)  November 10, 1857, Vol. XXVIII, No. 49, P. 3.

Gurney Has Just Returned From The North after an absence of four months, with the largest and finest stock of Photographic material ever brought to a Southern market.  He had a large mammoth Camera made expressly for himself—the largest in America—and a perfect gem in optics; its capacity is sufficient to take a natural size head, and perfectly sharp in every detail.  His rooms have been fitted up anew this summer without regard to expense, making it now the finest furnished Gallery in America, and the universal expression of all of our citizens traveling North the past summer, has been that the best pictures found in New York, did not begin to compare with Gurney’s of Natchez; and some of his Ambrotypes that were taken to Europe this past summer were pronounced by such artists as Claudet and Kilburn, the great photographers of Europe, to far surpass anything made on that continent, where the immortal Daguerre first proclaimed to the world that a crystalized bromoidodized (sic.) silver plate, exposed to the fumes of hydrurgum, (sic.) would develop a duplicate of the original, in all its ramifications.

He is about to introduce a new style of colored pictures called Chromograph, it is colored in oil is finer in texture than an ivory miniature; it is impossible to lose a shade of the likeness: is as durable as an oil painting can be, and will come much cheaper than the regular oil colored Photograph.

All kinds of stock furnished to the trade. 

Advertisement was recorded on November 10 to December 2, 1857.

1858  November 24.  The Natchez Weekly Courier.  (Natchez, Mississippi.)  November 24, 1858, Vol. XXIX, No. 50, P. 2.

List of Interments in the City of Natchez from Aug. 8, 1858 to Nov. 20, 1858.  (The following are abbreviations—Y. F., yellow fever—S. H., State Hospital—M. H., Marine Hospital—U. H., under the hill.)…

November 13—Marsh J. Gurney, age 30, Y. F.

[1] Right side of article is out of focus due to it being photographed in the gutter of the page.

Gunn, L. C.

Daguerreotypes, , , , ,

1847-1849       Southeast corner of Chestnut and Fifth Streets, Philadelphia, Pennsylvania.

1847 December 3.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 3, 1847, Vol. XXIV, No. 60, P. 3.

Who So Foolish as to pay $2.50 for a Daguerreotype, when as good a one, and many say better, can be had at our rooms for $1.50?  Elliott & Gunn, S. E. corner of Fifth and Chestnut Streets, entrance on Fifth Street.

1847 December 30.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 30, 1847, Vol. XXIV, No. 83, P. 3.

Presents For The New Year!  Having purchased the Daguerreotype Establishment of W. R. Elliott, Southeast corner of Fifth and Chestnut Streets, and having fitted up the premises in a new style, and with entire new chemicals, we invite our friends, and all who wish to get a superior likenesses of a family group, to visit our rooms, The entrance is on Fifth street, and is pleasantly private.  Practical experience, and the superior advantages of our rooms for light, enable us to Guaranty, to such as have not seen our work, pictures of the finest and most finished character, and executed without a long and tedious delay.  Children taken from 2 to five seconds.  B. England,  L. C. Gunn.

1848 January 31.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 31, 1848, Vol. XXIV, No. 110, P. 2.

Daguerreotypes—“We had an opportunity, yesterday, of examining some Daguerreotype Portraits and Groups, recently executed by England & Gunn, Southeast corner of Fifth and Chestnut Streets.  They are most [exquisitely] finished and exceed in richness of coloring [ ? ] we have ever seen in this beautiful art”—[ ? ] 

Entrance to the Rooms, on Fifth Street, below Chestnut.

1848 February 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 11, 1848, Vol. XXIV, No. 120, P. 2.

England & Gunn Daguerreotype Rooms continue to be visited by our most respectable citizens.  The pictures are admitted to be among the best that have ever been taken and these are the best advertisements.  Rooms Southeast corner of Chestnut and Fifth Streets, entrance on Fifth street.

