All posts by pioneeramericanphotographers

Cook, W. L.

Daguerreotypes,

1851                Address Unknown, Pulaski, New York.

1851 May 15.  Northern Democrat.  (Pulaski, New York.)  May 15, 1851, Vol. 1, No. 34, Whole No. 220, P. 3.

Skylight Daguerreotypes in Pulaski, Cook’s Circular.  Having perfected my arrangements I would give notice to the public generally that my rooms are now open to their inspection, and that I am prepared to give some further demonstration of the nature and perfection of the Daguerreotype.

The Art of itself is perfect if it can have its proper advantages, and I hope that by a possession of these, I shall be enabled to do away the two great defects of nearly all side light likenesses, the want of distinctness in the eyes and the form of the features, having eyes to my Likenesses whether the eyes of the subject are light or dark.  Those who have failed to obtain likenesses to their satisfaction from either of the above causes will do well to call and see what my Remedy will do for them.

It will be [be], borne in mind that these Rooms are designed to be permanent so that the inhabitants of the neighboring villages may find it to their advantage to give me a call.

An Offer.  For the sake of testing the comparative advantages of the side and sky-light I will give as good a likeness as I can take and pay the difference for the best likeness taken in this village of a person having dark eyes that shall be left at my rooms within three weeks after the date of this circular.  I also make the same offer for the best likeness of any person having light eyes, left within the same period.

Likenesses taken in cloudy weather as well as fair.  Instructions given in the art.  Rooms open from 8 A. M. to 9 P. M.  W. L. Cook, Artist.   Pulaski, May 15, 1851.           

Advertisement ran from June 15 to 29, 1851.

1851 June 5.  Northern Democrat.  (Pulaski, New York.)  June 5, 1851, Vol. 1, No. 37, Whole No. 223, P. 3.

Skylight Daguerreotypes in Pulaski, Cook’s Circular.  Having perfected my arrangements I would give notice to the public generally that my rooms are now open to their inspection, and that I am prepared to give some further demonstration of the nature and perfection of the Daguerreotype.

The Art of itself is perfect if it can have its proper advantages, and I hope that by a possession of these, I shall be enabled to do away the two great defects of nearly all side light likenesses, the want of distinctness in the eyes and the form of the features, having eyes to my Likenesses whether the eyes of the subject are light or dark.  Those who have failed to obtain likenesses to their satisfaction from either of the above causes will do well to call and see what my Remedy will do for them.

It will be [be], borne in mind that these Rooms are designed to be permanent so that the inhabitants of the neighboring villages may find it to their advantage to give me a call.  Prices.  For taking over, 81 cents, Silk lined cases $1.00 Others according to quality from $1.25 to $5.00.

Likenesses Copied, Cleaned, spots removed, and properly secured with safety to the Likeness and on reasonable terms.  Likenesses taken in cloudy weather as well as fair.  Instructions given in the art.  Rooms open from 8 A. M. to 9 P. M.  W. L. Cook, Artist.  Pulaski, May 15, 1851.

Advertisement ran from June 5 to July 3, 1851.

Conklin, N. W. & Son

Daguerreotypes, ,

1849-1850       Address Unknown, Jamaica, New York.

1849 December 4.  Long Island Farmer, and Queens County Advertiser.  (Jamaica, New York.)  December 4, 1849, Vol. XVII, No. 36, P. 2.

Likenesses.  The Subscribers would respectfully inform their friends and all who may favor them with a call, that they are now prepared to take Daguerreotype Likenesses on as reasonable terms as they can be obtained elsewhere, and such as give good satisfaction.  N. W. Conklin & Son.           

Advertisement ran from December 4, 1849 to December 17, 1850.

Cone, D. Dennison

Daguerreotypes, , , , , , , ,

1849-1850       3 Coburn’s Block, Fisherville, New Hampshire.

C. 1850           2 Museum Block, south end of Elm Street, Manchester, New Hampshire.

1850                Rooms over Bingham & Stevens Dry Goods Store, Claremont, New Hampshire.

1849 January 19.  New Hampshire Statesman.  (Concord, New Hampshire.)  January 19, 1849, Vol. XXVII, No. 1443, P. 3.

Californians Attention!  Daguerreotypes for one Dollar At Cone’s Daguerreotype Rooms, No. 3, Coburn’s Block, Fisherville, N. H.  Pictures taken every day, without regard to weather, and put up in every desired form and style, with or without color, to suit customers.  Perfect satisfaction guaranteed, or no pay will be received.  A splendid assortment of gold and plated lockets, constantly on hand at the lowest prices.

Please call and examine specimens.  D. Dennison Cone.

Advertisement ran from January 19 to May 18, 1849.

1849 May 25.  New Hampshire Statesman.  (Concord, New Hampshire.)  May 25, 1849, Vol. XXVIII, No. 1461, P. 3.

Cone’s Daguerreotype Establishment Still Ahead!!  Daguerreotypes taken here 25 per cent cheaper than at any other place.  Price Reduced—Miniatures for 75 cents.  Pictures taken every day, without regard to weather, and put up in every desired form, such as Lockets, Cases, Frames, Breast Pins, Watch Keys, Finger dings, and in groups from two to twenty, with or without color, varying in price from 75 cts. to $10.

Perfect satisfaction guarantied or no pay will be received.  Persons out of town will find it for their interest to call and examine specimens, before patronizing travelling imposters, as pictures taken at this establishment are pronounced, by the best judges, to be superior to ay ever before offered in the country.

Instruction given in the art, and every article pertaining to the art furnished at the very lowest price and warranted of the best quality.

Commissions for taking likenesses of sick or deceased persons attended to at once.

Remember the place, D. D. Cone’s Daguerreotype Rooms, No. 3 Coburn’s Block, Fisherville, N. H.

Advertisement ran nineteen times from May 25 to November 9, 1849.

1849 November 30.  New Hampshire Statesman.  (Concord, New Hampshire.)  November 30, 1849, Vol. XXVIII, No. 1488, P. 3.

Cone’s Daguerreotype Miniature Rooms, No. 3 Coburn’s Block, Fisherville, N. H.  Miniatures taken in the best style of the art, and as cheap as at any other place.

Splendid New Cases, Gold and Plated Lockets, Constantly on hand.  Instruction given in the art.  Stock and Apparatus for sale.  Perfect satisfaction guarantied.—Please call and examine specimens.  D. Denison Cone, Artist.

Advertisement ran from November 30 to December 7, 1849.

1849 December 14.  New Hampshire Statesman.  (Concord, New Hampshire.)  December 14, 1849, Vol. XXVIII, No. 1490, P. 3.

Cone’s Daguerreotype Rooms, No. 3 Coburn’s Block, Fisherville, N. H. 

Miniatures Taken It The Best Style Of the Art, and as cheap as at any other place.

Splendid New Styles Cases, Gold and Plated Lockets, Constantly on hand.  Instruction given in the art.  Stock and Apparatus for Sale.  Perfect Satisfaction Guarantied.

Please call and examine specimens.  D. Denison Cone, Artist.

Advertisement ran from December 14, 1849 to January 11, 1850.

