Tag Archives: Photographer

Hankins, Jr., Thomas

Daguerreotypes, Photographs, , ,

1857-1858       6 Main Street, Norfolk, Virginia.

1859                Address unknown, Norfolk, Virginia.

1858 January 1.  The Day Book.  (Norfolk, Virginia.)  January 1, 1848, Vol. 1, No. 77, P. 3.

A Beautiful Christmas or New Years’ Present.  We would respectfully remind our friends and the public generally, that we have on hand a beautiful collection of Cases For Daguerreotypes, Ambrotypes, And Melainotypes, Suited For Christmas or New Years Presents, and what can be more appreciated as a present on such occasion, that a correct and well executed likeness of ones self to a kind relative or friend.

Any style of picture desired can be furnished unsurpassed in point of beauty and excellence.  Haskins & Clark, No. 6 Main street, Norfolk.  de23.

1858 February 9.  The Day Book.  (Norfolk, Virginia.)  February 9, 1848, Vol. 1, No. 110, P. 1.

Suggestion.—Our citizens are aware that it is highly probable that the next State Fair will be held in this city.  It will naturally be the wish and pride of our citizens to take as many premiums as possible, and we learn that Daguerreotypes of all the prominent buildings in Virginia, will be exhibited on the occasion for premiums.  We move (who will second it) that Hankins and Clark, or Burwell and Hobday, be waited upon by a committee from the Council, and enter into a contract to take the Daguerreotype of that beautiful structure (over the left) our Market House.  We are compelled to have two premiums on it at any rate; first, it is the meanest looking building that can be found in a month’s walk, and secondly, it is the largest rat trap in Virginia.

1858 February 13.  The Day Book.  (Norfolk, Virginia.)  February 13, 1848, Vol. 1, No. 114, P. 1.

The Rat Trap.—Messrs, Hankins &B Clark, availing of the suggestion thrown out in our local column a few days since has taken a Photographic view of our Market House, in its present dilapidated condition and sent us a copy of it for exhibition.

We suggest that the City Councils have several thousand copies of the above view struck off, and distributed all over the country, as affording an evidence of the progress our city rulers are making to keep pace with the growth and prosperity of our City.

1858 February 18.  The Day Book.  (Norfolk, Virginia.)  February 18, 1848, Vol. 1, No. 118, P. 1.

Smash.—Yesterday morning about 10 o’clock, a large case of specimen Daguerreotypes, hanging out at the door of Messrs. Hankins & Clark’s Gallery on Main street, fell to the, ground breaking quite a number of the pictures.  However the loss is but trifling.

1859 July 26.  Newbern Weekly Progress.  (Newbern, North Carolina.)  July 26, 1858, Vol. I, No. 44, P. 3.

A Rising Star.—Miss Martha Haines Butt, of Norfolk, Va., is one of the rising stars of the day.  A Female College at Harrisburg, Pa. recently conferred on her the honorary degree of A. M. (Mistress of Arts.)—the title of mistress of hearts the talented young author possessed before.

Brady of New York has just completed a very fine life-size Photograph of this fascinating young lady, which as a specimen of art we have heard spoken of in the highest terms, and it is represented as one of the most life-like resemblances ever seen.  It is now at the Gallery of Hankins, Norfolk, where it has been seen and admired by a large number of persons.

Hamilton, Charles F.

Ambrotypes, Daguerreotypes, Photographs, Stereoviews, , , , , , , , , , , ,

1852-1857       163 Clay Street, San Francisco, California.

1857                Corner Clay and Kearny Street, San Francisco, California.

1858-1859       182 Washington Street, San Francisco, California.

1859-1860       111 Montgomery Street, San Francisco, California.

1852 May 15.  Daily Alta California.  (San Francisco, California.)  May 15, 1852, Vol. III, No. 135, P. 3.

Daguerreotypes.—Chase, Daguerrian Artist, from Boston, has taken rooms in this city, in connection with Mr. Hamilton, on Clay street, near Montgomery, in Dr. Rabe’s building.

Advertisement ran from May 15 to 23, 1852.

1852 December 17.  The Pacific.  (San Francisco, California.)  December 17, 1852, Vol. II, No. 66, P. 3.

Hamilton & Starr’s Daguerrean Gallery.  The Miniatures taken in this establishment are well known for their lifelike appearance, beauty of coloring, and style of finish.  Messrs. H. & S., are both practical operators, and specimens of their work, can at all times be seen in their Gallery, in shadows of well known individuals, and which specimens are always open to the inspection of the public.

Buildings, Landscapes, and everything appertaining to the art, executed at short notice, and satisfaction guarantied in all cases.  Apparatus and stock for sale at the lowest prices.  Mr. H. has recovered from his late indisposition, and ladies and gentlemen who were disappointed previous to the sailing of the last steamer can now be attended to with facility and dispatch.  A visit from ladies and gentlemen is respectfully solicited. Hamilton & Starr’s, Daguerrean Gallery, Rabe’s Building, Clay street, three doors above Montgomery.

Advertisement ran from December 17, 1852 to April 15, 1853.

1853 June 24.  San Francisco Evening Journal.  (San Francisco, California.)  June 24, 1853, Vol. II, No. 336, P. 2.

Re-Opened.  Star & Johnson’s “Excelsior Daguerrean Gallery.”  (Late Hamilton and Starr’s)  The above Gallery, having been closed for a fortnight past, is now re-opened, greatly enlarged and improved, no pains or expense having been spared to make this, as its name imports, The Excelsior Gallery of San Francisco.  The Show Rooms, Private Dressing Room for Ladies’, Laboratory, etc., are of the largest and most convenient plan.  The light is superior to any in the city, and equal to the most celebrated Galleries in the Atlantic cities.  Our Rooms are especially adapted for taking Family Groups, and so well ventilated that no unpleasantness is experienced even in the warmest weather, as is the case in smaller Galleries.  Mr. Johnson, the artist, from his experience of thirteen years’ successful practice as a Daguerreotypist in the cities of New York and New Orleans, Augusta, Ga., Cleveland, Ohio; and during four seasons at Saratoga and two at the White Sulphur Springs,—feels himself warranted in insuring perfect satisfaction to all our patrons.  No charge is made nor is any picture suffered to leave our possession, until the sitter is entirely satisfied.  Rabe’s Building, 163 Clay st.

1854 April 6.  Daily California Chronicle.  (San Francisco, California.)  April 6, 1854. Vol. 1, No. 16, P. 2.

Chas. F. Hamilton.  Jacob Shew.  Daguerreotypes!  Daguerreotypes!  The Subscribers respectfully inform the public of San Francisco that they have purchased the Daguerrean Gallery on Clay street, lately occupied by Starr & Johnson, and refitted it in the most complete manner, and where every thing relating to the art will be executed in the most perfect manner.

The only place in California where Shew’s Daguerreotypes and Stereoscopes are taken.

This Establishment occupies four rooms, and is the most complete establishment of the kind on the Pacific.

Private parlor for ladies, furnished in the most magnificent style.  Ladies and Gentlemen are respectfully invited to call whether they wish to sit or not.  Hamilton & Starr, (late Starr & Johnson,) 163 Clay st., Rabe’s Building, two doors above Montgomery, San Francisco.

Advertisement ran from April 6 to 17, 1854.

1854 April 8.  San Francisco Evening Journal.  (San Francisco, California.)  April 8, 1854, Vol. II, No. 284, P. 2.

Daguerreotypes.—By referring to our advertising columns it will be seen that those magnificent daguerreotype rooms formerly occupied by Starr & Johnson, in Dr. Rabe’s Building, on Clay, near the corner of Montgomery street, have been taken by Messrs. Hamilton & Shew.  These gentlemen are so well known as efficient operators in the art daguerrean that to speak of the advantages they possess would be superfluous.

1854 April 8.  San Francisco Evening Journal.  (San Francisco, California.)  April 8, 1854, Vol. II, No. 284, P. 2.

Chas. F. Hamilton.  Jacob Shew.  Daguerreotypes!  Daguerreotypes!  The Subscribers respectfully inform the public of San Francisco that they have purchased the Daguerrean Gallery on Clay street, lately occupied by Starr & Johnson, and refitted it in the most complete manner, and where every thing relating to the art will be executed in the most perfect manner.

The only place in California where Shew’s Daguerreotypes and Stereoscopes are taken.

This Establishment occupies four rooms, and is the most complete establishment of the kind on the Pacific.

Private parlor for ladies, furnished in the most magnificent style.  Ladies and Gentlemen are respectfully invited to call whether they wish to sit or not.  Hamilton & Starr, (late Starr & Johnson,) 163 Clay st., Rabe’s Building, two doors above Montgomery, San Francisco.

Advertisement was recorded five times between April 8 to 22, 1854.

1854 May 5.  The Pacific.  (San Francisco, California.)  May 5, 1854, Vol. III, No. 26, P. 3.

The Citizens Of San Francisco And The Public Generally Are Invited To Call And Examine Specimens of Stereoscopes Thake at our rooms.  The superiority of our Daguerreotypes are so well known that it is unnecessary to mention it.  We are both practical operators of ten years experience in the art—and the scientific manner in which our rooms and skylights are arranged gives us advantages not possessed by any other establishment non the Pacific Coast.  Our Gallery [is] by far the most extensive and best furnished in California.  We have a Ladies Parlor furnished in the most splendid manner—besides a Public Reception Room.  Ladies and Gentlemen are respectfully invited to call.  Hamilton & Shew, Babe’s Building, 163 Clay Street.

Advertisement was recorded thirty one times between May 5, 1854 to February 2, 1855.

1855 February 9.  The Pacific.  (San Francisco, California.)  February 9, 1855, Vol. IV, No. X, P. 3.

The Citizens Of San Francisco And The Public Generally Are Invited To Call And Examine Specimens of Stereoscopes Thake at our rooms.  The superiority of our Daguerreotypes are so well known that it is unnecessary to mention it.  We are both practical operators of ten years experience in the art—and the scientific manner in which our rooms and skylights are arranged gives us advantages not possessed by any other establishment non the Pacific Coast.  Our Gallery [is] by far the most extensive and best furnished in California.  We have a Ladies Parlor furnished in the most splendid manner—besides a Public Reception Room.  Ladies and Gentlemen are respectfully invited to call.  Hamilton & Shew, Babe’s Building, 163 Clay Street.

Advertisement ran from February 9 to November 9, 1855.

1855 November 19.  Price Current and Shipping List.  (San Francisco, California.)  November 19, 1855, Vol. 4, No. 43, P. 3.

Facts For The People!  It Is Well Known That Well executed Daguerreotype Likeness taken on silver are far superior In Every Respect to the finest Oil Miniature Painting or Daguerreotypes on glass or paper, and is much cheaper.  Call and examine our Daguerreotypes taken on pure Silver, and we guarantee that you will sat that they have All the beauty of a fine miniature painting on ivory, and far more accurate as regards the likeness.  We have got a system of coloring and painting Daguerreotypes known only to ourselves, which never fades, and gives the Daguerreotype such a life-like appearance. 

Just received by Express a beautiful assortment of every description of Fancy Cases.  Hamilton & Shew, 163 Clay street, Rabe’s Building.

Advertisement ran from November 19, 1855 to April 4, 1856.

1856 January 4.  Daily California Chronicle.  (San Francisco, California.)  January 4, 1856, Vol. V, No. 37, P. 2.

Mr. Shew, Late Of The Firm Of Hamilton & Shew, Would strongly recommend the attention of his friends and patrons to the new style of Improved Ambrotypes, (not introduced by Mr. Ford,) which he believes the most beautiful production of the Photographic Art.  He has so much confidence in their success, that he is now applying his whole attention to the new art at Mr. Ford’s Rooms, where he would be pleased to see his friends.

Advertisement was recorded four times between January 4 to 25, 1856.

1856 January 26.  The Wide West.  (San Francisco, California.) January 26, 1856, Vo. II, No. 46, Whole No. 98, P. 3.

…Mr. Shew, Late Of The Firm Of Hamilton & Shew, Would strongly recommend the attention of his friends and patrons to the new style of Improved Ambrotypes, (Just introduced by Mr. Ford,) which he believes the most beautiful production of the Photographic Art.  He has so much confidence in their success, that he is now applying his whole attention to the new art at Mr. Ford’s Rooms, where he would be pleased to see his friends.

1857 June 28.  The Golden Era.  (San Francisco, California.)  June 28, 1857, Vol. V, No. 29, P. 4.

Removal—Notice To The Public.  Charles F. Hamilton, Daguerrean Artist, respectfully announces that he has taken charge of Mr. Bradley’s Daguerrean Gallery, South East corner of Clay and Kearny streets, where he will be happy to see his old friends and customers.

He would caution the public that the specimens on exhibition at his old stand, (Dr. Rabe’s Building, on Clay street,) were taken by him, and Not by the individual who now seeks to make a reputation under false pretences [sic.].  Charles F. Hamilton relies solely on his own meriss [sic.] for a share of the public patronage, and not upon the handi-work of others.

Advertisement was recorded three times between June 28 to July 19, 1857.

1857 July 26.  The Golden Era.  (San Francisco, California.)  July 26, 1857, Vol. V, No. 33, P. 8.

Who and Where To Fine Them.

Hamilton, Chas. F., Daguerreotypist—Corner Clay and Kearny streets.

Potter & Co., Daguerreotypist—185 Clay street.

Shew, Wm., Daguerreotypist—113 Montgomery street.

Vance, R. H., Daguerreotypist—Cor. Montg’y and Sacramento sts.

1858 October 3.  The Golden Era.  (San Francisco, California.)  October 3, 1858, Vol. VI, No. 43, P. 8.

The Only Gold Medal!  Charles F. Hamilton, Daguerrean Artist, 182 Washington Street, (Between Kearny and Montgomery,) Was awarded The Only Gold Medal for The Best Ambrotypes, &c., at the late State Fair at Marysville, California.

1858 December 5.  California Home Journal.  (San Francisco, California.)  December 5, 1858, Vol. 1, No. 10, P. 4.

The Only Gold Medal!  Charles F. Hamilton, Daguerrean Artist, 182 Washington Street, between Kearny & Montgomery sts., Was Awarded The Only Gold Medal for the Best Ambrotypes, etc., at the late State Fair at Marysville.

In Addition To The Above, A Committee Of Judges have awarded the First Premium at the late Mechanics Fair to Charles F. Hamilton, for the finest Ambrotypes exhibited.

Collodion, of my own make, superior to any in market.  Price, $3.50 per lb.  Orders from the country Promptly attended to.  Oct16.

1859 February 5.  The Pacific.  (San Francisco, California.)  February 5, 1859, Vol. IX, No. 244, P. 3.

It Smacks of a Failing Business.—A certain old fogy is sore because I was his successful competitor at the late State Fair and the Fair of the Mechanics’ Institute in this city.  I have made it a rule never to notice anything emanating from such a source, but as a character of a committee of honorable gentlemen is assailed, I feel called upon to notice the matter.  In a few days I shall hear from them.  The individual is grieved because we are leading him in every branch of the art—Photographs as well as Ambrotypes.  The subscriber flatters himself that neither here nor elsewhere can anything dishonorable be brought to His door.  Chas. F. Hamilton, Firm of Hamilton & Co., Daguerrean Artists, 182 Washington street.

Advertisement was recorded five times between February 5 to March 21, 1859.

1859 July 30.  The Pacific.  (San Francisco, California.)  July 30, 1859, Vol. X, No. 53, P. 3.

A Temple of Art is Hamilton & Lovering’s new Photographic Establishment.  There are Eight rooms all on the second floor (an advantage possessed by no other extensive establishment in the United States), and built expressly for the practice of the Photographic Art in all its branches.  An experience of both Hamilton and Lovering of over sixteen years constant practice enables them to turn out finer work than any other establishment, as they are not compelled, like other establishments, to hire operators, who scarcely know anything about the business.  The First Premium was awarded to us at both the last State and City Fairs.  Hamilton & Lovering, Second story of Lecount’s Gallery, 111 Montgomery street.  jy12.

Advertisement was recorded twice on July 30 & August 5, 1859.

1860 October 23.  The Pacific.  (San Francisco, California.)  October 23, 1860, Vol. XI, No. 123, P. 2.

Four First Premiums at the late State Fair, and the Only First Premium at the Fair of the Mechanics’ Institute, were all awarded to us, over all competitors, for the Best Photographs, plain, re-touched, and life-size.  Also, the First Premium for the best Ambrotypes, at both Fairs. 

Prices low as ordinary pictures at other establishments.  Rooms all on the second floor.

Over seventeen years’ experience of both of us, enables us to excel all our competitors.  Hamilton & Lovering, Lecount’s Building.  111 Montgomery street.

Advertisement ran from October 23 to November 16, 1860.  

1864 July 10.  El Nuevo Mundo.  (San Francisco, California.)  July 10, 1864, Vol. 1, No.11, P. 3.

Gran Reduccion De Precios.  Wise & Prindle, Propietarios De La Galeria Fotofrafica.  Conocida antes come Galeria De Hamilton.

Ha Reducido El Precio De Targetas

Como Sigue:

Vinetas, por docena………………..$4.00

Cuerpo Entero………………………$3.00

Segunda docena de Vinetas………..$3.00

Segunda docena Cuerpo Entero……$2.50

Recordaran todos losque esta Galeria, que es la mas elegante del Estado, y que esta ahora produciendo pinturas que no son aventajadas en la costa.

La Galeria ha sido repare la, puesta er completo orden y ilena de nievas pinturas, y tiene todo lo necesario para comodidad y diversión del publico.

Uno de los propietarios, James Wise, es un Artista de profesión, y toda su atención esta consagrada a la toma de pinturas.  Tienen también dos de los mas bellos operadores en el Estado, como se vera por sus muestras.

Pinturas Ejecutadas En Lienzo, Potogrgrapias Iluminadas, Y toda otra especie de pinturas serán ejecutadas en esta Galeria, Y no se ahorrara ningún trabajo para una satisfacción general.

Tengase esta toda en un pise, y arriba de unos cuantos escalones, nada mas.

No. 417 calle de Montgomery, entre Sacramento y California.

Advertisement was recorded from July 10 to December 22, 1864.     

Hall, Alfred

Ambrotypes, Daguerreotypes, Melainotypes, Photographs, , , , , , ,

1851                2 Museum Building, Manchester, New Hampshire.[1]

1853-1856       Essex Street, 8 City Block, Lawrence, Massachusetts.1

1857-1861       142 Essex Street, Lawrence, Massachusetts.1

1862                142 Essex Street, Lawrence, Massachusetts.

1865                Address Unknown, Lawrence, Massachusetts.1

1851 September 23.  Manchester Daily Mirror.  (Manchester, New Hampshire.)  September 23, 1851, Vol. 2, No. 283, P. 2.

Money Found.  On Sunday the 21st day of September.  The owner can have the same by calling on Alfred Hall, at Brown’s Daguerreotype Rooms—proving property, and paying for this notice.

Advertisement ran from September 23 to 26, 1851.

1859 December 17.  Lawrence American.  (Lawrence, Massachusetts.)  December 17, 1859, Vol. 5, No. 11, P. 4.

Hall’s Gallery of Art, 142 Essex street…Lawrence (Formerly 8, City Block.)

Photographs, Daguerreotypes, Ambrotypes, and all other styles of Pictures made in the most perfect manner Old pictures copied (even those that are quite imperfect) to a larger size, and colored in a style to render them the most life-like and pleasing.

Photographs of Clergymen, and Teachers, College and School Classes and in fact any person in want of a considerable number, will be furnished at extremely Low Prices.  The proprietor is prepared to go to any part of the country and take pictures of Classes, Military or Fire Companies, Views of Buildings &c.

Remember the place, Hall’s, 142, Essex street, Lawrence.

1861 July 6.  Lawrence American.  (Lawrence, Massachusetts.)  July 6, 1861, Vol. VI, No. 40, Whole No. 300, P. 3.

Get Your Photograph Taken.  Twenty-four for One Dollar!  Twenty-five cents for each subsequent Dozen!

Just the thing to send in letters, for visiting cards, or exchange with shop or schoolmates, &c. &c.

Hall, 142 Essex Street, Lawrence, Has an arrangement by which Photographs can be made with such rapidity, that he can furnish them at the above price.

Ambrotypes and Melainotypes taken very cheap.

Photographs of all kinds taken, and finished in India Ink, or colored in Water, Oil or Pastel, on the Most Reasonable terms.

A large assortment of French and American Frames, Oval and Square, Gilt and Black, constantly on hand, for sale cheaper than can be bought at any other place.

Halls, 142 Essex Street.  [292][2]

Advertisement was recorded thirty five times between July 6, 1861 to December 27, 1862.

[1] A Directory Of Massachusetts Photographers 1839-1900.

[2] Whole number for start of advertrisement.

Haas, Philip

Daguerreotypes, Engravers, Lithographs, Photographs, , , , , , ,

1843-1844       Pennsylvania Avenue, Washington, D. C.

1844-1845       561 Broadway, at the Lyceum, New York, New York.

1845-1852       289 Broadway corner of Reade Street, Lafarge Building, New York, New York.

1848                Jarvis Buildings, N.W. corner of Baltimore & North Streets, Baltimore, Maryland.

1852                73 Spring, New York, New York.

1852-1854       371 Broadway, New York, New York.

1855-1856       505 Broadway, New York, New York.

1857                546 Broadway, New York, New York,

1858                132 West 36th-st., New York, New York.

1859                Address Unknown, New York, New York.

N. D.  The New-York Historical Society’s Dictionary Of Artist In America 1864-1860.  (New Haven, Connecticut & London, England.  1957, P. 282.

Haas, P. Lithographer, and publisher of Washington, (D, C.)between 1837 and 1845.  His work included technical prints, portraits and views of Washington and Mt. Vernon.

1843 May 27.  The Daily Madisonian.  (Washington,. D. C.)  May 27, 1843, Vol. II, No. 446, P. 2.

Daguerreotype Likenesses.  Mr. P. Haas, at the eastern end of Pennsylvania avenue, is taking, and has taken, many excellent Daguerreotype likenesses.  Mr. H. also possesses the art of coloring his likenesses, which, we believe, is a new addition to the process.  The faithful and perfect (not counterfeit) presentment of official dignitaries, Senators, M. C.’s, &c., which Mr. H. exhibits at his establishment, will convince the most sceptical [sic.] of his ability to make a genuine copy of the most beautiful as well as the most homely features.  