1848 February 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  February 19, 1848, Vol. XXIV, No. 127, P. 2.

George W. Kendall, of the N. O. Picayune, [celebrated] as the author of letters from Mexico, has been Daguerreotyped by England & Gunn, and can be seen at their Rooms, as also the likenesses of Major Bliss, General Quitman, and other distinguished individuals.  The likenesses are all pronounced admirable, multitudes are continually calling to see them.  Rooms Southeast corner of Chestnut and Fifth Sts., entrance on Fifth st. 

1848 March 6.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  March 6, 1848, Vol. XXXVIII, No. 56, Whole No. 4647, P. 1.

Better than the Best.—We noticed in our last paper a large and beautiful likeness of Henry Clay, executed by England & Gunn.  As we now learn, that the likeness was taken at a private house, on a stormy day; so that the artists had but little opportunity for showing their skill.  The result, however, was so good, that on being shown to Mr. Clay, he consented to visit the rooms of these gentlemen, at the south-east corner of Chestnut and Fifth streets, where the admirable arrangement of light enables them to give a peculiar softness and finish to their pictures.  Accordingly he went on Saturday; and we have before us now the picture which was taken.  We can [ ? ] show no greater praise than to say that it is one of the largest we have seen, and that it is remarkably beautiful!—every way worthy of the subject, and creditable to the artists.  We thought the first picture could not be excelled, but this is better.  Copies will be taken immediately for such as wish them.  

1848 March 6.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 6, 1848, Vol. XXIV, No. 140, P. 2.

Henry Clay—A very correct likeness of Henry Clay was taken a day or two ago by Messrs. England & Gunn.  The peculiarities of this distinguished personage are difficult to depict correctly in a Daguerreotype, but the gentlemen above named have overcome this difficulty, and given to the public a very striking likeness.

1848 March 6.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 6, 1848, Vol. XXIV, No. 140, P. 2.

England & Gunn’s large Daguerreotype Likeness of Henry Clay can be seen at their Rooms, Southeast corner of Chestnut & Fifth Streets.  It is pronounced by Mr. Clay’s most intimate friends to be the best that has ever been taken.  Copies can be furnished at $3 and $5,and being copied from so large a picture, they will be perfect as the original.

1848 March 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 11, 1848, Vol. XXIV, No. 146, P. 2.

The Artist of our city agree with the multitude, that England & Gunn’s large Daguerreotype likeness of Henry Clay, is the best that has been taken.  Perfect copies are furnished.  Also , likenesses taken in the most finished and artistic manner.  None but the best materials are used, as the pictures testify.  Rooms at S. E. corner of Chestnut and Fifth Sts.  Entrance of Fifth St.

1848 March 17.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  March 17, 1848, Vol. XXXVIII, No. 66, Whole No. 4657, P. 2.

A Portrait –Messrs. England & Gunn, Fifth and Chestnut streets, had an opportunity a day or two ago of taking a full length Daguerreotype Sketch of Mr. Clay.  It is quite a gem.

1848 March 17.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  March 17, 1848, Vol. XXXVIII, No. 66, Whole No. 4657, P. 2.

The Three Burglars.—Messrs. England & Gunn yesterday brought to our office, Daguerreotype portraits of the three colored burglars, who were recently arrested in New York and brought to this city.  They were daguerreotyped, with the object of assisting the officers of justice in their recapture, should they contrive to escape from present custody.

1848 March 18.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 18, 1848, Vol. XXIV, No. 151, P. 2.

Blitz Caught at Last—Blitz is the hardest customer to be caught that we ever saw, but Gunn, the Daguerreotypist, has done it.  He has caught Blitz likeness and printed that [prince of necromancers] in a very superior manner.  Blitz as never to be daunted, however and this [ ? ] on the evening in the Lecture Room of the Museum he will give the young and old folks a fair opportunity to catch him again.  Of course they [will] be there.[1]

1848 March 18.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 18, 1848, Vol. XXIV, No. 151, P. 2.

The Hon. Henry Clay Again has visited the rooms of England & Gunn since his return from New York.  They took a full length Daguerreotype portrait of him in the act of making a speech—the only of him ever taken—which he has honored with a written acknowledgment of his satisfaction.  It is already in the hands of an artist, and will be given to the public in a style befitting its perfection.