1850 October 17.  National Eagle.  (Claremont, New Hampshire.)  October 17, 1850, Vol. XVI, No. I, P. 3.

Great Improvement In Daguerreotype Miniatures.  In Town, he Unrivalled Traveling

Daguerreotype Saloon, Excelsior; Stationed opposite the Tremont House.  Exhibition and

Receiving Rooms over the well-known Dry Goods Establishment of Messrs. Bingham &

Stevens For A Few Days Only.

D. Denison Cone & Co., respectfully announce to the citizens of Claremont and vicinity, that they are prepared to take Miniatures without regard to weather, of all sizes and styles in a superior manner, Cheaper than the same article can be obtained in any other place. 

The proprietors of the Excelsior take pleasure in introducing into this part of the country, the first establishment possessing All the advantages of the best city Sky Light Rooms.

New and Splendid Discovery, The Magic Circle.  By this new discovery the most splendid results are obtained—the picture is made to stand out, as it were, in bold relief from the ground work, and assume some of the most brilliant colors of nature, by chemical process, without the use of paint.  The celebrated Magic Back-ground, Crayon Daguerreotypes, and Patent Tallotypes (sic.) are more than equalled by this superb process. 

All those interested are respectfully invited to call and examine specimens, among which they cannot fail to recognize some familiar faces.

Instruction given in the art, including all the new improvements, and stock and apparatus furnished.

A liberal deduction made to Clubs and Families.

Cone’s Magic Circle Delineator, a new and beautiful instrument, indispensable to Daguerrian Artists, invented and for sale by D. Denison Cone, only.—Price $50.00, with printed instructions.

*D. Denison Cone, } Operators.

A. J. Baker, }

G. W. Baker, }

*Late first operator at Brown’s celebrated Daguerrian Establishment, Manchester, N. H.

1850 October 24.  National Eagle.  (Claremont, New Hampshire.)  October 24, 1850, Vol. XVI, No. II, P. 2.

Daguerreotype Likenesses.—An excellent opportunity is now presented to all who desire to obtain correct and finished pictures of themselves or their friends.  By our advertising columns it will be observed that Mr. C. Allen has again returned to his post, and will be happy to catch a life-like shadow of every one, who may wish his professional services in that line.  Mr. Allen has experience, taste and every facility for securing a finished and life-like picture.

It will also be observed that Messrs. Dannison Cone & Co., have taken apartments over the store of Messrs. Bingham & Stevens, and invite the public to give them a call.  We stepped in a day or two since, and found some most beautiful specimens of their art lying upon the table.  In the show case we observed various, ad admirably executed pictures, some of whom were Claremont friends.  Many persons are under the impression, that a more correct and finished picture can be obtained in the city than in the country.  This is a mistake.  With a good apparatus, the advantages are all on the side of the country.  The atmosphere is clearer, the light is better, and far more perfect pictures can be obtained.  Any city artist will acknowledge this.

1850 October 24.  National Eagle.  (Claremont, New Hampshire.)  October 24, 1850, Vol. XVI, No. II, P. 2.

Great Improvement In Daguerreotype Miniatures.  Best Pictures! The Daguerreotype Saloon, Excelsior, ; Stationed opposite the Tremont House.  All pictures taken at this Establishment are warranted the Best, and the Cheapest, ever taken in this State without any exceptions.

“Best Pictures” in good Cases for 75 cts. each, or twelve Pictures for $8.00.

Please call at our Exhibition Rooms over the well-known Dry Goods Establishment of Messrs. Bingham & Stevens, and examine specimens.   For A Few Days Only.

D. Denison Cone & Co., respectfully announce to the citizens of Claremont and vicinity, that they are prepared to take Miniatures without regard to weather, of all sizes and styles in a superior manner, Cheaper than the same article can be obtained in any other place. 

Prices Reduced One-half—Daguerreotypes for 75 Cents, in fine Morocco Cases, such as having formerly been sold here for $1.50.

The proprietors of the Excelsior take pleasure in introducing into this part of the country, the first establishment possessing All the advantages of the best city Sky Light Rooms.

New and Splendid Discovery, The Magic Circle.  By this new discovery the most splendid results are obtained—the picture is made to stand out, as it were, in bold relief from the ground work, and assume some of the most brilliant colors of nature, by chemical process, without the use of paint.  The celebrated Magic Back-ground, Crayon Daguerreotypes, and Patent Tallotypes (sic.) are more than equalled by this superb process. 

All those interested are respectfully invited to call and examine specimens, among which they cannot fail to recognize some familiar faces.

Instruction given in the art, including all the new improvements, and stock and apparatus furnished.

A liberal deduction made to Clubs and Families.

Cone’s Magic Circle Delineator, a new and beautiful instrument, indispensable to Daguerrian Artists, invented and for sale by D. Denison Cone, only.—Price $50.00, with printed instructions.

*D. Denison Cone, } Operators.

A. J. Baker, }

G. W. Baker, }

*Late first operator at Brown’s celebrated Daguerrian Establishment, Manchester, N. H.

Advertisement ran from September 24 to October 7, 1850.

Conant, J. F.

Daguerreotypes, , , ,

N.D.                76 Commercial Street, Wellfleet, Massachusetts.[1]

1860                Address Unknown, Stoneham, Massachusetts.1

ND, unknown newspaper clipping

J. F. Conant, Daguerreotypist, Wellfleet, Mass.  Pictures taken in the highest style of the art, and warranted.

ND, unknown newspaper clipping.

Business Directory.  Daguerreotypist.  J. F. Conant, 76 Commercial Street

Note:  Letter from Joanne Harriman, Stoneham Historical Society.

James Franklin Conant appears as a shoemaker in both the 1855 and 1865 Stoneham Censuses—age 51 in the latter.  He died in Stoneham July 16, 1880.  Obituary gave his age 66 years, 7 months, 23 days— born in Acton, Mass— no mention of photography .  No advertisements or samples of his work as yet.

[1] A Directory of Massachusetts Photographers 1839-1900.

Comsett, Moses W.

Daguerreotypes, Photographs, , , , ,

1855-1859       199 Hanover Street, Boston, Massachusetts.[1]          

Ca.1860-1865 22½ Winter Street, Boston, Massachusetts.1[2]

1864-1865       22½ Winter Street, Boston, Massachusetts.1

1866-1868       32 Winter Street Boston, Massachusetts.1

1857 January 9.  Daily Evening Traveler.  (Boston, Massachusetts.)  January 9, 1857, Vol. XII, No. 239, P. 3.

Dissolution Of Copartnership.  The copartnership heretofore existing under the firm of Rood & Comsett, was dissolved Dec. 1st, 1856, by mutual consent.  The business of the late firm will be settled by M. W. Comsett, who will continue the Daguerreotype business as heretofore, at 199 Hanover street.  E. H. Rood, M. W. Comsett.

Advertisement was recorded on January 9 & 10, 1857.

[1] A Directory of Massachusetts Photographers 1839-1900.

[2] Carte de Visite Comsett & Daily 22½ Winter Street, Boston, Massachusetts.

Collins, George W.

Ambrotypes, Daguerreian Stock and Materials, Daguerreotypes, Photographic Stock and Chemicals, Photographs, Portrait Painter, Stereoviews, , , , ,

1850-1853       Rooms in Stadler & Rupert’s Building, Urbana, Ohio.

1853-1855       Weaver & Brothers Building, East side of Public Square, Urbana, Ohio.