1843 June 1.  The New York Herald.  (New York, New York.)  June 1, 1843, Vol. IX, No. 149, Whole No. 3362, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, having procured the agency for the sale of Voigtander’s Daguerreotype Apparatus, constructed according to Professor Petzval’s calculation, have on hand a large assortment of these Apparatus, and artists as well as amateurs of their art, wishing to procure a good apparatus, will find it to their advantage to procure instruments of this construction.  They also have lately imported a large quantity of German and French plates, and all the chemicals used in their art, which they warrant in every respect, as they are made to their order.  Polishing substances, and morocco cases, and all necessary materials, are sold on the most reasonable terms.  The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.

P. Haas, Esq., Washington, D. C.

Dr. A. Caspari, Richmond, Va.

P. Laurens, Esq., Savannah, Ga.

William West, Esq., Cincinnati, Ohio. Added to advertisement on (June 22, 1843.)

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to W. & F. Langenheim, Exchange Building, Phila.

Advertisement ran from June 1 to September 5, 1843.

1843 August 23.  The New York Journal of Commerce.  (New York, New York.)  August 23, 1843, Vol. XXVIII, No. 5830, P. 2.

New Map Of Liberia:—A map of the West Coast of Africa, comprising Guinea and the British possessions at Sierra Leone, on the Gambia, the Gold Coast, the Liberia, together with the countries [within] the [coarsest] of the rivers Senegal, Gambia, and Kowarra, compiled mostly from the map of John Arrowsmith, has been lithographed by P. Haas, of Washington City.  The same sheet contains a separate map of Liberia on an enlarged scale.      

1843 October 17.  The New York Herald.  (New York, New York.)  October 17, 1843, Vol. IX, No. 275, Whole No. 3497, P. 3.

Philadelphia Daguerreotype Establishment.  Exchange Building, Rooms 26 & 27.  The Subscribers, has received a large supply of Voigtander’s celebrated Daguerreotype Apparatus, large and small sizes, with achromatic lenses made according to Professor Petzval’s calculation.

Also a new supply of the best plates and chemicals, which he warrants good and sells at reduced prices.

The following gentlemen have agreed to act as their agents, viz:—

E. White, 175 Broadway, N. Y.  P. Haas, Esq., Washington, D. C.  Dr. A. Caspari, Richmond, Va.  S. Broadbent, Esq., for the Southern States.  William West, Esq., Cincinnati, Ohio.          

All communications (post paid) and orders, accompanied with remittance, will be promptly attended to, and should be directed to William Langenheim, Exchange Building, Phila.

Advertisement ran from October 17, 1843 to January 26, 1844.

1844 January 21.  The Atlas.  (New York, New York.)  January 21, 1844, Vol. VI, No. 33, Whole No. 285, P. 3.

…By the way, we have one branch of art practiced here, in a way which must surely be perfection.—With you the daguerreotype has taken the place of portrait painting, but here Messrs. Haas & Clarke[1]—the former of some repute, and the latter a gentleman of great skill and attainments from the north—have given a tone to their pictures, a delicacy of coloring, and an exquisite finish, which has never been approached by any other artists.  They are evidently forming a gallery of eminent statesmen and jurists, and gentlemen distinguished in other pursuits, which would be worth a place in the National Gallery of Arts.

1844 February 27.  The Evening Post.  (New York, New York.)  February 27, 1844, Vol. XLII, P. 2.

Correspondence of the Evening Post. Washington, Feb. 25, 1844.

The weather during the past week has been most delightful.  It has been for several days past very much like Indian summer, the same genial air, blue, pleasant but chastened sun beams, and hazy atmosphere.  I am reminded of this latter circumstance, so unusual in the month of February, from having witnessed a somewhat singular effect resulting from it, in the art of taking impressions by the daguerreotype process.  The slight haze visible near the horizon, however cloudless the sky, has a greater influence in rendering the action of the light upon the prepared plate, feeble and ineffectual, than even a cloud which quite obscures the sun.

The vexation which this causes the several gentlemen who are engaged in that business, is the greater, for it is upon these very beautiful days that those whose faces they are most desirous to obtain perfect copies of, are most inclined graciously to afford them the opportunity of so doing.  The success of Mr. Haas, a German artist of this city, in the use of this wonderful discovery and improvement in portrait taking, elicits the admiration of every visitor to Washington.  His apparatus produces, with its natural aid, and under the direction of his acquired skill, the only perfectly true likeness of the human face divine that I have ever seen taken by this process.

There is no blur, no indistinctness of expression, or utter want of expression, as in most of them, the consequence probably of a defect in the instruments for the concentration of the light upon the surface of the plate.  The features are all traced, and the minutest delineation made, with infinitely greater clearness and force than by the most delicate graver.  To any one anxiously desirous of perpetuating his present appearance, countenance, figure, and tailorly embellishments, a journey to Washington and a visit to the premises of Mr. Haas, would be, if not the cheapest, certainly the only completely effectual means of attaining his object.

1844 March 19.  The Whig Standard.  (Washington, D. C.)  March 19, 1844, Vol. I, No. 114, P. 3.

Portrait Of The Late T. W. Gilmer.—We have received from the publisher, P. Haas, a fine lithograph likeness of the late Secretary of the Navy.  It was drawn by A. Gibert, from the daguerreotype by P. Haas, and is pronounced a good likeness of Mr. Gilmer.  Price 50 cents; to be had at the store of the publisher.

1844 March 20.  The Daily National Intelligencer.  (Washington, D. C.)  March 20, 1844, Vol. XXXII, No. 9699, P. 1.

The Late Mr. Gilmer’s Portrait.—Our townsman Mr. P. Haas, has just published an excellent and well executed portrait of the late Secretary of the Navy.  It was drawn by that talented artist. M. Gibert, from the daguerreotype of Mr. P. Haas.  This portrait of Mr. Gilmer is considered by all with whom we have conversed as a faithful likeness.

1844 March 21.  The Daily Madisonian.  (Washington, D. C.)  March 21, 1844, Vol. III, No. 697, P. 2.

Portrait of Gov. Gilmer.—We have been presented with a most accurate lithograph portrait of the lamented Gilmer.

It is published by P. Haas, Lithographer.  Drawn on stone by A. Gibert, from the Daguerreotype by Haas; 50 cents per copy.

1844 August 8.  National Intelligencer.  (Washington, D. C.)  August 8, 1844, Vol. XLV, No. 6496, P. 3.

Miniature Likeness Of Mr. Clay.  In the whole course of our observation of works of art we have never seen a more beautiful thing that the Miniature Daguerreotype of Mr. Clay, recently executed by Mr. P. Haas of this city, of a size to be set in one of the smallest sized breastpins.  The portrait is colored or tinted after nature, and is a very striking likeness.  Set in gold as a breastpin, we are informed that Mr. Haas will have them for sale at his establishment in this city at the low price of $5 each.

1844 August 17.  The Whig Standard.  (Washington, D. C.)  August 17, 1844, Vol. I, No. 243, P. 3.

Haas’s Medallion Likeness Of Henry Clay.  We have had the pleasure of examining a handsome breastpin, got up by Mr. Haas, of our city, containing a small but most accurate daguerreotype likenesses of Henry Clay.  The original picture from which the medallion is taken, was executed by Mr. Hass during Mr. Clay’s late visit to this city, and is as good a specimen of the art as can well be conceived.  No Whig, who can afford it, we feel satisfied, will fail to obtain a memento so valuable.  Mr. H. will take pleasure in exhibiting the original picture and the medallion to those who may desire to examine them.   

1844 December 16.  The New York Herald.  (New York, New York.)  December 16, 1844, Vol. X, No. 347, Whole No. 3947, P. 3

Beautiful Christmas And New Year’s Presents.  Photographic Miniatures of James K. Polk, by P. Haas. Set in a neat Gold Breast-pin, to be had at Haas’ Daguerreotype Rooms, 561 Broadway, at the Lyceum, nearly opposite Niblo’s—where the most splendid Daguerreotype Likenesses, of all sizes, as well as family groups are taken at all hours of the day. 

Advertisement ran from December 16, 1844 to January 4, 1845.

1845 January 10.  The Evening Post.  (New York, New York.)  January 10, 1845, Vol. XLIII, P. 2.

The Vice President elect, George M. Dallas, yesterday, accompanied by Mayor R. B. Boyd and Mr. Riell, visited the rooms of Professor Haas, in the Lyceum, 561 Broadway.  On his invitation, the professor executed a daguerreotype portrait of Mr. Dallas. Which for beauty of execution and fidelity of likeness has never been excelled.  Mr. Haas received his instruction in the art from the inventor in Paris, and is in every respect a perfect master of it.

1845 January 15.  The New York Herald.  (New York, New York.)  January 15, 1845, Vol. XI, No. 14, Whole No. 3976, P. 2.

Professor Haas.—We have seen a beautiful specimen of daguerreotype, executed by him at his rooms in New York Lyceum; it is a portrait of Mr. Dallas, the vice president elect, with a view of the capitol at Washington in the distance—as a work of art it is unsurpassed,  It is in the possession of Mr. H. E. Riell; duplicates can be obtained by application to the professor at his rooms 561 Broadway.      

1845 February 26.  True Sun.  (New York, New York.)  February 26, No. 605, P. 2.

We are indebted to Col. W. H. Maxwell for a Congressional document of no little value.—It is a statement of expenses charged to the contingent fund of the House of Representatives.  It is a rich exhibit of the economy of the “true, faithful, honest, and high minded friends of the people” in Congress.  We shall give the details of this account as we can find room.  Meantime the following is part of the summary.

Amount paid W. J. Stone for maps,   $3, 270.78.

P. Haas for do,                                    $3,789.50…

1845 February 27.  New York Journal of Commerce.  (New York, New York.)  February 27, Vol. XXXII, No. 6299, P. 3.

The amendment was put up and lost.  The resolution then coming up was adopted.  The singular part of the amendment, was that portion of it which confined the Clerk to Mr. Haas,—a German, I believe, who has never been naturalized,—to give him the job at some price.  If it would have passed, it would probably have put $10,000 dollars into Mr. Haas’ pocket! 

We believe, from past developments, it has been made to appear that this same Mr. Haas, by collision with some parties about the Capitol. Has made a large  sum of money.  He for a time, had a kind of “carte blanche,” to charge what he pleased.

It was in vain the most skillful and experienced American engraver and lithographer became applicants for work.  Jobs they would gladly have done at one half to one fourth the price, were denied, all were either thrown into the hands of Haas, or Mr. Stone, an English engraver.  It is supposed Haas had strong friends in high quarters, who had some interest in the direction things took.  Although this tergiversation has been publicly condemned, we again find a proposition put forth to-day, to give him probably $10,000 more!!

1845 October 16.  New York Commercial Advertiser.  (New York, New York.)  October 16, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute.  Ninth Day…

Of Daguerreotypes there is an endless variety.  One of the finest that we ever saw is the panoramic view of Niagara Falls, taken from the Clinton house, Canada side.  The very spray from the tumbling waters appears to be rising before you, and any one who has ever visited the falls will recognize the scenery at a glance.  This picture is the work of Mr. Langenheim of Philadelphia.  There are also some finely marked portraits and a view near the City Hall credited to Langenheim & Recker, [sic.] the work, we presume, of the same artist.  Plumbe of this city has some excellent portraits.  Among them is a frame containing likenesses of the present members and officers of the Common Council, which any one acquainted with the originals will recognize at once.  How life-like is “Old Hays”; you feel an involuntary inclination to ‘pull off your hat,” the moment it is seen.  The portraits of P. Haas, M. M. Lawrence, M. B. Brady, E. & G. H. Morand, and very finely finished.  In fact all or nearly all exhibited are pictures which furnish abundant evidence of the still continued improvement in the art.  The other exhibitors, so far as we could ascertain them through the crowd that always surrounds this portion of the exhibition, are Mr. Shankland, T. S. Walsh, Perry, Brothers & Co., J. P. Weston, A. F. Thompson, J. T. Tracy, S. Hart, Meade& Brothers, G. R. Spellman, and Walker & Garritt, (of Albany.)

1845 October 25.  New York Commercial Advertiser.  (New York, New York.)  October 25, 1845, Vol. XLVIII, P. 2.

Fair Of The American Institute The eighteenth annual Fair of the American Institute…

Silver Medals…

M. B. Brady and P. Haas, for best Daguerreotypes.  Silver Medal; each.

1845 October 27.  The New York Herald.  (New York, New York.)  October 27, 1845, Vol. XI, No. 276, Whole No. 4158, P. 3.

First Premium Daguerreotypes.  P. Haas, Daguerrean Artist, 289 Broadway, corner of Reade Street, Lafarge Building.

Mr. H. has received the Medal at the late Fair of the American Institute, for Pictures executed by himself, and not purchased nor done by hired operators; the public, therefore, can at all times depend upon obtaining the same style of Portraits, from the smallest to the largest sizes, which cannot be surpassed for beauty or accuracy.

Instruction given in the Art on reasonable terms.                             

Advertisement ran from October 27 to December 14, 1845.

1845 November 1.  New York Weekly Tribune.  (New York, New York.)  November 1, 1845, Vol. V, No. 8, Whole No. 216, P. 4.

Gen. Tallmadge Address at the close of the Fair…

So of the wonderful improvements in Daguerreotyping; a few years since, and we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French daguerreotypes.

1845 November 15.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 15, 1845, Vol. LVI, No. 46, P. 1.

Domestic Industry.  Almost every person among us who is acquainted with the industry of our country on a large scale, is in favor of continuing the operation of those laws which give it encouragement; and under which it is generally prosperous.  A perusal of the following extracts from the recent speech of Mr. Tallmadge at New-York, will astonish many who know but little of the magnitude or the variety of our manufactures

Gen. Tallmadge’s Address At The Close Of The Fair Of The Institute At New York…

So of the wonderful improvement in Daguerreotyping; a few years since we knew no more about it than the man in the moon; and now Messrs. Haas, Plumbe, Anthony & Edwards, Gavitt, Brady, &c. have far surpassed all French Daguerreotypes…

1846 October 16.  New York Daily Tribune.  (New York, New York.)  October 16, 1846, Vol. VI, No. 163, Whole No. 1718, P. 2.

Haas, in the Lafarge Building, corner of Broadway and Reade st. produces a softness of shading, a depth of expression and a perfectness of finish in his Daguerreotypes which render them true works of art, rather than mere shadows caught by the hair and transfixed upon the plate.  He has also so thoroughly studied the art of coloring as to impart to his pictures all the exquisitely blended effects of a miniature united with all that truthfulness and identity of likeness for which the heart, bowing before the ivory semblance of dear features, yearns in vain.

1847 February 10.  New York Morning Express.  (New York, New York.)  February 10, 1847, Vol. II, P. 1.

Herr Alexander, so well known as a gentleman, in private, as well as most amusing performer, in his way, is now in this city.  He has accepted a most flattering invitation from the commander of a United States man-of-war, (the Scourge) to be his guest to Havana.  Mr. Davignon has just finished a capital likeness of Alexander from a daguerreotype of Haas, a copy of   which we have seen.

1847 February 14.  The Atlas.  (New York, New York.)  February 14, 1847, Vol. IX, No. 37, Whole No. 445, P. 2.

in literary circles.—One day during the week, we received a speaking likeness, by Davignon, fro a daguerreotype of Haas, of Herr Alexander, the prince of the magic; together with an intimation that he was about accompanying the commander of the Scourage, [sic.] an American armed vessel, on a trip to Havana, the Secretary of the Navy…

1847 March 3.  The New York Herald.  (New York, New York.)  March 3, 1847, Vol. XIII, No. 61, Whole No. 4658, P. 2L.

Nagel has published a beautiful lithographic portrait of Sig. Beneventano, of the Italian opera, drawn on stone by F. Davignon, from a Daguerreotype by Haas.—The likeness is perfect, and the execution admirable.

1847 March 6.  Merchants’ Ledger.  (New York, New York.)  March 6, 1847, Vol. 1, No. 1,  P. 10.

First Premium Daguerreotypes.  P. Haas, Daguerrian Artist, 289 Broadway, 289 Corner of Reade Street—Lafarge Building.

1847 March 21.  The Atlas.  (New York, New York.)  March 21, 1847, Vol. IX, No. 42, Whole No. 450, P. 2.

Our Portrait.—We gave this week a portrait of the fascinating Barili, the new prima donna of the Opera.  The portrait is drawn by an eminent artist in this city, from a capital daguerreotype likeness taken by Haas, of Broadway.  It will be more readily recognized by those who have seen the charming singer in private than only on stage.  It is therefore the more life-like.

1848 April 16.  The Atlas.  (New York, New York.)  April 16, 1848, Vol. X, No. 46, Whole No. 505, P. 3.

Card.—Philip Haas, Daguerrian Artist, 289 Broadway, cor. of Reade street.

Advertisement was recorded three times between April 16 to 30, 1848.

1848 August 9.  The New York Herald.  (New York, New York.)  August 9, 1848, No. 5178, P. 3.

To Daguerreotypist.—I Would Caution Operators in this city, and throughout the country, against a man who peddles a chemical purporting to be the same as I use in producing pictures.  It is a false imitation; an abortive attempt at copying; the work of a country boy who was formerly in my employ, but never as an operator.  The genuine chemical is only to be had at my establishment, 289 Broadway.  I suffer no one to peddle it. 

1848 October 4.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  October 4, 1848, Vol. 72, No. 75, Whole No. 10,941, P. 2.

Haas’ Celebrated New York and Philadelphia Daguerreotypes.  The Understand takes pleasure in informing the Ladies and Gentlemen of Baltimore that he has recently arrived in this city and taken Rooms in Jarvis’ Buildings, north-west corner of Baltimore and North sts., entrance 1st door in North street, 2nd floor.

Mr. Haas’ Daguerreotypes are well known throughout the country, they are of the best order and taken with all the late improvements of the art and entirely on a new principle.  Ladies and Gentlemen are invited to visit the rooms, whether they wish pictures or not, their visits will always be welcome.

Gentlemen Residences, Churches and all other buildings correctly taken.

Deceased and sick persons at their residences taken.

Portraits, Landscapes and Drawings of all description also copied.

Persons who are in possession of pictures badly taken by other operators, the undersigned is willing (for accommodation sake) to exchange them for superior ones taken by his new process embracing all the improvements of the art for a moderate price.

Mr. Haas will guarantee good pictures as they will all be taken by himself.

Advertisement ran from October 4 to December 13, 1848.

1848 November 5.  The Atlas.  (New York, New York.)  November 5, 1848, Vol. XI, No. 23, Whole No. 534, P. 2.

…The portraits are all from daguerreotypes—that of Mr. Anderson, by Plumbe; that of Mr. Hart, by Haas; and that of Mr. Arcularius, by Gurney, 189 Broadway—and were all engraved by Mr. Roberts, “in haste.”  When Roberts has time, he can’t be beat, in cutting heads; but, when he has to cut four, in three days, we cannot expect perfection.

1848 November 12.  The Atlas.  (New York, New York.)  November 12, 1848, Vol. XI, No. 24, Whole No. 535, P. 2.

On the outside page of our paper to-day, will be found a portrait of Mr. S. Cornelius Bogardus, the naval officer of the port of New York, and who was translated to that office by Mr. President Polk, some six weeks since, on the death of Mr. Michael Hoffman.  The portrait, which is an admirable one, is from a daguerreotype of Hass, and was engraved by Roberts…

1848 November 29.  Baltimore Patriot And Commercial Gazette.  (Baltimore, Maryland.)  November 29, 1848, Vol. 121, No. 75, Whole No. 10,9768 [sic.], P. 2.

We have received from Mr. Haas, Jarvis Building, agent for their sale in Baltimore, an engraving of Gen. Taylor.  It is printed and published by Michelin, N. York, and for a colored plate, is among the best issued.  The General is in undress uniform, put on with Characteristic neglige; and as to the likeness, faithful or not as it may, those strongly marked features, with their determined cast, are not to be mistaken, distinguishing in any guise or garb “the noblest Roman of them all.”

1849 April 12.   The New York Herald.  (New York, New York.)  April 12, 1849, Whole No. 5424, P. 2.

Haas Daguerreotypes.—Among the most wonderful specimens of this branch of art, we do not think that any others may be compared with the admirable daguerreotypes made by Mr. Haas, the famed artist, who dwells in Lafarge Building.  This gentleman may be considered as the Raphael of his profession, and the portraits which are issued from his studio are the ne ultra plus of discovery and chemistry.  We have visited the gallery of M. Haas, which contains, the most curious collection of portraits, not only of the celebrated men of this country, but also of the prettiest ladies who grace the parlors and the streets of New York.  On this subject we may add, that, by a particular process M. Haas has discovered the means to make visible not only the lines of the face, but also the loveliness and beauty of the ladies, as well as the colors of the skin.  A daguerreotype of M. Haas is as fine as a beautiful painting or the French painters, Ingres, Court, or Winterhalter.

1850 November 20.   The New York Herald.  (New York, New York.)  November 20, 1850, Whole No. 6006, P. 2.

…We have already advised this interesting class of our city visitors where the best bonnets, shoes, shawls, dry goods, and dancing masters are to be had; and if they should desire a daguerreotype to send home in the new fashions, we should say that Haas, one of the most experienced in the art on Broadway, or Brady, who has a fine collection, would do it in style….

1852 May 11.  New York Daily Tribune.  (New York, New York.)  May 11, 1852, Vol. XII, No. 3452, P. 3.

Removal.—Haas’s Daguerreotypes from 289 to 371 Broadway, Between White and Franklin-sts., where he respectfully invites his friends and customers to give him a call.

1852 October 13.  The New York Herald.  (New York, New York.)  October 13, 1852, Whole No. 7286, P. 4.

371 Broadway.—Stereoscopes and Stereoscopic Daguerreotypes, in a superior stype, at Haas’ Daguerrean gallery, 371 Broadway; also, his new and much admired style of vignette Daguerreotypes, which are considered the most artistical specimens of the art.