Rooms S. E. corner of Chestnut and Fifth Streets; entrance on Fifth Street.

1848 March 25.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  March 25, 1848, Vol. XXXVIII, No. 73, Whole No. 4664, P. 2.

Beauty and Greatness from Life At England & Gunn’s Daguerreotype Rooms.—Besides the numerous other flattering evidences of the estimation in which these Rooms are held, it may be stated that the Hon. Henry Clay visited them twice during his stay in this city—once for the purpose of having a large bust taken, and afterwards a full length portrait.  This last was the last picture of him taken in this city; and Mr. Clay and his friends have written certificates of their entire approbation, unsolicited by Messrs. E. & G.  The same can be said of no other picture, and of no other Daguerreotype establishment.

“A few of our artists have carried the thing as near perfection, perhaps, as it is possible to go.  Foremost among these, we mention the names of England & Gunn.”—Champion of American Labor.

“Prettiest specimens of the art we have ever seen.”—Spirit of the Times. 

“Very superior.”—Ledger.

“Better than the best.  Remarkable for fidelity, and for finish and effect throughout”. — Pennsylvania Inquirer.

“Surpass anything we have seen.”—True Sun.

“Splendid.” —Daily News.

Rooms Southeast corner of Chestnut and Fifth streets, entrance on Fifth Streets.

1848 March 28.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  March 28, 1848, Vol. XXXVIII, No. 75, Whole No. 4666 P. 2.

Mr. Van Buren.  Messrs. England & Gunn have just taken a capital daguerreotype of Ex-President Van Buren.  It is intended to form one of a series of engravings of our public men, which Messrs. E. & G. are preparing for the press.

1848 April 8.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  April 8, 1848, Vol. XXXVIII, No. 85, Whole No. 4676, P. 2.

Gems Of The Art.  The Daguerreotypes taken by England & Gunn are universally acknowledged to be the gems of the art.  For fidelity as likenesses, and for finish and general effect, they are unsurpassed. One such picture is worth a dozen poor ones.  The Hon. Henry Clay complimented these artist by visiting them twice, and having a full length portrait taken by them, which is now being cut in steel.  Ex-President Martin Van Buren has also had a full length portrait taken by them, which is likewise to be cut in steel. Among other beautiful specimens in their gallery, we noticed admirable likenesses of General Quitman, Major Bliss, Gen. Jesup, Col. Whiting, La Roy Sunderland, Signor [Elitz], Elder J. V. Hines, Dr. Samuel Jackson, &c. &c.

Rooms Southeast corner of Chestnut and Fifth streets, entrance on Fifth Street.

Advertisement ran from April 8 to 29, 1848.

1848 April 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 11, 1848, Vol. XXIV, No. 15, P. 2.

A Galaxy Of Names.—The Hon. Henry Clay, Ex-President Martin Van Buren, General Quitman, Col. Whitney, Gen’l Jessup, and many others, have recently given the preference to England & Gunn over all other Daguerreotypist in the city.  Comment is unnecessary.

The full length Portraits of Mr. Clay and Mr. Van Buren are selected by an artist for copying, and will be given to the public in a very beautiful style.

Rooms S, E. corner of Chestnut and Fifth Streets; entrance ofn Fifth Street.

1848 April 25.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  April 25, 1848, Vol. XXXVIII, No. 99, Whole No. 4690, P. 2.

While the Great Mass Meeting was assembled in Independence Square, yesterday afternoon, a Daguerreotype Sketch of it was taken by Messrs. England & Gunn.

1848 May 6.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  May 6, 1848, Vol. XXXVIII, No. 109, Whole No. 4700, P. 4.

The Largest Daguerreotype Likeness of General Taylor, which has ever been taken, can be seen at English & Gunn’s Rooms.

It is to be engraved by Sartain, and will be ready for sale before the Convention meets.

Also, the best likenesses of Henry Clay, Martin Van Buren, Major Bliss, Gen. Quitman, and Col. Whiting, and numerous Portraits and Family Groups.