1859-1860       Weaver’s Building, East side of Public Square, Urbana, Ohio.[1]

1845 April 15.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  April 15, 1845, Vol. 7, No. 52, Whole No. 364, P. 3.

G. W. Collins, Portrait Painter, Rooms on the corner of Main and Market Streets, Urbana, Ohio,

1846 April 7.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  April 7, 1846, Vol. 8, No. 51, Whole No. 415, P. 3.

Portrait Painting.  Mr. Saxton:—Your townsman, Mr. G. W. Collins, has, for a short time, been engaged in Portrait Painting in our village, to, I believe, the general satisfaction of all who employed him.—His likenesses are excellent, giving clearly the delineation of the features, and a full expression of the countenance.  Some of his paintings drawn here are almost true as life.  The painting is neatly executed, and performed with an expert and masterly hand.  Mr. Collins, we believe, is destined to become a proficient in his profession, and is worthy the patronage of an intelligent and tasteful community.  He is not merely an artist, but nature has bestowed bountifully upon him the requisite facilities for a limner.  Genius should be encouraged in the ornamental and beautiful as well as in the useful arts. 

Yours, &c., Jas. W. Hamilton. East Liberty, O.

1850 December 6.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  December 6, 1850, Vol. 13, No. 34, Whole No. 658, P. 2.

G. W. Collins’ Daguerrean Rooms.  G. W. Collins respectfully announces to the citizens of Urban and the public generally, that he has recently fitted up an immense “Northern Light,” especially for Daguerrean purposes, and is prepared to execute pictures in a style of beauty seldom attained, and no where excelled.

Miniatures executed and put up in all the various styles of the art, from the smallest Lockets, Pins, and Finger Rings, to the largest sizes for frames; and taken at such prices as cannot fail to please.  Rooms open at all hours.  Pictures taken every day, with out regard to weather.

Daguerreotype Miniatures, when correctly taken, preserve the features which disease and death destroy in a few years, and which our memories retain but imperfectly, and for a short time are made to abide with us.  Who can tell how much influence a venerable, benevolent parent’s portrait exerts on the family possessing it?  They are, therefore, at all times desirable menentoos (sic.) of absent or deceased friends, but more especially in the event of death, they are above to surviving relatives.  No family should be without them.

Rooms in Stadler & Rupert’s building, up stairs.

1851 May 16.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  May 16, 1851, Vol. 14, No. 5, Whole No. 681, P. 3.

The Daguerrean Art—G. W. Collins.  Messrs. Editors:  It was my pleasure to sit a few evenings ago, for a picture in the Gallery of this gentleman, situated one door west of Stadler’s Clothing Store, up stairs.  At a great expense he has procured, and has now in successful operation, a new Camera, of surpassing beauty and elegance, which far exceeds the old ones so long in use by the professor of this art.  To the eve of the most casual observer, the pictures taken by the two instruments, the contrast is strikingly manifest.  This new machinery works to a charm: while the operations of the old ones, in the opinion of those whose knowledge of them may be relied upon, was in a great measure unsatisfactory and untrue.  The Daguerrean Art, although by many considered of no real value to the public or to individuals, is in my opinion a stride in science, equal to any other of the present age.  No one who possesses a particle of attachment to friends and relations, can fail to appreciate the untold pleasure—though it be a melancholy one—of retracing the features of the loved and lost; and I envy not the man, who for the sake of a small pittance, would deny himself this great after comfort.

It should be gratifying to the pride of our citizens, that one has arisen in our midst, born and raised on the sod of Champaign, whose ambition and genius have led him to anticipate and supply its wants in this valuable Art; and we mistake the spirit of her people, if they do not reward his efforts by a liberal and enlightened patronage.  Mr. Collins is ever on the alert to grasp & apply every improvement in the art, without stopping to compute the cost: his desire is to please: when that is accomplished, he seems to have attained his greatest ambition.  This is the true position of the Artist.  When his mind and heart are engaged, failure is an impossibility.

We believe the public of Urbana, and of Champaign county, will foster the growth and advancement of these praiseworthy efforts on his part, to build up a Gallery of Art in this place, which shall be a credit to himself and his fellow citizens.  B.

1851 May 16.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  May 16, 1851, Vol. 14, No. 5, Whole No. 681, P. 3.

More Light.  Daguerrean Gallery.  G. W. Collins respectfully announces to the citizens of Urbana and the public generally, that he has just received from the City of New York, one of the first class German Cameras, and is now better prepared to take Pictures than before; and to test the matter, he invites Ladies and Gentlemen to call and have their Miniatures taken, and examine his specimens—among which they will find Tom Thumb and Jenny Lind.

Rooms open from 7 o’clock A. M. to 6 P. M.  Miniatures executed and put up in all the varied styles of the art, from the smallest Lockets, Pins and Finger rings, to the largest sizes for frames; at prices ranging from $1.00 upwards, according to size and quality of Cases.  Pictures taken every day, without regard to weather.

Rooms in Stadler & Rupert’s building, up stairs.

Advertisement ran from May 16 to June 20, 1851.

1851 June 27.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  June 27, 1851, Vol. 14, No. 11, Whole No. 687, P. 3.

More Light.  Daguerrean Gallery.  G. W. Collins respectfully announces to the citizens of Urbana and the public generally, that he has just received from the City of New York, one of the first class German Cameras, and is now better prepared to take Pictures than before; and to test the matter, he invites Ladies and Gentlemen to call and have their Miniatures taken, and examine his specimens—among which they will find Tom Thumb and Jenny Lind.

Rooms open from 7 o’clock A. M. to 6 P. M.  Miniatures executed and put up in all the varied styles of the art, from the smallest Lockets, Pins and Finger rings, to the largest sizes for frames; at prices ranging from $1.00 upwards, according to size and quality of Cases.  Pictures taken every day, without regard to weather.

Likenesses of sick or deceased persons taken at short notice.  Painted or Daguerreotype likenesses accurately copied.  He will keep on hand a general assortment of Daguerreotype Stock and Apparatus to supply the trade, and will sell as low as can be had any where in the State; and will also give instructions in this beautiful and fascinating Art, on favorable terms.

Rooms in Stadler & Rupert’s building, up stairs.

Advertisement ran from June 27 to August 15, 1851.

1851 October 10.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 10, 1851, Vol. 26, No. 11, Whole No. 701, P. 2.

Campaign County Fair.  Our Annual Agricultural Fair came off on Wednesday and Thursday of this week…

G. W. Collins exhibited some very beautiful specimens of Art in his line.—But, we cannot go into details today.  The Ladies, (God bless them!) were out in full force.

1852 March 26.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  March 26, 1852, Vol. 14, No. 50, Whole No. 724, P. 2.

Daguerreanism. Mr. Editor:—Suffer me to call the attention of the public, and especially the admirers of the fine arts, to the merits of one of our citizens, Mr. G. W. Collins, who is now engaged in taking Daguerreotype Likenesses in our village, as one of the most successful operators that I have had the pleasure of visiting.  I think his pictures will compare favorably with the best pictures taken in any of our large cities.  If any objection at all can be found against them, it would be that he makes his subjects look too much like themselves.  I hope this young artist will meet with all the success his distinguished skill demands.  Mc.