Advertisement ran on October 13, 17 & 27.

1852 November 12.  The New York Herald.  (New York, New York.)  November 12, 1852, Whole No. 7316, P. 4.

Vox Populi Gold Medal.—Haas’ Daguerreotypes, 371 Broadway, have received the gold medal vox populi, the greatest proof of their superiority.  Stereoscopic pictures are done in this establishment to great perfection. As well as Haas’ new and original vignette daguerreotypes.

1853 February 21.  The New York Herald.  (New York, New York.)  February 21, 1853, Whole No. 7366, P. 5.

A Droll Illustration of the Difficulties of the English language occurred to an artist friend of ours a day or two since.  A French gentleman inquired of him:”Sare, you shall tell a me who has se best daguerre in se Broadway.”  “Well,” said our friend, “I should say Haas.”  “Yes sair, is what I ask a you, who has?”  “Why Haas has the”—“Dable! Is what I ask a-you; who has?”  “I tell you Mr. Haas has, of 371 Broadway.”  “O, ah! Now I comprehend.  Mr. Haas, (nom proper) has, ah! By gar is a [noner] beauty of se English language.  Ah! Ah!  I am fort oblige, I shall go immediatement.”  By the way, a notice of Mr. Haas, contained in a letter to Humphrey’s Journal, dated London, December 30th, speaking of Mr. Kilburn’s colored daguerreotypes, says:  “With the single exception of Mr. Haas, of your city, I do not remember of ever seeing any thing bearing even an approximation to competition in this department on the western side of the Atlantic.”

1853 August 19.  Semi-Weekly Tribune.  (New York, New York.)  August 19, 1853. Vol. VIII, No. 859. P. 1.

The Exhibition At The Crystal Palace.  XVI.  American Art—Daguerreotypes.  If there be any one department in the whole building which is peculiarly American, and in which the country shines prominent, it is in that of Daguerreotypes, which are exhibited below stairs; and the collection, which is an extensive one, is made up of contributions from almost every section of the Union where the art is practiced.  In contrasting the specimens of art which are taken herewith those taken in European countries, the excellence of American pictures is evident, which is [to] be accounted for by several reasons.  In the first place, American skies are freer from fogs and clouds—from bituminous coal not being much used, the atmosphere of our cities is free from smoke, at least upon the Atlantic coasts.  Then the chemicals and processes are, generally speaking, of a more sensitive character, and the apparatus is more convenient and suitable than that of Europe.  Our little inventions come into play and aid in saving time and developing a good picture, and last, though perhaps not least our people are readier in picking up processes and acquiring the mastery of the art than our trans-Atlantic rivals.  Not that we understand the science better, but the detail of the work is acquired in a shorter time by us, while the enormous practice which our operators enjoy combines to render the daguerreotype art a necessary adjunct to the comfort of life.  Does a child start on the journey of existence and leave his “father’s hall” forthwith the little image is produced to keep his memory green..  Does the daughter accept the new duties of matron, or does the venerated parent descend into the grave; what means so ready to revive their recollection?  Does the lover or the husband go to Australia or California, and not exchange with the beloved one the image of what afforded so much delight to gaze upon?  The readiness with which a likeness may be obtained, the truthfulness of the image and the smallness of cost, render it the current pledge of friendship, and the immense number of operators who are supported by the art in this country shows how widely the love of sun-pictures is diffused.  Several thousand industrious artists and artisans are occupied in the preparation of very pure chemicals, as bromine, iodine, gold salts, hyperphosphate of soda.  Another class prepare silvered plates, cases, buffs, gilding, cut glass, and a hundred little addenda.  Then the manufacture of cameras and the grinding of good lenses is an important branch of the business; for without a camera having good lenses the best operator would fail to produce an image which would be distinct or saleable; and even with a good Voigtlander or Harrison camera, it requires great skill to focus the image; for, strange as it may appear, the point where a good view of the sitter is obtained is not the point best adapted for bringing out a good picture.  In other words the focus of vision and the focus of chemical action are not the same, and hence when we have the one we lose the other.  This is owing to the fact that it is not the rays of color on the solar spectrum which produce the image, but a different set of rays, viz: those of chemical action; and since this is the case, we submit the opinion that it is not possible to obtain a daguerreotype in its natural colors, as Mr. Hill and others have been trying to delude our operators into believing, and leading themselves and others by the [iguis fatuus] of plates tortured into iridescent colors by chemical oxidation.  But we are getting discursive upon this beautiful art, which was intended to subserve many other useful purposes than that of portrait painting.

Everybody known how difficult it is to keep silver from tarnishing, and that the action of the light is to destroy all preparations of silver.  Some of these are more readily acted on by light than others—are more sensitive, as it is termed.  Such are the iodide, bromide, and chloride of silver.  These salts cannot be kept exposed to the light for any reason, even a very short time, without undergoing some change; and when a plate of silver has a thin layer of iodine and bromine on its surface; and is placed in a camera, as soon as the screen is raised the image of the sitter falls on the plate.  The silver plate is acted on unequally, producing the effects of light and shade when brought out, as it is termed, by exposure to the vapor of quicksilver.  It is then fixed or prevented from undergoing further change, by washing it with a solution of gold.

To produce a daguerreotype picture there are five operations necessary.  The first is cleaning the plate.  This is the stumbling block of most operators.  They are not cleanly enough.  Several views in this Exhibition show that the plates were not well enough cleaned.  Never was a maxim more true than the old one, that “cleanliness is a virtue”—when it has reference to daguerreotyping.  The second the second is the foundation of the sensitive iodide of silver over the surface of the plate.  The third is the adjusting the plate in the camera obscura, for the purpose of receiving the impression.  The fourth is the bringing out the photographic picture, which is invisible when the plate is taken from the camera.  The fifth, and last, is to remove the excess of sensitive coating, and thus prevent that susceptibility to change under luminous influence which would otherwise exist and ultimately effect the picture.  The second operation is that which gives tone and warmth to the picture, and when performed by skillful hands makes a daguerreotype a beautiful piece of art.  The clearness and distinctness of the image is produced by the third process when carefully conducted, and the whole picture should be distinct over the whole plate.  These remarks will serve to illustrate the subjoined notes upon the collections in the Exhibition.

Mr. Lawrence exhibited a case in which softness of tone and distinctness of image are united with artistic arrangement.  The latter quality is specially noticeable in “The Three Ages.”  The mechanical execution of these pictures is unexcelled.  These pictures of Mr. L. were exhibited in London.  Mr. Brady’s collection is not very large, but there are a few very good pictures exhibited by him.  In Gurney’s collection the coloring of the background has a fine effect; there are some very well executed portraits, among which is one of Mr. Forrest, worth notice as a work of art: taken as a Whole there is less softness and more distinctness in this collection than in that of Lawrence.  The picture of Ware and his sister is an instance of a picture well developed when the chemical action extends to the margin of the plate.  D. Clark, New Brunswick, N. J., has four pictures of merit; and Van Schneidan a small collection of well-selected heads.  J. Brown has a collection of portraits of Commodore Perry and the officers of the squadron for the Japan Expedition, in half-size plates: the interest of this collection is much marred by the names of the officers not being attached underneath the plate; it is not too late to rectify this omission.  Haas has a whole-plate allegorical figure of a family man reading the paper at home—an excellent idea and well executed.  Besides this, he has a couple of other pictures, though on the whole his show is mediocre.  In the cases of Harrison & Hill there is displayed excellent artistic arrangement with very indifferent mechanical execution.  In the mammoth plates occupied by allegorical designs, the back-ground is wretchedly brought out—the plates were not properly cleaned, and are full of scratches; there are a few half and whole-sized pictures set in gaudy frames.

Webster, of Louisville, KY., has twenty-three pictures possessing clearness.  They have, however, been exposed a little too much in the camera; they lack warmth, but are otherwise well developed and exhibit good mechanical execution.  Alex Hesler has a collection of whole plates handsomely executed, possessing a nice arrangement of of the drapery, which has the effect of throwing the head out in good relief.  There is artistic arrangement in this collection, especially evinced in the picture “Driving a “Trade,” one of a series illustrating character and passion.  The panoramic view of Galena, Ill. Shows that city to advantage; and the three views of the Falls of St. Anthony possess great merit.  Mr. North, of Cleveland, O., has a case of pretty fail likenesses, perhaps exhibiting the lights too strongly.  Bisbee, of Dayton, O. exhibits a panoramic view of Cincinnati from Newport, upon six large plates.  This view is, without exception, the finest thing in the whole room; we might even go further, and say that it is the finest view by the Daguerreian process ever exhibited.  The mechanical execution is excellent, the perspective good, and the development unsurpassed.  The effect of the smoke over the southern part of the city is very finely given.  the distinctness of the letter signs, three-quarters of a mile distance and across the Ohio river, is well brought out.  The rest of the collection is fair, possessing no peculiar merit.  Williamson exhibits a poor collection.  Dobyn, Richardson & Co. have several whole size well-executed specimens, in which the mechanical part, the artistic arrangement and the chemical effect is good.  The “Cupid Reposing” is a very ungraceful picture of an ill-formed child, and the coloring is bad.  That of the Bateman Children, in character, is a good picture.  There are some exceedingly well executed heads in this collection.

Long, of St. Louis, has four frames of 180 heads of Wyman’s School, in that city, with the edifice and Principal; they possess no merit.  A likeness of Prof. Mitchell, Cincinnati, is well executed.  Some of the pictures in this collection are inverted with papier mache frames inlaid with mother of-pearl and tinsel.  As this style of frame appears in a few other collections we may as well here express dissent to the use of this material as being too gaudy and wholly unsuitable for daguerreotype plates. These latter are difficult to be viewed except in one light, and from the brightness of their surface, are much set off by deadened color on the frames, while the glare and iridescence of the papier mache add to the difficulty of discerning the picture; the use of such implies bad taste in the artist.  We felt this opinion growing upon us as we looked at them and found our view corroborated by a boarding school miss, who whisked alongside of us and caught by the colors, exclaimed, “Oh my! aint those “frames beautiful?”  Fitzgibbon has the richest exposition in the Fair—The most expensive frames with a large and passable collection.  The mammoth plate of Judge Colt is very good—That of Jenny Lind the best in the exhibition—those of McAllister, Julia Dean, Kate Hays, and Kossuth, are good pictures.  His collection of Indian Warriors, is a very fine one, which we understand is to be forwarded to the Ethnological Society of London, to have copies and busts made from them.  Masury & Silsbee, Boston exhibited twelve pretty and tasteful plates, with good arrangement and well finished.  The collections of Kilsey, Beals, and Howe do not require notice.  Whitehurst has a few good pictures in a large and passable collection; he has ten pictures illustrating the Falls of Niagara, which are very well executed.  Some of his large heads have their features out of all proportion.  Whipple of Boston, has a collection of photographic pictures, which he calls Crystallotypes, taken from Hyalotypes; there is a plate of the moon daguerreotyped, and one of the spots on the sun.  McDonnell & Co., Buffalo, have a very poor collection—so poor as not to deserve a place in the exhibition; the views of Niagara are fair.   Hawkins exhibits photographs on paper.  Drummond, eight plates of the order of Free masons in their lodge dress.  Fitzgibbon (already noticed) exhibits a very interesting case, which is a frame of electrotype copies from daguerreotype plates, very beautifully executed.  It should not be over looked upon as a mere curiosity to place a daguerreotype plate in a copper solution and take a copper cast from its surface by means of electricity: the copper cast looks much warmer in tone than the original.  It is to be regretted that Fitzgibbon did not complete this frame by the insertion of a third plate, by taking a second copy from the copper copy.  This would be in relief, like the original silver-plate, and is succeptible of being treated like an engraved plate; yielding, when inked, prints resembling mezzotint.  Besides the above collection of daguerreotypes, there is an assortment of cameras, lenses, stereoscopes and photographic paper, which are of interest to those practicing these beautiful arts.

1854 May 28.  The New York Herald.  (New York, New York.)  May 28, 1854, Whole No. 6486, P. 4.

Paul Julien.—We have received a lithographic portrait of this great artist, drawn upon stone by F. Davignon, from a daguerreotype by P. Haas.  The artists have done their work well, and we have rarely seen a more [objective] and spirited likeness.  As our lady readers are well aware, Master Julien has a fine face  and handsome person in addition to his wonderful talent.  In consequence, we have no doubt that all his admirers will possess themselves of this “counterfeit presentment.”  Our copy is endorsed “Souvenir de haute effect offert a M. James Gordon, par Paul Julien.”  New York, May 27, 1854.

1855 March 14.  The New York Herald.  (New York, New York.)  March 14, 1855, Whole No. 6774, P. 6.

The Late William Poole.—The Late William Poole.—The Best Daguerreotype or photograph of Wm. Poole can be procured at Haas’s new daguerrean gallery, 505 Broadway, next door to the St. Nicholas Hotel.

1855 March 15.  The New York Herald.  (New York, New York.)  March 15, 1855, Whole No. 6775, P. 4.

William Poole’s Portrait, executed in artistic style, can be found in the Police Gazette, now ready.  It is taken from a large daguerreotype, for which he sat a few days prior to receiving his death wound.

1855 December 8.  The New York Herald.  (New York, New York.)  December 8, 1855, Whole No. 7041, P. 6.

Hass’ Photographs, Ambrotypes And Daguerreotypes, with all the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

1855 December 19.  The New York Herald.  (New York, New York.)  December 19, 1855, Whole No. 7052, P. 4.

P. Hass, 505 Broadway.—Daguerreotypes, ambrotypes and photographs in the latest style.

Advertisement ran on December 19 & 21, 1855.

1855 December 27.  The New York Herald.  (New York, New York.)  December 27, 1855, Whole No. 7060, P. 4.

Hass’ Photographs, Ambrotypes and Daguerreotypes, with the latest improvements, 505 Broadway, one door below the St. Nicholas Hotel.

Advertisement ran from December 27 to 29, 1855.

1856 January 1.  Photographic and fine Arts Journal.  (New York, New York.)  January 1, 1856, Vol. IX, No. 1, P. 19.

In an article entitled the Photographic Galleries of America.  Number One, New York. The author visited 69 Galleries in New York City.

Haas—The photographs by this artist are in the first style of the art, as is I believe all that he undertakes. Most of them general in being portraits.

1858 February 12.  New York Daily Tribune.  (New York, New York.)  February 12, 1858, Vol. XVII, No. 5246, P. 1.

Photographic Visits—A Specialty.—Mr. P. Haas devotes special attention to Photographic and Daguerrian Portraits of the old, the sick, the infirm or dead, and is prepared to take such portraits upon the shortest notice, at the subjects residence in New-York or vicinity.  he will also devote particular attention to the copying of old Daguerreotypes to any desired size.  His long established artistic reputation continues a guaranty for the correctness and excellence of his pictures.  Orders received and promptly attended to at Wm. Hall & Son’s, No. 239 Broadway; S. M. Peyser, No. 487 Broadway; Sidney Kopman, Clinton Place Hotel, and at Mr. Haas’s residence, No. 132 West 39th-st.

Advertisement ran from February 12 to March 3, 1858.

1870 June 11.  Alexandria Gazette.  (Alexandria, Virginia.)  June 11, 1870, Vol. LXXI, No. 139, P. 3.

Mr. David Haas, an old and respected citizen of this place, came to this country from Hamburg in 1841, and went immediately to his brother in Washington, Philip Haas, who was a lithographer there, and subsequently removed to New York.  David Haas settled in Alexandria in 1853, and as since carried on his business in a daguerrean gallery, and was successful as an artist.  In 1857 he was called to Hamburg at the death of his mother, and returned to this country in August or September, 1857, brining with him from Hamburg his sisters’ children—a nephew named Joseph Hertz and a niece Bertha Hertz—[father’s] name Philip Joseph Hertz.  He has not heard anything of them since, and would be glad of ascertaining their whereabouts; also of his brother and brother’s Children.  Philip Haas, who lived in Washington, afterwards went to New York; New York; has five children—four daughters and one son; Berta, Mathilda, Annette and America Haas, and a son Leonard Hass.  It is added to this card by a friend that David Haas suffered much loss by the war, and is now in infirm health, and deserves the sympathy and kindness of our citizens as well as of his relations.

1871 September 12.  Alexandria Gazette.  (Alexandria, Virginia.)  September 12, 1871, Vol. LXXII, No. 216, P. 2.

Philip Haas, who died a few days ago in Chicago, was the first man who took a successful picture with a camera in this city.  On his arrival in this country from Amsterdam, where he was born, he was appointed lithographer for the United States Government, and was allowed a room in the Capitol, in which to experiment with a camera.  He subsequently removed to New York city.

[Was he not an uncle or near relative of the late Mr. Haas, a very worthy and respectable citizen of this place, and who was him self an artist in the same line?]

New York City Directories. (New York, New York.)

1844.  Not listed.

1845.  daguerreotype—289 Broadway, h-23 Mercer.

1846.  daguerreotype—289 Broadway, h-44 Hudson.

1847.  daguerreotype—289 Broadway, h-40 Hudson.

1848.  daguerreotype—289 Broadway, h-20 West Broadway Place.

1849.  daguerreotype—289 Broadway, h-Broadway, n. 21st.

1850.  daguerreotype—289 Broadway, h-914 Broadway.

1851.  daguerreotype—289 Broadway, h-73 Spring.

1852.  daguerreotype—73 Spring, h-43 Spring.

1853.  daguerreotype—371 Broadway, h-89 W. 26th.

1854.  daguerreotypes—371 Broadway, h-13 Prince.

1855.  daguerrean—505 Broadway, h-13 Prince.

1856.  daguerreotypes—505 Broadway, h-13 Prince.

1857.  daguerreotypes—546 Broadway, h-132 W. 36th.

1858.  Not Listed.

1859.  daguerrean—h-364 Eighth Ave.

1860.  Not Listed.

1861.  Not Listed.

1861-1863.  Nineteenth Century Photography An Annotated Bibliography 1830-1879.

By William S. Johnson, 1990.  (Boston, Massachusetts.) P. 278.

…When the Civil War broke out Hass enlisted in Company A, 1st. N. Y. Engineers, where he was promoted to lieutenant.  His company spent part of 1863 among the forces involved in the blockade of the Confederacy.  Haas, with a partner Peale, photographed the activities of these troops patrolling the string of islands off the coast of South Carolina.

[1] James R. Clark variant spelling

Haas, David

Ambrotypes, Daguerreotypes, Photographs, , , , ,

1853-1862       3 Exchange Block, King Street, Alexandria, Virginia.

1863                Address Unknown, Alexandria, Virginia.

1864                11 North Royal and 148 King Street, Alexandria, Virginia.

1865-1867       Corner King and St. Asaph streets, Alexandria, Virginia.

1853 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1853, Vol. LIV, No. 195, P. 3.

The Alexandria Daguerrean Gallery, Exchange Block, changed hands.—D. Haas having bought out Mr. E. L. Brockett, has made an addition of new apparatus, with all the recent improvements in the art, procured new stock, in fact, having rendered it a first class Daguerrean Room, respectfully solicits a share of public patronage.—Miniatures taken all sizes, and in any weather.  Please take notice of this fact.  No miniature is to be taken from the Room, unless entire satisfaction is given.

N. B.  Cases, Frames, Lockets, Breast Pins, and Rings for Miniatures, always on hand.  No charge for engraving on Miniatures.

Advertisement ran from August 18 to December 26, 1853.

1853 August 18.  Daily Evening Star.  (Washington, District of Columbia.)  August 18, 1853, Vol. II, No. 201, P. 2.

Alexandria Daguerrean Gallery Exchange Block, changed hands.  D. Haas having bought out the entire interest of E. L. Brockett in the above Gallery, and replenished his stock with a beautiful variety of new Plain and Fancy Cases, Lockets, Rings, Pins, and Ornamental Frames, is prepared to take Pictures with every improvement in the Art. 

Pictures taken in any weather and warranted to give entire satisfaction.  He will not permit any Pictures to leave the Gallery that are not perfect. 

Miniatures for lockets, Rings, and other Ornaments taken in the best possible manner an on the most reasonable terms.

The Public are requested to call and examine for themselves.

Remember the place—the only Daguerrean Gallery in Alexandria, No. 3 Exchange Block, King street, Alexandria, Va.                                                                                              

Advertisement ran from August 18 to November 25, 1853.

1853 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1853, Vol. LIV, No. 195, P. 3.

The Alexandria Daguerrean Gallery, Exchange Block, changed hands.—D. Haas, having bought out E. L. Brockett, has made an addition of new apparatus, with all the recent improvements min the art, procured new stock, in fact, having rendered it a first class Daguerrean Room, respectfully solicits a share of public patronage.—Miniatures taken in all sizes, and in any weather.  Please take notice of this fact.  No miniature is to be taken from the Room, unless entire satisfaction is given.

N. B.  Cases, Frames, Lockets, Breast Pins, and Rings for Miniatures, always on hand.  No charge for Engraving on Miniatures. 

1853 December 24.  Alexandria Gazette.  (Alexandria, Virginia.)  December 24, 1853, Vol. LIV, No. 304, P. 2.

Haas’ Unrivalled Sky Light Daguerrean Rooms, Exchange Block, King street, between Royal and Pitt, Alexandria, Va.—The proprietor of the above establishment, returns his sincere thanks to the ladies and gentlemen of Alexandria and surrounding country, for the liberal patronage extended since his residence among them, and respectfully solicits a continuance of the same.  He has just returned from the North a fine assortment of superb Cases, and magnificent Jewelry, suitable for miniatures, to which he respectfully invites attention.  It embraces Pearl inlaid, Papier Mache, and Sontag Cages, in variety; fancy Morocco and plain Cases of all shapes and sizes—Gold Lockets, Breast Pins, Clasps, Watch Keys, Seals, Ear Rings, &c., &c.