Enterprise and Perfection is the motto.  Rooms S. E. corner of Chestnut and Fifth streets.  Entrance on Fifth street.

1848 May 10.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  May 10, 1848, Vol. XXXVIII, No. 112, Whole No. 4703, P. 2.

England & Gunn are collecting likenesses of all our great men.  Yesterday they took a large daguerreotype of General Twiggs, which is true to life.  Indeed, all their pictures, which we have seen, are very superior.

1848 June 6.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  June 6, 1848, Vol. XXXVIII, No. 135, Whole No. 4726, P. 2.

The friends of Mr. Clay will no doubt be gratified to learn that Mr. Haynes, of this city, is getting up a large full length portrait of the Sage of Ashland, to cut in steel, for embossing.  It represents him in the attitude of speaking.  It was taken from a Daguerreotype by England & Gunn, so justly celebrated in their line, after Mr. Clay’s return from New York, and is the only one of the kind in existence.  We have been shown the drawing, and can assure the friends of Mr. Clay, that that there is an earnestness about the expression, and a life like truthfulness, that place that great Statesman and Orator before us as no other drawing or painting has ever done.  We are informed that Mr. Haynes will exhibit the drawing during the Convention, for the purpose of obtaining subscribers, and we think that he may feel confident of hundreds of names.  The drawing may also be seen before 10 o’clock each morning, and from 12 to 2 o’clock, P. M., at the rooms of England & Gunn, southeast corner of Chestnut and Fifth streets; entrance on Fifth street.

1848 June 7.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  June 7, 1848, Vol. XXXVIII, No. 136, Whole No. 4727, P. 2.

Perfect Daguerreotypes.  Not only the eye perfect, but perfection in the whole picture.  To those who have failed in obtaining it elsewhere, we guarantee a perfect daguerreotype.  Our prices are moderate and will suit all. Strangers and others will fine it much to their advantage to call at our rooms, if they wish to get a superior picture.  In our gallery are the largest and best likenesses of Gen. Taylor and Henry Clay in the city, and of numerous other distinguished warriors and statesmen.  Open from 7 o’clock A. M., until 7 P. M.  Call early—Admission free.  England & Gunn.  Southeast corner Chestnut and Fifth streets, entrance on 5th street.

Advertisement ran from June 7 to 10, 1848.

1848 June 7.  North American and United States Gazette.  (Philadelphia, Pennsylvania.)  June 7, 1848, Vol. LXV, No. 16,332, P. 2.

Daguerreotypes—First Quality—Delegates to the Convention and Strangers visiting the city, who wish their Daguerreotypes taken in a superior manner, can be [accommodated] at the shortest notice at our Rooms, Southeast corner Chestnut & Fifth Streets,—entrance on Fifth street.  We warrant all our Pictures to be the first quality, and guarantee satisfaction.  Open from 7 A. M. until 7 P. M.  England & Gunn.

Don’t forget, the entrance is on Fifth street, just below Chestnut.

Advertisement ran from June 6 to 12, 1848.

1848 June 20.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  June 20, 1848, Vol. XXXVIII, No. 147, Whole No. 4738, P. 2.

Perfect Daguerreotypes Can be made only by using the very best materials, and by preparing the plates so as to give them the highest possible finish, combined with artistic skill in the arrangement of the person.  Hence the admitted superiority of our pictures.  Prices as low as any in the city, for good pictures of the same size.  England & Gunn, S. E. Corner Chestnut and Fifth sts., entrance on Fifth st.

Advertisement ran from July 20 to 27, 1848.

1848 July 20.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  July 20, 1848, New Series—Vol. V, No. 29, P. 4.

Perfect Daguerreotypes Can be made only by using the very best materials, and by preparing the plates so as to give them the highest possible finish, combined with artistic skill in the arrangement of the person.  Hence the admitted superiority of our pictures.  Prices as low as any in the city, for good pictures of the same size.  England & Gunn, S. E. Corner Chestnut and Fifth sts., entrance on Fifth st.