1853 January 7.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 7, 1853, Vol. 15, No. 39, Whole No. 765, P. 4.

G. W. Collins.—Daguerreotype Artist, West Main Street, Urban, Ohio.  Persons wishing to get good Likenesses, will please call at G. W. Collin’s Daguerreotype Room, which will be open from 7 o’clock A. M. to 6 P. M.; at which hours the Public generally are invited to call and examine Specimens, whether they desire Pictures or not.  Pictures will be taken from the largest size for frames, down to Lockets, Breastpins and Finger Rings.—Instructions Given in the art, on favorable terms.

Daguerreotype Goods.  Keeps constantly on hand every variety of Daguerreotype Stocks, consisting of Apparatus, Plates, Cases and Chemicals.  For sale low for cash.  May 28. 1852.

1853 January 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 28, 1853, Vol. 15, No. 42, Whole No. 768, P. 2.

G. W. Collins has fitted up new Daguerrean Rooms in Weaver’s Block, where he is better prepared than ever to take accurate likenesses of the human face.  He has acquired great notoriety as an artist, and those wishing good pictures of themselves or families, would do well to give him a call.  See his notice.

1853 January 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  January 28, 1853, Vol. 15, No. 42, Whole No. 768, P. 3.

Removal.  G. W. Collins’ New And Magnificent Daguerrean Gallery, Has just been fitted up with a large sky light, in Weaver & Brothers building, above the Shoe Store.

“Music hath charms;”

But there is nothing which can soothe the rugged paths of affliction more exquisitely than the extraordinary fife Daguerreotypes, taken by G. W. Collins every day, from the largest size for frames, down to the smallest for Breast Pins, Lockets and Finger Rings.

The public are generally invited to call and see his specimens, whether they desire Pictures or not.

The Rooms will be open from 8 a. m. to 5 p. m., at which hours the public are invited to call.

Instructions given in the art on favorable terms.

Daguerreotype Goods.—Keeps constantly on hand, every variety of Daguerreotype Goods, which will be supplied to artists low for cash.

A word to Artists.  No goods will be forwarded, unless the money is inclosed (sic.) with the order.

1853 February 4.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  February 4, 1853, Vol. 15, No. 43, Whole No. 769, P. 2.

Daguerreotype Gallery.  We noticed very briefly in our last week’s issue, (more for want of time and space, than a better reason,) the Daguerrean Gallery of Mr. G. W. Collins.

The room which he now occupies, is a large and commodious one, and furnished in an elegant and tasteful manner.  His facilities, too, for picture-taking are greatly increased, having the combined advantage of both side and sky-lights.

We do not know that we laud too highly the artistic skill of Mr. Collins, by classing him with the first Artists of this “day and age” of the World.  All who have seen his pictures unite in awarding to him this praise; and those of our citizens who desire to—”Secure the shadow ere the substance fades,” Are no longer required to go to cities and larger towns for such.

1853 August 12.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 18, Whole No. 798, P. 2.

Collin’s Daguerrean Rooms are still in full blast.  George’s pictures are hard ti beat; and those who have never visited his Gallery, had better do so and examine his sp3ecimens.  They are exceedingly attractive.  See his card.

1853 August 12.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 18, Whole No. 798, P. 3.

G. W. Collins, Daguerrean Artist, North East Corner of Public Square, Urbana, Ohio.  Apparatus, Plates, Cases, Chemicals, Frames, All sizes, and everything connected with the Daguerrean Art, constantly on hand and for sale, at New York prices.

Instruction Given In The Art.

1853 August 28.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  August 12, 1853, Vol. 16, No. 20, Whole No. 800, P. 2.

Stereoscopic Daguerreotypes.  We are glad to see that our friend Collins, who, by the way, is always up with the improvements of the day, has introduced the Stereoscopic Daguerreotype.  The likeness with this is a likeness—a fac similie of the original.  To those who are not acquainted with the effect of the Stereoscopic, we would say that the picture, instead of being flat, stands out from the plate like a marble statute—in fact, it presents you with a model of yourself.  All who have occasion to have their likenesses taken should examine this method, and our word for it, they’ll have no other.

By the way, we hope our friend Collins will be particularly polite to all the ladies who may visit his rooms, and put himself to a good deal of trouble and expense to accommodate them.  Ladies always require and expect a little extra attention, you know.  “Mattie Lee,” in behalf of herself and other ladies, sent us a note the other day, complaining that Mr. C. did not “soft soap” them enough when they visited his rooms.  He will do well, therefore to give them a little extra attention hereafter, and thus remove all cause of complaint on that score.

1853 October 21.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 21, 1853, Vol. 16, No. 28, Whole No. 808, P. 3.

Tuition On The Violin.  Mr. E. Blank, Pupil of Ole Bull, from New York, an accomplished Violinist, is prepared to give lessons to those who desire to play that lovely instrument.  He is able to satisfy all of his qualifications, and learn pupils by a new method, to become good players in half the time required by the old method of teaching. 

Terms $5.00 for 15 lessons, or 50 cents for a single lesson, payable in advance.  He can be found at Collins’ Daguerrean Rooms.

1853 November 18.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  November 18, 1853, Vol. 16, No. 32, Whole No. 812, P. 2.

G. W. Collins’ Daguerrean Gallery, North-Easy corner Public Square, Urbana, Ohio.  Instructions given in the art, and complete apparatus furnished.

1853 December 30.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  December 30, 1853, Vol. 16, No. 38, Whole No. 818, P. 2.

Piano Tuner.  And Teacher on the Violin and Violincello, And Guitar, E. Blank, To Be Found At G. W. Collin’s Daguerrean Rooms, Urbana.

1854 July.  The Photographic And Fine Art Journal.  (New York, New York.)  July 1854, Vol. 7, No. 7, P. 224.

Mr. R. M. Cole, of Peoria. Ill., is one of the most successful operators in the Western country, and is deserving of great praise for his perseverance in attaining to his skill he now exhibits, and is well worthy the support he receives.  Mr. G. W. Collins, of Urbana, Ohio, is also a most excellent artist, and has our warmest wishes for his success.

1854 October 27.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  October 27, 1854, Vol. 17, No. 29, Whole No. 861, P. 3.

G. W. Collins’ Great Western Daguerreotype Rooms & Stock Depot, Urbana, Ohio.  Rooms in Weavers’ Building, North-East corner Public Square, Instructions in the art carefully given.

Advertisement ran from October 27, 1854 to November 30, 1855.

1855 September 14.  Urbana Citizen and Gazette.  (Urbana, Ohio.)  September 14, 1855, Vol. 18, No. 23, Whole No. 907, P. 3.