Long experience in the constant practice of [the], art he has never failed to give general satisfaction, and the most complete arrangements for the reception of light, authorizes him to warrant perfect Likeness of those who may favor him with a call; and under no circumstances will he permit a Daguerreotype to leave his Gallery, unless perfect satisfaction has been given.  Possessed of an elevated situation, and a splendid Sky Light, so constructed as to furnish the best light possible for the art, he is enabled to take perfect Likenesses as well in cloudy weather as in clear bright sunshine.  This Gallery is open at all hours, and the public are respectfully invited to call and examine specimens of the art on exhibition.

There is no charge for looking, so don’t forget to call on Haas, No. 3, Exchange Block.  Entrance between Mr. James M./ Stewart’s Dry Goods Store, and Mr. W. B. Richards’ the fancy man.

Advertisement ran from December 24, 1853 to January 14, 1854.

1853 December 29.  Alexandria Gazette.  (Alexandria, Virginia.)  December 29, 1853, Vol. LIV, No. 307, P. 2.

Stolen from Mr. Haas’ Daguerrean Gallery, on Tuesday, a picture of Reuben Johnston—which was hanging at the door.  Also, stolen, within a short time, some other pictures from the gallery—amongst them one of Mrs. M. M. Johnson.

Advertisement ran from December 29 to 31, 1853.

1854 April 14.  Alexandria Gazette.  (Alexandria, Virginia.)  April 14, 1854, Vol. LV, No. 88, P. 3.

A Card.—Having understood that certain persons in the city have been circulating reports calculated to injury my business, I consider it due both to myself and the public, to correct mis-statements.  The assertion that I possessed neither the proper light nor suitable instruments for giving a correct expression to the eye in my pictures.  I pronounce a base and unqualified slander.  I have given sufficient proof of my ability in this respect to all who have honored me with their patronage, so that such statements can have no effect except upon those who have never examined my specimens.  I do not profess to use the identical Cameras used by the great Daguerre himself; they, I fear, would be found rather antiquated in the present improved state of the art.  My Cameras were made by Voigtlander & Son, Vienna, who are considered by all Daguerrean artist, the best makers in the world, and whose instruments are in almost universal request.

I have been practicing the Daguerrean art for many years, quite long enough to make any one an eminent artist.  It is not necessary to boast of the precise length of time I have been engaged in the business; let my works speak for me.  I am no humbug, I do not seek to delude the public by praising my own pictures, and running down those taken by others.  I simply assert that I can take as good likenesses as any other artist in the country, and at rates quite as reasonable.  If any person have Daguerreotypes taken by me with which they are not satisfied, I will retake them without charge; and I caution such not to be induced to habd over their pictures to designing persons, to be taken over again, as such persons underrate my work, not only for the purpose of injuring me, but also in order to replenish their pockets with dollars they hope to obtain by the operation.  I consider my light the most superior in the city.  D. Haas, Daguerrean Artist.

1854 May 10.  Alexandria Gazette.  (Alexandria, Virginia.)  May 10, 1854, Vol. LV, No. 110, P. 3.

On Monday night, Mr. Haas, occupying one of the rooms in the third story of the Exchange Block, King Street, as a Daguerreotype Saloon, was awakened by a sense of suffocation, and found the room filled with smoke.  He called the watch to his assistance, and it was ascertained that the floor had accidentally taken fire from a stove.  The watchmen and Mr. Haas extinguished the fire, without raising a general alarm.  A few minutes more and the building would have been in flames.

1855 July 3.  Alexandria Gazette.  (Alexandria, Virginia.)  July 3, 1855, Vol. LVI, No. 157, P. 3.

4th Of July.—Haas’ Daguerrean Gallery, will be open all day on the 4th of July, for the reception of visitors.

Gallery on King street, opposite the Marshall House, between the stores of Messrs. James M. Stewart and Richards.

Advertisement ran on July 3 & 4, 1855.

1855 July 3.  Alexandria Gazette.  (Alexandria, Virginia.)  July 3, 1855, Vol. LVI, No. 157, P. 3.

Lost—A small Memorandum Book.  A liberal reward will be given to the finder, on returning the same to D. Haas’ Daguerrean Gallery, King street.

Advertisement ran from July 3 to 7, 1855.

1855 August 18.  Alexandria Gazette.  (Alexandria, Virginia.)  August 18, 1855, Vol. LVI, No. 196, P. 2.

Haas’ 50 Cent Daguerreotypes.—Daguerreotype Likenesses Greatly Reduced!!—Haas’ Daguerreotypes are now the cheapest in the country—they are taken in the very best style, with all the latest improvements, and warranted not to fade.  The rooms are still at the old stand.  Exchange Block, between the stores of Messrs. James M. Stewart and Wm. B. Richards, opposite the Marshall House, King street.

Advertisement ran from August 18 to October 31, 1855.

1855 December 15.  Evening Star.  (Washington, District of Columbia.)  December 15, 1855, Vol. VI, No. 920, P. 3.

Alexandria Correspondence.  Alexandria, Dec. 15, 1855…The Ladies Fair at Sarepta Hall continues to be the centre of evening gayety…

Among the principal objects of public interest here is the memorial prepared by Mr. Haas, at his daguerrean gallery, to the victims of the recent calamity by the fire.  I[t] consists of a unique frame, enclosing admirable likenesses of the fallen firemen around a circle, in which is daguerreotyped the inscription, “The victims of the fire on King street, November 17, 1855:  Their memory is enshrined in the hearts of their fellow citizens.”  The tout ensemble is really beautiful, and Mr. H. deserves equal praise for his skill as for his public spirit.

1857 December 29.  Alexandria Gazette.  (Alexandria, Virginia.)  December 29, 1857, Vol. LVIII, No. 307, P. 3.

Presented.—Mr. D. Haas presented to the Free Masons of Washington Lodge, No. 22, of this city, at their last meeting, an accurate and elegantly finished Ambrotype of Mr. John Shakes, the venerable Tyler of the Lodge.

1858 August 21.  Alexandria Gazette.  (Alexandria, Virginia.)  August 21, 1858, Vol. LIX, No. 199, P. 3.

Mount Vernon.—Our fellow citizen, Mr. David Haas, has, we observe, prepared some elegant photographic views of Mount Vernon, for the use of visitors.  The first is a front view of the vault; the sarcophagus being seen within and the inscription over the gate being perfect; the very planks which form the walk to the tomb, and the trees and shrubbery around, are given with striking fidelity to nature.  The second, which is in our judgement the best, is a side and front view of the tomb, the sarcophagus of Mrs. Washington being visible; in this, the very pointing and replacement of [single] bricks which has been recently done, strikes the beholder, and shows him how accurate an idea of the sacred spot he may obtain from a picture.  The third view is of the front of the mansion, executed in a style in no way inferior to the others.  To these, which are on Bristol boards, 17 by 14 inches, Mr. Haas has added a photograph of the bust of Washington from which Clark Mills is modelling his great equestrian statue, also on Bristol board, 10 by 10 inches.

These photographs though suited for framing are contained in a neat portfolio, with a handsome dedication to the Mount Vernon Ladies’ Association printed in silver on the cover, and will doubtless prove to pilgrims an acceptable memento of their visit to the “Mecca of freedom.”

The execution of these photographs reflects the highest credit upon the skill of Mr. Haas, as an artist, and he will doubtless find a handsome pecuniary recompense for his labor in the demand for its product.

1858 November 16.  Alexandria Gazette.  (Alexandria, Virginia.)  November 16, 1858, Vol. LIX, No. 273, P. 3.

Bust of Washington, and Views At Mount Vernon—We have been presented by Mr. David Haas, Daguerrean Artist, Exchange Block, with a photograph of the Bust of Washington, from which Clark Mills is designing his Equestrian statue of the pater patriӕ, and also with some beautiful executed photographic views of Mount Vernon, consisting of a view of the Mansion, and front and side views of the Tomb.  These photographs are mounted of fine Bristol board, and sold by Mr. Haas at the low price of $5 for the set.  They are dedicated to the “Ladies ‘ Mount Vernon Association.” At an additional cost of $1 these truly fine photographic views are furnished in a handsome portfolio in which they can be sent or carried any distance.  Mr. Haas deserves great credit for the skill displayed in the execution of these pictures, and we hope he will meet with a deserved success in disposing of them.—There are few persons who would not like to posses an accurate view of Mount Vernon and the Tomb of Washington, and an opportunity is now presented to secure them.

1860 March 15.  Alexandria Gazette.  (Alexandria, Virginia.)  March 15, 1860, Vol. LXI, No. 64, P. 3.

Fire.—Yesterday morning, about seven and a half o’clock, smoke was seen issuing from the windows of the Daguerrean saloon in the third story of Exchange Block.—The saloon was occupied by Mr. David Haas.  A fire had been kindled in the stove, and the occupant left the room for a short time.—During his absence the heat of the stove, set fire to a lounge near by, and gave rise to the alarm.

The firemen were soon at their posts, but without their aid the flames were extinguished, not, however, until the saloon was considerably damaged, and some of it contents destroyed.  Mr. Haas loses about $75, a number of fine views of Mount Vernon having been destroyed by the flames.

1860 May 3.  Alexandria Gazette.  (Alexandria, Virginia.)  May 3, 1860, Vol. LXI, No. 106, P. 3.

Photograph.—We were yesterday shown by Mr. D. Haas, a very fine photographic likeness of Rev. J. E. Blox, formerly pastor of St. Mary’s Church, in this city.  The picture shows great perfection in the art.

1862 March 13.  Alexandria Gazette.  (Alexandria, Virginia.)  March 13, 1862, Vol. LXIII, No. 123, P. 4.

March 9.—A large fire broke out about mid-night of the 8th, at the three-story brick store on King street, between Sarepta Hall and Exchange Block.  The flames made great headway, and, before the progress of the fire was stayed, Sarepta Hall and Exchange Block were destroyed.  The establishments of Messrs. Henry Cook, Cole & Ramsay, Corse & Co., James Entwisle & Son, Jas. M. Stewart, D. Haas and others were embraced in the conflagration, the total loss being estimated in the neighborhood of $150,000—the largest destruction of property by fire in Alexandria since the great fire of 1827.

1864.  Boyd’s Washington and Georgetown Directory contains also Business Directory of Washington, Georgetown and Alexandria.  (Washington, D. C.)  1864.

Photographers, Daguerreotypist, &c.

Haas & Mahler, 11 N. Royal and 148 King, Alexandria.

1865 December 27.  Alexandria Gazette.  (Alexandria, Virginia.)  December 27, 1865, Vol. LXVI, No. 254, P. 3.

An Excellent Likeness.—One of the most striking portraits we remember to have seen for some time, is of the late Capt. J. W. Prestman, now exhibited at Haas’ Saloon, on the corner of King and St. Asaph street.  Although it was reproduced from a small carte visite it presents the lineaments of the lamented deceased as clearly and perfectly as the most finished oil portrait.  It is admired by all comers and is well worth looking at.  Mr. Haas deserves great credit for his skill in thus producing from a blurred card a picture in which the massiveness of the oil painting seems combined with the delicacy of a steel plate engraving.

1866 February 27.  Alexandria Gazette.  (Alexandria, Virginia.)  February 27, 1866, Vol. LXVI, No. 236, P. 3.

We were shown on Saturday last by Mr. Haas the most perfect photographic picture we ever saw.  It was a likeness of the venerable Bishop Early, of the Virginia Conference of the M. E. Church South, who presided over the deliberations of the late session of the Baltimore Conference of that Church, in this city.  In the picture every lineament in the face, every times make about the corners of the mouth and eyes, is exactly and perfectly portrayed, and the likeness is really remarkably vivid.  There is also on exhibition at Mr. Haas gallery, a large ambrotype picture of the same eminent Divine, which him numerous admirers in this city should call and see.

1866 October 25.  Alexandria Gazette.  (Alexandria, Virginia.)  October 25, 1866, Vol. LXVII, No. 122, P. 2.

Died.  On Saturday evening last.  Celestial Veronica, wife of David Haas, and daughter of the late John Shakes.

1867 March 28.  Alexandria Gazette.  (Alexandria, Virginia.)  March 28, 1867, Vol. LXVIII, No. 75, P. 3.

Excellent Photographs.—Prof. D. Haas has executed at his gallery, corner of King and St. Asaph streets, excellent and life like likenesses of Bishop Early and the Rev. W. E. Munsey, of the Methodist Episcopal Church South.

1867 April 25.  Alexandria Gazette.  (Alexandria, Virginia.)  April 25, 1867, Vol. LXVIII, No. 99, P. 3.

Haas’ Gallery Reopened.  (Old Stand) Corner King and St. Asaph streets, Opp. Alex., Wash & Georgetown R. R. Depot.

Something new again at Haas’ Gallery.  Haas’ Gems For Albums, equal to the best Ambrotypes, Large size, one 25 cents; three for 50 cents; seven for one dollar.  Extra large size taken at the same rate.

The above have never yet before offered in Alexandria at such low prices.

Photographs, Carte De Visite, &c., taken in the very best style.

Copies taken from all sorts of picture, to any size, in the most exquisite style at Haas’ Gallery.

Advertisement ran from April 25 to June 3, 1867.

1867 April 26.  Alexandria Gazette.  (Alexandria, Virginia.)  April 26, 1867, Vol. LXVIII, No. 100, P. 3.

Mr. Haas’s Gallery has refitted his Daguerrean Gallery, and has opened it with new attractions.

1867 November 4.  Alexandria Gazette.  (Alexandria, Virginia.)  November 4, 1867, Vol. LXVIII, No. 256, P. 2.

Look Here!!!

Boys And Girls, All of Ye.

There is a chance for ye now at Haas’!

Have you ever read his new handbill?

He takes pictures now very cheap, half for nothing, and good too.

Only 25 cents for a large Album Gem.

Only 50 cents for three do. Gems.

Large Photographs 4-4 size, 3 for $2.

Carte de visite $2 per dozen.

1-9 size Album Gems 10 for $1.

That we call, prices reduced!

Go To Haas’ Gallery, and give him a call.

Corner of King and St. Asaph streets,

Opposite the W. A. & G. R. R., Depot, Alexandria, Virginia.

1868 January 2.  Alexandria Gazette.  (Alexandria, Virginia.)  January 2, 1868, Vol. LXIX, No. 2, P. 3.

For Rent.  Second-Floor Rooms, at S. W. corner of King and St. Asaph streets, recently occupied by D. Haas, as a Daguerrean Gallery…

1868 January 7.  Alexandria Gazette.  (Alexandria, Virginia.)  January 7, 1868, Vol. LXIX, No. 6, P. 4.

County Court—Monday.—The Attorney for the Commonwealth filed information against the following parties…

David Haas, acting as a daguerrean artist without license;…

1869 December 10.  Alexandria Gazette.  (Alexandria, Virginia.)  December 10, 1869, Vol. LXX, No. 294, P. 3.

Police Report—Mayor’s Office…

A colored boy named David Lannon, on complaint of Mr. Hass, the photographist, for insulting the complainant by calling him names, was discharged with a reprimand, upon the payment of costs.

1870 February 5.  Alexandria Gazette.  (Alexandria, Virginia.)  February 5, 1870, Vol. LXXI, No. 32, P. 3.

Stolen—Stolen from the subscriber, a gilt frame Show Case, with gem pictures.—it is of no value to any one except the owner.  Davis Haas.

Advertisement ran from February 5 to 11, 1870.

1870 June 11.  Alexandria Gazette.  (Alexandria, Virginia.)  June 11, 1870, Vol. LXXI, No. 139, P. 3.

Mr. David Haas, an old and respected citizen of this place, came to this country from Hamburg in 1841, and went immediately to his brother in Washington, Philip Haas, who was a lithographer there, and subsequently removed to New York.  David Haas settled in Alexandria in 1853, and as since carried on his business in a daguerrean gallery, and was successful as an artist.  In 1857 he was called to Hamburg at the death of his mother, and returned to this country in August or September, 1857, brining with him from Hamburg his sisters’ children—a nephew named Joseph Hertz and a niece Bertha Hertz—[father’s] name Philip Joseph Hertz.  He has not heard anything of them since, and would be glad of ascertaining their whereabouts; also of his brother and brother’s Children.  Philip Haas, who lived in Washington, afterwards went to New York; New York; has five children—four daughters and one son; Berta, Mathilda, Annette and America Haas, and a son Leonard Hass.  It is added to this card by a friend that David Haas suffered much loss by the war, and is now in infirm health, and deserves the sympathy and kindness of our citizens as well as of his relations.

1871 January 7.  Alexandria Gazette.  (Alexandria, Virginia.)  January 7, 1871, Vol. LXXII, No. 6, P. 3.

Sudden And Mysterious Death.—Mr. David Haas, photographer, retired to his room at the Marshall House at 6 o’clock last evening.  As he had not reappeared at 3 o’clock this evening, his room door at that house was forced open, and he was found lying dead upon his bed.

Gustafson, M.

Daguerreotypes, Photographs, , ,

1856                120 Canal Street, New Orleans, Louisiana.

1856 April 23.  Semi-Weekly Creole.  (New Orleans, Louisiana.)  April 23, 1856, Vol. III, No. 38, P. 4.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

1856 July 1.  New Orleans Daily Creole.  (New Orleans, Louisiana.)  July 1, 1856, Vol. I, No. 14, P. 3.

Gustafson’s No. 120 Canal street—Washburn’s old stand.  M. Gustafson, having lately arrived from France with all the latest improvements in the Daguerreotype and Photographic Arts, is now prepared to supply the public with Pictures, Landscapes, &c. in every style of the art.

Having employed an operator of skill and extensive practice in New York, Baltimore, Cincinnati, &c. his Pictures will surpass any in the city.

Terms, moderate.  fe9.

Advertisement was recorded from July 1 to August 22, 1856.

Gurney, Marsh J.

Ambrotypes, Daguerreian Stock and Materials, Daguerreotypes, Photographs, , , , , , , , , , , , , ,

1850                Rooms in the Melodeon, Xenia, Ohio.

1851-1857       Main & Commerce Streets, over Leahy’s China Store, Natchez, Mississippi.

1851-1852       Opposite the Post Office, over Brown & Johnston, Vicksburg, Mississippi.

1852                Rooms in the Odd Fellows’ Hall, Franklin, Louisiana.

1853                Address unknown, Pattersonville, Louisiana.

1853                Main Street near Jackson, Thibodaux, Louisiana.

1854-1855       Main Street near Jackson, Thibodaux, Louisiana.

1856                Rooms in the Odd Fellows Hall, Yazoo City, Mississippi.

1850 August 15.  Xenia Torch-Light.  (Xenia, Ohio.)  August 15, 1850, Vol. 13, No. 9, Whole No. 633, P. 3.

Now Or Never!  Bisbee & Gurney, of Columbus, have opened Daguerreotype Rooms in this place, where they will remain a few days.  Persons who would have likenesses taken in their unique style, will please call at the earliest opportunity.  All Likenesses taken at their rooms are warranted to be at least fifty per cent finer than any heretofore taken in this place, and not inferior to any taken in America.

Rooms in the Melodeon—Entrance at Bar’s Book Store.  Ladies and Gentlemen are requested to call and examine specimens.

1850 September 26.  Xenia Torch-Light.  (Xenia, Ohio.)  September 26, 1850, Vol. 15, No. 9, Whole No. 639, P. 3.

The Partnership Between M. J. Gurney & A. Bisbee, was by mutual consent, dissolved on the 1st of September, 1850.  A. Bisbee.  M. J. Gurney.

1851 January 1.  The Natchez Weekly Courier.  (Natchez, Mississippi.) January 1, 1851, Vol. XXII, No. 21, P. 1.

We would call attention to the new Daguerrean Gallery, recently established in this city by the Messrs. Gibbs & Gurneys.  These gentlemen have come to this place with no small reputation for skill as artists, a reputation we doubt not they will fully maintain.

We shall take a further occasion to allude to their gallery.

1851 January 8.  Vicksburg Weekly Whig.  (Vicksburg, Mississippi.)  January 8, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Skylight Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

1851 February 19.  The Natchez Weekly Courier.  (Natchez, Mississippi.) February 19, 1851, Vol. XXII, No. 9, P. 2.

The public will not forget the [Daguerreotype] Gallery of Messrs Gibbs & Gurney.  [They] have been greatly enlarged , and [ ? ] substitution of a sky-light for the [purpose of] taking pictures. We have never seen [specimens] of the art than are exhibited [ ? ] tables.  We are glad to learn That [ ? ] has already been bestowed to [ ? ] to make theirs a permanent Gallery in [ ? ][1]

1851 February 19.  The Natchez Weekly Courier.  (Natchez, Mississippi.) February 19, 1851, Vol. XXII, No. 9, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Mr. Gibbs has just returned from New Orleans with the largest and finest assortment of Frames, Cases, &c., of the latest styles; also, a fine assortment of Gold Lockets and Breast Pins for miniatures, which we guarantee to be of the finest quality, having purchased them from the agent by whom they were manufactured.

We can sell them cheaper than they have ever been sold in this country.  We have just received a full size Camera, also one of Voy’s Landers best, and are now preparer to take Pictures of every size, having three of the best instruments in use.  We have also succeeded in getting all the rooms of Leahy’s China Store for one year, and have built a Sky-Light room expressly for operating, and fitted up a new reception room in the neatest style.   We are now prepared to make good Pictures—and respectfully solicit the citizens of Natchez and surrounding country to call and see our new establishment and the fine pictures we are now taking, which we guarantee to give entire satisfaction, or no charge will be made.

Daguerreotype Likenesses of Children of any age taken correctly:  Paintings and Daguerreotypes Copied the same size of the original.

Rooms over Leahy’s China Store, corner of Main and Commerce sts.

1851 March 5.  Mississippi Free Trader.  (Natchez, Mississippi.)  March 5, 1851, Vol. XVI, No. 29, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Mr. Gibbs has just returned from New Orleans with the largest and finest assortment of Frames, Cases, &c., of the latest styles; also, a fine assortment of Gold Lockets and Breast Pins for miniatures, which we guarantee to be of the finest quality, having purchased them from the agent by whom they were manufactured. We can sell them cheaper than they have ever been sold in this country.  We have just received a full size Camera, also one of Voy’s Landers best, and are now preparer to take Pictures of every size, having three of the best instruments in use.  We have also succeeded in getting all the rooms of Leahy’s China Store for one year, and have built a Sky-Light room expressly for operating, and fitted up a new reception room in the neatest style.   We are now prepared to make good Pictures—and respectfully solicit the citizens of Natchez and surrounding country to call and see our new establishment and the fine pictures we are now taking, which we guarantee to give entire satisfaction, or no charge will be made.