Advertisement ran from July 20, 1848 to March 1, 1849.

1848 September 19.  Public Ledger.  (Philadelphia, Pennsylvania.)  September 19, 1848, Vol. XXV, No. 152, P. 3.

Rare Chance To Make Money.—Wanted—A number of Persons to canvass the State immediately, and sell the likeness of Gov. Johnson, just published.  The most liberal terms offered.  Apply to England & Gunn, Daguerreotypist, Fifth St., below Chestnut.

Advertisement ran from September 19 to 21, 1848.

1848 November 16.  Daily Republic.  (Philadelphia, Pennsylvania.)  November 16, 1848, Vol. 1, No. 35, P. 3.

Daguerreotypes Of Martin Van Buren, John Van Buren, John P. Hale, Henry Clay, Gov. Johnson, Gov. Geo. M. Dallas, Lucretia Mott, Gen. Nicholas P. Trist, and numerous other distinguished persons, have been taken by England & Gunn, in their inimitable life-like style.  Their Gallery is richly worth a visit; and the admission is free.  To such of our friends as wish to have pictures taken either now or for Christmas presents, we suggest the propriety of examining the very interesting specimens in this gallery, if they wish to know where the most perfect pictures we have ever seen are made.  It is in the Fifth Street, just below Chestnut.  O7.

1848 November 25.  Public Ledger.  (Philadelphia, Pennsylvania.)  November 25, 1848, Vol. XXVI, No. 54, P. 2.

Two Premiums This Year, 1848.—The Daguerreotypes of England & Gunn have just been awarded the First Premium by the Maryland Institute at Baltimore, overall competition.  Add to this the Medal given to these artists by the Franklin Institute a few weeks ago, and it is very flattering, especially as they had been in business only nine months.  The public will see the difference between medals received several years ago, when the art was in it infancy, and medals received This Fall, over the very persons who had formerly received them.  Gallery in Fifth Street, just below Chestnut.

Advertisement ran from November 25 to 27, 1848.

1848 December 9.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 9, 1848, Vol. XXVI, No. 66, P. 2.

Two Premiums From Two Cities In 1848!—England & Gunn, the Daguerreotypists, in Fifth St., below Chestnut, have acquired greater celebrity in the nine months they have been in business than other operators in five or six years.  They have just been awarded the First Premium for the Best Daguerreotype Portraits over all competition from Philadelphia and elsewhere.

Advertisement ran from December 9, 1848 to January 8, 1849.

1848 December 11.  Public Ledger.  (Philadelphia, Pennsylvania.)  December 11, 1848, Vol. XXVI, No. 67, P. 2.

Portrait of Gov. Johnston And John P. Hale.—Magnificent Prints, from original Daguerreotypes, sold wholesale and retail, by England & Gunn, Fifth Street, below Chestnut.

Advertisement ran from December 11, 1848 to January 10, 1849.

1848 December 21.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  December 21, 1848, New Series—Vol. V, No. 51, P. 3.

Portraits of Jno. P. Hale, Lithographed from a Daguerreotype by England & Gunn, are for sale at the Anti-Slavery office.

1849 January 1.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  January 1, 1849, Vol. XL, No. 1, Whole No. 6045, P. 3.

Portraits Of Gov. Johnston And John P. Hale.  Magnificent Prints from magnificent Daguerreotypes.  Sold wholesale and retail, by England & Gunn, Fifth street, below Chestnut.  de. 7.

Advertisement was recorded from January 1 to 25, 1849.[2]

1849 January 1.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  January 1, 1849, Vol. XL, No. 1, Whole No. 6045, P. 3.

Christmas Presents.  The best that can be made is a beautiful Daguerreotype, taken by England & Gunn, Fifth street below Chestnut.  These are the artists who, a few weeks ago, took Two Premiums from two different cities—the First premium over all competition from Philadelphia and elsewhere, at the Maryland Institute, besides their Medal at the Franklin Institute.  de. 7.

Advertisement was recorded from January 1 to 25, 1849.