The Champaign County Fair was the most attractive feature in the passing events of the last week…

And Mrs. Ackerman’s picture gallery made a fine display, as did also Collins’ Daguerreotypes…

List of Premiums Awarded at the sixth Annual Fair of the Champaign Agricultural Society…

Class U.  Miscellaneous Articles…

G. W. Collins, Daguerreotypes, 1st Prem., 2.00

1856 September 24.  Cleveland Morning Leader.  (Cleveland, Ohio.)  September 24, 1856, Vol. 10, No. 204, P. 2.

Pen Jottings Taken On The Fair Ground Yesterday…Fine Arts Hall.  This has been fitted up under the supervision of Mr. Allen Smith, Jr. in the fine taste which characterizes this well known artist, although every thing was not quite arranged.  We think we hazard nothing in saying that a more charming display of artistical good things, has not graced any previous fair.  The oil paintings both on canvas and photographic, were highly creditable to the artists Mr. Smith had his usual variety of finely colored heads, lifelike and beautiful.  Nothing which we could say would add many thing to his well established fame.  The death of the stag from Landseer will bear looking at more than once.  Mr. Ryder exhibits some very fine photographs also colored by Mr. Alonzo Pease which were much admired.  The two finest pictures in the room and those which attracted the most attention were two heads of Fremont, one a photograph by North, colored in oil by Smith, and one by Ryder, colored also in oil by Pease.  (We noticed as singular that although there were some 6 or 7 pictures of Fremont there was none of Buchanan!)  Boisseau also exhibited a number of oil colored Photographs which are much admired.  Daguerreotypes, Photographs, Ambrotypes, etc. were there from North, Ryder, Boisseau, of Cleveland, Bisbee of Columbus, and G. W. Collins of Urbana, Ohio, Spherotypes from Stimpson, also of Cleveland.

[1] Craig’s Daguerreian Registry.

Collins, C.

Daguerreotypes, , ,

1841.               Rooms in the Court House, Montpelier, Vermont.

1841 October 11.  Vermont Watchman & State Journal.  (Montpelier, Vermont.)  October 11, 1841, Vol. 36, No. 4, Whole No. 1825, P. 3,

Daguerreotype Miniatures.  A Card.  C. Collins and Co. would take this opportunity of rendering acknowledgement to the Ladies and Gentlemen of this village, for their liberal patronage, and also, of informing them and the public generally, that having made some new and important discoveries in their beautiful art by which the character of their miniatures is greatly improved, they have fitted up rooms in the court House, where they will be happy to receive their friends and all those who wish correct likenesses of themselves.  They think there is no necessity of praising their work or making comparisons with the work of others; all they ask is, that those who wish to see good Daguerreotype likenesses will just give them a call.

Advertisement ra from October 11 to 25, 1841.

1841 October 16.  Universalist Watchman and Christian Repository.  (Montpelier, Vermont.)  October 16, 1841, Vol. 13, No. 14, P. 2.

Daguerreotype Miniatures.  We have been much pleased with some specimens of this kind of Likenesses taken in this village by Mr. J. Marsh.  The likeness is of course correct and the colours and shades are delicately arranged.  To those who wish to have their countenance placed before their eyes we cordially recommend Mr. Marsh as worthy of their patronage.

Mr. Collins, is also in this place taking this kind of likenesses, and we hear his work well spoke of but not having seen any specimen’s of his art, we are unqualified at present to express an opinion on his merits.

Collamer, A. B.

Daguerreotypes, ,

1853-1854       Over Penny’s Store, Jackson, Michigan.

1853 May 4.  Jackson Citizen.  (Jackson, Michigan.)  May 4, 1853, Vol. IV, No. 36, P. 1.

Our Advertisers’ Directory.  A. B. Collamer, Daguerreotypist, Rooms over Penny’s Store, Third Story.

Advertisement ran from May 4, 1853 to  September 13, 1854.

1853 May 4.  Jackson Citizen.  (Jackson, Michigan.)  May 4, 1853, Vol. IV, No. 36, P. 3.

New and Improved Sky-Light Daguerreian Gallery.  Over Penny’s Store, Third Story, Jackson.  The Subscriber has fitted up in the best possible manner his Daguerreian rooms, situate in the third story over Penny’s Store, where he will be ready at all times to accommodate the public, in his line of business.  He warrants  his pictures equal, if not superior, either in brilliancy, strength of tone, or style of finish, to any ever taken in this village.  He flatters himself on having the best Sky-Light in town.  Daguerreotypes in fine morocco cases, $1, a group of 2 persons, $1.25.  Pictures put up in every variety of cases at from $1 to $10.  Ladies and gentlemen are respectfully invited to call and examine his pictures, and judge for themselves.  A. B. Collamer.

Advertisement ran from May 4, 1853 to February 15, 1854.

Collagan, Charles H.

Ambrotypes, , , ,

C1850-1856    142 Washington Street, Boston, Massachusetts.[1]

1857                142 Washington Street, Boston, Massachusetts.                                   

1858                142 Washington Street, Boston, Massachusetts.1

1860                North Street, Plymouth, Massachusetts.1

Ca. 1850-55.   Advertising Card in back of a Ninth Plate Daguerreotype.

Ives’ Daguerreian Gallery, 142 Washington St., Boston.  Prices of Daguerreotypes, 25 cents to 25 Dollars.  N. B.—The 1st Class Medal and Diploma awarded, for specimens exhibited at the Mechanics’ Fair, Boston.  Operators, L. M. Ives, C. H. Collagan.

1857 May 18.  The Boston Herald.  (Boston, Massachusetts.)   May 18, 1857, No. 10, 546, P. 4.

C. H. Collagan, Ambrotype and Daguerrean Artist, Respectfully informs his friends and the public that he may be found at his old quarters, 142 Washington Street, (at the Gallery formerly occupied by L. M. Ives,) where he will be most happy to meet all their requirements in his line, having every facility to Give Perfect Satisfaction to all wanting Ambrotypes or Daguerreotypes, at the lowest possible prices, in a range from Twenty-Five Cents to Twenty-Five Dollars.  To give good pictures, and Good Pictures Only, will be the moto of this establishment, and we shall therefore pay Particular Attention To Children’s Pictures, as well as to all branches of the business.  142 Washington street,  142.Advertisement ran from May 18 to 22, 1847.

Advertisement ran from May 18 to 22, 1857.

1857 June 9.  The Boston Herald.  (Boston, Massachusetts.)   June 9, 1857, No. 10, 564, P. 2.

The Truth will Prevail.  Collagan is the only Ambrotypist that gives perfect satisfaction on 25 cent pictures.  Room 142 Washington st.

1857 June 11.  The Boston Herald.  (Boston, Massachusetts.)   June 11, 1857, No. 10, 566, P. 4.

Terrible Results Of Carelessness.  The foolish citizens who go anywhere but to Collagan’s, No. 142 Washington street, to get 25 cent Ambrotypes, find they are “sold” when it is too late.

1857 June 15.  The Boston Herald.  (Boston, Massachusetts.)   June 15, 1857, No. 10, 569, P. 4.

It will save thousands from disappointment if they will avoid “blowing establishments,” and go to Collagan’s, 142 Washington street, to get their 25 cent Ambrotypes.

1857 June 18.  The Boston Herald.  (Boston, Massachusetts.)   June 18, 1857, No. 10, 572, P. 2.

Collagan’s 25 cent Ambrotype Rooms, 142 Washington street.

1857 June 24.  The Boston Herald.  (Boston, Massachusetts.)   June 24, 1857, No. 10, 577, P. 2.

A Happy Lot Of People.  Every one feels perfectly happy after visiting Collagan’s Ambrotype Rooms, 142 Washington street.  It is the only place in Boston where people are allowed to satisfy themselves on 25 cent pictures.

1857 July 2.  The Boston Herald.  (Boston, Massachusetts.)   July 2, 1857, No. 10, 584, P. 4.

A Free Banquet On The Fourth.  In order to make up for the loss of the City Regatta, there will be a sumptuous feast spread at Collagan’s Gallery, 142 Washington street, where all may freely feast their eyes on the 25 cent ambrotypes taken by that artist.

