All posts by pioneeramericanphotographers

S. N. Kellogg

1858                Rooms Two Doors North of the Patriot Office, Opelousas, Louisiana.

S. N. Kellogg was recorded in an advertisement that ran from August 14 to September 4, 1858 in The Opelousas Patriot (Opelousas, Louisiana). Photographs and Ambrotypes.—Mr. S. N. Kellogg respectfully announces to the citizens of Opelousas and vicinity that he has opened rooms two doors North of The Patriot Office, where he is prepared to execute all styles of pictures, and put them up in a manner not to be excelled by any artist.

S. N. Kellogg is not listed in other photographic directories as being active in Opelousas, Louisiana. Mr. Kellogg (posted yesterday) is possibly the same person. Craig’s Daguerreian Registry does list an S. N. Kellogg as being active in Lock Haven, Pennsylvania in 1850, but its unknown at this time if they are the same person.

Mr. Kellogg

1856                Rooms in Hebert’s Ball Room, Plaquemine, Louisiana.

Mr. Kellogg was recorded in two announcement and an advertisement in the Southern Sentinel  (Plaquemine, Louisiana).  The first announcement appeared on July 26, 1856. Mr. Kellogg.  It will be seen by his card, that this gentleman, who has the reputation of being a fine artist, has opened daguerrean Rooms in Hebert’s Ball Room, where he will remain for a short time for the benefit of those who wish to transmit their features to posterity.  Mr. Kellogg guarantees to give full satisfaction, or no pay.

The advertisement ran from July 26 to September 6, 1856.  Daguerrean.  “To-morrow may be too late.”  Mr. Kellogg respectfully informs the public that he has opened rooms in Michel Hebert’s Hall, Plaquemine, where he is prepared to take likenesses of Every Size and put them up in a style superior to any ever taken in this place heretofore.

Operating Hours, from 8 A. M. to 5 P. M.

The second announcement appeared on September 6, 1856.  “To-morrow may be too late.”  We believe that Mr. Kellogg, who has been sojourning with us some time in the pursuit of his beautiful art, contemplates leaving to-morrow.  Those who want Daguerreotypes than, had better take advantage of the present day.  “To-Morrow may be too late” in more senses than one.

Mr. Kellogg is not recorded in other photographic directories as being active in Plaquemine, Louisiana.  It is possible that he is S. N. Kellogg (which will be posted tomorrow).

Daniel J. Kellogg

1856-1857       Address Unknown, Rochester, New York.

Daniel J. Kellogg was recorded three times for two photographic patents.  The first patent appeared on October 1, 1856 in the Evening Star (Washington, D. C.).  Patents for the week ending September 30, 1856.  Daniel J. Kellogg, of Rochester, N. Y.—For photographic instrument, No. 15,809.

The same patent announcement appeared on October 7, 1856 in The New York Herald (New York, New York).  New Patents Issued for the week ending September 30, 1856.  Daniel J. Kellogg, of Rochester, N. Y.—For photographic instrument. [No. 15,809.]

The second patent announcement appeared on April 8, 1857 in the Evening Star (Washington, D. C.).   Patents for the week ending April 7, 1857.  Daniel J. Kellogg, of Rochester, N. Y.—For improvement in photographic trays.  No. 16,979.

Daniel J. Kellogg is not recorded in other photographic directories.  He is listed in American Photographic Patents The Daguerreotype & Wet Plate Era 1840-1880.  It is unknown if D. J. Kellogg (posted yesterday) and Daniel J. Kellogg are the same person.

D. J. Kellogg

1851                Rooms in Champion’s Block, opposite the Court House, Batavia, New York.      1851                Rooms two doors east of J. H. Story’s Dry Goods Store, Cooperstown, New                                    York.                                                                                                                                              1851-1852     Rooms in Taggart’s Block, opposite Genesee House, Batavia, New York.