Daguerreotype Likenesses of Children of any age taken correctly:  Paintings and Daguerreotypes Copied the same size of the original.

Rooms over Leahy’s China Store, corner of Main and Commerce sts.

1851 March 8.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  March 8, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

P. S.—Mr. Gibbs will be absent for a short time, but he assures the public that his partner Mr. Gurney, can do ample justice to the Gallery. mar. 1.

Advertisement ran fourteen times between March 8 to May 6, 1851.

1851 March 12.  Mississippi Free Trader.  (Natchez, Mississippi.) March 12, 1851, Vol. XVI, No. 30, P. 3.

Gibb’s & Gurney’s Sky-Light Picture Gallery.  Messrs Gibbs & Gurney have added to their gallery three new rooms, and fitted them up in a style that cannot fail to secure the comfort and ease of those visiting their Gallery.

They have also enlarged their operating room, and increased their sky-light to double its former size, is a sky-light gives a natural eye softness of light and shade, beauty and strength to pictures. 

We have on hand five of Voigtlander & Sohn’s best German instruments of  all sizes, which are so far superior to any American instrument, that they command double the force.

We are constantly receiving from New Orleans and Cincinnati, the finest assortment of frames, cases, lockets. breastpins, and all kinds of Turkey morocco and fancy pearl cases, which we offer at prices that cannot fail to give entire satisfaction. 

Likenesses of children taken to perfection.  Pictures and Paintings of all kinds copied satisfactorily, or no charge made.

We have permanently located ourselves in Natchez, and all pictures taken at our gallery that do not give entire satisfaction, will be cheerfully taken over at any time free of charge.

Rooms on the corner of Main and Commerce streets—entrance on Commerce streets.

1851 March 12.  The Natchez Weekly Courier.  (Natchez, Mississippi.) March 12, 1851, Vol. XXII, No. 12, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney have added to their gallery three new rooms, and fitted them up in a style that cannot fail to secure the comfort and ease of those visiting their Gallery.

They have also enlarged their operating room, and increased their sky-light to double its former size, as a sky-light gives a natural softness of light and shade, beauty and strength of tone to pictures.  We have on hand five of Voigtlander & Sohn’s best German instruments of  all sizes, which are so far superior to any American instrument, that they command double the price.

We are constantly receiving from New Orleans and Cincinnati, the finest assortment of frames, Cases, lockets. Breastpins, and all kinds of Turkey morocco and fancy pearl cases, which we offer at prices that cannot fail to give entire satisfaction. 

Likenesses of children taken to perfection.  Pictures and Paintings of all kinds copied satisfactorily, or no charge made.

We have permanently located ourselves in Natchez, and all pictures taken at our gallery that do not give entire satisfaction, will be cheerfully taken over at any time free of charge.

Rooms on the corner of Main and Commerce streets—entrance on commerce street.

Advertisement was recorded five times between March 12 to April 16, 1851.

1851 March 19.  Vicksburg Weekly Sentinel.  (Vicksburg, Mississippi.)  March 19, 1851, Vol. XII, No. 2, Whole No. 627, P. 3.

Daguerrean Gallery.  Messrs. Gibbs and Gurney having associated themselves together, are now taking Daguerreotypes of the finest order, and of every size.  We have 7 different sized Cameras, full size, three-quarters, half, quarter size, all of Vortland’s best.  So we are prepared to take Miniatures for the smallest Lockets or Rings, and from that to full size pictures.  We are permanently located in Vicksburg, and all persons having pictures taken at the Gallery have the privilege of returning them and getting others free of charge, should they not give entire satisfaction.  We have on hand the finest assortment of Cases, Frames of the latest style that can be produced in this country, which we invite the citizens of Vicksburg and surrounding country to call and examine.  Our prices are as usual, ranging from $3 to $15, and we obligate ourselves to take pictures of the softest tone and lightest shade even when it is raining, of grown persons—pictures of children taken in three to eight seconds in fair weather—a new invention from one to three likenesses of one person will be taken on the same plate at the same sitting , if desired.  Rooms over Brown & Johnston’s opposite the Post-office.  We have an exact copy of Power’s Greek Slave in our Gallery.

P. S.—Mr. Gibbs will be absent for a short time, but he assures the public that his partner Mr. Gurney, can do ample justice to the Gallery. mar. 1

1851 March 26.  The Natchez Weekly Courier.  (Natchez, Mississippi.) March 26, 1851, Vol. XXII, No. 14, P. 2.

Powers’ Greek Slave.  This splendid specimen of American genius will remain for exhibition in this city to-day and to-morrow.  No one should lose the opportunity of seeing it.  We understand this Statue belongs to The Artist himself, and is exhibited for his benefit.  It can be seen at Messrs. Gibbs & Gurney’s Daguerrean Gallery.

1851 April 5.  Concordia Intelligencer.  (Vidalia, Louisiana.)  April 5, 1851, Vol. X, No. 37, P. 3.

Gibb’s & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on April 5 to July 5, 1851.

1851 April 5.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  April 5, 1851, Vol. XIV, No. 32, P. 2.

Daguerreotyping.—Messrs. Gibbs & Gurney have fifed up their Daguerreian Gallery, over Brown & Johnston’s, in superb style, and perfected their sky-light. They are masters of all the late improvements, and are taking the most accurate and beautiful pictures we have ever seen.  Give them a call.

1851 April 9.  Vicksburg Weekly Whig.  (Vicksburg, Mississippi.)  April 9, 1851, Vol. XIII, No. 15, Whole No. 640, P. 3.

Skylight Daguerrean Saloon.  Gibbs & Gurney having enlarged their sky-light to double its former size, are now prepared to take Daguerreotypes in a style superior to any ever taken in this country.

They have just received from New Orleans and New York, a large assortment of frames and cases of a different style and superior to any ever offered to the citizens of Vicksburg heretofore.  Also, just received, a fine assortment of plain and enamelled lockets of a superior quality, which can be sold with miniatures inserted cheaper than the lockets can be bought elsewhere.

We have several copies of the “Greek Slave,” taken full length, which are pronounced by the owner of the Slave the best copies that have ever been taken.  Persons wishing copies will please call and select them, as we have a great many enlarged.  Perfect satisfaction given. Or no charges made.

Rooms over Messrs. Brown & Johnston’s, opposite the Post Office.  apr.3.

Advertisement was recorded eight times between April 9 to July 1, 1851.    

1851 April 30.  Mississippi Free Trader.  (Natchez, Mississippi.) April 30, 1851, Vol. XVI, No. 37, P. 3.

Gibb’s & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on April 30 & May 7, 1851.

1851 April 30.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 30, 1851, Vol. XXII, No. 19, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave can be had by calling or sending to us.

Rooms at the corner of Main and commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded five times between April 30 to June 18, 1851.

1851 May 7.  Mississippi Free Trader.  (Natchez, Mississippi.) May 7, 1851, Vol. XVI, No. 37, P. 3.

Gibbs & Gurney.—We beg to draw attention [to] the advertisement of the above named gentlemen, whose Daguerrean rooms are situated on the corner of Main and Commerce streets, over the China store of Mr. P. Leahy.  Their portraits are of an excellent character, and the extensive patronage conferred is the best proof of public appreciation of their skill.

1851 June 4.  Mississippi Free Trader.  (Natchez, Mississippi.) June 4, 1851,

Vol. XVI, No. 42, P. 3.

Gibbs & Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. Gibbs & Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave.  Also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia cannot avail themselves of a better opportunity, as they have the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and commerce streets, over Leahy’s China Store.  Entrance on Commerce street.

1851 June 5.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  June 5, 1851, Vol. XIV, No. 105, P. 2.

Skylight Daguerrean Saloon.  Gibbs & Gurney having enlarged their sky-light to double its former size, are now prepared to take Daguerreotypes in a style superior to any ever taken in this country.

They have just received from New Orleans and New York, a large assortment of Frames and cases of a different style and superior to any ever offered to the citizens of Vicksburg heretofore.  Also, just received, a fine assortment of plain and enamelled lockets of a superior quality, which can be sold with miniatures inserted cheaper than the lockets can be bought elsewhere.

We have several copies of the “Greek Slave,” taken full length, which are pronounced by the owner of the Slave the best copies that have ever been taken.  Persons wishing copies will please call and select them, as we have a great many engaged.  Perfect satisfaction given , or no charges made.

Rooms over Messrs. Brown & Johnston’s, opposite the Post Office.

Advertisement was recorded 10 times between June 5 to July 10, 1851.

1851 June 25.  The Natchez Weekly Courier.  (Natchez, Mississippi.) June 25, 1851, Vol. XXII, No. 27, P. 3.

Dissolution.  The copartnership heretofore existing in the Daguerreotype business, in Vicksburg, and in Natches, under the firm of Gibbs & Gurney, has been dissolved by mutual consent.

All outstanding business of the old firm will be settled by the Messrs. Gurney, and by whom all

Debts due it will be received.  M. R. Gibbs; M. J. Gurney; H. D. Gurney.  Vicksburg, June 28, 1851.

Notice.—The Daguerrean Gallery in Natchez, will be hereafter conducted by the undersigned, under the firm of M. J. & H. D. Gurney.  A continuance of the favor heretofore shown to the old establishment is respectfully requested.  M. J. Gurney, H. D. Gurney.

1851 July 1.  Vicksburg Tri-Weekly Sentinel.  (Vicksburg, Mississippi.)  July 1, 1851, Vol. XIV, No. 119, P. 2.

Vicksburg Daguerrean Gallery.  Mr. Gibbs, has returned to Vicksburg, and having dissolved partnership with Messrs. Gurneys, will remain here where he can always be found at his gallery over Brown & Johnston’s and having the finest skylight operating room that can be produced in this county, he pledges himself to give entire satisfaction to all who may favor him with a call.  He has just received fron New York, a fine assortment of the latest styles cases, and frames which will be sold on more reasonable terms than ever offered before in Vicksburg, call before the last of July, as his gallery will be closed for several months.

Advertisement was recorded nine times between July 1 to August 6, 1851.

1851 July 2.  The Natchez Weekly Courier.  (Natchez, Mississippi.) July 2, 1851,

Vol. XXII, No. 28, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave; also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded thirteen times between July 2 to November 19, 1851.

1851 July 12.  Concordia Intelligencer.  (Vidalia, Louisiana.)  July 12, 1851, Vol. X, No. 51, P. 3.

Dissolution.  The copartnership heretofore existing in the Daguerreotype business, in Vicksburg, and in Natches, under the firm of Gibbs & Gurney, has been dissolved by mutual consent.

All outstanding business of the old firm will be settled by the Messrs. Gurney, and by whom all

Debts due it will be received.  M. R. Gibbs; M. J. Gurney; H. D. Gurney.  Vicksburg, June 28, 1851.

Notice.—The Daguerrean Gallery in Natchez, will be hereafter conducted by the undersigned, under the firm of M. J. & H. D. Gurney.  A continuance of the favor heretofore shown to the old establishment is respectfully requested.  M. J. Gurney, H. D. Gurney.

Advertisement ran from July 12 to August 16, 1851.

1851 September 6.  Concordia Intelligencer.  (Vidalia, Louisiana.)  September 6, 1851, Vol. XI, No. 7, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South, they have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, &c.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

All Pictures taken over at any the time free of charge.

Full size copies of Powers’ Greek Slave; also, copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late and important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement ran from September 6, 1851 to September 4, 1852.

1851 December 24.  The Natchez Weekly Courier.  (Natchez, Mississippi.) December 24, 1851, Vol. XXIII, No. 1, P. 3.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Gallery.  Messrs. M. J. & H. D. Gurney, are now taking finer daguerreotypes than have ever been heretofore produced in this section of country.  By late improvements they are enabled to produce pictures of the most beautiful tone and brilliancy.

They have just received from New York, a fine assortment of Daguerreotype materials, embracing Gold Lockets, Breast Pins, Signet Rings, all of the finest quality, which they offer on the most reasonable terms.

The pictures now taken needs no praise; they exhibit to the life the true original.  Pictures of all sizes executed in the neatest manner.  Ladies and gentlemen are invited to call and examine their late specimens.

Instruction given to pupils, with the latest improvements in the art.

Rooms on the corner of Main and Commerce streets, over Leahy’s China Store—entrance on Commerce street.

Advertisement was recorded twice on December 21, 1851 and April 21, 1852.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 2.

Messrs. Johnson and Gurney daguerreotypist, have taken rooms at the Odd-Fellows’ building, for the purpose of “practicing the daguerrean art in all its minutiae.”  The specimens of their work, which may be seen at the entrance to their rooms, are highly finished and beautiful.  See their card in another column.

1852 April 3.  The Planters’ Banner.  (Franklin, Louisiana.)  April 3, 1852, Vol. XVII, No. 12, P. 3.

Mr. Johnson, The Oldest Daguerreotypist now living, and Mr. Gurney, of the firm Gibbs & Gurney, of Vicksburg and Natchez, Miss., have opened a room in the Odd-Fellows’ Hall, at Franklin, where they will remain a short time, for the purpose of practicing the Daguerrean Art in all its minutiae. 

Mr. Johnson is a pioneer in the business, has practiced the Art ever since its introduction into the United States, and is acknowledged by Root, Brady, Plumb and Hill, of New York, and Jacobs, Maguire and Moissenett, of New Orleans, to be the best artist now living in America, as almost all of the above artist have received their instructions direct from him.

We have a beautiful variety of Cases and Lockets of all descriptions, namely—Parodi Cases, Kossuth Cases, Jenny Lind Cases, Catharine Hayes, Eareka Cases, Bridal Cases, Breast Pins, &c. 

The Citizens of Franklin and its Vicinity are invited to call and examine our specimens .

Perfect satisfaction given, or no charge made.

N. B.—A rare chance is now offered for obtaining instructions in this beautiful Art, direct from Mr. Johnson.            Charles E. Johnson.  M. J. Gurney.  Franklin, April 3, 1852.

Advertisement ran from April 3 to 24, 1852.

1852 April 10.  The Planters’ Banner.  (Franklin, Louisiana.)  April 10, 1852, Vol. XVII, No. 13, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, are making admirable pictures at their rooms, in the Odd Fellows’ building.

1852 April 17.  The Planters’ Banner.  (Franklin, Louisiana.)  April 17, 1852, Vol. XVII, No. 14, P. 2.

Messrs. Johnson & Gurney Daguerreotypist, will only remain at their rooms in the Odd Fellows’ building a few days longer.  Those needing pictures had better make an early call.

1852 May 1.  The Planters’ Banner.  (Franklin, Louisiana.)  May 1, 1852, Vol. XVII, No. 16, P. 2.

The Daguerrean Art.

“In framing artists, Art hath thus decreed,

To make some good, but others to succeed.”

Whoever will give themselves the pleasure to visit Mr. Gurney’s Daguerrean Gallery, in the Odd-Fellows’ Hall, will see there some most beautiful specimens of that surprising art which so perfectly realizes those lines of Burns, so often quoted—

“O wad some power the giftie gie us

To see oursels as others see us!”

And it may be doubted, if they make the visit, whether they will be found sufficiently indifferent to those charms which are

“More than painting can express.

Or Youthful poets fancy when they love!”

but which can only be transcribed by the nimble pencil of the sun, as to be able to withdraw before challenging the combined efforts of nature and art, to sketch their own dear portraiture!  Try the experiment, fair reader—or you, ye ruder swains: and if you do not seat yourself before Mr. Gurney’s camera ere you leave the gallery it will be because you have never been able to look into your mirror with any degree of satisfaction; but if you once do sit, depends upon it you will form a better estimate of your own beauty than you have ever been able to derive from the flattering compliments of your most partial admirers.  You had better call soon, for Mr. Gurney intends to take his departure from our town next week, sure!

1852 May 8.  The Planters’ Banner.  (Franklin, Louisiana.)  May 8, 1852, Vol. XVII, No. 17, P. 2.

This week we have witnessed some beautiful specimens of the Daguerrean Art, emanating from the hands of Mr. Gurney, of Union Hall, among which not the least beautiful of his pictures is that of our humble self!  Start not, gentle reader!—we mean the plate, which in truth far surpasses the original, and that is saying a good deal.  Call and see it, and you will admit that Mr. Gurney has obtained complete mastery of the art; for his good-nature not only dispels all traces of anxiety and care, but lights up the countenance and throws a thousand little fascinations into “the human face divine” during the operation.  There is more in this than many persons are aware of, for the countenance should then wear its most pleasing aspect, and the want of such expression in the picture is too often visited in the artist, when the fault is not his, but our own.

1852 September 1.  The Natchez Weekly Courier.  (Natchez, Mississippi.) September 1, 1852, Vol. XXIII, No. 37, P. 1.

Messrs. Gurney & Co. Would take this opportunity to inform the public, that owing to the very liberal patronage they have received from the citizens of Natches, and the increasing demand for their new style of Daguerreotypes, their gallery will be kept open during the summer months, and will be attended by one of the firm.

Their assortment of stock is complete, comprising everything in their line of business.

They have lately introduced a new style of finishing pictures, which is universally admired.

Our motto has been “perfect satisfaction or no charges;” we extend the same, and solicit in return a continuation of the same liberal patronage heretofore extended to us.

1852 September 4.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  September 4, 1852, Vol. XII, No. 7, P.2.

M. J. & H. D. Gurney’s Sky-Light Daguerrean Portrait Gallery.  Messrs. M. J. & H. D. Gurney, have now the finest operating Room in the South.  They have so adjusted their Sky-Light as to give the most beautiful shading, softness and strength of tone to their pictures.

Persons visiting their Gallery cannot fail to be pleased.  They have on hand and are constantly receiving from New Orleans and Cincinnati the finest assortment of Frames, Pearl Cases, Gold Lockets, etc.

Their Gallery needs no praise—the pictures speak for themselves.

Likenesses of Children taken to perfection.

Pictures and Paintings of all kinds copied satisfactorily or no charge made.

Having permanently located themselves in Natchez they have spared no pains or expense to secure the ease and comfort of those visiting their Gallery.

Full size copies of Powers’ Greek Slave; also copies of Jenny Lind, can be obtained at their Gallery.

Persons wishing to learn the Daguerrean Art in all its minutia, cannot avail themselves of a better opportunity, as these artists have all the late important improvements in Daguerreotyping, and are amply prepared to make their pupils as good operatives as themselves.

Rooms on the corner of Main and Commerce streets, over Leahy’s China store—entrance on Commerce street.

Advertisement ran from September 4, 1852 to April 16, 1853.

1852 October 6.  Mississippi Free Trader.  (Natchez, Mississippi.) October 6, 1852, Vol. XVIII, No. 7, P. 2.

Gurney’s Daguerrean Gallery.—The Messrs. Gurney, as will be seen by their card, have just returned from the North with a large stock, and are prepared to execute miniatures in the highest style of the art.  The “golden halo” is certainly a most beautiful improvement.

1852 October 6.  Mississippi Free Trader.  (Natchez, Mississippi.) October 6, 1852, Vol. XVIII, No. 7, P. 3.

Gurney’s Picture Gallery, Corner of Main and Commerce streets.—Messrs. Gurney, have just returned from the North with a large stock, and are now prepared to execute Miniatures on the most improved principles in a style second to none in the country.

The Pictures taken at their Gallery were pronounced by such Artists as Hawkins, Fontwyne, [sic.] and Porter, of Cincinnati, (which place is the emporium of Daguerreotyping in the United States,) to be superior to any [taken] in that city; and their new style of Golden Halo Daguerreotypes were spoken of in the city papers, as the very acme of Daguerreotyping.

They have brought down a large instruments of the best brand that is made, and are prepared to take them almost as large as life.

Persons dissatisfied with pictures will not be compelled to take them—in which case no charge will be made.

Any pictures taken from the Gallery will be considered as sold, and will not be retaken, unless

for an additional charge, as it wastes the silver plate with no remuneration.

All cash orders for stock, filled with dispatch.  Instruction given in the Art, and all the necessary apparatus furnished for $200.

P. S. They have brought down a Reflector, for taking Views and Residences natural, and they would be happy to execute any orders in that line.

Advertisement was recorded twice on October 6 & 13, 1852.

1852 October 20.  The Natchez Weekly Courier.  (Natchez, Mississippi.) October 20, 1852, Vol. XXIII, No. 44, P. 3.

Gurney’s Picture Gallery, Corner of Main and Commerce streets.—Messrs. Gurney, have just returned from the North with a large stock, and are now prepared to execute Miniatures on the most improved principal, in a style second to none in the country.

The Pictures taken at their Gallery were pronounced by such Artists as Hawkins, Fontwyne, [sic.] and Porter, of Cincinnati, (which place is the emporium of Daguerreotyping in the United States,) to be superior to any taken in that city; and their new style of Golden Halo Daguerreotypes were spoken of in the city papers, as the very acme of Daguerreotyping.

They have brought down a large instruments of the best brand that is made, and are prepared to take them almost as large as life.

Persons dissatisfied with pictures will not be compelled to take them—in which case no charge will be made.

Any pictures taken from the Gallery will be considered as sold, and will not be retaken, unless for an additional charge, as it wastes the silver plate with no remuneration.

All cash orders for stock, filled with dispatch.  Instruction given in the Art, and all the necessary apparatus furnished for $200.

P. S. They have brought down a Reflector, for taking Views and Residences natural, and they would be happy to execute any orders in that line.

Advertisement was recorded eight times between October 20, 1852 to June 22, 1853.

1852 January 12.  Mississippi Free Trader.  (Natchez, Mississippi.) January 12, 1852, Vol. XVIII, No. 21, P. 3.

To all whom it may concern.  Persons knowing themselves to be indebted to Messrs. Gurney for Daguerreotypes, will confer a favor by calling at their Gallery and settling their bills.  M. J. & H. D. Gurney.