1857 July 3.  The Boston Herald.  (Boston, Massachusetts.)   July 3, 1857, No. 10, 585, P. 4.

The City Procession will halt in front of the Ambrotype Gallery of C. H. Collagan, 142 Washington street, while the people pay tribute to the artist who takes pictures until sitters are perfectly satisfied.

1857 July 9.  The Boston Herald.  (Boston, Massachusetts.)   July 9, 1857, No. 10, 590, P. 4.

Collagan’s Ambrotypes are perfect gems, and any one doubting it can be confirmed by calling at his old rooms, 142 Washington street.

1857 October 28.  The Boston Herald.  (Boston, Massachusetts.)   October 28, 1857, No. 10, 685, P. 4.

Ambrotypes for 6 cents, taken by Collagan, at 142 Washington street.  A liberal discount made to Artists.  The poor considered.

1857 October 29.  The Boston Herald.  (Boston, Massachusetts.)   October 29, 1857, No. 10, 686, P. 2. 

Hold Your Horses!  Collagan takes splendid ambrotypes for only 6 cents.  Children only 10 cents.  Rooms 142 Washington street.

1857 October 31.  The Boston Herald.  (Boston, Massachusetts.)   October 31, 1857, No. 10, 688, P. 4.

Six Cent Ambrotypes!  Not genuine, unless taken by Collagan, at his original six cent rooms, 142 Washington street.

1857 November 2.  The Boston Herald.  (Boston, Massachusetts.)   November 2, 1857, No. 10, 689, P. 4.

The Cheapest Yet.  Six cent pictures, warranted perfect, at Collagan’s, 142 Washington street.  Every picture well varnished for the above price.

1857 November 4.  The Boston Herald.  (Boston, Massachusetts.)   November 4, 1857, No. 10, 691, P. 2.

As High As A Kite.  Collagan, of No. 142 Washington street, knocks his competitors “as high as a kite.”  He takes ambrotypes for six cents!

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 2.

Reader, do you want a large sized Ambrotype in a case?  The same as you have been paying $1.50 for?  If so, Collagan of 142 Washington street, will take you one for 25 cents.

1857 November 5.  The Boston Herald.  (Boston, Massachusetts.)   November 5, 1857, No. 10, 692, P. 4.

Pictures Given To The Poor, During the entire day next Saturday, Collagan, at 142 Washington street, will take pictures of the poor free of any expense.  Come children and all on that day.

Advertisement ran from November 5 to 7, 1857.

1857 November 6.  The Boston Herald.  (Boston, Massachusetts.)   November 6, 1857, No. 10, 693, P. 2.

A Sight For Six Cents.  It is worth six cents to see Collagan, the originator of the six cent ambrotypes; and by going to No 142 Washington street, you can see him and get a picture for six cents.

1857 November 9.  The Boston Herald.  (Boston, Massachusetts.)   November 9, 1857, No. 10, 695, P. 2.

As Good Pictures as ever were taken in Summer Street, if not better, taken for six cents, at No. 142 Washington street, at Collagan’s Gallery.

1857 November 10.  The Boston Herald.  (Boston, Massachusetts.)   November 10, 1857, No. 10, 696, P. 2.

Look You Here!  For six cents Collagan gives you an ambrotype the size of the original 25 cent ones, and for 25 cents a larger size, neatly put in case or frame, as you may desire.—Rooms 142 Washington street.

1857 November 11.  The Boston Herald.  (Boston, Massachusetts.)   November 11, 1857, No. 10, 697, P. 4.

Four Hundred pictures of the poor were given away at Collagan’s 142 Washington st., on Saturday last, and he continues to take the best ambrotypes for six cents.

1857 November 16.  The Boston Herald.  (Boston, Massachusetts.)   November 16, 1857, No. 10, 701, P. 4.

The Man For The People.  Collagan of 142 Washington street, will give you two large loaves of bread and a perfect Ambrotype, all for the small sum of 25 cents.

1857 November 19.  The Boston Herald.  (Boston, Massachusetts.)   November 19, 1857, No. 10, 704, P. 2.

Collagan’s Advice to the Community.  If any of you have $1.25 to pay for an Ambrotype instead of patronizing some stupid blockhead, who mistakes his calling, you had better give $1 of it to some poor person, and for the remaining 25 cents, Collagan will give you a large sized picture, in a case.

Advertisement ran on November 19 & 20, 1857.

Everything on a Level.  Large size Ambrotypes taken perfect, and put in good cases for 25 cents each, at Collagan’s Gallery, 142 Washington street.  Fancy Cases at one third the usual price.

1857 November 25.  The Boston Herald.  (Boston, Massachusetts.)   November 25, 1857, No. 10, 709, P. 4.

Have you Heard the News!  To-morrow Is Thanksgiving Day, and Collagan, 142 Washington St., will take Ambrotypes all day, at astonishingly low prices.  Fancy Cases, suitable for presents, at one third the usual price.  Come one and all, and come early!

1857 December 3.  The Boston Herald.  (Boston, Massachusetts.)   December 3, 1857, No. 10, 715, P. 2.

A Magnificent Charity!  It beats the Soup House excitement to see the people rushing to Collagan’s, No. 142 Washington street, to get those beautiful large Ambrotypes, for 25 cents, and to receive, in addition, Two Loaves Of Bread For Nothing!

1857 December 5.  The Boston Herald.  (Boston, Massachusetts.)   December 5, 1857, No. 10, 717, P. 4.

Don’t throw your Money Away Buying miserable Ambrotypes of poor operators, but takes 6 cents and go to Collagan’s. where you can get suited.  Recollect the number, 142 Washington st.

1857 December 14.  The Boston Herald.  (Boston, Massachusetts.)   December 14, 1857, No. 10, 724, P. 4.

Lose another Dollar, And by that time you will learn a lesson worth knowing Collagan is the People’s Artist, and can be found at his old quarters, 142 Washington Street.

1857 December 23.  The Boston Herald.  (Boston, Massachusetts.)   December 23, 1857, No. 10, 732, P. 2.

A Hint.  Those would-be Ambrotype artists, who visit the Rooms of Mr. Collagan, 142 Washington street, and behave in such a very gentlemanly manner, are reminded that should wish to repeat their visit, they will find the proprietor more ready to appreciate their civilities than the ladies attached to the establishment.

1857 December 25.  The Boston Herald.  (Boston, Massachusetts.)   December 25, 1857, No. 10, 734, P. 2.

Closing the Daguerrian Galleries.  It matters to the people if all other places are closed to-day (Christmas,) so long as it is known that Collagan, of No. 142 Washington street, will keep open, and take Ambrotypes as usual.

Advertisement ran on December 25 & 26, 1857.

1858 January 30.  The Boston Herald.  (Boston, Massachusetts.)   January 30, 1858, No. 10, 764, P. 4.

Charles H. Collagan Would be happy to see an Old Schoolmate, formerly of Baldwin, Me., at his Ambrotype Rooms, 142 Washington street.

Advertisement ran on January 30 & February 1, 1858.