D. J. Kellogg was recorded in three advertisements and two announcements. The first advertisement ran from March 11 to April 15, 1851 The Spirit of the Times (Batavia, New York). Encourage the Arts.  D. J. Kellogg, Daguerreotypist And Portrait Painter, Offers his services in the line of his Arts to the Ladies and Gentlemen of Batavia, and adjacent country.  Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as clear.  The public are respectfully invited to call and examine his specimens.  Miniatures taken and put in fine cases for the small sum of 75 cents or $1.00.  Those wishing Daguerreotypes will do well to call soon, as Mr. K. will remain in town but a few days.

N. B. Lessons given in landscape Painting and Drawing. Rooms, in Champion’s Block, opposite the old Court House, till May 1.

The first announcement ran on August 23, 1851 in The Freeman’s Journal (Cooperstown, New York).  Daguerreotypes.—Mr. D. J. Kellogg is taking daguerreotypes at his rooms in the building adjoining our office.  He has some specimens which we have never seen surpassed.

The second advertisement ran on August 23 & 30, 1851 in The Freeman’s Journal (Cooperstown, New York).  Encourage the Arts.  D. J. Kellogg, Daguerreotypist And Portrait Painter, Offers his services in the line of his Arts to the Ladies and Gentlemen of Cooperstown and the adjacent country.  Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as clear.  The public are respectfully invited to call and examine his specimens.—Miniatures taken and put in fine cases for the small sum of 75 cents or one dollar.  Those wishing Daguerreotypes will do well to call soon, as Mr. K. will remain in town but a few days.

Rooms, two doors east of J. H. Story’s Dry Good Store.  August 20, 1851.

The second announcement appeared on August 30, 1851 in The Freeman’s Journal (Cooperstown, New York).  Daguerreotypes.—Mr. Kellogg’s pictures are beginning to be appreciated by our citizens, who have never had a better opportunity afforded them for procuring superior likenesses.—Mr. K. remains only a short time in the village.

The third advertisement ran from October 28, 1851 to January 20, 1852 in The Spirit of the Times (Batavia, New York).  D. J. Kellogg, Daguerreotypist And Portrait Painter,  Offers his services in the line of his arts to the Ladies and Gentlemen of Batavia, and the adjacent country.—Daguerreotype Miniatures taken after the latest improvements, and warranted not to fade or spot.  Miniatures taken in cloudy weather as well as in clear.

The public are respectfully invited to call and examine his specimens.  Those wishing Daguerreotypes will do well to call soon, as Mr. K., will remain in town but a few days.

N.  B.—Lessons given in Landscape Painting and Drawing.                                                              Rooms in second story of Taggart’s Block, opposite Genesee House.

D. J. Kellogg is not listed in other photographic directories. In tomorrow’s post is a listing for Daniel J. Kellogg which is possibly the same person.

J. B. Keller

1850-1851       S. A. Bailey’s Building, Cooperstown, New York.                                                      1851                   Rooms over D. F. Olendorf’s Variety Store, Cooperstown, New York.

J. B. Keller was recorded in two advertisement in The Freeman’s Journal (Cooperstown, New York). The first advertisement ran from August 3, 1850 to February 15, 1851. Cooperstown Daguerrian Gallery.  L. B. Keeler Respectfully announces to the public, that he has permanently located himself in the Daguerreotype business in the village of Cooperstown, where he is prepared to take likenesses in a style not to be surpassed.  Having made himself acquainted with all the late and valuable improvements in the art, and also furnished himself with Apparatus, Stock, &c., of the first quality, he feels confident that he can suit even those who are the most difficult.  Being a member of the American Photographic Association, he is constantly receiving every new and important improvement in the art, thereby enabling him to give entire satisfaction.  Likenesses set in Lockets, Pins, Bracelets, or Rings.  Miniatures of the sick or dead, views of Buildings, Machinery, &c. taken in any part of the country.  Perfect satisfaction guaranteed.  Should any defective change take place in any picture taken in this Gallery, a new one will be given free of charge.  The public will at once see the advantage of patronizing a permanently located artist.  Ladies and Gentlemen are invited to call and examine Specimens.  Rooms one door west of J. Cockett’s Store in S. A. Bailey’s building, up stairs.

Instructions given in the art on reasonable terms.      Cooperstown, August 1, 1850.