1849 January 2.  Public Ledger.  (Philadelphia, Pennsylvania.)  January 2, 1849, Vol. XXVI, No. 85, P. 3.

Found—A Lady’s Bag, containing money , &c., on the stairs leading to our Daguerreotype Gallery, corner of Fifth and Chestnut Streets.  England & Gunn.

Advertisement ran from January 2 to 4, 1849.

1849 January 27.  Philadelphia Inquirer.  (Philadelphia, Pennsylvania.)  January 27, 1849, Vol. XL, No. 24, Whole No. 6068, P. 2.

Large Daguerreotypes.  Nearly as cheap as small ones—and of the best materials—in magnificent gilt frames, suitable for parlors.  Call soon, as we have but a limited number of these frames, and they will be disposed of in a few days.  Two premiums received at this establishment for the best Daguerreotype portraits.  Our friends who wish their pictures taken at our Rooms, had better call now, as we expect to leave our present location shortly, to be absent several weeks.  England & Gunn, Fifth street, below Chestnut.

Advertisement ran from January 27 to March 28, 1849.

1849 March 3.  Public Ledger.  (Philadelphia, Pennsylvania.)  March 3, 1849, Vol. XXVI, No. 137, P. 2.

A Card.  As we are about leaving the city for some time, we recommend to all our patrons who at the present time may wish to get Daguerreotypes of the first quality, to call on Messrs. McCless & Germon, corner of Eighth and Chestnut Sts.  We regard them as our first artists, and recommend their establishment with the fullest confidence.  March 1, 1849.

Advertisement was recorded on March 3 to 8, 1849.

1849 May 31.  The Pennsylvania Freeman.  (Philadelphia, Pennsylvania.)  May 31, 1849, New Series—Vol. VI, No. 22, P. 4.

A Card.  As we are about leaving the city for some time, we recommend to all our patrons who at the present time may wish to get Daguerreotypes of the first quality, to call on Messrs. McCless & Germon, corner of Eighth and Chestnut Sts.  We regard them as our first artists, and recommend their establishment with the fullest confidence.  March 1, 1849.

Advertisement was recorded from May 31, 1849 to April 18, 1850.

1850 April 10.  Public Ledger.  (Philadelphia, Pennsylvania.)  April 10, 1850, Vol. XXIX, No. 15, P. 2.

Re-Opening—Thomas Colley, Daguerreotypist, formerly of 129 Chestnut street, has opened the Saloon lately occupied by England & Gunn.  T. C. being one of the oldest and most experienced operators in the country, invites his friends, and the public generally, to call and examine his Specimens, which they will pronounce unsurpassed in excellence by any other establishment, and furnished at the following Reduced Rates.

½ sized Plate, usually sold at $5, for $3!

¼ sized do      do         do        $4,      $2!

⅙ sized do      do         do        $2½    $1!

N. B.—The half size plate, being the most suitable for family grouping, is particularly recommended; and the cheap rate at which it is furnished will afford ample reasons for the wise and economical to patronize Colley, 142 Chestnut street, Corner of Fifth street.

1850 April 14.  Sunday Dispatch.  (Philadelphia, Pennsylvania.)  April 14, 1850, Vol. II, No. 49, P. 2.

Re-Opening—Thomas Colley, Daguerreotypist, formerly of 129 Chestnut street, has opened the Saloon lately occupied by England & Gunn.  T. C. being one of the oldest and most experienced operators in the country, invites his friends, and the public generally, to call and examine his Specimens, which they will pronounce unsurpassed in excellence by any other establishment, and furnished at the following Reduced Rates.

½ sized Plate, usually sold at $5, for $3!

¼ sized do      do         do        $4,      $2!

⅙ sized do      do         do        $2½    $1!

N. B.—The half size plate, being the most suitable for family grouping, is particularly recommended; and the cheap rate at which it is furnished will afford ample reasons for the wise and economical to patronize Colley, 142 Chestnut street, Corner of Fifth street.

[1] Signor Blitz real name Antonio Van Zandt, Magician (1810-1877)

[2] No newspapers were available to be checked between June 30 to December 31, 1848.