1858 February 9.  The Boston Herald.  (Boston, Massachusetts.)   February 9, 1858, No. 10, 772, P. 2.

Curiosities of Literature:  The puffs, written by sundry verdant youths, of a so called Ambrotype Saloon in the neighborhood of Summer street.  The “puffs” and the “pictures” are of the same school, and the wise will not be deceived by them.  Those who wish a true, artistic picture, should visit the rooms of Collagan, 142 Washington street, where they can procure a better picture for 12½ cents, and the balance can be expended in some work of charity.

1858 February 16.  The Boston Herald.  (Boston, Massachusetts.)   February 16, 1858, No. 10, 778, P. 2.

Where are you Going?  To Collagan’s, 142 Washington street, to get one of his Six Cent Ambrotypes.  This beats the world.  Collagan is ahead, and everybody else is—Nowhere!

1858 February 27.  The Boston Herald.  (Boston, Massachusetts.)   February 27, 1858, No. 10, 788, P. 4.

True Artists.  Thos who would have their Pictures taken by True Artists should visit Collagan’s extensive Ambrotype Gallery, at 142 Washington Street.

1858 March 4.  The Boston Herald.  (Boston, Massachusetts.)   March 4, 1858, No. 10, 792, P. 4.

Military Orders……Attention! 

Come, from the hill-side, and up thro’ the valley,

Over the river, the lake and the sea,—

Leave in the furrow the ploughshare, and rally,

Lithe as an army whose banners are free!

All ye who prize the familiar dear faces,

Gentle and faithful, tender and true;

Attention! march! The best Ambrotype place is

Number on Washington street, one forty-two.

Given at Headquarters, 142 Washington St., over the propeller Printing Rooms.

Sol, (familiarly called “Ols Sol,” Lieutenant General.  C. H. Collagan, Private Secretary.

1858 March 8.  The Boston Herald.  (Boston, Massachusetts.)   March 8, 1858, No. 10, 795, P. 4.

The World in Arms! 

Crinoline’s the rage, and Caroline is pretty,

Over the water they sport the jupon rogue;

Little girls are queens, and the little kingdom, “Britty,”

Laughingly points us its streamer, grand and huge.

All this we Yankees can wink at and whistle—

Go it! we cry to our cousins o’er the blue;

All through the realms of rose, shamrock and thistle,

No one such Ambrotypes as Collagan can do!

‘Seek him in Washington street, one forty-two.

1858 April 12.  The Boston Herald.  (Boston, Massachusetts.)   April 12, 1858, No. 10,825, P. 2.

See!  See!  See!  The Best Ambrotypes are taken by I. Bent, Artist, No. 142 Washington street, a few doors below the Old South Church, formerly Collagan’s.  Everybody gets pleased there.

1858 December 25.  American Traveller.  (Boston, Massachusetts.)  December 25, 1858, Vol. XX, No. 52, P. 2.

An Alleged Spiritual Exposure.—Mr. C. H. Collagan, of West Newton, has written a long letter to the Courier, in which he makes certain statements in regard to J. V. Mansfield, a well known “spirit Medium” of this city.  Mr. Mansfield has carried on quite an extensive business in selling portraits of the departed, which purported to have been painted by spirits, but which, in reality, were painted by Mr. Collagan, under the direction of Mr. M., either from a daguerreotype likeness or from Mr. M.’s descriptions.  Mr. Collagan relates several instances of this nature, and is desirous of corresponding with any person who may have received such portraits from Mansfield.  One of the last picture she drew for Mansfield was what purported to be the spirit-bride of a clergyman of Portsmouth, N. H.  Mansfield said there had been a great wedding, at which the clergyman had been wedded to a spirit, but afterwards owned up to the humbug of the affair.

He requested Mr. Collagan to draw the picture, saying it was not so material as to the style of face, so long as it was very beautiful.  It was drawn in muslin robes, and a rose was placed in the bride’s hand because the minister was found of flowers.  Mansfield said the clergyman paid $10 for the picture, and it was to be hung up in his church in Portsmouth.

Mr. C. was next asked to draw a picture of the clergyman’s deceased mother, and commenced the work, but threw up the business before finishing.  Mansfield would sometimes say when he gave an order that it was for a believer, and that Mr. C. need not be very particular about it, as they were easy to please.

Mr. Collagan first formed the acquaintance of this “Medium” two years ago.  He had several sittings with him, and received through him several communications which purported to have emanated from the spirit world.

In conclusion, he says: “I have expended a great deal of money in investigating Spiritualism, and, whatever may be my opinion as regards the phenomena I have witnessed, I am fully satisfied that there never has been a portrait drawn through spirit influence, and that all the so-called spirit-artists are imposters, and that their disgraceful attempts are lacking in talent, taste, and education in art.”  Mr. Collagan has been led to make these disclosures on account of Mansfield’s failure to pay him for his labor, the account having once been placed in a lawyer’s hands for collection.

[1] A Directory Of Massachusetts Photographers 1839-1900.

Cole, Roderick M.

Ambrotypes, Daguerreotypes, , , , , , ,

1847                Address Unknown, Bennington, Vermont.

1849                Address Unknown, Aurora, Illinois.[1]

1849                Address Unknown, Galena, Illinois.

1850-1851       Main street, over Pettingill & Babcock’s Store, Peoria, Illinois.

1854                Address Unknown, Peoria, Illinois.

1856                Corner Main and Washington Streets, Peoria, Illinois.

1847 November 1.  The State Banner.  (Bennington, Vermont.)  November 1, 1847, Vol 7, No. 33, Whole No. 345, P. 2.

Mr. Cole is astonishing our citizens with his splendid Daguerreotype Miniatures.  We have seen some specimens of his skill and pronounce them truly elegant.  See his advertisement.

1847 November 1.  The State Banner.  (Bennington, Vermont.)  November 1, 1847, Vol 7, No. 33, Whole No. 345, P. 3.

Daguerreotype Miniatures R. M. Cole Would respectfully inform the citizens of Bennington and vicinity, that he has located himself for the purpose of taking Daguerreotype Miniatures, over the store formerly occupied by C. Thatcher, where he will be pleased to take the likenesses of all who desire, in the latest and most approved style with or without colors, well put up in the best quality of Morocco Cases, and warranted not to fade or change by age.

None but those who have lost companions, parents, or children, can appreciate these, the most valuable keepsakes.  “When we are in life, let us prepare for death.”  Let us “secure the shadow , ere the substance fades”

Advertisement ran from November  1 to 15, m1847.

1847 November 15.  The State Banner.  (Bennington, Vermont.)  November 15, 1847, Vol 7, No. 35, Whole No. 347, P. 2.

See R. M. Cole’s advertisement of Daguerreotype Miniatures.  He takes beautiful Miniatures.  Give him a call.

1847 November 22.  The State Banner.  (Bennington, Vermont.)  November 22, 1847, Vol 7, No. 36, Whole No. 348, P. 3.

Daguerreotypes.  Mr. Cole, by request, will remain another week in this place.  Those who wish their miniatures taken, will please call this week.

1847 November 29.  The State Banner.  (Bennington, Vermont.)  November 29, 1847, Vol 7, No. 37, Whole No. 349, P. 3.

Miniatures.  In consequence of the unfavorable weather during the past week, the undersigned could not fulfil his engagements.  He would say to those individuals who have called for miniatures, and to the public generally, that he will remain in this place for a few days longer.  R. M. Cole.