The second advertisement ran from February 8 to March 15, 1851.  Look Here!!  L. B. Keeler, Takes Daguerreotype Likenesses and puts them up with preservers in a good morocco case for One Dollar, guarantees entire satisfaction, warrants his pictures never to fade, and being permanently located. Pledges himself to make good any defective change that may take place with his pictures.

Persons consulting their own interest as well as his will give him their patronage.  Rooms over D. F. Olendorf’s Variety Store.              Cooperstown, February 7, 1851.

J. B. Keller is not recorded in other photographic directories.

Keene & Cannon

1841                Over J. S. Perkins & Co.’s, entrance 178 Essex Street, Salem, Massachusetts.

Keene & Cannon (Peter H. Keene & Marsena Cannon) were recorded in two advertisements and two announcements.  The first advertisement ran from July 29 to October 7, 1841.  In the Salem Register (Salem, Massachusetts).  Miniature Portraits By Daguerreotype, Over J. S. Perkins & Co.’s, entrance 178 Essex Street. Messrs. Keene & Cannon respectfully invite the attention of the citizens of Salem and vicinity, to their new Daguerreotype Establishment.  Having obtained all the improvements in the photographic process, and procured a Camera, manufactured expressly for themselves, directly from the studio of Professor Morse, of New York, they will guarantee Miniature Portraits, unsurpassed incorrectness and beauty by any like establishment in the Union.  And no person will be permitted to take pictures from their room unless perfectly satisfactory.—Their pictures are entirely free from that unnatural and distorted appearance which is so often seen in productions of the kind; nor is the subject detained with long and tedious sittings, but in a few moments after entering the room, he may gaze on a facsimile of himself, of Nature’s own pencilling, as perfect as when reflected on a mirror; and far surpassing in precision and minuteness of delineation, the pencil of the most accomplished artist.

In conclusion they would remark, that they esteem the good old proverb, “by their works shall ye know them,” and by it they are willing to be tried.  Call at their room, and at Mr. Whipple’s Bookstore, and examine specimens.

Miniatures set in cases, from $4 to $5.  Groups taken if required.  Instructions $25.  Apparatus and materials furnished to pupils of superior quality

The first announcement appeared on August 9, 1841 in the Salem Register (Salem, Massachusetts).  Daguerreotype Miniatures.  We would call the attention of or readers to the new Daguerreotype Establishment of Messrs. Keene & Cannon, in the chamber over the store of J. S. Perkins & Co., entrance No. 178 Essex street.  Their apparatus, manufactured expressly for themselves, in complete, and embraces all the improvements in the photographic process, recently introduced into this country.—The miniatures executed by them are wonderfully perfect, and surpass in correctness and beauty any that we have ever seen; they as far exceed those that have ever before come under our notice, as an exquisitely finished steel engraving does one coarsely and clumsily executed on wood.  Indeed, we can conceive of nothing which can be added to make these pictures more life-like, unless it be the colors and tints of nature itself.  In this respect only, if at all, can a painted portrait be preferred.  In all others, in accuracy and minuteness of delineation, in the striking correctness of the features, in the delicate alterternations of light and shade, the Daguerreotype Miniature is as much superior to a painting, as the veritable productions of Nature are to the pencillings of the most accomplished artist.—These superiorities, together with the ease with which the likenesses are taken, (requiring a sitting of only a minute or two) and the low price at which they can be obtained, must render them exceedingly popular.  If any one thinks our assertions overwrought, let them call at the studio of Messrs. Keene & Cannon, examine some of their specimens, and satisfy himself of the wonderful results of this process.  A picture comprising more than one individual can be taken, if required, and this fact will afford families a good opportunity to obtain interesting collections.—Several very beautiful representations of children in groups have been executed by the gentlemen of whose artistical efforts we have been speaking.

What new wonders may be in store for us from further improvements, we know not.  Daguerre, the originator of the process, is constantly making important improvements, and the able Paris correspondent of the National Intelligencer writes that he has nearly perfected his invaluable discovery, in obtaining instantaneous impressions by means of electricity.  A slight haze, however, is left on the impression, which he wishes to correct before he exhibits the results of his new process.  Daguerre’s friends boast that he has now rendered it easy to copy the largest assembly of persons, with their momentary countenances and most animated gestures!