1853 January 12.  The Natchez Weekly Courier.  (Natchez, Mississippi.) January 12, 1853, Vol. XXIV, No. 4, P. 3.

To all whom it may concern.  Persons knowing themselves to be indebted to Messrs. Gurney for Daguerreotypes, will confer a favor by calling at their Gallery and settling their bills.  M. J. & H. D. Gurney.

1853 February 16.  Mississippi Free Trader.  (Natchez, Mississippi.) February 16, 1853, Vol. XVIII, No. 26, P. 1.

Gurney’s.—We spent a pleasant hour a few days since at Gurney’s Daguerrean Rooms, on Commerce street, looking over his specimens.

Mr. Gurney’s pictures are not surpassed by any [we] have ever seen for fidelity of resemblance, or [beauty] and style of finish.  He is an accomplished [artist] who thoroughly and scientifically understands his art, and takes a just professional pride [of] executing every picture in the very highest [and] most perfect and beautiful style.

1853 February 23.  Mississippi Free Trader.  (Natchez, Mississippi.) February 23, 1853, Vol. XVIII, No. 27, P. 2.

Washington’s Birth-Day.—A military and civic soiree, we learn, will be given on Tuesday evening at the City Hall.  We have no doubt it will be a delightful affair.

We are requested to state that tickets can be procured on application to S. F. Power, M. J. Gurney, Jno. Abbott and at Warner’s Book Store.

1853 April 6.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 6, 1853,

Vol. XXIV, No. 16, P. 1.

Daguerrean Gallery.  Mr. Hillyer—Dear Sir:  I have been in your city but a short time, and am, of course, much pleased.  Among other objects to please the senses, I may mention the Daguerrean rooms of Messrs. Gurney, opposite the agricultural Bank.  They are certainly fitted up in fine style—indeed, unsurpassed by any I have seen in the South.  They have all the latestimprovements of the art.  Never before to-day, did I think myself handsome.  Happening in the Gallery, I could not well resist the temptation to have my face transferred to plat, which was done in ten seconds in splendid style.  The first picture was life-like; but the second—Oh! the second! That was the one that capped the climax.  The artist found some fault with the first, and insisted on taking the second; which was really nonpareil.  After the fine parlor, with its pianos and melodeon, as well as some fine specimens of art, and been scrutinized, your scribbler was ushered into the transferring room, where a queer looking wheclish (sic.) concern prepared the plate.  After this operation, the vapor of the hydrargum was administered; then the rubbing and the powering, and penciling had to be done, and then was done in a trice, your scribbler.

As I am not a citizen of your beautiful town, it might be that my word will not have that weightthat a citizen’s would; but I would say to all, follow the example of.  Scribbler.

P. S.  The artist know not of this composition.

1853 April 23.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  April 23, 1853, Vol. XII, No. 40, P.2.

The Adams Light Guard.  This fine soldierly corps, under command of Capt. Robert Clark, with forty-six rank and file, celebrated their anniversary on Monday, the 18th inst., with unusual eclat and military bearing.  Among their invited guests were Messrs. Thomas Meagher, the exiled Irish patriot, and his associate fellow sufferer in Ireland, Joseph Brennan, Esq.  The first consented, at the request of the company, to deliver the prizes, which he did gracefully, accompanied by a speech. 

The company target was a “used up man,” having within its face ninety-nine musket-balls out of 136 shots.

The dinner was taken by the various messes and their guests in the tents.  That splendid Daguerrean artist, Gurney, was present with his powerful apparatus, and took many views of the full company under arms, in column, in platoon, in line and en echelon.

The following gentlemen of the Light Guard took the target prizes:

1.  John M. Ault, a Silver Cup.

2.  J. Frantz, a company Daguerreotype.

3.  Henry Mingee, a silver Cup.

1853 May 5.  The Planters’ Banner.  (Franklin, Louisiana.)  May 5, 1853, Vol. XVIII, No. 17, P. 2.

Mr. Gurney, the Daguerrean Artist, is making a professional visit to Pattersonville, which will necessarily be short, as his time is limited; those therefore, who need his services should not procrastinate.

1853 June 11.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  June 11, 1853, Vol. IX, No. 27, P. 4.

Now Is The Time!  Mr. Gurney, of Natchez, Miss., would respectfully announce to the Ladies and Gentlemen of Thibodaux and vicinity that he has opened a Gallery, over the Store of Messrs. Badeaux & Bruff,—Main street near Jackson—for the purpose of practicing the beautiful Art of Daguerreotyping.

His pictures are pronounced by distinguished savans to be superior to any taken in the Southern country, and his Golden Halo Daguerreotypes were pronounced by such artist as Fontayne & Porter, Farris and Hawkins, of Cincinnati, to be superior to any taken in that city, and were spoken of in the Cincinnati Nonpareil and the Daily Citizen as the very Acme of Daguerreotyping!

He respectfully solicits the Ladies and Gentlemen of this community to call and give him a sitting, free of charge, and test his merits as an artist.  His variety of stock is complete, embracing everything in the line.

Likenesses of Children taken to perfection.  Perfect satisfaction given or no charge made.

Mr. Gurney’s stay in town will be limited to a week or ten days, and those who wish to secure a good and life-like likeness of themselves, will confer a favor by calling soon.

Advertisement ran from June 11 to 25, 1853.

1854 April 26.  The Natchez Weekly Courier.  (Natchez, Mississippi.) April 26, 1854, Vol.

XXV, No. 19, P. 1.

The parade at the Adams’ Light Guard anniversary was everything that good have been

expected; the day delightful, and the target-shooting good.  The first prize was won by M. J.

Gurney for the best three shots, and the second prize by Mr. H. J. Stier, for the best single shot.

1854 October 18.  The Natchez Weekly Courier.  (Natchez, Mississippi.) October 18, 1854, Vol.

XXV, No. 44, P. 3.

Our friend Gurney called us into his splendid Daguerrean Gallery yesterday, and showed us a

portrait he had just taken of our distinguished fellow citizen, Col. Adam L. Bingaman, and we

must say it was one of the most perfect likenesses we ever saw.  We observed, also, portraits of

Gen, Quitman, and John S. Thrasher, Esq., lately taken.  Gurney is a “trump,” and as an artist, is not to be surpassed.  If, on visiting his Gallery, you don’t sit down and have your countenance transferred to a “plate,” and encased, why, then,—–we’re mistaken.

1854 December 8.  The Concordia Intelligencer.  (Vidalia, Louisiana.)  December 8, 1854, Vol. XIV, No. 19, P.2.

M. & J. Gurney’s Daguerrean Gallery, Corner of Main and Commerce sts., (Entrance on Main st.,) Natchez, Miss.  The Messrs. Gurney, being determined not to be surpassed in their profession by any artist either North or South, have fitted up their Gallery in a style second to none in the country.

One of the firm has just returned from New York with all the latest improvements in the art, together with a large and most choice selection of Daguerreotype Material which cannot fail to please the most fastidious taste.

Those wishing Pictures and those not wishing Pictures; the fair, the handsome, the ugly, (all can be suited,) and particularly the ladies, are respectfully requested to call and examine their unique style of Pictures, Cases, Gold Lockets, &c.  Stock of all kinds furnished to the trade.

Instructions given in the art, with apparatus, for $200.

Rooms open from 8 o’clock, A. M. till 5 o’clock, P. M.  Terms Cash.

Advertisement was recorded five times between December 8, 1854 to October 26, 1855.

1854 December 23.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  December 23, 1854, Vol. X, No. 1, P. 2.

Photographers.—Gurney, that excellent Daguerreotypist who visited us about eighteen months ago, is again in town.  His rooms are over the store of Badeaux & Bruff, Main street.  Crafts is also here, and has taken rooms over the Postoffice, on Market Street

1855 January 6.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 6, 1855, Vol. X, No. 3, P. 2.

Shadows.—If there be any among our patrons and readers who are admires of themselves, we would urge them to call on Gurney and obtain one of his exquisite daguerreotypes—which cannot be excelled.  Just pop in and admire that life-like stereoscope of R. G. Darden which resembles him more than he resembles himself.  It should be seen to be appreciated and admired.  Don’t forget his rooms over the store of Badeaux & Bruff, corner of Main and Focus Streets.  Our Terrebonne friends can be accommodated nearer home, as Mr. Richardson, Gurney’s partner, has opened a saloon in Houma, where he will be happy to supply those who may favor him with a call, at a trifling expense.

1855 January 13.  Thibodaux Minerva.  (Thibodaux, Louisiana.)  January 13, 1855, Vol. X, No. 4, P. 2.

Gurney wishes us to signify to our readers, especially those who may wish a good likeness of themselves, that he will close his gallery on Saturday next, the 20th inst. So “Come along, come along, make no delay.”

1856  February 1.  Natchez Daily Courier.  (Natchez, Mississippi.)  February 1, 1856, Vol. IV, No. 88, P. 1.

Great Attraction at Gurney’s Gallery, Corner of Main and Commerce streets, Natchez.  Messrs. Gurney are now making a new style of Picture called The Ambrotype.

These Pictures are taken on polished glass, and possess great advantages over the best Daguerreotypes, viz: They can be seen in any light; the delineations are much finer and more distinct, are not reversed, as a Daguerreotype, and will never fade.

They have engaged Mr. Charles H. Erwin, from the best Photographic establishment in the North, who will attend to that branch of their business, and they invite the public to examine their specimens and judge for themselves.  Persons having Daguerreotypes of deceased friends can have them enlarged to any size they wish and colored in oil or water colors, as they may wish.  The advantage of a permanent Gallery over an itinerant one, is obvious to every one.

Our arrangements are complete for furnishing Likenesses of all sizes, and colored by the first master of the art, and in any style desired, at New York prices.

Likenesses of Children can be taken by the Ambrotype process almost instantaneously.  dec5.

Advertisement was recorded four times between February 1 to 12, 1856.

1856 May 16.  American Banner.  (Yazoo City, Mississippi.)  May 16, 1856, Vol. 1, No. 52, P. 3.

Ambrotypes.—Mr. Gurney, the accomplished Ambrotype artist, has arrived in our city as will be seen by reference to our advertising columns.  We have seen some specimens of his work and the are beautiful, beautiful.  This new art will eclipse the Daguerrean altogether.  Call and see Mr. Gurney and his pictures at his rooms.

1856 May 16.  American Banner.  (Yazoo City, Mississippi.)  May 16, 1856, Vol. 1, No. 52, P. 3.

Ambrotypes.  Read!  Read!!  Read!!!  Those wishing one of Gurney’s world renowned pictures will call at the earliest opportunity, as his stay in Yazoo City, is only limited to two weeks.

With his Mammoth Instrument impressions are obtained that astonish even the initiated in the Photographic art.  

Gurney has no rival in taking the immortal never fading Ambrotype.

Pictures taken in all kinds of weather from one to ten seconds.  Ladies and Gentlemen are respectfully invited to call and examine his work.

Instruction given in the art.

Rooms in the Odd Fellows Hall, over Mr. Wilson Jewelry store.

1856 May 23.  American Banner.  (Yazoo City, Mississippi.)  May 23, 1856, Vol. 2, No. 1, P. 3.

Ambrotypes.  Gurney will remain a Few Days Longer Only in Yazoo City by special request, to give those from the country an opportunity to secure one oh his inimitable, unapproachable, never fading ambrotype pictures.

Pressing engagements must hasten his departure.

Rooms in the old Odd Fellows Hall, over Mr. Wilson’s Jewelry store.

Advertisement ran from May 23 to June 6, 1856.

1856 May 23.  The Weekly American Banner.  (Yazoo City, Mississippi.)  May 23, 1856, Vol. 2, No. 1, P. 3.

Ambrotypes.  Gurney will remain Eight Days Longer Only in Yazoo City to give those from the country an opportunity to secure one of his inimitable, unapproachable, never fading ambrotype Pictures.

Pressing engagements must hasten his departure.

Rooms in the Odd Fellows Hall, over Mr. Wilson’s Jewelry store.  Yazoo City May 21, 1856.

Advertisement ran from May 23 to 30, 1856.

1857  November 3.  Natchez Daily Courier.  (Natchez, Mississippi.)  November 3, 1857, Vol. VI, No. 26, P. 2.

Gurney Has Just Returned From The North after an absence of four months, with the largest and finest stock of Photographic material ever brought to a Southern market.  He had a large mammoth Camera made expressly for himself—the largest in America—and a perfect gem in optics; its capacity is sufficient to take a natural size head, and perfectly sharp in every detail.  His rooms have been fitted up anew this summer without regard to expense, making it now the finest furnished Gallery in America, and the universal expression of all of our citizens traveling North the past summer, has been that the best pictures found in New York, did not begin to compare with Gurney’s of Natchez; and some of his Ambrotypes that were taken to Europe this past summer were pronounced by such artists as Claudet and Kilburn, the great photographers of Europe, to far surpass anything made on that continent, where the immortal Daguerre first proclaimed to the world that a crystalized bromoidodized (sic.) silver plate, exposed to the fumes of hydrurgum, (sic.) would develop a duplicate of the original, in all its ramifications.

He is about to introduce a new style of colored pictures called Chromograph, it is colored in oil is finer in texture than an ivory miniature; it is impossible to lose a shade of the likeness: is as durable as an oil painting can be, and will come much cheaper than the regular oil colored Photograph.

All kinds of stock furnished to the trade. 

Advertisement was recorded on November 3 to 19, 1857.

1857  November 10.  The Natchez Weekly Courier.  (Natchez, Mississippi.)  November 10, 1857, Vol. XXVIII, No. 49, P. 3.

Gurney Has Just Returned From The North after an absence of four months, with the largest and finest stock of Photographic material ever brought to a Southern market.  He had a large mammoth Camera made expressly for himself—the largest in America—and a perfect gem in optics; its capacity is sufficient to take a natural size head, and perfectly sharp in every detail.  His rooms have been fitted up anew this summer without regard to expense, making it now the finest furnished Gallery in America, and the universal expression of all of our citizens traveling North the past summer, has been that the best pictures found in New York, did not begin to compare with Gurney’s of Natchez; and some of his Ambrotypes that were taken to Europe this past summer were pronounced by such artists as Claudet and Kilburn, the great photographers of Europe, to far surpass anything made on that continent, where the immortal Daguerre first proclaimed to the world that a crystalized bromoidodized (sic.) silver plate, exposed to the fumes of hydrurgum, (sic.) would develop a duplicate of the original, in all its ramifications.

He is about to introduce a new style of colored pictures called Chromograph, it is colored in oil is finer in texture than an ivory miniature; it is impossible to lose a shade of the likeness: is as durable as an oil painting can be, and will come much cheaper than the regular oil colored Photograph.

All kinds of stock furnished to the trade. 

Advertisement was recorded on November 10 to December 2, 1857.

1858  November 24.  The Natchez Weekly Courier.  (Natchez, Mississippi.)  November 24, 1858, Vol. XXIX, No. 50, P. 2.

List of Interments in the City of Natchez from Aug. 8, 1858 to Nov. 20, 1858.  (The following are abbreviations—Y. F., yellow fever—S. H., State Hospital—M. H., Marine Hospital—U. H., under the hill.)…

November 13—Marsh J. Gurney, age 30, Y. F.

[1] Right side of article is out of focus due to it being photographed in the gutter of the page.

Griffin, Lewis V.

Ambrotypes, Daguerreotypes, Photographs, Stereoviews, , , , , , , , ,

1850-1851       Main Street, over J. D. Crank’s Store, Geneseo, New York.

1851-1853       Main Street, opposite Republican Office, Geneseo, New York.

1853-1857       79 Main Street, Rochester, New York.

1859                Address Unknown, Rochester, New York.

1850 February 14.  Livingston Republican.  (Geneseo, New York.)  February 14, 1850, Vol. XIII, No. 24, Whole No. 648, New Series—Vol. 1, No. 8, P. 3.

Daguerreotypes!  Messrs. Griffin & Whyland would respectfully announce to the citizens of Geneseo and vicinity, that they have fitted up the rooms over store of J. D. Crank, Main Street, where they will be ready at any time to accommodate the public with Miniatures, which are seldom equaled for beauty of tone and brilliant luster, and the “Eyes” we never fail in producing them equally as plain and bright as those of the original.  Having spent much time in the study and practice of the art, and also in obtaining the latest improvements, they feel perfectly confident that their specimens will compare with any hitherto produced.  A good assortment of stock on hand at all times.  Every variety of Cases—Single, Double, Plain Morocco, Turkey hoend, fancy Gilt and embossed.

Frames—Rosewood, Mahogany, Rough and Ready, Single or in Groups.

Lockets—All sizes, single, double, and glass fronts. 

Miniature Pins and Rings.

Warranted instructions given to any who are otherwise qualified for the business, and free access to all books and papers connected with the art.  Apparatus and stock furnished if desired.

Miniatures taken in all kinds of weather.

Ladies and gentlemen are requested to examine and sit for specimens.

Advertisement ran from February 14 to August 15, 1850.

1850 August 22.  Livingston Republican.  (Geneseo, New York.)  August 22, 1850, Vol. XIII, No. 51, Whole No. 675, New Series—Vol. 1, No. 36, P. 3.

Daguerreotypes!  Messrs. Griffin & Whyland would respectfully announce to the citizens of Geneseo and vicinity, that they have fitted up the rooms over store of J. D. Crank, Main Street, where they will be ready at any time to accommodate the public with Miniatures, which are seldom equaled for beauty of tone and brilliant luster, and the “Eyes” we never fail in producing them equally as plain and bright as those of the original.  Having spent much time in the study and practice of the art, and also in obtaining the latest improvements, they feel perfectly confident that their specimens will compare with any hitherto produced.  A good assortment of stock on hand at all times.  Every variety of Cases—Single, Double, Plain Morocco, Turkey hoend, fancy Gilt and embossed.

Frames—Rosewood, Mahogany, Rough and Ready, Single or in Groups.

Lockets—All sizes, single, double, and glass fronts. 

Miniature Pins and Rings.

Warranted instructions given to any who are otherwise qualified for the business, and free access to all books and papers connected with the art.  Apparatus and stock furnished if desired.

Miniatures taken in all kinds of weather.

Ladies and gentlemen are requested to examine and sit for specimens.

Advertisement ran from August 22, 1850 to December 5, 1850.

1851 July 25.  Livingston Republican.  (Geneseo, New York.)  July 25, 1851, Vol. XIV, No. 46, Whole No. 723, New Series—Vol. 2, No. 31, P. 3.

Daguerreotypes Taken in all kinds of weather at Griffin’s Rooms, opposite the Post Office, Main Street, by entire transmitted light, which produces the most beautiful blending of light and shade, ever discovered in any Daguerreotype process.  The room is darkened, so as to exclude all reflected light, thereby enabling any with the weakest eyes to sit from 15 to 45 seconds with perfect ease.  No pains spared in giving the [      ] and most graceful position and no charges, unless satisfactory.  Every quality, size and kind of Frames, cases nd Lockets, Chemicals Apparatus and Stock furnished to Operators as cheap as can be purchased West of New York.  Any one desirous of engaging in this art would do well to call here for their apparatus and instructions, which will be warranted in all cases.  Miniatures taken with the improved magic background, something new and beautiful.  Call and See.  Geneseo, May 9, 1851.

Advertisement ran from July 25, 1851 to April 15, 1852.

1852 April 8.  Livingston Republican.  (Geneseo, New York.)  April 8, 1852, Vol. XV, No. 31, Whole No. 760, New Series—Vol. 3, No. 16, P. 3.

Skylight Daguerreotype Gallery.  Five Rooms arranged expressly for the business.  Griffin has removed to Crank’s New Block, opposite the Republican office, Main street, where he has the advantage of Sky and Side Light, superior to any ever arranged in this country Now look out Quacks.  We are bound to take better Miniatures than can be taken in any “Cart” that travels, and cheaper than ever.  Only think, a nice Daguerreotype put up in a neat Morocco bound case, for the extraordinary low price of only One Dollar!  Instructions given in the art, and Apparatus and Stock furnished, if desired.  A long experience and close observation has enabled us to understand the theory and practical part in every particular, and we are now prepared to produce the Half, or Natural Tints, a shade so much desired and perfected by our best portrait painters.

Explanations of the process given to any capable of understanding, free of charge, when time will admit.

Rooms open at all hours of the day.  Small [   ?  ] of humanity taken in the twinkling of an eye, and no pains spared in giving the easiest and most graceful position in all cases.

Advertisement ran from April8, 1852 to June 16, 1853.

1852 December 23.  Livingston Republican.  (Geneseo, New York.)  December 23, 1852, New Series—Vol. IV, No. 1, Whole No. 797, P. 1.

L. V. Griffin, Daguerreotypist.—Rooms opposite the Republican, Main Street, Geneseo, N. Y. Look inside this paper for Advertisement.

Advertisement ran from December 23, 1852 to October 13, 1853.

1852 December 30.  Livingston Republican.  (Geneseo, New York.)  December 30, 1852, New Series—Vol. IV, No. 2, Whole No. 798, P. 2.

As it is expected that every one will be favored with some present on New Year’s day, the question is often a difficult one to some, what that present shall be.  Now let us make a suggestion.  Death, with his ever-moving and tireless sickle is constantly on his round, removing the loved ones from the place they now occupy, and what can be more appropriate or what would be received with more grateful emotions, than a likeness of a friend or relative?  Griffin is fully prepared to supply all calls, and in doing so, will give you a picture that cannot be excelled by any one.  A likeness to be of any value, should be correct—a faithful reflex of the “human face divine,” and such a one you can have by giving him a call.  His assortment of cases, frames, lockets, &c., is very large, embracing some of the most elegant patterns and styles we have ever seen, from one dollar to almost any price you may desire.  Mr. G. is a thorough artist, and gives his pictures a life-like appearance, and tone of finish, we have never seen equaled.

1853 June 2.  Livingston Republican.  (Geneseo, New York.)  June 2, 1853, New Series—Vol. IV, No. 24, Whole No. 820, P. 3.