1849 December 21.  Galena Daily Advertiser.  (Galena, Illinois.)  December 21, 1849, Vol. 2, No. 175. P. 2.

Daguerreotypes.  The subscriber having received a very liberal patronage during his stay in Galena, has been induced to send east for a new and large assortment of materials of the latest and most elegant styles that have arrived, which the public are requested to call and examine; as also specimens of his work.

Those desiring his services are requested to call soon, as he designs to leave this place in two weeks, engagements require him abroad.

Among his new stock may be found some rich and beautiful cases, in different forms, embossed with pearl, flowers, &c., suitable for elegant Holiday Presents, among the “beaux and belles of this goodly city.” 

Truly grateful for the favors already extended to him, the subscriber hopes his additional means of pleasing, will secure the further support of the public.  R. M. Cole.    

1851 June 11.  Peoria Democratic Press.  (Peoria, Illinois.)  June 11, 1851, Vol. XII, No. 19, P. 1.

Color Daguerreotypes.  Mr. & Mrs. Cole, Would respectfully inform the ladies and gentlemen of Peoria and vicinity, that they have fitted up rooms on Main street, over Pettingill & Babcock’s store, where they are prepared to take daguerreotype likenesses entirely  superior to any ever before exhibited in this part of the state, enclosed in cases and lockets to suit purchasers.  Likenesses of deceased persons, particularly of children, will be taken if desired.  Daguerreotype portraits and miniatures copied; Pictures taken in any weather and of all prices, from the cheapest common to the best fancy cases.

Instructions in the art given on reasonable terms.  October 30, 1850.

1853 March.  The Photographic Art Journal.  (New York, New York.)  March 1853, Vol. 5, No. 3, P. 188-189.

Peoria, Ill., Feb. 19, 1853.  Mr. Smith:  Sir.—I have enclosed five dollars, my subscription for the Photographic Art Journal for 1853, which I consider well worth the money.  I commenced the first year of its publication, and I am well satisfied that I have received the worth of my money so far, and I have no reason to doubt as to the future.  I have always been able to find interesting and instructive matter contained in all the numbers, well worth the attention of all true lovers of the art; and, to make a long story short, no practical daguerreotypist should be without this Journal.  Every one can find some useful hints, that will assist him in his manipulations.  It is possible that some have got so far advanced that they consider they have learned all that is to be learned.  But I am happy to say for one, that I am not one of those fortunate—or unfortunate, as you may see fit to call them.  I have thought of writing something for the Journal, but not being accustomed to the task, and not being able to add anything to what has already been said, I have not made any attempts.  Perhaps I may at some future time.  I intend to visit New York this summer, if so, I will call at number 19.  Yours as ever, R. M. Cole.

Don’t be bashful.  Every one can say something that will be interesting to his neighbor, and when it is on his mind he should speak or write it out.  We shall always be pleased to receive communications for the Journal from any of our subscribers.

1853 June.  The Photographic Art Journal.  (New York, New York.)  June 1853, Vol. 5, No. 6, P. 376.

Our friend, R. M. Cole, of Peoria, Ill., is on a visit to the commercial emporium, but he did not bring us any specimens of his skill, which we regret, for his modesty and conversation convinces us that he could not have anything to fear in comparing his works with others,  In our opinion he is an artist who is on the road to an elevated standard, and will arrive at it rapidly.

1854.  Illinois And Missouri State Directory for 1854-1855.  (St. Louis, Missouri.)  1854, P. 141-142.

1854 July.  The Photographic And Fine Art Journal.  (New York, New York.)  July 1854, Vol. 7, No. 7, P. 224.

Mr. R. M. Cole, of Peoria. Ill., is one of the most successful operators in the Western country, and is deserving of great praise for his perseverance in attaining to his skill he now exhibits, and is well worthy the support he receives.

1855 April.  The Photographic And Fine Art Journal.  (New York, New York.)  April 1855, Vol. 8, No. 4, P. 327.

The Peoria Republican thus speaks of our friend Cole of that city—“We were shown to-day, at the Daguerrean Gallery of R. M. Cole, some of the most beautiful large size photographic likenesses that we ever beheld.  Among them we noticed the phizzes of Henry Grove and John A. McCoy, which are taken as true to life as the reflection of the original in a mirror.  Mr. Cole has attained great perfection in the photographic art, and is a worthy and successful rival of Alexander Hesler of Chicago, whose pictures have obtained for him so much celebrity as an artist.  Mr. C. is now prepared to take likenesses on the largest size plate, we believe, that is used.  These large pictures are triumphs of art, such as, doubtless, were never dreamed of by the immortal inventor of the photographic process.  The countenance may be taken on them, if desired, nearly as large as life.  We recommend those who count themselves good judges to call at the Daguerrean Gallery—(which, by the way, is fitted up with elegance, reflecting credit on the taste of Mr. Cole’s better half)—and inspect the large picture recently taken.

We clip the following from the same source showing that Mr. Cole can use his pen as well as his chemicals to advantage. 

Messrs. Editors:  I observed in your issue of Friday last an article giving some satisfactory reasons in reference to the impression that a daguerreotype makes upon the mind of the beholder.  Why is it, Messrs. Editors, that pictures taken by this art fail to give satisfaction?  When we are viewing the daguerreotype of a friend which is true to nature in every respect with the exception of life and motion, may not lack of those conditions be that something wanting which the writer speaks of?  With regard to the satisfaction that the portrait-painter is able to give in transferring the beauties of the face and form to the canvas, the writer says that a portrait is satisfactory in so far as the painter has sympathy with the subject, and delightful to us in proportion as the resemblance reflected by his sympathies is in accordance with our own:—In the daguerreotype, he says, there is no such medium, and the face comes before us without passing through the human mind and brain to our apprehension.—Would the writer wish us to understand that the mind and brain of the daguerrean artist is not exercised in transferring the likeness of the human face to the metallic plate, or is it, in his opinion, accomplished by some hocus-pocus, or put into a box and ground out, like music out of a hand organ?  Are we to believe all of this?—No: the mind of the operator must be at work, and it is in this that we see so great a contrast in daguerreotypes.  It is the mind of the artist operating upon matter that producessuch beautiful and accurate likenesses.  But the writer says that the daguerreotype is seldom satisfactory, and always leaves something for the sympathies to desire.  What is that something?  It is this: when we are viewing some of those lifelike pictures that are before us every day, we expect to hear them speak or manifest some sign of recognition.  R. M. Cole.

1856 December 17.  Knox Republican.  (Knoxville, Illinois)  December 17, 1856,  Vol. 1, No. 11, P. 3.

Cole’s Daguerreotype and Ambrotype Fine Art Gallery, Corner of Main and Washington Streets, Peoria…………….Illinois.

Daguerreotypes and Ambrotypes taken in every style of the Art, and of the greatest beauty and perfection, combining all the beauty and color of the finest Oil Paintings on Ivory.

Apparatus, Plates, Cases, Chemicals, Lockets, and everything connected with the Photographic Art, constantly on hand and for sale low for Cash.

Instructions given in this beautiful art.  oct 29.  R. M. Cole.

Advertisement was recorded four times between December 11, 1856 to December 21, 1857.

[1] A Directory of Early Illinois Photographers., Craig’s Daguerreian Registry.