The second announcement was recorded from the Massachusetts Charitable Mechanic Association records, September 20, 1841.  Exhibited daguerreotypes at the third exhibition of the Massachusetts Charitable Mechanic Association Fair.  No award was given.

The second advertisement ran from October 7 to October 25, 1841 in the Salem Register (Salem, Massachusetts).  Daguerreotype Miniatures, By M. Cannon, Over J. S. Perkins & Co.’s, entrance 178 Essex Street.

Miniatures taken in any weather, fair or foul, from 9 o’clock A. M. till three P. M.  Instruction given on reasonable terms, and Apparatus and Materials of superior quality furnished and warranted good.

Miniatures from three to five dollars, including a good morocco case, or they will be set in Lockets or Breast Pins.  Groups taken if desired.  Those who have been waiting on Keene & Cannon, for Miniatures, will call on the subscriber, who is authorized to settle all the affairs of the firm.  Marsena Cannon.

Keene & Cannon are not recorded in A Directory of Massachusetts Photographers 1839-1900.  Both Peter H. Keene and Marsena Cannon are recorded in other photographic directories.  Craig’s Daguerreian Registry does reference the partnership under Peter H. Keene, but does not identify Marsena Cannon as the partner.

John A Keenan

1856                248 South Second, Philadelphia, Pennsylvania.[1]

 John A Keenan 185 appeared on April 1, 1856 in the Photographic and fine Arts Journal.  (New York, New York.)  April 1, 1856, Vol. IX, No. 4, P. 124.  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.           

Keenan, South 2nd St. — A very excellent ambrotyper. The tone and color of his pictures are very fine as a general thing. Some pretty fine paper photographs, which speak the artist.

There is need of much improvement, however, in this establishment.

John A Keenan is recorded in other photographic directories, but is included here because of the first-hand account of his work.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

Robert N. Keely

1856                332 North Second, Philadelphia, Pennsylvania.[1]

Robert N. Keely appeared on April 1, 1856 in the Photographic and fine Arts Journal (New York, New York).  In an article entitled the Photographic Galleries of America.  Number Two, Philadelphia. The author visited 57 Galleries in Philadelphia.

Keely. — Pretty fair daguerreotypes, clear and sharp. Seems to be a working gallery.

Robert N. Keely is recorded in other photographic directories, but is included here because of the first-hand account of his work.

[1] Not all first names or complete addresses were recorded in article.   Craig’s Daguerreian Registry was used to assist in identification when possible first name and address were added.

 

J. D. Keeler

1845                  Rooms at Mrs. Mellons, over the Bank, Yazoo City, Mississippi.

J. D. Keeler was recorded in an announcement and an advertisement in The Yazoo City Whig (Yazoo City, Mississippi). The announcement appeared on March 7, 1845.  Photographic Likenesses.  It will be seen by reference to our advertising columns, that Mr. J. D. Keeler is now in this place, and prepared to take Photographic Likenesses by the Daguerreotype Process.  That Mr. Keeler is a perfect master of the art, we have not a doubt, as we see his likenesses, wherever he has been, spoken of in the highest terms of commendation.  Indeed, Mr. Keeler brought us letters from gentlemen of the first respectability, testifying to the fact.  Those who wish their likenesses taken, will do well to give him a trial.  We would advise some young men in this place, to have their likenesses taken, and present them to their lady-love.  Will you do it?

The advertisement ran from March 7 to 14, 1845.  Photographic Likenesses, By The Daguerreotype Process.  Mr. J. D. Keeler, would respectfully announce to the citizens of Yazoo City, and vicinity, that he has opened his room at Mrs. Mellons, over the Bank, for a very short time only.  Those who wish likenesses by this inimitable process, and in the most perfect style of the art, will do well to improve the present opportunity.  Likenesses taken in only a few seconds sitting, and in every case, entire satisfaction guaranteed.  March 6th, 1845.

J. D. Keeler does not appear in other photographic directories.