Daguerreotypes!  Griffin still remains in town, ready at a moment’s notice to transfer your shadow upon the imperishable plate of silver.  The whole process accelerated and the impression made completely perfect by the aid of that almost indispensable apparatus, the Galvanic [Hartlery] A large size Camera has been lately added with a Condenser and Metallic Reflector.  Those wishing views of Dwellings, Landscapes, or Family Groups, with dense foliage for the back ground can be accommodated at their place of residence, if desired.

By using the above apparatus every object appears in its true position the revered order as is the case with Common Camera is with the above arrangement completely avoided.  We have taken some beautiful proofs which receive the admiration of all—Nature’s own copy of Nature’s work.  A large assortment of every size and quality of Frames, cases, and Lockets, of the best workmanship, on hand at all times.

We would suggest an idea to the public—You that have aged relatives and wish to perpetuate their memory by the aid of this art, should improve the warm pleasant weather of summer.  Do not wait for a more favorable opportunity.  The “old pioneers” are dropping off like the withered leaves of autumn, and you are left at hardly a moment’s notice, without a shadow of their former existence.                                                              

Advertisement ran from June 2 to October 6. 1853.

1853 October 6.  Livingston Republican.  (Geneseo, New York.)  October 6, 1853, New Series—Vol. IV, No. 42, Whole No. 830, P. 3.

Sky-Light Daguerreotype Gallery.  New Arrangements.  S. C. Wright, (Of Syracuse,) Would Respectfully inform the citizens of Geneseo and vicinity, that he has purchased the entire interest and establishment of L. V. Griffin, where he will continue the business, and hopes by strict attention, to merit the liberal patronage hitherto bestowed and will ensure complete satisfaction to ……unreadable.

Advertisement ran from October 6 to November 10, 1853.

1853 October 10.  Rochester Daily American.  (Rochester, New York.)  October 10, 1853, Vol. 9, No. 240, P. 2.

Daguerreotyping—Mr. L. V. Griffin, who has been successfully engaged in business as a daguerreotype artist at Genesco, and to whom, as we noticed by the Livingston Republican, premiums were awarded at the recent Fair in that county, has disposed of his business there to a daguerreotypist from Syracuse, and removed to this city, where he goes into business with Mr. E. M. Whitney whose name in this department of art, is his sufficient eulogy.  Messrs. Whitney & Griffins have opened an establishment in the Crystal Palace Block, Main st., just east of the Blossom Hotel, which will be under the immediate supervision of Mr. G. while Mr. W. will continue in charge of his rooms in Gould’s Block.

1853 October 24.  Rochester Daily American.  (Rochester, New York.)  October 24, 1853, Vol. 9, No. 252, P. 2.

New Daguerreotype Gallery.  Whitney, Denny & Griffin, Crystal Palace Block, 79 Main Street.  In calling the attention of the citizens of Rochester and vicinity to this new establishment, we would respectfully inform them that this suit of Rooms has been built expressly to our order—and alter an experience of some years in the business, we hazard nothing in styling this a Model Daguerrean Gallery, The Operating Room and Sky Light the largest in the State.

It will be our aim to sustain the reputation already acquired for producing the Best Daguerreotypes, and for which we have received several Premiums.

All are invited to call at the Crystal Palace Gallery.

Advertisement ran from October 24, 1853 to June 3, 1854.

1853 October 25.  Rochester Daily American.  (Rochester, New York.)  October 25, 1853, Vol. 9, No. 253, P. 2.

The New Daguerreotype Gallery of Messrs. Whitney, Denny & Griffin in the Crystal Palace Building, No. 79 Main st., has just been provided with the largest sky-light, which affords remarkable advantages for the daguerrean process.

1854 February 25.  Rochester Daily American.  (Rochester, New York.)  February 25, 1854, Vol. 10, No. 48, P. 2.

Daguerreotype.—We saw yesterday a superb whole size daguerreotype of Sheriff C. B. Woodworth, taken by Mr. Griffin of the Crystal Palace Daguerrian Rooms.  It is one of the strongest and best pictures we have ever seen.  It seems to stand out from the plate as if in relief.  This is a fair sample of the work turned out by Griffin, who is rapidly gaining the name and merit of rare excellence.  His rooms are favorably located for business, of which he is drawing a good share.

1854 May 15.  Rochester Daily American.  (Rochester, New York.)  May 15, 1854, Vol. 10, No. 115, P. 2.

Crystal Palace Notes…

Nor should visitors to the Crystal Palace forget to visit the Daguerrian Rooms of Mr. L. V. Griffin.  They are fitted up in a style unsurpassed in the west.  The reception room is large and commodious.  By passing up an easy flight of stairs you enter into the operating room.  This room has every convenience for perfecting the art.  W.

1854 May 22.  Rochester Daily American.  (Rochester, New York.)  May 22, 1854, Vol. 10, No. 121, P. 2.

Dissolution.—The Co-parntership heretofore existing between the subscribers, under the firm of Whitney & Denny, is this day dissolved by mutual consent.  All persons indebted to said firm will make payment to Edward T. Whitney, who will likewise settle all debts owing by said firm.  E. T. Whitney, C. B. Denny. 

Rochester, May 18th, 1854.  The Daguerreotype business will be carried on hereafter by the subscriber, at the rooms of the late firm of Whitney & Denny.  E. T. Whitney.

The Copartnership heretofore existing between the subscribers under the firm of Whitney, Denny & Griffin, is this day dissolved by mutual consent.  L. N. (sic.) Griffin is hereby authorized to use the name of the firm in settlement, and to whom all accounts must be paid.  E. T. Whitney,  C. B. Denny, L. N. (sic.) Griffin.

Advertisement ran from May 22, 1854 to February 28, 1855.

1854 May 24.  Rochester Daily American.  (Rochester, New York.)  May 24, 1854, Vol. 10, No. 123, P. 2.

Crystal Palace Daguerreotype Gallery, L. V. Griffin, 79 Main st., Crystal Palace Block.  We would invite the attention of all interested in the production of fine Daguerreotypes, to this large and truly beautiful Gallery.  The rooms are very large and were arranged expressly for this business at great expense and nothing has been left undone that would contribute in the least to make every arrangement complete and as perfect as possible.  The largest and most superior Sky-Light ever constructed for this Art, is adjusted at an angle, that will admit all the light required, and the facilities are such that a sitting can be given in a remarkable short space of time at any hour and in any weather.

In fact this indispensable addition to Photographic manipulations has become so justly appreciated, that many operators from different sections are desirous of obtaining a plan of the adjustment by which to obtain what Artists style Half or Natural Tints, which cannot be procured in a perfect manner without the aid of such a Light.

Citizens and strangers are requested to call, and for proof of the above, examine specimens, and also refer to the patrons of the Crystal Palace Gallery.

Advertisement ran from May 24, 1854 to  October 15, 1855.

1854 June 9.  Rochester Daily American.  (Rochester, New York.)  June 9, 1854, Vol. 10, No. 137, P. 2.

Daguerreotypes, of a superior tone, and the finest blending of light and shade, can be had at any time at Griffin’s Gallery, in the Crystal Palace block.

Advertisement was recorded seven times between June 9 to 19, 1854.

1855 March 21.  Rochester Daily American.  (Rochester, New York.)  March 21, 1855, Vol. 11, No. 70, P. 2.

Read Aloud!—If you want a good Daguerreotype, in a fancy case, and cheap at that, call at the Crystal Palace Gallery.  Griffin is always at his rooms.

Remember, entrance 1st east of the Marble Store, 79 Main street.

Advertisement ran from March 21 to 30, 1855.

1855 March 30.  Rochester Daily American.  (Rochester, New York.)  March 30, 1855, Vol. 11, No. 78, P. 2.

Crystal Palace Daguerreotype Gallery, No. 79 Main street, Rochester, N. Y., First entrance East of Wamsley Brothers’ Store.  L. V. Griffin, Operator and Proprietor.  The attention Of All the Readers of this paper is respectfully called to this, the largest and most complete Establishment of the kind in this city, and second to no one in the State.

“This is no Hoax.”

If it seems improbable, call and satisfy yourselves as to the truth of the assertion.  A constant attention to this art or six successive years, has won for us the enviable notoriety of producing the best Daguerreotypes, notwithstanding the “Puffs” of our neighbors in the art, written by themselves, and paid for at the rate of ten cts. per line.

Let the respective merits of each be critizied (sic.).

Pictures of every size, from the largest plate to the smallest finger-ring.

One great advantage over other Galleries, is the immense Sky-Light Pictures.

Children are taken daily in one, two and three seconds, single or in groups.  The state of the weather is no account.  A large light and superior Cameras, will conquer Stereoscopes, Crayon, Landscape, or Scenic illuminated and magic, and the vignette, are among the styles of the present method of taking Daguerreotypes.

All are invited to call and examine specimens and prices.  The latter shall be put down as cheap as the cheapest, in fancy cases or frames, and no work allowed to go out unless it suits in every particular.

Advertisement ran from March 30 to October 15, 1855.

1856 January 3.  Livingston Republican.  (Geneseo, New York.)  January 3, 1856, New Series—Vol. VII, No. 3, Whole No. 955, P. 3.

Crystal Palace Daguerreotype and Photograph Gallery!  No 79 Main Street, Rochester, N. Y. 

L. V. Griffin, Operator & Proprietor.

Life Size Photographs on canvas,

Cabinet            do                    do,

Chroma tints   do          on Paper,

Plain Photographs, all sizes,

Ambrotypes or Daguerreotypes on Glass, Stereoscopes, Crayon, Vignette, Magic, colored and plain Daguerreotypes, all sizes.

The attention of all the readers of this paper especially directed to the largest and most complete establishment in the city.  A life size Photograph Painted with Oil Colors is decidedly the best and most durable picture that can be made.  The Likeness is as perfect as the Daguerreotype, and the Painting is executed by the most skillful Artist in this country.  Old Daguerreotypes of deceased friends through it be a locket picture, can be enlarged to a life-size without the least possibility of a failure.  When you visit Rochester, call and see specimens. 

Advertisement ran from January 3 to December 25, 1856.

1856 August 21.  Livingston Republican.  (Geneseo, New York.)  August 21, 1856, New Series—Vol. VII, No. 36, Whole No. 988, P. 2.

As an artist, Mr. Griffin has no superior, and he has done much to advance and perfect the Daguerrean art.  The paper Ambrotypes are something that will have a great run, and from the specimens we have seen, they are fully equal to any taken on glass, and are in a form to be forwarded by mail without danger of soiling.  Those desiring a Daguerreotype, an Ambrotype either on glass or paper, or Photograph, should give Mr. G. a call at his rooms in the Crystal Palace block, Rochester.

1857 September 3.  Rochester Daily American.  (Rochester, New York.)  September 3, 1857, Vol. XIII, No. 205, P. 3.

Considerable interest was excited this forenoon by the fact that a number of our citizens were taken up singly to the height of several hundred feet by Prof. Steiner in his large balloon “The Pride of the West.”  Among those who took this trip were Mr. L. V. Griffin the Daguerrean Artist…

1857 November 10.  Rochester Daily American.  (Rochester, New York.)  November 10, 1857, Vol. XIII, No. 260, P. 2.

Grand Combination!  We, the undersigned, Proprietors of the Principal and long established Daguerreotype Galleries In this city, have decided, that, in consequence of the extreme scarcity of Money, and the many difficulties that a large class labor under, that it is No More Than Just, that a Reduction should be made in the Price Of Pictures! 

Therefore, Resolved, That henceforth, and until further notice, we will make Pictures For Twenty-Five, Fifty, and Seventy-Five Cents, For which we have heretofore charged One Dollar.

We Also Propose To Reduce the price of Fancy Cases, Frames, &c., &c., in the same ratio.  (Signed)

R. B. Appleby, Arcade Gallery,

Hovey & Hartman, Gaffney’s Block,

L. V. Griffin, Crystal Palace Block,

J. S. Crocker, Whitney’s Gallery.

Advertisement ran from November 10 to 13, 1857. 

1859 May 13.  The Brockport Republic.  (Brockport, New York.)  May 13, 1859, Vol. III, No. 31, Whole No. 135, P. 2.

New Ambrotype Gallery!  E. M. Sintzenich.  From the old established Gallery of L. V. Griffin, Rochester, (where he has had nearly six years experience in the art of producing Camera Pictures,) has established himself in this village Directly over the Post Office, for the purpose of accommodating the citizens of the place and the surrounding country with First Class Pictures! Of Every Description.

He does not hesitate in saying that he can produce as good work as can be made at any Gallery in the State, and as cheap as the cheapest.

All are invited to call and examine specimens.  All work warranted.  Remember the place, Brockport, May 4, 1859.

Advertisement ran from May 13 to 27, 1859.

Gregory, Albert

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1845                Room No. 11 Town Building, Dover, New Hampshire.

1845                8 Congress Street, Portsmouth, New Hampshire.

1845                25½ Market Street, Portsmouth, New Hampshire.

1849-1850       Market Street, Cheever’s Block, Portsmouth, New Hampshire.

1851                33 Congress Street, Portsmouth, New Hampshire.

1851-1857       8 Congress Street, Portsmouth, New Hampshire.

1856-1865       33 Congress Street, Portsmouth, New Hampshire.

1845 June 24.  Dover Enquire.  (Dover, New Hampshire.)  June 24, 1845, Vol. XIX, No. 3, P. 3.

Daguerreotype Miniatures.  Now is the time to secure the most valuable of all Mementoes.  The subscriber is prepared to take Likenesses by the above beautiful process, correctly, with or without colors, in all kinds of weather, at the very pleasant Room No. 11, in the town Building, where he would be happy to have the Ladies and Gentlemen of Dover and vicinity call and examine specimens, whether they contemplate sitting for their pictures or not.  Visitors will receive all due attention by the subscriber, who flatters himself that he is enabled to please the most fastidious, as his terms are reasonable ad perfect satisfaction warranted.  A. Gregory.

1845 July 29.  New Hampshire Gazette.  (Portsmouth, New Hampshire.)  July 29, 1845, Vol. XCI, No. 30, P. 3. 

Daguerreotype Miniatures.  “Now is the time to secure a valuable Memento.”  The subscriber has fitted up a room in Gray’s new building, No. 8 Congress Street, for the purpose of taking Likenesses by the above beautiful process, in the latest style, with or without colors, in clear or cloudy weather.

Having been in the instruction of eminent Artists, he flatters himself he can please the most fastidious.

The Ladies and Gentlemen of Portsmouth and vicinity are respectfully invited to visit his room and examine specimens, whether they contemplate sitting for their pictures or not.

Terms reasonable, and varying where several members of the family are taken.  Correct Likenesses warranted.

Rooms open from 8 A. M. until 5 P. M.  A. Gregory

Advertisement ran from July 29 to November 11, 1845.

1845 August 9.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  August 9, 1845, Vol. LVI, No. 32, P. 3.

Daguerreotype Miniatures.  “Now is the time to secure a valuable Memento.”  The subscriber has fitted up a room in Gray’s new building, No. 8 Congress Street, for the purpose of taking Likenesses by the above beautiful process, in the latest style, with or without colors, in clear or cloudy weather.

Having been in the instruction of eminent Artists, he flatters himself he can please the most fastidious.

The Ladies and Gentlemen of Portsmouth and vicinity are respectfully invited to visit his room and examine specimens, whether they contemplate sitting for their pictures or not.

Terms reasonable, and varying where several members of the family are taken.  Correct Likenesses warranted.

Rooms open from 8 A. M. until 5 P. M.  A. Gregory

Advertisement ran seven times between August 9 to October 4, 1845.

1845 November 1.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 1, 1845, Vol. LVI, No. 44, P. 3.

Cameras For Sale.  Three of the above instruments, for sale very cheap,  and warranted, together with or without Instructions.

Likenesses taken as usual.  A. Gregory, Daguerreotypist.

Advertisement ran from November 1 to 22, 1845.

1845 November 29.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New

Hampshire.)  November 29, 1845, Vol. LVI, No. 48, P. 3.

Washington Hall, No. 25½ Market street.  A. Gregory has removed his Apparatus to the above commodious room, to enable him to operate to the best possible advantage—and is now taking superior Daguerreotype Likenesses.  The public are respectfully invited to call and examine specimens.

He has for sale several Cameras, perfect instruments, either with or without Instruction and Apparatus,

The above beautiful Hall, will be let, for evening parties, &c. at a low rate.  Enquire as above.

Advertisement ran from November 29 to December 20, 1845.

1849 February 3.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  February 3, 1849, Vol. LX, No. 5, P. 3.

Daguerrean Rooms, Old Stand, Cheever’s Block, Market Street, By A. Gregory,—where Likenesses of the first quality can be had, as prices as low as at any other establishment in town, and perfect satisfaction given

The public are respectfully Invited to examine specimens as above. 

Advertisement ran from, February 3 to 17, 1849.

1849 December 5.  New Hampshire Gazette.  (Portsmouth, New Hampshire.)  December 5, 1849, Vol. XCV, No. 49, P. 3. 

It Is A Mistake That Gregory has gone to California; he is still at his Daguerrean Rooms in Cheever’s Block, Market street. (Old Stand,) where he would be happy to execute a hundred thousand more Likenesses before he goes.

Advertisement ran from December 5, 1849 to March 19, 1850.

1850 January 2.  New Hampshire Gazette.  (Portsmouth, New Hampshire.)  January 2, 1850, Vol. XCVI, No. 1, P. 3. 

Daguerreotypes.  The subscriber without attempting to forestall the opinion of a discerning public, would respectfully call attention to the fact that during the Five Years constant practice he has had in the Daguerreotype Art, he has availed himself of such knowledge and improvements therein as to enable him to execute and warrant as good Likenesses as can be obtained elsewhere, and while expressing his thanks for the very liberal patronage he has received during the year and a half he has operated in this city, he solicits a continuance of the same at his room, Cheever’s Block, Market street.  A. Gregory.

Advertisement ran from January 2 to July 2, 1850.

1851 February 22.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  February 22, 1851 Vol. LXII, No. 8, P. 3.

Gregory’s Daguerreotype Room, No. 33 Congress St. Opposite City Hotel Mr. Gregory is permanently located as above, having a pleasant Room—with an excellent Sky-Light, combined with a Side Light, by which he operates, and continues to execute as fine Pictures and perfect Likenesses, not withstanding all the attempts to disparage his work as can be obtained elsewhere.

Having been long in the practice, and being a lover of this truly beautiful art, which has been aptly termed Photography, or the “Art Of Light,” the value of which has hardly begun to be appreciated, he feels a double interest in obtaining the finest results and having every one pleased who may favor him with their patronage.

Likenesses taken, of all sizes, and neatly set I Cases, Frames, Lockets, &c., of various styles and qualities, which he which he keeps on hand.  The public are respectfully requested to call as above and examine his work.

Advertisement ran from February 22 to April 12, 1851.

1851 February 25.  New Hampshire Gazette.  (Portsmouth, New Hampshire.)  February 25, 1851, Vol. XCVII, No. 9, P. 3. 

Gregory’s Daguerreotype Room, No. 33 Congress St. Opposite City Hotel Mr. Gregory is permanently located as above, having a pleasant Room—with an excellent Sky-Light, combined with a Side Light, by which he operates, and continues to execute as fine Pictures and perfect Likenesses, not withstanding all the attempts to disparage his work as can be obtained elsewhere.

Having been long in the practice, and being a lover of this truly beautiful art, which has been aptly termed Photography, or the “Art Of Light,” the value of which has hardly begun to be appreciated, he feels a double interest in obtaining the finest results and having every one pleased who may favor him with their patronage.

Likenesses taken, of all sizes, and neatly set I Cases, Frames, Lockets, &c., of various styles and qualities, which he which he keeps on hand.  The public are respectfully requested to call as above and examine his work.

Advertisement ran from February 25 to April 1, 1851.

1854 January 28.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  January 28, 1854 Vol. LXV, No. 4, P. 2.

The Stereoscope.  [It] has sometimes been known to our citizens, that our ingenious townsman, Mr. Dominick Peduxxi, has, after much careful experiment, made in conjunction with Mr. Albert Gregory, one of our intelligent daguerreotype artists, discovered the exact method of taking daguerreotype portraits for the stereoscope.  The few pictures he has exhibited have excited great admiration.  The flat and changeable surface of the daguerreotype, by this arrangement assumes the appearance of most exquisite statuary.  Nothing in painting or engraving is capable of producing such a result.

The whole art, tho’ not quite new, is of so recent discovery, that it may be necessary for us to explain the principle which the stereoscope involves.  Every person, who reflects on the subject, will perceive that when we look at an object with both eyes, we see two different pictures of it.  One eye sees a little more of the right side of the object, the other eye sees a little more of the left.—The image formed in each eye are as different as the aspects of the object would be, if we were to close one eye and with the other look at the object successively from two points, one of which shall be almost two and a half inches to the right of the other.  It is this double union, by which we partly look round the object, which principally gives us the idea of prominence or solidity in what we see; which enables us readily to distinguish between a real projecting body and a flat picture.  Now it is apparent that if to pictures of any body could be painted, one of which should exactly represent the picture seen by the right eye, and the other the picture of the same body as seen at the same time by the left eye; and both pictures, placed side by side , could be seen at once and as one, by aid of a pair of lenses or otherwise, the picture would produce the same imprehension (sic.) upon the sight, as the solid object itself.  Painting can never be executed exactly enough to produce this effect; but two pictures may be taken by the camera or daguerreotype process, which will very perfectly accomplish it.  The published methods of doing this, however, are far from being correct, and the results which they produce are very imperfect.

–Mr. Peruxxi has very ingeniously discovered the true method, and his pictures are, as we have said singularly beautiful.

We are induced to notice this discovery of our townsman, at the present time, by observing in the Boston Evening Traveller, an advertisement of Southworth & Hawes, in which they claim the discovery as their own, and offer a reward for the apprehension of Mr. Peduzzi as an Imposter!  It is possible that these modest gentlemen may have made them same discovery, but they really arrogate too much to themselves when they undertake to claim the sole proprietorship of it.  The discovery, being of a principle only is probably not patentable; certainly the principle, and to some extent, its exact application has been too long and too publicly known, for any person now to set up any exclusive right in it.

We leave Mr. Peduxxi to seek the legal redress to which he is entitled, and which we understand he proposes to claim, for the libels upon him; but we hope the public will not suffer itself to be imposed upon, by the arrogance of any pretenders whatever.  The new art is very beautiful in its results, and we hope it will at once come into general use.  We are sure our townsman can suffer nothing from the unjust and selfish attacks made upon him, but will ultimately derive credit, and we hope profit for his ingenuity.

1855 June 16.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  June 16, 1855 Vol. LXVI, No. 24, P. 3.

Daguerreotypes. M The place to obtain superior Daguerreotypes is at Gregory’s Emporium Of Art, Congress Street.  Abundant evidence of his skill may be seen as above, together with Stereoscopic Pictures.

Mr. G. is joint discoverer of a system of making these Gems correctly, and was awarded a diploma at the last N. H. State Fair.  Opposite City Hotel.

Advertisement ran from June 16 to May 31, 1856.

1855 July 25.  Farmers Museum.  (Keene, New Hampshire.)  July 25, 1855, Vol. XXI, No. 51, P. 3.

Ned Buntline, the leader par excellence of the K. N. Party, left this city recently, after having lectured to the faithful m on the rising glories of Hindoosim, (sic.) forgetting to settle his small bill at the hotel where he put up.  He also borrowed of Mr. Gregory, Daguerrean artist, a fine stereoscopic daguerreotype of himself in his regimentals, taken by Mr. G. a year ago, promising upon his honor to return it immediately, but has not been heard from since…Portsmouth Gazette.

1856 April 26.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  April 26, 1856 Vol. LXVII, No. 17, P. 3.

New And Interesting About Daguerreotypes.  A. Gregory respectfully returns his acknowledgements to his patrons for their appreciation of good work, and is happy to announce that he has recently enlarged and refurnished his pleasant and well known establishment, No. 33 Congress Street, for the further comfort of customers—likewise to introduce  to notice [I hope] splendid new kind of Pictures On Glass, which are fast coming into vogue.  These pictures possess several valuable qualities which highly recommend them to favor, being much prized wherever they have been introduced.  They are not reversed, avoiding the double reflection of pictures on plates, as they can be seen in any light, and are made permanent enameling nearly as hard as the glass itself, rendering them even more durable than the old kind.

Mr. G. keeps a splendid assortment of Fancy Cases of rich styles, together with plain kinds at reasonable prices, including the all important requisite of a superior Likeness, which his long practice enables him to give.

Strangers in Portsmouth as well as all others, willobserve the right place to get the full worth of their money.

Specimens of the various kinds of pictures on exhibition which all interested are invited to examine.

Advertisement ran from April 26 to June 14, 1856.

1856 June 21.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  June 21, 1856 Vol. LXVII, No. 25, P. 2.

Heilotypes or Ambrotypes.  No. 33 and 35 Congress St.  A. Gregory has just purchased a Large Double size Cameras, larger than any any ever before used in Portsmouth, and also obtained the best method of making pictures on Glass, and which is known only to a few, so that he ran large pictures, Family, Groups and infant more perfect than ever.

N. B.—These pictures are warranted not to fade or change in any climate.

Advertisement ran from June 21 to May 23, 1857.

1857 May 30.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  May 30, 1857 Vol. LXVIII, No. 22, P. 3.

A. Gregory, Ambrotype & Photographer, No. 33 Congress St.  The Pioneer of the above branches of business in Portsmouth.  His Ambrotypes are now too well known to require an extensive notice, and he would call especial attention to his Photographs, which he is daily executing in a superior style, finished either plain or in Water or Oil colors, rendering these beautiful and desirable Likenesses specimens of which he will be happy at all times to exhibit, together with much information that cannot well be condensed in an advertisement.

Advertisement ran from May 30 to  July 11, 1857.

1857 October 12.  Exeter News-Letter And Rockingham Adviser.  (Exeter, New Hampshire.)  October 12, 1857, Vol. XXVII, No. 28, P. 1,

From the Portsmouth Chronicle.  Rockingham Fair…In addition to the foregoing meagre premiums, the Committee would do injustice to their own feelings, did they not a least make honorable mention of a few among the numerous articles of taste and beauty with which Congress Hall abounded…

Life-like photographs in oil by Albert Gregory…

1859 April 30.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  April 30, 1859 Vol. LXX, No. 18, P. 2.

Stereoscopes—Mr. Gregory has made some beautiful Stereoscopic pictures of home scenes, which are well worth examining.  What more beautiful remembrance of home to one far away, than to have a good picture of valued localities standing out in true proportions before the eye.

1859 April 30.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  April 30, 1859, Vol. LXX, No. 18, P. 3.

New Stereoscopes.  Home scenes.  Everybody is familiar nowadays with the foreign Stereoscope, and in raptures with their beauty.—But the subscriber has by dint of great perseverance and expense obtained a splendid instrument and apparatus for the production of these enchanting pictures in all their natural glory, and is prepared to take Fireside scenes of the Family circle, Views of Buildings, Landscapes &c. &c. to order—and pictures for sale on favorable terms, at No. 33 Congress Street.  A. Gregory.

Advertisement ran from April 30, 1859 to July 21, 1860.

1860 July 7.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  July 7, 1860,  Vol. LXXI, No. 27, P. 3.

Photographs, Ambrotypes.  Mr. A. Gregory, in returning his sincere thanks to his patrons, would respectfully inform them with the public generally, that he has just refitted in a neat style his Gallery, No. 33 Congress Street, where he would be happy to receive a continuation of patronage in all the various branches of the Photographic Art.  Fifteen years of practice (Ten of them at the above stand) and a superior Light and Instruments leave him to believe a discerning public can see the difference between molasses and water pictures, and the good work which he is executing at the lowest prices.

Advertisement was recorded from July 7 to October 13, 1860.

1860 July 14.  The New Hampshire Gazette.  (Portsmouth, New Hampshire.)  July 14, 1860,  Vol. 106, No. 28, P. 3.

An Old Artist in a New Room.  No 23 Congress Street.  Ambrotypes & Photographs Unequalled for quality and cheapness, at the above place because Mr. A. Gregory, the Proprietor, is an old Artist of Fifteen Years experience; and with his superior Light and Instruments, his work excels—yes, and excels in Cheapness too.  Those interested are respectfully invited to call before having work done.

Advertisement was recorded nine times between July 14 to September 15, 1860.

1862 July 19.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  July 19, 1862,  Vol. LXXII, No. 29, P. 3.

Elegant Photographs.—Mr. Gregory is very successful, and displays as handsome specimens of the art as can be found in any album.  Cast your eye over the cards at his door, and then see if he cannot put you in as clear and truthfully positions.

1865 December 23.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  December 23, 1865,  Vol. LXXV, No. 51, P. 3.

Albatypes.  Photographs.  Ambrotypes.  We wish to call the attention of the public to the new Porcelain or Opal Glass Pictures, Specimens of which are now on exhibition at our Rooms.  For softness and delicacy of tone and outline, they are unrivalled, being unlike anything ever before offered.  Call and see,

Photographs.  We challenge comparison with the best Artists in the country in making all kinds of Photographic Pictures.

We are prepared to execute all kinds of work and Guarantee Satisfaction.

Ambrotypes of all kinds taken at reasonable prices.

We have taken the Rooms No. 33 Congress street, (recently occupied by Mr. Gregory,) and intend to keep them open for the present, for the making of little Gem Photographs, or Tintypes, never before offered in Portsmouth, and also, all kinds of Photographic Work that may offer.

Stereoscopic Views.  A fine lot for sale, including views of Portsmouth and Vicinity, Navy Yard, &c. 

Also Oval Frames of all sizes for framing Photographs and other Pictures.

Stereoscopes, Photograph and Tintype Albums, Cases of every style, and every thing connected with our business for sale on reasonable terms.  Davis Brothers, 17 Pleasant Street, Portsmouth, N. H.

1866 January 20.  Portsmouth Journal of Literature and Politics.  (Portsmouth, New Hampshire.)  January 20, 1866,  Vol. LXXVI, No. 3, P. 3.

New Store.  New Goods.  Mr. A. Gregory.  Having relinquished the Photograph Business, respectfully inform The Ladies of  Portsmouth and vicinity, that he has opened the Store in Pierce’s New Block, Congress Street, For Ladies Trimming Goods and Small Wares, Together with a variety of Fancy Articles, &c., &c.

A beautiful Assortment of which Mr.  G. has just selected and will be happy to wait on Customers with, as above.  And gratefully acknowledging the favorable patronage heretofore received, invites a continuance of the same, hoping by continued exertions in the selection of Choice Goods, and selling at Low Prices, to merit a liberal share of patronage.

Gray, John C.

Ambrotypes, Daguerreotypes, Photographs, , , , , ,

1846                Address Unknown, Jamestown, New York.

1850                Granite Building, Main Street, over D. M. Cosby & Co., Jamestown, New York.

1852-1859       Main and Second Streets, Allen’s Exchange Building, Jamestown, New York.

1858-1859       Main Street, near the Bridge, Jamestown, New York.

1846 July 10.  Jamestown Journal.  (Jamestown, New York.)  July 10, 1846, Vol. XX, No. 1046, P. 2.

Daguerreotype Gallery.—We lately visited the Daguerreotype Picture Gallery of Mr. J. C. Gray, and was surprised to observe the improvement there has been made in the art.  Mr. Gray can have but few equals; his portraits are true to nature.  For fineness and strength of outline, beautiful gradations of shade, and life-like color, together with delicate tinting by means of the pencil, they excel in beauty and expression any thing of the kind we have ever seen.

Mr Gray has devoted much time in the acquirement of the art, and has spared no expense in providing himself with apparatus of the best quality.  We understand that he intends leaving town in a few days, and would advise all those wishing for a perfect likeness of themselves or friends, to call on him immediately.

1850 February 15.  Jamestown Journal.  (Jamestown, New York.)  February 15, 1850, Vol. XXIV, No. 39, Whole No. 1,235, P. 3.

Last Opportunity.  The undersigned have formed a partnership for mutual benefit in traveling, would respectfully announce to the citizens of Jamestown and vicinity that they will remain with them but a short time longer.  Meanwhile they will be pleased to wait upon all those who may wish to secure of themselves or friends, that beautiful gem for Memory’s casket, the Daguerreotype.

Having availed themselves of all the late improvements, and applied them with experienced manipulation, they flatter themselves they can produce photographic likenesses in beauty, correctness and durability inferior to none in the country.

They have on hand a large variety of rosewood and gilt frames, passpatout, paper mache book, and other fancy cases, and also a large assortment of gilt and gold lockets.

They may be found in the Granite Building opposite the Post Office, always ready to wait upon customers from 8, A. M. to 5 P. M.  J. C. Gray.  G. R. Martin.

Advertisement ran from February 15 to March 29, 1850.

1852 February 27.  Jamestown Journal.  (Jamestown, New York.)  February 27, 1852, Vol. XXVII, No. 41, Whole No. 1,341, P. 2.

Mr. John C. Gray, Daguerrean, has established himself in the 2d story of Allen’s Exchange Buildings.  By means of a superior sky-light he is now enabled to take likenesses that are not surpassed.  John Used to have the reputation of doing his work in this way, but he beats himself now.

1852 February 27.  Jamestown Journal.  (Jamestown, New York.)  February 27, 1852, Vol. XXVII, No. 41, Whole No. 1,341, P. 3.

J. C. Gray, Daguerrean Artists, Corner of Main and Second-sts.  Sky-light Operating Rooms.

Advertisement ran from February 27, 1852 to April 21, 1854.

1854 April 28.  Jamestown Journal.  (Jamestown, New York.)  April 28, 1854, Vol. XXVIII, No. 50, Whole No. 1454, P. 1.

John C. Gray, Daguerrean Artists, Corner of Main and Second streets.  Sky-light Operating Rooms, Jamestown, N. Y.

Advertisement ran from April 28, August 4, 1854.

1854 August.  The Photographic And Fine Art Journal.  (New York, New York.)  August 1854 Vol. 7, No. 8, P. 256.

Mr. J. C. Gray , of Jamestown, N. Y., gave us the pleasure of a visit within a few days, and we found him the unassuming gentleman we had anticipated from his letters.  Such artist honor the art. 

1854 August 11.  Jamestown Journal.  (Jamestown, New York.)  August 11, 1854, Vol. XXIX, No. 13, Whole No. 1,469, P. 1.

Gray & Hoard, Daguerrean Artists.  Corner of Main and Second streets.  Sky-light Operating Rooms.  Jamestown, N. Y.

Advertisement ran from August 11, 1854 to June 13, 1856.

1856 January 11.  Jamestown Journal.  (Jamestown, New York.)  January 11, 1856, Vol. XXX, No. 35, Whole No. 1,543, P. 3.

Kast your eye this Way.  As many persons enquire for “Dollar Daguerreotypes” we would say to all such, that you can be accommodated at that price until the first of March.  Pains will be taken to give satisfaction as usual, and the Daguerreotypes will be put up in neat and durable cases.  Likenesses of Children will not be taken for a lesser sum than one Dollar and Fifty Cents.  A new stock of rich and beautiful cases just received.  Get your likenesses in the best kind we have got and you can have it cheap for ready pay.  Gray & Hoard.

N. B.  Miss. coax that fine looking gentleman to give you his Daguerreotype.  Sir, coax that pretty lady to sit for her likeness, you’ll have to pay for it, you know, so what’s the odds? 

Advertisement ran from January 11 to February 8, 1856.

1856 January 25.  Jamestown Journal.  (Jamestown, New York.)  January 25, 1856, Vol. XXX, No. 37, Whole No. 1,545, P. 3.

Division of County!  This question has been agitated more or less for several years, and until the present time we have smothered our indignation and kept silent.  Good friends don’t you think it would be a good plan for the people of this County to form themselves into parties of from one to as many as they please, and Call On Gray & Hoard for their Daguerreotypes; for a single person it would cost one Dollar, and so on up into the pictures; for a married person, the case, of course would be different, for then the cost would be only just the same.  Groups cost a trifle more, and if you want some of our Richest Cases or Lockets, why then, you can have them at your own price, providing always that your price is a leetle more than ours.  Come along good folks we’re always accessible.  Gray & Hoard, Allen’s Exchange, up stairs.

Advertisement ran from January 25 to February 8, 1856.

1856 January 25.  Jamestown Journal.  (Jamestown, New York.)  January 25, 1856, Vol. XXX, No. 37, Whole No. 1,545, P. 3.

$000,001.00 For a Daguerreotype Likeness that will not Fade half so soon as the man that made it, even if it was taken by Gray & Hoard, at Allen’s Exchange, up stairs.

Advertisement ran from January 25 to March 21, 1856.

1856 March 28.  Jamestown Journal.  (Jamestown, New York.)  March 28, 1856, Vol. XXX, No. 40, Whole No. 1,554, P. 3.

Look at This!  Examine it well, and you will perceive that “Mother Earth” is represented in mans’ apparel, supposed it is all right, men wear shawls, and women unmentionables, and Gray & Hoard, has just purchased part of $347, 000 worth of Daguerreotype Stock which they hope to dispose of to such advantage as to enable them to continue making Good Pictures at Low Prices.—We shall prepare in a few days to make Ambrotypes and Photographs in a style not to be surpassed.    Gray & Hoard.  Jamestown, March 4, 1856.  

Advertisement ran from March 28 to May 30, 1856.

1856 June 13.  Jamestown Journal.  (Jamestown, New York.)  June 13, 1856, Vol. XXX, No. 40, Whole No. 1,554, P. 3.

Look at This!  Examine it well, and you will perceive that “Mother Earth” is represented in mans’ apparel, supposed it is all right, men wear shawls, and women unmentionables, and Gray & Hoard, has just purchased part of $347, 000 worth of Daguerrotype Stock which they hope to dispose of to such advantage as to enable them to continue making Good Pictures at Low Prices.—We shall prepare in a few days to make Ambrotypes and Photographs in a style not to be surpassed.    John C. Gray.         

Advertisement ran from June 13 to August 29, 1856.

1856 June 13.  Jamestown Journal.  (Jamestown, New York.)  June 13, 1856, Vol. XXX, No. 40, Whole No. 1,554, P. 3.

$000,001.00 For a Daguerreotype Likeness that will not Fade half so soon as the man that made it, even if it was taken by Gray & Hoard, at Allen’s Exchange, up stairs.

Advertisement ran from June 13, 1856 to May 29, 1857.

1856 June 20.  Jamestown Journal.  (Jamestown, New York.)  June 20, 1856, Vol. XXXI, No. 6, Whole No. 1566, P. 1.

John C. Gray, Daguerrean Artists, Corner of Main and Second streets.  Sky-light Operating Rooms, Jamestown, N. Y.

Advertisement ran from June 20, 1856 to December 30, 1859.

1856 November 28.  Jamestown Journal.  (Jamestown, New York.)  November 28, 1856, Vol. XXXI, No. 29, Whole No. 1589, P. 2.

It has been said that Lord Byron used large quantities of vinegar in his food, and likewise drank a great deal for the purpose of preventing corpulency; this was his taste.  The old woman who kissed the cow, shewed a taste of a different kind—but the taste you can exhibit, dear reader, will be to go to Gray and get one of his inimitable Daguerreotypes.  They cost but a Dollar or Two and are well worth the money.  Come to Allen’s Exchange, up-stairs.  John C. Gray.

Advertisement ran from November 28, 1856 to May 29, 1857.

1856 December 12.  Jamestown Journal.  (Jamestown, New York.)  December 12, 1856, Vol. XXXI, No. 30, Whole No. 1591, P. 2.

Ho For The Holidays!   Christmas is coming!  The New Year is not far off!  Are you prepared to make your friend a present?  Do you wish to treat yourself to one?  Of course you do; Then call on Gray and get a good Daguerreotype Likenesses of yourself or your Father, Mother, Brother, Sister, Aunt, or that sweet charming Cousin or Friend!—Don’t be bashful.  Gray gets up a fine likeness and at reasonable rates.  Rooms corner of Second and Main Sts., over Allen’s Store.  The earlier part of the day is preferable, at this season of the year.  J. C. Gray. 

Advertisement ran from December 12, 1856 to January 2, 1857.

1857 August 14.  Jamestown Journal.  (Jamestown, New York.)  August 14, 1857, Vol. XXXII, No. 9, Whole No. 1626, P. 2.

Ambrographs and Papiertypes, a very convenient kind of Portrait for sending by Mail, cost from 50 cents to One Dollar.

Advertisement ran from August 14 to October 2, 1857.

1857 August 28.  Jamestown Journal.  (Jamestown, New York.)  August 28, 1857, Vol. XXXII, No. 9, Whole No. 1591, P. 2.

The Comet has passed, without annihilating anybody, or even shaking us out of our boots; indeed the only jar we sensibly felt, was a jar of butter for which we paid twenty cents per pound, and now we cannot use it, in making of Daguerreotypes it not being strong enough for the purpose, although it is sufficiently strong for the practical use to which we apply it; still, Butter or no Butter, we can and will make, as good a Daguerreotype, Ambrotype, or Papiertype for as low a sum as will afford us a fair remuneration for so doing.  J. C. Gray.  Over D. Allen’s Store, corner Main and Second Sts.

Advertisement ran from August 28 to October 2, 1857.

1857 October 2.  Jamestown Journal.  (Jamestown, New York.)  October 2, 1857, Vol. XXXII, No. 16, Whole No. 1633, P. 2.

Curiosity Shop.  If you have any curiosity to see the curiosities, gratify your curiosity by going to Gray’s curious Curiosity Shop, where may be seen by the curious, curious things—including may very fine Portraits of notable divines and others.  Photographic Views—Photographs of Mrs. Cunningham and Dr. Burdell, &c. &c. above all, you may see a very modest and good looking gentleman, who for a trifling consideration will make you a Daguerreotype or Ambrotype that will be sure to give satisfaction.  Don’t forget the place, viz:  Corner of Main and Second sts., over D. Allen’s store.  J. C. Gray. 

Advertisement ran on 2 & 16, 1857.

1857 October 16.  Jamestown Journal.  (Jamestown, New York.)  October 16, 1857, Vol. XXXII, No. 18, Whole No. 1635, P. 3.

Chautauqua Co. Bank & Jamestown Bank.  Money wanted at 5 per cent Premium, in exchange for the best kind of Daguerreotypes, Ambrotypes, &c., &c., at Gray’s Picture Gallery, over D. Allen’s Store corner of Main and Second streets, up stairs.

Advertisement ran from October 16 to November 20, 1857.

1858 May 28.  Jamestown Journal.  (Jamestown, New York.)  May 28, 1858, Vol. XXXII, No. 50, Whole No. 1667, P. 3.

Removal.  The Subscriber has removed his Daguerrean and Photographic Gallery a few doors south of its former location, where he has fitted up a very commodious suite of rooms, the operating apartment of which is suited to any complexion, strength of sight or color of the eyes.  It is just such an arrangement of light as twelve years experience dictated, which combine with a good theoretical knowledge, and increased facilities for Doing Good Work, sparing no expense in obtaining and putting in practice all valuable improvements, he is enabled to offer a Perfect Picture at the Lowest Prices, That can be reasonably desired.  Daguerreotypes Photographs, and every variety of the Ambrotype, made at this establishment, Main Street, near the Bridge.

John C. Gray.                                                 

Advertisement ran from May 28 to December 31, 1858.

1858 June 4.  Jamestown Journal.  (Jamestown, New York.)  June 4, 1858, Vol. XXXII, No. 51, Whole No. 1668, P. 2.

Moth can kept from Clothing, simply by giving the clothing two good coats of Paint; so says Gray the Daguerreotypist, whose place of business is in Main street, near the Bridge.

Advertisement ran from June 4 to July 30, 1858.

1858 June 18.  Jamestown Journal.  (Jamestown, New York.)  June 18, 1858, Vol. XXXII, No. 53, Whole No. 1690, P. 2.

A Frenchman told the waiter who was mixing a lemonade for him, not to make it “fortnight.”  “Fortnight! What do you mean!’ asked the hero of the lemon squeezer.  “Sare, you sall make him strong—not too weak.”  The waiter made it strong, and Gray makes capital pictures at his new gallery on Main Street near the Bridge.